Dream Theater 2016 The Astonishing

July 23, 2018 | Author: Serge | Category: N/A
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Descripción: GUITAR TABLATURE...

Description

from Dream Theater - The Astonishing

A Better Life Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

Intro Moderately slow q = 76

* Em

  



(Sound effects) 10 sec.



Cmaj7/E

 



D/E

B





 





      f

     

2

2 2 0

3

2

3

5

Bm

  

2

Bm/E



F



 C





C

Bsus4

  

 

lead - er

2 2 0

2 2 0

2 2 0

of

2 2 0

the

4

7

7

5 3



            semi-P.H. 

Ra - ven - skill mi - li

5 3



    

                    semi-P.H.   heavy P.M.

fear - less

heavy P.M.

2 2 0

F#m

        

1. As **Gtr. 1 (dist.)

Em

*Chord symbols reflect overall harmony.

 

Bm/E



Em

Verse Em

µ

Cmaj7/E



Am



Bm/E

(Piano & violin)

5 3

-

5 3

tia,

5 3

5 5

5 3

5 5

**Doubled throughout

Em

  

   the



         

blood

 

  

 

of

war

2 2 0

  

Em

  



My

  broth - er’s

             heavy P.M.

2 2 0

2 2 0

2 2 0

        





2 2 0

4

 

  

gift

re - mains

        2 2 0

2 2 0

2 2 0



7

flows

steady gliss.

semi-P.H.

14

7

  





ri - ors

2 2 0

2 2 0

2 2 0

2 2 0

-

       

heavy P.M.

Am

   

through

  

-

2 2 0





se

4 2

 -

cret

semi-P.H.

4

7

heavy P.M.

7

5 3

out

 

my

veins.

    

     

P.M.

0

  

             my



       

C

 

  

Dadd9

  

5 3

5 3

5 2 0

3 2 0 0

0 0 0

4 2

B5

    

am - mu - ni

-



tion.

               5 3

5 3

5 3

0 0 0

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

4 4 2 2

1

Em

  

   It

  

is

      

our

hope,

 



          2 2 0

2 2 0

Pre-Chorus Am

   

fires

2 2 0

   

AsusÊ

  of

rev

        

     

P.M.

2 2 0

2 2 0

o

 



per - il - ous

road

to

      

    

P.M.

2 2 0

4 2

Verse Em

   

5 2 0

0

 

2. For

man - y

              heavy P.M.

2 2 0

2 2 0

2 2 0

-

lu



7

   

cat - a - lyst

   

  

3 2 0 0

2 3 2 0 0

  



free

Cadd9

  -

  



dom,

he’s

 



0 0

3

3 3

let ring

5 5 3

 



  

with

-

in

my

0

2

  years

   I’ve

        2 2 0

2 2 0

seen



DsusÊ

our

one



 

  

and

on

  

 

7 7 5

8 7 7 5

 

C

 



our

peo

2 0

-

-

this

 

   

starve

4 5

4 5

5



7

5 3

5 3

5 3

0 0 0

5 5

ly

guide.

0 0 0





  

   

  

7 7 7 5

7 7 7 5

7 7 7 5

    

 



0 0 0



        

and suf

-

fer.

8va



heavy P.M.

7

5 5

D

semi-P.H.

4

  

P.M.

8 7 7 5

ple

Dadd11

On

8 7 7 5

  

0 0 0

eyes.

   



2 3 2 0





 



 

              

3 3 2 0

the

  

0 0

2



3 3

     





0 0 0

  

D





Still

3 3 2 0

    

   

  

  

  

 

burn

 

D

change.

   

D/F#

tion

Cmaj7sus2



P.M.

15



 

Dadd11

for

0 0

 

2 2 0

7

4

  -

a

steady gliss.

semi-P.H.

 

0 0 0

  





 

   

Am

  



G6

0 0 0 0

4 2 0

0

-

 

        

2 2 0

2 2 0



D

pride,

       

heavy P.M.

2 2 0

our

  

5 3

5 3

5 3



semiP.H. P.H.

5

3

Pitch: G

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Em

  

   How man



loco

         

  

-

     

y

more

 

       

heavy P.M.

2 2 0

2 2 0

2 2 0

2 2 0

Em



They



         

ask

me, “Ar

 

2 2 0



   The

Pre-Chorus Am

   

fires

      2 2 0

an

-

 

sur - prise,

       

   

of

4

rev

-

      

o

 

2 2 0



-

lu

 

P.M.

5 2 0

0 0 0



G6



  -





we

  

  

stand

       

2 2 0

4 2

C



0 0 0 0

4

5 3

  

steady gliss.

15

fight?

 

     

 

 

4 2

0 0 0

3 2 0 0



-

5 3

Dadd11

bet

your

2 3 2 0



D/F#

won’t

burn



D

 

  

  

for

ev - er

-

 

3 3 2 0

-



semi-P.H. P.M.



2

2

0

0

 

0 0 0

Dadd11

  

more.

I

    P.M.

4 5

4 5

5



 

2 3 2 0





0 0

the

    

  

D



 





Now

3 3 2 0

  



  



P.M.

0

 

4 4 2

5 3

life!”

   

  



er?”

5 3

     you

B5

  

           

5 3

3 2 0

 

0

and

P.M.

7



an - y tough

  

7

 

5 3

“Yes,

    

tion

be

  





Dadd9

5 2 0

0

  



D

semi-P.H.



  

P.M.

 

7

no

Am(addÅ)

fore

14

7

  

                   semi-P.H. heavy P.M. 

2 2 0

2 2 0

-

could things

2 2 0

2 2 0

0

hys,

be

steady gliss.



swer’s

2 2 0

4 2

7

4

      

heavy P.M.

2 2 0



semi-P.H.

  

             2 2 0

        

2 2 0

-

2 2 0

2 2 0

Em

 



       

heavy P.M.

2 2 0

2 2 0

 

die

     

  

  

will

Am

  

5 5

 see

   5 5

0 0 0

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

  

Am





   



in

our

lib - er - ty

   

  

    P.M. 

2 2 0

0

Chorus Em

5 2 0

all

and

it’s

one

ture,

 



3

3 3

long

for

  

Cmaj7

a

bet - ter

 

9 7

7 5

5 3

4 2

This





G/B

 

 



is

the

 

mo

   



like

a

 

 

2

2 0

3

ment,

ing

for.

  

    

8 7 7 5

8 7 7 5



7 7 7 5

7 7 5

7 7 5

       

  

Cmaj7/G

that can’t

C

 

now

 

 

is

the

7 7 7 5

  

 

 dream

  

0 0 0

  

D/F#

   

 

be

2

    



  

-

 

Csus2

 

-

8 7 7 5

fight





de

-

nied.

 

 

5 5 3 3

7 7 5 5

D

  





  

D/A

  



 

  

7 7 5

life,

 

Am

  



Dadd9

  

worth

Em



 

 

  

0 0 0

Bm

   

     



    3 3



D

We

-

5 5 3

        

 

DsusÊ

let ring

5 2 0

2 0



   

  

 

Cadd9



    

fu

P.M.

4 2 0

0



Cmaj7sus2

time.



                                          P.M.  P.M.  P.M.   P.M.  P.M.  P.M.  P.M. P.M. 2 0

0

0

0

0

2 0

0

0

0

0

5 2

2

2

2

5 2

2

2

2

2

2

5 3

2

3

3

3

5 3

3

3

3

3

3

7 5

5

5

5

7 5

5

5

5

5

5

Guitar Solo

               

Badd11

    

Gtr. 1 tacet

Am

F/A

Free - dom if we live or if we die.



          



      

Gtr. 2 (dist.)

    

f

1/2

*w/ delay

2

3

2

3

2

3

2

3

4 4 2

G/A

F/A



   

Bsus4

0

7

7

9

10

9

10

13

12



  

12

  

 



5

7

5

 

 12

3

  

5

*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple decaying repeats.

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

7

    

9

7

5



semi-P.H. w/ bar

4

2

-6

Am



  



w/ bar





0

0

              F/A

7

7

9

10

9

12

10

13





18

                     

G 8va

F

loco

1

17

Fsus2



20

20

6

 22

17 19

20

3

17 20 17

20

17

20 17

20

17

20 19 17 19 20

-2

loco                                             

Am

G

8va

5

 19

19

14 15

14 16

17 15 12 13

10



15

 

12

14

12

15

16

13

17

17 16 19







19 15

17

12

12

12









15 19 17 13

16 14 16

15

Fmaj7/A

        





P.M.

12

5

7

5

 

12

14

T

12

14 12

9

9

10

12 16 12

9

10

9

                               3

    

G6

Em

13

8va

w/ bar

17

12 15 19 15 12

5

loco





17

T

15 19 20 19 15

15 17

6

Fmaj7

     

 

5

6 T

Dm

12

5

7

4

5



17

17



13

13

13

15

17

                Am/C



grad. release 1

5

7

13 17

1/2

7

7

Fmaj7

6

 5

5

7

14

12

14

12

13

15

                                       Bsus4

8va



12

14



3

12

12

12 15

19 15

 17



16 16

3

17



15 19

3

1/2 19



19 19

17

15



19

19

6

6

16

17

14 19 14 17 14

17

14

6

16 17

14 17 14

16

19 14

17

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Bridge Gtr. 2 tacet

B



    

        

8va



 



16







16

Em

11

19

19

20



 

   

vow

to my

dy

Bm/E

  



swore this

19

Em/G



    











   

shall

give

him

a

bet



D/E

D/E



  -





ter

life.



Am

  I



-

ing

Em/G

  



   wife,

D/F#

sure



she would not

mean - ing in



my

 

mp

Fmaj7



life

Peace - ful - ly,

 

Dm/A

was

born



  



  

sur - vive.

         

The

D

   

  

A

 

slipped a - way.

Gtr. 1

  

Cmaj7/E

23

Cmaj7/E





Bm/E

I



23



Em



    that

she



day.

  And





   



      

0

0

0

0

0

   

   

P.M.

0

G/B

    



so



    

I

found

the







2

2

2

* P.M.

2





strength



to

0

    car

   -

CsusÊ

ry

on









 

2

2

2

2

0

0

C

0





this

cru

Am

with

   

0

0

Bb

-

 



sade.

f

 

 

5 3

2 0

3 1

It

0

0

0



   

is

my

Bbadd#4 sus2

 

0

Bb5



3







15

0

*Grad. lift P.M.

E/G#

    



  fate.



        semi-P.H.  4

Outro Am

E

1

2 2 0



                 9 7 0

F/A

E - van

-

ge - line,

 

P.M.

0

0



 

  

   

you



G/A

          



lived

a

pain.

  

P.M.

10 7

0

F/A

life

of

mis - er - y

 

P.M.

7 5

0

0

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



  5 3

and

  3

2

F/A

E - van

-

ge - line,

  

 

 

 

I’ll

2 0





still

 

5 5 3

3 3 1

  

Fm/Ab

bleeds.

  I



1

3

7 7 5

4

I

G6

will car

-

ry

on

to plant



life



to

 

4

3



   

3



set



Aadd9

3



  

 0 0 6 7 7 5

7 7 5

 

Gm

E - van

-

ge - line,

my



 

 

0

1

5 5 3



Em



him

 

 

5

7



  

free.



  And

 

     



0

2

2

3

0

           

Bbmaj7

I

 

5 5 3

3 3 1



my

the seeds.

 

   

vain.

C/G

3

            

in

C/E

          

ded - i - cate



  

your mem - ’ry die

 

   

Fadd9



heart

 

Am



heav - y

0 0 0

let

F



    

Bb/F



10 7

0

Fsus2

nev - er

 

P.M.

      

             

G

 



             Am

prom - ise

Am/C

in

the name

          0 0 0

of our

new

 

   

3 1

0 0 0

3

Half-time feel

D

 son,



 

    

let ring

3 3 2

2 3 2

this

bat

-

tle

 

won’t be

Am

   rit.

o

     

 

0 0 0

2 0

3 1

rit.

-

ver

D

     



un - til

won.

it’s

   

      

3 2 0 0



3 2 0 0

     

  



   



Bbmaj7





Dadd11 D

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

from Dream Theater - The Astonishing

A Life Left Behind Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

Intro Moderately fast q = 165 ** µ(Em7) Riff A *Gtr. 1 (acous.)

  

                           mp  slight P.M. 0



0

2

0

2

3

0

2

0

2

4

0

2

4

3

2

0

2

0

0

4

2

0

4

0



3

*Doubled throughout **Chord symbols reflect overall harmony.

  

                               slight P.M. End Riff A

0

0

  

2

0

2

3

0

2

Em(add9)





2

4



0

0

2

2

4

3

µ(Em7)







0

2

0

0

4

2

0





2

0

3





0

Gtr. 1: w/ Riff A (1 1/2 times)

  

Em

D

  

 Em









slight P.M.

0

2

3

2

0

D





D

Gtr. 1



D A

A

 Em

  

Em

Em

Em

 D

Em

D



          let ring  0

2

4

2

0

Em

D/G

D A



Em

D

D



2 2 0



Em

D A

Em

D



 

    

X

3 3 0 0 X 3

A

 0

D

 

    

X

3 3 0 0 X 3

Gsus2

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 D/G

 

1

                              slight P.M.

   

Em

D

G/D

Am

Em

G

0

0

7

0

7

8

0

7

0

7

9

0

7

8

7

9

0

D

7

0

0

9

D#º7/C

7

0

9

0

8

                              slight P.M.

   

Em

D

G/D

Am

G

0

0

7

7

8

      

0

  

Em

0

7

D/E

Em



7

D/E A/E

Em

A/E

   

0

Em

 

   



7

0

0

9

D/E

7 7

7

0

7



Em



 

8 9 9

8

D/E

 

12 12

10 11

0



7 7 7

                     Em9

Em7/F#

G

Em9/A

G/B

F#m/C#

mf 10

10 9 11

8 9 9

5 6 7

9

7 7 7

         

 

8

7

D/E

5 6 7

7 7 7

8 9 9

            7 7 7

9

0

       

D/E A/E

8 9 9

7

Em

7 7 7

8 9 9

0

D

7

8

9

7

8

7

5

3

7

5

7

4

5

6

4

5

7

5

4

Gtr. 1 tacet



Gtr. 1

D Em F#m G

 

7





   0

Gtrs. 2 & 3 (elec.)



D Em F#m G

2

5

3



   0

2

  

µ(A)

3







Gsus2









5

  

          

f

w/ dist.

5

7

4

5

7

4

7

             5

4

5

7

4

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5

5 3



                             µ(A)

Dsus2

A/C#

                 

Em/G

A5

Gtrs. 2 & 3

6

5

7

5

4

7

4

7

6

5

7

   



9 7

9

5

G5

   

µ(A)

4

5

7

       4

4

7

                            



5 3

5

7

µ(A)

9

5

5

4

7



5

7

4

5

7

4

11

9 4

7

5

(q = e)

   

Em

D/F#

        

Gtr. 2

  2 0

   

C/G

    

5 5 5 3 3

5 2

  2 0

F/C

   

G/D

    

5 2

3 3

2 0

0 0

5 2

3 3

E

9 9 7 0

5 5

              

   

Esus4

         

5 5 5 3 3

5 2

G/B

2 0

        

Gtr. 3

A

 

   

5 5

9 9 7 0

   

Verse

     

Aadd9

1. I

        

Gtrs. 2 & 3 tacet

 nev

-

0 0 2 2 0

        Gtrs. 2 & 3

  

   

some - one

Gadd9







knew

  

  

  

     

  

  

  

      sim.

  

  

  

  

  

  

        

  

  

  

  

  

  

  

  

  

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3



was out

 

er

Rhy. Fig. 1

Gtr. 1



  

0 0 0 0 0

there,





9 9 7 0

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

  

        

   

a

long

way

from no

         

   

   

   

   

   

   

   

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

3 3 2 0 X 3

Gtr. 1

3 3 2 0 X 3

Bm



Aadd9





-

where,

  

  

  

  

  

  

  

  

  

  

  

0 0 0 0 0 0

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

0 0 0 0 0

Gadd9

D/F#



0 0 2 2 0

  

  

  

  

  

  

  

  

  

  

  

  

     

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

     

  



while

      0 0 2 2 0

   

Fadd9

               0 0 2 2 0

  

        



1 1 0 3 3

   0 0 0 0 0

0 0 2 2 0

0 0 2 2 0

-

now

 

3 0 0 X 3



 

 

 

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

         let ring  3 3 2 0 0

 



All

of this

time,

0 0 0

2 0 0

 

pen my

  

       let ring  2 3 2 0 0

0 0 0 0

-

   

0 0

2 3 2 0 0

2 0 0

0 0 0

  

  

  

  

  

  

  

  

  

  

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

    

Em9



ing,

  

 

the world changed

  

  

  

  

  

  

  

  

  

     

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

Em7





me,

     

  

was sleep

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

I

0 0 0 0 0

Em7

   

  

could o

  

Aadd9

eyes.

     

  

who



   

  

Dadd9





I’ve

nev

0 0 0 4 2 0

            0 0 0 4 2 0

0 0 0 4 2 0

0 0 0 4 2 0

0 0 0 4 2 0

a - round

  

          

0 0 0 4 2 0

0 0 0 4 2 0

0 0 0 4 2 0

0 0 4 2 0

Aadd9

  

   

-

er

felt

more



0 X X X 0





a - live.

 

 

 

 

 

 

 

 

     

   

   

   

   

   

   

   

   

  

  

  

  

  

  

  

  

  

  

  

1 1 0 3 3

1 1 0 3 3

1 1 0 3 3

1 1 0 3 3

1 1 0 3 3

1 1 0 3 3

1 1 0 3 3

1 1 0 3 3

0 0 0 0 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 0 0 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   

I’m

      Gtr. 1

 



 

Chorus A

wak

-

AsusÊ



ing

A

  





  

up

AsusÊ

    

from

a

life

left

  

  

  

  

  

  

  

  

  

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

9 7

Em7



  



9

7

0

0 9

9

18 X 16

18







Em11

Em9





9 7

0

 

  

to



  



0

0

what

9

7



0

0

9 7

0





lies

a - head.



9 7

E7/G#

  

  I’m

0

0

0 4

 

0

0

0

0 5

 P.M.

0

0



0

0

0

0 4

0

0

0

0 5

    

   

11 9 7

3 2 0 0

4

0

3

0 0

3

0

3

End Rhy. Fig. 2

 

   

0

3 X 1

2

3

 

wak - ing

                                  

0

0

   

F

 

0

      P.M.

Dadd9



see

9

6

 

Rhy. Fig. 2

13 X 11

16

  

0

0

let ring

9 X 7

2 2 0

be - hind

let ring throughout

w/ chorus

   

  



   

       

    Gtrs. 2 & 3

     

 

End Rhy. Fig. 1

0 0 2 2 0

2

A





0 6

7

0

0

      

1

7 6 5 4

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Verse Gtr. 1: w/ Rhy. Fig. 1

    A

AsusÊ

Aadd9





0

0

9



 0



9

   



  

 to

   

Dadd9

  



them



and

   

   

bring





let

  

can keep

   

Fadd9

-

  





0 0 2 2 0

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to - geth

-

er

once

and

for - ev

er,

 

Em7

 -

Em11







lost

her

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ing.

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I



Her



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from leav

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-

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go.

her

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D/F#





Bm

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G5

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them



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3 2

Gtrs. 2 & 3 tacet

way



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let ring

2 2 0

a

0 0 9 7 0

7



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 

7

  

2. Fate

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up.

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life





I

say

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a

Aadd9

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   

a

time

long

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mean -





a - go.

Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 2

   



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wak

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ing

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Aadd9

AsusÊ

A

  

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up Riff B Gtr. 1



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Asus4

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from

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   



a

life

A

left

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let ring throughout

9 X 7

9 7

18 X 16

18 16

13 X 11

7

9

0

0

0 9

9

0

0

0 6

9

0

0

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0 7

9

0

0

0

   

Em7



Em11

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  to

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0

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0 4

F

E7/G#

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3

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wak

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3



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-



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0

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0 6

0

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up

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7 0

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now

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A

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yes - ter - day’s

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3



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gone.



2

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  P.M.

0

0





   close



 my

     11 9 7

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

      Dadd9



 

eyes



F

E7/G#

 

a - gain.

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-

ing

up.



  



Gtr. 1

4

5

0

3

0

3

0

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 

0

3

2

3

0 6

3 X 1

0

7

0

7

1

7 6 5 4

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0

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

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9

0

0

0

0





9

7

7

0

  

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4 2 0

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0

0

0

7

 

9

   0 0

Bridge

       C

plan

to

        

  

Gtr. 1

 

re - turn

dis - guised,

  

0 1 0 2 3 3

0 1 0 2 3 3

      

well -

  

  

     

  

  

  

  

  

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 0 0 0 0 0

5 6 7 7 0

5 6 7 7 0

5 6 7 7 0

5 6 7 7 0

5 6 7 7 0

5 6 7 7 0

5 6 7 7 0

5 6 7 7 0





w/ dist. & phaser let ring

3

5

  

5

 

let ring

0 0 6 7 7

7 7 0



f

5

5 6 7 7 0

0 0 0



C/G

make

  

5 5 5





  

    

  

 

  

let ring

5 5 3 3



  

 

Gtrs. 2 & 3

Gtr. 4 (elec.)

A/E

    







 

let ring

0

7

7

 

 

  

sure that I’m

 

not

rec

-

og - nized.

           

  

  

  

  

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 0 0 0 0 0

0 1 0 2 3 3

0 1 0 2 3 3

0 0 0 0 0



   

 

let ring

5 5 5

5 5 3 3

0









5

5

3

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0 0 0

 

let ring

5 6

    

5

   



Em









To

-

 

   

  

mor - ow

a

new

will

F

sun

     

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 0 0 0

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

  

 

 

   

let ring

0 0 0 2

2 0

  





let ring

5

4

5

find

  

   

   

   

   

   

   

   

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

      

  

0 0 X 3

  

 





let ring

0 3

0





2

3

 

 

   0 0 0 0 0 0

5 3

  

  

  

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  

  

  

  

0 1 2 2 0

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0 1 2 2 0

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0 1 2 2 0

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0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 0 0 0 0

0 0 0 0 0 0

  

   



1 2 2

2 0





in

my

0 0 0





let ring

Am/C

stand





5

2

0

will

     

let ring



Bm7b5

       



 



 

way.

           

 

  

 

 

 

     

  

  

  

  

  

  

  

  

 

1 3 2 0

0 0 0 0

0 1 2 2 3

0 1 2 2 3

0 1 2 2 3

0 1 2 2 3

0 0 0 0 0

3 2 3 2

3 2 3 2

3 2 3 2

3 2 3 2

3 2 3 2

3 2 3 2

3 2 3 2

3 2 3 2

0 0 0 0

1 3 2 0

  7 5

 

3 5 2

  

3

3

Noth - ing

      

     

let ring

Dm

you.



 

  



and some - how I’ll





G

rise,

0 0 0

1

0

     

 

3 3 1

0 0









  

       

   

Am



7 5

1 3 2 0

1 3 2 0



 

 3



 

 3

3 2 3 2



 



let ring

2



3

 

3 2



let ring

2

3

  



0 0 0



3 2

9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Bb7#11



Soon



  

I

will

see

Esus4

 

you



 

 

 

 

 

 

 

         

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1

    

    3 3 3

 

   

   

   

  

    

0 0 2 2 2 0

0 0 2 2 2 0

0 0 2 2 2 0

0 0 2 2 2 0

0 0 2 2 2 0

0 0 2 2 2 0

0 0 2 2 2 0

0 0 X 2 2 0

0 0 1 2 2 0

 









3

0

2



2

2

0

0 2

ing

0 0 1 2 2 0

      



let ring

0

-

     



0



 





0

wak



3 1

0

3

   

2 2 0

let ring

3

   

I’m







   

 



 

   

   

0

     





let ring

5 3 3

3

0 0 2 2 2 0

0 0 0 0

P.M.

3 3 1



a - gain.

     

    



E



   

0

0 0 9 9 7 0

Chorus Gtrs. 2, 3 & 4 tacet

   

  

Asus2



Amaj9





up

    Gtr. 1

Aadd9

from

    

  



   a

life

left

    



Em

 

Em(add9)



 





be - hind

  

     

   

let ring throughout

7

9

0

0

0 9

   

Em

 

  

Em(add9)

to

0

0

9

6





see

what

           

5

0

0

0

0 4

0

9

0



DaddÅ

0

0

  

0

0

9

7

lies

0

2



F6



0 4

0

 3



0

0

3

0

4

 

0

0

0

E7/G#

I’m

  0

0

0

  

a - head.

  

5

0

 

wak

-

ing

                0

4

0

4

3

2

3

0

10

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

3

2

6

7

0

0

0

7



   

Aadd9



Asus2

Aadd9

 

up.

I’m

  

 

 wak



-

  

Asus2



ing

up





  



  

I’m

              

          

Gtr. 1

7

  

0

0

9

0

9

7

9

0

0

0



9

9

7

0

Gtrs. 2 & 3

           

mp

*

P.M.

0

0

0

0

0

0

0

0

0

0

0

  



f

0

0

0

0

0

0

 

9 X 7

9

7

0

0

9

0

   

 

9

18

13

18 X 16

13 X 11

16

11

wak

-

ing

                 0 0 9 7 0

9

   

7



0 0 9 7

0 0 9 7

0 0 9 7

0 0 9 9

0 0 9 9

0 0 9 9

0 0 9 9

0 0 9 9

 

 

   

7 0

9 9 0

7 0

*Grad. lift P.M.

   

  

Amaj7

now



A



Em

   

that

yes - ter - day’s

  



up

                              0 0 9 6 0

       9 6 0

0 0 9 6

0 0 9 6

0 0 9 6

0 0 9 6

0 0 9 7 0

0 0 9 7

   9 7 0

3

0 0 9 7







gone.



0 9 7 0 0



2

0 0 0 0

0 0 0 2 2 0

   2 2 0

  

Em(add9)



Won’t





  

now

that

yes - ter - day’s

  



close

my

  

 

gone.

   

   

   

   

   

   

   

   

   

   

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 4 2 0

 

  

 





    



Em(addÅ)

P.M.

0

0



        0 0 0 4 2 0

0 0 0 4 2 0

        0 0 0 4 2 0

0 0 0 4 2 0

   

   

   

           

0 0 0 4 2 0

0 0 0 4 2 0

0 0 0 4 2 0

   

  

P.M.

11 9 7

0

0 0 0 4 2 0

0 0 0 0 0 0

 

P.M.

12 9 7

0

11 9 7

0 0 0

11

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

     D

 

  

eyes

   



I



a - gain.

  

will

nev - er look



 

F

  

I’m

back.

I’m

E7/G#

  

wak



Asus2

-

 



ing

up.

  

wak

-



ing

  







  

  

  

  

  

                                          

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

       

2 3 2 0 0

 

3 2 0 0

0 3 2 3

0 0 0 0 0

0 3 2 3

0 0 0 0

0 3 2 3

0 3 2 3

0 0 7 6

0 0 7 6

 

 

      3

0

3 X 1

1

0 0 7 6

0 0 7 6

0 0 7 6

0 0 9 7 0

0 0 9 7 0

0 0 9 7 0

0 0 9 7 0

0 0 9 7 0

     

0 0 9 7 0

0 0 9 7 0

0 0 9 7 0

0 0 9 7 0

   

          chorus off  2 2 0

4 2 0

2 2 0

0 0 0

0 0 9 7 0

 

D/F#



           

  

       

6 X 4

0 0 9 7 0

Em/G



up.

          2 3 2 0 0

A

3

2

Outro Gtr. 1 tacet

             Em

You’ll be

her shad - ow

     

as

she

Gtr. 2

     

2 2 0

2

    

3

      2

   Bm



  

3

Bm

CXº7/B

4 4 2



there.

   

4 4 2

2

  



She

   

2

1

4

1

 

8 6

4 4 2

2

    P.M. 

4 4 2

Gtrs. 2 & 3



2

  





4 4 2

2

but

 

 

5

9

a

-

      

  she

can

nev - er

8

10

7

7

9 7

 

 

         P.M.  semi-P.H. 

5

9

5

5

7

7

  

 

lone and

A

reb - el

6

8 6

7

0 0 0

 

9 7

  

1

2

3



  

2

3

C#m

are

you’re

  

   

guards

           P.M. 6

know

 

5

     is

  

       P.M.  semi-P.H. 

son,

    P.M. 

D#m



my

  

4

Em

   

moves,

4

Gtr. 3

2 2 0

  

ev

1

   - ’ry

Gtr. 3

      

 -

     

Gtr. 2 divisi *

7 7 5

0 0 0

6 6 4 4

6 6 4 4

0 0 0

*Gtr. 3 to left of slash in tab.

12

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

D#



  

 

-

A



  



where.

I’ll

 



Gtrs. 2 & 3

 







keep

her

safe



  

 

P.M.

8 6

A



won’t





let

her

  

    

4



my

7

7

8

B

  

Did

I

9

6

Amaj7

G#m

This is

the chance

           8 X 6

0 0 0

9

11

7

9

I

de - serve.

    

 

     

13

11

9

11

9

7

11 X 9





6

7

4

   

 fail

to

men

-

tion

  

  

 

4 2



Bm

G#m7b5

 

  

Heed

     

8 X 6

0 0 0



my

4 2

6



hon - est in - ten - tions?

 

ger,

 

            

D#m

        

8 6

8



-

6

 



sight.

9

7

 

  

4

  

dan

    

7

   

7



              

from all

              

of



6

5

G#m

 

D#m

  

out



 

8 8 8 6

6

 



  

my

         0 0 0

6 6 4



words;



 

4 4 2

4

Free time

D#m/F#

  

rit.

D(#5)add#11





µ(D#m)





          jus - tice

will

be

4

2

5















 



   





 

served.

  rit.

D7#9/Eb

     

 w/ bar

1

2

1

2

1

0



0 slack

13

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

from Dream Theater - The Astonishing

A New Beginning Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 110 * µ(G5) Riff A Gtrs. 1 & 2 (dist.)

      







     

f















     

3

3











  



P.M.

3

3

3

3

3

3

3

3

3

X

3

3

3

3

3

3

3

0

1

2

*Chord symbols reflect overall harmony.



End Riff A

  





     

P.M.















     

   

 

3 3

3

3

3

3

3

3

3

3

X

3

3

3

3

3

3

3

4

 

5

3

Gtrs. 1 & 2: w/ Riff A

 

Gm

F/G





Gm

 

Am/G





F/G



     

3

3

3

3

3

3

Gm

F/G

Gm



Gm

Gtrs. 1 & 2

** P.M.

Gm







3



3



3



 0

Am/G



Am/G



     

3

3

3

3

3

3





3





3





3

   0

1



2

**Grad. lift P.M.

   

Gm

µ

      3

3

3

3

3

3

 

4

   0

1

4



Gm

F/A

Bb

Bb/D

Cm/Eb

            3

3

3

5

5

5

6

6

6

5

5

5

D/F#

Eb/G

Ab/Eb

        

6

6

6

4

4

4

5

5

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5

     8

8

8

1

µ

                             7

5

Verse Gm

5



3

4

I

im

-

plore

     

3

3

Gm

     He

  

3

3

is

3

the en

-



slight P.M.

3

3

3

3

3

3

3

5

e



Gm7

 





0



3



3





0

6

C/G

  

    be - lieve

a

3

just

3

ab

-

3

3

3

3

4

C/G









 

3

F/C



3

Bb/C

   0

1

2

F/C

C

           let ring

 

7 3

5 3









surd.

      3

 





2

F/G

3

C



3

3

   

  



1

 



word.

3

3



0

3

that is



4

     

Gm7

my,

3



    End Riff B







3

 -

5

don’t

3

   

not

4

 



3

      

3



Am/G



3

you,

slight P.M.

3

2

6

  

Riff B



3

Am/G

 

1. Fa - ther,

  

5



      

6





    5 3

0

7

3

8 3

7 3



Gtrs. 1 & 2: w/ Riff B

Gm

Am/G

            You may see his

tal

-

ent

                  

      Gm7

C/G

as some kind

of

F/G C/G

threat,

Gm

but

I

Am/G

knew we were meant

Chorus

Gm7

   

from

  

C

   

  

the

met.

day

we

Gtrs. 1 & 2



      

3

3

3

3

3

0

Bb/C

  



F/C



 

Eb

Give

  

slight P.M.

3

F/C

5 3

       let ring 7 3

7

3

8 3

    7 3





us

both

 

Bb

a

  

to

be

 

chance

Rhy. Fig. 1

   8 6

        P.M. 6

6

10

8

6

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

8 8 6

      8 8 6

8 8 6

  0 0

F





for

a

new

     3 3 1

     



be - gin







 

1

1

1

1

P.M.

Gm



F/C





   C

-



ning.

Noth - ing

   







3 3

2 3

Bb

Bb/D



3

F

  

5 5



Can’t

   

you







6

F/C



show

him





3

3





P.M.

10 8

8

8

12

10





would



3

5

mean

more









C

mer

-

cy?







10

8

6



He

is

just

8 6





6

 



8 6

  

8 8 6

8 8 6

a

8

  





8 8 6

 

man.

Bb



and

6





6

8

6

10



strength

 



 

8 8 6

8 5 6

8 8 6

6



P.M.

10

 

me.

Bb

10

Sym - pa - thy

 12 10

6



 

to



               P.M.

  

3







    



Eb

  

10 10

8

3

6

 

Eb

5



6

 

Bb



 

8 6

3

               P.M. P.M. P.M. 5

 

P.M.

1

F/A



Eb



  



 go



 



hand



 



   0 0 0

8 8 6

8 8 6

8 8 6



Bridge

Gsus2

in

     





  





hand.

     

P.M.

5 5

D/F#



  



D

0

0

7 4

Em



 





   





This man’s

a

fraud

 



and

a

End Rhy. Fig. 1



 semi-P.H. 

4 2

  2 2 0

         P.M. 6

0

0

0

0

0

0

2 2 0

6

     

P.M.

0

0

0

0

0



0

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   

Eº5

Em

        

hoax.



 



8 7

8 7

    



He’ll

on

Bb

0



  

    5 5 3

5 5 3

 

  0 0 0

8 8 6

F

how

you

0

0

0

dest

6



fall

for

per

this



4



ter

your

6

6

6

0

of

all

6

0

0



0



0

 to

       P.M. 6

A#º7

6

6

  

 

who

0

is

11 8

6

  

  

 



son

 

     

P.M.



  -

6



you

6



hard

6

6

  -

ly



 

 semi-P.H.

9 7

6

-

3

2 2 0

0

       P.M.

  

  

3 3 1

0

Em



    

-



   

watch

shat

  

11 8

Aº/Eb

  

ly



         P.M.

Sad

  



Bbm



 

-



6

2 2 0

16

hopes.



 

 

steady gliss.

7

Gm





7

6

Verse

D#º/A



 

Ab7



Gm

  



know.



Am/G



2. Ig

-

no

-

rant

0

7

0

0

3

   



F#/A#



    Bsus4

and stub

-

born,

0

5



 

                                     semi-P.H. P.M. P.M. P.M. P.M.  

7

9

9 6

9

8 5

6

7 4

6

6

0

0

5

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

9

0

0

Gm7

Am/G

    



F/G

   





Am/G

Gm

 





Am/G



   

  



                                     you

have

no

re - spect,

not

just

for

your flesh

and

blood,

but



0

10

0

0

Gm7

     

all

    

0

0

9

0

12

 

who

you

pro - tect.

 

10

15

0



     Gtr. 2

0

10

 





   0

0

15

Gm

     

0

0



10

0

0

0

7

Bb/C

 

15

17

0

0

9

0

9

F/C



0

14

0

0

C



20

17

18

22

18

20

18

17

20

18

15

17

12

0

13

17

13

 

 

18

13

17

15

   

Gm7

  

13

13

15

13

  

C/G

12

13

F/G



17

8va                 

Am/G

 

12

F/C

0

   0

0

               

15 0

9

8va

20 0

0

 

 

0

C

 

Gtr. 1

7



12

C/G

 



 loco                                    Lis

-

ten

with - out

judg -

ment,

keep

an

o

-

pen

mind.



0

10

0

0

7

0

0

9

0

9

0

12

0

0

0

14

0

0

10

0

0

12

0

15

0

14

0

12

loco                                    



0

7

0

0

3

0

0

5

0

5

0

9

0

0

0

10

0

0

7

0

0

9

0

12

0

10

0

9

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Gm

       If

Am/G

  



 

you

can not

see

Gm7



the

 

  

     

you’re

the

truth,

one

C

F/C

   

who’s



0

0

10

0

0

12

0

12

0

17

0

0

0

19

0

0

15

0

0

0

0

0

7

0

0

9

0

9

0

14

0

0

0

15

0

0

10

0

0

17

20 17

18

22 18

20 17

18

18

             

8va

15 12 12





            

                             0

 

  

8va

20 15 15

F/C

blind.

                              0

Bb/C

0

13

17 13

13

18 13

17 13

15

13

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 7 meas.)

    







don’t

stand

a

  

Bb

can

you

talk





Eb

We

    Eb

Moth - er,



F

how

they





to







that

is

his

o - pin

F/A

Bb

Bb/D



C

Eb





feel

-

ing.









Mis - er

 -



C

 -

    



Try

to

un - der - stand

y’s

Bb

Bb





to



ion.









 

Eb

him?

F/C

be



Gm

F/C

  

chance;

     

must

F





   

  



Bb







know

what

 



might



have

Bridge

Gsus2

 

  

been.

      Gtrs. 1 & 2

  P.M.

5 5

0

D/F#



   



D

0



  



7 4

4

Em





 

 semi-P.H.  2

F#/E



   

 

Why

would I

           P.M. 2 2 0

0

0

0

0

2 2 0

  ev

    -

er

con - cede

           P.M. 0

4 4

0

0

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

0

4 4



 

to

 

0

Am

  

     





7 7



    

                   P.M. 

lis - ten



  

B7b9sus4

to

0

0

this

0

0

 

F#

   world of

make

2

7 7

2

2



you



be

6

0

be - lieve.

P.M.

2

7 7

How can

  

         4 4 2

fool?

so

7

  

Do you



9

7

8

3

You



5

2 2 0

2

real - ly

think this char - la - tan

  

  

         P.M.

4 4 2

4 2

7 5

5

5

5

0

be

liv - ing

in

a

0

2 2 0

0

0

B

who

he claims

   7 6

0



 

  

  P.M.  0

0

 

D#º7

is

10 7 5

5

must

          P.M.

      



       



na - ive?

Am

 

Em







to

be?

 



8

9 7

Interlude Gtrs. 1 & 2 tacet





Am

C/G



Eb7

   

Bº7



9

7

G#º7

10

8

 8



Am7b5





1 11

Am

11



10

Am

D/F#

      

10

11

11

Am7b5/Eb



2 0

4

     

*w/ phaser & delay

7



7 5 5

f

A

  

Cm

 

Em



G/D

6

Gtr. 3 (dist.)

 

Bm/F#



5 3



G

   

C Gtrs. 1 & 2



D

D/A

Dm7b5/Ab

 



  

2

5

5 4

3



G

     P.M. 0

          

11

5 3

0

Eb/Bb

10

D

   

3

8

8

10

11

8

10

11

 

11

13

15

*Stereo delay set for 450 ms & 900 ms regeneration, w/ multiple decaying repeats.



Gtrs. 1 & 2



 2

  3





5







6

6

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Slower q = 66

Gb+/Bb



Bb

Bb7

Eb

                   







rit.

14





10

10

11

11

13 11

13

10

10

11

11

11

10 10

11

13



  

 





rit.

8

6

6

6

Verse Gtr. 3 tacet

Eb

   

Gtrs. 1 & 2 tacet



  3. Not





long







there

was



a - go,







a

time

    







and

place

Gtrs. 1 & 2



 6

   





you

too

 

Cm

     





You

 

  



pos - sessed

the

Gm

  knew



 

same

 -

  sic





de - sires





how

it

felt









to

Gm

      





calmed

your





as

Faythe.





in - vis

-



feel

Am7b5





Ab





Cm

Mu



 soul





rit.





just

like





a

drug.



Eb

   i





-

ble.





Abmaj7

  

Re - mem - ber,

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Bug?



  



Tempo I

Eb/Bb



 

Fa - ther,

   

    G+

is

it



     

Bug

6

6

6

6

6

  

Fi

    

-

nal - ly

   P.M.

5

2

2



P.M.

2





re - veal

   P.M.

8

2

4

4





   

mu

   P.M.

8

4

4

4

-





al

6

Eb/Bb

how

-

6

ways

6



 

you?

6

 

 

sic

makes

me

  

10

6

 

P.M.

4

  

             

6

3

 

was





3

  

can

2



3



  

5

2



Fm/Ab

I







3



D/F#

    

6



Ab/C

   



 

true

Gtrs. 1 & 2

P.M.

Cm/Eb



    

6

6



6



3

3

3

  

Bb

0

Bb/D

 



feel.

 

            P.M.  P.M.

10

6

6

8

8

6

6

6

5

6

5

5

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1

    





you

un

Eb

Now



-

  



Bb

der

-

chang

-

es

ev

-

F/C





for

a

new

be - gin

-

F/A



Bb

 

Bb/D



Eb



I

  

C

Eb





  

  

Gm

I

ning.

In

   

Bb

  

 

the

fi

word

end

the

-





-

ing.

F/C

C

  



’ry - thing.

    

F

  



why

 

Bb

This



stand

     

Eb

  

F



   



was

hid





will

grant

Bb

 

chance

  

Gsus2

nal

  

  the



D

 

rests

D/F#

with

Interlude

   

µ(Gm)

 













me.

 

Gtrs. 1 & 2

                                      3

5

5

3

5

3

5

6

8

7

8

3

5 6

3

5

3

5

5

3

5

3

5

6

8

7

8

10

8

8

5

5

3

6

3

5

9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

  

                                        5

5

3

3

5

3

5

8

6

7

8

3

5

3

6

5

5

5

3

3

5

3

Gsus4

   

 



5

6

3

 

 

3

3

6

Gsus4

   



5

Ebsus2



 



 

5

3

5

5

3

Csus2

Bbsus2

Csus4

                    5

5

3

3

5

Gm7add11

  

3

5

6

Gsus4

8

7

8

Ebsus2

10

8

8

5

5

C6sus2

8

6

7

8

10

3

3

6

Bbsus4 Bbsus2

5

6

 



8

8

7

Gsus4



5

8

10 12 10

8

8

Csus2

 

3

10

8

Ebsus2



5

5





 



5

3

3

6

Ebsus2



5

Csus2

                 5

3

5

3

Csus2

5

3

5

8

6

Db

7

8

5

3

D

3

6

5

Fsus4

                                 5

3

5

3

5

3

5

6

8

7

8

Guitar Solo

Esus2

10

10

8

8

10

12

10

8

8

6

5

3

3

f w/ bar *w/ wah-wah & delay



1

2

15 12

15

0 0 0 0



2

2

5

3

5

1

G5

Bb5

15

15



   

     

5

                             7  3 3 3 steady  gliss. 1   T 12 12 12 12 Em7add11

Gtr. 4 (dist.)

3

6

  

15 12

15

15

10

0

14 17 20

*Stereo delay set for 300 ms & 600 ms regeneration, w/ multiple decaying repeats.

   

Gtrs. 1 & 2

Riff C



0





0



7



0



   

P.M.

0

0

0

0





5

   2

5

1





0





0



5



0



        



P.M.

0

5 3

5 3

10

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5 3

8 6

8 6

8 6

 

    

        

A/E

   



        





        

19 T

17

   

20

T

17

14

0

14





17

17

0

T

20

17

14

0







15

T

20



     

17

20

17

20





4

0

14

T

T

17

14

0

14

17

T

20

17

P.M.









0

0

0

0

0

T

20

17





14

0

14

17



5

20



2

17

14





5

1

Bb5 A5 F5                                                 7 Am6/E

T

17

  

14 15

9

T

12

T

16

14

12

17

T

14

12

T

16

14

12

T

16

14

12

T

16

14

12

16

T

14

12

16

14

16

12

T

14

11

13

T

12

10

13

End Riff C









0



2

0



















8 6

8 6

8 6

7 5

7 5

7 5

0

0

  

    

  



12

9

7

12

9

5

9

8

7

       C/E

12

11

10



12

9

G5

 



11

12

9

11

 

3 1

 5        

Gtrs. 1 & 2: w/ Riff C

    

 

P.M.

Esus2 Gtr. 4

T

Bb5

8

10

7

9

 

6

Em6

   

16

                                   10

10

              T

3

5

7

12

T

7

12

  

T

7

5

3

5

12

T

5

7

12

T

7

5

4

5

7

T

14 10 14 10

T

7

5

7

14

T

7

14 10

T

7

6

7

9

T

14 12 14

11

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

                                                       E9

Bbsus2

5

9 T

12

9

7

9

Fmaj9/A

T

T

14 12 14 12

9

8

9

9

12

14

T

15 14

14

12

9

5

3

T

15

Dbadd11/F

T

12 15 14 15

14

12

12

15

17

T

T

20 17

20 17 15 12

14

Synth Solo

 Gtr. 4        

Gtr. 4 tacet

Gsus2

Gm7add11



steady gliss.

12

     Gtrs. 1 & 2

12

Riff D











 







3



3

3

3

3

8

3



3







            P.M.

3

5

8

4

3

3

3

0

Cm6/G

Gtrs. 1 & 2







7

3

3

3

3

3

8

3

5

8

4

3

3 1

3 1

Db

             P.M.





 



             P.M.



C/G

    

Db5

5

5 3

Bb5

3 1

6 4

6 4

C5

6 4

Ab5 End Riff D









          

 

P.M.

5

3

3

0

6 4

6 4

6 4

5 3

5 3

5 3

6 4

Gtrs. 1 & 2: w/ Riff D

    

Gsus2





Eb/G

Bb5



Db5

 

C7/G

Fm6/G

Dbsus2 Cm7add11 Fm9/Ab









                                               Interlude

µ(Gm)

Gtr. 5 (dist.)



f

10

12

12 10 12 10

12 10



10 13

12 10

13

10

12

12 10 12 10



11 13 15 12 10 15

10

12

12 10 12 10

12

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

12 10

10 13

12 10 8

        

(Ebmaj9)

   

13

(Fadd9/A)

10

10

11

                        

(Abmaj9)

(Bbadd9/D)

(Gm)



13 13 13 13 13

15

12

13

12

15 15 15 15 15

10

12

12

10

12

10

12

10

10

13

12

10

13

(Dbsus2) (Fsus2)                                      



12

10

12 10 12 10



11 13 15 12 10 15

10

12

12 10 12 10

12 10

10 13

12 10

11

13

13

13

11 13 13 13 13 13

Outro-Guitar Solo

                       w/ bar 

Gtr. 5 tacet

µ

Gm

  6                       6

15 11 13 15 11

14 12 10

12 10 8

11 9 7

10 8 6

9

    

Gtr. 4

Gtr. 5

 

wah-wah off w/ phaser

10 11 12 12 10

10 11 12 12 10

7 5

10 11 12 12 10

-2

   

Gtr. 6 (dist.)

   



   

mf

   

w/ reverb & ambient delay

11 12 12 10

Gtr. 6 tacet

Eº7

 

8va

  Gtr. 4

Gm loco



   8va

loco



 

8va

  

loco 8va



6

* P.S. Harm. P.S. Harm. P.S. Harm. P.S.

X

 12

X

 12

X

 12

X

loco



 

8va

3



loco

 

8va

 

3 Harm. P.S.

12

X



Harm.

loco

  

P.S.

12 X

 X  X 

*Next 2 measures, fret-hand muting allows harmonic when pick is lifted from string.



    

8va

3



Harm.

P.S.

12

X

loco



15ma

 Harm.

 X  12



loco 15ma



loco



** Harm. ** Harm.

X

12

X

12

**Tap string w/ edge of pick.

13

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

      

        

  



*

  X X  X X  X  X 

X

X

X

X

X

X





  

let ring



8 9 10 10

8 9 10 10



10 11 12

9

13 13 13



D

     

14

     

Gm





3

3



13

X

X

5

17

9

13





let ring

   

11

12







12

12

 w/ bar

Harm.

w/ bar

11

12

12

   

   let ring

w/ bar

0

15

12

15

15 9

14

                         let ring let ring w/ bar w/ bar w/ bar    D/G

17

17 17

17

 5

 

  

12

10

12

slack

10

13



let ring

0

Gm

7

 

D/G



  



w/ bar

        let ring w/ bar 

Ab7

13

10

17

3



 6 00 

X

17

17

17

           5

  

5

16

1

X X X

13 13 13

10



grad. release

w/ bar

2

X

w/ bar

 

14

14 14 14



14

X



 

Cm/G



14

X

w/ bar

  

Fm

10

A

let ring

X

w/ bar

              w/ bar 

A/G

let ring

w/ bar



 

       



 let ring

12

Fm/G



    





12

12

X

       



 w/ bar

11

4

X

    

  

let ring

 

X

Ab/G



12

X

 

loco

*Tap string w/ edge of pick.

Gm

 

X



8va

5

string noise (R.H.)

Eº7

             5 5 

15ma

3

1/4

3

5

3

1/4

3



17

4

4

Ab/G



5

14

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 



5

5



4

  

 

_ 1/2



w/ bar _ 1/2

13 10

13

13

13

13

Ab7

D/G

     _ 1/2

_ 1/2

_1



   _ 1/2

13

_1

13

13

13

_1





 w/ bar

7

7

7



 

ring  letHarm.

w/ bar _ 1/2



  

        

7

7

            P.M.  3

5

A/G

     

10

10

8

 

8

  

 

  

10



X X

14

       

14

9

4

8



10

10

5

6

5

3

            

   



3

1

grad. bend

10

11

13

17

13

13

11



 



  

 



grad. release 1

1/2

20

1 20

14

D/G

  







13



17

17

9

18

16

17

11

10

10

12

loco       



20

15

16

15

17

17



D

 

loco





_1

 





let ring

w/ bar

17

17

16

12



1/2

12

12

Cm/G

20

w/ bar

11

13





let ring

1/2

13

  

8va



grad. bend 1/2

   

A 8va

1

1/2

w/ bar

17 15



grad. release

  

  

      

Gm

 

w/ bar

14



7

7

       

  

-6



let ring

string noise

9



_1

-2 1/2

Fm

Fm/G

w/ bar

_1

7

7



_1

7

5

7

5

7

18

    

15



15



_1

_1





18

17

 

18



_1



_1

_1

_1

_1

7

7

7

7





Harm.

5

Pitch: G

Gm

                  3

0

5

0

3

0

0

5

0

7

0

0

7

0

10

0



10

 0



12

 0



10

  0

0



12

 0



15

  0

0



15

 0



17

 0

15

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

               

               

Ab/G



16

15

17

15

16

15

17

15

18

17

15

Ab7





17 18

17

15

17

D/G

                   

18

19

20



17

18

19

20

16

          

   

3

grad. release 1

17

19

15 19

17

16

17

17

19 17 15

19

             

13

15

         Gm



15 15

15 15



6

14

13

   

13



17

16

17



grad. release

13 16

1

18

18

 

     

15

X X X

X X X

17 17 17

X X X

15 15

1/4

15 15

17

15

16

15

13

13

        



15

18

18

   

                 

Cm/G

8va



w/ bar

17 14



 w/ bar

13

17

21

17

 20





15



loco

16



 



17 18

10

15

17

X X

   





  12

9

X X X

14

14

14 14

   

1/4

1/2

10

16

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

17

17

w/ bar

grad. release 1

15



Harm.

string noise

15

10

18

      

     

Pitch: D

A

1/2

15

A/G



15

15

16

 

P.H. 1/4

17

loco

  

1

17

17

19

19

Fm



13





16 13

 

6

8va

19



Fm/G



15

15 19



15 16

1/2

10

8

    10

10

14



3

             loco                                6 D/G

D

8va

6

6

6

6

6

1

12 13 16

12

16 13 12 13 16

12 14 15 14 15 17

15

17 15 14 15 17

15 16 19

18

19 20 22

22 20 19 20 22

18 19 20

20



steady gliss.

17

Gm 8va

   



     



1 18

18

           D/G

 

rake

17

X

  

15

17



1/2

17

  

15

X





14

16

            

7

7

7

Fm

9

8



10

8

8

 

  



        

   

10



Ab

 grad. release

1

18

18

16



 let ring

10

10

7



   



0 0 0 0

16

 







7

7

9

8

12





10

12

10

10

    

    

8

11

11

10



10 11



16

grad. release

1/2

13



16

1

       

1 13

16

Fm/G

grad. release

P.M.

5

16



10

Gm





15



3

8

17

17

let ring

14



grad. release

X

9





1/2

loco

8va

        Ab/G

11



10

8

10

8

10

Begin fade

                                   6 6           6 6  1

A/G

 

A

8va

6

6

0

0

0

4

4

4

7

7

7

7

7

7 11 11 11

9

9

9 14 14 14

14 14 14

17 17 17

17 17 17 21 17

20 17

19

17

20

20

20

17

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Cm/G

                                                  8va



6 T

20 18 15

16 15

6

6 T

17 15 17

15 16

15 18 20 18 15

5

6

16 15

6

T

15 16

17 15 17

6

6

6 3

3 15 18

T

T

T

5

T

T

18 15 13 11 20 18 15 13 11 20 18 15 13 11 20 18 15 13 11 20 18 15 13 11 20 18 15 13 11

D/G

                                           8va

6

6 3

T

6

T

20

17

15

14

15

17

20

6

T

17

15

14

15

17

6 3

T

20

17

15

11

15

17

20

5

T

17

15

14

15

17

T

20

17

15

14

15

17

20

17

15

14

15

D

                        8va

3

T

7

3

T

T

T

T

T

22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17 20 22 20 17 15 14 15 17

  loco   /0

Gm 8va







1



steady gliss.

0 0



X X

18

0

7

12

12





12

0

 

0



13 13 13

0

         w/ bar

10 11 12



13

let ring

         w/ bar

13 13 13

13

Fade out

D/G



13



-1 1/2

         let ring w/ bar  13



  

w/ bar

11

Ab7

13



let ring

 





20

20

  





 

Ab/G

10 11 12

   w/ bar

10 12

18

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



from Dream Theater - The Astonishing

A Savior in the Square Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

Intro Moderately q = 90 ** D

                                Gtr. 1 (elec.)



mf

*w/ clean tone, chorus, delay & reverb let ring



0

4

5

3

2

4

5

0

4

5

4

let ring

2

0

2

0

5

3

0

4

2

4

5

5

*Delay set for dotted eighth-note regeneration w/ 1 repeat.

                                 mf  let ring let ring Gtrs. 2 & 3 (acous.)



5

3

0

4

2

4

0

4

5

4

2

0

2

0

5

3

0

4

2

4

5

**Chord symbols reflect overall harmony.

   

Bm

D

                                      let ring let ring let ring 5

4

0

4

2

0

2

0

2

4

0

3

2

4

2 2

2

4

0

4

2

0

2

0

5

4

0

3

5

4

2 5

                                            let ring let ring let ring 2

4

0

4

2

0

2

0

2

4

0

3

4

2 2

Gadd9

  

4

0

4

2

0

2

0

Em9

5

4

0

3

4

2 5

D

                                      let ring let ring let ring let ring 5

4

0

4

2

0

2

0

0

0

3

2

0

0

3

3

0

2

4

2

0 0

4 0

5

4

0

3

5

4

2 5

                                         let ring  let ring let ring let ring 2

4

0

4

2

0

2

0

0 3

0

3

0

2

0

0

0

2

4

2

4

0

4 0

5

4

0

3

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5

4

2 5

1

Guitar Solo Gtr. 1 tacet

D

  









let ring

0

4

5

 

 

2

0

4



      



   

Gtr. 4 (elec.)

2



f

*w/ dist., delay & reverb

0

7

1/2

7

7

9

9

11

11

 

11 9

8

 



9

*Stereo ping-pong delay set for 300 ms regeneration, w/ multiple decaying repeats.

  









 

let ring

0

4

5

4

  **

 





let ring throughout

2

0

2

0

2

0

  

 

2 3 2 0

2 3

  



   

2 3 2 0

3 0

3 2

3 2

**Composite arrangement

           





9

10

9

7



0

0

  

    

2 3 2 0

2 0

       

2

0

8

7

8

2 0

3 2

3 X 0

2



0

0



   

  

2

3 2 0

3 2

0



2

9

2

3 2 4 2

2 4

2 4

4 2

3 2

2 4

3 2

0

  



10

7

 

   

3 2 0

3 2

3 2

Em7

 



7

  

  

8

7

7

8

5

          3 2

3 2



Gadd9

9

    

9

9



7

                0

2

7

7

      

7

0

   

 

3

   

10

2 3 2 0

9

Bm7



 

 

grad. release

7





  1

7

   



   

0 0

 

                  

0 0 X 3

3 0 0 X 3

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0 0 X 3

0 0 0

0 2 2 0

2 2 0

0 0 2

2 2 0

0 0 0

       D

      



            2 0 0

2 3 2 0

2

5

   3 2

2

3 2

4



2 3 2 0

0

3 0

                    0

0

3 2

0

0 0

2

       

  

       2

4 2

3 2 4 2

  

2 4 2

16

2 4





2 0

3 2

0

2 3 2 0

3 2 0

2 4 2

3 2 4

17

2 4 2

2

3 2 0

0 0

2

0

0

2 3 2 0

3

3 2

3 2

3

2 0

0

3 2

3 2

0

14

15

2 3 2 0

  

14 15

2

0

11

12

0 0 0

0 2 2 0

2 0

0 0 2

2 0

0 0

2 0 0

14

2

2 3 2 0

12

     3 2

2

2

0



15

     

14

   



11 12

3

3

2 0

D

  

3

       

       

Em

12

0 0 X 3

0





15 17

2 3 2 0

  



3 2 0

3



        0 0

17

                       0 X 3

  

                

12

3 0 0 X 3



  

17

17

      

2 3

17 15

17

    

12

14

15

        





            3 2

3 2

Gadd9

  15

14

15

  

0

Gmaj9/B

16

3 2

grad. release

14 16

2 0

14 16

1

15

2 3 2 0

0

2 3 2 0

     



  15

4

2

 



1

                          

            17

 



7

7

     

3 2

2 0

11

    2 3 2

3

3

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

      



 11

              Cadd9



11

9

12

0

  

2 3 2 0

3

2 3 2

3 2 0

   

D

 

14

  

   3 2 0 0

2 3 2 0

0

12

10

7

14

10

7

9

    

       

  

2 3 2 0

2 3 2

2 3 2 0

3 2

3 2

2 0

7

9

7

  2

3 2

9

12

 

3 3 0 X 3

0



3 3 0

  

 

7

7



3 3 0

0

3 3 0 X 3

3 0 X 3

3 0 X 3

 

5

   2 0

0

3 3 0 0

 

12

11 12

3 3 0 X 2

3 3 0

0 0

    Csus2





 rit.

9

9

8

11

12

11

0 2 2 0

0 0 0

3 2

2 0

2 0

3 2

2 0

2 3 2 0

3 2

  

    

3 2 0 0

3 0 0 0

2 2 0

11

       0 0 0 2

0 2

0 0 0

        Gadd9/B

 

11

9

 

  

11 12

            

3 0 X 2

               2 3 2 0

10

         

   

7 9

       

12

                    3 3 0

Em7



11

3 0 X 3

3 0 0

3 2 0 0

       

 12

3 2

11

         

                    2

Gadd9/B

14 12

9

rit.

  

  

3 0 X 3

0 3 0 X 3

3 0 X 2

 

3

Interlude Slightly slower q = 86

           Am7

G



let ring

7

  

10

3 0 0 X 3

7

0 0 2 2 0

(Synth & trumpets)









 





 



rit.

7

9

  



  

7



10



Gtrs. 2, 3 & 4 tacet

  





12

   w/ bar





1 0 2 0

9





    

D





10

     

Em

2 3 2 0 0

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 rit.

Verse Faster q = 119 Half-time feel D5

  



1. We

have

  Gtrs. 5 & 6 (7-str. elec.)

     f

5 5 3



3

3

   

1

5 5 3

C

  



to

hear

s

  

3

5 3

3

1





  

to

see

this

         

P.M.

3

5 3

3

3

A5





5 5 3

 

F/A

all

   

3

3

3

  are





  



 

mes



-

5



1

 mer

   0

0

   gift

has

 

3



3

6

C5



your

sav



-

ior

         



P.M.

3



G/A

grown

P.M.

0

0



  

3

5 3

1



1

1

1

 



and

 

  

let ring

P.M.

12 7 0

12 7

0



0

0

Am9

Am



ized,

  

3



  

9 7



   P.M. 

  

crowd



sing,

5 5 3

3

let ring



-



-

5 5 3

1



  



1



 



Am

P.M.

10 7



3

9 7 0

3

6

let ring

10 7 0

3

A

    P.M.

1

 

  



P.M.

brings.

    

him

         





D5





 

C5

 

5 5 3



5



3

D5

 semi-P.H. 

5

3

C





3

5 3

3





 

         

3



D5

come

P.M.

w/ dist.



  





9 7 0 1

5



5











but

si

  

 

9 7 0

9 7

let ring

8

7

10

 -

lence



5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   

    

Gm/Bb

Bb





  6

3

6

 





  semi-P.H.

6

3

stop

6



my

     

D5



3

5 3

3









Show

us

what

we’ve

     5 5 3

-

1

3

5 3

3

1

1

2. Please

  

P.H.

6



5





   4

semi-P.H.

6



  



          P.M.

3

  

         

5 3

3



3

3

3



3

3

5 3

3

3

 

  

3

 much

 





3

3

6

C5

 a



5 3

3

3

 



-

3 1

semi-P.H.

 

5

1





5



bout.

P.M.

3

3

D5

3            

3

3

C

   

so

5 5 3

3

P.M.

P.M.

5 5 3

heard

3

don’t

5 5 3

5 5 3

5



1



3









count.

           P.M. 3

ar - rives.

D5

   

P.M.

y - us

  



ac

  

Pitch: G#

5

C5

-



  

semi-P.H.

4

 4

far

Verse D5

  

    

5

-



5

4



E

   





on

5 5 3

Na

  

  

  

Lord



 

Gtrs. 5 & 6



F





  

as

5

 

Gtr. 6



 



falls

  

 

P.H.







quick - ly Gtr. 5

G#º7

3 1

3 1



   5 5 3

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   P.M.  3

3

3



6



C

A5

G/A





In











5

1

Am

9 7

Am

  



Don’t

     

9 7 0 5

gath - er

  P.M.  

12 7

0

here

to - day.

 

  

   P.M. 

let ring

10 7 0

0

10 7

5

8

8

7

7





make

him

 

 

9 7 0

2 0

Gm/Bb

Bb

0



G#º/B

   ask

 

 



Bm7

    





   

12 7 0

0

   



0

0

Cmaj7

 

0

  

we

let ring

  

Dm/A

 

 

  

   P.M. 

let ring

9 7 0

3

peace



 













  

a - gain.



Do



as

  my



    semi-P.H.

6

3

6

7

0

Bridge End half-time feel E

        



 

Fadd9



 

F/E

 

  

 

       

fa



-

ther

says.

  semi-P.H.

5

F



   

  

let ring

9 7 0

9 7





 

 

0 0

3 3 1

Asus4

    

 

-

to - day.

ry

not



let ring



let ring

will



 

0



share



C

     my

 

0

0 0 0

7 5

G

 

   

let ring

0 5 3

  







 

0

I



wor

w/ chorus let ring

7



 

Broth - er,

3 3 1

A

G

mu

  

-



sic

 and

  



3

10 8

   

   

G/B

they

 will soon





0 5 3

7

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

    

     

Am



Em

be

on

their

   7 5

  

     

Fadd9

way.

 0

3 3 1

    



They on - ly

 

Gadd9

know





let ring

the



noise

AsusÊ

  

Aadd9



ma - chines,

 

  

5 3

7 5 3

  



 



   

let ring

0

0

0 0 0

7 7 5

0 0

Interlude Freely

  

Asus4

G6

 

so I’ll

      

  

F

   treat them

Gtr. 5

   

 

all

to

Gtrs. 5 & 6

   

  

Gtr. 6 divisi

*

9 9 7 7 0 0

0 0

5 5 3 3

3 1

0

C/E

E5

  

C#7âÄ/D

    

son - ic

ec

-

      

sta - sy.

  

  

5 X 3 0

4 2 2 0





chorus off



                 0 6 6 6 5 4 3

0 6 6 6 5 4 3

0 6 6 6 5 4 3

*Gtr. 5 to left of slashes in tab.

Slightly slower (q = ca. 110)

Faster (q = ca. 140)





       



  

            

0 6 6 6 5 4 3

0 6 6 6 5 4 3

3

 

0 6 6 6 5 4 3

µ



 

0 6 6 6 5 4 3

Fº5

Eº5

8

8 7

           



rit.

3

4

6

5

7

7

Outro Slower q = 60

Faster q = 118 Gtrs. 5 & 6 tacet

Cmaj7#5

 

(Piano)

Bbmaj7#11



D/A

Gm



poco rit.



Dsus4



Nev - er

  

Gm6/D









Dsus4

 

to

D

DsusÊ

D

 

  

  

ev - er

see

vi



a

D

       



rit.

-

sion

quite

Bm



in

my

DsusÊ



  

like

     

dreams

F#m

D



could I



de - serve



her.

  Then

Segue to “When Your Time Has Come”

Gadd9

Aadd9

          un - ex - pect

-

ed - ly,



F#m

         

I’m

tak - en

by

sur - prise.

Em7add11

A7sus4

A7

ap - peared

be - fore

          rit.

An

an - gel

just

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

my...

from Dream Theater - The Astonishing

Astonishing Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

Intro Slowly q = 56 * Bsus4

     

B

E/B

F#/B

Bsus4

B

B/D#

add#4 E sus2

E

B/D#

G#m

 

  

 

 

2 0

5 4 2 2 0

6 X 4

6 4

Gtrs. 1 & 2 (7-str. elec.)

  

 

f



 

 



w/ dist.

    

2 2 0

2 2 0

0

*Chord symbols reflect overall harmony.

Emaj7

Em6

B/F#

G#m

 

  

 

2 0

5 2 0

4 2 2

    

     Gtr. 1

F#/E

E

 

 

7 7 5

7 7 5

2 2 0

B/D#



C#m

C#m(add9)

4

4 2

4

 

  

6 4

4 4 2

4 2



 

let ring

2

4

2

4

4

 

 

 

 

4 2

4 2

2 2 0

E

C#m7

 

 

 

 

 

6 X 4

7 7 5

7 7 5

F#

5

7

7 5

 

      let ring  let ring 7

B/D#

F#/E



4

Bsus4

D#m

4

Gtr. 2

F#

Bsus4

Emaj7

7

F#sus4

  

              let ring  let ring  let ring 2

    

6 X 4

2 2 0

0

5

7

9 7

    

7 5

4 2

6 X 4

F#/A#

B/A

E/G#

 

 

 

4 4 2

9 6

9 5

7 4

    

Bm/F#

F#7

Em/F#

 

 

 

9 X 7

9 X 7

9 X 7

 

 

 

4 X 2

4 X 2

4 X 2

F#5

  

9 9 7

    

  

4 4 2

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

1

Verse Slightly slower q = 53 Gtrs. 1 & 2 tacet

  

D *

  

D&

 



1. Broth - er,



Bm/D

    

can

you

   

D7

hear

 

Em

 

me?

His

C/E

life

is

C#º/E



in

A





your hands.

*w/ echo set for dotted eighth-note regeneration w/ 1 repeat, next 8 meas.

   





He

is

just

Gº/Bb

G/B

Cadd#9

  a

G+/D#

Show him

Em

love

D

Em7

  

  





and still

too

young

child

             G

A/C#



C#m7b5

and cour - age,

D

 





that

to

Am/C

B



free - dom knows

un



der - stand.



Em

  

no bounds.

D/A

  -



 

D/F#



Tell him

Asus4

A

  

he

  

could nev - er

let

me

Slightly faster q = 56

  

Bm

  

down.





G/D

 

  

  

 

 

  

ther,

I

will

make

you

proud.





Choir: (Fa

A/C#

-

Em

D/F#





G

Asus4





 

Rest

in







A



 

peace.)

Verse Slightly faster q = 60

E

    

   



2. I

      Gtr. 3 (acous.)

mf

2

2

0

E







0

4

Aadd9

    

 

had

-



the





0 0

an

  

4

          this

time

I

held

the

2

2

1

0

0

4

0

2 0

0

4



swer.

                 let ring  let ring 7

7

0

0

6

0

0

6

5

8

5



9



Badd11



9

7



   

key.

                 let ring let ring 0





5

E/G#

  

B

4

2

All

0

0

ways

0

    

    

-

 let ring

let ring

fingerstyle

0

al

      

1

E/G#

And



    















let ring

4 7

9

9

8

0

0 8 7

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

9 7

7

9

7





now

  



   

C#m

that

I

  



 





4

    

G#m

5

6

 the







6

E/G#

7

8

9

6

8 6

A

who



I

am

  to







  







let ring

0

9

2

0

  can



0

 

be.



4

5

4 6

4

7

4

5 6

5

6

7

7

0

6

7



2

0



7

4

4

2

2

2

4

2

3 4 4

2

4

4

 



2



4

5



0

2

                                      let ring  let ring let ring 4

be



F#





 I

10

11

F#sus4

meant



9 11



be - lieve,

let ring

9

F#m/A

to

 



9

6

         

man



   

Aadd9

  

rea - son

let ring

4

  

  

the

  



F#m

 

see

let ring

6





B/D#



     

2

Verse Gtr. 3 tacet

   

B

  

Em6





3. Be - cause

       *Gtr. 4 (acous.)

   

   

         

  



mf let ring

7 7 8 9 9 7

7 7 8 9 9 7

7 7 8 9

7 7 8 9

9 7

7

7 7 8 9 9 7

9 7

  

  

 

  

of

live

a - gain.



you

I

 

 





  

 

8 9 9 X 7

9 9 X 7



let ring

8 9 9

8 9 9

8 9 9 X 7

8 9 9 X 7

X X X X

8 9 9 7

  

   

7

7

7

 

X X X X

*Two gtrs. arr. for one.

       B

      



D#m



   

    

7 7 8 9 9 7

7 7 8 9

  

   

7 7 8 9

7 7 8 9 9 7

 

let ring

7 7 8 9 9 7

8 9 9 7

9 7

  



9 7

8 9 9 7



 

   

Now

I

   

   can

be

   

 

a

change

         

voice

   

for

  

let ring

X X X X

6 7 8 8 6

6 7 8 8 6

8

6 7 8

8 8 6

6 7 8

7 8 8 6

6 7 8 8 6

7 8 8

6 7 8



3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

      E



        

let ring

0 0 1

0 0 1 2 2 0

      E

can

help

to

build

0 1 2 2 0

    the

life

let ring

   

      

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2

2 0





2 3 4 4 2

nev

er

      

2 0

X X X

4 4 2

fair

and

true,





       

that’s

      

 

 

F#

so

       

        



2 2 3 4 4 2

4 4 4 6 6 4

7 6 4 X 6



F#





  

     

2 2 4 4 4 2

2 2 4 4 4 2

knew.



0 0 1 2 2 0

G#m

F#/A#

F#sus4

   

 



  

B

7 7 8 9 9 7

 

-

    0 0 1 2

2 0

world

 

they

       

a

2 2 3

3 4 4 2

live

  

       

       let ring

  

they

   



  and

           

F#



      

         4 2

2 2 3 4 4 2

2 2 3 4 4 2

3 4 4 2





Interlude Faster q = 112 Gtr. 4 tacet

       

    

    







D

2 3 2 0 0

µ(D) Riff A Gtrs. 1 & 2

    

End Riff A





heavy P.M.

3

3

   

3

3

3



3





 

3







3

3

   



3

3

3

3

3

   3

Verse Gtrs. 1 & 2: w/ Riff A

  



Gtrs. 1 & 2: w/ Riff A (4 times)



  

 

4. On

the

road

D



      to

rev

-

o - lu

   -

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

tion,

  there

  are

les -

-



 

sons

to

 

be

Dsus4

-

are

my

ex



lost

at

 

  

 

of

  



tered

G



D



    

 



  

A7/D





All

the

things

learned.

D5



Dsus2

 

-

ist

 3           Gtrs. 1 & 2



 

ev

-

  

  

-



3

3

3

A7



     

3

3







 

pride

and

heavy P.M.

5

Gmaj7

   

veal

5

5

5

5

5

5

A

 

  

a

hum

-

bled

 3               P.M. 3

3

3

3

5

5

3

3

D

-

5

5

re

5

the

light

4

   

through

-

ced

3            

5

When

slip - ping

 

4

 

0

0

0





0

Bm

-

hands,



3

0

 

my



  

mat -



was

  

that



 

3

 

  

  

3

no - rance





A/C#

   

ig

 3              

3



  



thought

Bm

3         

3

 

turn.

ence

3



you

 

heavy P.M.

3



Dsus2

 

’ry

D

D



    

  



   

0

D/A







ed

to

 re -

3             P.M.

7

7

7

7

5

5

5

(h = q)



D

E





man.



3

3

    

P.M.

3

3

3

3

3



   3



3

3

     P.M. 3

3

3

3



5

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Verse Half time q = 56

                          

            F#m

G

Em



5. My prince, my son,

  





2

3

  

Em







for - giv - en

Em/D

 



2

5

3

  

song

si - lence has

 

5 3

2

2 0

7 7 5

been bro -

5 X 3

5

3

  



0

2

3



 

A/C#

to - geth - er we



 

2

5 5 3



that

    

can

you hear



steady gliss.

5 5 3

5

15

ken; mu - sic

reigns

for ev



 



5 5 3

5

   

D





are bound.



us?





let ring w/ chorus

     

D/F#

face,

2

   

Bm

you



 

3

D

 

Outro-Chorus D

 

F#m

new bur - den



 

5

D



     



of free - dom,



  

 

A/C#

light of this

Peo - ple,

  



Em

    

day.

this

  



a

on

A7/D

The

          G/F#

 

7 7 5

5

G

   

A

A/C#

-

 

er - more.

let ring

We

    2

3

Em

   

Peo - ple,

we

 

5





let ring

sing

 

Asus4



re - stored.

5 X 3

2

are

Peace has been

    

0

you

 

In





G/D

the way.





5

     

a - long

 



3

lost

Bm



    G

you got

F#m

D/A

shall nev - er

Eº/Bb

   hold



 



 

   

 

2

2 2 0

2

2 0

2

7 5

7 6

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

3

5

you

Bm

     3



Bb+

D/A

G#m7b5

We

      



Gtr. 5 (elec.)

  f

*w/ dist. & delay

12

11

10

15

D/F#

 



down.

  

G

will





A/C#

    

build

    

  

Em

our world



on

  



19

17



com

 





-



mon

  

grad. release 1/2

20

13

1

19

19

19

19

15 15

15

X X X

*Stereo delay set for 350 ms & 500 ms regeneration w/ 1 repeat.

    

 

 

 

 



9 7

8 X 6

7 X 5

6 X 4

5 3

2

Gtrs. 1 & 2

Csus2

G/B

   



  

Bb





rit.





5

2

q = 40 Gm

Gm/Bb







A5

 



                                          ground.

And

we’ll

live

once

more,

e

-

Gtr. 5





15

15 17 19

16 17 19

16 17 19

14 15 17

 rit.

14 15 17

15 17

18



20

18 17

  

19

17

14

                                    Gtr. 6 (elec.)





f

**w/ dist. & delay

12 12 14 15

12 14 16

12 14 16

10 12 14

 rit.

10 12 14

12 13

15



17

15 13

19

 





15

14

9

**Delay setting as above.

  

Gtrs. 1 & 2

  



3 3 1

0



 



 

6

5

3

7 5

rit.

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

ter

-

 

  

 

grad. release

1/2

19 19

19

  

   



  

1

grad. release

15 15

12 15

D/F#

A7/G

  



   

nal - ly

  

8va

  

in



19

har

15

-



17

grad. release

15 15

15

  



grad. release

1

14

12 12

12

G





  

 

   

mo - ny.

  

1

    

  

Our

15

 

lives

will





19 19

19

14



mf

12

  5 5 3

A/G

Bb

  

rit.

       ton

-

 



rit.

17

  

21

21

21



rit.

5 X 3

5

2

5 X 3

5 5 3

3 2 0 0 X 3



2





            a

-



*



gain.





21

21







            

17

17

17

 



   6

 17 



**

1/2

18

 

Faster q = 130 D

Em7b5





*Sustain note by repicking ad lib.

rit.

    

8

22

   

17

 1/2

8va



  

ish - ing

8va



 

      

A

    



 

14

15

12

  

17

 

15 15

15

as -

  

grad. release

1

   be

19

  



  

 

grad. release

1/2



D/F#

  

mf

   

  

Dsus4



  



  

Faster q = 56 Dsus4

5

17

   

     

**Sustain note by repicking ad lib.

  3 2 0 0

3 2 0 0 X 3



   

     3 2 0 0 X 3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



     semi-P.H.  3

3

3

from Dream Theater - The Astonishing

Chosen Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Slowly q = 68 * G/D

   

Bm/D

(Piano)

Am/C



G/B









*Chord symbols reflect overall harmony.

Verse

D7(no3rd)



 



Am/D



hear

1. Her

words

through all

  

 

  



 

  





 



the





hope,

noise



 



mp





 

and

her

   

 





 

if

giv - en





 





a

way,



a





and

  



it

 



0

3 4 3

3

0

4 3

2

3 4 3

is



clear.

 



How

can

Bm



a





sign

Dsus4

Dsus2

Dadd9







  

 



  

all

can

    all



D/G





he

A - gainst

Am/G

he

   that

chance.

    

let ring

4

seen





  

just

D/G

  

       I’ve



D

mes - sage



dis - so - nance?

 



D/F#



 

we found

**Gtrs. 1, 2 & 3



true,

F

Gmaj7





ring

  

Em





G/D

G

change



   

 

be - cause





  

she



  

let ring

2

2

2

3

2

4

2



4

3

**Gtrs. 1 & 2 (acous.); Gtr. 3 (elec.) w/ clean tone & chorus

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

1

G

Dadd9/F#

   trusts







  

in

me.



have







 

  

 

Why







 

Bm

a

3

0



3



G/F







brace

when

 

 

let ring

4

Pre-Chorus

Cadd9



     rea

-

  

Gtr. 3







now

 *Gtrs. 1 & 2



  

0

1

3

3



    3 0 2 3





3

0 2

0 2 3

3 0 2 3

0 2 3

faith?

0









3

 

  

let ring

3 0 X 2

3

3 0 X 2



0 X 2

2

3 0 X 2

0 X 2





3 5 2 0

3

2

  

0 0 0

-

let ring

1 0 2 0

 

let ring

2 3 2 0



2





I’ve

been

    

 



  let ring

let ring

  

a

D/F#

son

1

 

there’s

   

let ring

3 0 2 0

3

             3 0

  

rea

2

   



4

     And

   

  

3

0

-



4





Am7add11

the

0

0 0 0



3

D



let ring

0

          0 2 3

3



2

let ring

0 3 0 2 3

0

2

see

  

3

0

1



let ring

2 3 0 X 3

need

Gadd9/B

I





is



let ring

0 0 3 3

 



son;

4







2

0

 

DsusÊ



0

3

  

0

3

4

4

      



0 0

you



em



 

 

all



let ring





  

 

F













2

Em11

  



you can’t



2

2

  

3

2



gift

let ring

0

 

0

0

2

3



2

2

             let ring 0 1 0 2

0 2 0

*Composite arrangement

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0 0 0

2 0 X 2

2

  

 

3 2 0 X 2

0 X 2

   0 0 0 0

Gsus4



D/F#

      cho



G

-

   

sen.

sees

the light

0

2

0

3

2 0

0 0 0 X 3

0 0

2 0 X 2

0 0 0 0

0

4

2

           let ring

          let ring  let ring

1 0 0 X 3



in

0

2

   

  

Em(add9)

Cadd9

-

3 2 0 X 2

2

4 2 0

0 0 0

0 X 2

0

side

0

4

3

3 3

5

5

0

0 4 2



me,



3





a

 





  let ring

let ring

3

5

3

0

0

0 X 3





3 0

          let ring  let ring

      

0 0 0

0 0

3 0 X 2

3 0 X 2

0 0 0



3

      

3 0 X 3

3 0

0

 



2

3 0 X 3

0 0 0

G



of

              let ring 0 0 4 2 0

Gadd9/B

  



                        let ring  let ring  let ring

let ring



 

She



1 0 0 X 3

 



  

0 X 2

3 0 0 X 3

3

3 0 0 X 3

0 0 0

Chorus Gtrs. 1, 2 & 3 tacet

    Bbadd9



rea

-

  

Gtr. 4 (elec.)

DsusÊ



son

  

to





mp

Em

9

10

11

12

   

      



 

12

11

12

can’t

climb

this moun

-

tain

with - out



*w/ dist. & delay

8

C

  



But I

 

 

  

  



be - lieve.

 



Dadd9

*Stereo delay set for 450 ms & 750 ms regeneration, w/ multiple decaying repeats.





  



     Gtrs. 1 & 2

3 3 3 1



Gtrs. 5 & 6 (elec.)



3 1

   

let ring

3 3 3 1

3 1

      3 3 3 1

3 3 3



1

         3 3 3 1

3 3 3

0 0 0 0

   3 3 2 0 0



3



2 3 2 0

2

 let ring

let ring

3 3 2 0

  



3 3 3 1

0







let ring

  







     Gtr. 3

            let ring 3 3 2 0 0

2 0





  



2 3 2 0 0

2 3 2 0 0

 

3

3

    

f

w/ dist. P.M.

0



 

  

   

steady gliss.

0 12

5

0 0 0

9 7

9 7

5 3

 

  0 0 0

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Gtr. 4 tacet





G

Dadd9





 





   Em

 



you.

No,

I

can’t

                3  mf Gtr. 7 (elec.) *w/ dist. & delay divisi  1 14

14

12

14



12

11

14

face

C



  this

on

  



my

own.

      

12

9

 14

9

14

   

*Stereo delay set for 450 ms & 750 ms regeneration, w/ multiple decaying repeats. Gtrs. 5 & 6



   

 

Gmaj7/B







mp

12



mf

9

12

Gtr. 5



 

 

5 2

5 2

1/2

12

12

C

With

you



        

        

Gtr. 7





 

14

15

14

15

 14

3

17

15

             semi-P.H. P.H. P.M.    5 2

9

9

12 9

12

12

3 3 5

5 5 3 3

0 0 0

2 0

Dadd9



let ring



Em

   

   

 

        by

my

side,

 17

   5 3

             P.H. P.M.   

  

5 2

5 3

we will



17

19

16

   3

2

2 0

  0 0 0



 

   

 

 

3 2 0 0

3 0 0 X 3



Gtr. 7

Gtr. 4

12

 

16



17

       

semi-P.H.

5

10

10

Pitch: A



Gtr. 6



 

 

5 2

5 2

9

9

12 9

9

9

  

3

2

2 0

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

         

semi-P.H.

4

7

7

D/F#

  

   

C/G

     







8va  Gtr. 7                   

o

-

pen

his





19

  

17

Gtrs. 5 & 6



let ring

5

2

   Em



truth

2

de

     8va



 20

20



Gtr. 4





Gtr. 5







liv

   

loco

12

13





 

9 7 Gtr. 6

-

 9 7

 9 7

 

 9 7

19

20

17

19

20

19

19

19

the



grad. release 1/4

17

20

3

    er

us



12

3



P.M.

5 5 5 3

5

 

8 5 5

5

0 0 0 0

D





home.

   

          



mp

14

    

        P.M.

5 5 3 3

0 0 0

-

1/2

   

 

     

Gtr. 7



6

mf 17

and

19

Am

    will

16

     

 

         

eyes,

mp

 



12

f

12

9 10 12



 

 

2 0

3 2 0 0

 

 

2 0

3 2 0 0

9 10 12

9

10



   

11 12 14 12 14

  P.M. 

  0 0 0

0



12 13

    /0



0 0

0

   

12



 *







P.M.

 

5

12 16



12



7 5

5

7 5

7 5

7 5

7 5

7 5

7 5







 *









7 5

7 5

7 5

7 5

7 5

P.M.

7 5

5



12

7 5

*Grad. lift P.M.

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Guitar Solo

 

    

Gtrs. 5 & 6 tacet

G



Gtr. 7





15

 



  

 

 

D/G





3

3

12

12

12

       Gtr. 4

15

               

Gtr. 4 tacet

7

12

12



14

16

14

17

14



11

11

12

11

7



7

9

7

7

3

14

16

17



15

                                Am/G

D/G

Gtr. 7



14

12

G

   



15

17

13

14

12

14

15

12

12

14

16

12

14

16

12

14

16

12

14

13

16

15

17

14

                                 15 19

     

8va





17

16

14

0

12

0



19

19

19

F

12 13 15

11 12 14

        

1/2 19

0

0 0 0

19



12

12

6

15 17



G/F

15

loco

Bm



12

12

6 15

13

D/F#

8va



14

17 15 13 19 17 15 20 19 17

 



1

19

20

22

20

20



 

20



19

20

20

D

 



14

13

19 17 15

 

3

steady gliss.

Dsus4



19 17 16

        

Em

3

19

19 17 16

17

  

19



                                       *      And

loco

8va

19

20 17

18 17

there’s

a

8va

19 17 16

17

19 15 12

13 12 13

12 15

12

17

14 16

14

15

15 19 22 19

16 17

21 19 21

19 20

19 22

*w/ additional delay set for 650 ms regeneration, w/ multiple decaying repeats. Includes repeats from previous notes.

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Pre-Chorus

         



Cadd9

rea

-

son;

      * 

now

G/B

I











12

  

  

3

5 5 3





  

3

G

-

D/F#

0 0 0

 



sen.

5 2

0

5 5 3

0



Em

fears

the

light

0 0 0

5 5 3

14





7

9

Gtr. 6

5 5 3 3

    0 0 0

5 5 3

12 14

12 13 15



12 14 15



let ring

5

 





7



let ring

5

9

8va



   in

Cadd9





-

side

7

7

  

12

  

   

7 7 5

3

9 7

  



7

9 7

0



of

17 15 17

 

G/B





17

0 0 0

7

  

12



10

 

 

  

 

9 7

 



9 7

 

  

  5 3

  

  



  



In the

        1/2

15

  0 0 0

5 3

0 0 0

5 2

me.

       

 1

9

 



3

Gtr. 5

     

has

12

 

6

 

   

12

13

  

  

He

7

14

15

 

                 

9

12

 

Gtr. 7



he





Cadd9/G

5 5 3 3

that



3

5 3

      

     

path

 

 

1/2

let ring



 

               

mf

Gtrs. 5 & 6

7

D/F#

loco

22



  

Am7add11

the

8va

cho



see

Gtr. 7





 

  0 0 0



19 19 19

19

  5 2

  5 2

17



20

 3         0 0 0

5 2

7 5

      3

5 2

0 0 0

7 5

5

5

   

5

5

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Cadd9/E

Dadd9/F#

  

 

   

ab

-

sence

Bm

of

 

 

song,

                

-

12

14

14

14

12

12

14

14

15 16

16

16

14

14

16

Em

ten

right

  

from wrong.

      







*slight P.M.

13

Bm/E

       



he’s for - got

loco



Bm/D

15



Our



    

1/2

15

19

16

16

15

19

  

19

19

16

17

*Applies to 4th string only.









0









3



3





let ring

0

5

2

0 0 0

2

3















let ring

3

0

   



voic - es

will

re

   



0



Cadd9

Gtr. 7

 

   

  



let ring

5 5 3

G/B

 -

lease

   

15

17

Gtrs. 5 & 6

2

1 15

  

5

13

12

 

2

0

     

5 2

    

4 2

4 2

 

   

4 2

4 2

Bbadd9

  

him.

He’s

    12

 

 

3 0 0 0



 

5 2

0 0 0

9 5

re - fused



    

9 7

9 7

9 7

   P.M. 



   

9 7

9 7

9 7

 

-





let ring

3 3 1

0 0 0 0

0 0 0 0

   

 

lis

ten

far



too

      

13

13

7

F/A

1

11

7

7

to



 

7

9 5

  

   P.M. 

11

 

10



 let ring

10



1 3 5

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 

6 5



  0 0 0

  

C/G





long.



 

I’m



D/G

     

con - vinced

be - yond

a

 

 





   

doubt,

there can

       



be

way.

no oth

-

er

    

Harm. w/ bar

12

   

     

   

  



let ring

 

3

3

3

3

3

3

3

3

3

         

 



let ring

7 7 7

7 7 7

5 5 5

5 5 3 3



3

3

3

3

3

3

3

3

3

3

3

3

  0 0 0

3

Freely q = 40

Tempo I

Dsus4

D

Gtr. 7 tacet

Gm7

 

     

He just

has

to

hear

me

C/G

C/E

C

rit.              

out.

There’s so much I

  

need to



  



 





    



say.

     But I

Gtr. 7









12

                  Gtr. 5

let ring

3 3 3 X 3



3 3 3 3

3

3

3

3

3

3

3

3

Gtr. 6

let ring

3 3 3 X 3

3 3 0 3

3

3

3

3

3

3

3

3

3





   

rit.

0 0 0

3

                 

 

        let ring

  0 0 0

5 5 5 3 3

 

3

3

3

0



3



3 2 0 0

   

rit.

5 5 5 3 3

0

3

3 2 0 0

9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Chorus Gtrs. 5 & 6 tacet

  Em



can’t

 

  

Cadd9

 

climb

this



     

moun



Gtr. 8 (elec.)

G

-

tain

D





 



with - out



 



you.



No,

 

    



 

 

I

 

mp *w/ dist., reverb & delay

12

14

12

12

14

12

12 12

14

14

12

10

*Delay set for eighth-note regeneration, w/ multiple decaying repeats.

Em



 

   

         can’t

face

Cadd9

  

this

  

on



Gmaj7/B

  

my



own.







Dadd9/F#

 

10 12

14

   C





you

14

 



by

my

Em





side,





14

o

12

12

14

 

pen

his

 14

16

14

 

pp

9





   

mp

w/ bar

Harm.

12 9

17



eyes,

  



12

5

7



   

   

   

 

  

   truth



Am

rit.

will

de

-

liv

-

er

us



D

DsusÊ



 

D



G





 w/ bar

5

 

home.



rit.

5

10

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 

 





Em

16

and the

Pitch: G



 

With

C/G

-



       

       

    we will

      

14

D/F#

   



 

from Dream Theater - The Astonishing

Dystopian Overture Music by John Petrucci and Jordan Rudess

A Moderately q = 97 Half-time feel ** Bm

  

C#/B

Em/B

  





2 2 0

0

0

A#º7

F#

*Gtr. 1 (dist.)

f





1





3

2



5

*7-str. gtr., doubled throughout. **Chord symbols reflect overall harmony.

  

Bm

C#

G

  

  



2 2 0

4 4 2

3



Em

   

  

5

3

7

3

4

6

6

 

3

2

4





6



4



 3

  

F#sus4



4





5

5

5

2

3



2

7



Em/G

 

3

3

7



   



3

3



  

0

4 4 2



Gm/D

       0

   



4

Em

7



F#



5



F/A

   





7

Bbm





Eº/Bb

       0

C#m7b5

Bb/D



 5



Bsus4

 

5

3



 7

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

B



0

1

B Gm

Faster q = 118 Dm(add9)

       

C#º7/E A/C#

    Gtr. 2 (dist.)

  



f

rit.



*w/ delay

7

  



Gtr. 1



6

3

9

 

5

3

   



10

7

7 5

  

5 5 3

5 5 3

 



5

7

7





  

6

5

5 5 3

9

  

  

      

 9



2

Am

Dm(add9)

       



9

9



12

   P.M. 5 3

Dm



 



10 14 10

   

10 14

12

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 1

5

10



5 3

     

 

12

9

10

9

7

3 1

3 1

10

10

9

5 5 3

10 9

9

12

     Bb6

15

9

 



7 7 5

5

10

 

 14

15

12

  

10

 

9

12

  

8 6

 

10



 

  

       

13

Bbmaj7



Am

          **  P.M. 3 1

10



8 6

12



10

 

 

9

7

C

12

7

       

Bb

*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple repeats.

  

rit.

9

7

      

Dm

8 6

  

Bb





semi-P.H.

7

5

w/ bar

9



 -2 1/2



 



5

8 8 6

6





**Grad. lift P.M.

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



 

F/A



   

               

20

18



17

18

17 17

13

13

14

18

 



8 5

5

13

14

15

17

14

15

     

Am

loco

8va

 14

15

14

15



    

     P.M.

7 5

5



5

18

17

 

P.M.

7 5

5

15

5



5

C       

Bb Gtr. 2



Am

Gm7

  

15

17

18

Gm/F

18

18

f

10

8



17

5

  

5





      6

5

3

   F#/A#

Am







6

5

 

   

0

Em/B



0



5



6

Gtr. 1



 



2

3

  

C#º

Em/B

17

*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple decaying repeats. Gtr. 1

C



1/2 5

Em/G

     

grad. release

*w/ delay

11



Gtrs. 2 & 3 tacet

Em(add9)/F#



grad. release

        



     

1

Gtr. 3 (dist.)





Em

G+/D#

Gmaj7/F#

 

5

Em

 

 

8

7





A/C#

           2

4

7

5

2

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

       

   

Am/C

1

Fº/Ab

F/A







 

 

5

7

4

5

3

   D

C#m7b5

3

D 

  



12 12

17

12

19





1

0

       

µ

F

    2

6

Eº/Bb

 

2

 

F#m7b5

 

C

     5





   

1

Em



F/A

Am







5

4

6







14

    

7

17

5

6

0

3





        

P.M.

5



6



5

4

3

3

2

5

   

   



 

P.M.

3

6



     P.M.

8



9





3 0

    

3

 

7

  

End half-time feel C/G

Ab+





5





12 13 15 17

    

7

5

6

0

3

3

7

                              P.M.



7

8

7

6

5

9

8

8

6

7

7

9

6

3 8

7

6

5

8

4

6

4

5

7

E Slightly faster q = 122 Em

                                         C/E

F#m7b5/E

E7

P.M.

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

7

7

7

7

 

                     P.M. Am/E

7





F#

7

7

Am7b5

Em/G





7

7

7

F#

Bm/F#

 

    rit.

5

5 X 3

4 4 2

7

D#º7

C

 



4

1

Slightly slower q = 116 B

    

  

F#7

  

4 4 2

4 X 2

4 2

3

7

Em/G

  

2 2 0

F                                    Gtr. 4 (dist.)

 B

      

mp

*w/ delay

12 7

9

9

9

7 12 7 12 7

9

9

9

7 12 7

12 7

9

9

9

7 12 7 12 7

9

9

9

7 12 7

12 7

9

9

9

7 12 7 12 7

9

9

9

7 12 7

*Stereo delay set for dotted eighth-note & dotted quarter-note regeneration, w/ multiple decaying repeats.

     Gtr. 1

  

  

  

2 2 0

   

 12 7

    

  

 9

9

9

 7 12 7 12 7

Em/B

Em/G

Em

                                      9

9

9

7 12 7

12 8

  

9

9

9

8 12 8 12 8

9

9

9

8 12 8

12 8

9

9

9

8 12 8 12 8

9

9

9

8 12 8

  

2 2 0

5

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Gtr. 1 tacet

                                                   B

Gtr. 4

D#m

12 7

9

9

9

7 12 7 12 7

9

7 12 7

9

9

12 7

9

9

9

7 12 7 11 7

7 12 7

9

9

7

11 7

8

8

7 11 7 11 7

8

                                 E

11

7

8

8

8

7

11

7 11

7

8

8

8

7 11

         E

9

8

9

11

11

8

A/G

9

9

11

9

11

9

7 11 7

 

8

8 9 8

      

Bb/F

 

8

8

Slower q = 90

C/E

 

poco rit.

11

8

G#m

 

9

G

  8



B

       

F#/E

11

7

F#

8

11

12

14

12

G Faster q = 116

    

Gtr. 4 tacet

D

G/D

Em/D

Gtr. 4







12

12



     Gtr. 1

 



w/ chorus let ring

11 0

     Gtr. 1

11



9

 

 

 

12



 

12

11



let ring

9 0

7 0

A/D

 



 





11

11

9 0

11

12

12 0

D

 



 

let ring

12 0



14 0

14

12



  11 0

6

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  9 0

 

 

12 0

12 0

G

   10 0

    

 



G6

   

 

D





 

Bm



let ring

Harm.

10 0



Em

 

12 12

11 12

14 0

14 0

12 12

11 9

12 9

12

 

D/A

 

A

 

 

11

11 7

9 7

9 7

 

 

7 7

H Slower q = 105

Bb

F

C

    

             chorus off  P.M. 8 6

6

6

Gm

  

10

8

F/A

6

Bb

8 8 6

8 8 6

8 8 6

Bb/D





     P.M.



G

8

8

Eb

12

10

Eb

  

8 6

5

6

5

8

8

5

6

8

5

8

8

8 6

             Bb

6

6

10

8

6

8 6

8 6

6



8 8 6

10

D5

8

6

              F

8 6

C/E

8 6

8 8 6

F

F/A



 



3

5

6





8

Bb

6

Bb

12 9

                           

3

Eb



12 10

10 8

0

        

C/G

0 0

F/C



10 8

8

Dº/Ab

 

C

8

Dm/A

 

5

12 10

8

10 8



   

4

5

7

10 7

Dm/F

 

8

I Faster q = 145 Half-time feel

µ(E7b5)

        

µ(Bm6)

 rit.

7

6

5

4

6

   

5

4

 

      2

3

 (E9/B)







 2

1

7

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

(Bm6)

  



(E9/G#)





2

2











5

4

1

(E9/B)

  

 





(Bm6)







2

4



2

1

J Slower q = 112

(Bm6)

  



E

  

 

   

rit.

2

2

AsusÊ

  

2 2 0

5

1

Dsus2

AsusÊ

 

  

 

5 X 3

5 5 3

7 5

  

D

  



5 5 3

 

7 5

2



C#m

A

  

E/D

   

7 5

5 X 3

2



A/G

D/F#



 



4

5 X 3

 2

Bm



0

Segue to “The Gift of Music”

Dmaj7

   2

7 5

  



A/C#

 

E/G#



0

   A/C#



Bm7

 



2 0

G#º/D

  



A

3

Esus4

   

P.M.

3

3

3



3

E

  

  

2 2 0

5 4 2 2 0

rit.

    

A

 3      P.M. 0

0

8

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0

7 7 5

from Dream Theater - The Astonishing

Hymn of a Thousand Voices Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 86 ** Esus2

    

*Gtr. 1

(Piano)









 

 



    

10

12

12



mf



9

10

9



      

9

9

10

7

7

8

7

9

 



9

11

*Violin arr. for gtr. **Chord symbols reflect overall harmony.

     Gtr. 1

E

Aadd9/E



9

Rhy. Fig. 1 ***Gtr. 2 (acous.)

   

      

mf

    

   

 

0 0 1 2 2 0

0 0 1 2

    

   

   

0 0 1 2 2 0

0 X X X 0

     

   

  

     

  

   

0 0 6 7

0 0 6 7 7 0

0 0 6 7

0 0 6 7 7 0

0 X X X 0



 

sim.

let ring throughout

0 0 1 2

0 0 1 2 2 0

2 2 0

0 0 1 2

2 2 0

0 0 6 7 7 0

0 X X X 0

7 7 0

0 0 6 7

7 7 0

0 X X X 0

***Two gtrs. arr. for one.

  

E

   



9

          0 0 1 2 2 0

 

9

9

10

    

   

 

    

   

   

0 0 1 2

0 0 1 2 2 0

0 0 1 2

0 0 1 2

0 0 1 2 2 0

0 X X X 0

2 2 0

2 2 0

0 X X X 0

 



10

12

F#m7add11/E

       0 0 2 4 4 0

  

9

9

9

     



10

9

   

  

     

0 0 2 4

0 0 2 4 4 0

0 0 2 4

4 4 0

0 0 2 4

4 4 0

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   0 0 2 4 4 0

10

12

End Rhy. Fig. 1

    0 X X X 0

0 X X X 0

1

  

E

  



12

   

12

      0 0 1 2 2 0

Aadd9/E

    

9

9

10

9

9

   

 

    

   

 

 

     

0 0 1 2

0 0 1 2 2 0

0 0 1 2

0 0 1 2

0 0 1 2 2 0

0 X X X 0

0 X X X 0

0 0 6 7 7 0

2 2 0

2 2 0

8va    

 





16

13

9

14

    

   

      

   

   

0 0 8 9

0 0 8 9 9 0

0 0 8 9

0 0 8 9 9 0

0 X X X 0

9 9 0

0 0 8 9

9 9 0

12

       0 0 6 7 7 0

0 X X X 0

9

11

  

     

  

   

0 0 6 7

0 0 6 7 7 0

0 0 6 7

0 0 6 7 7 0

0 X X X 0

7 7 0

0 0 6 7

7 7 0



loco

 

17

11

   

      

Aadd9/E

    

0 0 8 9 9 0

9

    

Badd11/E

          

7

   



16

17

12

14

 

14

15 14

   

  

     

  

   

0 0 6 7

0 0 6 7 7 0

0 0 6 7

0 0 6 7 7 0

0 X X X 0

7 7 0

0 0 6 7

7 7 0

0 X X X 0

0 X X X 0

Verse Gtr. 2: w/ Rhy. Fig. 1

   

E

   Gtr. 1

  

  





1. Out

of

the shad

Aadd9/E



  

-

ows,



E

   



one by



      one

they



F#m7add11/E



came



8va

 

 16 17

16



  



        

17

19

17 19 17 16 17 16

16

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

16

17

 

   

12

14

loco

15 14

   

E

    





 

to

shed



Aadd9/E

 

their





light

Gtr. 1

 



up

-

on





 

his

mo

-



16

           Gtr. 2

Rhy. Fig. 2

    

   

 

    

   

   

0 0 1 2

0 0 1 2 2 0

0 0 1 2

0 0 1 2

0 0 1 2 2 0

0 X X X 0

0 0 1 2 2 0

     

2 2 0

Badd11

-









ment

   

   

8va



14 16 14 16 14

           0 0 8 9 9 7

2 2 0

17

   

  

 

0 0 8 9

0 0 8 9 9 7

0 0 8 9

9 9 7

0 0 8 9

sim.

0 0 6 7 7 0

0 X X X 0

   

  

     

  

   

0 0 6 7

0 0 6 7 7 0

0 0 6 7

0 0 6 7 7 0

0 X X X 0

7 7 0

0 0 6 7

7 7 0

Aadd9

  



of

doubt

 





14

16

loco

     







and



 

  

  

  

     

9 9 7

0 0 8 9 9 7

0 X X X X

0 X X X X

0 0 6 7 7 5





pain.





17

18

16

0 X X X 0

 



17

19

8va







 

17

16

16 17 16 14

End Rhy. Fig. 2

   

  

     

  

  

  

0 0 6 7

0 0 6 7 7 5

0 0 6 7

0 0 6 7 7 5

0 X X X X

0 X X X X

7 7 5

0 0 6 7

7 7 5

Verse Gtr. 2: w/ Rhy. Fig. 1

   

E



2. A

8va  Gtr. 1



 



 

thou

-

sand

voic





 



-

es

Aadd9/E





  r



E

  -

rang

 out



 



through









the

night.



  

8va



14

17

12

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Gtr. 2: w/ Rhy. Fig. 2

    

F#m7add11/E







 

A 8va              

17

16



17

     

16 17 16 14

Badd11

   

12

14

17 14 17 14 12





-

17

 



14

16



too

             

14

16

14

17

14

16

14

16

14

12

 

of

mer

-

cy

for





ior,

14

Aadd9/E

sym - pho - ny

 

loco

               

E

  

  

their

sav -



Aadd9





tired

  

 





to

fight.

 



8va

 



 



 



16

18

loco

  

3

19

16

14

14

21

19

16

14

16

17

Chorus

   

   

G#m

   Gtr. 1

   

 



And

as





 



   

the

cho

 



-

rus

Aadd9



 





 

  



 

9

10

grew,





9 18

   Gtr. 2

       4 4 4 6 6 4

19 18 16

19

18

    

   

 

    

   

  

  

     

4 4 4 6

4 4 4 6 6 4

4 4 4 6

4 4 4 6

4 4 4 6 6 4

X X X X X

X X X X X

0 0 6 7 7 5

18

6 6 4

6 6 4

9

12

   

  

     

  

     

0 0 6 7

0 0 6 7 7 5

0 0 6 7

0 0 6 7 7 5

0 X X X X

7 7 5

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0 0 6 7

7 7 5

0 X X X X

9

    

Badd11





 



a

thou

-

sand

    

 

   

 

G#m

hearts

 

beat



 

C#m



true.

Then

9

   

   

     

   

     

0 0 8 9

9 9 7

0 0 8 9 9 7

0 0 8 9

0 0 8 9 9 7

0 X X X X

   









like

a

glow

-

ing

0 0 8 9 9 7

0 0 8 9

9 9 7

   

   

 

4 4 4 6 6 4

0 X X X X

  

  



11

         

 



4 4 4 6 6 4

4 4 6 6

 

 

X X X X X

X X X X X

8

11

   4 5 6 6 4

9

7

 

 

  

 

 

5 6 6

4 5 6 6

4 5 6 6 4

X X X X

X X X X





the

dark,

Gtr. 1 tacet

F#m

    



 

 

Aadd9/E

bea

-



 

con

in



 

7

   

       2 2 2 4 4 2

    

   

 

    

   

  

  

2 2 2 4

2 2 2 4 4 2

2 2 2 4

2 2 2 4

2 2 2 4 4 2

X X X X X

X X X X X

4 4 2

     

 

Badd11/D#

0 0 8 9 9







       Gtr. 2

4 4 2

0 0 8 9

9 9

  0 0 8 9 9

    0 0 8 9

0 0 8 9

9 9

  0 0 8 9 9

sim.

0 0 6 7 7 0

Badd11

 

 

hope

  

     

  

  

0 8 9 9 0

0 8 9 9 0

      0 0 8 9 9 7

   

  

    

  

   

0 0 6 7

0 0 6 7 7 0

0 0 6 7

0 0 6 7 7 0

0 X X X 0

7 7 0

0 0 6 7

7 7 0



 

 



came

shin

-

ing

0 X X X 0

  through.

   

  

    

  

  

  

0 0 8 9

0 0 8 9 9 7

0 0 8 9

0 0 8 9 9 7

0 X X X X

0 X X X X

9 9 7

0 0 8 9

9 9 7

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Interlude Gtr. 2: w/ Rhy. Fig. 1

     E



Aadd9/E





    



Shin

8va

    

  

Gtr. 1

17

17

19

 



19

21

17

   

19

16

17

-

 E

 

ing





through,



 

loco       

16

17



19

16

17 16

19

17

18

Gtr. 2: w/ Rhy. Fig. 2 (1st 2 meas.)

    

F#m7add11/E

      shin

-

  

E

   

ing



   

      

8va





16

Badd11



through.

16

  

Aadd9/E

18

17

16

16 17 16

 



 

 

17

19

17

17

16

Aadd9





16

 



16

17

 

   18





16

16

A

         8va

Gtr. 1

 16

16

           Gtr. 2

0 0 8 9 9 7

18

16

17

19

16

 





19

21

19





16

17

 





19

21

19

   

  

    

  

  

  

  

0 0 8 9

0 0 8 9 9 7

0 0 8 9

0 0 8 9 9 7

0 X X X X

0 X X X X

0 0 6 7 7 5

9 9 7

0 0 8 9

9 9 7



     

16

16



17

     

6

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16

   17 16

19



 



 



16

17



-





Bridge Am

   

maz

 

 -

ing

-

 

 

17







17

19

17

Em

 

  

and

all

2 0

0 1 2 2

0 1 2 2





11

0 2 2 0

0 X 2 0

0 X 2 0

0 X 4 2 0

X X 0

0 1 2 2 0

2 0

12

 

12

X X 0

0 0 X 5 2 0

  



17

16

14

14

   

  

     

  

    

5 4 5

5 4 5 X 3

5 4 5

5 4 5

5 4 5 X 3

4 5 X 3

    

X X X 0

0 0 0 0

5 4 5 X 3

5 X 3

  

   

15

17

-



0 0 0 0

0 0 0 0

      3 3 2 0 0

voice,

15

5 X 3

13





  

  

  

2 3 2 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 0 0

3 3 2

2 0 0

3 3 2 0

0 0 0

 



11

12



rit.

14

   

3 2

16

  

                     3 3 2 0

14



15

3 3 2





17

3 3

 

 



joiced...

14

 



rit.

    re

his

D

 

 

they



 

 

 

er





found

  



  

-

 



 

ior

 

sav

 

-



the

Dsus4

  

                                0 0 0 2

  

to - geth

    

0 0 0 2 2 0

17

     



14



17

0 1 2 2 0

0 1 2 2

16



 

loco

  

0 1 2 2 0

 







   





16

      



Cmaj7/G

   

ly,

8va



 





2 0 0

2 0 0

13

12 13 12

14



rit.

Outro Slower q = 78 Gtrs. 1 & 2 tacet

G

     





Glo - ri - ous

    

D/G



  

C/G

 

sound,

guide

 her

  to

-



G





  

out

of

the

C/G

 

night,

Bm

G/B

    dark

-



ness,

*Gtr. 3 (7-str. elec.)

f

 

 

 

 

 

 

 

 

5 X 3

5 X 3

5 X 3

5 X 3

5 5 3

5 5 3

5 X 3

5 X 3

w/ dist.

5 3





0

0

*Doubled throughout

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

  

in -





to



Un

-

bind



 



3

5 X 3

3

5 5 3

3

1

5 3

3

5 X 3

G/B



Am



  



the

chains

of

end

 



8



3

  

5 5 3

new

3 1

 

 

5 5 3

her

let ring

her







set

G

3 1

7 5

C#º7





F







-

less

sleep.

 



 

 

 



8 8 6

5

5 5 3

5 5 3

5 3

5

G/D



let ring

4







let ring

5

2



a

5

G







Em



rit.

  





let ring

5

3

4

G/D

Mu - sic

  



   

  has

 shown

G/D

  

her

D

C

 

rit.

the



way.

  

 

5 5 3

3 3 1

rit.

 

0

5 X 3

1

G/B



Am7b5

She

lives





7

7

to



let ring

0

5

5 5 3

Eº7



grace.

     





8 7 6 5

        



3

  



0 5 X 3

    P.M. 

G



0



3





5



 



6

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

-

day!



    5 5 3

   





Dsus4

high,

D





 

on

rit. let ring

A tempo

  

3



7

6

3

bound - less





free.

Dsus4



thy





soul

G/B



of



  

Choirs

ves - sel



Am

B7/D#

    me

D

3

Dsus4

Make



3

G

3

C/E

  

  

life.



3

3

 



  





song,

Mer - ci - ful











 

0

grant



D/G

 

3 3 1



 

 

C/G



 



C

G

 

    

 







C

D

light.

0

 

Dsus4

the



5



Cadd9



G/B



Am



   

from Dream Theater - The Astonishing

Moment of Betrayal Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

Intro Moderately fast q = 163 * Em

   

(Piano)





*Chord symbols reflect overall harmony.





1. C/E



D/E





Em



 



Am

     

**Gtrs. 1 & 2 (dist.)

  

f



C/E

C/E



  

C

  

7 7 5





Bm

   

2 2 0

2. Am/E



  

  

3 3 1

2 2 0

**7-str. gtrs.







B5

 

 

3 3 1

2 2 0

Em

C

  

   

D

   

2 2 0

  

  

5 5 3

3 3 1

Am

   

         

        P.H.   

µ

  

 

7 7 5

7 7 5

  

1



2

0

5

4 Pitch: G



Half-time feel E5

D/E

F/E

                                 P.M.   P.M.  P.M. P.M. 2 2 0

0 0 0

0

0

0

2 2 0

0 0

0

0

0

0

0 0 0 0 0 0

0 0

2 2 0

0 0 0

0

0

0

2 2 0

0 0 0

0

0

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

0 0 0 0

1

End half-time feel

                                               P.M.   P.M.  P.M. P.M. E5

Em

2 2 0

0 0 0

Verse E5

0

2 2 0

0

0 0

0

 

  

    

1. Brace

   

your - self,

my

broth

0

-

0

0

2 2 0

0 0 0 0 0 0 0 0

    P.M.

7

0 0 0

    

E5



0

 

Noise

  

0



er;

 

0 0 0

C/E

No more



0

0

0

0

0

still



0 0

  blood



8

0

0

0

0

  

There’s

-

shed,

0

0

0

0

0 0 0 0 0 0 0 0

0

0





no

time

0

  

F/E

0

0 0 0 0





news.



    The

    



P.M.

5

0 0 0

0

0



   to

0

5

0 0 0

Em

    

7

0

0

0





lose.

0 0 0

    

  

pain

fear.

     P.M. 0 0 0

5

and

0

0

0





0 0 0 0

            P.M.  P.M.

no more

       P.M. 0 0





0 0 0 0 0 0 0 0

  

0

0

A/E

to - night.

P.M.

0 0 0

break - ing

0 0 0

  



     

2 2 0

0

     P.M.

5

0 0 0 0 0 0 0 0

lie

of

0

0

    

7

  

0



  

threats

 

0 0 0

0

 

P.M.

8

  

0



         



0 0



 

0

    

I have

     

7

0

0

D/E

P.M.

Ma - chines

P.M.

7



0 0 0

    

Riff A



Am/E



   

0

D/E

0

0

0



0 0 0 0

P.M.

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0 0 0

0

0





    

7

0



0 0 0 0





    

F#/E

Ra

  







  

skill

will

brave

the

 -

ven

-

storm.

0

0

0

0

0

0

2

0

0

0

0

0

0

0

0

0





F#5

 

F#5

    4 2

You

are

ver - y

 

   

         

2 2 0

4 2



E5

on

edge.



 

4 2

2 0

4 2

5 3

-

to - ry

   

4 2

4 2

2 0

2



G5

F#

           P.M.  P.M.  0

2 0

is

  

 

   

4 2

4 2

4 2

2

0

5 3

0

0

4 2

1

2

1

3

     give

me

2

4 2

2 0

0

   C



E5

0

0

0

0

F#5

0

0

0

G5



        P.M.  P.M. 

2 0

4 2

0

0

5 3

0

0



 

  

G/F#





I

will

be

voice

for

   

     

  

 

4 2

4 2

4 2

4 2

    4 2





a

2 0

µ





 



strength.

              5 3

0

   

F#



3

0

strange,

µ



0

 



          



4 2

ing

4 2

Broth - er,

   

-

1





4 2



change.



act

0

3

F#7sus4







and

G5

         

  

0

F#5

    

ner - vous

0



E5



 

0

    



5 5 3



    



  

E5

near.



vic

0

Pre-Chorus



Our



F/E

                                    P.M. P.M. P.M.

G5





End Riff A

2





3 3 1

    2

3

5

  

4 3

5

1

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



Chorus Em

-

ing

rose,

  Am



se

-

  

 

crets

sold,









Burn

  





    

  

                                                      P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 2 2 0

0

0



-

5 2 0

0

  

ment

4 2 0

0



0

2 2 0

0

0 0

7 5

5

    

of

0

0

be

-

9 7

0

0

0

  

  

of

death,

10 7

0

9 7

0



10 7

0

5



tray

9 8

0

8

blood



P.M.

10 8

8



re

7 5

5

9 7



B5





8

7 8

-

     

       P.M.

P.M.

 

  

 

7 5

5

al.



8

5

2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1

        P.M.

9 5

5



-

C



10 5

8

7 8

8



0 0 0

9 7 0

9 7 0

7 8

8







Kiss

0

5

   



    Em

10 7

5

C

                        P.M.  P.M.  P.M.  P.M. P.M. P.M. 9 7 0

9 5

5



mo



0

  

Bm



0



     

4 2 0

venge,

                                                P.M.  P.M.  P.M.   P.M.  P.M.   P.M. P.M. P.M. P.M. 2 2 0

0

0

4 2 0

0

0

5 2 0

0

4 2 0

0

0

0

0 0 0

2 2 0

3 3 1

1

1

3 3 1

1

1

3 3 1

1

1

Rhy. Fill 1



Gtrs. 1 & 2







P.M.

8





 

P.M.

7 8

8



 

P.M.

7 8

9 7

0





P.M.

9 7

0

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

3 3 1

1

1

3 3 1

1

3 3 1

0 0 0 0

  

mo





-

ment



of



0 3 2 0





 

    

   

 







P.H.

 6

4

1

2

0

5 Pitch: F

D/E







by

the

war

 

 



2 0

2 0

2 0



heavy P.M.

 





 

-



rior’s

 



have

  

sworn

Riff B

 

  

2 0

2 0

to

  

live

and

     

heavy P.M.



2 0

 

  

2 1

0

  

 

be - hind.



 

2. I

 



2 0

2 0

May

God

             P.M.  heavy P.M. 

2 0

2 0

8

7

5

0

7

5

3



die

          

2 0

2 0

2 0



Em





1







2

0

2

5

 



2 0

2 0

2 0

  

 



re - deem

my

soul.

A

     

0

0

2

leave

heavy P.M.

3

3



7 5



 



 

 

End Riff B

2 0



4 2 0

2 0

Nev - er

     P.M.



5 2 0

2 0

code.

3



5

3

4

G

Fadd#11

 

      

0





  



P.M.

4 2 0

2 0



   

            

2 2 0

0 0 0



al.

P.M.



  



-

 

Verse Em





tray

0 0







Am





µ

-

   

let ring

0 0 X 3



 

be

   

 

  

  

To Coda





   



     D

a

   2 0

 man

 



2 0

2 0

Asus2

          P.M. 5

5

5

5

9 7 5

   9 7 5

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Gtrs. 1 & 2: w/ Riff B

Em

  I

will

give

you





what

you









  

  

my

are

days



Guilt

and

shame

    

 

0

0

3 3 1

2

 

night







where

will

bur



for

-

er







den

me





Fadd#11



my

son.



 



un -

Pre-Chorus B



 

 

 

Meet

me

 



to

-

                   semi-P.H.   P.M. P.M.

 

0



 

the

stars

0

0

6

0

 

7



touch

8

7





the

sky.

5

7

7

8

7

5

7

7



8

5



            

            

              slight P.M.  P.M.

7

7

7

8

7

5

7

7

    

 

He’ll

be





broth

-

P.M.







   

3



Bb5

done.











C

D/E

my

Gtrs. 1 & 2





need,





til





Em

   

 

  

 



  











8

7

5

7

7

8 10

7

5

7

  

 



8



a

-



7

8

 

lone

7

5

7



7

8

5

7

0

0

 



there

8

with

3

5

 

no

-

3

2

0

3

5

6

  



where



to

             

            

             

7

7

7

P.M.

8

7

5

7

7

8

7

5

7

7

8

5

8

7

5

7

7

8

7

5

7

7

8 10

8

7

5

7

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

7

8

7

5

7

7

8

5

 Coda

D.S. al Coda

 











     



hide.

  

tray

  

P.M.

7



 

0



 

5 2 0

2 1



0

0



3

5

6

7

Cadd#11



  

He

will

be



  

 





3

3

3

   F

   look

fense

4 3

3

3



5 3

0

-

2

0



less.

3



2



say





    

on,

  



-



             P.M.  P.M.  P.M. 3

I’ll

 





5 2 0

0

Em

de

  

   



 

4 2 0

2 2 0

6

8

5 3

0



   

0

0

2



0

2

Bridge Em

P.M.

2 0

3

P.M.

2 0





 

5

      

    



al.





3

A#º5

   

 

0





-





7





8



                slight P.M.







  

Am

I

Gtr. 1

           Gtr. 2 divisi  P.M.  P.M. **P.M.  *

11 9 7

7

2

10 8

0

8

8

8

8

9 8

8

8

10 10 8 8

10 8 0

0

*Gtr. 2 to left of slash in tab. **Pertains to Gtr. 2 only.

F#m7b5



   put



B7/D#

      up

a





    

5

2

0

Em





fight.

There

Gtrs. 1 & 2



  

7 6



       P.M. 6

6

6

6

7 6

  7 6

 2

  

Cadd#11



will

be

  



0

5 3

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



 



  

Em





no





  5 3

3









mf

2

0





you

1

   



1

1

   

   



       P.M.

-



G5 Em

ro

8 6



4 2



6



6





5 3

 

    

2 0

   

0



Gtr. 4 (dist.)

mf

           Gtr. 5 (dist.) mf divisi * P.M.

17 17 17 17

17 17 17 17

17 17 17 17

17 17 17 17

        

                  

0

0

   

17 17 17 17

         

 

P.M.

P.M.

17 17 17 17

7 6

6

to - night.

          

8 6

   

6

F#5

he

3 1

 

    

Bb5

 



7 6

     

a

3 1

1

 

0

         P.M.

3 1



0

call

0

   

5 3

3



F

    

Interlude Em Gtr. 3



  

will

2

(dist.)

3



ness.

  





They

4 3

3



-



  

Em



3



   

3



wit

            P.M. P.M.  P.M. 

A#º5



0



9 9 7

   

17 17 17 17

        

       

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7



*Applies to both guitars throughout.



Gtrs. 1 & 2



    heavy P.M.

0

0

0

0



   

0

0

0

0



   

0

0

0

0



   

0

0

0

0





   

0

0

0

0



   

0

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

0

0



   

0

0

0

0





Am





Em

   

   



   



   





        

                  





P.M.

17

17

   

17

17

17

17

        

17

17

17

17

17

17

17

17

17

17

17

P.M.

10 7

    

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

   



   

heavy P.M.

7 7 5

0

0

0

0

0

0

0



   

0

0

0

0

0



   

0

0

0





0

C 8va

  

   



   



    

P.M.

17

17

17

17

17

           

17

17

17

17

17

17



           

Gtr. 3 divisi

24 17

17

        

         

P.M.

  

Gtr. 6 (dist.)

mf

24 17

24 17

24 17

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

   

heavy P.M.

0

0

0

0

   

0

0

0

0



   

0

0

0

0



17

           

9



20



10 8

         0

0

0

0

3 3 1

9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Gtrs. 3-6 tacet

µ



Gtrs. 1 & 2



   



 



P.M.

3



2

0

Am

3

7 7 5

5

7

5

8

7



0

 

   



5

 



3

2

0





2

0



  

5

3

7

5

0

Em







3

2

 





0

3



7

 

0

0

0

0

µ



2

3

 

P.M.

0

0

Em

    

 

  



P.M.

3



2



 

5

3

2



0

3

0





7

5

2

5

1

3

0

0

0

0

1



 

      

0

0

0

0

0

0

6



7





7

0

 

3 1





2

3

0

0

0

0

 



     

0

0

 

7

10

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

  

2

0

3

µ

5 0

10

 

8

0

  

0

 

0

     

0

0



            

  

0





3

     P.M.

3 1

3

0

0

 

C





0

            

0

0



            

P.M.



   

5

P.M.

3



µ

10 7 5

5

 



P.M.

   



0



   

      P.M.

  

  

5



 

4



7



3

2



Gtrs. 1 & 2 tacet

  

(B)

                     Gtr. 7 (dist.)

 



           

f

9

10

9

13

12

11

11

12

14

13

12

12

13

9

10

13

12

11

11

12

13

14

12

12

13

15

  

                  9

12

16

14

14

12

16

15

14

16

17

Gtr. 8 (dist.)    3                3     3 Gtr. 7



f

15

12

14

11

12

13

12

15

19

19 17 15

19

17

15

12

14

14

13

16



12

14

12

16

17

14

15

17

19

 

16



1

*w/ delay

13

11

         

Gtr. 7 tacet

16

12

13

3

Em

14

11

                

Guitar Solo Half-time feel

17

12

17

17

19

15

17

17

16

17

*Stereo delay set for 375 ms & 600 ms regeneration, w/ multiple decaying repeats.

  

Gtrs. 1 & 2

  



P.M.





0

0

2 2 0

  

D





15

17

F

    

7 5

    

19 16

  



14

16

19

     P.M. 0

0

3 3 1

14

17

 

15

15

17









 

P.M.

9 7

9 7

0



0

Em

               3



13





12

 

 

3 3 1

2 2 0

15

14



12 16 14

19



P.M.

0

3

17





16 19

 0

14



17



3

16

14

  5 4 2 2

11

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)









 19



16

17

16





3

loco                     

A

   

8va



15

19

16

19

3

17



15



19

   

  

17

15

14

15

17

15

14

15

 

 

5 4 2 2

7 7 5

0

5

                              3 3





8 12 14 16 18 11 12 14 16

 

 

7 7 5

7 7 5

9

10

9

12 15 12

12

10



 

P.M.



   

0

3 3 1

1

1

                       Em





1 15







  2 2 0

15 12

15

15



P.M.

0

15

12 15

 0



12 15 12

  5 4 2 2

15

12

 

15 12

14

15

14

12 15

22



12

15

14

7 7 5

5

D

3

3



12 16 17

19

 

  5 5 3

3 3 1

     1

12

14

14

 

15 19 15

13 12

11 12 14 16

15

       

3

3

14

 

P.M.

C

12 14 15 17

12



P.M.

5 4 2 2

14



3 1/2

19 21 22

            F#

22



 

  

2 0

4 4 2

12

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

18

18

21

16

     P.M. 2

2

4 4 2



15



 





1





17

17

15



         

                  

Am





5 14

17

14

16

15

16

14

16

12

15

14

14

12

13

17

12







6

13

14

 

   

  

 

 

4 4 2

4 4 2

4 4 2

7 7 5

7 7 5

14

15

12

15

14

14

 

13

Chorus



Burn

                 





15 14 12 14 15



   semi-P.H.  

mo

   

Gtrs. 1 & 2



10 7 5

  

Bm

   

-

ment

  

  

  

0 0 0 0

2 2 0

4 2 2 0

-

 

crets

sold,



19

19

 

 

  



let ring

5 4 2



of

  

se

  

  



   





C

tray

-



be

-

   

  

  

 

0 0 0 0

3 3 1

3 3 1

  

  

7 5

10 7 5





B5





      



19







 



rose,

2 0

4



       ing

19

19

  

4



16 17 18 19

14 16 17





1/2

13 14 16 17

-



Gtr. 8 tacet

Am





Em



 

  



B7/D#

al.

 

  2 2 0

13

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Kiss





of

death,





C



blood

 

 



  

 

5 4 2

2 0



 

be

-

   

   

tray

   

let ring

3 2 0 0

0 0 0

Chorus Gm

 

7 7 5

7 7 5

  

and

lies,

          

12



14



5

15

15

  

14

3 2 0 0

D

-

12



   2



5

  

 

ing

sides,

14

 



 

4

 

3







   

 

 

15

let ring



3

Cm



of

 



 



mf

0 0 0

0 0 X 3

ment

D#º7

            

*w/ delay

  

-

   

End half-time feel

chang



Gtr. 9 (dist.)

  

F#m7b5

  





  

 

al.

  

  



  

D

3 3 1

3 3 1

     



Threats

-





mo

 



      





venge,

-











 

0 0 0

Am

re

  

   

let ring

  

 





  

 



  Em

1/2

15

15

15



12

*Stereo ping-pong delay set for 450 ms regeneration, w/ multiple decaying repeats.

                                         P.M.      P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtrs. 1 & 2

5 5

5

5

7 5

5

5

8 5

5

5

7 5

5

5

5 5

0 0

5 6

6

6

7 6

6

6

8 6

6

6

14

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7 6

6

6

5 6

6

5 5 6

0 0 0



mo

 



-

ment

14



  

of

15

   

be

  

15

18

3

5 5 3

3

-

3

  

  

ing

all,

5 5 3

3

5 5 3

3



5 5 3

14

14

6 6 4

0 0 0

4

sav

-

4

6 6 4

4

14

15

15

6 6 4

4

4

  

 

iors

fall.

                      

12



4

14

12

6 6 4

4

  

7

13

       0 0 0

5 5 3

5 5 3





  

   

1/2



15

15

14

6 6 4





15

 

12

12

                     P.M. P.M.  P.M.  P.M.

  

   





 15

Eb





al.



    

3

-





Risk

3



D5

         

14

5 5 3

3

tray





      Gm

3

-



                       P.M.  P.M.  P.M.  P.M. P.M. 5 5 3



Eb

 

     

12

    

  

Dm



     

15

12

                                               P.M.  P.M.  P.M.   P.M.  P.M.   P.M. P.M. P.M. P.M. 5 5

5

5

7 5

5

5

8 5

5

5

7 5

5

5

5 5

0 0 0

6 6 4

4

4

6 6 4

4

4

6 6 4

4

4

6 6 4

4

4

6 6 4

4

6 6 4

6 6 4

15

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

  

F

 

Mo



be

    

8 8 6

8 8 6

6

  

µ

 



6

3

5

-

 17

    

 

  

8 8 6

8 8 6

3 3 1

  



tray

17

8 8 6

    

Gtr. 9 tacet Gtrs. 1 & 2

8 8 6

8 8 6

6

-





al.

 0

17



15

15

    

 

    

3 3 1

3 3 1

3 3 1



  

15

8

2

8

5

    

 

3 3 1

3 3 1

3 3 1



 

D#º7

 



semi-P.H.

5





w/ bar

17

 





      

    



1/2

18

                P.M. 8 8 6

Cm



17



   

     

of

  

14



 8va   

ment



 

12

-

   



    

4

4

Outro * Half-time feel





Gtrs. 1 & 2: w/ Riff A

Em







D/E

F/E





Em







*Next 13 measures, drums superimpose constant half-note pulse.

A/E





C/E







Em





F#/E





End half-time feel

F/E



Gtrs. 1 & 2



 1

  

  







0

0

0

0

P.M.

0

0





1

 









       

0

0

0

0

0

0

P.M.

0

0

0

µ

0

0

 B5



  

3

2



  

2

5

 

4

   2



1

  

4

16

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   2 2 0

0

0

0





from Dream Theater - The Astonishing

My Last Farewell Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

All gtrs. 7-str.

Intro Moderately slow q = 74 * Cm

Bb/D

       



An

-

Ebm

 

gels





a -

Cm

Bb

   

bove,





have

Gm

  

  

you

de - ceived

my

*Chord symbols reflect overall harmony.

Abadd9

   

Cm





 



Be

still,

eyes?



Fm

Abmaj7

   

won’t

  



Eb

    Gm



home

 

   I

   





 

love.

Bb

I

Gm

  





  

All

Gm





 

have walked

Abm

 

in

my



side.

Fm

life,







your







Ebadd9

  

Bbsus4

leave

Ab

Bb/D

lone.

Dº7



  

Bb/D

Now

I’ve found

Bº7

  

you,

Cm

  





a -

my

 

on

-

ly

my

G5





 





I’m



 

too

Moderately e = 220

  

Cm















late.

    

Gtrs. 1 & 2 (dist.)

  f







 





 

 







 







 



 







 





P.M.



1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

1

  

1

1

Verse Cm

µ(G7)

  

 



1. Have

  

           



slight P.M.

3

2

4

3

4

2

      in

-

 



P.M.

1

3

6

  

C7

  

4

1



4

3

1

1

1

 

 This

1



1

 

1

-





1



1



  

is

more

 

1



1

 

1

Bº7/C



1



1

  



1



1

 

night

-



 

1

 





1





 

1

1

1





mare?

               P.M.  P.M.

 

1



 

dered

D/C

  

-

 

1

one’s



  

wan

  

 

1

Cm



  



1

   

 

some





Fm/C



 

1

I

P.M.

0

to





   

Dm7b5/C

  

1

1

2

4

5

2

4

3

5

Ab/C

than

3

5

5



 

 

2

an

-



y

                                         P.M.

3

3

3

3

G7/C

3

 

can

 







 

3

3

3

3

3

3

3

    

3

3

 

3

3

3

3

3

Gm











 

3

3

3

3

3

 

 

bear.

P.M.

3

3

F#º7





heart

  

3



   

3

You

                           P.M. 7

4

6

3

6

3

5

2

5

2

4

1

3

3

3

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

3

3

3

3

3

3

3

3

3

    

 

Fm/G

my

broth





stole

  

 

  

Dº/G



Ab/G

           

 

 

-

er’s

           

            

  

Fm

3

3

3

3

3

3

3

3

3

3

3

more have

3



3

D

    

How man - y

3

to

3

3

3

die



be



-

3

3

3

3

o - pen

3

3

6

4

3

3

3

G

  

your

3

3

3

3

3

  

 

eyes?

    

let ring

4

3

    



  6

3

fore you will

 



3

Ab

 

  

3

  

 



3





  

3



life.

P.M.

3



G

 



 

5 3

5 3

5 3

6 4

 

Keyboard Solo

     



2

4

0

4

3

D#º7

  

5

     

6 0

4

7



  

1

4

B7



  

  

1

  

F5

5

0 0

Cm

2

 

  

 

1

1

4

D5

  

3

1

Dº5

2

0

 

G5



 

4

3



  

3

1

F5

         

1

4

2

4

1

4

F5

3

2

2

4



 

   

1

4

4

Cm

3

2

1

Dº5

       

1

4

0

1

3

4

5

4

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

  

Ab

D

C5

Bm7



Chorus Cm

Dm7b5

   

Bb/D





Don’t

  

         3

5

6

     





3

2

4

3

1



3

4

0







     

   

1

3

4

3





4

    Gm



one



  

Ab



   

  



    

 let ring

3



Bb

   

Bb/D

strong

let ring



-





let ring

6

6

    

8

8

Cm

Stay



   

6





1 1







  





1

    Fm

    5 6 6 4



4

for

  

This

    

 

let ring

how.

3 3







   



5 6 6 4

      

some



1

Ebadd9







let ring

6

6

4

   

   



3

on





let ring

3

  

1





3

let ring

breath.

  

3

3



1

3

   





4

more

 



4

let ring



me



1

Cm

6

4

  



1

  

   

4





Hold

let ring

  

   

w/ chorus let ring

now.



leave

1 4

Ebm

  

  

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



can’t

   



let ring

1 1

1



Abmaj7

Bbsus4

   



be

  







 the

 

 



  





 

 









Gm



 a

 

 

 -



  

1

   

Bb/D



 

am

  



 

let ring

 





 







   

3

Eb/G



 



let ring

3 3

4



6

 

you

have

 



 



1 1





1

   Cm

6

  



 



 

1

 

so

take

5 6 6 4

 





1



   

 I

let ring

5 5 3

home,







3

Eb

your

Fm

Now

3

  

   

5 6 6 4

let ring

1

3

let ring

3 3

3

lone.





let ring





3

   

6

6

4

  



let ring

3

walked

  



 

 

let ring

  

 



7 8 8 6

life,

5

   

All

  

8



let ring

3



   



Ab

your

  



8

6



 

let ring

6

6

 

 





Gm



end.

let ring

4

Bb

 

   my

1

   

Abm

hand



 

 



let ring

4 4

4

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

  







and



 

 

don’t

   

  

 let





let ring

  



go.

 



µ

 



   

 





let ring

   

 

1

1





4

3

  

6

6

4

3

3

3

4

0

3

Interlude µ(Bm)

    

  

chorus off P.M.

2

  

3

6

        

0

Em

2

P.M.

7

9

14

0

15

7

13

6



0

0



7

9

 

12

3

6

0

2

3

3

Bm





13

0



6

0

7

Bbº5





9

6

0

7

6

7

 

 12

0

10

12

13



7

0

      

12

11

13





0

0



13

9



0

0

3

5

7

0

3

C#m7b5

   



0

7

8

9

10

6

7

10

9

8





0

  

9

10 12

 

0

13

0

  

10

12

13







0

0

0



13

3

5

0

7



0

   

9

11







12

0

 

6

0

C#º7



C/B

 

0

Em7b5

Slower e = 202 B

  



12

10

6

 



B

  

7

  



13

6



              

G

9

Riff A



3

0

Db



12

11



C/B



2

0

     

            

      

  

6

Cm7b5

C5

12

3

Bm

  

6

3

  



0

  

10

12

13

End Riff A



 

12

10 12





0

  

10

12

13

Gtrs. 1 & 2: w/ Riff A (2 times)

  

B



A5/B

Am6/B



B



B5

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)





µ(B)

  

Bº7

Gtrs. 1 & 2

 





P.M.

0

10

13



0

15





13



12

11

0







12



14

0



15



 



14



 





slight P.M.

12

12

Bm7b5

14



15







17

15

14



0

                            

B7

   

12



Am

Em



Cº7

C#º7

Eb/G

F+/A

G+/F

Eº/G

G+/F#

Bb+/E

P.M.

13

14

16

17

16

14

19

17

16

20

19

17

19

20

17

18

16

14

20

18

16

21

20

18

20

19

21

0

Eb7b5

F(#5)add9

Gm6/Bb

Gº7

F#m

Dm

                                    Gtr. 1

8va

20

18

16

22

20

18

23

22

20

22

20

23

21

17

19

18

17

19

21

22

17

18

17

18

19

8va                                 

Gtr. 2

20

18

16

22

20

18

23

Ab

22

20

22

20

23

17

Em

14

14

14

14

14

17

Cm

17

15

13

15

14

F#

                                loco

8va

    

13

20

16

16

17

16

16

20

19

15

17

16

17

15

20

15

16

17

16

15

20

                                8va

16

11

13

13

13

11

16

15

12

12

12

12

12

15

11

13

12

13

11

15

18

14

 

loco

14

9

14

15

16

16

    11

11

11

13

14



9



16





13

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Outro Faster e = 220 Bm

      

Crush

  

 

-

ing

Em/B





 

pain

and

crip

Gtrs. 1 & 2

        

 

 

  -

pling

   B7

 

grief,

  

 

noth

-

ing



like



I’ve

                       

P.M.

2

2

2

Em/B

ev

  

-

2

 



er

felt.

2



2

2

C#/B



God

           

2

2

2

2

 

 

 

a

bove

and

-

2

2

2

Bm



2



2



souls

2

2



 



be - neath,

                       

 

*

P.M.

2

2

   



    

2

2

2

2

2

2

2

2 0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

*Grad. lift P.M.



A#º7/B

F#7/B

hear

my

last

fare

    



well.

           

0

0

0

0

0

0

0

0

 

0

0

 

0

0

0

 

0

0

0

0

 

 

0

0

0

0

0

0

 

8 6

0

B5

µ

 





    

µ

  

-

            

P.M.

 

Bb

Ah!

  





   

  



2 2 0

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



 



G/B

     

    



A#º7/B

from Dream Theater - The Astonishing

Our New World Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Gtrs. 1, 2 & 5: Drop D tuning: (low to high) D-A-D-G-B-E

Intro Moderately q = 94 Gtrs. 1 & 2 (dist.) *

** D

      

  

f



             

Riff A

 

w/ chorus let ring

 

P.M.

5 5 0

7

7 5

0

   



let ring



P.M.

4 5

0

5

let ring

11 0

4 0

 



let ring

P.M.

14 0

14 0

5 5 0

0

7

7 5

   

   

 5

0

 

9 7

4

7 7

7 7 0

9 7

0

*Key signature denotes D Mixolydian. **Chord symbols reflect overall harmony.

Riff B

     

 

let ring

5 5 0

7

7 5

  



   P.M. 0

4 5

0

5

      

Riff C



   P.M. 0

11 9 X 9

11 9

 

let ring

7

7 5

0

9



   P.M.

9

0

0

   let ring

4 5

10

12

5

5 5 0

0

7

7 5

9

11 9 X 9

 

11 0

4 0

12

14 0

14 0



5 0

4

7

0

0

5



        P.M.

11 9

11 9 X 9

9

                let ring let ring  P.M. 0



let ring

9 X 9

       

  

0

2

 

0

Asus4

      

12 9

D

     

9

       P.M.

 

 

P.M.

11 9 9

     

End Riff B

let ring

4

      P.M.

let ring

  



let ring

Bm

5 5 0

12



 

End Riff A

5 5 0

7

 

7 5

9



   P.M.

   

5 0

9 7

0 0

4

9 7

End Riff C

 

   

7 7

7 7 0

 

   

7 7

0 0 0 0

0

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

9 7

9 7

1

       

       P.M.

Gsus2



       P.M.

let ring

7 7 5 5

7 7 5

  

7 7 5 5

5

5

      

 



let ring

 

P.M.

5 5 0

7

7 5

0

  



let ring

   

 

P.M.

4 5

0

Verse D



5

0

9

0

1. Like your

fa

                    let ring P.M.  P.M.  0 0

0

0 0 0

0

      not

what

0

10

12

Asus4

you’re

giv

-

ther



let ring

0 0 0

  



-

   

7 5

0

2

      5 5 0

0

        



4 4

 

   

7 5

5 0



once

4 2

2

4 2

2

   

Gadd9

2

7

 

7

0

0 0 0

0





let ring



    

P.M.

7 7 5 5

7 7



 

on

the

path

5

5

   



P.M.

7 7 5 5

5

0 0

  

live

       

0 0 0

5

    7 7 5 5

Esus2

       

0

5

7

0 0

4 4 2 2

0

5

0

2



0

   



4 2

5

  



0

you

let ring

0 0

life

7

0 0 0

0

is

have

cho

-

2

how

2

4 2

2

is

let ring

0 0 0

0 0

D

   

  

de - cide

       P.M.  0

0 0 0

0



7

to

 

  

5

5

7

   



sen.

So

                           let ring P.M.  P.M.  P.M. 

4 4 2

2

4 4 2 2

2

7

5

7



5 2

2

  

you

   

7 5

0

4 2

      

  

   

9 0

said,

it

5

7

Bm

en,

5

4

0

 

                                let ring  P.M.  P.M. P.M.  4 2

2

7 0

0 0

                     P.M.  P.M.  P.M. 

0 0

D

7

4 4 2 2

      

            P.M.

let ring

4

Rhy. Fig. 1

0 0 0

  



4 4 2 2

0 0

D

     



let ring

7 7 5 5

5

          P.M.

Esus2

5

0 0 0

0 0

0

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

0 0 0

0

0

7 5

to -



    geth

   -

      

er

we’ll build



 

let ring

0 0 0

  





0 0

      P.M. 0

a new

 

  



0 0 0

3

3 7 5

7 5

5 3

    

 



0

0

    P.M. 

0 0 0

0

  

Am

Gsus2

   

our

  

Gtr. 3 (dist.)

0

  

          let ring P.M. 

 

0 0 0

7 5

0 0

0

0

0 0

   

bet

   

  

 



 

let ring

4 5

  

  

4 4 2 2

G/B





5 5 3

0 0

3

3 5

        0 0

5 2

0 0

Dsus2









 



    

world.







f

3



*w/ delay

7

     Gtrs. 1 & 2

5 2 0

   

       0 0 0 0

7 7 5 5



world,

       

4 5

ter

End Rhy. Fig. 2

   

Csus2

a new

-

4 4 2 2

0 0 0

5 2



 

     

 

     0 0

D5

new



 



3

5

We’ll build

0 0







world.

               let ring P.M. 

 



a

Rhy. Fig. 2



    

   

Em11

world,

End Rhy. Fig. 1

  

D

  

Gadd9/B

let ring

0 0 0

0

Chorus Csus2

7

7



*Stereo delay set for 400 ms & 700 ms regeneration, w/ multiple decaying repeats.

  

          



 



 

let ring

7 7 5 5

0 0 0

2 0 0 0

3

0

3





2

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Guitar Solo

                                        Gtrs. 1 & 2: w/ Riff A (2 times)

D

Gtr. 3



10

8

10 8

 

7

9

7

8

9

        

 

12

7

9

11

12

14

12

13

12

Bm



15



1/2

11

11

9

11

7

9

                Asus4





  

7

1

17

17

0 0 0



7

10

Gtrs. 1 & 2: w/ Riff C

 7

12





     

10





16

grad. bend 1

14

1

14

17

15

17

17

Verse Gtrs. 1 & 2: w/ Riff B

     

Gtrs. 1 & 2: w/ Rhy. Fig. 1

D





D

 





                          

15

14

15

14 15 14

  

scared



and

14

12



Gtr. 3 tacet

   

15

11 12 14

D

live

12

7

12

Bm

  







      

Through the

Esus2



a - lone,

   

    



 



on

for - ev



  -

in

D

  er.

-

no - cence









but

we

will

    your

   In

2. I



  

know you’re



7



in

  

 their

   face

 



this

to - geth

  

Gadd9



Asus4



mem

-



er.

 



eyes,

 

 



they will

   -

’ry

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)





we’ll build

   a new



Chorus Gtr. 1: w/ Rhy. Fig. 2

   

    



a









let ring

3

3

   

0 0

We’ll build

       



let ring

0 0 0

0 0

4 5

4 5

3

5 5 3

0 0

  

let ring

7

0



    

0 0

0 0

  P.M.

0 0 0

0

0

  

Gsus2

 

    5 2

 

Am



3



7 5

   P.M. 0

0

  

5 2 0



7 5

0

  

our

   



 

  

   

new

0 0 0 0

7 7 5 5

7 7 5 5

  

  

let ring

4 5

5

                let ring let ring  P.M. 11 0

4 0

12

14 0

        Gtr. 3



7

14 0

5 5 0

0

Guitar Solo A5

  



  





7

 

  

P.M.

7 5



   

5 0

4

9 7

 



7 7

7 7

9 7

           

              

5

7

4

5

4

5

7

5

7

9

8

 9



9

12

12

13



0

C5



1/2

13

12

13

12

15

 

 



2 0

5 3

5 3

Gtrs. 1 & 2

2 0

0 0

G/B

5



Yeah.

     

    

      P.M.

    



world.

7

let ring

0 0 0



 

D

4



world,

      

    

5 5 0

  

   

Csus2

   

Gtrs. 1 & 2

4 4 2 2

4 4 2 2

 

world.

  

let ring

0 0

0

  

- ter

      0 0 0

5 2

a new

 

     P.M.  0

5 2

   

 



 

   

D

 

bet

3

5

5 3

 



  

  

E9sus4

 



world, Gtr. 2



G/B



     

Csus2

14

14

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



    

E5



Gtr. 3







 

rake

12

X X



1 15



      

8va   loco                 

D5

3 1

12

0 0 0

12 15

15 12



3/4

14

12 14

    

12

14



 13

14 14

15

3

14 17 22 17 14





T

15

14

16

17

Gtr. 1

2 2 2

    

 

 

2 2 2

0 0 0

 

 

2 2 2

0 0 0



14

      

17

14 16 17

14 16 17

 



let ring

3 2 0 0

Gtr. 2

2 2 2

                   14



17 17

   

14



19 19

 



20

19

   

5

 

     

12



15 12

13 12 13

 

            6

6

12

15

19





15

17 15 17



15

19

22 19

20 19 20



6 19

20 19



let ring

2

5

5

5

5

 





let ring

2 0

      6

19

let ring

2 0

 





2

C5/G

8va

1/2



let ring

Am





5















let ring

2

5

5

5

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5

21 19

21 19

  0 0

  0 0

 

G/B





 

loco

19



17

0

 

17



16

0

 

16

14



0

 

14

12



Csus4

 



8va      



0

12

 12

16

17

15

19

loco         20



17

14

18 17





19 17 0

   

 

5 2

5 2

   

 

5 2

                     

6

6

6

12 13 15







12 14 15 12 14 15



12 14 15

14 15 17



3





14 16 17











3

3 3

3





 

5

5 3



 

3

3 3 3





let ring

5

3 3 3

   8va                  

16 17 19 17 16 16 17 19





17 18 20 18 17 17 18 20





17 19 20 19 17 19 20 19 17 20 22 20 19





let ring

0

3





5

let ring

3

15 17 19

5

 

   

3 3



Am

6

let ring

3

5 3 3

0 0



14 15 17 14 15 17



0 0



let ring

 

5 2

F5



  







2

5 0





2



let ring

0

2

5

5 0





2

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

         

G5 8va



Gtr. 3







Bb5

loco   8va                

3



1

22

22

22

22

20

19

22

C5



20

18

18





Gtrs. 1 & 2











let ring

5

5

5

      

D5 8va



Gtr. 3







20

20



8va

 

Gtr. 4 (dist.)





f

15

19

20



3 1

5 3

18

17

17

20

20 17

17

D









20

           

*w/ delay

17

Gtr. 3 tacet



1

18

15

   

0 0

5

15

17

14



19

19

20



22

22

 

15

          

 

19

15

20

19



21

19 21

19

19



19



   



20



20

19



  1

19

20





*Stereo delay set for 400 ms & 700 ms regeneration, w/ multiple decaying repeats.



Gtrs. 1 & 2



  

  

             

 

let ring

  

P.M.

0 0 0

9 7

7 7

9 7

7 7 0 0

5 5 0

7

7 5

0

0



   let ring



 

P.M.

4 5

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5



         let ring



11 12 14 14 0 0 0

4 0

0

Chorus

    

 

 

Yeah,

we’ll

      8va

 20

19

build

a new

  

19

21

19

   

19

17



5 0

4

7

X

    

0

D

5

0

3



3

5 5 3

0



 

      0 0 0

3

0 0

   

  We’ll

3

     

0

 

       P.M. 



  P.M. 

1/4

7 5

0

0

2

0

4

2

0 2

build

  

0 0

0

7

0 0

0

     

5 2

0 0 0

  



  

4 4 2 2

4 4 2 2

G/B





world,

loco



7

  

   

Csus2

     

Harm.

7

5 2

a new

8va



3



 

3

5



world.

Gtrs. 1 & 2





    



7 5

 

bet - ter





                        let ring let ring 1/4 P.M. 7

 



17

Gtrs. 1 & 2

5 5 0

E9sus4

 







21

  

G/B

a

      

 

20

Gtr. 4 tacet

world,

     



Gtr. 4



  

Csus2



 

       

let ring

0

3

3

5 5 3

5

5

0 0

5 2

0 0

Pitch: G

Gsus2

   

our

     5 2 0

   

      

5 2 0

0 0 0 0

7 7 5 5

  

   D

new

  7 7 5 5



world.

 





Yeah,

to

   -





we’ll

build

 

geth

-

er

   a

  

new

                                           let ring let ring let ring P.M. let ring  1/4 P.M. P.M.



  

Am

5 5 0

7

7 5

0

0

4 5

5

11 12 14 14 0 0 0

4 0

0

5 5 0

7

7 5

5 0

0

4

7

0

5

0

3

0

9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



world, (world,)

    

let ring

3

3

5 5 3

0

15 14

world.

                  mf let ring w/ reverb

0

3

0

4

0

15 14

5 5 3

0 0

     

Yeah,

0 0 0

0 0

0

0

7

G/B

12

3

12



 

3

3 3



5

 

 



5 2





   

         0 0

5 2 0

0 0

2

0

2

0

0

4

3

4

new

  

   

  

0 0 0 0

7 7 5 5

7 7 5 5

0

4

  

2

  

  

0 0

4

0

3

0 0

4

        

     

rit.

0

7

4

2

0

2

0

10

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

3 2 0 0 0



0 0 0

  

Gtr. 5



     

             let ring Gtrs. 1 & 2 tacet

Gtr. 5: w/ Riff D



  



       

0 0 0

Gtrs. 1 & 2



0

2

0

0

   

  

3

End Riff D

7

0

0

  

0

0



Riff D                         let ring

4

bold





5

Gsus2

a

 

3

5

  

Am



   

0

Gtrs. 1 & 2

                           semi-P.H.  let ring 1/4 P.M.   P.M.

let ring

0

7

4 4 2 2

4 4 2 2

    

   

Gtr. 5 (clean)

4

0 0 0

   



world.

world, (world,)



   

5 2

  

      

0



Outro D

15 14

 

     

new

  semi-P.H. 13 12

0

a

won - drous

   







  

   

D

Csus2

    

build

P.M.

0

5 2

  

 

               let ring 0 0

0 0

  

we’ll

0 0 0

      

a

3 5 5

5

      

 





 

 



   

    

Em9



      

G/B



Csus2



from Dream Theater - The Astonishing

The Gift of Music Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

Intro Moderately fast q = 158 ***Aadd9 *Gtrs. 1 & 2 **

  

AsusÊ

     



       



mf

A6sus2



A9

     







     

let ring



11

0

0

0

9

0

9

9

0

0

0

7

0

7

7

9

4

0

0

0

2

0

2

5

0

7

5

6

0

0 5

5

*Gtr. 1 (acous.) doubled throughout; Gtr. 2 (elec.) w/ clean tone & chorus **Key signature denotes A Mixolydian. ***Chord symbols reflect overall harmony.

Asus2

  

A6sus2

    











D%/A





   

G5/A

0

0

9

7

0

9

12

9





0

0

0

11

9

9

9

              Gtrs.

      

let ring

0

µ

Gtrs. 1 & 2

7

4

0

0

0

0

7

3&4 (elec.) divisi

f w/ dist.

7 5

7 5 0

2

5

3

4

2

3

Gtrs. 1 & 2 tacet

A

  

Gtrs. 3 & 4







 

0

0

0

0

P.M.

  









0

0

0

0

P.M.

  

    

 

P.M.

0

0

0

0



  9 7



0

0



 

0

0

P.M.

9 7

   0



P.M.

 

P.M.

9 7



0

 



9 7



0

9 7

0





0

0

0

0









0

0

0

0

P.M.

     0



P.M.



P.M.

9 7



0



0

0

P.M.

7 7











0

0

P.M.

7 7









0

0

P.M.

6 7







 

0

0

P.M.

6 7



 





0

0

P.M.

9 0

 

7 0



 

0

0

P.M.

12 9



 

 11 9

G5

  



P.M.

7 7





0

0

6 7

                          P.M.  P.M.  P.M.  P.M.  P.M. 0

0

9 0

0

0

7 0

0

0

0

0

9 7

0

0

9 7

0

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

0

0

7 5

1

  

µ

   

2

3

   

5

4

 be

   

P.M.

0



       0

0

0



   



 

0





1. Far

in





-



  0



0

0

0





the

pag

-

es

0



0



 

P.M.

7 7

0





0

A

 

7 7 5

5 5 7 5



   

P.M.





threat

  

    P.M.

0

0

0

0



 

9 7

-

en

  P.M.  0



0

 

9 7

0

0

0

9 7





 



the

free

-

dom

     P.M. 0

0

0

0



7 7

  P.M.  0

0



6 7



 



the

dis

-

tant

   

9 7

0

0

0



     P.M.

9 0

7 0

-

  P.M.  0

0

0

0



blood



 

-

0

0

9 0

0

0

0

7 5

ed

wick

man

    P.M.  0

0

7 0

0

0

7 0

0

Dadd9/G



P.M.





ture,

       



5

 



-



  P.M. 

7 7

0

Em11



-

time,



0



    P.M. 

9 0

0





 

   

of

    P.M. 

6 7

0

 

P.M.

9 7

0

    P.M. 

our

     P.M.



  P.M. 

7 7

0



of

0





fu

Gsus2

 

0



 

  -

0

ty



    P.M. 



5

 

ed

6 7

5

0

0

7 7 5

5





-

rants

    P.M. 

9 0

0

7 0

0



 



   

0









P.M.

0

 cold

    

0

6 7

 



  P.M. 

9 7

0

 

    0

0



P.M.

9 7



P.M.

0

yond

 

   

2

3



P.M.

9 7

  

 



7 5

  

Verse A

kind.

   

w/ chorus

2 2 0

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   

P.M.

0

0

0

0



Cadd9

  



Cor - rup -

    

     

  

     

    

 



        

tion,

lust

and

  





ty,

      

 

  

3 0 0 X 3

5

    

 

 

     let ring 8

7

10 7

the

-

i -

       

4 2 0

2 0

Fadd9

  

course

  

10 7

4 2 0

0 0 0

    

of

his

-

    

8 7



D

*   



 

ing

 

no - bil

 

to

-

ry.





let ring

7

Cadd9/E

-

   



       

5 2 0

2 0



chang

new

  

P.M.

0 0 0



the

  

3

Gadd9

   

de - fine

     

3

3

5 5 3 3

0 0 0



greed

let ring

11 9 7 0

        

Am7

A

-

0

3 3 1

0 0 0

 



  

cross

the

vast



  

North

Em

 -

pire,

  * Gtrs. 3 & 4                                     Gtr. 4 chorus off   divisi  P.M.   P.M.  P.M. P.M. P.M.  P.M.    Gtr. 3

3 3

  7 8

   

5 7





 

most





peo

0

0

0

14 0

0

0

14 0

0

0

0

12 0

0

0

0

  

ple

strug

-



  

    



0

0

0

0



P.M.

14 0

0

0



P.M.

14 0

0

0

0

0

9 0

0

0

7 0

0

gle

to

sur

Cadd9

-

vive,

                                P.M.

11 0

*Key signature denotes D Mixolydian.

 -

0

0



P.M.

12 0

0

0



P.M.

11 0

0

0



P.M.

9 0

0

0

        

P.M.

7 0

5 5 5

4

5

5

5

7 5

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 



D



 



liv

   



P.M.

8 5 5

8 5 5

    







while

   



0

0

0

0

0

0



  



ing

a

meek

ex



P.M.

14 0

0

0

14 0

0

se

14 0

0

-

14 0

0

0

0

0

0

0

12 0

0



 

-

ed

lead

   -

ist



 -

12 0

0

0

ence

-



11 0

0

0

0

0



P.M.

9 0

0



7 0

0



 

P.M.

0

11 0

0

er

     



P.M.



P.M.

Gtr. 3

   



0

0



P.M.

 

clud

     

0



P.M.

  

P.M.

0



P.M.



their

         P.M.



                                  

    

7 5 5

-

 

    

Gtr. 4 divisi P.M.

9 0

0

0

   *P.M.

7 0

0

0 0

0 0

*Pertains to Gtr. 4 only.

  

Am(add9)

Gtrs. 3 & 4 tacet

Gadd9











Bridge





  



thrives.



Gtrs. 3 & 4



We

   

   

   

  

are



liv - ing

 

day



to

day,



0 0 5 7 0

Dm(add9)

Gadd9



  Dm(add9)

C



 



share.

Bb

  -





sic

an

-

y

-

Bbmaj7

more,



      and





forced

to

bear

    

  

Peo - ple

     

  

just



don’t

Am

 





no

one

seems



  







have

  to



care.

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)





the

li

 

-

 on’s

  

 

the

for

time





mu -

  

My

Gm

   

Bb/F





                      





friends,



I’ve





seen

 



The

Cho

-

sen



One.

 





Our

quest

for







free - dom

has



be - gun.

Gtr. 3

       8

7

8

7

10

9

10

10



5

         Gtr. 4



 

10

Esus4





8















E

 



8







 

          He

will

be

the

an

-

swer

to

our

8

9 7

       7

Verse A



2. There

  

Gtrs. 3 & 4









P.M.

0

0

0



0



walks

 P.M.

9 7



0

  0







6

0

0



2

0

2





5

7

7





a

God





P.M.

9 7





9

  

*    

7



    

  7

  



prayers.

   7

10

0

0







 a





P.M.

7 7



0

0





 -





3

2





8

7





0

0



 

us





P.M.

9 0

  



mong

P.M.

6 7



  

0

0



  7 0

*Key signature denotes A Mixolydian.

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

      

  

 



who’s

seen

the

   

P.M.

0

0

0

 



  

9 7

0

0

P.M.

9 7

0

0

0

0

7 7 5

5

   

P.M.

0

0

be

the





D#º7

  P.M.  0

P.M.

9 7

0

0

0

0

Chorus Gm

 







           9

7

6

9

6

8

5

0

0



0

  



 

He

is

the

rev

 

 





0



   

 

P.M.

to

P.M.

0



6 7

0

0



   

P.M.

9 7

0

0

0





-

 

P.M.

7 7

0



0

    

   save



0

Em7add11

5

5

 

 

o

lu

-

 6 7

7 7

5



-

tion.

         P.M.  P.M. 0

9 0

0

0

7 0

0

  

us

all.

              P.M. P.M. w/ chorus 0

 

broth - er

0

  



 

0

5



one

7 7

0

7 5

7 0

 

9 7

0

9 0



P.M.



0

9 0

0

7 0

0

    

Dm

Ga

  

*Choir: (Ga

6

0

   

My

  

0

6 7



       

           P.M.  P.M.



D/G

wall.

2 2 0

  





0

  

   

F#º7

   

7 7

0

He’ll

9 7

the

8 7



0

on

P.M.

 



ing

P.M.



  

   

0

5

 

   

A

    

  



Gsus2

 

 



P.M.



-



0

Gadd9

     



writ

   

P.M.

  

  

 

  

-

bri - el

  -

   bri

  

5 5 3

      0 0 0

is

7 7 5

   -

Cadd9

        all

the

hope

we

   el,

  

 

0 0 0

5 5 3 3

need,





 

let ring

*Sung at concert pitch as written, plus one octave below.

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

3

3 3

  

F/A

  

Gm

   

    

shin - ing

 

 

 

all

the hope

     let ring

3 3

 

    0 0 0

 

  we

 

   

  

6 5 3 X 5

Fmaj7/A

Gm





the

light.

     

   0 0 0

8 5



 

 

to

be

    let ring

3 3

-

     5

Ra

-

ven - skill,



  

0 0 0

    

 

is

gift

the

   he

 

  

     

7 7 5

 



brings.

8 6

8 6

6 8 8 6

rea

  

 

-

son

6 6

to

be

-

lieve.



herd

  

 

0 0 0

5 5 3 3



 

let ring

3 3

3

Cm



 



song - bird

  

 stops

to

lis -

  



let ring

3 3

       

The

 

let ring

 

Cadd9

a

-

      

  

lieve,

 

  

Shep

  



0

of

Dm

   

  5 5 3 3



 



6

    



on

0

5

5 5 3

Eb



  





 night.

  

0

  

Mu - sic

 

  





  

  

Dm7

  

the

Shine

5 5 3

0 0 0

in

0 0 0

in



let ring

  

3 3

con



  

 

let ring

-

need.

 

   

bea

Cadd9

     

  

  

Shep - herd

 

a

Bb6



  



like

F/A

 

Ga

-

 

  

    0 0

5 5 3

    0 0 0 0

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

    

    

F

-

 

ten

when

Guitar Solo Half-time feel Em(add9)

 

 

he

 -

  

Gtr. 5 (elec.)







sings.

   bri



Bsus4

  

  

el.)

  

     





f *w/ dist. & delay P.M.

5

7

9

7



9

9



 

  





   

 



1/2

9

11

9

4

12

9

11

11

9

 

9

7

9

7

9

*Stereo delay set for 400 ms & 650 ms regeneration, w/ multiple decaying repeats.



     Gtrs. 3 & 4

  

  

2 2 0

3 3 1

  

Gtrs. 3 & 4 tacet

Asus4

  

Gtr. 5



 9

A

   





10

6

F#m7

 

 9 21

9

8va





**A.H.

7



15

17

16





loco      

3 T

19

22

19

15

 17



16

**Artificial harmonic produced by tapping string 12 frets above fretted note.

   

Em Gtr. 6 (elec.)







mf

Esus2/F#







Em/G



















***w/ dist. & delay

22

19

20

   

0

17

19

0

15

0

17

0

15

0

14

0

***Delay setting as above.



Gtr. 5





19

15

17

 0



14



15

 0



12

 0



14

 0



12

 0



10

 0

 





 8

A



1

12

 

        

Asus4

17

17

   

14

14

14 16

14

16

         

1/2 10

14

14

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

14

14

12

11

12

14



    





 14



Gtr. 6 tacet

C

14

                    

 14

5

5

14 15

16

17 17

 Gtr. 5             

16

17

15

17

19

15

19

F 8va

 

Gtr. 5

18



Gtrs. 3 & 4



3

17

20

17

19

20

17

19

19

17

13

14

19

14

15

17

14

15

16

14

15

14

13

12 15 12

 

14

6

13

14

 8va 

19

 

 

20

22

13

12 14 12

 

  6

18

16

17

13

14

13

6

12 15 12

       

19

20



19



  13

loco

 

12

13

14

8va



 1

20

X 0 0

17

          grad. release 1/2 



17 12

 



18 18 17 18

 

  

    

19

17

                       

Gadd9

3

17

13

Am

6

20

3

13



17



20

loco

3

17





17



              

8va

15 14

17

8va

14

16

14 16 17 18

               

18

End half-time feel

       6                    6

loco

6

17 18 17 15

 chorus off w/ flanger

3

 2

6

17 16 14 17 14 14

17 15 14 15 17 15 14







5

3

2

17 14 12 14 15 12







5

3

1

15



9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Interlude Gtr. 5 tacet

      µ

12

  





            2

3

2

2

2

3

2

5





C5

  

Gtrs. 3 & 4





2

5

3

                 End Riff A

Cmaj7sus2





2

0

Gtrs. 3 & 4: w/ Riff A (3 times)

  





12

Riff A

0





Am(add11)

3

2

2

E5



Cmaj7

2

3

2

F5



5

G5

2

2





F#º

2

5

A5

C

3

5



4

3

E5

0

3

5

Cadd#11

9

10

9

10

9

4

7

Em6

     



10

7

3

5

A

       

4

0

5

7

5

3

0

4

5

4

3

3

5

3

7

  

Gsus2

4

3

3

7

0

D

2

3

4

2

Bb

 f









 

2

3

0

6

7

8

7

5

8









 

5

7

5

7

8









 

w/ dist. P.M.

6

5

4

4

5

7

5

D#º7

µ 3

3

                     semi-P.H. 

C

*Gtr. 7 (7-str. elec.)

7

3



Gtrs. 3 & 4 tacet

G#º7

 

2

                                 0

  





6

7

7

*Doubled throughout

10

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9

10

7

7

6

    9

              

                    Gtr. 8 (elec.)

f



*w/ dist., delay & reverb

9

10

12

9

10

9

12

9

10

11

13

14

13

16

14

13

16

13

14

15

17

18

17

20

18

17

20

17

18

19

20

*Delay set for quarter-note regeneration, w/ multiple decaying repeats. Gtr. 7

   

 

7













3

5

6

 

 

4

4

                                                   loco

8va

16 15 16 18 19 18 16 15 16 15 16 18 16 15

  

16 15 16 18 19 18 16 15



6

19 16

18 15

18 16 15

 

 



4

7

4

3

18 17 15

18 17



 



15

 

   

4

3

5

5

3

Outro



Gtr. 8 tacet

   Gtr. 7

C

Em

Riff B

  



1

   

3

5

C

3

G

 

5

3



D/F#

D/F#

  



3

2

G





2

3

Am



C



5



C

Em



  

1

3

5

Em

D

  

    

2

7

   

3

G

D/F#

   

3

G/B

2

4

5





5

5

F

 

1

Am7

  

3

5



2

   

2

11

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  

C



  

 End Riff B       

5

2

3

D



   

2

3

4

5

2

Bm

C

F

5

3

Em



1

Em

G

D/F#

Am

C



5

0

Gtr. 7: w/ Riff B

C

Gtr. 9 (elec.)

 

Em

G/B    

D

                            



f *w/ dist., delay & reverb

7

10

10

12

12

9

9

12

12

14

12

11

14

12

10

12

9

10

10

9

10 12

9

17

15

11

15

15

*Delay set for quarter-note regeneration, w/ multiple decaying repeats.

   8va                       C

17

D/F#

15 13

17 15 17

17 16

14

        F

G

17



20

19

F

  

  







20

19

17



21

1

16



5

16 17 19

16 17 19

D

G

17 19 21

17 19 21

Bm

D/F#

19 20 22



 



0

3 3 1

19

3

17

19

16

15

19

15

14 15 14

17

19

15

13

17 17

 



  

19 20 22

        8va         

  

24

19 21

C

C

22

Gtr. 7

 

15 17 19



20



14

C

    

20

12

loco

Em

8va

Gtr. 9



22

17

Em

     

Am7

8va

  

16

C

24

   

12

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

20

17

19

from Dream Theater - The Astonishing

The Path That Divides Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 114

     



(Sound effects) 42 sec.



(Strings)





 



1. The

Verse ** Gbadd#11

         eve

   

-

*Gtrs. 1 & 2 (dist.)

  

Gb

  

 

ning stars

shine



bright - ly

      



   

Cm7b5



o

      



f

    

-

ver

-

en’s

  





Heav

  Cove.

  

P.M.



8

9

11

9

10

9

8

9

8

9

7

10 10

8

9

9

7

8

9

8

11

9

10

9

8

*7-str. gtrs. **Chord symbols reflect overall harmony.

Aº7/C

     







Bbm(add9)/Db

 

As

    

      





  

night

  

de - scends

in

      

 

Bbm/Db



si

 

-





lence,

  the

     

 

P.M.

9

       

Ebm7

fat

8

9

8

10 10

9

8

  

      -

ed

     

scene

 

un



9



-

9

8

8

8

11

11

10

8

Ebm6

8



  



Con

        

8

9



- sumed



8

11

9

9

11

9

10

8

9

11

9

8

10

10

9

8

9

9

8

8



 

11

10







14

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

-



P.M.

11

8

 

with trep

P.M.

8

10

   

Gbmaj7

folds.

  

8

i -

 P.M.

13 11

11

1

        Gb6



da - tion,

Ah



       

11

8

-



11 11

8

11

Gbmaj7/Bb

Bbm

    







8

6

hears

his



10



you’re



P.M.

8

Dbadd9/Ab

6

fac - ing

the

8

6

Gbmaj7/Bb



6

4

8

6

8



er’s

6

 



10

10

8

P.M.

8

10





path

that

di



6

P.M.

-

7

      





6 6



vides,

P.M.

6

Bbm



 

  

 I

will

     



6

8

10

6

8

P.M.

6

6

4

P.M.

4

4

4

Dbadd9/Ab

4

Db/Ab

  



  

al

be

here

3

-

ways



by





6

your



P.M.

7

6



3

   

8

6

4

10

8

2

8

6

10

  

P.M.

8

8

Gb



6



        

10

9



voice.



3

ah,

        

10

Db/Ab

  



8



Ebm





      

4

P.M.

8

10

P.M.

8

-

F5

P.M.



oo,

   



3

6

    

broth





  

    

11

10

9

 

  

     

P.M.

  

 

11

As



  

P.M.

Chorus

   

Cm7b5

rys

 



P.M.

9

   

 P.M.

6

6

6

6

4

Bridge

Gb

Fm

    

   

µ(F#º)







side.

   



I







P.M.

4 2

 



6

4









P.M.

6

 P.M.



        

4 4

4

8 6

6

8

10 10

P.M.

poco accel.

  

feel







 

my

pulse

be - gin

          

10 8

8

2

2

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2

2

2

2

        

to

P.M.

  

    

(Aº)



race.







2

2

2









2

2

2

(D#º)

  



have

 

made

a

grave

4

4

4





Beads

of

sweat

drip

  









5

5

5

5

5



4

-

  

4

4

4



 

(C#º)



4





5

5

(Cº)

2







5

5

5

5

(Bbº)

(Aº)

  

      have

I

2

2

1

done?

 My

    

    

4



6

1

6

5

5

(F#º)

(Eº)

for

my

    

F#º5

    

   

blood

       

(Gº)

son?

It’s

not

too

late.

I

                                P.M. 3

3

   

3

2

2

0

0

3

3

3

won’t

Bb5

 



him.

5 4 3 2

         Gtr. 2

     



*Choir: (Dar

Gtr. 1

   

slight P.M.

0

2

3

2



 2





 2

5

0

2

tray

E5

            -

3

2

2

0

  

5 4 3 2

8 6

y



G5

-

          



us!

   

2 0

         8 6



5 4 3 2

                     slight P.M. 2



-

5 4 3 2

5 4 3 2

5 4 3 2

Interlude µ(F#5)



        

be

                   

5 4 3 2

5 4 3 2

5 4 3 2

5 4 3 2

          



   



face.



What



q = 130

(Gº)

  

    

my

 

  

4

down

5

take.



  





     

mis

P.M.

4



  

              I





5 3

   

2 0



5 3

*All parts concert pitch throughout.

3

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µ(F#5)

C5

   





    



Ar

   



   









slight P.M.

0

2

3

2

2

2

   

      2

0

2

4



2

             A5

-

E5

2

5 3

0

7 5

       

you

die!

        slight P.M. 

    

     



Now

      

7 5

0

     

F#5



 4 2

7 5



2

2

2

2

   







2

3

2

2

 

 

4 2

4 2

5 3

0

2

6

2

2

7 5

 

4 2

C5





0

    

2 0

3

F#5







2

      2

0

3

2



Bb5

             

      

Pray

5 3

    

2

µ(F#5)

slight P.M.

2 0

0

           

 

G5

        

   

 



hys!

5 3

    



                               slight   slight P.M. slight P.M. P.M.



A5

F#5

E5

         

for

   

your

2

X

5 3

4 2

   

8 6

5 3

4 2



2 0

           

 



life!)

                 

2

   

  

8 6



2 0

Double-time feel

    Gtrs. 1 & 2

F#5

   









slight P.M.

0

2

3

2

2

2



  2

0

2



3

Bb5

 

E5

G5

                   slight P.M. 

2

2

X

0

8 6

2 0

5 3



F#5

   











F#m7



slight P.M.

0

2

3

2

2

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

2

2

0

2





4



2





slight P.M.

2



   

C5

A5

         slight P.M.  X

   

5 3

0

   



slight P.M.

2

3



2

2





2

3





slight P.M.

0





   

7 5

F#sus2

0



F#5

2





2

2

2

0

     

2

2



      3

2



0

2

2



2

2

X

X

7 5

0

2 0

   

     4 2

5 3

  

   

8 6



   

End double-time feel Fsus2 Bsus4

C#sus4

5 3

0

E7sus4 G7sus4

         

2

    

slight P.M.

 

slight P.M.

Gsus2





6

A7sus4

2 0

Verse

            C#5

     

2. I knew the day

2



P.M.

2

2

2

3

2

    

0

2

3

2

did - n’t

have

P.M.

3

2



2





2



2

2

0

2

3

      and









2



0

2

3

2



2

3



2



2

3

      

    

2

0

2

3

2









2

2



0

   3

2

2

        F5

B5 D5

                      2

his



  

end

done.

  

did - n’t be - lieve



2

as

2

G#º/C#

I



and fi - nal - ly

   

   

0



  

 

One

2

    

2

sen

2

but now you’re as good

I was de - fense - less.

    

2

 

2

C#sus4

choice,



    

0

D%/C#

A ter - mi - nal weak - ness,





2

a





2

-



    

Bm/C#

your





2

son.

2

2

2

Do an - y - thing for

   

0

0

  

to give up The Cho



      

C#5

I

2

ed



      

                



    

-

     

Dmaj7/C#



this.



2



C#7b9sus4



and you could be tempt

C#7b9sus4

          

3

come,





P.M.

0

      

had



   

C#sus4

X

2



2

2 0

5 3

G#ºaddb9/C#

    

voice,



8 6

0

and fight - ing was sense -



  

2

0

2





3



2

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

add¨9

     

C# sus4

      

- less,

   



but now I



P.M.

can see

    

2

2

0

2

3

      

the





2

truth.



2

I’ve come to





2

0

2

3



2

I should - n’t have trust - ed





   

    

my sens - es.

    

2

 

C#7



    

2

2

0

2

3

you.





2

 

  

2

2

X



 

0

Interlude

          C5

F#5



Bb5





E5

µ(F#m)

                     5 3

     

4 2

8 6

 

2

2

P.M.

      

2

2

 

      

4

2





4

0



 





P.M.

4

4

2

2

 

4

4

2



2

 

2

4

0

4

0

0



2

 

4

    

4

(A)

(G#º)

 



                       

    

4

(D#m)



2

      



P.M.

4



  

2

(D#m)





P.M.

2 0

(F#m)





(Bm)

 

2

2

0

7

(A)

7

7

5

(G#º)

5

5

4

            

2

0

 

7



4

4

7

7





0

  

4

5

5

4

(G#m)

4



5

4

0



4

4

4

6

6

(F#)

4

    

(E#º)



 

4

2

(Bm)

4

 

2

6

(E#º)

        

9

9

9

7

7

7

6

(B)

(D#5/A#)

(F#)

(D#m)

 

 

 

 

7

6

7

4

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

6

 

6

  

Verse Double-time feel

F#m

    

  





   

  



3. Ar - hys

Bm/D

was

nev

-

   

 

 



er

a



4 2

  

 -

Bm



-

 



lowed

         7 5

him

D#m

there.

 



  



Con - fused

    

son

had



 

G#m/B



  

and

death

 

 

2 0



 



7 5

     





his

  





ware

5 3

      fol

F#m/E

-





ly

a - fraid,



6 4

  

 





  



2 0

Chorus End double-time feel

D#m/C#

                 

 

   



X watched his

he

  

ro

be

F#

D#m

E

   

 brave.

 

6



7

  

 



-vides,

 



let ring

6







 

On

the

path that

   



4



di

-

 

2

2

0

 

3

0

2

D#m

3







you

were

there

by

 



let ring

9 0



let ring w/ chorus

B



 3  

2



 

3





my









      

4

-

7

G#m



D#5/A#

   

4 4 2

   

  

B

side.







0

2

4

 



let ring

2

6





9

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

E

          

3

  



There

will



 





3





be

no

be





let ring

-

 

tray

 

-



 

al



 









 

G#m





F#add11

to

-



night.





let ring





 

 



let ring

0 2

0

    

2 0

2

4

µ

F#m



     

 





   

9

6



I

found





 



2





cour - age

and

strength

3





let ring

 





 

 

C#m

4

 3   in

    



the

words

you

once

    



on

the path

   

let ring

0

2

2

that







4

5

F#add11

  

di

-



9

7



9

7

5



let ring

2

B





G#m



 





 

4

sang.

4

4

2

   

3



2

Eadd9

             lies

4



let ring

2

5





 



7

4



     

6



let ring

2 7

3





3



Tore

the

truth

from

the



 





let ring

 



4

6

9

6

4

µ



4

Aadd9





3

4

2

 3

  





vides.

         let ring

0 2

4

3

4



                chorus off

7

6

4

6

4

7

4

7

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5

7

5

4

5

4

7

5



Interlude

  

F#5









   

   

 



4 2

4 2

2

4 2







   

   

 

4 2

4 2

2

heavy P.M.

4 2

   

4 2

µ

4 2



4 X 2

2

F#5

                                            heavy P.M. 5

  

2



 

6

5

4

3

3

2

4 2

0

4 2

4 2

4 2

2

4 2

2

4 2

4 2

4 2

2

2

                                P.M. µ

  4 X 2

7

8

7

Half-time feel

              D#m

F#/C#

Gtr. 3 (dist.)

f





*w/ delay

3

6

6

4

3

8

6

6

5

9

8

8

6

7

7

9

6

           B

8

7

E#7/GX

3

7

3

6

7

9

6

6

7

6

8

5

8

4

 

4

5

7

       

G#m

 8

6

6

B#m7b5



3

4

3

4

6

3

6

4

*Stereo delay set for 400 ms & 675 ms regeneration w/ multiple decaying repeats.

      Gtrs. 1 & 2

     4

2

0





5

4





2

3



1

9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Outro End half-time feel

F#/C#

A#/CX

 

G#m





You

     



    



P.M.

3

6

3

4

 

7

6

   3

A#7

 Well,

      

 

   

 

you

threw

15

          

 8

8 6

8 6



mf

13

13



8 6

8 6

8 6

prince?

     

6 4

6 4

13

13

15

  1/2

                 P.M.

4



 16

6 4

6 4

6 4

  

A#7b9

6 4

6 4

6 4

6 4

    

  

A#

your

11

         

8 6

   

your

15



11

P.M.

8 6

de - fy

life

15

10

13

13

              

P.M.

8 6

8 6

8 6

8 6

8 6

P.M.

6 4

6 4

6 4

6 4

8 6

8 6

8 6

6 4

6 4

4

B





   

 

11

11

 

a - long

with Xan -

     

 

     

0

2 2 0

0

P.M.

2 0

2 0

10

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 10

4

  



1

12

           P.M. 

a - way

           



15

just

dare





4

    

      

 

       

 

6

5

2



 



     

8

8

 10

10

           2 0

2 0

2 0

2 0

2 2 0

       -

der’s

  





  

C#5

dreams.

  



     

11

10

10

     

                 P.M. P.M.  2 2 0

2 0

2 0

2 0

2 0

2 2 0

2 0

0

10

4 4 2

4 2

4 2

wrong

man

to

 

be

-



          

9

16

16





18

18

        

 

P.M.

0

the

    

  

 



1/2

C#

 



You chose

       

10

 



C#susÊ

4 2

4 2

4 2

19

 

21

X X X

                 P.M. P.M.  4 4 2

4 4 2

4 2



19

tray.

4 2

4 2

4 2

4 2

4 4 2

4 2

0

0

Half-time feel

     

D#m

C#/E#

F#



G#m





Two hun

        8va

1 21

  1/2

 

 



1

21

21

       

 

6 6 4

6 6 4



loco

            f

13

18

15

3

3

3

16

18

15

16

18

16



6

7

-

gry

  

war -

 

8va

3

18

16

18

19

  

 

  





 

 

0 0 0



16

mf

16

18

18

         P.M. 6 4

6 4

6 4

6 4

6 4

6 4

6 4

6 4

11

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

-

   

E#m7b5

ri - ors

     





18

19

18

8va

 



    

6 4

6 4

18

18

    

P.M.

6 4

6 4

4



clash

in

the shad

 

 

4

3

2

16

21



18

1



-

21

1

1

1

1

1



   P.M.

3

3

of

the

night.

    



1

19

4

    

ows

18

         P.M. 1



CXº7

        



1/2

           



 







    

21

21

18



19

     

3

3

3

3



 



and

Ar

3

0

End half-time feel

D#m

      



  But

8va           

  





there’s

a

cost

 

loco



 19

     

19

10

15



16

F#/C#

 



14

  

  

6 6 4

4 4 2



 

 



with

ev

-

’ry

    

B

 



fight,

 grad. release

1

fight

    



 



18

18

13

  

5

14

16

-



hys’

16

16





 

 7

12

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

D#m/A#



 

       for

 18

 





       







him

his

18

18

16

16

 



4



 

18

18

y

1/2

18

18

X X X

7







6

 



-



           rit.    6

  

ver

   

A#

  



rit.

18

E#m7b5







cost

1/2

19



G#m/F#

rit.

    

hope



G#m

6

3



6

A tempo Slightly slower q = 126

      

D#5



   





     life.

     



16

        

  

  

  

6 6 4

Gtr. 3 tacet

         Gtrs. 1 & 2

  

  

  

   

6 6 4

13

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

from Dream Theater - The Astonishing

The Walking Shadow Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 132 * µ(Em) Riff A Gtrs. 1 & 2 (dist.)

  



   



f

   

  

7

0

9

10

     

8 0

7

8

10

   0

0

0

   

0

5

8

7



0

   

7

9

10

     



8 0

7

8

10

7

*Chord symbols reflect overall harmony.

       



7



4

3





7

10

3

2

4





9

10

 0

5

1



4

4



7



1

7

0

 

5







10

 



9

5

8

 

9

 



8

7

8 0

7

 





8

4

7

 

7

10



End Riff A

 0



5





8

7

      

 

5

2

2

5

4

3

2

1





3

Verse Half-time feel

F#7

   

C7#9



 1. What

     4 X 2

   

have

  5 X 3

    

F#7/A#





 

you

     5 X 3



Emaj7#11





done?

  8 X 6

 You





mur - der - er!

    8 X 6

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



     9 X 7

  9 7

1

End half-time feel

F#7



   













C7#9

My





-

 

ther’s

F#(b5)

   

 

F(b5)

 

   

Your

day



will

  



come!

 



10 X 8

11 X 9

8 X 6

5 X 3

  

dead.

    

5 X 3

4 X 2

   

    

fa

 



F#7/A#

Interlude Gtrs. 1 & 2: w/ Riff A

µ(Em)







          Gtr. 3 (dist.)

f

*w/ delay & reverb

12

14

16



15

  

15

  





  









                      7

9

8



10



 9

7

10

9



10

14

12

16

15

15

    

  

7

9

8

10

9

*Delay set for 500 ms regeneration, w/ multiple decaying repeats. 8va                                

9

13

14

      8va

Gtr. 3

 17

  

17





12

12

14

13

16

19

15

13

14



17

12

16



Gtrs. 1 & 2

 0

17

15

10

 

8

17

19

15

19

18

14



20

9

14



10 0

17

15

18

    4



 

 1/2

18

18

13

18

   

7



1/2

15

                    

 



7

5

8



16

15

18

    

17

17

             19

15

17

18

14

17

15

12

15

14

             9

5

7

8

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

4

7

5

2

5

4

Verse Half-time feel Gtr. 3 tacet

Cm

Db

   



  

 2. Don’t

8va        





13

Dbadd#11/G





hold



  

Am/E

  

your

 

   





breath.

  

Em/F#

The

Em/G



night’s





still







   

      

13

     5 X 3

6 X 4

Ab/C

A/C#

  

11 X 9

12 X 10

F#m7

G6

9 X 7

8 X 6

5 X 3

 

 

 

  12 10

End half-time feel

  

 



young.

 Con

C

son.

    5 X 3

front

F#7b9/C#





 Who’s

 this

    6 X 4



  

your

6 X 4

5 X 3

 

-



   

    Gtrs. 1 & 2



  

G

  





  

death.





Like

fa

    

 

  

   

5 X 3

4 X 2

2 2 0

4 4 2

A#º7/G



Em



Em

  



I

see?

       5 X 3

8 X 6





-

ther,

 

9 X 7

11 X 9

like

5 5 3



 



    

B/F#

Ap - proach





Em/G

 

-







ing

  

 



12 X 10

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

   

Bbm6add#11



Am



me,

Cho

    

8 6

  

 -

   7 7 5

7 7 5

      

   

heavy P.M.

8

0

2 2 0

0

0

0



0

 

0

0

0

2 2 0

0

2 0

0

3

8

6

0

0

0

2 0

               semiP.H.  heavy P.M. 



2 2 0

0



      

2 2 0

0

0

D5

     

2 2 0

2 2 0

0

E5

0 0

0

2 2 0

0

2 0

0

0

8

6

3

      

heavy P.M.



2 2 0

0

µ

             heavy P.M.

8

0



   

E5

       semi-P.H.  

heavy P.M.

2 2 0

0

heavy P.M.

  



   

            heavy P.M.



µ(F5)



Rhy. Fig. 1

µ(F5)



 

One.

3 3 1



E5





sen

     

E5





Fm

 

The

Interlude Half-time feel Em

0

0

2 2 0

0



2 2 0

0

End Rhy. Fig. 1

              heavy P.M.  0

0

2 2 0

4

3

6

3

5

6

1

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1





E

  





Draw - ing

   

E

 

clos

-







er

pace

by

pace,

   

nev - er





a - ware

  of

Bb/E

the

Gm/E

     the loom - ing

  

   



walk - ing







shad - ow

E



hides



its

like

   step - ping right

    in - to





face,

Bb/E

  

at - tack,

   



a



trap.

Interlude End half-time feel





Gtrs. 1 & 2: w/ Rhy. Fig. 1

E5

  

E5



 



µ(F5)

µ(F5)

E5

E5







4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

 µ



D5



                    Gtrs. 1 & 2

                slight slight P.M.

12

14





13

16

19

15

18

15

13

14

12

12

10

9 12

11

7

10

9

11

12

8

11

8

7

P.M.

6

5

3

5

2 5

4

E5

                       P.M. 0

3

2

4

5

1

4

1

0

1

3

4

6

7

4

5

 

 

 

 

 

2 0

Gtrs. 1 & 2 tacet

µ(E5)





*

   

   



    

  



  

   

 

 

    

 



 





(Ah.) (Ah.) *Female voc. w/ reverb, next 5 meas.

   



Gtrs. 1 & 2

 

      6

7

4

5

Outro E





7



       



6

7

9

10

8



0

6

     

P.M.

0

3

4

6

7

5



0

8 3

4

C#m/E

7

8

10

11



8

9

10

12

13

-

on

     

8

10



0

4

9

11

12



     

4

0

9

C#m/E

            9



10

11

13

14



10

12

13

 

5



finds



   

15 0

     

P.M.

11

3



P.M.

0

    

2

5

P.M.

0

     

2



weap

    

1



E5

 

Gtr. 2



      0

his

P.M.

0

8

 

   

Gtr. 1



7

0

5

Bb5/E

As





P.M.

0

    



9

10

12

10

   

P.M.

11

12

14

15

0

16 0

6

7

9

7

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



E5



 



its





vic

    





P.M.

10

0





11

13

11



7

8

8

10

  



tim,

  

12

C#º/E

 









P.M.

15

14

mor

  

13

  

8

9





11

0

    

P.M.

12

0

10









12

15

13

0

  



P.M.

9

F#/E

ti

  



E

-

   

13

16



0

0

9

12

10

0

10

13

 









17

18

0



 

15

18

20

0



 

11

 





P.M.

11 0



14

15

12

15

17

0

Segue to “My Last Farewell”

 

 



F#/E

 



Eºadd11

shocked

to

find

the

    

  



 



 







8va



  



10 13

 

11 14 0



 



7

10

8 0

11





is

  17

           21

20

24

23



24

15

0

16

20

19

23

22

Cm

 

23

   

 

   

 



24 23 21

                15

 

Faythe.

8va

14 0

shad - ow

  

0

14 0



18

17 0

 

Eº5

18

17 0



 

 



P.M.

14

  



 he’s

14

14

12

E

fied,

17

15

0



-

P.M.

12

0

P.M.

0

E

-

11

   





C#º/E



23 22 20

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



from Dream Theater - The Astonishing

Three Days Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci

All gtrs. 7-str.

Intro Slowly h = 67 *Am

  Verse Am

 





     ad

-

  

 



mi

-



am im

 

-

pressed.

 



 

 

  

way you

 

   us



looked

X

7

8

D#5



6

7

E5

to

Bbm

     at

you back

X

7

µ(E7)

5 5 3

      6 6 4

  7 7 5

E7



6

8







 

Now

E







earth.





Am

B

               P.M.   7 5

6

Verse Am

7

X

8

6

7

     B

 



  To

Bbm6

 

Bb5

7



tears.

  

to

B



her.

        

7 5

cheers.

Esus4

Am

   

  

 

all

3

me bring

 G#º7

0 0





                           P.M.  2. Need

       



G#º7/A

and the

                     P.M. P.M. f   

D5



    

Bm7b5/F

   

 

 

You’ve brought

and let

B

Fadd9



the

throne,

Gtrs. 1 & 2 (dist.)









   

 

       

  F#º7

Moderately fast q = 160 Am

5

E+/G#

3

the ap - plause

G

no - tice

  



B/A

  

step down from your



F/A



Dm/A

ra - tion,

3

did - n’t

Am

  

 

Db

I

B/A





3

      

Cm

think

Am



B/A

 

I

 

G#º7/A

*Chord symbols reflect overall harmony.

1. The

 

Dm/A





Am

B/A

(Piano & violin)

4

7

5

8

7

7 5

I

5

5

7

re - mind

7

8

6

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

you?

6

7

7

1

Am

B

    

   I

am

the rul

-

Bb5

Am

B

    

 





er

here.

Don’t

o

-

ver - look

D5





that

fact.



D#5 E5





Gtr. 1

                                                P.M.    P.M.  P.M. P.M. P.M. P.M.  7 5

5

7

5

7

6

8

6

7

7

8 6

8 6

7 5

5

7

5

7

6

8

6

7

7

0

5 5 3

3

5 5 3

3

7 7 5

6 4

3

5

5

7 7 5

Gtr. 2

                                  P.M.   P.M. P.M. 7 5

5

7

5

Am

7

6

8

6

B

    

  Swear

-

ing

7

7

8 6

8 6

Am

al - le - giance

5

7

5

7

B

    

 



7 5

to

an

-

6

8

7

D5

but

0 0

Bb5





y - one

6



me,

no,

 

Gtrs. 1 & 2

                  P.M.  P.M. P.M.  5 5 3

3

5 5 3

3

Am

7 7 5

6 4

3

5

B

    

  I

won’t

5

7 7 5



put up

with

                                              P.M. P.M.  P.M. P.H. P.M.  7 5

5

7

5

7

8

6

6

7

7 5

7

5

5

7

7

6

8

6

7

7

5

5

6

7 5

5

5

7

7

8

6

6

7

7

Pitch: D

F5





D5



     

Pre-Chorus Dm

Bsus4





that.





Hide

      

G/B

and

pro - tect

Rhy. Fig. 1

 

    

6

3

1

0

 

  

      

5

5 5 3

5 5 3

4

  him,

     C

send

0

        him

Am

Em

 



a - way.

                  3

1



E/G#

4

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

5

5

 

      

        

Bm7b5

I’ll

 

 



5

7

      E

nev

-



er

play

7

5

          

E/G#

Am

5

thing

re - mains.

4

5

4

 Chorus A5

E5 Cm

self.



 

just

5 5 3

5 5 3

  

           

5 5 3

5 5 3

 

Bow

     D#5

E5 Ab/C

 



*Choir: (Brace! Gtrs. 1 & 2

     w/ chorus

7 5

         6 4

7 5

3 1

   7 5

6 4

7 5



6 6 4

7 7 5

7 7 5

     

  

    

6 6 4

7 7 5

7 7 5

0 0

0 0

3 1

A5

-

far

2 0



9 7 5



9 7

         



   



D#5

-

 

y

E5 Cm

-

us.



down.

 





P.M.

 

E/B

 



same.

        

  

ior;

E

  

Na

        

 

Esus4

     

 

-



5 3

6

      

    

to

Bow

your sav

5 3

End Rhy. Fig. 1

6 6 4

down

5 3

End Rhy. Fig. 1

6 6 4

0 0

   

      

the

            0 0

by



-

him

A5



 

    

Stand

3 1

B7/D#

G



 

7 5

  





your

0 0 0

3

6 4

 

        

Dm

         





 

    

find

      

5

D#5

I’ll

0 0 0

     

C5



  

           

E5

game.

Dm

3

5

         

Brace

D#5

7 5

Am/C

           

    

this

4

Gtr. 1

 

Am

        

one

Gtr. 2

      

 

E7b9/G#

Pray!

   7 5

         6 4

7 5

3 1

*All parts concert pitch throughout.

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

F5

Dm6/Eb

Esus4

A5

be

  

-

   

8 6

  

  

fore

him.

 

6 4

7 5

  

  

8

7 5

 -

    





y

-

Pray!

   

7 5

6 4



be

E5 Ab/C

 

-



6 4

7 5

  

fore

Na

   

 



        

7 5

3 1

6 4

7 5

Esus4

   

3 1

4

  

 6

5

  

   

    

7

him.

 

3 1

2 0



to

 

-

E

      

 

Fear

        

E/B

8

your

  

lead

-

er.)

    

 

 semi-P.H.

5

6

7

steady gliss.

7 16



Verse __  3   =   Half-time feel Am

Dº7

B7b9

  

 

3

sur - ren - der





7

6

chorus off

Am/C

Bb7 E7b9



 

on his own.

Am



          3

If







7

8

6

F9

not,

there’ll be

  



5

0

0

5

4

0

 

hell

to



 

  

pay.

I’ll



   







 

5

6

5

3

1

0

P.M.

5

E7



  

3. He’ll



B/D#



  

7 5

Kneel

 

Bow

        

help.

G#º7

us.









Cm

 far

7



E5

for



     D#5

Brace!

          D#5

A5

 



 

To Coda

A5

 

E5 Cm



      

Kneel



 Pray

     









     D#5



 

E

0

3

0

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0 0

Am

B



tear



down

Am/E

 3  



cit - y

stone

this

G#º











by



E7

 You





on

-

Cm(maj7)



 3

ly

G#º/B

 



have

three

days.

Gtrs. 1 & 2

 

Gtr. 2 divisi

F7/D



3

stone.





Am/D





Gtr. 1



Am



3   

F7âÁ







5

7

5





8

7



Harm.

P.M.

5

8

7

8

X

6

7

7

7 0

5

0

  =  

Interlude End half-time feel

(w/ additional background laughter)

E7

   

µ(Am)



 

3

Laughed: Ha,

ha,

3

3

3

           

P.M.

5

5

5

3

3

3

1

1

1

0

0



ha!





Ha,

ha,

(Bb)



7

8

7

8

6

5

(Am)

ha, ha, ha,

         



5

0

(B)

5

7

(B)



6



               ha, ha, ha!



(Bb)

Ha,

ha,

ha,

ha!



5

7

8

7

8

6

5

5

7

8 6

µ Cm D Db                                      

Laughter continues simile & fades out next 2 meas.

 

(Am)

(B)

7

5

 

8

7

8

6

5

Cm

(Bb)

7

D

3

4

3

4

1

2

6

8

Db

        

1

5

3

1

    

4

4

10



6

8

7

9

10

6

Am

8

4

B

5

Bb

3

1

5

4

3

4

1

2

3

1

2

µ

                            5

7

8

7

8

5

6

5

7

6

8

10

8

7

9

10

6

8

4

5

0

1

Pre-Chorus

     

      

Gtrs. 1 & 2: w/ Rhy. Fig. 1

 

Dm

Send

G/B

home

 

the reb - els,

     C

call



        

E/G#

off

Am

the fight

Em

 

    

Bm7b5

in

        

E7b9/G#

no

 

un - cer - tain

       Am

D#5

E5 C5



terms.

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

     

        

 

Should

you

me,

Dm



G

re - fuse

          

E/G#

fear

   

 



 

E



Ra





   



Gtr. 2



  

                 P.M. P.M.

7 7 5

7 7 5



9 7

0

9 7

9 7

0

9 7

    

   

y



4. With us!)

-

 



far

-

y

-

10

7

4

6

3

6

4

7

3 3             P.M. 5

7

4

6

 

9 7 0

      

 

Bow

3

0

3

B/D# Dm/E









to

this

fright - en



6

4

    chorus off

5

    chorus off

5

 -

ing

   

5

7

7

5

 4



  P.M.  0

4

6

8

5



5

5

6

6

8

5

6

B

       de - cree,

   

P.M.

0

-



   

skill

grace,

Lord

grace,

6

9

  

7

   

5

0

 4



   P.M.  0

4

Na

6

9

      13

10

   

12

9

 

 10

7

9

6

-

  

 

y - us

de - parts.



   





 

P.M.

5

   

0

4



   5

 

 

0

5

P.M.

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

-

F/Eb Am/E

  

6

Na



Dm/A

5

-



Lord

  

7

 

  

P.M.

5

shall

       

Na - far





  

your







to





your

  

         

Am



   

         

4

us!)

3 3             P.M. 8

0

Gtr. 2

Verse Slower q = 118 Half-time feel Am

E7

-

9 7

 

ven

E7b9

     

4

7 7 5

0 0 0 0

Gtr. 1

0 0

7 7 5

far

8

0

  

   

11

9 7

               P.M. P.M.

Dm



0 0 0

-

 



B7/D#

 Coda

(Bow





   

       

Dm

your lives.





Gtr. 1

  

Am/C

G#º7

burn.



Am

for

D.S. al Coda

Esus4



     E

4

D#º7/C

E7/B



  

Am

They’re

 

Gtrs. 1 & 2

 

 





8

7

    P.M.  

5

F/C

7 8

E/B



time.

 

 

3

    P.M.

E7/B



7 8

9

left

to

weigh

the

grav

4

5

B/D#

Dm/E

10

0



10

Ga

3



    P.M.   8

F/C

This





7 8

   re



let ring

  -

9

Day

4

will

  

threat - en

-

-

ar - rive

 

ing

re - marks.

Am

   



   P.M.  

10

0

4

 



       



4

5

4

5

0

Dm/A

on

   semi-P.H. P.M. 

out

of

F/A

 



5

4

F/Eb

5

Am/E

  

ly

  three



days’

     0

4

5

B/D#







this

a - live?

                  P.M. P.M.

   

3 0

 

 tion



 semi-P.H.

7

5

4

   -

-

5

4

4



   

D#º7

   ques

  



  

E/B

the

1



5

5

0

in

0

  

get

  

B

5

F/E

5

4

soon

 

bri - el

3 0

  

5

D#º7

mains

1

  

of his

   

3 1

i - ty

Am

    





-

B/D#

0

E+

E



  

molto rit.

on



their



molto rit. let ring

4

5

 

4

5







7

F/A

      

  

 



   



0

semi-P.H.

5



5

         P.M. 

Am

 

D#º7

                              P.M.   P.M. P.M. 

  

  Will





Am





F/E

Judg - ment

0

 



Am

  

D#º7/C

D#º7

 



1

9







  

3

 



    

minds.



7 5

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Interlude Faster q = 256 Am

B/D#



  

Bb/D

F7

     

 

Bb7

E/G#



Am

       

7

5

7

6

Am



6

B

5

5

7

Bb/F

7

8

8

Am/E

6

6

E/A

4

4



5

5

Am/D

5

5

6

6

3

3

5

5

8

8

7

8

7

8

7

6

7

6

7

7

5

       

Outro Am

 

   

  

  

  

(Judg - ment

Day

is

com







Day

is

com

   



(Judg - ment



-

ing

-

and





ing

and

7

7

1

1

0

0

       

5

5

8

8

7

7

5

  

5

3

3

1

1

you

on





you

on

 

   

ly

have

three





have

three

-



-

ly

5

5

4

7

5

8

6

7

7

8

5

4

5

6

5

4

5

7

8

5

7

6

8

9

E7



3

0

0

  

                                    P.M. P.M. 4



3

D#º7

  

  

 

5

5

E

P.M.

5



       

F7

       

       

E

       

P.M.

5

F7

8

6

9

7

Am

   







days.

  







Just

days.

   

    

three

days!)





Just



three



days!)

3

          6

7

6

8

6

7

8

5

7

               

 

 

3

7 5

7 5

5

7

3

5

3

7

5

4

6

5

3

5

3

1

0

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

10

9

7

from Dream Theater - The Astonishing

When Your Time Has Come Music by John Petrucci and Jordan Rudess Lyrics by John Petrucci Intro Moderately q = 82 Segue from “A Savior in the Square”

   

* Dsus2









...eyes.

*Chord symbols reflect overall harmony.

   

**Gtr. 1 (acous.)

    

 

mf let ring



14

15

0

15

14

17

     

 let ring

0

15

14

       

 let ring

15

15

14



Em7

14

15

0 14

15

15

 

14

0 14



15

**Doubled throughout

   

***Gtrs. 2, 3 & 4

       mf let ring



2

3

0

5

3

2

     

 let ring

0

3

2

       

 let ring

3

3

2



3

2

0 2

3

3



2



0 2



3

***Gtrs. 2 & 3 (acous.); Gtr. 4 (elec.) w/ clean tone & reverb

Bm7

  



      

let ring

15

   

14

15

0 14

15

14

      

2

3

0 2

3

let ring

17

let ring

3



    



15

0 14

15

     let ring

5 2

3

0 2



3

 



12

14

A

 





 

14

12

11

 



 

10

3

2

15

 



 

7

9

10

 5

© 2016 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights for YTSE JAMS, INC. Administered by WB MUSIC CORP. All Rights for KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Used by Permission

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



12



3

1

D

   

 

    

     

 let ring

let ring

12

   

0

15

14

17

15

14

14

      

3

Bm7

  

3

2

 let ring



5

3

2

 

15

15

14

      

   

    

 let ring

let ring

3

0

3

2

5

3

2

0

3

2



12

14



15

14

 



15

15

14

 let ring

0

3

14

0

Gsus2

 



 

7

9

10

3





2



0

3

2

Asus4





 

14

12

11

 



 

10

3

2

15

15

14

3

2



 

       

 

3

2

0

15

2

0

15

14



3

3

2

 let ring

17

15

14

 let ring 14

    

let ring

0

0

3

2

    

15

14

       

15

     

let ring

0

15

0



Em7

5



14

 5

Verse Gtrs. 1 & 4 tacet

Dadd9

     1. When your

         *Gtrs. 2 & 3

Aadd9

  



time

has

  

 

                    

 

2 3 2 0

0 0 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0





  

and you’re

                           0 0 2 2

0 0 2 2

0 0 2 2



 

t’ward

the

                       

    0 0 2 2

0 0 2 2 0

0 0 2 2

0 0 2 2

0 0 2 2

0 0 2 2 0

  

look - ing

sim.

0 0 2 2 0





 

come,

let ring throughout

2 3 2 0 0

Gadd9

0 0 0 0

3 0 0

3 0 0 X 3

3 0 0

3 0 0

3 2 0 X 3

0 X 3

3 2 0

3 2 0

3 2 0

3 2 0 X 3

light,

   3 2 0 X 3

   0 0 0 0 0

*Composite arrangement

      Dadd9

        2 3 2 0 0



G







all

that

Gadd9

 

real

Dadd9

 -

  

 

ly

mat

-

  

  

  

     

  

  

                                      

2 3 2 0

2 3 2 0

2 3 2 0

0 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0 0

2 3 2 0

2 0

0 3 2 0

0 3 0 0

3 0 0 X 3

0 X 3

3 0 0

3 0 0

3 0 0

3 2 0 X 3

0 X 3

3 2 0

0 X 3

3 2 0

3 2 0 X 3

3 2 0 X 3

0 0 0 0 0

     2 3 2 0 0

 



ters

 

is

  

  

  

   

  

  

  

       

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0 0

2

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

0

0 3 0 0

0 3 0 0

      Em7

what you

          

A7sus4

  



leave

be

  

  -

            

     Aadd9



0 3 0 2 2 0

0 3 0 2 2

0 3 0 2 2

0 3 0 2 2

0 2 2 0

  

  

  

        

3 0 0 0

3 0 0 0

0 3 0 2 0

0 3 0 2 0





 

 



So,

let your

  



heart

be

  free.

  

  

  

  

  

  

  

  

                          

 

0 0 0 2 0

0 0 0 2 0

0 2 0 2 0

0 2 0 2 0

0 2 0 2 0

0 2 0 2 0

0 2 0 2 0

0 0 0 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0

0 0 0 0



 

 



 

        

      

sim.

     

Gadd9

G%





down

0 0 2 2

0 0 2 2

0 0 2 2 0

0 0 2 2

0 0 2 2

0 0 2 2

0 0 2 2 0

       

the

0 0 2 2

stones

you

0 3 2 0 X 3

3 0 0

3 0 0

3 0 0

0 X 3

0 3 2 0

Aadd9

   

0 3 2 0 X 3

0 3 2 0 X 3

3 2 0 X 3

0 5 6 7 0

0 5 6 7 0

0 5 6 7 0

0 5 6 7 0

0 5 6 7 0

0 5 6 7 0

0 5 6 7 0

0 5 6 7 0

0 5 6 7 0

ing

3 0 0

3 0 0

3 2 0 X 3

3 2 0

3 2 0

0 X 3

ry,

3 2 0



  

   

0 0 0 0 0

2 3 2 0 0

  

the

weight

  

  

  

  

   

  

  

  

  

   

 

       

0 0 0 0 0 0

0 0 0 2 2 0

0 0 0 2 2

0 0 0 2 2

0 0 0 2 2

0 0 0 2 2

0 0 0 2 2 0

0 0 0 2 2

0 0 0 2 2

0 0 0 2 2

0 0 0 2 2

0 0 0 2 2 0

0 0 0 0

0 0 0 0

 

 

ing

the

path

  

  

0 0 0 0 0

0 0 0 0 0

A

 

   

  

  

   

  

  

7 7 7 9 9 7

7 7 7 9 9

7 7 7 9 9

7 7 7 9 9 7

X X X X

X X X X

Rhy. Fig. 2

7 7 7 0

2 3 2 0

2 3 2 0

0 3 2 0

   



 

 

         

5 5 6 7 7 5

5 5 6 7 7

5 5 6 7 7

5 5 6 7 7 5

X X X X

3 3 4 5 5 3

2 3 2 0 0

0 3 2 0

0 3 0 0

 

 your

mind.

              

     

0 7 7 7 0

0 7 7 7 0

0 7 7 7 0

0 7 7 7 0

  

  

2 3 2 0

2 3 2 0

            0 7 7 7 0

0 7 7 7 0



di - vides,

X X X X

2 3 2 0

2 0

0 7 7 7 0

0 7 7 7 0

Gadd9

 

that

2 3 2 0

off

   

-

                        2 3 2 0

  

   



Set

 

take

Chorus Bm

2 3 2 0

2 3 2 0

2 3 2 0

3 2 0



Dadd9/A

  



  -

3 0 0

  

Dadd9

2 3 2 0 0

2 3 2 0

2 3 2 0

2 3 2 0

bright.

3 2 0 X 3

End Rhy. Fig. 1

0 5 6 7 0

-

3 2 0 X 3

3 0 0

3 0 0 X 3

fac

                             



  



When you’re

 

                

    



  

burn

Em

car

                              3 0 0

0 0 0 0 0

  





   

Gadd9

spir - it

      0 0 2 2 0

0 0 2 2 0

0 0 2 2

0 3 0 2 0

0 3 0 2 0

G

Keep your

5 6 7 0



hind.

               

0 3 0 2 2 0

0 3 0 2 2

0 3 0 2 2

0 3 0 2 2

     



Dadd9

Rhy. Fig. 1

0 3 0 2 2 0

3 0 0 X 3

A7

   4 5 5 3

  

  

  

   

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5 3

0 7 7 7 0





know

that

   4 5 5 3

0 7 7 7 0

0 0 0 0 0

     I

  

  

  

   

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5 3

  

  

X X X X

X X X X

3

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Bm

    



will

be

Aadd9

  

 

there

     

  

  

   

 

 

7 7 7 9 9 7

7 7 7 9 9

7 7 7 9 9

7 7 7 9 9 7

X X X X

X X X X



  

      G

G

 

by

      

0 0 6 7 7 5

0 0 6 7 7

0 0 6 7 7

Dadd9/F#

 

and



your side.

  



  

0 0 6 7 7 5

 

 

X X X X

X X X X

    3 3 4 5 5 3

4 5 5 3

  

  

  

   

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5 3

Em7

 

you’ll

 





 



Find

your

  4 5 5 3

         

  

  

  

  

  

       

  

  

  

   

  

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 2 0 X 2

3 2 0 X 2

3 2 0 X 2

3 2 0 X 2

0 3 0 0 0 0

0 3 0 2 2 0

3 0 2 2

3 0 2 2

3 0 2 2

3 0 2 2 0

3 0 2 2

X X X X

3 2 0 X 2

0 0

Interlude Dsus2

   

     Gtr. 1

     

0

     Gtrs. 2, 3 & 4

15

0 14

15

 

17

      

0

2

3

0 2

3

     

 let ring 14

let ring

5

   

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5

3 3 4 5 5 3

  

     0 3 0 2

3 0 2 2

in

the

 

 

X X X X

X X X X

   3 0 2 2

15

0 14

15

2

3

0 2

3



15

   

 

 

7 7 7 9 9 7

7 7 7 9 9

7 7 7 9 9

7 7 7 9 9 7

X X X X

X X X X

3

 

 

of

my

choice

is

  

      

0 0 6 7 7 5

0 0 6 7 7

0 0 6 7 7

0 0 6 7 7 5

A

 

            

  

         

0 3 0 2 2 0

3 0 2 2 0

3 0 0 0 0

3 2 2 0

3 2 2 0

3 2 2 0

2 2 2 0

3 2 2 0

 

X X X X

X X X X

right.

  

3 2 2

 

 



   

3 2 2

voice,

End Rhy. Fig. 2

   

2 2 2

2 2 2

2 2 2 0

        

 let ring 14

     

 let ring



sound

  

Asus4



 

Aadd9

  



  

   

   

Em7



let ring

14

  

which

  



strength

  

know

 

Bm



  



         3 3 4 5 5 3

    

15

0 14

15

15

14

2

3

0 2

3

0 14

       

 let ring

 

3

4

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)



2

 0

2



15



3

Bm7

  



 

    

    

 let ring

let ring

15

14

0

15

17

15

14

14

      

   

2

0

3

 let ring

5

3

2

15

14

    

let ring

3

0

15

2

0

3

3

2

 



12

14



Gsus2

A5

 

15





 

14

12

11

   

 



 

7

9

10

10

  

  



 5



14

 

3



2

5

Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 Gtrs. 1 & 4 tacet

     

     

Dadd9

2. In

this

G

night

-

ing

G%

     is

al

-

   

Gadd9



 

life

  

we can

   

     

-

just

Em



ways dark

est

be

-

  







some - times

lose

 

our

   

Dadd9

              the

new



way,

Dadd9/A

fore



  but

A



    



     

fleet

Aadd9

day.



When you’re

    



fac -

Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 2

   



 

-

ing

the

Bm

  

   



A

path

 that





Gadd9

  

di - vides,



 



know that

  





Bm

I





will

be

  

Aadd9



there

 by

 your

   side.

Gtrs. 5 & 6 (7-str. elec.)

 f





5

3





7

5

w/ dist.

7

5

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Gadd9

         

 



Find

your





    

Bm



strength

 3

    

E/G#



 



and



you’ll

know

  

  

  

  

  

  

  

  

  

  

  

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

5 4 2 X 4

4 2 X 4

  

in

the

   



Aadd9

7

5

     

0 0 0 0

3 0 0 X 3

   



of



 



sound







       Gtrs. 2 & 3



G6







Em





my

  

  



which

    3 3 0 0 X 3

0 0

 

  

3 0 0

0 0 0 0 0

    0 0 0 2 2 0

voice,

choice

   

   

0 0 0 2 2

0 0 0 2 2

    0 0 0 2 2 0

   

  

0 0 0 2 2 0

0 0 0 0 0 0

Gtrs. 5 & 6

 



4

0





3

0

Guitar Solo

Asus4

   







3 2 2 0

  3 2 2

   3 2 2 0

  3 2 2 0

right.

  3 2 2 0

  2 2 2 0

      2 2 2 0

2 2 2 0

   



Gtr. 7 (elec.)







2 2 2 0

 

1 f

C#m/E

  

  



       

*w/ dist., wah-wah, delay & reverb rake

2 2 2 0

 



F#m





is

       

Gtrs. 2, 3 & 5 tacet

   

A

2 2 2 0

12

12 X

1 12

12

10

12

10



11

9

11

X

*Stereo ping-pong delay set for 300 ms regeneration, w/ multiple decaying repeats.

  





7 5



Gtr. 6

    4

5

2

3



 

w/ chorus

6 4

6

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

6 2

D#m7b5

         A+/E#

   



 

 

8

11

14

11

11

F#m

1

12

14

15

14

         

      

16



A/E

* 1

1/2

17

1 17



8va



   



3



1 1/2 1

14

1/2

17

17

17

14

14

*Catch 3rd string w/ bending finger.

   



 

2 1

2 3

6 4

                    B/D#

D

Bm

14

1

14

17

14 17

1/2

14

16

14 16

     

 

9 6

7 5



8va



    

16

16

0 21

19 20 21

19 21

          4

5

2

       

19 22

3 2

3

1

5

1

1/2

22

  

    

F#m/A

1

14



9 7

µ

loco

1

 

22



    3 1/2

19 21 22

 

 

4 2

4 0

21 19 21

21

    loco                                       G#m7b5

D+/A#

F#7

Bm

D

8va

3

1

19 21 19

22

19

19

22

21

2

19

grad. release

1

21

21

    

 

5 4

5 6

19

21

19

  0

1

1/2

1



6

6 1/2

7

9

10

7

9

21

  

 

4 2

4 2

 

9 7

7

7

9

9

7

9

11

10 12

 

7 5

7

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

      E

  

1 12



12

                                    E/G#

6 12

12 12

  

G/A

16 13

13 16

14

11 13 14 13 14 16

14 11 12 14

14 15 17 15 17 19



   





2 0

   

14

  



14

15



 

P.M.

0

  

0

0

A





17

17

17

12

12

15

15 17



 

w/ chorus

P.M.

0

4

3

0

17

14

 



8 7 5

0

             

F#m/A

  

16

Em/A

           

8va

10

12

14



6

6 12

14

15

17

15

14

19

17

15

19

 

19



7 6 4

19

 

P.M.

0

Em7b5

C#º7/Bb

6

0

19



0

15

17

16

17

15

15

17

0 0 0 2

     

A/C#

19

 

Outro Slower q = 72 D



rit.

15

  

loco                                        

This ver - y

mo - ment

8va

Gtr. 7 8va



rit.

21

  

17 22

18 21

22 19

18 15 18

17

18 15

17

19 16

17

16 19



5

19

18

17

17 21 17

*Gtrs. 5 & 6



rit.

5















17







10

18

19 19

18

17



17 21

22



  

chorus off

7

4

5 5

7

6

4

5 5 3

*Gtr. 5, w/ chorus

8

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

Gtr. 7 tacet

Bm



       was

  

al - ways meant

 

C#m

   3

to

E



D

   





be.

I

nev - er

  

  

no - ticed,

Gtrs. 5 & 6

  

  

2 2 0

4 4 2

     

   

Bm

but

  

all

at

  

once



C#m

  

I

  

7 7 5

5 5 3



F#susÊ

F#m





  

 

2 2 0

4 4 2

4 2

               days

when I

felt

      8va

Gtr. 8 (elec.)

most

E/G#



a - lone,



14

17



A





       



17

1

17

       Gtr. 9 (elec.)

mf

17

 





*w/ dist., chorus & delay 1/2

13

13

17



14

     

the se - cret

 

17

14

that

I



14

       



15

15

to share

12

1

15

one

loco

mf

*w/ dist., chorus & delay 1

the worst

               with no

 

 

On

  

of

  

see.

Half-time feel D



  

hide.



14



  13

14

13

14

9

Gtrs. 5 & 6

5 5 3

 

 

7 4

7 5

*Stereo delay set for 500 ms & 850 ms regeneration w/ 1 repeat.

9

Guitar Instructor Trial Subscription for phil phil, valid through December 01, 2016 (4574256)

      D



  









       I

grew

numb



11

11

      7

7

     

F#m





 but

     8va

  



Asus4

  I’ve

  

the emp

all





17

19





13

14





      -

ti - ness

in

-

side,

 

19



11

17

19

     

  13

found

my

14

1

12





 

4 2

2 0

 

   



12

A

home.



16

   

AsusÊ



    16

16

E

now

1/2

  

to

   

5 5 3

    

12

  

  

5 5 3

   

  

17

 

12

        

15

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