Disco Guitar Bible
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DISCO GTXTTAK BIBLE = AUTHENTTC IRANSGRIPTIONS NOTES AND TABLATURE
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BAD GIRLS-{}r,;* lt* liiut**lt
9
BOOGIE NIGHTS- j ,:..
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BOOGIE OOGIE OOGIE-:\'il;r:,,(*
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BRICK HOUSE- i r .'
28
DA YA THINK I'M SEXY-l{q:*
34
DANCE WITH ME-ilut.*r Br*r,r,ir
40
DANCING MACHINE-'ilj:c,{x,rirsr:rt li DECEMBER 1963 (OH, WHAI A NIGHT)-i:rer:kiq: V;rlli *n* i];t $r:ur L{*xs*nr DISCO INFERNO-T'irt' ['r*nrrnpr:
47 52
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FUNKYTOWN-' , r,..
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GET DOWN
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GET OFF-l'*;'iv
76
GOOD
79
90
I LOVE THE NIGHT LIFE-Atiri* S+.i* g*:x KUNG FU FIGHTING-{.;,yi $*lrgt*ir LE FREAK-{,hi*
95
LOVE ROLLERCOASTER-$.-\iri*
85
1
TONIGHT-Kil
TIMES-,"
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$us:*liir:{:3i$sd
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MACHO MAN-\,'it
107 118
NATIVE NEW YORKER-g.3* vx**.,i NEVER CAN SAY GOODBYE-{ii*ti*
128
PICK UP THE PIECES-.,\u;r*lx$* !Yltii* lian*{
135
SHADOW DANCING-;\ x#y
144
SHINING STAR-$:;ryth,. \,\l** $r Fir,*
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STAYIN,
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ALIVE-;i.,, . ,, q. SUPER FREAK-;-...0 :
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168
SUPERSTITION-$i*r.i * \\qr*e *r THAT'S THE WAY (I LIKE IT)-HL & Th*: liri**]ri*r, WE ARE FAMILY- .. , , .i",;";,.
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Y.M.C.A.-Vili
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101
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F4.
175
* YOU SHOULD BE DANCING-$}** fi*srs
180
Cuitar Notation Legend
jScnd
*51* $:'**pi
= ISBN 0-h3q-08I35-b
ZHAL.LeoTARD. 7A Lacor?poRATrot\ 7777 W. BLUEMOUND RO. pO, BOX 1 381 9 MTLWAUKEE, Wt 5321 3
For all works contained herein: Unauthorized copying, arranging, adapting, recording or public performance is an in{rrngement of copyrighl lnfringers are liable under the law.
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7
Bad Girls Words and Music by Joe "Beans" Esposito, Edward Hokenson, Bruce Sudano and Donna Summer
eb
Am
H'* C" 311
Gm Asus4
A
H H'"'H"
Intro Moderately .J = 124 *F
Grr
2 tclean
t
Riff
eb
Dm7
Gm7
A
xChord symbols reflect overall harmony
Am7
Am7
Gm7
Am7 \roc. Fig.
1
End Voc. Fig. I
(Toot Rhi'. Fig.28
Gtr.3 (clean)
+
+++
-
End Rhy. Fig.28
+++
,rf
End
RiffA
End Rhy. Fig.
rJ-:
r3
I
Rhy. Fig.2A
Rhy. Fig.2
---r
Copyright @ 1978 by Rightsong lvlusic Inc., Earborne Music and Sweet Summer Night Music All Rights for Earborne Music Administered by Rightsong Music lnc. International Copyright Secured All Rights Feserved
End Rhy. Fig.2A
End Rhy. Fig.2
"t Gtr. l: w/ Rhy. Fig. I (1st 2 meas.) (2 times) Gtrs. 2
&
3: w/ Rhy. Figs. 2A
& 2B
Dm7
(3 times)
Am7
Am7
Gm7
End Voc. Fig.2
beep
Toot -
beep.
toot.
Gtr. 1: w/ Rhy. Fig. 2
Dm7
Am7
beep
-
beep.)
Chorus Gr. 1: w/ Dm7
Bad
Rhy. Fig.
I
(2 times)
Am7
CrmT
Am7
Am7
Gm7
girls,
Rhy. Fig.3
Gtr. 2: w/ RIy. Fig. 3
Dm7
Am7
Am7
Gm7
in'
'bout
Gm7
yeah.
Verse 1: w/ Rhy. Fig. I (1 l/2 times) Gtr. 2: w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 2B (3 times)
Gtr.
Dm7
Am7
Am7
(Wa1k -
the price
You can'l
in')
if your
pock -
et's
right.
-
Gm7
/
End Rhy. Fig.4
r:_J---
ff
Pre-Chorus
'
Gtr. 3 tacet
Am
Bb Rhy. Fig.S
cr, )
)
l
n, )
Am
Bb
//.
You ask Gtt.Z
Rhy. Fig.5A
Now don't
- self you ask your
vour
n
self-
Am
I
Bb
//
\
)
n7
Gm
/
l)
Interlude Gtr.
1: w/ Rhy. Fig. I Gtr. 2: w/ Riff A
2nd time, Gtr. 3: w/ Riff B
Asus4
w) w they come
Dm7 End Rhy. Fig.5
tl
from
thev wan - na
1.....:
t J t / t-
be
near a_
and star. End Rhy. Fig.5A
To Coda
Am7
$
Gm7
oh, oh,
Chorus Gtrs. 1 & 2: w/ Rhy. Figs. I & 3 (2 times)
Dm7
Arnl
Gm7
Am7
Dm7
Gm7
=-------. Bad
girls,
l' (Bad
sad
girls,
gir1s.
r Sad
--yeah.
girls.
Am7
sad
gir1s,
-
Am7
Gm7
in'
'bout
bad.
Gm7
Am7
Gm7
Verse Gtr.
1:
w/Rhy. Fig.
1
(1 ti2 times)
Gtr. 2: w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 28 (3 times)
Aml
Dm7
2. Fri
day night
Am7
Gm7
and the strip
is
Am7
Dm7
Gm7
hot,
and thev're out
to
trot.
_ Out trot - tin'.)
Am7
Gtrs. I & 3: w/ Rhy. Figs.
,1
&
D.S. al Coda
4,A
Am7 Dm7
Gm7
A
\-, high
and
look
legs
Do you
hot.
wan
- na
get
down?
-
-
$coaa
Bridge I& Dm7
Gtrs.
2: w/ Rhy. Figs. 1 &
3
(2 times)
Am7
---/ that's
yeah,
us.
*Gtrs.,1 & 5
Bad
girl, you're such
girl,
a
dirt
bad
Riff C
girl.
Beep -
End Riff C
-
"!f w/ clean tone
*Gtr. 4: clean tone w/ slight reverb: Gtr. 5: synth. an. for gtr.
Gtrs. 4 & 5: w/ Riff C (3 times)
Dm7
Gm7
bad
(Bad
girl,
you
oirl
sad sad
Am7
such such
difi
-
dirt
-y
girl girl
Beep
beep,
Verse ctr.
1; w/ Rhy. Fig. I (lst 2 meas.) Gtr. 2: w/ Riff A (2 times) Gtr. 3: w/ Riy. Fig. 28 (3 rimes) Ctrs. 4 & 5: w/ Riff C (,1 times)
Dm7
3. Now vou
Gtr.
Am7
Am7
and
(Both the 6
same.
_
1:
w/ Rhy. Fig. 2
Dm7
But you
call
your -
self_
girl, you're girl, you're
Gtr. l: w/ Rhy. Fig. I (lst 2 meas.)
Dm7
name.
_ Dif
f'rent
Now your
ma -
ma won't like-
when
she
name.
Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4,A
Dm7
Am7
girl
Finds
out.)
-
out
_
-
Guitar Solo Gt$. I & Grr 4
Bb
2: w/ Rhy. Figs. 5 & 5,A
Am Bb N.c.
Bb
Bb
cr.5
Am
Gm
N.C.
Gtr. 4 tacel
Bkgd. Voc.: w/ Voc. Fig. I
Asus4
A
7
Interlude Bkgd. Voc.: w/ Voc. Fig. 2 (4 times) Gtr. 5 tacet
N.C.
Toot - toot,
beep- beep
Toot- toot,
beep
-
beep.)
Blgd
Voc.: u/ Voc. Fig. 3 '2 rimer1 Gtrs. I & 2: w/ Rhy. Figs. I & 3
CBb
F'CR
Bb
Hey,
Outro Bkgd. Voc.: w/ Voc. Figs. 2 & 3 (till fade) Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 3 (till fade)
Dm7
Am7
Gm7
Have
Am7
Am7
Dm7
\fis
Am7
Ooh,
you
got
dime?
Gm7
Am7
Do you
terl
Am7
Gm7
-
wan
spend
got what you
yeah.
your
ba
by, come and
time?
-
Dm7
want
you
got what
I
need.
Gm7
be
somg
-
Am7
spend
me.
_
Hey,
mis
Begin fade
Dm7
I',lt
spend
Am7
Gm7
some
trme
with
you
Wirh
Fade out
you.8
You
Am7
fine
With
you.
Gm7
Am7
Boogie Nights Words and Music by Rod Temperton Gtr. 3: Drop D tuning: (low ro high) D-A-D-G-B-E To match recording, tune up 1/4 step
Intro Moderately
.J
= 124
*N.c.
(Harp)
(Drums)
---\
approx.7 sec.
*Chord symbols reflect overall
hmony
Em9 Voc. Fig,
1
Copyright @ 1976 RODSONGS
All Rights Administered by ALMO MUSIC CORP All Rights Reserved Used by Permission
.---
7 ff
v"..u Bkgd. Voc.: w/ Voc. Fig. 2 (2 times)
Grrs. I & 2: w/ Rhy. Fig. 1 (2 times) ctr. 3: w/ Riff A (2 times)
E7|de End Voc. Fig.2
I
no
2
that
al1
3
End Rhy. Fig.
I
doubt, groove,
right
End Riff A
,!f w/ phase shitter
Chorus -{m
we are here to par let it take you high when you got that feel -
on out. it move, Hold it tight,
ty.
Come
got to get
er.
Make
set
ing.
it
this place on
got to
start
-
ea.
11-rel keep on deal in.e.
-
)
Dance
with
the
I Rh1. Fig. 2
Gtrs.
'Cause boog
1
&
l +'
the best
in
town. End Voc. Fig.3
get End Rhy. Fig.2
Interlude
To Coda
Gtrs. I & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff A (2 times)
(Got to keep on
danc
- in',-
Can
keep on danc
you show
- in'.-
that you know
keep on danc
how
right
to
it,ie
do Boog
do-
-
$
in'.)
it?
nights.
End Riff B
phase shifter
Get
right,
on down
off
with the sound
of
the
mu Boog
s1c,
ie
_
s1c,
nights.)
/ $coau
Synth. Solo ctrs. I & 2: w/Rhy. Fig. I Gtr. 3 : w/ Ritl A (4 times)
_)l
(4 tines)
^
h/'l+9
+Synth.
a[. for gtr
-
== -
7
Boog
(Cot
on
danc
keep
^+
on
danc
2-
Chorus Gtn. 1 & 2: w/ Rhy. Fig.
2
Bkgd. Voc.: w/ Voc. Fig. 3
Am
Em
Interlude Bkgd. Voc.: w/ Voc. Fig.4 Gtrs. I & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff A (2 times) 1..I
t9
*Synth.
m.
for gtr
P#m
B9(no3rd)
Outro Bkgd. Voc.: w/ Voc. Figs. Gtr. 5 tacet
I & 4 (till
fade)
Em9 Riff
GtIs.
t&2
cl
,+ /+-
__----------
Rhy. Fig.3
w/ phase shifter
Dm13
End Rhy. Fig.3
Play 5 times dnd.fade
w/ ad lib. talking Gtrs. I & 2: w/ Riy. Fig. 3 Gtr. 3: w/ Riff C lst & 2nd times. Gtr.4: il RiffCl
Em9
(lf
you wan - na boog
-
ie,
wan
na
boog - ie
boog -
ie,
boog -
ie
nights.)
13
I
Boogie Oogie Oogie Words and Music by Janice Marie Johnson and Perry Kibble
Intro
Plal 4 times
xDTsus4 Gtr. 1 (clean)
Gtr. 3 (clean)
*Chord symbols reflect overall harmony. ++Set fbr quarter note triplet regeneration w/ 7 repeats
tClavinet and gh. ar. for gtr., composite mangement
Gtrs.l&2tacat Dm7
Riff
Bb/C
A
*Clavinet m. for gtr *+Bass m'. for gtr.
14
:-\
Gtr. 3: w/ Rhy. Fill I
Bb/D
Dm7
fGtr. 2 (clean)
xctr.4
8vq-----mf
2nd, 3rd & 4th times
Moderate Disco J = 124
Copyright @ 1978 Conducive Music and On Time Music All Rights Controlled and Administered by Spirit One Music (BMl) lnternational Copyright Secured All Rights Reserved
w/ wah-wah
Bb/C Gtr.
--=_----
Dm7
D7sus4 Fill
1
End Fill
mf
l
1
R}ty. Fig.
I
*Gtr. I
€!
Rhy. Fig. 1A
Gtt.2 -
*Doubled throughout
End Rhy. Fig. 1A
15
I v"rr.
S( /')
2nd rime. Bkgd. Voc.: u/ Voc. Fig. Gtr. 1: w/ Rhy. Fig. I (3 3/4 times) Gtr. 2: w/ Rhy. Fig. 1A (4 times) 2nd time, Gtr. 6: w/ Fill 1
D7sus4
I
Dm7
1. If you're There's no
2.
think
lng
you're
time
to
waste,
too let's
-
to the
cool
this
get
show
boog -
Dm7
D7sus4
boy,
oh
Lis - ten
to
boy, the
mu -
sic
have and
gotnewsyour bod - y
let
for
you.
_
flow.
-
2nd time, Bkgd. Voc.: w/ Voc. Fig. 2
Dm7
D7sus4
The
ie
road.
Ev - 'ry-bod - er we be -
soon
Bb/C
v gin,
the
here
night
to
long -
er we've
got
must to
_-
boog
groove.
_
D7sus4
tell
you,
you
Lis - ten
are no ex to the mu - sic and
cep
let
to_
tlon your
rhe
bod-r
Chorus Gtr. 1 tacet
Am7
Cer Novn Rhy.
Fill2
get
on_f on _ i
up
End Rhy. Fill 2
Dm7
c
the
floor
Rhy, Fie.2
End Rir. Fig.
Gtt.2
Voc. Fig.
16
1
\\e re gon-na
Voc. Fig.2
boog - ie
2
oog - le
we'
Gtr. 2: w/ Rhy. Fig.
D7sus4 \vboog - ie
no
(No
lA
(2 times)
Dm7
_
more,
boog
-
ie
more
Gtr.
more RiITB
End Riff B
I
*Top notes of bkgd. voc.
_
re
sung by male voice and sound one octave lower than written
Gtr. l: w/ Rhy. Fig. 1 2nd time, Gtr. 1: w/ Rhy. Fig. I (1st 3 meas.)
Gtr. 1: w/ Rhy. Fig. I (last 2 meas.)
86/C
V
You
t.v more
_
:--:
boog -
ro
-
-
Coda
S
2nd time, Gtr. 1: w/ Rhy. Fill 2
Bb/C
Lis Lis
boog
to to
the
mu
my
bass,
----.----
Interlude Gtrs.
1
& 2: w/Rhy. Figs.
D7sus4
1
& 1A (2
times)
Dm7
=
---^-----_--\
17
I DTsusJ
D.S. al Coda
loco
-'-^-\ _-_\
1/2
) a..--\
.
t_a--)
$ coaa Interlude Gtr. 5: w/ Riff A
N.C.(Dm7)
2nd time, Gtr. 1: w/ Rhy. Fill 2
18
Guitar Solo
.
Gtr. l: w/ Rhy. Fig. I (3 3/4 times) Gtr. 2: w/ Rhy. Fig. lA (4 times)
D7sus4
Dm7
,---=-----_ Boog - ie!
a
^'i.i/.!i/.lA/.l
A/.|'i'f ./t/I/tit'.A't/IA
^-^
tAA,.ta^^^^AAAa
,--= -2-.--=:
l/2 a--*_\
).1
19
I :---
^
Boog-ie! .,+-\^
--..T-:
tA/.l A '.! 2
-.-------t--
Gtr.
1
a/v|a
1:
w/ Rhy. Fill 2
^t
----\
Gtr. 2: w/ Rhy. Fie. 2 (2 times) Gtr. 6 tacet
Am7
Dm7
down,
Am7
boog
-
Am7
Ie
oog -
re
oog - le
Dm7
dori n.
Gm9
ie
-
oog -
ie
oog - ie
Dm7
Outro Ctr. l: w/ Riff B Gtr. 2: w/ Rhy. Fig.
D7sus4
lA
Gtr.
Dm7
Gt6. I & 2: w/Rhy. Figs. I & lA (tillfade)
D7sus4
20
1:
Bb/C
Dm7
w/ Rhy. Fig. I (last 2 meas.
)
,--
l---
-----\ ------
Repeat andfade
----\ _---.
Brick House Words and Music by Lionel Richie, Ronald La Pread, Walter Orange, Milan Williams, Thomas McClary and William King Aml1
ffiror. FII+N 341 I
Intro
.FFi-E
Moderately J = 102
ffii-EfTni-E
N.C.
Gtr. I i (clean)
*
p
(drums)
*Key signature denotes A Dodan.
SIM
**Tap body of gtr. neu pickup w/ pick.
i-Ei-Ti-Ti-T]
fiTtrtrffiffi
i
mm,
-
7[Tli '!'TT;i ,!
i
ittttttt^ (cont. ln notatron)
-'---_-..-=-
Ow, she's
a
Am
End Rhy. Fig.
t
letnng----------l
*Chord s1'mbols reflect tonalit-v of gtr.
i
O 1977 JOBETE MUSIC CO., INC., LIBREN MUSIC, CAMBRAE MUSIC, WALTER ORANGE MUSIC, OLD FASHION PUBLISHING, MACAWRITE MUSIC and HANNA MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC lNC. All Rights Reserved lntemational Copyright Secured Used by Permission
21
I Gtr. 1: w/ Rhy. Fig. 1, 5 times, sinile
Bm
I like
PM.--------------.
no - thin
she's a
stacked- and that's a fact.-
la - dies
letring ---------
brick
P.M
we re
to - geth
er ev - 'rv - bod
knows
-
this is how the
--------------.
sto
End Rhy. Fig. 1A
P.M.-------------------------------r
22
letdng------------,-r
Am7
knows
O,..
,
Am7
Am7add6
she's
AmTadd6
thing.
Rhy. Fie,2
-
P,M,
Rhy. Fig.2,A
AmTadd6 Am7 Am7add6
AmTadd6
Am7
End Rhy. Fig.2
23
I Gtr. l: w/ Rhy. Fig. 2, simile
AmTadd6 Am7
AmTadd6
AmTadd6
Am7
AmTadd6
Am7
AmTadd6
Am7
AmTadd6
AmTadd6
Chorus Gtr. 1: w/ Rhy. Fig. 1, 6 times, simile Gtr. 2: w/ Rhy. Fig. 1A, simile
Am
Bm
Am
Bm
Am
She's
might-y,might y-
oh.
Bm Am
Ain't hold-in' 24
noth - in
back.-
_
just
la - dies
let-tin'
stacked
it all*hang
and
out.
that's a
-
Ah, she's
fact.
Am
,--)
Oh,
she's
brick
-
house.
Yeah,
-
-
a
Ctr. 2: w/ Rhy. Fill I
She,S
the
the
one,
-
ty
on
built
one
like an Am - a -
2. Mm.
zon.
-
-
-
Verse Gtr. 1: w/ Riy. Fig. 2, 2 times, simile Gtr. 2: w/ Rly. Fig. 2A, simile
AmTadd6
Am7
AmTadd6 Aml
AmTadd6 Am7
the clothes
she
wear,
y
her
-
AmTadd6 Am7
ways
_
make
Am7add6
AmTadd6 Am7
days- yeah,-
young - er
AmTadd6 Am7
AmTadd6
o1d-
an
Am7
AmTadd6
Am7
AmTadd6
and knows how
She-knows she's built
man-
Am7
wish
Am7
AmTadd6
to
Chorus Gtr. 1: w/ Rhy. Fig.
Gtr.
AmTadd6 Am7
AmTadd6 Am7
1:
Am Bm
AmTadd6 Am7
I,
4 times, simile
w/ Rhy. Fig. 1A., 1st 7 meas., simile
Am
Am
+r
Sure 'nough can knock
a
Bm
y,
to his
knees.-
Am
Bm
she's might -
sffong_ man
might
Am
'Cause she's
jusl
brick
Yeah.-
Am
Bm
y
a
let-tin' it all- hang out.-
Am
Bm
brick
Hey
house.
-
-
Gtr. 2: w/ Rhy. Fill 2
-
la - dies Rhy. Fill
stacked
-
and
that's
a
fact.
-
Ain't hold-in
noth -
in' back.
Ow
t
Gtr.2
Rhy. Fill 2
Gtr.2
25
I Bridge
Aml
I
,,-l_r
)
at t)'
/.-o
11.
-t
I12.
FI
/' /'
/' /',
/'
A shake it down, shake it down now.-
l-l/r r A shake it down say, "Ow."
A shake it down, shake it down, down, down.
-
Chorus Gtr. 1: w/ Rhy. Fig. l, 4 times, simile Gtr. 2; w/ Rhy. Fig. I A, lst 3 meas., simile
Am
Bm
Brick
Am
Yeah.
house.
might - y.
she's
might
a
y
Gtr. 2: w/ R}ty. Fill I
*/ RIl.
Gtr. 2:
Am
let-tin'
it
all
-
hang
just
Fig. 1.\. lst 1 mero.- simile
Bm
Am
-
brick
house.
she's the
-
one.- theon - ly one-
Bridge Gtr.
1:
w/ Rhy. Fig. 1. 2 times. sinile
Gtr. 2: w/ Rhy. Fig. 1A, lst 1 meas.. simile
Am
built
like an
Am
Bm
Shake
Yeah.
it down. shake it down. shake it
now.
_
Am
Shake
Bm
it down, shake it down, shake it now,
-
11.
Shake
26
Shake
now.
it down, shake it down,
shake
it,
shake
Am
it down, shake it down, shake it now,
l12.
down,
shake
now.
-
Interlude Gtr. I tacet
Am (elec. piano)
AmA
sChord symbols reflect implied tonality
27
I Da Ya Think I'm Sexy Words and Music by Rod Stewart and Carmine Appice Dm
iiffi'n l-t+Hl 3121
Am
C TT---l
ffi lll
5tr
TtrTT-'5ti
ffi
11
Gm Errrn
xxxx
ffi lt
ebm
xxxx
^ mT-461r
ffi
l1
C]
xxxx ^ rT-a8tr
ffi II
Introduction ModerateDiscoJ =l12
----.._ - +' -
Both notes vib.
i^/t't'll/t/t/l|a/\
O 1978 MUSIC OF UNICEF, EMI FULL KEEL MUSIC, WB MUSIC CORP. and NITE STALK MUSIC
28
All Rights for MUSIC OF UNICEF Controlled and Administered by EMI APRIL MUSIC lNC. All Rights for EMI FULL KEEL MUSIC and NITE STALK MUSIC Controlled and Administered by WB MUSIC CORP All Rights Reserved lnternational Copyright Secured Used by Permission
--\-
w/Rhy. Fig. I
w/Riff A
Dm
(end Rhy. Fig. 1)
w/Rhy. Fill I
Dm
1st Verse Rhy. Fig.2
Dm
Gtr.2
O
29
I
what they're think- ing?_
you want my bod
you real- ly
30
need
- y and-
you think
reach
I'm
sex
out and
y come- on sug-ar
touch me. Come
_
on
If-
let
tell
(Tell me so, baby)
w/Riff A
Dm
(end Rhy, Figs. 1 and 4)
ff
z"a and 3rd Verses w/Rhy. Figs. 2 and 3 (1 1/2 times)
Dm
Dm
_t_
He's act
- ing at
They wake
hold onOut - side -
They catch
He
shy dawn-
a
look-in' for an an - swer a1l the birds are sing - in'.
- fore we go much it's mist- y and it's be
min-ute.
it's
a
'cause
cold,
cab
-
says, "I'm sor- ry
high*rise a-
fur
C
Come
Two
-
ontal
give
ther,
last
pafi-ment
his
but
I'M out of milk and cot - Iee". -
me a
dime
-
Nev-er
he
so
can tell her
mind, sug-ar,
the night to - geth-
spend
but that
strang- ers,
They got each oth-er.
rain-ing.
to
let's
hon-ey,
to-
I nei
act we can
er
Now
ain't what they're think-in
can phone
- I her one s
- ly
watch
the
my moth -
er
com - plain- ing.
what his heart needs.) ear
- ly
mov- ie. llf-
Chorus w,Rhy. Figs. 1 (2 times) and 4
Dm
you want my bod - y
you think I'm sex
and
-
Y come
I
- lD.s.r
on hon-ey tell on (sug
-
ar
let
31
JFJ you
real-ly
need me
just-
reach
out and
rouch
me come- l:: ;:1_3;
let tell
me know. _
me
so.
Ow. Ooh).
_
- Last Time
w/Riff A (repeat until fade on D.S.)
x
Repeat and Fade
Dm
(end Rhy. Figs. 1 and 4)
Sug - ar
D.S.
His *Use repeat on D.S. only, vocals ad lib. using chorus lyrics.
Bridge Am
ctz/
Dm
|
JI )
J
he's got
* Solo w/Fill
Bbm
Re
* lax
C7
t,l
/
now we're
all
)t
.
1
ctr.2 Dm
!*-1 /
lr
tl
/
<
vol
tA /!l,.ll
*Sax solo an. for Gtr
32
ltr ///////
Dm
C]
Dm
)) <
vol.<
aAA
w/FiU I
C7 I
)t :1
R}Iy. cont simile
Dm
a,. ,t
)
a
^A ^f
Dm
t )t
c'7
)
)a
) ^'.,t,!
vol.
/l't/IA,'A
Dance With Me Words and Music by Peter Brown and Robert Rans llx
F
RbmaiT Fj
Fffisrr ^xm6k
ffiffiHffi
Intro Moderately slow
BbTsus4
/
l/
FFrTlr0li FmEri
)=tr2
** AbmaiT
N.C.
BbTsus4
lt/wwvwvr/llltt
nlf
*Kybds. an. for gtr.
**Chord symbols reflect overall htmon)
Gtr.
1:
w/ Riff A (2 times)
Cm1
Cm7 Rhy. Fig.
34
I
O 1977 EMI LONGITUDE MUSIC and SONGS OF UNIVERSAL, lNC. All Rights Reserved lnternational Copyright Secured Used by Permission
Gtr. 3: w/ Rhy. Fig. I
Cm7
(You got - ta
keep
mak
-
You got - ta
keep
mak
- in'
in
me
high,
-
high,
-
you got -
ta
keep
you
ta
keep
got
-
mak
-
in
high.
-
Verse I : w/ Riff A (3 3/4 times) Gtr. 3: w/ Rhy. Fig. I (3 3/4 times)
Gtr.
Cm1
1.
If you're feel -
ing
and
sad
blue,
come on
can make your dreams
with
-
men.
get
on
_
_
and
your
and
dance
with
-
come
come
La -
-
come on
Gen-tle
_
get
dies,
up
off
on
and
seatsl
-
e._
with
come on
and
dance
35
I Chorus
w
Abmaj7 End Rhy. Fill
1
.\/ /^
BbTsus4
Rhy. Fig.2A
.\/
,/
/'
/^o with mv
End
RiffB
Rhy. Fig.2
i---
Abmaj7 End Rhy. Fig.24.
-\l / / your-
/'
mind-
andyour bod-y
End Rhy. Fig.2
Interlude Gr. l:
rv/ Riff A
Gtr. 3: w/ Rhy. Fig. i
Cml
(You got - ta keep on 36
mak
- in' me
high,
-
you got - ta
keep on
mak
- in' me
high.)
-
be-
hand.
Piano Solo Gtr. 1: w/ Riff A (1st 2 meas.) (2 l/2 times) Gtr. 3: w/ Rhy. Fig. I (lst 2 meas.) (2 1/2 times)
Cmj
*Pimo an. for gtr. Gtr.
I : w/ Riff R Ctr. 3: w/ Riy. Fill I
F
Eb
AbnajT
Interlude
Gtrs. I & 2: w/ Rhy. Figs. 2 & 2,A (1st 2 meas.) Gtr- 4 tacet
Cm9
BbTsus4
F'7
N.C.
x*Kybds. an. for gtr. ***Set for eighth note regeneration w/ 7 repeats Gtr. 5 tacel
Gtr. 3 tacel
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