Echoes and Silence, Patience and Grace Book - Foo Fighters
April 26, 2017 | Author: Emma Scholey | Category: N/A
Short Description
a...
Description
from Foo Fighters - Greatest Hits
The Pretender Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel A5
11
Intro Fast Rock q = 175 Half-time feel *Am('9) Riff A Gtr. 1 (clean)
Asus2/B
mf
Am/C
Am
D9/F#
let ring throughout
0
10
7
10
9
10
9
0 10 9
10
0
0 10 9
7
0 10 9 0
8
9
*Chord symbols reflect implied harmony.
F,7
End Riff A
1/2
9
10
9
10 9
9
9
9
10
8
0
10
10
9
10
Verse Gtr. 1: w/ Riff A (1 1/2 times)
Am('9)
1. Keep
you
in
Asus2/B
the
Am('9)
Keep
You
you
D9/F#
they
the
all
Am/C
dark,
and
Am
so
it
-
D9/F#
all
End half-time feel
F,7
F,7
pre - tend.
Asus2/B
in
be Gtr. 1
know
Am
dark.
Am/C
Fill 1
gan.
End Fill 1
1/2
9
10
9
10 9
9
9
8
10
9
0 10
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Interlude
Verse
Gtr. 1 tacet
Gtr. 2: w/ Riff B (16 times)
A5
Am
2. Send in Riff B *Gtr. 2 (dist.)
mf 0 5
2 5
0 5
3 5
0 5
5 5
0 5
0 5
0 5
2 5
0 5
3 5
0 5
5 5
*Doubled throughout
0 1 2 2 0
march - ing
End Rhy. Fig. 1
D/F#
0 1 2 2 0
The
skel
- tons.
-
e
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
Sing as
0 1 2 2 0
0 1 2 2 0
you
bur
-
ied
D/F#
their
bones
0 1 2 2 0
0 1 2 2 0
the
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
1 2 3 3 1
- gain.
deep,
-
y.
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
read
Rhy. Fig. 2
1 2 3 3 1
the
se
-
crets
1 2 3 3 1
1 2 3 3 1
0 3 3 1
that
F
at
Fsus2
0 3 3 1
you
Are
you
are
keep
Fsus2
G5
3 2 0 0 2
need
F
a
3 2 0 0 2
0 1 2 2 0
Am
3 2 0 0 2
0 1 2 2 0
in
Gtr. 3: w/ Rhy. Fig. 1
Gtr. 3
**Doubled throughout
come
mf
0 5
your
End Riff B Rhy. Fig. 1 **Gtr. 3 (dist.)
read
-
y?
End Rhy. Fig. 2
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0
5 5 3
0
Gtr. 3: w/ Rhy. Fig. 1
Am
I’m
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
fin - ished
mak
-
ing
sense,
done
plead - ing
ig
-
no
-
rance,
that
old
Gtr. 3: w/ Rhy. Fig. 2
D/F#
F
Gtr. 4 (dist.)
de
-
Fsus2
G5
fense.
Riff C
mf steady gliss.
15 Gtr. 3: w/ Rhy. Fig. 1
Am
Spin - ning
in
-
fin
-
i
-
ty,
but
the
wheel
is
spin
-
me.
ning
It’s
5
5
5
5
5
P.M.
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
Gtr. 3: w/ Rhy. Fig. 2
D/F#
nev
-
er
-
end
-
F
ing,
nev
2
2
2
D5
2
2
2
2
Dsus2
2
2
2
2
2
1
-
ry.
1
1
er
1
What if
I
End Riff C Rhy. Fig. 3A *Gtr. 5 (dist.)
Chorus Am Am('9)
Dsus4
sto
2
old
Gtr. 4
2
D
Same
2
-
1
1
1
1
Am
Am('9)
say
I’m
G5
end
P.M.
2
-
Fsus2
-
ing.
1
1
1
not
1
1
0
3
0
Am
like
Am('9)
the oth - ers?
0 0 0
0 10 9 10 0
0 10 9 10 0
7 10 9 10 0
7 10 9 10 0
0 10 9 10 0
0 10 9 10 0
0 10 9 10 0
7 10 9 10 0
7 10 9 10 0
7 10 9 10 0
7 10 9 10 0
7 10 9 10 0
0 10 9 10 0
0 10 9 10 0
7 10 9 10 0
7 10 9 10 0
0 0 0
0 0 0
0 0 0
*Doubled throughout Fill 2
End Fill 2 Rhy. Fig. 3 Gtrs. 3 & 4
Gtr. 3
7 0 5
7 0 5
7 0 5
7 0 5
9 0 7
9 0 7
9 0 7
9 0 7
11 0 9
11 0 9
11 0 9
11 0 9
12 0 10
12 0 10
12 0 10
12 0 10
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am/B
What if
say
I’m
not
D9/F#
an - oth - er
one
0 10 9 10 0
0 10 9 10 X 7
0 10 9 10 X 7
0 10 9 10 X 7
0 10 9 10 X 7
0 10 9 10 X 8
0 10 9 10 X 8
0 10 9 10 X 8
0 10 9 10 X 8
0 10 9 10 0
0 10 9 10 0
0 10 9 10 0
0 10 9 10 0
0 10 9 10 9
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
10 X 8
What if
I
say
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
I
will
3 3 1
3 3 1
3 3 1
Am/B
I
F,7
What if
Am/C
say
I’m
I
I
will
10 X 8
7 X 5
7 X 5
7 X 5
7 X 5
5 2
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
5 2
5 2
0 10 9 10 9
nev - er
0 10 9 10 8
sur - ren
-
5 2
5 2
5 2
Am
der?
Am('9)
What if
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
0 10 9 10 8
I
3 3 1
3 3 1
Am
just
3 3 1
3 3 1
3 3 1
3 3 1
er.
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
0 10 9 10 9
D9/F#
To Coda 2
nev - er
sur - ren
-
5 2
5 2
Am
Am('9)
I’m
not
5 2
5 2
5 2
5 2
5 2
5 2
Am
like
Am('9)
the oth - ers?
of
plays?
your
You’re the
pre - tend
-
er.
A5
der?
Gtr. 3
3 3 1
3 3 1
3 3 1
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 2
one
5 2
3 3 1
an - oth - er
5 2
say
End Rhy. Fig. 3A
End Rhy. Fig. 3
3 3 1
5 2
1st time, Gtr. 3: w/ Rhy. Fig. 3 (1st 6 meas.) 1st & 2nd times, Gtrs. 4 & 5: w/ Rhy. Figs. 3 & 3A 2nd time, Gtr. 3: w/ Rhy. Fig. 3 3rd time, Gtr. 3: w/ Rhy. Fig. 3 (3 times) 3rd time, Gtr. 4: w/ Rhy. Fig. 3 (2 7/8 times) 3rd time, Gtr. 5: w/ Rhy. Fig. 3A (3 times)
not
To Coda 1
say
10 X 8
3 3 1
3 3 1
-
if
3 3 1
You’re the pre - tend
3 3 1
plays?
0 10 9 10 8
10 X 8
0 10 9 10 9
of your
F,7
What
just
7 X 5
Am
3 3 1
0 10 9 10 0
I
Am/C
3 3 1
w/ slight dist.
2 0
2 0
4 0
0
5 0
0
7 0
2 0
2 0
4 0
0
5 0
0
7 0
Verse Gtr. 2: w/ Riff B (8 times) Gtr. 3: w/ Rhy. Fig. 1
Am
3. In
time,
or
so
I’m
I’m
just
an
told,
-
oth
-
er
The
for
sale.
page
is
out
Oh,
well.
of
F
Fsus2
print.
We
are
G5
not
per
-
ma
-
Am
Gtr. 4: w/ Riff C
D/F#
soul
Gtr. 3: w/ Rhy. Fig. 2
nent,
we’re
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
Gtr. 3
0 1 2 2 0
D/F#
tem
-
po
-
F
rar
-
y,
tem
-
po
-
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
1 2 3 3 1
Fsus2
rar
-
y.
Same
0 3 3 1
5 5 3
0 3 3 1
0 3 3 1
D5
0 3 3 1
G5
0 3 3 1
0
old
sto
7 0 5
0
7 0 5
7 0 5
7 0 5
9 0 7
Gtr. 3: w/ Fill 2
-
er
sur
-
ren
-
D5
9 0 7
9 0 7
Dsus2
Dsus4
-
ry.
11 0 9
11 0 9
11 0 9
11 0 9
12 0 10
12 0 10
12 0 10
12 0 10
D
Dsus4
9 0 7
D.S. al Coda 1
D
Coda 1
nev
Dsus2
der?
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Sorgdal
Interlude A5
I’m Gtr. 3
Riff D
End Riff D
w/ slight dist. P.M. 2 0
Gtr. 4
0
4 0
0
5 0
7 0
0
P.M.
2 0
2 0
4 0
0
5 0
0
P.M.
7 0
2 0
0
4 0
0
5 0
0
7 0
P.M.
2 0
2 0
4 0
5 0
0
Rhy. Fig. 4
End Rhy. Fig. 4
P.M. P.M. P.M. 2 0
2 0
7 0
0
2 0
2 0
2 0
2 0
2 2 0
2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
P.M. P.M. P.M.
2 2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Bridge Gtr. 3: w/ Riff D Gtr. 4: w/ Rhy. Fig. 4 (2 times)
A5
the
voice
in
-
side
your
head
(that)
you
re
-
fuse
hear.
to
I’m
Gtr. 5
w/ flanger
2 0
2 0
the
face
that you
have
to
face,
mir - rored
in
stare.
your
I’m
Gtr. 3
P.M. 2 0
0
4 0
0
5 0
0
7 0
P.M.
2 0
2 0
4 0
0
5 0
0
7 0
2 0
0
P.M.
4 0
0
5 0
0
7 0
P.M.
2 0
2 0
4 0
0
5 0
Gtr. 5
2 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
7 0
7 0
2 0
A5
what’s
left.
I’m
Gtr. 3
let ring 10 0
10 0
9 0
0
7 0
5
0
what’s
right.
I’m
let ring
10 0
10 0
9 0
0
7 0
5
0
the
en - e - my.
I’m
let ring
10 0
10 0
9 0
0
7 0
5
0
let ring
10 0
10 0
9 0
0
7 0
5
0
12 0
Gtr. 4
P.M.
P.M.
P.M.
P.M. (cont. in slashes)
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Gtr. 5
2 2 0
2 0
P.M.
hand
that will
12 0
10 0
0
9 0
10
0
take
let ring 12 0
you
2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
12 0
10 0
0
2 0
P.M.
bring you
let ring 9 0
10
0
2 0
to
knees.
your
let ring
12 0
2 2 0
down,
12 0
Gtr. 5
2 2 0
12 0
10 0
0
9 0
10
0
P.M.
the
P.M.
Gtr. 3
2 2 0
2 0
A5 Gtr. 4
2 2 0
So
who
let ring
12 0
12 0
10 0
0
9 0
10
0
14 0
2 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Rhy. Fig. 5
are
you?
14 0
14 0
12
14 0
12 0
12 0
Yeah,
who
14 0
12
14 0
12 0
12 0
are
you?
14 0
12
14 0
12 0
12 0
2 0
Yeah,
who
14 0
are
you?
14 0
12
14 0
12 0
12 0
14 0
12
14 0
12 0
12 0
2 0
Yeah,
who
w/ dist. 14 0
12
14 0
12 0
12 0
14 0
2 0
are
you?
14 0
w/ dist.
14 0
2 0
14 0
2 0
*Gtr. 4: w/ Rhy. Fig. 5
14 0
14 0
2 0
End Rhy. Fig. 5
14 0
12
14 0
12 0
12 0
2 0
14 0
2 0
14 0
12
14 0
12 0
12 0
14 0
2 0
*w/ dist. & delay (set for quarter-note regeneration w/ multiple decaying repeats).
Verse Half-time feel Gtr. 1: w/ Riff A (1st 6 meas.) Gtrs. 3 & 5 tacet
Am('9)
4. Keep
you
in
Asus2/B
the
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
dark.
F,7
pre
8
-
tend.
Am/C
You
know
Am
D9/F#
they
all
D.S. al Coda 2 End half-time feel
Gtr. 1: w/ Fill 1
Coda 2
Am
What if
Voc. Fig. 1
Am('9)
(Keep
Am
Am('9)
I
say
I’m
you
not
9 X 7
I
say
I’m
not
You
11 X 9
11 X 9
11 X 9
Bkgd. Voc.: w/ Voc. Fig. 1
Am
Am('9)
What if
11 X 9
11 X 9
Am
I
11 X 9
Am('9)
say
I’m
14 X 12
14 X 12
12 X 10
Gtr. 6: w/ Fill 3
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
12 X 10
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
-
9 X 7
11 X 9
F,7
er.
What if
11 X 9
I
12 X 10
12 X 10
say
I
will
of
your
plays?
11 X 9
9 X 7
9 X 7
11 X 9
-
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
nev - er
sur - ren
-
der?
tend.)
11 X 9
12 X 10
12 X 10
Am
12 X 10
End Voc. Fig. 1
Am('9)
the oth - ers?
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
Am/B
Am/C
I
say
I’m
What if
12 X 10
12 X 10
12 X 10
12 X 10
Am
not
just
12 X 10
12 X 10
12 X 10
14 X 12
14 X 12
D9/F#
an - oth - er
one
9 X 7
9 X 7
12 X 10
9 X 7
9 X 7
9 X 7
9 X 7
You’re
the
9 X 7
9 X 7
pre -
9 X 7
tend
9 X 7
11 X 9
-
er.
11 X 9
11 X 9
11 X 9
9 X 7
12 X 10
all
9 X 7
like
they
not
know
one
11 X 9
an - oth - er
Fill 3 End Fill 3
11 X 9
D9/F#
just
Am
pre
11 X 9
You’re the pre - tend
Am/C
dark.
plays?
the
9 X 7
What if
9 X 7
Am/B
of your
9 X 7
9 X 7
Am('9)
the oth - ers?
in
mf
9 X 7
Am
9 X 7
like
Gtr. 6 (dist.)
9 X 7
12 X 10
12 X 10
12 X 10
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
F,7
What
if
I
say
I
will
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Fill 2
sur - ren
-
der?
nev - er
D5
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
Gtr. 6
0 0 0
0 0 0
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
0 3 3 1
Dsus4
So
who
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
11 X 9
11 X 9
12 X 10
12 X 10
12 X 10
12 X 10
0 3 3 1
D
Gtr. 4
0 3 3 1
Dsus2
(cont. in slashes)
0 3 3 1
12 0
Outro Gtr. 6 tacet
A5 Gtr. 4
are
you?
Yeah,
who
are
you?
2 0
2 0
4 0
0
5 0
7 0
0
2 0
2 0
are
10 0
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 0
0
7 0
5
5 0
0
7 0
7 0
2 0
2 0
4 0
5 0
0
let ring
7 0
0
Yeah,
2 0
2 0
4 0
0
5 0
7 0
0
10 0
10 0
9 0
0
7 0
5
9 0
7
7 0
7 0
7 0
7 0
7 0
7 0
7 0
who
who?
let ring 10 0
0
4 0
Gtr. 3
from Foo Fighters - Echoes, Silence, Patience & Grace
Let It Die Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel G5
134
Intro Moderately q = 124 * Bb6sus2
Fadd2
Riff A Gtrs. 1 & 2 (acous.)
Gsus2
Fadd2
Bb6sus2
Gsus2 End Riff A
mf w/ fingers let ring throughout
8
5
6
0
8
0 8
0
7
5
0
8
3
0
5
5
6
0
8
5
0 8
0
7
0
5
3
5
0
5
*Chord symbols reflect implied harmony.
Bb6sus2
Fadd2
Gsus2
Bb6sus2
Fadd2
Gsus2
1. A
Riff B
8
6
8
5
0
0 8
0
7
5
0
8
3
0
5
5
6
8
5 0
0 8
7
0
0
5
End Riff B
3
0
5
5
Verse Gtrs. 1 & 2: w/ Riff B (4 times)
Bb6sus2
Fadd2
heart
of
gold,
Bb6sus2
but
it
lost
its
pride,
Fadd2
Beau - ti
- ful
Gsus2
veins
Gsus2
and
blood
-
shot
Bb6sus2
Bb6sus2
Fadd2
Gsus2
Fadd2
Gsus2
eyes.
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
I’ve
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb6sus2
Fadd2
seen
your
face
Bb6sus2
you
have
to
go
and
Bb6sus2
6
0
6
0
and
let
die?
it
In
too
deep
and
0
8
0
0 8
7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
0
0 8
7
8
8
0 10
8
10
0
9
9
9
you have to
10
0
10
0
13
10
0
13
10
0
13
10
let
die?
0
12
0
13
you have to
13
13
0
8
0
8
0
12
0
0
13
13
go
0
8
0
0
8
it
8
0
10
8
0
0
and
let
die?
12
12
0
0
8
8 10
8
0
0
12
8
10
it
10
0
9
G
0
9
10
0
12
Gm7
Gsus4
11
0
and
Gm
11
0
go
G
Eb
Why’d
0
Gsus4
11
0
10
Gsus4
11 10
0
Gsus2
Gm
0
Fadd2
Eb
time.
10
0
of
0
0
0
G
out
Gsus4
Why’d
9
10
Bb6sus2
8
0
7
8
0
10
Why’d
8
0
7
0
die?
it
Fadd2
6
Sorgdal
0 8
let
Gsus2
Why’d
Riff C1
6
Fadd2
light.
G
go
oth - er
8
-
Fadd2
Riff C
Gsus2
8
an
8
in
8
Gtr. 2
Fadd2
you have to
Gtr. 1
Bb6sus2
Gsus2
End Riff C
0
9
0
0
End Riff C1
0
9
0
0 10
0
Interlude Gtrs. 1 & 2: w/ Riff A
Bb6sus2
Fadd2
Gsus2
Bb6sus2
Fadd2
Gsus2
2. A
Verse Gtrs. 1 & 2: w/ Riff B (4 times)
Bb6sus2
Fadd2
Gsus2
sim - ple
man
and
Bb6sus2
Voc. Fig. 1
his
blush - in’
Fadd2
Gsus2
go
and
let
it
die?)
End Voc. Fig. 1
bride. (Why’d
you have
to
Bkgd. Voc.: w/ Voc. Fig. 1
Bb6sus2
In
- tra
-
Fadd2
ve
-
Gsus2
ni - ous,
in
- ter
-
Bb6sus2
Fadd2
Gsus2
twined.
Bkgd. Voc.: w/ Voc. Fig. 1
Bb6sus2
Hearts
gone
cold,
your
Gsus2
hands
were
Bb6sus2
Fadd2
Gsus2
Fadd2
tied.
Why’d
Bkgd. Voc.: w/ Voc. Fig. 1
Bb6sus2
Gsus2
you
have
to
go
and
let
die?
Bb6sus2
Fadd2
it
Gsus2
Fadd2
Why’d
Gtrs. 1 & 2: w/ Riffs C & C1
Bb6sus2
Fadd2
you
to
In
too
Gtrs. 3 & 4 (elec.)
deep
and
out
and
let
die?
G
of
it
Eb
Gm
Gsus4
Why’d
time.
Eb
Why’d
you have
to
go
Gm
you have
to
go
Gsus4
G
and
let
die?
Gsus4
it
G
and
let
die?
it
Gm7
go
have
Fadd2
Gsus4
G
Do
you
ev -
mf
w/ dist. (Gtr. 4, cont. in slashes)
5 5 3
5 5 3
5 5 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Gtr. 4
-
G5
er
think
of
me?
You’re
so
con
-
sid
-
er - ate.
Did you
ev -
Gtr. 3
P.M. 5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
P.M.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Gtr. 4 tacet
-
er
think
of
me?
Oh,
Eb
so
con - sid
-
er - ate.
In
Gtr. 5 (elec.)
mf
w/ clean tone
4 0 5 6
Gtrs. 1 & 2
4 6
Gtr. 3
P.M.
5 5 3
5 5 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
P.M.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Chorus Gtr. 3 tacet
too
deep
4
6 0
5
6
4
6
8
4
3
3
5
6
3
5
8
6 6
you
have
to
go
and
3
1 0 2 3
6
0
3
5
1
0
3
1
1
0
2
3
Riff D1
Gtr. 2
C
Why’d
6
0
6
8
time.
6 0 7 8
in
6
Riff D
lost
and
4 0 5 6 Gtr. 1
Fadd2
Riff D2
Gtr. 5
Eb
6
5
8
5
8
8
1 0
1
3
1 0
2
2
3
3
Gtrs. 1, 2 & 5: w/ Riffs D, D1 & D2 (2 times)
Dadd4
3
3
5
3
0
-
ti
- ful
veins
and
blood
-
shot
eyes.
C
Why’d
End Riff D2
5
3 0 4 5
Beau
die?
it
let
Fadd2
Eb
5
4 0 5 6
End Riff D
0
4 6 End Riff D1
2
3
5
4
2
4
4
2 5
6
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
you
to
go
and
have
let
it
Eb
Dadd4
Dadd4
die?
Heart’s
Voc. Fig. 2
gone
cold
and
(Whoa.)
Bkgd. Voc.: w/ Voc. Fig. 2
are
C
tied.
Why’d
you
have
to
go
and
End Voc. Fig. 2
let
it
hands
Eb
die?
Fadd2
Why’d
Interlude Gtr. 5 tacet
you
have
to
go
and
Gtr. 5
let
it
7 8
7 8
5 7 8
5 7 8
5 7 8
5 7 8
5 7 8
Bbsus2
Fadd2
die?
6
4 0 5 6
Gtr. 1
6
4
0
5
6
4
5
6
3
4
6
6
3
5
Gtr. 2
µ
Fadd2
3
3
3
6
8
3
8
7
8
6 0
0
5
6
0 7 8
0
8
6
5
8
0
8
8
0
0 8
0
0
8
7
7
0
0
Gtrs. 1 & 2 tacet
G
Gsus4
*Gtrs. 3 & 4
0 5
0 5
*Composite arrangement
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 5
4 5
0 0
Eb
Gm7
5 5
0 0
4 3 5
4 3 5
4 3 5
4 3 5
Gsus4
0 0
0 0
3 3
7 5
0 0
G
5 5
5 5
5 5
7 5
Gm7
0 0
0 0
4 5
6 3 5
Fadd2
G
Gsus4
Eb
Gm7
Gsus4
G
Gm7
3. Do you Riff E
6 3 5
6 3 5
6 3 5
0 0
3
0 0
0 0
7
0 5
0 5
0 5
4 5
0 0
5 5
4 3 5
0 0
4 3 5
4 3 5
4 3 5
0 0
3 3
0 0
7 5
0 0
ev -
End Riff E
5 5
5 5
5 5
7 5
0 0
4 5
6 3 5
0 0
Verse Gtrs. 3 & 4: w/ Riff E
Gm7
-
er
think
-
er
6 3 5
6 3 5
6 3 5
Gtrs. 3 & 4
Fadd2
of
Fadd2
G
me?
of
0 0
0 0
3
Eb
You’re
think
Gsus4
so
con - sid
G
Gsus4
me?
7
0
Gm7
Eb
Oh,
0 5
0 5
0 5
4 5
0 0
-
Gsus4
G
Gm7
er - ate.
Did
so
Gm7
con - sid
5 5
0 0
4 3 5
4 3 5
4 3 5
4 3 5
-
0 0
0 0
3 3
you
ev -
er
- ate.
7 5
0 0
Chorus
Gsus4
Eb5/Bb
In
5 5
5 5
5 5
7 5
Gtrs. 3 & 4
Gtr. 6 (elec.)
0 0
4 5
4 5
mf
too
deep
and
F5/C
lost
in
time.
G
Why’d
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
8 6 6
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
10 8 8
w/ dist.
10
0 0 0
0 0 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 3, 4 & 6: w/ Rhy. Fig. 1 (2 1/2 times)
C5/G
you
have
to
go
and
D5/A
let
it
die?
Eb5/Bb
Beau
-
ti - ful
veins
and
blood -
End Rhy. Fig. 1
Gtrs. 3, 4 & 6
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
0 0 0
Bkgd. Voc.: w/ Voc. Fig. 2
shot
eyes.
Gtr. 5
Why’d
you
have
to
go
and
Eb5/Bb
gone
cold
and
hands
are
tied.
F5/C
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
let
it
die?
C/G
Why’d
8
Sorgdal
D5/A
Heart’s
-
C5/G
F5/C
w/ dist.
10
0 0
and
you
have
to
go
10 7 8
10 7 8
10 7 8
10 7 8
10 7 8
10 7 8
10 7 8
10 7 8
D/A
let
it
die?
Why’d
you
have
to
F5/C
go
and
let
this
die?
Screamed: Why’d
Eb5/Bb
(Whoa.)
12 9 10
12 9 10
12 9 10
12 9 10
12 9 10
12 9 10
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
0 0
10
Outro Gtrs. 3 & 4: w/ Riff E (2 3/4 times) Gtr. 5 tacet
Gm7
you
you
Fadd2
have
to
go
and
let
Fadd2
have
to
go
and
let
Fadd2
have
to
go
you
Gsus4
G
this
die?
G
and
let
5 5
5 5
5 5
7 5
0 0
Gsus4
Eb
Gm7
Gsus4
G
Gm7
Gsus4
Eb
Gm7
Gsus4
G
Gm7
Why’d
this
die?
Gsus4
Fadd2
you
have
to
go
and
Why’d
this
Why’d Gtrs. 3 & 4
die?
G
Gm7
4 5
0 0
6 3 5
6 3 5
6 3 5
6 3 5
0 0
0 0
3
Eb
Gm7
µ
let
it
die?
G
7
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Foo Fighters - Echoes, Silence, Patience & Grace
Erase/Replace Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel Intro Moderate Rock q = 129 **Abmaj7
F/A
Riff A1 Gtr. 2 (dist.)
f
11
10
10
10 12
mf
End Riff A1
1
13
Riff A Gtr. 1 (slight dist.)
C7
1/2
13 9
Bb6
12
13
11
13
15
15
15
15
15
15 End Riff A
let ring throughout
8
0
6
*Gtr. 3 (dist.)
0
8
0
7
0
8
0
8
0
8
0
10
Fill 1
End Fill 1
f
15
0 0
*Doubled throughout **Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A
Abmaj7 Gtr. 2
F/A
Bb6
C7
1/2
13 9
11
10
10
13
10 12
12
13
13
15
15
15
14
15
Gtr. 3
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
0 8 7 8
0 8 7 8
14
15
17
0 8 7 8
8 0 8 7 8
8 0 8 7 8
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
15
8 0 8 7 8
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3 tacet
Gtr. 4: w/ Riff B (2 times)
Bb5
Eb5
Riff B Gtr. 4 (slight dist.)
Bb5
B5
End Riff B
Gtr. 5 (dist.)
mf
mf
X X X X X X X X X X X X X X X X 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
X X X X X X X X X X X X X X X X 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
6
6
6
6
6
6
6
6
7
Verse Gtr. 4: w/ Riff B (4 times)
C7
Eb5
1. At - ten
8
8
8
8
Riff C
7
8
8
6
B5
C7
6
6
6
-
Bb5
B5
C7
tion,
pay
6
6
6
at - ten
-
6
7
8
8
8
8
tion. End Riff C
7
8
8
Gtr. 5: w/ Riff C (3 times)
Eb5
No
men
an
ad
-
-
tion,
mis
Bb5
a
-
sick
his
-
to
-
Eb5
sion.
Ig
-
Eb5
ry.
O
ni
-
tion,
C7
No,
please
don’t
talk
Bb5
-
B5
mis
C7
det
-
o
-
-
Bb5
B5
sion,
C7
nate.
Pre-Chorus Gtr. 4: w/ Riff B (4 times)
Eb5
Bb5
Oh,
no,
don’t
talk
a - bout
B5
it.
a - bout
it.
Riff D
End Riff D
Gtr. 5
6
6
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6
6
6
6
6
6
6
6
6
6
6
8
6
6
7
8
8
8
8
8
7
7
7
7
7
7
8
8
8
8
Bb5
Oh,
no,
don’t
Eb5
talk
a - bout
6
6
6
6
6
6
6
6
6
6
6
6
B5
C7
Not
one
more
it.
word
a - bout
6
7
8
B5
C7
6
6
8
8
8
8
7
8
7
7
7
7
it.
7
10
10
10
10
Gtr. 5: w/ Riff D
Bb5
Oh,
no,
don’t
think
Eb5
a
-
bout
it.
No,
please
don’t
think
a
-
bout
it.
Chorus
Half-time feel Gtr. 1: w/ Riff A (4 times) Gtrs. 2 & 5 tacet
Eb5
Bb5
Oh,
please
don’t
think
Gtr. 2
a - bout
B5
C7 µ
it.
It
goes
a - way.
Abmaj7
Who
X
6
6
6
is
- es?
Gtr. 3
6
6
6
6
6
6
6
6
6
6
Bb6
7
6 6 4
6 6 4
6 6 4
6 6 4
End Fill 2
6 6 4
6 6 4
6 6 4
6 6 4
8
prom -
You
made
these
prom
- is
- es.
C7
6
F/A
6
these
X
X
Fill 2
made
Rhy. Fig. 1
Pitch: F F# F *Microphonic fdbk., not caused by string vibration. Gtr. 5
Gtr. 3
* fdbk.
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
0 8 7 8
0 8 7 8
0 8 7 8
0 8 7 8
0 8 7 8
0 8 7 8
End Rhy. Fig. 1
8
0 0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig.1 (2 times)
Abmaj7
E - rase.
Bb6
Re - place.
C7
E - rase.
F/A
*
Re - place.
*w/ echo set for half-note regeneration w/ 1 repeat.
Abmaj7
Hoo - ray
for
prom
- is
- es.
Bb6
Hoo - ray
for
prom
- is
- es.
C7
F/A
T o Coda
Abmaj7
E - rase.
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
7 8 5
7 8 5
7 8 5
C7
E - rase.
7 8 5
7 8 5
7 8 5
7 8 5
7 8 5
8 8 6
8 8 6
8 8 6
8 8 6
Re - place.
6 6 4
Re - place.
Gtr. 3
6 6 4
Bb6
F/A
**
End half-time feel
8 8 6
8 8 6
8 8 6
8 8 6
0 8 7 8
0 8 7 8
0 8 7 8
0 8 7 8
0 8 7 8
0 8 7 8
0 8 7 8
Bb5
0 8 7 8
**w/ echo, as before.
Interlude
Verse
Gtr. 3 tacet Gtr. 4: w/ Riff B
Gtr. 4: w/ Riff B (4 times) Gtr. 5: w/ Riff C (4 times)
Eb5
C7
Gtr. 5
6
6
C7
6
di
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
-
6
8
vi
-
sion.
Eb5
8
8
8
Re
-
7
8
vi
-
sion,
Bb5
2. A
vi
-
sion,
8
B5
C7
reg
-
u
-
late.
Sorgdal
Eb5
B5
Eb5
An
ac
-
Bb5
B5
C7
tion,
a
re
-
ac
-
tion.
Eb5
Dis
- trac
Bb5
-
B5
tion,
Pre-Chorus Gtr. 4: w/ Riff B (2 1/2 times) Gtr. 5: w/ Riff D (1 1/2 times)
C7
ques - tion
of
Eb5
faith.
Bb5
Oh,
no,
don’t
talk
C7
a - bout
it.
No, please don’t
talk
a - bout
it.
D.S. al Coda Gtr. 5: w/ Fill 2
Eb5
Bb5
Oh,
no,
don’t
talk
a - bout
it.
It
Gtr. 2
C7
µ
goes
a
-
way.
* fdbk.
X
X
Pitch: E *Microphonic fdbk., not caused by string vibration.
X
F#
B
Coda
Interlude
Gtr. 3 tacet
Am7
Abmaj7
Riff F Gtr. 4
7 X 5
7 X 5
5 X 3
w/ heavy reverb
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
7 X 5
7
8
5
6
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
8 X 6
7 X 5
End Riff E
Riff E **Gtrs. 1 & 6
let ring throughout
5
3
5 X 3
5
0
5 5
3
5
3
5
0
5 5
3
4
3
5
0
5 4
3
4
3
5
0
5 4
3
**Gtr. 6 (clean), played mf. Composite arrangement Gtr. 3
7 X 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C/E
Fadd9
Gtr. 4
5 3
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
5 X 3
5 X 3
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
End Riff F
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
Gtrs. 1 & 6
0
3
5
0
5
3
0
0
0
5
3
5
3
0
1
0
3
3
0
3
3
1
0
3
1
Bridge Gtrs. 1 & 6: w/ Riff E Gtr. 4: w/ Riff F (2 times)
Am7
I’ve
Are
we
bet
said,
meant
Abmaj7
-
ter
off
now?
Some
0
-
thing
for
you. End Riff G
Riff G Gtrs. 1 & 6
Fadd9
Ah.
C/E
3
5
0
5 0
3
0
3
5
0
5 0
3
1
3
3
0
3 1
3
1
3
3
0
3
3
1
Gtrs. 1 & 6: w/ Riff E
Am7
Ah.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Are
we
bet
Abmaj7
-
ter
off
now?
Some
-
thing
Gtrs. 1 & 6: w/ Riff G
I’ve
said,
meant
for
you.
Fadd9
C/E
Interlude Gtr. 2: w/ Riff A1 (2 times)
2nd time, Gtr. 3: w/ Fill 1
Abmaj7
Gtr. 1
F/A
0
6
6
Bb6
7
4
8
0
C7
0
0
8
8
5
6
7
8
8
0
8
7
8
Chorus Half-time feel Gtr. 1: w/ Riff A (6 times) Gtr. 3: w/ Rhy. Fig. 1 (6 times)
Abmaj7
Who
made
prom - is
- es?
F/A
these
F/A
E - rase.
17 X 15
17 X 15
17 X 15
Bb6
17 X 15
17 X 15
17 X 15
17 X 15
You
made
these
C7
prom - is - es.
C7
Re - place.
Gtr. 2
17 X 15
E - rase.
Bb6
*
Abmaj7
Re - place.
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
*w/ echo set for half-note regeneration w/ 1 repeat.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Abmaj7
for
Bb6
prom - is - es.
Hoo - ray
for
13 X 11
Abmaj7
13
10
10
F/A
17 X 15
17 X 15
Bb6
17 X 15
17 X 15
17 X 15
17 X 15
15
15
13
Re - place.
17 X 15
11
15
15
C7
15
15
E - rase.
13
12
E - rase.
17 X 15
10 12
1
13
*
1/2
17 X 15
C7
prom - is - es.
Hoo - ray
F/A
Oh,
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
F/A
oh.
16 X 13
16 X 13
16 X 13
16 X 13
16 X 13
16 X 13
Abmaj7
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
E
-
18 X 15
20 X 17
18 X 15
18 X 15
18 X 15
18 X 15
18 X 15
18 X 15
18 X 15
20 X 17
20 X 17
20 X 17
20 X 17
20 X 17
F/A
rase.
20 X 17
17 X 15
Re
-
20 X 17
1
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
place.
13
13
13
13
13
13
13
13
13
13
13
13
13
13
15
15
15
15
15
15
15
15
15
15
15
15
15
15
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
17 X 14
1
**w/ echo, as before.
Sorgdal
C7
Bb6
16 X 13
**
16 X 13
Re - place.
*w/ echo, as before.
Abmaj7
15 X 13
End half-time feel
Bb6
-
rase.
1
Re
1
1
-
E
C7
place.
1
1
1
13
13
13
13
13
13
13
13
13
13
13
15
15
15
15
15
15
15
15
15
15
15
13 15
Outro Gtr. 2 tacet Gtr. 4: w/ Riff B Gtr. 5: w/ Riff C
Eb5
Bb5
B5
C7
Gtr. 7 (clean)
mf w/ tremolo
5
5
5
5
5
5
5
5
5
5
5
5
5
5
Eb5 Gtr. 7
5
5
5
5
Bb5
5
5
5
5
5
B5
C7
9
5
5
5
5
5
5
5
5
5
µ
steady gliss.
5
5
5
5
5
5
5
5
5
5
6
6
7
7
8
10
*
17
29
*Hypothetical fret location.
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
X 8
Gtr. 4
Gtr. 5
**fdbk.
X 6
6
6
6
6
6
6
6
7
8
8
8
8
8 Pitch: E **Microphonic fdbk., not caused by string vibration.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Foo Fighters - Greatest Hits
Long Road to Ruin Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel F5
C5
134
G/B
134
Am
24
D
231
C/G
132
C
342 1
32 14
Intro
Verse
*C (Kybds.)
Moderate Rock q = 147 C/G
6 sec.
C/G
1. Hey
Gtr. 2 (elec.)
Fill 1
now,
don’t
mf
make
End Fill 1
w/ slight dist. let ring throughout
0 1
0 3
0 3
5
Rhy. Fig. 1
Gtr. 1 (elec.)
0 3
mf
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
w/ dist.
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
*Chord symbols reflect overall harmony.
a
sound.
0 3
1
0
1 0 2 3 3
Say,
1
3
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
have
1
3
you
heard
0
0 3
3
5
the
news
1
0
to
1
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
Fsus2/C
- day?
0
1 1 0 3 3
1 1 0 3 3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
One
flag
0 3
0
0 3
5
3
was
0 1
0
tak - en
down
1
0
to
raise
1
3
3
1
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
an
-
0
0 3
5
3
oth -
Gtrs. 1 & 3: w/ Rhy. Fig. 1
Gtr. 1
-
er
in
0 3
1
0
its
*Gtr. 3 (elec.) divisi
Gtr. 2
a
stub
3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
3
-
born
0 3
5
1 0 2 3 3
1 0 2 3 3
0 3
re
heav - y
0 3
0
cross
you
0 3
5
3
-
mains
1
0
Fsus2/C
un
1
0
3
1
-
changed. End Riff A
bear,
heart
1
0
No
home,
0 1
End Rhy. Fig. 1
*w/ dist., played mf.
Riff A
0
1 1 0 3 3
A
1
place.
Gtr. 2
C/G
0 1
0 3
0 3
no
life,
5
0 3
Gtr. 2: w/ Riff A (last 3 meas.)
no
love,
no
stran
-
ger
sing
-
ing
Gtr. 2
Fill 2
0 1
0
0 3
0
0 3
5
3
1
0
C/G
your
name.
Pre-Chorus
It
may
be
Riff B1 **Gtrs. 2 & 4
in
Fadd9
End Fill 2
the
sea -
let ring throughout
3
1
1
0
3
3
**Gtr. 4 (acous.), played mf. Composite arrangment
*Gtrs. 1 & 3
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
0 0 0 0
Riff B
0
0
1
*Composite arrangement
Gadd4/B
Gtr. 2
son.
The
3
col - or’s
changed
3
1
2
Fadd9/C
in
the
val
-
ley
skies.
3
3
1
0 2
Gadd4/B
End Riff B1
1
0 3
2
0 2
Gtr. 1
2
3
2
3
2
3
5
3
5
3
2
End Riff B
5
7
Gtr. 3
2
3
5
3
2
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Fadd9
1. Dear 2. Oh,
God,
3
I’ve
sealed
-
ning
through hell,
heav
3
1
3
1
0 2
D
-
en
0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3
can wait.
Long
(cont. in slashes)
0
Run
2
Fadd9/C
fate.
0
0
5
0
2
1
my
3
1
0
3
3
Gadd4/B
1
7
3
5
7
5
2
3
5
5
5
5
5
5
5
0 0
3
5
5
5
5
5
5
0 0
Chorus Gtr. 2 tacet 2nd time, Gtr. 1: w/ Rhy. Fig. 2 (1 5/6 times) 2nd time, Gtrs. 3 & 4: w/ Rhy. Figs. 2A & 2B (2 times)
F5
*Gtr. 1
road
to
ru - in
Rhy. Fig. 2B
3 1 2 3
3 1 2 3
3 1 2 3
Gtr. 4
there
in
your eyes,
3 1 2 3
3 1 2 3
3 0 0 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
2 3 3 1
2 3 3 1
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
C5
G/B
C5
Rhy. Fig. 2
F5
un
-
der
the
cold
3 1 0 2 3
3 1 0 2 3
3 0 0 0
3 1 2 3
3 1 2 3
3 1 2 3
1 0 2 3 3
1 0 2 3 3
2 3 3 1
2 3 3 1
2 3 3 1
street
-
lights.
No
3 1 2 3
3 1 2 3
3 0 0 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 0 0 0 2
3 0 0 0 2
2 3 3 1
2 3 3 1
1 0 2 3 3
1 0 2 3 3
1 0 2 3 3
0 2 3
0 0 2
Rhy. Fig. 2A Gtr. 3
2 3 3 1
2 3 3 1
2 3 3 1
*w/ dist.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 0
0 0 0
0 0 0
0 2 3
0 0 2
T o Coda
Am
to - mor
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
-
row.
F5
No
C/G
End Rhy. Fig. 2
dead
end
sight.
in
End Rhy. Fig. 2B
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
2 3 2 0
2 3 2 0
2 3 2 0
X X X X
Rhy. Fill 1
D
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
(cont. in slashes)
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 0 0
2 3 2 0
0 3 2 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0
End Rhy. Fig. 2A
2 3 2 0 0
2 3 2 0 0
0 0 0
3 1 2 3
3 0 0 0
Fill 3 *Gtrs. 3 & 5
3 X 1
7 X 5
3 X 1
3 X 1
3 X 1
5 X 3
5 X 3
5 X 3
5 X 3
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
X X X
X X X
*Gtr. 5 (elec.) w/ dist., played mf.
Verse
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 2: w/ Fill 1
Gtr. 2: w/ Riff A (last 3 meas.)
C Gtr. 4
2. Let’s
say
take
we
Gtrs. 3, 4 & 5 tacet
Fsus2/C End Rhy. Fill 1
this
town.
No
king
queen
or
of
an
-
y
state.
End Fill 3
Gtrs. 3 & 5
10 X 8 Rhy. Fig. 3 Gtr. 6 (elec.)
mf
5 5 3
5 5 3
5 5 3
w/ dist. P.M.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff A (2 1/2 times)
up
to
Get
shut it
down.
O
-
pen
streets
the
C/G
and
raise
the
Gtr. 6
gates.
End Rhy. Fig. 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
I
wall
P.M.
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Gtr. 6: w/ Rhy. Fig. 3
know
a
to
scale.
I
know
a
Fsus2/C
fear
with - out
a
name.
D.S. al Coda
Head
on
with
- out
a
care
be
Gtr. 1
Gtr. 2: w/ Fill 2
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
-
fore
way
it’s
too
late.
It
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
1 1 0 3 3
f
*
*Roll up dist.
Coda
dead
-
der
the
cold
dead
2 3 2 0
2 3 2 0
2 3 2 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
end
Gtr. 1
F
Long
C/G
street
-
in
sight.
2 3 2 0
2 3 2 0
2 3 2 0
road
to
ru
-
there
lights.
No
in
your
eyes,
to
F5
Am
Gtr. 3: w/ Fill 3 (1st 2 meas.) Gtr. 4: w/ Rhy. Fill 1 Gtr. 5: w/ Fill 3
C/G
in
G/B
-
mor
un -
-
row.
No
C
D
ends.
F
D
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
(cont. in slashes)
5 5 3
5 5 3
Interlude Gtr. 2: w/ Riff B1
C5
G/B
C5
Rhy. Fig. 4
Gtr. 1 Gtr. 3
G/B End Rhy. Fig. 4
Riff C
End Riff C
mp
10 X 8
10 X 8
9 X 7
9 X 7
10 X 8
10 X 8
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Bridge Gtr. 1: w/ Rhy. Fig. 4 (2 times) Gtr. 2: w/ Riff B1 (3 times) Gtr. 3: w/ Riff C (2 times)
C5
For
C5
ev
piece
-
’ry
Your
-
to
in
ri
fall
-
takes
shape.
zon
its
C5
place,
Gadd4/B
ho
* C5/A
Gadd4/B
for - ev - er
gone
No
turn - ing
with - out
back,
*Bass plays A.
** Gadd4
Gadd4/B
trace.
don’t
a
turn
that
page.
**Bass plays G.
Gtrs. 1 & 3: w/ Riff B Gtr. 4: w/ Riff B1
Fadd9
Come,
Fadd9
leav - ing
the
price
3
to - night.
Gadd4/B
you
2
0
2
pay?
1
C5
0
1
let’s
Gadd4/B
leave
it
be - hind.
all
µ
-
ning
through
hell,
heav -
(Gtr. 4, cont. in slashes)
0 2
Gtrs. 1 & 3
now,
Run
0 3
Come,
3
1
3
here
I’m
Gtrs. 2 & 4
now,
Fadd9/C
that
Is
Gadd4/B
3
2
3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Gtrs. 1, 3 & 4: w/ Rhy. Figs. 2, 2A & 2B (2 times)
D
F
C/G
Gtr. 4
-
en
can
wait.
Gtr. 2
w/ dist. steady gliss.
let ring
3
1/2
3
5
5
0 17
13
10
0
2
3
5
3
1
3
1
2
0
5
Gtrs. 1 & 3
7 7 5
Gtr. 2
7 7 5
7 7 5
7 7 5
7 7 5
F
7 7 5
7 7 5
7 7 5
let ring
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
2
5
0
3
5
F
0
0
3
2
0
3
0
3
0
2
1
0
3
3
5
3
5
3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
7
7
7
5
7
7
0 0 0
0 0 0
C
G/B
8
Sorgdal
1
1
1
2
5
7
2
0
0
2
2
C/G
1
7
3
F
2
1/2
Am
D
0
7 7 5
G/B
5
0
7 7 5
C/G
3 0
7 7 5
5
5
7
5
7
0
3
2
5 5
0 0
0
7
0
3
5
7
Am
5 5
7
5
5 7
7
5
5 7
7
5
Chorus
D
Long
5 5
7
7
5
3
5
3
F
5
3
1
road
to
ru
- in
there
1
8
the
cold
F
road
-
row.
-
der
the
cold
street
in
dead
C/G
ends.
G/B
- lights.
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
X X X X
X X X X
3 X 1
3 X 1
3 X 1
3 X 1
5 X 3
5 X 3
5 X 3
5 X 3
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
der
the
road
Am
to
cold
street
-
dead
Long
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
No
C/G
there
in
1 1 2 3 3 1
1 1 2 3 3 1
dead
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
your eyes
D
No
G/B
- lights.
row.
ends.
C/G
ru - in
to - mor
No
end
Gtrs. 3 & 5
D
un -
in
sight.
3 1 2 3
-
row.
un -
C/G
3 1 2 3
F
No
Gtr. 1
-
F
Long
un
F5
Gtr. 4
your eyes
F
D
No
to - mor
eyes
to - mor
No
C/G
there
Am
lights.
ru - in
Am
to
street -
G/B
your
der
C/G
-
F
in
Gtr. 2 tacet
C/G
Gtrs. 1, 3 & 4: w/ Rhy. Figs. 2, 2A & 2B (3 times)
1 1 2 3 3 1
1 1 2 3 3 1
X X X X
X X X X
15 X 13
X X X X X X
3 1 0 2 3
10 X 8
10 X 8
10 X 8
10 X 8
12 X 10
12 X 10
12 X 10
12 X 10
14 X 12
14 X 12
14 X 12
14 X 12
15 X 13
15 X 13
10 X 8
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Foo Fighters - Echoes, Silence, Patience & Grace
Come Alive Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel Gmaj7
A%
Badd9 5fr
1342
D6
1342
1342
C5
C#11
7fr 1342
G5
B
10fr
9fr 1342
A5
Eadd9
1342
E5
F#add11
7fr
F#5
342
1342
D5
C#5 5fr
134
134
11
11
134
4fr
134
134
Tuning: (low to high) E-A-D-G-B-F#
Intro Moderately slow q. = 45 * Bm7 Riff A
Gtr. 1 (acous.)
mf
F#m11
G#m7
C#m11
w/ fingers let ring throughout
0
7
7
7
7
7
7
0
0
2
2
9
2
2
2
2
9
9
0
4
9 9
9
4
4
4 4
4
*Chord symbols reflect implied harmony.
Verse Gtr. 1: w/ Riff A (4 times)
Bm7
F#m11
C#m11
G#m7
Bm7
1. Seems
0 7
7
7
7
C#m11
life
2
7
7
be - longed
to
2
2
G#m7
2
run - a
2
-
ways.
-
ly
9
2
like on
yes
-
ter - day.
End Riff A
0
0
F#m11
9
9
Bm7
Noth - ing
0 4 4
9 9
9
here
to
see,
4
F#m11
no
look - ing
C#m11
G#m7
back.
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm7
Ev - ’ry
F#m11
sound
mon - o - tone,
*Gtr. 2
C#m11
ev - ’ry
col - or
12
15
14
14
18
- chrome.
16
18
Life
be - gan
in - to
F#m11
to
let ring
17
Bm7
mon - o
let ring
let ring
mf w/ tremolo let ring
G#m7
fade
let ring
15
black.
let ring
12
15
16
the
14
14
*Kybd. arr. for gtr.
C#m11
G#m7
Bm7
Such
let ring
let ring
14
Bm7
16
18
could hard - ly
15
16
F#m11
sim - ple
feel
me
12 16
14
C#m11
14
16
an - y - more.
lized
with
al - co
-
17
18
Bm7
16
18
18
-
16
18
18
F#m11
hol.
let ring
let ring
Des
-
18
G#m7
G#m7
ster - i
let ring
C#m11
an - i - mal,
let ring
I
17
18
a
F#m11
per - ate,
mean - ing
-
less.
sim.
15
16
C#m11
12 16
16
All
filled up
with emp - ti
18
18
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
17 18
14
G#m7
Sorgdal
14
18
16 18
16
- ness.
16
18
18
Bm7
18
17 18
like ev - ’ry - thing
16
F#m11
15
12 16
15
16
12
15
16
18
Felt
16
15
16
C#m11
16
14
G#m7
was said and done.
14
14
16
14
16
I
18
18
17 18
18
16 18
Pre-Chorus Gtr. 2 tacet
Gmaj7
A%
lay Rhy. Fig. 1 Gtrs. 3 & 4 (acous.)
mf 0 0 4 5 5 3
there
in
the
Badd9
dark
I
close
and
my
eyes.
You saved End Rhy. Fig. 1
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 6 7 7 5
Rhy. Fig. 1A
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
Gtr. 5 (acous.)
mf 0 0 4 5 5 3
End Rhy. Fig. 1A
0 0 6 7 7 5
0 0 8 11 9 7
Gtr. 5: w/ Rhy. Fig. 1A
Gmaj7
A%
me
Gtrs. 3 & 4
0 0 4 5 5 3
the
day
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
0 0 4 5 5 3
Badd9
0 0 6 7 7 5
you
came
a - live.
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
0 0 8 9 9 7
Interlude Gtr. 1: w/ Riff A
Gtrs. 3 & 4 tacet
Bm7
F#m11
C#m11
G#m7
Bm7
F#m11
C#m11
G#m7
0 0 8 9 9 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1: w/ Riff A (3 times)
Bm7
F#m11
2. Still
tried
I
C#m11
to find
my way,
spin - ning
0 15 16
0 15 16
0 17 16
0 17 16
0 15 16
0 15 16
0 15 16
0 17 16
0 17 16
0 17 16
0 17 16
0 17 16
0 0 7 7 X 7
0 0 7 7 X 7
0 0 7 7 X 7
0 0 7 7 X 7
0 0 7 7 X 7
0 0 2 2 X 2
0 0 2 2 X 2
0 0 2 2 X 2
0 0 2 2 X 2
0 0 2 2 X 2
0 0 9 9 X 9
0 17 16
0 17 16
days.
Burn - ing like
a
F#m11
flame
be - hind my
eyes.
0 12 13
0 12 13
0 12 13
0 15 16
0 15 16
0 15 16
0 15 16
0 15 16
0 17 16
0 17 16
0 17 16
0 17 16
0 17 16
0 0 9 9 X 9
0 0 4 4 X 4
0 0 4 4 X 4
0 0 4 4 X 4
0 0 4 4 X 4
0 0 7 7 X 7
0 0 7 7 X 7
0 0 7 7 X 7
0 0 7 7 X 7
0 0 7 7 X 7
0 0 2 2 X 2
0 0 2 2 X 2
0 0 2 2 X 2
0 0 2 2 X 2
0 0 2 2 X 2
0 0 9 9 X 9
0 0 9 9 X 9
0 12 13
0 12 13
0 0 9 9 X 9
0 17 16
Bm7
in - to
Rhy. Fig. 2A
Gtr. 5
hours
Rhy. Fig. 2
Gtr. 4
G#m7
0 0 4 4 X 4
Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A (2 times)
C#m11
0 17 16
0 17 16
0 17 16
0 17 16
0 0 9 9 X 9
Bm7
0 0 9 9 X 9
- on - er,
C#m11
bit - ter - sweet
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0 9 9 X 9
a
Drown
it
out,
End Rhy. Fig. 2
F#m11
C#m11
drink
it
in.
Crown
the
king
G#m7
of
suf - fer
- ing.
0 12 13
0 0 9 9 X 9
Pris
0 17 16
Bm7
Sorgdal
G#m7
0 0 9 9 X 9
End Rhy. Fig. 2A
0 0 4 4 X 4
F#m11
C#m11
slave
to
dis - guise.
G#m7
sur - ren - der
the
- ing.
Bm7
Knew
Bm7
Dis - ap
F#m11
that
G#m7
it
was
time
to
say good - bye.
- pear,
C#m11
the
F#m11
on - ly
thing,
G#m7
I
Pre-Chorus Gtrs. 3 & 4: w/ Rhy. Fig. 1 (3 times)
Gmaj7
A%
lay
Gtr. 5
there
the
in
dark
and
I
Badd9
close
my
eyes.
You saved
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
Rhy. Fig. 3
5 5 6 7 7 5
7 7 8 9 9 7
7 7 8 9 9 7
End Rhy. Fig. 3
Gtr. 5: w/ Rhy. Fig. 3 (2 times)
Gmaj7
A%
me
the
day
rea
-
A%
son
left
you
came
a
-
live.
me
to
sur - vive.
No
Badd9
the
day
You
saved
Badd9
A%
Gtrs. 3&4
Gtr. 5
Gmaj7
me
Badd9
Gmaj7
you
came
a - live.
Come
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
7 7 8 9 9 7
a - live.
Chorus Gtrs. 3, 4 & 5 tacet
Come Rhy. Fig. 4
Gtr. 6 (elec.)
mf
a - live.
Come
a - live.
D6
Come
a - live.
Come
a - live.
C#11
Come
a - live.
Come
a - live.
B
C#11
Voc. Fig. 1
D6
0 0 11 12 12 10
0 0 8 9 9 7
0 0 10 11 11 9
0 0 11 12 12 10
w/ slight dist.
0 0 10 11 11 9
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 6: w/ Rhy. Fig. 4
D6 Gtrs. 3&4 End Voc. Fig. 1
Come
a - live.
Come
C#11
a - live.
a - live.
Riff B Gtr. 7 (elec.)
mf
0 0 8 9 9 7
7
Come
1/4
a - live.
7
5
7
a - live.
7
7
1/2
5
7
a - live.
5
Come
1/4
7
7
Come
1/2
5
7
w/ dist.
Come
End Rhy. Fig. 4
B
Rhy. Fig. 5
B
7
5
7
7
7
7
5
Gtrs. 3, 4 & 6: w/ Rhy. Fig. 5 Gtr. 7: w/ Riff B
D6
C#11
D6
a - live.
Come
a - live.
Come
C#11
End Rhy. Fig. 5
Come
B
a - live.
Come
a - live.
Come
7
5
1/2
7
B
5
7
7
7
7
5
7
7
D6
7
1/4
1/4
a - live.
End Riff B
1/2
5
7
C#11
5
7
7
7
7
5
B
I
lay
Pre-Chorus Gtr. 7: w/ Riff B (2 times)
Gmaj7
A%
Eadd9
Rhy. Fig. 6
End Rhy. Fig. 6
Gtrs. 3, 4 & 6
there in Rhy. Fig. 6A
Gtr. 8 (elec.)
f
the dark
and I close
my eyes.
You saved End Rhy. Fig. 6A
0 1 2 2 0
0 1 2 2 0
w/ dist.
0 0 4 5 5 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 6 7 7 5
Gtrs. 3, 4 & 6: w/ Rhy. Fig. 6 Gtr. 8: w/ Rhy. Fig. 6A
Gmaj7
me
the
A%
day
you
came
Eadd9
a - live.
Come
a - live.
Chorus Gtr. 7: w/ Riff B (1 3/4 times)
Gmaj7
F#add11
Eadd9
D6
Rhy. Fig. 7
End Rhy. Fig. 7
Gtrs. 3, 4 & 6
a - live.
a - live.
Come
Gtr. 8
4 5 5 3
Come
a - live.
a - live.
Come
Come
4 5 5 3
3 4 4 2
3 4 4 2
1 2 2 0
1 2 2 0
Come
6 6 4 4
0 0 10 11 11 9
0 0 10 11 11 9
0 0 10 11 11 9
a - live.
6 6 4 4
a - live.
a - live.
Come
Come
7 7 5 5
7 7 5 5
mf
Come
C5
a - live.
0 0 10 11 11 9
a - live.
Come
Gtr. 8
0 0 10 11 11 9
a - live.
Gtrs. 3, 4 & 6
Come
Come
Gtr. 9 (elec.)
(cont. innotation)
a - live.
Come
f
w/ dist.
a - live.
Come
(cont. in notation)
a - live.
Come
a - live.
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
0 0 0
0 0 10 11 11 9
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 10 11 11 9
0 0 10 11 11 9
0 0 10 11 11 9
0 0 10 11 11 9
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtrs. 3, 4 & 6 tacet Gtr. 7: w/ Riff B (2 times)
B5
E5
Gtr. 10 (elec.)
Riff C
mf w/ dist.
9
9
End Riff C
7
1
9
7
9
9
9
9
7
9
9
7
1
9
7
9
9
9
9
7
9
9
7
1
9
7
9
9
9
9
7
9
9
7
1
9
7
9
Rhy. Fig. 8
*Gtrs. 8 & 9
9 9 7
9
9
9
7
End Rhy. Fig. 8
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
*Composite arrangement
Gtrs. 8 & 9: w/ Rhy. Fig. 8 Gtr. 10: w/ Riff C
B5
E5
Bridge Gtr. 7: w/ Riff B (2 times) Gtrs. 8 & 9: w/ Rhy. Fig. 8 (2 times) Gtr. 10: w/ Riff C (2 times)
B5
Noth - ing
more
to
give.
I
can
Your life
in - to
B5
fi - n’ly
live.
me,
I
Come
a
can
fi - n’ly
breathe.
-
E5
live.
Come
E5
a - live.
Pre-Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
G5
(Come
Fill 1
Gtr. 11 (elec.)
Gtrs. 8&9
I lay a - live.)
End Fill 1
there
in
the
A5
Rhy. Fig. 9
dark,
o - pen
my
eyes.
Riff D
End Riff D
12 X 10
11 X 9
9 X 7
mf
12 X 10
12 X 10
11 X 9
9 X 7
w/ dist.
5 X 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 X 5
9 7
12 X 10
7 X 5
9 7
11 X 9
12 X 10
12 X 10
Gtr. 3: w/ Rhy. Fig. 6 (last 2 meas.) Gtr. 7: w/ Riff B (1st 2 meas.) Gtr. 10: w/ Riff C (1st 2 meas.) Gtr. 11 tacet
Gtr. 11: w/ Fill 1
Gtr. 6 tacet Gtrs. 8 & 9: w/ Rhy. Fig. 9 Gtr. 11: w/ Riff D
E5
G5 End Rhy. Fig. 9
You saved Rhy. Fill 1
Gtr. 6
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
me
the
day
End Rhy. Fill 1
9 9 7 0
9 9 7 0
9 9 7 0
Gtr. 3: w/ Rhy. Fig. 6 (last 2 meas.) Gtr. 6: w/ Rhy. Fill 1 Gtr. 7: w/ Riff B (1st 2 meas.) Gtr. 10: w/ Riff C (1st 2 meas.)
A5
you
came
a
E5
-
Come
a
live.
-
live.
Outro-Chorus Gtrs. 3 & 6: w/ Rhy. Fig. 7
G5
F#5
E5
Gtrs. 8&9
Come
Gtr. 11
16 16 16 X X X 14 14 14
a - live.
Come
a - live.
Come
a - live.
Come
a - live.
Come
a - live.
Come
a - live.
16 16 X X 14 14
16 16 X X 14 14
16 16 X X 14 14
16 16 X X 14 14
16 16 X X 14 14
16 16 X X 14 14
16 16 16 X X X 14 14 14
16 16 16 X X X 14 14 14
16 16 16 X X X 14 14 14
16 16 16 X X X 14 14 14
16 16 16 X X X 14 14 14
Gtr. 10
9
9
7
9
7
9
9
7
9
7
9
9
7
1
9
7
9
9
9
9
7
9
9
7
9
7
9
9
7
9
7
Gtr. 7
7
7
5
1/4
7
5
7
7
5
1/4
7
5
7
7
5
1/4
1/2
7
5
7
7
7
7
5
7
7
5
1/4
7
5
7
7
5
1/4
7
5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 7 tacet
D5
C#5
a - live.
Come
a - live.
Come
a - live.
Come
a - live.
Come
Gtr. 11
(cont.in notation)
Cmaj7#11
let ring
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
9
9
7
9
9
9
9
16 16 X X 14 14
16 X 14
16 X 14
1
7
9
16 X 14
16 X 14
16 16 X X 14 14
Gtr. 10
16 X 14
7
9
9
7
9
7
9
9
7
9
7
13
16
13
16
13
5
7
7
5
7
7
7
7
5
7
0 0 11 12 12 10
0 0 11 12 12 10
0 0 11 12 12 10
Gtrs. 3 & 6
0 0 11 12 12 10
1/4
0 0 11 12 12 10
0 0 11 12 12 10
0 0 11 12 12 10
0 0 11 12 12 10
0 0 11 12 12 10
0 0 11 12 12 10
0 0 10 11 11 9
let ring
13
16
13
16
13
Gtr. 10
9 X 7
Gtrs. 3, 6, 8 & 9
0 0 9 10 10 8
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16
16
13
16
7
13
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
1/4
5
7
Gtr. 11
1/2
7
5
7
7
5
1/4
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
16
13
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7
13
Gtr. 7
16 16
5 Gtrs. 3, 6, 8 & 9
0 0 0 0 0 0 0 0 10 10 10 10 11 11 11 11 11 11 11 11 9 9 9 9
0 0 10 11 11 9
0 0 0 0 0 0 0 0 10 10 10 10 11 11 11 11 11 11 11 11 9 9 9 9
0 0 0 0 0 0 0 0 9 9 9 9 10 10 10 10 10 10 10 10 8 8 8 8
13 16
13 16
13 16
12 X 10
14 X 12
12 X 10
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 9 10 10 8
0 0 0 0 0 0 9 9 9 10 10 10 10 10 10 8 8 8
0 0 9 10 10 8
B5
13 16
0 16
17 X 15
16 X 14
0 0 9 10 10 8
0 0 X 9 9 7
0 0 9 10 10 8
from Foo Fighters - Echoes, Silence, Patience & Grace
Stranger Things Have Happened Words and Music by Dave Grohl Bsus4
F#m11
134
Intro
341
Moderately q = 98
µ
G
E
3421
34211
E/G#
231
3114
* Bm7
D/F#
F5 E7[no3rd]
Riff A Gtr. 1 (acous.)
(Studio noise) 9 sec.
G6
(Metronome)
mf
w/ pick & fingers let ring throughout
2
2 0
2
2 0
2
2 2
0
2
0 0
2
0 0
2
0 2
1
0
*Chord symbols reflect implied harmony.
1.
2.
1. God
End Riff A
0
0
0 2
0
0 2
2 2
0
0 2
0
0
0 2
0
0 2
2 2
0
0
2
0 2
0
0 2
0
damn
0 2
2 2
0
2
0
Verse Gtr. 1: w/ Riff A (4 times)
Bm7
this
dust
-
y
D/F#
room,
F5 E7[no3rd]
this
ha
Copyright © 2007 SONGS OF UNIVERSAL, INC. and MJ TWELVE MUSIC All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
-
zy
af
-
ter - noon.
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
breath
-
ing
in
D/F#
this
si
-
this
one
last
cig
-
and
wait
for
a
you
to
lence
like
-
ing
that
-
rette,
come through
- er
E7[no3rd]
-
be
E7[no3rd]
fore.
D/F#
I
get,
as
F5
that
nev
feel
Bm7
D/F#
wake
E7[no3rd]
F5
I
lay
a
F5
-
This
Bm7
I’m
Bm7
door.
Pre-Chorus
Gtr. 1: w/ Riff A (1st 2 meas.) 2nd time, Gtr. 2: w/ Riff B
(1.)
Bm7
Oh,
may
-
be, I
(2.)
can
-
be, I
may change,
D/F#
may change,
be but
I who
can you
share want
it me
can
I’ll I’m
be the
-
Bm7
have, same,
I’ll I’m
Gtr. 1
0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0 2
0
0 2
2 2
0
0
0 2
0
0 2
0
0 2
2 2
0
2
0
2
2
be - have, the same,
2 0
2
F5 E7[no3rd]
with to
I’ll I’m
2 0
2 2
you. be?
D/F#
be - have the same.
0
2
2nd time, Gtr. 2: w/ Fill 2
2
so How
I do
can you
share want
it me
0 0
0 2
2
0 0
2
with to
you. be?
1
Chorus Bsus4
0
0 2
0
0
0 2
2 2
0
Rhy. Fig. 1
4 4 2
4 4 2
w/ pick
a
- lone,
0 2
0
lone
-
li
dear
0 2
2 2
0
-
ness.
You
for - got
are
not
2 2
X X
0
string noise
E
that
I
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 4 5 5
0 0 4 5 5
0 0 4 5 5
0 0 4 5 5
0 3 4 5 5
X X X
You
G
4 4 0
0
4 4 2
G6
mf
F#m11
Rhy. Fig. 1A Gtr. 2 (acous.)
F5 E7[no3rd]
X X X
re -
mem -
0 3 4 5 5
X X X
0 0 1 2 2 0
T o Coda
D
F#m11
Fmaj7#11 E
End Rhy. Fig. 1A
(cont. in notation) -
bered
this.
Oh,
strang End Rhy. Fig. 1
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
X X X X
X X X X
-
er,
strang
Rhy. Fig. 2 *Gtrs. 1 & 2
-
er,
strang
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
X X X X
0 0 2 4 4
-
er
0 0 2 4 4
things have
hap - pened,
I
know.
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 3 3
0 0 1 2 2 0
*Composite arrangement Fill 2 Gtr. 2
(cont. in slashes)
1/2
9
7
9 9
9
7
9
7
0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Esus4
E
I
am
not
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
-
li
-
D
-
Rhy. Fig. 3 Gtrs. 1 & 2
I
for
ness.
er,
strang
-
er,
- got
F#m11
strang
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
X X X X
0 0 2 4 4
-
er
that
I
things have
X X X X
X X X X
E
re -
mem
E
I
know.
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 3 3
a
- lone,
F#m11
dear
lone -
End Rhy. Fig. 2
Fmaj7#11
hap - pened,
-
bered
0 0 1 2 2 0
this.
Oh,
G6
Bsus4
strang -
Esus4
E
Oh,
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 1 2 2 0
Interlude Gtr. 1: w/ Riff A (2 times)
Bm7
D/F#
F5 E7[no3rd]
oh.
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End Rhy. Fig. 3
0 0 1 2 2 0
Riff B Gtr. 2
let ring
9
7
10 9
7
10
10
12
Bm7
D/F#
let ring
12
10
7
9
0
9
7
7
9
9
F5 E7[no3rd]
10
7
9
2. We’ll
End Riff B
Fill 1
dream
let ring
1/2
10
7
9
10
12
10
10
7
9
9
7
7
9
9
9
7
7
10
9
Verse Gtr. 1: w/ Riff A (2 times)
Gtr. 2 tacet
Bm7
D/F#
a
-
bout
some
-
where.
F5
E7[no3rd]
Our
End Fill 1
smoke
7
will
the
air.
fill
Bm7
As
I
lay
a
-
D/F#
wake
and
wait
D.S. al Coda
for
you
to
walk
out
F5
E7[no3rd]
that
door.
I
can
change,
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda Esus4
Oh,
Gtr. 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 2 2 2 0
Gtr. 1
0 0 1 2 2 0
let ring
11
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
0 0 2 2 2 0
F5 E7[no3rd]
9 10 11
9 10 11
12 10 11
12 10 11
9 10 11
7
2
2
0 0
2
0 0
0 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
9 9
9 9
7 9 9
1
0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
X X X X
0 0 1 2 2 0
X X X X
0 2
0
0
0 2
2 2
7 7
Bm7
D/F#
10 12 11
10 12 11
10 12 11
12 12 11
12 12 11
10 12 11
12 10 11
0 0
12 10 11
9 10 11
14 10 11
14 10 11
12 10 11
12 12 13
12
12 12 13
Bm7
D/F#
F5 E7[no3rd]
8 9
10 11
10 11
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10 11
10 11
10 11
9 9
7 7
9
7
9
7 7
9
7 7
9
7
9
12 12 13
2
2
2 0
9 9
7 9 9
7 7 9
0
0
0 2
0
14 12 13
14 12 13
14 12 13
12 12 13
15 13
12 12 13
2 0
2
2 2
8 9
10 11
7
9
7 7
9
7
0
2
End Riff C
0 2
15 X
µ
12 12 13
µ
7 9
9
µ
7 7
7 9
X X X X
F5 E7[no3rd] 10 11
7 7
X X X X
Gtr. 1: w/ Riff C (2 times)
Gtr. 2
7 10
7 10
0 0
7 7
7 9 9
7 7
7 9 9
Riff C
7 10 9
let ring
7 10 9
D/F#
oh.
Guitar Solo Bm7
E
5
7
Bm7
D/F#
F5 E7[no3rd]
Gtr. 2
5
7
1/2
10 7
10 7
Gtr. 1
2
2
7
10
7
2 0
2
9
0 2
7
9
9
2 0
2 2
9
0
9
9
0 2
2 2
7
2
0
0
not
0 0 0
9
7
9
7
9
7
a
- lone,
5
7
0 0
2
7
7
0 0
2
4
1
0
0
F#m11
lone
-
li
dear
7
0 2
5
0 2
6
6
0
-
ness.
7
6
4
0 2
2 2
9
4
0
0
I
for - got
0 0 0
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
X X X X X
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
X X X X X
X X X X X
0 0 0
4 4 2
4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
0 0 2 4 4
9
Chorus Bsus4
am
9
7
2
I
2
9
0
7
9
9
9
9
4 4 2
4 4 0
(cont. in slashes)
X X X
X X X
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
G
E/G#
Gtr. 2
that
Gtr. 1
0 3 4 5 5
I
re -
mem
0 3 4 5 5
0 3 4 5 5
0 3 4 5 5
0 3 4 5 5
0 3 4 5 5
X X X
4 2 2 4
Bsus4
-
bered
this.
4 2 2 4
4 2 2 4
4 2 2 4
4 2 2 4
You
are
not
4 2 2 4
4 2 2 0
2 2 0
X X X
F#m11
a
- lone,
dear
lone -
X X X
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
li
-
You
for
ness.
G6
- got
that
I
E
re -
mem
-
bered
this.
Oh,
strang -
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D
-
er,
strang
-
F#m11
er,
-
er
things
have
strang
Fmaj7#11
hap - pened,
E
I
know.
Esus4
E
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Bsus4
I
am
not
a
-
F#m11
lone,
dear
-
li
lone
-
ness.
I
for
- got
Gtrs. 1 & 2: w/ Rhy. Fig. 3
G6
that
I
-
er
things
have
re -
mem
-
bered
Fmaj7#11
hap - pened,
E
I
know.
this.
E
D
Oh,
strang
Esus4
-
er,
strang
E
-
F#m11
er,
strang -
Oh,
oh.
Outro Gtr. 1: w/ Riff A (1st 3 meas.) Gtr. 2: w/ Riff B (1st 3 meas.)
Bm7
D/F#
Gtr. 2: w/ Fill 1
F5 E7[no3rd]
Bm7
D/F#
Gtr. 1
0 2
0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 2
0
0 2
2 2
0
2
0
2
2
2 0
2
2 0
2 2
0
F5
2
2
2
0 0
2
0 0
0 2
1
E5
2 0
from Foo Fighters - Echoes, Silence, Patience & Grace
Cheer Up Boys (Your Make Up Is Running) Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel E5
A5
D5
A5
type2
E5 open
F#5
G#5
7fr
4fr
134 Intro Moderate Rock q = 142 E5
Gtrs. 2&3 (dist.)
A5 V
11
13
1144
134
11
134
G5
5fr 134
134
mf
Gtr. 1 (slight dist.)
mf
9 X 7
9 9 X X 7 7
9 X 7
9 X 7
Gtr. 4 (dist.)
9 X 7
9 X 7
9 X 7
9 9 X X 7 7
9 X 7
9 X 7
9 X 7
9 9 X X 7 7
9 X 7
9 9 X X 7 7
9 X 7
9 X 7
9 9 X X 7 7
mf
9 9 7
9 9 7
9 9 7
9 X 7
9 X 7
9 X 7
9 X 7
9 9 X X 7 7
9 X 7
9 9 X X 7 7
9 9 X X 7 7
9 X 7
9 X 7
9 X 7
Riff A
Gtr. 1
9 X 7
Gtr. 4
Gtr. 5 (dist.)
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 9 7
9 9 7
9 9 7
mf *fdbk.
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Riff A2
0
7 4
7 7
7 5
Pitch: F *Microphonic fdbk., not caused by string vibration.
9 X 7
9 X 7
9 X 7
Riff A1
X
Gtr. 6 (dist.)
9 X 7
End Riff A
7 4
7 7
0
7 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
2 2 0
9 X 7
9 X 7
9 X 7
End Riff A1
End Riff A2
0
mp fdbk.
0
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 Gtr. 4: w/ Riff A1 (4 times)
F#
A5
14 fr
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Gtr. 6
7 4
7 7
7 5
0
7 4
7 7
7 5
2 2 0
mf
9 X 7
9 X 7
9 X 7
9 X 7
A5 type 2
A5
19
D5
A5
9 X 7
7 5
7 7
7 4
0
7 5
7 7
2 2 0
0
7 4
0
7 4
7 5
7 7
7 4
0
7 5
7 7
2 2 0
A5 type 2
7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0
7 4
7 5
7 7
7 4
7 7
9
9 X 7
Gtr. 1
9 X 7
Riff B1
0 2
A5
Riff B
9 X 7
Gtr. 5
D5 Rhy. Fig. 1
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Gtrs. 5 & 6
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
7 5
2 2 0
0
A5
D5
A5
A5 type 2
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 4
7 5
Gtr. 1
Gtr. 6
7 4
7 5
7 7
7 4
0
Gtr. 5
7 4
0
2 2 0
7 7
2nd time, Gtrs. 5 & 6 tacet
E5 Gtrs. 5&6
Riff C
Gtr. 1
1. It 2. El
was - e
-
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
Riff C1
Gtr. 4
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
0
4 4 2
2 2 0
Verse
meant men
-
16 X 13
2 2 0
2 2 0
2 2 0
12
2 2 0
11 X 9
4 4 2
9 X 7
0
End Riff B1
2 2 0
End Riff B
(cont. in notation)
2 2 0
0
4 4 2
4 4 2
0
9 X 7
9 X 7
9 X 7
(cont. in slashes)
2 2 0
2 2 0
2 2 0
0
(cont. in slashes)
2 2 0
2 2 0
2 2 0
0
Gtrs. 5 & 6 tacet
A
to ta
-
be, ry.
but I’ve
all solved
a them
long all,
it
nev all
13
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
9 X 7
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
13 X 11
D
16 X 14
1/2
13 X 11
11
11 X 9
1/2
13 X 11
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Rhy. Fig. 2
2 2 0
13 X 11
Gtrs. 2 & 3
A5
2 2 0
7 5
2 2 0
7 7
7 7
7 5
F#5 End Rhy. Fig. 1
0 0 9 9
0 0 9 9
0 0 9 9
0 0 9 9
0 0 9 9
0 0 9 9
0 0 9 9
0 0 8 9
0 0 8 9
13 X 11
0 0 8 9
13
13 X 11
11
0 0 8 9
0 0 8 9
X X X X
11 X 9
2 3 2 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 4: w/ Riffs C & C1 (3 times) Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)
-
er your
meant mys
11 9
11 X 9
11 X 9
11 X 9
11
11 X 9
11 X 9
11 X 9
9
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
Dsus2
-
a ter
-
9 X 7
9 X 7
9 X 7
End Riff C1
9 X 7
9 X 7
9 X 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
when tell
to and
ask in
stopped down
End Riff C
0 3 2 0
Nev - er Set - tle
you good
why time
0 3 2 0
did can
- n’t
Dsus2
pass solve
me all
your me
or and
was I
it will
life when.
Emaj7
just let
flashed Tell
that you
I know
by. mine.
D
E5
A
4
D
me oh,
E5
Emaj7
thing. ies.
you we
End Rhy. Fig. 2
A
E5
be me
-
Did Tell
you me
Dsus2
fore off
your a
Emaj7
see lies,
-
A
was - n’t when I’ve
hard had
eyes gain
D
e e
-
nough, nough,
hard had
Pre-Chorus
e e
-
on of
you? you.
Dsus2
nough nough
A5
D5
Gtrs. 1 & 5: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 1
(Stop,
0
D5
A5
Stop
us
-
ing
my
stop,
stop,
stop,
stop,
stop,
stop,
stop. End Riff D
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Stop,
stop,
stop,
stop,
stop,
stop,
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
con
-
fu
-
sion.
D5
Riff D Gtr. 4
Gtr. 5
A5
A5
stop,
stop.
Stop,
stop,
stop,
stop,
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Chorus
Wait,
wait,
Gtr. 4 tacet
There’s
F#5
a
world
A5
out
stop.)
9 X 7
9 X 7
9 X 7
Gtr. 4
Fill 1
Gtr. 6
End Fill 1
11
11 X 9
X X X
Gtr. 1
9
Rhy. Fig. 3 *Gtrs. 2, 5 & 6
0 0 0
4 4 2
4 4 2
there.
Voc. Fig. 1
0 0 0
14 X 12
2 2 0
(There’s
a
14 X 12
X X X
2 2 0
0 0 0
E5
world
2 2 0
out
9 X 7
D
Don’t
you
there.
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
let ring
2 2 0
de -
0 0 4
14 X 12
0 0
2 3 2 0 0
*Composite arrangement
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
-
G5
ny
14
14 X 12
X X X
2 3 2 0 0
0 0 0 0
Don’t
you
12 X 10
X X X
12 X 10
3 3 0 0 X 3
3 3 0 0 X 3
-
ny
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
let ring
0 0 4
2 2 0
0 4 2
last
7
9 X 7
9 X 7
let ring
2 2 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
11 X 9
X X X
14 X 12
Give
me
14 X 12
X X X
one
9 X 7
0 4 2
0 0 0
4 4 2
4 4 2
2 2 0
0 0 0
2 2 0
0 0 0
2 2 0
out
there.
out
G5
E5
there.
wish.)
9
End Voc. Fig. 2
2.
G5
world
There’ a
wish.
End Rhy. Fig. 3
last Voc. Fig. 2
E5
me.
2 2 0
A5
one
de
End Voc. Fig. 1
1.
D
me
0 0 0
9 X 7
F#5
Give
2 3 2 0 0
me.
12
E5
0 0 4
9 X 7
9 X 7
9 X 7
0 4 2
0 4 2
0 0 0
14 X 12
2 3 2 0 0
14 X 12
X X X
12 X 10
2 3 2 0 0
0 0 0 0
3 3 0 0 X 3
12 X 10
12 X 10
X X X
14 12
14 X 12
X X X
12 X 10
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0 0
2 3 2 0 0
0 0 0 0
0 0 0 0
3 3 0 0 X 3
12 X 10
9 X 7
9 X 7
3 3 0 0 X 3
X X X
0 0 0
2 2 0
9 X 7
let ring
2 2 0
0 0 4
Bridge Gtrs. 1, 5 & 6 tacet Gtr. 4: w/ Riff D (3 1/2 times)
E
F#m11
Ooh,
*Gtrs. 2 & 3
you’ve
got
your
rea
-
G#mb6
sons.
Hey, let’s
call
it
Aadd9
e
-
ven.
0 0 1 2 2 0
0 0 2 4 4
0 0 4 6 6
0 0 6 7 7
w/ slight dist.
*Gtr. 2 w/ amp tremolo.
Gtr. 4: w/ Fill 1
G6
Turn
out
all
F#m11
the
lights
Gtrs. 2 & 3
0 0 4 5 5
Gtr. 5
and
go
E
to
bed.
A
E
0 0 2 4 4
0 0 1 2 2 0
2 2 2 0
0 0 1 2 2 0
steady gliss. (cont. in slashes)
15
Gtr. 3 tacet
E5 open Gtr. 5
F#5
G#5
A5 V
get
Still, I
this
feel
-
ing
no one
will
be - lieve
P.M.
me
(Oh.)
Gtr. 2
let ring
1
0
0
0
2
0
0
0
4
0
0
0
6
0
0
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
F#5
when I
these
ghosts
Gtr. 6
out
-
side
my
head.
F#5
let
E5 open
open
*
A A5
P.M.
E5 open
0 5
Gtr. 2
let ring
0
0
4
0
2
0
0
15
0 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0
2 2 2 0
2 2 2 0
w/ dist.
4 4 2
*Gradually lift P.M.
Guitar Solo Gtrs. 2 & 5: w/ Rhy. Fig. 3 (1 1/2 times)
A5
Gtr. 6
0 5
0 5
0 5
0 3
E5
0
0 0
5
3
D
F#5
0 5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 0
0 0
0 0
0 0
0 0
0 0
A5
0 5
0 5
0 3
0 3
0 3
5
0 3
0
0 3
E5
0 0
0 3
3
G5
E5
0 3
0 5
8
D
0 0
0 0
0 0
0 0
0 0
0 0
0 3
G5
E5
F#5
There’s a
Gtr. 6
0 3
0 0 3 3
0 3
8
Gtr. 1
0 0 0
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
1/2
grad. bend 1/4
0 3
7 9 X 7
3
2 3 2 0 0
2 3 2 0 0
3 3 0 0 X 3
0 0 0 0
3 3 0 0 X 3
3 3 0 0 X 3
0 5
9 X 7
12 Gtrs. 2 & 5
world
0
9 X 7
0 0 0 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
4 4 2
0 0 0 0
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 2 & 5: w/ Rhy. Fig. 3 (3 times)
A5
out
E5
0 5
Riff E
Gtr. 1
9 7
9 X 7
0 5
0 3
0 3
5
0 0
7 X 5
D
Don’t you de
Riff E1
0 5
there.
Gtr. 6
9 X 7
4 X 2
0 0
0 0
0 0
0 0
0 0
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
G5
-
ny
0 3
4 X 2
7 X 5
0 3
7 X 5
E5
F#5
me.
0 0
0 3
0 3
Give me one
8
0 3
0 5
12 X 10
7 X 5
9 X 7
End Riff E1
0 5
0 5
0 5
0 5
0 5
0 5
0 5
End Riff E
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 2 Gtrs. 1 & 6: w/ Riffs E & E1 (2 times)
A5
last
E5
wish.
D
Don’t you
de
-
ny
G5
E5
Bkgd. Voc.: w/ Voc. Fig. 1 (last 2 meas.)
me.
F#5
There’s a
world
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
out
A5
E5
there.
A5
Don’t you
0 5
0 3
Gtr. 1
7
9 X 7
7 X 5
0 3
0 0
5
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 4 2
ny
0 0 0
2 2 0
9 X 7
2 2 0
0 0 0
D
a
world
G5
out
0 0
0 0
0 0
0 0
0 0
0 0
0 3
0 3
7 X 5
12 X 10
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
let ring
2 2 0
0 0 4
7 X 5
0 0
2 3 2 0 0
0 0 3 3
me
one
E5
0 0 0 0
0 3
0 5
7 X 5
9 X 7
8
2 3 2 0 0
F#5
there.
Give
2 2 0
me.
E5
Gtrs. 2 & 5
4 4 2
-
There’s
9
wish.
Gtr. 6
0 5
de
E5
last
G5
0 5
D
3 3 0 0 X 3
3 3 0 0 X 3
0 0 0
2 2 0
Outro Gtrs. 1 & 5: w/ Riffs A & A2 (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.) Gtr. 4: w/ Riff A1 (3 times) Gtr. 6 tacet
0 5
0 5
0 5
0 5
9 X 7
7
9 X 7
9 X 7
2 2 0
A5
D5
A5
9 X 7
0 0 4
2 2 0
A5
9 X 7
D5
0 5
let ring
Gtr. 2
9
A5
0 4 2
0 4 2
0 0 0 0
D5
A5
A5 type 2
F#5
Gtr. 1
E5 open
A5
rit.
rit.
9 X 7
9 9 9 X X X 7 7 7
9 9 9 X X X 7 7 7
Gtr. 5
9 9 9 X X X 7 7 7
9 9 X X 7 7
9 X 7
9 9 9 X X X 7 7 7
9 9 9 X X X 7 7 7
9 X 7
9 X 7
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
7 4
7 5
7 7
0
Gtr. 3
7 4
7 5
7 7
4 4 2
4 4 2
12
0
2 2 0
2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
rit.
2 2 0
2 2 0
2 2 0
X X X
3 2 0
3 2 0
3 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0
0
4 4 2
4 4 2
2 2 0
w/ bar grad. ascent + 1/2
rit.
2 2 0
0 0 4 2 2 0
w/ bar steady dive
2 2 0
2 2 0
2 2 0 -1/2
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Foo Fighters - Echoes, Silence, Patience & Grace
Summer’s End Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel Dsus2
C
13
Intro Moderately q = 123 µ
32 1
=
G5
2
mf
let ring
w/ slight dist.
*Gtr. 2 (acous.)
3
3
5
3 3
3 3
5
let ring
132
0
0
µ
let ring
0 3 2 0 0
3
3
3 3
5
mf
Gtr. 1
134
Dsus2
34
D
Dsus2
Fsus2
3
__
Gtr. 1 (elec.)
G
3 3
5
0
(cont. in slashes)
0 3 2 0 0
0 *Doubled throughout
Verse Gtrs. 1&2
Gtrs. 1 & 2 tacet
Dm7
1. Ear - ly 2. Come on
mor o
-
ning, ver,
with brave
out my
warn storm,
Dsus2
ing,
woke o -
me with ceans o
a scare. ver - head.
-
I
Riff A Gtr. 3 (elec.)
mf
w/ slight dist. let ring
6 5 0
Sorgdal
68
5
3 0
2
1 0
1
0
3 0
3
6 0
0
5
3 0
1
3 0
0 2
0
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
3 0
C
G5
Rhy. Fill 1 Gtr. 1
had that Come in
dream side,
-
a my
-
5
3
1
1
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
2
0 0
3 3 0 0 X 3
0
0
Gtr. 1 tacet
sun bad
was out
let ring
3
3
3 3
5
Dsus2
me have
home, stol
5
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3
0
-
en
Make me Ev - ’ry
End Riff A
3
Dm7
dead. there.
3 3 0 0
End Rhy. Fill 1
that the get - ting
Gtr. 1: w/ Riff A
Dsus2
gain friend,
let ring
6 5 0
0
warm mo -
or ment
take we
0 3 2 0 0
Dm7
it’s all
so we
cold had
in to
Dsus2
here. share.
0 3 2 0 0
Gtr. 3 tacet
Dm7
Can’t we No one Sorgdal
Gtr. 3: w/ Rhy. Fill 1
meet some want - ed
-
where? this,
C
G5
µ
Is it win but you know
ter I
there? did,
69
Gtr. 2
Dsus2
Is you Gtr. 1
let ring
win know
ter I
3
3
5
5
3 3
win mo
-
ter. ment.
0 3 2 0 0
0
0
This this
let ring
3 3
there? did,
0 3 2 0 0
0
it
3
3
5
G
3 3
5
3 3
0
Chorus
3rd time, Gtr. 4: w/ Fill 1
D
Meet
Dsus2 D
me
in
the
2 3 2 0
2 3 2 0
0 3 2 0
Rhy. Fig. 1 *Gtrs. 1 & 2
2 3 2 0
Dsus4
sum
Am7
-
mer
-
C
time,
we
can
move
the
air. End Rhy. Fig. 1
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 2 0
3 1 0 2 3
3 1 0 2 3
*Composite arrangement
D
Sweet
Vir
Dsus4
gin - ia
coun
Dsus2
-
D
2 3 2 0
2 3 2 0
0 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 3 2 0
2 3 2 0
Gtr. 2
Gtr. 1
Am7
-
try
-
side,
I
will
meet
you
there.
3 3 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 3 2 0
12
70
Fill 1 Gtr. 4
Sorgdal
C
Gtr. 3 tacet
D
Dsus2 D
Fadd9
Blood - y
Gtr. 3
Riff B
14 X 12
14 X 12
lips and
10 X 8
10 X 8
3 1 2 3
3 1 2 3
3 1 2 3
3 1 2 3
2 3 2 0
2 3 2 0
0 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 3 2 0
2 3 2 0
3 1 2 3
3 1 2 3
3 1 2 3
Gtr. 1
1 1 2 3 3 1
1 1 2 3 3 1
G
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
D
Dsus2 D
Just
keep
star - ing
wine,
moon - shine
in
your
hair.
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
Dsus4
at
3 1 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
2 3 2 0
2 3 2 0
0 3 2 0
2 3 2 0
3 3 2 0
3 3 0 0 2 3
3 3 2 0
3 3 0 0 2 3
ry
3 3 2 0
Rhy. Fig. 2
Gtrs. 1 & 2
7 X 5
3 1 0 2 3
-
C
12 X 10
3 1 0 2 3
cher
Am7
End Riff B
12 X 10
Gtr. 2
Dsus4
Am7
C
the
3 1 0 2 3
sun,
pray
for sum
- mer’s
end.
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 2 2 0
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
To Coda 1
To Coda 2
D.S. al Coda 1 Interlude
3rd time, Gtr. 3: w/ Riff B
3 1 0 2 3 Sorgdal
µ
Dsus2
End Rhy. Fig. 2
1
1
3
3
5
3
0
(cont. in slashes)
0
0 3 2 0 0
71
Coda 1 Guitar Solo Gtr. 1: w/ Riff A (1st 3 meas.) Gtr. 2 tacet
Dm7
Dsus2
mf
10
w/ dist. 1
10
10
10
13
10
Gtr. 2
let ring
12
10 12
10 12
10 10
12
12
10
0 2
3
6
10
0
0
1
0
0
G5
Fsus2 Gtrs. 1&2
12
1
13
10
13
10 13
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
D
10 X 7
5 X 2
5 X 2
Gtr. 3
10
0 0
3
13
13
5
13
1
let ring
3
C
12
Gtr. 1
10
let ring
12
10
10
G
10
10 10
10
10 10
12
1
X X
12
10 10
12
Dsus2
10
1
12
Gtr. 4
let ring
Dm7
Gtr. 4 (elec.)
(cont. on lower staff)
1
13
Sorgdal
13
(cont. in slashes)
0 1 0 2 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
72
13 X 10
0 0
13
12 9
Gtr. 4
10 X 8
9 7
8 X 5
7 X 5
5 X 3
4 2
7 X 5
5 X 2
7 X 5
7 X 5
5 X 2
5 X 2
5 X 2
X X X
7 X 5
7 X 5
7 X 5
X X X
Fsus2
D
13 X 10
12
10 X 7
9
(cont. in notation)
14 X 11
14 X 11
10 X 8
8 X 5
Fsus2
9
7 X 5
7
5 X 3
15 X 12
17 X 14
15 X 12
14 X 11
X X X
13 X 10
11 X 9
11 X 9
12 X 10
14 X 12
12 X 10
11 X 9
12
10 X 7
9
X X X
10 X 8
9 7
8 X 5
8 5
7 X 5
5
5 X 3
3
D.S.S. al Coda 2 Gtr. 3 tacet
3 3 3 3 3 3 3 3 C
G5
µ
Gtr. 4
1
1
10 12
1
13 12
1
1
10 13 12
1
10 13 12
10
1
13
12
10 13 12
1
10 13 12
1
1
10 13 12
10
12
12
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Gtrs. 1 & 2
13
12
10
12
12
10
12
3
3
5
3
5
3
0
Coda 2
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
D
Dsus2 D Dsus4
Meet
me
in
the
sum
Am7
C
-
µ
mer - time.
End Riff D Riff D
Gtr. 4
let ring
12
Sorgdal
15
12 14
15
1
14
14
13
15
15
X
15
13
12
13
12
15
15
12
13
15
13
14
73
Gtr. 4: w/ Riff D
D
Meet
Dsus2
me
in
D
Gtr. 4
Dsus4
the
sum
-
me
in
the
Am7
Dsus2
Meet
D
Dsus4
sum
let ring
12
12
15
15
14
mer
D
-
µ
time.
Am7
-
mer
-
C
time,
C
we
can
move
13
12
the
air.
1
14
15
13
14
15
15
X
13
12
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 2 meas.)
12
C
I
Gtr. 4
Meet
me
in
12 15
will
14
meet
15
13
12
15
Dsus4
the
sum
12
15
µ
you
15
14
14
15
Am7
-
mer
-
time,
13
14
15
13
10
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
3 1 0 2 3
1
10
Dsus2
1
12
3
10
rit.
3
12
5
15
X
rit.
12
1
14
there.
74
D
let ring
Gtrs. 1 & 2
Sorgdal
Dsus2
D
G
10
3
12
0
rit.
0
0 3 2 0 0
15
from Foo Fighters - Echoes, Silence, Patience & Grace
Ballad of the Beaconsfield Miners Words and Music by Dave Grohl
A Moderately q = 141 µ
Gtr. 1 (acous.) (Count off)
* G7
mf
Gtr. 2 (acous.)
0
let ring throughout
0
3
0
5
0
5
0
5
0
5
0
3
0
5
0
5
mf
0
5
5
let ring throughout
0
8
0
10
0
0
10
10
0
10
0
8
0
10
0
0
10
10
0
10
*Chord symbols reflect implied harmony.
B
G7
0
7
0
9
0
0
9
0
9
0
12
0
0
8
10
0
10
9
0
0 10
14
F
7
0
9
0
0
9
0
12
0
0
0
9
0
8
10
0
9
10
0
0
10
0
7
0
7
0
0
7
0
10
0
14
5
0
7
0
8
7
8
0
0
8
0
12
T o Coda
C
C
0
2
3
0
2
G7
Play 4 times
0
2
0
2
0
3
4
5
0
5
0
3
4
5
0
5
0
0
2
3
0
3
2
0
0 3
7
0
0
1
2
0
0 2
0
1
2
0
3
4
5
5
0
3
4
5
0
5
0
0 2
0
0
Copyright © 2007 SONGS OF UNIVERSAL, INC. and MJ TWELVE MUSIC All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved Used by Permission
1
2
0
0 2
0
1
2
0
0 2
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4th time, D.S. al Coda (take repeats)
Harm.
0
2
0
3
0
3
0
5
1
5
0
7
0
7
0
3
0
3
0
5
0
5
7
0
3
5
0
1
3
3
0
0
3
5
1
3
0
5
7
0
0
7
0
9
0
0
3
0
3
3
12
12
12
12
12
12
12
0
Harm.
12
12
0
0
0
0
0
0
0 0
0
12
0
0
Harm.
2
12
12
2.
G7
0
12
12
1., 3.
12
12
0
Coda
0
9
0 0
0
Play 4 times
0 0
3
5
0 0
5
0
7
0
3
0
0
5
0
1
3
3
0
0
3
3
0
0 0
1
3
0
3
3
0 3
4.
Harm.
12
12
12
1
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
12
0
0 0
12
3
12
12
0 3
3
D G7
0
0
0
0
7
9
0
9
0
12
11
12
0
8
10
0
0 10
0
7
9
13
14
0
9
0
12
11
9
0
0 14
0
8
10
0
0 10
0 14
13
10
0
7
0
9
0
9
12
11
0
12
0
0
8
0
10
0
7
0
9
14
13
12
11
0
9
0
0
10
0
9
14
0
8
0
0
10
7
9
0
9
0
0
7
9
0
9
0
0
7
14
0
9
0
9
13
10
0
0
7
9
0
9
0
8
10
10
0
8
10
10
0
8
0
10
0 10
0
8
10
0
0
0
7
0
9
9
0
0
7
0
0
9
0
8
0
0
9
10
0
0
10
7
9
10
0
9
0
0 10
7
0
0
0
0
10
0
0
9
8
0
0
0
9
0
10
0
7
8
10
0
0 10
0
8
10
0
0 10
0
7
accel.
0
7
9
0
9
0
0
7
9
0
9
0
9
0
9
0
0
7
9
0
9
0
9
0
9
0
0
7
9
0
9
0
accel.
0
8
10
0
0 10
0
8
10
0
0 10
0
8
10
0
0 10
0
8
10
0
0 10
0
8
10
0
0 10
0
8
10
0
0 10
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
Free time C7
3
2
2
rit.
9
0
0
9
0
8
10
0
7
0 10
0
2
5
0
9
8
10
0
2
0
0 10
0
0
3
0
2
2
10
5
7
C7
10
11
12
8 7
G
8
Harm.
13
12
13
string noise
8
10
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X X X
10
string noise
X X X X X
6
2
F6
F
2
8 0 8 7 8
5
3
8
8
9
rit.
C
0
7
0
3 3 0 0 2 3
15
from Foo Fighters - Echoes, Silence, Patience & Grace
Statues Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
Intro Moderately q = 94 ** Dadd2
F6/C
Riff A Gtr. 1 (slight dist.)
C
231
32 14
G
21
C
34
Gadd9
1
14
14
mf
14 12
1
14 12
14
13
14
*Gtr. 2
FsusÊ
End Riff A
f
14
Am
15
w/ fingers let ring throughout
4 5
2
2
4 0
2
3 2 3 3
0
0
0 2 3
3
2
0
2 0
3
0
3 3
1
0
3 3
3
3
3 1
*Piano arr. for gtr. **Chord symbols reflect basic harmony.
Dadd2
14
14
2
2
4 0
2
14
0
C
G
3 4
3 4
1
4 5
F6/C
Gtr. 1 tacet
14 12
3 2 3 3
0 2 3
3
5
3 4
5 5
3 4
5
3 4
5
3
5
3 4
5 5
3 4
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
5
3 4
5
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
G
1. You and 2. We got
3 4
5
3 4
5 5
3
were two old though we nev
Gtr. 2
3 4
I by,
F
1 2
5
3
Ebsus2
G
3
3
3
6
3 3
In a We got
3
3
3
3
3 4
3
6
-
by er
1 2
0 0
1 2
3
3
a of
just some it was
3 4
0 0
2 2
0 0
2
bod heav
-
1 2
3
ies grow - ing old. en, it was hell.
5
2
0
3 4
5
of no
F
0 0
2
love hope,
0
5 5
3
re - paired A sliv
3 4
5
life, high,
Em
1 2
3
bro - ken things. dia - mond rings.
1
and tor - tured souls, er need - ed much.
-
3 4
5
1 2
3
No Fly
1 2
3 3
1
1 2
3
3
Chorus
Em
of the them
0 0
2
end
of with
2 2
0
0 0
2
0 0
Dadd2
an - y - thing. bro - ken wings.
0 0
fear o - ver
Ebsus2
3
3
6
0
3
2
We’re just
3
3
3
3
3
-
y
peo -
Rhy. Fig. 1
4 5
6
or - din - ar
2
2
4 0
2
0
T o Coda
-
ple,
3 2 3 3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
Gadd9
3
you
0 2 3
0 2 3
and
F6/C
me.
0 3
2
3
2 0
0
0 3
0 3
2
3
2 0
0
0 3
D.S. al Coda
Dadd2
Time will turn
us
in
-
4 5
2
2
4 0
C
to
3 2 3 3
0
0 2 3
Time will
turn
us
to
2
0
in
-
4 5
2
2
4 0
C
3 4
3 4
3 4
5
3 4
5 5
3 4
5
-
tu
- ’ly.
0 2 3
5
3 4
0
0 2 3
3
2
3 4
5
5
3 4
5 5
3
e - ven
3 2 3 3
5
Gadd9
stat - ues
End Rhy. Fig. 1
3
F6/C
tu - ’ly.
0 2 3
Rhy. Fig. 2
-
Dadd2
e - ven
Coda
G
stat - ues
2
F6/C
0
2 0
0
3
3
Gtr. 2: w/ Rhy. Fig. 1
FsusÊ
Dadd2
Voc. Fig. 1
End Voc. Fig. 1
F6/C
Just
two
or - din - ar
-
C
y
-
peo
3
ple,
you
and
me.
(Oh.)
3 3
0
1
3
3
3
Gadd9
F6/C
-
ues
3 1
C
stat
End Rhy. Fig. 2
Dadd2
G
e -
ven
-
tu
-
Time
will
turn
us
in
-
to
’ly.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
Am
Our Rhy. Fig. 3 Gtr. 3 (clean)
bones
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
mp
D
Dsus2
er
in
stone,
for
-
ev
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
1 0 2 3
3 0 2 3
3 1 0 2 3
D
2 3 2 0
2 3 2 0
0 3 2 0
2 3 2 0
-
C
Dsus2
Am
To
dust
a
mon
-
3 1 0 2 3
3 1 0 2 3
0 1 0 2 3
as
u -
ment
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
G
C
ev
-
2 3 2 0
0 3 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
-
al
life.
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
1 0 2 3
3 0 2 3
3 1 0 2 3
must,
End Rhy. Fig. 3
’ry - thing
we’ll
fade
3 1 0 2 3
3 1 0 2 3
0 1 0 2 3
Interlude
G
a
-
way
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
Gtr. 3: w/ Rhy. Fig. 3
in
time.
D
Dsus2
D
Dsus2
2 3 2 0
2 3 2 0
0 3 2 0
Am
Oh.
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
2 3 2 0
2 3 2 0
0 3 2 0
Gtr. 4 (clean)
1 2
3 4
mf w/ fingers
C
G
let ring
5 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 4
5 5
3 4
1 2
3 4
3 4
3
4
1 2
D
Dsus2
D
3 let ring
4
5
4
2
3
0
2
Dsus2
Am
C
G
3 let ring let ring Gtr. 3
Gtr. 4
1 2
1 2
Gtr. 1
3 4
5 5
4 4
5 5
3 4
1 2
3
3 4
3
4
0
1
0
2
3 0
0
3
3
3
0
steady gliss.
3
12
Guitar Solo Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 2 (2 times) Gtr. 3 tacet
Dadd2
Gtr. 4
Riff B
F6/C
let ring
C
F6/C
3 0
14
14
C
14
14
12
3 2 0
12
3
FsusÊ
1
14
1 3 3
0
Gadd9
1
End Riff B
let ring
3
Gtr. 1
FsusÊ
0
Gtr. 4: w/ Riff B
Dadd2
let ring
5
3
Gadd9
14
13
14
14
Chorus Gtr. 1 tacet Gtr. 2: w/ Rhy. Fig. 1 (1st 4 meas.)
Gtr. 4
We’re
just
let ring
3
or - din - ar
-
F6/C
y
peo
-
C
ple,
Gadd9
3
you
let ring
5
3 0
and
Dadd2
3 0
3 2 0
me.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff B (2 times)
3 0
3 2 0
Gadd9
Time
will
turn
Dadd2
us
to
in
-
F6/C
stat
C
- ues
e -
-
’ly.
din - ar
-
y
Dadd2
Just
two
or
-
(Oh.)
F6/C
-
ple,
C
Gadd9
you
and
3
FsusÊ
me.
(Oh.)
Dadd2
Time will
Gtr. 4
turn
us
to
in
-
Gtr. 2
4 5
2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
C
stat - ues
let ring
3
F6/C
let ring
5
3
4 0
2
0
3 2 3 3
0 2 3
G
e - ven
tu
- ’ly.
-
3 0
0
tu
-
ven
FsusÊ
0 2 3
0 0 0 3
peo -
from Foo Fighters - Echoes, Silence, Patience & Grace
But, Honestly Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel E5
D6sus2 7fr
Cmaj7
Asus2
E5 type2
5fr
134
D5
C5
7fr
134
134
12
A5
5fr
134
134
134
11
Intro Moderately fast q = 165
Emaj7
Badd11
Asus2
Rhy. Fig. 1
*Gtr. 1 (acous.)
mf
008 97
0
0 0 8 9 7 0
0 0 8 9 7 0
0 0 8 9 7 0
0 0 8 9 7 0
0 0 8 9 X 7
0 0 8 9 X 7
0 0 8 9 X 7
0 0 8 9 X 7
0 0 8 9 X 7
0 0 8 9 X 7
Amaj9
0 0 9 7 0
0 0 0 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 9 7 0
0 0 13 11 0
End Rhy. Fig. 1
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
X X X X X
X X X X X
*Doubled throughout
Verse Gtr. 1: w/ Rhy. Fig. 1 (3 3/4 times)
Emaj7
Badd11
you
off
1. Where
Emaj7
Emaj7
you
Badd11
Is
there
to
with
some
-
where
Badd11
Was
it
some
down
and
told
-
thing
you
that
you
Emaj7
it’s
of
yours?
should
be?
Asus2
that
not
head
Asus2
I
said
you
the
time
it’s
on
-
ly
Amaj9
Asus2
Asus2
Amaj9
Badd11
Amaj9
I
held
Amaj9
me,
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtr. 1
0 0 13 11 0
()
F#11/A#
may
-
be?
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
Pre-Chorus Amaj9
what
I
0 0 13 11 13
0 0 13 11 13
0 0 13 11 13
0 0 13 11 13
mf 0 0 13 11 0
0 0 13 11 13
0 0 13 11 13
0 0 13 11 13
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
0 0 13 11 0
0 0 13 14 11 0
0 0 13 11 13
0 0 13 11 13
0 0 13 11 13
0 0 13 11 13
F#11
me
0 0 13 11 13
need. Voc. Fig. 1
0 0 13 11 13
F#11/A
don’t
take End Rhy. Fill 1
mp
Don’t Rhy. Fill 1
E
Rhy. Fig. 2
0 0 13 14 11 0
0 0 13 14 11 0
0 0 13 14 11 0
0 0 13 14 11 0
0 0 13 14 11 0
0 0 13 14 11 0
(Give
0 0 13 11 13
0 0 13 11 13
0 0 13 11 13
back
0 0 13 11 13
0 0 9 8 9
1st time, Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times) 2nd time, Gtr. 1: w/ Rhy. Fig. 2 (3 times)
my
0 0 9 8 9
Don’t
say
0 0 9 8 9
Amaj9
peace
of
0 0 9 8 9
0 0 9 8 9
0 0 9 8 9
E
what
I
don’t
End Voc. Fig. 1
F#11/A
F#11
mean.
mind.
Give me
End Rhy. Fig. 2
0 0 9 8 9
back
0 0
T o Coda
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
my
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
pre
-
No
way
cious
time.)
Amaj9
E
you’ll
si
-
lence
F#11/A
me,
F#11
0 0 9 8 9
you’ll
see.
0 0 9 8 9
0 0 9 8 9
0 0 9 8 9
Rhy. Fill 2
Gtr. 1
0 0 9 8 9
E
0 0 9 8 9
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 0 0
End Rhy. Fill 2
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 0 0 0
0 0 0 0 0
Verse Gtr. 1: w/ Rhy. Fig. 1 (6 times)
Emaj7
2. What
you
up
Is
there
Emaj7
Emaj7
Badd11
Emaj7
Did
you
think
-
est
-
Badd11
now
one
-
your
mir
you
Emaj7
hon
to
-
Badd11
But,
some
be?
was
-
Asus2
should
I
est
-
Asus2
ror’s
Asus2
Amaj9
Asus2
-
ing
fool
Asus2
gone?
just
Badd11
Amaj9
Badd11
Amaj9
’round
with
Amaj9
you?
ly.
But,
Amaj9
ly.
But,
Emaj7
hon
-
hon -
Badd11
est
-
ly.
D.S. al Coda Gtr. 1: w/ Rhy. Fill 1
Asus2
F#11/A#
Amaj9
Don’t
take
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Amaj9
no
F#11/A
where
to
hide
from
Gtr. 1: w/ Rhy. Fill 2
F#11
me,
E
you’ll
see.
as
I
count
-
E
Chorus
Bsus4
And Rhy. Fig. 3
Gtr. 1
0 0 4 4 2
Cmaj7
to - night
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
for
0 0 5 5 3
0 0 5 5 3
ev - ’ry
-
thing
I
thank
the
C#m7
stars
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
you’ve
E5
giv
-
me.
en
End Rhy. Fig. 3
my
luck
-
y
scars
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
0 0 6 6 4
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 5 5 3
0 0 5 5 3
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
X X X X
X X X X
Gtr. 1: w/ Rhy. Fig. 3
Bsus4
And
Cmaj7
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
the
words
I
gave
to
C#m7
you,
some - thing
bor
-
some
blue.
rowed,
Gtr. 1: w/ Rhy. Fig. 3 (last 2 meas.)
all
If
you
want
them
back
I’ll
- thing
give
it
to
E5
D6sus2
Rhy. Fig. 4
give
to
Gtr. 1
you,
give
it
to
you,
it
Rhy. Fig. 4A
*Gtr. 2 (elec.)
mf
w/ slight dist.
0 0 9 9 7 0
0 0 7 7 0
*Two gtrs. arr. for one.
Cmaj7
Asus2
you.
I’ll give
it
to
I’ll give
0 0 5 5 3
you.
End Rhy. Fig. 4
it
to
End Rhy. Fig. 4A
0 0 2 2 0
Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtr. 2: w/ Rhy. Fig. 4A
E5
you,
Cmaj7
you.
give
it
to
give
I’ll
D6sus2
it
you,
to
Asus2
you.
give
it
to
I’ll
give
it
to
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5 type2 Gtr. 2
D5
P.M.
you,
give it
to
Riff A
Gtr. 3 (elec.)
mf
C5
you,
give it
to
9 X 7
11 X 9
11 X 9
w/ slight dist.
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
A5
P.M.
I’ll give it
to
you.
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
(cont. in notation)
you.
I’ll give
it
to
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
End Riff A
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
Gtr. 3: w/ Riff A
E5
you,
Gtr. 2
D5
give it
to
you,
C5
give it
to
P.M. (cont. in slashes)
9 9 7
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
C5
A5
Gtr. 2 * P.M.
I’ll give
it
you.
Gtr. 4 (elec.)
to
you.
f
steady gliss.
w/ dist.
7 7
7
7
*Gradually lift P.M.
Interlude Gtr. 1: w/ Rhy. Fig. 4 (2 times)
E5
D5
Rhy. Fig. 5
Gtrs. 2&3
Riff B
12
14
13
14
12
14
13
14
12
14
13
14
12
14
13
14
11
14
14
13
11
14
14
13
11
14
14
13
A5
11
14
12
12
11
14
12
12
11
14
12
12
11
14
2.
11
14
End Rhy. Fig. 5
End Riff B
12
11
12
14
11
12
14
11
12
14
11
12
14
11
0 0
12
Chorus Gtr. 4: w/ Riff B (last 2 meas.)
A5
Gtr. 1: w/ Rhy. Fig. 4 (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 5 (2 times) Gtr. 4: w/ Riff B (2 times)
** E5
Don’t want Gtr. 5 (elec.)
one
thing
that
I
gave
13
1.
C5
12
14
to
you.
I don’t want
Riff C
mf
7 0
7 0
w/ dist.
3
12
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
**Chord symbols reflect basic harmony.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
one
thing
that
I
gave
to
you.
C5
I
don’t
want
one
thing
that
I
gave
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
I
want
to
you.
I
want
to
you.
don’t
A5
one
thing
that
I
gave
don’t
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
End Riff C
7 X 5
Gtr. 5: w/ Riff C
E5
one
thing
C5
to
thing
that
I
you.
gave
to
I
don’t want
one
I
don’t want
thing
A5
you.
one
that
I
gave
to
thing
that
I
you.
I
don’t want
gave
to
one
gave
D5
I
that
you.
Outro Gtr. 1: w/ Rhy. Fig. 4 (till fade) Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times) Gtr. 3: w/ Rhy. Fig. 5 (till fade) Gtr. 4: w/ Riff B (till fade)
E5
Gtr. 5
9 X 7
9 X 7
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
D5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
C5
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
A5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
Begin fade
E5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
C5
Gtr. 5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
D5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
5 5 3
14 X 12
14 X 12
A5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
Gtr. 2
5 5 3
14 X 12
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
steady gliss.
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
12
steady
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
gliss.
2 2 0
2 2 0
2 2 0
0 0
12
Gtr. 2: w/ Rhy. Fig. 5 (till fade)
E5
Gtr. 5
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
D5
0 0 4 2 2 0
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
Fade out
C5
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
A5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Foo Fighters - Echoes, Silence, Patience & Grace
Home Words and Music by Dave Grohl, Taylor Hawkins, Christopher Shiflett and Nate Mendel
__ = __3
Intro Slowly q. = 36 G *Gtr. 1
_
mp
3 0
0 0
3 0
0 0
3
3
w/ fingers let ring throughout
0 0
0
3
3
0 0
3
3
3 0 0
0 0
3
3
*Piano arr. for gtr.
Verse
G
Am7
1. Wish I 4. Peo - ple
were I’ve
with loved,
you
Rhy. Fig. 1
but I I have
G
could - n’t no
mf 0 0
Fsus2
stay. re - grets.
1 0
0 0
0 0 0
0 0
0 0
0
3
3
3
End Rhy. Fig. 1
**T
0
0 0
1 0 2 0
3
1 0 3
1
0 0
3
0 0 0
**T = Thumb on 6th string
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Am7
Ev - ’ry Some I
Pray Some of
di - rec re - mem -
tion ber,
Am7
for
to - mor them liv
-
leads some
me I
3
a - way. for - get.
Fsus2
G
Fsus2
row, ing,
but some of
for
to - day... them
dead.
Copyright © 2007 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC and FLYING EARFORM MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
To Coda 2 Chorus Fadd2
Em
All
I
Gtr. 1
0 7 8
0 7
3
want
0
0 0
7
8
0
C5 *
is
to
be
home.
0
1 0
1 0
2
0
3
3
*Sung as even sixteenth-notes
1 0
1 0
1 0
1 0
1 0
3
G
0 0
3
0 0
0
3
0
3
Verse Gtr. 1: w/ Rhy. Fig. 1 (3 times)
G
2. Stand 3. Ech - oes
in
the and
mir si
Am7
Fsus2
-
ror, lence,
-
look - ing all of
for these
-
ter ments
from I’ll
Am7
Some - one fear of
to my
cov heart,
the and
er,
same. grace.
Just And
Gtr. 1
Fadd2
the pain. re - place.
No
G 3
safe from no ab - sence
the of
Em
All
rain. faith.
0 7 8
0 7 8
0 7
want
**
is
0 0 0
0
to
be home.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
1 0
1 0
1 0
1 0
1 0
1 0
1 0
1 0
1 0
1 0
2
3 **As before
2
To Coda 1
C5
3
I
1.
Chorus
3
cold and nev - er
G
Fsus2
G
Fsus2
shel mo
you look pa - tience
Am7
1 0 3
3
3
3
2.
Interlude
G
Am7
Fsus2
G
Mm.
1 0
1 0
1 0
3
3
1 0
1 0
Rhy. Fig. 2
1 0
0 0
3
1 0
1 0
0 0
0
1 0
1 0
0
3
2
1 0
0 0
0 0
0 0 0
3
3
1 0 3
1
T
0 0
0 0
2nd time, D.S. al Coda 1 (take 1st ending) Gtr. 1: w/ Rhy. Fig. 2 (2 times)
0 0
0 0
0 0 0
3
3
G
0 0
End Rhy. Fig. 2
Am7
Fsus2
G
D.S.S. al Coda 2
Coda 1
Interlude
G
0 0
0
3
0 0
0
3
3
3
3 0 0
0 0
0 0
3
3
3
Coda 2
C5 *
to
be
home.
3 0 0
0 0
0 0
3
3
3 0 0
3
1 0 3 *Sung as even sixteenth-notes
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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