December 22, 2016 | Author: GilbertChua | Category: N/A
Download Digital Booklet - Memoirs Of An Imperfect Angel.pdf...
1. BETCHA GON’ KNOW (THE PROLOGUE) 2. OBSESSED 3. H.A.T.E.U. 4. CANDY BLING 5. RIBBON 6. INSEPARABLE 7. STANDING O 8. IT’S A WRAP 9. UP OUT MY FACE 10. UP OUT MY FACE (THE REPRISE) 11. MORE THAN JUST FRIENDS 12. THE IMPOSSIBLE 13. THE IMPOSSIBLE (THE REPRISE) 14. ANGEL (THE PRELUDE) 15. ANGELS CRY 16. LANGUISHING (THE INTERLUDE) 17. I WANT TO KNOW WHAT LOVE IS OBSESSED 1. CAHILL RADIO MIX 2. SEAMUS HAJI & PAUL EMANUEL RADIO EDIT 3. JUMP SMOKERS RADIO EDIT 4. FRISCIA AND LAMBOY RADIO MIX 5. VIDEO 6. VIDEO - REMIX FEATURING GUCCI MANE
EXECUTIVE PRODUCERS: MARIAH CAREY & ANTONIO “LA” REID ALBUM PRODUCERS: MARIAH CAREY, C. “TRICKY” STEWART & TERIUS “THE-DREAM” NASH A&R: KAREN KWAK MANAGEMENT: MAROON ENTERTAINMENT, VIOLATOR MANAGEMENT & WONG MANAGEMENT
BUTTERFLY
MEMOIRS… 2009
DEBUT ALBUM
MEMOIRS… 2009
DEBUT ALBUM
MEMOIRS… 2009
®
• LYRICS TES
• LYRICS TES
D LINER NO N A
D LINER NO AN
MEMOIRS OF AN IMPERFECT ANGEL 45"33*/(
MARIAH CAREY
WITH VIP ACCESS TO HER SEXY LOVE LIFE
AMAZING CLOSET
#&"65: 4&$3&54
RECORDING RITUALS A N D M O R E ! 5VSO IFSF
OCTOBER 2009 ELLE.COM
ELLE COVER LETTER
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TELEPHONE: 800-876-8775 For information on reprints and e-prints, please contact Brian Kolb at Wright’s Reprints, 877- 6525295 or
[email protected]. ELLE is published by Hachette Filipacchi Media U.S., Inc. All correspondence should be addressed to: 1633 Broadway, New York, NY 10019. Tel: 212767-5800. In the U.S., ELLE is a registered trademark of Hachette Filipacchi Presse, LevalloisPerret Cedex, France. In Canada, the ELLE trademarks (denomination and logo) are owned by France Canada Editions et Publications Inc. Copyright © 2009. Hachette Filipacchi Media U.S. is part of Lagardère Active, a division of Lagardère SCA (www.lagardere.com). Printed in the United States of America
Cover photographed by Alexei Hay
I’d like to thank the wonderful staff at ELLE for putting together this chic mini magazine about me. Because I’ve been interviewed so many times, we thought it’d be fun to turn the tables and create a little book about some of the things I love. Inside, you’ll get a peek at my New York closet; check out personal photos of me and my husband, Nick; go behind the scenes of my new film, Precious; and hear about my creative process as a singer, songwriter, and producer—past, present, and future. You’ll also find out about my latest fragrance, my travel must-haves, the six items on the top of my wish list, and much more. Before you flip the page, I’d also like to thank Island Def Jam Chairman L.A. Reid, who thought it would be cool to partner with ELLE on this project. Another version of this “Mimi ELLE” appears in the CDs of my new album, Memoirs of an imperfect Angel. Hope you enjoy it. Love ya much!
T H E PA S S I O N
FOR
PERFECTION
www.angelchampagne.com
MUSIC
VISIONOFLOVE
Mariah shares her private thoughts on the albums that made her the topselling female artist of all time .$ XJMM HP PO UP TFMM NPSF UIBO NJMMJPO BMCVNT
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MARIAH SAYS: “Right now, all I’m listening to is my own stuff. As a writer-producer, I need to listen and see what needs to be fixed or changed.”
RAINBOW
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Album covers: courtesy of Sony Music Entertainment and The Island Def Jam Music Group; Ricola and Juicy Couture tracksuit: Len Lagrua; studio: Rachel McIntosh; Hello Kitty: ©1976, 2009 Sanrio Co., Ltd.
ELLE INTELLIGENCE
MARIAH SAYS: “The studio is an amazing outlet for me. I love writing, producing— and obviously singing. I use this spray when I’ve been singing for hours and my throat’s sore.”
To get Mariah Carey’s latest album, Memoirs of an imperfect Angel, at a special price, go to: MariahCarey.com/Memoirs.
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²5PNF UIJTBMCVNJT WFSZVOEFSSBUFE4PNFPG NZCFTUXPSLJTPOIFSF ´*0OMZ8BOUFE µ ´.Z4BWJOH(SBDFµ³ MARIAH SAYS: “It’s only me and Brian, my engineer, when I do vocals. I like vocal booths dark and moody, and I almost always sing at night—thus, latenight lozenges.”
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MARIAH SAYS: “I always write in a cute li’l book when I do my lyrics.”
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MARIAH SAYS: “I wear my pj’s, like a pink velour tracksuit, when I sing at home.”
ELLE SHOPS MUST-HAVES
DREAMLOVER
Mariah shares the sentimental and downright sexy picks at the top of her wish list
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MARIAH SAYS: “I have Marilyn Monroe’s famous white piano in my New York apartment. Obviously, nothing compares to the sentimental value of Marilyn’s piano, but I want to buy my first new piano for my L.A. home.”
MARIAH SAYS: “A 104-degree hot tub: my favorite spot in my new L.A. home.” "OPVUEPPS +BDV[[J
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MARIAH SAYS: “I’m restoring my father’s vintage candy-apple-red Porsche Speedster. Now I’ve just got to renew my driver’s license.”
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www.carmensteffens.com
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Carey: Stephane Feugere; McCartney boots: courtesy of the designer; Porsche: © Marassphotography.com/ Alamy; Althorp couch: courtesy of ABC Carpet & Home; piano: courtesy of Steinway & Sons; book: Len Lagrua
STELLA MCCARTNEYGBVY
Carmen Steffens
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5/6/2009 23:18:14
ELLE FASHION STYLE
BEAT
MAKEITHAPPEN
Mariah opens up the doors to her NYC dressing rooms—all five of them! CHANELQMBUGPSN
MARIAH SAYS: “The gold stars and monogrammed M painted on the floor remind me of an Old Hollywood dressing room. Also, as the floor gets more wear and tear, it’ll just look better in a vintage way.”
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Dressing room and shoe closet: photographed by Laura Geiser; Dsquared jacket and J Brand jeans: Len Lagrua; all shoes: courtesy of the designers
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MARIAH SAYS: “My goal was for the closet to look like a store, with everything colorcoordinated.”
MARIAH SAYS: “There was a time in my life when I owned only one pair of shoes—a size too small with holes in them. Today, there’s a part of me that feels like I should hold on to every pair.”
MARIAH SAYS: “I love this pink satin chair that my decorator, Mario Buatta, found for me.”
GIUSEPPE ZANOTTI TBOEBM
ELLE BEAUTY NEWS
The Princess of Pop teams up with Elizabeth Arden on Forever, Mariah’s most personal, gracefully crisp fragrance yet
TOP NOTES: A sensuous trio of neroli, lotus blossom, and dewy green apple
MARIAH SAYS: “I collect vintage perfume bottles, and this glass silhouette is inspired by one of my favorites. I wear this fragrance every day. I’ve gone through four bottles of the sample and I barely wear perfume!”
1: FLAWLESS FACE
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2: NATURAL GLOW
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3: EVENING EYES
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4: STOLEN GOODS BASE NOTES: Rich florals such as tuberose and gardenia
Mariah’s makeup artist, Brigitte ReissAndersen, offers up her greatest tips
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5: MAKEUP HIGHLIGHT
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MC’s essentials: Shu Uemura Wine 23 blush, Elizabeth Arden Black Pearl gel eyeliner, and Giorgio Armani No. 8 Luminous foundation
Forever bottle, apple, and flower: Len Lagrua; Reiss-Andersen: courtesy of Brigitte Reiss-Andersen; Carey: Roger Wong/INFphoto.com
ONESWEETDAY
MOVIES
FANTASY
The five-time Grammy winner goes behind the scenes of her new drama
ROLE CALL In Precious, a harrowing film about a pregnant, inner-city teenager, which picked up the coveted Grand Jury Prize at Sundance, Mariah strips away the red-carpet glamour to play a supportive social worker.
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MARIAH SAYS: “The last scene between Mo’Nique, Gabby [Sidibe], and myself was so intense that I could barely get through it without breaking down.”
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Gutter credits Precious poster: live courtesy here Gutter of Lionsgate; credits live Precious here Gut images: Ann Marie Fox; all DVDs: Len Lagrua
MARIAH SAYS: “I trusted [director] Lee Daniels totally, even when he put me under fluorescent lights with no makeup, except for dark shadows under my eyes, and a prosthetic nose.”
Capri: © Hemis/Alamy; Disney World: © Dennis MacDonald/Alamy; Aspen: Steve Mundinger; Eleuthera: Robert Brantley; Chanel sunglasses: Len Lagrua; pillows and comforter: courtesy of Hotel Collection by Macy’s; iPod and dock: courtesy of Bose Corporation
ELLE INTELLIGENCE
I’LLBETHERE
JET-SETTER ELLE TRAVEL
From Capri to the Caribbean, check out where Mariah’s racked up the most frequent flier miles
Chanel sunglasses Protection against the paparazzi after an overnight flight La Roche-Posay Anthelios 60 sunblock A must whether MC’s in the sun or shade
CAPRI, ITALY “I love swimming in the Blue Grotto, and Capri’s air is the best in the world for my voice.”
DISNEY WORLD, FLORIDA“I’m eternally 12, and can’t wait to sleep in Cinderella’s castle, which I just found out you can do.”
Pillow and duvet For privacy when sleeping on an airplane, she pulls a duvet over her head. The Bible Mariah never leaves home without her personal edition with underlined passages.
ASPEN, COLORADO “Christmas in Aspen is my most festive holiday. I cook for my friends and family and go on sleigh rides pulled by reindeer.”
ELEUTHERA, BAHAMAS “I just bought a house here; it’s white and crystal blue to match the ocean and it’s where Nick and I got married.”
iPod and speaker dock Her favorite accessory— for playing music anywhere, anytime
FUTURE PERFECT
ON THE EVE OF HER HIGHLY ANTICIPATED NEW ALBUM, MARIAH CAREY STOPS TO DISCUSS INTROSPECTION, INSPIRATION, AND HER TWO NEW ANGELS P H O T O G R A P H E D
S T Y L E D
BY
BY
joe zee
alexei hay
“’TheImpossible’is verymuchwheremy lifeisrightnowbecause Iamactuallyinlovefor thefirsttime.”
Mariah Carey has sold more than 160 million albums worldwide, and, if radio play for the first single on her new album, Memoirs of an imperfect Angel, is any indication, she’s on the verge of racking up more No. 1 hits than the Beatles. But underneath the pop varnish, Carey’s just a smitten newlywed in the middle of a home renovation, juggling a job and a new puppy. Sort of… &--& Congratulations on the album! Can you describe it? .$ Overall, the vibe is R&B hiphop with a lot of slow jams. &--& Is there a track that holds special meaning for you? .$ “The Impossible” is very much where my life is right now because I am actually in love for the first time. &--& Congratulations on
celebrating your one-year wedding anniversary with Nick Cannon. How’s married life? .$ Amazing—better every day. &--& How do you two spend your free time? .$ We travel a lot. I think we’ve been to over 35 cities already. &--& You just bought a house in L.A. What’s it like? .$ It’s a Georgian manor. We basically redid the entire thing, from the floors to landscaping. Of course, I have the salon and Nick has a basketball court. And I love having the outdoor space so the dogs can play. It’s not too small; it’s not too big—it’s not a monstrosity. It’s a home. &--& You’ve been looking great lately. How do you stay in shape? .$ When I want to lose weight, I’ll avoid carbs and anything fried. I eat mostly soups with protein, and drink lots of water and chamomile tea. &--& You love your Jack Russell terriers. How’s your puppy, Cha-Cha? .$ She’s adorable. Nick got her for me as a present, but she loves me the best! She sleeps in the bed
with me when Nick goes to work. And she gets along with Jack Junior, aka JJ, my other dog. We want to breed them! &--& Tell us about your new film, Precious. .$ It’s an incredible movie by Lee Daniels, inspired by the novel Push, written by Sapphire. I read it a long time ago, and it changed my life. &--& Forget for a moment that you’re an international superstar. How would you describe yourself? .$ Hmm…festive, emotional, creative, “artsy,” a jokestress. &--& How often do you think about music? Is it always in your head? .$ Constantly! It has been ever since I can remember. I always have a song that’s a melody I’m making up, or a song on the radio. &--& You’ve had so much success. Where would you like to be in 10 years? .$ I try to live in the moment. It says in the Bible, Matthew 6:34: “Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own.”
For more with Mariah, check out ELLE.com/Mariah.
MR.&MRS. MARIAH SAYS: ”Nick and I in Aspen at Christmas; I was cooking my father’s recipe for linguine in clam sauce.”
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MARIAH SAYS: “He surprised me with an Asschercut pink and white engagement ring stuck inside a candy ring wrapper! I wrote about it in the song, ‘The Impossible,’ on my new album.” MARIAH SAYS: “I honestly didn’t think it was possible, but I truly found my soul mate. Don’t ever give up hope!” /JDLHBWF.BSJBI UIJTEJBNPOECSBDFMFU GPSUIFJSPOFZFBS XFEEJOHBOOJWFSTBSZ
MARIAH SAYS: “We toasted our vows with a glass of champagne. My new favorite is Angel .”
For more exclusive pics of the married couple, and the full interview with Nick, check out ELLE.com/Mariah.
Nick Cannon— actor, rapper, comedian, Cannon with their first TV show host, Jack Russell and Nickelodeon puppy, JJ exec—talks about how he wooed and wed his celebrity crush. ELLE: How did you know that Mariah was “the one”? NC: I always say grace over my food—it’s the way I was raised—so I bowed my head over my french fries at a meeting with her. She said, “I do the same thing!” and pulled an electronic Bible out of her purse. I never meet anyone in this business who’s on the same level as I am spiritually. ELLE: Are you a romantic? NC: Ever since that first conversation, I would e-mail her daily words of inspiration. After six months, she lost her BlackBerry. I had been saving the Daily E’s, so I had them bound and gave them to her on our one-year anniversary. ELLE: How do you make time to spend with each other? NC: We take two days and just shut everything down. We stay in bed, watch DVDs, listen to music, and eat junk food. You have to have the mentality of, Yo, I’m doing all this to better the union that I’ve created with this person. ELLE: Do you ever play practical jokes on one another? NC: She has this priceless piano, so I made it look like somebody put a wet paintbrush on top of it. She didn’t find that too funny, but I thought it was hilarious!
www.carmensteffens.com
LOVE AFFAIR
C arey and Cannon: Bill Boatman/courtesy Mariah Gutter credits here Gutter here Gut Carey; Cha-Cha: Rachel McIntosh Courtesy of live Mariah Careycredits liveof
ELLE RELATIONSHIPS
Carmen Steffens Handcrafted Women's Shoes, Handbags and Accessories
Betcha Gon’ Know (†he prologue) WHOA, WELCOME TO A DAY OF MY LIFE, DAY OF MY LIFE MEMOIRS OF AN IMPERFECT ANGEL… WHOA, WELCOME, WELCOME, WELCOME TO A DAY OF MY LIFE MEMOIRS OF AN IMPERFECT ANGEL… THOUGH THE LIGHTS WERE LOW I COULD SEE YOU BOTH IN A LOVERS’ SILHOUETTE AND MY HEART STOOD STILL, I JUST FROZE RIGHT THERE STARING DOWN AT HER RED DRESS SO I BOLTED OUT THE DOOR, JUMPED RIGHT INTO THE CAR IT’S TOO DANGEROUS TO BE IN THE VICINITY OF WHERE YOU ARE ROLLED DOWN ALL THE WINDOWS JUST SO I COULD BREATHE CAN’T BELIEVE YOU JUST ACTUALLY DID THIS S**T TO ME I’M GOIN’ ABOUT A HUNDRED, MASCARA RUNNIN’ LAUGHING OUT OF ANGER, BUT IT DON’T STRIKE ME AS FUNNY BEEN TOO GOOD TO YOU, I’VE BEEN VIRTUOUS AND TRUE TO HAVE SOMETHING LIKE THIS HAPPEN IN MY OWN BEDROOM BETCHA GON’ KNOW, KNOW HOW IT FEELS WHEN I GET YOU BACK BETCHA GON’ KNOW, KNOW HOW IT FEELS AND YOUR HEART’S BEEN CRACKED BETCHA GON’ KNOW, KNOW HOW IT FEELS WHEN WE FADE TO BLACK HOW IT FEELS FOR REAL AND YOU SEE YOUR WHOLE WORLD COLLAPSE AND I’M GON’ LA-LA-LA-LA-LA-LAUGH AND I’M GON’ LA-LA-LA-LA-LA-LAUGH AND I’M GON’ LAUGH RIGHT IN YOUR FACE BOY BETCHA GON’ KNOW, KNOW HOW IT FEELS… SO I PULLED TO THE SIDE OF THE ROAD TO FIX MY FACE BUT I CAN’T COVER WITH MAKEUP WHAT MY TEARS WANT TO ERASE I WAKE UP IN A HAZE, MORNING DEW AND SUN RAYS AS I DRIVE I HIDE MY EYES BEHIND MY BLACK CAVALLI SHADES A BLOCK FROM THE HOUSE SLOWLY CREEP IN THE DRIVEWAY
TIP-TOE THROUGH THE DOOR, BUT YOU’RE THERE, WIDE AWAKE YOU’RE LIKE “WHERE YOU BEEN?” I’M LIKE “SORRY BUT I FELL ASLEEP ON JASMINE’S SOFA, I COULD’VE SWORN THAT RAE RAE CALLED YOU AND TOLD YA” YOU LIKE “YOU OK”, I’M LIKE “MM I’M ALL RIGHT A LITTLE SLEEP AND I’LL BE FINE” BUT IF YOU ONLY KNEW WHAT WAS IN THE BACK OF MY MIND ALREADY STUNG BUT YOU REALLY GON’ FIND OUT IN TIME, OH I BETCHA GON’ KNOW, KNOW HOW IT FEELS WHEN I GET YOU BACK BETCHA GON’ KNOW, KNOW HOW IT FEELS AND YOUR HEART’S BEEN CRACKED BETCHA GON’ KNOW, KNOW HOW IT FEELS WHEN WE FADE TO BLACK HOW IT FEELS FOR REAL AND YOU SEE YOUR WHOLE WORLD COLLAPSE THIS IS FOR REAL, FOR REAL, FOR REAL OPRAH WINFREY WHOLE SEGMENT FOR REAL, FOR REAL 20/20 BARBARA WALTERS FOR REAL, FOR REAL 60 MINUTES FOR REAL (BABY) I HAD ALL MY TRUST IN YOU AND LOOK AT WHAT YOU PUT ME THROUGH (YOU GOT ME ALL CRAZY) SOMEWHERE DOWN THE LINE YOU GON’ GET WHAT YOU DESERVE YOU F***IN’ JERK (YOU WERE SUPPOSED TO SAVE ME MY SWEET BABY BUT NOW WE’RE FADING AWAY) BUT YOU’RE GONNA KNOW HOW THIS FEELS EVEN IF IT’S THE LAST THING I EVER DO... TO BE CONTINUED…
BETCHA GON’ KNOW (THE PROLOGUE): WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP)/ALDORA PUBLISHING (ASCAP)/EMI APRIL MUSIC PUBLISHING INC. PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART, TERIUS “THE-DREAM” NASH AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA, STUDIO AT THE PALMS, LAS VEGAS, NV AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. ADDITIONAL ENGINEERING BY ANDREW WUEPPER. KEYS AND HAMMOND B3 BY BIG JIM WRIGHT AND TRICKY STEWART. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
ALL UP IN THE BLOGS SAYIN’ WE MET AT THE BAR WHEN I DON’T EVEN, KNOW WHO YOU ARE SAYIN’ WE UP IN YOUR HOUSE, SAYIN’ I’M UP IN YOUR CAR BUT YOU’RE IN LA AND I’M OUT AT JERMAINE’S I’M UP IN THE A, YOU SO SO LAME AND NO ONE HERE EVEN MENTIONS YOUR NAME IT MUST BE THE WEED IT MUST BE THE E CAUSE YOU BE POPPIN’, HEARD YOU GET IT POPPIN’ WHY YOU SO OBSESSED WITH ME? BOY I WANNA KNOW LYIN’ THAT YOU’RE SEXIN’ ME WHEN EVERYBODY KNOWS IT’S CLEAR THAT YOU’RE UPSET WITH ME OH, OH, OH FINALLY FOUND A GIRL THAT YOU COULDN’T IMPRESS LAST MAN ON THE EARTH STILL COULDN’T GET THIS YOU’RE DELUSIONAL, YOU’RE DELUSIONAL BOY YOU’RE LOSIN’ YOUR MIND IT’S CONFUSING YO, YOU’RE CONFUSED YA KNOW WHY YOU WASTIN’ YOUR TIME? GOT YOU ALL FIRED UP WITH YOUR NAPOLEON COMPLEX SEE RIGHT THROUGH YOU LIKE YOU’RE BATHIN’ IN WINDEX OH, OH, OH BOY WHY YOU SO OBSESSED WITH ME? SO, OH, OHH SO, OH, OHH (OBSESSED) (AND ALL MY LADIES SAY) SO, OH, OHH (OBSESSED) (AND ALL MY GIRLS SAY) UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED) UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
Obsessed
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED) UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED) YOU’RE ON YOUR JOB, YOU’RE HATIN’ HARD AIN’T GON’ FEED YA, I’M GON’ LET YA STARVE GRASPIN’ FOR AIR, I’M VENTILATION YOU’RE OUT OF BREATH, HOPE YOU AIN’T WAITIN’ TELLIN’ THE WORLD HOW MUCH YOU MISS ME BUT WE NEVER WERE SO WHY YOU TRIPPIN’ YOU’RE A MOM AND POP, I’M A CORPORATION I’M THE PRESS CONFERENCE, YOU’RE A CONVERSATION WHY YOU SO OBSESSED WITH ME? AND BOY I WANNA KNOW LYIN’ THAT YOU’RE SEXIN’ ME WHEN EVERYBODY KNOWS IT’S CLEAR THAT YOU’RE UPSET WITH ME OH, OH, OH FINALLY FOUND A GIRL THAT YOU COULDN’T IMPRESS LAST MAN ON THE EARTH STILL COULDN’T GET THIS
YOU’RE DELUSIONAL, YOU’RE DELUSIONAL BOY YOU’RE LOSIN’ YOUR MIND IT’S CONFUSING YO, YOU’RE CONFUSED YA KNOW WHY YOU WASTIN’ YOUR TIME? GOT YOU ALL FIRED UP WITH YOUR NAPOLEON COMPLEX SEE RIGHT THROUGH YOU LIKE YOU’RE BATHIN’ IN WINDEX OH, OH, OH BOY WHY YOU SO OBSESSED WITH ME SO, OH, OHH (OBSESSED) (AND ALL MY LADIES SAY) SO, OH, OHH (OBSESSED) (AND ALL MY GIRLS SAY) UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED) UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED) UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED) (HEY) WHY YOU SO OBSESSED WITH ME? (HE’S ALL UP IN MY GEORGE FOREMAN) BOY I WANNA KNOW LYIN’ THAT YOU’RE SEXIN’ ME (LYIN’ THAT YOU’RE SEXIN’ MIMI) WHEN EVERYBODY KNOW IT’S CLEAR THAT YOU’RE UPSET WITH ME (AYY!) OH, OH, OH (OH, OH, OH) FINALLY FOUND A GIRL THAT YOU COULDN’T IMPRESS LAST MAN ON THE EARTH, STILL COULDN’T GET THIS (NO-OO-OO) YOU’RE DELUSIONAL, YOU’RE DELUSIONAL (HE’S ALL UP IN MY GEORGE FOREMAN) BOY YOU’RE LOSING YOUR MIND IT’S CONFUSING YO, YOU’RE CONFUSED YA KNOW (BUT I CAN’T DO NOTHING FOR HIM) WHY YOU WASTIN’ YOUR TIME GOT YOU ALL FIRED UP WITH YOUR NAPOLEON COMPLEX (YOU LOVE ME, YOU LOVE ME) SEE RIGHT THROUGH YA LIKE YOU’RE BATHIN’ IN WINDEX (YOU REALLY, REALLY LOVE ME….) OHH, OHH, OHH, OOH, OOH, OOH BOY WHY YOU SO OBSESSED WITH ME
OBSESSED: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
H.A.T.E.U.
ONCE UPON A TIME WE SWORE NOT TO SAY GOODBYE SOMETHING GOT A HOLD OF US AND WE CHANGED AND THEN YOU SAT ALONE IN PRIDE AND I SAT AT HOME AND CRIED HOW DID OUR FAIRY TALE JUST END UP THIS WAY WE WENT ROUND FOR ROUND TILL WE KNOCKED LOVE OUT WE WERE LAYING IN THE RING NOT MAKING A SOUND AND IF THAT’S A METAPHOR OF YOU AND I WHY IS IT SO HARD TO SAY GOODBYE I CAN’T WAIT TO HATE YOU MAKE YOU PAIN LIKE I DO STILL CAN’T SHAKE YOU OFF I CAN’T WAIT TO BREAK THROUGH THESE EMOTIONAL CHANGES SEEMS LIKE SUCH A LOST CAUSE I CAN’T WAIT TO FACE YOU BREAK YOU DOWN SO LOW THERE’S NO PLACE LEFT TO GO I CAN’T WAIT TO HATE YOU… OOH THIS WAS A LOVE PHENOMENON NO ONE COULD EXPLAIN AND I WISH I COULD PRESS RESET AND FEEL THAT FEELING AGAIN I SIT AND PRESS REWIND AND WATCH US EVERY NIGHT WANNA PAUSE IT BUT I CAN’T MAKE IT STAY JUST GOTTA LET IT PLAY WE WENT ROUND FOR ROUND TILL WE KNOCKED LOVE OUT WE WERE LAYING IN THE RING NOT MAKING A SOUND AND IF THAT’S A METAPHOR OF YOU AND I WHY IS IT SO HARD TO SAY GOODBYE I CAN’T WAIT TO HATE YOU MAKE YOU PAIN LIKE I DO STILL CAN’T SHAKE YOU OFF I CAN’T WAIT TO BREAK THROUGH THESE EMOTIONAL CHANGES
SEEMS LIKE SUCH A LOST CAUSE I CAN’T WAIT TO FACE YOU BREAK YOU DOWN SO LOW THERE’S NO PLACE LEFT TO GO I CAN’T WAIT TO HATE YOU NO NEED TO CALL MY PHONE BECAUSE I CHANGED MY NUMBER TODAY MATTER FACT I THINK I’M MOVIN’ AWAY SORRY THE FRUSTRATION’S GOT ME FEELING A WAY AND I JUST KEEP HAVING ONE LAST THING TO SAY AND I JUST WANNA HOLD YOU, TOUCH YOU, FEEL YOU, BE NEAR YOU I MISS YOU BABY BABY BABY I’M TIRED OF TRYIN TO FAKE THROUGH, BUT THERE’S NOTHING I CAN DO BOY I CAN’T WAIT TO HATE YOU I CAN’T WAIT TO HATE YOU MAKE YOU PAIN LIKE I DO STILL CAN’T SHAKE YOU OFF I CAN’T WAIT TO BREAK THROUGH THESE EMOTIONAL CHANGES SEEMS LIKE SUCH A LOST CAUSE I CAN’T WAIT TO FACE YOU BREAK YOU DOWN SO LOW THERE’S NO PLACE LEFT TO GO I CAN’T WAIT TO HATE YOU BABY I CAN’T WAIT TO H-A-T-E YOU CAUSE RIGHT NOW I NEED YOU CAN’T WAIT TO MAKE YOU GO I CAN’T WAIT TO H-A-T-E YOU CAUSE RIGHT NOW I NEED YOU CAN’T WAIT TO MAKE YOU GO
H.A.T.E.U.: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY CHRIS “TEK” O’RYAN AND BRIAN GARTEN AT THE BOOM BOOM ROOM, BURBANK, CA, HONEYWEST STUDIOS, NYC AND HAPPY BEGINNINGS. RECORDING ASSISTED BY LUIS NAVARRO AND KEITH GRETLEIN. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
Candy Bling MY SWEET BABY MY SWEET THING, LIKE CANDY FELT LIKE REAL LOVE, NOT JUST PLAY PLAY MISSIN’ YOU MY SWEET BABY I CAN’T DELETE YOUR PICTURE FROM MY MIND
MY SWEET BABY MY SWEET THING, LIKE CANDY FELT LIKE REAL LOVE, NOT JUST PLAY PLAY MISSIN’ YOU MY SWEET BABY I CAN’T DELETE YOUR PICTURE FROM MY MIND
WE WOULD WALK IN THE PARK EVERY SATURDAY BRAND NEW ALL IN LOVE KISSIN’ TIME AWAY YOU WAS ALL UP ON ME, IT WAS PLAIN TO SEE THAT I WAS YOUR GIRL WAY BACK THEN IT WAS THE SIMPLE THINGS ANKLETS, NAME PLATES THAT YOU GAVE TO ME SWEET TARTS, RING POPS HAD THAT CANDY BLING AND YOU WERE MY WORLD
IT WAS EVERYTHING THAT I COULD DO TO STAY AWAY AND I OFTEN REMINISCE ABOUT THE GAMES WE PLAYED OH YEAH IT WAS TAG, CHASE, SPIN THE BOTTLE THEM BUTTERFLIES WOULD LAST TILL TOMORROW THEN THE LIGHTS CAME ON I HAD TO RUN RIGHT HOME
NOW I WISH I COULD GO BACK AND MAKE TIME STOP I WOULD TAKE THIS LOVE THROW BACK FROM THE TOP GO DJ PLAY MY SONG AND I’M GON’ THINK ABOUT YOU ALL NIGHT LONG
AND NOW I WISH I COULD GO BACK AND MAKE TIME STOP AND I WOULD TAKE THIS LOVE THROW BACK FROM THE TOP GO DJ PLAY MY SONG AND I’M GON’ THINK ABOUT YOU ALL NIGHT LONG
I’M THE SAME MIMI FAME AIN’T CHANGED ME BUTTERFLY FLOW LIKE MUHAMMAD ALI WISH I COULD BRING YOU BACK LIKE THE O.D.B. THINKIN’ ABOUT THE WHIRLPOOLS ME YOU AND JACK NO MATTER WHAT I DO, ALL THE MEMORIES ARE STACKED THINKIN ‘BOUT 10TH GRADE THINKIN ‘BOUT 11TH THEN YOU WENT DOUGIE FRESH ALL THE WAY TO HEAVEN
BACK IN THE DAY WE WERE IN LOVE WE’RE NOT IN LOVE ANY MORE BUT SOME DAYS I SIT AND WISH WE WERE IN LOVE AGAIN BACK IN THE DAY WE WERE IN LOVE WE’RE NOT IN LOVE ANY MORE BUT SOME DAYS I SIT AND WISH WE WERE IN LOVE AGAIN IRRESPONSIBLE THINGS WE WOULD DO LIKE FALL ASLEEP ON THE PHONE AND SKIPPIN’ SCHOOL NOW I’M BACK TO THE FUTURE MISSIN’ YOU
BACK IN THE DAY WE WERE IN LOVE WE’RE NOT IN LOVE ANY MORE BUT SOME DAYS I SIT AND WISH WE WERE IN LOVE AGAIN BACK IN THE DAY WE WERE IN LOVE WE’RE NOT IN LOVE ANY MORE BUT SOME DAYS I SIT AND WISH WE WERE IN LOVE AGAIN IRRESPONSIBLE THINGS WE WOULD DO LIKE FALL ASLEEP ON THE PHONE AND SKIPPIN’ SCHOOL NOW I’M BACK TO THE FUTURE MISSIN’ YOU
I STILL REMEMBER THAT HAZY SEPTEMBER I’VE BEEN WAITIN’ FOR SOMEBODY LIKE YOU TO COME BACK AROUND
BACK IN THE DAY WE WERE IN LOVE WE’RE NOT IN LOVE ANY MORE BUT SOME DAYS I SIT AND WISH WE WERE IN LOVE AGAIN BACK IN THE DAY WE WERE IN LOVE WE’RE NOT IN LOVE ANY MORE BUT SOME DAYS I SIT AND WISH WE WERE IN LOVE AGAIN IRRESPONSIBLE THINGS WE WOULD DO LIKE FALL ASLEEP ON THE PHONE AND SKIPPIN’ SCHOOL NOW I’M BACK TO THE FUTURE MISSIN’ YOU MY SWEET BABY MY SWEET THING, LIKE CANDY FELT LIKE REAL LOVE, NOT JUST PLAY PLAY MISSIN’ YOU MY SWEET BABY I CAN’T DELETE YOUR PICTURE FROM MY MIND
CANDY BLING: WRITTEN BY MARIAH CAREY, TERIUS NASH, CARLOS MCKINNEY, AHMAD LEWIS, STEFAN GORDY AND JOHN KLEMMER © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/DAMYSTRO MUSIC/SONY ATV (BMI)/UNIVERSAL MCA MUSIC PUBLISHING (ASCAP)/MUSIC OF WINDSWEPT (ASCAP)/EMI FULL KEEL MUSIC (ASCAP)/REMOHJ MUSIC CO. (BMI). PRODUCED BY MARIAH CAREY, TERIUS “THE-DREAM” NASH AND LOS DA MYSTRO. RECORDING BY BRIAN GARTEN AND CHRIS “TEK” O’RYAN AT HONEYWEST STUDIOS, NYC. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. ALL INSTRUMENTS ARRANGED BY LOS DA MYSTRO. CONTAINS INTERPOLATIONS FROM THE COMPOSITION “BACK IN THE DAY” WRITTEN BY AHMAD LEWIS, STEFAN GORDY AND JOHN KLEMMER AND PUBLISHED BY UNIVERSAL MCA MUSIC PUBLISHING (ASCAP)/MUSIC OF WINDSWEPT (ASCAP)/EMI FULL KEEL MUSIC (ASCAP)/REMOHJ MUSIC CO. (BMI). USED BY PERMISSION. ALL RIGHTS RESERVED.
IT’S ONLY BEEN 20 GOOD MINUTES SINCE I KISSED YOU COME BACK BOO, I MISS YOU WISH I HAD 20 MILLION HOURS TO CARESS YOU AND UNDRESS YOU TO BE CONTINUED… BOY YOU YOU DON’T KNOW HOW IT FEELS WHEN YOU WHISPER IN MY EAR BOY YOU YOU GIVE MY BODY CHILLS WHENEVER YOU ARE NEAR AND BOY I GOT YOUR LOVIN’ ON MY MIND I GOT YOUR LOVIN’ ON MY MIND YOU GOT ME WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT I GOT YOUR LOVIN’ ON MY MIND I GOT YOUR LOVIN’ ON MY MIND YOU GOT ME WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT SOMETIMES WE ARGUE AND WE FIGHT
Ribbon BUT THEY BETTER KNOW THAT THAT’S MY BABY YOU MIGHT EVEN THINK YOU’RE CUTE BUT EVERYBODY KNOW THAT I’M HIS LADY EVERYTIME YOU SEE US WE SUPA FLY I’M SO PROUD HE’S BY MY SIDE AND HE KNOWS I’M RIDE OR DIE YOU DON’T KNOW HOW WE ROLL HOLLA AT YOUR PEOPLE BOY YOU YOU DON’T KNOW HOW IT FEELS WHEN YOU WHISPER IN MY EAR BOY YOU YOU GIVE MY BODY CHILLS WHENEVER YOU ARE NEAR AND BOY I GOT YOUR LOVIN’ ON MY MIND I GOT YOUR LOVIN’ ON MY MIND YOU GOT ME WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT I GOT YOUR LOVIN’ ON MY MIND I GOT YOUR LOVIN’ ON MY MIND YOU GOT ME WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT
WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT BOY I’M ALL WRAPPED UP IN YOU YOU MAKE ME FEEL SO UNLOOSED TELL ME WHAT I’M SUPPOSED TO DO WHEN YOU’RE NOT AROUND OH BABY OH BABY OH BABY OH BABY AND BOY I GOT YOUR LOVIN’ ON MY MIND I GOT YOUR LOVIN’ ON MY MIND YOU GOT ME WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT I GOT YOUR LOVIN’ ON MY MIND I GOT YOUR LOVIN’ ON MY MIND YOU GOT ME WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT WRAPPED UP PACKED UP RIBBON WITH A BOW ON IT OOH AND IT’S BEEN 20 GOOD MINUTES SINCE I KISSED YOU COME BACK BOO, I MISS YOU
RIBBON: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY CHRIS “TEK” O’RYAN, BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
Inseparable
CALL MY PHONE BABY CALL MY PHONE BABY CALL MY PHONE I’VE BEEN WAITING TO HEAR YOUR RINGTONE CALL MY PHONE BABY CALL MY PHONE BABY CALL MY PHONE I’VE BEEN WAITING TO HEAR YOUR RINGTONE LOST WITHOUT MY OTHER HALF HOW CAN I LIVE WITHOUT YA I DON’T WANT ANOTHER, THAT’S WHY I’M MESSED UP ABOUT YA CAN’T EVEN DREAM WITHOUT SEEIN’ YOU WHY SHOULD I EVEN TRY TO BREATHE AND EVERYTHING IS OFF WHERE ARE YOU GUESS IT’S ALL MY FAULT LADY SINGS THE BLUES NO ONE COULD DENY IT, WE WERE FLYING LIKE UNITED THOUGHT WE’D NEVER BE DIVIDED CAUSE THE LOVE WE HAD INSIDE US WAS INSEPARABLE IF YOU’RE BUMPING THIS SONG AND YOU’RE SEARCHING FOR THE MOMENT WHEN TWO HEARTS WENT WRONG INSEPARABLE JUST LOST YOUR LOVE CAUSE YOU SWORE YOU NEVER EVER GIVE IT UP CAUSE YOU THOUGHT Y’ALL WAS INSEPARABLE THOUGHT WE’D STAY TOGETHER ALWAYS AND FOREVER BUT NOW I SEE THAT NO ONE IS INSEPARABLE, EXCEPT FOR US ONE OF US JUST HAS TO PICK THE PHONE UP CAUSE I KNOW WE’RE STILL INSEPARABLE GOT PHOTOS OF US, ON MY REFRIGERATOR VIDEOS ON MY PHONE, BOY I JUST CAN’T ERASE ‘EM
THE FIRST TEXT I EVER GOT FROM YA STILL SAVED IN MY INBOX AND I READ IT BACK “TIME AFTER TIME” BOY I’M LOST CAN’T YOU LOOK, WON’T YOU PLEASE FIND ME I’M DOWN TO MY LAST TEAR COME RESCUE ME SEE IT’S BROKEN MY HEART TO THE POINT WHERE I DON’T LEAVE THE HOUSE NO REASON NOW, WEEKENDS OUT JUST AIN’T THE SAME WITHOUT YOU BOY I THOUGHT WE WERE INSEPARABLE IF YOU’RE BUMPING THIS SONG AND YOU’RE SEARCHING FOR THE MOMENT WHEN TWO HEARTS WENT WRONG INSEPARABLE JUST LOST YOUR LOVE CAUSE YOU SWORE YOU NEVER EVER GIVE IT UP CAUSE YOU THOUGHT Y’ALL WAS INSEPARABLE THOUGHT WE’D STAY TOGETHER ALWAYS AND FOREVER BUT NOW I SEE THAT NO ONE IS INSEPARABLE, EXCEPT FOR US ONE OF US JUST HAS TO PICK THE PHONE UP CAUSE I KNOW WE’RE STILL INSEPARABLE IT’S BEEN SIXTEEN DAYS SINCE I HELD YOU TIGHT BALLED UP ME AND MY PILLOW IN THE MIDDLE OF THE NIGHT BOY I JUST WISH YOU’D SHOW UP AND MAKE EVERYTHING ALL RIGHT SO WHAT YOU WAITIN’ FOR CAUSE BOTH OF US STILL KNOW THAT WE’RE INSEPARABLE IF YOU’RE BUMPING THIS SONG AND YOU’RE SEARCHING FOR THE MOMENT WHEN TWO HEARTS WENT WRONG INSEPARABLE
JUST LOST YOUR LOVE CAUSE YOU SWORE YOU NEVER EVER GIVE IT UP CAUSE YOU THOUGHT YA’LL WAS INSEPARABLE THOUGHT WE’D STAY TOGETHER ALWAYS AND FOREVER BUT NOW I SEE THAT NO ONE IS INSEPARABLE, EXCEPT FOR US ONE OF US JUST HAS TO PICK THE PHONE UP (I KNOW, I KNOW, I KNOW WE ARE… HEY) CAUSE I KNOW WE’RE STILL INSEPARABLE (I KNOW, I KNOW, I KNOW WE ARE)
INSEPARABLE (WE ARE) IF YOU’RE BUMPING THIS SONG (THOUGHT WE’D STAY TOGETHER) AND YOU’RE SEARCHING FOR THE MOMENT WHEN TWO HEARTS WENT WRONG (ALWAYS AND FOREVER) INSEPARABLE JUST LOST YOUR LOVE CAUSE YOU SWORE YOU NEVER EVER GIVE IT UP CAUSE YOU THOUGHT YA’LL WAS INSEPARABLE THOUGHT WE’D STAY TOGETHER ALWAYS AND FOREVER (PICK THE PHONE UP) BUT NOW I SEE THAT NO ONE IS (GOTTA PICK THE PHONE UP) (PICK THE PHONE UP) INSEPARABLE, EXCEPT FOR US (GOTTA PICK THE PHONE UP) (PHONE UP) ONE OF US JUST GOT TO PICK THE PHONE UP (GOTTA PICK THE PHONE UP) CAUSE I KNOW WE’RE STILL INSEPARABLE (OH BABY YOU JUST GOTTA PICK THE PHONE UP) (THE PHONE UP) (THE PHONE UP)
INSEPARABLE: WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART, ROBERT HYMAN AND CYNDI LAUPER © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP)/SONY/ATV MUSIC (BMI)/WB MUSIC CORP. (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. CONTAINS INTERPOLATIONS OF THE COMPOSITION “TIME AFTER TIME” WRITTEN BY ROBERT HYMAN AND CYNDI LAUPER AND PUBLISHED BY SONY/ATV MUSIC (BMI) AND WB MUSIC CORP. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
S†anding O
HERE’S YOUR STANDING O BOY YOU REMIND ME OF A LOVE THAT SEEMED SO SUBLIME YOUR KISSES TOLD ME OH SO MANY LIES SHADES ON LIKE I BE STUNTIN’ THROUGH THE NIGHT BUT I’M JUST HIDING PUFFY EYES TO KEEP THE WORLD FROM KNOWING WHAT’S INSIDE
I DIDN’T KNOW O O O O OO IT WAS A SHOW O O OO OO YOUR WORDS THEY HAD NO MEANING HOW DIDN’T I FORSEE THIS HAPPINESS AND CONGRATS AND ALL THAT I’LL PRETEND I MEAN IT SO CHEERS, TOAST, BRAVO, TO YOU CAUSE YOU’RE THE MAN OF THE HOUR IMMA HAVE TO SEND YOU SOME FLOWERS WHOA CHEERS, TOAST, BRAVO, TO YOU THE MAN OF THE HOUR YOU PLAYED THE ONE THAT LOVED YOU THE MOST SO HERE’S YOUR STANDING O OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH BOY, SO HERE’S YOUR STANDING O OH OH OH OH OH OH OH OH OH OH OH OH OH
OH OH OH OH OH
GAVE YOU MY HEART AND ALL YOU DID WAS POUND ON IT SO HERE’S YOUR STANDING O
HERE’S YOUR STANDING OVATION DOCTOR I WAS TOO PATIENT EVEN WHEN YOU WASN’T ENOUGH I’M THE ONE WHO TAUGHT YOU HOW TO LOVE AND BOY I GAVE YOU ALL OF ME THE PARTS OF AFFECTION YOU COULDN’T SEE AS YOU EMBRACE HER IN YOUR ARMS GIVE HER MY ALL, GIVE HER MORE THAN YOU GAVE TO ME WHEN YOU HAD NOTHING I GAVE WHEN YOU WERE WEAK I MADE YOU BRAVE YOU WANT TO LEAVE ME WITH SCARS ON MY HEART IT’S FUNNY HOW YA’LL FORGET IT ALL SO CHEERS, TOAST, BRAVO, TO YOU CAUSE YOU’RE THE MAN OF THE HOUR IMMA HAVE TO SEND YOU SOME FLOWERS WHOA CHEERS, TOAST, BRAVO, TO YOU THE MAN OF THE HOUR YOU PLAYED THE ONE THAT LOVED YOU THE MOST SO HERE’S YOUR STANDING O OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH
BOY, SO HERE’S YOUR STANDING O OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH OH GAVE YOU MY HEART AND ALL YOU DID WAS POUND ON IT SO HERE’S YOUR STANDING O ROUND OF APPLAUSE TO THE BIGGEST FOOL IN THE WORLD GIVE THEM ALL THAT YOU GOT AND THEY STILL RIDE OUT INTO THE SUNSET, WITH THE NEXT GIRL ROUND OF APPLAUSE TO THE BIGGEST FOOL IN THE WORLD GIVE THEM ALL THAT YOU GOT AND THEY STILL RIDE OUT INTO THE SUNSET, WITH THE NEXT GIRL STANDING OVATION CONGRATULATIONS DAMN I WAS DOWN FOR IT GAVE YOU MY HEART AND ALL YOU DID WAS POUND ON IT STANDING OVATION CONGRATULATIONS DAMN I WAS DOWN FOR IT GAVE YOU MY HEART AND ALL YOU DID WAS POUND ON IT ALL YOU DID WAS POUND ON IT GAVE YOU MY HEART AND ALL YOU DID WAS POUND ON IT ALL YOU DID WAS POUND ON IT
STANDING O: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM NASH. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT GERMANO STUDIOS, NY AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY KEVIN PORTER. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
I† ’s a Wrap
YET ANOTHER EARLY MORNING AND YOU WALK IN LIKE IT’S NOTHING HOLD UP HOLD UP HOLD TIGHT AIN’T NO DONUTS AIN’T NO COFFEE SEE I, KNOW YOU SEEN ME CALLING AND CALLING I SHOULD CRACK YOU RIGHT IN YOUR FOREHEAD
LET ME TAKE A BREATH, AND REGAIN MY COMPOSURE TOLD YOU ONE MORE TIME IF YOU F’ED UP IT’S OVER WHEN IT’S GONE, IT’S GONE, IT’S GONE, IT’S GONE YOU’RE DEAD WRONG, SO WRONG, SO WRONG, SO WRONG SO JUST SCOO-DO-DO-DO-DO, SCOO-DO-DO-DO-DO BABY IT’S A WRAP SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO FOR YOU BABY IT’S A WRAP IT’S A WRAP FOR YOU BOY IT’S A WRAP AWW BABY OOH-WE OOOH-OOOH E-OOH-OOH IF I EVER MISREPRESENTED MY SELF IMAGE, THEN I’M SORRY I WAS OH SO ACQUIESCENT BUT I LEARNED MY LESSON,
BOY YOU’RE SORRY BUMP-BUMP-BUMP-BUMP ALL OUT IN THE OPEN DON’T MAKE ME GO CALL MAURY POVICH
WHEN IT’S GONE, IT’S GONE, IT’S GONE, IT’S GONE YOU’RE DEAD WRONG, SO WRONG, SO WRONG, SO WRONG
LET ME TAKE A BREATH, AND REGAIN MY COMPOSURE TOLD YOU ONE MORE TIME IF YOU F’ED UP IT’S OVER
SO JUST SCOO-DO-DO-DO-DO, SCOO-DO-DO-DO-DO (BOY I’M CHECKIN’ THE GATE) BABY SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO (I TOLD YOU) BABY (I TOLD YOU) (I TOLD YOU) IT’S A WRAP (IF YOU F’ED UP ONE MORE TIME IT’S OVER) IT’S A WRAP FOR YOU BOY IT’S A WRAP (SO GET UP OUT MY FACE I’M HUNG OVER) AWW BABY SO JUST SCOO-DO-DO-DO-DO, SCOO-DO-DO-DO-DO (BEEN SITTING HERE) (ALL NIGHT LEAVE ME ALONE) BABY (SINCE QUARTER TO THREE I BEEN) SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO (DRINKIN’ PATRÓN) BABY (WATCH THE CREDITS ROLL) IT’S A WRAP (IT’S A WRAP) IT’S A WRAP (HA)
WHEN IT’S GONE, IT’S GONE, IT’S GONE, IT’S GONE YOU DEAD WRONG, SO WRONG, SO WRONG, SO WRONG SO JUST SCOO-DO-DO-DO-DO, SCOO-DO-DO-DO-DO BABY IT’S A WRAP SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO FOR YOU BABY IT’S A WRAP IT’S A WRAP FOR YOU BOY IT’S A WRAP AWW BABY PUT ALL YOUR S**T IN THE ELEVATOR IT’S GOIN’ DOWN LIKE A DENOMINATOR TRYIN TO KEEP HOLDIN’ ON HOLDING ON BOY LET ME GO YOU GON’ WAKE MY NEIGHBORS, GET AWAY FROM MY DOOR THAT WAS YOUR LAST SHOT YOU AIN’T COMIN BACK IT’S THE MARTINI I MEAN IT BABY IT’S A WRAP
IT’S A WRAP: WRITTEN BY MARIAH CAREY, BARRY WHITE © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI) / UNICHAPPELL MUSIC INC. (BMI). PRODUCED BY MARIAH CAREY, HEATMYZER, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. KEYS AND HAMMOND B3 BY BIG JIM WRIGHT, TRICKY STEWART, LEON BISQUERA AND MONTE NEUBLE. BASS GUITAR BY ALEX AL. PERCUSSION BY RONNIE GUTIERREZ. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. CONTAINS ELEMENTS FROM "I BELONG TO YOU" (B. WHITE) PUBLISHED BY UNICHAPPELL MUSIC, INC. (BMI) USED BY PERMISSION. ALL RIGHTS RESERVED. THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "I BELONG TO YOU" AS PERFORMED BY LOVE UNLIMIITED ORCHESTRA. COURTESY OF UNIVERSAL RECORDS UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.
Up Ou† My Face
IT’S NOT CHIPPED WE’RE NOT CRACKED OH WE’RE SHATTERED
I THOUGHT WE HAD SOMETHING SPECIAL AND WE HAD SOMETHING GOOD BUT I SHOULD HAVE HAD ANOTHER MECHANIC UNDER MY HOOD IF YOU SEE ME WALKIN BY YA BOY DON’T YOU EVEN SPEAK PRETEND YOU’RE ON A SOFA AND I’M ON THE TV MIGHT SEE ME ON A POSTER, SEE ME AT A SHOW BUT YOU WON’T SEE ME FOR FREE BOY THIS AIN’T NO PROMO ACTIN ALL SHAMED NOW WHEREVER YOU BEEN LAYIN’ YOU CAN STAY NOW GOTTA BOARD THE BBJ AND PULL THE SHADES DOWN I’M ON THE PLANE NOW AND DON’T KEEP CALLIN FROM YOUR MOMMA’S HOUSE WHEN I BREAK I BREAK, BOY UP OUT MY FACE BOY, UP OUT MY FACE BOY UP OUT MY FACE, I BREAK UP OUT MY FACE BOY, UP OUT MY FACE BOY UP OUT MY FACE, I BREAK YOU AIN’T EVER GONNA FEEL THIS THING AGAIN YOU’RE GONNA GET A LOT OF CALLS CAUSE I CC’D ALL YOUR FRIENDS I AIN’T WALKIN AROUND ALL MOPEY AND SAD THAT AIN’T EVEN MY BAG, BABY I BREAK SO LOOK WHO’S CRYIN’ NOW, BOO HOO HOO TALKIN’ ABOUT YOU’RE MISSIN’
YOUR BOO HOO HOO NO YOU AIN’T GETTING IT, NO YOU AIN’T HITTIN’ IT NO YOU AIN’T A RAPPER SO YOU NEED TO STOP SPITTIN’ IT - HA, HA, HA, HA, HA, HA YOU’LL WONDER WHO I’M MESSIN’ WITH WHILE YOU AIN’T NEXT TO ME I’M GOING BYE… SO PAY THE CONSEQUENCES CAUSE YOU ACTING ALL IGNORANT SO YOU’RE ASHAMED NOW WHEREVER YOU BEEN LAYIN’ YOU CAN STAY NOW GOTTA BOARD THE BBJ AND PULL THE SHADES DOWN I’M ON THE PLANE NOW AND DON’T KEEP CALLIN’ FROM YOUR MOMMA’S HOUSE
WHEN I BREAK I BREAK, BOY UP OUT MY FACE BOY, UP OUT MY FACE BOY UP OUT MY FACE, I BREAK UP OUT MY FACE BOY, UP OUT MY FACE BOY UP OUT MY FACE, I BREAK YOU AIN’T EVER GONNA FEEL THIS THING AGAIN YOU’RE GONNA GET A LOT OF CALLS CAUSE I CC’D ALL YOUR FRIENDS I AIN’T WALKIN’ AROUND ALL MOPEY AND SAD THEY’RE COLLECTING MY BAGS, BABY I BREAK CAUSE WHEN I BREAK, I BREAK, I BREAK AND NO SUPER GLUE CAN FIX THIS SHHH WHEN I BREAK I BREAK I BREAK NOT EVEN A WELDER AND A BUILDER CAN REBUILD THIS SHHH WHEN I BREAK, I BREAK, I BREAK NOT EVEN A NAIL TECHNICIAN
WITH A WHOLE LOTTA GEL AND ACRYLIC CAN FIX THIS WHEN I BREAK, I BREAK IF WE WERE TWO LEGO BLOCKS EVEN THE HARVARD UNIVERSITY GRADUATING CLASS OF 2010 COULDN’T PUT US BACK TOGETHER AGAIN
WHEN I BREAK, BOY (UP OUT MY FACE BOY) UP OUT MY FACE BOY, UP OUT MY FACE BOY UP OUT MY FACE, I BREAK (NO NO NOOO-OO) (I BREAK I BREAK I BREAK) UP OUT MY FACE BOY, UP OUT MY FACE BOY UP OUT MY FACE, I BREAK (YEAH) YOU AIN’T EVER GONNA FEEL THIS THING AGAIN (GONNA FEEL THIS THING AGAIN) YOU’RE GONNA GET A LOT OF CALLS (CAUSE I) CAUSE I CC’D ALL YOUR FRIENDS (HA HA HA HA HA-AA) I AIN’T WALKIN’ AROUND ALL MOPEY AND SAD THEY’RE COLLECTING MY BAGS, BABY (CAUSE WHEN I BREAK BABY BABY) I BREAK, BOY (I BREA-EE-EK) UP OUT MY FACE BOY, UP OUT MY FACE BOY (UP OUT MY FACE BOY, UP OUT MY FACE BOY) UP OUT MY FACE, I BREAK (I TELL YOU WHAT) UP OUT MY FACE BOY, UP OUT MY FACE BOY (TELL YOU NOTHIN’) UP OUT MY FACE, I BREAK (HERE, I’LL TELL YOU SOMETHING) (I’M OUTTA HERE) (OH YEAH)
UP OUT MY FACE: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN, CHRIS “TEK” O’RYAN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. UP OUT MY FACE (THE REPRISE): WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART. © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. ENGINEERING BY NICK CHAHWALA AT TREE SOUND STUDIOS, NORCROSS, GA AND NAMASTE STUDIOS, MABLETON, GA. ENGINEERING ASSISTED BY CHARLES MALONE AND JUSTIN ROBERTS. MARCHING BAND BY SOUTHWEST DEKALB HIGH SCHOOL BAND. DIRECTED BY JAMES O. SEDA. ARRANGEMENT BY NICHOLAS B. THOMAS. ORCHESTRA & BRAZILIAN PERCUSSION BY JUAN M. LEGUIZAMON & PABLO A. CORREA. TRUMPET & FLUGLE HORN: ARTURO SOLAR. ALTO, TENOR & BARITONE SAX: JAMES M. KING. TROMBONE & BASS TROMBONE: JOHN J. ROBERT. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
More Than Jus† Friends
I’D RATHER BE WITH YOU BUT YOU NEVER TRIED TO HOLLA WE COULD SPEND A COUPLE MILLY ACTIN’ SILLY IN MILANO BOY HIT YOUR HORN BEEP BEEP I’LL FOLLOW HAVE YOUR WHIP IN MY DRIVEWAY BY TOMORROW SECRETLY I KNOW YOU WANNA HIT IT LIKE THE LOTTO AND AFTER THAT WE CAN KETCHUP LIKE TOMATO WE CAN MAKE LOVE IN ITALY IN THE GROTTO FRESH OFF THE JET AT THE MET THEY’RE SCREAMIN’ BRAVO, BRAVO, BRAVO
STEPPIN IN MY JIMMY CHOO’S YEAH I GOT IT ALL CUTE FOR YA BABY NOTHING LIKE THEM OTHER GIRLS I WOULD NEVER BE RUDE TO YOU BABY CAN’T WAIT JUST SAY THAT YOU WANNA BE MORE THAN JUST FRIENDS BOY I’M GONNA LOVE YOU UNTIL THE END THE END, THE END, THE END, THE END MORE THAN JUST FRIENDS BOY I’M GONNA LOVE YA UNTIL THE END THE END, THE END, THE END, THE END MORE THAN JUST FRIENDS BOY, UNTIL THE END BOY YOU GOT ME ALL MIXED UP LIKE SERATO YOU GOT ME SPINNIN’ ROUND FOR YA LIKE A LIL’ MODEL STEADY FIENDIN FOR YOU LIKE THEM FRIES AT MCDONALDS I WANNA BE ALL ON YOUR LIPS LIKE GELATO PERMANENTLY PAINT ME IN YOUR PICTURE LIKE PICASSO LOVE ME DOWN TILL I HIT THE TOP OF MY SOPRANO WE CAN POP BOTTLES GET ME ACTIN’ ALL ME LLAMO THEN BABY COME AND FLIP THIS THING LIKE A CHANNEL
STEPPIN IN MY CHRISSY LOU’S YEAH I GOTTA IT ALL CUTE FOR YA BABY NOTHING LIKE THEM OTHER GIRLS I WOULD NEVER BE RUDE TO YOU BABY CAN’T WAIT JUST SAY THAT YOU WANNA BE MORE THAN JUST FRIENDS BOY I’M GONNA LOVE YOU UNTIL THE END THE END, THE END, THE END, THE END MORE THAN JUST FRIENDS BOY I’M GONNA LOVE YA UNTIL THE END THE END, THE END, THE END, THE END MORE THAN JUST FRIENDS BOY, UNTIL THE END
WHO’S GONNA SPEAK AND START OFF THIS THING IS IT YOU IS IT ME WE SHOULD SAY HOW WE FEEL FOR REAL SUGAR BABY BOO I NEED YOUR TOUCH NEVER WANTED SOMETHIN’ SO MUCH FRIENDSHIP JUST AIN’T ENOUGH BOY, I WANNA BE WITH YOU UNTIL THE END THE END, THE END, THE END, THE END MORE THAN JUST FRIENDS BOY I’M GONNA LOVE YOU UNTIL THE END THE END, THE END, THE END, THE END MORE THAN JUST FRIENDS BOY I’M GONNA LOVE YA UNTIL THE END THE END, THE END, THE END, THE END MORE THAN JUST FRIENDS BOY, UNTIL THE END
MORE THAN JUST FRIENDS: WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART, SEAN COMBS, CHRIS WALLACE, RASHAD SMITH, MARK DEBARGE AND ETTERLENE JORDAN © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP)/EMI APRIL MUSIC INC. (ASCAP)/EMI BLACKWOOD MUSIC INC. (BMI)/JOBETE MUSIC CO. (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN, BRIAN “B-LUV” THOMAS AND CHRIS “TEK” O’RYAN AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. CONTAINS INTERPOLATIONS OF “ONE MORE CHANCE/STAY WITH ME (REMIX)” WRITTEN BY SEAN COMBS, CHRIS WALLACE, RASHAD SMITH, MARK DEBARGE AND ETTERLENE JORDAN AND PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP)/EMI BLACKWOOD MUSIC INC. (BMI)/JOBETE MUSIC CO. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
The Impossible
WE WERE TWO LITTLE PEOPLE WRAPPED UP IN THIS BIG OLD WORLD DRIFTING ROUND IN SPACE OUT OF PLACE JUST A BOY AND GIRL THEN YOU TOOK MY HAND AND MADE ME A PART OF YOU AND I LOOKED IN YOUR HEART AND SAW ALL MY DREAMS COME TRUE YOU DID THE IMPOSSIBLE YOU RESCUED MY LOVE YOU DID THE IMPOSSIBLE SEE, I HAD ALMOST GIVEN UP AND NOW I LOVE YA LIKE SUMMER TIME, LOVE YA LIKE CHERRY WINE LOVE YA LIKE FREE MONEY, LIKE A PREACHER LOVES SUNDAY LOVE YA LIKE FREEZE POP, LOVE YA LIKE A MILK SHAKE LOVE YA LIKE A HIGH SCHOOL GIRL ON A FIRST DATE LOVE YA LIKE SHOOTIN’ STARS, LOVE YA LIKE A MUSCLE CAR LOVE YA LIKE WE’RE DESTINED LOVE YA LIKE MY LOVER AND BEST FRIEND YEAH, YOU DID THE IMPOSSIBLE TONIGHT I’M GONNA NEED ALL YOUR ATTENTION CLOSE THE DOOR I WANNA DO THINGS I PROBABLY SHOULDN’T MENTION LIKE A BIRD I’M GON’ HUM THOSE THREE WORDS, I LOVE YOU, I LOVE YOU, I LOVE YOU FREEZE THE TIME, LET THE WORLD GO BY IF YOU’RE MINE SAY, YOU LOVE ME, YOU LOVE ME, YOU LOVE ME BOY TAKE MY HAND AND MAKE ME A PART OF YOU AND THE LOVE THAT YOU GAVE TO ME HAS PULLED ME THROUGH
YOU DID THE IMPOSSIBLE YOU RESCUED MY LOVE YOU DID THE IMPOSSIBLE SEE I HAD ALMOST GIVEN UP
AND NOW I LOVE YA LIKE SUNSETS, BUBBLE BATHS ON THE JET LOVE YA LIKE KOOL-AID, LOUIS MILLIONAIRE SHADES LOVE YA LIKE SUGAR DADDYS, LOVE YA LIKE A PIMP CADDY LOVE YA LIKE A HOLIDAY DUNCAN HINES YELLOW CAKE LOVE YA LIKE IT’S 5 AM AND I’M OFF WORK LOVE YA LIKE LOUBOUTIN HEELS AND A MINI SKIRT LOVE YA LIKE AN ASHER CUT PINK AND WHITE ENGAGEMENT RING LOVE YA LIKE LAYIN’ IN A BED BUMPIN JODECI AND I’M FOREVER YOUR LADY LAYIN’ IN THE BED BUMPIN’ JODECI AND I’M FOREVER YOUR LADY LAYIN’ IN THE BED BUMPIN’ JODECI AND I’M FOREVER YOUR LADY (I LOVE YOU LIKE THE SUNSETS IN THE EVENING) LAYIN’ IN THE BED BUMPIN’ JODECI (LIKE THE SHOOTING STARS) AND I’M FOREVER YOUR LADY (YEAH, I LOVE YOU) LAYIN’ IN THE BED BUMPIN’ JODECI (OH, YOU DID THE IMPOSSIBLE) (I’D ALMOST GIVEN UP) (THE IMPOSSIBLE)
THE IMPOSSIBLE: WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART, ALBERT BROWN & DONALD DEGRATE © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY CHRIS “TEK” O’RYAN, BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA, TRIANGLE SOUND STUDIOS, ATLANTA, GA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. GUITAR BY JULIO MIRANDA. VOCODER BY MONTE NEUBLE. MIXED BY JAYCENJOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. CONTAINS INTERPOLATIONS FROM ”FOREVER MY LADY” WRITTEN BY ALBERT BROWN AND DONALD DEGRATE AND PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED. THE IMPOSSIBLE (REPRISE): CONTAINS INTERPOLATIONS FROM “FOREVER MY LADY” WRITTEN BY ALBERT BROWN AND DONALD DEGRATE AND PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
Angels Cry
I SHOULDN’T HAVE WALKED AWAY I WOULD’VE STAYED IF YOU SAID WE COULD’VE MADE EVERYTHING OK BUT WE JUST THREW THE BLAME BACK AND FORTH WE TREATED LOVE LIKE A SPORT THE FINAL BLOW HIT SO LOW I’M STILL ON THE GROUND I COULDN’T HAVE PREPARED MYSELF FOR THIS FALL SHATTERED IN PIECES CURLED ON THE FLOOR SUPER NATURAL LOVE CONQUERS ALL ‘MEMBER WE USED TO TOUCH THE SKY AND LIGHTNING DON’T STRIKE THE SAME PLACE TWICE WHEN YOU AND I SAID GOODBYE I FELT THE ANGELS CRY TRUE LOVE’S A GIFT BUT WE LET IT DRIFT IN A STORM EVERY NIGHT I FEEL THE ANGELS CRY
IT’S JUST US I’M WILLING TO LIVE AND DIE FOR OUR LOVE BABY WE CAN GET BACK THAT SHINE CAUSE LIGHTNING DON’T STRIKE THE SAME PLACE TWICE WHEN YOU AND I SAID GOODBYE I FELT THE ANGELS CRY TRUE LOVE’S A GIFT BUT WE LET IT DRIFT IN A STORM EVERY NIGHT I FEEL THE ANGELS CRY COME ON BABY, CAN OUR LOVE BE REVIVED BRING IT BACK AND WE’RE GON’ MAKE IT RIGHT I’M ON THE EDGE JUST TRYING TO SURVIVE AS THE ANGELS CRY BABY I’M MISSIN’ YOU DON’T ALLOW LOVE TO LOSE WE GOTTA RIDE IT THROUGH I’M REACHING FOR YOU
C’MON BABE CAN’T OUR LOVE BE REVIVED BRING IT BACK AND WE GON’ MAKE IT RIGHT I’M ON THE EDGE JUST TRYIN’ TO SURVIVE AS THE ANGELS CRY
BABY I’M MISSIN’ YOU DON’T ALLOW LOVE TO LOSE WE GOTTA RIDE IT THROUGH I’M REACHING FOR YOU
LIMITLESS OMNIPRESENT KIND OF LOVE COULDN’T HAVE GUESSED IT WOULD JUST UP AND DISAPPEAR IN THE WHIRLWIND HERE I AM WALKIN’ ON THIS NARROW ROPE WOBBLING BUT WON’T LET GO WAITIN’ FOR A GLIMPSE OF THE SUN’S GLOW I KNOW I CAN STAND JUST PULL ME BACK UP LIKE THERE AIN’T NO HURRICANE
LIGHTING DON’T STRIKE THE SAME PLACE TWICE WHEN YOU AND I SAID GOODBYE I FELT THE ANGELS CRY TRUE LOVE’S A GIFT BUT WE LET IT SLIP IN A STORM EVERY NIGHT I FEEL THE ANGELS CRY
ANGEL (THE PRELUDE): WRITTEN BY MARIAH CAREY, CHRISTOPHER STEWART AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP)/ALDORA PUBLISHING (ASCAP)/EMI APRIL MUSIC PUBLISHING INC. PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT STUDIO AT THE PALMS, LAS VEGAS, NV AND HONEYWEST STUDIOS, NYC. MIXED BY PHIL TAN AT SOAPBOX STUDIOS, ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS. ANGELS CRY: WRITTEN BY MARIAH CAREY, CHRISTOPHER STEWART, CRYSTAL JOHNSON AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP)/C STYLE INK/SLIDE THAT MUSIC/EMI APRIL SONGS (ASCAP)/ALDORA PUBLISHING (ASCAP)/EMI APRIL MUSIC PUBLISHING INC. PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. KEYS AND HAMMOND B3 BY BIG JIM WRIGHT AND TRICKY STEWART. MIXED BY PHIL TAN AT SOAPBOX STUDIOS, ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS.
Languishing ( †he interlu∂e ) IF YOU COULD ONLY SEE THAT I WAS NOT PUT HERE FOR YOU TO JUDGE ME AND DISPUTE MY IN MOST TRUTH AND AFTER ALL THESE YEARS OF ENMITY, ENVY AND TEARS IT’S A SHAME YOU DON’T KNOW ME AT ALL I WAS WONDERING WOULD YOU CRY FOR ME IF I TOLD YOU THAT I COULDN’T BREATHE IF I WAS DROWNING, SUFFOCATING IF I TOLD YOU THAT I COULDN’T BREATHE THOSE AGELESS BURIED RECOLLECTIONS WE TRANSFORM THEM AND SELECT THEM YOU HAVE YOURS, I HAVE MINE THAT’S FINE WHY ARE WE TOO TORN TO HEAL OUR STITCHES NEVER DISAPPEAR I HAVE MINE, YOU HAVE YOURS, I’M SURE I WAS WONDERING WOULD YOU REACH FOR ME IF YOU SAW THAT I WAS LANGUISHING I WAS WONDERING WOULD YOU CRY FOR ME IF I TOLD YOU THAT I COULDN’T BREATHE IF I WAS DROWNING, SUFFOCATING IF I TOLD YOU THAT I COULDN’T BREATHE
LANGUISHING (THE INTERLUDE): WRITTEN BY MARIAH CAREY AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/ALDORA PUBLISHING (ASCAP)/EMI APRIL MUSIC PUBLISHING INC. PRODUCED BY MARIAH CAREY AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN AND CHRIS “TEK” O’RYAN AT THE SETAI, MIAMI, FL; HONEYWEST STUDIOS, NYC AND THE BOOM BOOM ROOM, BURBANK, CA. MIXED BY PHIL TAN AT SOAPBOX STUDIOS, ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS.
I Wan† †o Know Wha† Love Is I GOTTA TAKE A LITTLE TIME A LITTLE TIME TO THINK THINGS OVER
IN MY LIFE THERE’S BEEN HEARTACHE AND PAIN I DON’T KNOW IF I CAN FACE IT AGAIN
I BETTER READ BETWEEN THE LINES
CAN’T STOP NOW, I’VE TRAVELED SO FAR
IN CASE I NEED IT WHEN I’M COLDER
TO CHANGE THIS LONELY LIFE
IN MY LIFE THERE’S BEEN HEARTACHE AND PAIN
I WANNA KNOW WHAT LOVE IS
I DON’T KNOW IF I CAN FACE IT AGAIN CAN’T STOP NOW, I’VE TRAVELED SO FAR
I WANT YOU TO SHOW ME I WANNA FEEL WHAT LOVE IS
TO CHANGE THIS LONELY LIFE
I KNOW YOU CAN SHOW ME
I WANNA KNOW WHAT LOVE IS
I WANNA KNOW WHAT LOVE IS
I WANT YOU TO SHOW ME I WANNA FEEL WHAT LOVE IS I KNOW YOU CAN SHOW ME I’M GONNA TAKE A LITTLE TIME A LITTLE TIME TO LOOK AROUND ME I’VE GOT NOWHERE LEFT TO HIDE IT LOOKS LIKE LOVE HAS FINALLY FOUND ME
I WANT YOU TO SHOW ME I WANNA FEEL WHAT LOVE IS I KNOW YOU CAN SHOW ME I WANNA KNOW WHAT LOVE IS I WANT YOU TO SHOW ME I WANNA FEEL WHAT LOVE IS I KNOW YOU CAN SHOW ME
I WANT TO KNOW WHAT LOVE IS: WRITTEN BY MICK JONES © 2009 SOMERSET SONGS PUBLISHING INC. (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT. ADDITIONAL PRODUCTION BY RANDY JACKSON FOR DREAM MERCHANT 21 MUSIC. RECORDING BY CHRIS “TEK” O’RYAN AND BRIAN GARTEN AT THE BOOM BOOM ROOM, BURBANK, CA; THE SETAI, MIAMI, FL AND HONEYWEST STUDIOS, NYC AND BY KEVIN GUARNIERI AT WEST LAKE AUDIO. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY PHIL TAN AT SOAPBOX STUDIOS, ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS. KEYS & HAMMOND B3 BY BIG JIM WRIGHT AND TRICKY STEWART. BASS: RANDY JACKSON. KEYS: MATTHEW ROLLINGS. KEYS AND PROGRAMMING: JOHN LEMKUHL. DRUMS: JEROHN GARNETT. BACKGROUND VOCALS: MARY-ANN TATUM, SHERRY TATUM, SHERRY MCGHEE AND BIG JIM WRIGHT.
Hebrews 10:35-36 – So do not throw away your confidence; it will be richly rewarded. You need to persevere so that when you have done the will of God, you will receive what He has promised. To my fans, every time I can’t go on you brighten up and reign for me. Then I open my eyes. I cherish you more than the world could ever comprehend and no one can ever take that away from us. Special thanks to: Nick my soul mate for all your love and support… I love You with all my heart, KKLB!!! Lots of love to my mother Patricia Carey and entire family. To my father, Alfred Roy Carey, rest in peace. To my Maroon management team, Louise McNally, Michael Richardson & Gina Rainville. To Chris Lighty & the Violator management team and to Eric Wong & Connie Filippello. Lots of love to MaryAnn, Rachel, Sade, Sherry, Trey Lorenz, Brat, Feen, Kristen, Billy Dean & Miles, Jasmine, Karen G., Joan & Allen, Blair, Kris, Roque & Brigitte, Rhonda, Erik Bradley, Brett Ratner and of course… Jack the wonder dog and his kinfolk J.J. & Cha Cha! To the producers… I thank you for the heat! Tricky, Dream, JD, Big Jim Wright and of course Randy Jackson. Thanks to Jaycen-Joshua Fowler and Dave Pensado & a big thank you to Brian Garten & Phil Tan.
Thanks to Rob Light and everyone at CAA. Thanks to Ron Nash, Rosemarie Passerino & everyone at Gelfand, Rennert & Feldman. Thank you Allen Grubman, Joe Brenner, Sonya Guardo & the entire team at Grubman, Indursky & Shire. To Doug Morris, thank you for always believing in me. Thank you to LA Reid for your guidance and friendship. Thanks to my entire IDJ team for all your hard work; Steve Bartels, Karen Kwak, Laura Swanson, Garrett Schaefer, Mark DiDia, Benny Pough, Erik Olesen, Thomas Lytle, Pecas, Rick Sackheim, Rich Westover, Mike Chester, Noah Sheer and the entire radio promo team, Jim Roppo, Russell Fink, Sam Dailey, Doug Cohen, Gabby Peluso, Erika Montes, Jenya Meggs, Matt Voss, Jacki Spillane, Christian Jorg, Ali Schlueter, Jazmine Valencia, Grace Miguel, Kris Yiengst, JP Robinson, Andy West, Jeff Straughn, Dre Wright, Jen Mulvihill, Dave King, Amy Hartman, Scott Marcus, Leesa Brunson, Joey Arbagey, Sandie Smith, Ira Fronk, Joe Borrino, Steve Gawley, Michael Seltzer, Antoinette Trotman, Ian Allen, Donna Fetchko, Tara Bryan, Elise Mora & Carol Corless. This album is dedicated in loving memory to the King of Pop, Michael Jackson, and to my Pastor and Spiritual Father, Bishop Clarence Keaton of True Worship Worldwide.
Executive Producers MARIAH CAREY & ANTONIO “LA” REID Album Producers MARIAH CAREY, C. “TRICKY” STEWART & TERIUS “THE-DREAM” NASH A&R K A R E N K W A K Management M A R O O N E N T E R T A I N M E N T , VIOLATOR MANAGEMENT AND WONG MANAGEMENT A&R Coordination S C O T T M A R C U S A&R Administration T A R A B R Y A N Product Manager G A R R E T T S C H A E F E R Mastering B R I A N G A R D N E R A T BERNIE GRUNDMAN MASTERING, LOS ANGELES, CA Design A N D Y W E S T D E S I G N Photography M I C H A E L T H O M P S O N Hair O R I B E Make-Up K R I S T O F E R B U C K L E Debut Album Photography K I P M E Y E R , © 19 9 0 C B S R E C O R D S I N C . Butterfly Photography: M I C H A E L T H O M P S O N , © 19 9 7 S O N Y M U S I C E N T E R T A I N M E N T I N C .
Debut album and Butterfly photographs reprinted courtesy of SONY MUSIC ENTERTAINMENT Art and Photography Coordination K R I S T E N Y I E N G S T Package Production C A R O L C O R L E S S Legal A L L E N G R U B M A N , J O E B R E N N E R & S O N Y A G U A R D O Business Management R O N N A S H & R O S E M A R I E P A S S E R I N O Business Affairs M I C H A E L S E L T Z E R , ANTOINETTE TROTMAN, IAN ALLEN Sample Clearances D E B O R A H M A N N I S - G A R D N E R FOR DMG CLEARANCES, INC.
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