Digital Booklet - Meds

PLACEBO.MEDS 01.MEDS (FEAT.ALISON MOSSHART).02.INFRA-RED.03.DRAG.04.SPACE MONKEY.05.FOLLOW THE COPS BACK HOME.06.POST BLUE.07.BECAUSE I WANT YOU.08.BLIND.09.PIERROT THE CLOWN.10.BROKEN PROMISE (FEAT.MICHAEL STIPE).11.ONE OF A KIND.12.IN THE COLD LIGHT OF MORNING.13.SONG TO SAY GOODBYE. P & g 2006 VIRGIN RECORDS LTD. THE COPYRIGHT IN THIS SOUND RECORDING IS OWNED BY VIRGIN RECORDS LTD. THIS LABEL COPY INFORMATION IS THE SUBJECT OF COPYRIGHT PROTECTION AND IS OWNED BY EMI RECORDS LTD. ALL RIGHTS RESERVED. ALL RIGHTS OF THE PRODUCER AND OF THE OWNER OF THE RECORDED WORK RESERVED. UNAUTHORISED COPYING, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING OF THIS RECORD PROHIBITED. VIRGIN RECORDS IS A VIRGIN MUSIC LABEL. PRINTED IN THE EU. LCO3098. 0094635883053.

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01.MEDS.02:54. I WAS ALONE, FALLING FREE, TRYING MY BEST NOT TO FORGET, WHAT HAPPENED TO US, WHAT HAPPENED TO ME, WHAT HAPPENED AS I LET IT SLIP, I WAS CONFUSED BY THE POWERS THAT BE, FORGETTING NAMES AND FACES, PASSERS BY WERE LOOKING AT ME, AS IF THEY COULD ERASE IT. BABY, DID YOU FORGET TO TAKE YOUR MEDS (X 2). I WAS ALONE, STARING OVER THE LEDGE, TRYING MY BEST NOT TO FORGET, ALL MANNER OF JOY, ALL MANNER OF GLEE, AND OUR ONE HEROIC PLEDGE, HOW IT MATTERED TO US, HOW WOULD IT MATTERED TO ME, AND THE CONSEQUENCES, I WAS CONFUSED BY THE BIRDS AND THE BEES, FORGETTING IF I MEANT IT. BABY, DID YOU FORGET TO TAKE YOUR MEDS (X4). AND THE SEX, AND THE DRUGS, AND THE COMPLICATIONS (X4). BABY, DID YOU FORGET TO TAKE YOUR MEDS (X6). I WAS ALONE, FALLING FREE, TRYING MY BEST NOT TO FORGET.

05.FOLLOW THE COPS BACK HOME.04:39. THE CALL TO ARMS WAS NEVER TRUE, TIME TO IMBIBE, HERE'S TO YOU, I'LL TELL YOU STORIES BRUISED AND BLUE, OF DRUM MACHINES AND LANDSLIDES, JUST ONE MORE ROUND BEFORE WERE THROUGH, MORE PSYCHEDELIC YUPPIE FLU, IT'S SUCH A SILLY THING TO DO, AND NOW WERE STUCK ON REWIND. LET'S FOLLOW THE COPS BACK HOME, FOLLOW THE COPS BACK HOME, LET'S FOLLOW THE COPS BACK HOME, AND ROB THEIR HOUSES. THE CALL TO ARMS WAS NEVER TRUE, LET'S TAKE A RIDE AND PUSH IT THROUGH SUSPENDED ANIMATION GLUE, AND BLAME IT ON APARTHEID, LET'S SPEND THE NIGHT IN JIMMY CHOO'S, I'LL GIVE YOU COATS AND CHEAP SHAMPOO, I’LL GIVE YOU NOTHING ELSE TO DO, AND NOW WERE STUCK ON REWIND. LET'S FOLLOW THE COPS BACK HOME, FOLLOW THE COPS BACK HOME, LET'S FOLLOW THE COPS BACK HOME, AND ROB THEIR HOUSES (X 2). THE CALL TO ARMS WAS NEVER TRUE, I'M MEDICATED, HOW ARE YOU, LET'S TAKE A DIVE, SWIM RIGHT THROUGH SOPHISTICATED POINTS OF VIEW. LET'S FOLLOW THE COPS BACK HOME, FOLLOW THE COPS BACK HOME, LET'S FOLLOW THE COPS BACK HOME, AND ROB THEIR HOUSES (X 2).

02.INFRA-RED.03:14. ONE LAST THING BEFORE I SHUFFLE OFF THE PLANET, I WILL BE THE ONE TO MAKE YOU CRAWL, SO I CAME DOWN TO WISH YOU AN UNHAPPY BIRTHDAY, SOMEONE CALL THE AMBULANCE, THERE'S GONNA BE AN ACCIDENT. I'M COMING UP ON INFRARED, THERE IS NO RUNNING THAT CAN HIDE YOU, 'CAUSE I CAN SEE IN THE DARK, I'M COMING UP ON INFRARED, FORGET YOUR RUNNING, I WILL FIND YOU. ONE MORE THING BEFORE WE START THE FINAL FACE-OFF, I WILL BE THE ONE TO WATCH YOU FALL, SO I CAME DOWN TO CRASH AND BURN YOUR BEGGAR'S BANQUET, SOMEONE CALL THE AMBULANCE, THERE'S GONNA BE AN ACCIDENT. I'M COMING UP ON INFRARED, THERE IS NO RUNNING THAT CAN HIDE YOU, 'CAUSE I CAN SEE IN THE DARK, I'M COMING UP ON INFRARED, FORGET YOUR RUNNING, I WILL FIND YOU. SOMEONE CALL THE AMBULANCE, THERE'S GONNA BE AN ACCIDENT. I'M COMING UP ON INFRARED, THERE IS NO RUNNING THAT CAN HIDE YOU, 'CAUSE I CAN SEE IN THE DARK, I'M COMING UP ON INFRARED, FORGET YOUR RUNNING, I WILL FIND YOU, 'CAUSE I CAN SEE IN THE DARK, I'M COMING UP ON INFRARED, THERE IS NO RUNNING THAT CAN HIDE YOU, 'CAUSE I CAN SEE IN THE DARK, I'M COMING UP ON INFRARED, FORGET YOUR RUNNING, I WILL FIND YOU. I'LL FIND YOU. I'LL FIND YOU.

06.POST BLUE.03:11. IT'S IN THE WATER BABY, IT'S IN THE PILLS THAT BRING YOU DOWN, IT'S IN THE WATER BABY, IT'S IN YOUR BAG OF GOLDEN BROWN, IT'S IN THE WATER BABY, IT'S IN YOUR FREQUENCY, IT'S IN THE WATER BABY, IT'S BETWEEN YOU AND ME. IT'S IN THE WATER BABY, IT'S IN THE PILLS THAT PICK YOU UP, IT'S IN THE WATER BABY, IT'S IN THE SPECIAL WAY WE FUCK, IT'S IN THE WATER BABY, IT'S IN YOUR FAMILY TREE, IT'S IN THE WATER BABY, IT'S BETWEEN YOU AND ME. BITE THE HAND THAT FEEDS, TAP THE VEIN THAT BLEEDS, DOWN ON MY BENDED KNEES. I BREAK THE BACK OF LOVE FOR YOU (X 4). IT'S IN THE WATER BABY, IT'S IN THE PILLS THAT BRING YOU DOWN, IT'S IN THE WATER BABY, IT'S IN YOUR BAG OF GOLDEN BROWN, IT'S IN THE WATER BABY, IT'S IN YOUR FREQUENCY, IT'S IN THE WATER BABY, IT'S BETWEEN YOU AND ME. BITE THE HAND THAT FEEDS, TAP THE VEIN THAT BLEEDS, DOWN ON MY BENDED KNEES. I BREAK THE BACK OF LOVE FOR YOU (X 5).

03.DRAG.03:20. YOU'RE ALWAYS AHEAD OF THE GAME, I DRAG BEHIND, YOU NEVER GET CAUGHT IN THE RAIN, WHEN I'M DRENCHED TO THE BONE EVERY TIME, YOU'RE THE FIRST ONE TO SWIM CROSS THE SEINE, I LAG BEHIND, YOU'RE ALWAYS AHEAD OF THE GAME, WHILE I DRAG BEHIND. I DRAG BEHIND, I DRAG BEHIND, I DRAG BEHIND, I DRAG BEHIND. YOU'RE ALWAYS AHEAD OF THE PACK, I DRAG BEHIND, YOU POSSESS EVERY TRAIT THAT I LACK, BY COINCIDENCE OR BY DESIGN, YOU'RE THE MONKEY I GOT ON MY BACK, THAT TELLS ME TO SHINE, YOU'RE ALWAYS AHEAD OF THE PACK, WHILE I DRAG BEHIND. I DRAG BEHIND (X 8). YOU'RE ALWAYS AHEAD OF THE REST, WHEN I'M ALWAYS ON TIME, YOU GOT A'S ON YOUR ALGEBRA TESTS, I FAILED AND THEY KEPT ME BEHIND, I JUST GOTTA GET OFF MY CHEST, THAT I THINK YOU'RE DIVINE, YOU'RE ALWAYS AHEAD OF THE REST, WHILE I DRAG BEHIND. I DRAG BEHIND (X 8).

07.BECAUSE I WANT YOU.03:22. FALL INTO YOU IS ALL I SEEM TO DO WHEN I HIT THE BOTTLE 'CAUSE I'M AFRAID TO BE ALONE, TEAR US IN TWO IS ALL IT SEEMS TO DO, AS THE ANGER FADES, THIS HOUSE IS NO LONGER A HOME, DON'T GIVE UP ON THE DREAM, DON'T GIVE UP ON THE WANTING, AND EVERYTHING THAT'S TRUE, DON'T GIVE UP ON THE DREAM, DON'T GIVE UP ON THE WANTING, BECAUSE I WANT YOU TOO. BECAUSE I WANT YOU TOO (X2), BECAUSE I WANT YOU (X2). STUMBLE INTO YOU IS ALL I EVER DO, MY MEMORY'S HAZY, AND I'M AFRAID TO BE ALONE, TEAR US IN TWO IS ALL IT'S GONNA DO, AS THE HEADACHE FADES, THIS HOUSE IS NO LONGER A HOME, DON'T GIVE UP ON THE DREAM, DON'T GIVE UP ON THE WANTING, AND EVERYTHING THAT'S TRUE, DON'T GIVE UP ON THE DREAM, DON'T GIVE UP ON THE WANTING, BECAUSE I WANT YOU TOO. BECAUSE I WANT YOU TOO (X2), BECAUSE I WANT YOU (X2). BECAUSE I WANT YOU TOO (X2), BECAUSE I WANT YOU (X2). FALL INTO YOU IS ALL I EVER DO, WHEN I HIT THE BOTTLE, 'CAUSE I 'M AFRAID TO BE ALONE, TEAR US IN TWO (X3). BECAUSE I WANT YOU TOO, BECAUSE I WANT YOU.

04.SPACE MONKEY.03:51. SPACE MONKEY IN THE PLACE TO BE, RIDING IN A ROCKET TO A PLANET OF SOUND, SHOOTING THE MOON, PLAYING DOMINOES IN DRAG, AN INCREASE IN POPULATION OF A HUNDRED PERCENT. SPACE MONKEY IN THE PLACE TO BE, WITH A CHEMICAL PEEL AND A PICTURE OF MARY, OUT ON A LIMB IN THE CARNIVAL OF ME, RAISING THE TEMPERATURE ONE HUNDRED DEGREES. WE'RE SOWN TOGETHER, SHE'S BORN MESMER, BESIDE, ASTRIDE HER, I DIE INSIDE HER. SPACE MONKEY IN THE PLACE TO BE, A MASS OF CONTRADICTIONS IN A GOLDEN FRAME, RAISING THE ROOF IN A CALAMITY WAY, COMPLETELY MERETRICIOUS OF A POKE IN THE EYE. SPACE MONKEY IN THE PLACE TO BE, TALK OF THE TOWN, WITH A COLOMBIAN ROCK, OUT ON A LIMB IN THE CARNIVAL OF ME, RAISING THE TEMPERATURE ONE HUNDRED DEGREES. WE'RE SOWN TOGETHER, SHE'S BORN MESMER, BESIDE, ASTRIDE HER, I DIE INSIDE HER, IT'S FAR TOO SACRED, DON'T EVER FAKE IT, AND DON'T, AND DON'T, AND DON'T LET ME DOWN. LIKE YOU LET ME DOWN BEFORE (X 2). SPACE MONKEY IN THE PLACE TO BE, WITH SOME FREE-ASSOCIATION AND A HOLE IN HER HEAD, OUT ON A LIMB IN THE CARNIVAL OF ME, RAISING THE TEMPERATURE ONE HUNDRED DEGREES. WERE SOWN TOGETHER, SHE'S BORN MESMER, BESIDE, ASTRIDE HER, I DIE INSIDE HER, IT'S FAR TOO SACRED, DON'T EVER FAKE IT,AND DON'T, AND DON'T, AND DON'T LET ME DOWN. LIKE YOU LET ME DOWN BEFORE (X 4).

08.BLIND.04:01. IF I COULD TEAR YOU FROM THE CEILING, AND GUARANTEE A SOURCE DIVINE, RID YOU OF POSSESSIONS FLEETING, REMAIN YOUR FUNNY VALENTINE. DON'T GO AND LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND, DON'T GO AND LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND. IF I COULD TEAR YOU FROM THE CEILING, I KNOW BEST HAVE TRIED, I'D FILL YOUR EVERY BREATH WITH MEANING, AND FIND A PLACE WE BOTH COULD HIDE. DON'T GO AND LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND, DON'T GO AND LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND, YOU DON'T BELIEVE ME, BUT YOU DO THIS EVERY TIME, PLEASE DON'T DRIVE ME BLIND, PLEASE DON'T DRIVE ME BLIND. I KNOW YOU'RE BROKEN (X 3). IF I COULD TEAR YOU FROM THE CEILING, I'D FREEZE US BOTH IN TIME, AND FIND A BRAND NEW WAY OF SEEING, YOUR EYES FOREVER GLUED TO MINE. DON'T GO AND LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND, DON'T GO AND LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND. AND PLEASE DON'T DRIVE ME BLIND (X 4).

09.PIERROT THE CLOWN.04:21. LEAVE ME DREAMING ON THE BED, SEE YOU RIGHT BACK HERE TOMORROW, FOR THE NEXT ROUND, KEEP THIS SCENE INSIDE YOUR HEAD, AS THE BRUISES TURN TO YELLOW, THE SWELLING GOES DOWN. AND IF YOU'RE EVER AROUND, IN THE CITY OR THE SUBURBS OF THIS TOWN, BE SURE TO COME AROUND, I'LL BE WALLOWING IN SORROW, WEARING A FROWN, LIKE PIERROT THE CLOWN. SAW YOU CRASHING ROUND THE BAY, NEVER SEEN YOU ACT SO SHALLOW, OR LOOK SO BROWN, REMEMBER ALL THE THINGS YOU'D SAY, HOW YOUR PROMISES RANG HOLLOW, AS YOU THREW ME TO THE GROUND. AND IF YOU'RE EVER AROUND IN THE BACKSTREETS OR THE ALLEYS, OF THIS TOWN, BE SURE TO COME AROUND, I'LL BE WALLOWING IN PITY, WEARING A FROWN, LIKE PIERROT THE CLOWN. WHEN I DREAM, I DREAM YOUR LIPS, WHEN I DREAM, I DREAM YOUR KISS, WHEN I DREAM, I DREAM YOUR FISTS, YOUR FISTS, YOUR FISTS. LEAVE ME BLEEDING ON THE BED, SEE YOU RIGHT BACK HERE TOMORROW, FOR THE NEXT ROUND, KEEP THIS SCENE INSIDE YOUR HEAD, AS THE BRUISES TURN TO YELLOW, THE SWELLING GOES DOWN. AND IF YOU'RE EVER AROUND IN THE CITY OR THE SUBURBS, OF THIS TOWN, BE SURE TO COME AROUND, I'LL BE WALLOWING IN SORROW, WEARING A FROWN, LIKE PIERROT THE CLOWN. LIKE PIERROT THE CLOWN (X 4).

13.SONG TO SAY GOODBYE.03:34. YOU ARE ONE OF GODS MISTAKES, YOU CRYING, TRAGIC WASTE OF SKIN, I'M WELL AWARE OF HOW IT ACHES, AND YOU STILL WON'T LET ME IN, NOW I'M BREAKING DOWN YOUR DOOR, TO TRY AND SAVE YOUR SWOLLEN FACE, THOUGH I DON'T LIKE YOU ANYMORE, YOU LYING, TRYING WASTE OF SPACE. BEFORE OUR INNOCENCE WAS LOST, YOU WERE ALWAYS ONE OF THOSE BLESSED WITH LUCKY SEVENS, AND A VOICE THAT MADE ME CRY. MY OH MY. YOU WERE MOTHER NATURE'S SON, SOMEONE TO WHOM I COULD RELATE, YOUR NEEDLE AND YOUR DAMAGE DONE REMAINS A SORDID TWIST OF FATE, NOW I'M TRYING TO WAKE YOU UP, TO PULL YOU FROM THE LIQUID SKY, 'CAUSE IF I DON'T WE'LL BOTH END UP, WITH JUST YOUR SONGS TO SAY GOODBYE. MY OH MY. A SONG TO SAY GOODBYE (X2), A SONG TO SAY. BEFORE OUR INNOCENCE WAS LOST, YOU WERE ALWAYS ONE OF THOSE BLESSED WITH LUCKY SEVENS, AND A VOICE THAT MADE ME CRY. IT'S A SONG TO SAY GOODBYE (X8).

10.BROKEN PROMISE.04:10. WE'LL RISE ABOVE THIS, WE'LL CRY ABOUT THIS, AS WE LIVE AND LEARN, A BROKEN PROMISE - I WAS NOT HONEST, NOW I WATCH AS TABLES TURN, (AND YOU'RE SINGING). I'LL WAIT MY TURN TO TEAR INSIDE YOU - WATCH YOU BURN, I'LL WAIT MY TURN, I'LL WAIT MY TURN. I'LL CRY ABOUT THIS AND HIDE MY CUCKOLD EYES, AS YOU COME OFF ALL CONCERNED, I'LL FIND NO SOLACE IN YOUR POOR APOLOGY, IN YOUR REGRET THAT SOUNDS ABSURD, (KEEP SINGING). I'LL WAIT MY TURN TO TEAR INSIDE YOU - WATCH YOU BURN, I'LL WAIT MY TURN TO TERRORIZE YOU - WATCH YOU BURN, I'LL WAIT MY TURN, I'LL WAIT MY TURN. A PROMISE IS A PROMISE, A PROMISE IS A PROMISE. I'LL WAIT MY TURN TO TEAR INSIDE YOU - WATCH YOU BURN, I'LL WAIT MY TURN, I'LL WAIT MY TURN. A BROKEN PROMISE, YOU WERE NOT HONEST. I'LL BIDE MY TIME, I'LL WAIT MY TURN.

CD.PRODUCTION CREDITS. ALL TRACKS WRITTEN & PERFORMED BY PLACEBO. PUBLISHED BY FAMOUS MUSIC CORPORATION (ASCAP). PRODUCED BY DIMITRI TIKOVOI. ENGINEERED BY JAMES BROWN. MIXED BY FLOOD. EXCEPT 7 & 10: MIXED BY DAVE BASCOMBE. 2: MIXED BY JAMES BROWN. ASSISTANT ENGINEERS: RAJ DAS, RICHARD WOODCRAFT (RAK STUDIOS), STEVE MUSTARDE (LIVINGSTON STUDIOS), ROB SMITH (SARM STUDIOS), MARK NEARY (SNAKE RANCH), DAN PORTER (SANCTUARY TOWN HOUSE). MASTERED BY TIM YOUNG AT METROPOLIS STUDIOS, LONDON. RECORDED & MIXED AT RAK STUDIOS, LONDON. EXCEPT 6 & 8: RECORDED AT LIVINGSTON STUDIOS, LONDON. 7 & 10: MIXED AT SANCTUARY TOWN HOUSE, LONDON. STRINGS RECORDED AT ANGEL STUDIOS, LONDON. ADDITIONAL RECORDING AT SARM STUDIOS, SNAKE RANCH & SANCTUARY TOWN HOUSE. DIMITRI TIKOVOI & FLOOD APPEAR COURTESY OF 140DB.

11.ONE OF A KIND.03:20. ON TOP OF THE WORLD YOU GET NOTHING DONE, TALK IS COLD AND BURNS LIKE THE SUN, CAN'T YOU SEE THESE SKIES ARE BREAKING, 'CAUSE THE TOP OF THE WORD IS WHERE I'M FROM, THE BACK OF THE CLASS IS WHERE I WAS, KEEPING QUIET PLAYING DUMB, CAN'T YOU SEE THESE SKIES ARE BREAKING, COS THE BACK OF THE CLASS IS WHERE I'M FROM. AND I AM ONE, I AM, I AM ONE, I AM, I AM, I AM, I AM, I AM. I'M ON A RACE AND IT'S KILLING TIME, I DON'T NEED YOURS I'LL KEEP IT WITH MINE, CAN'T YOU SEE THESE SKIES ARE BREAKING, 'CAUSE I'M ON A RACE AND I'M DOING FINE, THANK YOU. TWO OF A KIND NO ONE HOME, I'M IN A CROWD AND I'M STILL ALONE, CAN'T YOU SEE THE SKIES ARE BREAKING, 'CAUSE ONE OF A KIND IS ALL I OWN. I AM ONE, I AM, I AM ONE, I AM, I AM, I AM, I AM, I AM. OUT OF THE WOMB AND INTO THE VOID, I WANNA TRY BUT I GET ANNOYED, CAN'T YOU SEE THESE SKIES ARE BREAKING, 'CAUSE I'M OUT OF THE WOMB AND INTO THE VOID. I AM ONE, I AM, I AM ONE, I AM, I AM, I AM, I AM, I AM (X 2). ON TOP OF THE WORLD YOU GET NOTHING DONE.

CD.ADDITIONAL MUSICIANS. 4, 9, 13: STRINGS ARRANGED BY FIONA BRICE. VIOLIN 1: DEBORAH WHITE, NATALIA BONNER, TOM PIGGOT-SMITH, KRISTA CASPERZ, SARAH BUTTON. VIOLIN 2: DAVE WILLIAMS, LUCY WILKINS, GITA LANGLEY, JESSIE MURPHY, ELLIE STANFORD. VIOLA: REIAD CEIBAH, KATHERINE SHAVE, EMMA OWENS, FIONA GRIFFITHS. CELLO: HELEN RATHBONE, VICKY MATTHEWS, IAN BURGE, SARAH WILLSON. MICHAEL STIPE APPEARS COURTESY OF WARNER BROS. RECORDS. ALISON MOSSHART APPEARS COURTESY OF DOMINO.

12.IN THE COLD LIGHT OF MORNING.03:52. IN THE COLD LIGHT OF MORNING WHILE EVERYONE'S YAWNING, YOU'RE HIGH, IN THE COLD LIGHT OF MORNING THE PARTY GETS BORING, YOU'RE HIGH, AS YOUR SKIN STARTS A SCRATCHIN', WAVE YESTERDAY'S ACTION GOODBYE, FORGET PAST INDISCRETIONS AND STOLEN POSSESSIONS, YOU'RE HIGH. IN THE COLD LIGHT. IN THE COLD LIGHT OF MORNING WHILE EVERYONE'S YAWNING, YOU'RE HIGH, IN THE COLD LIGHT OF MORNING YOU'RE DRUNKSICK FROM WHORING, AND HIGH. STARING BACK FROM THE MIRROR'S A FACE THAT YOU DON'T RECOGNISE, IT'S A LOSER, A SINNER, A COCK IN A DILDO'S DISGUISE. IN THE COLD LIGHT. TOMORROW (X 3). AS YOUR SKIN STARTS A SCRATCHIN', WAVE YESTERDAYS ACTION GOODBYE, FORGET PAST INDISCRETIONS AND STOLEN POSSESSIONS, YOU'RE HIGH. IN THE COLD LIGHT OF DAY, TOMORROW'S ONLY A KETTLE WHISTLE, WHISTLE (X 8), AWAY, IN THE COLD LIGHT OF DAY.

MANAGEMENT. RIVERMAN, LONDON. PHOTOGRAPHY. NADAV KANDER. DESIGN. ALEX COWPER. DIGITAL IMAGING. ANTONY CROSSFIELD. MODEL. SABRINA FROM M&PMODELS.COM.