Digital Booklet - No Good.pdf

I.

II.

THE DAME SAYS BISCUIT

III.

NO GOOD

I V.

CHAMPAGNE TASTE

V.

VI.

VII.

VIII.

IX.

X.

XI.

LIKE A GLOVE (FEAT. CADRE) 27 CLUB BEST DAMN THING MISERY KILLING YOU (FEAT. STING) JOHNNY BOY IT AIN’T EASY

WWW.IVYLEVAN.COM WWW.CHERRYTREERECORDS.COM Cherrytree / Interscope Records. 2220 Colorado Ave, Santa Monica, CA 90404. Manufactured and distributed in the United States by Universal Music Distribution. PC2015 Interscope Records. All rights reserved. B0022820-02

I.

THE DAME SAYS

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Background Vocals by Lucas Banker | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Patrick Nissley and Lucas Banker

i said trick or treat they say i gotta keep it sweet but imma do my thing you got a problem you can kiss this ring now you act like you got some class but you know how to back that ass up watch me drop the hurt make money money make money money work (make money money make money money work make money work) all eyes on me all eyes on me imma give you what you need imma give you what you need all eyes on me all eyes on me imma give you what you need cause if you like it rough you’ll love it when i give it to you raw oh oh oh oh oh oh you see i got my cake and i fuckin ate it too i’m a grade A steak you ain’t nothin but dog food now you act like you got some class and you know how to back that ass up watch me drop the hurt make money money make money money work all eyes on me

all eyes on me imma give you what you need imma give you what you need all eyes on me all eyes on me imma give you what you need cause if you like it rough you’ll love it when i give it to you raw oh oh oh oh oh oh i’m gonna give it to you raw oh oh oh oh oh oh it’s a hairflip it’s whatever it’s a hairflip it’s whatever go on and get ya head on a swivel head on a swivel  head on a swivel head on a swivel it’s a hairflip it’s whatever it’s a hairflip it’s whatever go on and get ya head on a swivel head on a swivel  head on a swivel head on a swivel (she gonna give it to ya, uh uh, she gonna give it to ya give it to ya, uh uh she gonna give it to ya) give it to em raw (she gonna give it to ya, uh uh, she gonna give it to ya give it to ya, uh uh she gonna give it to ya) give it to em raw (she gonna give it to ya, uh uh, she gonna give it to ya give it to ya, uh uh she gonna give it to ya) give it to em oh oh oh oh oh oh give it to em oh oh oh turn this mothafucka out oh oh oh

II.

BISCUIT

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker

this pots a boilin up don’t press press your luck run you down like a pick up truck cuz i’m a freak without warning don’t make me raise a hand drop bombs afghanistan don’t fuck with the master plan can’t say i didn’t warn ya i think you might have missed it i think you got it twisted when i told you to kiss it my biscuit my biscuit i think you might have missed it i think you got it twisted when i told you to kiss it my biscuit my biscuit go on give it a kiss (na nana na na na) go on give it a kiss (na nana na na na) (my biscuit biscuit) who u is trying to fool done broke the golden rule you know honey that shit ain’t cool and you can’t tell me nothin you be a parasite roll you like a pair of dice serve you up red beans and rice yea i thought i done told ya i think you might have missed it i think you got it twisted when i told you to kiss it my biscuit my biscuit i think you might have missed it

i think you got it twisted when i told you to kiss it my biscuit my biscuit go on give it a kiss (na nana na na na) go on give it a kiss (na nana na na na) (my biscuit biscuit) i see you baby creepin on me creepin on me imma put you to sleep it on the daily they checkin on me looking all beat lemme tell you what you need think you might have missed it baby think you got it twisted baby i see you baby creepin on me creepin on me imma put you to sleep now it on the daily they checkin on me looking all beat lemme tell you what you need now

III.

NO GOOD

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker, Patrick Nissley and Tomo Milicevic | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control, Ouch That Hurts Music (BMI) | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer. com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker

i’m gonna give it like, uh til you’re blue in the face and i ain’t gonna stop till you put me away i’m like damn

how bad can i be cause imma plead guilty to the filth degree i’m no good (no good no good no good) ain’t got nothin on this no good i’m no good (no good no good no good) ain’t got nothin on this no good oh, your love, your love makes me no good i’m just no good your love, your love makes me no good i’m just no good and that’s all that i ever want to be and that’s all that i ever want to be your love, your love makes me no good i’m just no good now watch me like, uh caught in my trance do what i say now dance monkey dance wrapped around my finger like a wedding ring gone tomorrow morning, it ain’t no thing i’m no good (no good no good no good) ain’t got nothin on this no good i’m no good ain’t got nothin on this no good oh, your love, your love makes me no good i’m just no good your love, your love makes me no good i’m just no good and that’s all that i ever want to be and that’s all that i ever want to be your love, your love makes me no good i’m just no good you spend the night with me and what do you get a lover a fighter but deeper in debt, hey daddy don’t call me cause i ain’t home momma is a rolling stone oh, your love, your love makes me no good

i’m just no good your love, your love makes me no good i’m just no good and that’s all that i ever want to be and that’s all that i ever want to be your love, your love makes me no good i’m just no good

IV.

CHAMPAGNE TASTE

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control | Recorded by Patrick Nissley at Your Living Room Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker

i’ll admit dat I been on the scene i’ll admit I’m sucker for the green all the low level hatin that I’m me they got nothing on my technique  i’ll admit I can get a little mean i’ll admit I’m sorry not sorry take minute bae get yourself a drink when ya loosen up gimme a ring  no paycheck no black card could get spent like we are i said it’s my party i’ll get live if i want to champagne taste with a bud light budget woop woop i know you love it i said it’s my party i’ll get live if i want to champagne taste with a bud light budget woop woop i know you love it i know all about 9 to 5 i know all about have a good time ill take ya with me if ya act real nice  now wasn’t that just so polite 

no doubt what i came here for when they let up give em some more get the lower level hot on the floor break yo back till you get sore no paycheck no black card could get spent like we are i said it’s my party i’ll get live if i want to champagne taste with a bud light budget woop woop i know you love it i said it’s my party i’ll get live if i want to champagne taste with a bud light budget woop woop i know you love it you know you love it i know you love it you know you love it i know you love it yeah wanna party like me yeah rage against the machine huh ain’t about no popov bitch get the cris get the jack or get lost yeah i’m a little bit mean and again i’m sorry not sorry would you be a dear fill up my cup imma squirrel out lookin for my nut i said it’s my party i’ll get live if i want to champagne taste with a bud light budget woop woop i know you love it i said it’s my party i’ll get live if i want to champagne taste with a bud light budget woop woop i know you love it you know you love it i know you love it you know you love it i know you love it

LIKE A GLOVE (FEAT. CADRE) V.

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley and Jeremy Gates | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control, Copyright Control | Recorded by Patrick Nissley at Your Living Room Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan and Cadre | Background Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker

i’m actin silly got me singin a song yeah never thought id get so stupid on someone i did my hair like i know that you like  aint it funny how I’m losin my mind cause you got me you got me spinning around yeah you got me you got me freaking out  yeah you yeah you fit me like fit me like a glove yeah you yeah you fit me like fit me like a glove i gotta warn ya that mean what i say yea if you were smart then you’d be feelin the same i wore dem jean like I know that you like I must be out of my god damned mind that voodoo that you do has got me so crazy yeah who knew we had to be together baby yeah you yeah you fit me like fit me like a glove yeah you yeah you fit me like fit me like a glove yeah you yeah you fit me like fit me like a glove yeah you yeah you fit me like fit me like a glove

ok we got a connection i got a confession i got a erection yeah you get the message every time that we get naked we gon leave the bedroom messy yeah she wake me up for breakfast man she crazy and she sexy ooo i should tell my mom about us if we ever split up i think imma need some counseling remember when you told me maybe we should take a break then i showed up at your place with a shotgun and some mace like where you goin? i just wanna talk if you ever call it off you gon have to call the law imma getcha getcha getcha getcha getcha getcha getcha getcha getcha imma getcha that’s the way i like my love you know what i like, thats why i like you that’s the way i like my love you know what i like, that’s why i like you yeah that voodoo that you do has got me so crazy yeah who knew we had to be together baby yeah you yeah you fit me like fit me like a glove yeah you yeah you fit me like fit me like a glove yeah you yeah you fit me like fit me like a glove yeah you yeah you fit me like fit me like a glove

VI.

27 CLUB

Produced by Diplo, Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley, Diplo and Matt Squire | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control, Songs Music Publishing, LLC obo I Like Turtles Music (ASCAP)/Songs of SMP (ASCAP), Cletis Jones (ASCAP) and Seven Peaks (ASCAP) | Recorded by

Patrick Nissley and Tomo Milicevic and Diplo (Thomas Pentz) at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Background Vocals by Ivy Levan and Patrick Nissley | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker

you try to play it safe but i am planning my escape yeah you want your picket fence but i can’t even pay my rent i’d rather burn out than spend my life waiting i wanna go down down in history everybody gonna know me when i die so i don’t give a damn if i survive i’d rather burn out than spend my life waiting

Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker

i say, won’t do this anymore you say you heard that song before so let it play, as i walk away bye-bye, bye-bye don’t come look for sympathy from me, cause i won’t hey, you better know by now what goes around comes around and if you didn’t care then, then tell me why do you care now you better know by now what goes around comes around say it again, i was the best damn thing

you keep it slow and steady but i am more than good and ready yeah you settle for second place but i can’t even run the race

you say, baby take me back and now you see, what you could’ve had but no way, not today, or tomorrow don’t you look for sympathy from me, cause i won’t

i’d rather burn out than spend my life waiting i wanna go down down in history everybody gonna know me when i die so i don’t give a damn if i survive i’d rather burn out than spend my life waiting

hey, you better know by now what goes around comes around and if you didn’t care then, then tell me why do you care now you better know by now what goes around comes around say it again, i was the best damn thing

i’d rather burn out than spend my life waiting i wanna go down down in history everybody gonna know me when i die so i don’t give a damn if i survive i’d rather burn out than spend my life waiting

hey you, yeah you don’t you know that you’re losing the best damn thing hey you, yeah you don’t you know that you’re losing the best damn thing

VII.

BEST DAMN THING

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker, Patrick Nissley and Tomo Milicevic | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control, Ouch That Hurts Music (BMI) | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios |

hey, you better know by now what goes around comes around and if you didn’t care then, then tell me why do you care now you better know by now what goes around comes around say it again, i was the best damn thing

VIII.

MISERY

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Patrick Nissley and Lucas Banker

you got back this morning some time around ten said you won’t then you go and do it again now I don’t trust you, can’t hear what you say cause I know what you’ll do to get your way oh sometimes the one that you think that you love turns out to be a fake i hope you’re happy for all of the misery you made i hope you’re happy for all of the misery you made and i hope it follows you down to your grave you’re gonna carry that weight carry that weight you’re gonna carry that weight for all the misery you made tell me that story, sliding right through your teeth but you got someone else all over your sleeve stop trying to be clever, we both know your not you only act like you care cause you got caught oh sometimes the one that you think that you love turns out to be a fake i hope you’re happy for all of the misery you made i hope you’re happy for all of the misery you made

and i hope it follows you down to your grave you’re gonna carry that weight carry that weight you’re gonna carry that weight for all the misery you made the misery you made the misery you made for all the misery you made

KILLING YOU (FEAT. STING)

IX.

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker, Patrick Nissley, and Sting, and Martin Kierszenbaum | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control, Steerpike (Overseas) Ltd., administered by EMI Music Publishing Ltd., Martin Cherrytree Music (BMI) administered by Songs of Universal | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Featured vocals by Sting | Drums, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker | Bass by Martin Kierszenbaum

i want a home to burn it down i want nobody when somebody’s around i wanna scream howl at the moon but the reason that i’m howling is you oh, oh well i hope it’s warm in hell oh, oh well i hope it’s warm in hell cause no ones ever gonna hurt somebody more than i hurt you no ones ever gonna need somebody more than i need you you know it’s true the things i do end up killing you

the things i do end up killing you love is war love is blind we can make it if we just take the time to figure out where were headed love will take you for a ride if you let it oh oh well i hope it’s warm in hell oh oh well i hope it’s warm in hell cause no ones ever gonna hurt somebody more than i hurt you no ones ever gonna need somebody more than i need you you know it’s true the things i do end up killing you the things i do end up killing you the words right off my lips promised it was death till us part now the only thing that’s keeping me is tearing out your heart cause no ones ever gonna hurt somebody more than i hurt you no ones ever gonna need somebody more than i need you you know it’s true the things i do end up killing you the things i do end up killing you

X.

JOHNNY BOY

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix

engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Tomo Milicevic

what ever happened to the days we were in love like one of those shakespeare plays we’d buy that house up on the hill keep the flowers you gave me on the window sill but you left me hangin on the end of the line goin hello, hello, where’s my johnny boy promised me forever everything would be fine oh hello, hello, where’s my johnny boy you didn’t give a reason you didn’t tell me why no you just left me hangin on the end of the line goin, hello, hello, where’s my johnny boy since you’ve been gone i’ve been so low just sittin around staring at the telephone cause i bought that house up on the hill there’s nothing but dust on empty window sills you left me hangin on the end of the line goin hello, hello, where’s my johnny boy promised me forever everything would be fine oh hello, hello, where’s my johnny boy you didn’t give a reason you didn’t tell me why no you just left me hangin on the end of the line goin, hello, hello, where’s my johnny boy this ain’t my home sweet home loving you is all i know this ain’t my home sweet home no this can’t be home sweet home

loving you is all i know this ain’t my home sweet home you left me hangin on the end of the line goin hello, hello, where’s my johnny boy promised me forever everything would be fine oh hello, hello, where’s my johnny boy you didn’t give a reason you didn’t tell me why no you just left me hangin on the end of the line goin, hello, hello, where’s my johnny boy

XI.

IT AIN’T EASY

and hope you never see that it ain’t easy it ain’t easy loving me loving me baby sit tight it’s a long ride cause i’m gonna die with you by my side now that you’re here i never want you to leave you best believe that it ain’t easy no it ain’t easy no it ain’t easy no it ain’t easy loving me

CREDITS:

Produced by Lucas Banker and Patrick Nissley | Written by Ivy Levan, Lucas Banker and Patrick Nissley | Published by Thin White Dame Publishing, Dead Dolphin Publishing, Copyright Control | Recorded by Patrick Nissley and Tomo Milicevic at Your Living Room Studios, The Lair Studios and Bloodmoney Den Studios | Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com | Additional mix engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard, Percussion and Programming by Patrick Nissley | Guitar by Lucas Banker

A&R: Martin Kierszenbaum

inside me a fire’s still burning i wake up each morning tryin to figure it out i know that the world keeps turning but i keep on hurting the one i care about but i keep on trying and i keep on trying and hope you never see that it ain’t easy it ain’t easy loving me loving me

Don Robinson

stay with me and things will get better i never say never but theres never a doubt i don’t want to end up divided i’ve already decided that i’ll fight this one out but i keep on trying and i keep on trying

Cherrytree Records GM: Andrea Ruffalo A&R Coordinator: Jody Klein Marketing Director: Wendy Ong International Marketing Director:

International Marketing Coordinator: Phil Fox Creative: Stephanie Hsu Production : Kam Sangha Business Affairs: Jason Kawejsza

SPECIAL THANKS TO: Vamp, Martin Kierszenbaum, Lucas Banker, Patrick Nissley, Kristofer Dommin, Tomo Milicevic, Della Levan, Susan Banker, Vicki Milicevic, Filip Milicevic, Brett Nelson, Abreea Saunders, Della Levan, Mikey Minden, Chelsea Davis, Brandon Creed, Kevin Beisler, Elyse Rogers, Kelsi Ring, Christopher Parise, Ivanna Milicevic, Greg Yaitanes, Diplo, Cadre, Sting, Trudie Styler, Kathy Schenker, Tracy Bufferd, Nicole VanGiesen, Larry Goetz, John Janick, Steve Berman, Brenda Romano, Rob Orton, Tony Lake, Andrea Ruffalo, Jody Klein, Kelvin Chu, Scott Enright, Tyler Johnson, Mark Flaherty, Wendy Ong, Nicole Bilzerian, Jennifer Zeller, Anthony Seyler, Catina Dickson, Lisa DiAngelo, Vincenza Conticchio, Carl Ryan, Alison Barziloski, Jacqueline Legan, Rick Mozenter, Grady Brown, Nina Ngunyen at Gelfand, Rennert & Feldman, Susan Banker, Daniel Carberry, Cory Jennings, Dave Aude, Paul Feig, Laurie Feig, Anton Monstad, Rachel Palmisano, Jordan L. Carroll, Babette Labeij, Demitri Veltakamp, Nikki Veltakamp, Chris Cotten, Jared Leto, Adam Lambert, Erica Weis, Junkie XL, Michiel Groeneveld, Jax, Joey Seldon, Brendon Vandergast, David Altschul, Marieke Niestadt, Matt Squire, Perez Hilton, Artie Kenny, Brian Ziff, Chrissy Priske, Jimbo Quaintance, Ben Weinman, Nick Simmons, Nicholaus Goossen, Jason Babadjov, Cody Ross, Brendan Brazier, Doyle Wolfgang Von Frankenstein, Peter Gurnz, Elias Tahan, Neave Bozorgi, Brett Bailey.

Tour Marketing: Carl Ryan Photography: Brian Ziff Inlay Photography: Filip Milicevic Art Direction: Ivy Levan Design: Donny Phillips / KIHL Studio

DEDICATED IN LOVING MEMORY TO VAMP.