DJole's Purple Chick Complete Guide

Purple Chick discs are fan created and NEVER FOR SALE!!! Seriously, if you pay money for them you were ripped off – someone somewhere sold what they obtained for free. Not cool.

DJole’s

Purple Chick Guide

The Quarrymen Audition Please Please Me With The Beatles A Hard Day's Night Beatles For Sale Help! Rubber Soul Revolver Sgt Pepper's Magical Mystery Tour White Album Abbey Road Let It Be Songs The Beatles Gave Away From Then To You Hollywood Bowl Meet The Threetles

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DJole’s

Purple Chick Guide

The Beatles Strong Before Our Birth

DISC ONE

6 July, 1957

1: Puttin' On The Style ('The Day John Met Paul' + Puttin' On The Style + unbooted) 2: Baby, Let's Play House ('The Day John Met Paul')

Spring/Summer, 1958

3: That'll Be The Day (Anthology DVD + Anthology 1) 4: In Spite Of All The Danger (Anthology DVD + Anthology 1)

April, 1960

5: instrumental #1 (Wildcat) 6: instrumental #2 (Wildcat + The B-K Tapes+ Wildcat) 7: "Turn The Mixers Off" (Wildcat) 8: Cayenne (You Might As Well Call Us The Quarrymen + The BraunKirchherr Tapes) 9: "An Important Number" (Wildcat) 10: "I Don't Need No Cigarette, Boy" (Wildcat) 11: Well Darling (The Braun-Kirchherr Tapes + You Might As Well Call Us The Quarrymen + The Braun-Kirchherr Tapes) 12: "I Don't Know" (Wildcat)

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DJole’s

Purple Chick Guide

bonus tracks:

13: Cayenne (Anthology 1 edit) 14: Hallelujah, I Love Her So (Anthology 1 edit) 15: You'll Be Mine (Anthology 1 edit) 16: In Spite Of All The Danger (original length - created from Anthology 1)

DISC TWO

July, 1960

1: Hallelujah, I Love Her So (rehearsal)(The Braun-Kirchherr Tapes) 2: Hallelujah, I Love Her So (BK Tapes + Wildcat + YMAWCUTQ + BK Tapes) 3: One After 909 (#1) (YMAWCUTQ + John, Paul, George and Stu) 4: Movin' And Groovin' (The Braun-Kirchherr Tapes + YMAWCUTQ) 5: Ramrod (YMAWCUTQ + Wildcat) 6: Instrumental #3 (Wildcat) 7: You'll Be Mine (YMAWCUTQ + Wildcat) 8: unknown song (unbooted + YMAWCUTQ) 9: Matchbox (You Might As Well Call Us The Quarrymen) 10: I Will Always Be In Love With You (YMAWCUTQ + unbooted)

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DJole’s

Purple Chick Guide

11: The World Is Waiting For The Sunrise (Wildcat) 12: That's When Your Heartaches Begin (YMAWCUTQ) 13: "That's The End" (Wildcat) 14: Wild Cat (#1) (Wildcat) 15: One After 909 (#2) (YMAWCUTQ + The Braun-Kirchherr Tapes) 16: Some Days (unbooted + YMAWCUTQ) 17: You Must Write Everyday (You Might As Well Call Us The Quarrymen) 18: john speaking (The Braun-Kirchherr Tapes) 19: I'll Follow The Sun (unbooted + YMAWCUTQ) 20: Hello Little Girl (The Braun-Kirchherr Tapes + YMAWCUTQ) 21: Wild Cat (#2) (YMAWCUTQ + The Braun-Kirchherr Tapes)

August, 1962

22: Some Other Guy (Can You Hear Me?) 5 September, 1962 23: Some Other Guy (Can You Hear Me?) 24: Kansas City (created from Anthology DVD) October, 1962 25: I Saw Her Standing There (UC Vol. 1 + The Cavern Tapes Circa 1962) 26: One After 909 (Cavern Tapes + UC1 + Cavern Tapes) 27: One After 909 (Ultimate Collection Vol. 1 + Cavern Tapes + UC1) 28: Catswalk (Ultimate Collection Vol. 1 + Cavern Tapes + UC1) 29: Catswalk (Ultimate Collection Vol. 1 + Cavern Tapes)

27 October, 1962

30: Interview (Yesterday Medley)

bonus track: 22 August, 1962

31: Some Other Guy - alt. intro (Anthology DVD)

Note: Tracks 1-12 on disc one, 1-21 on disc two are/were intended for the BZ Come Together Project. If/when artwork becomes available for this, all you need to do is lose the other tracks and you're good to go. YMAWCUTQ = You Might As Well Call Us The Quarrymen UC1 = Ultimate Collection Vol. 1

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DJole’s

Purple Chick Guide

I Hope We Passed The Audition

22-23 June, 1961

1: My Bonnie (German intro) 2: My Bonnie (English intro) 3: My Bonnie 4. The Saints 5. Cry for a Shadow 6. Why (Can't You Love Me Again) 24 June, 1961 7. Nobody's Child 8. Ain't She Sweet 9. Take Out Some Insurance on Me, Baby

Decca Audition - 1 Jan, 1962 (compiled from multiple sources - including the 'Deccagone' endings) 10: Like Dreamers Do 11: Money 12: To Know Her Is To Love Her 13: Memphis 14: Till There Was You 15: Sure To Fall 16: Besame Mucho 17: Love Of The Loved 18: Hello Little Girl 19: Three Cool Cats

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DJole’s

Purple Chick Guide

20: September In The Rain 21: Take Good Care Of My Baby 22: Crying Waiting Hoping 23: The Sheik Of Araby 24: Searchin' 24 May, 1962 25: Sweet Georgia Brown (backing)

EMI Audition - 6 June, 1962 26: Besame Mucho 27: Love Me Do

7 June, 1962

28: Sweet Georgia Brown (1962 vocal)

3 January, 1964

29: Sweet Georgia Brown (1964 vocal)

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DJole’s

Purple Chick Guide

Please Please Me - Deluxe Edition DISC ONE - The Masters.

Mixed 25 February 1963 (Love Me Do/P.S. I Love You mixed 11 Sep 1962) 1: I Saw Her Standing There - edit of take 10 and 12 2: Misery - take 16 3: Anna (Go to Him)(Arthur Alexander) - take 3 4: Chains (Gerry Goffin/Carole King) - take 1 5: Boys (Luther Dixon/Wes Farrell) - take 1 6: Ask Me Why - take 6 7: Please Please Me - takes 16,17,18 8: Love Me Do - take 18 9: P.S. I Love You - take 10 10: Baby It's You (Mack David/Barney Williams/Burt Bacharach) - take 5 11: Do You Want to Know a Secret? - take 8 12: A Taste of Honey (Bobby Scott/Ric Marlow) - take 7 13: There's a Place - take 13 14: Twist and Shout (Phil Medley/Bert Russell) - take 1 15: How Do You Do It? - mono Anthology edit

Please Please Me - Mono

16: I Saw Her Standing There - edit of take 10 and 12 17: Misery - take 16 18: Anna (Go to Him)(Arthur Alexander) - take 3 19: Chains (Gerry Goffin/Carole King) - take 1

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DJole’s

Purple Chick Guide

20: Boys (Luther Dixon/Wes Farrell) - take 1 21: Ask Me Why - take 6 22: Please Please Me - take unknown 23: Love Me Do - take 18 24: P.S. I Love You - take 10 25: Baby It's You (Mack David/Barney Williams/Burt Bacharach) - take 5 26: Do You Want to Know a Secret? - take 8 27: A Taste of Honey (Bobby Scott/Ric Marlow) - take 7 28: There's a Place - take 13 29: Twist and Shout (Phil Medley/Bert Russell) - take 1 Alternate single mixes - 30 Nov 1962 30: Please Please Me - takes unknown 31: Ask Me Why - take 6

Disc Two - Sessions

Complete, from best available sources. And all at the right speed! 4 September 1962 7:00-11:15pm EMI Studio 2 1: How Do You Do It? 2: Love Me Do

11 September 1962 5:00-6:45 EMI Studio 2 3: Please Please Me

11 February 1963 10:00-1:00 EMI Studio 2 4: There's A Place - take 1 5: There's A Place - take 2

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DJole’s

Purple Chick Guide

6: There's A Place - take 3 7: There's A Place - take 4 8: There's A Place - take 5 9: There's A Place - take 6 10: There's A Place - take 7 11: There's A Place - take 8 12: There's A Place - take 9 13: There's A Place - take 10 14: I Saw Her Standing There - take 1 15: I Saw Her Standing There - take 2 16: I Saw Her Standing There - take 3 17: I Saw Her Standing There - take 4 18: I Saw Her Standing There - take 5 19: I Saw Her Standing There - take 6 20: I Saw Her Standing There - take 7 21: I Saw Her Standing There - take 8 22: I Saw Her Standing There - take 9

11 February 1963 2:30-6:00 EMI Studio 2 23: Do You Want To Know A Secret - take 7 24: Do You Want To Know A Secret - take 8 25: A Taste Of Honey - take 6 26: A Taste Of Honey - take 7 27: There's A Place - take 11 28: There's A Place - take 12 29: There's A Place - take 13 30: I Saw Her Standing There - take 10 31: I Saw Her Standing There - take 11 32: I Saw Her Standing There - take 12 33: Misery - take 1 34: Misery - take 2 35: Misery - take 3 36: Misery - take 4 37: Misery - take 5 38: Misery - take 6 39: Misery - take 7 40: Misery - take 8

hidden bonus track:

I Saw Her Standing There - take 9, Anthology Mix.

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DJole’s

Purple Chick Guide

With The Beatles - Deluxe Edition DISC ONE - stereo/DISC TWO - mono

singles

1: From Me To You 2: Thank You Girl 3: She Loves You 4: I'll Get You

With The Beatles

5: It Won't Be Long 6: All I've Got To Do 7: All My Loving 8: Don't Bother Me 9: Little Child 10: Till There Was You 11: Please Mister Postman 12: Roll Over Beethoven 13: Hold Me Tight 14: You Really Got A Hold On Me 15: I Wanna Be Your Man 16: Devil In Her Heart 17: Not A Second Time 18: Money (That's What I Want)

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DJole’s

Purple Chick Guide

single

19: I Want To Hold Your Hand 20: This Boy

outtake

21: One After 909

+ DISC ONE alternate stereo mixes

22: All My Loving (with hi-hat intro) 23: I Want To Hold Your Hand (1966 mix) 24: She Loves You (1966 RS2) 25: From Me To You (edit of 8/9/10) 26: From Me To You (edit of 12/8/9/10) 27: Thank You Girl (edit of 14/30) 28: Thank You Girl (take 30) 29: One After 909 (sessions edit) 30: I Want To Hold Your Hand (ant mix) 31: This Boy (anthology mix)

+ DISC TWO restored 'From Me To You' session

22: From Me To You (take 8 restored) 23: From Me To You (take 9 restored) 24: From Me To You (take 10 restored) 25: From Me To You (take 11) 26: From Me To You (take 12 restored) 27: From Me To You (take 13) 28: From Me To You (edit of 12/8/9/10)

unissued mono mix

29: One After 909 (take 2)

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DJole’s

Purple Chick Guide

DISC THREE – The Sessions

3 March, 1963

1: From Me To You (take 1) 2: From Me To You (take 2) 3: From Me To You (take 3) 4: From Me To You (take 4) 5: From Me To You (take 5) 6: From Me To You (take 6) 7: From Me To You (take 7) 8: Thank You Girl (take 1) 9: Thank You Girl (take 2a) 10: Thank You Girl (take 2b) 11: Thank You Girl (take 3) 12: Thank You Girl (take 4) 13: Thank You Girl (take 5) 14: Thank You Girl (take 6) 15: Thank You Girl (take 7) 16: Thank You Girl (take 8) 17: Thank You Girl (take 9) 18: Thank You Girl (take 10) 19: Thank You Girl (take 11) 20: Thank You Girl (take 12) 21: Thank You Girl (take 13) 22: From Me To You (edit of 12/8/9/10) 23: From Me To You (take 8) 24: From Me To You (take 9)

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DJole’s

Purple Chick Guide

25: From Me To You (take 10) 26: From Me To You (take 11) 27: From Me To You (take 12) 28: From Me To You (take 13) 29: One After 909 (take 1) 30: One After 909 (take 2) 31: One After 909 (take 3) 32: One After 909 (take 4) 33: One After 909 (take 5)

30 July, 1963

34: Piano/Drum Instrumental 35: Please Mister Postman (take 3) 36: Please Mister Postman (take 5) 37: It Won't Be Long (take 7) 38: It Won't Be Long (take 10)

12 September, 1963 - 2:30-6:30

39: Messages To Australia 40: Hold Me Tight (rehearsal) 41: Hold Me Tight (take 20) 42: Hold Me Tight (take 21) 43: Hold Me Tight (take 22) 44: Hold Me Tight (take 23) 45: Hold Me Tight (take 24) 46: Hold Me Tight (rehearsal) 47: Hold Me Tight (take 25) 48: Hold Me Tight (take 26 and rehearsal) 49: Hold Me Tight (take 27) 50: Hold Me Tight (take 28) 51: Hold Me Tight (take 29)

12 September, 1963 - 7:00-11:30 52: Don't Bother Me (take 10) 53: Don't Bother Me (take 11) 54: Don't Bother Me (take 12) 55: Don't Bother Me (take 13)

17 October, 1963

56: I Want To Hold Your Hand (take 1) 57: I Want To Hold Your Hand (take 2)

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DJole’s

Purple Chick Guide

58: I Want To Hold Your Hand (take 4) 59: I Want To Hold Your Hand (take 9) 60: I Want To Hold Your Hand (take ?) 61: I Want To Hold Your Hand (take ?) 62: This Boy (take 4?) 63: This Boy (take 12) 64: This Boy (take 13)

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DJole’s

Purple Chick Guide

A Hard Day's Night - Deluxe Edition DISC ONE - stereo/DISC TWO - mono

A Hard Day's Night

1: A Hard Day's Night 2: I Should Have Known Better 3: If I Fell 4: I'm Happy Just To Dance With You 5: And I Love Her 6: Tell Me Why 7: Can't Buy Me Love 8: Any Time At All 9: I'll Cry Instead 10: Things We Said Today 11: When I Get Home 12: You Can't Do That 13: I'll Be Back

Long Tall Sally e.p.

14: Long Tall Sally 15: I Call Your Name 16: Slow Down 17: Matchbox

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DJole’s

Purple Chick Guide

german single

18: Sie Liebt Dich 19: Komm, Gib Mir Deine Hand

+ DISC ONE alternate stereo mixes

20: And I Love Her (German mix) 21: Long Tall Sally (US mix) 22: I Call Your Name (US mix) 23: Komm, Gib Mir Deine Hand (US mix) 24: A Hard Day's Night (making of AHDN) 25: You Can't Do That (making of AHDN) 26: And I Love Her (making of AHDN) 27: If I Fell (anthology mix) 28: Things We Said Today (anthology mix) 29 Long Tall Sally (anthology mix)

plus more AHDN/anthology mix snippets + DISC TWO alternate mono mixes

20: And I Love Her (US mix) 21: Tell Me Why (film mix) 22: Any Time At All (US mix) 23: I'll Cry Instead (US mix) 24: When I Get Home (US mix) 25: I'll Be Back (US mix) 26: Long Tall Sally (US mix) 27: I Call Your Name (US mix)

anthology mono mixes

28: A Hard Day's Night (take 1) 29: Can't Buy Me Love (edit of 1&2) 30: I'll Be Back (take 2) 31: I'll Be Back (take 3)

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DJole’s

Purple Chick Guide

DISC THREE - Sessions

17 October, 1963 (continued) 1: This Boy (take 13)

29 January, 1964

2: Komm Gib Mir Deine Hand (take 1) 3: Komm Gib Mir Deine Hand (take 2) 4: Komm Gib Mir Deine Hand (take 7) 5: Komm Gib Mir Deine Hand (take 9) 6: Komm Gib Mir Deine Hand (take 10) 7: Komm Gib Mir Deine Hand (take ??) 8: Sie Liebt Dich (take ??) 9: Can't Buy Me Love (take 1) 10: Can't Buy Me Love (take 2) 11: Can't Buy Me Love (take 3) 12: Can't Buy Me Love (take 4)

25 February, 1964

13: You Can't Do That (take 6) 14: And I Love Her (take 2)

26 February, 1964

15: I Should Have Known Better (take 8) 16: I Should Have Known Better (take 11) 17: And I Love Her (take 11)

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DJole’s

Purple Chick Guide

27 February, 1964

18: Tell Me Why (take 4)

1 March, 1964

19: I Call Your Name (studio chat) 20: Train Music

16 April, 1964

21: A Hard Day's Night (take 1) 22: A Hard Day's Night (take 2) 23: A Hard Day's Night (take 3) 24: A Hard Day's Night (take 4) 25: A Hard Day's Night (take 5) 26: A Hard Day's Night (take 6) 27: A Hard Day's Night (take 7) 28: A Hard Day's Night (take 8) 29: A Hard Day's Night (take 9)

1 June, 1964

30: I'll Be Back (take 2) 31: I'll Be Back (take 3) 32: I'll Be Back (take 12) 33: I'll Be Back (take 13) 34: I'll Be Back (take 14) 35: I'll Be Back (take 15)

3 June, 1964

36: You Know What To Do (demo take 1) 37: No Reply (demo take 1)

19 April, 1964

38: Twist And Shout (mono) 39: Roll Over Beethoven (mono) 40: I Wanna Be Your Man (mono) 41: Long Tall Sally (mono) 42: Medley (mono) 43: Can't Buy Me Love (mono) 44: Shout (mono) 45: Boys (stereo) 46: I Wanna Be Your Man (stereo) 47: Long Tall Sally (stereo)

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DJole’s

Purple Chick Guide

48: Shout (stereo)

monitor mixes

49-54: A Hard Day's Night (takes 1-6)

alternate mixes

55: Sie Liebt Dich (take ??) 56-57: I Should Have Known Better (takes 8&11) 58: And I Love Her (take 11) 59: Tell Me Why (take 4) 60-63 I'll Be Back (takes 12-15)

20

DJole’s

Purple Chick Guide

Beatles For Sale - Deluxe Edition DISC ONE - stereo/DISC TWO - mono

single

1: I Feel Fine 2: She's A Woman

Beatles For Sale

3: No Reply 4: I'm A Loser 5: Baby's In Black 6: Rock and Roll Music 7: I'll Follow The Sun 8: Mr. Moonlight 9: Kansas City/Hey, Hey, Hey, Hey 10: Eight Days A Week 11: Words Of Love 12: Honey Don't 13: Every Little Thing 14: I Don't Want To Spoil The Party 15: What You're Doing 16: Everybody's Trying To Be My Baby

outtake

17: Leave My Kitten Alone 21

DJole’s

Purple Chick Guide

+ DISC ONE alternate stereo mixes

18: I Feel Fine (anthology mix) 19: Rock and Roll Music (anthology) 20: I'll Follow The Sun (anthology)

(the first stereo I Feel Fine includes the 'whispering' intro) (the stereo Mr. Moonlight includes the ever so marginally longer 'american' ending) + DISC TWO alternate mono mixes

18: I Feel Fine (US mix) 19: She's A Woman (US mix)

DISC THREE - Sessions

14 August, 1964 - 7:00-9:00

1: I'm A Loser (take 1) (Complete Control Room Monitor Mixes + Studio Sessions) 2: I'm A Loser (take 2) (Studio Sessions) 3: I'm A Loser (take 3) (Studio Sessions) 4: I'm A Loser (take 4) (Studio Sessions) 5: I'm A Loser (take 5) (Studio Sessions) 6: I'm A Loser (take 6) (Studio Sessions) 7: I'm A Loser (take 7) (Studio Sessions)

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DJole’s

Purple Chick Guide

8: I'm A Loser (take 8) (Studio Sessions + Abbey Road Video Show) 9: Mr. Moonlight (take 1) (Anthology DVD) 10: Mr. Moonlight (take 2) (Anthology DVD) 11: Mr. Moonlight (take 4) (Mythology) 14 August, 1964 - 10:00-11:15 12: Leave My Kitten Alone (take 4) (As It Happened, Baby!) 13: Leave My Kitten Alone (take 5) (As It Happened, Baby!)

30 September, 1964

14: What You're Doing (take 11) (Mythology) 15: No Reply (take 1) (Anthology DVD) 16: No Reply (take 2) (Anthology 1)

6 October, 1964

17: Eight Days A Week (take 2) (Anthology 1 + Anthology DVD) 18: Eight Days A Week (take 4) (Anthology 1 + Anthology DVD) 19: Eight Days A Week (take 5) (Anthology 1)

8 October, 1964

20: She's A Woman (take 1) (Abbey Road Video Show) 21: She's A Woman (take 2) (Studio Sessions) 22: She's A Woman (take 3) (Studio Sessions) 23: She's A Woman (take 4) (Studio Sessions) 24: She's A Woman (take 5) (Studio Sessions) 25: She's A Woman (take 6) (EP Collection + Anthology (Audifon))

18 October, 1964

26: Kansas City/Hey Hey Hey Hey (take 2) (Anthology 1) 27: I Feel Fine (take 1) (Studio Sessions) 28: I Feel Fine (take 2) (Studio Sessions) 29: I Feel Fine (take 5) (Studio Sessions) 30: I Feel Fine (take 6) (Studio Sessions) 31: I Feel Fine (take 7) (Studio Sessions) 32: I Feel Fine (take 8) (Sgt. Pepper: A History Of The Beatle Years) 33: I Feel Fine (take 9) (Studio Sessions)

26 October, 1964

34: What You're Doing (take 5)

Alternate Mixes

35: Mr. Moonlight (mono) (take 1) (Anthology 1)

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DJole’s

Purple Chick Guide

36: Mr. Moonlight (mono) (take 2) (Anthology Video) 37: Mr. Moonlight (mono) (take 4) (Anthology 1) 38: Leave My Kitten Alone (stereo) (take 5) 39: She's A Woman (mono acetate) (take 5) (Acetates Collection) 40: No Reply (take 1) (Anthology Video) 41: What You're Doing (take 5) (Anthology Video)

24

DJole’s

Purple Chick Guide

Help! - Deluxe Edition DISC ONE - stereo/DISC TWO - mono

Help!

1: Help! 2: The Night Before 3: You've Got To Hide Your Love Away 4: I Need You 5: Another Girl 6: You're Going To Lose That Girl 7: Ticket To Ride 8: Act Naturally 9: It's Only Love 10: You Like Me Too Much 11: Tell Me What You See 12: I've Just Seen A Face 13: Yesterday 14: Dizzy Miss Lizzy

singles and compilations 15: Yes It Is 16: I'm Down 17: Bad Boy

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DJole’s

Purple Chick Guide

outtakes

18: If You've Got Trouble 19: That Means A Lot

(stereo YGTLTG (includes a little extra banding from US version)) DISC ONE mono movie mixes

20: Help! 21: The Night Before 22: I Need You 23: You're Going To Lose That Girl 24: Ticket To Ride

alternate stereo mixes

25: Help! 26: Ticket To Ride 27: You've Got To Hide Your Love Away 28: anthology dvd medley 29: You're Going To Lose That Girl 30: If You've Got Trouble

DISC TWO mono production acetate mixes

20: Help! 21: The Night Before 22: You've Got To Hide Your Love Away 23: I Need You 24: Another Girl 25: You're Going To Lose That Girl 26: Ticket To Ride 27: You Like Me Too Much 28: Yet It Is

alternate mixes

29: That Means A Lot 30: If You've Got Trouble

26

DJole’s

Purple Chick Guide

DISC THREE - Sessions

15 February, 1965

1: Ticket To Ride (take 2) (Anthology (Audifon))

16 February, 1965

2: Yes It Is (take 1) (Hold Me Tight + Studio Sessions) 3: Yes It Is (take 2) (Studio Sessions) 4: Yes It Is (take 3) (Studio Sessions) 5: Yes It Is (take 4) (Studio Sessions) 6: Yes It Is (take 5) (Studio Sessions) 7: Yes It Is (take 6) (Studio Sessions) 8: Yes It Is (take 7) (Studio Sessions) 9: Yes It Is (take 8) (Studio Sessions) 10: Yes It Is (take 9) (Studio Sessions) 11: Yes It Is (take 10) (Studio Sessions) 12: Yes It Is (take 11) (Studio Sessions) 13: Yes It Is (take 14) (Studio Sessions)

18 February, 1965 3:30-5:15pm

14: You've Got To Hide Your Love Away (1) (Anthology) 15: You've Got To Hide Your Love Away (5) (Anthology)

18 February, 1965 6:30-10:30pm

16: If You've Got Trouble (take 1) (As It Happened Baby)

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DJole’s

Purple Chick Guide

20 February, 1965

17: That Means A Lot (take 1) (TMODM + More Masters) 18: That Means A Lot (rehearsal) (TMODM)

30 March, 1965

19: That Means A Lot (take 20) (TMODM) 20: That Means A Lot (take 22) (TMODM) 21: That Means A Lot (take 23) (TMODM) 22: That Means A Lot (take 24) (TMODM) 23: That Means A Lot (test) (TMODM)

13 April, 1965

24: Help! (take 1) (Studio Sessions) 25: Help! (take 2) (Studio Sessions) 26: Help! (take 3) (Studio Sessions) 27: Help! (take 4) (Studio Sessions + CCRMM + Abbey Road Video Show + CCRMM + Studio Sessions) 28: Help! (take 5) (Studio Sessions) 29: Help! (take 6) (Studio Sessions) 30: Help! (take 7) (Studio Sessions) 31: Help! (take 8) (Studio Sessions) 32: Help! (take 9) (Studio Sessions) 33: Help! (take 10) (Studio Sessions) 34: Help! (take 11) (Studio Sessions) 35: Help! (take 12) (Studio Sessions) 36: Help! (take 13) (Studio Sessions)

14 June, 1965 2:30-5:30

37: I'm Down (take 1) (Anthology 2)

14 June, 1965 7:00-10:30

38: Yesterday (take 1) (Anthology 2)

15 June, 1965

39: It's Only Love (take 2) (Anthology 2) 40: It's Only Love (take 3) (Anthology 2)

17 June, 1965

41: Wait (take 4) (outfake)

28

DJole’s

Purple Chick Guide

alternate edit/mix

42: Yes It Is (takes 2+14) (anthology)

29

DJole’s

Purple Chick Guide

Rubber Soul - Deluxe Edition DISC ONE - stereo/DISC TWO - mono

single

1: We Can Work It Out 2: Day Tripper

Rubber Soul

3: Drive My Car 4: Norwegian Wood (This Bird Has Flown) 5: You Won't See Me 6: Nowhere Man 7: Think For Yourself 8: The Word 9: Michelle 10: What Goes On 11: Girl 12: I'm Looking Through You 13: In My Life 14: Wait 15: If I Needed Someone 16: Run For Your Life

outtake

17: 12 Bar Original 30

DJole’s

Purple Chick Guide

DISC ONE alternate stereo mixes

18: We Can Work It Out (US mix) 19: Day Tripper (US mix) 20: The Word (US mix) 21: I'm Looking Through You (US mix) 22: Nowhere Man (Yellow Submarine Songtrack) 23: Think For Yourself (Yellow Submarine Songtrack) 24: In My Life (Anthology DVD) 25: We Can Work It Out (Anthology DVD) 26: Day Tripper (Anthology DVD)

DISC TWO alternate mono mixes

18: Michelle (US mix) 19: We Can Work It Out (Songs of L&M) 20: Day Tripper (Songs of L&M)

DISC THREE - Sessions

1: Run For Your Life - take 1 (Studio Sessions+A Day In The Life) 2: Run For Your Life - take 5 (from me you you+Arrive Without Aging) 3: This Bird Has Flown (Norwegian Wood) - take 1 (TMODM+More Masters) 4: Day Tripper - take 1 (Studio Sessions) 5: Day Tripper - take 2 (Studio Sessions) 6: Day Tripper - take 3 (Studio Sessions) 7: In My Life - take 3 organ overdub (from me to you)

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DJole’s

Purple Chick Guide

8: We Can Work It Out - take 1 (Studio Sessions) 9: We Can Work It Out - take 2 (SS +Arrive Without Aging) 10: This Bird Has Flown (Norwegian Wood) - take 2 (Turn Me On Dead Man) 11: Norwegian Wood (This Bird Has Flown) - take 4 (URT 2 + More Masters) 12: In My Life - take 3 piano overdub, original speed (created from As It Happened, Baby!) 13: In My Life - take 3 piano overdub (As It Happened, Baby!) 14: Nowhere Man - take 3 (remixed from Yellow Submarine DVD) 15: I'm Looking Through You - take 1 (Ultra Rare Trax vol. 1) 16: We Can Work It Out - take 2 + overdubs (Studio Sessions) 17: 12 Bar Original - take 1 (Turn Me On Dead Man) 18: 12 Bar Original - take 2 (TMODM + Arrive Without Aging) 19: 12 Bar Original - rehearsal (Arrive Without Aging) 20: I'm Looking Through You - take 4 (Another Sessions Plus) 21: Girl - take 2 - instrumental monitor mix (Miscellaneous Tracks) 22: Think For Yourself - studio session (Miscellaneous Tracks 2005)

alternate mixes:

23: This Bird Has Flown (Norwegian Wood) - take 1 (Another Sessions Plus) 24: Day Tripper - take 3 (As It Happened, Baby!) 25: In My Life - complete, with alternate solo (RS mono + from me to you) 26: I'm Looking Through You - take 1 (Anthology 2) 27: I'm Looking Through You - take 1 (Abbey Road Video Show)

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DJole’s

Purple Chick Guide

Revolver - Deluxe Edition DISC ONE - stereo/DISC TWO - mono

single

1: Paperback Writer 2: Rain

Revolver

3: Taxman 4: Eleanor Rigby 5: I'm Only Sleeping 6: Love You To 7: Here, There and Everywhere 8: Yellow Submarine 9: She Said, She Said 10: Good Day Sunshine 11: And Your Bird Can Sing 12: For No One 13: Dr. Robert 14: I Want To Tell You 15: Got To Get You Into My Life 16: Tomorrow Never Knows (mono = mono matrix ii)

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DJole’s

Purple Chick Guide

DISC ONE alternate stereo mixes

17: I'm Only Sleeping (US mix) 18: And Your Bird Can Sing (US mix) 19: Dr. Robert (US mix) 20: Paperback Writer (Anthology video) 21: Rain (Anthology video) 22: Eleanor Rigby (Y.S. Songtrack) 23: Love You To (Y.S. Songtrack) 24: Yellow Submarine (Y.S. Songtrack) 25: For No One (Anthology DVD) 26: Paperback Writer (Anthology DVD) 27: Rain (Anthology DVD)

DISC TWO alternate mono mixes

17: I'm Only Sleeping (US mix) 18: Dr. Robert (US mix) 19: Tomorrow Never Knows (Mono Matrix I) 20: Yellow Submarine (unreleased) 21: Yellow Submarine (film mix)

DISC THREE - Sessions

1: Mark I (Tomorrow Never Knows) - take 1 (Anthology 2) 2: Got To Get You Into My Life - take 5 (Anthology 2 + Anthology DVD + Anthology video)

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3: Paperback Writer - take 1 (Studio Sessions) 4: Paperback Writer - take 2 (Studio Sessions + URT1) 5: And Your Bird Can Sing - take 2 (stereo remix from Anthology DVD surround channels, with loop removed) 6: And Your Bird Can Sing - take 2 + overdubs (stereo remix from Anthology DVD surround channels, with loop removed) 7: Taxman - take 11 (Anthology 2) 8: Eleanor Rigby - take 14 (Anthology 2) 9: I'm Only Sleeping - rehearsal (Anthology 2) 10: I'm Only Sleeping - remake take 1 (Anthology 2) 11: For No One - rehearsal (CRMM) 12: For No One - take 1 (CRMM) 13: For No One - take 2 (CRMM) 14: For No One - a (CCRMM) 15: For No One - b (CCRMM) 16: For No One - c (CCRMM) 17: For No One - take 10 (composite from CRMM) 18: For No One - take 14 (composite from CRMM) 19: Yellow Submarine - take 5 (Real Love single) 20: Here, There and Everywhere - take 7(+14) (Real Love single) 21: Here, There and Everywhere - take 14 (composite from CRMM)

alternate mixes:

22: Got To Get You Into My Life - take 5 (Anthology 2) 23: And Your Bird Can Sing - take 2 (Anthology 2 OOPSed) 24: And Your Bird Can Sing - take 2+overdubs (Anthology 2)

monitor mixes:

25: Mark I (Tomorrow Never Knows) - take 1 (Anthology DVD) 26: Tomorrow Never Knows - take 3 (Anthology DVD) 27: For No One - take 10a (CCRMM + CRMM) 28: For No One - take 10b (CRMM) 29: For No One - take 10c (CRMM + CCRMM + CRMM) 30: For No One - take 14 (CRMM + CCRMM) 31: Here, There and Everywhere - take 14a (CCRMM + CRMM) 32: Here, There and Everywhere - take 14b (CRMM) 33: Here, There and Everywhere - take 14c (CRMM) 34: Here, There and Everywhere - take 14d (CRMM)

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Purple Chick Guide

Sgt Pepper's Lonely Hearts Club Band - Deluxe Edition DISC ONE - Stereo

single

1: Strawberry Fields Forever 2: Penny Lane

Sgt. Pepper's Lonely Hearts Club Band

3: Sgt. Pepper's Lonely Hearts Club Band 4: With A Little Help From My Friends 5: Lucy In The Sky With Diamonds 6: Getting Better 7: Fixing A Hole 8: She's Leaving Home 9: Being For The Benefit Of Mr. Kite! 10: Within You Without You 11: When I'm Sixty-Four 12: Lovely Rita 13: Good Morning Good Morning 14: Sgt. Pepper's Lonely Hearts Club Band (Reprise) 15: A Day In The Life 16: inner groove

soundtrack

17: Only A Northern Song 36

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Purple Chick Guide

alternate stereo mixes

18: Strawberry Fields Forever (US mix) 19: A Day In The Life (1982 mix) 20: Sgt. Pepper's Lonely Hearts Club Band (Y.S. Songtrack) 21: With A Little Help From My Friends (Y.S. Songtrack) 22: Lucy In The Sky With Diamonds (Y.S. Songtrack) 23: When I'm Sixty-Four (Y.S. Songtrack) 24: Penny Lane (2000 mix) 25: A Day In The Life (1988 mix)

DISC TWO – Mono

single

1: Strawberry Fields Forever 2: Penny Lane

Sgt. Pepper's Lonely Hearts Club Band

3: Sgt. Pepper's Lonely Hearts Club Band 4: With A Little Help From My Friends 5: Lucy In The Sky With Diamonds 6: Getting Better 7: Fixing A Hole

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Purple Chick Guide

8: She's Leaving Home 9: Being For The Benefit Of Mr. Kite! 10: Within You Without You 11: When I'm Sixty-Four 12: Lovely Rita 13: Good Morning Good Morning 14: Sgt. Pepper's Lonely Hearts Club Band (Reprise) 15: A Day In The Life 16: run out groove

soundtrack

17: Only A Northern Song

alternate mono mixes

18: Penny Lane (US promo RM11) 19: Lucy In The Sky With Diamonds (unused movie mix with Dick Emery)

Anthology DVD stereo mixes

20: Strawberry Fields Forever 21: Penny Lane 22: A Day In The Life

DISC THREE

1: Strawberry Fields Forever - rehearsal - fragment (LOVE 5.1 mix) 2: Strawberry Fields Forever - take 1 (INTB + Anthology 2) 3: Strawberry Fields Forever - take 1+overdubs (It's Not Too Bad) 4: Strawberry Fields Forever - take 2 (It's Not Too Bad) 5: Strawberry Fields Forever - take 3 (It's Not Too Bad)

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DJole’s

Purple Chick Guide

6: Strawberry Fields Forever - take 4 (It's Not Too Bad) 7: Strawberry Fields Forever - take 5 (It's Not Too Bad) 8: Strawberry Fields Forever - take 6 (It's Not Too Bad) 9: Strawberry Fields Forever - rehearsals (It's Not Too Bad) 10: Strawberry Fields Forever - take 7 (It's Not Too Bad) 11: When I'm Sixty-Four - take 4 - complete, original speed 12: Strawberry Fields Forever - take 24 partial drum track (Anthology 2) 13: Strawberry Fields Forever - take 25 (INTB + UM) 14: Strawberry Fields Forever - take 26 - RM9 (MM + TMODM) 15: Strawberry Fields Forever - take 26 (It's Not Too Bad) 16: Penny Lane - take 9 (More Masters + TMODM + Anthology 2) 17: Penny Lane - overdub session (unbootlegged)

monitor mixes:

18: Strawberry Fields Forever - take 25 (CCRMM) 19: Strawberry Fields Forever - take 26 (CCRMM)

alternate mixes:

20: Strawberry Fields Forever - take 7 - RM3 (MM + TMODM) 21: Penny Lane - RM8 - complete (More Masters + Turn Me On Dead Man)

DISC FOUR

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DJole’s

Purple Chick Guide

1: A Day In The Life - take 1 composite fragments (Anthology 2 + Anthology DVD + Anthology Director's Cut + As It Happened, Baby!) 2: A Day In The Life - take 2 + overdubs (from Anthology 2) 3: A Day In The Life - take 4 (Anthology Director's Cut) 4: A Day In The Life - take 6 (RM1) - (Anthology DC + ARVS + Acetates) 5: Sgt. Pepper's Lonely Hearts Club Band - take 9 (RM1) (Acetates 2002) 6: A Day In The Life - orchestra overdub (Anthology DVD) 7: A Day In The Life - edit piece take 11 (Anthology Director's Cut) 8: Good Morning Good Morning - take 9 (RM1) (Anthology 2) 9: Being For The Benefit Of Mr. Kite! - rehearsal take 7 (Anthology DVD) 10: Being For The Benefit Of Mr. Kite! - dialogue fragment (Liverpool Sound Collage) 11: Being For The Benefit Of Mr. Kite! - take 1 (Anthology 2) 12: Being For The Benefit Of Mr. Kite! - take 2 (Anthology 2) 13: Being For The Benefit Of Mr. Kite! - take 7 (+9) (Anthology 2) 14: A Day In The Life - edit piece take 9 (Anthology Director's Cut) 15: Lucy In The Sky With Diamonds - takes 6+7+8 (Anthology 2) 16: Sgt. Pepper's Lonely Hearts Club Band (reprise) - take 5 (Anthology 2) 17: Within You Without You - take 2 instrumental (Anthology 2) 18: Only A Northern Song - takes 3+12 (Anthology 2 speed corrected) 19: Intro To Sgt. Pepper (applause) RM20 (Secret Songs In Pepperland) 20: Billy Shears (applause) RM 20 (Secret Songs In Pepperland) 21: Good Morning, Good Morning (sound effects) RM 20 (Secret Songs In Pepperland) 22: Being For The Benefit Of Mr. Kite! - sound effects (from Anthology 2)

alternate mixes

23: Being For The Benefit Of Mr. Kite! - rehearsal take 7 (Anthology Video) 24: Strawberry Fields Forever - take 25 (INTB + UM) 25: Strawberry Fields Forever - take 26 - RM9 (MM + TMODM) 26: Strawberry Fields Forever - take 26 (It's Not Too Bad) 27: Strawberry Fields Forever - take 25 (CCRMM) 28: Strawberry Fields Forever - take 26 (CCRMM) 23-28 speed corrected to the key of B 28: When I'm Sixty-Four - mono speed corrected (DESS) 29: Penny Lane - stereo with trumpet coda (DESS + secret Purple Chick magic) 30: She's Leaving Home - mono speed corrected (DESS)

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Purple Chick Guide

DISC FIVE - Monitor Mixes and Remixes:

1: Strawberry Fields Forever - take 1 (The Making Of Sgt. Pepper) 2: Strawberry Fields Forever - take 7 (The Making Of Sgt. Pepper) 3: Strawberry Fields Forever - take 26 (The Making Of Sgt. Pepper) 4: Sgt. Pepper's Lonely Hearts Club Band (Arrive Without Aging) 5: With A Little Help From My Friends (Arrive Without Aging) 6: Lucy In The Sky With Diamonds - take 6 `(Arrive Without Aging) 7: Being For The Benefit Of Mr. Kite (Arrive Without Aging) 8: Good Morning Good Morning (Arrive Without Aging) 9: A Day In The Life - take 1 (Anthology DVD+Arrive Without Aging) 10: A Day In The Life - take 1 (Anthology Director's Cut) 11: A Day In The Life - take 6 (Anthology Director's Cut) 12: A Day In The Life - orchestra overdub (Anthology Director's Cut) 13: Penny Lane - RM 9 (More Masters + Turn Me On Dead Man) 14: Penny Lane - RM 10 (More Masters + Turn Me On Dead Man) 15: A Day In The Life - RS 1 (A Day In The Life) 16: A Day In The Life - RS 2 (A Day In The Life) 17: A Day In The Life - RS 3 (A Day In The Life) 18: A Day In The Life - RS 4 (A Day In The Life) 19: A Day In The Life - RS 5 (called as RS7) (A Day In The Life) 20: A Day In The Life -RS 6 (A Day In The Life) 21: A Day In The Life - RS 7 (A Day In The Life) 22: A Day In The Life - RS 8 (A Day In The Life) 23: A Day In The Life - RS 9 (A Day In The Life) 24: Strawberry Fields Forever - take 1 (Abbey Road Video Show)

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DJole’s

Purple Chick Guide

25: Strawberry Fields Forever - take 7 (Abbey Road Video Show) 26: Strawberry Fields Forever - take 26 (Abbey Road Video Show) 27: Strawberry Fields Forever - take 1 (Anthology DVD) 28: Strawberry Fields Forever - take 7 RM3 + take 25 drums (Anthology 2) 29: Penny Lane - takes 6+7+9 (Anthology 2) 30: A Day In The Life - takes 1+2+take 6 RM1+orchestra session (Anthology 2) 31. Being For The Benefit of Mr Kite! - takes 7-9 (Anthology 2) 32: Only A Northern Song - takes 3+12 (Anthology 2)

DISC SIX - - The Multitracks Sgt. Pepper's Lonely Hearts Club Band: 1: Applause and crowd noise 2: Backing track 3: Lead and backing vocals 4: Lead guitar and brass

With A Little Help From My Friends: 5: Percussion, bass guitar, guitar 6: Backing track 7: Lead and backing vocals, organ 8: Backing vocals, guitar

She's Leaving Home:

9: Strings #1 10: Strings #2 11: Lead and backing vocals 12: Harmony and backing vocals

A Day In The Life

13: Piano and lead vocals 14: Guitar and tambourine 15: Jangle piano, orchestra 16: Bass guitar and drums

Full Multitrack Remixes:

17: Sgt. Pepper's Lonely Hearts Club Band 18: With A Little Help From My Friends 19: She's Leaving Home

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DJole’s

Purple Chick Guide

20: A Day In The Life 21: When I'm Sixty Four

43

DJole’s

Purple Chick Guide

Magical Mystery Year - Deluxe Edition DISC ONE - stereo

1: All You Need Is Love 2: Baby You're A Rich Man 3: Hello Goodbye 4: Magical Mystery Tour 5: Your Mother Should Know 6: I Am The Walrus 7: The Fool On The Hill 8: Flying 9: Blue Jay Way 10: Lady Madonna 11: The Inner Light 12: All Together Now 13: Hey Bulldog 14: It's All Too Much 15: Across The Universe 16: Christmas Time (Is Here Again)

alternate stereo mixes

17: I Am The Walrus (US mix) 18: Magical Mystery Tour (video mix) 19: Blue Jay Way (video mix) 20: Your Mother Should Know (video mix) 44

DJole’s

Purple Chick Guide

21: All You Need Is Love (anthology mix) 22: I Am The Walrus (anthology mix) 23: Hello Goodbye (anthology mix) 24: Lady Madonna (anthology mix)

DISC TWO

1: All You Need Is Love 2: Baby You're A Rich Man 3: Hello Goodbye 4: Magical Mystery Tour 5: Your Mother Should Know 6: I Am The Walrus 7: The Fool On The Hill 8: Flying 9: Blue Jay Way 10: Lady Madonna 11: The Inner Light 12: All Together Now 13: Hey Bulldog

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Purple Chick Guide

14: It's All Too Much 15: Across The Universe 16: Christmas Time (Is Here Again)

alternate mono mixes

17: I Am The Walrus (US mix) 18: All You Need Is Love (film mix) 19: Magical Mystery Tour (film mix) 20: I Am The Walrus (film mix) 21: Your Mother Should Know (film mix) 22: anthology DVD medley

DISC THREE

1: Free Now (Liverpool Sound Collage) 2: Magical Mystery Tour - RM4 (Another Tracks of Magical Mystery Tour) 3: Magical Mystery Tour - RM7 (Acetates) 4: All You Need Is Love - take unknown (ant vid) 5: All You Need Is Love - warmup (Rare Tracks + UM3 (UT)) 6: All You Need Is Love - take 58 (UM3 (UT)) 7: Your Mother Should Know - take 8 (Acetates 2002) 8: I Am The Walrus - take 7 (CCRMM) 9: I Am The Walrus - take 8 (CCRMM) 10: I Am The Walrus - take 9 (CCRMM) 11: I Am The Walrus - rehearsal (CCRMM) 12: I Am The Walrus - takes 16+17 (Anthology 2)

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DJole’s

Purple Chick Guide

13: I Am The Walrus - take 17 RM4 (Acetates 2002) 14: The Fool On The Hill - demo take 1 (Anthology 2) 15: Blue Jay Way - RM1 (Acetates 2002) 16: Flying - RM4 (UM 3 + SPLHCB:AHOTBY) 17: Your Mother Should Know - take 27 (Anthology 2) 18: The Fool On The Hill - take 4 (Anthology 2) 19: Flying - take 8 + overdub takes 1-5 (Miscellaneous Tracks) 20: I Am The Walrus - 'King Lear' overdub 21: Hello Goodbye - take 1 (CCRMM + Miscellaneous Tracks 2005) 22: Hello Goodbye - take (Anthology 2) 23: Christmas Time (Is Here Again) - (Sessions + As It Happened, Baby!)

DISC FOUR

1: The Inner Light (stereo backing track) 2: Lady Madonna - take 3 complete (unbooted) 3: Across The Universe - take 2 (CCRMM + Ant 2 + CCRMM) 4: Lady Madonna - take 4 vocal overdubs (CCRMM) 5: Lady Madonna - take 4 (A Day In The Life) 6: Lady Madonna - take 4 + overdubs (Abbey Road Video Show)

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DJole’s

Purple Chick Guide

7: Lady Madonna - take 5 false starts (UM 4) 8: Lady Madonna - take 5 (UM 4 + Love)

alternate stereo mixes:

9: All You Need Is Love - master (Y.S. Songtrack) 10: Baby You're A Rich Man - master (Y.S.S.) 11: All Together Now - master (Y.S. Songtrack) 12: Hey Bulldog - master (Y.S. Songtrack) 13: It's All Too Much - master (Y.S. Songtrack) 14: Hello Goodbye - master (video 1) 15: Across The Universe - take 2 (Anthology 2) 16: Lady Madonna - takes 3+4+5 (Anthology 2) 17: All You Need Is Love - unknown take (Anthology DVD) 18-22: Rumitape - parts i-v

monitor mixes:

23: Across The Universe - take 2 24: Lady Madonna - take 5a 25: Lady Madonna - take 5b 26: Lady Madonna - take 5c

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DJole’s

Purple Chick Guide

The Beatles (White Album) - Deluxe Edition DISCS ONE & TWO - stereo

DISC ONE - STEREO single 1: Hey Jude 2: Revolution

The Beatles - record 1

3: Back In The U.S.S.R. 4: Dear Prudence 5: Glass Onion 6: Ob-La-Di, Ob-La-Da 7: Wild Honey Pie 8: The Continuing Story Of Bungalow Bill 9: While My Guitar Gently Weeps 10: Happiness Is A Warm Gun 11: Martha My Dear 12: I'm So Tired 13: Blackbird 14: Piggies 15: Rocky Raccoon 16: Don't Pass Me By 17: Why Don't We Do It In The Road? 18: I Will 49

DJole’s

Purple Chick Guide

19: Julia

outtakes

20: Not Guilty 21: What's The New Mary Jane 22: Sour Milk Sea (outfake)

DISC TWO - STEREO The Beatles - record 2

1: Birthday 2: Yer Blues 3: Mother Nature's Son 4: Everybody's Got Something To Hide Except Me And My Monkey 5: Sexy Sadie 6: Helter Skelter 7: Long, Long, Long 8: Revolution 1 9: Honey Pie 10: Savoy Truffle 11: Cry Baby Cry 12: Revolution 9 13: Good Night

outtake

14: While My Guitar Gently Weeps (demo)

alternate mixes

15: Revolution (Love - complete) 16: Back in the USSR (Love - complete) 17: Revolution (Past Masters)

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DJole’s

Purple Chick Guide

DISCS THREE & FOUR – mono

DISC THREE – MONO single 1: Hey Jude 2: Revolution

The Beatles - record 1

3: Back In The U.S.S.R. 4: Dear Prudence 5: Glass Onion 6: Ob-La-Di, Ob-La-Da 7: Wild Honey Pie 8: The Continuing Story Of Bungalow Bill 9: While My Guitar Gently Weeps 10: Happiness Is A Warm Gun 11: Martha My Dear 12: I'm So Tired 13: Blackbird 14: Piggies 15: Rocky Raccoon 16: Don't Pass Me By 17: Why Don't We Do It In The Road? 18: I Will 19: Julia

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outtakes

20: Not Guilty 21: What's The New Mary Jane 22: Sour Milk Sea (outfake)

DISC FOUR - MONO The Beatles - record 2

1: Birthday 2: Yer Blues 3: Mother Nature's Son 4: Everybody's Got Something To Hide Except Me And My Monkey 5: Sexy Sadie 6: Helter Skelter 7: Long, Long, Long 8: Revolution 1 9: Honey Pie 10: Savoy Truffle 11: Cry Baby Cry 12: Revolution 9 13: Good Night

outtake

14: While My Guitar Gently Weeps (demo)

alternate mix

15: Don't Pass Me By (original speed)

52

DJole’s

Purple Chick Guide

DISC FIVE – DEMOS 1: Julia 2: Blackbird 3: Rocky Raccoon 4: Back In The U.S.S.R. 5: Honey Pie 6: Mother Nature's Son 7: Ob-La-Di, Ob-La-Da 8: Junk 9: Dear Prudence 10: Sexy Sadie 11: Cry Baby Cry 12: Child Of Nature 13: The Continuing Story Of Bungalow Bill 14: I'm So Tired 15: Yer Blues 16: Everybody's Got Something To Hide Except Me And My Monkey 17: What's The New Mary Jane 18: Revolution 19: While My Guitar Gently Weeps 20: Circles 21: Sour Milk Sea 22: Not Guilty 23: Piggies 24: Happiness Is A Warm Gun

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Purple Chick Guide

25: Mean Mr. Mustard 26: Polythene Pam 27: Glass Onion 28: Junk (anthology mix) 29: Honey Pie (anthology mix)

DISC SIX - SESSIONS 1: Revolution - take 20 (composite created from From Kinfauns To Chaos) 2: Don't Pass Me By - take 3 (Anthology DVD series) 3: Don't Pass Me By - takes 3+5 (Anthology 3) 4: Blackbird/Congratulations - a (Gone Tomorrow, Here Today) 5: Blackbird - b (Gone Tomorrow, Here Today) 6: Blackbird - c (Gone Tomorrow, Here Today) 7: Helter Skelter/Blackbird/Gone Tomorrow Here Today - d (Gone Tomorrow, Here Today) 8: Blackbird - e (Gone Tomorrow, Here Today) 9: tuning (Gone Tomorrow, Here Today) 10: Blackbird - r (Gone Tomorrow, Here Today) 11: Blackbird - g (Gone Tomorrow, Here Today) 12: Blackbird - h (Gone Tomorrow, Here Today) 13: Blackbird/Mother Natures Son - i (Gone Tomorrow, Here Today) 14: Blackbird - j (Gone Tomorrow, Here Today) 15: Blackbird - k (Gone Tomorrow, Here Today) 16: Blackbird - l (Gone Tomorrow, Here Today) 17: Blackbird - m (Gone Tomorrow, Here Today) 18: Blackbird - n (Gone Tomorrow, Here Today) 19: Blackbird - o (Gone Tomorrow, Here Today) 20: Blackbird - p (Gone Tomorrow, Here Today) 21: Blackbird - q (Gone Tomorrow, Here Today) 22: Blackbird - r (Gone Tomorrow, Here Today) 23: dialogue (Gone Tomorrow, Here Today) 24: dialogue (Gone Tomorrow, Here Today) 25: Blackbird - s (Gone Tomorrow, Here Today) 26: Blackbird take 4 (Anthology 3) 27: Blackbird - take unknown (Anthology DVD series) 28: Blackbird - take 32 RM6 (The Peter Sellers Tape) 29: Good Night - rehearsal (created from Anthology 3) 30: Good Night - unknown take (Anthology DVD series) 31: Ob-La-Di Ob-La-Da - take 5 (The Abbey Road Tape vol 1)

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DJole’s

Purple Chick Guide

32: Ob-La-Di Ob-La-Da - take 21 (Anthology video + Anthology 3) 33: Revolution - take 15 (Revolution) 34: Don't Pass Me By - take 7 RM4 (The Peter Sellers Tape) 35: Ob-La-Di Ob-La-Da - take 23 RM21 (The Peter Sellers Tape) 36: Ob-La-Di Ob-La-Da-ish - studio chat (Love (audience tape + TV Special))

DISC SEVEN – SESSIONS 1: Cry Baby Cry - take 1 (Anthology 3) 2: Helter Skelter - take 2 (Anthology 3) 3: Sexy Sadie - take 6 (Anthology 3) 4: Sexy Sadie - take unknown + chat (Anthology Video series) 5: Fuck A Duckie (Complete Control Room Monitor Mixes) 6: Sexy Sadie - take unknown (Complete Control Room Monitor Mixes) 7: Brian Epstein's Blues (Complete Control Room Monitor Mixes) 8: Sexy Sadie - take unknown (Complete Control Room Monitor Mixes) 9: Sexy Sadie - take unknown (Complete Control Room Monitor Mixes) 10: Sexy Sadie - take unknown (Complete Control Room Monitor Mixes) 11: Good Night - take 34 RM6 (The Peter Sellers Tape) 12: Everybody's Got Something To Hide Except Me And My Monkey - take 12 RM5 (Primal Colors) 13: Sexy Sadie - take 28 (Anthology Video series) 14: While My Guitar Gently Weeps - take 1 (A Day In The Life + ARVS) 15: While My Guitar Gently Weeps - take 1 + overdub (Anthology DVD series) 16: When I Was A Robber (Anthology 3) 17: Hey Jude - take 2 (Anthology 3) 18: Hey Jude - rehearsal a (Experiment In Television)

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DJole’s

Purple Chick Guide

19: St Louis Blues - a (Experiment In Television) 20: Hey Jude - rehearsal b (Experiment In Television) 21: Hey Jude - take unknown (1983 Abbey Road Show) 22: Hey Jude - take 7 (Unsurpassed Masters volume 4) 23: Las Vegas Tune (Unsurpassed Masters volume 4) 24: St Louis Blues - b (Unsurpassed Masters volume 4) 25: St Louis Blues - c (Unsurpassed Masters volume 4 + Experiment In Television) 26: Hey Jude - rehearsal c (Experiment In Television) 27: Hey Jude - take 8 (A Day In The Life) 29: Hey Jude - take 9 (A Day In The Life + Experiment In Television) 29: Hey Jude - take ?? RS1 (Gone Tomorrow Here Today) 30: Hey Jude-ish studio chat (from Love) 31: Mother Nature's Son - take 2 (Anthology 3) 32: Mother Nature's Son - take unknown (Anthology DVD series) 33: Not Guilty - take 102 RM1 (The Peter Sellers Tape) 34: Jam (Down In Havana) 35: What's The New Mary Jane - take 2 (Anthology DVD series) 36: Rocky Raccoon - take 8 (Anthology 3) 37: Rocky Raccoon - take 9 (Anthology DVD series) 38: Rocky Raccoon - RM1 (The Peter Sellers Tape) 39: Yer Blues - RM3 (Primal Colors)

DISC EIGHT - SESSIONS 1: Mother Nature's Son - RM8 (The Peter Sellers Tape) 2: Wild Honey Pie - RM6 (The Peter Sellers Tape) 3: Sexy Sadie RM5 unedited (The Peter Sellers Tape) 4: Back In The U.S.S.R. - RM1 (Primal Colors) 5: Dear Prudence - backing vocal fragment (White Sessions) 6: Dear Prudence - take 1 - mix a (Gone Tomorrow Here Today + Lost Lennon Tapes 88-24) 7: Dear Prudence - take 1 - mix b (Gone Tomorrow Here Today) 8: While My Guitar Gently Weeps - studio chat (Love) 9: Lady Madonna - rehearsal (Complete Control Room Monitor Mixes) 10: While My Guitar Gently Weeps - rehearsal (Complete Control Room Monitor Mixes) 11: Helter Skelter - vocal fragment (love tv special) 12: Helter Skelter - take 21 RM1 (Primal Colors) 13: I Will - take 1 (Anthology DVD series)

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DJole’s

Purple Chick Guide

14: I Will - take 1 (Anthology DVD + Anthology 3) 15: Can You Take Me Back - take 19 (Down In Havana + Turn Me On, Dead Man) 16: Down In Havana - I Will take 30 (Down In Havana) 17: Step Inside Love - I Will take 34 (Turn Me On, Dead Man) 18: Los Paranoias - I Will take 35 (Turn Me On, Dead Man) 19: The Way You Look Tonight - I Will take 36 (Turn Me On, Dead Man) 20: Birthday - RM1 (Primal Colors) 21: Piggies - take unknown (Anthology DVD series) 22: Piggies - unused overdub (LOVE TV Special) 23: Happiness Is A Warm Gun - overdub track (Arrive Without Aging) 24: Happiness Is A Warm Gun - stereo with overdub track (remixed from DESS + Arrive Without Aging) 25: Glass Onion - take 33 RM2 (Anthology 3) 26: I'm So Tired - takes 3+6+9 (Anthology 3) 27: I'm So Tired - take 14 (Anthology DVD series) 28: I'm So Tired - a (Complete Control Room Monitor Mixes) 29: I'm So Tired - (remixed from DESS + Control Room Monitor Mixes) 30: Why Don't We Do It In The Road? - take 4 (Anthology 3) 31: Why Don't We Do It In The Road? - take 4+5 (Anthology DVD series) 32: Julia - take 2 (Anthology 3) 33: Julia - take 3 (Anthology DVD series) 34: How Do You Do (Abbey Road NW8 (Darthdisc)) 35: Blackbird (Abbey Road NW8 (Darthdisc)) 36: The Unicorn (Abbey Road NW8 (Darthdisc)) 37: Lalena (Abbey Road NW8 (Darthdisc)) 38: Heather (Abbey Road NW8 (Darthdisc)) 39: Mr Wind (Abbey Road NW8 (Darthdisc)) 40: The Walrus And The Carpenter (Abbey Road NW8 (Darthdisc)) 41: Land Of Gisch (Abbey Road NW8 (Darthdisc))

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DJole’s

Purple Chick Guide

DISC NINE - THE BEATLES GO TOO FAR Revolution 1:

1: take 20 playback 2: take 20 playback 3-4: jamming 5: tuning/dialogue 6: jamming/rehearsal 7: take 20 overdub 8: take 20 playback 9: take 20 playback 10-14: jamming 15: take 20 playback 16: take 20 playback 17: take 20 playback/overdub 18: take 20 playback 19: take 20 playback 20: take 20 playback 21-24: jamming 25: take 20 playback 26-28: dialogue 29: take 20 playback 30: take 20 playback 31: dialogue 32: dialogue/tape loop 33: tape loop

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DJole’s

Purple Chick Guide

34: dialogue 35: RM1 36: Revolution 9 - RS1

DISC TEN - THE BEATLES GO TOO FAR 1: What's The New Mary Jane - RS4 (Acetates Collection) 2: What's The New Mary Jane - RS5 (Acetates Collection) 3: What's The New Mary Jane - RS6 (Acetates Collection) 4: What's The New Mary Jane (Another Sessions Plus) 5: What's The New Mary Jane (Misc Tracks 2005) 6-11: I'm So Tired b-g (Control Room Monitor Mixes) 12-15: While My Guitar Gently Weeps a-d (Complete Control Room Monitor Mixes)

Alternate mixes:

16: Don't Pass Me By - take 3 (Anthology Video series) 17: Goodnight - unknown take (Anthology Video series) 18: Ob-La-Di, Ob-La-Da (Anthology 3) 19: Ob-La-Di Ob-La-Da - take 21 (Anthology DVD series) 20: Sexy Sadie - unknown take + chat (Anthology DVD series) 21: Good Night (Anthology 3) 22: Sexy Sadie - take 28 (Anthology DVD series) 23: While My Guitar Gently Weeps (Anthology 3) 24: While My Guitar Gently Weeps - take 1 harmonium (Anthology Video series) 25: Hey Jude - take 7 (Experiment In Television) 26: Hey Jude - take 7a (chat) (Experiment In Television) 27: Hey Jude - take 7b St Louis Blues (Unsurpassed Masters 4) 28: Hey Jude - take 9 partial (Abbey Road Video Show) 29: Hey Jude - take 9 (Experiment In Television) 30: Mother Nature's Son - take unknown (Anthology Video series) 31: Not Guilty (Anthology 3) 32: What's The New Mary Jane - take 2 (Anthology Video series) 33: Rocky Raccoon - take 9 (Anthology Video series) 34: I Will - take 1 (Anthology Video series) 35: Step Inside Love-Los Paranoias (Anthology 3) 36: Piggies - unknown take (Anthology DVD series) 37: I'm So Tired - take 14 (Anthology Video series) 38: Why Don't We Do It In The Road (Anthology Video series)

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DJole’s

Purple Chick Guide

39: Julia - take 3 partial (Anthology Video series) 40: While My Guitar Gently Weeps orchestra session (LOVE TV Special)

DISC ELEVEN – WHITECASTS

1: Not Guilty (Ultra Rare Trax Vol. 3)

John Barrett's stereo mix of this outtake was included in Volume 1. This is Roger Scott's mix. PROMO FILMS - 4 September, 1968

2: By George! It's the David Frost Theme - take 1 / It's Now Or Never (White Sessions) 3: By George! It's the David Frost Theme - takes 2 and 3 (Anthology DVD) 4: Hey Jude - take 1 (Lost And Found) 5: Hey Jude - take 2 (Video 1) 6: Revolution - rehearsal (We'd Like To Carry On) 7: Revolution - take 1 (Anthology Video + Anthology Director's Cut) 8: Revolution - take 2 (Video 1) 9: Hey Jude - edit of takes take 1+3 (Revolution) 10: Hey Jude - edit of takes take 1+2+3 (Anthology Video + White Sessions)

ROCK AND ROLL CIRCUS - 11 December, 1968

11: dialogue/Yer Blues - (Lost Lennon Tapes) 12: dialogue (Rock and Roll Circus) 13: Jam - take 1 (Lost Lennon Tapes) 14: Yer Blues - take 1 - mono, no vocals (Lost Lennon Tapes)

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15: Yer Blues - rehearsal - mono, no vocals (Lost Lennon Tapes) 16: Yer Blues - take 2 - stereo (Rock and Roll Circus DVD + Sergent Pepper's Lonely Hearts Club Band: A History Of The Beatle Years) 17: Yer Blues - take 1 - stereo (plus take 2 applause!) (LLT+Rock and Roll Circus) 18: Her Blues - take 1 - stereo (Rock and Roll Circus) 19: Yer Blues - take 2 - mono acetate (The Dirty Mac Sessions) 20: Her Blues - take 1 - mono acetate (Dirty Mac Sessions)

DISC TWELVE – WHITECASTS THE CILLA BLACK SHOW - 6 February, 1968 1: reading viewer mail (Vinyl To The Core) 2: ventriloquism/Nellie Dean (Vinyl To The Core) 3: Do You Like Me (Vinyl To The Core)

THE KENNY EVERETT SHOW - 6 June, 1968

4-11: Interview (Attack Of The Filler Beebs Ep. 3 + Acetates Collection)

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THE SMOTHERS BROTHERS COMEDY HOUR - 8 November, 1968 12: George's Cameo

ALTERNATE MIXES

13: By George! It's the David Frost Theme - takes 2 and 3 - (Anthology Video) 14: Hey Jude - edit of takes 1+2+3 (Anthology DVD) 15: Revolution - take 1 (Anthology DVD) 16: dialogue/Yer Blues - (Rock and Roll Circus DVD) 17: Yer Blues - take 2 wide stereo (Ultra Rare Trax Vol. 7 + SPLHCB: AHOTBY) 18: Her Blues - take 1 - wide stereo (Yer Blues (Library)) 19: Yer Blues - take 2 (Rock and Roll Circus DVD) 20: Kenny Everett Interview (Attack Of The Filler Beebs Ep. 3)

(Part of the Broadcast version, featuring Everett's edits and sound effects.) 21: Yer Blues - take 2 - mono (Lost Lennon Tapes) 22: Her Blues - take 1 - partial mono (Lost Lennon Tapes)

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Abbey Road - Deluxe Edition DISC ONE - stereo

single

1: The Ballad Of John And Yoko 2: Old Brown Shoe Abbey Road 3: Come Together 4: Something 5: Maxwell's Silver Hammer 6: Oh! Darling 7: Octopus's Garden 8: I Want You (She's So Heavy) 9: Here Comes The Sun 10: Because 11: You Never Give Me Your Money 12: Sun King 13: Mean Mr. Mustard 14: Polythene Pam 15: She Came In Through The Bathroom Window 16: Golden Slumbers 17: Carry That Weight 18: The End 19: Her Majesty

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outtake

20: Come And Get It

reunion

21: Free As A Bird 22: Real Love

anthology DVD mixes

23: The Ballad Of John And Yoko 24: Something 25: medley 26: Free As A Bird

DISC TWO - sessions 1: Old Brown Shoe - take 2 (MM + Mythology Vol 3 + MM) 2: All Things Must Pass - take 2 (More Masters) 3: Something - take 1 (Anthology 3) 4: Something - take 1 + overdubs (Acetates 2002) 5: The Ballad Of John And Yoko - take 10 - partial (from Anthology DVD) 6: Oh Darling - take 26 (Abbey Road NW8) 7: Octopus's Garden - take 2 (Anthology 3) 8: Octopus's Garden - take 32 (Abbey Road NW8) 9: You Never Give Me Your Money - take 30 (Abbey Road NW8) 10: Her Majesty - take 3 (Abbey Road NW8) 11: Golden Slumbers-Carry That Weight - take 1 (Anthology DVD) 12: Golden Slumbers-Carry That Weight - take 13 (Abbey Road NW8) 13: Maxwell's Silver Hammer - take 5 (Anthology 3) 14: Maxwell's Silver Hammer - take 21 RS13 (Abbey Road NW8) 15: Something - take 37 (Abbey Road NW8) 16: Come Together - take 1 (Anthology 3) 17: Oh Darling - vocal overdub (Rare Tracks + DESS + Purple Chick Magic) 18: Ain't She Sweet (Anthology 3) 19: Huge Melody part 1 - (Abbey Road NW8) 20: Huge Melody part 2 - (Abbey Road NW8) 21: Because - vocals only (Anthology 3) 22: The End - (Anthology 3)

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DISC THREE – mixes

1: Old Brown Shoe - take 2 (Anthology 3) 2: All Things Must Pass - take 2 (Anthology 3) 3: Octopus's Garden - vocals only (The Abbey Road Tape vol. 2) 4-8: Oh Darling - vocal overdub session (Rare Tracks) 9: Come And Get It - (Anthology 3) 10: Huge Melody part 1 - including Her Majesty (Abbey Road NW8 + Abbey Road) 11: Because - vocals only (A Day In The Life) 12: Because - half vocals only (Turn Me On, Dead Man) 13: Something - monitor mix 1 (unbootlegged) 14: Something - monitor mix 2 (unbootlegged) 15: The End - outfake?? (As It Happened, Baby) 16: Octopus's Garden - take 10 (The Abbey Road Tape vol. 2) from With A Little Help From My Friends tv special 17: Free As A Bird - demo take 1 (Lost Lennon Tapes + FAAB - The Dakota Beatle Demos) 18: Real Love - demo take 5 + overdubs (Lost Lennon Tapes) 19: Free As A Bird - enhanced 2007 (Purple Chick magic) 20: Real Love - enhanced 2007 (Purple Chick magic) 21: Real Love - Kevin Godley vocals (from Meet The Threetles) 22: Real Love - original speed (from Anthology DVD)

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Let It Be - Deluxe Edition DISC ONE - stereo

Let It Be

1: Two Of Us 21.69+31.13 2: Dig A Pony 30.11 3: Across The Universe take 9 4: I Me Mine take 16 5: Dig It 26.55+24.85 6: Let It Be 31.64 7: Maggie Mae 24.49 8: I've Got A Feeling 30.07 9: One After 909 30.08+30.09 10: The Long And Winding Road 26.91 11: For You Blue 28.21+25.46 (mono: 27.63+30.17) 12: Get Back 27.63+30.17

singles

13: Don't Let Me Down 28.45 14: You Know My Name (Look Up The Number)

stereo single mixes

15: Let It Be 31.64 16: Get Back 27.63+28.43

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alternate stereo mixes

17: Don't Let Me Down 30.06 (Imagine John Lennon) 18: The Long And Winding Road 31.40 (Anthology DVD) 19: Let It Be 31.54+31.65 (Anthology DVD)

DISC TWO - mono Let It Be

1: Two Of Us 21.69+31.13 2: Dig A Pony 30.11 3: Across The Universe take 9 4: I Me Mine take 16 5: Dig It 26.55+24.85 6: Let It Be 31.64 7: Maggie Mae 24.49 8: I've Got A Feeling 30.07 9: One After 909 30.08+30.09 10: The Long And Winding Road 26.91 11: For You Blue 28.21+25.46 (mono: 27.63+30.17) 12: Get Back 27.63+30.17

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singles

13: Don't Let Me Down 28.45 14: You Know My Name (Look Up The Number)

additional mono film mixes (disc two mono is mostly from the mono film soundtrack, which was mixed from the multitrack tapes, so here's the rest of the film mixes:) 15: Rip It Up/Shake Rattle and Roll 26.56+26.57 16: Miss Ann/Kansas City/Lawdy Miss Clawdy 26.58 17: Get Back 30.04 18: Don't Let Me Down 30.06 19: Get Back 30.17 20: Get Back 28.43

DISC THREE

Get Back acetate 1

1: Get Back 23.78+23.79 2: I've Got A Feeling 23.80 3: Help 23.81 4: Teddy Boy 24.33 5: Two Of Us 24.48+24.69 6: Dig A Pony 22.70 7: I've Got A Feeling 22.71 8: The Long And Winding Road 26.91 9: Let It Be 26.74

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10: Don't Let Me Down 22.60 11: For You Blue 25.46 12: Get Back 27.63 13: The Walk 27.83

Get Back acetate 1.5 (Beatles Sunday)

14: I've Got A Feeling 27.84 15: Dig It 26.55 16: Rip It Up/Shake Rattle And Roll 2 6.56+26.57 17: Miss Ann/Kansas City/Lawdy Miss Clawdy 26.58 18: Blue Suede Shoes 26.59 19: You Really Got A Hold On Me 26.60

DISC FOUR Get Back acetate 3 (mostly from Thirty Days) 1: One After 909 30+08+30.09+30.17 2: I'm Ready 22.58 3: Save The Last Dance For Me 22.59 4: Don't Let Me Down 22.80+22.60 5: Dig A Pony 22.70

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6: I've Got A Feeling 22.71+27.84 7: Get Back 27.63+28.43 8: For You Blue 25.46 9: Teddy Boy 24.33 10: Two Of Us 24.69 11: Maggie Mae 24.49 12: Dig It 26.55+24.85 13: Let It Be 61.64+31.49 14: The Long And Winding Road 26.91 15: Get Back (reprise) 28.43

Get Back acetate 2 (from OPD) 16: Get Back 27.63 17: Dig It 26.55

Get Back version 4 (from Glyn John's Second Mix) 18: Save The Last Dance For Me 22.59 19: Don't Let Me Down 22.80+22.60 20: Dig A Pony 22.70 21: For You Blue 25.46+overdubs 22: I Me Mine 23: Across The Universe

DISC FIVE

1: She Came In Through The Bathroom Window - take 21.78 (Anthology 3)

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2: Dig A Pony - take 22.21 (Anthology 3) 3: Dig A Pony - take 22.23 (Vinyl To The Core) 4: Two Of Us - take 24.30 (Anthology 3) 5: For You Blue - take 25.34 (Anthology 3) 6: For You Blue - edit of takes 25.49+25.45 (Lost and Found) 7: Let It Be - take 25.81 (Anthology 3) 8: Rip It Up/Shake Rattle And Roll - takes 26.56+26.57 (As It Happened, Baby! + Celluloid Rock + Mythology 3) 9: Miss Ann/Kansas City/Lawdy Miss Clawdy - take 26.58 (TMODM + Get Back: John Barrett's Reel) 10: Blue Suede Shoes - take 26.59 - (Mythology 3) 11: Oh! Darling - take 27.56 (Anthology 3) 12: Teddy Boy - edit of takes 28.83+24.33 (Anthology 3) 13: Cannonball/Not Fade Away/Hey Little Girl/Bo Diddley - take 29.49 (Mythology 3) 14: Mailman, Bring Me No More Blues - take 29.53 (Another Sessions Plus) 15: Get Back - take 30.04 (Video 1) 16: Don't Let Me Down - take 30.06 complete (Let It Be Naked + Imagine John Lennon + Anthology DVD) 17: Get Back - take 30.17 (Anthology 3) 18: Two Of Us - edit of takes 31.13+31.15 (Lost and Found) 19: Two Of Us chat (Love TV Special) 20: Let It Be chat (Love TV Special) 21: You Know My Name (Look Up The Number) - take 30 - complete (Upgraded Collection Highlights) 22: Session Jam Parts 1&2 - (Get Back and 22 Other Songs) 23: I Me Mine - take 16 (Anthology 3 + Get Back: The Glyn Johns Final Compilation + Get 24: Let It Be - take 31.64, both guitar solos 25: For You Blue - take 25.46, both vocals

DISC SIX Alternate stereo mixes:

1: I've Got A Feeling - take 22.71 (Anthology 3) 2: Teddy Boy - take 24.33 (Get Back: The Glyn Johns Final Compilation) 3: Teddy Boy - take 24.33 (Get Back: The Glyn Johns Final Compilation) 4: Rip It Up/Shake Rattle And Roll/ Blue Suede Shoes takes 26.56+26.57+26.59 (Anthology 3) 5: The Long And Winding Road - take 26.91 (Anthology 3)

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6: Mailman, Bring Me No More Blues - take 29.53 (Anthology 3) 7: Don't Let Me Down - take 30.06 (Anthology Video) 8: Let It Be - take 31.54+31.65 (Anthology Video) 9: I Me Mine - take 16 (Get Back: John Barrett's Reel) 10: I Me Mine - take 16 (Get Back: John Barrett's Reel)

Alternate mono mixes (folddowns?)

11: Get Back/ I've Got A Feeling - take 23.78+23.79+23.80 (Get Back: John Barrett's Reel) 12: Teddy Boy - take 24.33 (Celluloid Rock) 13: Two Of Us - take 24.48+24.69 (Celluloid Rock) 14: Dig A Pony - take 22.70 (Celluloid Rock) 15: The Long And Winding Road - take 26.91 (Celluloid Rock) 16: Let It Be - take 26.74 (Get Back: John Barrett's Reel) 17: Don't Let Me Down - take 22.60 (Get Back: John Barrett's Reel) 18: For You Blue/Get Back - take 25.46+27.63 (Get Back: John Barrett's Reel) 19: The Walk - take 27.83 (Get Back: John Barrett's Reel) 20: Rip It Up/Shake Rattle And Roll - takes 26.56+26.57 (As It Happened, Baby!)

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Songs The Beatles Gave Away - Deluxe Edition

The Songs Lennon-McCartney Gave Away

1: I'm The Greatest - Ringo Starr 2: One And One Is Two - The Strangers with Mike Shannon 3: From A Window - Billy J. Kramer with The Dakotas 4: Nobody I Know - Peter and Gordon 5: Like Dreamers Do - The Applejacks 6: I'll Keep You Satisfied - Billy J. Kramer with The Dakotas 7: Love Of The Loved - Cilla Black 8: Woman - Peter and Gordon 9: Tip Of My Tongue - Tommy Quickly 10: I'm In Love - The Fourmost 11: Hello Little Girl - The Fourmost 12: That Means A Lot - P.J. Proby 13: It's For You - Cilla Black 14: Penina - Carlos Mendes 15: Step Inside Love - Cilla Black 16: World Without Love - Peter and Gordon 17: Bad To Me - Billy J. Kramer with The Dakotas 18: I Don't Want To See You Again - Peter and Gordon 19: I'll Be On My Way - Billy J. Kramer with The Dakotas 20: Catcall - The Chris Barber Band

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More Songs The Beatles Gave Away

21: Sour Milk Sea - Jackie Lomax 22: Thingumybob - John Foster & Son Ltd. Black Dyke Mills Band 23: Goodbye - Mary Hopkin 24: Come And Get It - Badfinger 25: Badge - Cream 26: My Dark Hour - Steve Miller Band

Songs The Beatles Couldn't Give Away

27: I'm In Love - Billy J. Kramer with The Dakotas 28: Hello Little Girl - Gerry and the Pacemakers 29: Penina - Jotta Herre 30: Step Inside Love (demo) - Cilla Black 31: Thingumybob - George Martin Orchestra

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From Then To You - Deluxe Edition

CONTENTS - stereo/mono From Then To You - The Beatles Christmas Record, 1970 1: The Beatles Christmas Record (17 October 1963) 2: Another Beatles Christmas Record (26 October 1964) 3: The Beatles Third Christmas Record (8 November 1965) 4: Pantomime: "Everywhere It's Christmas" (The Beatles Fourth Christmas Record, 25 November 1966) 5: Christmas Time (Is Here Again) (The Beatles Fifth Christmas Record, 28 November 1967) 6: Happy Christmas 1968 (The Beatles Sixth Christmas Record, November 1968) 7: Happy Christmas 1969 (The Beatles Seventh Christmas Record, November 1969)

26 October, 1964

8: Hello Dolly 9: Speech (take 1) 10: Speech (take 2) 11: Speech (take 3) 12: Speech (take 4) 13: Speech (take 5)

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19 October, 1965 14: The Lost Christmas Message 15: The Lost Christmas Message II

6 December, 1966

16: Messages for Radio London and Radio Caroline

November, 1968

17: Jock And Yono 18: Once Upon A Pool Table

single edit

19: Christmas Time (Is Here Again)

bonus tracks

20: ITV News Interview 21: A Saturday Club Christmas 22: Newsreel Interview 23: Christmas Show Interview

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We chose not to include the so-called "alternate edit" of the 1964 Christmas message as it's not really official. Bits were cut out of the take for use in the Abbey Road Video Show. They were reinserted in the wrong spot. Instead, we edited the take announcement, together with the slightly longer beginning and end on to the released version. We figure those who care enough to have the two different versions already have them. You can find more versions of Christmas Time (Is Here Again) on our Magical Mystery Year Deluxe Edition.

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Live At The Hollywood Bowl - Deluxe Edition

DISC ONE The Beatles At The Hollywood Bowl - The Album 1: Twist And Shout 2: She's A Woman 3: Dizzy Miss Lizzy 4: Ticket To Ride 5: Can't Buy Me Love 6: Things We Said Today 7: Roll Over Beethoven 8: Baby's In Black (bonus track) 9: Boys 10: A Hard Day's Night 11: Help! 12: All My Loving 13: She Loves You 14: Long Tall Sally

Track 8 is a 1996 mix edited into place. It appeared on the Real Love single. Outtakes and alternate mixes:

15: Twist And Shout (stereo - DESS: The Beatles' Story) 16: All My Loving (Anthology DVD) 17: Twist And Shout (mono - DESS: The Beatles' Story) 18 August, 1964, Hollywood Bowl, Los Angeles, CA – time 78

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DISC TWO - The Edits

(all from Hollywood Bowl Complete, YD) 18 August, 1964 1964 mono edit 1: Twist And Shout 2: You Can't Do That 3: All My Loving 4: She Loves You 5: Things We Said Today 6: Roll Over Beethoven 7: Can't Buy Me Love 8: If I Fell 9: I Want To Hold Your Hand 10: Boys 11: A Hard Day's Night 12: Long Tall Sally

30 August, 1965 1965(?) stereo edit 13: Twist And Shout

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14: She's A Woman 15: I Feel Fine 16: Dizzy Miss Lizzy 17: Ticket To Ride 18: Everybody's Trying To Be My Baby 19: Can't Buy Me Love 20: Baby's In Black 21: I Wanna Be Your Man 22: A Hard Day's Night 23: Help! 24: I'm Down

This set compiles the various Hollywood Bowl mixes and edits in one place. However, these two discs do not include the unedited original recordings we'll save these for a Purple Chick live compendium. Instead, Disc One presents the 1977 LP mix (with a 1996 mix edited in at the side flip for maximum continuity) while Disc Two presents vintage mixes and edits of the 1964 (mono) and 1965 (stereo) shows. [OK, 1965 might not be a vintage mix, but it's a different mix/edit from somewhere.] Don't let the "Hollywood Bowl Complete" source designation fool you - these are not straight copies of the Yellow Dog release. That CD, especially the 1964 show, sounds rather flat, so we used our proprietary equalization process (first introduced to create the "Revolution" composites on The Beatles Deluxe vol. 6) to make these tapes sound exactly like the vibrant released version. We think it's a nice improvement.

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Meet The Threetles

01 Raunchy [23 Jun 1994] 02 Thinking of Linking [23 Jun 1994] (Justis/Manker) 03 Blue Moon of Kentucky [23 Jun 1994] (Lennon/McCartney) 04 Baby, What Do You Want Me to Do [23 Jun 1994] (Reed) 05 I Will [23 Jun 1994] (Lennon/McCartney) 06 Dera Duhn [23 Jun 1994] (Harrison) 07 Ain't She Sweet [23 Jun 1994] (Ager/Yellen) 08 Free as a Bird [1977 - Original demo used for the 1st 'reunion' single] (Lennon) 09 Free as a Bird [Outfake,Acoustic Mix - 11 Feb 1994] (Lennon) 10 Free as a Bird [5.1 Center Channel - 11 Feb 1994] (Lennon) 11 Free as a Bird [5.1 Front Channels - 11 Feb 1994] (Lennon) 12 Free as a Bird [5.1 Rear Channels - 11 Feb 1994] (Lennon) 13 Free as a Bird [Outfake,Enhanced Mix - 11 Feb 1994] (Lennon) 14 Free as a Bird [Video Mix - 11 Feb 1994] (Lennon) 15 Real Love [1979 - Original demo used for the 2nd 'reunion' single] (Lennon) 16 Real Love [Outfake,Acoustic Mix - 6 Feb 1995] (Lennon) 17 Real Love [5.1 Center Channel - 7 Feb 1995] (Lennon) 18 Real Love [5.1 Front Channels - 7 Feb 1995] (Lennon) 19 Real Love [5.1 Rear Channels - 7 Feb 1995] (Lennon) 20 Real Love [Outfake,Enhanced Mix - 7 Feb 1995] (Lennon) 21 Real Love [Outfake,Single Mix - Original Speed - 7 Feb 1995] (Lennon) 22 Real Love ['Kevin Goodley' Mix - Threetles backing track] (Lennon)

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23 Real Love [Video Mix - 7 Feb 1995] (Lennon) 24 All Those Years Ago [Outfake,Enhanced Mix - 4 Nov 1981](Harrison)

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Live Live Live Live Live Live Live Live Live Live Live

Purple Chick Guide

01 02 03 04 05 06 07 08 09 10 11

-

Star-Club Before America Conquering America Adelaide Reaction Seattle Down Now Convention Hall Wisdom Les Beatles en Europe Sheaken, Not Stirred Bowled Over Far East Men The Last Tour

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Live 01 - Star Club

Purple Chick in association with DarthDisc

This release clears up a lot of speculation about the Beatles' Star Club tapes, thanks to an unedited and unprocessed source tape (for which we cannot thank DarthDisc and the Darthelves enough). Although the recording dates are still guesses, we now know the correct order for about 2/3 of the songs. Even so, the second half of disc one is sequenced based more on smooth transitions than solid setlist information. We tried to make sure every Star Club sound was accounted for, but not repeated: auditioning many "Live At The Star Club" CDs and LPS on a number of labels. Even so, we used Darthdisc's unprocessed tape wherever possible. As well as offering upgrades and previously unheard chat "Red Hot," though still incomplete, is twice as long as before. "Red Sails..." now has an extra verse compared with the released version, while "I Saw Her Standing There" on disc two has an extra guitar solo. Conversely, we removed looped portions of "I'm Gonna Sit Right Down...", "Twist And Shout" and "I Remember You." It's by no means perfect, but it's the best we have at the moment. And it's the first time we've listened to the Star Club tapes in years. Hopefully you'll gain a new appreciation for these historic recordings as well. All tracks mono, at the correct speed, and eq'd for the most coherent listening experience. Enjoy!

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DISC ONE 25(?) December, 1962, Star Club, Hamburg, Germany

1: Be-Bop A-Lula vocal: Fred Fascher (Teichiku + unbooted) 2: I Saw Her Standing There (unbooted) 3: Hallelujah I Love Her So - vocal: Horst Fascher (Teichiku + unbooted) 4: Red Hot - incomplete (unbooted) 5: Sheila (unbooted) 6: Kansas City/Hey Hey Hey Hey (unbooted) 7: Shimmy Like Kate (unbooted) 8: Reminiscing (unbooted) 9: Red Sails In The Sunset (unbooted) 10: Sweet Little Sixteen (unbooted) 11: Roll Over Beethoven (unbooted) 12: A Taste Of Honey - incomplete (unbooted) 13: Ask Me Why (Road Runner + Teichiku) 14: Long Tall Sally (Teichiku) 15: Besame Mucho (Teichiku) 16: I'm Gonna Sit Right Down And Cry (Over You) - incomplete (Teichiku) 17: Twist And Shout - incomplete (Lingasong + Sony + Batz) 18: Mr. Moonlight (Teichiku + Lingasong) 19: Falling In Love Again (Lingasong + Teichiku + unbooted + Batz + Teichiku) 20: I'm Talking About You (Teichiku + Sony + Teichiku) 21: I Remember You (Teichiku + Batz)

DISC TWO 28(?) December, 1962, Star Club, Hamburg, Germany

1: Nothin' Shakin' (But The Leaves On The Trees) - incomplete (Teichiku + unbooted) 2: I Saw Her Standing There (unbooted) 3: To Know Her Is To Love Her (unbooted) 4: Everybody's Trying To Be My Baby (unbooted) 5: Till There Was You (Third Reich source tape) 6: Where Have You Been All My Life? (Third Reich + Teichiku + Third Reich + unbooted) 7: Lend Me Your Comb (unbooted) 8: Your Feet's Too Big (unbooted) 9: I'm Talking About You (unbooted)

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10: A Taste Of Honey (unbooted) 11: Matchbox (unbooted + Third Reich source tape + Teichiku) 12: Little Queenie (Teichiku + Third Reich source tape) 13: Roll Over Beethoven (Third Reich source tape)

31(?) December, 1962, Star Club, Hamburg, Germany

14: Road Runner (Road Runner + Teichiku + Road Runner + unbooted) 15: Hippy Hippy Shake (Teichiku) 16: A Taste Of Honey (fuegoentertainment.net + Road Runner) 17: Money - vocal: Bobby Thompson (poss.) (or Tony Sheridan?) (Road Runner)

Bonus tracks: King Size Taylor and Dominos and Cliff Bennett and Rebel Rousers 31(?) December, 1962 Star Club, Hamburg, Germany 18: Sparkling Brown Eyes - vocal: Keith Hardie (Road Runner) 19: Lovesick Blues - vocal: John Frankland (Road Runner) 20: First Taste Of Love - vocal: Bobby Thompson (Road Runner) 21: Dizzy Miss Lizzy - vocal: Kingsize Taylor (Road Runner) 22 : Hully Gully* - vocal: Cliff Bennett (Teichiku)

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Live 02 - Before America

You probably don't need another live Beatles collection, but here's one anyway: every surviving non-radio performance between the Star Club and Ed Sullivan. Carefully compiled and restored from the best sources we could find. As always, we didn't just copy the audio from the listed souces - instead, we tried to work some of our patented sonic magic when necessary. Of course, the quality still varies from dire to delightful, but you knew that already. Anyway, enjoy this peek at the Beatles at their peak: before they landed in the U.S.A.

DISC ONE Pops and Lenny - 16 May, 1963 1: From Me To You (video)

The Mersey Sound- 27 August, 1963

2: Twist And Shout (Can You Hear Me) 3: I Saw Her Standing There (Can You Hear Me) 4: She Loves You (Can You Hear Me)

Sunday Night at the Palladium - 13 October, 1963

5: intro (Road Runner + Mythology) 6: From Me To You ((M + RR)2 + Mythology + Anthology 1) 88

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7: I'll Get You (Anthology 1 + Mythology) 8: She Loves You (Mythology) 9: Twist And Shout (Mythology + Road Runner) 10: outro

Pop ‘63 - 24 October, 1963

11: intro (Swedish Radio Show) 12: I Saw Her Standing There (Swedish Radio Show) 13: From Me To You (Swedish Radio Show) 14: Money (That's What I Want) (Swedish Radio Show) 15: Roll Over Beethoven (Swedish Radio Show) 16: You Really Got A Hold On Me (Swedish Radio Show) 17: She Loves You (Swedish Radio Show) 18: Twist And Shout (Swedish Radio Show)

Drop In - 30 October, 1963

19: intro 20: She Loves You (In Case You Don’t Know) 21: Twist And Shout (ICYDK + Anthology DVD) 22: I Saw Her Standing There (Anthology DVD) 23: Long Tall Sally (Anthology DVD) 24: outro (Anthology DVD + video)

The Royal Variety Performance - 4 November, 1963 25: From Me To You (vid + Ant dvd + M + Ant 1) 26: She Loves You (Anthology 1) 27: Till There Was You (Anthology 1) 28: Twist And Shout (Anthology 1 + Mythology) 29: outro (Mythology)

The Early Beatles - 9 Nov, 1963

30: I Saw Her Standing There (We’d Like To Carry On)

The Jack Paar Program - 16 Nov, 1963

31: From Me To You (Live! Make As Much Noise As You Like) The Beatles Come To Town - 20 November, 1963 32: She Loves You (November 1963) 33: Twist And Shout (Addendum 1) 34: From Me To You (reprise) (November 1963)

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Morecambe and Wise - 2 Dec, 1963

35: intro (Mythology + Anthology 1) 36: This Boy (Anthology 1 + Mythology) 37: All My Loving (Mythology + Hollywood Bowl Complete + Mythology) 38: I Want To Hold Your Hand (Mythol + Ant 1) 39: not like it was in your day (Anthology 1) 40: Moonlight Bay (Anthology 1 + Mythology) 41: outro (Mythology)

DISC TWO

It’s The Beatles! - 7 December, 1963

1: From Me To You (youtube) 2: I Saw Her Standing There (youtube) 3: All My Loving (youtube) 4: Roll Over Beethoven (youtube + Mythology + youtube) 5: Boys (youtube) 6: Till There Was You (youtube + Mythology + youtube) 7: She Loves You (youtube [with Mythology])

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8: This Boy (youtube + Mythology + youtube) 9: I Want To Hold Your Hand (yt + ULM + yt) 10: Money (That’s What I Want) (youtube + Ultimate Live Masters + youtube + Ultimate Live Masters) 11: Twist And Shout (Ultimate Live Masters + youtube + ULM + yt + ULM + yt) 12: From Me To You (reprise) (youtube + ULM)

Sunday Night at the Palladium - 12 January, 1964 13: intro (Mythology) 14: I Want To Hold Your Hand (Mythology) 15: This Boy (Mythology) 16: All My Loving (Mythology) 17: Money (That’s What I Want) (Mythology) 18: Twist And Shout (Mythology) 19: outro (Mythology)

Cinéma Cyrano, Versailles - 15 January, 1964 20: From Me To You (ina.fr)

L’Olympia Theatre, Paris - 16 January, 1964 (afternoon) 21: From Me To You (City Of Light) 22: I Saw Her Standing There (City Of Light) 23: this boy intro (City Of Light) 24: Twist And Shout (City Of Light) 25: From Me To You (reprise) (City Of Light) 26: Long Tall Sally (City Of Light) 27: From Me To You (reprise) (City Of Light)

L’Olympia Theatre, Paris - 16 January, 1964 (evening)

28: From Me To You (City Of Light) 29: She Loves You (City Of Light) 30: This Boy (City Of Light) 31: I Want To Hold Your Hand (City Of Light) 32: Twist And Shout (City Of Light) 33: From Me To You (reprise) (City Of Light) 34: Long Tall Sally (Johnson-Penniman-Blackwell) (tumult und die beatles) 35: From Me To You (reprise)(Lennon-McCartney) (tumult und die beatles)

91

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Live 03 - Conquering America

You probably don't need another live Beatles collection, but here's one anyway. Here, The Beatles conquer America, and then move on to the rest of the world, leaving behind a hospitalized Ringo. Carefully compiled and restored from the best sources we could find. As always, we didn't just copy the audio from the listed souces - instead, we tried to work some of our patented sonic magic when necessary. Of course, the quality still varies from dire to delightful, but you knew that already.

DISC ONE Ed Sullivan Show 3 - 9 February, 1964

1: intro (Complete Ed Sullivan DVD) 2: Twist And Shout (Complete Ed Sullivan DVD) 3: Please Please Me (Complete Ed Sullivan DVD) 4: I Want To Hold Your Hand (Complete Ed Sullivan DVD) 5: outro (Complete Ed Sullivan DVD)

Ed Sullivan Show 1 - 9 February, 1964

6: intro (Complete Ed Sullivan DVD) 7: All My Loving (Complete Ed Sullivan DVD) 8: Till There Was You (Complete Ed Sullivan DVD) 9: She Loves You (Complete Ed Sullivan DVD) 10: ed (Complete Ed Sullivan DVD) 11: I Saw Her Standing There (Complete Ed Sullivan DVD) 92

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Purple Chick Guide

12: I Want To Hold Your Hand (Complete Ed Sullivan DVD) 13: outro (Complete Ed Sullivan DVD)

Washington, DC - 11 February, 1964

14: intro (First U.S. Concert) 15: Roll Over Beethoven (First U.S. Concert + Can You Hear Me + First U.S. Concert) 16: From Me To You (First U.S. Concert + Anthology DVD) 17: I Saw Her Standing There (Anthology DVD + First U.S. Concert) 18: This Boy (First U.S. Concert) 19: All My Loving (First U.S. Concert) 20: I Wanna Be Your Man (First U.S. Concert + Anthology DVD) 21: Please Please Me (Anthology DVD + First U.S. Concert) 22: Till There Was You (First U.S. Concert) 23: She Loves You (First U.S. Concert) 24: I Want To Hold Your Hand (First U.S. Concert) 25: Twist And Shout (First U.S. Concert) 26: Long Tall Sally

Ed Sullivan Show 2 rehearsal - 16 February, 1964 27: She LoveS You (Ultimate Collection) 28: This Boy (Ultimate Collection) 29: All My Loving (Ultimate Collection) 30: ed (Ultimate Collection) 31: I Saw Her Standing There (Ultimate Collection) 32: From Me To You (Ultimate Collection) 33: I Want To Hold Your Hand (Ultimate Collection) 34: outro (Ultimate Collection)

DISC TWO Ed Sullivan Show 2 - 16 February, 1964

1: intro (Complete Ed Sullivan DVD) 2: She LoveS You (Complete Ed Sullivan DVD) 3: This Boy (Complete Ed Sullivan DVD) 4: All My Loving (Complete Ed Sullivan DVD) 5: ed (Complete Ed Sullivan DVD) 6: I Saw Her Standing There (Complete Ed Sullivan DVD) 7: From Me To You (Complete Ed Sullivan DVD) 8: I Want To Hold Your Hand (Complete Ed Sullivan DVD)

93

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9: outro (Complete Ed Sullivan DVD)

NME Pollwinners Concert - 26 April, 1964

10: intro (25 April 1964 to 26 April 1964 + Telecasts) 11: She Loves You (Telecasts) 12: You Can't Do That (Telecasts) 13: Twist And Shout (Telecasts) 14: Long Tall Sally (Telecasts) 15: Can't Buy Me Love (Telecasts)

Around The Beatles - 28 April, 1964

16: Twist And Shout (Around And Around) 17: Roll Over Beethoven (Around And Around) 18: I Wanna Be Your Man (Around And Around) 19: Long Tall Sally (Around And Around) 20: introducing pj proby (Around And Around) 21: a midsummer night's dream (Around And Around) 22: intro (Around And Around) 23: Medley (Around And Around) 24: Can't Buy Me Love (Around And Around)

94

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25: Shout (Around And Around)

Copenhagen, Denmark - 4 June, 1964

26: I Saw Her Standing There (Danmark + Nederland) 27: I Want To Hold Your Hand (Danmark + Nederland) 28: All My Loving (Danmark + Nederland) 29: She Loves You (Danmark + Nederland) 30: Till There Was You (Danmark + Nederland) 31: Roll Over Beethoven (Danmark + Nederland) 32: Can't Buy Me Love (Danmark + Nederland) 33: This Boy (Danmark + Nederland) 34: Twist And Shout (Danmark + Nederland)

95

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Purple Chick Guide

Live 04 - Adelaide Reaction

You probably don't need another live Beatles collection, but here's one anyway, taking us through to the conclusion of their first world tour, with Jimmy Nichol on drums for Disc One. Carefully compiled and restored from the best sources we could find. As always, we didn't just copy the audio from the listed souces - instead, we tried to work some of our patented sonic magic when necessary. Of course, the quality still varies from dire to delightful, but you knew that already.

DISC ONE The Beatles in Nederland - 5 June, 1964

1: interview (Denmark and The Netherlands) 2: She Loves You (Denmark and The Netherlands) 3: All My Loving (Denmark and The Netherlands) 4: Twist And Shout (Denmark and The Netherlands) 5: Roll Over Beethoven (Denmark and The Netherlands) 6: Long Tall Sally (Denmark and The Netherlands) 7: Can't Buy Me Love (Denmark and The Netherlands + The Beatles In Holland + Denmark and The Netherlands)

Blokker, The Netherlands - 6 June, 1964 (early) 8: intro (Miscellaneous Tracks 2005)

96

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9: I Saw Her Standing There (Miscellaneous Tracks 2005 + Denmark and The Netherlands) 10: I Want To Hold Your Hand (Denmark and The Netherlands) 11: intro (Denmark and The Netherlands) 12: All My Loving (Denmark and The Netherlands) 13: She Loves You (Denmark and The Netherlands) 14: intro (We'd Like To Carry On) 15: Twist And Shout (We'd Like To Carry On) 16: Long Tall Sally (We'd Like To Carry On + Vinyl To The Core)

Blokker, The Netherlands - 6 June, 1964 (late)

17: intro (We'd Like To Carry On) 18: I Saw Her Standing There (We'd Like To Carry On) 19: I Want To Hold Your Hand (We'd Like To Carry On) 20: intro (We'd Like To Carry On) 21: All My Loving (We'd Like To Carry On)

Adelaide, Australia - 12 June, 1964

22: intro (300,000 Beatle Fans Can't Be Wrong) 23: I Saw Her Standing There (300,000 Beatle Fans Can't Be Wrong) 24: I Want To Hold Your Hand (300,000 Beatle Fans Can't Be Wrong) 25: All My Loving (300,000 Beatle Fans Can't Be Wrong) 26: She Loves You (300,000 Beatle Fans Can't Be Wrong) 27: Till There Was You (300,000 Beatle Fans Can't Be Wrong) 28: Roll Over Beethoven (300,000 Beatle Fans Can't Be Wrong) 29: Can't Buy Me Love (300,000 Beatle Fans Can't Be Wrong) 30: This Boy (300,000 Beatle Fans Can't Be Wrong) 31: Twist And Shout (300,000 Beatle Fans Can't Be Wrong) 32: Long Tall Sally (300,000 Beatle Fans Can't Be Wrong) 33: outro (300,000 Beatle Fans Can't Be Wrong + 300,000 Beatle Fans Can't Be Wrong vinyl)

DISC TWO Melbourne, Australia, 17 June, 1964 (early)

1: intro (Australian Tour 1964) 2: I Saw Her Standing There (Australian Tour 1964) 3: You Can't Do That (Australian Tour 1964) 4: All My Loving (Australian Tour 1964) 5: She Loves You (Australian Tour 1964)

97

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Purple Chick Guide

6: Till There Was You (Australian Tour 1964) 7: Roll Over Beethoven (Australian Tour 1964) 8: Can't Buy Me Love (Australian Tour 1964) 9: This Boy (Australian Tour 1964) 10: Twist And Shout (Australian Tour 1964) 11: intro to long tall sally All The Best From Australia)

Melbourne, Australia, 17 June, 1964 (late)

12: intro (Message To Australia) 13: I Saw Her Standing There (Message To Australia) 14: You Can't Do That (Message To Australia) 15: All My Loving (Message To Australia) 16: She Loves You (Message To Australia) 17: Till There Was You (Message To Australia) 18: Roll Over Beethoven (Message To Australia) 19: Can't Buy Me Love (Message To Australia) 20: This Boy (Message To Australia) 21: Twist And Shout (Message To Australia) 22: Long Tall Sally (Message To Australia)

98

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Purple Chick Guide

Sydney, Australia - 18-20 June, 1964

23: intro (Make As Much Noise As You Like) 24: I Saw Her Standing There (Make As Much Noise As You Like) 25: You Can't Do That (Make As Much Noise As You Like)

Melbourne, Australia, 17 June, 1964 (late - video mix) 26: I Saw Her Standing There (Ultimate Sing For Shell) 27: You Can't Do That (Ultimate Sing For Shell) 28: All My Loving (Ultimate Sing For Shell) 29: She Loves You (Ultimate Sing For Shell) 03: Till There Was You (Ultimate Sing For Shell) 31: Roll Over Beethoven (Ultimate Sing For Shell) 32: Can't Buy Me Love (Ultimate Sing For Shell) 33: Twist And Shout (Ultimate Sing For Shell) 34: Long Tall Sally (Ultimate Sing For Shell) 35: outro (Ultimate Sing For Shell)

99

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Purple Chick Guide

Live 05 - Seattle Down

The fifth volume in our 'live series you probably don't even need': the first half of The Beatles' first U.S. tour. Carefully compiled and restored from the best sources we could find. As always, we didn't just copy the audio from the listed souces - instead, we tried to work some of our patented sonic magic when necessary. Of course, the quality still varies from dire to delightful, but you knew that already. Here, the Hollywood Bowl concert is the unedited stereo tape. You can find various alternate edits/mixes of this show on Purple Chick's Hollywood Bowl Deluxe Edition, but this is the whole tape. We decided not to give you various audience/newsreel recordings of this (and other shows) if there's a soundboard. Sometimes enough is enough.

DISC ONE Blackpool Night Out - 19 July, 1964

1: operating table sketch (July 1964) 2: intro (July 1964 + Blackpool Night Out '64 Upgraded) 3: A Hard Day's Night (Blackpool Night Out '64 Upgraded) 4: Things We Said Today (Blackpool Night Out '64 Upgraded) 5: You Can't Do That (Blackpool Night Out '64 Upgraded) 6: If I Fell (Blackpool Night Out '64 Upgraded) 7: Long Tall Sally (Blackpool Night Out'64 Upgraded + Mythology)

100

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Johannesshovs Isstadion, Stockholm, Sweden - 28 July, 1964 8: intro (Can You Hear Me?)

Cow Palace, San Francisco, CA - 19 August, 1964 9: intro (We'd Like To Carry On) 10: Twist And Shout (We'd Like To Carry On) 11: She Loves You (We'd Like To Carry On) 12: A Hard Day's Night (We'd Like To Carry On) 13: Can't Buy Me Love/You Can't Do That (unbooted)

Convention Hall, Las Vegas, NV - 20 August, 1964 9: intro (Eye of the Hurricane DVD) 10: Twist And Shout (Eye of the Hurricane DVD)

Coliseum, Seattle, WA - 21 August, 1964

16: intro (Northwest Nights) 17: Twist And Shout (Northwest Nights) 18: You Can't Do That (Northwest Nights) 19: All My Loving (Northwest Nights) 20: She Loves You (Northwest Nights) 21: Things We Said Today (Northwest Nights) 22: Roll Over Beethoven (Northwest Nights) 23: Can't Buy Me Love (Northwest Nights) 24: If I Fell (Northwest Nights) 25: I Want To Hold Your Hand (Northwest Nights + We'd Like To Carry On) 26: Boys (Northwest Nights) 27: A Hard Day's Night (Northwest Nights) 28: Long Tall Sally (Northwest Nights)

DISC TWO Empire Stadium, Vancouver, Canada - 22 August, 1964 1: intro (Northwest Nights) 2: Twist And Shout (Northwest Nights) 3: You Can't Do That (Northwest Nights) 4: All My Loving (Northwest Nights) 5: She Loves You (Northwest Nights) 6: Things We Said Today (Northwest Nights) 7: Roll Over Beethoven (Northwest Nights) 8: Can't Buy Me Love (Northwest Nights)

101

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9: If I Fell (Northwest Nights) 10: Boys (Northwest Nights) 11: A Hard Day's Night (Northwest Nights) 12: Long Tall Sally (Northwest Nights)

Hollywood Bowl, Los Angeles, CA - 23 August, 1964

13: intro (The Complete Hollywood Bowl Concerts) 14: Twist And Shout (The Complete Hollywood Bowl Concerts) 15: You Can't Do That (The Complete Hollywood Bowl Concerts) 16: All My Loving (The Complete Hollywood Bowl Concerts) 17: She Loves You (The Complete Hollywood Bowl Concerts) 18: Things We Said Today (The Complete Hollywood Bowl Concerts) 19: Roll Over Beethoven (The Complete Hollywood Bowl Concerts) 20: Can't Buy Me Love (The Complete Hollywood Bowl Concerts) 21: If I Fell (The Complete Hollywood Bowl Concerts) 22: I Want To Hold Your Hand (The Complete Hollywood Bowl Concerts) 23: Boys (The Complete Hollywood Bowl Concerts) 24: A Hard Day's Night (The Complete Hollywood Bowl Concerts) 25: Long Tall Sally (The Complete Hollywood Bowl Concerts) 26: outro (The Complete Hollywood Bowl Concerts)

102

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Live 06 - Convention Hall Wisdom

The sixth volume in our overview of The Beatles' live career finishing off their first U.S. tour and bringing us to the end of 1964, plus an orphan show from 1965 (there won't be room for it next volume!) As always, some shows already sounded great (like Indianapolis), our proprietary audio equalization and clean-up system made some significant improvements to others (like Philadelphia) while some shows were really beyond redemption (like Montreal).

DISC ONE Convention Hall, Philadelphia, PA - 2 September, 1964 1: intro (Ultimate Live Collection) 2: Twist And Shout (Ultimate Live Collection) 3: You Can't Do That (Ultimate Live Collection) 4: All My Loving (Ultimate Live Collection) 5: She Loves You (Ultimate Live Collection) 6: Things We Said Today (Ultimate Live Collection) 7: Roll Over Beethoven (Ultimate Live Collection) 8: Can't Buy Me Love (Ultimate Live Collection) 9: If I Fell (Ultimate Live Collection) 10: I Want To Hold Your Hand (Ultimate Live Collection) 11: Boys (Ultimate Live Collection) 12: A Hard Day's Night (Ultimate Live Collection) 13: Long Tall Sally (Ultimate Live Collection) 103

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State Fair Coliseum, Indianapolis, IN - 3 September, 1964

14: intro (Ultimate Live Collection) 15: Twist And Shout (Ultimate Live Collection) 16: You Can't Do That (Ultimate Live Collection) 17: All My Loving (Ultimate Live Collection) 18: She Loves You (Ultimate Live Collection) 19: Things We Said Today (Ultimate Live Collection) 20: Roll Over Beethoven (Ultimate Live Collection) 21: Can't Buy Me Love (Ultimate Live Collection) 22: If I Fell (Ultimate Live Collection) 23: I Want To Hold Your Hand (Ultimate Live Collection) 24: Boys (Ultimate Live Collection) 25: A Hard Day's Night (Ultimate Live Collection) 26: Long Tall Sally (Ultimate Live Collection+ State Fair To Hollywood)

DISC TWO International Amphitheatre, Chicago, IL - 5 September, 1964 1: intro (Make As Much Noise As You Like)

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2: Twist And Shout-You Can't Do That (Make As Much Noise As You Like)

Olympia Stadium, Detroit, MI - 6 September, 1964

3: intro (unbooted) 4: Can't Buy Me Love (Make As Much Noise As You Like)

Maple Leaf Gardens, Toronto, Canada - 7 September, 1964 5: You Can't Do That (Can You Hear Me?) 6: All My Loving (Can You Hear Me?) 7: She Loves You (Can You Hear Me?)

Montreal Forum, Montreal, Canada - 8 September, 1964 8: intro (In Montreal) 9: Twist And Shout (In Montreal) 10: You Can't Do That (In Montreal) 11: All My Loving (In Montreal) 12: She Loves You (In Montreal) 13: Things We Said Today (In Montreal) 14: Roll Over Beethoven (In Montreal) 15: Can't Buy Me Love (In Montreal) 16: If I Fell (In Montreal) 17: Boys (In Montreal) 18: A Hard Day's Night (In Montreal)

Boston Garden, Boston, MA - 12 September, 1964 19 Twist And Shout (We'd Like To Carry On)

City Park Stadium, New Orleans, LA - 16 September, 1964

20: intro to all my loving (City Park Stadium - New Orleans) 21: intro to she loves you (City Park Stadium - New Orleans) 22: intro to things we said today (City Park Stadium - New Orleans) 23: intro to can't buy me love (City Park Stadium - New Orleans) 24: intro to if i fell (City Park Stadium - New Orleans) 25: intro to boys (City Park Stadium - New Orleans) 26: intro to a hard day's night (City Park Stadium - New Orleans) 27: intro to long tall sally (City Park Stadium - New Orleans)

unknown location - September(?), 1964 28: She Loves You (Can You Hear Me?)

Shindig, Granville Theater, Fulham, London - 3 October, 1964

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29: Kansas City/Hey Hey Hey Hey (undubbed) (In Case You Don't Know) 30: Kansas City/Hey Hey Hey Hey (In Case You Don't Know) 31: intro (In Case You Don't Know) 32: I'm A Loser (In Case You Don't Know) 33: Boys (In Case You Don't Know) 34: outro (In Case You Don't Know)

ABC Cinema, Plymouth - 29 October, 1964 35: Twist And Shout (Medley-Russell)

(unbooted)

NME Pollwinners Concert, Empire Pool, Wembley - 11 April, 1965 36: intro (The New Musical Express Poll Winners' Concert 1965) 37: I Feel Fine (NME Poll Winners…) 38: She's A Woman (NME Poll Winners…) 39: Baby's In Black (NME Poll Winners…) 40: Ticket To Ride (NME Poll Winners…) 41: Long Tall Sally (NME Poll Winners…) 42: outro (NME Poll Winners…)

Bonus Track:

The Best On Record - 28 April, 1965 43: It's A Long Way To Tipperrary (Telecasts)

106

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Live 07 - Les Beatles en Europe

The seventh volume in our continuing overview of The Beatles' live career, highlighting their brief 1965 European tour and then moving onwards to America. As always, we think these are (objectively) the most complete and (subjectively) the best sounding versions of these shows to date. Performance-wise, they're not so bad either. Of course, your mileage may vary, and some shows will always sound pretty dire. Erratum: So it turns out that the last volume's Toronto Maple Leafs Garden segment was not what it seemed. "You Can't Do That," "All My Loving" and the intro to "She Loves You" are duplicated from the Seattle show a couple of weeks (and discs) earlier. On the other hand "She Loves You" itself is indeed from the Toronto show. Who knew?

DISC ONE LES BEATLES

Palais des Sports, Paris, France - 20 June, 1965 (afternoon) 1: intro (Et Maintenant Une Chanson + Live In Paris 1965) 2: Twist And Shout (Live In Paris 1965) 3: She's A Woman (LIP + EMUC + LIP) 4: I'm A Loser (Live In Paris 1965) 107

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5: Can't Buy Me Love (LIP + EMUC) 6: Baby's In Black (EMUC + LIP + EMUC + LIP) 7: I Wanna Be Your Man (LIP + EMUC + LIP) 8: A Hard Day's Night (LIP + EMUC + LIP) 9: Everybody's Trying To Be My Baby (LIP + EMUC + LIP) 10: Rock And Roll Music (Live In Paris 1965) 11: I Feel Fine (LIP + EMUC + LIP) 12: Ticket To Ride (EMUC + LIP + EMUC + LIP + EMUC + LIP) 13: Long Tall Sally (LIP + City Of Light)

Palais des Sports, Paris, France - 20 June, 1965 (evening)

14: intro (City of Light) 15: Twist And Shout (City of Light) 16: She's A Woman (City of Light) 17: I'm A Loser (City of Light) 18: Can't Buy Me Love (City of Light) 19: Baby's In Black (City of Light) 20: I Wanna Be Your Man (City of Light) 21: A Hard Day's Night (City of Light) 22: Everybody's Trying To Be My Baby (City of Light + Live In Paris 1965 + City of Light) 23: Rock And Roll Music (City of Light + Live In Paris 1965 + City of Light + Can You Hear Me ?) 24: I Feel Fine (Can You Hear Me? + City of Light) 25: Ticket To Ride (City of Light) 26: Long Tall Sally (City of Light) 27: outro (City of Light + Live in Melbourne 1964 and Paris 1965)

DISC TWO IL BEATLES

Teatro Adriano, Rome, Italy - 27 June, 1965 (afternoon) 1: Twist And Shout (The Beatles In Italy 1965) 2: She's A Woman (The Beatles In Italy 1965) 3: I'm A Loser (The Beatles In Italy 1965) 4: Can't Buy Me Love (The Beatles In Italy 1965) 5: Baby's In Black (The Beatles In Italy 1965) 6: I Wanna Be Your Man (The Beatles In Italy 1965) 7: A Hard Day's Night (The Beatles In Italy 1965)

108

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8: Everybody's Trying To Be My Baby (The Beatles In Italy 1965) 9: Rock And Roll Music (The Beatles In Italy 1965) 10: I Feel Fine (The Beatles In Italy 1965) 11: Ticket To Ride (The Beatles In Italy 1965) 12: Long Tall Sally (The Beatles In Italy 1965)

Teatro Adriano, Rome, Italy - 27 June, 1965 (evening)

13: intro (The Beatles In Italy 1965) 14: Twist And Shout (The Beatles In Italy 1965 + Live Tracks Previously Italian E.P.) 15: She's A Woman (Live Tracks Previously Italian E.P. + The Beatles In Italy 1965) 16: I'm A Loser (The Beatles In Italy 1965 + Live Tracks Previously Italian E.P.)

Source clarification:

Tracks 1-12 (afternoon show): The Beatles In Italy 1965 (Bulldog Records) Tracks 13-16 (evening show): The Beatles In Italy 1965 (Misterclaudel)

109

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THE BEATLES

Blackpool Night Out, ABC Theater, Blackpool - 1 August, 1965

17: intro/I Do Like To Be Beside The Seaside (Pollwinners Go To Blackpool) 18: ringo intro (Pollwinners Go To Blackpool) 19: intro (Mythology) 20: I Feel Fine (Mythology + Anthology 2 + Mythology) 21: I'm Down (Mythology + Anthology DVD + Mythology + Anthology DVD) 22: Act Naturally (Anthology DVD + Anthology 2) 23: Ticket To Ride (Anthology 2) 24: Yesterday (Anthology 2) 25: Help! (Anthology 2 + Mythology) 26: outro (Mythology)

The Ed Sullivan Show, CBS-TV Studio 50, NY, NY - 14 August, 1965 27: intro (Complete Ed Sullivan DVD) 28: I Feel Fine (Complete Ed Sullivan DVD) 29: I'm Down (Complete Ed Sullivan DVD) 30: Act Naturally (Complete Ed Sullivan DVD) 31: ed (Complete Ed Sullivan DVD) 32: Ticket To Ride (Complete Ed Sullivan DVD) 33: Yesterday (Complete Ed Sullivan DVD) 34: Help! (Complete Ed Sullivan DVD) 35: outro (Complete Ed Sullivan DVD)

110

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Live 08 - Sheaken, Not Stirred

Volune eight in the 'you probably already have most of this' live collection. The beginning of the Beatles’ second U.S. tour marked the start of their performing decline. Purple Chick discs: fan created and NEVER FOR SALE!!! You know the drill. Just a little audio tweaking where necessary. Probably most noticeable in the Atlanta show. Also, this might be the first time the Atlanta tape has appeared glitchless.

DISC ONE Shea Stadium, New York, NY - 15 August, 1965

1: intro (The Greatest Live Moment Of Their Career) 2: Twist And Shout (The Greatest Live Moment Of Their Career) 3: She's A Woman (The Greatest Live Moment Of Their Career) 4: I Feel Fine (The Greatest Live Moment Of Their Career) 5: Dizzy Miss Lizzy (The Greatest Live Moment Of Their Career) 6: Ticket To Ride (The Greatest Live Moment Of Their Career) 7: Everybody's Trying To Be My Baby (The Greatest Live Moment Of Their Career) 8: Can't Buy Me Love (The Greatest Live Moment Of Their Career) 9: Baby's In Black (The Greatest Live Moment Of Their Career) 10: I Wanna Be Your Man (The Greatest Live Moment Of Their Career) 11: A Hard Day’s Night (The Greatest Live Moment Of Their Career) 12: Help! (The Greatest Live Moment Of Their Career) 13: I'm Down (The Greatest Live Moment Of Their Career) 111

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14: outro (The Greatest Live Moment Of Their Career)

Atlanta Stadium, Atlanta, GA - 18 August, 1965

15: intro (piece de resistance: Atlanta ‘65) 16: Twist And Shout (piece de resistance: Atlanta ‘65) 17: She's A Woman (piece de resistance: Atlanta ‘65) 18: I Feel Fine (piece de resistance: Atlanta ‘65 + Vinyl To The Core) 19: Dizzy Miss Lizzy (Vinyl To The Core + piece de resistance: Atlanta ‘65) 20: Ticket To Ride (piece de resistance: Atlanta ‘65) 21: Everybody's Trying To Be My Baby (piece de resistance: Atlanta ‘65) 22: Can't Buy Me Love (Lennon-McCartney) (piece de resistance: Atlanta ‘65) 23: Baby's In Black (Lennon-McCartney) (piece de resistance: Atlanta ‘65) 24: I Wanna Be Your Man (Lennon-McCartney) (piece de resistance: Atlanta ‘65) 25: intro (piece de resistance: Atlanta ‘65) 26: Help! (Lennon-McCartney) (piece de resistance: Atlanta ‘65) 27: I'm Down (Lennon-McCartney) (piece de resistance: Atlanta ‘65)

112

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DISC TWO Sam Houston Coliseum, Houston, TX - 19 August, 1965 (afternoon)

1: intro (The Ultimate Live Collection Volume 1) 2: Twist And Shout (The Ultimate Live Collection Volume 1) 3: She's A Woman (The Ultimate Live Collection Volume 1) 4: I Feel Fine (The Ultimate Live Collection Volume 1) 5: Dizzy Miss Lizzy (The Ultimate Live Collection Volume 1) 6: Ticket To Ride (The Ultimate Live Collection Volume 1) 7: Everybody's Trying To Be My Baby (The Ultimate Live Collection Volume 1) 8: Can't Buy Me Love (The Ultimate Live Collection Volume 1) 9: Baby's In Black (The Ultimate Live Collection Volume 1) 10: I Wanna Be Your Man (The Ultimate Live Collection Volume 1) 11: A Hard Day’s Night (The Ultimate Live Collection Volume 1) 12: Help! (The Ultimate Live Collection Volume 1) 13: I'm Down (The Ultimate Live Collection Volume 1) 14: outro (The Ultimate Live Collection Volume 1)

Sam Houston Coliseum, Houston, TX - 19 August, 1965 (evening)

15: intro (The Ultimate Live Collection Volume 1) 16: Twist And Shout (The Ultimate Live Collection Volume 1) 17: She's A Woman (The Ultimate Live Collection Volume 1) 18: I Feel Fine (The Ultimate Live Collection Volume 1) 19: Dizzy Miss Lizzy (The Ultimate Live Collection Volume 1) 20: Ticket To Ride (The Ultimate Live Collection Volume 1) 21: Everybody's Trying To Be My Baby (The Ultimate Live Collection Volume 1) 22: Can't Buy Me Love (The Ultimate Live Collection Volume 1) 23: Baby's In Black (The Ultimate Live Collection Volume 1) 24: I Wanna Be Your Man (The Ultimate Live Collection Volume 1) 25: A Hard Day’s Night (The Ultimate Live Collection Volume 1) 26: Help! (The Ultimate Live Collection Volume 1) 27: I'm Down (The Ultimate Live Collection Volume 1) 28: outro (The Ultimate Live Collection Volume 1)

113

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Live 09 - Bowled Over

The ninth volume in our 'all the good titles are taken already' overview of The Beatles’ live career. This brings us to the end of their second U.S. tour and, unfortunately, to the end of the surviving 1965 shows. We’d love to hear it a tape from their December British tour. Most of these recordings already sounded fine, although the less said about Minneapolis the better. Even so, we still ran our proprietary audio clean-up system. We think the re-edit and re-eq of the afternoon San Fransisco show is the most significant improvement. Our Hollywood Bowl Deluxe Edition has different edits/mixes, but these are the unedited stereo tapes of the 1965 Hollywood Bowl shows. (We also fixed a tape stretch in I Feel Fine on the 30th. Wow.)

DISC ONE Metropolitan Stadium, Minneapolis, MN - 21 August, 1965 1: She's A Woman (Visit To Minneapolis) 2: I Feel Fine (Visit To Minneapolis) 3: Dizzy Miss Lizzy (Visit To Minneapolis) 4: Ticket To Ride (Visit To Minneapolis) 5: Everybody's Trying To Be My Baby (Visit To Minneapolis) 6: Can't Buy Me Love (Visit To Minneapolis) 7: Baby's In Black (Visit To Minneapolis) 8: I Wanna Be Your Man (Visit To Minneapolis) 9: A Hard Day’s Night (Visit To Minneapolis) 114

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10: Help! (Visit To Minneapolis) 11: I'm Down (Visit To Minneapolis)

Hollywood Bowl, Los Angeles, CA - 29 August, 1965

12: intro (The Complete Hollywood Bowl Concerts) 13: Twist And Shout (Complete Hollywood Bowl…) 14: She's A Woman (The Complete Hollywood Bowl Concerts) 15: I Feel Fine (Complete Hollywood Bowl…) 16: Dizzy Miss Lizzy (Complete Hollywood Bowl…) 17: Ticket To Ride (Complete Hollywood Bowl…) 18: Everybody's Trying To Be My Baby (The Complete Hollywood Bowl Concerts) 19: Can't Buy Me Love (The Complete Hollywood Bowl Concerts) 20: Baby's In Black (The Complete Hollywood Bowl Concerts) 21: I Wanna Be Your Man (The Complete Hollywood Bowl Concerts) 22: A Hard Day’s Night (The Complete Hollywood Bowl Concerts) 23: Help! (Complete Hollywood Bowl…) 24: I'm Down (Complete Hollywood Bowl…) 25: outro (The Complete Hollywood Bowl Concerts)

115

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Purple Chick Guide

DISC TWO Hollywood Bowl, Los Angeles, CA - 30 August, 1965

1: intro (The Complete Hollywood Bowl Concerts) 2: Twist And Shout (Complete Hollywood Bowl…) 3: She's A Woman (The Complete Hollywood Bowl Concerts) 4: I Feel Fine (Complete Hollywood Bowl…) 5: Dizzy Miss Lizzy (Complete Hollywood Bowl…) 6: Ticket To Ride (Complete Hollywood Bowl…) 7: Everybody's Trying To Be My Baby (The Complete Hollywood Bowl Concerts) 8: Can't Buy Me Love (The Complete Hollywood Bowl Concerts) 9: Baby's In Black (The Complete Hollywood Bowl Concerts) 10: I Wanna Be Your Man (The Complete Hollywood Bowl Concerts) 11: A Hard Day’s Night (The Complete Hollywood Bowl Concerts) 12: Help! (Complete Hollywood Bowl…) 13: I'm Down (Complete Hollywood Bowl…) 14: outro (The Complete Hollywood Bowl Concerts)

Cow Palace, San Francisco, CA - 31 August, 1965 (afternoon) 15: intro 16: Twist And Shout (Blackpool Night Out ’64 Upgraded) 17: intro to dizzy miss lizzy (Blackpool Night Out ’64 Upgraded) 18: Can't Buy Me Love (Blackpool Night Out ’64 Upgraded) 19: I Wanna Be Your Man (Blackpool Night Out ’64 Upgraded) 20: A Hard Day’s Night (Blackpool Night Out ’64 Upgraded)

Cow Palace, San Francisco, CA - 31 August, 1965 (evening) 21: intro (Make As Much Noise As You Like) 22: Twist And Shout (MAMNAYL) 23: She's A Woman (MAMNAYL)

Shea Stadium, New York, NY - 15 August, 1965 overdubs / re-recording: 5 January, 1966: CTS Studios, London 24: intro (Shea Stadium WABC TV Broadcast) 25: Twist And Shout (Shea … WABC TV) 26: I Feel Fine (Shea … WABC TV) 27: Dizzy Miss Lizzy (Shea … WABC TV) 28: Ticket To Ride (Shea … WABC TV + Anthology 2) 29: Everybody's Trying To Be My Baby (Anthology 2 + Shea … WABC TV)

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30: Can't Buy Me Love (Shea … WABC TV) 31: Baby's In Black (Shea … WABC TV) 32: A Hard Day’s Night (Shea … WABC TV) 33: Help! (Shea … WABC TV) 34: I'm Down (Shea … WABC TV) 35: outro (Shea … WABC TV) (In Montreal)

Bonus Track - stereo shea mix

36 Everybody's Trying To Be My Baby

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Live 10 - Far East Men

The tenth and penultimate volume in our overview of The Beatles’ live career brings us their brief 1966 World Tour and the end of the Beatles caring much about their performances. Still, the Munich and Tokyo shows are the last to survive in soundboard quality. The unbooted Hamburg tracks are taken from a German radio broadcast. We’re very grateful they made their way to us. The Disc One bonus tracks are a little unnecessary, since Track 33 is much longer than anything available previously. But the snippets are maybe a little better quality, so it’s all here, just in case you care. Note: We used two similarly titled “Bravo Beatles” sources – one issued by MBE, and one by Misterclaudel (notated with an ‘(MC’).

DISC ONE Circus-Krone-Bau, Munich, Germany - 24 June, 1966 (afternoon)

1: intro (Bravo Beatles Britztournee + Bravo Beatles Britztournee (MC)) 2: Baby’s In Black (Bravo Beatles Britztournee) 3: I Feel Fine (Bravo Beatles Britztournee) 4: Yesterday (Bravo Beatles Britztournee) 5: I Wanna Be Your Man (Bravo Beatles Britztournee (MC)) 6: I’m Down (Bravo Beatles Britztournee (MC))

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7: intro (Bravo Beatles Britztournee) 8: Rock And Roll Music (Bravo Beatles Britztournee) 9: She’s A Woman (Bravo Beatles Britztournee) 10: intro (Bravo Beatles Britztournee) 11: Nowhere Man (Bravo Beatles Britztournee) 12: I’m Down (Bravo Beatles Britztournee)

Grugahalle, Essen, Germany - 25 June, 1966 (afternoon) 13: intro (Mythology) 14: Rock And Roll Music (Mythology) 15: She's A Woman (Mythology) 16: If I Needed Someone (Mythology) 17: Day Tripper (Mythology) 18: Baby’s In Black (Mythology) 19: I Feel Fine (Mythology) 20: Yesterday (Mythology) 21: I Wanna Be Your Man (Mythology) 22: Nowhere Man (Mythology) 23: Paperback Writer (Mythology) 24: I’m Down (Mythology)

Grugahalle, Essen, Germany - 25 June, 1966 (evening) 25: Paperback Writer (Vinyl To The Core) (?)

Ernst-Merck-Halle, Hamburg, Germany - 26 June, 1966 (afternoon) 26: intro (Bravo Beatles Britztournee (MC) + unbooted) 27: Day Tripper (unbooted) 28: intro (Bravo Beatles Britztournee (MC)) 29: Baby’s In Black (Bravo Beatles Britztournee (MC)) 30: I Feel Fine (unbooted) 31: I Wanna Be Your Man (Bravo Beatles Britztournee (MC)) 32: Nowhere Man (Bravo Beatles Britztournee (MC)) 33: Paperback Writer (unbooted) 34: outro (unbooted) Bonus Tracks:

Ernst-Merck-Halle, Hamburg, Germany - 26 June, 1966 (afternoon) 35: Nowhere Man (Bravo Beatles Britztournee (MC)) 36: Paperback Writer (Bravo Beatles Britztournee (MC))

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37: Paperback Writer (Bravo Beatles Britztournee (MC) + Damals In Hamburg)

DISC TWO Nippon Budokan Hall, Tokyo, Japan - 30 June, 1966 (evening) 1: intro (Tokyo Highway 66) 2: Rock And Roll Music (Tokyo Highway 66) 3: She's A Woman (Tokyo Highway 66) 4: If I Needed Someone (Tokyo Highway 66) 5: Day Tripper (Tokyo Highway 66) 6: Baby’s In Black (Tokyo Highway 66) 7: I Feel Fine (Tokyo Highway 66) 8: Yesterday (Tokyo Highway 66) 9: I Wanna Be Your Man (Tokyo Highway 66) 10: Nowhere Man (Tokyo Highway 66) 11: Paperback Writer (Tokyo Highway 66) 12: I’m Down (Tokyo Highway 66) 13: outro (Tokyo Highway 66)

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Nippon Budokan Hall, Tokyo, Japan - 1 July, 1966 (afternoon) 14: intro (Tokyo Highway 66) 15: Rock And Roll Music (Tokyo Highway 66) 16: She's A Woman (Tokyo Highway 66) 17: If I Needed Someone (Tokyo Highway 66) 18: Day Tripper (Tokyo Highway 66) 19: Baby’s In Black (Tokyo Highway 66) 20: I Feel Fine (Tokyo Highway 66) 21: Yesterday (Tokyo Highway 66) 22: I Wanna Be Your Man (Tokyo Highway 66) 23: Nowhere Man (Tokyo Highway 66) 24: Paperback Writer (Tokyo Highway 66) 25: I’m Down (Tokyo Highway 66) 26: outro (Tokyo Highway 66)

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Live 11 - The Last Tour

And so to the conclusion of The Beatles as a performing group (although some might argue the end really came a year or more earlier) – all the circulating shows from their final tour of the U.S.A. While this may be a delight for completists, the last show at San Francisco is the only decent sounding recording here (and not such a bad performance either, relatively speaking). Also of note is the 'cherry bomb' explosion heard halfway through "If I Needed Someone" from the Memphis evening show. Otherwise it's slim pickings, pop pickers. We've done our best to make everything sound as good as possible - speed correction, a little eq, and more (but never any compression or noise reduction!) We even used a source for the San Francisco show without the digital reverb appearing on most releases of this concert. It's not all that pretty, but this is it – the end of The Beatles live. (Unless you count the Rooftop Concert – and that's on A/B Road if you still need to find it!)

DISC ONE Municipal Stadium, Cleveland, OH - 14 August, 1966

1: intro (Can You Hear Me?) 2: Day Tripper (Can You Hear Me?) 3: show interruption (Can You Hear Me? + Vinyl To The Core) 4: I Feel Fine (Vinyl To The Core) 122

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Maple Leaf Gardens, Toronto, Canada - 17 August, 1966 (afternoon): 5: intro (unbooted) 6: If I Needed Someone (unbooted)

Maple Leaf Gardens, Toronto, Canada - 17 August, 1966 (evening): 7: intro (Live Beatles At The Maple Leaf Gardens) 8: Rock and Roll Music (LBATMLG) 9: She's A Woman (LBATMLG) 10: If I Needed Someone (LBATMLG) 11: Day Tripper (LBATMLG) 12: Baby's In Black (LBATMLG) 13: I Feel Fine (LBATMLG) 14: Yesterday (LBATMLG) 15: I Wanna Be Your Man (LBATMLG) 16: Nowhere Man (LBATMLG) 17: Paperback Writer (LBATMLG) 18: Long Tall Sally (LBATMLG) 19: outro (LBATMLG)

Suffolk Downs Racetrack, Boston, MA - 18 August, 1966 20: She's A Woman (We'd Like To Cary On) 21: Long Tall Sally (Vinyl To The Core)

Mid-South Coliseum, Memphis, TN - 19 August, 1966 (afternoon) 22: intro (From Beatles In Memphis 1966) 23: Rock and Roll Music (Berry) (From Beatles In Memphis 1966) 24: She's A Woman (Lennon-McCartney) (FBIM 1966) 25: If I Needed Someone (Harrison) (FBIM 1966) 26: Day Tripper (Lennon-McCartney) (FBIM 1966) 27: Baby's In Black (Lennon-McCartney) (FBIM 1966) 28: I Feel Fine (Lennon-McCartney) (FBIM 1966) 29: Yesterday (Lennon-McCartney) (FBIM 1966) 30: I Wanna Be Your Man (Lennon-McCartney) (FBIM 1966) 31: Nowhere Man (Lennon-McCartney) (FBIM 1966) 32: Paperback Writer (Lennon-McCartney) (FBIM 1966) 33: Long Tall Sally (Johnson-Penniman-Blackwell) (FBIM 1966)

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DISC TWO Mid-South Coliseum, Memphis, TN - 19 August, 1966 (evening) 1: intro (From Beatles In Memphis 1966) 2: Rock and Roll Music (Berry) (From Beatles In Memphis 1966) 3: She's A Woman (Lennon-McCartney) (FBIM 1966) 4: If I Needed Someone (Harrison) (FBIM 1966) 5: Day Tripper (Lennon-McCartney) (FBIM 1966) 6: Baby's In Black (Lennon-McCartney) (FBIM 1966) 7: I Feel Fine (Lennon-McCartney) (FBIM 1966) 8: Yesterday (Lennon-McCartney) (FBIM 1966) 9: I Wanna Be Your Man (Lennon-McCartney) (FBIM 1966) 10: Nowhere Man (Lennon-McCartney) (FBIM 1966) 11: Paperback Writer (Lennon-McCartney) (FBIM 1966) 12: Long Tall Sally (Johnson-Penniman-Blackwell) (FBIM 1966)

Busch Stadium, Boston, MA - 21 August, 1966

13: Rock and Roll Music/She's A Woman (unbooted)

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Shea Stadium, New York, NY - 23 August, 1966

14: intro (Beatles' Blast In Stadium Described By Erupting Fans) 15: She's A Woman (BBISDBEF) 16: If I Needed Someone (BBISDBEF) 17: I Feel Fine (BBISDBEF) 18: Yesterday (BBISDBEF) 19: Paperback Writer (BBISDBEF) 20: outro (BBISDBEF)

Candlestick Park, San Francisco, CA - 29 August, 1966

21: Rock and Roll Music (Live in Paris 1964 and in San Francisco 1966) 22: She's A Woman (Paris/San Francisco) 23: If I Needed Someone (Paris/San Francisco) 24: Day Tripper (Paris/San Francisco) 25: Baby's In Black (Paris/San Francisco) 26: I Feel Fine (Paris/San Francisco) 27: Yesterday (Paris/San Francisco) 28: I Wanna Be Your Man (Paris/San Francisco) 29: Nowhere Man (Paris/San Francisco) 30: Paperback Writer (Paris/San Francisco) 31: Long Tall Sally (Paris/San Francisco)

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"A/B Road" session tapes Purple Chick

January, 1969 Also known as The Nagra Reels COMPLETE SET version 1.1 83 CDs / 2187 tracks

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01/02/69 - 2 Discs (2:39:15) 1 double case 01/03/69 - 4 Discs (5:12:33) 2 double cases 01/06/69 - 5 Discs (6:04:03) 2 double cases / 1 single case 01/07/69 - 4 Discs (5:10:28) 2 double cases 01/08/69 - 4 Discs (5:02:49) 2 double cases 01/09/69 - 5 Discs (5:21:39) 2 double cases / 1 single case 01/10/69 - 4 Discs (4:36:51) 2 double cases 01/13/69 - 3 Discs (3:28:50) 1 double case / 1 single case 01/14/69 - 3 Discs (3:02:42) 1 double case / 1 single case 01/21/69 - 3 Discs (3:28:57) 1 double case / 1 single case 01/22/69 - 4 Discs (5:05:22) 2 double cases 01/23/69 - 4 Discs (4:53:14) 2 double cases 01/24/69 - 4 Discs (4:55:06) 2 double cases 01/25/69 - 6 Discs (7:09:17) 3 double cases 01/26/69 - 6 Discs (6:30:01) 3 double cases 01/27/69 - 6 Discs (7:05:26) 3 double cases 01/28/69 - 6 Discs (7:02:31) 3 double cases 01/29/69 - 4 Discs (4:31:24) 2 double cases 01/30/69 - 2 Discs (1:47:56) 1 double case 01/31/69 - 4 Discs (4:35:43) 2 double cases Total = 83 Discs - 39 double cases - 5 single cases Part 1: Twickenham = 40:39:10 (1042 Tracks) Part 2: Apple = 57:04:57 (1145 Tracks) Total Time = 97:44:07 (83 CDs, 2187 Tracks)

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Background info, from Doug Sulpy's "Complete Beatle's Audio Guide" From Doug Sulpy 2006 Edition

THE "GET BACK" SESSIONS

I'll make this easy for you. You need Purple Chick's "A/B Road" series. Period. No doubt, using one of my previous books as a template (at least I hope he did - I'd hate to think of two people going through all that work!) Purple Chick has compiled every extant moment from the Nagra A and B rolls and edited them together in sequence. In January, 1969, virtually every moment of The Beatles' rehearsals and recording sessions were captured on audio tape as part of the project that ultimately became the film "Let It Be." For the first part of the month, at Twickenham Film Studios in London, The Beatles' performances were only preserved on small 16 minute long mono tapes (known as "Nagra" reels) that were recorded for use as the film soundtrack. Two different tape recorders were running (usually off of the same sound feed), resulting in what was termed "A" and "B" roll Nagra recordings. The "A" rolls generally ran the full 16 minute length of the tape. The "B" rolls were more fragmentary, but often captured performances or dialogue missed while the "A" roll operator was changing reels. In addition, once the sessions shifted to Apple Studios on January 21st, Glyn Johns began recording multi-track tapes of The Beatles' sessions which, again, sometimes captured performances not heard on either the "A" or "B" roll Nagra recordings. In 2004, Purple Chick collated these recordings, and issued them in a series of CDs called "A/B Road." These are now the most readily available source for the "Get Back" sessions material.

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Further history on the Nagra Reels (source of this giant set) By ALLAN KOZINN Published: January 13, 2003 To read the statements made by British and Dutch officials after the arrest of a group of bootleggers in suburbs of London and Amsterdam on Friday, one would think that the police had apprehended a band of thieves who for the last three decades had been sitting on a vast trove of long-lost master tapes from Beatles recording sessions. There is an element of truth in what they say, but also a good measure of exaggeration. Whether the seizure of these tapes should be regarded as good news -- and for that matter whether it will have any effect on the thriving trade in Beatles bootlegs -- is another matter. What the police seized was a collection of 500 to 550 reels of tape, each running about 16 minutes. They were recorded during the sessions for the Beatles' ''Let It Be'' album -- originally to be called ''Get Back'' -- from Jan. 2 to Jan. 31, 1969. But they are not the multitrack session masters from which the album was made. Those are safely in EMI's archives. Instead, they are monaural recordings made on a pair of Nagra tape recorders for reference purposes by a film crew that was documenting the sessions for a proposed television documentary. When the television plan was scuttled, the film was released theatrically as ''Let It Be.'' It is unquestionably an important collection. Unlike normal session tapes, which usually include only performances, the Nagra reels, as these tapes are known, run continuously and capture everything: rehearsals, discussions, arguments, clowning and loose jams on Buddy Holly and Chuck Berry classics as well as older Beatles tunes and oddities like the theme from ''The Third Man,'' all in addition to the nose-to-the-grindstone work of making an album. No other set of Beatles sessions is so thoroughly documented. These tapes are well known to collectors. Instantly recognizable because the film crew is regularly heard announcing slate and roll numbers, the material was the source for some of the first Beatles bootlegs in the early 1970's. Until the early 90's the trend in Beatles bootlegging was to compile collections of the most interesting performances and discussions. More recently, bootleg labels began releasing these tapes more systematically: unedited, in chronological order and with reel numbers and recording dates fully documented. These tapes have also been the subject of two books: ''Get Back: The Unauthorized Chronicle of the Beatles' 'Let It Be' Disaster,'' by Doug Sulpy and Ray Schweighardt (St. Martin's, 1994), and ''The 910's Guide to the

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Beatles' Outtakes: The Complete 'Get Back' Sessions,'' a comprehensive catalog of the material by Mr. Sulpy (The 910, 2002). As originally proposed, the idea for ''Let It Be'' was elegantly simple. Having completed the White Album a few months earlier, the Beatles were to convene at the Twickenham film studios in London to rehearse an album's worth of new songs. The rehearsals would be filmed by Michael LindsayHogg, an expatriate American who had directed their promotional clips for ''Paperback Writer'' and ''Rain'' in 1966, as would the highlight of the project, a concert at which the Beatles would perform their new material. What the plan did not take into account were the increasingly fractious relations among three of the four Beatles. John Lennon, more interested in his collaborations with Yoko Ono than in the Beatles, wanted either to involve her in the band or to distance himself from it. He brought a handful of songs to the sessions, and is heard in a few hilarious monologues (including one about how masturbation ''doesn't make you go blind, only very shortsighted'') but is often passive and uninvolved. George Harrison, by then a prolific songwriter, was disgruntled about his paltry representation on the Beatles' albums, which were always dominated by the music of Lennon and Paul McCartney. He was also uninterested in performing in concert, and irritated by what he regarded as Mr. McCartney's condescension in telling him what to play. At one point Harrison walked out, effectively (if temporarily) quitting the band, leaving the others to pursue a series of aggressive but fascinating jams with Ms. Ono vocalizing. Mr. McCartney is at times almost despondent about his partners' lack of interest and cooperation. Only Ringo Starr seems to be taking the sessions in stride. In the end Harrison returned, but only after being guaranteed that his songs would receive greater consideration, and that there would be no more talk of a concert. The project was completed with a series of performances filmed at the group's new Apple studios, and on the rooftop of their London offices. What makes these tapes crucial to Beatles biographers and musicians interested in studying the band's working process is that they capture it all. The rehearsals often begin with one of the Beatles playing a new song while calling out the chord progression to the others. The group joins in and works through the changes, and ideas for arrangements slowly accrue. Some songs - ''Two of Us,'' ''One After 909'' and ''Get Back,'' for example -- are tried as everything from sizzling, fast-tempo rockers to country-influenced ballads. The process of lyric writing unfolds before the listener's ears as well. In one session for ''Get Back,'' Mr. McCartney stops during a run-through and says, ''I've got it -- Jo Jo left his home in Tucson, Arizona.'' Lennon asks, ''Is

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Tucson in Arizona?'' Mr. McCartney replies, ''Yeah, it's where they make 'High Chaparral.' '' There is also a good deal of material that, even for the Beatles-obsessed, can be hard slogging -- hours and hours and hours of ''The Long and Winding Road,'' for example. And the discussions, which often last several reels at a stretch, range from the amusingly loopy to the contentious. Several are about the proposed concert. Among the plans suggested are playing in an amphitheater in North Africa, or on a cruise ship on the Mediterranean. When Harrison quits, Mr. Lindsay-Hogg suggests going on with the show and saying that Harrison is ill, to which Lennon replies, ''If he's not back by Tuesday, we'll call Eric Clapton.'' One reel captures a lunch meeting at which the group airs its problems in some detail. Had these illuminating tapes not already found their way onto the collectors' market, their seizure would be unfortunate, because it is unlikely that Apple, the Beatles' company, will ever sanction their legitimate release. Apple has even tried to stifle scholarly discussion of them. When Mr. Sulpy and Mr. Schweighardt were at work on their first book, they naively sent Apple a sample chapter and sought permission to hear the studio recordings. Apple responded by threatening legal action.

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Part 1 – Twickenham: (40:39:10) 01/02/69: (2:39:15)

Disc 1: (1:19:38) 01: Dialogue & Slates (:04) 02: Dialogue & Slates (:05) 03: Dialogue & Slates (:27) 04: Dialogue & Slates (:08) 05: Dialogue & Slates (:05) 06: Dialogue & Slates (:10) 07: Dialogue & Slates (:05) 08: Don't Let Me Down - 2.01 (:33) 09: Tuning (:04) 10: Tuning (:19) 11: Tuning (:04) 12: Don't Let Me Down - 2.02 (:27) 13: Tuning (:27) 14: Don't Let Me Down - 2.03 (4:16) 15: Dig A Pony - 2.04 (3:05) 16: "Everybody Got Song" - 2.05 (:45) 17: Don't Let Me Down - 2.06 (3:09) 18: Let It Down - 2.07 (2:14)

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19: Let It Down - 2.08 (:53) 20: Improvisation - 2.09 (:57) 21: Brown-Eyed Handsome Man - 2.10 (1:43) 22: I've Got A Feeling - 2.11 (1:19) 23: A Case Of The Blues - 2.12 (1:09) 24: Improvisation 2.13 (:24) 25: Improvisation 2.14 (:51) 26: On The Road To Marrakesh - 2.15 (2:08) 27: Revolution - 2.16 (:08) 28: I Shall Be Released - 2.17 (1:53) 29: Sun King - 2.18 (2:20) 30: Sun King / Don't Let Me Down - 2.19 (4:59) 31: Don't Let Me Down - 2.20 (3:34) 32: "The Teacher Was A-Lookin'" - 2.21 (1:00) 33: Don't Let Me Down - 2.22 (:20) 34: Don't Let Me Down - 2.23 (:26) 35: Sun King - 2.24 (:28) 36: Mailman, Bring Me No More Blues - 2.25 (:21) 37: I've Got A Feeling - 2.26 (3:40) 38: Unknown – Unnumbered (:09) 39: I've Got A Feeling - 2.27 (1:15) 40: I've Got A Feeling - 2.28 (:04) 41: I've Got A Feeling - 2.29 (:05) 42: I've Got A Feeling - 2.30 (11:00) 43: I've Got A Feeling - 2.31 (1:23) 44: Unknown - 2.32 (3:46) 45: Speak To Me - 2.33 (1:58) 46: I've Got A Feeling - 2.34 (:32) 47: I've Got A Feeling - 2.35 (5:00) 48: I've Got A Feeling - 2.36 (:11) 49: Mighty Quinn (Quinn The Eskimo) - 2.37 (1:05) 50: I've Got A Feeling - 2.38 (4:03) 51: I've Got A Feeling - 2.39 (2:00) 52: I've Got A Feeling - 2.40 (1:22) 53: Dialogue (:45)

Disc 2: (1:19:37) 01: Dialogue and Slates (1:42) 02: Dialogue and Slates (:06) 03: Dialogue and Slates (:05)

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04: Dialogue and Slates (3:20) 05: Dialogue and Slates (:07) 06: Dialogue and Slates (1:52) 07: Dialogue and Slates (1:12) 08: I've Got A Feeling - 2.41 (1:29) 09: Tuning (:30) 10: Slate (:06) 11: I've Got A Feeling - 2.42 (:38) 12: I've Got A Feeling - Not Numbered (:27) 13: I've Got A Feeling - 2.43 (:09) 14: I've Got A Feeling - 2.44 (1:24) 15: I've Got A Feeling - 2.45 (2:17) 16: I've Got A Feeling - 2.46 (5:36) 17: I've Got A Feeling - 2.47 (:37) 18: I've Got A Feeling - 2.48 (4:00) 19: Sun King / Don't Let Me Down - 2.49 (2:07) 20: Don't Let Me Down - 2.50 (3:54) 21: Don't Let Me Down - 2.51 (2:14) 22: Sun King / Don't Let Me Down - 2.52 (1:55) 23: Don't Let Me Down - 2.53 (6:44) 24: Don't Let Me Down - 2.54 (:31) 25: Improvisation - 2.55 (1:24) 26: Unknown - 2.56 (:19) 27: Don't Let Me Down - 2.57 (3:10) 28: Don't Let Me Down - 2.58 (:05) 29: Well...All Right - 2.59 (1:12) 30: Well...All Right - 2.60 (1:07) 31: Unknown - 2.61 (:25) 32: All Things Must Pass - 2.62 (1:24) 33: Two Of Us - 2.63 (7:21) 34: "We're Goin' Home" - 2.64 (:22) 35: Two Of Us - 2.65 (4:17) 36: Two Of Us - 2.66 (:39) 37: Two Of Us - 2.67 (3:36) 38: Two Of Us - 2.68 (:33) 39: Two Of Us - 2.69 (:05) 40: Two Of Us - 2.70 (:54) 41: Two Of Us - 2.71 (4:35) 42: "It's Good To See The Folks Back Home" - 2.72 (:22) 43: Two Of Us - 2.73 (4:45)

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01/03/69: (5:12:33)

Disc 1: (1:18:00) 01: The Long And Winding Road - 3.01 (:31) 02: Oh! Darling - 3.02 (:55) 03: Oh! Darling - 3.03 (:06) 04: Unknown - 3.04 (:06) 05: Maxwell's Silver Hammer - 3.05 (3:08) 06: Adagio For Strings - 3.06 (3:20) 07: Adagio For Strings - 3.07 (:47) 08: Tea For Two Cha-Cha - 3.08 (1:23) 09: Tea For Two Cha-Cha - 3.09 (:43) 10: Chopsticks - 3.10 (:29) 11: Unknown - 3.11 (:40) 12: Torchy, The Battery Boy - 3.12 (1:13) 13: Whole Lotta Shakin' Goin' On - 3.13 (:48) 14: Unknown - 3.14 (:35) 15: Let It Be - 3.15 (1:09) 16: Unknown - 3.16 (2:30) 17: Taking A Trip To Carolina - 3.17 (:44) 18: Unknown - 3.18 (1:22) 19: Dialogue (2:09) 20: Please, Mrs. Henry - 3.19 (1:35) 21: "Ramblin' Woman" - 3.20 (1:43) 22: "Is It Discovered?" - 3.21 (1:33) 23: Improvisation - 3.22 (2:20) 24: Picasso - 3.23 (1:22)

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25: Taking A Trip To Carolina - 3.24 (1:12) 26: Hey Jude - 3.25 (2:08) 27: All Things Must Pass - 3.26 (1:43) 28: Don't Let Me Down - 3.27 (2:35) 29: "Your Name Is Ted" - 3.28 (3:00) 30: Crackin' Up - 3.29 (2:11) 31: Improvisation - 3.30 (2:53) 32: Crackin' Up - 3.31 (:32) 33: All Shook Up - 3.32 (1:05) 34: You True Love - 3.33 (1:44) 35: Blue Suede Shoes - 3.34 (1:32) 36: Three Cool Cats - 3.35 (2:47) 37: Blowin' In The Wind - 3.36 (:33) 38: Lucille - 3.37 (2:28) 39: I'm So Tired - 3.38 (2:32) 40: Ob-La-Di, Ob-La-Da - 3.39 (1:46) 41: "Get On The Phone" - 3.40 (:57) 42: Ob-La-Di, Ob-La-Da - 3.41 (:14) 43: Don't Let Me Down - 3.42 (:33) 44: The Thrid Man Theme - 3.43 (1:51) 45: Improvisation - 3.44 (:30) 46: "My Words Are In My Heart" - 3.45 (:10) 47: "Negro In Reserve" - 3.46 (:43) 48: Don't Let Me Down - 3.47 (3:39) 49: Don't Let Me Down - 3.48 (:10) 50: Don't Let Me Down - 3.49 (3:16) 51: Don't Let Me Down - 3.50 (:05) 52: Ob-La-Di, Ob-La-Da - 3.51 (:16) 53: Don't Let Me Down - 3.52 (:08) 54: Don't Let Me Down - 3.53 (:34) 55: Don't Let Me Down - 3.54 (2:44) 56: Sun King - 3.55 (:18)

Disc 2: (1:19:36) 01: I've Got A Feeling - 3.56 (4:38) 02: I've Got A Feeling - 3.57 (4:49) 03: I've Got A Feeling - 3.58 (:25) 04: I've Got A Feeling - 3.59 (3:29) 05: I've Got A Feeling - 3.60a (2:48)

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DJole’s

Purple Chick Guide

06: I've Got A Feeling - 3.60b (2:33) 07: Unknown - 3.61 (:29) 08: Going Up The Country - 3.62 (:51) 09: On The Road Again - 3.63 (:17) 10: One After 909 - 3.64 (4:21) 11: "Because I Know You Love Me So" - 3.65 (2:29) 12: Roll Announcement (:04) 13: One After 909 - 3.66 (4:06) 14: "I'll Wait Till Tomorrow" - 3.67 (1:05) 15: A Pretty Girl Is Like A Melody - 3.68 (:11) 16: Thinking Of Linking - 3.69 (:25) 17: "Won't You Please Say Goodbye" - 3.70 (:52) 18: Bring It On Home To Me - 3.71 (2:01) 19: Hitch Hike - 3.72 (1:57) 20: You Can't Do That - 3.73 (2:15) 21: The Hippy Hippy Shake - 3.74 (4:16) 22: Two Of Us - 3.75 (2:20) 23: Two Of Us - 3.76 (1:46) 24: Two Of Us - 3.77 (2:37) 25: Two Of Us - 3.78 (3:33) 26: Two Of Us - 3.79 (3:28) 27: Two Of Us - 3.80 (2:37) 28: All Along The Watchtower - 3.81 (1:01) 29: Dialogue (1:39) 30: Sun King - 3.82 (:47) 31: Sun King - 3.83 (:25) 32: Sun King - 3.84 (:34) 33: Short Fat Fanny - 3.85 (2:58) 34: Midnight Special - 3.86 (2:09) 35: When You're Drunk You Think Of Me - 3.87 (:12) 36: What's The Use Of Getting Sober (When You're Gonna Get Drunk Again) - 3.88 (:09) 37: What Do You Wanna Make Those Eyes At Me For (When They Don't Mean What They Say!) - 3.89 (1:34) 38: Money (That's What I Want) - 3.90 (1:34) 39: Give Me Some Truth - 3.91 (1:39) 40: All Things Must Pass - 3.92 (1:57) 41: All Things Must Pass - 3.93 (2:16)

137

DJole’s

Purple Chick Guide

Disc 3: (1:18:25) 01: All Things Must Pass - 3.94 (3:13) 02: All Things Must Pass - 3.95 (3:41) 03: The Weight - 3.96 (:25) 04: I'm A Tiger - 3.97 (:21) 05: All Things Must Pass - 3.98 (3:19) 06: Improvisation - 3.99 (:31) 07: All Things Must Pass - 3.100 (1:59) 08: All Things Must Pass - 3.101 (6:36) 09: All Things Must Pass - 3.102 (:05) 10: All Things Must Pass - 3.103 (3:26) 11: All Things Must Pass - 3.104 (3:13) 12: All Things Must Pass - 3.105 (4:16) 13: All Things Must Pass - 3.106 (3:48) 14: All Things Must Pass - 3.107 (1:21) 15: Slate Announcement (:07) 16: All Things Must Pass - 3.108 (5:28) 17: All Things Must Pass - 3.109 (5:36) 18: All Things Must Pass - 3.110 (4:24) 19: All Things Must Pass - 3.111 (2:36) 20: All Things Must Pass - 3.112 (2:32) 21: All Things Must Pass - 3.113 (6:21) 22: All Things Must Pass - 3.114 (2:22) 23: All Things Must Pass - 3.115 (:33) 24: Improvisation - 3.116 (1:04) 25: All Things Must Pass - 3.117 (1:59)

138

DJole’s

Purple Chick Guide

26: All Things Must Pass - 3.118 (:40) 27: All Things Must Pass - 3.119 (1:52) 28: All Things Must Pass - 3.120 (1:12) 29: Slate Announcement (:04) 30: All Things Must Pass - 3.121 (:37) 31: All Things Must Pass - 3.122 (1:12) 32: All Things Must Pass - 3.123 (3:32)

Disc 4: (1:16:32) 01: All Things Must Pass - 3.124 (1:42) 02: Unknown - 3.125 (:07) 03: Back In The U.S.S.R. - 3.126 (:54) 04: Every Little Thing - 3.127 (:37) 05: Piece Of My Heart - 3.128 (2:11) 06: Saber Dance - 3.129 (1:29) 07: Piece Of My Heart - 3.130 (1:28) 08: "Over And Over Again" - 3.131 (2:52) 09: One After 909 - 3.132 (:25) 10: Slate Announcement (:08) 11: Dialogue (4:33) 12: I've Been Good To You - 3.133 (1:59) 13: All Things Must Pass - 3.134 (:23) 14: All Things Must Pass - 3.135 (:50) 15: All Things Must Pass - 3.136 (3:44) 16: All Things Must Pass - 3.137 (3:54) 17: All Things Must Pass - 3.138 (5:30) 18: All Things Must Pass - 3.139 (:19) 19: All Things Must Pass - 3.140 (2:09) 20: Maxwell's Silver Hammer - 3.141 (:51) 21: Maxwell's Silver Hammer - 3.142 (15:07) 22: Maxwell's Silver Hammer - 3.143 (1:04) 23: Maxwell's Silver Hammer - 3.144 (7:59) 24: Maxwell's Silver Hammer - 3.145 (1:05) 25: Maxwell's Silver Hammer - 3.146 (1:42) 26: Maxwell's Silver Hammer - 3.147 (2:46) 27: Maxwell's Silver Hammer - 3.148 (1:16) 28: Maxwell's Silver Hammer - 3.149 (:25) 29: Maxwell's Silver Hammer - 3.150 (9:03)

139

DJole’s

Purple Chick Guide

01/06/69: (6:04:03)

Disc 1: (1:14:20) 01: Roll Announcement (1:35) 02: Dialogue (2:51) 03: Oh! Darling - 6.01 (1:38) 04: Dialogue (13:38) 05: C'mon Marianne - 6.02 (1:57) 06: Roll Announcement (:35) 07: Dialogue (:48) 08: I've Got A Feeling - 6.03 (1:44) 09: I've Got A Feeling - 6.04 (1:06) 10: High School Confidential - 6.05 (:28) 11: I've Got A Feeling - 6.06 (:50) 12: Hear Me Lord - 6.07 (:48) 13: Hear Me Lord - 6.08 (2:26) 14: For You Blue - 6.09 (3:44) 15: For You Blue - 6.10 (3:10) 16: All Things Must Pass - 6.11 (:31) 17: Carry That Weight - 6.12 (1:31) 18: Octopus's Garden / Carry That Weight - 6.13 (:42) 19: Carry That Weight - 6.14 (2:21) 20: The Place Of The King Of The Birds - 6.15 (14:00) 21: Improvisation - 6.16 (:06) 22: Improvisation - 6.17 (9:01) 23: Across The Universe - 6.18 (3:07) 24: I Want You - 6.19 (3:15)

140

DJole’s

Purple Chick Guide

25: Unknown - 6.20 (1:54) 26: Unknown - 6.21 (:34)

Disc 2: (1:12:09) 01: Unknown - 6.22 (1:40) 02: "You Wear Your Women Out" - 6.23 (6:42) 03: I've Got A Feeling - 6.24 (6:02) 04: "My Imagination" - 6.25 (3:21) 05: "My Imagination" - 6.26 (4:13) 06: Improvisation - 6.27 (5:55) 07: "I'm Gonna Pay For His Ride" - 6.28 (4:40) 08: Don't Let Me Down - 6.29 (:51) 09: Don't Let Me Down - 6.30 (2:23) 10: One After 909 - 6.31 (2:58) 11: One After 909 - 6.32 (2:05) 12: "They Call Me Fuzz Face" - 6.33 (1:18) 13: One After 909 - 6.34 (1:42) 14: Improvisation - 6.35 (1:38) 15: That's All Right - 6.36 (:52) 16: Thirty Days - 6.37 (:24) 17: Improvisation - 6.38 (2:41) 18: Hear Me Lord - 6.39 (4:35) 19: Hear Me Lord - 6.40 (3:20) 20: Hear Me Lord - 6.41 (7:12) 21: Improvisation - 6.42 (:25) 22: Hear Me Lord - 6.43 (:41) 23: Improvisation - 6.44 (:04) 24: Improvisation - 6.45 (:22) 25: Leaning On A Lamp-Post - 6.46 (1:37) 26: Annie - 6.47 (:28) 27: "Maureen" - 6.48 (2:18) 28: I'm Talking About You - 6.49 (1:23) 29: Dialogue (:19)

141

DJole’s

Purple Chick Guide

Disc 3: (1:15:53) 01: Dialogue (14:24) 02: Improvisation - 6.50 (5:36) 03: Improvisation - 6.51 (:38) 04: The Tracks Of My Tears - 6.52 (2:26) 05: Improvisation - 6.53 (:24) 06: Improvisation - 6.54 (:09) 07: Improvisation - 6.55 (:05) 08: Improvisation - 6.56 (:16) 09: Dizzy Miss Lizzie - 6.57 (3:00) 10: Money (That's What I Want) - 6.58 (2:44) 11: Fools Like Me - 6.59 (3:42) 12: Sure To Fall - 6.60 (2:45) 13: Right String, Wrong Yo-Yo - 6.61 (3:32) 14: Don't Let Me Down - 6.62 (15:52) 15: Don't Let Me Down - 6.63 (:22) 16: Don't Let Me Down - 6.64 (:27) 17: Don't Let Me Down - 6.65 (4:05) 18: Don't Let Me Down - 6.66 (4:25) 19: Don't Let Me Down - 6.67 (3:40) 20: Don't Let Me Down - 6.68 (4:44) 21: Don't Let Me Down - 6.69 (1:34) 22: Don't Let Me Down - 6.70 (1:03)

142

DJole’s

Purple Chick Guide

Disc 4: (1:07:20) 01: Don't Let Me Down - 6.71 (:04) 02: Slate Announcement (:12) 03: Don't Let Me Down - 6.72 (9:57) 04: Don't Let Me Down - 6.73 (5:07) 05: Don't Let Me Down - 6.74 (:55) 06: Don't Let Me Down - 6.75 (4:28) 07: Don't Let Me Down - 6.76 (:21) 08: Don't Let Me Down - 6.77 (:04) 09: Don't Let Me Down - 6.78 (:34) 10: Don't Let Me Down - 6.79 (:09) 11: Don't Let Me Down - 6.80 (:33) 12: Don't Let Me Down - 6.81 (7:11) 13: Don't Let Me Down - 6.82 (3:01) 14: Send Me Some Loving - 6.83a (:41) 15: Don't Let Me Down - 6.83b (:39) 16: Don't Let Me Down - 6.84 (:07) 17: Don't Let Me Down - 6.85 (3:39) 18: Don't Let Me Down - 6.86 (1:06) 19: Don't Let Me Down - 6.87 (4:50) 20: Two Of Us - 6.88 (:47) 21: Two Of Us - 6.89 (:38) 22: Two Of Us - 6.90 (2:34) 23: Two Of Us - 6.91 (1:46) 24: Two Of Us - 6.92 (:20) 25: Roll Announcement (:07) 26: Two Of Us - 6.93 (2:33) 27: Two Of Us - 6.94 (4:09) 28: Two Of Us - 6.95 (1:16) 29: Two Of Us - 6.96 (1:11) 30: Two Of Us - 6.97 (8:21)

143

DJole’s

Purple Chick Guide

Disc 5: (1:14:21) 01: Roll Announcement (:07) 02: Two Of Us - 6.98 (2:09) 03: Two Of Us - 6.99 (1:25) 04: Two Of Us - 6.100 (3:10) 05: Frere Jacques - 6.101 (:41) 06: It Ain't Me Babe - 6.102 (:37) 07: Two Of Us - 6.103 (5:06) 08: Two Of Us - 6.104 (2:55) 09: Two Of Us - 6.105 (1:12) 10: Two Of Us - 6.106 (1:34) 11: Two Of Us - 6.107 (2:47) 12: Two Of Us - 6.108 (1:29) 13: When The Saints Go Marching In - 6.109 (:06) 14: Loop De Loop - 6.110 (:26) 15: Two Of Us - 6.111 (2:52) 16: Hear Me Lord - 6.112 (:09) 17: Across The Universe - 6.113 (3:53) 18: Hear Me Lord - 6.114 (2:39) 19: All Things Must Pass - 6.115 (:18) 20: Roll Announcement (:08) 21: All Things Must Pass - 6.116 (6:04) 22: All Things Must Pass - 6.117 (3:34) 23: Let's Dance - 6.118 (:59) 24: All Things Must Pass - 6.119 (3:40) 25: All Things Must Pass - 6.120 (1:43) 26: All Things Must Pass - 6.121 (:24)

144

DJole’s

Purple Chick Guide

27: All Things Must Pass - 6.122 (:44) 28: All Things Must Pass - 6.123 (4:08) 29: She Came In Through The Bathroom Window - 6.124 (4:06) 30: She Came In Through The Bathroom Window - 6.125 (3:10) 31: She Came In Through The Bathroom Window - 6.126 (2:08) 32: She Came In Through The Bathroom Window - 6.127 (2:47) 33: She Came In Through The Bathroom Window - 6.128 (:04) 34: She Came In Through The Bathroom Window - 6.129 (:06) 35: She Came In Through The Bathroom Window - 6.130 (2:59) 36: Carry That Weight - 6.131 (1:26) 37: Dialogue (3:46)

01/07/69: (5:10:28)

Disc 1: (1:17:37) 01: Roll Announcement (:11) 02: The Long And Winding Road - 7.01 (4:55) 03: Golden Slumbers / Carry That Weight - 7.02 (4:02) 04: The Long And Winding Road - 7.03 (1:39) 05: The Palace Of The King Of The Birds - 7.04 (1:22) 06: The Palace Of The King Of The Birds - 7.05 (:19) 07: Lady Madonna - 7.06 (2:30) 08: Instrumental - 7.07 (:46) 09: She Came In Through The Bathroom Window - 7.08 (:31) 10: Unknown - 7.09 (1:18) 11: Instrumental - 7.10 (1:26)

145

DJole’s

Purple Chick Guide

12: Instrumental - 7.11 (4:50) 13: Instrumental - 7.12 (1:29) 14: "Mister Epstein Said It Was Gold" - 7.13 (1:33) 15: Lowdown Blues Machine - 7.14 (1:58) 16: Wha'd I Say / Carry That Weight / Shout! - 7.15 (1:22) 17: Get Back - 7.16 (1:57) 18: Get Back - 7.17 (:09) 19: Dialogue (:41) 20: Get Back - 7.18 (5:59) 21: Get Back - 7.19 (9:15) 22: Dialugue (6:08) 23: My Back Pages - 7.20 (10:01) 24: Dialogue (2:57) 25: I've Got A Feeling - 7.21 (1:48) 26: She Came In Through The Bathroom Window - 7.22 (1:15) 27: Stuck Inside Of Mobile With The Memphis Blues Again - 7.23 (1:40) 28: Improvisation - 7.24 (1:18) 29: I Shall Be Released - 7.25 (3:34) 30: To Kingdom Come - 7.26 (:44)

Disc 2: (1:17:58) 01: Dialogue (1:22) 02: For You Blue - 7.27 (1:14) 03: For You Blue - 7.27 ctd (:04) 04: For You Blue - 7.28 (1:11) 05: Improvisation - 7.29 (3:17) 06: Bo Diddley - 7.30 (6:40) 07: What The World Needs Now Is Love - 7.31 (:54) 08: Instrumental - 7.32 (1:28) 09: First Call - 7.33 (1:09) 10: She Came In Through The Bathroom Window - 7.34 (:28) 11: I've Got A Feeling - 7.35 (1:07) 12: I've Got A Feeling - 7.36 (2:04) 13: I've Got A Feeling - 7.37 (3:12) 14: I've Got A Feeling - 7.38 (:42) 15: I've Got A Feeling - 7.39 (1:34) 16: I've Got A Feeling - 7.40 (2:42) 17: I've Got A Feeling - 7.41 (1:46) 18: I've Got A Feeling - 7.42 (:47)

146

DJole’s

Purple Chick Guide

19: I've Got A Feeling - 7.43 (1:30) 20: I've Got A Feeling - 7.44 (2:02) 21: I've Got A Feeling - 7.45 (:33) 22: I've Got A Feeling - 7.46 (1:18) 23: I've Got A Feeling - 7.47 (2:29) 24: Improvisation - 7.48 (:40) 25: Maxwell's Silver Hammer - 7.49 (:50) 26: "Woman Where You Been So Long" - 7.50 (2:26) 27: "Oh Julie, Julia - 7.51 (3:41) 28: Oh! Darling - 7.52 (2:47) 29: The Long And Winding Road - 7.53 (1:13) 30: Maxwell's Silver Hammer - 7.54 (1:30) 31: Maxwell's Silver Hammer - 7.55 (1:13) 32: Maxwell's Silver Hammer - 7.56 (16:12) 33: Maxwell's Silver Hammer - 7.57 (3:17) 34: Maxwell's Silver Hammer - 7.58 (2:10) 35: Maxwell's Silver Hammer - 7.59 (:46) 36: Rule, Britannia - 7.60 (:20) 37: Improvisation - 7.61 (:34) 38: Improvisation - 7.62 (:46)

Disc 3: (1:16:08) 01: Norwegian Wood (This Bird Has Flown) - 7.63 (1:20) 02: Maxwell's Silver Hammer - 7.64 (2:34) 03: Maxwell's Silver Hammer - 7.65 (:58)

147

DJole’s

Purple Chick Guide

04: Speak To Me - 7.66 (2:07) 05: When I'm Sixty-Four - 7.67 (:32) 06: When I'm Sixty-Four / Speak To Me - 7.68 (1:10) 07: Speak To Me - 7.69 (2:19) 08: Oh! Darling - 7.70 (5:11) 09: Maxwell's Silver Hammer - 7.71 (3:33) 10: Maxwell's Silver Hammer - 7.72 (3:25) 11: Maxwell's Silver Hammer - 7.73 (2:41) 12: Maxwell's Silver Hammer - 7.74 (14:21) 13: Maxwell's Silver Hammer - 7.75 (3:01) 14: Maxwell's Silver Hammer - 7.76 (4:29) 15: Maxwell's Silver Hammer - 7.77 (2:10) 16: Maxwell's Silver Hammer - 7.78 (2:20) 17: Maxwell's Silver Hammer - 7.79 (4:13) 18: Improvisation - 7.80 (:32) 19: A Shot Of Rhythm And Blues - 7.81 (2:01) 20: (You're So Square) Baby I Don't Care - 7.82 (:46) 21: Across The Universe - 7.83 (:33) 22: Across The Universe - 7.84 (3:21) 23: Across The Universe - 7.85 (1:33) 24: Give Me Some Truth - 7.86 (:11) 25: Improvisation - 7.87 (2:05) 26: Across The Universe - 7.88 (4:52) 27: Across The Universe - 7.89 (3:50)

Disc 4: (1:18:45) 01: Dialogue (2:05) 02: Across The Universe - 7.90 (1:08) 03: Improvisation - 7.91 (:41) 04: Across The Universe - 7.92 (4:03) 05: A Case Of The Blues - 7.93 (:38) 06: Cuddle Up - 7.94 (:04) 07: Give Me Some Truth - 7.95 (:11) 08: Across The Universe - 7.96 (:08) 09: Give Me Some Truth - 7.97 (:56) 10: From Me To You - 7.98 (:52) 11: Across The Universe - 7.99 (5:33) 12: Across The Universe - 7.100 (:49) 13: Rock And Roll Music - 7.101 (2:07)

148

DJole’s

Purple Chick Guide

14: Lucille - 7.102 (1:23) 15: Lotta Lovin' - 7.103 (:06) 16: Across The Universe - 7.104 (3:35) 17: Gone, Gone, Gone - 7.105 (2:10) 18: Dig A Pony - 7.106 (1:24) 19: One After 909 - 7.107 (:53) 20: One After 909 - 7.108 (:04) 21: One After 909 - 7.109 (1:23) 22: One After 909 - 7.110 (1:17) 23: One After 909 - 7.111 (:39) 24: What'd I Say - 7.112 (:23) 25: One After 909 - 7.113 (2:51) 26: Improvisation - 7.114 (2:25) 27: Don't Let Me Down - 7.115 (:20) 28: Don't Let Me Down - 7.116 (3:49) 29: Don't Let Me Down - 7.117 (:38) 30: Don't Let Me Down - 7.118 (1:19) 31: Don't Let Me Down - 7.119 (1:11) 32: Don't Let Me Down - 7.120 (:04) 33: Don't Let Me Down - 7.121 (:48) 34: Don't Let Me Down - 7.122 (4:20) 35: Don't Let Me Down - 7.123 (:37) 36: Don't Let Me Down - 7.124 (:52) 37: Don't Let Me Down - 7.125 (3:54) 38: Don't Let Me Down - 7.126 (:13) 39: Thirty Days - 7.127 (1:07) 40: Revolution - 7:128 (:39) 41: A Case Of The Blues - 7.129 (:15) 42: Be Bop A Lula - 7.130 (1:52) 43: Lotta Lovin' / Somethin' Else - 7.131 (1:11) 44: Improvisation - 7.132 (:21) 45: Improvisation - 7.133 (4:48) 46: Improvisation - 7.134 (1:39) 47: Across The Universe - 7.135 (3:29) 48: School Day - 7.136 (:43) 49: F.B.I. - 7.137 (:33) 50: She Came In Through The Bathroom Window - 7.138 (3:16) 51: She Came In Through The Bathroom Window - 7.139 (2:59)

149

DJole’s

Purple Chick Guide

01/08/69: (5:02:49)

Disc 1: (1:17:54) 01: I Me Mine - 8.01 (1:33) 02: I Me Mine - 8.02 (2:46) 03: I Me Mine - 8.03 (:20) 04: Dialogue (4:05) 05: Dialogue (:11) 06: I Me Mine - 8.04 (3:18) 07: Dialogue (:46) 08: I've Got A Feeling - 8.05 (2:56) 09: Get Your Rocks Off - 8.06 (6:43) 10: Improvisation - 8.07 (1:44) 11: Improvisation / Honey - 8.08 (4:04) 12: Honey, Hush - 8.09 (:18) 13: Stand By Me - 8.10 (2:33) 14: Hare Krishna Mantra - 8.11 (1:09) 15: "Well, If You're Ready" - 8.12 (:24) 16: Hare Krishna Mantra - 8.13 (:41) 17: Two Of Us - 8.14 (3:31) 18: You Got Me Going - 8.15 (:23) 19: Twist And Shout - 8.16 (:18) 20: Don't Let Me Down - 8.17 (3:11) 21: I've Got A Feeling - 8.18 (3:45) 22: Roll Announcement (:15) 23: St. Louis Blues - 8.19 (1:09)

150

DJole’s

Purple Chick Guide

24: One After 909 - 8.20 (3:35) 25: Too Bad About Sorrows - 8.21 (:49) 26: Just Fun - 8.22 (:28) 27: She Said She Said - 8.23 (:59) 28: She Came In Through The Bathroom Window - 8.24 (:38) 29: One Way Out - 8.25 (:33) 30: MacArthur Park - 8.26 (4:19) 31: All Things Must Pass - 8.27 (1:59) 32: All Things Must Pass - 8.28 (1:20) 33: All Things Must Pass - 8.29 (:05) 34: All Things Must Pass - 8.30 (:15) 35: All Things Must Pass - 8.31 (8:14) 36: All Things Must Pass - 8.32 (4:52) 37: All Things Must Pass - 8.33 (2:02) 38: All Things Must Pass - 8.34 (1:43)

Disc 2: (1:10:50) 01: All Things Must Pass - 8.35 (1:50) 02: All Things Must Pass - 8.36 (1:42) 03: All Things Must Pass - 8.37 (1:39) 04: Mean Mister Mustard - 8.38 (4:08) 05: Don't Let Me Down - 8.39 (1:38) 06: All Things Must Pass - 8.40 (3:25) 07: Fools Like Me - 8.41 (2:14) 08: You Win Again - 8.42 (1:41) 09: Improvisation - 8.43 (1:35) 10: She Came In Through The Bathroom Window - 8.44 (1:17) 11: She Came In Through The Bathroom Window - 8.45 (1:34) 12: She Came In Through The Bathroom Window - 8.46 (3:11) 13: She Came In Through The Bathroom Window - 8.47 (3:07) 14: Right String, Wrong Yo-Yo - 8.48 (:14) 15: Boogie Woogie - 8.49 (:16) 16: Baa Baa Blacksheep - 8.50 (:22) 17: Mr. Bassman - 8.51 (:17) 18: Roll Announcement (:04) 19: Slate Announcement (:04) 20: Improvisation - 8.52 (1:11) 21: Improvisation - 8.53 (3:26) 22: I Me Mine - 8.54 (1:03) 23: Improvisation - 8.55 (1:35)

151

DJole’s

Purple Chick Guide

24: Maxwell's Silver Hammer - 8.56 (4:00) 25: Maxwell's Silver Hammer - 8.57 (:54) 26: Maxwell's Silver Hammer - 8.58 (3:46) 27: Maxwell's Silver Hammer - 8.59 (4:08) 28: Maxwell's Silver Hammer - 8.60 (:51) 29: Maxwell's Silver Hammer - 8.61 (1:49) 30: Maxwell's Silver Hammer - 8.62 (1:40) 31: Maxwell's Silver Hammer - 8.63 (2:32) 32: Maxwell's Silver Hammer - 8.64 (:50) 33: Maxwell's Silver Hammer - 8.65 (1:09) 34: Maxwell's Silver Hammer - 8.66 (1:05) 35: "Life Is What You Make It" - 8.67 (:08) 36: Maxwell's Silver Hammer - 8.68 (2:17) 37: Maxwell's Silver Hammer - 8.69 (5:15) 38: Improvisation - 8.70 (2:53)

Disc 3: (1:17:04) 01: I Me Mine - 8.71 (:50) 02: I Me Mine - 8.72 (3:37) 03: How Do You Think I Feel - 8.73 (:42) 04: The Ballad Of Bonnie And Clyde - 8.74 (1:27) 05: Hello Mudduh, Hello Fadduh! - 8.75 (1:43) 06: I Me Mine - 8.76 (1:48) 07: F.B.I. - 8.77 (2:08) 08: "I'm Going To Knock Him Down Dead" - 8.78 (:31)

152

DJole’s

Purple Chick Guide

09: Unknown - 8.79 (1:20) 10: Oh! Darling - 8.80 (2:03) 11: I Me Mine - 8.81 (:42) 12: Let It Be - 8.82 (10:29) 13: Unknown - 8.83 (1:07) 14: Unknown - 8.84 (:18) 15: Unknown - 8.85 (:19) 16: The Fool - 8.86 (:23) 17: I Me Mine - 8.87 (2:47) 18: I Me Mine - 8.88 (:49) 19: I Me Mine - 8.89 (:41) 20: I Me Mine - 8.90 (2:23) 21: I Me Mine - 8.91 (2:24) 22: I Me Mine - 8.92 (:48) 23: I Me Mine - 8.93 (:53) 24: Roll and Dialogue (:11) 25: I Me Mine - 8.94 (1:31) 26: I Me Mine - 8.95 (:04) 27: I Me Mine - 8.96 (:56) 28: I Me Mine - 8.97 (1:12) 29: I Me Mine / Domino - 8.98 (1:44) 30: I Me Mine - 8.99 (1:21) 31: I Me Mine - 8.100 (:21) 32: I Me Mine - 8.101 (2:04) 33: The Long And Winding Road - 8.102 (:45) 34: The Long And Winding Road - 8.103 (1:03) 35: The Long And Winding Road - 8.104 (6:13) 36: Adagio For Strings - 8.105 (1:07) 37: I Me Mine - 8.106 (:39) 38: "Tell All The Folks Back Home" - 8.107 (1:38) 39: I Me Mine - 8.108 (2:07) 40: I Me Mine - 8.109 (1:55) 41: Improvisation - 8.110 (3:16) 42: True Love - 8.111 (1:39) 43: Unknown - 8.112 (1:19) 44: Shout! - 8.113 (1:12) 45: Sweet Little Sixteen - 8.114 (1:13) 46: Malagueña - 8.115 (:22) 47: Almost Grown - 8.116 (1:23) 48: What Am I Living For - 8.117 (1:37)

153

DJole’s

Purple Chick Guide

Disc 4: (1:17:01) 01: Dialogue (:38) 02: Rock And Roll Music - 8.118 (1:45) 03: I Me Mine - 8.119 (:45) 04: I Me Mine - 8.120 (:56) 05: I Me Mine - 8.121 (1:26) 06: I Me Mine - 8.122 (:43) 07: I Me Mine - 8.123 (1:17) 08: I Me Mine - 8.124 (1:02) 09: I Me Mine - 8.125 (1:44) 10: I Me Mine - 8.126 (3:07) 11: I Me Mine - 8.127 (1:08) 12: I Me Mine - 8.128 (:58) 13: I Me Mine - 8.129 (:24) 14: I Me Mine - 8.130 (:33) 15: I Me Mine - 8.131 (:49) 16: I Me Mine - 8.132 (1:48) 17: The Long And Winding Road - 8.133 (3:12) 18: The Long And Winding Road - 8.134 (:04) 19: The Long And Winding Road - 8.135 (2:43) 20: The Long And Winding Road - 8.136 (:07) 21: The Long And Winding Road - 8.137 (:13) 22: The Long And Winding Road - 8.138 (17:51) 23: Let It Be - 8.139 (3:07) 24: Let It Be - 8.140 (6:21) 25: To Kingdom Come - 8.141 (2:31) 26: Dialogue (14:13) 27: Dialogue (7:36)

154

DJole’s

Purple Chick Guide

01/09/69: (5:21:39)

Disc 1: (1:03:00) 01: Roll Announcement (:06) 02: Slate Announcement (:16) 03: Dialogue (2:34) 04: Another Day - 9.01 (3:27) 05: Unknown - 9.02 (:33) 06: Instrumental - 9.03 (1:29) 07: The Palace Of The King Of The Birds - 9.04 (:23) 08: The Palace Of The King Of The Birds - 9.05 (:31) 09: Let It Be - 9.06 (:42) 10: The Long And Winding Road - 9.07 (6:17) 11: Let It Be - 9.08 (3:45) 12: Her Majesty - 9.09 (2:03) 13: Golden Slumbers - 9.10 (4:47) 14: Carry That Weight - 9.11 (2:57) 15: The Long And Winding Road - 9.12 (2:42) 16: The Long And Winding Road - 9.12b (:14) 17: The Long And Winding Road - 9.13 (2:44) 18: The Long And Winding Road - 9.14 (2:35) 19: Oh! Darling - 9.15 (2:28) 20: Instrumental - 9.16 (2:33) 21: Instrumental - 9.17 (5:33) 22: Instrumental - 9.18 (3:27) 23: Instrumental - 9.19 (:41)

155

DJole’s

Purple Chick Guide

24: For You Blue - 9.20 (2:51) 25: For You Blue - 9.21 (2:40) 26: For You Blue - 9.22 (3:09) 27: For You Blue - 9.23 (1:33)

Disc 2: (1:17:36) 01: Slate Announcement (:59) 02: For You Blue - 9.24 (:48) 03: For You Blue - 9.25 (2:51) 04: For You Blue - 9.26 (2:46) 05: For You Blue - 9.27 (4:03) 06: Improvisation - 9.28 (3:15) 07: Two Of Us - 9.29 (2:12) 08: Two Of Us - 9.30 (2:16) 09: Two Of Us - 9.31 (2:54) 10: Two Of Us - 9.32 (6:46) 11: Two Of Us - 9.33 (3:04) 12: Two Of Us - 9.34 (1:16) 13: Two Of Us - 9.35 (2:20) 14: Two Of Us - 9.36 (5:05) 15: Baa, Baa, Black Sheep - 9.37 (1:51) 16: Don't Let Me Down - 9.38 (3:14) 17: "Suzy's Parlour" - 9.39 (2:25) 18: I've Got A Feeling - 9.40 (4:15) 19: I've Got A Feeling - 9.41 (14:28) 20: I've Got A Feeling - 9.42 (1:42) 21: I've Got A Feeling - 9.43 (:28) 22: I've Got A Feeling - 9.44 (1:28) 23: One After 909 - 9.45 (:43) 24: One After 909 - 9.46 (:22) 25: One After 909 - 9.47 (:17) 26: One After 909 - 9.48 (:55) 27: Norwegian Wood (This Bird Has Flown) - 9.49 (:37) 28: She Came In Through The Bathroom Window - 9.50 (:17) 29: She Came In Through The Bathroom Window - 9.51 (2:16) 30: She Came In Through The Bathroom Window - 9.52 (:17) 31: Be Bop A Lula - 9.53 (1:07) 32: She Came In Through The Bathroom Window - 9.54 (:19)

156

DJole’s

Purple Chick Guide

Disc 3: (1:13:30) 01: She Came In Through The Bathroom Window - 9.55 (2:25) 02: She Came In Through The Bathroom Window - 9.56 (2:22) 03: She Came In Through The Bathroom Window - 9.57 (:21) 04: Unknown - 9.58 (1:13) 05: Get Back - 9.59 (2:27) 06: Get Back - 9.60 (5:17) 07: Get Back - 9.61 (5:27) 08: Get Back - 9.62 (3:06) 09: Get Back - 9.63 (:37) 10: Get Back - 9.64 (4:34) 11: Let It Be - 9.65 (1:47) 12: Instrumental - 9.66 (5:46) 13: Penina - 9.67 (1:07) 14: Instrumental - 9.68 (1:17) 15: Across The Universe - 9.69 (1:03) 16: Across The Universe - 9.70 (1:01) 17: Across The Universe - 9.71 (:06) 18: Across The Universe - 9.72 (:33) 19: Across The Universe - 9.73 (1:28) 20: Across The Universe - 9.74 (1:02) 21: Across The Universe - 9.75 (:07) 22: Across The Universe - 9.76 (:05) 23: Across The Universe - 9.77 (:04) 24: Teddy Boy - 9.78 (:15) 25: Junk - 9.79 (:16) 26: Across The Universe - 9.80 (4:15)

157

DJole’s

Purple Chick Guide

27: Across The Universe - 9.81 (1:59) 28: Across The Universe - 9.82 (3:34) 29: "Shakin' In The Sixties" - 9.83 (:41) 30: Move It - 9.84 (:52) 31: Good Rockin' Tonight - 9.85 (2:05) 32: Tennessee - 9.86 (2:01) 33: Across The Universe - 9.87 (:20) 34: House Of The Rising Sun - 9.88 (3:12) 35: "Commonwealth" - 9.89 (3:36) 36: "Enoch Powell" - 9.90 (:29) 37: "Get Off" - 9.91 (5:58) 38: For You Blue - 9.92 (:22) 39: "Get Off" - 9.93 (:10)

Disc 4: (1:04:35) 01: For You Blue - 9.94a (:17) 02: "Get Off" - 9.94b (:52) 03: Honey, Hush - 9.95 (2:13) 04: For You Blue - 9.96 (:59) 05: For You Blue - 9.97 (2:35) 06: For You Blue - 9.98 (:32) 07: Hitch Hike - 9.99 (:47) 08: For You Blue - 9.100 (1:52) 09: For You Blue - 9.101 (3:31) 10: "Quit Your Messing Around" - 9.102 (:36) 11: Instrumental - 9.103 (:34) 12: All Together Now - 9.104 (:07) 13: "Ramblin' Woman - 9.105 (3:18) 14: I Threw It All Away - 9.106 (2:14) 15: Mama, You Been On My Mind - 9.107 (2:25) 16: Let It Be - 9.108 (8:39) 17: Let It Be - 9.109 (16:39) 18: Let It Be - 9.110 (1:52) 19: Let It Be - 9.111 (2:25) 20: Let It Be - 9.112 (2:12) 21: That'll Be The Day - 9.113 (2:59) 22: I've Got A Feeling - 9.114 (:25) 23: Jenny, Jenny / Slippin' And Slidin' - 9.115 (2:25) 24: Let It Be - 9.116 (3:57)

158

DJole’s

Purple Chick Guide

Disc 5: (42:58) 01: Let It Be - 9.117 (20:07) 02: Let It Be - 9.118 (2:55) 03: Let It Be - 9.119 (1:25) 04: Let It Be - 9.120a (2:13) 05: Let It Be - 9.120b (7:22) 06: Let It Be - 9.121 (3:30) 07: Let It Be - 9.122 (3:42) 08: Dialogue (1:09) 09: Dialogue (:35)

159

DJole’s

Purple Chick Guide

01/10/69: (4:36:51)

Disc 1: (1:18:48) 01: Slate Announcement (:07) 02: Dialogue (24:29) 03: Dialogue (10:37) 04: Improvisation - 10.01 (1:36) 05: Improvisation - 10.02 (:37) 06: The Long And Winding Road - 10.03 (2:53) 07: Let It Be - 10.04 (2:32) 08: Don't Let Me Down - 10.05 (1:55) 09: Maxwell's Silver Hammer - 10.06 (1:48) 10: I've Got A Feeling - 10.07 (2:51) 11: The Long And Winding Road - 10.08 (2:11) 12: Improvisation - 10.09 (2:22) 13: Get Back - 10.10 (2:58) 14: I've Got A Feeling - 10.11 (:25) 15: I've Got A Feeling - 10.12 (2:58) 16: Get Back - 10.13 (7:37) 17: Get Back - 10.14 (1:38) 18: I've Got A Feeling - 10.15 (5:31) 19: Get Back - 10.16 (1:35) 20: Get Back - 10.17 (2:08)

160

DJole’s

Purple Chick Guide

Disc 2: (1:18:21) 01: Get Back - 10.18 (6:17) 02: Get Back - 10.19 (3:15) 03: Get Back - 10.20 (3:05) 04: She's A Woman - 10.21 (:21) 05: Get Back - 10.22 (10:30) 06: Get Back - 10.23 (4:03) 07: Hi Heel Sneakers - 10.24 (2:02) 08: Hi Heel Sneakers - 10.25 (:50) 09: Long Tall Sally - 10.26 (:42) 10: Get Back - 10.27 (:22) 11: Instrumental - 10.28 (1:34) 12: Get Back - 10.29 (3:57) 13: Get Back - 10.30 (3:16) 14: Get Back - 10.31 (3:23) 15: Get Back - 10.32 (2:12) 16: Get Back - 10.33 (1:06) 17: Theme From "The Beatles Cartoon" - 10.34 (:43) 18: Get Back - 10.35 (4:03) 19: Get Back - 10.36 (2:41) 20: Get Back - 10.37 (3:45) 21: Catch A Falling Star - 10.38 (:45) 22: Get Back - 10.39 (1:33) 23: Get Back - 10.40 (1:40) 24: Get Back - 10.41 (1:51) 25: Improvisation - 10.42 (3:29) 26: Two Of Us - 10.43 (:53) 27: Two Of Us - 10.44 (3:09) 28: Two Of Us - 10.45 (:47) 29: Two Of Us - 10.46 (2:03) 30: Two Of Us - 10.47 (4:04)

161

DJole’s

Purple Chick Guide

Disc 3: (58:28) 01: Two Of Us - 10.48 (16:18) 02: I'm Talking About You - 10.49 (George Quits The Beatles) (:12) 03: George Leaves The Room (1:19) 04: A Quick One (While He's Away) - 10.50 (1:26) 05: A Quick One (While He's Away) - 10.51 (1:44) 06: A Quick One (While He's Away) - 10.52 (:04) 07: A Quick One (While He's Away) - 10.53 (4:02) 08: Improvisation - 10.54 (2:04) 09: Improvisation - 10.55 (:42) 10: Improvisation - 10.56 (:31) 11: Improvisation - 10.57 (5:15) 12: Improvisation - 10.58 (3:54) 13: I've Got A Feeling - 10.59 (:35) 14: Improvisation - 10.60 (3:49) 15: Don't Let Me Down - 10.61 (:22) 16: Till There Was You - 10.62 (:42) 17: C'mon Everybody - 10.63 (:51) 18: Unknown - 10.64 (:06) 19: Maxwell's Silver Hammer - 10.65 (:12) 20: Mack The Knife - 10.66 (:55) 21: Maxwell's Silver Hammer - 10.67 (1:22) 22: Maxwell's Silver Hammer - 10.68 (2:33) 23: Don't Be Cruel - 10.69 (3:41) 24: "On A Sunny Island" - 10.70 (:25) 25: The Peanut Vendor - 10.71 (2:37)

162

DJole’s

Purple Chick Guide

26: It's Only Make Believe - 10.72 (1:42) 27: "Through A London Window" - 10.73 (1:05)

Disc 4: (1:01:14) 01: Dialogue (3:46) 02: Dialogue (:07) 03: Dialogue (20:50) 04: The Long And Winding Road - 10.74 (4:03) 05: Adagio For Strings - 10.75 (2:22) 06: Martha My Dear - 10.76 (9:57) 07: Improvisation - 10.77 (:34) 08: Improvisation - 10.78 (5:08) 09: Improvisation - 10.79 (6:42) 10: Improvisation - 10.80 (:48) 11: Improvisation - 10.81 (:48) 12: Sun King - 10.82 (1:00) 13: Dear Prudence - 10.83 (1:33) 14: Dialogue (3:36)

163

DJole’s

Purple Chick Guide

01/13/69: (3:28:50)

Disc 1: (1:02:29) 01: Dialogue (1:19) 02: Dialogue (2:20) 03: Dialogue (1:37) 04: Dialogue (1:20) 05: Dialogue (:44) 06: Dialogue (1:20) 07: Dialogue (1:05) 08: Dialogue (1:35) 09: Dialogue (1:00) 10: Dialogue (:28) 11: Dialogue (:24) 12: Dialogue (:08) 13: Dialogue (:42) 14: Dialogue (1:40) 15: Dialogue (13:49) 16: Dialogue (16:08) 17: Dialogue (5:17) 18: Ob-La-Di, Ob-La-Da - 13.01 (:59) 19: Ob-La-Di, Ob-La-Da - 13.02 (3:36) 20: Sleep On It, Otis - 13.03 (2:49) 21: Dialogue (4:09)

164

DJole’s

Purple Chick Guide

Disc 2: (1:06:40) 01: Dialogue (1:07) 02: Baby, Come Back - 13.04 (:21) 03: Build Me Up, Buttercup - 13.05 (4:06) 04: Build Me Up, Buttercup - 13.06 (9:45) 05: Build Me Up, Buttercup - 13.07 (:17) 06: Dialogue (38:38) 07: Dialogue (3:44) 08: Roll Announcement (:10) 09: Dialogue (6:46) 10: Dialogue (:40) 11: Dialogue (:39) 12: Dialogue (:05) 13: Roll Announcement (:05) 14: Slate Announcement (:08) 15: Dialogue (:09)

Disc 3: (1:19:41) 01: Dialogue - Lunchroom Tape (28:56) 02: Instrumental - 13.08 (3:38) 03: Instrumental - 13.09 (:06) 04: Instrumental - 13.10 (:38) 05: Instrumental - 13.11 (3:16) 06: Dig A Pony - 13.12 (:13) 07: Instrumental - 13.13 (2:21) 08: Dig A Pony - 13.14 (1:31)

165

DJole’s

Purple Chick Guide

09: Get Back - 13.15 (1:32) 10: Instrumental - 13.16 (1:02) 11: Get Back - 13.17 (:39) 12: Get Back - 13.18 (:31) 13: Get Back - 13.19 (:49) 14: Get Back - 13.20 (:10) 15: Get Back - 13.21 (:48) 16: Get Back - 13.22 (:33) 17: Get Back - 13.23 (:18) 18: Get Back - 13.24 (1:10) 19: Instrumental - 13.25 (3:03) 20: Instrumental - 13.26 (1:05) 21: Get Back - 13.27 (5:05) 22: Get Back - 13.28 (2:43) 23: Get Back - 13.29 (2:57) 24: Get Back - 13.30 (5:48) 25: Get Back - 13.31 (1:50) 26: Get Back - 13.32 (:40) 27: On The Road Again - 13.33 (:38) 28: Improvisation - 13.34 (1:00) 29: Dialogue (6:41)

01/14/69: (3:02:42)

Disc 1: (1:02:13) 01: Roll Announcement (:06)

166

DJole’s

Purple Chick Guide

02: Improvisation - 14.01 (1:52) 03: Improvisation - 14.02 (1:10) 04: Martha My Dear - 14.03 (1:26) 05: San Francisco Bay Blues - 14.04 (2:17) 06: Improvisation - 14.05 (1:20) 07: Improvisation - 14.06 (:58) 08: "Oh Baby I Love You" - 14.07 (2:35) 09: Improvisation - 14.08 (:56) 10: The Day I Went Back To School - 14.09 (3:15) 11: Lady Jane - 14.10 (2:25) 12: Lady Jane - 14.11 (:47) 13: Talking Blues - 14.12 (:30) 14: Improvisation - 14.13 (1:19) 15: Improvisation - 14.14 (:42) 16: Woman - 14.15 (:35) 17: Woman - 14.16 (2:01) 18: Woman - 14.17 (1:33) 19: Cocaine Blues - 14.18 (:32) 20: Flushed From The Bathroom Of Your Heart - 14.19 (:52) 21: On A Clear Day You Can See Forever 14.20 (:05) 22: Improvisation - 14.21 (:52) 23: The Back Seat Of My Car - 14.22 (4:10) 24: The Back Seat Of My Car - 14.23 (3:20) 25: Improvisation - 14.24 (:21) 26: "Song Of Love" - 14.25 (2:32) 27: "Song Of Love" - 14.26 (3:20) 28: "As Clear As A Bell" - 14.27 (:25) 29: Hello, Dolly - 14.28 (1:50) 30: Dialogue (4:23) 31: Dialogue (13:44)

Disc 2: (1:06:06) 01: Roll Announcement (:13) 02: Dialogue (15:46) 03: Dialogue (1:29) 04: "You Are Definitely Inclined Towards It" - 14.29 (:29) 05: Dialogue (30:25) 06: Dialogue (17:03) 07: Mean Mr. Mustard - 14.30 (:41)

167

DJole’s

Purple Chick Guide

Disc 3: (54:23) 01: Madman - 14.31 (7:21) 02: Mean Mr. Mustard / Madman - 14.32 (4:05) 03: Watching Rainbows - 14.33 (4:30) 04: Improvisation - 14.34 (:25) 05: Watching Rainbows - 14.35 (:58) 06: Improvisation - 14.36 (1:56) 07: Improvisation - 14.37 (6:54) 08: Take This Hammer - 14.38 (3:31) 09: Johnny B. Goode - 14.39 (1:46) 10: Johnny B. Goode - 14.40 (1:30) 11: Get Back - 14.41 (1:57) 12: Improvisation - 14.42 (2:36) 13: "Don't Start Running" - 14.43 (3:50) 14: Madman - 14.44 (:37) 15: You Know My Name (Look Up The Number) - 14.45 (1:16) 16: Improvisation - 14.46 (:07) 17: Improvisation - 14.47 (:08) 18: Oh! Darling - 14.48 (:43) 19: Oh! Darling - 14.49 (3:33) 20: Ob-La-Di, Ob-La-Da - 14.50 (:18) 21: Slate Announcement (:05) 22: Dialogue (6:17)

168

DJole’s

Purple Chick Guide

Part 2 – Apple: (57:04:57) 01/21/69: (3:28:57)

Disc 1: (1:14:12) 01: Dialogue (:06) 02: Dialogue (:04) 03: Dialogue (:08) 04: Dialogue (7:04) 05: "My Rock And Roll Finger Is Bleeding" - 21.01 (7:38) 06: Window, Window - 21.02 (1:11) 07: Dialogue (1:48) 08: Instrumental - 21.03 (2:27) 09: "Do The Bunny Hop" - 21.04 (1:00) 10: Unknown - 21.05 (:48) 11: Instrumental - 21.06 (6:43) 12: Somethin' Else - 21.07 (2:15) 13: "Blossom Dearie They Call Me" - 21.08 (1:11) 14: "Blossom Dearie They Call Me" - 21.09 (1:08) 15: "Oh How I Love The 12-Bar Blues" - 21.10 (:18) 16: Daydream - 21.11 (1:26) 17: You Are My Sunshine - 21.12 (1:58) 18: Whispering/I'm Beginning To See The Light - 21.13 (3:22) 19: Instrumental - 21.14 (5:33) 20: Instrumental - 21.15 (2:26)

169

DJole’s

Purple Chick Guide

21: Unknown - 21.16 (:27) 22: Dig A Pony - 21.17 (2:17) 23: I've Got A Feeling - 21.18 (1:28) 24: Every Night - 21.19 (1:13) 25: Dig A Pony - 21.20 (:23) 26: Dig A Pony - 21.21 (2:10) 27: Dig A Pony - 21.22 (:05) 28: Watch Your Step - 21.23 (:21) 29: New Orleans - 21.24 (3:47) 30: Madman - 21.25 (2:18) 31: Dig A Pony - 21.26 (5:22) 32: The Fool - 21.27 (1:32) 33: Dig A Pony - 21.28 (4:15)

Disc 2: (1:10:07) 01: Dialogue (:08) 02: Stones x take 1 (:17) 03: Run For Your Life - 21.29 (:31) 04: Hi Heel Sneakers - 21.30 (1:54) 05: My Baby Left Me/That's Alright (Mama) - 21.31 (4:46) 06: Hallelujah, I Love Her So - 21.32 (1:24) 07: Milk Cow Blues/I'm A Man - 21.33 (3:27) 08: Improvisation - 21.34 (3:39) 09: Dialogue (:32) 10: Little Queenie - 21.35 (:58) 11: When Irish Eyes Are Smiling - 21.36 (1:33) 12: Queen Of The Hop - 21.37 (1:43) 13: "All I Want Is You" - 21.38 (1:27) 14: Dig A Pony - 21.39 (:13) 15: Five Feet High And Rising - 21.40 (:32) 16: Dig A Pony - 21.41 (4:03) 17: In The Middle Of An Island/Gilly Gilly Ossenfeffer Katzeneleen Bogen By The Sea - 21.42 (1:42) 18: Dig A Pony - 21.43 (3:12) 19: Improvisation/Good Rockin' Tonight - 21.44 (5:00) 20: Forty Days - 21.45 (2:00) 21: Too Bad About Sorrows - 21.46 (:59) 22: Dig A Pony - 21.47 (4:43) 23: I'm Ready - 21.48 (:27) 24: Dig A Pony - 21.49 (:47)

170

DJole’s

Purple Chick Guide

25: Dig A Pony - 21.50 (:06) 26: Dig A Pony - 21.51 (4:00) 27: Shout! - 21.52 (:51) 28: Unknown - 21.53 (:19) 29: I've Got A Feeling - 21.54 (2:57) 30: I've Got A Feeling - 21.55 (1:05) 31: "William Smith Boogie" - 21.56 (2:43) 32: "San Ferry Ann" - 21.57 (:16) 33: Dig A Pony - 21.58 (:30) 34: "You Gotta Give Back" - 21.59 (:39) 35: Dig A Pony - 21.60 (4:41) 36: "Well, Well, Well" - 21.61 (:44) 37: You've Got Me Thinking - 21.62 (2:08) 38: Dig A Pony - 21.63 (3:11)

Disc 3: (1:04:38) 01: Dig A Pony - 21.64 (:20) 02: I've Got A Feeling - 21.65 (3:55) 03: Don't Let Me Down - 21.66 (9:02) 04: I've Got A Feeling - 21.54P (2:57) 05: Dig A Pony - 21.49P (2:46) 06: Shout! - 21.52P (2:40) 07: Papa's Got A Brand New Bag - 21.50P (:15) 08: Dig A Pony - 21.49P (7:08) 09: Dig A Pony - 21.67 (:56) 10: Dig A Pony - 21.68 (:42)

171

DJole’s

Purple Chick Guide

11: Dig A Pony - 21.69 (1:15) 12: Dig A Pony - 21.70 (:32) 13: dialogue (:48) 14: Let's Dance - 21.71 (1:05) 15: Improvisation - 21.72 (2:42) 16: Don't Let Me Down - 21.73 (3:24) 17: Unknown - 21.74 (:27) 18: Get Back/improvisation - 21.75 (:49) 19: For You Blue - 21.76 (2:05) 20: She Came In Through The Bathroom Window - 21.77 (1:46) 21: She Came In Through The Bathroom Window - 21.78 (2:55) 22: She Came In Through The Bathroom Window - 21.79 (3:33) 23: She Came In Through The Bathroom Window - 21.80 (3:00) 24: She Came In Through The Bathroom Window - 21.81 (6:18) 25: Madman - 21.82 (1:25) 26: "Is That A Chicken Joke" - 21.83 (1:53)

01/22/69: (5:05:22)

Disc 1: (1:19:23) 01: Roll announcement (:09) 02: Dialogue (9:07) 03: I Shall Be Released - 22.01 (2:14) 04: Improvisation - 22.02 (4:48) 05: Dialogue (2:24)

172

DJole’s

Purple Chick Guide

06: Drum solo - 22.03 (2:00) 07: Let It Down - 22.04 (3:39) 08: Piano (:13) 09: Don't Let Me Down - 21.73P (:09) 10: Don't Let Me Down - 21.74P (:09) 11: Dialogue (:38) 12: Dialogue/piano (:19) 13: I've Got A Feeling - 21.65P (:53) 14: I've Got A Feeling - 21.65P (3:39) 15: Don't Let Me Down - 21.73P (:08) 16: Don't Let Me Down - 21.73P (4:30) 17: Unknown - 22.05 (1:58) 18: Some Other Guy - 22.06 (1:13) 19: Unknown - 22.07 (1:24) 20: Johnny B. Goode - 22.08 (2:47) 21: Don't Let Me Down - 22.09 (4:20) 22: Roll announcement (:08) 23: Ambiance (:44) 24: I Shall Be Released - 22.10 (3:36) 25: Improvisation - 22.11 (1:28) 26: Improvisation - 22.12 (1:54) 27: Dialogue (:49) 28: Dig A Pony - 22.13 (:22) 29: Don't Let Me Down - 22.14 (2:33) 30: Dig A Pony - 22.15 (4:40) 31: Dig A Pony - 22.16 (:04) 32: Dialogue (:10) 33: Dig A Pony - 22.17 (3:58) 34: Dig A Pony - 22.18 (1:37) 35: Dig A Pony - 22.19 (3:14) 36: Going Up The Country - 22.20 (1:57) 37: Dig A Pony - 22.21 (5:06) 38: Improvisation - 22.22 (:22)

Disc 2: (1:16:39) 01: Dialogue (1:03) 02: Dig A Pony - 22.23 (5:34) 03: Dig A Pony - 22.23P (:09) 04: Dialogue (:07) 05: Dialogue (:21)

173

DJole’s

Purple Chick Guide

06: Going Up The Country - 22.20P (:38) 07: Going Up The Country - 22.20P (:30) 08: Dig A Pony - 22.23P (:10) 09: Dig A Pony - 22.23P (1:07) 10: Dig A Pony - 22.23P (1:52) 11: Dig A Pony - 22.24 (2:03) 12: Dig A Pony - 22.25 (2:34) 13: Dig A Pony - 22.26 (2:14) 14: Dig A Pony - 22.27 (:36) 15: Dig A Pony - 22.28 (2:56) 16: Dig A Pony - 22.29 (4:03) 17: I've Got A Feeling - 22.30 (3:46) 18: I've Got A Feeling - 22.31 (5:05) 19: Riffs (3:01) 20: I've Got A Feeling - 22.32 (4:48) 21: I've Got A Feeling - 22.33 (4:34) 22: I've Got A Feeling - 22.34 (4:02) 23: I've Got A Feeling - 22.46 (2:45) 24: I've Got A Feeling - 22.47 (1:37) 25: Second large one (:04) 26: Dialogue (:38) 27: The Long And Winding Road - 22.48 (1:02) 28: The Long And Winding Road - 22.49 (:22) 29: The Long And Winding Road - 22.50 (1:42) 30: Improvisation - 22.51 (1:02) 31: Noise (:04) 32: I've Got A Feeling - 22.35 (3:00) 33: Dig A Pony - 22.36 (:08) 34: Dig A Pony - 22.37 (6:46) 35: Don't Let Me Down - 22.38 (4:12) 36: Don't Let Me Down - 22.39 (2:04)

174

DJole’s

Purple Chick Guide

Disc 3: (1:16:36) 01: Don't Let Me Down - 22.40 (1:26) 02: Don't Let Me Down - 22.41 (5:47) 03: Don't Let Me Down - 22.42 (5:54) 04: A Taste Of Honey - 22.43 (:13) 05: Improvisation - 22.44 (1:05) 06: Oh! Darling - 22.45 (1:45) 07: I've Got A Feeling - 22.52 (:09) 08: Dialogue (2:08) 09: I've Got A Feeling - 22.53 (:13) 10: I've Got A Feeling - 22.54 (3:11) 11: I've Got A Feeling - 22.55 (2:53) 12: I've Got A Feeling - 22.56 (1:31) 13: I've Got A Feeling - 22.57 (1:56) 14: I'm Ready/improvisation - 22.58 (:45) 15: Save The Last Dance For Me/Don't Let Me Down -22.59 (1:15) 16: Don't Let Me Down - 22.60 (4:05) 17: Improvisation - 22.61 (1:57) 18: Dig A Pony - 22.62 (1:09) 19: Dig A Pony - 22.63 (:41) 20: Dig A Pony - 22.64 (4:23) 21: Dig A Pony - 22.65 (2:34) 22: Dig A Pony - 22.66 (1:11) (22.67-68 numbered in error) 23: Slate announcement (:04) 24: Dig A Pony - 22.69 (3:43) 25: Dig A Pony - 22.70 (4:06)

175

DJole’s

Purple Chick Guide

26: I've Got A Feeling - 22.71 (3:26) 27: I've Got A Feeling - 22.72 (4:39) 28: I've Got A Feeling - 22.73 (:49) 29: I've Got A Feeling - 22.74 (:29) 30: I've Got A Feeling - 22.75 (8:04) 31: I've Got A Feeling - 22.76 (4:38) 32: Carol - 22.77 (:27)

Disc 4: (1:12:44) 01: I've Got A Feeling - 22.76P (3:12) 02: I've Got A Feeling - 22.76P (:11) 03: Dig A Pony - 22.70P (1:30) 04: Dig A Pony - 22.64P (1:00) 05: Dig A Pony - 22.64P (2:55) 06: Don't Let Me Down - 22.60P (9:48) 07: Roll announcement (:12) 08: Dialogue (:08) 09: Dialogue (:15) 10: Don't Let Me Down - 22.78a (1:03) 11: Don't Let Me Down - 22.78b (12:37) 12: Don't Let Me Down - 22.79 (3:45) 13: Don't Let Me Down - 22.80 (:15) 14: Don't Let Me Down - 22.81 (:21) 15: Don't Let Me Down - 22.82 (1:27) 16: Don't Let Me Down - 22.83 (:22) 17: Don't Let Me Down - 22.84 (:06) 18: Don't Let Me Down - 22.85 (:11) 19: Don't Let Me Down - 22.86 (:32) 20: Dig A Pony - 22.87 (:18) 21: I've Got A Feeling - 22.88 (3:44) 22: I've Got A Feeling - 22.89 (1:20) 23: I've Got A Feeling - 22.90 (5:23) 24: I've Got A Feeling - 22.91 (1:55) 25: I've Got A Feeling - 22.92 (3:28) 26: I've Got A Feeling - 22.93 (:36) 27: I've Got A Feeling - 22.94 (5:14) 28: I've Got A Feeling - 22.95 (3:53) 29: I've Got A Feeling - 22.96 (2:27) 30: Dialogue (4:36)

176

DJole’s

Purple Chick Guide

01/23/69: (4:53:14)

Disc 1: (1:10:54) 01: Roll announcement (:06) 02: Slate and horse (:35) 03: Street noise (:56) 04: Dialogue (2:55) 05: Octopus's Garden - 23.01 (1:52) 06: "Hey, Hey Georgie" - 23.02 (8:11) 07: Two Of Us - 23.03 (1:31) 08: Roll announcement (:08) 09: I've Got A Feeling - 23.04 (3:17) 10: I've Got A Feeling - 23.05 (1:33) 11: Get Back - 23.06 (1:45) 12: Get Back - 23.07 (5:23) 13: Get Back - 23.08 (1:31) 14: Get Back - 23.09 (2:37) 15: Roll announcement (:08) 16: Get Back - 23.10 (1:02) 17: "If You Need Me" - 23.11 (1:55) 18: Get Back - 23.12 (2:00) 19: Get Back - 23.13 (3:38) 20: Get Back - 23.14 (2:57) 21: Get Back - 23.15 (4:30) 22: Roll announcement (:09) 23: Get Back - 23.16 (2:25)

177

DJole’s

Purple Chick Guide

24: Get Back - 23.17 (10:13) 25: Get Back - 23.18 (3:22) 26: Get Back - 23.19 (:10) 27: Rehearsals (6:05)

Disc 2: (1:15:30) 01: Get Back - 23.20 (9:54) 02: Roll announcement (:09) 03: Rehearsals (4:06) 04: Get Back - 23.21 (11:07) 05: Get Back - 23.22 (:55) 06: Rehearsals (2:43) 07: Get Back - 23.23 (12:16) 08: Get Back - 23.24 (1:10) 09: Get Back - 23.25 (10:07) 10: Get Back - 23.26 (2:32) 11: Get Back - 23.27 (:22) 12: Words Of Love - 23.28 (1:23) 13: Get Back - 23.29 (2:46) 14: Roll announcement (:10) 15: Get Back - 23.29P (:49) 16: Get Back - 23.29P (1:39) 17: Blues instrumental - 23.30 (8:58) 18: Get Back - 23.31 (:21) 19: Twenty Flight Rock - 23.32 (3:28) 20: Get Back - 23.33 (:35)

178

DJole’s

Purple Chick Guide

Disc 3: (1:17:24) 01: Get Back - 23.34 (:06) 02: Get Back - 23.35 (1:01) 03: Get Back - 23.36 (2:26) 04: Get Back - 23.37 (2:51) 05: Get Back - 23.38 (6:07) 06: Get Back - 23.39 (3:24) 07: Oh! Darling - 23.40 (16:13) 08: Oh! Darling - 23.41 (4:33) 09: Instrumental - 23.42 (1:05) 10: Two Of Us - 23.43 (1:48) 11: Dialogue (:11) 12: Instrumental - 23.44 (:30) 13: Let It Be - 23.45 (2:48) 14: Improvisation - 23.46 (3:43) 15: Mean Mr. Mustard - 23.47 (:12) 16: Improvisation - 23.48 (:27) 17: Improvisation - 23.49 (4:08) 18: Let's Twist Again - 23.50 (3:00) 19: Oh! Darling - 23.51 (:25) 20: The Long And Winding Road - 23.52 (2:43) 21: "Love Is The Thing To Me" - 23.53 (1:47) 22: Everything's Alright - 23.54 (1:42) 23: I Want To Thank You - 23.55 (3:03) 24: You've Been Acting Strange - 23.56 (1:17) 25: Use What You Got - 23.57 (2:01)

179

DJole’s

Purple Chick Guide

26: "Together In Love" - 23.58 (1:34) 27: Improvisation - 23.59 (3:17) 28: Improvisation - 23.60 (5:02)

Disc 4: (1:09:26) 01: Improvisation - 23.61 (8:20) 02: Happiness Runs - 23.62 (:09) 03: "It Blew Again" - 23.63 (:32) 04: Shazam! - 23.64 (2:15) 05: Dig A Pony - 23.65 (4:55) 06: Get Back - 23.66 (2:23) 07: Get Back - 23.67 (2:45) 08: Get Back - 23.68 (3:28) 09: Get Back - 23.69 (5:34) 10: Get Back - 23.70 (1:44) 11: Get Back - 23.71 (:35) 12: Get Back - 23.72 (2:16) 13: Get Back - 23.73 (2:28) 14: Get Back - 23.74 (3:12) 15: Get Back - 23.75 (3:30) 16: Get Back - 23.76 (1:59) 17: I'll Get You - 23.77 (:29) 18: Get Back - 23.78 (1:17) 19: Get Back - 23.79 (2:37) 20: I've Got A Feeling - 23.80 (:17) 21: Help! - 23.81 (:41) 22: Please Please Me - 23.82 (:45) 23: Let It Be - 23.83 (2:04) 24: The Long And Winding Road - 23.84 (:52) 25: Get Back - 23.79P (:15) 26: Get Back - 23.79P (3:28) 27: Get Back - 23.29P (3:58) 28: Get Back - 23.79P (2:32) 29: Dialogue (4:06)

180

DJole’s

Purple Chick Guide

01/24/69: (4:55:06)

Disc 1: (1:18:12) 01: Get Back - 24.01 (2:49) 02: Get Back - 24.02 (9:02) 03: Dialogue (:42) 04: Get Back - 24.03 (:47) 05: Get Back - 24.04 (:23) 06: (I Can't Get No) Satisfaction - 24.05 (1:20) 07: Get Back - 24.06 (2:29) 08: What'd I Say - 24.07 (3:04) 09: Bass riff/Get Back/Improvisation - 24.08 (3:22) 10: Improvisation - 24.09 (4:06) 11: Improvisation - 24.10 (:04) 12: Get Back/improvisation - 24.11 (:53) 13: Improvisation - 24.12 (:36) 14: Don't Let Me Down - 24.13 (2:09) 15: Ob-La-Di, Ob-La-Da - 24.14 (:58) 16: Get Back - 24.15 (3:01) 17: Get Back - 24.16 (3:00) 18: Soldier Of Love (Lay Down Your Arms) - 24.17 (1:17) 19: Cathy's Clown/Soldier Of Love (Lay Down Your Arms)/Where Have You Been - 24.18 (1:55) 20: Love Is A Swingin' Thing - 24.19 (:08) 21: What'd I Say/Love Is A Swingin Thing - 24.20 (:40) 22: She Said Yeah - 24.21 (:37)

181

DJole’s

Purple Chick Guide

23: Child Of Nature - 24.22 (2:53) 24: Two Of Us - 24.23 (7:25) 25: Two Of Us - 24.24 (3:42) 26: You're So Good to Me - 24.25 (1:21) 27: Two Of Us - 24.26 (2:52) 28: Two Of Us - 24.27a (16:37)

Disc 2: (1:19:28) 01: Two Of Us - 24.27b (2:50) 02: Two Of Us - 24.28 (5:38) 03: Two Of Us - 24.29 (3:16) 04: Two Of Us - 24.30 (4:39) 05: Two Of Us - 24.30P (7:38) 06: She Came In Through The Bathroom Window - 24.31 (1:16) 07: Teddy Boy - 24.32 (4:43) 08: Teddy Boy - 24.33 (7:23) 09: Teddy Boy - 24.34 (:38) 10: Teddy Boy - 24.35 (:18) 11: Teddy Boy - 24.36 (1:39) 12: "Balls To Your Partner" - 24.37 (:12) 13: Ach Du Lieber Augustin - 24.38 (:08) 14: Teddy Boy - 24.39 (:44) 15: Two Of Us - 24.40 (3:47) 16: Maggie Mae - 24.41 (:56) 17: I Fancy Me Chances - 24.42 (1:44) 18: Two Of Us - 24.43 (1:19) 19: Polythene Pam - 24.44 (2:09) 20: Improvisation - 24.45 (1:24) 21: Two Of Us - 24.46 (3:23) 22: Maggie Mae - 24.47 (:24) 23: Two Of Us - 24.48 (4:36) 24: Maggie Mae - 24.49 (1:33) 25: Teddy Boy - 24.33P (3:36) 26; Teddy Boy -24.33P (3:47) 27: Two Of Us - 24.48P (3:34) 28: Maggie Mae - 24.49P (6:14)

182

DJole’s

Purple Chick Guide

Disc 3: (1:19:32) 01: The Long And Winding Road - 24.50 (3:36) 02: Window, Window - 24.51 (2:12) 03: Window, Window - 24.52 (:56) 04: Two Of Us - 24.53 (1:09) 05: Dialogue (:24) 06: Get Back - 23.74P (1:13) 07: Get Back - 23.78P (:05) 08: Get Back - 23.79P (2:35) 09: I've Got A Feeling - 23.80P (:07) 10: Help! - 23.81P (:34) 11: Two Of Us - 24.54 (2:42) 12: Get Back - 24.55 (:49) 13: Get Back - 24.56 (1:31) 14: Two Of Us - 24.57 (1:24) 15: Her Majesty - 24.58 (2:29) 16: "There You Are Eddie" - 24.59 (4:17) 17: Every Night - 24.60 (1:50) 18: "Pillow For Your Head"/"There You Are Eddie" - 24.61 (5:31) 19: "Pillow For Your Head" - 24.62 (:47) 20: Hot As Sun - 24.63 (1:35) 21: Catswalk - 24.64 (:07) 22: Two Of Us - 24.65 (:59) 23: Two Of Us - 24.66 (3:45) 24: Two Of Us - 24.67 (:56) 25: Two Of Us/Hello Goodbye - 24.68 (3:35) 26: Two Of Us - 24.69 (4:06)

183

DJole’s

Purple Chick Guide

27: Two Of Us - 24.70 (3:34) 28: Diggin My Potatoes - 24.71 (:49) 29: Hey Liley, Liley Ho - 24.72 (:10) 30: Rock Island Line - 24.73 (1:13) 31: Improvisation - 24.74 (:14) 32: Unknown - 24.75 (1:13) 33: Two Of Us - 24.76 (2:07) 34: Tiger Rag - 24.77 (2:11) 35: Michael Row Your Boat Ashore - 24.78 (:57) 36: Rock A Bye Baby - 24.79 (:13) 37: Singin The Blues - 24.80 (2:39) 38: Knee Deep In The Blues - 24.81 (:14) 39: Dig It - 24.82 (3:12) 40: Dig It - 24.83 (:45) 41: Dig It - 24.84 (4:32) 42: Dig It - 24.85 (6:15)

Disc 4: (57:54) 01: Tuning (1:55) 02: Get back - 24.86 (2:09) 03: "There You Are Eddie" - 24.87 (1:41) 04: Get Back - 24.88 (:27) 05: Get Back - 24.89 (:39) 06: Get Back - 24.90 (3:35) 07: Get Back/Little Demon/Maybellene/You Can't Catch Me/Brown-Eyed Handsome Man - 24.91 (2:38) 08: Short Fat Fanny - 24.92 (1:31) 09: Get Back - 24.93 (:15) 10: Get Back - 24.94 (4:54) 11: Green Onions - 24.95 (:45) 12: Get Back - 24.96 (:52) 13: Get Back 24.97 (4:31) 14: Bad Boy - 24.98 (4:27) 15: Sweet Little Sixteen - 24.99 (1:47) 16: Around and Around - 24.100 (1:07) 17: Almost Grown - 24.101a (2:01) 18: School Day (Ring Ring Goes The Bell) - 24.101b (2:48) 19: Stand By Me/ Where Have You Been All My Life - 24.102 (2:39) 20: Lady Madonna - 24.103 (:09)

184

DJole’s

Purple Chick Guide

21: Lovely Rita/Get Back - 24.104 (:12) 22: Get Back - 24.105 (6:51) 23: Lonely Sea - 24.106 (1:40) 24: Unknown - 24.107 (3:45) 25: Ramrod - 24.108 (2:02) 26: Silence (2:00) 27: Tape Rewind (:05) 28: Unknown Playback (:29)

01/25/69: (7:09:17)

Disc 1: (1:19:15) 01: Dialogue (4:23) 02: Get Back - 23.78P (:05) 03: Get Back - 23.79P (2:34) 04: I've Got A Feeling (fragment) - 23.80P (:07) 05: Help! - 23.81P (fragment+tape rewind) (:04) 06: Teddy Boy - 24.33P (6:19) 07: Two Of Us - 24.69P (3:36) 08: Dig A Pony - 22.70P (4:05) 09: I've Got A Feeling - 22.71P (4:45) 10: Improvisation - 25.01 (1:31) 11: Improvisation - 25.02 (1:47) 12: Improvisation - 25.03 (1:17) 13: Unknown - 25.04/25.05 (:34)

185

DJole’s

Purple Chick Guide

14: Improvisation - 25.06 (:56) 15: Improvisation - 25.07 (:26) 16: Another Day - 25.08 (:57) 17: Two Of Us - 25.09 (23:15) 18: Instrumental - 25.10 (5:24) 19: Act Naturally - 25.11 (:38) 20: Two Of Us - 25.12 (13:52) 21: I've Got A Feeling - 25.13 (1:21) 22: "Nashville Cat" - 25.14 (1:19)

Disc 2: (1:19:12) 01: Dialogue (2:39) 02: On The Road Again - 25.15 (6:34) 03: Unknown - 25.16 (8:56) 04: Instrumental - 25.17 (8:41) 05: I Lost My Little Girl - 25.18 (9:53) 06: Two Of Us - 25.19 (3:54) 07: Two Of Us - 25.20 (14:33) 08: Two Of Us - 25.21 (3:39) 09: Two Of Us - 25.22 (1:54) 10: Bye Bye Love - 25.23 (1:09) 11: Two Of Us - 25.24 (3:53) 12: Unknown - 25.25 (3:04) 13: Two Of Us - 25.24P (4:56) 14: Two Of Us - 25.24P (5:27)

186

DJole’s

Purple Chick Guide

Disc 3: (1:18:45) 01: Dialogue (2:05) 02: Get Back - 23.78P (:05) 03: Get Back - 23.79P (2:35) 04: I've Got A Feeling - 23.80P (:07) 05: Help! - 23.81P (:04) 06: Teddy Boy - 24.33P (5:57) 07: Two Of Us - 24.69P (3:59) 08: Dig A Pony - 22.70P (3:53) 09: I've Got A Feeling - 22.71P (5:34) 10: Dialogue and tuning (2:54) 11: For You Blue - 25.26 (2:55) 12: For You Blue - 25.27 (3:05) 13: For You Blue - 25.28 (1:30) 14: For You Blue - 25.29 (16:01) 15: For You Blue - 25.30 (1:23) 16: For You Blue - 25.31 (2:31) 17: For You Blue - 25.32 (2:02) 18: For You Blue - 25.33 (1:10) 19: For You Blue - 25.34 (4:27) 20: For You Blue - 25.35 (2:17) 21: For You Blue - 25.36 (1:47) 22: For You Blue - 25.37 (3:08) 23: For You Blue - 25.38 (2:04) 24: For You Blue - 25.34P (2:37) 25: For You Blue - 25.37P (4:35)

187

DJole’s

Purple Chick Guide

Disc 4: (1:17:46) 01: For You Blue - 25.39 (10:35) 02: For You Blue - 25.40 (2:57) 03: For You Blue - 25.41 (3:38) 04: For You Blue - 25.42 (2:13) 05: For You Blue - 25.43 (3:21) 06: "Sorry I Left You Bleeding" - 25.44 (:56) 07: For You Blue - 25.45 (3:13) 08: For You Blue - 25.46 (4:18) 09: For You Blue - 25.47 (3:55) 10: For You Blue - 25.46P (3:44) 11: For You Blue - 25.47P (5:01) 12: For You Blue - 25.48 (1:57) 13: For You Blue - 25.49 (2:28) 14: For You Blue - 25.50 (1:21) 15: For You Blue - 25.51 (2:38) 16: For You Blue - 25.52 (:28) 17: For You Blue - 25.53 (3:06) 18: For You Blue - 25.53P (3:58) 19: For You Blue - 25.46P (2:59) 20: For You Blue - 25.46P (4:25) 21: For You Blue - 25.53P (2:23) 22: Take This Hammer - 25.54 (:35) 23: For You Blue - 25.46P (3:14) 24: For You Blue - 25.55 (2:05) 25: Let It Be - 25.56 (2:18)

188

DJole’s

Purple Chick Guide

Disc 5: (1:05:11) 01: Let It Be - 25.57 (17:02) 02: Let It Be - 25.58 (13:39) 03: "Crazy Feet" - 25.59 (:41) 04: Please Please Me - 25.60 (:39) 05: Let It Be - 25.61 (:59) 06: Let it Be - 25.62 (1:27) 07: Let It Be - 25.63 (4:03) 08: Instrumental - 25.64 (7:07) 09: Mean Mr. Mustard - 25.65 (3:23) 10: Let it Be - 25.66 (8:30) 11: Tracks Of My Tears - 25.67 (3:45) 12: Piece Of My Heart - 25.68 (1:05) 13: Little Yellow Pills - 25.69 (1:58) 14: Early In the Morning - 25.70 (:36) 15: Let It Be - 25.71 (:17)

Disc 6: (49:08) 01: Let It Be - 25.72 (1:29) 02: Let It Be - 25.73 (4:28) 03: Window, Window - 25.74 (1:52) 04: I'm Talkin' About You - 25.75 (:53) 05: Let It Be - 25.76 (2:04) 06: Let It Be - 25.77 (:11)

189

DJole’s

Purple Chick Guide

07: Instrumental - 25.78 (:17) 08: Instrumental - 25.79 (:10) 09: Let It Be - 25.80 (3:31) 10: Let It Be - 25.81 (4:45) 11: Let It Be - 25.81P (4:29) 12: Let It Be - 25.81P (5:37) 13: Martha My Dear - 25.82 (1:11) 14: Let It Be - 25.83 (2:02) 15: Let It Be - 25.84 (2:03) 16: Let It Be - 25.85 (4:17) 17: Let It Be - 25.86 (2:45) 18: "Well Its Eight O' Clock - 25.87 (1:28) 19: Love Story - 25.88 (1:15) 20: Cannonball - 25.89 (:25) 21: Shazam! - 25.90 (:16) 22: "Fast Train To San Francisco" - 25.91 (1:10) 23: Isn't It A Pity - 25.92 (2:30)

01/26/69: (6:30:01)

Disc 1: (1:10:17) 01: Roll announcement (:13) 02: Dialogue (2:14) 03: Isn't It A Pity - 26.01 (2:33) 04: Windows, Windows - 26.02 (2:26)

190

DJole’s

Purple Chick Guide

05: Let It Down - 26.03 (1:15) 06: Let It Down - 26.04 (:46) 07: Octopus's Garden - 26.05 (10:07) 08: Octopus's Garden - 26.06 (1:45) 09: Octopus's Garden - 26.07 (:58) 10: Octopus's Garden - 26.08 (1:56) 11: unknown - 26.09 (:36) 12: Octopus's Garden - 26.10 (4:03) 13: Little Piece Of Leather - 26.11 (:31) 14: Two Of Us - 26.12 (1:03) 15: Dig A Pony - 26.13 (:34) 16: Octopus's Garden - 26.14 (1:15) 17: Octopus's Garden - 26.15 (1:40) 18: Octopus's Garden - 26.16 (9:00) 19: Octopus's Garden - 26.17(1) (2:30) 20: For You Blue - 25.45P (2:58) 21: For You Blue - 25.45P (1:44) 22: For You Blue - 25.46P (4:40) 23: For You Blue - 25.46P (3:19) 24: For You Blue - 25.46P (4:01) 25: Let It Be - 25.81P (4:14) 26: Let It Be - 25.81P (3:56)

Disc 2: (1:17:00) 01: Dialogue (:39) 02: Let It Be - 26.17(2) (3:45) 03: "It Was So Blue" - 26.18 (:40) 04: High School Confidential - 26.19 (1:19) 05: Great Balls Of Fire - 26.20 (2:22) 06: Don't Let The Sun Catch You Crying - 26.21 (2:40) 07: Let It Be - 26.22 (:19) 08: "I Left My Home In The World" - 26.23 (:29) 09: "I Left My Home In The World" - 26.24 (1:18) 10: Let It Be - 26.25 (13:37) 11: Improvisation - 26.26 (:30) 12: Suicide - 26.27 (:46) 13: Let It Be - 26.28 (:58) 14: Let It Be - 26.29 (2:26) 15: Let It Be - 26.30 (1:12) 16: Let It Be - 26.31 (2:03)

191

DJole’s

Purple Chick Guide

17: Let It Be - 26.32 (1:42) 18: Let It Be - 26.33 (3:27) 19: Let It Be - 26.34 (2:34) 20: Let It Be - 26.35 (1:48) 21: Let It Be - 26.36 (4:32) 22: Let It Be - 26.37 (4:11) 23: Let It Be - 26.38 (1:33) 24: Let It Be - 26.39 (1:22) 25: Let It Be - 26.40 (4:33) 26: Let It Be - 26.40P (3:43) 27: Dialogue (2:48) 28: Improvisation 26.41 (1:04) 29: Let It Be - 26.42 (1:06) 30: Let It Be - 26.43 (3:59) 31: Let It Be - 26.44 (1:56) 32: Let It Be - 26.45 (1:39)

Disc 3: (1:17:06) 01: Let It Be - 26.46 (1:19) 02: Let It Be - 26.47 (2:40) 03: Do Not Forsake Me Oh My Darling - 26.48 (1:23) 04: Let It Be - 26.49 (:53) 05: You Really Got A Hold On Me - 26.50 (:22) 06: Let It Be - 26.51 (:09) 07: Let It Be - 26.52 (3:54) 08: Like A Rolling Stone - 26.53 (1:56)

192

DJole’s

Purple Chick Guide

09: Twist And Shout - 26.54 (1:41) 10: Dig It - 26.55 (11:57) 11: Rip It Up - 26.56 (2:46) 12: Shake, Rattle And Roll - 26.57 (1:44) 13: Kansas City / Miss Ann / Lawdy Miss Clawdy - 26.58 (4:07) 14: Blue Suede Shoes - 26.59 (2:16) 15: You Really Got A Hold On Me - 26.60 (3:55) 16: The Tracks Of My Tears - 26.61 (2:40) 17: Agent Double-O-Soul - 26.62 (2:23) 18: S.O.S. - 26.63 (1:53) 19: Unknown - 26.64 (:37) 20: Unknown - 26.65 (2:47) 21: Improvisation - 26.66 (1:21) 22: Improvisation - 26.67 (16:48) 23: Improvisation - 26.68 (3:52) 24: Improvisation - 26.69 (3:43)

Disc 4: (1:00:24) 01: Dialogue and jamming (1:42) 02: Let It Be - 26.70 (1:13) 03: Let It Be - 26.71 (4:01) 04: Let It Be - 26.72 (5:37) 05: Let It Be - 26.73 (2:20) 06: Let It Be - 26.74 (4:13) 07: Let It Be - 26.75 (:21) 08: Little Pillow Pills - 26.76 (3:28) 09: Let It Be - 26.74P (:40) 10: "I Told You Before" - 26.77 (11:35) 11: "I Told You Before" - 26.78 (2:11) 12: "I Told You Before" - 26.79 (12:37) 13: The Long And Winding Road - 26.80 (10:26)

193

DJole’s

Purple Chick Guide

Disc 5: (35:01) 01: The Long And Winding Road rehearsal (:09) 02: The Long And Winding Road - 26.81 (4:40) 03: The Long And Winding Road - 26.82 (3:40) 04: The Long And Winding Road - 26.83 (1:45) 05: The Long And Winding Road - 26.84 (7:28) 06: The Long And Winding Road - 26.85 (5:14) 07: The Long And Winding Road Cha-Cha - 26.85 ctd. (2:37) 08: The Long And Winding Road - 26.86 (5:13) 09: The Long And Winding Road - 26.87 (4:15) Disc 6: (1:10:13) 01: The Long And Winding Road - 26.88 (20:15) 02: The Long And Winding Road - 26.89 (9:01) 03: The Long And Winding Road - 26.90 (11:02) 04: The Long And Winding Road - 26.91 (4:46) 05: The Long And Winding Road - 26.91P (11:39) 06: The Long And Winding Road - 26.91P (3:38) 07: Dialogue (9:52)

194

DJole’s

Purple Chick Guide

01/27/69: (7:05:26)

Disc 1: (1:13:39) 01: Roll announcement (:11) 02: Dialogue (2:49) 03: Instrumental - 27.01 (4:20) 04: Strawberry Fields Forever - 27.02 (2:19) 05: Dialogue (11:19) 06: Old Brown Shoe - 27.03 (14:23) 07: Instrumental - 27.04 (7:04) 08: The Long And Winding Road - 26.91P (3:46) 09: Let It Be - 26.74P (4:12) 10: Don't Let Me Down - 22.60P (3:51) 11: Dig It - 26.55P (8:32) 12: Rip It Up - 26.56P (:30) 13: Shake, Rattle And Roll - 26.57P (1:38) 14: Kansas City/Miss Ann/Lawdy Miss Clawdy - 26.58P (3:57) 15: Blue Suede Shoes - 26.59P (2:09) 16: You Really Got A Hold On Me - 26.60P (1:19) 17: Baby Let's Play House - 27.05 (1:20)

Disc 2: (1:17:57) 01: Oh! Darling - 27.06 (7:46) 02: Let It Be - 27.07 (3:59) 195

DJole’s

Purple Chick Guide

03: Let It Be - 27.08 (3:13) 04: Let It Be - 27.09 (2:01) 05: Let It Be - 27.10 (4:02) 06: Let It Be - 27.11 (3:29) 07: Let It Be - 27.12 (4:09) 08: Let It Be - 27.13 (4:04) 09: Let It Be - 27.14 (3:54) 10: Let It Be - 27.15 (1:34) 11: Let It Be - 27.16 (2:35) 12: Let It Be - 27.17 (3:55) 13: Let It Be - 27.18 (1:42) 14: The Long And Winding Road - 27.19 (17:00) 15: The Long And Winding Road - 27.20 (7:19) 16: Little Demon - 27.21 (1:42) 17: The Long And Winding Road - 27.22 (1:41) 18: The Long And Winding Road - 27.23 (3:52)

Disc 3: (1:03:57) 01: The Long And Winding Road Rehearsal (1:14) 02: The Long And Winding Road - 27.24 (:14) 03: Save The Last Dance For Me - 27.25 (:37) 04: Improvisation - 27.26 (:53) 05: Old Brown Shoe - 27.27 (36:03) 06: Improvisation - 27.28 (4:58) 07: Hi Heel Sneakers - 27.29 (1:42) 08: Get Back - 27.30 (1:14) 09: Improvisation - 27.31 (:21)

196

DJole’s

Purple Chick Guide

10: Improvisation - 27.32 (6:30) 11: "I Told You Before" - 27.33 (5:43) 12: "I Told You Before" - 27.33 reprise (3:47) 13: Improvisation - 27.34 (:41)

Disc 4: (1:08:09) 01: Improvisation - 27.34 (cont.) (1:19) 02: Don't Let Me Down - 27.35 (2:46) 03: Hava Nageilah - 27.36 (4:12) 04: Don't Let Me Down - 27.37 (5:20) 05: Don't Let Me Down - 27.38 (5:46) 06: Don't Let Me Down - 27.39 (3:40) 07: Don't Let Me Down - 27.40 (4:20) 08: Get Back - 27.41 (3:17) 09: Get Back - 27.42 (2:25) 10: Get Back - 27.43 (:50) 11: Get Back - 27.44 (3:12) 12: Get Back - 27.45 (1:00) 13: Get Back - 27.46 (4:53) 14: Get Back - 27.47 (2:08) 15: Get Back - 27.48 (3:20) 16: Get Back - 27.49 (1:46) 17: Get Back - 27.50 (3:43) 18: I've Got A Feeling - 27.51 (3:20) 19: Get Back - 27.52 (4:09) 20: Get Back - 27.53 (4:41) 21: Get Back - 27.54 (2:02)

197

DJole’s

Purple Chick Guide

Disc 5: (1:17:15) 01: You Are My Sunshine - 27.55 (2:10) 02: Oh! Darling - 27.56 (6:56) 03: Get Back - 27.57 (1:04) 04: Get Back - 27.58 (4:10) 05: Get Back - 27.59 (1:42) 06: Get Back - 27.60 (3:22) 07: Bring It On Home/Oh! Darling - 27.61 (:42) 08: Oh! Darling - 27.62 (1:15) 09: Get Back - 27.63 (4:25) 10: Get Back - 27.64 (1:19) 11: Get Back - 27.65 (2:43) 12: Get Back - 27.66 (5:46) 13: Get Back - 27.53P (5:46) 14: Get Back - 27.66P (3:54) 15: Get Back - 27.63P (4:30) 16: Get Back - 23.79P (3:34) 17: Get Back - 27.67 (6:36) 18: Roll announcement (:14) 19: Get Back - (no #) (:56) 20: Get Back - 27.68 (9:23) 21: Get Back - 27.69 (:52) 22: Get Back - 27.70 (1:26) 23: Get Back - 27.71 (4:16) 24: Get Back - 27.72 (:14)

198

DJole’s

Purple Chick Guide

Disc 6: (1:04:29) 01: Roll announcement (:11) 02: Get Back - 27.73 (5:05) 03: Get Back - 27.74 (4:19) 04: Get Back/"Water Water" - 27.75 (2:36) 05: Take These Chains From My Heart - 27.76 (3:15) 06: I've Got A Feeling - 27.77 (1:07) 07: Roll announcement (:09) 08: I've Got A Feeling - 27.78 (:56) 09: I've Got A Feeling - 27.79 (1:15) 10: I've Got A Feeling - 27.80 (4:26) 11: I've Got A Feeling - 27.81 (3:40) 12: I've Got A Feeling - 27.82 (:35) 13: "You Won't Get Me This Way"/The Walk - 27.83 (4:05) 14: I've Got A Feeling - 27.84 (4:17) 15: I've Got A Feeling - 27.85 (1:50) 16: I've Got A Feeling - 27.84P (8:12) 17: Get Back - 27.53P (3:40) 18: Roll announcement (:10) 19: Dialogue (:40) 20: Dialogue (:21) 21: Get Back - 27.63P (5:51) 22: Get Back - 27.65P (6:22) 23: Get Back - 27.71P (1:27)

199

DJole’s

Purple Chick Guide

01/28/69: (7:02:31)

Disc 1: (1:17:47) 01: Roll Announcement (:06) 02: Slate Announcement (:04) 03: For You Blue - 25.46P (4:08) 04: Get Back - 27.63P (2:51) 05: Get Back - 27.71P (3:23) 06: Get Back - 27.72P (3:45) 07: The Walk - 27.73P (1:09) 08: I've Got A Feeling - 27.84P (8:50) 09: Dialog And Tuning (5:16) 10: Shazam! - 28.01 (2:23) 11: Improvision - 28.02 (:32) 12: "The River Rhine" / The Long And Winding Road - 28.03 (5:21) 13: I've Got A Feeling - 28.04 (17:00) 14: I've Got A Feeling - 28.05 (3:19) 15: I've Got A Feeling - 28.06 (19:40)

Disc 2: (1:11:44) 01: I've Got A Feeling - 28.07 (7:26) 02: I've Got A Feeling - 28.08 (4:48) 03: I've Got A Feeling - 28.09 (3:22) 04: I've Got A Feeling - 28.10 (2:19) 200

DJole’s

Purple Chick Guide

05: I've Got A Feeling - 28.11 (1:46) 06: I've Got A Feeling - 28.12 (1:18) 07: Rainy Day Women #'s 12 & 35 - 28.13 (1:12) 08: I've Got A Feeling - 28.14 (13:43) 09: I've Got A Feeling - 28.15 (2:30) 10: The Inner Light - 28.16 (:34) 11: I've Got A Feeling - 28.17 (9:41) 12: Blue Yodel No. 1 (T for Texas) - 28.18 (:15) 13: Tea For Two - 28.19 (:23) 14: Dig It - 28.20 (8:13) 15: I've Got A Feeling - 28.21 (5:37) 16: I've Got A Feeling - 28.22 (1:54) 17: On The Road To Marrakesh - 28.23 (3:50) 18: On The Road To Marrakesh - 28.24 (2:53)

Disc 3: (1:16:19) 01: Dig A Pony - 28.25 (2:21) 02: Dig A Pony - 28.26 (3:55) 03: Dig A Pony - 28.27 (3:31) 04: Roll Announcement (:19) 05: "I Will Always Look For You" - 28.28 (2:56) 06: Dig A Pony - 28.29 (5:02) 07: Dig A Pony - 28.30 (:37) 08: Dig A Pony - 28.31 (2:49) 09: Dig A Pony - 28.32 (6:20) 10: Dig A Pony - 28.33 (:49)

201

DJole’s

Purple Chick Guide

11: Dig A Pony - 28.34 (2:38) 12: Dig A Pony - 28.35 (2:44) 13: Dig A Pony - 28.36 (:39) 14: Dig A Pony - 28.37 (4:02) 15: Get Back - 28.38 (5:24) 16: Get Back - 28.39 (:58) 17: Love Me Do - 28.40 (2:42) 18: Dig A Pony - 28.41 (:15) 19: Teddy Boy - 28.42 (:51) 20: Get Back - 28.43 (4:24) 21: Don't Let Me Down - 28.44 (2:06) 22: Don't Let Me Down - 28.45 (3:44) 23: I've Got A Feeling - 28.46 (4:08) 24: Don't Let Me Down - 28.47 (3:00) 25: Don't Let Me Down - 28.48 (3:45) 26: I've Got A Feeling - 28.49 (1:32) 27: One After 909 - 28.50 (4:48)

Disc 4: (1:18:39) 01: I've Got A Feeling - 28.51 (4:07) 02: One After 909 - 28.52 (1:35) 03: One After 909 - 28.53 (3:18) 04: One After 909 - 28.54 (2:26) 05: Old Brown Shoe - 28.55 (9:47) 06: Old Brown Shoe - 28.56 (4:31) 07: Old Brown Shoe - 28.57 (3:58) 08: Old Brown Shoe - 28.58 (2:51) 09: Old Brown Shoe - 28.59 (2:48) 10: Old Brown Shoe - 28.60 (16:41) 11: Old Brown Shoe - 28.61 (5:02) 12: Improvisation - 28.62 (3:10) 13: Old Brown Shoe - 28.63 (2:18) 14: I Want You (She's So Heavy) - 28.64 (3:52) 15: I Want You (She's So Heavy) - 28.65 (5:53) 16: "Unless He Has A Song" - 28.66 (3:50) 17: Sticks And Stones - 28.67 (2:32)

202

DJole’s

Purple Chick Guide

Disc 5: (1:00:43) 01: Dialogue (3:31) 02: Something - 28.68 (:51) 03: Something - 28.69 (3:27) 04: Something - 28.70 (15:32) 05: Something - 28.71 (4:18) 06: Something - 28.72 (9:15) 07: Get Back - 28.73 (3:12) 08: Get Back - 28.74 (1:28) 09: Get Back - 28.75 (2:05) 10: Get Back - 28.76 (1:19) 11: Bo Diddley - 28.77 (2:19) 12: Two Of Us - 28.78 (2:37) 13: Two Of Us - 28.79 (4:06) 14: Two Of Us - 28.80 (4:32) 15: Two Of Us - 28.81 (2:11)

Disc 6: (57:19) 01: Two Of Us - 28.82 (3:52) 02: Teddy Boy - 28.83 (9:20) 03: All Things Must Pass - 28.84 (:59) 04: All Things Must Pass - 28.85 (1:54) 05: Dialogue (2:20) 06: All Things Must Pass - 28.86 (4:30)

203

DJole’s

Purple Chick Guide

07: All Things Must Pass - 28.87 (5:05) 08: "How Do You Tell Someone?" - 28.88 (2:19) 09: "Greasepaint On Your Face" - 28.89 (1:35) 10: Positively 4th Street - 28.90 (:08) 11: Positively 4th Street - 28.91 (1:50) 12: I Want You (She's So Heavy) - 28.92 (14:21) 13: I Want You (She's So Heavy) - 28.93 (9:06)

01/29/69: (4:31:24)

Disc 1: (1:19:32) 01: Roll Announcement (:31) 02: Dialogue (14:58) 03: Dialogue (6:22) 04: Singing The Blues - 29.01 (7:56) 05: Singing The Blues - 29.02 (6:12) 06: Rule, Brittania - 29.03 (3:44) 07: Get Back - 27.63P (:20) 08: I Walk The Line - 29.04 (:53) 09: Singing The Blues - 29.05 (3:27) 10: Dialugue (13:46) 11: Singing The Blues - 29.06 (2:41) 12: Dialugue (18:42)

204

DJole’s

Purple Chick Guide

Disc 2: (1:08:57) 01: Dialogue (2:53) 02: Dig A Pony - 29.07 (4:34) 03: I've Got A Feeling - 29.08 (5:21) 04: Don't Let Me Down - 29.09 (7:17) 05: Get Back - 29.10 (3:57) 06: One After 909 - 29.11 (4:59) 07: She Came In Through The Bathroom Window - 29.12 (3:50) 08: She Came In Through The Bathroom Window - 29.13 (2:34) 09: She Came In Through The Bathroom Window - 29.14 (3:08) 10: Two Of Us - 29.15 (3:43) 11: "Also" - 29.16 (3:08) 12: Let It Be - 29.17 (4:50) 13: The Long And Winding Road - 29.18 (5:10) 14: The Long And Winding Road - 29.19 (5:10) 15: For You Blue - 29.20 (8:23)

Disc 3: (55:58) 01: For You Blue - 29.20ctd (1:58) 02: For You Blue - 29.21 (2:40) 03: For You Blue - 29.22 (1:14) 04: Something - 29.23 (2:21) 05: All Things Must Pass - 29.24 (2:29) 06: All Things Must Pass - 29.25 (2:26) 07: All Things Must Pass - 29.26 (3:32)

205

DJole’s

Purple Chick Guide

08: All Things Must Pass - 29.27 (4:53) 09: Let It Down - 29.28 (5:47) 10: Let It Down - 29.29 (3:33) 11: Let It Down - 29.30 (2:52) 12: Get Back - 27.63P (:34) 13: Let It Down - 29.31 (1:44) 14: Singing The Blues - 29.32 (1:04) 15: Teddy Boy - 24.33P (5:23) 16: I Want You (She's So Heavy) - 29.33 (5:45) 17: Something - 29.34 (3:23) 18: Sexy Sadie - 29.35 (1:52) 19: Old Brown Shoe - 29.36 (1:00) 20: I Want You (She's So Heavy) - 29.37 (1:09) 21: "She Gets Heavy" - 29.38 (:19)

Disc 4: (1:06:57) 01: Dialogue (:22) 02: Dig It - 29.39 (6:58) 03: Besame Mucho - 29.40 (2:27) 04: Three Cool Cats - 29.41 (2:35) 05: "Sorry Miss Molly" - 29.42 (:11) 06: I Got To Find My Baby - 29.43 (:49) 07: Some Other Guy - 29.44 (:21) 08: One After 909 - 29.45 (4:08) 09: Honky Tonk - 29.46 (2:04) 10: One After 909 - 29.47 (3:08) 11: Vacation Time - 29.48 (1:14) 12: Cannonball / Not Fade Away / Hey Little Girl (In The High School Sweater) / Bo Diddley - 29.49 (4:30) 13: Maybe Baby - 29.50 (2:32) 14: Peggy Sue Got Married / Thinking Of Linking - 29.51 (3:23) 15: Crying, Waiting, Hoping - 29.52 (2:41) 16: Mailman, Bring Me No More Blues - 29.53 (2:21) 17: Teddy Boy - 29.54 (16:59) 18: "Bring Your Own Band" - 29.55 (:29) 19: Lotta Lovin' - 29.56 (1:02) 20: Two Of Us - 29.57 (1:39) 21: Two Of Us - 29.58 (7:04)

206

DJole’s

Purple Chick Guide

01/30/69: (1:47:56)

Disc 1: (1:02:01) 01: Roll Announcement (:17) 02: Slate Announcement (:06) 03: Dialogue (:12) 04: Roll Announcement (:12) 05: Slate Announcement (1:00) 06: Get Back - 30.01 (2:55) 07: Get Back - 30.02 (3:37) 08: Dialogue (:21) 09: I Want You (She's So Heavy) - 30.03 (:54) 10: Dialogue (:29) 11: Take Announcement (:04) 12: Get Back - 30.04 (3:30) 13: Don't Let Me Down - 30.05 (3:20) 14: I've Got A Feeling - 30.06 (5:13) 15: One After 909 - 30.07 (:16) 16: One After 909 - 30.08 (2:46) 17: Danny Boy - 30.09 (:43) 18: Dig A Pony - 30.10 (1:18) 19: Dig A Pony - 30.11 (5:11) 20: God Save The Queen - 30.12 (:51) 21: Warmup (1:51) 22: I've Got A Feeling - 30.13 (3:33) 23: A Pretty Girl Is Like A Melody 30.14 (:08) 24: Get Back - 30.15 (:13)

207

DJole’s

Purple Chick Guide

25: Don't Let Me Down - 30.16 (3:21) 26: Get Back - 30.17 (3:42) 27: Roll Announcement (:11) 28: P God Save The Queen - 30.12P (2:33) 29: P I've Got A Feeling - 30.13P (3:33) 30: A Pretty Girl Is Like A Melody - 30.14P (:07) 31: P Get Back - 30.15P (:16) 32: Don't Let Me Down - 30.16P (3:18) 33: Get Back 30.17P (6:00)

Disc 2: (45:55) 01: Roll (:17) 02: Slate (:06) 03: Dialogue (:12) 04: Roll (:12) 05: Slate (1:00) 06: Get Back (2:55) 07: Get Back (3:37) 08: Dialogue (:21) 09: I Want You (She's So Heavy) (:54) 10: Dialugue (:29) 11: Take (:04) 12: Get Back – Stereo (3:29) 13: Don't Let Me Down – Stereo (3:19) 14: I've Got A Feeling – Stereo (5:12) 15: One After 909 (:16) 16: One After 909 – Stereo (2:45) 17: Danny Boy – Stereo (:43) 18: Dig A Pony (1:18) 19: Dig A Pony – Stereo (5:09) 20: God Save The Queen (:51) 21: Warmup (1:51) 22: I've Got A Feeling - Parts Stereo (3:32) 23: A Pretty Girl Is Like A Melody (:08) 24: Get Back (:13) 25: Don't Let Me Down - Part Stereo (3:21) 26: Get Back – Stereo (3:41)

208

DJole’s

Purple Chick Guide

01/31/69: (4:35:43)

Disc 1: (1:16:39) 01: Roll Announcement (:12) 02: Two Of Us - 31.01 (2:00) 03: Unknown - 31.02 (:38) 04: Hey Good Lookin' - 31.03 (:56) 05: Take This Hammer / Last John / Five Foot High And Rising / Bear Cat Mama / Black Dog Blues / Right String, Wrong Yo-Yo / Run For Your Life 31.04 (9:02) 06: Two Of Us (10A) - 31.05 (:53) 07: Two Of Us (10B) - 31.06 (3:13) 08: Two Of Us - 31.07 (:23) 09: Two Of Us - 31.08 (:21) 10: Two Of Us - 31.09 (3:04) 11: Step Inside Love - 31.10 (3:07) 12: Friendship - 31.11 (:40) 13: Tales Of Frankie Rabbit - 31.12 (1:05) 14: Two Of Us (11) - 31.13 (3:48) 15: Deed I Do - 31.14 (2:20) 16: Two Of Us (12) - 31.15 (3:58) 17: I Got Stung - 31.16 (:58) 18: Step Inside Love - 31.17 (:14) 19: Let It Be - 31.18 (:41) 20: Let It Be - 31.19 (:58) 21: The Long And Winding Road - 31.20 (1:55)

209

DJole’s

Purple Chick Guide

22: Let It Be 31.21 (:42) 23: The Long And Winding Road - 31.22 (22:31) 24: The Long And Winding Road (13A) - 31.23 (:50) 25: The Long And Winding Road (13B) - 31.24 (3:51) 26: The Long And Winding Road - 31.25 (1:07) 27: The Long And Winding Road (14) - 31.26 (3:17) 28: The Long And Winding Road (15A) - 31.27 (:18) 29: The Long And Winding Road (15B) - 31.28 (3:37)

Disc 2: (1:13:19) 01: The Long And Winding Road - 31.29 (2:40) 02: The Long And Winding Road (16A) - 31.30 (:10) 03: The Long And Winding Road (16B) - 31.31 (:44) 04: The Long And Winding Road (16C) - 31.32 (3:37) 05: The Long And Winding Road (16D) - 31.33 (4:45) 06: Lady Madonna - 31.34 (3:47) 07: The Long And Winding Road - 31.35 (2:14) 08: The Long And Winding Road (17A) - 31.36 (2:51) 09: The Long And Winding Road (17B) - 31.37 (:17) 10: The Long And Winding Road - 31.38 (:18) 11: The Long And Winding Road (18) - 31.39 (5:38) 12: The Long And Winding Road (19) - 31.40 (4:29) 13: I Want You (She's So Heavy) - 31.41 (5:30) 14: Let It Be - 31.42 (6:34) 15: Let It Be (20A) - 31.43 (1:28) 16: Let It Be (20B) - 31.44 (:08) 17: Let It Be (20V - 31.45 (4:33) 18: Build Me Up Buttercup - 31.46 (:40) 19: Let It Be - 31.47 (1:48) 20: Let It Be (21) - 31.48 (3:42) 21: Let It Be (22) - 31.49 (5:12) 22: Let It Be (23) - 31.50 (4:18) 23: Let's Have A Party - 31.51a (:26) 24: Let's Have A Party - 31.51b (1:21) 25: Let It Be - 31.49P (6:09)

210

DJole’s

Purple Chick Guide

Disc 3: (48:39) 01: Dialogue (5:25) 02: Instrumental - 31.52 (1:03) 03: Let It Be - 31.53 (2:58) 04: Let It Be - 31.54 (3:45) 05: Roll Announcement (:25) 06: Let It Be - 31.55 (1:03) 07: Let It Be - 31.56 (4:42) 08: Let It Be - 31.57 (1:04) 09: Let It Be - 31.58 (:18) 10: Let It Be - 31.59 (4:24) 11: Oh! Darling - 31.60 (3:15) 12: Oh! Darling - 31.61a (2:43) 13: Oh! Darling - 31.61b (:49) 14: Unknown - 31.62 (2:43) 15: Let It Be - 31.63 (5:37) 16: Let It Be (27A) - 31.64 (4:23) 17: Let It Be (27B) - 31.65 (4:02)

Disc 4 (Bonus Disc): (1:17:06) Nagra Get Back: (43:47)

01: One After 909 - 30.08/09/17 (3:04) 02: Rocker (I'm Ready) - 22.58 (:45) 03: Save The Last Dance For Me / Don't Let Me Down - 22.59 (1:15) 04: Don't Let Me Down - 22.80/22.60 (4:10)

211

DJole’s

Purple Chick Guide

05: Dig A Pony - 22.70 (4:06) 06: I've Got A Feeling - 22.71 (2:54) 07: Get Back - 27.63/28.43 (3:13) 08: For You Blue - 25.46 (2:46) 09: Teddy Boy - 24.33 (3:42) 10: Two Of Us - 24.69 (3:31) 11: Maggie Mae - 24.49 (:38) 12: Dig It - 26.55/24.85 (5:23) 13: Let It Be - 31.64 (3:52) 14: The Long And Winding Road - 26.91 (3:44) 15: Get Back (Reprise) - 28.43 (:44)

Nagra Let It Be: (33:19)

16: Two Of Us - 21.69/31.13 (3:34) 17: Dig A Pony - 30.11 (3:52) 18: Across The Universe (3:21) 19: I Me Mine (1:32) 20: Dig It - 26.55/24.85 (:51) 21: Let It Be - 31.64 (3:52) 22: Maggie Mae - 24.49 (:38) 23: I've Got A Feeling - 30.06 (3:34) 24: One After 909 - 30.08/09 (2:52) 25: The Long And Winding Road - 26.91 (3:36) 26: For You Blue - 8.21/25.46 (2:30) 27: Get Back - 27.63/30.17 (3:07)

212

DJole’s

Purple Chick Guide

The Complete BBC Sessions Purple Chick

213

DJole’s

Purple Chick Guide

214

DJole’s

Purple Chick Guide

The Complete BBC Sessions - Great Dane's Liner Notes. BBC Light Programme - Stay Tuned! On 7 March 1962 the Beatles entered a BBC studio for their first session. It was the beginning of a long relationship between the group and BBC radio and was of tremendous importance for their success. These sessions are among the most important documents of the Beatles' music for two main reasons. First of all, the BBC had regulations limiting the number of discs which could be played during the transmissions, so whenever possible the songs were performed live in their studios. The Beatles did not escape this rule, and each number to be broadcast, including their hits, was recorded live a few days or weeks before being aired. Some of these BBC versions can hardly be distinguished from the commercially released ones, but often slight differences (particularly in guitar solos) can be appreciated. In a few cases the songs were played in noticeably different arrangements, and there are even BBC sessions which unquestionably beat the takes recorded at Abbey Road studios: "Honey Don't", Pop Go The Beatles, September 3, 1963; "I Saw Her Standing There", Easy Beat, October 20, 1963; "Rock And Roll Music", Saturday Club, December 26, 1964; "Long Tall Sally", Top Gear, July 16, 1964, are but a few examples. But the real gems of these sessions are all the classics of the fifties and early sixties rock and pop music, performed on BBC and never commercially released by the group. Why did the Beatles play these songs instead of only promoting their records? At the beginning, they had not yet released enough songs to fill all the programmes, nearly one a week. Later, these performances added exciting surprises to fans waiting to hear their favourite group playing live on the BBC. As a result, these programmes were very similar to their live stage performances. A BBC session also provided the opportunity to try out covers which could later be commercially released. Only on the last shows did the Beatles limit themselves to promoting the commercial releases: by late 1963 they had already conquered the world, and fans just wanted to hear the songs found on the records. What's sure is that the boys had great fun in the BBC studios, joking with the announcers or reading letters from fans; some of the chats in-between the songs are as pleasant as the musical performances. The influences which were important to each of the Beatles also can be recognized. John, for example, was a great fan of Chuck Berry. He sang eight Berry songs, always with great personality, and he had great pleasure in covering Arthur Alexander's tunes. Paul sang powerful covers of 215

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Little Richards' numbers which very closely match the original version. But he also was attracted to popular music hits, such as a "rock" version of "Besame Mucho" and the title song from the film "Honeymoon". George, beside performing a few classics, often played a different, more rockabilly rendition of the guitar solos than on the commercially released songs; his covers of Carl Perkins' records are unforgettable. Ringo, apart from his occasional numbers, always displays a very precise rhythm. The Beatles performed ninety different songs on BBC radio, two of which were taped but not broadcast ("Sheila" and "Three Cool Cats"). Some of these were played many times (usually their hits which were to be promoted, such as "From Me To You", featured in 15 different programmes, but also unreleased songs, such as "Memphis, Tennessee" which had five appearances); many other songs were executed just once, for a total of 288 transmitted performances, including occasional renditions of traditional tunes ("Happy Birthday", etc.). In a few cases, a song was taped once and broadcast on two different programmes. Thirty-six songs have not been commercially released, and many other numbers, later included on their LPs, were presented on BBC radio months or even more than a year before their eventual release. Indeed, considering the few, often low-quality, live concerts available, the BBC sessions represent a true mirror of how the "live Beatles" were on stage. This explains the immense interest of these tracks. We will not fool anyone by saying that this material has not been previously available to collectors (although two of the programmes and some other songs here included have never been released in any form ). However, it is true that until now all these songs were scattered among many different sources, so that a comprehensive collection would need various LPs, CDs and a few of the tapes which have been traded since the early seventies. Also, sound quality was in general not fully satisfying, at least for many sources. The BBC itself preserved very few programmes in its archives. This is the first attempt to organize all the material available to collectors in the most complete form, chronologically arranged, and with the best possible sound quality. To achieve this aim, we have checked every available source for each track, and in some cases fragments from different sources had to be edited to restore the song the way it was originally performed and in its best possible quality (this is, for example, the case with "Ooh! My Soul", "So How Come (No One Loves Me)", one of the "Memphis" takes, and a few others). Obviously, all our efforts have been addressed to recreate the original sound as it was broadcast about thirty years ago, avoiding any kind of alteration. All this material has been chronologically arranged according to the transmission date (not the recording session date). To provide collectors, 216

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and also "normal" Beatles listeners, with the best possible sound quality, DAT masters have been processed with Sonic Solutions software, a powerful digital medium which has helped editing and equalizing. Whenever possible, the particularly boring tape drop-outs have been corrected. Over 100 hours were spent at the mastering studios (plus the hours spent at home checking each track ...), but the results are encouraging, and we hope it's been worthwhile. A few of the original tapes were of really low quality; in these cases there's not much to be done but try to cut background noise to recover the sound; of course, sound distorsions can only be attenuated. However, apart from these very few tracks, the general quality of the recordings is noticeably good. We have mainly been concerned with the musical performances, so we apologize if a few seconds of chat is missing. We also apologize for any mistakes that may have occurred, we tried our best, but no one is perfect. The interview-only programmes have not been included, nor have the TV shows which had also a radio airing. The programme themes which were taped only once and used for all the numbers in the series (such as "Pop Go The Beatles") have been included in the first programme of the series only. The theme of "From Us To You" has always been included. We hope you'll enjoy these CDs and invite you to write your comments to Great Dane Records, "Beatles projects", Via L. Manara 5, 20122 Milano, Italy. This will help us to make our future projects better. Of the 288 performances which were aired, 247 have been recovered and are included on these CDs. It should be very interesting to rediscover the lost tracks; should any Beatle collector have tapes from BBC programmes (from unidentified as well as already known programms, and even if in poor quality), we'll be glad to hear from him/her. If we find some of the apparently lost tracks, an updated release can be pressed! This work would not have been possible without the help of many friends and collectors who provided tapes or useful information. Our deepest thanks in particular to Werner, Maurizio, Arno, Doug, U. G. Beanwaste, Dr. Cod and Dr. Moody. DAT masters processed at Audio Time Studios, Digital PostProduction, Cologno Monzese (Milano, Italy). Sound engineering by Marco Lacchini and Massimo Meregalli. Photos of the records by Ezio Degam, Settimo Torinese (Torino, Italy). Art direction by Erlab (Rome, Italy).

Previous Releases

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Considering the tremendous importance of the material performed and broadcast in the fifty-two BBC sessions, it is no surprise that many LP and, lately, CD releases have appeared. It is not possible to detail every single production here but some notes on the most important records nevertheless should be of interest. These notes are derived from a forthcoming book which will report on every known unofficial Beatles record. The first record to contain Beatles BBC radio performances, and one of the most important Beatles bootlegs from the historical point of view, was released in August 1971 by TMOQ (Trade Mark of Quality), a legendary California company which produced, from 1970 to 1975, more than a hundred different unofficial records by many top rock and pop groups. This first record was titled "YELLOW MATTER CUSTARD" and contained 14 "BBC" songs, thirteen of which were never recorded for EMI (the other one was "Slow Down"). These were derived from the Pop Go The Beatles programmes of July and August 1963. The first pressing of this LP had the typical coloured cardboard jacket of TMOQ, with a round sticker with a pig logo, rubber-stamped title (reading "YELLOW MATTER CUSTARD - PREVIOUSLY UNRELEASED STUDIO MATERIAL"), round a label with a large 1 or 2 for side indicators, and coloured vinyl. Its sound quality was reasonably good. The matrix number was BBL-513. It became one of the most sought-after items by Beatles collectors, and during the seventies (and into the eighties) the stamper BBL-513 was used for a great number of repressings, with differences in labels and sleeve, and coloured as well as black, or even multicoloured, vinyl. The issues released from 1973 to 1976 also had the catalogue number 71032 printed on a slipsheet. A different tape, including the same songs in slightly superior sound quality, was used in late 1971 or early 1972 by another outfit known to collectors as White Cover Folks, probably from the eastern coast of the USA. This had the matrix number YMC-101, the same title, "YELLOW MATTER CUSTARD", a red label marked "Yellow Records", and a track listing. After a few reissues, it was repressed in 1975 from the original stampers by Berkeley Records, with the misleading title "THE DECCA AUDITION TAPES". These two original LPs were copied by other manufacturers. The TMOQ record gave rise to the Contra Band Music (CBM) issues, which first appeared in early 1972 on a 2-LP set titled "DON'T PASS ME BY", matrix CBM 2C1/2D1. This set included the Christmas records and, as second disc, TMOQ LP with the addition of "The Saints" and "My Bonnie" from the Polydor Hamburg record. Starting in May 1973, this second disc was also distributed as a single LP with the usual title "YELLOW MATTER CUSTARD". There were repressings (often of poor quality) until 1976. The "Yellow Records" version was copied by Dittolino

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Discs and issued in 1972 and 1973; this producer originally released it in a cover rubber-stamped with "14 UNRELEASED EARLY BEATLES CUTS". The subsequent editions had an insert titled "AS SWEET AS YOU ARE" (from the song "Don't Ever Change"). The stamper used for these issues was numbered D-1/2. In September 1976 it reappeared for K.O. Records (a name used by the Wizards group). The "Yellow Records" release was also copied by TMOQ-Smokin' Pig (to be distinguished from the original TMOQ by the Smoking Pig logo on their labels), for an LP released in 1973 and again titled "YELLOW MATTER CUSTARD" (matrix and catalogue number 1858). In summer 1975 Wizardo Records reproduced the thirteen unreleased songs, together with a few other BBC tracks copied from other records, on the LP "ORIGINAL AUDITION TAPE CIRCA 1962" (another misleading title... - and they knew it!). Other issues date from the mid-eighties, with a European fake "CBM" titled "AS SWEET AS JOU ARE" (sic!) and a "new" "YELLOW MATTER CUSTARD" version pressed by Starlight Records in 1990. The songs on the latter were taken from sources of better sound quality, and six more tracks were added. More songs appeared in May 1972, again from TMOQ. This time two LPs, with the titles "OUTAKES 1" and "OUTAKES 2", contained the BBC versions of 21 commercially released songs, plus "Lucille" and "The Hippy Hippy Shake". This material was from Pop Go The Beatles and Saturday Club. The sound quality was comparable with that of the previous release. The records were on matrix BO-519 and BO-520, and the first pressing had coloured vinyl, a rubber-stamped cover with a pig sticker, and white labels with a black 1 and 2 for the sides, and two thin black rings around their border. The further issues, in part on black vinyl, featured the pig label; also a 2-LP set coupling the two single LPs was released. CBM copied the TMOQ records in 2 single LPs, titled "STUDIO SESSIONS VOL. 1" and "STUDIO SESSIONS VOL. 2". They were originally released in May 1973, with the title printed on the label, and subsequently repressed with various generic labels until 1976. In late 1979 or early 1980 the Japanese label Black Discs released these records on matrix ZAP-1061 / 1062. Twenty of these songs were joined together by Wizardo on a single album, titled "WORDS OF LOVE" in its first pressing released in August 1975 and subtitled "STUDIO OUTAKE RECORDINGS 1962-64" in the later issues (continuing the tradition of misleading titles). These issues were on matrix WRMB-326 and had noticeably worse sound quality. Another compilation featuring part of the songs included on the two "OUTAKES" LPs was produced by Wizardo in September 1976, entitled "THE LAST BEETLE RECORD" (matrix 393, black "World Records" label). Excerpts from the "YELLOW MATTER CUSTARD"

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and "OUTAKES 1 & 2" LPs were spread over a great number of records distributed in the second half of the seventies and in the first half of the eighties. There is no use in listing them here. More material appeared in the early seventies; this did not usually fill a complete LP: one or a few tracks, at times a single programme, were added to other material. The first programme to appear was Top Of The Pops, the U.S. rebroadcast of Top Gear July 16, 1964. This was independently released by an anonymous label on the album titled "THE BEATLES LAST ALBUM" and by CBM on "THE NEVER RELEASED MARY JANE". The first one was released in (possibly) late 1971 or early 1972, matrix 01 971. It was copied in 1972 by White Cover Folks as "LIVE AT NASSAU", matrix 999, originally distributed with a yellow label. This album was repressed in 1973 and 1974 as "TOP OF THE POPS/LIVE IN GERMANY". The CBM record ("THE NEVER RELEASED MARY JANE"), with matrix 3585, was originally distributed in November 1972 with a purple slipsheet and label with printed title. The subsequent issues had generic labels and usually a blue printed insert. This session was also included on a record by Highway HiFi, a subsidiary of TMOQ-Smokin' Pig, titled "TOP OF THE POPS", matrix HHCER 111. This LP was first issued in mid-1974 with a slipsheet printed with "rainbow" effect and repressed a number of times until 1983. In the late seventies the programme Top Of The Pops was independently rereleased by two different manufacturers on 7" EPs. One of these versions, in excellent quality, was on matrix 45x45000/45001 and bore fake "Capitol" P-9431 labels; the other one, from Brown Cloud Records (a name for a Melvin Records issue), had worse sound. Some more BBC items resurfaced in 1973; the following records contained previously unreleased material. "HAVE YOU HEARD THE WORD", by CBM, featured 3 tracks which had been broadcast on the BBC programme "The Beatles Story", transmitted in 1972; it was distributed in February 1973 and its first pressing had a label with a printed title and a red insert; matrix is WEC-3624. This record, quite surprisingly in view of its low level of interesting material and low sound quality, had an astonishing number of repressings and copies, including one by Amazon Etcetera released in 1974 or early 1975. In late spring 1973 CBM distributed another album, titled "PEACE OF MIND", matrix WEC Rl-3670, which, among various material, also included a few songs taken from the BBC sessions, in low quality. Its first pressing had generic labels with side indications. In late 1974 this too was copied by Amazon Etcetera records. In June 1973 TMOQ released "MARY JANE", matrix MJ-543, featuring in good audio quality parts of the June 30, 1964 From Us To You programme plus excerpts from Top Of The Pops; it was distributed in purple cardboard with rubber-stamped title and square gold pig sticker, red vinyl, and a black label with silver pig. The reissues were

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subtitled "SPICY BEATLES SONGS"; in the late seventies and early eighties it also reappeared as "BUG CRUSHER 'LIVE' ", from the original stamper. More repressings of the MJ-543 stamper, usually distributed with the first titles, date back to the mid and late eighties. The June 30, 1964 session reappeared on the CBM release "SWEDEN 1963", matrix WEC 3795, produced in July 1973; it had deluxe labels with the title printed on them. Very little material appeared in 1974: on "RARE BEATLES" (also titled "HAPPY BIRTHDAY" on another insert), CBM TB5030, distributed in March 1974, four previously unreleased songs made their debut, unfortunately in poor quality and noticeably slow (among these, "Johnny B. Goode" can hardly be recognized!). This LP first appeared with blank labels and had a few repressings on various other CBM labels. The record "HAPPY BIRTHDAY" by Wizardo Records, WRMB 345, featured the BBC track of this song plus songs from other records, in part BBC numbers. "SOLDIER OF LOVE", released in summer 1974 with a yellow CBM "pirate" label, a back cover featuring a D'Anunzio drawing pasted over the CBM "cartoon" print, matrix TB-1022, features the first appearance on LP of "I'll Be On My Way", in quite poor quality (a very rare 7" single had already been released), together with a few other numbers, among which is of course the title track. The last album for a few years to contain BBC material, released in December 1974, was the rare "STOCKHOLM", an LP by CBM on its Instant Analysis yellow label. This featured tracks from the "Easy Beat" show of July 21, 1963, in dreadful quality. No more "new" BBC songs appeared between 1975 and 1977, only compilations recycling previously released material appeared. New items suddenly flooded the market in 1978, when the important label "Ruthless Rhymes" was founded. "FROM US TO YOU - A PARLOPHONE REHEARSAL SESSION" is a 10" disc featuring the rehearsals for the fourth From Us To You programme. It was released in May 1978 on coloured vinyl, matrix LMW 28 IF, Ruthless Rhymes label, and was later copied on matrix 10 A/B. A new LP by the same label was distributed in June 1978, titled "YOUNGBLOOD". This included on side A 10 BBC cuts, some of which were previously unreleased, but unfortunately the performances were not included in their complete form. This record on matrix BVP-005-RE had a deluxe b&w printed cover, two versions of which exist. The first one, with the group on stage, and a second one, with the Beatles in the field. The original stamper had a few reissues, with various labels (blank, Hohrweite and Stereophonie); a different version was released by Gotham Records in the early eighties: this retained the original cover, but replaced part of the new BBC tracks with other BBC material (already known) or with some Decca numbers. It was on

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matrix BVP-005. The counterpart of "YOUNGBLOOD" was released in late 1978 by Odd Records as "DEC. 63". This album copies side B of the Ruthless Rhymes production (a Liverpool live show) and adds four tracks from Saturday Club of December 26, 1964, previously unreleased. Apart from the poor audio quality, however, these are affected by overdubbed "live audience" screams, which make them completely useless. "DEC. 63" was repressed in 1982 by Modern Jazz Records as "FIRST U.S. SHOW" (a very imprecise title, as the record does not contain anything from the USA...). In 1980 a tape with songs in excellent quality reached the producers, and the result was a series of astonishing releases. The first on is a 7" EP titled "FOUR BY THE BEATLES", by Hohrweite Stereophonie, matrix L-1453. This features 4 tracks from the July 16, 1963 Pop Go The Beatles, including some chat. Although three of these were already known to collectors, the audio quality here is excellent. This single, released in April 1980, had many repressings with various sleeves and, subsequently, with "BBC Transcription Service" labels, and was also copied by Gear Records on 2 single 7" discs. These tracks reappeared on an LP by the same producer, "BROADCASTS", matrix L-2087 NR 771 x 100. This record included 18 BBC numbers in excellent quality, in part unreleased. It was distributed in July 1980 on green or black "BBC Transcription Service" labels, deluxe full colour cover (which was later used for a picture disc produced by another manufacturer). As expected, this LP had a series of reissues in the eighties, including one on coloured vinyl by Box Top Records, and was copied by other manufacturers. Even today it should be considered as one of the most interesting Beatles bootlegs. A further release distributed in July 1980 by the same producer under the POD Records label was "ROUGH NOTES". This is a miscellaneous LP, which features 4 BBC songs, three of which were unreleased at the time (from March 30, 1964 From Us To You) and the other one is "I'll Be On My Way" in better, although not particularly good, quality. Its matrix is L-2408SR-73941, and it was released with 2 different b/w laminated covers. More than a year after these issues, a very important new LP appeared on the market, "SILVER DAYS (AIR TIME)" contained, besides a perfect copy of the Sweden October 24, 1963 concert, many songs from the BBC sessions, in excellent quality. Some of these tracks had already been known for more than 10 years, but here they sound almost perfect. This album was distributed in October 1981, matrix L-7198-MX 4729; on the cover it was credited to "Johnny and the Moondogs" (one of the Beatles' earlier names). Its first pressing had a blank label, the back cover had a sticker with track listing, and the front cover had a sticker with "AIR TIME" (hence it's common title). More issues were on the Subway Records label (although the 222

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cover says Warwick Records), lacking stickers. A few months later, in January 1982, another very important LP, "BEAUTIFUL DREAMER", was released in the USA (all these records were produced by the same manufacturers, under different names). This is the first album to contain tracks from the very early BBC appearances, for example the title song; it's on matrix L-8346-DH-9501 and has a nice full colour jacket. Another producer released "WONDERFUL PICTURE OF YOU" in May 1982, matrix SKI-5430, Circle Records. This is a 2-LP set, which, to a copy of an older record featuring some "Get Back" material, was added some BBC sampler tapes. Very interesting, previously unreleased songs are included, among which are tracks taken from their very first Teenagers Turn programme. The weak point is that these cuts were only in fragments, badly edited and partly off-speed. However, sound quality for a few of them has not been equalled yet. In early 1982 the BBC (after suggestions by a Beatle fan) decided to prepare a memorial programme to commemorate the twentieth anniversary of the first Beatles BBC sessions. This was quite a difficult task, as only very few parts of the Beatles sessions had survived in the BBC archives. However, using these few programmes and some of the songs which had previously appeared on unofficial releases, the BBC could eventually manage a two-hour programme, which was aired on March 7, 1982. Needless to say, this show was immediately reproduced on a 2-LP set by "Radio Transcription Records", matrix CBB-20 released in June 1982. The BBC show was rearranged by American radio networks, with the addition of some tracks taken from the most recent LPs (in particular "BEAUTIFUL DREAMER" and "SILVER DAYS"). The programme, which was aired in U.S. between May 29 and 31, 1982, was used to produce a couple of LPs: "THE BEATLES BBC", by Dream Records, matrix L-9743-DR-36282 and "WITH LOVE FROM US TO YOU", by Oro Records, matrix L-10328-ORO-6365; both these LPs were released in July 1982. The second one also contained a poster, but, from a musical point of view, they obviously did not add anything new to our knowledge. On December 27, 1982 BBC aired an expanded version of the Beatles special, with more songs chosen from among those left out in the first edition and included in the American ones, plus some of the material which was traded among collectors on tape (excerpts from the first BBC session of March 8, 1962, for example). This three-hour programme was rebroadcast in the U.S. in May 1983 and, as its preceding one, it was soon transcripted to unofficial records. The first one to appear was a 3-LP set titled "THE BEATLES AT THE BEEB" by (fake) London Wavelength Records, matrix AT THE BEEB AH. It was released in July 1983 and was the direct transcription of the 223

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programme, including commercials. A slightly subsequent release by a different manufacturer was titled "THE BEATLES AT THE BEEB - THE STORY OF THEIR RADIO CAREER", again on (fake) London Wavelength Records labels. This had a better pressing and commercials were edited out; it was on matrix HOUR 1/2/3 and each record had a label of a different colour (red, green and blue). The original stampers were also used for a copy on picture disc, which was included in the 5-LP box "SO MUCH YOUNGER THEN", produced in 1985. A Japanese version, whose pressing is extremely good, is a 2-LP set, which did not include all the songs broadcast by the BBC and cut all the interviews and comments by the presenter of the show. This record is titled "BEATLES BROADCAST COLLECTION" and is on matrix BBC 1/2/3/4. At this point, collectors had a comparatively good representation of the BBC material available. Some compilations or copies of the aforementioned records started appearing, but all the sources were fragmentary. Even the BBC programmes failed to give comprehensive information, as obviously the producers of the memorials chose only the songs available in better quality of those of greater importance. An essential addition to the collection of BBC tracks came in December 1984, with the release of "DIRECTLY FROM SANTA CLAUS, RARE UNRELEASED BEATLES TRACK", a now rare European picture disc which featured 18 songs as yet unreleased. All these songs were arranged in chronological order of original broadcast (except for a single mistaken attribution) and derived from some tapes which were traded at the time. Although sound quality was not always satisfying, this record gained an extraordinary importance for completists: until now, in fact, it contained tracks not available elsewhere on disc. The most important series of Beatles BBC unofficial releases started in October 1986, when the first of 13 LPs with BBC sessions, titled "THE BEATLES AT THE BEEB - VOL. 1" to "VOL. 13", appeared. The tapes originating this series had long been preserved by a U.K. collector, who in the middle of the eighties traded them with some Dutch friends. The material was then given to a group of European producers who started the release of the records on the label "Beeb Transcription Records". The first 9 volumes were pressed in Europe, while the last four volumes, due to some problems which arose at the pressing plants, were produced in the USA at two different plants, one of which used noticeably worse vinyl. The absolute importance of this series is that it brings us an incredible amount of previously unreleased sessions, often including chats and announcements. Moreover, sound quality is in general very good, often excellent, and the liner notes (although excessively emphatic) give useful information. A few weak 224

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points however affected this production. First of all, some of the incomplete programmes could have been at least in part completed taking the available missing songs from already released sources. Some songs in poor quality could have been replaced with those available in better sound. Slight work with filters and equalizers on the original tapes could have increased the overall audio quality, which sometimes suffers from some hiss or is not equalized. Unfortunately, the tapes start from 1963, thus all the first BBC sessions are missing (and probably many of them are lost forever). The series ended with Vol. 13 in December 1988. These LPs were in part copied in the USA as 2-LP sets, and a few of them also had an issue on coloured vinyl. Starting from 1989, the complete series was transferred onto CD by the European producers Pyramid Records. All these CDs appeared with a stock sleeve saying "RADIOACTIVE", to which some US and European distributors added a reduced copy of the original LP covers. When it was clear that the "BEATLES AT THE BEEB" producers did not own the tapes of the first programmes, some European and U.S. manufacturers (not directly related to the "BEEB" producers) pressed a further record, which included these missing sessions. The first one to appear was "MEET THE BEEB", released in April 1988, on matrix 800, designed to look like number 0 of the "BEEB" series. It was a European record, of much worse sound quality than the tapes from which it was derived. Of course, all the material was unreleased at the time, so this record was nevertheless quite interesting. An American attempt with a slightly more complete track listing was released in summer 1988. It was titled "THE BEATLES AT THE BEEB WITH PETE BEST", by Drexel Records, matrix L-31 1 23-BEEB 6263 (the lacquers of the "BEEB" volumes 10 and 11 were produced at the same plant). This time the tapes were of better quality, but the release is ruined by a very hissy and noisy pressing. The third attempt, and the worst of all, was released by Tiger Beat Records in December 1988 (this label also pressed the last two "BEEB" volumes). They included on "THE LOST BEEBS", matrix TBR LP-2, also tracks missing from the "BEEB" series: these were taken from "YELLOW MATTER CUSTARD", but sound was awfully distorted, worse than on the original 1971 record! With these releases, nearly all the surviving BBC sessions were published. The BBC itself acquired the "BEEB" series and produced a new 14-episode memorial series, including also a few other sessions which meanwhile had surfaced from their archives; this programme was broadcast in the U.K. from October 1 to December 31, 1988, and, in a somewhat different version, in the USA in the next year. Lots of compilations were derived from these releases of BBC programmes. Among these, the most interesting are the Swingin' Pig 3-LP/2-CD sets "FROM US

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TO YOU" and the Japanese 2-CD set "THE BEATLES ON BBC". In 1992 a 9CD series appeared in Europe, claiming to be the complete BBC catalogue ("THE BBC BEATLES: COMPLETE CATALOGUE VOL. 1-9"). However, this was simply produced by adding "AT THE BEEB WITH PETE BEST" to the "Pyramid" CDs, and mastering the programmes according to the broadcast date; the tracks missing from the Pyramid CDs have not been added, and those incomplete or in poorer quality have not been replaced with the ones available in better sound. The 9-CD set which we have produced should represent the definitive collection of the Beatles' BBC Sessions now available, chronologically arranged, and in the best sound quality. Enjoy listening to the Beatles at the Beeb and...

THE BEATLES LIVE AT THE BBC - COMPILING THE 'LOST' TAPES Down in the BBC vaults, we were told, they had stumbled upon golden tapes containing long lost recordings of the Beatles' radio performances. It was hailed as the greatest and most fortuitous discovery since the unearthing of Tutankhamun's tomb, but then RICHARD BUSKIN,intrepid reporter, got on the case and spoke to BBC Radio producer Kevin Howlett and Abbey Road Studios engineer, Peter Mew. The truth, he learned, differed somewhat from the hype. Well, well, well, here we go again! What is it about publicity and press hacks that compels them, every timesome legendary, previously-unreleased material is unleashed on the general public, to summon up images of said tapes being discovered down in the vaults? For one thing, just how many record companies do, in fact, have these mysterious - and, no doubt, cobwebinfested - underground storage chambers; and secondly, are we to assume that there are regularly exploratory expeditions undertaken in order to seek out even more of this hidden treasure? You can just imagine the scene..... Indiana Jones, eat your heart out! Indeed, in the case of the recently released Beatles radio sessions, we were informed by news reports on the BBC itself that the vaults in which the tapes were actually 'dust-encrusted', which doesn't say too much for the work of the BBC archivists. Furthermore the tapes were miraculously all found to be in pristine condition, and they contained songs which nobody 226

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could recall the Beatles ever performing. Well, to all this I will say just one thing - and, being my usual diplomatic self, I will do so in a typically restrained manner - what a pile of tosh. Of the 275 Beatles recordings broadcast by the BBC between March 8, 1962 and June 7, 1965, various were in fact re-broadcast by the network in a two hour special entitled The Beatles At The Beeb in 1982. A three hour version was subsequently syndicated in other countries, and in 1988, there was a series of 14 half hour shows entitled The Beeb's Lost Beatles Tapes. What is more, the fans have had bootleg recordings of many of these sessions since the early 1970's. during the past year, an Italian company has even put out a nine CD boxed set containing every single number the band committed to tape in the BBC studios. The only reason for the delay was the protracted legal wrangling between the BBC, EMI Records (to whom the Beatles were contracted from 1962 onwards), and the group's own company Apple Corp. So let's not talk about the mass rediscovery of long lost masters.

DISCOVERING THE TOMB Kevin Howlett, a senior producer at BBC Radio 1, wrote the sleeve notes for the new album, The Beatles, Live At The BBC, having previously reengineered - and acted as a conduit in the location of - much of the material that was used for the 1982 and 1988 re-broadcasts. "At the press launch for the album, the first question I was asked was whether it was like discovering Tutankhamen's tomb," he says. "So I replied that the material was very exciting and that I therefore suppose you could use that analogy if you want to. That was a mistake, however, because the reporter then quoted me as asserting, 'it was like discovering Tutankhamun's tomb!' I should have been wise to his little ploy, because in truth I feel that the material is much more a time capsule that enables you to travel back and rediscover where BBC Radio was at in the mid 1960's. Such is the case for Howlett himself whose own time at the beeb commenced quite a few years later. "I was just a child listening at home to this stuff - a beatle baby," he says. Nevertheless, while researching the sessions he did talk to numerous people who had worked on them, and from what they said, he deduced that, during the early to mid 60's, there had actually been a conscious decision among the BBc hierarchy to dispose of all the material.

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"I spoke to Jeff Griffin who was here at the BBC, and he recalled a particular Head Of Department saying, 'This material is taking up too much room. we've got to get rid of it!' Today that may seem ludicrous, especially as Radio 1 has its own archive and we hang on to all our sessions. In fairness, there was so much live recording done in those days - because there weren't all that many records being played - that if they had kept absolutely everything, it would have got completely out of control. I mean. you didn't really need to keep the Northern Dance Orchestra performing Singing The Blues for the fifteenth time or whatever. "On the other hand, The Beatles had certainly become a phenomenon within a very short space of time, and so you would have though that somebody would have though that somebody would have considered the recordings worth hanging onto for posterity. There again, I've also heard that the contracts made with performing artists back then contained a clause stating that session tapes should be destroyed after three months; possibly a Musicians Union rule that its members would then be required to return and make further recordings. Nevertheless in spite of all the rules and regulations, some employees fortunately did have the foresight todisregard them, albeit that the task of tracking down and collating these remnants was anything but straightforward for Howlett and his colleagues. The beeb, you see, is a large corporate body with numerous arms that reach out to both the domestic and overseas markets, and as a result, it has several different archives in a variety of locations.

BACK TO THE ARCHIVE "Over the years, it's been a process of putting the Beatles archive back together really, as more and more stuff has come to light," says Howlett. "For the series The Beeb's Lost Beatles Tapes, which included a lot of speech interviews from the timew as well as the tracks, we turned up quite a few things. One of the most exciting finds came from the BBC Transcription Department, which was originally set up to distribute programmes to far flung corners of the British Empire." During the 1960's, there was a radio show called Top Of The Pops - not to be confused with the television programme of the same name - hosted by Brian Matthew. This fitted onto two sides of a long playing disc and it featured

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Matthew presenting session tracks that had been recorded for various BBC programmes by groups such as the Hollie, The Swinging Blue Jeans.... and The Beatles. "The transcription discs were utilised as the source for some of the 1964 material on the Live At The BBC album," explains Howlett. "On 'Things We Said Today', for instance, you can hear Brian Matthew voicing-over some sort of introduction, and that's actually taken from a Top Of The Pops disc, because the original version without the voice-over doesn't exist. "There can be no doubt that the shows were well recorded at the time. So it's just a question as to how well the material has lasted over the years and in what form. I can remeber George Martin (the album's Executive Producer) saying to me that a disc is quite a good storage medium and that he was quite happy to master from it. In fact when I was working on a series called Paul Simon's Songbook a few years ago I talked to (producer) Roy Halee about his re-mastering of the Simon and Garfunkel material and how the original master tapes were in a bad condition, having been played over and over again and not looked after. he was appalled at the state they were in, and said, 'if only they could find me a decent mintcopy of 'Bridge Over Troubled Water', at least I would be able to master from that!" So much for disc storage, yet within the BBC Transcription Department there is also a tape library, and it is here that the most exciting find was made for the 1988 series The Beeb's Lost Beatles Tapes. "We came across two ten-inch reels with 'The Beatles' on the spine," recalls Howlett. "One of these was a half-hour reel featuring them larking around for the '65 Christmas Show, (an edition of Saturday Club on which the group did not perform any songs). They were being interviewed by Brian Matthew and doing a send up of (the then influential TV pop show) Juke Box Jury, and obviously another version was eventually edited down from this. "At the same time, the other half-hour reel was similar in that it had been left running while the session was in process, but it also included them performing 'I Feel Fine' and 'She's A Woman'. It had false starts, takes which broke down half-way through, and talkback between the group and the control room. It was fascinating, and that was quite a find, because it's sort of a pre-master really. From it, a master would have been made - a track would have been dubbed down, edited or whatever". It's wierd how some things turn up. For instance, I've done a programme about the Rolling Stones' work at the Beeb. Some of their sessions are still

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missing, but one of those that is still around is probably the most interseting of all. In 1964, they performed tracks in front of a live audience that they never recorded for Decca. it was an experimantel stereo broadcast for the BBC, whereby they would broadcast one side of the stereo on the radio and the other side on the television (ie. stereophony). Then there were no television programmes in the early morning, and so they broadcast one side of the stereo on TV only and you would have to position your radio and your TV to get the stereo image! Now, that tape survived because it was of interest technically. You know, some engineer kept it because it was one of the first stereo broadcasts and not particularly because it featured the Rolling Stones".

ALTERNATIVE SOURCES Meanwhile, with regard to The Beatles' radio performances, contact with the original session producers yielded some more tapes, but there were still quite a few gaps to be filled. It was for this reason that contact also had to be made with some.... ahem, 'alternative sources'. Indeed, since the transmission of the 1988 series, the most recent and valuable discovery has been a recording that a member of the public made off his radio back on January 26, 1963. Now it should be pointed out that this kind of practice was, of course, highly illegal, but in the case of The Beatles sessions, the BBC have had to behavein a manner which could more aptly be described as bloody grateful rather than terribly annoyed, for it is thanks to some eager listeners - and not the hallowed vaults - that certain lost gems have been retreived. "The 1988 radio series was virtually completed just before it went out on the air", says Howlett, "but then when it did go out, some people phoned up and said that they has more tapes. Out of all of them one appeared to actually have some stuff that we didn't have, recorded all those years ago on his little Grundig. While it was too late for the series, I nevertheless kept his letter on file and got back in touch with him when this album project was imminent. he journeyed down to London with his five-inch reels, we went through them, and that's how 'Keep Your Hands Off My Baby' appeared on the album". Certainly, a good number of shows were originally broadcast by the BBC in what was then known as VHF, and so, if someone had a half-decent domestic tape recorder and took a direct feed from his radio, the result of his or her 230

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endeavours could well be usable, especially with the digital technology now available to clean up such recordings. Peter Mew has been utilising the SonicSolutions computer enhancement system for the past 5 years at Abbey Road. He first became involved in the Beatles project when work on the album started in earnest around the middle of 1992.

SONIC ENHANCEMENT "After George Martin had chosen the tracks that would go on the record, they were passed over to me for de-noising, EQing, and all the rest of it," he says. "Over the peiod of two and a half years, the album went through various changes - running order changes, title changes and things like that. At each stage I had to re-edit and make adjustments, so that it still sounded OK. In fact, overall it must have gone through seven different versions, and so I can now sing almost every song off by heart! The masters that the BBC had were in pretty reasonable shape, and they therefore needed much the same treatment that old studio tapes would need. From there, however, things went down the scale in terms of sound quality and some items required a lot more work. Coming from so many different sources, each track had its own problems, and so it wasn't like a normal studio job where you had a number of studio reductions which basically required noise reduction. Everything had to be approached as a separate entity, and then, having done that, it was a matter of trying to get continuity of sound, and that worked in some cases and probably not in others!" Undoubtedly, the greatest attraction of the 56 song Live At The BBC album is the 30 numbers which the band never recorded; mostly old rock'n'roll covers from thier Hamburg and Cavern Club days, as well as a few contemporary hits and even one of their own compositions, 'I'll Be On My Way', which was a hit for Billy J. Kramer with the Dakotas. Again, as with Little Eva's 'Keep Your Hands Off My Baby', several of these performances returned the BBC's way courtesy of private recordings, yet in a good number of cases they also came from the Transcription Library at Kensington House, but from Bush House, where the World Service programmes are broadcast. "The show, Pop Go The Beatles, was broadcast in the summer of 1963 on the domestic service," explains Kevin Howlett. "It featured a guest group and and a presenter and The Beatles reading requests, but it was then re-made

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for the BBC World Service and put out in '64 featuring just the songs and an announcer, and so that material went over to Bush House. Now, somebody over there made a tape of the more unusual songs, and due to this I was able to get hold of some of the most interesting tracks". Still, there are half a dozen Beatles performances of 'unreleased' numbers which George Martin deemed as unsuitable for the album: Roy Orbisin's 'Dream Baby (How Long Must I Dream)', from their very first radio broadcast on March 8, 1962 (featuring Pete Best on drums); The Coasters' arrangement of 'Besame Mucho' and Joe Brown's 'A Picture Of You', both from June 15, 1962 (still with Best on drums); Slim Whitman's 'Beautiful Dreamer' from January 26, 1963; Chuck Berry's 'I'm Talking About You' from March 16, 1963; and Carl Perkins' 'Lend Me your Comb' from the broadcat of July 16, 1963. Of these, the first five are audibly much too poor to bring up to scratch for the album - listeners' recordings that were evidently not made via direct feed into a good quality grundig, but rather with a cheap microphone placed next to the radio speaker while Mum was told to be quiet. In other words, items of historic importance that are not quite fit for general public consumption. yet the reason for omitting 'Lend Me Your Comb', which originates from the BBC's Bush House archive, is altogether less obvious. Officially George Martin's selection criteria for the material involved both technical quality and the standard of the performance, and on the latter count the number just missed the mark. Unofficially, the powers that be may also wish to keep something in the can, and thus have somthing in reserve to use as a 'bonus track' enticement for some future release along with all of the alternate takes.

DROPOUTS AND MAGIC WANDS "The Roling Stones only did about 12 sessions, and so the fact that The Beatles did 52 is absolutely phenomenal", says Kevin Howlett. "They really worked at it, and of course, they were playing live in the studio, although by '64 they did get a bit more sophisticated. They certainly didn't have a multitrack machine at their disposal. The first multitrack to come into the BBC was an eight-track, and that was a very long time after The Beatles had stopped doing sessions here. So, the only way that they could overdub was to put down a backing track and then play the tape back through the mixing

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desk and perform over the top of it. You can occasionally hear examples of this on some of their '64 recordings. 30 years later one of the problems which peter mew had to deal with, especially when working on some of the rarer recordings, was that of sound dropouts. For, whilst he was able to repair most of them, a close listen to the album indicates that there were still a few instances wher this was just not possible. "The art, if you like, of using computer editing systems these days is that they allow you to take very small slithers of sound from elsewhere and patch them in, much like you would with a painting," mew explains. "But if you can't find a matching piece of sound from somewhere else in the song, then you just can't do it, because you obviously don't want to apply any new paint! On 'A Taste Of Honey', for instance, there's an analogue dropout that has bugged me from the word go, but I couldn't do anything about it, because that piece of sound wasn't repeated anywhere else in the song. I also couldn't boost it, because it's not a particular level that drops for a particular length of time; it might drop a little bit here and then go up and down, and it's too long to restore using the click removal devices, which work on several milliseconds of sound. This dropout lasts for perhaps half a second and so you can't use the computer. So, at the end of the day, contrary to what some people think, the Sonic Solutions system is not a magic wand. It's a piece of technology, and if you've got absolute garbage going in, then you'll have something better than absolute garbage coming out, but it ain't going to be perfect". Anyway, in the case of The Beatles, Live At The BBC album, who really cares? This is vintage stuff and it serves to remind one that, in the final analysis, musical content is of far more importance to the average listener than sheer sonic quality.

SPOTTING TALENT Brian Willey produced the December 4, 1962 and January 29, 1963 editions of The Talent Spot on which the Beatles first performed before a live audience. The first of these, recorded on November 27, 1962 at the BBC's Paris Theatre in Central London, featured the soon-to-be fab Four at the

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bottom of a star spangled bill comprising The Ted Taylor Four, Mark Tracey, Elkie Brooks, and Frank Kelly. Still, it served as a showcase for new talent and broke the mould in as much as no audition was required. In effect, therefore, it was like a broadcast audition. Willey now recalls that after the first show, Brian Epstein, the Beatles' manager, "asked me, 'Do you like them?' and I said 'Well, they're rough, but they entertain me.' Bearing in mind that it was a live broadcast, a one-take job, they didn't do too badly. Epstein then asked me if I would have them back on the show. I said 'Yes', and by the time that happened, a few weeks later, they had already climbed the charts, and in fact, made a hell of a difference to my audience. This usually consisted of about 30 or 40 people, and now, suddenly, hundreds were packing the Paris and queueing outside on the street". Full-scale Beatlemania was looming just ahead and the band's phenomenal rise to superstardom was underway. Yet it is only with hindsight that those who were involved in this story can fully appreciate the significance of what they took part in all those years ago. "Looking back they were great days", says Brian Willey, "but at the time, I was just doing a job, and I'm sure that none of us ever thought we were making a mark on history. Oh well, back to the vaults...

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March 7th, 1962 TEENAGERS TURN (HERE WE GO) The Playhouse Theatre, St. John's Road, Manchester RECORDED: 07 March, 1962, 8:00 - 8:45 p.m. TRANSMITTED: 08 March, 1962, 5:00 - 5:29 p.m. ANNOUNCER: Ray Peters PRODUCER: Peter Pilbeam 1. MEMPHIS, TENNESSEE BBC.01.01 2. DREAM BABY BBC.01.02 3. PLEASE MR. POSTMAN BBC.01.03 Here We Go was a programme recorded before a live audience, and the Beatles took part in five shows. This is an absolutely essential session: their first radio broadcast, the first live show which has been preserved, the only Beatles recording of "Dream Baby", and the only live perfomances of "Memphis" and "Please Mr. Postman". Also, it is one of the very few available shows with Pete Best on drums. The group's successful February 12 audition for the show's producer, Peter Pilbeam, consisted of two Lennon-McCartney songs, "Hello Little Girl" and "Like Dreamers Do", along with "Till There Was You" and "Memphis". Of these, only the last song was played again for their first broadcast. THE SONGS 1. "Hello Little Girl" is a well-known Lennon-McCartney composition, which was played during their Decca audition on January 1, 1962. It is really a pity that it has not been transmitted, as we do not have other performances of this song (other than a 1969 tape). 2. "Memphis, Tennessee" was first released by Chuck Berry in July 1959 and had plenty of cover versions. The Beatles performed it during the Decca audience and five times at the BBC but never released it officially. All these versions closely match Chuck Berry's original recording. Lead vocalist: John 3. "Dream Baby". The original version had been released by Roy Orbison only one month before and was doing very well in the American charts. Paul takes the lead in this Beatles cover (which however cannot compete with Orbison's original take!).

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4. "Please Mr. Postman". It was first recorded by the American group The Marvelettes in 1961. The version from this show is quite interesting for two reasons: it precedes its official release by one year, and it is the only live version (the other two BBC appearances were taped in the studio in 1963 and 1964). The Beatles' arrangement is already almost identical to the released one, however, it is more rock 'n' roll than the original record. Lead vocalist: John. THE SOUND Purple Chick's previously unbooted tape (and the releases that copied it) sounds much better than other releases. June 11th 1962 HERE WE GO The Playhouse Theatre, Manchester RECORDED: 11 June, 1962, 8:45 - 9:30 p.m. TRANSMITTED: 15 June, 1962, 5:00 - 5:29 p.m. ANNOUNCER: Ray Peters PRODUCER: Peter Pilbeam 1. 1. LOVE ME DO 2. A TASTE OF HONEY BBC.03.02 3. P.S. I LOVE YOU 4. SHEILA (not broadcast) The last available recording with Pete Best on drums. THE SONGS 1. "Ask Me Why". This live version predates the Star Club one by six months and the officially released version by seven. It is the first available version, although very similar to later ones. Played 4 times at the BBC. 2. "Besame Mucho". One of the Beatles' favourite "classic" songs. They performed it in their live act during 1961-62, they played it at their Decca audition and their initial Parlophone session (with Pete Best), and it was revived in 1969 and is shown in the film "Let It Be" , although this is the only BBC rendition. The Beatles' version is probably derived from the Coaster cover which had good success in 1960. Lead vocalist: Paul.

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3. "A Picture Of You". The only Beatles recording of this song, which was a hit by Joe Brown and the Bruvvers and had just entered the charts. George's first lead vocal at the BBC. THE SOUND Purple Chick's previously unbooted tape (and the releases that copied it) sounds much better than other releases. October 25th, 1962 HERE WE GO The Playhouse Theatre, Manchester RECORDED: 25 October, 1962, 8:00 - 8:45 p.m. TRANSMITTED: 26 October, 1962, 5:00 - 5:29 p.m. ANNOUNCER: Ray Peters PRODUCER: Peter Pilbeam 1. 1. LOVE ME DO 2. A TASTE OF HONEY BBC.03.02 3. P.S. I LOVE YOU 4. SHEILA (not broadcast) Broadcast 26 October 1962 on "Here We Go". This recording has often been identified as coming from the TV show "People And Places", but I disagree due to the audience noise and electric guitars which clash with Lewisohn's description of that TV appearance (no audience, and acoustics). This show was taped before a live audience. It was Ringo's first BBC session and the only live appearance of "P.S. I Love You". "A Taste Of Honey" predates its official release by a few months. During this session the Beatles also played their unique BBC version of "Sheila", which unfortunately was not aired. A Beatles cover of this song is available on the Hamburg Star Club record. THE SOUND The Artifacts tape is a little longer at the end, so it has been edited onto Yellow Dog's ever-so-slightly better quality version. December 4th, 1963 THE TALENT SPOT The Playhouse Theatre, Manchester

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RECORDED: 27 November, 1962, 7:00 - 8:00 p.m. TRANSMITTED: 04 December,1962, 5:00 - 5:29 p.m. ANNOUNCER: Gary Marshal PRODUCER: Brian Willey 1. LOVE ME DO 2. P.S. I LOVE YOU 3. TWIST AND SHOUT Not currently available. Here the Beatles were promoting their first single release. "Twist And Shout" appears for the first of its 9 BBC performances and predates its commercial release by four months. January 16th, 1963 HERE WE GO The Playhouse Theatre, Manchester RECORDED: 16 January, 1963, 8:00 - 8:45 p.m. TRANSMITTED: 25 January, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Ray Peters PRODUCER: Peter Pilbeam 1. CHAINS BBC.05.01 2. PLEASE PLEASE ME BBC.05.02 3. ASK ME WHY BBC.05.03 4. THREE COOL CATS (not broadcast) A recently rediscovered program. This show presented the first BBC appearance of "Chains" (perfomed three more times.) "Three Cool Cats" unfortunately was not broadcast. The Beatles were obviously promoting their single "Please Please Me"/"Ask Me Why" which had just been released. THE SOUND Yellow Dog was the first release of this long-circulating show. January 22nd, 1963 SATURDAY CLUB The Playhouse Theatre, Northumberland Avenue, London WC2 RECORDED: 22 January, 1963, 4:00 - 5:00 p.m. TRANSMITTED: 26 January, 1963, 10:00 a.m. - 12:00 p.m.

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ANNOUNCER: Brian Matthew PRODUCER: Jimmy Grant 1. SOME OTHER GUY BBC.06.01 2. LOVE ME DO BBC.06.02 3. PLEASE PLEASE ME BBC.06.03 4. KEEP YOUR HANDS OFF MY BABY BBC.06.04 5. BEAUTIFUL DREAMER BBC.06.05 The first of ten appearances on Saturday Club. This programme was set up in 1958, offering a mix of pop, jazz,country, and rock. Being the only chance to hear this kind of music on the BBC, it soon gained great popularity in Great Britain and was an essential promotional medium for any artist. The Beatles took this opportunity to present their brand-new single, "Please Please Me", together with their first one. Only fragments of 'Please Please Me' are currently available - but the whole song exists and hopefully will surface shortly. THE SONGS: 1. "Some Other Guy". This song was recorded by Ritchie Barrett in May 1962 and quickly became a favourite of many groups. A very famous Beatles live version was filmed at the Cavern Club on August 22, 1962. The group presented this song at the BBC three times. Lead vocalist: John. 4. "Keep Your Hands Off My Baby". This Goffin-King song was released in 1962 by Little Eva, and this is the only Beatles version known to exist. Lead vocalist: John. 5. "Beautiful Dreamer". An old song written in the second half of the nineteenth century by Stephen Foster, which had other versions by Bing Crosby and Al Jolson. It became very famous in the fifties, and the Beatles probably learned their rock 'n' roll arrangement during their time in Hamburg. It was recorded there by fellow Liverpudlians, the Searchers, who released their version later in 1963. It is the Beatles' only known recorded performance. Lead vocalist: Paul. THE SOUND We stuck with the original Purple Chick presentation of this show - using our previously unbooted upgrade along with BBC Trailer's "Love Me Do". Then we added a few previously unheard fragments of Please Please Me, taken from 240

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the full song which exists (alas, the rest of the show apparently does not survive in this quality) January 29th, 1963 THE TALENT SPOT BBC Paris Theatre, London RECORDED: 22 January, 1963, 8:45 - 9:30 p.m. TRANSMITTED: 29 January, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Gary Marshal PRODUCER: Brian Willey 1. PLEASE PLEASE ME 2. ASK ME WHY BBC.07.02 3. SOME OTHER GUY A recently rediscovered song. THE SOUND Yellow Dog was the first release of this long-circulating show. February 20th, 1963 PARADE OF THE POPS The Playhouse Theatre, London TRANSMITTED. live: 20 February, 1963, 12:31 - 1:30 p.m. ANNOUNCER: Denny Piercy PRODUCER: John Kingdon 1. LOVE ME DO 2. PLEASE PLEASE ME Not currently available. A live show (the Beatles' first for the BBC) where the group was promoting their records March 6th, 1963 HERE WE GO The Playhouse Theatre, Manchester RECORDED: 06 March, 1963, 8:00 - 8:45 p.m TRANSMITTED: 12 March, 1963, 5:00 - 5:29 p.m.

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ANNOUNCER:Ray Peters PRODUCER: Peter Pilbeam 1. MISERY BBC.09.01 2. DO YOU WANT TO KNOW A SECRET BBC.09.02 3. PLEASE PLEASE ME BBC.09.03 4. I SAW HER STANDING THERE (not broadcast) The Beatles' last appearance on Here We Go. This show features the only live performance of track 2. THE SOUND We used Yellow Dog's version, which is probably just a different eq of Great Dane's tape. Here We Go was normally broadcast on Fridays, but for some reason this show was broadcast on a Tuesday. This was the Beatles' fifth and final appearance on the show, but host Ray Peters incorrectly refers to it as their fourth. Brian Epstein later cancelled three appearances scheduled for June and July. The series was originally titled Teenagers Turn: Here We Go and was the show on which the Beatles made their radio debut in March 1962. The Beatles also recorded I Saw Her Standing There for this particular show, but it was edited from the final broadcast. This was the first time that the public got to hear Do You Want To Know A Secret and Misery as the Beatles' debut LP wouldn't be released until 22 March - on the same day that Kenny Lynch released Misery. His was the first cover version, while Billy J. Kramer & the Dakotas' version of Do You Want To Know A Secret would be released in April. This show was recorded three days before the beginning of their U.K. tour, opening for Tommy Roe and Chris Montez. The single version of Please Please Me had just topped the New Musical Express chart, hence the reference in Ray Peters' introduction, although this wasn't the chart which the BBC normally used. Here We Go's house band was the Northern Dance Orchestra, aka the NDO, one of several bands employed by the BBC to fulfil a long-held agreement with the Musicians Union. Bands like the NDO, the Midlands Dance Orchestra, etc., were Musicians Union members and had to be employed to fulfil the BBC commitment to "live" music. It was because of this agreement that bands like the Beatles were booked to play live. A certain amount of 242

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"live" music time had to be alloted to counter the then-growing amount of time given over to the playing of records, so-called "needle time" in radio parlance. Hence, some shows like Here We Go, Pop Go The Beatles, and others were entirely live with no records played, while Saturday Club and Top Gear were a mixture of records and pre-recorded live sessions. Radio Luxembourg and the pirate stations (which appeared in 1964) had no such agreement with the Musicians Union and just played records. The Trad Lads may have been another Musicians Union member band, specially formed for the purposes of radio work on the BBC. However, a group called the Trad Grads recorded for Decca in 1963. Ben Richmond recorded two songs for Pye's Piccadilly label in 1963. Warmed Over Kisses was not one of them. About the survival of this particular tape This show survives only because one of the evening's performers taped it directly off of FM radio onto a domestic tape recorder (which explains the superb sound quality). The 13'46" worth of Here We Go featuring the Beatles' three songs was buried in the middle of nearly three hours' worth of recordings of children playing, a few other minor off-air recordings, and the like. The original tape - believed to be in the possession of the original taper - is complete as reproduced here, but it is shedding oxide and was poorly spooled. Additionally, it was recorded as four mono tracks to get the maximum recording time, so it is impossible to play back on most conventional domestic open-reel decks. The tape was salvaged by a recording expert in the UK, who transferred it onto analogue cassette while performing some minor tweaking. All that was done after this transfer was to feed the recording through No-Noise and Sonic Solutions to eliminate the prominent hiss, while a touch of boost was added to the drums. Unlike most Beatles' BBC sessions, this recording comes directly off an original open-reel copy, via a single generation of professionally recorded cassette without Dolby noise reduction. As such, you are hearing a fourth-generation-from-source recording (two analogic and two digital generations), which is closer to source than most commercial recordings. Any minor drop-outs are due to the age of the original open-reel tape; however, whenever possible these were edited. This recording came to light just after the release of Great Dane's 9CD box set, in the Spring of 1994, and was donated to Great Dane to help complete the saga of the Beatles at the BBC.

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Great Dane Records is proud to offer this exceptional tape to all Beatles fans and collectors, and also wishes to express sincere thanks to the owner of the original tape for having made this possible. Enjoy and ... stay tuned!!! March 16th, 1963 SATURDAY CLUB Studio 3A, Broadcasting House, Portland Place, London W1 TRANSMITTED live: 16 March,1963, 10:00 a.m. - 12:00p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. I SAW HER STANDING THERE BBC.10.01 2. MISERY BBC.10.02 3. TOO MUCH MONKEY BUSINESS BBC.10.03 4. I'M TALKING ABOUT YOU BBC.10.04 5. PLEASE PLEASE ME BBC.10.05 6. THE HIPPY HIPPY SHAKE BBC.10.06 This show was broadcast live, a rarity for Saturday Club, because one of the Beatles had a severe cold the day the recording was scheduled. Although it predates the release of their first LP by just one week , the group only played three cuts from it, the remaining songs being rock classics. THE SONGS 3. "Too Much Monkey Business". A Chuck Berry number originally released in 1956. The Beatles presented it four times on the BBC, always in a powerful arrangement. Lead vocalist: John. 4. "I'm Talking About You". The only BBC recording of another Berry song, originally released in 1961; also played by the Beatles in Hamburg. Lead vocalist: John. 6. "The Hippy Hippy Shake". Originally released by Chan Romero in 1959, it soon became a Beatles favourite: it was taped in Hamburg and played 5 times during the BBC shows. Lead vocalist: Paul. THE SOUND Here's a dilemma. Purple Chick's unbooted tape sounds significantly better, but there's significant interference here and there. Yellow Dog's tape sounds a little worse but has no interference. We tried editing them

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together, but that just wasn't working. So most of this show comes from Yellow Dog. We edited on the very beginning of "I Saw Her Standing There" from Purple Chick's tape as it was missing from Yellow Dog's. Also, we chose the Deflating The Mythology version of "I'm Talking About You" and added an unbooted tape to top and tail the ends. March 28th, 1963 ON THE SCENE Number 1 Studio, BBC Piccadilly Theatre, Denman Street, London W1 TRANSMITTED live: 16 March,1963, 10:00 a.m. - 12:00p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. MISERY 3. DO YOU WANT TO KNOW A SECRET 5. PLEASE PLEASE ME A typical short (and currently unavailable) appearance to promote their records. April 3rd, 1963 EASY BEAT The Playhouse Theatre, London RECORDED: 03 April, 1963, 8:30 - 9:45 p.m. TRANSMITTED: 07 April, 1963, 10:31 - 11:30 a.m. ANNOUNCER: Brian Matthew PRODUCER: Ron Belchier 1. PLEASE PLEASE ME 2. MISERY 3. FROM ME TO YOU BBC.12.03 Only track 3 is available, although it is possible that also the other two numbers are in the hands of some Beatles collectors. It was taped in front of a live audience, thus it features the only live appearance of "Misery". THE SOUND Yellow Dog's tape is a tremendous improvement on previous releases.

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April 18th, 1963 SWINGIN' SOUND The Royal Albert Hall, Kensington Gore, London SW7 TX. live: 18 April, 1963, 9:10 - 10:15 p.m. ANNOUNCERS: George Melly & Rolf Harris PRODUCERS: Terry Henebery & Ron Belchier 1. TWIST AND SHOUT BBC.13.01 2. FROM ME TO YOU BBC.13.02 The group's only appearance in the live concerts from the Royal Albert Hall broadcast by the BBC in 1963. THE SOUND Although Yellow Dog's tape is much better than before, the very beginning is missing, so we edited that in from Great Dane. April 22, 1963 SIDE BY SIDE Number 1 Studio, BBC Piccadilly Theatre, London REC.: 01 April, 1963, 2:30 - 6:30 p.m. TX.: 22 April, 1963, 5:00 - 5:29 p.m. ANNOUNCER: John Dunn PRODUCER: Bryant Marriott 1. SIDE BY SIDE 2. I SAW HER STANDING THERE 3. DO YOU WANT TO KNOW A SECRET 4. BABY IT'S YOU 5. PLEASE PLEASE ME 6. FROM ME TO YOU 7. MISERY The first appearance on Side By Side, where the Fab Four only promoted tracks from their first releases. Currently not available. See also the notes for the second show (listed next), which was recorded the same day. April 1st, 1963 SIDE BY SIDE Number 1 Studio, BBC Piccadilly Theatre, London

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RECORDED: 01 April, 1963, 6:30 - 10:30 p.m. TRANSMITTED: 13 May, 1963, 5:00 - 5:29 p.m. ANNOUNCER: John Dunn PRODUCER: Bryant Marriott 1. SIDE BY SIDE BBC.15.01 2. FROM ME TO YOU 3. LONG TALL SALLY BBC.15.03 4. A TASTE OF HONEY BBC.15.04 5. CHAINS BBC.15.05 6. THANK YOU GIRL BBC.15.06 7. BOYS BBC.15.07

The title track was played by the Karl Denver Trio, with John and Paul adding their vocals to Karl Denver's. The backing track was used for all three of the Beatles' appearances, with a different voice-over by John Dunn. All the songs here included, with the exclusion of "Long Tall Sally", had already been released. These versions are played in arrangements nearly identical to the released ones. THE SONGS 3. "Long Tall Sally". This version predates the official version, which was recorded in February 1964, by nearly one year. It is quite interesting as its arrangement is clearly distinct from the released one, particularly in the rockabilly guitar solos. Lead vocalist: Paul. 5. "Chains". Released in late 1962 by the American group The Cookies, it was clearly one of the Beatles favourites. They not only included it on their first LP but also performed it four times at the BBC, starting with Here We Go, January 25, 1963. 'From Me To You' is currently unavailable. THE SOUND Yellow Dog's tape is a little better, except for their glitch in "Long Tall Sally". We fixed that using Great Dane. May 21st, 1963 SATURDAY CLUB + STEPPIN' OUT The Playhouse Theatre, London SATURDAY CLUB 247

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RECORDED: 21 May, 1963, 5:30 - 6:30 p.m. TRANSMITTED: 25 May, 1963, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. I SAW HER STANDING THERE BBC.16.01 2. DO YOU WANT TO KNOW A SECRET BBC.16.02 3. BOYS BBC.16.03 4. LONG TALL SALLY BBC.16.04 5. FROM ME TO YOU BBC.16.05 6. MONEY (THAT'S WHAT I WANT) BBC.16.06 Their third Saturday Club appearance features songs from their first LP, plus two tracks, "Long Tall Sally" and "Money (That's What I Want)", which appeared on a Beatles disc only in November 1963. THE SONGS 6. "Money (That's What I Want)". The first hit for Motown, by Barrett Strong in 1960, and one of the classic numbers in the Beatles' repertoire. They played it often (including the Decca session), and it was released on their second LP in November 1963. There are 6 BBC takes, four of which predated the commercial release. These versions differ from the one taped at the EMI studio which included a piano intro. Lead vocalist: John. THE SOUND You may disagree, but Great Dane gets my vote for this show, just edging out Yellow Dog. It's a pretty subjective call though. STEPPIN' OUT RECORDED: 21 May, 1963, 10:00 - 11:15 p.m. TRANSMITTED: 03 June, 1963,10:31 - 11.30 a.m. ANNOUNCER: Diz Disley PRODUCER: Terry Henebery 1. PLEASE PLEASE ME BBC.17.01 2. I SAW HER STANDING THERE BBC.17.02 3. ROLL OVER BEETHOVEN 4. THANK YOU GIRL 5. FROM ME TO YOU 6. TWIST AND SHOUT 248

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Only the first two tracks seem to have been preserved, in comparatively inferior quality. This is the first BBC performance of Chuck Berry's "Roll Over Beethoven" and predates its official release on the Beatles' 2nd LP by about 5 months THE SOUND It was never going to be much improvement, but for what it's worth, we used Yellow Dog. May 24th, 1963 POP GO THE BEATLES 1 Number 2 Studio, BBC Aeolian Hall, 135-137 New Bond Street, London W1 RECORDED: 24 May, 1963, 2:00 -6:00 p.m. TRANSMITTED: 04 June, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Lee Peters PRODUCER: Terry Henebery GUEST GROUP: The Lorne Gibson Trio 1. POP GO THE BEATLES 2. FROM ME TO YOU 3. EVERYBODY'S TRYING TO BE MY BABY 4. DO YOU WANT TO KNOW A SECRET 5. YOU REALLY GOT A HOLD ON ME 6. MISERY 7. THE HIPPY HIPPY SHAKE 8. POP GO THE BEATLES The first appearance on the most important series of radio shows for the Beatles' career. A trial of four programmes had been scheduled first, but it proved so popular that the series counted eleven more transmissions. It should be kept in mind that when Pop Go The Beatles started, the Beatles had scored only two number one records, and one year before they were virtually unknown outside of Liverpool: the BBC decision was an extremely progressive one. The Beatles enjoyed this programme and had fun joking with the announcers, reading fans' cards, and introducing their songs. What's more interesting is that the group, more than on other programmes, used to play a great number of rock and pop classics, which they never commercially released on record. The title track of the programme was a new arrangement of the nursery rhyme "Pop Goes The Weasel". Although from the first show only "The Hippy Hippy Shake" did not make it onto disc, two more songs were

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still unreleased in June 1963: "Everybody's Trying To Be My Baby" and "You Really Got A Hold On Me". THE SONGS 3. "Everybody's Trying To Be My Baby" was by Carl Perkins and was on his self-titled 1959 UK LP.The Beatles included it in their repertoire years before releasing it in November 1964, and indeed this BBC version closely matches the released one. They performed it 5 times at the BBC, twice before the official release, twice to promote their "Beatles For Sale" LP, and the last time during their last appearance in 1965. Lead vocalist: George. 5. "You Really Got A Hold On Me". Another American classic, written by Smokey Robinson for the Miracles. It was performed four times on the BBC before its release on the Beatles' second album. Lead vocalist: John. THE SOUND Not only does Yellow Dog sound better (except for the glitch in the PGTB theme, which we fixed with BBC Trailer) it also includes a new introduction. June 1st, 1963 POP GO THE BEATLES 3 + POP GO THE BEATLES 2 BBC Paris Theatre, London PGTB #3 RECORDED: 01 June, 1963, 9:30 a.m - 1:30 p.m. TRANSMITTED: 18 June, 1963, 5:00 - 5:29 p.m ANNOUNCER: Lee Peters PRODUCER: Terry Henebery GUEST GROUP: Carter Lewis and the Southerners 1. POP GO THE BEATLES 2. A SHOT OF RHYTHM AND BLUES BBC.18.01 3. MEMPHIS, TENNESSEE BBC.18.02 4. A TASTE OF HONEY BBC.18.03 5. SURE TO FALL (IN LOVE WITH YOU) BBC.18.04 6. MONEY (THAT'S WHAT I WANT) BBC.18.05 7. FROM ME TO YOU BBC.18.06 8. POP GO THE BEATLES

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Considering that track 6 was still unreleased in June 1963, we have 4 "new" performances here, 3 of which never made it onto disc. Track 3 is complete and in the best possible quality. THE SONGS 2. "A Shot Of Rhythm And Blues". The original version had been released in March 1962 by Arthur Alexander as the flip side of another R & B standard, "You Better Move On". It soon became very famous, with many covers. They performed it twice more for the BBC. They apparently learned it in Hamburg since John wrote from there in April 1962 to his then-girlfriend Cynthia Powell to "send me the words of 'A Shot of Rhythm + Blues' please? There's not many." Lead vocal: John. 5. "Sure To Fall (In Love With You)". Another Carl Perkins song, recorded in 1956. It was a favourite of the Beatles, who considered it for release in 1964. Although it eventually was not included on their discs, we know the Decca audition version and four more takes at the BBC. Lead vocalist: Paul. THE SOUND Yellow Dog has the best sounding tape and includes new segments, although "From Me To You" is slightly longer on Great Dane, which also has a more complete version of the show outro. Naturally these were all merged into the best presentation possible for this show. PGTB #2 RECORDED: 01 June, 1963, 1:30 - 5:30 p.m. TRANSMITTED: 11 June, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Lee Peters PRODUCER: Terry Henebery GUEST GROUP: The Countrymen 1. POP GO THE BEATLES 2. TOO MUCH MONKEY BUSINESS BBC.19.01 3. I GOT TO FIND MY BABY BBC.19.02 4. YOUNG BLOOD BBC.19.03 5. BABY IT'S YOU BBC.19.04 6. TILL THERE WAS YOU BBC.19.05 7. LOVE ME DO BBC.19.06 8. POP GO THE BEATLES

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This programme was taped the same day as the previous one; actually, they first recorded PGTB (3) and then PGTB (2). THE SONGS 3. "I Got To Find My Baby" was another Chuck Berry number, first played by Little Walter in 1954 and released by Berry in 1960. The Beatles played it twice at the BBC, this performance being distinctly better. Lead vocalist: John. 4. "Young Blood". A song originally released by The Coasters in 1957. This is the only available Beatles version. Lead vocalist: George THE SOUND Yellow Dog sounds better and includes new segments June 19th, 1963 EASY BEAT The Playhouse Theatre, London RECORDED: 19 June, 1963, 8:45 - 9:45 p.m. TRANSMITTED: 23 June, 1963, 10:31- 11:30 a.m. ANNOUNCER: Brian Matthew PRODUCER: Ron Belchier 1. SOME OTHER GUY BBC.21.01 2. A TASTE A HONEY BBC.21.02 3. THANK YOU GIRL BBC.21.03 4. FROM ME TO YOU BBC.21.04 The last appearance of "Some Other Guy" and a fascinating version of "Thank You Girl" with a different arrangement for the background vocals. This programme was recorded in front of a live audience. THE SOUND The origianal Pyramid release wins out on this one although a few seconds of applause at the end of "A Taste Of Honey" were grafted on from Yellow Dog. Otherwise, YD's release is a little distorted.

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April 4th, 1963 SIDE BY SIDE BBC Paris Theatre, London RECORDED: 04 April, 1963, 11:00 a.m - 2:00 p.m. TRANSMITTED: 24 June, 1963, 5:00 - 5:29 p.m. ANNOUNCER: John Dunn PRODUCER: Bryant Marriott 1. SIDE BY SIDE BBC.22.01 2. TOO MUCH MONKEY BUSINESS BBC.22.02 3. LOVE ME DO 4. BOYS BBC.22.04 5. I'LL BE ON MY WAY BBC.22.05 6. FROM ME TO YOU BBC.22.06 THE SONGS 5. "I'll Be On My Way". This is the most fascinating item of the programme, and for sure one of the highlights of the Beatles' entire BBC career. It is a Lennon-McCartney song which the Beatles gave to Billy J. Kramer and never recorded for EMI. Billy J.'s recording at EMI took place the same day as the Beatles' BBC session (April 4, 1963), so it seems likely that the group tried out the song at the BBC before giving it to the performer. When more than two months later the programme was broadcast, Billy J. Kramer had already scored number one in the charts! 'Love Me Do' apparently has not been preserved. THE SOUND Becase of Yellow Dog's glitch, the theme song is taken from a combination of Silent Sea and BBC Trailer (Trailer silenced out the gap in the tape, but sounded better, SS kept the tape hiss - we merged them). Otherwise Yellow Dog is the best source. June 17th, 1963 POP GO THE BEATLES 4 Studio Number 5, BBC Maida Vale, Delaware Road, London W9 RECORDED: 17 June, 1963, 10:30 a.m. - 1:00 p.m. TRANSMITTED: 25 June, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Lee Peters

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PRODUCER: Terry Henebery GUEST GROUP: The Bachelors 1. POP GO THE BEATLES 2. ANNA (GO TO HIM) BBC.23.01 3. I SAW HER STANDING THERE BBC.23.02 4. BOYS BBC.23.03 5. CHAINS BBC.23.04 6. P.S. I LOVE YOU BBC.23.05 7. TWIST AND SHOUT BBC.23.06 8. POP GO THE BEATLES 9. A TASTE OF HONEY (recorded but not broadcast) somewhat less interesting programme, where the Beatles only played already released material. This was to be the last programme of the series, but with the tremendous success it had, 11 more programmes were scheduled for the following months. THE SOUND The majority of this show was taken from Yellow Dog, which sounds better. However YD simply copies the Masterfraction versions of track 6 while Great Dane's tape is longer at the end of each. June 24th, 1963 SATURDAY CLUB The Playhouse Theatre, London RECORDED: 24 June, 1963, 5:30 - 6:30 p.m. TRANSMITTED: 29 June, 1963, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCER: Jimmy Grant & Bernie Andrews 1. I GOT TO FIND MY BABY BBC.24.01 2. MEMPHIS, TENNESSEE BBC.24.02 3. MONEY (THAT'S WHAT I WANT) BBC.24.03 4. TILL THERE WAS YOU BBC.24.04 5. FROM ME TO YOU BBC.24.05 6. ROLL OVER BEETHOVEN BBC.24.06 A session mainly devoted to Chuck Berry, with three of his songs, all unreleased when the show was aired (as was also "Money").

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THE SOUND Yellow Dog's version sounds better, but the beginning of "Till There Was You" is clipped, so that was restored from Great Dane July 3rd, 1963 THE BEAT SHOW The Playhouse Theatre, Manchester RECORDED: 03 July, 1963, 8:00 - 9:00 p.m. TRANSMITTED: 04 July, 1963, 1:00 - 1:30 p.m. ANNOUNCER: Gay Byrne PRODUCER: Geoff Lawrence 1. FROM ME TO YOU 2. A TASTE OF HONEY BBC.25.02 3. TWIST AND SHOUT BBC.25.03 Recorded before a live audience.Track 1 is not currently available to collectors,tracks 2 and 3 only survived on a tape of inferior quality. THE SOUND The original Purple Chick presentation remains the best - a combination of Great Dane and an unbooted tape. July 2nd, 1963 POP GO THE BEATLES 5 Number 5 Studio, BBC Maida Vale, London RECORDED: 02 July, 1963, 6:30 - 9:30 p.m. TRANSMITTED: 16 July, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Terry Henebery GUEST GROUP: Duffy Power and The Graham Bond Quartet 1. POP GO THE BEATLES 2. THAT'S ALL RIGHT (MAMA) BBC.26.01 3. THERE'S A PLACE BBC.26.02 4. CAROL BBC.26.03 5. SOLDIER OF LOVE BBC.26.04 6. LEND ME YOUR COMB BBC.26.05 7. CLARABELLA BBC.26.06

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8. POP GO THE BEATLES 9. THREE COOL CATS (not broadcast) 10. SWEET LITTLE SIXTEEN (not broadcast) 11. ASK ME WHY (not broadcast) The best of the BBC Beatles performances! Of the nine songs recorded for this show, seven were never to appear on a Beatles disc; five of these have been transmitted (luckily those which were not taped on other BBC sessions), while "Sweet Little Sixteen" was re-recorded for the next programme of the series. "Three Cool Cats" had an unfortunate fate at the BBC: it was taped twice (the first time during the recording session for Here We Go, January 25, 1963) but never broadcast; we only know it from the Decca session. THE SONGS 2. "That's All Right" was Elvis Presley's first single, released back in 1954. As with the other classics broadcast in this programme, this is the only BBC version ever taped by the Beatles. Lead vocalist, much in Presley's style, is Paul. 4. "Carol". A rock'n'roll song written by Chuck Berry and released in 1958. As is often the case with Berry's repertoire, the group adheres closely to the original while John sings a very spirited vocal. 5. "Soldier Of Love". An intriguing song by Arthur Alexander, released in 1962, and a powerful interpretation by John. Also excellent is Ringo's drumming. 6. "Lend Me Your Comb". A Carl Perkins tune released in the U.K. in 1958 and also included on the Hamburg December 31, 1962 tape. Lead vocal is shared by John & Paul. 7. "Clarabella". This song was released by the Jodimars in 1956, but failed to have any particular success on either side of the ocean. It is thus somewhat surprising that the Beatles played their own version of this number which was probably completely unknown to their audience. Nevertheless, it's a great performance by Paul. THE SOUND Yellow Dog is horribly distorted throughout so we stuck with Great Dane for the most part - which sounds great. 256

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July 17th, 1963 EASY BEAT The Playhouse Theatre, London RECORDED: 17 July, 1963, 08:45 - 09:45 p.m. TRANSMITTED.: 21 July, 1963, 10:31 - 11:30 a.m. ANNOUNCER: Brian Matthew PRODUCER: Ron Belchier 1. I SAW HER STANDING THERE BBC.27.01 2. A SHOT OF RHYTHM AND BLUES BBC.27.02 3. THERE'S A PLACE BBC.27.03 4. TWIST AND SHOUT BBC.27.04 The second of the three BBC performances of track 2 and the only one in front of a live audience. THE SOUND There's really not much in it, but we went with Yellow Dog. July 10th, 1963 POP GO THE BEATLES 6 + BBC POP GO THE BEATLES 7 Number 2 Studio, BBC Aeolian Hall PGTB #6 RECORDED: 10 July, 1963, 10:30 a.m. - 1:30 p.m. TRANSMITTED.: 23 July, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Terry Henebery GUEST GROUP: Carter Lewis and the Southerners 1. POP GO THE BEATLES 2. SWEET LITTLE SIXTEEN BBC.28.01 3. A TASTE OF HONEY BBC.28.02 4. NOTHIN' SHAKIN' BBC.28.03 5. LOVE ME DO BBC.28.04 6. LONESOME TEARS IN MY EYES BBC.28.05 7. SO HOW COME (NO ONE LOVES ME) BBC.28.06 8. POP GO THE BEATLES

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Again a great show: three songs were only taped on this occasion during the Beatles' BBC career, and also the re-recording of "Sweet Little Sixteen". rack three was thought to have been lost, but eventually surfaced on 'The Beatles Live At The BBC' CD. THE SONGS 2. "Sweet Little Sixteen". One of the most famous (and covered) Berry songs, originally released in 1958. It was a mainstay in the Beatles repertoire and was also recorded at the Star Club, Hamburg. Lead vocalist is John, who gives a great performance. 4. "Nothin' Shakin' ". A rockabilly number sung by George, who obviously liked this style. It was originally recorded by Eddie Fontaine in 1958. 6. "Lonesome Tears In My Eyes" is a Johnny Burnette Trio number released in November 1956. Lead vocalist is John. 7. "So How Come (No One Loves Me)". This Everly Brothers song enjoyed success in the USA in late 1960. Lead vocalist: George THE SOUND Yellow Dog generally sounds better and has a new segment. PGTB #7 RECORDED: 10.07.1963, 1:30 - 3:30 p.m. TRANSMITTED: 30.07.1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Terry Henebery GUEST GROUP: The Searchers 1. POP GO THE BEATLES 2. MEMPHIS, TENNESSEE BBC.29.01 3. DO YOU WANT TO KNOW A SECRET BBC.29.02 4. TILL THERE WAS YOU BBC.29.03 5. MATCHBOX BBC.29.04 6. PLEASE MR. POSTMAN BBC.29.05 7. THE HIPPY HIPPY SHAKE BBC.29.06 8. POP GO THE BEATLES

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NOTES This programme was recorded the same day as PGBT (6). At the time of this broadcast tracks 5 and 6 were unreleased, while tracks 2 and 7 never made it onto record. THE SONGS 5. "Matchbox". Although credited to Carl Perkins, this is in fact an old blues song recorded by Blind Lemon Jefferson in 1927. Perkins' version, from which the Beatles derived their cover, was released in 1957. This take predates the officially released version by nearly one year and is slightly different in lyrics and arrangement. Lead vocalist: Ringo THE SOUND For the most part, Yellow Dog sounds better - it also has a new segment except for the tracks included on the Masterfraction release. Even for those YD has slightly longer fades, so we edited them back in. The old vinyl release Broadcasts has a version of "Til There Was You" without the wow and flutter caused by tape drag that is evident on other releases, so we used that here, editing on the clipped beginning and end from Yellow Dog. July 16th, 1963 POP GO THE BEATLES 8 + POP GO THE BEATLES 9 + POP GO THE BEATLES 10 BBC Paris Theatre, London PGTB #8 RECORDED: 16 July 1963, 3:00 - 5:30 p.m. TRANSMITTED: 06 August,1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Terry Henebery GUEST GROUP: The Swinging Blue Jeans 1. POP GO THE BEATLES 2. I'M GONNA SIT RIGHT DOWN AND CRY BBC.30.01 3. CRYING, WAITING, HOPING BBC.30.02 4. KANSAS CITY/HEY!-HEY!-HEY!-HEY! BBC.30.03 5. TO KNOW HER IS TO LOVE HER BBC.30.04

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6. THE HONEYMOON SONG BBC.30.05 7. TWIST AND SHOUT BBC.30.06 8. POP GO THE BEATLES Together with Pop Go The Beatles (5), this is the most important BBC programme ever taped by the Beatles. In August 1963, only track 7 was known to the audience, and track 4 would be released on disc only more than one year later. All the other songs were played at the BBC only on this occasion. THE SONGS 2. "I'm Gonna Sit Right Down And Cry (Over You)" was first recorded by Roy Hamilton in 1954 and also released by Elvis Presley in 1956. The Beatles covered this second version. Lead vocalist: Paul. 3. "Crying Waiting Hoping". Another highlight from the unreleased BBC takes. This song was recorded by Buddy Holly just a few weeks before his tragical death in the plane crash of February 2, 1959. A backing track was added to his home-recorded voice and guitar, and the disc was released in June 1959. The Beatles were great fans of Buddy Holly and recorded this song both at the Decca audition and for this programme, this version being by far better. Lead vocalist: George. 4. "Kansas City/ Hey!-Hey!-Hey!-Hey!". Little Richard recorded his own composition "Hey!-Hey!-Hey!-Hey! (Goin' Back To Birmingham) in 1958. In 1959 he rerecorded it in a medley with "Kansas City", which was a number one single in the USA for Wilbert Harrison in May 1959. The Beatles included this medley in their repertoire from the beginning. Paul, who was particularly fond of Little Richard's songs, takes the lead vocal. 5. "To Know Her Is To Love Her". This is the Beatles' cover version (with "him" changed to "her") of the Teddy Bears' number from 1958, with a noticeably different arrangement (the Teddy Bears were Phil Spector, who would produce the "Let It Be" album at the end of the Beatles' career, with Annette Kleinbard and Marshall Leib). It was also played by the Fab Four in Hamburg. Lead vocalist: John 6. "The Honeymoon Song". The title song from the 1959 film "Honeymoon" was first performed by Manuel and the Music of the Mountains. In June 1959 Marino Marini and his Quartet released a vocal version. Although not typical of the Beatles' style, Paul seems to have liked this song a lot since he

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not only sang it at the BBC but also produced a version for Mary Hopkin in 1969. THE SOUND For the most part Yellow Dog sounds better and has a longer outro to "To Know Her Is To Love Her". The exception are the songs which appear on Masterfraction, which sound better, but have the longer endings from Yellow Dog restored. PGTB #9 RECORDED: 16 July, 1963, 6:00 - 8:30 p.m. TRANSMITTED: 13 August, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Terry Henebery & Ian Grant GUEST GROUP: The Hollies 1. POP GO THE BEATLES 2. LONG TALL SALLY BBC.31.01 3. PLEASE PLEASE ME BBC.31.02 4. SHE LOVES YOU BBC.31.03 5. YOU REALLY GOT A HOLD ON ME BBC.31.04 6. I'LL GET YOU BBC.31.05 7. I GOT A WOMAN BBC.31.06 8. POP GO THE BEATLES This programme was taped the same day as PGTB (8) and PGTB (10), a real marathon in the BBC studio. Only three items were unreleased when broadcast (2, 5 and 7), and only track 7 has not been released by the Beatles; however, "She Loves You" and "I'll Get You" make their debut here (they would be released as a single on August 23). John and Paul make a little mistake with the lyrics of "She Loves You". THE SONGS 7. "I Got A Woman". A hit by Ray Charles in 1954, covered by Elvis Presley in 1956. The group played Elvis' version twice at the BBC. Both these takes are powerful, although quite different from each other. Another unforgettable performance. THE SOUND

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Yellow Dog generally sounds better. However "I Got A Woman" is superior on Masterfraction, but again the longer Yellow Dog ending is Yellow Dog restored. PGTB #10 RECORDED: 16 July, 1963, 8:45 - 10:50 p.m. TRANSMITTED: 20 August, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Terry Henebery GUEST GROUP: Russ Sainty and the Nu Notes 1. POP GO THE BEATLES 2. SHE LOVES YOU BBC.31.03 (repeated from PGTB #9) 3. WORDS OF LOVE BBC.32.01 4. GLAD ALL OVER BBC.32.02 5. I JUST DON'T UNDERSTAND BBC.32.03 6. DEVIL IN HER HEART BBC.32.04 7. SLOW DOWN BBC.32.05 8. POP GO THE BEATLES The third programme recorded on July 16. Track 2 is the same version broadcast on August 13 and was the only song performedin this show to be known by the audience in August 1963. Track 6 only appeared on disc in November 1963, track 7 in June 1964, and track 3 in December 1964. THE SONGS 3. "Words Of Love". Another Buddy Holly number, originally released in 1957. This and the next song have great rockabilly guitar by George. John and Paul share the vocal leads. 4. "Glad All Over". A Carl Perkins song released in December 1957 in the USA. As with most of Perkins' numbers in the Beatles repertoire, it was sung by George. 5. "I Just Don't Understand". Another song not typical of the Beatles' style, originally performed by actress Ann-Margret in 1961. John took lead vocals. It's the only known version by the group. 6. "Devil In Her Heart" was recorded by the girl-group the Donays in 1962. The Beatles slightly changed the title ("his" was replaced by "her") and

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covered it twice at the BBC in a version very similar to that released on their second LP. 7. "Slow Down". An old blues song in a rock 'n' roll version credited to Larry Williams, who released it in 1958. The Beatles included it on the "Beatles for Sale" LP, and played it only once at the BBC, this version being noticeably different from the 1964 release. THE SOUND Again, Yellow Dog is the best choice for the majority of this show. This time, the tracks taken from Masterfraction don't need to have their endings edited back. The beeb vinyl series has a couple of extra words at the end which we restored. July 30th, 1963 SATURDAY CLUB The Playhouse Theatre, London RECORDED: 30 July, 1963, 5:30 - 6:30 p.m. TRANSMITTED: 24 August, 1963, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. LONG TALL SALLY BBC.33.01 2. SHE LOVES YOU BBC.33.02 3. GLAD ALL OVER BBC.33.03 4. TWIST AND SHOUT BBC.33.04 5. YOU REALLY GOT A HOLD ON ME BBC.33.05 6. I'LL GET YOU BBC.33.06 The fifth appearance on Saturday Club. The Beatles promoted their latest single and played three then-unreleased songs. "Long Tall Sally" is probably better here than on the officially released record. THE SOUND Perhaps it's the glitch, but Yellow Dog's "Long Tall Sally" seems inferior to Purple Chick's unbotted tape. Conversely, YD's "She Loves You" wins over PC. The intro of "Glad All Over" (with voiceover) has been edited back onto the YD version, which omits it.

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August 1st, 1963 POP GO THE BEATLES 11 + POP GO THE BEATLES 12 The Playhouse Theatre, Manchester PGTB #11 RECORDED: 01 August, 1963, 1:30 - 4:00 p.m. TRANSMITTED: 27 August, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Ian Grant GUEST GROUP: The Cyril Davis Rhythm and Blues All Stars with Long John Baldry 1. POP GO THE BEATLES 2. OOH! MY SOUL BBC.34.01 3. DON'T EVER CHANGE BBC.34.02 4. TWIST AND SHOUT BBC.34.03 5. SHE LOVES YOU BBC.34.04 6. ANNA (GO TO HIM) BBC.34.05 7. A SHOT OF RHYTHM AND BLUES BBC.34.06 8. POP GO THE BEATLES This programme includes two songs only recorded once (tracks 2 and 3) and the last appearance of track 7. THE SONGS 2. "Ooh! My Soul". Another Little Richard number, originally released in May 1958; as usual with his material, Paul offers a powerful rendition. 3. "Don't Ever Change" was first released by The Crickets in 1962; John and Paul share the vocals in the Beatles cover. THE SOUND "She Loves You" is new to Yellow Dog, which also has two new segments and sounds better than Great Dane's version. Even so, Masterfraction is still the best source for some tracks. PGTB #12

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RECORDED: 01 August, 1963, 4:00 - 6:00 p.m. TRANSMITTED.: 03 September, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Ian Grant GUEST GROUP: Brian Poole and the Tremeloes

1. POP GO THE BEATLES 2. FROM ME TO YOU BBC.35.01 3. I'LL GET YOU BBC.35.02 4. MONEY (THAT'S WHAT I WANT) BBC.35.03 5. THERE'S A PLACE BBC.35.04 6. HONEY DON'T BBC.35.05 7. ROLL OVER BEETHOVEN BBC.35.06 8. POP GO THE BEATLES 9. LUCILLE (not broadcast) 10. BABY IT'S YOU (not broadcast) Tracks 5, 6 and 7 were then-unreleased.According to some sources, the Beatles also taped a version of "She Loves You" which was not broadcast. Probably this refers to the take which was broadcast on August 27, as often they did not record the songs twice that were scheduled for two different programmes when these were taped in the same session. "Lucille", not broadcast on this occasion, was performed on two later BBC shows. THE SONGS 6. "Honey Don't". Originally released by Carl Perkins in December 1955 and covered by Ronnie Hawkins and the Hawks (later The Band) in 1960. The Beatles played it on four BBC programmes and later released it on,disc with Ringo on vocals. The first two BBC recordings feature John on the vocals, and this one in particular is an absolutely terrific performance. THE SOUND "From Me To You" - Yellow Dog's tape is better, but runs too fast, which we fixed. "I'll Get You" - Purple Chick - the original appearance of this track - is still the best, and the same is true for PC's unbooted "There's A Place." "Money" has a new intro on Yellow Dog, which also has two segments which are longer than before.

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September 3rd, 1963 POP GO THE BEATLES 13 + POP GO THE BEATLES 14 + POP GO THE BEATLES 15 Number 2 Studio, BBC Aeolian Hall, London PGTB #13 RECORDED: 03 September, 1963, 2:00 - 4:30 p.m. TRANSMITTED: 10 September, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Ian Grant GUEST GROUP: Johnny Kidd and the Pirates 1. POP GO THE BEATLES 2. TOO MUCH MONKEY BUSINESS BBC.36.01 3. LOVE ME DO BBC.36.02 4. SHE LOVES YOU BBC.36.03 5. I'LL GET YOU BBC.36.04 6. A TASTE OF HONEY BBC.36.05 7. THE HIPPY HIPPY SHAKE BBC.36.06 8. POP GO THE BEATLES After track 2 Paul announces "Till There Was You", and it is also listed in the BBC archives. But in fact "Too Much Monkey Business" is followed by "Love Me Do", and this really seems to be the way the programme ran (no edit is apparently present on the original tape). Also, track 6 is not indicated in the BBC archives. It is very likely that some mistake occurred at the BBC during the preparation of this and the two following transmissions, which were all recorded the same day. This show features the last appearance of track 2, which was played four times at the BBC. THE SOUND Again, Yellow Dog is the best sounding, except for "Too Much Monkey Business" Masterfraction (which has YD's longer ending appended here).Unfortunately I'll Get You suffers from a mastering glitch, so we used Great Dane instead - although there really wasn't too much in it. PGTB #14

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RECORDED: 03 September,1963, 5:00 - 7:30 p.m. TRANSMITTED: 17 September, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Ian Grant GUEST GROUP: The Marauders 1. POP GO THE BEATLES 2. CHAINS BBC.37.02 3. YOU REALLY GOT A HOLD ON ME BBC.37.02 4. MISERY BBC.37.02 5. LUCILLE BBC.37.02 6. FROM ME TO YOU BBC.37.02 7. BOYS BBC.37.02 8. POP GO THE BEATLES Apart from the unreleased "Lucille",this show is notable for the performance of "Chains", which is quite different from the released version and closely matches the Cookies' original. THE SONGS 5. "Lucille" was another classic by Little Richard released in March 1957. It must surely be one of Paul's favourites, as he continued singing it even in the nineties, thirty years after these performances (although, quite obviously, the powerful interpretation at the BBC cannot be matched nowadays!). This song was taped three times during the BBC programmes, and broadcast twice. THE SOUND Yellow dog for all this show. PGTB #15 RECORDED: 03 September, 1963, 8:00 - 10:00 p.m. TRANSMITTED: 24 September, 1963, 5:00 - 5:29 p.m. ANNOUNCER: Rodney Burke PRODUCER: Ian Grant GUEST GROUP: Tony Rivers and the Castaways 1. POP GO THE BEATLES 2. SHE LOVES YOU BBC.36.03 (repeated from PGTB #13) 3. ASK ME WHY BBC.38.01 267

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4. DEVIL IN HER HEART BBC.38.02 5. I SAW HER STANDING THERE BBC.38.03 6. SURE TO FALL (IN LOVE WITH YOU) BBC.38.04 7. TWIST AND SHOUT BBC.38.05 8. POP GO THE BEATLES The last programme in the fifteen-part series. For the last two programmes the Beatles reduced the unreleased material to two songs per programme (here, track 4, later to be released on disc, and track 6, one of their favourites). Track 2 is the same take broadcast on PGTB (13). THE SOUND Great Dane was used to fix a tape flaw in "I Saw Her Standing There," otherwise it's Yellow Dog all the way - it even has a slightly longer outro. September 7th, 1963 SATURDAY CLUB The Playhouse Theatre, London RECORDED: 07 September, 1963, 1:00 - 4:00 p.m. TRANSMITTED: 05 October, 1963, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. I SAW HER STANDING THERE BBC.39.01 2. MEMPHIS, TENNESSEE BBC.39.02 3. HAPPY BIRTHDAY SATURDAY CLUB BBC.39.03 4. I'LL GET YOU BBC.39.04 5. SHE LOVES YOU BBC.39.05 6. LUCILLE BBC.39.06 This session was inserted into the Fifth Birthday Anniversary edition of Saturday Club, and the Beatles performed a special rendition of "Happy Birthday" with amended lyrics. This show also features the last of the five appearances of "Memphis, Tennessee" and the last of the two of "Lucille". Track 5 was rebroadcast on Saturday Club December 21. THE SOUND Yellow Dog is better for the first half, whilst Great Dane sounds best for the second. There's really not much in it though.

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October 16th, 1963 EASY BEAT The Playhouse Theatre, London RECORDED: 16 October, 1963, 9:00 - 10:00 p.m. TRANSMITTED: 20 October, 1963, 10:31 - 11:30 a.m. ANNOUNCER: Brian Matthew PRODUCER: Ron Belchier 1. I SAW HER STANDING THERE BBC.40.01 2. LOVE ME DO BBC.40.02 3. PLEASE PLEASE ME BBC.40.03 4. FROM ME TO YOU BBC.40.04 5. SHE LOVES YOU BBC.40.05 Recorded in front of a live audience. Although there are no unreleased tracks, this session features one of the most exciting performances of "I Saw Her Standing There" that the Beatles ever played. Tracks 2 and 3 are performed at the BBC for the last time. THE SOUND Yellow Dog's tape is much better, although there's a glitch in the first track, so we used BBC Trailer to patch it. October 9th, 1963 THE KEN DODD SHOW BBC Paris Theatre, London RECORDED: 09 October, 1963, 10:00 - 11:00 p.m. TRANSMITTED:03 November, 1963, 2:30 - 3:00 - 8:00 - 8:30 pm. PRODUCER: Bill Worsley 1. SHE LOVES YOU BBC.41.01 This show was part of the series starring the Liverpudlian comedian Ken Dodd. It was recorded before a live audience, and in this edition the musical interlude featured the Beatles. There is no absolute certainty that the version of "She Loves You" here included is the one broadcast on The Ken Dodd Show. This is how this performance has been traded among collectors, and indeed it is different from all the other "live" performances of known origin. If from a radio programme, then it is surely the Ken Dodd Show. Alternatively (and perhaps more likely), it could be from a TV show, and in 269

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this case there are good chances that it is from "Sunday Night At The London Palladium", October 13, 1963 ("Twist and Shout" recently surfaced from this show). It is not from the October 1963 Sweedish TV programme "Drop In" (as was previously thought). In spite of its uncertain attribution, we preferred to include this item: after all, it could be the Ken Dodd show. THE SOUND Missing entirely from Yellow Dog, we stuck with Purple Chick's unbooted upgrade. December 17th, 1963 SATURDAY CLUB The Playhouse Theatre, London RECORDED: 17 December 1963, 3:00 - 6:30 p.m. TRANSMITTED: 21 December, 1963, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. ALL I WANT FOR CHRISTMAS 2. ALL MY LOVING 3. THIS BOY BBC.42.01 4. I WANT TO HOLD YOU HAND BBC.42.02 5. TILL THERE WAS YOU BBC.42.03 6. ROLL OVER BEETHOVEN BBC.42.04 7. SHE LOVES YOU BBC.42.05 8. SHAZAM 'CRIMBLE MEDLEY' BBC.42.06 A special Christmas edition of Saturday Club, with the Beatles playing a few traditionals and the "Chrimble Medley" in which John sings snatches of their five hits ("Love Me Do", "Please Please Me", "FromMe To You", "She Loves You", and "I Want To Hold Your Hand") and "Rudolph The Red-Nosed Reindeer". Announcer Brian Matthews describes it as a "muddley . . . I'm sorry . . . a medley". The linking riff played on guitar and bass is from Duane Eddy's "Shazam!". By now, with more singles and the second LP released, the group had a larger repertoire to promote, and the unreleased tunes became rare. Track 2 has not been preserved (there is only Paul's intro to it). THE SOUND We went mostly with Yellow Dog for this show. They moved the intro and placed itbefore "I Want To Hold Your Hand" if you disagree, you can move it 270

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back! "Til There Was You" sounds best on Yellow Dog, but is clipped at either end. We restored the beginning with Great Dane and the end with Beeb. Also, for what it's worth, "what will they do without amplifiers" is longer on YD whilst "I like it" is two words shorter. December 18th, 1963 FROM US TO YOU BBC Paris Theatre, London RECORDED: 18 December, 1963, 7:00 - 10:30 p.m. TRANSMITTED: 26 December, 1963, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Rolf Harris PRODUCER: Bryant Marriott 1. FROM US TO YOU BBC.43.01 2. SHE LOVES YOU BBC.43.02 3. ALL MY LOVING BBC.43.03 4. ROLL OVER BEETHOVEN BBC.43.04 5. TILL THERE WAS YOU BBC.43.05 6. BOYS BBC.43.06 7. MONEY (THAT'S WHAT I WANT) BBC.43.07 8. I SAW HER STANDING THERE BBC.43.08 9. TIE ME KANGAROO DOWN, SPORT BBC.43.09 10. I WANT TO HOLD YOU HAND BBC.43.10 11. FROM US TO YOU BBC.43.11 The first of five specials held on a Bank Holiday, four of which were titled From Us To You. This one was presented by the Australian singer Rolf Harris, who had a smash hit (number 3) in the USA then with "Tie Me Kangaroo Down, Sport". He performed together with the Beatles for a hilarious version with parody lyrics. The opening and closing themes are a variation of the hit "From Me To You", with "I"/"Me" replaced by "We"/"Us". THE SOUND The first two bars of "From Us To You" are missing on Yellow Dog's presentation of this show, so they had to be patched in with Great Dane's. Otherwise, YD is definitely better sounding and complete apart from Purple Chick's unbooted "blue skies by jeannie lamb" intro.

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January 7th, 1964 SATURDAY CLUB The Playhouse Theatre, London RECORDED: 07 January, 1964, 2:30 - 4:00 p.m. TRANSMITTED: 15 February, 1964, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. ALL MY LOVING BBC.44.01 2. MONEY (THAT'S WHAT I WANT) BBC.44.02 3. THE HIPPY HIPPY SHAKE BBC.44.03 4. I WANT TO HOLD YOUR HAND BBC.42.02 5. ROLL OVER BEETHOVEN BBC.44.04 6. JOHNNY B. GOODE BBC.44.05 7. I WANNA BE YOUR MAN BBC.44.06 An interesting session, which features the last of the five appearances of track 3 and the only known recording of track 6. Track 4 is the same take recorded for the previous Saturday Club (recorded 21.12.1963). THE SONGS 6. "Johnny B. Goode" is probably the best-known song by Chuck Berry, originally released in 1958. It was (and still is) in the repertoire of nearly every rock band. The Beatles' version is somewhat different from the original but not particularly remarkable. Lead vocalist is John. THE SOUND Yellow dog almost all the way, including a new intro. Alas the "and it was old ringo" outro is missing entirely as is the very end of "I Wanna Be Your Man" so these were taken from Great Dane. February 28th, 1964 FROM US TO YOU Number 1 Studio, BBC Piccadilly Theatre, London RECORDED: 28 February, 1964, 6:30 - 9:00 p.m. TRANSMITTED: 30 March, 1964, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Alan Freeman PRODUCER: Bryant Marriott

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1. FROM US TO YOU BBC.45.01 2. YOU CAN'T DO THAT BBC.45.02 3. ROLL OVER BEETHOVEN BBC.45.03 4. TILL THERE WAS YOU BBC.45.04 5. I WANNA BE YOUR MAN BBC.45.05 6. PLEASE MR. POSTMAN BBC.45.06 7. ALL MY LOVING BBC.45.07 8. THIS BOY BBC.45.08 9. CAN'T BUY ME LOVEBBC.45.09 10. FROM US TO YOU BBC.45.01 A session devoted to the promotion of their records, without unreleased tracks. This show is probably more interesting for the Beatles' chats than for the music. THE SOUND Once more a good combination of Yellow Dog and Masterfraction gives the best presentation of this show. March 31st, 1964 SATURDAY CLUB The Playhouse Theatre, London RECORDED: 31 March, 1964, 7:00 - 10:30 p.m. TRANSMITTED: 04 April, 1964, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Bernie Andrews 1. EVERYBODY'S TRYING TO BE MY BABY BBC.46.01 2. I CALL YOUR NAME BBC.46.02 3. I GOT A WOMAN BBC.46.03 4. YOU CAN'T DO THAT BBC.46.04 5. CAN'T BUY ME LOVE BBC.46.05 6. SURE TO FALL (IN LOVE WITH YOU) BBC.46.06 7. LONG TALL SALLY BBC.46.07 Track 2 was performed only on this show.Apart from promoting their new EP "Long Tall Sally", this is an important show for the terrific performance of track 3, in its second appearance at the BBC. This take is much different from the previous one, and is among the best BBC unreleased tracks. John's vocals are double tracked, a rare occurrence at the BBC. The performance of

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"Sure To Fall" is excellent, too. It seems as if the group tested some covers for further release in these early 1964 sessions. Of the three thenunreleased songs (tracks 1, 3 and 6), only the first one - probably the weakest - made it onto disc. THE SOUND Yellow Dog mostly. The end of Long Tall Sally is more complete on Great Dane and also contains the outro, which YD does not. However the vinyl "Broadcasts" has a better quality tape altogether (the start and end of which is slightly clipped) so we used that and fixed the clipping. The original Beeb vinyl has an extra word on one of the other outros, whilst the YD "was that request really from your mother" is missing some segments that are on filler beebs and the beeb vinyl(!) Also, Beeb has an extra word at the start of "I Got A Woman" May 1st, 1964 FROM US TO YOU BBC Paris Theatre, London RECORDED: 01 May, 1964, 6:30 - 9:00 p.m. TRANSMITTED: 18 May, 1964, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Alan Freeman PRODUCER: Bryant Marriott 1. FROM US TO YOU BBC.47.01 2. I SAW HER STANDING THERE BBC.47.02 3. KANSAS CITY/ HEY!-HEY!-HEY!-HEY! BBC.47.03 4. WHIT MONDAY TO YOU (HAPPY BIRTHDAY) 5. I FORGOT TO REMEMBER TO FORGET BBC.47.04 6. YOU CAN'T DO THAT BBC.47.05 7. SURE TO FALL (IN LOVE WITH YOU) BBC.47.06 8. CAN'T BUY ME LOVE BBC.47.07 9. MATCHBOX BBC.47.08 10. HONEY DON'T BBC.47.09 11. FROM US TO YOU BBC.47.01 The most interesting From Us To You session, which presented four songs as yet unreleased when broadcast (tracks 3, 5, 7 and 10). Tracks 5 and 7 were never commercially released, while the other two items were included on the "Beatles For Sale" LP. This is the last BBC programme where the Beatles

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performed songs which did not make it onto disc. John Lennon again takes the vocal lead on "Honey Don't". THE SONGS 5. "I Forgot To Remember To Forget" was released by Elvis Presley in 1955. The Beatles' cover version is sung by George. THE SOUND Yellow Dog all the way, baby. July 14th, 1964 TOP GEAR Studio 2, Broadcasting House, London RECORDED: 14 July, 1964, 7:00 - 11:00 p.m. TRANSMITTED: 16 July, 1964, 10:00 - 11:55 p.m. ANNOUNCER: Brian Matthew PRODUCER: Bernie Andrews 1. LONG TALL SALLY BBC.48.01 2. THINGS WE SAID TODAY BBC.48.02 3. A HARD DAY'S NIGHTBBC.48.03 4. AND I LOVE HER BBC.48.04 5. I SHOULD HAVE KNOWN BETTER BBC.48.05 6. IF I FELL BBC.48.06 7. YOU CAN'T DO THAT BBC.48.07 A promotional session for their third LP. Track 1 features another terrific performance by Paul! Track 5 is the commercially released version. Selected parts of this show were broadcast in the USA. THE SOUND Although Yellow Dog has a superior tape, we have to go to Masterfraction for some better-sounding tracks. "Things We Said Today" is mainly taken from there, but YD takes over at the beginning (no voice over) and end (much longer). YD is also missing a few parts of the "lots more from the unruly four" segment. Why there are three different versions of "hold it" will probably remain a mystery...

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July 17th, 1964 FROM US TO YOU BBC Paris Theatre, London RECORDED: 17 July, 1964, 2:15 - 6:15 p.m. TRANSMITTED: 03 August, 1964, 10:00 a.m.- 12:00 p.m. ANNOUNCER: Don Wardell PRODUCER: Bryant Marriott 1. FROM US TO YOU BBC.49.01 2. LONG TALL SALLYBBC.49.02 3. IF I FELLBBC.49.03 4. I'M HAPPY JUST TO DANCE WITH YOUBBC.49.04 5. THINGS WE SAID TODAYBBC.49.05 6. I SHOULD HAVE KNOWN BETTERBBC.49.06 7. BOYSBBC.49.07 8. KANSAS CITY/ HEY!-HEY!-HEY!-HEY!BBC.49.08 9. A HARD DAY'S NIGHTBBC.49.09 10. FROM US TO YOUBBC.49.01 The only live performance of track 4. The Beatles now had less time to spend on the BBC sessions, and three months passed before their next programme. Part of the recording session is also included here. The first take of "From Us To You" has bad lyrics ("me" instead of "us" at the end), the second is the complete theme, without the announcer's voice. The first "I'm Happy Just To Dance With You" is the backing track before the overdubbed vocals. "I Should Have Known Better" has a false start, the next version lacks the harmonica, which was later overdubbed for the broadcast version. THE SOUND Yellow Dog is the winner for this one, and also for the recording session, although PC does have its good points. November 17th, 1964 TOP GEAR The Playhouse Theatre, London RECORDED: 17 November, 1964, 7:30 - 11:30 p.m. TRANSMITTED: 26 November, 1964, 10:00 a.m.- 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCER: Bernie Andrews 276

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1. I'M A LOSERBBC.50.01 2. HONEY DON'T BBC.50.02 3. SHE'S A WOMANBBC.50.03 4. EVERYBODY'S TRYING TO BE MY BABY BBC.50.04 5. I'LL FOLLOW THE SUN BBC.50.05 6. I FEEL FINE BBC.50.06 A session devoted to the promotion of their new single and LP releases. The recording for tracks 1, 3, 4 and 6 was used again for Saturday Club of December 26, 1964. This is the only BBC recording of track 5. This time "Honey Don't" is sung by Ringo. THE SOUND We used Yellow Dog for most of this, although it's missing some parts of the "few, hard facts" segment. Also, they completely screw up "Honey Don't" by repeating a solo and chorus. Naturally we fixed it. November 25th, 1964 SATURDAY CLUB Number 2 Studio, BBC Aeolian Hall, London RECORDED: 25 November, 1964, 7:00 - 10:30 p.m. TRANSMITTED: 26 December, 1964, 10:00 a.m. - 12:00 p.m. ANNOUNCER: Brian Matthew PRODUCERS: Jimmy Grant & Brian Willey 1. ROCK AND ROLL MUSIC BBC.51.01 2. I'M A LOSER 3. EVERYBODY'S TRYING TO BE MY BABY 4. I FEEL FINE 5. KANSAS CITY/ HEY!-HEY!-HEY!-HEY! BBC.51.02 6. SHE'S A WOMAN A session notable for the great performance by John on "Rock And Roll Music", which is better here than on its commercially released counterpart. As mentioned before, the recordings for tracks 2, 3, 4 and 6 are the same as broadcast on Top Gear of November 26, 1964. The recordings for these two programmes were mixed together for a broadcast on the Top Of The Pops series in the USA, aired in early 1965. Chats from both Top Gearand Saturday Club were edited in various pieces for the USA rebroadcast, with

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new Brian Matthew parts. In some cases the songs fade out earlier in the US rebroadcasts to allow a new voice-over by Matthew. THE SOUND Once more, Yellow Dog comes out the winner, with a few minor tweaks for parts it's missing. May 26th, 1965 THE BEATLES INVITE YOU TO TAKE A TICKET TO RIDE Number 1 Studio, BBC Piccadilly Theatre, London RECORDED: 26 May, 1965, 2:30 - 6:00 p.m. TRANSMITTED: 07 June, 1965, 10:00 a.m.- 12:00 p.m. ANNOUNCER: Denny Piercy PRODUCER: Keith Bateson 1. TICKET TO RIDE (Lennon-McCartney) BBC.52.07 2. EVERYBODY'S TRYING TO BE MY BABY (Perkins) BBC.52.01 3. I'M A LOSER (Lennon-McCartney) BBC.52.02 4. THE NIGHT BEFORE (Lennon-McCartney) BBC.52.03 5. HONEY DON'T (Perkins) BBC.52.04 6. DIZZY MISS LIZZY (Williams) BBC.52.05 7. SHE'S A WOMAN (Lennon-McCartney) BBC.52.06 8. TICKET TO RIDE (Lennon-McCartney) BBC.52.07 The last Bank Holiday special, and the end of the Beatles' BBC radio performances. THE SOUND Apart from the two Masterfraction tracks, Yellow Dog is the best presentation of this show.

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The Beatles: Complete BBC Sessions (Upgraded for 2004)

All tracks cleaned up and speed checked. Source as noted.

bbc trailer = The Beatles Broadcast Collection Trailer (Yellow Dog) beeb = The Beatles At The BEEB (BEEB Transcription Records) broadcasts = Broadcasts (Circuit Records) deflating = Deflating The Mythology (no label) filler beebs = Attack Of The Filler Beebs (Silent Sea) great dane = The Complete BBC Sessions (Great Dane) masterfraction = Radio Sessions 1962-65 (Masterfraction) pyramid = The Beatles At The BEEB (Pyramid) unbooted = unique (originally, at least) to Purple Chick yellow dog = At The Beeb (Yellow Dog)

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DISC ONE: TEENAGER'S TURN - HERE WE GO (8 March 1962) 1. intro 0'07'' 2. Memphis 2'14'' 3. intro 0'07'' 4. Dream Baby (How Long Must I Dream) 1'47'' 5. intro 0'10'' 6. Please Mr. Postman 2'10'' HERE WE GO (15 June 1962) 7. intro 0'06'' 8. Ask Me Why 2'18'' 9. intro 0'08'' 10. Besame Mucho 2'30'' 11. intro 0'11'' 12. A Picture Of You 2'22'' HERE WE GO (26 October 1962) 13. A Taste Of Honey 0'53'' HERE WE GO (25 January 1963) 14. Chains 1'37'' 15. Please Please Me 1'37'' 16. Ask Me Why 2'14'' SATURDAY CLUB (26 January 1963) 17. Some Other Guy 2'01'' 18. "it won't be long before they're all over the 0'18'' country" 19. Love Me Do 1'29'' 20. Please Please Me 0'32''

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unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade unbooted upgrade artifacts and yellow dog yellow dog yellow dog yellow dog unbooted upgrade bbc trailer bbc trailer unbooted fragments

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21. Keep Your Hands Off My Baby 22. Beautiful Dreamer THE TALENT SPOT (29 January 1963) 23. Ask Me Why HERE WE GO (12 April 1963) 24. intro 25. Misery 26. intro 27. Do You Want To Know A Secret 28. intro 29. Please Please Me SATURDAY CLUB (16 March 1963) 30. I Saw Her Standing There

2'29'' 1'55''

unbooted upgrade unbooted upgrade

2'21''

yellow dog

0'17'' 1'48'' 0'12'' 1'53'' 0'21'' 1'53''

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

"you write songs as well, don't you?" Misery Too Much Monkey Business I'm Talking About You

0'45'' 1'46'' 1'47''

35. "nobody can live on the same stage" 36. Please Please Me 37. The Hippy Hippy Shake EASY BEAT (7 April 1963) 38. brian and gerry marsden intro 39. From Me To You SWINGING SOUND '63 (18 April 1963) 40. Twist And Shout

0'50'' 1'52'' 1'43''

unbooted upgrade and yellow dog yellow dog yellow dog yellow dog deflating and unbooted upgrade yellow dog yellow dog yellow dog

0'40'' 1'56''

yellow dog yellow dog

41. From Me To You SIDE BY SIDE (13 May 1963) 42. Side By Side 43. Long Tall Sally

2'20''

31. 32. 33. 34.

44. 45. 46. 47. 48. 49. 50.

2'45''

1'51''

2'11''

0'10'' 1'46''

"it came in a vision on a flaming pie" A Taste Of Honey Chains "who had the original idea?" Thank You Girl "that's the track that's selling it!" Boys

282

0'21'' 2'01'' 2'21'' 0'22'' 1'59'' 0'11'' 1'57''

great dane and yellow dog yellow dog yellow dog yellow dog and great dane yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

DJole’s

Purple Chick Guide

TEENAGER'S TURN - HERE WE GO (8 March 1962) 1: "...takes the vocal lead" (unbooted upgrade) 2: Memphis (unbooted upgrade) 3: "doing very well for roy orbison" (unbooted upgrade) 4: Dream Baby (How Long Must I Dream) (unbooted upgrade) 5: "here now, they cry" (unbooted upgrade) 6: Please Mr. Postman (unbooted upgrade) HERE WE GO (15 June 1962) 7: "written by our guests" (unbooted upgrade) 8: Ask Me Why (unbooted upgrade) 9: "surely be a spanish classic" (unbooted upgrade) 10: Besame Mucho (unbooted upgrade) 11: "rising very nicely" (unbooted upgrade) 12: A Picture Of You (unbooted upgrade) HERE WE GO (26 October 1962) 13: A Taste Of Honey (artifacts and yellow dog) HERE WE GO (25 January 1963) 14: Chains (yellow dog) 15: Please Please Me (yellow dog) 16: Ask Me Why (yellow dog) SATURDAY CLUB (26 January 1963) 17: Some Other Guy (unbooted upgrade) 18: "it won't be long before they're all over the country" (bbc trailer) 19: Love Me Do (bbc trailer) 20: Please Please Me (unbooted fragments) 21: Keep Your Hands Off My Baby (unbooted upgrade) 22: Beautiful Dreamer (unbooted upgrade) THE TALENT SPOT (29 January 1963) 23: Ask Me Why (yellow dog) HERE WE GO (12 April 1963) 24: "one of the most dynamic groups" (yellow dog) 25: Misery (yellow dog) 26: "another of their own compositions" (yellow dog) 27: Do You Want To Know A Secret (yellow dog) 28: "that's what we like to see" (yellow dog)

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DJole’s

Purple Chick Guide

29: Please Please Me (yellow dog) 30: "written, recorded and placed at #1" (yellow dog) SATURDAY CLUB (16 March 1963) 31: I Saw Her Standing There (unbooted upgrade and yellow dog) 32: "you write songs as well, don't you?" (yellow dog) 33: Misery (yellow dog) 34: Too Much Monkey Business (yellow dog) 35: I'm Talking About You (deflating and unbooted upgrade) 36: "nobody can live on the same stage" (yellow dog) 37: Please Please Me (yellow dog) 38: The Hippy Hippy Shake (yellow dog) EASY BEAT (7 April 1963) 39: brian and gerry marsden intro (yellow dog) 40: From Me To You (yellow dog) SWINGING SOUND '63 (18 April 1963) 41: Twist And Shout (great dane and yellow dog) 42: From Me To You (yellow dog) SIDE BY SIDE (13 May 1963) 43: Side By Side (yellow dog) 44: Long Tall Sally (yellow dog and great dane) 45: "it came in a vision on a flaming pie" (yellow dog) 46: A Taste Of Honey (yellow dog) 47: Chains (yellow dog) 48: "who had the original idea?" (yellow dog) 49: Thank You Girl (yellow dog) 50: "that's the track that's selling it!" (yellow dog) 51: Boys (yellow dog)

284

DJole’s

Purple Chick Guide

285

DJole’s

Purple Chick Guide

DISC TWO: SATURDAY CLUB (25 May 1963) 1. intro 2. I Saw Her Standing There 3. "...as everything else combined" 4. Do You Want To Know A Secret 5. Boys 6. "their fame it seems has now spread to egypt" 7. Long Tall Sally 8. "nearly all the requests were for their big one" 9. From Me To You 10. Money (That's What I Want) STEPPIN' OUT (3 June 1963) 11. Please Please Me 12. I Saw Her Standing There POP GO THE BEATLES #1 (4 June 1963) 13. Pop Go The Beatles (short) 14. 15. 16. 17. 18. 19. 20.

"one they didn't pen themselves" Everybody's Trying To Be My Baby "just get your guitar and strum it" Do You Want To Know A Secret "we got the box, harry" You Really Got A Hold On Me " a very good imitation"

286

0'04'' 2'54'' 0'23'' 1'47'' 2'25''

1'46''

yellow dog great dane great dane great dane great dane great dane and yellow dog great dane

0'12''

yellow dog

1'51'' 2'15''

great dane great dane

2'00'' 3'00''

yellow dog yellow dog

0'17''

0'20'' 0'04'' 2'02'' 0'18'' 1'46'' 0'23'' 2'52'' 0'04''

yellow dog and bbc trailer yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

DJole’s

Purple Chick Guide

21. "the plastic gets in the way" 22. The Hippy Hippy Shake 23. Misery 24. Pop Goes The Beatles (longest version) POP GO THE BEATLES #2 (11 June 1963) 25. Too Much Monkey Business 26. "love these goon shows" 27. I Got To Find My Baby 28. "the beatles can take a rest" 29. "happy birthday to you ringo" 30. Youngblood 31. "now paul has a go..." 32. Till There Was You 33. "do you do mickey mouse?" 34. Baby, It's You 35. "the dark days of 1962" 36. Love Me Do POP GO THE BEATLES #3 (18 June 1963) 37. "all's right will the world" 38. A Shot Of Rhythm And Blues 39. "better cut down on the jelly babies" 40. Memphis 41. "happy birthday to paul" 42. A Taste Of Honey 43. "fingering practice pays dividents" 44. Sure To Fall 45. outro 46. "more for the joy of living" 47. Money (That's What I Want) 48. "an eye on the pounds" 49. "but we promised" 50. From Me To You 51.

"so see you then"

yellow dog yellow dog yellow dog yellow dog

1'47'' 0'29'' 1'56'' 0'04'' 0'22'' 1'56'' 0'11'' 2'10'' 0'28'' 2'43'' 0'37' 2'25''

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog masterfraction yellow dog yellow dog

0'21'' 2'04'' 0'45'' 2'15'' 0'43'' 1'53'' 0'10'' 2'08'' 0'04'' 0'08'' 2'38'' 0'05'' 0'10''

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog and great dane great dane and yellow dog

1'44'' 0'05''

EASY BEAT (23 June 1963) 52. Some Other Guy 53. "twenty one last week" 54. A Taste Of Honey 55. 56.

0'19'' 1'40'' 1'42'' 1'12''

2'01'' 0'29'' 1'59''

Thank You Girl "we don't normally play requests..."

287

2'08'' 0'27''

pyramid pyramid pyramid, beeb and yellow dog pyramid and yellow dog pyramid

DJole’s 57.

Purple Chick Guide From Me To You

1'59''

pyramid and yellow dog

SATURDAY CLUB (25 May 1963) 1: "our bill toppers" (yellow dog) 2: I Saw Her Standing There (great dane) 3: "...as everything else combined" (great dane) 4: Do You Want To Know A Secret (great dane) 5: Boys (great dane) 6: "their fame it seems has now spread to egypt" (great dane and yellow dog) 7: Long Tall Sally (great dane) 8: "nearly all the requests were for their big one" (yellow dog) 9: From Me To You (great dane) 10: Money (That's What I Want) (great dane) STEPPIN' OUT (3 June 1963) 11: Please Please Me (yellow dog) 12: I Saw Her Standing There (yellow dog) POP GO THE BEATLES #1 (4 June 1963) 13: Pop Go The Beatles (short) (yellow dog and bbc trailer) 14: "one they didn't pen themselves" (yellow dog) 15: Everybody's Trying To Be My Baby (yellow dog) 16: "just get your guitar and strum it" (yellow dog) 17: Do You Want To Know A Secret (yellow dog) 18: "we got the box, harry" (yellow dog) 19: You Really Got A Hold On Me (yellow dog) 20: "a very good imitation" (yellow dog) 21: "the plastic gets in the way" (yellow dog) 22: The Hippy Hippy Shake (yellow dog) 23: Misery (yellow dog) 24: Pop Goes The Beatles (longest version) (yellow dog) POP GO THE BEATLES #2 (11 June 1963) 25: Too Much Monkey Business (yellow dog) 26: "love these goon shows" (yellow dog) 27: I Got To Find My Baby (yellow dog) 28: "the beatles can take a rest (yellow dog) 29: "happy birthday to you ringo" (yellow dog) 30: Youngblood (yellow dog) 31: "now paul has a go..." (yellow dog) 32: 'Till There Was You (yellow dog) 33: "do you do mickey mouse?" (yellow dog)

288

DJole’s

Purple Chick Guide

34: Baby, It's You (masterfraction) 35: "the dark days of 1962" (yellow dog) 36: Love Me Do (yellow dog) POP GO THE BEATLES #3 (18 June 1963) 37: "all's right will the world" (yellow dog) 38: A Shot Of Rhythm And Blues (yellow dog) 39: "better cut down on the jelly babies" (yellow dog) 40: Memphis (yellow dog) 41: "happy birthday to paul" (yellow dog) 42: A Taste Of Honey (yellow dog) 43: "fingering practice shows dividends" (yellow dog) 44: Sure To Fall (yellow dog) 45: outro (yellow dog) 46: "more for the joy of living" (yellow dog) 47: Money (That's What I Want) (yellow dog) 48: "an eye on the pounds" (yellow dog) 49: "but we promised" (yellow dog) 50: From Me To You (yellow dog and great dane) 51: "so see you then" (great dane and yellow dog) EASY BEAT (23 June 1963) 52: Some Other Guy (pyramid) 53: "twenty one last week" (pyramid) 54: A Taste Of Honey (pyramid, beeb and yellow dog) 55: Thank You Girl (pyramid and yellow dog) 56: "we don't normally play requests..." (pyramid) 57: From Me To You (pyramid and yellow dog)

289

DJole’s

Purple Chick Guide

290

DJole’s

Purple Chick Guide

DISC THREE: SIDE BY SIDE (24 June 1963) 1. Side By Side 2. "up to some no good monkey business" 3. Too Much Monkey Business 4. outro 5. "his one and only song" 6. Boys 7. "one voice noticably absent" 8. I'll Be On My Way 9. "george playing of course" 10. From Me To You POP GO THE BEATLES #4 (25 June 1963) 11. intro 12. I Saw Her Standing There 13. "you feel like a man now?" 14. "john lets his guitar take second place" 15. Anna (Go To Him) 16. "i'm very glad you sang that" 17. "oh, very fit" 18. Boys 19. "he can sing can ringo" 20. Chains 21. "thank you georgeous george" 22. "who sings this next song?" 23. P.S. I Love You

291

0'52'' 0'04'' 2'03'' 2'03'' 0'16'' 2'29'' 0'31'' 1'58'' 0'04'' 2'00''

silent sea and bbc trailer yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

2'49'' 2'49'' 0'23'' 0'05'' 2'59'' 0'29'' 0'36'' 2'26'' 0'27'' 2'13'' 0'04'' 0'14''

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog masterfraction and great dane

1'59''

DJole’s

Purple Chick Guide

24. "no relation to john, brackets" 25. Twist And Shout 26. "we'll all be at it again soon" SATURDAY CLUB (29 June 1963) 27. I Got To Find My Baby 28. "it's also for harry, and his box" 29. Memphis 30. Money (That's What I Want) 31. Till There Was You

1'59'' 0'40'' 2'29''

yellow dog masterfraction yellow dog

1'54'' 0'36'' 2'17'' 2'29''

32. "a couple of quick ones" 33. From Me To You 34. Roll Over Beethoven THE BEAT SHOW (4 July 1963) 35. A Taste Of Honey 36. Twist And Shout POP GO THE BEATLES #5 (16 July 1963) 37. That's All Right (Mama) 38. "that's all right with me, great!" 39. There's A Place 40. outro

0'27'' 1'50'' 2'29''

yellow dog yellow dog yellow dog yellow dog great dane and yellow dog yellow dog yellow dog yellow dog

1'56'' 2'31''

great dane great dane and unbooted

2'53'' 0'04'' 1'48''

41. "i couldn't find one for a carol" 42. Carol 43. "i haven't got a passport" 44. Soldier Of Love (Lay Down Your Arms) 45. "that was john lennon who got fell in" 46. "with these haircuts?" 47. Lend Me Your Comb 48. "a little rhyme" 49. Clarabella EASY BEAT (21 July 1963) 50. I Saw Her Standing There 51. A Shot Of Rhythm And Blues 52. There's A Place 53. Twist And Shout BONUS 54. no music 55. Side By Side (edited version)

0'11'' 2'36'' 0'31'' 1'59'' 0'04'' 0'09'' 1'46'' 0'32'' 2'38''

great dane great dane great dane great dane and yellow dog beeb and great dane great dane great dane great dane yellow dog yellow dog great dane great dane great dane

2'36'' 2'09'' 1'50'' 2'31''

yellow dog yellow dog yellow dog yellow dog

SIDE BY SIDE (24 June 1963) 1: Side By Side (silent sea and bbc trailer)

292

2'13''

0'11''

2'36'' 2'36''

DJole’s

Purple Chick Guide

2: "up to some no good monkey business" (yellow dog) 3: Too Much Monkey Business (yellow dog) 4: "an old chuck berry number" (yellow dog) 5: "his one and only song" (yellow dog) 6: Boys (yellow dog) 7: "one voice noticably absent" (yellow dog) 8: I'll Be On My Way (yellow dog) 9: "george playing of course" (yellow dog) 10: From Me To You (yellow dog) POP GO THE BEATLES #4 (25 June 1963) 11: intro (yellow dog) 12: I Saw Her Standing There (yellow dog) 13: "you feel like a man now?" (yellow dog) 14: "john lets his guitar take second place" (yellow dog) 15: Anna (Go To Him) (yellow dog) 16: "i'm very glad you sang that" (yellow dog) 17: "oh, very fit" (yellow dog) 18: Boys (yellow dog) 19: "he can sing can ringo" (yellow dog) 20: Chains (yellow dog) 21: "thank you georgeous george" (yellow dog) 22: "who sings this next song?" (yellow dog) 23: P.S. I Love You (masterfraction and great dane) 24: "no relation to john, brackets" (yellow dog) 25: Twist And Shout (masterfraction) 26: "we'll all be at it again soon" (yellow dog) SATURDAY CLUB (29 June 1963) 27: I Got To Find My Baby (yellow dog) 28: "it's also for harry, and his box" (yellow dog) 29: Memphis (yellow dog) 30: Money (That's What I Want) (yellow dog) 31: 'Till There Was You (great dane and yellow dog) 32: "a couple of quick ones" (yellow dog) 33: From Me To You (yellow dog) 34: Roll Over Beethoven (yellow dog) THE BEAT SHOW (4 July 1963) 35: A Taste Of Honey (great dane) 36: Twist And Shout (great dane and unbooted)

293

DJole’s

Purple Chick Guide

POP GO THE BEATLES #5 (16 July 1963) 37: That's All Right (Mama) (great dane) 38: "that's all right with me, great!" (great dane) 39: There's A Place (great dane) 40: "from the beatles' new e.p." (great dane and yellow dog) 41: "i couldn't find one for a carol" (beeb and great dane) 42: Carol (great dane) 43: "i haven't got a passport" (great dane) 44: Soldier Of Love (Lay Down Your Arms) (great dane) 45: "that was john lennon who got fell in" (yellow dog) 46: "with these haircuts?" (yellow dog) 47: Lend Me Your Comb (great dane) 48: "a little rhyme" (great dane) 49: Clarabella (great dane) EASY BEAT (21 July 1963) 50: I Saw Her Standing There (yellow dog) 51: A Shot Of Rhythm And Blues (yellow dog) 52: There's A Place (yellow dog) 53: Twist And Shout (yellow dog) BONUS Side By Side (edit) (unbooted - from bbc trailer original)

294

DJole’s

Purple Chick Guide

295

DJole’s

Purple Chick Guide

DISC FOUR: POP GO THE BEATLES #6 (23 July 1963) 1. "that's your fault" 2. Sweet Little Sixteen 3. A Taste Of Honey 4. "wanna bet?" 5. Nothing Shakin' (But The Leaves On The Trees) 6. "that momentous year" 7. Love Me Do 8. "1822" 9. Lonesome Tears In My Eyes 10. "and the same to you" 11. So How Come (No One Loves Me) 12. "next week the prize will stand at the beatles" POP GO THE BEATLES #7 (30 July 1963) 13. "not to mention harry and his box" 14. Memphis 15. "do you like the flowerpot men?" 16. Do You Want To Know A Secret 17. "dear wack" 18. 'Til There Was You 19. 20.

"set fire to that lot" Matchbox

0'08'' 2'19'' 1'56'' 0'04''

yellow dog yellow dog yellow dog yellow dog

2'57''

yellow dog

0'20'' 2'27'' 0'10'' 2'34'' 0'08'' 1'52''

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

0'14''

yellow dog

0'12'' 2'15'' 0'37'' 1'45'' 0'42''

yellow dog yellow dog yellow dog yellow dog yellow dog broadcasts and yellow dog masterfraction masterfraction and yellow dog

2'13'' 0'27'' 1'57''

296

DJole’s 21. 22. 23. 24.

Purple Chick Guide "something you can't get on the national health" Please Mr. Postman "back to those old, seasoned campaigners" The Hippy Hippy Shake

25. outro POP GO THE BEATLES #8 (6 August 1963) 26. intro 27. I'm Gonna Sit Right Down And Cry (Over You) 28. "please make George sing" 29. Crying, Waiting, Hoping 30.

Kansas City/Hey Hey Hey Hey

31. 32.

"a very romantic title" To Know Her Is To Love Her

33.

"do you remember the teddy bears' version?" "i've got a terrible nose" The Honeymoon Song

34. 35.

36. intro 37. Twist And Shout 38. outro POP GO THE BEATLES #9 (13 August 1963) 39. intro 40. Long Tall Sally 41. "pally sally" 42. Please Please Me 43. "what kind of fool am i?" 44. She Loves You 45. "21 herberts from raynes park" 46. You Really Got A Hold On Me 47. "didn't hurt a bit, did it?" 48. "add this one to your collection" 49. I'll Get You 50. I Got A Woman 51.

"a crafty long quickie"

0'27''

yellow dog

2'12'' 0'06''

yellow dog yellow dog masterfraction and yellow dog yellow dog

1'49'' 0'20'' 0'14'' 2'02'' 0'27'' 2'10'' 2'38'' 0'04'' 2'50'' 0'05''

yellow dog

0'28''

yellow dog yellow dog and masterfraction yellow dog yellow dog yellow dog

1'39'' 0'04'' 2'25'' 0'14'' 0'14'' 1'53'' 0'23'' 1'54'' 0'39'' 2'18'' 0'22'' 2'56'' 0'04'' 0'10'' 2'00'' 2'48'' 0'18''

297

yellow dog masterfraction and yellow dog great dane masterfraction and yellow dog masterfraction and yellow dog yellow dog masterfraction and yellow dog

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog masterfraction and yellow dog yellow dog

DJole’s

Purple Chick Guide

POP GO THE BEATLES #6 (23 July 1963) 1: "that's your fault" (yellow dog) 2: Sweet Little Sixteen (yellow dog) 3: A Taste Of Honey (yellow dog) 4: "wanna bet?" (yellow dog) 5: Nothing Shakin' (But The Leaves On The Trees) (yellow dog) 6: "that momentous year" (yellow dog) 7: Love Me Do (yellow dog) 8: "1822" (yellow dog) 9: Lonesome Tears In My Eyes (yellow dog) 10: "and the same to you" (yellow dog) 11: So How Come (No One Loves Me) (yellow dog) 12: "next week the prize will stand at the beatles" (yellow dog) POP GO THE BEATLES #7 (30 July 1963) 13: "not to mention harry and his box" (yellow dog) 14: Memphis (masterfraction and yellow dog) 15: "do you like the flowerpot men?" (yellow dog) 16: Do You Want To Know A Secret (yellow dog) 17: "dear wack" (yellow dog) 18: 'Til There Was You (broadcasts and yellow dog) 19: "set fire to that lot" (masterfraction) 20: Matchbox (masterfraction and yellow dog) 21: "something you can't get on the national health" (yellow dog) 22: Please Mr. Postman (yellow dog) 23: "back to those old, seasoned campaigners" (yellow dog) 24: The Hippy Hippy Shake (masterfraction and yellow dog) 25: "cheerio 'till next monday" (yellow dog) POP GO THE BEATLES #8 (6 August 1963) 26: "let's pop" (yellow dog) 27: I'm Gonna Sit Right Down And Cry (Over You) (masterfraction and yellow dog) 28: "please make george sing" (yellow dog) 29: Crying, Waiting, Hoping (masterfraction and yellow dog) 30: Kansas City/Hey Hey Hey Hey (masterfraction and yellow dog) 31: "a very romantic title" (yellow dog) 32: To Know Her Is To Love Her (masterfraction and yellow dog) 33: "do you remember the teddy bears' version?" (yellow dog) 34: "i've got a terrible nose" (yellow dog) 35: The Honeymoon Song (yellow dog and masterfraction) 36: intro (yellow dog) 298

DJole’s

Purple Chick Guide

37: Twist And Shout (yellow dog) 38: "that's it again" (yellow dog) POP GO THE BEATLES #9 (13 August 1963) 39: "straight away here's paul" (yellow dog) 40: Long Tall Sally (yellow dog) 41: "pally sally" (yellow dog) 42: Please Please Me (yellow dog) 43: "what kind of fool am i?" (yellow dog) 44: She Loves You (yellow dog) 45: "21 herberts from raynes park" (yellow dog) 46: You Really Got A Hold On Me (yellow dog) 47: "didn't hurt a bit, did it?" (yellow dog) 48: "add this one to your collection" (yellow dog) 49: I'll Get You (yellow dog) 50: I Got A Woman (masterfraction and yellow dog) 51: "a crafty long quickie" (yellow dog)

299

DJole’s

Purple Chick Guide

DISC FIVE: POP GO THE BEATLES #10 (20 August 1963) 1. She Loves You 2. "you'd never hear the songs" 3. Words Of Love 4. "beautifuly sung" 5. "they can all take five now" 6. Glad All Over 7. "the three beatlettes" 8. I Just Don't Understand 9. "well, you ought to" 10. "this is ear catching" 11. Devil In Her Heart 12. "thanks george" 13. "postcards to the Beatles" 14. Slow Down 15. "and dead stop, I'm afraid" SATURDAY CLUB (24 August 1963) 16. Long Tall Sally 17. She Loves You 18. Glad All Over 19. "what box?" 20. Twist And Shout 21. "dear wack" 22. 23.

You Really Got A Hold On Me I'll Get You

300

2'20'' 0'26'' 1'56'' 0'04'' 0'05'' 1'51'' 0'17'' 2'46'' 0'08'' 0'20'' 2'22'' 0'04'' 0'16'' 2'36'' 0'07''

yellow dog yellow dog yellow dog yellow dog yellow dog masterfraction yellow dog masterfraction yellow dog yellow dog masterfraction yellow dog yellow dog masterfraction yellow dog and beeb

1'48'' 2'11'' 1'51'' 0'51'' 2'26''

purple chick yellow dog yellow dog and unicorn yellow dog yellow dog yellow dog and masterfraction masterfraction yellow dog

0'42'' 2'37'' 2'01''

DJole’s

Purple Chick Guide

POP GO THE BEATLES #11 (27 August 1963) 24. Ooh! My Soul 25. "ooh! my arms" 26. Don't Ever Change

1'36'' 0'35'' 2'04''

27. 28. 29.

"a modest request" 0'06'' Twist And Shout 2'31'' "beatle fans the world over have been 0'19'' waiting for" 30. She Loves You (fragment) 0'06'' 31. "we hate you" 0'29'' 32. Anna (Go To Him) 2'51'' 33. A Shot Of Rhythm And Blues 2'18'' POP GO THE BEATLES #12 (3 September 1963) 34. intro 0'13'' 35. From Me To You 1'50'' 36. I'll Get You 2'00'' 37. "dear john letter" 0'28'' 38. Money (That's What I Want) 2'45'' 39. "well sir, here you are" 0'17'' 40. 41. 42.

There's A Place outro Honey Don't

1'50'' 0'04'' 2'14''

43. "that was the beatles that was" 0'04'' 44. "all right fellas, roll over!" 0'43'' 45. Roll Over Beethoven 2'22'' POP GO THE BEATLES #13 (10 September 1963) 46. intro 0'04'' 47. Too Much Monkey Business 2'06'' 48. 49. 50. 51. 52. 53. 54. 55. 56. 57.

"request for 'Till There Was You" Love Me Do "he looks a right prat!" She Loves You "and why not?" I'll Get You "sounds like my doctor" A Taste Of Honey "can't remember him" The Hippy Hippy Shake

301

0'27'' 2'25'' 0'32'' 2'13'' 0'04'' 2'02'' 0'21'' 1'55'' 0'23'' 1'44''

masterfraction masterfraction masterfraction and yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog masterfraction yellow dog yellow dog unbooted yellow dog yellow dog yellow dog and unbooted upgrade unbooted upgrade yellow dog masterfraction and great dane beeb and yellow dog yellow dog yellow dog yellow dog masterfraction and yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

DJole’s 58.

Purple Chick Guide outro

0'09''

yellow dog

POP GO THE BEATLES #10 (20 August 1963) 1: She Loves You (yellow dog) 2: "you'd never hear the songs" (yellow dog) 3: Words Of Love (yellow dog) 4: "beautifuly sung" (yellow dog) 5: "they can all take five now" (yellow dog) 6: Glad All Over (masterfraction) 7: "the three beatlettes" (yellow dog) 8: I Just Don't Understand (masterfraction) 9: "well, you ought to" (yellow dog) 10: "this is ear catching" (yellow dog) 11: Devil In Her Heart (masterfraction) 12: "thanks george" (yellow dog) 13: "postcards to the beatles" (yellow dog) 14: Slow Down (masterfraction) 15: "and dead stop, I'm afraid" (yellow dog and beeb) SATURDAY CLUB (24 August 1963) 16: Long Tall Sally (purple chick) 17: She Loves You (yellow dog) 18: Glad All Over (yellow dog and unicorn) 19: "what box?" (yellow dog) 20: Twist And Shout (yellow dog) 21: "dear wack" (yellow dog and masterfraction) 22: You Really Got A Hold On Me (masterfraction) 23: I'll Get You (yellow dog) POP GO THE BEATLES #11 (27 August 1963) 24: Ooh! My Soul (masterfraction) 25: "ooh! my arms" (masterfraction) 26: Don't Ever Change (masterfraction and yellow dog) 27: "a modest request" (yellow dog) 28: Twist And Shout (yellow dog) 29: "beatle fans the world over have been waiting for" (yellow dog) 30: She Loves You (fragment) (yellow dog) 31: "we hate you" (yellow dog) 32: Anna (Go To Him) (yellow dog) 33: A Shot Of Rhythm And Blues (masterfraction)

302

DJole’s

Purple Chick Guide

POP GO THE BEATLES #12 (3 September 1963) 34: "alright, let's pop!" (yellow dog) 35: From Me To You (yellow dog) 36: I'll Get You (unbooted) 37: "dear john letter" (yellow dog) 38: Money (That's What I Want) (yellow dog) 39: "well sir, here you are" (yellow dog and unbooted upgrade) 40: There's A Place (unbooted upgrade) 41: outro (yellow dog) 42: Honey Don't (masterfraction and great dane) 43: "that was the beatles that was" (beeb and yellow dog) 44: "all right fellas, roll over!" (yellow dog) 45: Roll Over Beethoven (yellow dog) POP GO THE BEATLES #13 (10 September 1963) 46: "cut the monkey business" (yellow dog) 47: Too Much Monkey Business (masterfraction and yellow dog) 48: "request for 'till there was you" (yellow dog) 49: Love Me Do (yellow dog) 50: "he looks a right laff!" (yellow dog) 51: She Loves You (yellow dog) 52: "and why not?" (yellow dog) 53: I'll Get You (great dane) 54: "sounds like my doctor" (yellow dog) 55: A Taste Of Honey (yellow dog) 56: "can't remember him" (yellow dog) 57: The Hippy Hippy Shake (yellow dog) 58: "for this week, that's it" (yellow dog)

303

DJole’s

Purple Chick Guide

304

DJole’s

Purple Chick Guide

DISC SIX: POP GO THE BEATLES #14 (17 September 1963) 1. intro 0'12'' 2. Chains 2'19'' 3. "to all our chainspotter friends" 0'31'' 4. You Really Got A Hold On Me 2'53'' 5. no music 0'04'' 6. Misery 1'50'' 7. "dear hot and fruity george" 1'01'' 8. Lucille 2'27'' 9. "love and kisses" 0'27'' 10. From Me To You 1'49'' 11. brackets 1'08'' 12. Boys 2'08'' 13. outro 0'05'' POP GO THE BEATLES #15 (24 September 1963) 14. intro 0'15'' 15. She Loves You 2'12'' 16. "the boys feel a little sad" 0'10'' 17. Ask Me Why 1'52'' 18. "exciting and smashing" 0'29'' 19. Devil In Her Heart 2'21'' 20. "they never read out the requests" 0'39'' 21. I Saw Her Standing There 2'37'' 22. 23.

"good old audrey" Sure To Fall

0'15'' 2'18''

305

yellow dog yellow dog yellow dog yellow dog yellow dog great dane bbc trailer yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog great dane great dane yellow dog yellow dog yellow dog yellow dog and great dane yellow dog yellow dog

DJole’s

Purple Chick Guide

24. for john paul george and ringo 0'32'' yellow dog 25. Twist And Shout 2'31'' yellow dog 26. "that really is it" 0'24'' yellow dog SATURDAY CLUB (FIFTH BIRTHDAY EDITION) (5 October 1963) 27. saturday club theme and intro 0'50'' yellow dog 28. I Saw Her Standing There 2'33'' yellow dog 29. Memphis 2'13'' yellow dog 30. Happy Birthday Saturday Club 0'33'' yellow dog 31. "it could be that they've been listening to 0'28'' yellow dog saturday club" 32. I'll Get You 2'02'' great dane 33. "if you asked for it" 0'07'' great dane 34. She Loves You 2'13'' great dane 35. Lucille 1'49'' great dane 36. outro 0'52'' great dane EASY BEAT (20 October 1963) 37. intro 0'12'' yellow dog 38. I Saw Her Standing There yellow dog and bbc 2'33'' trailer 39. "it's almost a year..." 0'14'' yellow dog 40. Love Me Do 2'31'' yellow dog 41. Please Please Me 2'03'' yellow dog 42. "we just called paul over" 0'30'' yellow dog 43. From Me To You 1'51'' yellow dog 44. She Loves You 2'31'' yellow dog THE KEN DODD SHOW (3 November 1963) 45. She Loves You 2'37'' unbooted upgrade POP GO THE BEATLES #14 (17 September 1963) 1: "here are the beatles in..." (yellow dog) 2: Chains (yellow dog) 3: "to all our chainspotter friends" (yellow dog) 4: You Really Got A Hold On Me (yellow dog) 5: outro (yellow dog) 6: Misery (yellow dog) 7: "dear hot and fruity george" (yellow dog) 8: Lucille (bbc trailer) 9: "love and kisses" (yellow dog) 10: From Me To You (yellow dog) 11: "brackets" (yellow dog) 12: Boys (yellow dog) 13: outro (yellow dog)

306

DJole’s

Purple Chick Guide

POP GO THE BEATLES #15 (24 September 1963) 14: "for the last time" (yellow dog) 15: She Loves You (yellow dog) 16: "the boys feel a little sad" (yellow dog) 17: Ask Me Why (yellow dog) 18: "exciting and smashing" (yellow dog) 19: Devil In Her Heart (yellow dog) 20: "they never read out the requests" (yellow dog) 21: I Saw Her Standing There (yellow dog and great dane) 22: "good old audrey" (yellow dog) 23: Sure To Fall (yellow dog) 24: "for john paul george and ringo" (yellow dog) 25: Twist And Shout (yellow dog) 26: "that really is it" (yellow dog) SATURDAY CLUB (FIFTH BIRTHDAY EDITION) (5 October 1963) 27: saturday club theme and intro (yellow dog) 28: I Saw Her Standing There (yellow dog) 29: Memphis (yellow dog) 30: Happy Birthday Saturday Club (yellow dog) 31: "it could be that they've been listening to saturday club" (yellow dog) 32: I'll Get You (great dane) 33: "if you asked for it" (great dane) 34: She Loves You (great dane) 35: Lucille (great dane) 36: "well, there it is" (great dane) EASY BEAT (20 October 1963) 37: "britain's biggest attraction" (yellow dog) 38: I Saw Her Standing There (yellow dog and bbc trailer) 39: "it's almost a year..." (yellow dog) 40: Love Me Do (yellow dog) 41: Please Please Me (yellow dog) 42: "we just called paul over" (yellow dog) 43: From Me To You (yellow dog) 44: She Loves You (yellow dog) THE KEN DODD SHOW (3 November 1963) 45: She Loves You (unbooted upgrade)

307

DJole’s

Purple Chick Guide

308

DJole’s

Purple Chick Guide

DISC SEVEN: SATURDAY CLUB (21 December 1963) 1. "all i want for christmas is a bottle" 2. all my loving 3. "what will they do without amplifiers" 4. This Boy 5. "i like it" 6. 7.

I Want To Hold Your Hand Till There Was You

8. "i think..." (beeb) 9. Roll Over Beethoven 10. "that's not a carol - 's a standard" 11. She Loves You 12. Shazam 13. "that mudley, er medley" FROM US TO YOU #1 (26 December 1963) 14. From Us To You 15. 16. 17. 18. 19. 20. 21.

"the beatles are here" She Loves You "you know you should be glad" "featuring paul" All My Loving Roll Over Beethoven "peggy legg"

309

0'39'' 0'13'' 1'03'' 2'16'' 0'04'' 2'18'' 2'14'' 0'04'' 2'14'' 1'20'' 2'13'' 0'31'' 0'12'' 0'54'' 0'28'' 2'19'' 0'04'' 0'04'' 2'04'' 2'17'' 0'08''

yellow dog cv, edited yellow dog yellow dog yellow dog and great dane yellow dog yellow dog, great dane and beeb beeb yellow dog yellow dog yellow dog yellow dog yellow dog great dane and yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

DJole’s

Purple Chick Guide

22. 'Till There Was You 23. "bass playing beatle" 24. "blue skies by jeanie lamb" 25. "big chance coming up now" 26. Boys 27. Money (That's What I Want) 28. "the very mercenary john lennon" 29. intro 30. I Saw Her Standing There 31. outro 32. Tie Me Kangaroo Down, Sport 33. intro 34. I Want To Hold Your Hand 35. outro 36. From Us To You SATURDAY CLUB (15 February 1964) 37. intro 38. All My Loving 39. Money (That's What I Want) 40. "that's what they've got aplenty" 41. "one that most people know by now" 42. The Hippy Hippy Shake 43. "amazing that you can hear us" 44. I Want To Hold Your Hand 45. Roll Over Beethoven 46. "he's my favourite" 47. Johnny B Goode 48. "still one more to go" 49. "i hope it's a real swinger" 50. I Wanna Be Your Man 51.

"and it was old ringo"

2'11'' 0'04'' 0'09'' 0'07'' 1'46'' 2'42'' 0'04'' 0'04'' 2'36'' 0'04'' 3'11'' 0'10'' 2'21'' 0'17'' 0'47''

yellow dog yellow dog unbooted yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

0'04'' 1'57'' 2'39'' 0'04'' 0'18'' 1'48'' 1'44'' 2'18'' 2'17'' 0'29'' 2'50'' 0'04'' 1'00''

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog and great dane beeb

2'08'' 0'05''

SATURDAY CLUB (21 December 1963) 1: "all i want for christmas is a bottle" (yellow dog) 2: all my loving (c.v. edit) 3: "what will they do without amplifiers" (yellow dog) 4: This Boy (yellow dog) 5: "i like it" (yellow dog and great dane) 6: I Want To Hold Your Hand (yellow dog) 7: 'Till There Was You (yellow dog, great dane and beeb)

310

DJole’s

Purple Chick Guide

8: "i think..." (beeb) 9: Roll Over Beethoven (yellow dog) 10: "that's not a carol - 's a standard" (yellow dog) 11: She Loves You (yellow dog) 12: Shazam (yellow dog) 13: "that mudley, er medley" (yellow dog) FROM US TO YOU #1 (26 December 1963) 14: From Us To You (great dane and yellow dog) 15: "the beatles are here" (yellow dog) 16: She Loves You (yellow dog) 17: "you know you should be glad" (yellow dog) 18: "featuring paul" (yellow dog) 19: All My Loving (yellow dog) 20: Roll Over Beethoven (yellow dog) 21: "peggy legg" (yellow dog) 22: 'Till There Was You (yellow dog) 23: "bass playing beatle" (yellow dog) 24: "blue skies by jeanie lamb" (unbooted) 25: "big chance coming up now" (yellow dog) 26: Boys (yellow dog) 27: Money (That's What I Want) (yellow dog) 28: "the very mercenary john lennon" (yellow dog) 29: intro (yellow dog) 30: I Saw Her Standing There (yellow dog) 31: outro (yellow dog) 32: Tie Me Kangaroo Down, Sport (yellow dog) 33: "a house with love in" (yellow dog) 34: I Want To Hold Your Hand (yellow dog) 35: "from the beatles themselves" (yellow dog) 36: From Us To You (yellow dog) SATURDAY CLUB (15 February 1964) 37: "lots of love to you too" (yellow dog) 38: All My Loving (yellow dog) 39: Money (That's What I Want) (yellow dog) 40: "that's what they've got aplenty" (yellow dog) 41: "one that most people know by now" (yellow dog) 42: The Hippy Hippy Shake (yellow dog) 43: "amazing that you can hear us" (yellow dog) 44: I Want To Hold Your Hand (yellow dog) 45: Roll Over Beethoven (yellow dog) 311

DJole’s

Purple Chick Guide

46: "he's my favourite" (yellow dog) 47: Johnny B Goode (yellow dog) 48: "still one more to go" (yellow dog) 49: "i hope it's a real swinger" (yellow dog) 50: I Wanna Be Your Man (yellow dog and great dane) 51: "and it was old ringo" (beeb)

312

DJole’s

Purple Chick Guide

DISC EIGHT: SATURDAY CLUB (21 December 1963) 1. From Us To You 2. "to open proceedings this morning" 3. You Can't Do That 4. "just a rumour" 5. Roll Over Beethoven 6. "i don't need to tell you" 7. "what about my book then?" 8. Till There Was You 9. "another oldie" 10. "ringo... yup" (split) 11. I Wanna Be Your Man 12. "I think Ringo meant every word of that" 13. "...but we know you won't" 14. Please Mr. Postman 15. "the fellas keep him busy pretty regularly" 16. All My Loving 17. "i think that loving's readily accepted" 18. "it's about rubbish - with drawings" 19. This Boy 20. "how much singing do you do in this film" 21. Can't Buy Me Love 22. "we can't purchase any more time" 23. From Us To You FROM US TO YOU #2 (26 December 1963)

313

0'55'' 0'08'' 2'31'' 0'20'' 2'15'' 0'07'' 0'38'' 2'12'' 0'05'' 0'13'' 2'08'' 0'07'' 0'56'' 2'20'' 0'07'' 2'05'' 0'06'' 1'02'' 2'12'' 0'21'' 2'06'' 0'28'' 1'01''

masterfraction and yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog masterfraction yellow dog yellow dog

DJole’s

Purple Chick Guide

24. 25. 26. 27. 28. 29. 30.

"stay tuned" Everybody's Trying To Be My Baby "i think he sings quite nicely" I Call Your Name "lots more from the beatle boys" I Got A Woman "was that request really from your mother"

0'07'' 2'24'' 0'09'' 2'04'' 0'04'' 2'33''

31. 32. 33. 34.

You Can't Do That "it's ringo's turn" Can't Buy Me Love "just about everybody has read about the film" Sure To Fall Long Tall Sally

2'31'' 0'14'' 2'06''

yellow dog yellow dog yellow dog yellow dog yellow dog and beeb yellow dog yellow dog and filler beebs and beeb yellow dog yellow dog yellow dog

2'02''

yellow dog

2'13''

0'05''

yellow dog broadcasts and yellow dog and great dane great dane

0'54'' 0'48'' 2'37'' 0'04'' 2'14'' 0'25'' 2'05'' 0'04'' 1'16'' 2'32'' 0'05'' 2'11'' 0'44'' 2'05'' 0'14'' 1'54'' 0'04'' 2'20'' 0'04'' 0'14''

yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

0'05'' 0'27''

masterfraction

35. 36.

37. "how about that?" FROM US TO YOU #3 (18 May 1964) 38. From Us To You 39. Whit Monday To You 40. I Saw Her Standing There 41. "marvellous" 42. Kansas City/Hey Hey Hey Hey 43. "it could if you weren't so thick" 44. I Forgot To Remember To Forget 45. outro 46. "i hope you're plugged in mary" 47. You Can't Do That 48. "they did it all right" 49. Sure To Fall 50. "funny place glos." 51. Can't Buy Me Love 52. "i'll think i'll have to hit your ringo" 53. Matchbox 54. intro 55. Honey Don't 56. outro 57. From Us To You BONUS 58. blank (no music) 59. From Us To You (edited)

314

2'04''

1'57''

DJole’s

Purple Chick Guide

FROM US TO YOU #2 (30 March 1964) 1: From Us To You (masterfraction and yellow dog) 2: "to open proceedings this morning" (yellow dog) 3: You Can't Do That (yellow dog) 4: "just a rumour" (yellow dog) 5: Roll Over Beethoven (yellow dog) 6: "i don't think you need the telling" (yellow dog) 7: "what about my book then?" (yellow dog) 8: 'Till There Was You (yellow dog) 9: "another oldie" (yellow dog) 10: "ringo... yup" (yellow dog) 11: I Wanna Be Your Man (yellow dog) 12: "i think ringo meant every word of that" (yellow dog) 13: "...but we know you won't" (yellow dog) 14: Please Mr. Postman (yellow dog) 15: "the fellas keep him busy pretty regularly" (yellow dog) 16: All My Loving (masterfraction and yellow dog) 17: "i think that loving's readily accepted" (yellow dog) 18: "it's about rubbish - with drawings" (yellow dog) 19: This Boy (yellow dog) 20: "how much singing do you do in this film?" (yellow dog) 21: Can't Buy Me Love (masterfraction) 22: "we can't purchase any more time" (yellow dog) 23: From Us To You (yellow dog) SATURDAY CLUB (4 April 1964) 24: "stay tuned" (yellow dog) 25: Everybody's Trying To Be My Baby (yellow dog) 26: "i think he sings quite nicely" (yellow dog) 27: I Call Your Name (yellow dog) 28: "lots more from the beatle boys" (yellow dog and beeb) 29: I Got A Woman (yellow dog) 30: "was that request really from your mother" (yellow dog and filler beebs and beeb) 31: You Can't Do That (yellow dog) 32: "it's ringo's turn" (yellow dog) 33: Can't Buy Me Love (yellow dog) 34: "just about everybody has read about the film" (yellow dog) 35: Sure To Fall (yellow dog)

315

DJole’s

Purple Chick Guide

36: Long Tall Sally (broadcasts and yellow dog and great dane) 37: "how about that?" (great dane) FROM US TO YOU #3 (18 May 1964) 38: From Us To You (yellow dog) 39: Whit Monday To You (yellow dog) 40: I Saw Her Standing There (yellow dog) 41: "marvellous" (yellow dog) 42: Kansas City/Hey Hey Hey Hey (yellow dog) 43: "it could if you weren't so thick" (yellow dog) 44: I Forgot To Remember To Forget (yellow dog) 45: outro (yellow dog) 46: "i hope you're plugged in mary" (yellow dog) 47: You Can't Do That (yellow dog) 48: "they did it all right" (yellow dog) 49: Sure To Fall (yellow dog) 50: "funny place glos." (yellow dog) 51: Can't Buy Me Love (yellow dog) 52: "i'll think i'll have to hit your ringo" (yellow dog) 53: Matchbox (yellow dog) 54: intro (yellow dog) 55: Honey Don't (yellow dog) 56: outro (yellow dog) 57: From Us To You (yellow dog) BONUS From Us To You (edit) (masterfraction)

316

DJole’s

Purple Chick Guide

317

DJole’s

Purple Chick Guide

DISC NINE: TOP GEAR (16 July 1964) 1. trailer 1

2'14''

2. 3. 4. 5.

trailer 2 Long Tall Sally "paul doing his highly hirsute hairpiece" Things We Said Today

6.

"lots more from the unruly four..."

7. 8. 9.

"gather 'round famous film stars" A Hard Day's Night "hold it!"

10.

don't pass me by

11. 12. 13. 14. 15. 16. 17.

And I Love Her "you should have known better" "one more from the boys" If I Fell You Can't Do That "and that's it" outro top gear theme

0'26'' 1'56'' 0'09'' 2'20'' 0'04'' 1'16'' 2'31'' 0'11'' 1'50''

FROM US TO YOU #4 (3 August 1964) 18. From Us To You 19. "what should I tell her about?" 318

2'19'' 0'33'' 0'04'' 2'07'' 2'29'' 0'10'' 0'21'' 0'54'' 0'28''

bbc trailer and yellow dog bbc trailer yellow dog yellow dog masterfraction and yellow dog yellow dog and filler beebs masterfraction masterfraction masterfraction and beeb and yellow dog yellow dog and great dane yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog and great dane yellow dog yellow dog

DJole’s

Purple Chick Guide

20. Long Tall Sally 1'57'' yellow dog 21. "off the musical launching pad we went" 0'04'' yellow dog 22. If I Fell 2'08'' yellow dog 23. "mmmm great" 0'04'' yellow dog 24. I'm Happy Just To Dance With You 1'50'' yellow dog 25. "one of those hard day's night offerings" 0'05'' yellow dog 26. "they might sound like the record someday" 0'22'' yellow dog 27. Things We Said Today 2'29'' yellow dog 28. "it's john's turn - right now" 0'05'' yellow dog 29. I Should Have Known Better 2'34'' yellow dog 30. "our four morning stars" 0'04'' yellow dog 31. "bowled over boys" 0'15'' yellow dog 32. Boys 2'01'' yellow dog 33. "in answer to all the cards" 0'05'' yellow dog 34. Kansas City/Hey Hey Hey Hey 2'36'' yellow dog 35. "no passports required" 0'04'' yellow dog 36. It's For You - Cilla Black 2'09'' yellow dog 37. "ron aged two hundred and eight" 0'53'' yellow dog 38. A Hard Days Night 2'26'' yellow dog 39. "what a great note to end on" 0'05'' yellow dog 40. From Us To You 0'58'' yellow dog FROM US TO YOU #4 RECORDING SESSION (recorded 17 July 1964) 41. Kansas City/Hey Hey Hey Hey 2'54'' yellow dog 42. Long Tall Sally 2'04'' yellow dog 43. If I Fell 2'19'' yellow dog 44. Boys 2'10'' yellow dog 45. I'm Happy Just To Dance With You 2'13'' yellow dog (instrumental) 46. I'm Happy Just To Dance With You (vocal) 1'58'' yellow dog 47. I Should Have Known Better (false start) 0'22'' yellow dog 48. I Should Have Known Better (single 2'47'' yellow dog tracked) 49. I Should Have Known Better (with 2'47'' yellow dog harmonica) 50. Things We Said Today 2'38'' yellow dog 51. A Hard Day's Night 2'45'' yellow dog 52. From Us To You (wrong lyrics) 1'05'' yellow dog 53. From Us To You (no overdubs) 1'10'' yellow dog Bonus 54. blank (no music) 0'05'' 55. alternate "9: "hold it!"" -1 masterfraction and filler 0'07'' beebs

319

DJole’s 56. 57.

Purple Chick Guide blank (no music) alternate "9: "hold it!"" -2

0'05'' 0'14''

masterfraction

TOP GEAR (16 July 1964) 1: trailer 1 (bbc trailer and yellow dog) 2: trailer 2 (bbc trailer) 3: Long Tall Sally (yellow dog) 4: "paul doing his highly hirsute headpiece" (yellow dog) 5: Things We Said Today (masterfraction and yellow dog) 6: "lots more from the unruly four..." (yellow dog and filler beebs) 7: "gather 'round famous film stars" (masterfraction) 8: A Hard Day's Night (masterfraction) 9: "hold it!" (masterfraction and beeb and yellow dog) 10: don't pass me by (yellow dog and great dane) 11: And I Love Her (yellow dog) 12: "you should have known better" (yellow dog) 13: "one more from the boys" (yellow dog) 14: If I Fell (yellow dog) 15: You Can't Do That (yellow dog) 16: "and that's it" (yellow dog) 17: top gear theme (yellow dog and great dane) FROM US TO YOU #4 (3 August 1964) 18: From Us To You (yellow dog) 19: "what should I tell her about?" (yellow dog) 20: Long Tall Sally (yellow dog) 21: "off the musical launching pad we went" (yellow dog) 22: If I Fell (yellow dog) 23: "mmmm great" (yellow dog) 24: I'm Happy Just To Dance With You (yellow dog) 25: "one of those hard day's night offerings" (yellow dog) 26: "they might sound like the record someday" (yellow dog) 27: Things We Said Today (yellow dog) 28: "it's john's turn - right now" (yellow dog) 29: I Should Have Known Better (yellow dog) 30: "our four morning stars" (yellow dog) 31: "bowled over boys" (yellow dog) 32: Boys (yellow dog) 33: "in answer to the cards" (yellow dog) 34: Kansas City/Hey Hey Hey Hey (yellow dog) 35: "no passports required" (yellow dog)

320

DJole’s

Purple Chick Guide

36: It's For You - Cilla Black (yellow dog) 37: "ron aged two hundred and eight" (yellow dog) 38: A Hard Days Night (yellow dog) 39: "what a great note to end on" (yellow dog) 40: From Us To You (yellow dog) FROM US TO YOU #4 RECORDING SESSION (recorded 17 July 1964) 41: Long Tall Sally (yellow dog) 42: If I Fell (yellow dog) 43: Boys (yellow dog) 44: I'm Happy Just To Dance With You (instrumental) (yellow dog) 45: I'm Happy Just To Dance With You (vocal) (yellow dog) 46: I Should Have Known Better (false start) (yellow dog) 47: I Should Have Known Better (single tracked) (yellow dog) 48: I Should Have Known Better (with harmonica) (yellow dog) 49: Things We Said Today (yellow dog) 50: A Hard Day's Night (yellow dog) 51: Kansas City/Hey Hey Hey Hey (yellow dog) 52: From Us To You (wrong lyrics) (yellow dog) 53: From Us To You (no overdubs) (yellow dog) BONUS alternate "9: "hold it!"" -1 (masterfraction and filler beebs) alternate "9: "hold it!"" -2 (masterfraction)

321

DJole’s

Purple Chick Guide

322

DJole’s

Purple Chick Guide

DISC TEN: TOP GEAR (26 November 1964) 1. "so hold tight"

0'04'' 3'12'' 0'34'' 2'21'' 0'04'' 1'50'' 2'41'' 2'13'' 0'09''

great dane and yellow dog yellow dog great dane, filler beebs and yellow dog bbc trailer and yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

0'05'' 2'01'' 1'37'' 2'36'' 0'04'' 2'21'' 0'40'' 2'13''

pyramid and yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog yellow dog

0'04''

2. 3.

I'm A Loser "let's have a few, hard facts'

4.

Honey Don't

2'36'' 3'07'' 2'53''

5. "a rare ringo vocal" 6. She's A Woman 7. "even though it is conceited" 8. Everybody's Trying To Be My Baby 9. "brother george beatle" 10. I'll Follow The Sun 11. "records, that's what were here for" 12. I Feel Fine 13. "i hope you feel fine too" SATURDAY CLUB (26 December 1964) 14. "they're here" 15. Rock And Roll Music 16. "like britain only with buttons" 17. I'm A Loser 18. outro 19. Everybody's Trying To Be My Baby 20. "a sort of joint effort" 21. I Feel Fine

323

DJole’s

Purple Chick Guide

22. "we like the old numbers" 0'28'' yellow dog 23. Kansas City/Hey Hey Hey Hey 2'41'' yellow dog 24. "so to the last number" 0'05'' yellow dog 25. She's A Woman 3'12'' yellow dog 26. "my favouite side too" 0'07'' yellow dog THE BEATLES (INVITE YOU TO TAKE A TICKET TO RIDE) (7 June 1965) 27. Ticket To Ride Intro bbc trailer and yellow 0'56'' dog 28. Everybody's Trying To Be My Baby 2'20'' yellow dog 29. I'm A Loser 2'31'' yellow dog 30. "double entendre" 1'45'' yellow dog 31. The Night Before 2'27'' yellow dog 32. "double entendre" 0'04'' yellow dog 33. outro 2'48'' yellow dog 34. Honey Don't 0'24'' yellow dog 35. Dizzy Miss Lizzy masterfraction and 2'42'' yellow dog 36. outro 0'04'' yellow dog 37. intro 0'04'' yellow dog 38. She's A Woman 2'47'' yellow dog 39. "who leave you as they found you" 0'06'' yellow dog 40. Ticket To Ride yellow dog and 3'00'' masterfraction TOP OF THE POPS 41. "the one what who never speaks" 0'38'' bbc trailer 42. "paul's thinking, i'm doing" 1'57'' bbc trailer 43. ticket to ride edit 0'10'' bbc trailer 44. "painting buckingham palace" 0'14'' bbc trailer TOP GEAR RECORDING SESSION (17 November 1964) 45. session talk/ I Feel Fine (false start) 0'48'' bbc trailer 46. I Feel Fine (single track vocal) 1'05'' filler beebs 47. session talk 0'40'' bbc trailer Bonus Tracks 48. blank (no music) 0'05'' 49. "so hold tight" 0'05'' 50. Honey Don't (edit) 2'22'' bbc trailer 51. Ticket To Ride (unfettered) 2'56'' masterfraction 52. blank (no music) 0'05'' 53. All Together On The Wireless Machine 1'03'' (Paul, November, 1967) 54. Cottonfields (John, 6 June, 1968) 0'24''

324

DJole’s

Purple Chick Guide

TOP GEAR (26 November 1964) 1: intro (yellow dog) 2: I'm A Loser (yellow dog) 3: "let's have a few, hard facts' (great dane, filler beebs and yellow dog) 4: Honey Don't (bbc trailer and yellow dog) 5: "a rare ringo vocal" (yellow dog) 6: She's A Woman (yellow dog) 7: "even though it is conceited" (yellow dog) 8: Everybody's Trying To Be My Baby (yellow dog) 9: "brother george beatle" (yellow dog) 10: I'll Follow The Sun (yellow dog) 11: "records, that's what were here for" (yellow dog) 12: I Feel Fine (yellow dog) 13: "i hope you feel fine too" (yellow dog) SATURDAY CLUB (26 December 1964) 14: "they're here" (pyramid and yellow dog) 15: Rock And Roll Music (yellow dog) 16: "like britain only with buttons" (yellow dog) 17: I'm A Loser (yellow dog) 18: outro (yellow dog) 19: Everybody's Trying To Be My Baby (yellow dog) 20: "a sort of joint effort" (yellow dog) 21: I Feel Fine (yellow dog) 22: "we like the old numbers" (yellow dog) 23: Kansas City/Hey Hey Hey Hey (yellow dog) 24: "so to the last number" (yellow dog) 25: She's A Woman (yellow dog) 26: "my favouite side too" (yellow dog)

325

DJole’s

Purple Chick Guide

THE BEATLES (INVITE YOU TO TAKE A TICKET TO RIDE) (7 June 1965) 27: Ticket To Ride Intro (bbc trailer and yellow dog) 28: Everybody's Trying To Be My Baby (yellow dog) 29: I'm A Loser (yellow dog) 30: "double entendre" (yellow dog) 31: The Night Before (yellow dog) 32: outro (yellow dog) 33: Honey Don't (yellow dog) 34: "the producer asked for it" (yellow dog) 35: Dizzy Miss Lizzy (masterfraction and yellow dog) 36: outro (great dane and yellow dog) 37: intro (yellow dog) 38: She's A Woman (yellow dog) 39: "who leave you as they found you" (yellow dog) 40: Ticket To Ride (yellow dog and masterfraction) TOP OF THE POPS 41: "the one what who never speaks?" (bbc trailer) 42: "paul's thinking, i'm doing" (bbc trailer) 43: ticket to ride edit (bbc trailer) 44: "painting buckingham palace" (bbc trailer) TOP GEAR RECORDING SESSION (17 November 1964) 45: session talk/ I Feel Fine (false start) (bbc trailer) 46: I Feel Fine (single track vocal) (filler beebs) 47: session talk (bbc trailer) (note, the 'session' She's A Woman and I Feel Fine (double tracked) are on this disc twice already - they weren't about to be repeated a third time!!) BONUS "so hold tight" (great dane) Honey Don't (edit) (bbc trailer) Ticket To Ride (unfettered) (masterfraction) All Together On The Wireless Machine (Paul, November 1967) (bbc trailer and filler beebs) Cottonfields (John, 6-6-1968) (bbc trailer)

326

DJole’s

Purple Chick Guide

327

DJole’s

Purple Chick Guide

328

DJole’s

Purple Chick Guide

1963 “Non Stop Pop” 30 July 63 Beatles and Phil Tate chat Ringo discusses not moving to London and requests a song, John talks about songwriting and hobbies, George answers a fan’s question about their hair, and Paul muses on fame. unknown program 19 August 63 A bonus non-BBC session. Recorded in Stockholm by Radio Sweden. Beatles and Klas Burling chat Ringo and Klas chat Paul and Klas chat Paul and Klas chat John, Paul and Klas chat George and Klas chat “The Public Ear” 13 November 63 1) Beatles self-introductions 2) Beatles chat Paul wonders about the future, George talks about money, and all four talk about practicing and making music. “Radio Newsreel” 16 October 63 Beatles and Peter Woods chat. The Fabs talk about the upcoming Royal Variety Performance and their success without posh voices. unknown 1 November 63 odean cinema, cheltenham, glos. “Dateline London” 10 December 63 Beatles and Dibbs Mather chat. Ringo outlines his early career; George discusses life’s changes, family life, money and the future; Paul talks about the name, being role models and the future; and John goes on about Goon-type humor and success and reads “The Neville Club.”

329

DJole’s

Purple Chick Guide

1964 “The Public Ear” 5 January 64 George and Ringo promo spot, tk 1 George reads his and Ringo’s letter and ruins Ringo’s gag, then gets it right on the second try. George and Ringo promo spot, tk 2 “Weekend World” 24 January 64 Beatles and Bob chat Beatles and Bob chat more A bonus non-BBC session, recorded in Paris by an unknown American interviewer for Armed Forces Network. First Paul discusses their origins, success and haircuts; George talks about the Liverpool Sound; Ringo briefly synopsizes his career; and John talks about imitators. Then Paul discusses the Olympia shows, writing “I Want To Hold Your Hand,” themes in their songs and their upcoming U.S. trip and first feature film; George talks about the lack of French girls and landing the Sullivan show; John discusses “yeah yeah yeah” and they all rate the French girls. unknown program 5 February 64 A bonus, non-BBC session.The Beatles discuss their recent Paris trip and upcoming American one. Beatles and someone chat. “Saturday Club” 8 February 64 coverage of Plaza Hotel arrival. Beatles and Brian Matthew phone chat alternate version (prev unbooted) Brian, in London, talks to the Beatles in their New York hotel room, getting their first impressions of America. “Saturday Club” 22 February 64 Beatles and Brian Matthew phone chat. Brian, in the “Saturday Club” studio, talks to the Beatles at Heathrow Airport, as they arrive back in Britain. “The Public Ear” 18 March 64 Ringo responds to Barbara Garnet’s plea. George interviews Ringo about John’s book, and the author reads “Alec Speaking.” John, George and Ringo chat George and Ringo read the credits “The Beatles” 26 December 64 330

DJole’s

Purple Chick Guide

Chris Denning interviews The Beatles for their Radio Luxembourg show, although later rebroadcast on the BBC

1965 “Pop Inn” 13 April 65 Beatles and Brian Matthew chat At Twickenham during filming, they discuss John’s new book, writing a musical, painting the Palace, another US tour, and folk music. Parts of this segment (as well as others) were used on "Top Of The Pops" show, highlighed on Disc 10. “The World Of Books” 16 June 65 John and Wilfred De’Ath chat Automatic piers, influences, awareness and “The Fat Budgie.” “Today” 16 June 65 John reads “The National Health Cow” “The Beatles” 30 July 65 John, Paul, George and Dibbs Mather chat John, Paul, George and Dibbs chat John, Paul, George and Dibbs chat They discuss future plans and their image, the new film and acting, and life if not Beatles and how they’ve stopped improving on stage. The Beatles read “The National Health Cow” The boys plug John’s new book. “The Beatles Abroad” August 65 George and Brian Matthew chat John and Brian chat Paul and Brian chat George and Brian chat Ringo and Brian chat John and Brian chat George on Shea; John on Shea; Paul on the future, the musical and standards; George on the rigors of touring and getting out at night in London; Ringo on Beatles wives and John off American food. Alternate, Transcription Service version

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Purple Chick Guide

“Saturday Club” 29 November 65 - broadcaset 25 December 1965 Complete session tape “Pop Profile” 30 November 65 theme song and intro John and Brian Matthew chat George and Brian chat Brian interviews two Beatles at the NEMS Enterprises office in London. John discusses what he cares most about, his political leanings, Julian’s future education and parenthood. George muses on his image as the “silent Beatle,” what he cares most about, songwriting, his home life, and what he wants.

1966 “Saturday Club #400” 2 May 66 Brian Matthew chats with The Beatles “Pop Profile” 2 May 66 Paul and Brian Matthew chat Ringo and Brian chat and outro Brian interviews two more Beatles at the Playhouse Theatre in London. Paul complains about press reactions to his concert and play attendances and discusses post-Beatles possibilities and various other musics. Ringo talks about music he likes, life as a lad, life as a whole and how he got into music. unknown program May-66 Paul chat Paul answers a Brian Matthew query about “Michelle” as an a-side. David Frost At The Phonograph 1 August 66 (prev. unbooted) Paul interview “The Lennon and McCartney Songbook” 6 August 66 John, Paul and Keith Fordyce chat John, Paul and Keith Fordyce chat, continued At Paul’s St. John’s Wood home in London, Keith Fordyce gets the Nerk Twins’ reactions to some of the many covers of their compositions, including the Irish Guards’ “She Loves You,” Peggy Lee’s “A Hard Day’s Night,” Matt Munro’s “All My Loving,” Lena Horne’s “And I

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Purple Chick Guide

Love Him” and Frankie Vaughn’s “Wait,” with interruptions by Mr. or Mrs Higgins and Martha (My Dear) the sheepdog puppy.

1967 “The Ivor Novello Awards For 1966” 20 March 67 John, Paul and Brian Matthew Chat about Yellow Submarine John, Paul and Brian Matthew Chat about Michelle and Yesterday “Top Of The Pops” 20 March 67 John, Paul and Brian Matthew chat The Fab Two discuss “Penny Lane” not making Number One, songwriting, doing another film, not touring and not writing a stage musical. “Where It's At” 19 May 67 Sgt. Pepper special Intro/Sgt. Peppers... With a Little Help... Lucy in the Sky... Fixing a Hole Being For... When I'm 64 She's Leaving Home Lovely Rita Getting Better Good Morning Alternate Version of show “Where It's At” 26-30 June 67 All You Need Is Love special Kenny Everett talks with Paul “Scene And Heard” 13 September 67 George and Miranda Ward chat Interviewed at the Atlantic Hotel in Newgate during “Magical Mystery Tour” filming, George explains why they still haven’t done their required third feature film, what they’re doing with “Mystery Tour,” and his interest in Indian philosophy and spiritual fulfillment.

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“Where It’s At” November 67 John, Chris Denning and Kenny Everett chat All Together On The Wireless Machine John talks about the possibility of a Beatles radio show, building a studio, and other future plans. The second track is a home tape Paul recorded for theprogram.

1968 “Cilla” with Ringo 6 Feb 68 Comedy Sketch Nellie Dean Do You Like Me unknown program 26 March 68 Paul and Jane Asher chat with Richard Whitmore On their return from India, Paul responds to questions about meditation and poverty in India and Jane discusses meditation’s effect on her. “The Tonight Show”/“Newsfront” 5-14-68 John & Paul Somewhat dull chat on walking in the park and alternate carreer choices ..oh yeah, and Apple Corps. John & Paul - NYC interview PT #1 John & Paul - NYC interview PT #2 John and Paul flew to New York on Saturday May 11 to unveil the groups' Apple Corps venture via a series of interview with the "serious" press (all day at the St Regis Hotel On Monday the 13th), a press conference 1:30pm at the Americana Hotel on Tuesday the 14th and an appearance on NBC-TV's the Tonight Show later this same day. Discussed are politics, racism, Maharishi, drugs and the media “The Kenny Everett Show” 6 June 68 Beatles rehearsal Tony Olivestone narrates as John bangs a drum, Paul plays lead guitar, George plays piano and vocalizes, and Ringo walks around thinking. John and Kenny chat Beatles and Kenny chat

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Purple Chick Guide

John provides a very spaced-out welcome to the end, followed by part of the broadcast as edited by Kenny. Finally, the complete session tape includes John strumming on a fretless guitar while expounding on what to expect from them in the next few months, “Somebody Stole My Gal,” “Goodbye Jingle,” Harry Nillson, “Cottonfields” with Kenny, Rishikesh, what they’ve recorded so far, “It’s The Kenny Everett Show,” “You Know, Listeners,” Apple, if he were stranded on an island and how high “Sgt. Pepper” was. Paul joins John for “Goodbye To Kenny Everett,” John proposes “Tiny Tim For President,” George says hello, Paul does Tiny, Ringo sings “Goodbye Kenny” and John and Paul do a jazzy “Strawberry Fields Forever.” Alternate presentation of show “How It Is” 17 July 68 "Yellow Sub" Press Preview On Wednesday 17 July 1968, the Beatles took a day off from recording the White Album (they were in the middle of John's Cry Baby Cry) to attend the London premiere of their new animated film "Yellow Submarine" at the London Pavillion. This was recorded for BBC-TV, so is just a bonus session here. “Music” (an Apple Film) 30 July 68 Beatles recording Abbey Road Includes unbooted "Hey Jude" tks9/Tutti Frutti/Chat “Night Ride” 12 December 1968 John and Yoko chat with John Peel - the whole show 1. Intro 2. Differnt From The Book - John Martyn / Halold McNair 3. Chat 4. You've Got To Hold On - The Deviants 5. Chat 6. Watch The Stars - Jacqul McShee / John Renbourn 7. Chat 8. Two Vergins 9. Chat 10. Poem - Christopher Logue 11. Jellyroll Baker Blues - Jacqui McShee / John Renbourn 12. Alchemical Wedding Plug 13. Dvorak: Slavonic Dances Op. 46 No. 1 in C: Presto - Czech Philharmonic Orchestra

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14. Chat 15. John, My Love (acapella demo) - Yoko Ono 16. Crying Sometime - Jacqui McShee / John Renbourn 17. Chat 18. Azerbaijani Music 19. Chat 20. Wine, Woman, Whiskey - Papa George Lightfoot 21. Chat 22. Why? - Christopher Logue 23. Dusty - John Artyn / Halold McNair 24. Wabash Cannonball - Lonnie Donegan 25. Chat 26. Every Night When The Sun Goes In - Jacqui McShee / John Renbourn 27. Chat 28. Here We Go 'Round The Mulberry Bush - Traffic 29. Chat 30. Jock And Yono - John Lennon 31. Once Upon A Pool Table - John Lennon 32. Hello Train - John Martyn /Halold McNair 33. Chat 34. Sheik Of Araby - Spike Jones And His City Slickers

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1969 “Scene and Heard” 15 May 69 David Wigg interviews George “Light And Local” 15 May 69 Paul - interview in Liverpool On Thursday 15 May 1969, the day before he and Linda went abroad for a holiday, Paul was back in Liverpool, visiting his family. At some point this day, at his father's house in Heswall, he gave a long interview to former Liverpool Institute contemporary Roy Corlett, now on staff at the BBC's new local stattion Radio Mersyside. It was broadcast in the following day's edition of the porgramme Light and Local (Friday 16 May, 12.31-1.00pm) - or, as Paul called it, "a light at the local". unknown program Late May 69 Radio Peace Radio jingle performed by John & Yoko Because (acoustic version) Happiness Is A Warm Gun Two acoustic performances from John and Yoko's second and last 'bed-in' for peace (from Monday 26 May - Monday 2 June 1969) which was held in Montreal (after being refused a visa by the US, and finding the Bahamas too hot). The intent was the same: to stay under the sheets and welcome as much of the media as would come. It was during this second bed-in that the world's most endurable peace anthem and slogan, 'Give Peace A Chance' was recorded on Sunday 1 June with a host of friends. “Everett Is Here” 24 July 1969 Kenny Everett and Paul chat Kenny & Paul work on yet another Everette jingle Kenny Everett and George Discussed is stereo head, phones, beards, George's new Hari Krishna single. “Everett Is Here” 14 August 69 John - interview at Abbey Road On Thursday August 14 1969, John took a break from a session at Abbey Road to be interviewed by Kenny Everett (who even captured part of the Mean Mr. Mustard mixing session audio!). The Interview was broadcast in

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DJole’s

Purple Chick Guide

two parts by BBC Radio 1 in Everett Is Here, two Saturdays in November on the 20 and 27. Both at 10.00am - 12.00 noon. unknown program 7 October 69 John On "Paul is dead" rumors A very surprised John talks from London to an American interviewer via phone on the new death rumours and manages to plug Plastic Ono Band in the process. “Everett Is Here” October 69 John BBC Interview “Kenny Everett's Xmas Show” 15 December 69 Ringo - British Wireless For The Blind Fund Appeal At the Apple HQ in central London, Ringo made an unusual radio recording: a two-minute appeal on behalf of the British Wireless for the Blind Fund, for broadcast by the BBC - as was the custom - on Christmas Day. it was transmitted at 10.15 that morning by Radio 1 as an inset into the 10.00am12.00 noon Kenny Everett's Christmas Show. (Sadly, however, it raised a mere 175 pounds, the least successful BBC charity appeal of the month.)

1970 unknown program 5 January 1970 O Kristelighed 0:26 John & Yoko Kenny Everett Show extracts general kenny lunacy “The Beatles Today” 11 March 1970

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GUESTS HERE WE GO (12 April 1963) Instrumental - The Northern Dance Orchestra The Beatles Warmed Over Kisses - Ben Richmond Waltz In Jazz Time - The Northern Dance Orchestra Avalon/S.O.S - The Northern Dance Orchestra/The Trad Lads POP GO THE BEATLES #3 (18 June 1963) outro Greenback Dollar - Carter Lewis and the Southerners "more for the joy of living" SIDE BY SIDE (24 June 1963) Boys When Days Are Gone - Karl Denver Trio "one voice noticably absent" POP GO THE BEATLES #4 (25 June 1963) "thank you georgeous george" Far Away Places - The Bachelors Jailer, Bring Me Water - The Bachelors "who sings this next song?" POP GO THE BEATLES #6 (23 July 1963) Lonesome Tears In My Eyes Mad Mad World - Carter Lewis and the Southerners "and the same to you" POP GO THE BEATLES #7 (30 July 1963) Do You Want To Know A Secret Sweets For My Sweet - The Searchers "dear wack" ... Please Mr. Postman Da Doo Run Run - The Searchers "back to those old, seasoned campaigners"

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POP GO THE BEATLES #8 (6 August 1963) "do you remember the teddy bears' version?" Too Late Now - The Swinging Blue Jeans "i've got a terrible nose" POP GO THE BEATLES #9 (13 August 1963) "didn't hurt a bit, did it?" Searchin' - The Hollies "add this one to your collection" POP GO THE BEATLES #10 (20 August 1963) "beautifuly sung" My Whole World Is Falling Down - Russ Sainty and the Nu Notes Wipe Out - Russ Sainty and the Nu Notes "they can all take five now" ... "well, you ought to" Unforgettable Love - Russ Sainty and the Nu Notes Walkin' Tall - Russ Sainty and the Nu Notes "this is ear catching" (yellow dog) "thanks george" Da Doo Run Run - Russ Sainty and the Nu Notes "postcards to the beatles" POP GO THE BEATLES #11 (27 August 1963) "a modest request" Country Line Special - Cryil Davis Rhythm and Blues All Stars Band My Baby - Long John Baldry Twist And Shout POP GO THE BEATLES #12 (3 September 1963) outro Do You Love Me - Brian Poole and the Tremeloes Honey Don't "that was the beatles that was" I Can Tell - Brian Poole and the Tremeloes "all right fellas, roll over!" POP GO THE BEATLES #13 (10 September 1963) "and why not?"

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Purple Chick Guide

A Shot Of Rhythm And Blues - Johnny Kidd and the Pirates Dr. Feelgood - Johnny Kidd and the Pirates I'll Get You A Taste Of Honey I Can Tell - (Johnny Kidd and the Pirates) The Hippy Hippy Shake POP GO THE BEATLES #14 (17 September 1963) outro That's What I Want - The Marauders Misery POP GO THE BEATLES #15 (24 September 1963) Abilene - Tony Rivers and the Castaways SATURDAY CLUB (FIFTH BIRTHDAY EDITION) (5 October 1963) Happy Birthday Saturday Club Fools Rush In - Ricky Nelson Sally Ann - Joe Brown and his Bruvvers Autumn Leaves - Joe Brown and his Bruvvers Take Good Care Of My Baby - Bobby Vee everly brothers interview Walk Right Back - The Everly Brothers All I Have To Do Is Dream - The Everly Brothers brenda lee greetings A Picture Of You - Joe Brown and his Bruvvers Bye Bye Love - The Everly Brothers "it could be that they've been listening to saturday club" FROM US TO YOU #4 (3 August 1964) "no passports required" It's For You - Cilla Black "ron aged two hundred and eight" THE BEATLES (INVITE YOU TO TAKE A TICKET TO RIDE) (7 June 1965) Everybody's Trying To Be My Baby Stay - The Hollies I'm A Loser You Know He Did - The Hollies Choog-A-Loog - The Hollies

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Purple Chick Guide

Dream Child - The Hellions double entendre The Night Before outro Nitty Gritty/Someone's Got A Hold On Me - The Hollies Honey Don't (yellow dog) ... outro I'm Alive - The Hollies That's Why I'm Crying - The Ivy League

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