El Teatro en Bolivia

 

KO PKLPTF KE DFOIQIL Ko tkltrf cfhf oitkrlturl y cfhf lrtk kscéeicf ks ue jéekrf pfcf cuotivl`f ke Dfoivil, rlzóe pfr ol culo, pfr kgkhpof, cule`f ke . [e clfs tftlo, skjurlhketk `kdi`f l ol jofdloizlcióe, l ol huotielcifeloi`l`, ol ietkrcuoturloi`l` y l hfetfeks `k cfsls hìs= ke rkloi`l`, l ol alotl `k colri`l` ke ko cfeckptf. FDTLS @KSPLCL@LS @K OL K^FCL  K^FCL  Ols prihkrls fdrls `ko sijof RIQ, RQ y RQI aukrfe Fooletly, [tqbl ^lumlr y Zleml (ol trljk`il) `ko aie `k Ltlbuloopl, kstls `fs ÷otihls pfcf cfefci`ls. Ols trks sfe leóeihls, ks `kcir, ef sk cfefcke `k su lutfrèl. FDTLS @KSPLCL@LS @KO SIJOF RR  RR   Ke ol `écl`l `k ofs 2> Jlstóe Suìrkz pudoicl= ‟@kspués `ko ievikref‘, Guoif `k ol Qkjl= ‟Ol ^rksl‘, - Juiookrhf Arlecfvicb ‟Ckrvletks quikrk skr cfrrkji`fr `k Ol ^lz‘ L`foafHIkr Tivls= ‟Clrritf `k hlef, Ko \uigftk `k Ol Clecbl, Sletl Qkrl Cruz Pìolol, Ko quk hfe hle.‘, ‟^rfck`l‘, `k @leiko ^ugfo.  ^ugfo.  Ke ol `écl`l `k ofs 2>, ol lctivi`l` tkltrlo vl rk`uciée`fsk pluoltielhketk blstl tkrhielr ke ol el`l. Hi cfhpl`rk ko hieistrf (