Dmitri Shostakovich Waltz No. 2 With Chords

Waltz Nr. 2 Piano arr. by Richard Kula

from Suite Nr.2 for Jazz Orchestra

Allegro poco moderato q = 178 D‹

Piano



    

mf

 

E‹7(b5)

p

EØ7

     

 

                     



A7



E‹7(b5)/A

A7

                                                                   

F

Dº

D‹/A

D‹

G‹

G‹/D

C7



B¨



     

D‹/A

E‹7(b5)/B¨

D‹/A

B¨

D‹/A

E‹7(b5)/B¨

 

 

 

 

 

 

             f







    

        

          



1. D‹

                                                                    

35

D‹/A

B¨

D‹/A

A

To Coda



2 D‹

            f                          

43

Pno.



Dmitri Shostakovich



    

Pno.



 

D‹

       

28

Pno.

D‹/A

                                                             

19

Pno.

D‹

                       

10

Pno.

D‹/A

    



C7

F

       

 

C/G

      

C7

      

F

    

 

2

F/C

52

Pno.

        



 

D7

G‹

                  

G‹/B¨

F

             

C7

             

           

rit.

F

tempo 61



Pno.





        

        

      

       

 

C7 FŒ„Š7                     

C7/G

      

rit. F/E¨

Pno.

B¨‹6/D¨

  



F/C

 

                      

79



Pno.

       

B¨/D

   

70





   F7/C      

 

tempo a

F7                           C7



F

 

87



Pno.



 

    

 



   

     

F rit.

 F7

 

F



      

D.C. al Coda

A7(#5)        

rit. 



     

a tempo

95



   

        

                                           

ØCODA Pno.



C7



2.

1. G‹/D



B¨

       B¨       

                              E¨

       



D‹

      

 A   A&

rit.



      

D‹

     

      

     

      

     

   

 

103 E‹7(b5)

Pno.



   

  

D‹/A

D‹



A7

E‹7(b5)

E‹7(b5)/B¨

D‹/A

               mf           



D‹/A 127

Pno.

E‹7(b5)/A

          

        

C7

                                                   

121 D‹/A

Pno.

E‹7(b5)

                                  

112

Pno.

 

A7

       



B¨

 

     

B¨

      

D‹/A

         

         F

A

B¨

E‹7(b5)

            E‹7(b5)/B¨

               

                          

D‹/A

3

Dº

D‹

A7

  







D‹

