Eric Clapton - Guitar Play-Along Volume 155

April 25, 2017 | Author: Shawn Waller | Category: N/A
Share Embed Donate


Short Description

Eric Clapton Guitar...

Description

Before You Accuse Me (Take a Look at Yourself) Words and Music by Ellas McDaniels

Intro Moderate Blues q = 94 E7

   

 __ =    3

Eº7

3

        

 

mf

    

Am6/E

3

              

w/ fingers let chords ring throughout

4 3 4

   



X

4 3 4

4 3 4

4 3 4

0

0

0

 

0 2

3 2 3

4 3 4

0



3 2 3

3 2 3 0

0

B7



2 1 2 0

2 1 2

0



0

 



1. Be -

         

 0

3 3

0

0 0

3 3

0 0

3

0 2

1

   3     fore





you ac - cuse



0

2

        3



3

3

Verse E

 

4 3 4

0

E



4 3 4

0 0

1

0 2

0 2

0

2

0 0 0

2

2

A





me,







take

a

look

 

 





at

your

 

 

3





 

 





      0 0

2 0

2 0

4 0

4 0

2 0

2 0

4 0

 

 

 

-

 0 0

0 0

2 0

2 0

4 0

© 1957 (Renewed 1985) EMI LONGITUDE MUSIC All Rights Reserved International Copyright Secured Used by Permission

4 0

2 0

2 0

4 0

1

E

  3     





 

A7

fore

 

  2 0



 

4 0

4 0



’cuse



0

2 0

 

  2 0

 

4 0

 

2 0

1



  

2 0

2 0

 

 

 

   

4 0

4 0

2 0

2 0

4 0

0





 

0 0

me,

 

4 0

0

2

0

3

 



2 2

2 0



3  

you

 







3 2

0 0

0





3    

take

a

look

at



3



 

 

 

 

   

0

4 0

4 0

2 0

2 0

2 0







   



  

1/4

1

2

2 0

  0 0

3

0 0

2

0

2

1

B7

spend - in’ my mon - ey

 2

      

0 0

0 0

3

3

2

0



 

0 2

0 2 2

on





oth - er wom - en,





2

  you

0 0 0

 3   3    tak - in’ mon - ey





from some - one





 

 

 



 



 



2

0

2 2 0

2 0

4 0

0

2 0

0

4 0

0

0 2

2

 

0

A





0 0

2

2

say I’m

3

0

0

  3   3   3    

2

 

 

0

3  

You

0

  



self.



  



0 0

your

E

  3   

 



Be -



   

3

 

 



self.

2 0









E

else.

 



  

43 4

2 0

Verse E

   called

0

4 3

0

0 0

3 4





3  

your

ma

-

2

2

 

 

 

2 0

2 0

4 0

4 0

2 0

2 0

4 0

A

2 0

  2 0

   A

4 0



called

your

 

 

2 0

  2 0

 

4 0

4 0



 

2 0

 





0 0



0

4 0

  2 0

 

 

2 0

2

or

four nights

 

 

2 0

4 0

0 2

a

 

 

4 0

4 0

2 0

  4 0

2 0

0 0

 -

go.



4 0







0 2

0 0

1

  2 0

  2 0

  I

    

’bout

 

  





 

  

1 2

3

three

2 0

ma - ma

 



0 0

2 2

2 0





0 2



 

3

   

’bout

 



 



 2

 



3

 

 



0 2

2

 

3

0 2

ma

 





0 0 1



 



0



2. I

3

 

E

 

3

 

    



3              0 0

 



B7

 

 

 

 

 



4 0

4 0

2 0

2 0

4 0

0

0 0 1

      3



nights

a

3

three or

  4 0

four

  4 0

  2 0

  2 0

-

    4 0

0 0 0

3

E

  3     

go.





  

 



0 0

4 3 4

3 2 3

           3   0 0



3

0 3 4

0

4 3 4

0

3 4

0

0 0

2

4

0 2

2 0

  

B7

 

ma -





3  

ma

  



E

3

   2

 

4

2

0

0

1

0

 



0

0 2









don’t

call

my

daugh

-

ter

no

more.”





 



 



 



 

 

1 2

0

2 0

0

4 0

0

2 0

0

4 0

2 0



0 3

4 3

0

3 4

0

2

0





’cuse

me,

  

you



  

3

0 0 1 2 2

1



 

 





 



2 0

2 0

4 0

4 0

2 0

2 0

4 0

0 0

  2 0

0 2 1

 

  2 0

3

0 2

0 2

2





3  

 

take

a

look

at

 

 

4 0

4 0

  2 0



0

1 2

2







       



A





3. Be -

0

3

B7



3           3 3  4 3 4

0

0



0

fore

0





2



0 0

   

2







“Son,

2

   

Verse E

3

A

 



3

said,

2



0

1

your 3

0

0 2

  



3

Well,

       3

  

 

2

2

  2 0

your

-

    4 0

0 0 0

E

  3   









 



self.

Be -

         

    

3 0 0

4 3 4

2 2 0

   E

 

fore

3

0 3 4

4 3 4

4 3 4

   

3

4 3 4

4 3 4

4 3 4

 

 

 

3 2 3

4 3 4

4 3 4

3

4 3 4

4 3 4

4 3 4

4 3 4

4 3 4

3 2 3



3



’cuse

me,

  

you

A











3  

 

take

a

look

at

your

-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 0

2 0

4 0

4 0

2 0

2 0

4 0

2 0

2 0

2 0

4 0

4 0

2 0

2 0

4 0

2 0

  3   







        3   3 3 

 

4 3 4

0 3 4

4 3 4

0

3 4

0

2

0

         

0 0 1 2 2

0 0

0

B7

  3   3    3      spend - in’ my mon - ey

2

 

  

1

2 0





You

self.

0 0

 

2

0 0

E

 





on



 



0

0 2

0 2

2

A





oth - er wom - en,





 3   say I’m

3

2

0

2

0 0





3

1

0

2

0

0

 

 3   3  

you

tak - in’ mon - ey from

3

   some

-

one





 

 

 



 



 



2

0

2 0

2 0

4 0

0

2 0

0

4 0

0

2

5

   E

 

else.





B7



    



   

3 0 0

4 3 4

0 3

4 3

0

0

2

0

0

Guitar Solo E

                     3

10 12

3

10 12

10 12

10 12

10 12

10 12

10 12

10 12

9 10





0 2



 

9 10

7 8

                         

A

   



10 12

10 12

10 12

10 12

10 12

2

10 12

10 12

    

  

3

10 12



 

  4 0

  

E



6



6

7

5

6

6

        4 3 4

0 0 0

2 0

4 0

 





0

0

           



10 12

10 12

10 12

9 10

9 10

9 10

7 8

0 0 0

3

3

3

5

 

3 4 3 4

0

2 0

3

5



3

1/4

2



   

0

3

10 12



2

        

3

10 12

0 0 0

0 2



10 12





10 12

3



  

A7

E

3

 0 2

2

4 0

3

3

0 2

2

3

10 12

3





0 0 1 2 2

1

2 0



  

3



4 3 4

4 3 4

4 3 4

8

7

5





6

 4 3 4

4 3 4 0

0

5

1/4

5

8

8

   

 

4 3 4

4 3 4

3 2 3

5



0 5

5

6

 



4 3 4 0

0

  8

0

3



3

7

 

0

0

9

8

  

7

E

3

3

3

3

3 1/4

0

10

         

  





A



           B7

0 0

5

6



7

5

6

6

5

B7



8

1/4

5

8



5

5

6

 



4. Come

   0

Verse E

   on

 

  2 0

 

 

3       

 

3

0 0

4 3 4



4 3 4

0

   home,

 

  2 0

2

4

0



0 0 1

2

0 2

A





 

4 0

 

 

2 0

2 0



4 0

2 0

0 0

 

2 0

0 0 0

2 2

love

 

4 0

  

 3   3  

my

 



2

Try

 

 0 2

3   

 



0 2

2

ba - by.

 

4 0

4





3

back

3

 

3

one

 

4 0

 

 

 

2 0

more

2 0

0 0 0

4 0

E

 3    







 

time.

 

 

3           0 0

2 0

3

3

4 3 4

0

4 3

0

3

4

2

0

2



Come

           3

3

0 0 0

3

2

0

2

0

 0 0 2

 





0

1

0

0

7

  A



 

on





back home,

3    

ba

-

by.

Try

   



love

time.

3

my

one more

 

 





 







 

 





 



2 0

2 0

4 0

4 0

2 0

2 0

4 0

0

2 0

2 0

4 0

4 0

2 0

2 0

4 0

0





 

3

3

4 3 4

0

4 3

0

  

B7



3

4

2

0

3

go

  3     

to



0

2

     E

2

3



0

2

A

 

you,

I

You know if







0 0 0

2

0 0

1

0

things

   0

    3

think I’ll



lose



my

mind.



 

 

 

 

 

 

    

0

2 0

2 0

4 0

4 0

2 0

2 0

4 2 0

0 2

2

0 0

2



3

2

3

suit



2

2

0 0 1

          3

don’t

  

3

2 0

0

 



3         3              0 0

2



B7







1

  5. Be -

 0

8

3  



E

  

 





    





3



0 0



3

 

4 5



3

 

3 5

4





3



0

2 4

    0

3

2 2

3







3



0 2

1 2



3



0 2







0

2 2



2

2

Verse E

      

fore



3



’cuse

me,

  

you



A









3  

 

take

a

look

at

 

 



your

 

 

 

 

 

 

    



0 0 2 0

2 0

4 0

4 0

2 0

2 0

4 0



2 0

0

2 0

4 0

4 0



2 0

-

   

3

2 0

0 0 0

4 0

E

  3     



self.





         

 

3 0 0

4 3 4

3

4 3 4

4 3 4

4 3 4



4 3 4

4 3 4

3

4 3 4

4 3 4

4 3 4

4 3 4

4 3 4

3 2 3

3 2 3

2 0

A

     fore

    2 0



 

   3

you

’cuse

 

  2 0





me,

 

4 0



 

4 0

 

 

2 0

2 0

 

4 0

 

4 0

 

2 0

2 0

3 2 3

4 3 4

4 3 4

4 3 4 0





3  

 

take

a

look

at

 

 

 

4 0

4 0

your

2 0

  

self.

 



2 0

4 0





    3 3 0

2 0

     3



0 0

3 2

0

0

2

0 0

0 0 2

 

3             3    0 0 0

0 0

1

3

2

0

2

0

-

0 0 0

3  

You

0 0 2 0



0

   

 

E

  3   

 

3

3

  Be -

        

3

4 3 4



1 0

say I’m

  



0 0 1 2 2

0

9

B7

A

  3   3   3    spend - in’ my mon - ey

  





 

0 2

0

2

on

oth - er wom - en.

 



0

2

2

   E

 2

2



 3  

 



    3

You’ve tak - in’ mon - ey

from

some - one





 

 

 

 

 

 

 

1 2

0

2 0

2 0

4 0

4 0

2 0

2 0

4 0

B7



 0



else.

 

 

        3    3 3

 

0 0

0 0 1

4 3 4

0 3 4

4 3 4

0

3

4

2

0

2 2

2 0

10 12

10 12

10 12

10 12

3

10 12

10 12

10 12

 

3

10 12

10 12

9 10

9 10

0

0

9 10

3

3

3

 

3



  0 0 0

0 2

2 2



 



 



 



7 8

0 0 4 0

2 0

0

4 0

0

        

   



E



2

0

                         



A

                          3



2

Outro-Guitar Solo E

3





3

3

3

3 1/4

10 12

10

10 12

10 12

10 12

10 12

10 12

10 12

10 12

10 12

10 12

10 12

10 12

10

12

10

12 12

10

0

10

0 8

0 0

0

6

5



 3

1/4

E

    

0 5 6

  

B7



6

5

8

5

0

0

5

6

           3

4 3 4

3 1/4

0

3

0 0

3

1/4

5

8

3

3

3

7

          

3

0

4

3

0

   



2 0

2

3

4

2

0

1

2



 

5

6

6

5

1/4

5

8

8

5

          3

0 0 0

3



2

0

 



7

5





0

0

 0

0

2

5 6

6



3

A



7

0





3

  





            



A7

1







1/4

2

2

0

2

  



1/4

7 8

3

4





0 0

0



  

8

5

2

D#9



  



E

2

6





E9

   

6

5

  

1/4

7 8

2

0

1

0 0 6

6 6 5

7 7 6 7

11

Hey Hey Words and Music by William “Big Bill” Broonzy Intro Moderately fast q = 157

E





 mf

w/ fingers



2

E







 

 

 

1/4

0

7

0

 

   

0

0



 

9 8

 

9 8

0

0



 





9 8

0

0 0

8

0





               





 

 

   

7

                   2 0

 

A7



2



7

E

0

0

0

0

0 0

8

0

             

9 8

0

0 0

8 7

 





  

1/4

A7

0 0

8 7

 

 

   



 

A7



    



3





 __ =   

3 2

2 2

0

0

0 0

3 2 0

              

1/4

X X

3 2 0

0

2 2

0 0

8 7 2

7

0

0

0 0 0

9 8 0

9 8 0

© 1952 (Renewed 1980) SCREEN GEMS-EMI MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

8 0

0 0

0 2

4

1

 

      4

5

  





7

5

2

2 2

0

 

   

0 2

1



2

  0 0 1 2

 

  

0

0

3 1 2

  

3 1 2 0

ba - by,



  1/4

3

0

1

3

0

0

0

3 0

hey.

hey, hey,

0



E7



0 3

3

0

2

ba - by, hey.

1

3 1 2

0

0

3 1 2 0

3 1 2

0

3 2

0



3 2

0

0

0





3 1 2

  

              1/4  

0

0

 

  

2

                              let ring 0

0

Hey, hey,

2

0



0

A7



0 2

2

     

0

                

     

0

0

   

4

0





hey, hey,

0



  

0

0

2

 let ring

let ring

1



 

                                                   0 0 3 3 3 3 0 0 3 3 3 3   1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2  

3 1 2

       

0

    

0

  

0

   

2

 

0

Verse E7

   

1

0

0



             3

2

3

2

0

  



     

1. Hey, hey, 2., 3., 4. See additional lyrics

let ring

0 0

E

0



        

 

3 0 0

4

2

    

A7



B7

3 1 2

                  

3 1 2

0

3 1 2 0

0 0

3 0

0 0

2 2 2 0

B7

A7

    



I love you

ba - by,

   

             

 

sure ain’t gon - na

dog.

be your

            

       let ring

0 0

0 2





 

 

1/4



 

0

3 2

2 0



     

0 0 1 2

0



 

 

0 0

 

A7



7

0

9 8

0

0

0

0

2 2

0



 

0 0

  8 7

2

7

0

0

1/4

   

0

0

0 0

2

0

2

0

0

2

7

                     

2 0

3 2

2 2

0

0

0 0

3 2 0

A7



0 0 0

8

0

7





9 8

0

0

0

              

9 8

0

0 0

8

0

                0 0

 

A7



4

0

1 0

0 0

E

3 2

0 2

             

9 8

0

   

8 7 2

   

1/4

3

0

Interlude E



                  let ring

0

3

0



0 0

8 7 0

4 4 4

4

1

E

  

5

4 4 4



4 4







1/4

4 4 4

E

      

  

 

              

9 8 0

9 8 0

8 0

0 0

0 2

4

3

1., 2.

B7

 

     



5

7

4

  



A7

    

5 0 0

4

E 3

                        3   let ring   let ring 3

2 2

3

0

2

0

2

0 1

0

2

0

0

0

0

1

4

0

0

0

2

0

2

0

3.

E

        

                    3     let ring  let ring

 

let ring

0 0

0 2

0 0 1 2

1

0 0

0 0 0

 

1

0

4

0

0

2

0

0

2

0 0

0 2

1

 

0 0 1 2

         0 0 2

7

 

4.

E

           

1

0

4

0

0

2

0

0 2

           let ring



0

0 2

1 0

0 0 1 2

   

E7



0 0 1 2

0

Additional Lyrics 2. Hey, hey, hey, hey, baby, hey. Hey, hey, hey, hey, baby, hey. My arms around you baby, ’s all I can say is hey. 3. Hey, hey, hey, hey, baby, hey. Hey, hey, hey, hey, baby, hey. Love you baby, but I sure ain’t gonna be your dog. 4. Hey, hey, lost your good thing now. Hey, hey, you lost your good thing now. You had me fooled, I found it out somehow.

4

     

   let ring

2 1 2

0 1 2

2 1 2

 

3 1 2 0



Layla Words and Music by Eric Clapton and Jim Gordon

Intro Moderately slow q = 98

D5

        mf

 3.

0

     C5



5 5 3

5 5 3

C5

 

 

 

 

3 2 0

 

3 2 0

  

8



3

8 10

8



 

3

3 3 1



10 10 13

   

 

5 5 3

5 5 3

C5

 

 

 

3 3 1

3 3 1

 

5

3 2 0

5

7

5

6

5

0

9

7

7

7

5

6

5

7

5

6

10

12

3

3

3

7



6

8

3

3

3

10 12 10

10

13

13

10

12

10

12

10 12 10

 C5 D5 Bb5 μ(A) (C) 3 3                               3   3   10

 

       Bb5         

C5

9

 

3 2 0

3

7

3

13

  







3 3

6

3

10

 

           

6

 



D5

Bb5

3

5

7

 

 

Bb5

3

7

D5

1., 2.

  



3

3

6

D5

 

 

 

3 2 0

3

  

  =  3 

7 5

8

5

3 5

3

Copyright © 1970 by Eric Patrick Clapton and Throat Music Ltd. Copyright Renewed All Rights for the U.S. Administered by Unichappell Music Inc. International Copyright Secured All Rights Reserved

5

3

5

5



3

1

Verse

C#m7

G#7

C#m7

3 3 3                 

 

1. What



  

4

4 5 4 6 4

will you do when you get lone -

3      

E

side.

        0 0 1 2 2 0

  

  

  

  

  

4 5 4 6 4

4 5 4 6 4

4 5 4 6 4

4 5 4 6 4

4 4 5 4 6 4

E7

   

  

0 0 1 2 2 0

0 3 1 2 2 0

  

  

  

  

     

4 4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

   

  

  

0 3 1 2 2 0

0 3 1 2 2 0

2 2 2 4 4 2

      

B

You know it’s just your fool - ish

 

 

 

   

2 2 2 4 4 2

2 2 2 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

0 0 1 2 2 0

2 2 2 4 4 2

C5

   

 

 

 

   

   

   

2 2 2 4 4 2

2 2 2 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

D5

     

 

             got

5 5 3

2

me

on

5 5 3

my knees.

3 2 0

Lay - la,

0

3

3 2 0

   

Bb5

3

3 3 1

5 5 5 3

too long.

   

   

 

 

 

0 0 1 2 2 0

0 0 1 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

D5

Bb5

      

Lay

-

 

7 7 7 5

3

3



la,

              

0 2 2 2 0

3 2 0

3 2 0



3 3 1

3

C5

D5

3 3 1

     

              3 2 0

much

Chorus



   

4 5 4 6 4

 

your

A

hid - in’

  

pride.

       

4 5 4 6 4

  

A

wait - ing by

3

run - nin’,

E

one

       

    

       3       F#m7

  

D

   

E

3

You’ve been

No

4 5 4 6 4

B

3

  

   



F#m

   

ly?

C

3

3 3 1

3 3 1

         

3

beg - gin’ dar - lin’, please.

5 5 3

5 5 3

3 2 0

3 3 1

 

Lay - la,

    0

3

3 2 0

    

Bb5

C5



       



3 2 0

3

3 3 1

C5

3 3 1

μ(A)

3 3 1

5 5 3

5 5 3

   

C#m7

        4 5 4 6 4

0

  

 

D

your old

man had

  

       

4 5 4 6 4

4 5 4 6 4

       0 0 1 2 2 0

   0 0 1 2 2 0

with you.

3 2 0

 



  

  

  

  

  

  

  

  

4

4 5 4 6 4

4 5 4 6 4

4 5 4 6 4

4 5 4 6 4

4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

4 4 5 4 6 4

E7



F#m7



   

   

  

0 0 1 2 2 0

0 0 1 2 2 0

0 3 1 2 2 0



  

  

  

  

0 3 1 2 2 0

0 3 1 2 2 0

2 2 2 4 4 2

F#m

B

You turned my whole world up - side

  

  

  

  

0 0 1 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

2 2 2 4 4 2



con - sol - a - tion,

down.

  

   

G#7

3 3 1

  

    



3

3 3 1

  

  

you

3 3 1

  

3

7 7 7 5

A

love

let

5 5 5 3

E

3



           

3 2 0

2. Tried to give you 3. See additional lyrics

E

   

 3        fall in

 

3

C

0

 

3  C#m7         

            5 5 3

3 2 0

5 5 3

mind?

Verse

(C)





             

Bb5



3

dar - lin’ won’t you ease my wor - ried

              3 2 0

D5

  

  

  

  

  

  

2 2 2 4 4 2

2 2 2 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

B

  

 

    

Like

3

  

a

2 2 2 4 4 2

E

  down.



fool,

     

 

 

2 2 2 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

A

 

  

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

I

Lay

  

    3

-

la,



0 2 2 2 0

3

 Chorus D5

    

Bb5

C5



    

3 2 0

3 3 1

3

C5

3 3 1

D5

3 3 1

5 5 3

1.

3 2 0

0

3

3 2 0

3

C5

3 3 1

D5

 

3 3 1



4

3 2 0

0

0

3

μ(A)





     

3

5 5 3



3 3 1

3 2 0

  3 2 0

0

To Coda 

  

(C)

3 3 1

         

5 5 3

      

3

2.

3 2 0

5 5 3

   3

0

3

3 2 0

Bb5

   

mind?

              3 2 0

3 2 0

C5

3

3 3 1

3 3 1

3 3 1

D5

         3

         

got me

          3

3 3 1

D5

   

3 3 1

Bb5

 

3

3 3 1

       

3

la,

3 3 1

C5

3 3 1

5 5 3

-

3 2 0

              3 2 0



             

3 2 0

3

Bb5

dar - lin’, won’t you ease my wor - ried

3 3 1

Lay

5 5 3

Lay - la,

   

          

             5 5 3

knees.

Bb5

   

 

3 2 0

C5

           

my

5 5 3

3 2 0

   

   

mind?

  

Bb5

3

  

3 2 0

5 5 3

Lay - la,



on

   

                      

me

5 5 3

3

beg - gin’ dar - lin’, please.

3

         

got

              3 2 0

D5

3 3 1

3 3 1

5 5 3

on

5 5 3

my

3 2 0

knees.

Lay - la,

 0

   3

3 2 0



C5



 

beg - gin’ dar - lin’, please.

3 2 0

       

3 2 0

3 3 1

3

C5

3 3 1

3 3 1

5 5 3



dar - lin’, won’t you ease my wor - ried

     

3 2 0

5 5 3

0

       

Guitar Solo

D5

3 2 0

3

    

Bb5

5 6

  

5 6

 

  

3

5 6

7

Bb5

 

7

  

3

3 3 1

3

3 2 0

 

5

7

  

3

3 3 1

3

C5

3 3 1

3

1/4

1/4

5 6

3 2 0



  

3

3 1/4

  

3

             

D5

3 3 1



1/4

3 3 1

5 5 3

5 6

3 2 0

5 5 3

         C5

3



6

3

5 6

7

D5

3

C5      

3 3 1

              

             

3 2 0



Lay - la,

0

Bb5

Bb5

    

mind?

         

5 5 3





3

     

3 2 0

5 5 3

D5

        



  

   

               



D5



Bb5

5

3

 

5

 

3



3

5

D5         

3

3

3



 

3

12 13 13 14

13 14

13 12 13 14 13 14

13 14

13 12 13 14 13 14

13 14

13 12 13 14 13 14

13 14

13 14

12 13 13 14

13 14

13 12 13 14 13 14

13 14

13 13 15 14 12 14 12 14

11 12

5

Bb5                3 3

C5





3

1/4

10



10

12

10

12

10

13

12

10

12

10

10

13

Bb5         



9

7

9

Bb5     





3

3

10



3

3

3



1/4

13

7

C5

  



 3

13

10

10

10

 

11

5

6

D5

 

3

10

13

12 10 12

      

10

5

6

5

7

5

7

3

6

5

3 3

3

10

9

9

10 12 10

3 3



3 3

 

Bb5



3



  3

5

3

5

10

13



10

3



13

12

C5



3

Bb5          

      



13

    

D5

12

3

1/2

10

10

D5

5

C5

10

3

3          3      3

7

  

3

3

3

7

      





C5

3

5

D5

 

  3



 

D5

        3

3

1/2

15

13 15 13 15 13

10

10

12

13 15

13 15

12 13

15 13

14 12

10

13

12

10

12 10

12

D.S. al Coda

Bb5



      3

C5

D5





  

   3

3

 





Lay - la,

     3

3

   3

1/4

10 10 10

6

9

10 9

0 10 12

10 9

10

12

5



7

6

5

3

3

 Coda





mind.

  

 

3 2 0

3 2 0

       la,

Bb5

3

3

  

 

3 2 0

3 2 0

C5



 

3

3 3 1

C5





 

 

 

3 3 1

3 3 1

C5



D5



        

3

3 3 1

5 5 3

3 3 1

3 3 1

me on

5 5 3

          



Lay - la,

  



3 2 0

  

0

3

 

 

3 2 0

3 2 0

Bb5

Lay - la,

0

3 2 0

3

0

3 2 0

3

Bb5



              3 2 0

3 3 1

 ___ = 3 

3

3 3 1





rit. poco a poco

3

3 3 1

3 3 1

3 3 1

μ(Dm)

                  

3

5

7

5

6



5 6 5 6

7

5

6 6 8

6

3 3 1

C

        dar - lin’ won’t you ease my wor - ried      

         

3 2 0

mind?

 





rit. poco a poco 5 5 5 3

Rubato



-



          

beg - gin’ dar - lin’, please.

3

my knees.

 

   

 

             

got

Lay

3 2 0

5 5 3

    

3 



 

 



5 5 3

3

5 5 3

  



D5

5 5 3

D5





Bb5



5               

 

3

5

6

5 6 5

7

5

7

5

7

6

5

3

5

3

5

3

5

5

5

Additional Lyrics 2. Make the best of the situation, Before I fin’ly go insane. Please don’t say we’ll never find a way. Tell me all my love’s in vain.

7

Nobody Knows You When You’re Down and Out Words and Music by Jimmie Cox

 __ =   

Intro Moderately slow q = 91

C

3

E7

A7

Dm

3

                mf

 

  



 

A

   



3





Dm

       

let chords ring throughout



1 0 2

3

1 0 2 3

0 2

1 0

0 0

0

0

1 3 2

D7

0

1

2

0

3 2 2

3 2 2

2

0

F

3

0

1 3 2

0

F#º

1 3 2

C

     

1 2

1 0 2

1 2

3

1 2

4

1 2

4

3

2 1 2

0

2 1 2

0

2 1 2

2 1 2



  

2

1



1 0 0 0

0 3

3

  

1 0 0 0

1 0 0 0

      3 2 2 2

0

Verse C

E7

   3  

   

2 2 0

0



3

lived the life

  

   

 

  

1 0 0 0

1 0 0 0

0 1 0 2 3

0 1 0 2 3

3

Copyright © 1923, 1929, 1950, 1959, 1963 UNIVERSAL MUSIC CORP. Copyright Renewed All Rights Reserved Used by Permission

2 2

3 2 2

1 3 2 0

A7

1. Once I

           

0

3 2

          

G7





3 2 2

2 2 2

0

           0 3 2 0

3

3

3 2 2

 

0

 3  of

a mil -

    

2

3 1 2

2

1

A7

      3

3

ion - aire.



 

 



3 2 2 0

Dm

3                



Spent all

 

      0

1 3 2 0

0

3

F#º





Took

all

   



1 2

3

D7

  

my



1 2

1 2

4

We

bought



2 1 2



2 1 2

0

a

 

3





 



1 2

2. Then

  

 

0 1 0 2 3

0 1 0 2 3

2

E7

2 1 2

2 1 2

be - gan

to



  

3

2

 

3 1 2

good

2

1

 



  



3

1 0 0 0

0

fall



 3   so



1 0 0 0

0

 

3 2 2 2

3

 

3 2 2

0

  



1 0 0 0



wine.



  

  

1 0 0 0

1 0 0 0

3

3

2



   

  

 3



low,



3 2 2 2

1

time.

  

     

0



3

A7





   

A7

0



3



0

cham - pagne and

 

I





3 2

cares.



G7



 





 

 

1 0 2

3

 3



might - y

3

Verse C

0



liq - uor,

 

0

3

 

 3



C



have an - y

3 2 2 2 0

0

for

4

did - n’t

  

 



3

mon - ey,

0

out



boot - leg



1 3 2 0

  

friends

 



3

  

 

3

my

    

3

0

F

Dm

3

3 2 2

0

A7

  



3 2 2 0

   3 2 2

0

 0

Dm

A7

      

Dm

3  

     

lost all my good friends, had

      1 3 2

0

0

0

  

   

 

0 2 0 2 0

0 2 0 2 0

0 2 0 2 0

1 3 2

0

A7

a - gain,

2

Chorus C

 

1

  

0 1 0 2 3

-

3

   

1 3 2

0

0

1

2

3



3 2 2

2 1 2

0

 

bod - y

hang on to it

till that

0

2 1 2

0

2 1 2

2 1 2



2

3 1 2

1 2

3

old ea

1 2

4

  

0



0

  

  

1 0 0 0

1 0 0 0

3

4

3

3   

Be - cause



  

  

1 0 0 0

1 0 0 0



A7





 0

  

    

3 2 2

3 2 2 0

0

and

        1 3 2

0

3

  

when you’re down

  



3

3



you

3 2 2 2



Dm

  



1 2

- gle grins.

1 0 0 0

A7

knows

on a dol -

     



1 2

hands

G7

            

        0 1 0 2 3



3

E7

no

  

0

If I get my

  

I’ll

3 2 2 2



3

3 3 3  3                 

              1 0 2

3            

D7

   3        lar

F#º

3

no - where to go.

  

C

F

3

1 3 2

0

0

0

out.

   0 2 0 2

0

3

Dm

F

    

F#º

C

       3



            1 3 2

0

1 3 2

1 3 2

0

1

D7

      

2

  



3

3

and as for friends,

       2 1 2

0

2 1 2

you

    2 1 2

0

2 1 2





feet

1 2

1 2

1 0 2

1 2

3





4

1 2

4

3

     don’t have an - y.

 



 

 

1 0 0 0

1 0 0 0





  

    

1 0 0 0

1 0 0 0

0 1 0 2 3

0 1 0 2 3

3

A7

0

3 2 2

3 2 2

1 3 2

0

0

 0

1 3 2

  0

0

3 2 2

0

back on

  

3

 

 

E7

 

3 3 3          

 

0

3 2 2 2

3. When you get

3

   

1

     

3        



3

 

2

Verse C

G7

ev - ’ry - bod - y wants to be

3 2 2 0

4

Dm



pen - ny,

     

a - gain,

 

one

your

    0

0 2 0 2

0

Dm

 long

 0

3

your

    3 1 2

2

2

      3



 3    

not

     

3

    

3

A7



    

1 0 0 0

0





In your pock - et

A7

lost

friend.

    1 3 2

1 3 2

    0

1

2

3

F

F#º

  3    

C



     1 2

1 2

3

4

G7

with - out an - y

   

 

1 2

1 0 2

1 2

4

3

3

    





  3

Dm

3  

         3  A7



3

6

5

         2

1

3 2 2 2

0

       

3 2 2

2 1 2

0

0

5

6

5

7

7

5

 

3

3

7

8 10 8 10

5

3

5

3

5

3

4

5



3 let ring

6 7

5 6

           3 3



10 8

9

7

5

6

5

7

7

5 5

7 7

7 7

F#º



10

12 10 12 13 10 12 10

8

9 10

8

9 10 10

12

10 13 12 10

12

            

G7

 



3

8

3

3

3

12

D7

3

7 8

0



F

                         8 9

0

2 1 2



  3 3                            3 3

3

8 9

8

Dm

A7

8 9

2 1 2

3

9

7

  

   



7 5 7

C

    3

5

2 1 2

when you’re down

    

A7



5

  

3

E7

 

3

no - bod - y knows you

and out.

1 0 0 0

 

 3      

doubt,

Guitar Solo C

      

D7

       

 

I said it straight

A7

10

12 13 14 15 10

15



16 15

12

5

Piano Solo C

E7

1 0 2

3

0

3 1 2

3

2

2 2 2

1 3 2

0

1

2

1 2

3



1 2

4

0

4



1

2 1 2

0

2 1 2

0

2 1 2

2 1 2



   1 0 0 0

0 3

     A7

Dm



1 0 0 0



3 2 2

1 3 2

2

3 2 2

2

3 2 2

0

 0

no

   1 3 2

1 0 0 0

0 1 0 2 3

0 1 0 2 3

  and

0

0 2 0 2

0

 

bod - y

1 0 0 0



0

-

    

A7

3 2 2

  

  

3

 

E7

   

3

knows

    3 1 2

2

2

Dm







   

 

out.

      0

3 2 2 2

0

  

3

3

      A7

  

when you’re down

 

6

1 0 0 0





                0

  

3

you

0



  

1

Outro-Chorus C

Lord,

           

2

 

0

     

3



3

2 2 2

0

1 0 2



 

C

1 2

 

G7



1 3 2

F#º

1 2

A7

   

          

3

D7

3 2 2

2

0

F

             0 3 2

3

2 2 2

Dm

1 3 2

Dm

           

    

 

 

A7

0

 0

1 3 2

1 3 2

 0

1 3 2

   1

2

3

F

F#º

C

       



3

In your pock - et

1 2

3

1 2

4

1 2

4





not

one

1 0 2

3

G7

2

1

3 2 2 2

0

don’t have

   

an - y.

  

   

1 0 0 0

1 0 0 0

1 0 0 0

1 0 0 0 3

 

0 1 0 2 3

3

ev - ’ry - bod - y wants to be

 

  

1 3 2

1 3 2

0 2 0 2



0

your

  0 2 0 2



Dm

long

0

3

2

2

0

0

3  3    

2 1 2

0

1 3 2 0

   

feet a - gain

  





0

  

    

3 2 2

3 2 2

0

F

      3

0

0

1

2

3

0

F#º



  

I said it straight,

            1 3 2 0

2 1 2



A7

lost friend.

1

0

2 1 2

    

3 2 2

3 1 2

    



2 1 2

your

0 1 0 2 3

               

on

1 0 0 0

3

0

E7

        

3

     

you

3

  

A7

3

0

   

3

Dm

 

3 2 2

When you get back

  

  



and as for friends,

    



      

  3   

pen - ny,

C 3

D7

     

           

         1 2

A7

3

with -

    

    

1 2

1 2

3

1 2

4

4

1 2 3

7

C

   

out

   1 0 2

an - y







doubt,

F

1

3 2 2 2

0

 

3 2 2

0

-

bod - y

2 1 2

0

knows

         1 2

2 1 2

3

1 2

3

1 2

1 2

3

3

     

bod - y knows

you,

2 1 2

0

2 1 2

2 1 2

2 1 2

0

2 1 2

0

0

 

1

2

3

   



you,

no - bod - y

    

         1 2

0

D7

          no

-

  

                      

3

 

 

no

         2

 

D7





A7

1 2

3

3

3

3

2

1

2 1 2

0

0

0

 

 

 

2 1 2 0

2 1 2 0

2 1 2 0

knows



3

G7





μ 3

   you

   





when you’re down

    



B9 C9

 

 

 

 



and out.





3             3

3

   

      

1/2

1 0 0 0 X 3

8

1 0 0 0 X 3

6

6

4

5

3

5

4

3

1

2

2 2 1 2

3 3 2 3

  

Rollin’ and Tumblin’ Written by McKinley Morganfield (Muddy Waters) Open G tuning: (low to high) D-G-D-G-B-D

Intro Moderately q = 122 G

               

                      mf w/ slide

 

0 0

0

0 0

2 2

3 3

0 0



0

C

 

0

0 0

3 3

2 2

0

0

 I

best

get

 

 

5 5 5

5 5 5

5

 0

0 0 0

2 2 2

3 3 3

 

0

3 3

0

0

   



roll

-

in’

on.



  

 

5

3 3

5 5

5

        2 2

3 3

0 0 0

3 3

0

3

0

2 2 2

woke up this morn

0 0

0

-

0



in’,

                 7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7



3 3 3

            0 0 0

0 0 0

2 2 2

3 3 3

       0

3 3

  

    

0 0 0

    0 0 0

2 2

0

Verse D





0

2 2

0

I

0 0 0



  0

2

G



0 0

0

2

0



3

0

            



3

   

0

1. Well,

2 2

0

3

 

   



3 3

2 2

 

2



0



             



3

2

2 2

3 3

0 0

3

© 1960 (Renewed 1988) WATERTOONS MUSIC (BMI)/Administered by BUG MUSIC All Rights Reserved Used by Permission

0 0 0

 

3 3 3

2 2 2

0

0

   

  

0 0

0

2 2

3 3

0

1

   

C

 

                  Well, now,

0



0

G

 

0 0 0 0 0

0



    

  

0 0 0 0 0

come here,

0 0 0 0 0



  

5 5 5 5 5

   

   

by,

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

ba

5 5 5 5 5

-

 

0 0

2 2

   

3 3

0 0

2

          0 0 0 0 0

0 0 0

G



    

0 0

3

3 3

2 2

  

Well, now,

0 0

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

0 0

dad - dy’s

knee.

  

   

5 5 5 5 5

5 5 5

5

3



come here

ba

  

   

0 0 0 0 0

5 5 5 5 5

5 5 5 5 5

0 0 0 0 0

5 5 5 5 5

            

0 0

0 0

0 0

2 2

0 0

    

            



  



C

 

0 0

sit down on



                 



   



3 3





-

by,

  

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5



0 0

0 0

3

2

2 2

  

3 3

0 0

   

0 0

 

sit down on dad

-

dy’s

  

  

  

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

knee.

     



I

wan - na

                                                    



0 0

2

2 2

3 3

0

0 2

3

0 0

2 2

3 3

0

0

3

0 0

2 2

3 3

0 2

3

0 0

2 2

3 3

0

0

0 0

0 0 0

    D



tell

  

you

 

  

7 7 7

7 7 7

7 7 7

  

  a

-

  



bout

C



the

 

 

 

 



way

they

treat

 

 

   

 

 

 

    

7 7 7

7 7 7

7 7 7

5 5 5

5 5 5

5 5 5

5 5 5

7 7 7



ed

me.

 

0 0 0

3 3 3









 

3 3 3

G

    

-

 





                                                     



0 0

0 0

3 3

2 2

0 0

0

3

2

0 0

3 3

2 2

0 0 0

0 0

2 2

           

G

5

5

           

   1 1

2 2

0

3 3

0

        0

0





5

0 0

0

0

2 2

0 0 2

Guitar Solo C

3

3 3

3 3

3 3

2 2

 

3 3

0

 

   

5 5

5 5

  

0 0

3

0

0

3 3

5

 3

5

5

5 5

0 0

3

3

    

2

0

0 2

          



0

    

0 0

3

0 0

0 0 0

0 0

    

C

3

3 3

2 2

0

3

3 3

2 2

3 3

    0

0

           5 5

5 5

3 3

0 0

 3

3 3

3

3 3

3

  G





1

0 0

 



2

3





0

0 2

0

0

0 0 0

       

0 0 0

0 0 0

2 2

3 3

0 2

7 7 7

 0

3

0

0

3 3

2 2

0

   

  

   

0

0

0

0

 



2 2

3 3



3

3

2

C

    

            

7 7 7

5 5 5

5 5 5

7 7 7

7 7 7

5 5 5

3 3 3

        

  0

0 0 0

0

2 2

0 0

0

3 3

0

 



0 0 0



 



2 2

3 3

0

3

 

3 3 3





0 0

0 0

0 0

2 2

     3 3

0 0

   

rolled

       5 5 5 5 5

0 0

3

2

Verse C



  

2

 

 

3

0

0 0



0 0







 



an’

I

tum

-

bled,

  

  

  

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

  

   

5 5 5 5 5

5 5 5 5 5





 



  0 0



 I





0 0

0 0

 





the

whole

night

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

cried

4 4 4

0

2. Well,



0

          

2



  

4

0

  

2

7 7 7

G

  



3

    

 

3

2

     

   0



0 0

D

      0

    



 long.

G

  













       



0 0

0

0 0

2 2

3 3

0

3

2

 

 



 



0

0

0 0

2 2

3 3







rolled

an’

I

tum

5 5 5 5 5

  

   

5 5 5 5 5

5 5 5 5 5

G

 









2 2

3 3



      



0

2 2

0



0 0

2 2

   

 0 0

3 3

 



-

bled,

0 2

2 2

3 3







0

0

 

3 3

0 0 2

3

 

0 0

0

3

0









cried

3

2





Well,

I







0

0 0

0 0







the

whole

night

  

  

  

  

  

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5



        0 0

0

0 0

   

3 3

  

 

  

C

       



 



   







0

 

 long.



   

 

0 0

0

2 2

3 3

0

         0

0

2 2

3 3

0 0 2

3

   

   

0 0

0

2 2

3 3

0

5

D          

   

When I

woke

up

this morn

                0



0

0

0

0

G

0

7 7 7



      0 0 0

7 7 7

3 3

0 0

0 0

3 3

2 2

0

0

0 2

   

  3. Well,

I,

           0 0

6

0 0

0 0

0 0

0 0

was

7 7 7

5 5 5

5 5 5

5 5 5

7 7 7

3 3 3

5 5 5

5 5 5

5 5 5

gone.



3

0 0

 

2 2

0

3

3

3 3

0 0

0

3 3

2 2

0 0

0 0

3

2

0 0

0

2 2

0

3 3





mmm,

  

   

5 5 5 5 5

5 5 5 5 5

  

  

 

0 0

0

3 3

2 2

0

               

  

    

hmm,

5 5 5 5 5

 

         

0 0

3

2

Verse C

     

3 3

2 2

              

0

had

 

0

0

I

   

0 0

0

all

     

    

2 2

in’,

          

        0 0







0

-

          

C

0 0

2 2

3 3

      

0 0

0 0



ah.

  

  

  

  

  

  

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

G

   









 



         

   

 

0 0

0 0

0

3 3

2 2

0 0

0 0

3

2





2 2

3 3

                 

0

0

 



   



  let ring

0

0

2 2

3 3

0

0

    

 

hmm,

  

mmm,

   

  

   

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

  G





  

 



2 2



3 3

2 2



0

0

0





0 0 2

3

3 3

2 2

  

0



Well,

I,





 

   0 0 0 0 0

0 0 0 0 0

0

0

0



       



 mmm.

  

  

  

  

  

  

  

  

  

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5



3 3

0 0

3

mmm,

   

       0 0

0 0

3

2

C

0

 



0

3 3

2



        

2 2

0

 

       0 0

2 2

3 3

0

0

        0

0 0

2 2

3 3

0 0 2

3

      0 0

2 2

3 3

0

0

7





 

 







Mmm,



 



0

0





0

2 2

     3 3

0 0

    

 

ah,

  

 

 

 

  

7 7 7

7 7 7

7 7 7

G

  

2 2

3 3

0

0







2 2

3 3

0 0 2

0 0 0

0 0 0







mmm,

whoa.

 

7 7 7

7 7 7

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

7 7 7







 





3

3

0

0

 

0

0 0

 

 

0 0

3 3

 

 

0 0

2 2



 

 

0



   

   

0 0

 

 

       

          

8





2

0



ah,





0



ah,

  



 

C





0 0

3

2

D



3 3

2 2

     



0

0

2 2

3 3

0 0 2

     

0

2 2

3 3

  0

0

3

         0

0

2 2

3 3

0 0 2

3

   

 

0 0

0

2 2

3 3

0

   

 

0 0

0

2 2

3 3

0

Outro-Guitar Solo G

                

               let ring

0

0

3

2

       

let ring

0

0

0

3

2

0

0

0

0

0

3

2

0

0

3

0

0 0

3 3

2 2

0

0

 

0

0

   

 

0

0

0

0

3

  

2 2

0

3 3

     

0

2 2

0

3 3

0 0

0

0

2

3

0

   0

0

 

0

3

2

0

0

  

 

0

0

0

0

3



2

3

0

    

   

 

2

0

0

3

0 2

   

0

  

2

    2

       

3

2

       

2

       

0

3

3

       

2

3

   

0

  let ring

0

0

0

3

2

0

0 2

3

           

let ring

0

0

0

2 2

3 3

0 2

3

0

2

3

0

0

0

0

2 2

3 3

0 2

  

 

0 0

0



2

3

0

3

       0

0

2 2

3 3

0 3

2 2

0

3 3

0

0

  

 

0

0



2

3

0

9



0

0

    



    0

2

3

0 2



 





  

12 12

10 10 10 12





 

3

2

 

 



12 12





3

2





0

    

10

2

0

0



 

0









5

0 0



5

3 3

 

4

5





3 3

5 5



  

12

10 10 12 10 12

3

3

        5 5





  



 

5

0

12 12

    

5

3



 

3

2

 





0

0 0



    



4



0

5

3

3

 

0 0

2 2

3 3



   



5

0

    12

       3



0



3 3

1

 

3

        5 5

5 5

0 0

4

        5 5

3 3

0 0



3

2

3

0 0

        5

3

0 0

2 2

 5

0 0

5 5

5

0

3

0 2 2

3 3



 5

0

 





0

0 0



5 0

0 0



5

0

3

0

0

0

0 0

3 3

 

3

0 2 2

 5

  

0





0

0 0

0

0 0

0

       

5

3 3

0

0

 

0

 

5

0



0 0

      

5

3 3

2 2

    5

         5

0

0 0

5

0

       

5 5



3

3

2

0

0 0



0

      5



5

3

       5

3

2

      

5

0 0

0 0

0

                     5

3 3



    

        

0

3 3



     

5

3

      

2

0



          3 3

5 5

5

0 2

5 5

5 5



3 3

2 2



0

       5

     

5 0

  

0 0

0

       

5

5 0

0 0

0

11

          5

3

0 0

3 3

2 2

0 0

          5 5



3 3

0 0

5

5

        5

0

0 0

        5 5

0

         

0



3



5

3 3

2 2

  



 



 5

0

0 0

0 0



3 3

2 2

5 5

3 3

0 0



       

5

0

      

0



3 3

 



5

0

  

3

0

 5

0

    

 





0

5

5 5

         5

3

0 0



       5

3

2

5

0

             5 5

3 3

0 2





3



0

0 0 0 0



0

       5 5

0

 

 

   

0 0 0 0

0 0 0 0

0 0 0 0

5 5 5

0 0

0

          

0

 0

 5

0

5 0



12 12 12

      12

10 11

12

3

0 0

0

       5

2

12 12 12



3 3



0

     

5

2

0 0

12

     12

Running on Faith Words and Music by Jerry Lynn Williams Open G tuning: (low to high) D-G-D-G-B-D

Intro Slowly q = 68 G

             mf



w/ slide



10

G

 

12

   let ring

5

5

      5



0 0 0

10

10

5

11

12



3

5

    

  

    

5 5 5

5 5 5 5

2 2 2



X X X

D

 

3

3

4

7

3

5

5

5

 6

     

7

4

7

     



7

6

6

  

 

D

7 7 7

5

           5

5

5

5

G7



5

C

3

let ring

5



let ring

Em

12



    

 



8

 

G





10

      

C

4

10

Em

       

0



12

  

D/F#





12

  

D/F#

2

0

  





5

2

0



3

Copyright © 1985, 1989 UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC., UNIVERSAL MUSIC - CAREERS and STAGE THREE MUSIC LTD. All Rights for STAGE THREE MUSIC LTD. Administered by BMG CHRYSALIS All Rights Reserved Used by Permission 1

Verse G



  

     5

G

D/F#



    1. Late - ly

I

been

      

    

faith.



What else



Em



can a poor

 

boy





 

 



    world

would be

   

right

 5

 

  let ring

4

 5

5



let ring

5

7

 



      



2

0

2

  



D



4



  

when love

 

comes

o

-



 

 ver

 

w/o slide

7 2

   

G



you.

   0 0

2

 

C



D



       let ring let ring w/ slide  2

5

5

5

7

0

But my





5



0

   

5

G7

do?



C

 



3

4





0

      

5







D/F#

  

 

 

run - nin’ on

  

Em

4



    

 

7

2

 

7

6

5

  

4

2

0

Verse G

  

  

   

  

2. Late - ly



D/F#



I

been

talk - in’





in

Em



my









 

     

sleep.



5

3



5

5

5

3



G

 

D/F#

Em

      

     3

Can’t im - ag - ine

what

I’d

have

to

  



say





  

would be



0

5

4

  

 

  

 

5

5

5

5

2

4



  





5

5

2

0

back

my

way.

G7

    5

4

   

7

G

3       

3

0

 

7

C

 



2

when love comes

 

0

 



  

right



G

3





let ring





2

          

D



       world



2

C

G7

4

’cept my

0



 

5



 4

    3

 

0 2 2

5 5

3

Bridge C





 

 3

     

I’ve

B7



 

al - ways







  

      one

3

   

Em/D

to

take

each

and

ev - ’ry

C



2



 



     

  Seems

   

 3  like

by



now

G/B



       

day.

5

A7

4

4

 

  





4

4









4

4

Em







5 5





been







5 5

5



4 4

2 2

  

     

I’d find

a

love

who would



2 2

C

    







care,

   3

care



just

for

D

 



me.





  

6

4

      7

6

 5

 

2

   3

2

0

Verse G

D/F#

   

  









3

3. Then

Em

 

we’d

  

go



run - nin’





on

         

faith.







5

 

3

5

3

5

2

G

D/F#

  

     All

of

our

  





dreams

Em

would come







0

 

     

true



2

G7

 



 3

4

and our







3

5

0



C

D

       world would be





  

 

 

  

 



let ring

2

G

 



5

 

 

5

5

5

5

2





   



    

5

5 5

7 7

7 7



5 5

and



D







7

7

C

you.







when love comes o - ver me





      



right



3



5

7

  7

6

    5

5

         Guitar Solo G





7

    

D/F#

9

9

9

9



12

12

12

Em

 



11



      





7

9

9

9

 

9



   

14

12

D/F#



5 5



  

G

 

let ring 3

5 5



4 4

5

5

         C

  5

3

3

0

3

2

3

4

0

6

  



 



     But



 5 5 5

6

        

Em

12

G7



10

12

12

   



11

10

2 2

D

6.5

7

7

7



6

7

let ring

3 3

2 2

2 2

0 0

2

0

0

                                   5 5 5

3 3 3

3

4

    3

I’ve

7

G

0

Bridge C

5

5

              

             C

5



3

12

G

   

al - ways

0 0

3

5

3

0

3

0

3

4

0 0

5

0 0 0

3 3

B7

 







been





 

      

let ring

4 4

4

4

4

4





5 5

Em

  



Em/D



  

    One



to

take

    3

each

and

ev - ’ry

C

G/B

 



day.









5

       



5 5

2 2

2

A7

  



    

Seems

 



  

like

by

now



5

4 4

  

     

I’d

a

find

love

who would



 2 2

C

 

D

   







care,

3  yeah, just



3

  







for



     

me.



4

Verse G



 



  

 

4. Then







D/F#





  

we’d

go

run - nin’ on



Em



 

   4

2

2

0



faith.



7

7

 

 

5

4

       5

5



 

5

2

   4

2

0

7

G

   

Bm

3     



  



All of our



 

Em

    3

dreams

would come

G7



true.







5





C





  

    

      

And our world would be







Outro G



 

9

   

11.5

11

11

12

 

12

2

5

         



’n’

     





 

7 7 7

Cadd9

0 0

0 0

μ F6



     

     

     

   

 

     

         

   

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 0 2

0 1 0 2

0 1 0 2

0 1 2 3



Love

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

F6

comes

 

 

 

0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 1 2 3

0 1 2 3

  

  

   

8

12

yes, it would.

w/o slide

0 1 2 3

9

   

7

7

  



you,

   

  let ring



   

 

when love comes o - ver me

5

F6

 

  

right

5





D

3



o

-

ver

       

 

0 0 0 0

Cadd9

0 1 0 2

0 1 0 2



 

0 1 0 2

0 1 0 2

0 1 2 3

0 0 0 0



you.

         

 

          w/ slide

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

3

3 3

2 2

3

4

0

3

G

  

F6

 

   Love

       0 0 0 0



0 0 0 0

0

G

 

  

comes o

-



0 0 0 0

G

    

0 0 0 0

0 0 0 0

0 1 2 3

0 1 0 2

0 1 2 3

F6



0 1 2 3

0 1 2 3



        0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 1 2 3

 

 

 

0 0 0 0

0 0 0 0

0 1 2 3







             0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

  

 5

3

Cadd9

            



3

3

3

3 3

2 2

3 3



           

0 1 2 3

0 1 2 3

0 1 2 3

0 1 0 2

0 1 0 2

0 1 0 2

               

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

Cadd9

     

3

   will

 

 

come

0 1 0 2

0 1 0 2

0 1 0 2

0 0 0 0

   



true.

I said when

     

 

   

     

                 

 

0 1 2 3

0 1 2 3

0 1 2 3

0 1 0 2

0 1 0 2

0 0 0 0

0 1 2 3

0 1 2 3

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

Cadd9

     3

3

  

  



 

         

   

     

                 

0 0 0 0

0 0 0 0

0 1 2 3

0 1 0 2

0 1 0 2

love,



0 1 0 2

 

F6

 

0 1 0 2

 

love comes o - ver you.

G



0 1 2 3

    

All of your dreams

0 0 0 0

0 1 2 3

F6

 

you.

           

               0

o - ver



    

 

0



 

 

Love,

0 0 0 0

Cadd9

when love comes o

0 1 2 3

0 1 2 3

0 1 2 3

-

0 1 2 3

0 1 0 2

ver you.

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 0 0 0

9



G

 



     F6



 

All of your dreams

        0 0 0 0

0 0 0 0

0 0 0 0

 

 

 

 

 

0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 1 2 3

G

come true.



 

 

 

   

         

 

 

 

 

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 0 0 0

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

Cadd9





  

  

 

F6

  

     3

When love,



will

Cadd9

3

3

       

when love comes o

-



ver you.

        

 

               

     

                 

0 0 0 0

0 0 0 0

0 0 0 0

0 1 0 2

0 1 0 2

0 0 0 0



0 0 0 0

0 0 0 0

G

 

0 1 2 3

0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 1 2 3

0 1 2 3

0 1 2 3

0 1 0 2

        of your dreams

0 1 0 2

0 1 0 2

0 1 0 2

0 0 0 0

0 1 0 2

     3

will come

10

0 0 0 0

true.

           

                              

0 0 0 0

0 0 0 0

0 0 0 0

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

F6

12 12 12

0 1 0 2

 

                   12 12 12

0 1 0 2

 

G



0 1 0 2



0 1 2 3

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

w/ misc background voc. next 12 meas.

12 12 12

0 1 0 2

Cadd9

6

And all

         

0 1 2 3

F6

 



0 1 2 3

0 0 0

0 0 0

10 10 10

10 10 10



10 10 10

10 10 10

0 0 0

0 0 0

Cadd9

  

3 3 3

                5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

0 0

3 3 3 3

5

3

0 1 0 2

0 0 0 0

3 3 3

      

5

3 3

 5 5

5 5

12 12 12



0

 

G



 

12 12 12 12 10 12 12 12 12 10

10 10

      

 

    

F6



0









3

3

  

G

10 10 10

12 12 12

  

10 10 10





3

3



F6

0

5

 8

5



10

8

 



10

12

F6



12 12 12

0 0 0

3 3

10 10 10 10 10 10 10 10

12 10 12 10

10 10



0 0

5 10 10 10 5 10 10 10

  

0 0

5 5

5 5

3 3

5

  

    

 



 

10 10

0 0 0

3 3

4 0 4 0

2

4

2 2

2

3 2 0

12

  

11

12





12

11

12

12

3 3

5 5

0 0

3 3

3 0 3 0

3

0

3 3

0 0

3 3

3.5 0 3.5 0

10 12 10 12 10 12 10 12

12

  

    

0 4.5 0

3



12 12 12

10

12

12

 12 12

12

10 10

11

12

0 0

0



12

10 12 10 12

  



5

5

3

                       

        

5

5 5

3 3

          



0 3 0

3 3 0

  

Cadd9

      4 4

3 3

11 11

3

0

5 5

12 10

0 0 0

3 0 3 0

Cadd9

      

F6



      

 

                  

11.5 12 12

Cadd9



5 5 5 5 5 5 5 5

3 3

Cadd9

F6

12 12 12 12 12 12 12 12 12 12

0 0



                     

G

           

    

11

               

G

  

10 12 10 12

       

             G

 

Cadd9

3

12 12 12 12

10 10

 

Love

 

3 0 2

             3 2 3 3

4 4 0

0 3 0

3 3

4 4

0 0 0

11





G

F6





   comes



Cadd9

   

o

-

o

-







ver you.

  

 

 

         

   

       

           

0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 1 2 3

0 1 0 2

0 1 0 2



0 1 2 3



G

 

0 1 2 3

0 1 2 3

0 1 2 3

    F6

Love

0 0 0 0

  

comes o

-

0 1 0 2

0 1 0 2

0 1 0 2

Cadd9

3

2





o - ver

0 1 0 2

0

0

2



2

0



you.

 

 

 

 

   

                             

0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 0 0 0

0 1 2 3



G

F6

rit.

 



love

o

    

0 1 2 3

-



 

0 1 2 3



0 1 2 3

0 1 0 2

0 1 0 2

0 1 0 2

 

 



12

5 3

5

3

  



  5

0 1 2 3

0

3

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

you.

3

3

3

4

0

3

0

0 3

5

3

0

 

3 3

5

3                      let ring  5

0 1 0 2





3

0 1 0 2

           

ver

rit.

0 0 0 0 0

0 1 0 2

0 1 2 3

Free time C

 

   comes

0 1 2 3

  When

   

0 1 2 3

2

  3 3

   1

3

0

     5 5

Signe By Eric Clapton

A Intro Moderately fast h = 88 A E/A

A

    

            



2 2

            0 2

0 1

A

     X X 0

0 1

2 2

X X

0 1

0

X

0

0

0

X

0

0

0

2 2

0

0

E/A

2 2

0

A

E/A

A

                         

mf w/ fingers let chords ring throughout

0 1

E/A

0

E/A

A

 

           

2 2

X X

0 1

0

X

0

0 0

0

0 0

0

E/A

         0 2

2 2

0 1

     X X X

0

0

2 2

0

B A

    

E/A

A

           

2 2

X X

0 1

0

X

0

0 0

2 2 0

μ

 

A



          2

1

2

0

2 2 0

Copyright © 1992 by E.C. Music Ltd. All Rights for the U.S. Administered by Unichappell Music Inc. International Copyright Secured All Rights Reserved

B/A

E/G#

                0

4 0

0

0

5 4 4

1

F#

      

          5 4

2

2

      2 2

2

0

2

       0

2

1

2

4

2

0

2

0 3

3 0

0

0

3 1 0

3

2

3 2

2 2

0 2

0

               0

0 2

               2 3

3 2 2

2

1

2 2 0

2

2

0 1 0

E7sus4

              0

2

A

2 2

E

3 2

0

0

0

2

0

E7

3 2

0 0

0

             

0

                 

            

0 1

Dadd9/F#

0

0

3

3

0 2

2 2

2

A

Bm7

2

  

2 2

              

2

A

3 2

F#

2 2 2

2 2

0

0

0

2 3

2

2

          0

     

              

3 2

2

3

E

F#m

0 2

0

0 1

  

4

4

Bm7

3 2

0

2

3 2 0

Dadd9/F#

              0 2

2 0

0

0 2

3 2 2

E7sus4

                  3 2

0 3

2

3 2

0

0 3

2

4 0

0

0

0

0

0

3 0

0

2 2 0

2

3 2 2

2

2

0

0 1

2 2

0

0

1 0

3 2 2

0 0

3

2

0 1

2

0

2

1

2 2 0

Bm7

         

3

2

A

0 0

2 2 0

2 3

                

                                 2 3

0

             

2

E

3 2

2

F#7

0

0

1

E

3 2

2

3 2

0 2

2 2

2

      

2

                

2

  

2

4

0

Bm7

4

5 4

             

0

F#

      

A

3 1

0

E/G#

A

0 1

0

3

0

                  0

             

3 2

B/A

2 2

E7

3 2

4

2

3 2 2

2

Dadd9/F#

              0

2 0

0

0

3 2 2

3

E7sus4

E7

                   3 2

0

2

3

0

               0

3 2

2

0

                  0 2

2 0

0

0

0

               0

0

3

2

0 2

1

2

2

2 2

E7

                0

3 2

2

0

0

0

E7sus4

3 2

             

3 1

0

Dadd9/F#

2 2

0

3

A

0

0

0

2

3 1

0

0

C C#m7

              

              3 1

0 2

1

2

F#m7

4 4

0

5

4

0

5 4

5 4

4

4

Bm7

               2 2

2 2 2

E

2 2

2

3 2 2

2

C#m7

F#m7

                                                 3 2 2

4

2 3

3 2 2

2

2

0 0

1 0

0 0 2

1

2

0

4 4 4

5

5 4

5 4

4

4

2 2 2

             2 2

2

      

2 2

2

Bm7

3

2 3 2

F#m7

5 4

5 4

5 4

4

4

4

0

2

1

2 2

2

2

3 2 0

0

3 0

0

0

3 1 0

2

0

3 2

0

              0 2

2

1

2 2 0

2

2

0 1 0

E7sus4

               0 3

2

A

0

3 2 2

                 0

0

              

Dadd9/F#

2

2

E

2

2

0 2

1

2

3 2

E7

                  

0 0

0

          

0

0

2

2

           

0 1



 

2

               

2

Bm7

2 2

A

0

3

2

2

               

0

              

3 2

2

C#m7

0 1

E

3

0

2

3 2 0

Dadd9/F#

                 0 2

2 0

0

0

3 2 2

5

E7sus4

E7

                   0

3 2 2

3 2

0

                0 3

3 2

2

A

0

3

0

0

               0

3 1

0

1

2

0

2

2 2 0

0

D Aº7

E/G#

                     2 2

0

0

0

4 5 4 0

F#7

Bm7

                2 2

4

5 4

2 2

4

3

0

3

2

2 2

0 1

2 2

0

3 2 2

6

2 3

3 2 2

2

2



   

 

0 0

A

             0

0

1 0

0 1

2

0

Bm7

0

2 2

3

3 2

2

E

             

2

2

                             

0

0

0

3 2

F#7

0 2

2 2

3

2 3

2

A

0 1

             

3 2

2

                 

E

2

1

2 2 0

4

2

3 2 2

2

Dadd9/F#

               0 2

2 0

0

0

3 2 2

E7sus4

                   3 2

0 3

3

0

                    0 2

2

0 2

                 0

3 1

0 2

2

1

2 2

3 1

0

3

0

3 2

2

3 2 0

0 3

3 0

0

3 1 0

              0

0

2

2

2 2

1

0

          0 2

2 0

Dadd9/F#

   

0

3 2

0

              0 2

              0

2

1

2 2 0

3

0

0

3 1 0

E7sus4

               0 3

2

A

0

E7

0

E7

                  

A

0

              

0

0

0

E7sus4

2

A

3 0

3 2

0

0

0

0

Dadd9/F#

2 2

             

3 2

2

2

E7

3

0

2

3 2 0

Dadd9/F#

                0 2

2 0

0

0

3 2 2

7

0

2

0

3 2

                0

3 2

2

0

0

Dadd9/F#

0 0

0

0

2

0

2

3 1

0

0

2

2

1

0

2 2

0

0

0

                    3 2 0

8

0

3 0

0

0 3

3 1 0

3

2

2

μ

            0

0 2

2

1

0

3 1 0

               0 3

E7

0

E7sus4

3 2

0

2 2 0

3

0

0

1

              

3 2

2

2 0

2

E7

               

0

0

2

Dadd9/F#

                

0

0

3

2

A

0

              

3 2

0

0

3 1

E7sus4

                   2 2

0

3

              

0

2

     A



3 2 0



                   3 2

A

E7

rit.



E7sus4

5 2 2 2 0

Tears in Heaven Words and Music by Eric Clapton and Will Jennings

Intro Moderately slow q = 80

A

    

E/G#

F#m

F#m/E

            3

 

         

mf w/ fingers

let ring throughout



2

2 0

3

2

5 4

2

0

2

5 4

4

2 2

4

2 2

2

2 2

2

2

2 2

0

0

0

Verse

 

D/F#

E7sus4

E7



A

              3 2

3 2

2

3 2

2

2

0

          



0

0

2 2

0

0

7 7

5 5

  

5 4

0

2

 

my



I

         

7 6

3 2

5 4

0

2



2

2

2

2 2 2



name,

   

 

5 4

2 2

5 4

4

E

F#m

4

2



saw you in heav - en?

      

2 2

2 3 2

3





0



 

0

Copyright © 1992 by E.C. Music Ltd. and Blue Sky Rider Songs All Rights for E.C. Music Ltd. Administered by Unichappell Music Inc. All Rights for Blue Sky Rider Songs Administered by Irving Music, Inc. International Copyright Secured All Rights Reserved



0 1

1 0



 



2 2 2

2



0

     



5 4

1. Would you know 2. See additional lyrics

2

A/E

if

  

2 2

0

D/F#



5 5

2 2

2 2

F#m/E

  





 



2 2

0

E/G#

              3   

3 1

0

A

4





3 4 4

5

0

1

  

A

E/G#

 Would

 



it

the

same,



 

be

           3 2

2

2

3

2

F#m



5 4

2

0

  

4

 



0 1

4

2

0

6

4

2

1

  



2 2 4

2

0

  

Em

3 2 0

3 2 2

2 2 2

C#/E#



in heav -

0

3

1

0







0

0 0



0

4

2

2 2

2

4

           2

3

1

1 2

1

1 2

1

3

1

0

ry



on,

    0 0

F#7sus4



    -

2 2

2

F#7

0 0



5

      

        

3 4 4

and car

2

5

4

2

F#m

          

1

0

4

2

saw you

1. I must be strong 2., 3. See additional lyrics

  



2

I

          

2

en?

 

     



        



2



A/E

if

 Chorus

E

D/F#



2 2

4

  

F#m/E

0

’cause

  I

        3 2 2

3 2 2



I



2

   2

2

E7sus4

    

know

2

4 2

Bm7

3

  

don’t



2

be - long

  2

2



3 0

 

A

     





here in heav

 



  3 2

3 2



2 3 2

2

0

0

2

5 4

2

0

5 4

3 2

3 2 2

To Coda 

E7sus4 E7

         

2

2



4

4

3 1

0

0

  

5 5

          7 7

5 5 5 4

7 6

5 4

2 2

5 4

2

2

2.

A

A

                        

 

3 2

  

2 2

1.

D/F#

F#m/E

- en.

3 2

0



F#m

            3   





E/G#

2 2 0

2

2 2

2

4

2

4

2

3

2

4

2

4

 

2 2

2 2 0

2 2 0

2 2 0

0

2

Bridge



C

  

 

Time



     0 3

0 1

G/B





can bring





0

you

 0

2

 3 3



Am

D/F#

    



down,



time can

bend

your

        

0

2 0

0 1

2

3 2 2

2

3



G



D/F#





knees.





2

 0

3



3

       0

3 2 2

3 2 2

2

3





Em

D/F#

G



C

  



Time





 

3 4 0

3 2

0

0

3 0

2

2

0

0





0 1



0

Am



your

 

D/F#

  



heart,

have you beg

 -

gin’

 please,

       



3 3

0

3

3



can break

  

      



G/B

0

0 1

2

2

3 2

2

0

3 2

2

2

Guitar Solo

G

D/F#

  



E

 



beg - gin’





       0

3

3 2

0

3

 



9



3

 

0



2 2

   





2 2

1 0





2



2 2





2 2 0

 

2

2

4





9 10 9

5

F#m







9 11

2

 

 

  

12 14

10

0

E

  



3

A/E

3 2 0





   

3 4

D/F#



2

4



F#m/E





E/G#

please.

2

  







A

  

 

5

7

6

7



 

 

 

10

9

7

9

7

   

 

9

7

7

9

7

7



12

9

A

   

  

 

E/G#

 

3

9 10 9

10

12 14

F#m

    

12

9

F#m/E



2 2



D/F#





2 2







 

0

D.S. al Coda

E

            10

3 2

2 2

2

A/E

9 11

9

7

5

7

9

7

7

9

7

6

7

9

7

7

2

0

 Coda Verse

 

A

A



E/G#

   



3. Would you

2 2 0

  

D/F#

2

2 2

2 4

2 4

2 3 2

A/E

      if

I

2

3 2

4

E



2 2 2

0

5 4

2 2

4

2

A







3



Would



0



 

0



0 1

1 0



 



2 2 2

2

0

4





5

        

2 0

2

4

5

4

2

0

2

4

6

4

2

1

E/G#

0

2 3 2

F#m

 

   it

be

      3

3 4 4



name,

      

2 2

2

my

saw you in heav - en?

             3 2 0

4 2

F#m/E

   

know

                      

F#m

2

the

    

5 4 4

same

5 4 4

2 2 2

5

      

F#m/E

D/F#



A/E

     



if

    



  

  

7 7

5 5

2 2

  

5 5

5 4

I

         

7 6

3 2

2 2

5 4





saw you in heav - en?

    

5 4

E

0

2 2

3





0



 

0 1

1

2

2

2

2

0

0

 



2 2 2

2









3 4

4

4

5

0

Chorus

  

F#m

C#/E#

  

  

I must

be

Em





strong

4

2 2

2

4

2

2 2

2

3

1 2

1

1

3

1

1 2



1

    0

0 0

Bm7

I

 



  

2 2

6

E7sus4

    

3



2

 

2



3



3 2 0

0

0 0

0

3 2

0

2

here in heav -

 

’cause

3 2



3 2





know

2

2

2

2

E/G#

F#m



en,

             3  

3 2 0

  I

4

     

be - long

2



A



   

don’t



  

            

0

0

  

F#7sus4

and car - ry on,

                      2

F#7

  

2 0

2

0

2 3 2

2

5 4 4

5 4 4

2 2 2

  

F#m/E

Bm7



     ’cause

E7sus4

I

         

know

I don’t

2

2 2 2

2 2 2

0

2 2

3 2 0

0

2

3 2





3 2

2

2



0

F#m



here in heav - en.

  3 2

2

E/G#

     



be - long

                 2 2

A

0



3 2



          3  



3 2

2

0

2 3 2

2

0

0 2

5 4 4

5 4 4

2 2 2

Free time

F#m/E

  

               

D/F#

E7sus4 E7

      

  

A



     

 

  

3

grad. rit. 5 5

2 2 2

2

7 7

5 5 5 4

7 6

5 4

2 2

5 4

3 2 2

3 2 2

2

3 2

3 1

0

0

0

2

2

2

3

2 3 2

4

2 4

6

5

5

Additional Lyrics 2. Would you hold my hand If I saw you in heaven? Would ya help me stand If I saw you in heaven? Chorus 2. I’ll find my way Through night and day ’Cause I know I just can’t stay Here in heaven. Chorus 3. Beyond the door There’s peace, I’m sure, And I know there’ll be no more Tears in heaven.

7

View more...

Comments

Copyright ©2017 KUPDF Inc.
SUPPORT KUPDF