El Conde de Montecristo - Otto m. Schwarz
Short Description
Obra original para banda de musica...
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e Count of Monte Cristo te Jtear1815' a few days before Napoleon - who had been living in exile on the island of Elba - invadesFrance, the ship zo¿ sails under commander Edmond Dantés into the harbor of Marseille. Impressed by Dantés, ,hil;i;-;;". rel promotes him to skipper, as the captain has died during the journey. But some p"opü are jealous of Dantés: the tor, Danglars; the friend, Fernand Montego (who is in iove with Mercedes, Dantés' fiancée); the sailor and iously convicted thief' Caderousse;and public prosecutor, Gérard de \4ltefort. Thesejealous men accuse Dantés of ng for Bonaparte, becausehe stopped the journey at the island of EIba. During the celebration of Dantés' *g"g--.", Mercedes,he is arrested and transported to the dreaded prison island Cháteau drlf where he stays imprii;;i", ly fourteen years.One day, he hears a scratching on the wall of his cell. Abbé Faria, an Italian scholar who lives in the cell' has mistakenly dug a ditch to Dantés' cell. Faria educatesDantés in etiquette and philosoph¡ and finally passes l him a map for a treasure on the island of Monte Cristo. r Faria's death,Dantéssewshimself into the shroud that servesas a sack to carry out the c¡rpse. He is flung into the rnd is saved by two smugglers.He then finds the treasure, raises it, and returns to paris as the ominous noCountof :te Cristo." The time has come for his revenge. lfully, Dantés plans the destruction of those who imprisoned him. He gains the goodwill of the traitors, who have nwhile becomerich, and makes them dependent on him. Over time, they commit suicide, die in sword fights. or are dsedfrom the country.
lly, his revengeis fulfilled, but Mercedes,the loveof his life, is lost forever. enplay: sure1: mightyth¡ee-mastshrp,Pharaon,appea$on the horizon. sure13: shipsailsinto theharbor. ondDantésis standingasthe captainon the bow of the ship. :edesis awaitingherlover. sure28: jngagement is celebrated in the evening.Thereis dancingand iaughterall around. sure40: ig theparfy,there'sdisasterbrewingaroundDantés. sure56: ésis accused. sure60: :'s no escape. He feelsfear. ¡ure64: is is th¡owninto a cell of the Cháteaud'If. ¡ure66: :eil is dark.Dantésfeelslethargy,pain,sadness, andlovesickness. Time is standinestill. rure74: )s hearsa strangescratching andwiping on the wall of his cell. lure 79: s astonishment. thesoundis gettingstronger. iure84: :arsa chisel.
asure 87: Ione Is movedandhe sees... asure 89: Faria, the scholar. a educatesDantésin varioussciencesand makes him a refinedperson.
asure137: ore he dies,Abbé FariagivesDantésa
map of the treasurethat is on the island
of Monte Cristo.
sure139: e Fana dies and is sewninto a shroud. re 143: tés seeshis chanceto escaDe. He feeisstressas he sewshimserf into Faria'sshroud.He feels ea (measure148). morestressas
he is flung into
ure 151: s lncreasesas the fight for survivar begins. Dantés fties to cut
the sack open. sure 159: s made it and comesto the su¡face. The escapewas successfujand he raisesthe heasure. re 168: (sword fight) m; Pans, the revengestarfs. or nrs opponentsare killed in a fight. 206: nd hrmseif of his enemies.
ure 216: llowshis lostlove,Mercedes, on a horseto Marse'le. re 237: amves at the coast,he can merely see
the contours of the ship taking Mercedes to
Africa.
to the Conductor:
d'be an advantage to usea synthesizeror a piano,(ahnost a must)in this piece,asweil as alsopossible)'Paycloseattention a doubiebass(a soft erectric to the variousbeating".h-;;;;ir.urur. e 40 on' the orchesraprays 2g (made crea, in the notation).From in wo ¿irerent Jtlru.t" gr"a., rrv*u"i*ilg the fading of a mood). re 76t
r" simulatesthescratching on the wall of the cell' Havethepercussionists ns shouldsc¡atchon themusic rub sandpapersheets togeüer.The remaining stan¿witi a p.i o. oth., .u¡..t. er.áüge themto usetheirimaginations. 842
n the percussionsectionsymbolizes the chisel.If an anvilis not availabie, a steeipratew'l suffice. 170: il simulates the ciashing of the swords: two piayers are optimal here.
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Otto M" Schwarz otto M. schwarz was born in Neunkirchen,Austria , in rg67.Hegrew up in wimpassing, wherehe still lives today.He receivedhis music educationat the niusic academyin vienna where he studied trumpet with professorJosef.Pomberger oi il" \4enna philharmonic orchestra and compositionwith professorHeinz Krachtoiit. uo.irrg this period,Schwarz createdhis fi¡st composiüons in the areaof light music. \n 1992'his own recordingstudiowasinstalled,where hehasproducedmorethan 1000tities, currently, he composesmusic for commercials, films, uni ,ign"rures for the Austrian networkoR-F and variousother channels.Due to his cooperatioiwith severalbackground music companies,schwarz'scDs are playedand distriüutuoii .rrore than g0 countries worldwide'up to the year 2003,.ot. ih"n 1.7 miltion cDs containingtittes by otto M.
t._*il1}t;:l,t""il"'llf;T:J:lj:l:u:"n*g
cn, ur,'i.*",nationar sorden companies. 1995, hehaspublished compositions in thefieldofsymphonic c;";;;;;;;tffi;bJ-ffTff:ffiifffi;: e' and the suissemusicpublisher,Mitropa. wllk
l¡ueNoitra¿a*ur, Fo, tn" NextThousand,A
songforyou, andJax. j n wi1em t;;; ft ,,,*" rl Ban d(Hon an phonicwinds d), ill, ffi ff fü,T; (Italv),The Hl Band #::,;ti,# ;,^o;ylll1r:X ::lg :*j,n ortheBelgian Navy@etgium), tr,.ino{ot" Baden-würne",oüláJ#fi
astrickBand (GreatBritain), soli Brass(Hotland),ana riuny'*o..
Siln*;
rraverecordedworls by otto M. schwarz.
M' schwarz wude 1967 in Neunkirchenin Ósterreich geboren.Die Kindheit verbrachte er in wimpassing r""::
y-'**1.h. A;uld;;; erhiert onoM schwarz anderMusikhochschuie len' ,i|,iiT""T?:,T;;,::* wo er beimwieneri."if:::l:"rj: Philharmoniker Prof.JosefPombers;; und beiprof.#Jrffi#*T#iffi"r#; ¿ir;ú"te) :rte' wiib¡end dieser Zeit entstand.en seine ersten KompositionL im u-lr¿usit-Bereich.
wurde ein eigenesTonstudio eingerichtet,wo er bisher.über 1000 Titel produzierte.Als
Komponist ist er heute
fiir werbung, j::^off_*¿¡iu"'o u''¿e'";;l.' veranrworriich. üurchdie re ¿usammenarbert Zusammenarbeit lJ'#:t;:1"tffiHÉ*:::::,Y mrt mil Background-Musikfirmen werdenseinecDs in über80 Liindern
¿", w¿lt gespieltundvertrieben.Bis zum Jah,.
2003 ;,:rnauonale Firmen überreichren ihm goldene lee5 cDs. ;r"::#"fJ:i"1""ft:3:nJJ{:3,:l3i:*11:tr,:,e9 veróffentlicht erKompositionen imBereich symphonisch"' 8r"."'J;,;"l*Toiffi;lJ[fil.i:firffi$:t$::i""3:
,h;i;, n;;,nd, Asongfor youoder razzwattzy'y'o. 1werden ::iffi:Tffif"j":.-y:l,T"I:,y"::.j::::!:i:i weltgespielt' sanzen Bekannte Formationen wie*, TheJohanwinemeiso_rvnitary Ba"d(IIo;;'6,1ffi#:"í"Tiil
)' TheBandof theBelgianNavy @elgien),dasLBo Baden-würne*u.rg, Brighouse& Ra;üct Band(Gro6britannisn), ass(Holiand)und vieremeh¡ nahmenwerke von otto M. schwarz auf-
t01produziertotto M' Schwanfastausschlie8lich Filrnmusikenfiir intemationale Filmproduktionen. Sokamesbei seinen
pauak umr{opf und Kragen aus t\ePotizeiruf f",;:Ef#,i;:ilff1*:1jfiT.::T_::f:i"::*l;"m;" l.gisseurpeter /10erreichte Einschaltquote von sechs Million.". s;ffi#;ffiffif .eine :#r"y{'-'#rffri?iH
r"nÁJ,r¡"ü"nvon (rnser zum rcn, i:"r';tr:;#rTi Herzensfeinde). |;"ffi)Ti,1i,:,iTj rm Marz2002wurdediel,::r":1.^Tf:y:;*:**¿ Romanverfilm;;;;- ;;;"r;i;;\::r;üT:"#ii#:rirr*:Xrhun iig ausgezeichnet' Fiimemit HorstTappertQ{erzohneKrone)*¿"r'.uo.o meroqa;eoclrt,roa"¡¡n¿",DasTodeslmrussel[¡
THE COUNT OF VIONTE CRISTO
Otto M. Schwarz
B esetzung / Instrumentation Blasorchester / ConcertBand Partitur Pikkolo 1. - 2. Flóte Oboe Fagott 1. Klarinette B 2. Klannette B 3. KlannetteB Altkiarinefte Es BassklarinetteB 1. - 2. Alt-SaxophonEs Tenor-SaxophonB Bariton-SaxophonEs 1. Trompete B 2. TrompeteB 3. Trompete B 1. Horn F 2. - 3. Horn F I. Posaune 2. - 3. Posaune Banton Bariton B $ Bass Konbabass StabspieleI Stabspiele2 Pauken Schlagzeug1 Schlagzeug2 Synthesizer
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2 2 I I I 1 2 2 2 2 2 2
Full Score Piccolo Flute 1, 2 Oboe Bassoon BbClarinetI BbClarinet2 BbClarinet3 EbAlto Clarinet BbBassClarinet E! Alto Saxophone1, 2 B! TenorSaxophone El BaritoneSaxophone BbTrumpet 1 BbTrumpet2 BbTrumpet3 F Horn 1 F Horn 2, 3 TromboneI Trombone2, 3 Euphonium Bt Euphonium$ Bass DoubleBass Mallet Percussion I Mallet Percussion 2 rlmparu Percussion 1 Percussion 2 Syrthesizer
¡or certain countries:
El Horn 1 EbHom 2,3 BbTromboneI $ BbTrombone1 2' BbTrombone2, 3 $ BbTrombone2, 3 2' Bt Euphonium$ Bl Euphonium2' El Bass$ EbBass2, Br Bass $ B! l¿ss 2,
commissioned by and dedicated to stadtkapelle Ried im I' (A) on the occasion of its 225th anniversary - Hermann pumberger, conductor
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79 FasterrJ=oo) 3rTpr I
r'1pt.¿.i
¡Hn.l
p
F p ft ft
p
= H.
a
1
ion. I
lbn. 2, 3
||
It
fD
F
D
D p D D
fD fD fD lD
\f¿li. Perc.t
\iall. Pe¡c.2
l: mo.
l:::. i
D D
fD
p
ID lD
b
: 'ñtn.
34 Picc,
É r1 '
ob.
Bsn.
Bt Clar. I
Bt Cltr 2
Bt Clü. 3
ElA. Clü.
Bt B. Clu.
Et A. Su. L,2
BtT. Sq.
E, B. Su.
8I Myst€rioso (free) s@h
Bl TpL I
BLTpL 2, 3
FHn. I
fru.¿J
Tbn. t
Tbn. !,, 3
Euph.
Bs.
Mall. Perc.i
Malt. Pcrc.2
Timp.
Pcrc.I
Perc.2
Synth.
)_ -
rf rf lD
a tD
a tD
@
witt motiontJ=¡:)
Picc
ri.i.2
ob
rD lD
EsL
a |J
Brcts.I
!l !l
3rcle.2
rD lD
tsrcla3
Irl !D
¡r
i I rD
iA
clar
Bi B. Cl.e.
¡; Á. Sq, i, 2
ll
t t I I I
|o I
B ; T .S q ,
i B.Su.
E6l withmoüonrJ=szr BlTpr I
B; TpL 2. 3
ll
I ¡l I I rD
t t t
rD I rD I rl rt
¡Hn. I
ibn. I
¡ on.i, .J
Euoh.
3s.
!1al¡.Perc.I
!D
rD
\{all. Perc.2
tD
rD rD
Irmp.
tD tD
rD rD rD rD I
t
Svnrh.
-----* 36
EI frt €- rt
=c'( ---1€4
="1 ob.
Bsn.
dft I {'E -tl - $
Q
F? BtC¡s.I
:' F]f
f t
-
'
tArl.
Bt Cl{. 2
- ' I
Bl Cls. 3
-::=rF - t I -
Et A. CIü.
=-:
lri cf
Bl B, CIar.
ta,
-'t
r€
- -
É
;-vI
:ee
a>r
*lt -- a }
v I
'Fe
: - F
:ti!
Fe
:cÍ -e¡
:: a4¡ :?Í
:ci -- F l - F
¡-
_rü :- - rt l
¿ v¡l
:l)
_tt Euph,
= c :af -ta
:- ]q ;
l
Mall. Pcrc.2
:ri; q -?l q -
Timp,
Perc.i
Pcrc.2
synrh.
q
=e _Jt
Ma]l Pem.I
J
t'-
:al
:: -74 :t-
-4
t-
7
a 6 {
¿ Á) 104 ¡u-¿
4 4 4
,) ,) =) tl
ob.
rl 1
Bsn
!t
Brcl{. I
c)
tr
Bl Cle. 2
E) BtClr.3
E)
R 4 éD t)
ElA. Clü.
Bl B. Clan
rl É)
n ,) ,)
4 ,l 4 t) ,) t, ;,
El A. Sa. l, 2
BlT. Su.
El B. Ss.
Bt TpL t
Bl TpL 2, 3
F H n .I
sl
'D rt GD ]) ;, t, t)
'D
a
FHn
1
1
Tbn. L
T b n . 2 ,3
Euph.
Bs.
ED
4 c,
Mall. Perc.I
a a tr
Mall. Perc.l
rD 4
a tD tD tD
rt ?
tD
e
T¡mp.
Perc.I
F¡r¡
t
Synrh.
JÓ
Flowing(J=86)106
ob.
Bsn.
Bl Clü. I
BLClü. 2
Bl Clü. 3
El A. Ciar
Bt B. CId.
E! A. Sax.L,2
Bl T. Sax,
Et B, S*.
toe Flowing¡J=ae¡ Bt Tpt. I
Bt Tpt. 2, 3
rñn. I
Tbn, I
¡Dn.l,J
Euph.
Bs.
Maü. Perc.t
Mall. Perc.2
Timp,
Pe¡c.2
Svnth.
J* -
4'
4 4 4 4 4 4 4 4 ,t 4 =D 4
Il¿.!l WithmotionrJ=qo\
t22
Bsn.
BtCl{. i
Bt Clü. 2
G'
4 4 4 4 4 4 4 4 4 4 4 4 1 4 4 4 G'
Bl CIu. 3
EtA. Clr.
Bt B. Cla.
ElA.Sü. 1.2
BtT. Su.
Et B. Su.
E
,tr With motion tJ =so)
BLTpt.I
BlTpr 2,3
Ffu. I
4 t,
4 4 4 4 4 4
a, 4 4 4 4 4 4 -t
FHn.2,3
"f Tbn. I
Tbn. 2, 3
"{ Euph.
Bs.
M¿ll.Pem.I
Mall.Perc.2
Tinp,
-,
4 ?, -
-t -, -, -, =,
?
Synrh.
LZ2
40 Picc.
€G explessiverJ=ezl_ fC
'F:rG --lcÉ
*ñd ob.
B sn.
BlClü. I
Bt CIa. 2
BtClü.3
ELA. Clr
Bt B. Cle
:fiÍ '=:fif *+''l4 --ct¡
-7:dE -
f
,"{-a1
-fc
+:-GI *=:GT ;+--_--l 4 -G4 *?:iCD _Gf _b_=J
GC
-q3 "q ': 2%- 4
"o" " -q *___) =-üe q ExiressiverJ=azt Ae B! Tpr. I
Bl TpL 2, 3
FH¡. I
Tbn. I
1 0 n .¿ , J
€f¡
#E
--a 4 E +:a Tfr
ffi-8 = ?2 +T -jg
Bs.
F :"4 \--o=:t-
"
Mall. Pe¡c.I
Mail. Pcrc.2
f
-ll :fl
Gl
Timp.
Pcrc,2
+ E #n
f a .
Synth.
I
: 2
f
J
Expressive 1j =;o¡ //
c!.O6@
ob,
Bsn.
BlClü. I
Bl Clu. 2
Bi Clü. 3
Et A. Cia(
Bi B. Clü.
l3 E l A .S u . l , 2
BtT Su.
Et B. Sax. L3t Moko riL
132
ExpressivetJ = re)
A
BtTpLI
Bl TpL 2, 3
FHn. i
FHn.2,l
Tbn. i
Tbn. ¿ ¡
// Euph
Bs.
Mall. Perc.I
l'4a¡i.Perc.2
Tinp.
Synrh.
cuÉBssm
P 135 A¡1,
---4
C
^ a
fFl sto*rJ=oor
,(J=56) re
rG
::liicc
= c
__l 6!t - 1 É ob.
Bsn.
BLCltr. i
3l Cl4. :
Bl Ciu.3
llA. Clu.
8! B, CIar
ÉÚ
=-l
=Élt J_= É Ú Éú
=GI
___tcI =ÉI
=cr
=GE
___tc:cE €f -= :r
G5 iú
= f ú ---j q
=ct J- "GfÚ ' r J = s eC r E
:- =l € f 3Í =
€ €
= €
P t qe
#g t
*d
: " d4
'i c d €'". = = : é o(,
Euph.
.e :=::l F.
Bs.
= 3" l
j.lali.Pirc j
:
F
1 t A
q
l4¡!1.Per;:.2
Timp.
"-d
:' E
:a :-
1-" q¿
Perc.I
Syr r.
- 3 : Z2 á
GA 4
)-
4
l-i?il rntensitytJrozr
4
Picc.
4
E i l l
t
ob.
Él
a a a
Bso.
rD
t
Bl Cl4. i
a E)
a a
!D !D
a p)
Bt Cia. 2
BlCld.3
ElA. Clar
Bt B. Clar.
a
v-ü
g-;
t)
rt
a ,a 1 1 1
tD tD
a 1
a a 1
a 1 1 'D tD tD
EtA.Su. 1,2
Bl T. Su.
Et B. Su.
.-#
| 143| Intensity (J = lo2) Bi TpL I
Bl Tpr 2, J
rnn. I
.nn.¿,J
r o n .i
Tbn.1 3
Euoh.
t, G'
1 4D cl
a a a rD
8s. €'-6
Mall. Perc.l
Tirnp.
A ^
t)
a a tD a tD a a
a
ly
Synrh.
,r ¡
l¡
^
^
--!
é
€flt
H
A A
Picc.
FrÚ
t fr fr
ob.
Bs¡,
Fl Glt
Bi Clü. l
c'l 4 G1 q
Ér Llü. I
Bt Ciar.3
F}
$4. Utü.
ca Gl* G*
BbB. Clar
4 e7
Et A. Sax.I, ?
G?
Bl T. ssx.
e ct
El B. Sa}.
l4
F""ttJ=,ro)
"t
Ft
a
B b T p t .I
Bl TpL 2,3
sz
F H n ,I
F7
E
FHn.2,3
Tbn. I
a
ron.¿.J
Euph
Bs.
Mail. Perc.I
Mdl. Perc.2
Timp.
Pe¡c.I
Perc.2
Svnrh. sloyon pcü¡ til¡'
t_ -
4
Ér
Picc.
ÉD
a a rl
a t
rl 'l 4
a a a a t
Éf Él
ob.
Bsn, tgf poaoporccruc.
Bt Clü. I
Bl Clr.2
n¡¡fbncrhrill
El A. Clai
Bl B. Ctar.
t
rl rD rt
PÑaNcocftsc
lf
óh L¡4. J
e-6 PO@ A púO
w¡c
ElA.Sa. l,2
Bt T. Su.
t)
a 1 1 t)
Et B. Su.
E
d 154
poroop**" t5S
BtTpL t
,D
a
Bi TpL 2, 3
a
FHn. L
rD
FHn.2,3
rD
t
a a a
'D
f
"tr ron.I
fbn,2,3
"{
')
a rt 4
Euph
Bs.
a -,
a a a a tl a tt
rMail. Pe¡c.I
Mall. Pcrc.2
Tinp,
rD
a a rD
?r
a t
Synlh.
po-áry*.
Í
46
'r-st lúlf tonr !hñll .ü',.,.@
158
€# h7 ry
MoUo riL
b^-?
n*.n*,'
+ ?T
\f "'""
ru t?1'
ob.
ril
+ rü
Bsn,
4,_-;-: BiCla. l
E rl t ü . i
BI UIil.
J
ElA. Cltr
BtB. Cltr
f."-
'"*,'-"
"tü
.",'-" "" "'
e? "?
?1* ?1, Ftt
4 eÚ
Fj' ?1ü "7' ü,
qt
ü'a F1 a eil
BlTpl I
*t: BtTpt 2,3
3 ,3 FHn. I
rdn.¿.J
3 t 3
Bs.
t I t7
Mail, Perc.I
ü q ¿
Tbn. I
Tbn. 2, 3
Euph.
d Ma.il.Perc.z
rill '-T t
Timp
7 7
Pe¡c.1
,
Pe¡c.2
Synth.
i7t
7
!. 7H
a sl *d
t )
4 4 4 4 4 4 4 4 rl
4 4 4 4
Á)
4 4
í-----\_
163SlowtJ=oot
¡_-"-:
ob,
Bsn.
Bl Clu. 1
Bt elt. 2
Bl Cla. 3
E! A. CLar.
Á)
4 4 4 t,
4 4 1 1 1 4 1 4 4 p)
4 4 4
a 4 4 rt 4 4 rt 4
Bl B. Clar
El A- Su. l,
BlT. Su.
El B. Sq. n?
162 nA
1 6 3S l o w t J = c o t
Bl Tp( I
Bt TpL 2, 3
FHn. t
FHn.2,3
--ó Tbn. I
Tbn. 2,3
Euph.
a
Mall.Perc.I
!t
Mall. Perc.2
la l'D l'D
Timp.
n
¡D
Ff
n n
I'D l-D
p |a f3
Synth.
¡' ,
t:
l48 167 Freely
lTátl htensityrJ =¡os+toq
d
Picc.
ob.
Bsn.
.tr
.-=-.
f i r f i r l Í 1 f i / Y f l P
Po@o
Púo
cE a.
Btclu. I P pocoaPococr¿k
Bl CIü. 2
Bl'Clü. l
EtA. Citr
B! B. Ctil. P
poao a poco
?
po@ a PNo
cfttc,
$A. Su. 1,2
BlT. Sd,
Et B. Su. t65
loo
[ill I¡tensiry rJ. ree*]es
cfts.
r70
Bl Tpt. I
Bt TpL 2, 3
FHn.L
F Hn.2,3
Tbn. I
r o n ,¿ ,J
Euph.
Bs.
Mall. Pcrc.I
Mal¡. Perc.2
Timp.
i -!..Synrh.
¿
¿
Fl. .
ob.
Bsn
bt
r
Lld.
Bl Ciü. 2
5I LIil.
I
ElA. Clar
BtB. Clü.
ElA. Sa. l, ?
BtT.Sd.
El B. S8x.
BITpL I
B I T p L2 , 3
rnn.l
F H " , 1
Tbn. I
Tbn.2,3
Mall. Pe¡c. I
Mdl. perc.2
Tirp.
Pe¡c.I
Pe¡c.l
synth.
r
i
-/
ffi ef
)U
ÉÍ 4r FS
rl. l, ¿
t'+
ob.
*
@+ fr+
Bsn.
,il C?
Bt Clü. L
Fl
Bl CIu. 2
4
Br Cls. 3
Fl
Fr
Et A. Clu.
ry ry Fr
Bt B. CIai
vl q
E rA . ¡ 4 , t , ¿
v7
BbT. Sax.
ry q
El B. Su.
g,
BbTpt.I
Bt Tpt. 2, 3 o{
FHn.I
po- o p*o
msc
tg, 4
ea tñs
Tbn, I
(vr É¡
Tbn. 2, 3
Euph.
Bs.
Mall. Perc I
tFa él
4 4
4 c7
4 4
éL
Ma.lj,Pcrc.2
a4 -á. - f
Timp.
Perc.I
4 4
Pe¡c.2
Synth.
a
Oi¡.
rt. t, ¿
ob,
Bsn.
B L C l e .l
Bt Clu. 2
Bl Cls.3
Ei A. Cld.
Er ó. L/ü.
El A. Su. l, 2
Bt T. Su.
E! B. Su.
E-- ¡r¡ Bt Tpr. I
Bl TpL 2, 3
F H n .I
F Hn.2.3
tr Tbn. I
Tbn. 2, l
.tr Euph.
Bs.
.tr Mall. Pcrc.I
Mall. Perc.2
Tinp.
Perc.I
Synth.
. Tubu¡a¡ Bctls
Í
E/
t¿
ü#
e rg rt
Picc,
4 tt
ob.
g
á
Bsn.
GT
Bi Ciü. I
J
e1 C.'
Bt Clu. 2
Gá
€J.J
Bt Clü, 3
% 4 4 4
ElA. Clü.
Bt B. Cltr
fr ett
Ei A. Sax,I, 2
"1'
€r,
Br T. Sq.
c'i
El B. Sa. ?
pocoapococÉsc
190
E 7
fr I 7
7
7 t Euph.
Bs.
Ma.lLPerc. I
Mall. Perc.?
fr 7 t7
fr
Timp.
ü
Pc¡c,I
7
Perc.2
7
e 4
F Synrh.
(
€
¿t dJ 4
ob.
Bsn.
BlClu. I
Bl Cla. 2
Bl Cla. i
EtA. CIü.
Bt B. Clar
ErdSu.i,2
Er ¡. JU-
ElB.Su.
Bl Tpr I
@
Bl Tpt.2, 3
rl I !
F H n .I
f¡
rl
rt I I I ü
|l ! I
Tbn. I
Ibn. ¿ ¡
Euph.
Bs.
M¿il, perc. I
D
t t
D
I,fall.perc.2
Timp,
¡
I
Perc.I
¡ ¡
t
D
t ) ) )
Synrh.
ngf pto a pom msc.
ub,
Bsn.
Bl Cltr I
Bl Clu. 2
Bt Clil. 3
EtA. Clü.
6L E. LlU.
ElA. Su. I,2
BtT. Su.
Et B. Su.
B l T p r .I
brrpL¿,J
FHn. I
FHn.2,3
Tbn. I
Tbn. 2, 3
Euph
Bs.
Mail. Perc.I
Ma.ll.Perc.2
Tinp.
Pqc.2
Synth.
@
Pocoa poco riL
Picc.
ob.
Bsn.
Bt Ciar. I
B LC i d . 2
Bl Cld. 3
ElA. Clü.
BlB. Clar.
E ' ' A .S s . l , 2
BLT Sa.
Et B. Su.
ll{ó) BlTpt t
Bl Tpt 2, 3
FHn. I
rnn.¿,J
Tbn. I
Tbn.2.3
Euph.
Bs.
Mall. Pcrc. I
Malt. Perc.2
Timp.
Syirth.
Pocoa poco rit
)o 210 With B great force (J=90)
f¡, r, ¿
ob.
Bsn. 2
? t l
t t - l l ?
,
] c ?
- ¡ +
t + t 2 ¡ t
t
e
a ^ ?
- a a
+ a - . ? + ! t
Bl Ciar I
ór Llil.
¿
Bl Clu. 3
Et A. Ltil.
B! B. CIar
El A. Sax.l, 2
Bl T. Su.
Et B. Su.
2I0 With a gr€atforte (J = 90) Bl, TpL I
Bt TpL 2, 3
FHn. l
Tbn. I
Tbn. 2, 3
Euph.
Bs.
MalL P¿rc.I
Mall. Perc.z
TimF.
Perc. I
Gq
t
Gq e{
ca ü
fl
a
á
ü ü
t
S:/nth.
ü ü.
e I.f
4
lilrl sro*ri-rer
2t5
f;;t:
215 Ar"ru
ob,
Bsn.
B[ Cl{. I
Bl Cltr ?
BI LLü.
J
El A. Cl{
Bl B. Clü.
Et A. ¡q. t, ¿
BIT Su.
El B. Sü, ilsJ
Slow (J =76)
o Majesticsüy = cJ sz.ee I
BlTpt I
Bt TpL 2, 3
F H n .I
tr Tbn. i
Tbo. 2. 3
Euph.
Bs.
M¡ll. Perc.t
Mall. Perc.2
Tlmp.
Synrh.
58 Picc
ob.
Bsn.
BtCle- I
Bt Cltr. ?
bL u¡ff,
i
EtA. Cls.
Bl B. Clar
EtA.Su. t,2
BIT Sax.
ElB. Su.
Bl,TpLI
BlTpt 2,3
ril-l
Tbn. I
tDn.¿. J
Euph.
Bs.
Mall. Perc.I
Mali. Perc.2
Timp.
Pcrc. I
Perc.2
Synrh.
ob.
Bs¡.
BlClü. i
Bt Cla. 2
Bl Cl{. 3
E! A. Clar
bt E. Ltü.
ElA. Su. 1.,2
Bt T. Sax.
Et B. Su.
Bl TpL t
Bl Tpr 2, 3
FHn. I
FHn.2,3
Tbn. I
Tbn.2. 3
Euph.
Bs,
Mall.Perc.I
Mall. Perc.l
Ti.p.
Perc.2
Synrh.
Bt Clü. I
Bl Clü. 2
Bt Clü. 3
Et A. CIú.
BlB. Clff.
b b A . 5 u .r , l
BtT Su.
El B. Su.
BlTpr 1
B t T p ¿2 , 3
FHn. I
Euph.
Bs.
Mall. Pcrc. I
Mal[.Psc2
Tinp,
Pcrc.1
Synth.
Pi€.
É r t
ob.
Bsn.
Bl Cid. L
B.lCitr 2
tsi LId.
J
ElA. CIar.
Bl B. Clü.
E t A .S a . 1 , 2
B!T.Su.
El B. Sd.
BlTpr i
Bl TpL 2, 3
F H n .I
FHn.¿3
Tbn. l
T b n .1 . 3
Euph.
Bs.
Malt.Pea. I
Mail. Perc.2
Timp.
Synrh.
62 Picc.
rt. I. ¿
ob.
Bsn.
Bt Clü. I
Bt Clu. 2
Bt Clár.3
ELA. Cltr.
Bl B. Clu.
ElA. Su. l, ?
BtT. Su.
ElB. Su.
BIT¡:1.I
Bl'l'¡rc2, 3
FHn. I
FHn.2,:
l D n .l
Tbn. 2. 3
Euph.
Bs.
Mali. Fe¡c.r
Ma!1.PeÉ.?
Timp.
ic"i. I
Pere.2.
!r.1rh.
ob.
Bso,
Bl Cl¡¡. I
bb L¡ü,
J
br Lte.
J
g, A. Clil.
B¡ ó. L¡4.
El A. Su. I, 2
Bl T. Su.
El B.Su.
-
233 Bl TpL I
Bl Tpr.2, 3
FHn. t
rnn.l.J
Tb¡. I
Th¡1r
Euph
Bs.
Mall. Pcrc.I
Mall. Perc.2
Tinp.
Synrh.
--l23;l
or+
€f, trt "on*ororJ=rzt
fÜ ÉÜ
G q
{r ñ
€+
ob.
É.ü
ca ca
Bsn.
Gü €ü
BICLü. I
t
Bt CI{. 2
*
t
Bt Cltr. 3
* *
Ei,A. Clü.
ra 3r r'r
tsrb. Llü.
t
E t A .S d . i , 2
BlT. Sax.
Et B. Sa.
'Grandibso r.l=rzl BlTpt I
B! Tpt 2. 3
* É * É * * *
ee AJ
FHn.I
FHn-2,3
t
|3 a-
r-
Tbn. I
Tbn.2"3
CJ G-
c) *
Euph.
Bs,
GE 1.
ra
a. t
Mall. Perc. I
C C
MaIl. Perc.2
*
c
Tinp.
IJ {
Pe¡c.I
Perc.2
a
a a (
Synü.
la (
f
e c
- , . - . . - , . , " T . - . _ , , ,"" . . ," , - _ . - , . , , , . , " , z + r
ob,
Bsn.
BbClü. I
Bl Clú.2
Bl Clü.l
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THE COU¡{T OF MONTE
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BASSOON
THE COUI\T OF MOI{TE
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commissioned by and dedicated to stadtkapelle Ried im I. (A) on the occasion of its 22sth anniversary - Hermann pumberger, conductor
COU¡{T OF VIONTE CRTSTO BCLART\Er=THE Otto M. Schwarz Majestically
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t:L-/ -
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THE COUNT OF MONTE CRISTO
Otto M. Schwarz
EIALTO CLARINET Majestically
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THE COUI\T
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Commissioned by and dedicatedto Stadtkapelle Ried im I. (A) on the occasionof its 225th anniversary - Hermann Pumberger, conductor
THE COUNT OF MONTE CRISTO
Er ALTO SAXOPHONEr.2
Otto Nf. Schwarz
Majestically
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Mysterioso (free)
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Commissionedby and dedicatedto stadtkapelleRied im I. (A) on fhe occasionof its 225th anniversary- Hermann pumberger, conductor
THp COUNTOF MO|{TE CRTSTO
Br TENOR SAXOPHONE
Otto M. Schwarz
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Commissioned by and dedicated to Stadtkapelle Ried im I. (A) on the occasion of its 225th anniversary Hermann pumberge¡ conductor
TtrE_cour\ToF MONTECRTSTO
El BARITONE SAXOPHONE
Orto M. Schwarz
Rü.
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Commissioned by and dedicated to Stadtkapelle Ried im L (A) on the occasion ofits 225th anniversary Hermann pumberge¡ conductor
FHORN I
THE ^, COUNT OF MONTE
CRrsToouoM.schwa
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1141-05M o copyright 2005by Mitropa Music, p.o. Box 60, cH-6332 Hagendorn,swirzerland
lroil rto,ning
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Commissioned by and dedicated to Stadtkapelle Ried im I. (A) on the occasion of its 225th anniversary - Hermann pumberger, conductor
F HORN 2,3
THE I ¡ COUNT OF MONTE
CRlsTootroM.schwa
Majestically
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With motion
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commissioned by and dedicated to stadtkapelle Ried im I. (A) on the occasion of its 225th anniversary - Hermann pumberger, conductor
TI{E COU¡{T B,rRUMpErl
[I
rto*i.,g
Accell.
OF MOI\TE
CRTSTO Otto M. Schwarz
D1l r"*por
Dsl un"ty -
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f,e JT
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l141'05 M @copyright 2005by MitropaMusic,p.o. Box 60,cH-6332Hagendorn, switzerrand
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commissionedby and dedicatedto stadtkapelleRied im I. (A) on the occasionof its 22sth anniversary-
Hermannpumberger,conductor
COUNT OF MOI{TE CRISTO B,rRUMpE",IHE
I 131Flowing
Accell
Otto M. Schwarz
r izil r".npo
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Commissionedby and dedicatedto StadtkapelleRied im I. (A) on the occasionof its 225th anniversary- Hermann pumberger,conductor
THE rRoMBoNEl
COUNT
OF MOI\TE
CRlsToortoM.schwarz
Majestically
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DOUBLE BASS
THE COUI{T OF MONTE CRISTO
OttoM. Schwarz
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J
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Commissioned by and dedicated to Stadtkapelle Ried im I. (A) on the occasionof its 225th anniversary - Hermann pumberger, conductor
TI{E COUNT pERCUSSrooo'
OF MONTE
CRrSTOortoM. schwarz
Majestically
Bs.Dr
[ll
rro*¡ng
Accett.
Rit.
f-
E
Lively
off
1141-05M @copyright 2005by Mitropa Music, p.o. Box 60, cH-6332 Hagendorn,switzerland
f
tr
Tempo I
I
l56l ()=r12t snare on
| 66 | Dramatically
Faster
W
--
M
With motion
-
Foslno*i'c E
Molto rit.
Expressive
With motion
Rit.
[C
[7]
sto'n
E*p".rrioe
sccetl.
Dramatically
a
[4jl
mtensity A A A A
A A A
I
"tr
Molto rit. | 159 I MaiesticallY
[68 ] rntensity
-
Anvil
[-8¿lJ=.l,
With a great force
foco a poco rit. 1|||||||||||||||2061|||||||||||||||
@ Bs. Dr.
Accell. Sn.Dr.
Grandioso
Majestically ,1
3
commissionedby and dedicatedto stadtkapelleRied im I. (A) on the occasionof its 225th anniversary- Hermannpumberger,conductor
THE COUNT \_/\-.2\-,,r\ r OF \-rt. rMO¡{TE vl\rl\ rI-2 CRISTO \-,ottoM.schwarz
^^^u PERCUSSION2 Majestically Susp. Cymb.
¡
Susp.Cymb
Pair of Cymb.
Large Thm Tam ,
,
fp Pairof Cymb
Rit. PairofCymb. LargeTamTam
S u s p . C y m
f
lr:lno*ing
Accell
lWindchimes
Susp.Cymb.
¡"
t -1 1 - 1 ll
Lively
E
(J=r12)
?
cresc.
166| Dramaticalty
Mysterioso (free) scratch(sandpaper)
Mysterioso (free) scratch (sandpaper)
cresc
With motion Susp.Cymb
Windchimes
I tosI "to*'* Sus.Cymb.
"ú'
Windchimes
Rit.
*ttn motion
[Jl] Susp.Cymb
@
Expressive
Moho rit.
Susp. Cymb.
Expressive //
Slow
Dramatically
[43]
Intensity
Windchimes
Pair of Cymb.
tr Molto rit. I 1591 Majesticatly Sus.Cymb.
<
Pairof Cvmb.
Windchimes
LargeTamTam
JT Rit.
Slow
[68 ] ntensity
Pairof Cyrnb.
f,GlJ=.b
Pairof Cymb.
12j6l
poco a poco rit.
With a great force
Pairof Cymb.
JT Dt+] sto*
Majestically Pairof Cymb.
"tr Pairof Cymb.
Grandioso Triangle
"tr -
Susp.Cymb I
Pairof Cymb. I
Large Tam Tam
Commissioned by and dedicated to Stadtkapelle Ried im I. (A) on the occasion of its 225th anniversary - Hermann pumberge¡ conductor
THE COTJNTOF MONTE CRISTO
NÍALLET PERCUSSION I Majestically
OttoM. Schwarz
T..!..,,ñ r,
Rit.
Itl-]no*ing
AccelL
Dl r"-poI
Eil
Xyl. or Marimba
()=:-:rz)
Faster
TubularBells
P
G;I [ZllDramaticatty I t a l
Faster
cresc.
Faster
"tr Mysterioso (free)
Mysterioso(free) scratch(sandpaper)
1141-05 M @ copyright 2005by Mitropa Music,P,o. Box 60,cH-6332Haeendorn.switzerland
With motion
f-";t
1 7 I
vib
Ios-l",o*,,* E
r
Expressive
Expressive
Rít.
Fzil *nn motion
t-:t
llJ/ lSlow
[43 ] tntensity
Dramatically Tubular Bells
Molto it. | 159 I Majestically
llC
lntensity
@
@.|,=.b
lonzl ^ I Lvu I roco
With a great force
Xylo.(opt.)
@
Majestically
JT
ar;Á
t - - ' t
a poco nI.
Grandioso
stow
commissionedby and dedicatedto stadtkapetleRieit im I. (A) on the occasionof its 225thanniversary.
Hermann Fumberger,conductor
THJ COU¡{T OF MONTE CRTSTO ¿\^s
MALLETPERCUSSION2
\/'
OttoM.Schwarz
f [f
no*ing
Accell.
Dil r"*poI
Dll ri""ty
Ed ()=n2)
"tr
I66I ¡ramati"auy i7] r"st".
1141'05 M @ Copyright 2005 by Mitropa Music, P.O. Box 60.
p
f Rit.
fsel*t* morionE
Rít.
ltoll rto*i,,*
1>
lIzLl Withmoüon
[¡zl sto*
flEl rntensity
[C
Intensity
Egl E*p"urrio.
Rit.
Dramaticallv
Molto rit. [Sql
@ -b=.h
Ntuj.sticalry
Pocoa poco rit. 1|||||||||||||||2061l
With a great force
lztll sro*
Majestically ??
2222
22&2
2
W
f,l-ll^¡
D^-^..^^:^-
a
@
Commissioned by and dedicated to Stadtkapelle Ried im L (A) on the occasion of its 225th anniversary - Hermann pumberger, conductor
TIMPANI
THE COtif{T
OF MO|{TE
CRTSTO.*oMschwa
Majestically
Rit.
f I tllrlo*¡r, g
-
l2I r"*pot
Accett.
f_ Ell ri".ty
E
()=n2)
Faster
166| Dramatically
e-
-o
-
ll4l-05 M @copyright2005by Mitropa Music,P.o. Box 60,crl-6332 Hagendorn,switzerland
Faster
M y s t e r i o s or f r e e l s c r a t ch
E
accell.
//
Fll *t,n motion
lloll nro,,ing
Fzi-l *r,nmorion
Molto it.
[29]
Ir¡7 s,o*
Expressive //
Dramatically
[43-l Intensity
rf Fast
Moko rit. I 1591Majestically
tntensity I 1681
-
E*p."rriu"
[ 1_ó O; \ r I
Wd
with a greatforce @
Timoani
slow
Accell.
Majestically
I c//=rr)
,oro a pocorit.
Commissioned by and dedicated to stadtkapelle Ried im I. (A) on the occasion of its 225th anniversary Hermann pumberge¡ conductor
THE COUNT syNrHESrzER Majestically
OF MONTE
CRISTOottoM.Schwarz
play if no TubularBells
Itll no*ing Harp
,r!f Accell.
,
C- Scale
Er"ío"t
Piano
Fol 1J=rizr
1141-05M o copyright 2005by Mitropa Music,p.o. Box 60, cH-6332 Hagendorn,switzerland
166lDramaticalty
Mysterioso(free)
l
d
Mysterioso (free)Hut? tl =D
5 hold all rones till *
[os j no*ing
fztl *irn morion
*
hC E*p."rri,,.
Molto rit.
Expressive
t-;; ^.
irJ/lbrow
Dramatically TubularBells
+--ic
a¡c
? Intensity
@
Piano
-
ffttuy
Mottorit. f tsq I l*"j.sticatly
2
llZSl Intensitv -1,':*
JT
fr1 ?7-, Y -+ ?= 1781.
fir Éi f i r Y
/
I
fi /
) >
fir fi7 rtl fi / Y / /
ÉirÉi7rt /
/
1
ñ / P
1D '-, i ¿
?-
I
on pedaltill
[s6 | .b=.",b
'-1Í^h Dd'
¿
2-l
'a'-1.\ .l
i
)
l
7
@
¿Da'
¿
4
je\
t J
4.D.3' ' L'=
¿
ii^\ +
Qtz'
-1^\ l l
) ¿bt'
z- lr
I
l
+
Wlro"o
b¿)
Grandioso Bb - Scale Bb - Scale
C
1?a'
(tpocoril. Witha grearfor". f2111Sloro
Majestically
Ab - Scale
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