El Conde de Montecristo - Otto m. Schwarz

August 8, 2017 | Author: celuces | Category: Musical Instruments, Hornbostel Sachs, Aerophones, Pop Culture, Music Technology
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e Count of Monte Cristo te Jtear1815' a few days before Napoleon - who had been living in exile on the island of Elba - invadesFrance, the ship zo¿ sails under commander Edmond Dantés into the harbor of Marseille. Impressed by Dantés, ,hil;i;-;;". rel promotes him to skipper, as the captain has died during the journey. But some p"opü are jealous of Dantés: the tor, Danglars; the friend, Fernand Montego (who is in iove with Mercedes, Dantés' fiancée); the sailor and iously convicted thief' Caderousse;and public prosecutor, Gérard de \4ltefort. Thesejealous men accuse Dantés of ng for Bonaparte, becausehe stopped the journey at the island of EIba. During the celebration of Dantés' *g"g--.", Mercedes,he is arrested and transported to the dreaded prison island Cháteau drlf where he stays imprii;;i", ly fourteen years.One day, he hears a scratching on the wall of his cell. Abbé Faria, an Italian scholar who lives in the cell' has mistakenly dug a ditch to Dantés' cell. Faria educatesDantés in etiquette and philosoph¡ and finally passes l him a map for a treasure on the island of Monte Cristo. r Faria's death,Dantéssewshimself into the shroud that servesas a sack to carry out the c¡rpse. He is flung into the rnd is saved by two smugglers.He then finds the treasure, raises it, and returns to paris as the ominous noCountof :te Cristo." The time has come for his revenge. lfully, Dantés plans the destruction of those who imprisoned him. He gains the goodwill of the traitors, who have nwhile becomerich, and makes them dependent on him. Over time, they commit suicide, die in sword fights. or are dsedfrom the country.

lly, his revengeis fulfilled, but Mercedes,the loveof his life, is lost forever. enplay: sure1: mightyth¡ee-mastshrp,Pharaon,appea$on the horizon. sure13: shipsailsinto theharbor. ondDantésis standingasthe captainon the bow of the ship. :edesis awaitingherlover. sure28: jngagement is celebrated in the evening.Thereis dancingand iaughterall around. sure40: ig theparfy,there'sdisasterbrewingaroundDantés. sure56: ésis accused. sure60: :'s no escape. He feelsfear. ¡ure64: is is th¡owninto a cell of the Cháteaud'If. ¡ure66: :eil is dark.Dantésfeelslethargy,pain,sadness, andlovesickness. Time is standinestill. rure74: )s hearsa strangescratching andwiping on the wall of his cell. lure 79: s astonishment. thesoundis gettingstronger. iure84: :arsa chisel.

asure 87: Ione Is movedandhe sees... asure 89: Faria, the scholar. a educatesDantésin varioussciencesand makes him a refinedperson.

asure137: ore he dies,Abbé FariagivesDantésa

map of the treasurethat is on the island

of Monte Cristo.

sure139: e Fana dies and is sewninto a shroud. re 143: tés seeshis chanceto escaDe. He feeisstressas he sewshimserf into Faria'sshroud.He feels ea (measure148). morestressas

he is flung into

ure 151: s lncreasesas the fight for survivar begins. Dantés fties to cut

the sack open. sure 159: s made it and comesto the su¡face. The escapewas successfujand he raisesthe heasure. re 168: (sword fight) m; Pans, the revengestarfs. or nrs opponentsare killed in a fight. 206: nd hrmseif of his enemies.

ure 216: llowshis lostlove,Mercedes, on a horseto Marse'le. re 237: amves at the coast,he can merely see

the contours of the ship taking Mercedes to

Africa.

to the Conductor:

d'be an advantage to usea synthesizeror a piano,(ahnost a must)in this piece,asweil as alsopossible)'Paycloseattention a doubiebass(a soft erectric to the variousbeating".h-;;;;ir.urur. e 40 on' the orchesraprays 2g (made crea, in the notation).From in wo ¿irerent Jtlru.t" gr"a., rrv*u"i*ilg the fading of a mood). re 76t

r" simulatesthescratching on the wall of the cell' Havethepercussionists ns shouldsc¡atchon themusic rub sandpapersheets togeüer.The remaining stan¿witi a p.i o. oth., .u¡..t. er.áüge themto usetheirimaginations. 842

n the percussionsectionsymbolizes the chisel.If an anvilis not availabie, a steeipratew'l suffice. 170: il simulates the ciashing of the swords: two piayers are optimal here.

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Otto M" Schwarz otto M. schwarz was born in Neunkirchen,Austria , in rg67.Hegrew up in wimpassing, wherehe still lives today.He receivedhis music educationat the niusic academyin vienna where he studied trumpet with professorJosef.Pomberger oi il" \4enna philharmonic orchestra and compositionwith professorHeinz Krachtoiit. uo.irrg this period,Schwarz createdhis fi¡st composiüons in the areaof light music. \n 1992'his own recordingstudiowasinstalled,where hehasproducedmorethan 1000tities, currently, he composesmusic for commercials, films, uni ,ign"rures for the Austrian networkoR-F and variousother channels.Due to his cooperatioiwith severalbackground music companies,schwarz'scDs are playedand distriüutuoii .rrore than g0 countries worldwide'up to the year 2003,.ot. ih"n 1.7 miltion cDs containingtittes by otto M.

t._*il1}t;:l,t""il"'llf;T:J:lj:l:u:"n*g

cn, ur,'i.*",nationar sorden companies. 1995, hehaspublished compositions in thefieldofsymphonic c;";;;;;;;tffi;bJ-ffTff:ffiifffi;: e' and the suissemusicpublisher,Mitropa. wllk

l¡ueNoitra¿a*ur, Fo, tn" NextThousand,A

songforyou, andJax. j n wi1em t;;; ft ,,,*" rl Ban d(Hon an phonicwinds d), ill, ffi ff fü,T; (Italv),The Hl Band #::,;ti,# ;,^o;ylll1r:X ::lg :*j,n ortheBelgian [email protected]), tr,.ino{ot" Baden-würne",oüláJ#fi

astrickBand (GreatBritain), soli Brass(Hotland),ana riuny'*o..

Siln*;

rraverecordedworls by otto M. schwarz.

M' schwarz wude 1967 in Neunkirchenin Ósterreich geboren.Die Kindheit verbrachte er in wimpassing r""::

y-'**1.h. A;uld;;; erhiert onoM schwarz anderMusikhochschuie len' ,i|,iiT""T?:,T;;,::* wo er beimwieneri."if:::l:"rj: Philharmoniker Prof.JosefPombers;; und beiprof.#Jrffi#*T#iffi"r#; ¿ir;ú"te) :rte' wiib¡end dieser Zeit entstand.en seine ersten KompositionL im u-lr¿usit-Bereich.

wurde ein eigenesTonstudio eingerichtet,wo er bisher.über 1000 Titel produzierte.Als

Komponist ist er heute

fiir werbung, j::^off_*¿¡iu"'o u''¿e'";;l.' veranrworriich. üurchdie re ¿usammenarbert Zusammenarbeit lJ'#:t;:1"tffiHÉ*:::::,Y mrt mil Background-Musikfirmen werdenseinecDs in über80 Liindern

¿", w¿lt gespieltundvertrieben.Bis zum Jah,.

2003 ;,:rnauonale Firmen überreichren ihm goldene lee5 cDs. ;r"::#"fJ:i"1""ft:3:nJJ{:3,:l3i:*11:tr,:,e9 veróffentlicht erKompositionen imBereich symphonisch"' 8r"."'J;,;"l*Toiffi;lJ[fil.i:firffi$:t$::i""3:

,h;i;, n;;,nd, Asongfor youoder razzwattzy'y'o. 1werden ::iffi:Tffif"j":.-y:l,T"I:,y"::.j::::!:i:i weltgespielt' sanzen Bekannte Formationen wie*, TheJohanwinemeiso_rvnitary Ba"d(IIo;;'6,1ffi#:"í"Tiil

)' TheBandof theBelgianNavy @elgien),dasLBo Baden-würne*u.rg, Brighouse& Ra;üct Band(Gro6britannisn), ass(Holiand)und vieremeh¡ nahmenwerke von otto M. schwarz auf-

t01produziertotto M' Schwanfastausschlie8lich Filrnmusikenfiir intemationale Filmproduktionen. Sokamesbei seinen

pauak umr{opf und Kragen aus t\ePotizeiruf f",;:Ef#,i;:ilff1*:1jfiT.::T_::f:i"::*l;"m;" l.gisseurpeter /10erreichte Einschaltquote von sechs Million.". s;ffi#;ffiffif .eine :#r"y{'-'#rffri?iH

r"nÁJ,r¡"ü"nvon (rnser zum rcn, i:"r';tr:;#rTi Herzensfeinde). |;"ffi)Ti,1i,:,iTj rm Marz2002wurdediel,::r":1.^Tf:y:;*:**¿ Romanverfilm;;;;- ;;;"r;i;;\::r;üT:"#ii#:rirr*:Xrhun iig ausgezeichnet' Fiimemit HorstTappertQ{erzohneKrone)*¿"r'.uo.o meroqa;eoclrt,roa"¡¡n¿",DasTodeslmrussel[¡

THE COUNT OF VIONTE CRISTO

Otto M. Schwarz

B esetzung / Instrumentation Blasorchester / ConcertBand Partitur Pikkolo 1. - 2. Flóte Oboe Fagott 1. Klarinette B 2. Klannette B 3. KlannetteB Altkiarinefte Es BassklarinetteB 1. - 2. Alt-SaxophonEs Tenor-SaxophonB Bariton-SaxophonEs 1. Trompete B 2. TrompeteB 3. Trompete B 1. Horn F 2. - 3. Horn F I. Posaune 2. - 3. Posaune Banton Bariton B $ Bass Konbabass StabspieleI Stabspiele2 Pauken Schlagzeug1 Schlagzeug2 Synthesizer

t 1 -A 2 2 5 5 5 I t 2 ¿ i 2 2 2 2 2 2 2 2 2 -A 1 1 I I 2 1

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2 2 I I I 1 2 2 2 2 2 2

Full Score Piccolo Flute 1, 2 Oboe Bassoon BbClarinetI BbClarinet2 BbClarinet3 EbAlto Clarinet BbBassClarinet E! Alto Saxophone1, 2 B! TenorSaxophone El BaritoneSaxophone BbTrumpet 1 BbTrumpet2 BbTrumpet3 F Horn 1 F Horn 2, 3 TromboneI Trombone2, 3 Euphonium Bt Euphonium$ Bass DoubleBass Mallet Percussion I Mallet Percussion 2 rlmparu Percussion 1 Percussion 2 Syrthesizer

¡or certain countries:

El Horn 1 EbHom 2,3 BbTromboneI $ BbTrombone1 2' BbTrombone2, 3 $ BbTrombone2, 3 2' Bt Euphonium$ Bl Euphonium2' El Bass$ EbBass2, Br Bass $ B! l¿ss 2,

commissioned by and dedicated to stadtkapelle Ried im I' (A) on the occasion of its 225th anniversary - Hermann pumberger, conductor

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B¡B.Clur

¿ , A . S a x t. , 2

3 ' T. Sax.

!, B.Su.

p p p ¡r p p

79 FasterrJ=oo) 3rTpr I

r'1pt.¿.i

¡Hn.l

p

F p ft ft

p

= H.

a

1

ion. I

lbn. 2, 3

||

It

fD

F

D

D p D D

fD fD fD lD

\f¿li. Perc.t

\iall. Pe¡c.2

l: mo.

l:::. i

D D

fD

p

ID lD

b

: 'ñtn.

34 Picc,

É r1 '

ob.

Bsn.

Bt Clar. I

Bt Cltr 2

Bt Clü. 3

ElA. Clü.

Bt B. Clu.

Et A. Su. L,2

BtT. Sq.

E, B. Su.

8I Myst€rioso (free) [email protected]

Bl TpL I

BLTpL 2, 3

FHn. I

fru.¿J

Tbn. t

Tbn. !,, 3

Euph.

Bs.

Mall. Perc.i

Malt. Pcrc.2

Timp.

Pcrc.I

Perc.2

Synth.

)_ -

rf rf lD

a tD

a tD

@

witt motiontJ=¡:)

Picc

ri.i.2

ob

rD lD

EsL

a |J

Brcts.I

!l !l

3rcle.2

rD lD

tsrcla3

Irl !D

¡r

i I rD

iA

clar

Bi B. Cl.e.

¡; Á. Sq, i, 2

ll

t t I I I

|o I

B ; T .S q ,

i B.Su.

E6l withmoüonrJ=szr BlTpr I

B; TpL 2. 3

ll

I ¡l I I rD

t t t

rD I rD I rl rt

¡Hn. I

ibn. I

¡ on.i, .J

Euoh.

3s.

!1al¡.Perc.I

!D

rD

\{all. Perc.2

tD

rD rD

Irmp.

tD tD

rD rD rD rD I

t

Svnrh.

-----* 36

EI frt €- rt

=c'( ---1€4

="1 ob.

Bsn.

dft I {'E -tl - $

Q

F? BtC¡s.I

:' F]f

f t

-

'

tArl.

Bt Cl{. 2

- ' I

Bl Cls. 3

-::=rF - t I -

Et A. CIü.

=-:

lri cf

Bl B, CIar.

ta,

-'t

r€

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É

;-vI

:ee

a>r

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v I

'Fe

: - F

:ti!

Fe

:cÍ -e¡

:: a4¡ :?Í

:ci -- F l - F

¡-

_rü :- - rt l

¿ v¡l

:l)

_tt Euph,

= c :af -ta

:- ]q ;

l

Mall. Pcrc.2

:ri; q -?l q -

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Pcrc.2

synrh.

q

=e _Jt

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J

t'-

:al

:: -74 :t-

-4

t-

7

a 6 {

¿ Á) 104 ¡u-¿

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,) ,) =) tl

ob.

rl 1

Bsn

!t

Brcl{. I

c)

tr

Bl Cle. 2

E) BtClr.3

E)

R 4 éD t)

ElA. Clü.

Bl B. Clan

rl É)

n ,) ,)

4 ,l 4 t) ,) t, ;,

El A. Sa. l, 2

BlT. Su.

El B. Ss.

Bt TpL t

Bl TpL 2, 3

F H n .I

sl

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'D

a

FHn

1

1

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T b n . 2 ,3

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Bs.

ED

4 c,

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a a tr

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rD 4

a tD tD tD

rt ?

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e

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t

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Flowing(J=86)106

ob.

Bsn.

Bl Clü. I

BLClü. 2

Bl Clü. 3

El A. Ciar

Bt B. CId.

E! A. Sax.L,2

Bl T. Sax,

Et B, S*.

toe Flowing¡J=ae¡ Bt Tpt. I

Bt Tpt. 2, 3

rñn. I

Tbn, I

¡Dn.l,J

Euph.

Bs.

Maü. Perc.t

Mall. Perc.2

Timp,

Pe¡c.2

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J* -

4'

4 4 4 4 4 4 4 4 ,t 4 =D 4

Il¿.!l WithmotionrJ=qo\

t22

Bsn.

BtCl{. i

Bt Clü. 2

G'

4 4 4 4 4 4 4 4 4 4 4 4 1 4 4 4 G'

Bl CIu. 3

EtA. Clr.

Bt B. Cla.

ElA.Sü. 1.2

BtT. Su.

Et B. Su.

E

,tr With motion tJ =so)

BLTpt.I

BlTpr 2,3

Ffu. I

4 t,

4 4 4 4 4 4

a, 4 4 4 4 4 4 -t

FHn.2,3

"f Tbn. I

Tbn. 2, 3

"{ Euph.

Bs.

M¿ll.Pem.I

Mall.Perc.2

Tinp,

-,

4 ?, -

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?

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LZ2

40 Picc.

€G explessiverJ=ezl_ fC

'F:rG --lcÉ

*ñd ob.

B sn.

BlClü. I

Bt CIa. 2

BtClü.3

ELA. Clr

Bt B. Cle

:fiÍ '=:fif *+''l4 --ct¡

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f

,"{-a1

-fc

+:-GI *=:GT ;+--_--l 4 -G4 *?:iCD _Gf _b_=J

GC

-q3 "q ': 2%- 4

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Bl TpL 2, 3

FH¡. I

Tbn. I

1 0 n .¿ , J

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--a 4 E +:a Tfr

ffi-8 = ?2 +T -jg

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F :"4 \--o=:t-

"

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Mail. Pcrc.2

f

-ll :fl

Gl

Timp.

Pcrc,2

+ E #n

f a .

Synth.

I

: 2

f

J

Expressive 1j =;o¡ //

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ob,

Bsn.

BlClü. I

Bl Clu. 2

Bi Clü. 3

Et A. Cia(

Bi B. Clü.

l3 E l A .S u . l , 2

BtT Su.

Et B. Sax. L3t Moko riL

132

ExpressivetJ = re)

A

BtTpLI

Bl TpL 2, 3

FHn. i

FHn.2,l

Tbn. i

Tbn. ¿ ¡

// Euph

Bs.

Mall. Perc.I

l'4a¡i.Perc.2

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Synrh.

cuÉBssm

P 135 A¡1,

---4

C

^ a

fFl sto*rJ=oor

,(J=56) re

rG

::liicc

= c

__l 6!t - 1 É ob.

Bsn.

BLCltr. i

3l Cl4. :

Bl Ciu.3

llA. Clu.

8! B, CIar

ÉÚ

=-l

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=GI

___tcI =ÉI

=cr

=GE

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G5 iú

= f ú ---j q

=ct J- "GfÚ ' r J = s eC r E

:- =l € f 3Í =

€ €

= €

P t qe

#g t

*d

: " d4

'i c d €'". = = : é o(,

Euph.

.e :=::l F.

Bs.

= 3" l

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:

F

1 t A

q

l4¡!1.Per;:.2

Timp.

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:a :-

1-" q¿

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GA 4

)-

4

l-i?il rntensitytJrozr

4

Picc.

4

E i l l

t

ob.

Él

a a a

Bso.

rD

t

Bl Cl4. i

a E)

a a

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a p)

Bt Cia. 2

BlCld.3

ElA. Clar

Bt B. Clar.

a

v-ü

g-;

t)

rt

a ,a 1 1 1

tD tD

a 1

a a 1

a 1 1 'D tD tD

EtA.Su. 1,2

Bl T. Su.

Et B. Su.

.-#

| 143| Intensity (J = lo2) Bi TpL I

Bl Tpr 2, J

rnn. I

.nn.¿,J

r o n .i

Tbn.1 3

Euoh.

t, G'

1 4D cl

a a a rD

8s. €'-6

Mall. Perc.l

Tirnp.

A ^

t)

a a tD a tD a a

a

ly

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,r ¡



^

^

--!

é

€flt

H

A A

Picc.

FrÚ

t fr fr

ob.

Bs¡,

Fl Glt

Bi Clü. l

c'l 4 G1 q

Ér Llü. I

Bt Ciar.3

F}

$4. Utü.

ca Gl* G*

BbB. Clar

4 e7

Et A. Sax.I, ?

G?

Bl T. ssx.

e ct

El B. Sa}.

l4

F""ttJ=,ro)

"t

Ft

a

B b T p t .I

Bl TpL 2,3

sz

F H n ,I

F7

E

FHn.2,3

Tbn. I

a

ron.¿.J

Euph

Bs.

Mail. Perc.I

Mdl. Perc.2

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Pe¡c.I

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t_ -

4

Ér

Picc.

ÉD

a a rl

a t

rl 'l 4

a a a a t

Éf Él

ob.

Bsn, tgf poaoporccruc.

Bt Clü. I

Bl Clr.2

n¡¡fbncrhrill

El A. Clai

Bl B. Ctar.

t

rl rD rt

PÑaNcocftsc

lf

óh L¡4. J

e-6 [email protected] A púO

w¡c

ElA.Sa. l,2

Bt T. Su.

t)

a 1 1 t)

Et B. Su.

E

d 154

poroop**" t5S

BtTpL t

,D

a

Bi TpL 2, 3

a

FHn. L

rD

FHn.2,3

rD

t

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fbn,2,3

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a -,

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rMail. Pe¡c.I

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rD

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po-áry*.

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46

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158

€# h7 ry

MoUo riL

b^-?

n*.n*,'

+ ?T

\f "'""

ru t?1'

ob.

ril

+ rü

Bsn,

4,_-;-: BiCla. l

E rl t ü . i

BI UIil.

J

ElA. Cltr

BtB. Cltr

f."-

'"*,'-"

"tü

.",'-" "" "'

e? "?

?1* ?1, Ftt

4 eÚ

Fj' ?1ü "7' ü,

qt

ü'a F1 a eil

BlTpl I

*t: BtTpt 2,3

3 ,3 FHn. I

rdn.¿.J

3 t 3

Bs.

t I t7

Mail, Perc.I

ü q ¿

Tbn. I

Tbn. 2, 3

Euph.

d Ma.il.Perc.z

rill '-T t

Timp

7 7

Pe¡c.1

,

Pe¡c.2

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i7t

7

!. 7H

a sl *d

t )

4 4 4 4 4 4 4 4 rl

4 4 4 4

Á)

4 4

í-----\_

163SlowtJ=oot

¡_-"-:

ob,

Bsn.

Bl Clu. 1

Bt elt. 2

Bl Cla. 3

E! A. CLar.

Á)

4 4 4 t,

4 4 1 1 1 4 1 4 4 p)

4 4 4

a 4 4 rt 4 4 rt 4

Bl B. Clar

El A- Su. l,

BlT. Su.

El B. Sq. n?

162 nA

1 6 3S l o w t J = c o t

Bl Tp( I

Bt TpL 2, 3

FHn. t

FHn.2,3

--ó Tbn. I

Tbn. 2,3

Euph.

a

Mall.Perc.I

!t

Mall. Perc.2

la l'D l'D

Timp.

n

¡D

Ff

n n

I'D l-D

p |a f3

Synth.

¡' ,

t:

l48 167 Freely

lTátl htensityrJ =¡os+toq

d

Picc.

ob.

Bsn.

.tr

.-=-.

f i r f i r l Í 1 f i / Y f l P

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Púo

cE a.

Btclu. I P pocoaPococr¿k

Bl CIü. 2

Bl'Clü. l

EtA. Citr

B! B. Ctil. P

poao a poco

?

[email protected] a PNo

cfttc,

$A. Su. 1,2

BlT. Sd,

Et B. Su. t65

loo

[ill I¡tensiry rJ. ree*]es

cfts.

r70

Bl Tpt. I

Bt TpL 2, 3

FHn.L

F Hn.2,3

Tbn. I

r o n ,¿ ,J

Euph.

Bs.

Mall. Pcrc.I

Mal¡. Perc.2

Timp.

i -!..Synrh.

¿

¿

Fl. .

ob.

Bsn

bt

r

Lld.

Bl Ciü. 2

5I LIil.

I

ElA. Clar

BtB. Clü.

ElA. Sa. l, ?

BtT.Sd.

El B. S8x.

BITpL I

B I T p L2 , 3

rnn.l

F H " , 1

Tbn. I

Tbn.2,3

Mall. Pe¡c. I

Mdl. perc.2

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Pe¡c.I

Pe¡c.l

synth.

r

i

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ffi ef

)U

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rl. l, ¿

t'+

ob.

*

@+ fr+

Bsn.

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Bt Clü. L

Fl

Bl CIu. 2

4

Br Cls. 3

Fl

Fr

Et A. Clu.

ry ry Fr

Bt B. CIai

vl q

E rA . ¡ 4 , t , ¿

v7

BbT. Sax.

ry q

El B. Su.

g,

BbTpt.I

Bt Tpt. 2, 3 o{

FHn.I

po- o p*o

msc

tg, 4

ea tñs

Tbn, I

(vr É¡

Tbn. 2, 3

Euph.

Bs.

Mall. Perc I

tFa él

4 4

4 c7

4 4

éL

Ma.lj,Pcrc.2

a4 -á. - f

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Perc.I

4 4

Pe¡c.2

Synth.

a

Oi¡.

rt. t, ¿

ob,

Bsn.

B L C l e .l

Bt Clu. 2

Bl Cls.3

Ei A. Cld.

Er ó. L/ü.

El A. Su. l, 2

Bt T. Su.

E! B. Su.

E-- ¡r¡ Bt Tpr. I

Bl TpL 2, 3

F H n .I

F Hn.2.3

tr Tbn. I

Tbn. 2, l

.tr Euph.

Bs.

.tr Mall. Pcrc.I

Mall. Perc.2

Tinp.

Perc.I

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. Tubu¡a¡ Bctls

Í

E/

t¿

ü#

e rg rt

Picc,

4 tt

ob.

g

á

Bsn.

GT

Bi Ciü. I

J

e1 C.'

Bt Clu. 2



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Bt Clü, 3

% 4 4 4

ElA. Clü.

Bt B. Cltr

fr ett

Ei A. Sax,I, 2

"1'

€r,

Br T. Sq.

c'i

El B. Sa. ?

pocoapococÉsc

190

E 7

fr I 7

7

7 t Euph.

Bs.

Ma.lLPerc. I

Mall. Perc.?

fr 7 t7

fr

Timp.

ü

Pc¡c,I

7

Perc.2

7

e 4

F Synrh.

(



¿t dJ 4

ob.

Bsn.

BlClu. I

Bl Cla. 2

Bl Cla. i

EtA. CIü.

Bt B. Clar

ErdSu.i,2

Er ¡. JU-

ElB.Su.

Bl Tpr I

@

Bl Tpt.2, 3

rl I !

F H n .I



rl

rt I I I ü

|l ! I

Tbn. I

Ibn. ¿ ¡

Euph.

Bs.

M¿il, perc. I

D

t t

D

I,fall.perc.2

Timp,

¡

I

Perc.I

¡ ¡

t

D

t ) ) )

Synrh.

ngf pto a pom msc.

ub,

Bsn.

Bl Cltr I

Bl Clu. 2

Bt Clil. 3

EtA. Clü.

6L E. LlU.

ElA. Su. I,2

BtT. Su.

Et B. Su.

B l T p r .I

brrpL¿,J

FHn. I

FHn.2,3

Tbn. I

Tbn. 2, 3

Euph

Bs.

Mail. Perc.I

Ma.ll.Perc.2

Tinp.

Pqc.2

Synth.

@

Pocoa poco riL

Picc.

ob.

Bsn.

Bt Ciar. I

B LC i d . 2

Bl Cld. 3

ElA. Clü.

BlB. Clar.

E ' ' A .S s . l , 2

BLT Sa.

Et B. Su.

ll{ó) BlTpt t

Bl Tpt 2, 3

FHn. I

rnn.¿,J

Tbn. I

Tbn.2.3

Euph.

Bs.

Mall. Pcrc. I

Malt. Perc.2

Timp.

Syirth.

Pocoa poco rit

)o 210 With B great force (J=90)

f¡, r, ¿

ob.

Bsn. 2

? t l

t t - l l ?

,

] c ?

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t + t 2 ¡ t

t

e

a ^ ?

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+ a - . ? + ! t

Bl Ciar I

ór Llil.

¿

Bl Clu. 3

Et A. Ltil.

B! B. CIar

El A. Sax.l, 2

Bl T. Su.

Et B. Su.

2I0 With a gr€atforte (J = 90) Bl, TpL I

Bt TpL 2, 3

FHn. l

Tbn. I

Tbn. 2, 3

Euph.

Bs.

MalL P¿rc.I

Mall. Perc.z

TimF.

Perc. I

Gq

t

Gq e{

ca ü

fl

a

á

ü ü

t

S:/nth.

ü ü.

e I.f

4

lilrl sro*ri-rer

2t5

f;;t:

215 Ar"ru

ob,

Bsn.

B[ Cl{. I

Bl Cltr ?

BI LLü.

J

El A. Cl{

Bl B. Clü.

Et A. ¡q. t, ¿

BIT Su.

El B. Sü, ilsJ

Slow (J =76)

o Majesticsüy = cJ sz.ee I

BlTpt I

Bt TpL 2, 3

F H n .I

tr Tbn. i

Tbo. 2. 3

Euph.

Bs.

M¡ll. Perc.t

Mall. Perc.2

Tlmp.

Synrh.

58 Picc

ob.

Bsn.

BtCle- I

Bt Cltr. ?

bL u¡ff,

i

EtA. Cls.

Bl B. Clar

EtA.Su. t,2

BIT Sax.

ElB. Su.

Bl,TpLI

BlTpt 2,3

ril-l

Tbn. I

tDn.¿. J

Euph.

Bs.

Mall. Perc.I

Mali. Perc.2

Timp.

Pcrc. I

Perc.2

Synrh.

ob.

Bs¡.

BlClü. i

Bt Cla. 2

Bl Cl{. 3

E! A. Clar

bt E. Ltü.

ElA. Su. 1.,2

Bt T. Sax.

Et B. Su.

Bl TpL t

Bl Tpr 2, 3

FHn. I

FHn.2,3

Tbn. I

Tbn.2. 3

Euph.

Bs,

Mall.Perc.I

Mall. Perc.l

Ti.p.

Perc.2

Synrh.

Bt Clü. I

Bl Clü. 2

Bt Clü. 3

Et A. CIú.

BlB. Clff.

b b A . 5 u .r , l

BtT Su.

El B. Su.

BlTpr 1

B t T p ¿2 , 3

FHn. I

Euph.

Bs.

Mall. Pcrc. I

Mal[.Psc2

Tinp,

Pcrc.1

Synth.

Pi€.

É r t

ob.

Bsn.

Bl Cid. L

B.lCitr 2

tsi LId.

J

ElA. CIar.

Bl B. Clü.

E t A .S a . 1 , 2

B!T.Su.

El B. Sd.

BlTpr i

Bl TpL 2, 3

F H n .I

FHn.¿3

Tbn. l

T b n .1 . 3

Euph.

Bs.

Malt.Pea. I

Mail. Perc.2

Timp.

Synrh.

62 Picc.

rt. I. ¿

ob.

Bsn.

Bt Clü. I

Bt Clu. 2

Bt Clár.3

ELA. Cltr.

Bl B. Clu.

ElA. Su. l, ?

BtT. Su.

ElB. Su.

BIT¡:1.I

Bl'l'¡rc2, 3

FHn. I

FHn.2,:

l D n .l

Tbn. 2. 3

Euph.

Bs.

Mali. Fe¡c.r

Ma!1.PeÉ.?

Timp.

ic"i. I

Pere.2.

!r.1rh.

ob.

Bso,

Bl Cl¡¡. I

bb L¡ü,

J

br Lte.

J

g, A. Clil.

B¡ ó. L¡4.

El A. Su. I, 2

Bl T. Su.

El B.Su.

-

233 Bl TpL I

Bl Tpr.2, 3

FHn. t

rnn.l.J

Tb¡. I

Th¡1r

Euph

Bs.

Mall. Pcrc.I

Mall. Perc.2

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--l23;l

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€f, trt "on*ororJ=rzt

fÜ ÉÜ

G q

{r ñ

€+

ob.

É.ü

ca ca

Bsn.

Gü €ü

BICLü. I

t

Bt CI{. 2

*

t

Bt Cltr. 3

* *

Ei,A. Clü.

ra 3r r'r

tsrb. Llü.

t

E t A .S d . i , 2

BlT. Sax.

Et B. Sa.

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B! Tpt 2. 3

* É * É * * *

ee AJ

FHn.I

FHn-2,3

t

|3 a-

r-

Tbn. I

Tbn.2"3

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c) *

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Bs,

GE 1.

ra

a. t

Mall. Perc. I

C C

MaIl. Perc.2

*

c

Tinp.

IJ {

Pe¡c.I

Perc.2

a

a a (

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la (

f

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THE COUNT OF MONTE CRISTO

Otto M. Schwarz

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Commissioned by and dedicatedto Stadtkapelle Ried im I. (A) on the occasionof its 225th anniversary - Hermann Pumberger, conductor

THE COUNT OF MONTE CRISTO

Er ALTO SAXOPHONEr.2

Otto Nf. Schwarz

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El BARITONE SAXOPHONE

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OF MOI\TE

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Hermannpumberger,conductor

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Commissioned by and dedicated to Stadtkapelle Ried im I. (A) on the occasionof its 225th anniversary - Hermann pumberger, conductor

TI{E COUNT pERCUSSrooo'

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CRrSTOortoM. schwarz

Majestically

Bs.Dr

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commissionedby and dedicatedto stadtkapelleRied im I. (A) on the occasionof its 225th anniversary- Hermannpumberger,conductor

THE COUNT \_/\-.2\-,,r\ r OF \-rt. rMO¡{TE vl\rl\ rI-2 CRISTO \-,ottoM.schwarz

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Commissioned by and dedicated to Stadtkapelle Ried im I. (A) on the occasion of its 225th anniversary - Hermann pumberge¡ conductor

THE COTJNTOF MONTE CRISTO

NÍALLET PERCUSSION I Majestically

OttoM. Schwarz

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1141-05 M @ copyright 2005by Mitropa Music,P,o. Box 60,cH-6332Haeendorn.switzerland

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commissionedby and dedicatedto stadtkapetleRieit im I. (A) on the occasionof its 225thanniversary.

Hermann Fumberger,conductor

THJ COU¡{T OF MONTE CRTSTO ¿\^s

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TIMPANI

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Commissioned by and dedicated to stadtkapelle Ried im I. (A) on the occasion of its 225th anniversary Hermann pumberge¡ conductor

THE COUNT syNrHESrzER Majestically

OF MONTE

CRISTOottoM.Schwarz

play if no TubularBells

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