Ed Sheeran - Divide (Full Sheet Music)

August 27, 2017 | Author: Reese Collins | Category: Songs Written, British Musicians, English Language Music, British Music, Musicians
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All the Sheet Music for Ed's new Album Divide. Songs in Document: - New Man - Nancy Mulligan - Perfect - Sh...

Description

1

NEW MAN

Words and Music by ED SHEERAN, BENJAMIN LEVIN, JESSIE WARE and AMMAR MALIK

Acoustic groove Em

 µ          

    

    

mf

      

 





        



 

 

   

  

 

    

heard he spent

      



 



Em

    

  





five



 



hun - dred pounds

 

 

     

  



 



   



 











on

jeans,

goes

 











  





    

D



 

Em

 

        



D



G



Em



Bm



D



Na na na na na.

C

G

  I



 



Em

    

 

 

to

six times

a week,

  

  

the gym

at least

     





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2

C

Bm

D

             wears boat shoes with no socks on

hear he’s on

   

    





  

eye - brows plucked and

   

 



 







3

 



3

       

   

Em



  





      





ev - ’ry

sin - gle Min - is - try

C.

D.



 

     

 

 









    

real,

still look - ing

                    









Em

            

heard he makes you hap - py, so that’s fine by

     





me. But still,

         

  

D

          

  







But I

G

 

Em

  

means.

   

I’m just keep - ing it

 



D

 



     

  

D

owns





Tri - bal tat- toos and he don’t know what it

  



a new di - et and watch - es what he eats. He’s got his



Bm

        



his arse - hole bleached,

   

C





G

  



               

his feet and I

                Em

Em

Em

               at your In - sta - gram and I’ll be creep - ing a

   



   

li’l.

I’ll be

        

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3

C

Bm

D

Em

            

  



      

          

  







try - ing not to dou-ble tap







Em

   days

from way back, ’cause I



know that’s where the trou - ble’s at.





G

   

when you used to hold my hand

             

 









             you were Lo - is Lane, I was - n’t Su - per - man,







just a

      



 



 





Em





 

 

D





 

Bm

  



    

and when we sipped cham - pagne out of

  

     







Let me re - mind you of the

          

 

D

      

C

            

ci - der cans.

       



    I guess if



  



Em

              young boy try’n’ to be loved.

So let me give it

to ya.

                





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    

4

 Em

  

   



G

D

      



I don’t want to know a - bout

your

       

 







C





new

man

 





 

 



   





 

Em

  

’cause I’m

            





I don’t want to know a - bout

your

             







new

man,

 



To Coda C

Bm

     I know

     







         

you’re miss - ing all this



  





 

it

was meant

to

be,

  

 

 





    



kind

of love, but I’m

            







Em

           

pos - i - tive that he don’t want to know a - bout me.

     

         

     

D

      



’cause if



G



 

   

D

you would - n’t be call - ing me up, try’n’ to,

     





Bm

             





Em



Em

    we’ll get

  



there

      



 





e - ven - tual - ly.

  

 





D

 

Em

            pos - i - tive that he don’t want to know a - bout me.

     



     

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         

5

Em

G

D

                Your new man rents a house in the ’burb



         



C

              

and wears a

man bag on his shoul- der, but I call it

      

    







Bm

year he goes to Má - la - ga with all the fel - las,

      







Em

 

  

G







drinks beer,



3

            

 

    







      

      



He wears







Em

     

       

3

3

sun - glass - es



in - doors in win - ter

3

at night- time. And

3

3

3

             



Ev -’ry

but has a six pack, I’m kind of jea - lous.

D

3

purse.

Em

    





a

             

      



3

  

D

                 

Em







C

    







     

Bm



ev -’ry time a rap song comes on, he makes a gang sign, says,



  

D

    

3

          





Em

                

3

“Chune,

     







bwoy dem light up the room!” But e - nough a - bout him,

 



         3









girl, let’s talk a - bout you.



      









You were the

        

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6

Em

G

D

Em

                            type of girl who sat be- side the wa ter read - ing,

         

   

C

eat - ing a

pack- et of crisps

but you will nev - er find you cheat - ing. Now you’re

     

      

    











Bm



 D

    



Em

                               eat - ing kale, hit - ting the gym,

keep-ing up with Ky - lie and Kim,

             







 



Em

           



G

you need to be a - lone,



C





 



kiss - ing a boy that ain’t him.











Em

              



     

Bm

 D

I just thought

              





 Em

D.S. al Coda

                             that I would tell you ’cause you ought to know, you’re still a young girl try’n’ to be loved.



   

       

and if you want to talk a - bout it, you can call my phone.

                  



D

                O - kay,

in the back of a club

     



So let me give it to you.

                      











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  

    

7

CODA



D

Em



  pos

 -

i

   





-

















tive

that

he

don’t

want

to

know

a

 



 

 



 





Em



I’m not

  



     C



   ly



     



Em

   Please

  



    



 



try - ing to

  





you’re

      

 

  



    But you









  





with him,

I

know

you’re

 









 



 

mem - ber you’re still

   



 









free





  









lone







D

   

-



so dif - f’rent -



 





 

Em





 

act

   

 

G

  

 

D

   

-





Bm

re

Ba



week.

        

when

me.

Em



ru - in your





bout

D

        

by,

-



G

  



  

 -

ly.







Em

    to

 

make

      

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the choice and

  



  

8

C

Bm



   leave.

  

    Don’t



  

  

Em

   

  



 

call

me

   





D

up,

 

      



I don’t want to know a - bout

your

             







  

Em



show

















new

man

 



  ’cause I’m

            

  

I don’t want to know a - bout

your

             

  







new

man,

 



me,

now.





    it





to

be,

 

 

 





was meant

    











Em

           

pos - i - tive that he don’t want to know a - bout me.

     





Em

’cause if





    



         

     

D

      





D

G









Bm

     



to



D

you would - n’t be call - ing me up, try’n’ to,

  

need

 

             

  



G

C













 you

Em



Em

    we’ll get

there

 

     







 





e - ven - tual - ly.

  

 





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  

9

C

Bm

    



         

I know you’re miss - ing all this

    

 









kind



of love, but I’m



pos - i - tive that he don’t want to know a - bout me.

    



G

           





        

 



C

    







Bm

  









 

 

   

       







      





    

Pos - i - tive that he don’t want, want to know a - bout.



       

 

   

 

       







Em





I don’t want to know a - bout, ’bout,

   



Em

D

     

      

    

D

Pos - i - tive that, that he don’t want to know a - bout

  

Em

           

           

Em

  

D

  

 

  



a - bout

your

   









new

man.





    

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1

NANCY MULLIGAN

Words and Music by ED SHEERAN, BENJAMIN LEVIN, FOY VANCE, AMY WADGE, JOHNNY McDAID and MURRY CUMMINGS

Highland Folk

 µ  









 

Hey!

                



         

mf















 

Hey!

  

  



    

   I

    

C

 was







twen - ty

 



 four

 

  





Em





        

 

D





 

years

old

when I



 

 



Em





met

the

 







    wo - man





I would call

my

    

  

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 

own. Twen - ty

 

 

2

C

   two

    







grand - kids,





now





 



grow - ing







G

old

in

that

house

 

 

 

D



 





µ

C

      

that your bro

-

bought







ther



you.

        





Em

 

 



  On the

              

                           

              Em

  

C



sum - mer

    









day

that

I















D







I

made

that



 



pro - posed,





 

asked

   



 her



G

      

“No,

       

 

fa - ther, but



her dad - dy



    

said,









D





you

can’t





 



And

Em

my

daugh

       

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I

 



    

mar - ry

 

gold.



C





wed - ding ring from den - tist

    



 C

  

Em

-



ter.”

 

3

G



  She

   

C







and

I

went



 





G







on

the

run,



 

   



I’m

   

gon - na

mar - ry

the

She

   

   



wo - man

 was





Nan - cy

 

 -

  





my





name and

  





 



  

li

  



 

D



   by

 



the Wex - ford









I

was

 





we

were

one,



 



  







Wil - liam

 





down

by

the

 













bor

der.

 











ran.

She

-



  



 Em



Wex - ford



-



 

 





 

G

D



gi - on.

C

Shee

 C

-



Em

   







C



then



-

D

To Coda G





re

G







a - bout

down











 

li - gan,

C



care

G

Mul



don’t

love

   





 

I



G

took



C



  

  



G

  

G

     







C

    

C





G

  

D





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bor

-



der.

 

 





4

C

    

  

      









 



C



D

G

Em

 

  





C



        



D

Em







  Well, I

                  







                  



 C

     met her

at

      



 Guy’s



    in



the Se - cond World War

   







  







had

I

seen

such

  













and

she



 

 



 



beau - ty

Em

 



be - fore,

the



  





a





mo - ment

  









 



 



 D





sol - diers’ ward. Nev - er

    

C





    

was work - ing on

 G









C



D







Em





that

 I

saw

her.





 





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5

C



 

Nan - cy

    



was

my







yel - low







rose

and

we

got

 



 





 



eight

chil

   





-



dren,







now









 CODA





D

 



grow - ing

Em



      

old;

 

             

G



 

  







C

G

Em D.S. al Coda



five

sons

and

three

daugh

 



 



 







-



ters.

 



D



         

  



            





2 D

G



                  

D

G

 







 





1 G





C

 











Down by the Wex -ford bor - der.

    

C





mar - ried wear - ing bor - rowed clothes. We got



G



C

    



 C



Em



















D

D

 

          





G





             



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   From her

  

6

Em

  

C



  



snow - white streak

   





in



D



her jet - black hair,



  







 

sat

   



   farm

   

      

by

the

fi - re

in





boy

born

near













our old



Bel - fast







found

   



 my



six - ty

years,

 

 

    



 D



arm - chairs. You know, Nan - cy,



 

 

  



I

 



 

a - dore





      

town,

I

 

 







       



the south - ern

 

ground. There’s no

  

 



dif - f’rence,

  







   

Em

I





as - sure

 



 



 



D





crown ’cause I

 

 



and

       







wor - ried ’bout the king

C

 

you. From a

 Em



 



D

G

her. Now we’re





C

nev - er

 

Em











C

 



I’ve been lov - ing







u - pon

o - ver



    

heart

    





C

  



G

         



 

 C

  

Em

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you.

  

7

G

C

G

D

         She and

I went on

 C

D



Em

G

C



G

 



 G

D

G

         

took my name and then we were one,

C

D

I

                



       

 

  









 

1 D

G

C

G

                            

















G



G

 

was Wil - liam Shee - ran.



     

down by the Wex -ford bor - der.

C

    

 Em



    

Mul - li - gan,









          



love

             

C

She was Nan - cy

G

I’m gon - na mar-ry the wo - man I

      



down by the Wex - ford bor - der.

              



C

         

        



       

G

don’t care a - bout re - li - gi - on.

the run,





G

       

             

C

She

    

C

G

          





2 D

G

         



 

D

G

           

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT



 

1

PERFECT

Words and Music by ED SHEERAN

Classic Ballad Ab

       

4fr



mp

  

        Fm7

    

   

                    

love





Dbsus2 4fr

  

                     

     

6fr

lead.



for

me.



Dar - ling, just

Eb

     





I found a

        



   

     dive

right in,

   fol - low my

                         



Ab





     



4fr





Well, I found a girl,

 beau

-

 

ti -

                   

               

    

 Copyright © 2017 Sony/ATV Music Publishing UK Ltd. All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 International Copyright Secured All Rights Reserved

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2

Fm7

Dbsus2

       ful and

    



 sweet.

Well, I

nev - er

                                  

4fr



knew

     

me.

 Ab



’Cause we were just kids when we

    

Fm7

what gainst

    

 







it all

was. odds.

I I

  

 

    

  

 



Ab

    



will not know we’ll

 







  











  

  

 

   

    





in in

 

  



wait - ing for

  

love, love,

not know - ing fight - ing a -

   

    

you all

  

 

4fr

give be





Eb 4fr

time. time.

     

the some - one

Db

   

    

4fr

fell so

                           

were



       



you

  

                      

Eb

6fr

       



 up right

 

 

 



 



this this

 

Ab 6fr







Dar - ling, just Dar - ling, just

kiss hold

 

 



   

4fr





me my

slow, hand.

   

  

  

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 





your heart Be my girl,

 is I’ll

 











3

Fm7

Db

    



 

all be

    

I your

 

 

        



          



Ba

-



 

   with

you

  

 

by,

    







 



 

 

be - tween





 

my

 

   







to

our

          

   



4fr

  

  





 

 

in

the

   

 

 



 

on

the

 

 



 

Db





4fr

Bare - foot

 

   





 

 Db

   

  

 When

When you said I saw

fav - ’rite song.

           

  

  

Fm

lis - ten - ing

   

danc - ing

6fr

     

mine. eyes.

Db

arms.

   

ing your

  



Fm 6fr

-

 

 

I’m

Eb 4fr

grass,

    

    

  



Ab

 

  

 hold in

Fm

  



 

you’re ture

-



µ

 



  



Eb

    

     





6fr

dark

    

 

eyes, fu

Eb

6fr

4fr

     





And in your I’ve seen the

  

Ab

    



  

Ebsus 6fr



own. man.

 



Eb



 

4fr



  

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4fr

  

 

you looked you in

a that

    

   

4

Ab

    

Eb 4fr

Fm

    6fr

 

   

  



4fr

mess, I whis - pered un - der - neath my breath. But you heard dress, look - ing don’t de - serve so beau - ti - ful. I

          

 

   

 

 

Ab

  

Eb/G 4fr

3fr



Fm





Eb

  



it, dar - ling this, dar - ling

you

   

  

 



Db



6fr



  

    

     

Ab

To Coda

Db



4fr

look

Eb



  

per - fect

    

6fr



to - night.

   

Eb 4fr

6fr



      Well, I found a

                            

Ab

       



Fm7 4fr

   

          

  



wo - man,



  

strong - er than an

    

     

  

    



  

   

    

     -

y - one

I

know.

         





   She shares my

  

   

  

  

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5

Db

   

Eb 4fr

dreams,

        I

hope

that some - day,

I’ll share her

         

     

    



  



              

 

    







I

 

  

  





  

   

  

  

  



  

to car - ry

more

than just

  

 

   

 



Db

found

a

love

        





    

my



  

sec - rets,

          

to car - ry

   

   



Eb 4fr

love,

    

   

Fm7 4fr

       





home.

   

Ab

    



  

6fr



6fr

         

       

  

          

     

 

          



  





to car - ry chil

-

  

dren

of

our

D.S. al Coda

own.

We are still kids, but we’re

  

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 



6

CODA



Ab

    



Eb

look

per

4fr

you

     



  

    

Ab 6fr

4fr

 -

  

fect

to - night.



Fm7



                                  

  



Fm

    



 

the

dark

   

 

  



 





    

  

 

   







      

  

      

  

   

by,

  



  

6fr

with you

  

 

   





  

  

 

be - tween

my

   

 

   

 

lis - ten - ing

our

  

Eb

4fr

 



on

the

grass,

   

 



 

   

-

Eb

Ab

Bare - foot

arms.

     

  

Db 4fr



     

Ba

4fr

in

     

 

6fr

Ab 4fr

danc - ing

Fm

    

  





I’m

     

     

 

   





Db



  

Eb 4fr



    



Db

  

    

             

   

  



 

    

6fr

to

      

  

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 

    

7

Fm

Db

Ab

  

        fav - ’rite song.

I

    

4fr

have faith

in

                  



see,

     

  



 



Db

     an

-

     



 

gel

in

per

 

  

 

    



de

      

-

-



 



son

and

she



 



 

  

Eb/G





serve

this,

you





 

Fm

Eb

Db

                     4fr

    

3fr



6fr





 

Eb



6fr

I

I

  

an

   

 

 



Eb

looks

per



  

-

  

 

fect.

I

 

look

per



  

 -

fect



        Eb

Ab 6fr

     

4fr

  



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 



 





6fr



          

 

have met

  

4fr



know

6fr

    

4fr



                      Ab

now







   

Ab 4fr





4fr

don’t





Db

    

I

  

Fm

what



Eb 4fr



  to - night.

 

1

SHAPE OF YOU

Words and Music by ED SHEERAN, STEVE MAC and JOHN McDAID

Moderately C#m

F#m

A

             B

  

        

     

 

A

 

bar

 

is

  

  B



   

        

is - n’t the best

club

place

to find a

lov - er, so the

                         F#m

   

 

     

 

     

                

   

Me and my friends



  

B

C#m

at

the ta - ble do - ing shots, drink - ing

F#m

4fr

      



                  



 

   

C#m

go.

A

   

4fr

    where I

        

F#m



2fr

                 

 

 



F#m

4fr

4fr

The

Bsus

    

C#m





C#m

        

mf slightly detached

A

B

            

                       4fr

fast, and then we talk

slow.

  

And you come





  

              o - ver and start up a con - ver - sa - tion with just

me,

 and

                           

Copyright © 2017 Sony/ATV Music Publishing (UK) Limited, Rokstone Music and Polar Patrol Music Limited All Rights on behalf of Sony/ATV Music Publishing (UK) Limited Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights on behalf of Rokstone Music in the United States and Canada Administered by Universal - PolyGram International Publishing, Inc. All Rights on behalf of Polar Patrol Music Limited Administered Worldwide by Songs Of Kobalt Music Publishing International Copyright Secured All Rights Reserved

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2

A

Bsus

B

C#m

         



                   

        

trust me, I’ll give it

 

Now

take my



F#m

4fr

           

hand,

stop,

put Van the Man on the juke -



C#m

F#m

  

4fr







then

we

start





 

to

dance,

 

 

A

      

and now I’m sing - ing like,



 

Bsus

B

Your love

         

 



   



was hand - made



I

may

      

  

some - bod - y

like

B

be



cra - zy,

     

 





 



me.

  



Say,

 

I

 





want your





 



love.

  

 



F#m

  

  

me.

   

  

Come on, now,

fol - low my

  

  

 



 

  

lead.

  

 





 



too

much.



 

F#m

 



 



‘Boy,



 

C#m

don’t mind

 

know





4fr

 



C#m

        

A

    

for



4fr







“Girl, you



2fr

 



      



box, and

                          

B

    

 

   

a chance.

A

   

 

2fr



let’s



 



not

 



talk

  

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 

 

3

A

    

Grab on

         

Bsus

B

C#m

2fr

 



   

 

my waist and

put

  

   





bod - y

that

on

me.’

  

         

A



come on, now,

  



fol - low my

lead.”

  



         



A

    







       

 

fol - low my

lead. Come,

F#m





  











Mmm.

   I’m





 

 



B

 

in love

  



with the shape

of

  







  

 



C#m

2fr

 



F#m

4fr

  

       

We push and pull like a mag - net



   

is



     





 

do.



              

A

    



Bsus

you.

    

Come on, now,

  

4fr

µ

    

  

C#m

     

    

F#m

4fr

B

Al- though my heart



fall - ing,





  

  

Last night you were in



my



  



 



C#m

 



F#m

4fr



too,

  

  

I’m in love with your bod

              

         



-

y.





  

     

 

 

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 



4

A

Bsus

    



    

   

           





  





Ev - ’ry day dis - cov - er - ing some - thing brand -



      







 



  

-



Bsus

y.

B

with your bod

    

   



  



I,

oh,

I,

oh,

I.)

 

 

 

 

 

(Oh,

I,

oh,

 

 

 





 

C#m

  

 

F#m

-

I,

oh,

I.)

 

 

 

I,

oh,

 

 

y.

(Oh,

I,



oh,





 

 

 









 









B







4fr

   

in love





2fr

 







                



 

F#m







 



C#m

   



 

C#m

 

F#m

4fr

   

Well, I’m in love

   



you.



Well, I’m in love with your bod

A

  

      

4fr

Well, I’m

  



B

A

   

smell like



new.

   



and now my bed - sheets

    

    

F#m

4fr



A

     

C#m



room,

     

B

2fr

    



  



  

with your bod -

 

I,

oh,

I.)

 

 

 

I,

oh,

 

 

y.

(Oh,

I,



oh,





 

 

   

















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 

5

Bsus

A

  

B

2fr

C#m



   

  

   

   



  



 

A

B

    



  

       

 

A

Bsus

on



      







Ev - ’ry day dis - cov - er - ing some - thing brand -



 

C#m

      



    







I’m in love with the shape of

    

 



 

F#m

B

                 

you. One week

our first

we let the sto - ry be - gin,

C#m

we’re go - ing

F#m

4fr



   

in,

                         

2fr

 

date.

You and

 

                     

  

A

               are thrift

me

-

y, so go “all you can eat,”

fill up your

                            C#m

F#m

4fr

µ

       

   

                

   

 



      

4fr



new.

  



 

To Coda

out



Well, I’m in love with your bod - y.

  

F#m

4fr

bag and I

fill up

a plate.

We talk for

             

hours and hours

a - bout sweet and the sour,

and how your

                          

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6

A

Bsus

     

fam - i - ly’s

          

 

C#m



    



do - ing o - kay,

   

  

and leave and

  

  



F#m

4fr

    

A

 

B

2fr



              

get in



 µ         

    

 

 

be my ba - by, come on.

  

Come on,

  

  

be

 



            

be my ba - by, come on.



Come on,

Amaj7

 



  

 

 



        

my ba - by,

       

      

        

2fr

   



be my ba - by, come on.

        

F#m9

4fr

you. Come on,

 



Come on,

              C#m

 

    

          Come on,

seat ’til the



D.S. al Coda

driv - er make the ra - di - o play. And I’msing-ing like,

 

i, then kiss in the back

CODA

      

    

-

                            

B

      

a tax



come

on.





   



 



B

   

Come on,

  

be my ba - by, come on.

be

           

 



my ba - by,



come

               

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on.

  

7

C#m

   

F#m9

4fr

Amaj7

2fr

   

be

Come on,



 

my ba - by,





come

on.

  

                           C#m

   

    

   

  

  

  

   

 

 

C#m

 

of

you.



 

is

       



Al - though my heart

do.

       

   

C#m

      

  

 

 









 



   

   

 

on.







  



  



B

like

  

a mag - net

   

 

B



too,

  

  

  

  

I’m in love with your bod

 

 

 

 

F#m





We push and pull

  

fall - ing,

 

   

A

   

  

come

my ba - by,

     

 





2fr

  



F#m



       

 

Bsus

4fr



be

A

I’m in love with the shape

   





F#m

    

   

Come on,



4fr





   

 

A

 

 

Bsus

4fr



-

y.





B

2fr



 







Last night

      



 

  



 

you were in

my

room,

  



 

   

 

 





   



     



and now my bed - sheets

   

 

  

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smell

like





   

 

8

  

C#m

F#m

A

      





                      



 





B

  

4fr



   

  

      

  

Ev - ’ry day dis - cov - er - ing some - thing brand - new.

you.

C#m

          

4fr

    (Come on,

be

    

 

  1, 2 Amaj7

2fr





my ba - by,

               

 



F#m9

 



come on.)





  

 

-

   

y.

 



B

              be

I’m in love with your bod - y. come on.) my ba - by,

   

  

  

 

 

   

(Come on,





   

Well, I’m in love with your bod



   

 

 

 





 

3 Amaj7

       

B

be

(Come on,

          

                  

new.

            

 

 







µ



I’m

in

love

with





 





 





                        















the shape







Ev - ’ry day dis - cov - er - ing some - thing brand -

B



      



I’m in love with your bod - y. my ba - by, come on.)

A

F#m

4fr

            

         

C#m



of















you.

 

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  

1

SUPERMARKET FLOWERS

Words and Music by ED SHEERAN, BENJAMIN LEVIN and JOHNNY McDAID

Moderately, with feeling F *      mp    

Am

F/Bb

F

  

   

   

F/Bb

F

 



    I

      

    

F

  day

      





old





tea



 



 F/Bb

made.

         

    

  

  

F

Bb

C



   

   

   

* Recorded a half step higher. Guitar: Capo I to match recording.

   

of a



  

life

Threw the

    C

 



  





Mem - o - ries





Packed up

  



       Dm





     Matt - hew had

 



from the win - dow - sill.

      

  

 



F/Bb

from the cup.



Bb



sup - er - mar - ket flow’rs

Am





Am

     

took the

Am

   the pho

-



to

   

al

-

  



bum





F

 





 



  

that’s been loved.

    

  



  

Took the get



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  

2

F

Am

     well - lows,

         



soon made the



 

cry hand

     

  

 



when you’re on my

down,” cheek



 

3





 

3







  



  

-

    





  

 



ev - ’ry from the



that of

 

es. see

It’s the





tear world



 

I blink. my face.

  

 F





  

time side

  





 



  

tear tear





Dad al - ways told me, “Don’t you John said he’d drive, then put his



Oh, I’m in piec I hope that I

 



C



Bb

 

 



 

Gm



 



 





C





but Mom, there’s a and wiped a

 

Poured the your night -



Bb



 



Fold - ed

Dm







 





  

 



 

down the sink. in a case.

3fr

      

   

F

F



an - i - mals. chairs up.



 

 

Bbsus2



 







Bb

 



 

Am





and stuffed stacked the

cards bed,

old gin - ger beer - gowns neat - ly

      







F

 





Bbsus2

C









-

in’ as

me you

up did

 











   but I ’cause I

  

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  

 know know



Gm

Bb

F

3

C

3fr

a a

     





  

 

that’s broke with love

heart life

 



  







is is

a a

heart life







 



 F

F/A

   Hal - le

      





loved. lived.









 

an - gel

  

in

the



So

I’ll

sing







F/A

shape of

my mom.



F

 

       

 



       

      





    

Bbsus2

hold - in’ me up, I have be - come,

 

 

F



Dm





          

(1., 2.) When I fell down you’d be there (D.S.) You got to see the per - son

 

been been

       

C

        

that’s that’s



you were an





C



      



Bbsus2

- lu - jah,

  





  

Bbsus2





C

     

spread your wings spread your wings

as you go. When and I know that when

       





 1

Dm

Bbsus2

F

C

F



        

      

 

               

        

 

takes you took you

back back

He’ll say Hal He said Hal

To Coda

-



le - lu - jah le - lu - jah.

you’re home. you’re home.



Am

       

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  God God

 

4

Bbsus2



C

F

Am



       2

Bbsus2

  

 









F



  



 

 



  

F/Bb





     

  

  

  







Ohh.

  

 

Dm



Play 3 times

C

 



Ooh.

   

    

  

 

 



F/Bb

F CODA

 



   

  

 







D.S. al Coda





         

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 

I fluffed the



Am

   

C

 



pil -

    

WHAT DO I KNOW? Words and Music by ED SHEERAN, FOY VANCE and JOHNNY McDAID Moderate Pop beat

E

B/D

C m 4fr

B

A

I

God saw

4fr

110

rev

-

Ain’t o -

got a lu - tion’s

E/G

soap - box com - in’,

A

I it’s

can a

stand min - ute

up a

B

-

on; way.

E

B/D

C m 4fr

gave me peo -

a stage, ple march - in’

B

get love

in and

-

volved hate

in but

a in

gui - tar and the streets

A

pol both

a song. to - day.

My

E/G

-

i - tics, of them

re - lig - ions, are bal - anced

dad

-

dy told me, You know we

A

oth - er on a

B

peo - ples ra - zor

quar blade.

Copyright 20XX XXXXXX XXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXX

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

are made

don’t you up of

4fr

2

A

A/C

I’ll paint

the

pic - ture,

B

let

E

me

set

E

know -in’

what

it their

en in

to your

scene.

I I

E/G

means. dreams.

And Just

E

giv fitt - in’

the

E/G

me. jeans.

I’ll re

E/G

Just It’s

love love

A

know know

A/C

when I’m

I all

have child - ren for peo - ple

A

B

they will fol - low

A/C

pass re -

-

on mem

these - ber

things life

my is

-

B

fam - ’ly’s more than

A

B

and and

un un

-

der - stand der - stand

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- ing, - ing,

pos pos

-

i i

-

3

E

B/D

C m 4fr

4fr

N.C.

-tiv -tiv

-

i i

-

ty. ty.

We

B

pi - a

-

no.

Add

E

a

a

boy

this

bass,

some

gui - tar,

C m

lord

grab

with

ev

a

B

a

one

man

E

knows

with

A

a

B

beat

and

a - way

A

show.

No

B/D

un - i

we

E/G

-

’ry - bod - y’s

-

ver - si - ty.

C m 4fr

but

world

go.

A

4fr

B

-gree

whole

E/G

4fr

just

change

A

B/D

I’m

could

talk - in’ ’bout

No

B

de

A

4fr

ex

-

po - nen - tial

growth

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and

the

stock

-

4

E/G

A

B

E

B/D

C m 4fr

mar - ket crash - in’

in

their

port - fo - li - os.

B

song

that

I

wrote.

While

I’ll

be

A

Sing,

can

E

change

B/D

the

what do

I

know?

change

the

world

in

in

a

A

a

mo mo

B

A

love

A

a

with

4fr

Mmm,

E/G

can

world

C m 4fr

but

here

E/G

love

B

ment

sitt - in’

4fr

mo

B

-

ment

but

what

do

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I

know?

5

To Coda

E

B/D

C m 4fr

B

A

E/G

A

4fr

Mmm,

love

1.

can change the world

in

a

mo

-

2.

B

-

B

ment.

The

E

set

the

A

- ment.

E/G

scene.

You

A/C

the

A/C

I’ll

A

know

A/C

A

fu - ture’s

B

in

the

B

the hands

E

paint

of

pic - ture,

let

E

you

and

me.

B

me

E/G

So

let’s

E/G N.C.

all

get

to - geth - er,

we

can

all

be

free.

Spread

love

and

un - der - stand - ing,

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pos - i

-

6

D.S. al Coda

-tiv

-

i

-

ty.

We

could

N.C.

- ment

but

what

do

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

I

know?

1

BARCELONA

Words and Music by ED SHEERAN, BENJAMIN LEVIN, FOY VANCE, AMY WADGE and JOHNNY McDAID

With a Latin flavor C

Am7

      

  *



mf





 



G

     



  









         



With pedal C/F

 

C

    

 



        

 

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 



 



up

up

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µ

    

 

    

 



got

two left



* Recorded a half step higher. Guitar: Capo I to match recording.

feet









 



the

dance

floor

to

    

 













 



  -

night.

  

C/F

      and







on



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I





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C

get



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G

 

Am7

a

bot - tle

of

red

      





   

   wine,

me

feel

   

   

mak - ing



   

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2

C



Am7



      like

 

 

the beat and









    Get

’er

on

   



 





 

 

 

care





 



rhy - thm

blood,





 -



to

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 

    







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J.



 









   











the



rhy - thm

of

the







choos - es.

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mu -

sic;

 



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 

 

lost











 

in

the



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C/F

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    

 

  

    

don’t



    

C

D.



her





by, dance

the

place

   

up - on



what

me;

 

hands





G

of

   

 





 

Am7

ba



both

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     



 



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 

my



Am7



    

in

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are



G

    

C

up,

     









waist - line.



line

  





bass

  

     

C/F



the

G

close



un



  -

til

  

     we

wan - na leave

      



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   

 it.



3

 Fsus2

G



 

You

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

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Am7





and

I,

we’re

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  

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



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Fsus2



 

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 



ae

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an

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ing

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ing

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where

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the





sun

   



 3    3  

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 

close

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eyes,

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   





  



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to - night.

     

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G



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some - where

C



ro - plane

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bright.

     

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your



on

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Am7

 

Am7



fly - ing

Fsus2

is



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go

C

 

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G

 



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C





 





 

let’s

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 pre

  

 

  -

 

tend

  



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 we’re

   

 

  danc -

  

4

G5

  



 

-

ing

in

     

 

  

 

the

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na.

  



street









    





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 

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ce - lo

           

in

Bar

-

ce - lo





 

 

 

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-





     





na.

       



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 

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      



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C

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Am7





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C

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3fr



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 

              

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5

C

C/F

 

 



Bar

 









 



ce - lo

-

         



 



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 





 



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get

up

up



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 





   

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µ





         







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on

  

C

the

  

 

     

re - flect

  

-

ed

in

your

           



in

love

    





  with the

    





dance

floor;

move,

it’s

a

 

 

 











     spar - kle

in



the moon - light

          



 

 

G

 

      

beau - ti - ful

eyes.

I





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guess

            







Am7



 





  

fell







C/F

  I

  







G

Sat - ur - day night.



  

C





To Coda





 



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 

Am7

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na.

-

G



Am7

   

  

that

it’s

     



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des

    

  -

ti - ny

    



6

C/F

C5

 

        do - ing

it

right.

And

dance

            





µ       like

    

  

 

 

3fr

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they do



in

    

    

the

Med - i - ter - ra

   

-

    nean,

spin

              









C5

C

 µ      3fr

you

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         

    

  me

    

a - gain and

   



 

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a - gain.

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            

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    

like

     

some

  



-

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thing

that

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Am7







God

has

sent

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 CODA



me.





I

want

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you,

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-



so

                



-

la - men

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D.S. al Coda



-

te.

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Fmaj7

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µ

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by,

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G







µ

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ce - lo

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 -









na.

 



      

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 

G7

Am7





7

Csus2





3fr

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G7



-

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-

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na.

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So

let’s



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 

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tend

   

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 

we’re

   

danc -

 

   

8

G5

  



 

-

ing

in

     

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  

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 the

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street



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-

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Fa - mi

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-

you.

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dance

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lia,

drink

-

ing



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ni

-

ña,

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in

Bar

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La

        

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te

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San - gri

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a.

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mi



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Sa -

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         

Ma - ma - ci

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C/F

    



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   



Mi



meet

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 

 

C



 

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blas,



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G



C/F

 

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µ



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  

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C

na.

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3fr



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-



ta,

Am7

G

 

    



ri

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-



C

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Bar

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-

-

ce - lo



   

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and dance

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na.

la

vi



 



me

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 

ta.

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3





da.

Come

on,

let’s

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3 

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 



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 





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Las Ram

-







 I’ll

blas,

         

  be

free

 

 



    meet

you.

         





C

  

    

in

Bar

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ce - lo

        

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-

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C/F

with

se - ño - ri

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do - ro

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-



G



  

     Come on



a



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te



        

  

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tú,

3



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in

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si

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   

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o - tros,

Los







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ca,

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9

C/F



   

 -



na,

 

     drink

 

  

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-

ing

      

10

Am7

G

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-

want

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to

be

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-



in

Bar

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na.

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G

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Si

-

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em

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pre

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  



 

breeze

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that

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vi - v’la

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3

3



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vi



-

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da,

Bar

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-

ce - lo

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    



 

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µ



-



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na.



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da.

 

C/F



-

Am7

 -

Bar

ca,

        





    

in



      ri

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G

ta,





just







I

  

C

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Am7

C/F

 





   

na. Ma - ma - ci

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a.

         

  

-

C/F

 

1

BIBIA BE YE YE

Words and Music by ED SHEERAN, BENJAMIN LEVIN, NANA RICHARD ABIONA, JOSEPH ADDISON and STEPHEN WOODE

Moderately G

Am

C

D

G

                        mf

 

  

   

C

D



Bi - bi - a



 

   C

be

D







G



  

 

   

G





I

lost

my

 





  

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Am

  

  

 







 C

 



 D

                    











C

 

 



shoes

last

night;

 

 



 

G

Am

Am

 

 



ye.

        



             

be

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

Am

 





 





D

 I











 

don’t know where I



    



   

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   put

my

     

2

G

Am

  



C



  

  





       

 

  

   proud

    

of

  

  graze



 

    

    



from each

  

 

 

D

   up - on

my

    



  

C



  

be - neath an





knee. And



 



 

  



  



and

then





    





threw up

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 

     

G



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up - on



his

  





 



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 



 





is



car

 



and

each





 



knuck - le

know

  



 



Am



I

bet my

       

 

 my





I







G



I

tree.

Am

up - on



   all



scar

D



oak

   



                        

 

me,



Am

G

  

C



 

   

fell a - sleep

D

moth - er’s



 

G

         

and

  

C

 

 

I was tired

keys.



D

got

a

cab,

 

  

Am

  



seat;

 

  









 



he

kicked

 



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  me

out,

  

C

       

D





and

then







  I



  



self

     



 



     in

ev

-

’ry



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1

CASTLE ON THE HILL

Words and Music by ED SHEERAN and BENJAMIN LEVIN

Moderately fast D5

            5fr

  





mf



       











D/F#

 







 

Bm7



 

 





old

years

I

 







  

broke my leg,



    



D5

D/F# 5fr





G[add2]

     

Asus/C#





 



Asus



      

When I was six

                

       





G[add2]

   

  

  

  

and I was run - ning

     







 



   







Bm7

    

   

my

broth

      



-

er

    



 

and

his

    

  

 

 









Asus/C#

   



 



Asus



friends,

   



from

    

 

  



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 

2

D5

  

D/F# 5fr

and tast

 

Bm7

    



   

G[add2]

ed

-

the

sweet

      







 



  

     

   

       

per - fume



of





Asus/C# D5

     rolled

down.

         









  

 



 

 

 



                         







 

Take

A[add2]

          

me

back

A/C#

to

A/D

    

and broke When we

it got

      

when

  



here, paid

  





  

Gmaj9





   

  



made we’d

   

friends buy

 

and cheap

     

  

  lost spir

  

 -

   



 

Bm7



    

found week -

my end

     

G6

    





I

  

 

Bm7

then.

D

 

I

 

 



  

Asus/C#

  

grass

     



      

Asus

       

 

  



tain

G[add2]

I was young - er



-

 

D/F# 5fr

     



the moun



Asus

  

 

heart jobs.

 

G6/B

 

  

 

   

 

them through the years. its and drink them straight.

    

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 

3

Gmaj9

Bm7

  



    

 



     

  

 

And I’ve not me and my

         

 

G6/9/B

    

 

know how

         

I’ve we’ve

 

  

 

I’m

on

        



  

 

grown, grown,

    



  G[add2]



 

   

-

 

ty

 

        

 down

   



ing thrown

      



 

 

 

   

  

can’t

 



     



      

  

 

 

in in

so so

long. long:



 







wait

 





to

go









  

 

 

  



driv

   

    

 

 



  

 

  

   

-

ing

  



   

at

    



  





 

    

  



D/F# G[add2]



those

 

I oh,

home.

Bm7

D

  

 

D/A

 

I

   



 

   

but

D/F#

fields up

G6/9/B



   

-

D

way,

A/C#

   



A/D

   

the roar have not

 

D/F#

my

A[add4]

   

  



A/C#

G6/9

      

D

    

seen friends

 



G6/9

nine

A

  

 

 



 

coun

-

try

lanes,

  

     

   

     

    

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4

Bm7

A[add4]

   sing

         

ing

 

  

  

 

 





to

“Ti

-

ny Danc

 

     

 



 

 

     -

       

 

 

D

  

make

  

          

 

 



we



  



  

 

D/F#

-

the

 

    

on

er,”



and

I

  

 

           

  



sun

  

  

   

D/F#

miss

 

     

   



  



set

          

  o

     

  

  

-

    

  

    

when

     

To Coda  A7[add4]

  the

ver

 

 

real,

it’s

             

 

  

A/C#

and

    

  

    

A[add4]

feel,

way

the

        





G[add2]

    



 

     me

 

  

Bm7

 

5fr

  

  





        

        

the hill.

   

    

   

 

   

 



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3fr

cas -

D5

     tle

 

-

 

G[add2]

A/C#

  

  

  

 

watched

   



D

   

Bm7

  

you

       

A/C#

5

D5

  

D/F#

  

5fr

       

G[add2]

  

Fif - teen

years

  

  







 

old

and

    

smok



 

 



Bm7



ing

hand

    

 







Asus/C# D5

 

-

 

D/F#



cig - ar - ettes,

  

  

  

rolled

 

 



G[add2]

Bm7

5fr





    

      



 



 

  





  

    get - ting

       

with

   

my

 



    

 

 

Fri

     

    

  

on





-



day





  



  

 





 D5





 

 



      I

don’t

 

    





 

 

    my





 

first

kiss



 

     

Asus/C#

  

D5 5fr

        

reck - on

     

 

D/F# G[add2]

Had

 



fields

 

Asus

night;

 



5fr

Bm7

    

     

friends.

  

 



and

Asus/C#

  

drunk

      through the back

     

Asus

 

  



run - ning from the law

 

-

Asus

that

I

it

did

right,

         



 

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

 

6

D/F#

       

G[add2]

            

    

then.

Take

  

 

 





A/C#





  

    we

 



D.S. al Coda



found

 

   

 

  



Bm7 (8va)

  



o

        

 

    

 

D

  

  



  

    



  

8va



 

  

-

 

    

  

hee

  





 

 

  

cas

                 

    

   





  o

   

    



     

 -

hoo,

 

 

    

  

A/C#





-

tle



  

on

the

  

   

 

hill,

        

Bm7

hoo,

 

the

ver

  



 

  

-

D/F# G[add2]

hee

  

  

    8va

A[add4]



 



 

D/F# G[add2]

the hill,

on

        

    



tle



when

   

D

    

-

to

 



CODA

 

 



  

me back

       

 

 



Asus/C#

 

Asus



  

I was young - er

but

Bm7

  

A7[add4] 3fr

     

   -

ver

  the

cas -

                 

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7

A/C#

   -

       

   tle

Bm7

G

 

on

the

         





hill.

        

D





 









     

 



    

 

  

A

 



Bm7







friend

One

 

  

 





   



D/G

          

   

to

sew

clothes,

    



  

     



 



    

   



    









  



and

    

works

one

two

had



    



 





       



    



    

 







 



 

down

   



    

  

    



by



the coast;





 





 

D





  

  





  





kids

  

Asus/C#

G

one

 



D

Bm7

  



left

but lives



a - lone;





one’s

 

  



SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

    



broth -

    

8

Asus/C#

Bm

    

    



 

    

 

-

er

   

  

o - ver - dosed;

   





D





    

 



just

bare

-

    

 

one’s

        



     

    

 



 

      



al - read - y







 



me

  

and

  

D



But

    

 

  

get - ting

by.







 

on

my



  

         





 





  

 

    

 

-

these peo



ple

 

raised

    

 



 

    

 





    

 

ooh,

wait

can’t



    





   





to

  

go

home.



 I

   



  

  

And

 

        

Bm7

 

way.

 

A7/C#

A6/C# Gmaj7/D

    

sec - ond wife;



 

I,

2fr

his



    



                    

on

Bm

D

    

      

 

one’s

ly

 

A/G

I’m

     

A/C#

  

   

A/G

A/C#

     re

still

    

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

  

 

-

  

9

D

 



mem

 

-



  

    

 

    

 

ber

  

Bm7

   we

        

these

 

did

know

            

you

   

we

      

 



 

  





  

    

     

try

   

-







    

    

me

 

  

 

And

I

 

 



sun

  

  

   

D/F#

miss



   

A[add4]





  

    



set

          

  o

     

    

 

  

 

real

it’s

     

when

  

   

  

-

 

   

 

A7[add4]

   

  

A/C#

and

     

way

the

       





G[add2]

    



feel,

  

     

 

  

 when

  

 

Bm7





D

swers.







lanes

G[add2]

the

 

       

-

    



            

watched



 

an

Bm7

D/F#



the

    

 

    

make

D

  



    

            

 

    

    

coun

 

A7sus

not





old

  

  

Dmaj7/F# Gmaj7

the

ver

 

  

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

 

    

3fr

cas -

  

  

10

A/C#

  

D

    

-

tle

on

D/F# G[add2]



  



hill,

the

   

    

   

 

   

hee

  

Bm7





 

 

-

  

 

  

-

ver

     

the

                 

   

           

-

tle

    





 

  o

   

    



     

 

 

    on



 

 





   

 



 

 

            







     

  

-

the

ver

  

 

3fr

  

 



 

    

 

  

    

-

tle

 

          



on

the

Optional Ending



hoo,



        

-

A/C#

cas

                 

  

8va

A7[add4]

5fr

  



Repeat and Fade

D5



hee

  

  

D/F# G[add2]

hill,

the

 

 



D

       

 

Bm7

(8va)

    





o -

A/C#



cas



hoo,

 

A[add4]

   



8va



   

 

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

hill.

1

DIVE

Words and Music by ED SHEERAN, BENJAMIN LEVIN and JULIA MICHAELS

Moderately slow Shuffle

        

E

C#m7

mp

 

 

With pedal

  





A

B















 

 



 













E

    







I

came

on

too

     

  









3

3



C#m7











 



May

 

    

  



Well, may - be

strong.

 

 





 



          



 

4fr









 

   



   



3

  

  A

 



  



   -

be

wait

  

 

3





 



  

ed

too









E



  

played

my

cards

  

  





3

May - be

 

-



B





I





long.

3

4fr

3

 

3



I





SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

2

 















wrong,

oh,

just

a

lit - tle

bit

 

 



    





 







   3

3



  

3

   

3



   



















 

 

 -



3

 

  



  



I

       

    

or

could fall,

I

could fly

    









G#m

4fr

  

here

 

in

your

  

pol - o - gize

for

it.

 

   





 



ae

ro - plane.

-

   













 

 



C#m7

  



A

4fr

    

And



 

B



A

 



ba - by,



a



  

 

A

   

  







4fr

I

 

wrong;



C#m7

  



3

I









on

the

words

you

say.

  

  



 













I

could live,

    



  

 

could die



   hang - ing



SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

 

3

C#m7

  

 





And

I’ve

         

 



  





been known









to

give

my

all,

 







 





 



hard - er

    



  





than

ten



 

 



 

 





   don’t

  





call

me





 







rocks

on

 

 

 

 

 

 

thou - sand

un

      

-

jump - ing

in





 

  



  





the

lake.

 

 

 

 

    3

ba

-

 3    



µ



 



So











 

 

















less

you

mean

it.





  









  

 



A



4fr



by

C#m7

  



E

   











 

and



B





4fr









 



And don’t













 

      

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT



 



4

B

E

  





tell

me

you

   

 

        you

     

   need

 



don’t

be











 -











lieve

it.

  









 



    

 















  

 



I

 

     



(1.) You’re a







 

  



 



(1.,2.) So

 









let (3.) Let

me me

know know

the the





B/D#

 

  

 

  



right

dive



   

     





  





in

-

 

  3

   I have

 



To Coda



 



mys - ter - y; (2.) Instrumental solo ad lib.



 

 

B9

4fr

be - fore



E

    



A

4fr

C#m7

   

     



C#m7



 



if

 

 

truth

  





me

 3   

B

  



3

3



  





4fr

    

 





to

    



you.

 

 

    3

trav

 



SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

-

elled the 3

   



5

C#m7

    

and there’s

     

 

  

world,



    



 







What’s your



his



  

-

 













like

you,



 







 

 

no



one.

 







to -

ry?











(What’s your







his

-

 







to -

ry?)















C#m7







you

have

a







4fr





ten - den





-









cy

to

lead

some













 A

  

’Cause

  

  





   

3





E

        

     

girl





  

Do

  

oth - er

B

   

3

no

    

A

4fr



I

   





















do.

(1.,2.) Mm. Solo ends

   



  



on?

E/A

heard you





peo - ple

B









    

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

 I







could fall,





6

  

C#m7



    

or

I

here

                 

          

   

-





     

And

 





on

the

words

you

say.

   



 





 





to

give

my

all,

 







could live,





 

I

E/A

hang - ing

  

    

ro - plane.

    

  

  

could die

C#m7

   

4fr



 

and

 





       



 









   



And I’ve been known

lie a - wake sit - ting back

ev - ’ry look - ing











   





 day. at







 1





how Don’t know ev - er - y

   

ae

your



  

B

  

 

in

4fr



A

I

      

  

could fly

G#m

  

4fr





much

I

 

 

 

 

 

 

 

 

 





can

take.

 

 

 

 

µ













 







So

don’t

call

me

 

 

 

 

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  

7

2

B

   

   

mess

that I’ve

        

    



µ

made.

     

 

    

 

 



  B

  



  



    

    

 

E





    



 -

    



B9

 

  

and be

  

-

fore



  

dive

     

C#m7



  

I

 

   



B

4fr

   I

  

 

dive

   

 

right

me

 

 

 



in

-

  

right

 



in

-

in

   

 -



  

         

    

B/D# 4fr

you,



to

 



to

 

4fr

  

 



   

 

B/D#

 

4fr

  

    

 

    right

call



   

  

 



D.S. al Coda

B/D#

dive

 

don’t

  you,



 



E

   



to

       

you.

   





    

     

4fr

fore



E

   

I

C#m7

be

   

  

 







  

B9

  

  

So



4fr

be - fore

truth

 



  

  



C#m7

CODA

  



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 

1

ERASER

Words and Music by ED SHEERAN and JOHNNY McDAID

Slow groove Gm

           mf

Eb

 

 Gm

F





Gm

6fr

3fr

                       

   

With pedal

F

                       

          

    *

6fr

Eb

3fr

Eb 3fr

F 6fr



  

   



Rap 1–4 (See Additional Lyrics)

     

   

        Gm

  

3fr

Eb

   

       

      

Eb



         

    



     

       

    



         

   

     

3fr

Gm

 

      

  

         

 



   

     



F

6fr

Gm

      

* Recorded a half step higher. Guitar: Capo I to match recording.



         

    F

6fr

         

      



3fr

      

  

         

 



1, 3 Eb



  

   

  

F 6fr

  

         

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

µ



         

2

2, 4 Eb

 

F

Eb5

6fr

Bb5 6fr



   

     

     

 

      

    

  





de - stroy be - fall

can

a

man

like





F5





D/F#

tain things



Bb5

6fr

          



me.

But with

that

said,

give

me

one

more...

              

 



Gm

-





Eb5

                 

of cer

              



             

 will

a - ware

I’m well

F5

that

          











3fr

  

µ





high

   

 

  





Eb

 -



er!







 

 

F

              6fr

-

er

to

one

take

the sting













Gm





 

3fr







 

        





  

 

a - way.

                  

An - oth -

       



 

 Oh,



SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT



 



I I

  

 

 am

hap -

  

3

Eb

F

Gm

6fr

              -

py

my

on

own,

so

here







Eb

  

6fr

-

  



  







3fr

  

 

for

a rain

y day,

     

   

  













your lov -

Gm

 



 



 Well, save 

       

  

F

ing arms

      





 

Save







I’ll stay.

                  



3fr

-







and I’ll



  

      

 









  

find com-

 



  







1 Eb

F5 6fr

    -

fort

        

   in

my

   

 

µ

pain.

    





 





 

E - ras

   

    

  



-

er.

(3.) I





used

to







  D.S.

think that noth - ing

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4

2

    Eb

6fr

-

fort

      

F

   in

my

   



  pain.

E - ras

  

    fort

     

   my

in

   



Eb

  pain.

         my pain.

    



   



-



       





find com -

  





 







3fr



er.



   And I’ll

      

 

    

 

    

 

E - ras

           













find com -

  



 



Gm

µ

in

And I’ll

 

F5

- fort

   



Gm





6fr

  



E - ras

 



3fr

er.

F 6fr

 

-

    



Eb

-

    

Gm



-

3fr

     

er.

Wel - come to the new show;

    

     



         

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

 

5

Eb

  

F



6fr

Gm 3fr

        



           



    



I guess you know I’ve been a - way.

   

    



      

Where I’m head-ing, who knows?

 





     

    

1

    





   

 

2 Eb

F

  

will

  

stay the same.



  

  

6fr

  



         



But my heart

       

Gm

    

  

      

My

    

  



Eb

   

µ

pain...







F

find com - fort in

my pain.

-

er.

    

Gm

6fr

And I’ll

e - ras

   

                 

3fr

    



   

3fr

E-ras - er.

And I’ll

find com-

                                                     



























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6

1

2 Eb

F

    6fr

-

fort

       



   in

my

   

  pain.



    

  

   



E - ras

    

Eb

-



6fr

er.

-



fort

    

F5

   in

my

   

 

µ

pain.

E - ras

   

    



Rap 1: I was born inside a small town; I lost that state of mind. Learned to sing inside the Lord's house, but stopped at the age of nine. I forget when I get awards now, the wave I had to ride, The paving stones I played upon that kept me on the grind. So blame it on the pain that blessed me with the life, Friends and family filled with envy,when they should be filled with pride. And when the world's against me is when I really come alive. And every day that Satan tempts me, I try to take it in my stride. Rap 2: You know that I've got whisky with white lies, and smoke in my lungs. I think life has got to the point, I know without it's no fun. I need to get in the right mind and clear myself up. Instead I look in the mirror, questioning what I've become. Guess it's a stereotypical day for someone like me Without a nine to five job or a uni degree, To be caught up in the trappings of the industry. Show me the locked doors, I'll find another use for the key, And you'll see. Rap 3: I used to think that nothing could be better than touring the world with my songs. I chased the picture perfect life; I think they painted it wrong. I think that money is the route of all evil, and fame is hell. Relationships and hearts you fix, they break as well. And ain't nobody want to see you down in the dumps, Because you're living your dream, man, it should be fun. Please know that I'm not trying to preach like I'm reverend run. I beg you, don't be disappointed with the man I've become.

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er.

   

Additional Lyrics

Rap 4: Conversations with my father on the A14, Age 12, telling me I've gotta chase those dreams. Now I'm playing for the people, dad, and they know me With my beaten small guitar, wearing the same old jeans. Wembley stadium crowds, two hundred and forty thou. I may have grown up, but I hope that Damien’s proud. And to the next generation, inspiration's allowed. The world may be filled with hate, but keep erasing it now, Somehow.

-

1

GALWAY GIRL

Words and Music by ED SHEERAN, FOY VANCE, JOHNNY McDAID, AMY WADGE, EAMON MURRAY, NIAMH DUNNE, LIAM BRADLEY, DAMIAN McKEE and SEAN GRAHAM

Moderately F#m

A

E

D(add9)

                             She played the fid - dle in an I - rish band, but she

fell

in love with an Eng - lish man.

Kissed

                             mf

    

     

   

  

With pedal

  

  

 

 





























her

on

the

neck

and

then

I

took

her

by

the

hand,

said,

“Ba

























   F#

 

wan - na dance.” I met her on

Graf - ton

             

 

µ

by, I

just

 



-

 

             

   

 

A

E

-

  



A



         

Street, right out - side of the bar.

 



She shared a

         





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2

E

  

D





ci - gar - ette

    











with

me

while

her





“What







does

it

mean,

one





 



of

my



the

F#





µ

friend’s

       



Gae - lic

played

the





gui - tar.









She

asked

me,











Said,

“It

was









    



 





ink

on

your











songs.

Do

you



 









     



arm?”







drink



on?”





She

took



E

she got





wan - na



a chas - er, Jack for the fun;

  





A

Ja - mie as



 

              

 











  





A

    





F#

  



broth - er









D

              Ar - thur on the ta - ble with John - ny rid - ing the shot - gun.

 

   

  

    



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3

Bm

A

  





Chat - ted

 















some

more,

one

more

drink

at

the



















  

Van on the juke - box, got up

    

to



E



 

love with an Eng - lish man.

                     

-

by, I





  





I - rish band, but she

               her on the neck and then I took her by the hand, said,“Ba -

    



  



 µ

      lit - tle

      



A

Kissed

wan - na dance with my pret - ty

just

          

fid - dle in an

-

  







A

 Gal

     

   



D

 

put

                     



E

       

then

          

   

  





D

in



A

You know, she played her

           





   

dance.

       



fell



D

           



bar,



E

 







way

girl;

  







 

     





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4

E

F#m

  

D

     



you’re my pret - ty

    

   

 E

lit - tle

 Gal

  

     

 











F#m

A

 -

way











kissed

 











me

like

there

was









and then she



    













no - bod







-









y

else

in

the















room.









As

last









A



or - ders

 

and then she beat me at pool,

     

F#m

   



D

         



   

E

  





                   

          



   

A

You know, she beat me at darts,

 

girl.”

     

F#m

  



  

 were







called



 













was

when

she

stood

on

the





















stool,



 af

 

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 -

ter



5

E

  





danc - ing

to

  





Cèi - lidh,







   









sing - ing

to

trad

tunes.









µ







F#m

               heard “Car - rick - fer - gus” ev - er sung so sweet;

 







have

   



E





I

nev





 -

er



D

               

ca - pel - la in the bar, us - ing her feet for a beat.





Bm

  

a

     







A

        



 

   



Oh, I could

 

 















And

in

this











You

know,

she







    

A







that

voice











play - ing

on

re - peat

 

  



 













for

a

week.





 



E

  



packed - out

      









room,



 







swear

she

was



 









sing - ing

to

me.





 





  

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6

D

  

A



    

played her

       

      

fid - dle

an

in





D

 





I - rish band, but she

fell

in

          



  

E









     



 





 

























her

on

the

neck

and

then

I

took

her

by

the

hand,

said,

“Ba





  

 





  



 





 

by, I



wan - na dance,

just





E

my pret - ty



lit - tle



D

Gal







F#m

    my



  



-

my

my

        

way

girl,



D

  

  

my

my

my



my

   

   







 Gal Gal

 -

  



A



A



 

   

      



girl, girl.”

      







  

way way

-





                   

 

Kissed



µ

  





A

                  

  

 man.



E

 







-



love with an Eng - lish

   

 

  







    

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7

1

2 E

  

F#m

    



  

    my

my my



my

  

      

F#m

my



F#m

 

  

my

my

        

E



And now we’ve

  



       



A

   



E





  





D

                          out - stayed our wel- come and it’s clos - ing time,

                F#m

              

       as we

        

A

 

    

      

Our

              µ

fill up our lungs

    E

                walked her home and she took me in - side

              

mine.

E

coats both smell of smoke, whis-key and wine

F#m

     

     

A

      

hold ing her hand, her hand was hold-ing

and I was

 

with the cold air of the night.

      

   

 D

              

to fin - ish some Do - ri - tos and an - oth - er bot - tle of wine.

        

I

    

      

  

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I

    

8

Bm

A

  



swear



I’m

  



















gona - na

put

you

in

a

song

that

I

write













    







  

 

E

Gal -way

         

  girl

    and

 

E

a

per - fect

   







night.















    





fid - dle in



an

in

love with an Eng - lish man.

 

 

 



 







 

 

her on the neck and then I took her by the hand, said,“Ba -

     



                  



lit - tle

                             

 

Gal

-

  

 



A

µ

my pret - ty

  

    

D

wan - na dance,



              

Kissed

   

just



    

 

E

by, I



A

              

a

I - rish band, but she

D(add9)

           

-

a - bout



A

She played the







F#m

   

fell









way

girl;



 

       





  

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9

E

F#m

  

    my

    

my

my

       

  

  

my

my

my







F#m

     

my

 D



girl. girl.”

     

   













  





F#m

E

       



F#m

 



  











E



A

               



  



F#m





                 

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





      

       



   2

F#m



   

D

             

E





E

my

     

A

    

  

my

      



  

my

my

       



  

  

    My my

 

way way

 



  

2 E

1

-

Gal

1

 



 Gal

my





A



   

  





D

1

HAPPIER

Words and Music by ED SHEERAN, BENJAMIN LEVIN and RYAN TEDDER

Moderately slow Am7

F

  

mp

C

      



    

C

 



 

Am7

With pedal







 

Am7



 

  





  

3

  

Am7

 

    

I

3



saw

     





you

in

3

Am7

 

    







-

ly

a

month

     

3

  

On





  







and



Park,

       







an - oth - er’s

arms.







 





F 3

        







C

  





  

Twen -ty - ninth

3



C

F

  

 

   

      

 



F

Walk- ing down



  



F



 

 





 

C



 

we’ve been



a

  

 -





  





 

part.





 3





You look

 



  

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



3





2

Am7

F

C

Am7



    

F







3

     

hap - pi - er.

Saw you walk

             

 

    

C

Csus2

 



 

  

Am7



in - side

a

              3

 

F

C

3fr



 





    3

bar;

he said some-thing

    

        

Am7

F

 

 I



   



 



 

saw

that both



  



hap

     

 



your smiles

 







were

twice



  

-

pi



 

-











 

er,









to make you laugh.

 

 

  



    as wide as



ours;



   





3



  



3

yeah,

 F



 

C



Am7

 

  

 



3

 

you look

   

C



you

do.









  



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

 

 Am7



3

Fsus2





Ain’t

no

     

 -

bod





 



Am7



-

C















y

hurt

you

like

I

hurt

you;



 







 



 

 Fsus2

ain’t no - bod - y ain’t no - bod - y

love you like need you like

                  



per serve

s’nal, you;

     C

  new. you.

 

  



      

     



      

ba

-

 



 



by, my

dar

    

Am7

     

’Cause, ba - by, you look But I guess you look

     

          

 



if you’re ling,

mov - ing I am





Fsus2







on still

with in

 







some - one love with





  C

     you you

do. do.

          



 

it de -

     

Fsus2

       

hap - pi - er, hap - pi - er,



    

       

Am7

but



Prom - ise that I will not take I know that there’s oth - ers that

C





Fsus2

  

do. do.

 but

  

 





 

but

Am7



I I







 

C

       



     



  

  

  

  

My friends told me, one My friends told me, one



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4

Am7



Fsus2



   I’ll I’ll

day, day,

    

    

  







it it



that I know I but I know I





was was

 









      

     





Sat

in

the















cor - ner

of

 





 







re - mind











   

 





-



the truth, the truth,

 

C



(Hey

yeah,

hey yeah hey

       

 

C/B





   







ing

me

of

you.



  

 





C



 

     



the room.









 







Ev - ’ry - thing’s

  

C

Fsus2





and hide and hide

  

you. you.

         



Am7

  

with with

Fsus2

 

 

    

hap - pi - er hap - pi - er

 



To Coda

Fsus2

Fsus2

smile smile



   

    

  

 

Am7

yeah.)



And un - til then, I’ll I could try to





Am7

 



  

  

  

 



  





 



Am7

too. too.

          

 C

feel feel

C

 C/B









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5

Am7

Fsus2

 



 

-

ty

bot



    



 





 



 

   

Nurs - ing

   

 Am7



an

emp



hap - pi - er,

   









 

Hey

    





tle

 

  







and

 yeah,



       





 



 

D.S. al Coda

Well,



 















hey

yeah,

hey

yeah.







  



hey yeah, hey



  

Am7









 C















   

      Hey



 



F

F

    







yeah.

  

 

 



Am7



     









my - self, you’re





yeah,

tell - ing





Hey

    

-

  



you?

  

C

  



aren’t



 

  

 

CODA



C

  



C



C/B

Fsus2

  



C

 

  





hey yeah, hey

yeah,

       

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6

Am7

F

    

C

 



Am7

     



Hey

yeah.

          

 C

 





  

        











   

     

 

   

   







Am



 

fall



   C

  



 



Am

F

 



  

 new.

 



 

 

 



   G







just know

that

I’ll

be

  







 

do.





 



  

 





he breaks your

  





  





     

I knew one day you’d



        F



heart



 



like

lov

 

 





C

   for

  

-





ers

do,





 

F

here



  

G

Am

But if

wait - ing









G

Am



  

    

 



for some - one



C

C

  



    

 



 



you



yeah.

F

hap - pi - er,

   



hey yeah, hey

  

’Cause, ba - by, you look



yeah,

F

you.

   

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 

    

 

1

HEARTS DON’T BREAK AROUND HERE

Words and Music by ED SHEERAN and JOHNNY McDAID

Bright half-time Shuffle G

D



  

 



     

  





3

She’s the



Em7





sweet - est thing that I know.

 

       

    

 



   

You should see the way she

3

mp

 

 





 



 

    

With pedal

Csus2

G

  



holds

  



 

  



  soul



 

  





  



  

3  







me

when

the

lights

go

low;













a



3

 

 

 



 







Csus2



ev

pot - hole

     



Em7

     



my



3

like

shakes



D







 









-



’ry

time.





 



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2

G

D



 



   It

  

  



my

heart





  





took



 



Csus2 3

  

    

    -

  with

der - ing off

 

3

   

 

 

 





 

one

 



 

 

will



 

G



  

dai ros

     

up - on

a





 





one - way

 







 

 

 



 





guess she went

trip;

















D





   

And



 





3



un - like

    

most wom - en

    

I



know,

3



      

 

 

Csus2

this

     



it.

Em7





G



wan



Em7

 

  bring it

   

  back

    3

sies es

3

   





perched laid

up - on up - on

your your

 

Dai ros



   

 

Em7

     





whole.

 

  



 

D





D





 



  

fore - head. Oh my bed - spread. Oh my,

    

-





sies, es,



Csus2

 ba hold

   

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-



by, it,





3

G

D

  

  

late oh

-

  

ly this

  

  

 



I I

know know,

 

   

D





  

G







that ev - er - y





Csus2



   

       



       

3

3

     your



  



safe

    



3

     

 





 3

    fin - gers and



D



3

Em7







when you’re hold - ing

me

near.

3





  

3







  





3

  



we?”

 

 









Dsus4





3







3

3 



I

feel

3

 







Csus2

 



Dsus4











Love

the

way

that

you

 

3



 in

by.

-

 





Hands



 

3

3

G

 ba

3



 

 

thumbs,

   

I’ll

G

aren’t

Csus2

hair;



 



3



love,

 Em7





night,

D(“)



   

 

 D



“Oh, we’re in





Em7

   



      

   



kiss you; you’ll say in my ear,



     



3







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3



con - quer

  

3



 your



4

G



 

Em7











3

  

  



  

 

 



G





Csus2

You know hearts don’t break a - round

fear.



  3

D









To Coda



 



Oh

here.

    

 





D

Em7



yeah

 



  

  

















G



   3

  











 





is

the



  







riv - er

  



3

  



3



yeah 3

3

 





yeah

yeah.

3

 



Csus2

  











Em7







flow

in

Or - well;



3

yeah.

C

 

yeah

Em7

D

She







G

    

 

 







  

  

D





 

  

Csus2

Yeah 3

3









3







   3

and tin

    

 





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    3

 wind



5

Csus2(#4)

Csus2



3

 

   

chimes

   

3

    



ah.

   

3





Csus2 3

  

fill



3

  and the

      

G





    



 

  

 





3

 

  

3

of



the

year

the

 

3

  



 

Em7







be - side her,

   

    









same.

  

   



 





She

is

the

  



 Csus2



3

  and the

  

   

G



flint that sparks the light - er,

         



  

3

rest



sum - mer - time

3

Csus2(#4)



smell

   

  

 



 

her

D

  



3

        



and

Spend my

D



trees

  



Csus2



 

and



Csus2(#4)

Em7

 



Fields

my lungs.

  3         

 







Em7

 



D



3

used for door - bells,





G



3

 



  



  

hold

the flame.

Oh,

  

 

3

fuel



that will 3

  

Csus2(#4)

  

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 

D.S. al Coda

6

Csus2 CODA





 

G 3



yeah



D

 

 



    

3

 

 

3



  of the

arms

 

light

    





house

3

 





in

the

3

 

 





3

 

I

a wom - an,

   







   





She

is

 

 

3











3

the 3

 







 





Em7

3

   





will



And

in - side

 

3

 

the





know.

that

scared



of



night

not

  



 

 

 

Csus2



I’m

home.



in



D



3





safe

-

ly

guide

 

3





G

  

 





 



3





  



love

   



Csus2



D

D

3

found

 





G

  

  

I



   

  

  

Well,

  

 







Em7

  

 



 yeah.

yeah







3



3

 me

3





D

 



of

pass

    

-





ing

o



  

-

 



ver,

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   or

  



3



3

the

  

7

Em7

  

D

3

thought

   

3





3

of

grow

-

 

3

















ing

old,





D



Csus2









  



G





Em7



 





    

Csus2

    “Oh, we’re in



    

 



fin - gers



    

 



 and



now

3









 

 

we?”

Hands







3



   







un -

til

I

go,



3





 D

 



kiss you; you’ll

  



say in







3

in 3

   



 

ear,

D 3

     your

3

my

       



 3



hair; 3

     





G

Dsus4

 ba

 



 

 

thumbs,



  

 

 

  



I’ll

 



3

3





3

aren’t



3

G

Csus2



from

 

Dsus4

love,

Em7



night,





’cause

 

    







ev - er - y









   



3

 -





by.

 

 





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I

feel

3



3



8

D

   safe

    





3

Em7



3







when you’re hold - ing

me

near.

3













fear.

   

way

that

you

 

3







You

know

hearts

don’t

break

3



 

 

 



  

yeah

  

 yeah,



hearts

  

  

ev - er - y

night,

     



  

   

D





  

don’t

break a - round

      



  



  

 



 









 

Oh

 



 



 





 

Oh

 

3

yeah 3

 



  



yeah.

  3

You know 3

 

3

      



here.

 

3

Yeah

  

 

3

here.

 

 

here.



your

Em7











a - round

Csus2

  

 



con - quer



2 Csus2





3

1 Csus2







the

D





Love

3











3







Em7

 



3













 

G





D(“)

 3

3

 

Csus2

    

 G



3

yeah

 





yeah 3



3



yeah yeah.



3



 

 

 

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1

HOW WOULD YOU FEEL (Paean)

Words and Music by ED SHEERAN

Easy Ballad Guitar: G5 (Capo II)

    Piano:

A

C[add9] Dmaj9

Dmaj9

A

A/C#

    

 



 

G5 A









G5

  



G/B

C[add9]

A/C#

Dmaj9

   

G/B

C[add9] Dmaj9

 







 

 



C[add9]

A/C#

Dmaj9

    



I’m feel - ing young - er deep - er than a flows Love

riv

       













 -

    

 

 er



  

3

     

and you know that it’s true. as the li - lacs bloom. 3

     

  

G/B



 

 













         



   



You are the one, girl, In the sum - mer

A/C#



     

      

 

      

      

A/C#

A

 

A

G/B

G5

 

  

G5

 

mp

 

C[add9]

   



   

 

G/B









 

              

ev - ’ry time that I’m a - lone ev - ’ry mo - ment that I spend

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SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT



 with with



2

G5

 A  



C[add9]

A/C#

Dmaj9



you. you.

      

G/B





 

  

 

  



Bm7

 C#m7

  

        B7

         



       



F#m7



 

(1., 3.) We were sit - ting in a parked car, (2.) We were sat up - on our best friend’s





         





 



     





  

in the front yard. my arms ’round you 3

     

 

E









D



 









3

We’ve got ques - tions we should not watch - ing the sun - rise re - place the

 

steal - ing kiss - es I had both of

roof,

 

      3

       3



ask, moon.

     

C[add9]

A

A/C#



Dmaj9

         



     

but,

 

G/B











G5

   

  

Em7

A7

  









    



how would you How would you

  

 

   if

I

told

  

SheetMusicDirect.us Order 5080216 | 1 copy purchased by Reese Collins on Mar 29, 2017 at 1:10pm CDT

 

 

feel feel

 



  



     

you?

you

I loved

 

 

G5

G/B

C[add9]

A

A/C#



Dmaj9



3





 

   

 

3

It’s

     

      



G/B

      



Dmaj9

A/C#

         



      

     

    

in

love

3

     

        

 

spend - ing my

 



life

      

 



G5

G/B

A

A/C#



with you.

 

      

 

G5

        

A

    

  



 Dmaj9    

1 C[add9]

G/B



A/C#

To Coda



Dmaj9

So tell me that you love me, too.

    

  

3

C[add9]



do.

    



Bm7

I’ll be tak - ing my time,

           

fall - ing deep - er

        

 



  

to

3

Am7

D

 E  

 

C[add9]



A

   



  

G5

 

    

just some - thing that I want

            

      



  

    

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 

  



  

4

2

C[add9]

 

 

G5

    

G5

    A

 





A/C#





   Dmaj9

            A/C#

 



   



 

 



   

2 C[add9]

     

Dmaj9



   

3

1 C[add9]

G/B



C[add9]

       

       A

Dmaj9

  

G/B

 

 

C[add9]





Dmaj9

  

 

G5

 

D.S. al Coda

 

  

G/B

CODA



 Dmaj9    



    

 

    

 

Tell me that you love

me, too.

     

C[add9]

    

    

  

 

    

 

Tell me that you love

me, too.

         

  

 

 

 

G5

 Dmaj9  



A



 

 





   

G/B

C[add9]

Asus2/C#

Dmaj9



A



   

 

Asus2/C#

       

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