Digital Booklet - Beautiful: The Carole King Musical

ORIGINAL BROADWAY CAST RECORDING

Paul Blake

Sony/ATV Music Publishing

Jeffrey A. Sine

Richard Smith

Mike Bosner

Harriet N. Leve/Elaine Krauss Terry Schnuck Orin Wolf Patty Baker/Good Productions Roger Faxon Larry Magid Kit Seidel Larry Toppall Fakston Productions/Mary Solomon William Court Cohen John Gore BarLor Productions Matthew C. Blank Tim Hogue Joel Hyatt Marianne Mills Michael Moritz, Jr. StylesFour Productions Brunish & Trinchero AND

Jeremiah J. Harris preseNt

bOOK by

Douglas McGrath WOrDs AND MUsIC by

Gerry Goffin & Carole King

Barry Mann & Cynthia Weil

MUsIC by ArrANGeMeNt WItH

Sony/ATV Music Publishing stArrING

Jessie Mueller Jake Epstein

Anika Larsen Jarrod Spector Jeb Brown Liz Larsen Ashley Blanchet E. Clayton Cornelious Josh Davis Alysha Deslorieux Kevin Duda James Harkness Carly Hughes Sara King Rebecca LaChance Douglas Lyons Chris Peluso Gabrielle Reid Rashidra Scott Sara Sheperd Melvin Tunstall Alan Wiggins sCeNIC DesIGN

COstUMe DesIGN

lIGHtING DesIGN

sOUND DesIGN

Derek McLane

Alejo Vietti

Peter Kaczorowski

Brian Ronan

CAstING by

WIG & HAIr DesIGN

MAKe-Up DesIGN

Stephen Kopel, CSA

Charles G. LaPointe

Joe Dulude II

OrCHestrAtIONs, vOCAl AND MUsIC ArrANGeMeNts

MUsIC sUpervIsION AND ADDItIONAl MUsIC ArrANGeMeNts

Steve Sidwell

Jason Howland

prODUCtION stAGe MANAGer

prODUCtION MANAGeMeNt

Peter Hanson

Juniper Street Productions, Inc.

MUsIC COOrDINAtOr

John Miller

exeCUtIve prODUCers

press represeNtAtIve

GeNerAl MANAGer

Sherry Kondor Christine Russell

O&M Co.

The Charlotte Wilcox Company

CHOreOGrApHeD by

Josh Prince DIreCteD by

Marc Bruni

Artist

1

OVERTURE

2

SO FAR AWAY

3

1650 BROADWAY MEDLEY

4

IT MIGHT AS WELL RAIN UNTIL SEPTEMBER

5

SOME KIND OF WONDERFUL

6

HAPPY DAYS ARE HERE AGAIN

7

TAKE GOOD CARE OF MY BABY

8

WILL YOU LOVE ME TOMORROW

9

HE'S SURE THE BOY I LOVE

10

WILL YOU LOVE ME TOMORROW

11

UP ON THE ROOF

12

ON BROADWAY

13

THE LOCOMOTION

14

YOU'VE LOST THAT LOVIN' FEELING

15

ONE FINE DAY

Carole King Ensemble

Carole King

Carole King, Gerry Goffin, The Drifters Cynthia Weil

Gerry Goffin, Carole King Carole King

Cynthia Weil, Barry Mann The Shirelles

TITLE

/

Artist

16

CHAINS

17

WALKING IN THE RAIN

18

PLEASANT VALLEY SUNDAY

19

WE GOTTA GET OUT OF THIS PLACE

20

UPTOWN

21

IT'S TOO LATE

22

YOU'VE GOT A FRIEND

23

(YOU MAKE ME FEEL LIKE) A NATURAL WOMAN

24

BEAUTIFUL

25

I FEEL THE EARTH MOVE

Carole King, Ensemble Barry Mann, Cynthia Weil

Marilyn Wald, Gerry Goffin, Ensemble Barry Mann

“Uptown” Singer, Bitter End Trio Carole King, Bitter End Trio Carole King, Barry Mann, Cynthia Weil, Don Kirshner Carole King, Ensemble Carole King, Ensemble Carole King, Company

The Drifters The Drifters

Little Eva, Ensemble

Barry Mann, The Righteous Brothers

Janelle, Backup Singers, Carole King

Act 2

/

THIS WEEK

TITLE

Act 1

THIS WEEK

T R A c K S

U.S. #1 HIT U.S. TOP TEN HIT

CAST

JESSIE MUELL ER – Carole King JAKE EPSTEI N – Gerry Go ffin ANIKA LARS EN – Cynthia Weil JARROD SPEC TOR – Barry Mann JEB BROWN – Don Kirshn er LIZ LARSEN – Genie King Ensemble – ASHLEY BLAN E. CLAYTON CHET, CORN ALYSHA DESL ELIOUS, JOSH DAVIS, OR IEUX, KEVIN JAMES HARK DUDA, NESS, REBECCA LA CARLY HUGHES, SARA KI CH NG, AN CE , DOUGLAS LY CHRIS PELU SO, ONS, SARA SHEPER GABRIELLE REID, RASH IDRA D, MELVIN TU NSTALL, ALAN SCOTT, WIGGINS CARLY HUGH ES – Lucille E. CLAYTON CO DOUGLAS LY RNELIOUS, JAMES HARK ONS, ALAN W NESS, IGGINS – The Drifters ASHLEY BLAN CH ET , AL YS CARLY HUGH ES, RASHIDRA HA DESLORIEUX, SCOTT – The Shirelles RASHIDRA SC OTT – Janelle Woods ASHLEY BLAN CHET – Little Eva JOSH DAVIS, KEVIN DUDA – The Righte ous Brothers ASHLEY BLAN CHET, ALYSHA CARLY HUGH DE SL OR IEUX, ES – “One Fi ne Day” Back up Singers SARA KING – Marilyn Wald ALYSHA DESL ORIEUX – “U ptown” Sing er E. CLAYTON CORNELIOUS , JOSH DAVI DOUGLAS LY S, ONS – Bitter End Trio 4

5

ORCHESTRA

rd /Piano, Keyboa D – Conductor JASON HOWLAN eds Re – RG BE EN DAVE RIEK DAVID MANN, Flugel ANN – Trumpet/ TREVOR NEUM s Trombone as e/B on mb ARTON – Tro JENNIFER WH – OR Guitars L, DILLON KOND JOHN BENTHA ss Ba – ZEV KATZ N – Drums CLINT deGANO Percussion – JOE PASSARO oard Conductor, Keyb te cia so As JEFF TANSKI – rd oa yb Ke – NICK CHENG

S

ADDITIONAL MUSICIAN

MMINS, STEPHANIE CU NEUF – Cellos HA -P AN RM DO MAIRI

6

Jessie Mueller

-YARBROUGH, EMILY BRUSKIN S, RICK DOLAN, IN MM CU LIE NATA RMAN, ANTOINE SILVE I, RD ICA TR LISA MA lins UNA TONE – Vio

A

From the Playwright

by Douglas McGrath When Paul Blake, the producer of Beautiful, asked me if I wanted to write a Broadway musical about Carole King, her ex-husband and lyricist, Gerry Goffin, and their fellow songwriters, Barry Mann and Cynthia Weil, there was something I had to know before I could commit. “Are they all alive?” I asked. “Good news,” Paul said. “They are.” Actually, that sounded like bad news. I had once worked on a screenplay about a real person whose vanity was so advanced that he would not let me portray him as anything less than thrillingly perfect. But audiences aren’t interested in characters without flaws—even Achilles had that tendon trouble. Paul kept after me, constantly telling me things that might entice me. He reminded me that the songwriters had had their offices at 1650 Broadway, one of the two buildings people mean when they refer to the legendary Brill Building sound. (The Brill Building was down the street at 1619 Broadway.) These buildings had once been the province of the classic Barry Mann, Cynthia Weil , Gerry Goffin, Carole American songwriters of the Tin Pan Alley age and then in the 50’s became King the place where kids came to create rock and roll. Maybe there was something in that clash, the old being ousted by the new? Carole and Barry and Cynthia were coming to New York to interview book writers. Paul said, “Come meet them. They’re a lot of fun.” So I went and he was right, they were a lot of fun. I was so at ease, I told them my idea, and I could feel as I told it that it was right: a musical about kids chasing out the old guard so they could create the new sound of rock and roll. Carole’s face lit up. I knew I had nailed it. She leaned forward to share her reaction.

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“That,” she said, “is completely wrong!” “What?” I said, almost losing my balance even though I was seated. “We idolized Gershwin and Porter and Kern and Berlin,” she explained. “We studied their music—” Cynthia piped in, “I wanted to be Cole Porter.” How surprising. As teenagers they changed the sound of popular music but they were traditionalists at heart—rock and rollers but classicists, too. Before the meeting, I had known only one thing about these songwriters: that they were talented. But now I saw that they were something not all talented people are: they were interesting. I said I would write the show, if they would have me. And I knew what kind of show I wanted to write: not a fictional creation like Mamma Mia which used an original story with the ABBA catalogue, but the true story of these incredible people and how some of the greatest songs of the last century were created.

Carole King, Gerry

Goffin

To do this, I interviewed the songwriters, separately, for many hours over many days. I asked them about everything in their lives—from birth on—because at the beginning I had no idea what the show should be. If you see the show, it seems inevitable now that it starts with Carole on her way into Manhattan to sell her first song and that it ends at Carnegie Hall with her celebrated concert as a solo artist, but when you are looking at four lives and some 70 years worth of memories, to get to the inevitable, you have to weed out a lot of the evitable. After the interviews, I stared at my giant notebook, packed with hundreds of pages of their stories. One feeling hovered above everything: a feeling of friendship. These people had been friends for more than 50 years. It’s one thing to be friends with old school chums but they were not school chums—they met as competitors in 1650 Broadway, vying for Don Kirshner’s attention, racing each other up and down the Billboard chart, fighting for the best artists to sing their songs. And it was not a casual competition— they once took a vacation together just to make sure the other couple wasn’t writing more than they were. It was often fierce.

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Don Kirshner, Carole King, Gerry Goffin

And yet. They loved each other, these four great artists, they really did, and they respected each other. They studied each other the way they studied Cole Porter and Irving Berlin. That was an interesting, even classic dynamic—competitors who loved each other. That sense of friendship pervaded even Carole and Gerry’s relationship, which started as a romance, moved into and then out of marriage, finally settling into a forgiving and affectionate friendship. That sense of kindness infuses much of Carole’s music. Many of her listeners feel she is their friend, a feeling I suspect they do not have about other singers they may adore. They see themselves in her. Her music is marked by forgiveness, compassion and warmth. Even her breakup songs are tinged with understanding. The show had to mirror that. So I began to see the story—it would be about music and friendship and love. There would be heartache in it, because the show is about life, but it would have hope in it, too. Because their music is so good, I wanted to place the songs in a way that gave them their full emotional impact. This was harder that it might seem. You figure, if it’s a good song, it’ll be good wherever you put it. But that is not the case. I would not write a scene and then plop a song into it; I had to write the scene knowing which song it was going to be about. If a song didn’t work, it was because the scene didn’t work, and I would rewrite it until the song felt as though it were written just for that scene.

Jessie Mueller, Anika

Larsen, Jarrod Spector,

Jake Epstein

Everything came out of the music, which, even more than the hundreds of pages of notes, is the greatest guide to the thinking and feelings of the four songwriters. The theme of the show itself comes from a song. Early on, Carole says, “You know what’s so funny about life? Sometimes it goes the way you want and sometimes it doesn’t. And sometimes when it doesn’t, you find something beautiful.”

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Synopsis ACT ONE At Carnegie Hall in 1971, Carole sings SO FAR AWAY. Then we go to Brooklyn where 16 year-old Carole tells her mother, Genie, she is going into Manhattan to try and sell a song to Donnie Kirshner. In the long tradition of mothers, Genie is opposed to her daughter’s wish and in the equally long tradition of teenagers not caring about their mother’s opposition, Carole goes anyway.

Jesssie ie Mueller

At 1650 Broadway, she hears the 1650 BROADWAY MEDLEY.. She then sings her new song IT MIGHT AS WELL RAIN UNTIL SEPTEMBER. Donnie says he will take it and hopes she has others.

Carole King

At Queen’s College, Carole meets a handsome young lyricist named Gerry Goffin. They agree to collaborate, musically and romantically, which in both cases turns out to be a fertile arrangement. When they go to Donnie’s to play their new song, Carole confesses to Gerry that she is pregnant. Gerry asks her to marry him. It gives her an extra depth of feeling when she sings their new song for Donnie, SOME KIND OF WONDERFUL which the Drifters then record.

Carole King / Courtesy of Sony Music

10

Archives

They get an office at 1650. While there, Carole meets a new lyricist Cynthia Weil (HAPPY DAYS ARE HERE AGAIN) who is looking for a composer to work with. Gerry and Carole sing their new song TAKE GOOD CARE OF MY BABY, during which Barry Mann, the composer with the office next door, enters. Barry meets Cynthia and they decide to collaborate. As they begin to work, sparks fly.

Donnie tells them he needs a song for the Shirelles. The couples compete for the job. In Donnie’s office the next morning, Carole and Gerry present WILL YOU LOVE ME TOMORROW. Cynthia and Barry perform HE’S SURE THE BOY I LOVE. Donnie picks Carole and Gerry’s song for the Shirelles and it goes to Number One. And so, on either side of the same wall, a competition is born. The two teams turn out an amazing parade of songs: UP ON THE ROOF, ON BROADWAY, THE LOCOMOTION and YOU’VE LOST THAT LOVIN’ FEELING. Gerry and Carole are at the taping of a TV special where their new song ONE FINE DAY is being performed by the dazzling Janelle Woods. During a break, Gerry confesses to Carole that he is restless in their marriage. He wants to sleep with Janelle, and he doesn’t want to lie about it. Carole is stunned. As the song begins again, she takes it over and sings it herself.

ACT TWO Carole is in a recording studio doing a demo of CHAINS. Gerry is off with Janelle but tells her he will meet her later. Nick, a guitarist, asks Carole to come sing at the Bitter End sometime but she declines—she’s a songwriter, not a singer. The thing with Gerry is getting her down so she goes and talks to Cynthia who is also having trouble with Barry—they split up. Carole decides to tell Gerry he has to end the affair with Janelle. As she leaves Barry comes in. He and Cynthia make up and play their new song, WALKING IN THE RAIN.

Cynthia Weil, Barry Mann Jarrod Spector, Anika Larsen

Gerry shows up but he is not making sense. He eventually has a breakdown. At the hospital, he tells Carole he will end the affair with Janelle and that he wants to come home. She suggests they make a new start and move to the suburbs. With that, we hear PLEASANT VALLEY SUNDAY. 11

Barry, Cynthia and Donnie come to see the new house. Barry plays their new song, WE GOTTA GET OUT OF THIS PLACE. Depressed that he and Carole can’t do as well, Gerry leaves in a funk for the city. While he is gone, it comes out that Barry and Cynthia have seen him with another woman, a singer named Marilyn Wald. Carole goes to Marilyn’s apartment and Gerry is there. It’s the final straw. She ends their marriage. At the Bitter End, where Barry and Cynthia hear their song UPTOWN, Carole explains she went to LA for a vacation and has started writing on her own. Nick, the guitarist from the studio who asked her to sing with his group is playing there and urges her to sing. She sings her new song, IT’S TOO LATE. She decides to move to L.A. At 1650, she says goodbye to Donnie and Barry and Cynthia and plays them a parting present, YOU’VE GOT A FRIEND. In LA, she records her album, Tapestry. The session goes well until the last song which she is afraid to sing. It’s a song she wrote with Gerry and she is afraid of the feelings it may stir up. Her producer, Lou Adler, persuades her. She sings (YOU MAKE ME FEEL LIKE) A NATURAL WOMAN. The album is a smash. Carole is at Carnegie Hall for a concert. Before the show starts, there is a knock

Cynthia Weil, Barry Mann, Carole King

at her dressing room door. It’s Gerry. He has brought her a good luck present but has something even more valuable: an apology for all the ways he hurt her. With a full heart he wishes her well.

And that’s the end, except at the end of the curtain call, when the cast and audience sing I FEEL THE EARTH MOVE. Carole King / Courtesy of the Ode Sounds & Visuals Archive ©1971,

℗2014 Photographer: Jim McCrary 12

Carole King

Carole comes onto the stage of Carnegie Hall alone. She sits at the piano. Then with all the joy inside her, she sings BEAUTIFUL.

“Poison Ivy” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP). “Yakkety Yak” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP).

1. OVERTURE 2. SO FAR AWAY “So Far Away” by Carole King. Colgems-EMI Music Inc. (ASCAP)

Carole SO FAR AWAY DOESN’T ANYBODY STAY IN ONE PLACE ANYMORE? IT WOULD BE SO FINE TO SEE YOUR FACE AT MY DOOR IT DOESN’T HELP TO KNOW THAT YOU’RE JUST TIME AWAY LONG AGO I REACHED FOR YOU AND THERE YOU STOOD HOLDING YOU AGAIN COULD ONLY DO ME GOOD HOW I WISH I COULD BUT YOU’RE SO FAR AWAY ONE MORE SONG ABOUT MOVIN’ ALONG THE HIGHWAY I CAN’T SAY MUCH OF ANYTHING THAT’S NEW BUT IF I COULD ONLY WORK THIS LIFE OUT MY WAY I’D RATHER SPEND IT BEIN’ CLOSE TO YOU BUT YOU’RE SO FAR AWAY

3. 1650 BROADWAY MEDLEY

DOWN THE LINE THERE GOES MY BABY, MOVIN’ ON DOWN THE LINE OR YOU DON’T GET NO SPENDING CASH OOH... SHOO-BE-DO-WOP, WONDER WHERE SHOOP! “There Goes My Baby” by Jerry Leiber, Mike WONDER WHERE, WONDER WHERE Stoller, Ben King, George Treadwell and STUPID CUPID STOP PICKIN’ ON ME Lover Patterson. Sony/ATV Songs LLC (BMI). YAKITY YAK “Stupid Cupid” by Neil Sedaka and Howard Greenfield. Screen Gems-EMI Music Inc. BYE BYE LOVE (BMI) and EMI Longitude Music (BMI). THE BEAT’LL MAKE YOU JUMPY AND BOOZE’LL MAKE YOU LUMPY “Why Do Fools Fall In Love” by Morris Levy YOU MIXED ME UP FOR GOOD SHE SAID! and Frankie Lymon. EMI Longitude Music DA-DA DA-DA SHE SAID! (BMI) and EMI Full Keel Music (ASCAP). SHE SAID ‘I’M GONNA MIX IT UP RIGHT HERE IN “I Go Ape” by Neil Sedaka and Howard THE SINK Greenfield. Screen Gems-EMI Music Inc. YAKITY YAK, YAKITY YAK! (BMI) and Universal/BMG (BMI). BYE BYE HAPPINESS Ensemble THAT RHYTHM’S GONNA FOOL YA, THAT OH OH OH OH OH SLOW BACK BEAT TO COOL YA OH OH OH OH OH OH OH HEY NOW GO PLAY ROBIN HOOD WITH OH OH OH OH OH OH OH SOMEBODY ELSE’S OH OH OH OH OH OH DA-DADA-DA I HELD MY NOSE, I CLOSED MY EYES Voice 1 THERE GOES MY BABY DA-DA SPLISH SPLASH I WAS TAKING A BATH DA-DADA-DA I HELD MY NOSE, I ‘LONG ABOUT A SATURDAY NIGHT CLOSED MY EYES RUB DUB JUST RELAXING IN THE TUB THINKIN’ EV’RY THING WAS ALRIGHT I TOOK A DRINK! WHOA!

Voice 2

Ensemble

WELL I TOOK MY TROUBLES DOWN TO MADAME RUE YOU KNOW THAT GYPSY WITH THE GOLD CAPPED TOOTH SHE’S GOT A PAD DOWN ON THIRTY-FOURTH AND VINE SELLIN’ LITTLE BOTTLES OF...

Voice 3 POISON IVY, POISON IVY LATE AT NIGHT WHILE YOU’RE SLEEPIN’ POISON IVY COMES A CREEPIN’ AROUND

BAH OO! BAH OO! BA-BAH BA-BAH BA-BAH

Voice 2 LOVE POTION #9

“Splish Splash” by Bobby Darin and Jean Murray. EMI Unart Catalog Inc. (BMI), Trio Music Co. Two Men Inc. (BMI) and Alley Music Corp. (BMI). TAKE OUT THE PAPERS AND THE TRASH “Love Potion #9” by Jerry Leiber and Mike Stoller. Sony/ATV Tunes LLC (ASCAP).

WHY DO BIRDS SING SO GAY AND LOVERS AWAIT THE BREAK OF DAY IVY, POISON IVY LATE AT NIGHT WHILE YOU’RE SLEEPING STUPID CUPID YOU’RE A REAL MEAN GUY, I’D LIKE TO CLIP YOUR WINGS SO YOU CAN’T FLY LOVE POTION #9, LOVE POTION #9 I BROKE HER HEART SPLISHING AND A SPLASHING, WE WAS A REELING WITH THE FEELING TAKE OUT THE PAPERS AND THE TRASH I GO APE EV’RY TIME I SEE YOU SMILE! I’M A DING DONG GORILLA AND I’LL

WHY DO THEY FALL IN LOVE BA-DA BA-DA POISON IVY COMES A CREEPIN’ AROUND BA-DA BA-DA I’M IN LOVE AND IT’S A CRYING SHAME AND OOH... I KNOW THAT YOU’RE THE ONE TO BLAME... SHOO-BE-DO-WOP BABY, SHOO-BE-DO-WOP 13

Ensemble

LOVE POTION #9 LOVE POTION #9 BA-DA BA-DA NO MORE! BAH DO! BAH DO! WHOA YAKITY YAK! AND MAKE HER CRY BA-DA BA-DA BAH DO! I’M A DING DONG GORILLA ROLLING AND A STROLLING SPLISH SPLASH AND I’LL CARRY YOU CAVE MAN... Lucille IF YOU DON’T SCRUB THAT KITCHEN DON’T CALL BACK! FLOOR YOU AIN’T GONNA ROCK-N-ROLL WHY DO FOOLS FALL IN LOVE BYE-BYE! CARRY YOU CAVE MAN STYLE I’M POISON IVY BYE-BYE! GONNA BUMP YOU ON THE HEAD AND... STUPID CUPID STOP PICKIN’ ON ME AH...BYE-BYE! BAH DO! BAH DO! BAH DO! WHOA (3x) LOVE POTION #9 AH...BYE-BYE! BAH DO! LOVE POTION #9 WHOA THERE GOES MY BABY AH...BYE-BYE! THERE GOES MY BABY MOVIN’ ON DOWN THE SPLISH SPLASH I JUMP BACK IN THE LINE BATH AH...BYE-BYE! I STEPPED OUT THE TUB, AND PUT MY FEET ON YAKITY YAK AH...BYE-BYE! “It Might As Well Rain Until September” by THE FLOOR, I PUT A TOWEL AROUND ME GONNA LOVE YOU ALL THE Gerry Goffin and Carole King. WHILE! AH...BYE-BYE! Screen Gems-EMI Music Inc. (BMI).

4. IT MIGHT AS WELL RAIN UNTIL SEPTEMBER

Carole WHAT SHOULD I WRITE? WHAT CAN I SAY? HOW CAN I TELL YOU HOW MUCH I MISS YOU? THE WEATHER HERE HAS BEEN AS NICE AS IT CAN BE ALTHOUGH IT DOESN’T REALLY MATTER MUCH TO ME FOR ALL THE FUN I’LL HAVE WHILE YOU’RE SO FAR AWAY IT MIGHT AS WELL RAIN UNTIL SEPTEMBER Ooh, backup girls would come in there and harmonize--

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Rebecca LaChance, Jeb Brown , Jessie Mueller

(DONNIE shows no emotion) MY FRIENDS LOOK FORWARD TO THEIR PICNICS ON THE BEACH YES EVERYBODY LOVES THE SUMMERTIME! BUT YOU KNOW, DARLING, WHILE YOUR ARMS ARE OUT OF REACH THE SUMMER ISN’T ANY FRIEND OF MINE IT DOESN’T MATTER WHETHER SKIES ARE GRAY OR BLUE-There should be strings here like raindrops falling-IT’S RAINING IN MY HEART CAUSE I CAN’T BE WITH YOU-Bloop, bloop, bloop, bloop, every other note-I’M ONLY LIVING FOR THE DAY YOU’RE HOME TO STAY SO IT MIGHT AS WELL RAIN UNTIL SEPTEMBER! Bloop, Bloop, Bloop, Bloop, Bloop, Bloop, Bloop, Bloop...Bloop.

Jessie Mueller, Jake Epstein

5. SOME KIND OF WONDERFUL “Some Kind of Wonderful” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

Carole ALL YOU HAVE TO DO IS TOUCH MY HAND TO SHOW ME YOU UNDERSTAND AND SOMETHING HAPPENS TO ME THAT’S SOME KIND OF WONDERFUL ANY TIME MY LITTLE WORLD IS BLUE I JUST HAVE TO LOOK AT YOU-AND EVERYTHING SEEMS TO BE SOME KIND OF WONDERFUL.

Gerry I KNOW I CAN’T EXPRESS THIS FEELING OF TENDERNESS THERE’S SO MUCH I WANT TO SAY

Carole BUT THE RIGHT WORDS JUST DON’T COME MY WAY--

Both I JUST KNOW WHEN I’M IN YOUR EMBRACE THIS WORLD IS A HAPPY PLACE AND SOMETHING HAPPENS TO ME-THAT’S SOME KIND OF WONDERFUL

Donnie

Now that’s a song! You guys can finally get your office here because you know who I’m gonna give that to? The Drifters!

The Drifters WONDERFUL WONDERFUL WONDERFUL

ANY TIME MY LITTLE WORLD IS BLUE WONDERFUL...WONDERFUL I JUST HAVE TO LOOK AT YOU-WONDERFUL...WONDERFUL AND EVERYTHING SEEMS TO BE WONDERFUL...WONDERFUL SOME KIND OF WONDERFUL ...WONDERFUL I KNOW I CAN’T EXPRESS I KNOW I CAN’T EXPRESS THIS FEELING OF TENDERNESS WONDERFUL...TENDERNESS THERE’S SO MUCH I WANT TO SAY WONDERFUL...WANT TO SAY BUT THE WORDS DON’T COME MY WAY AHH...COME MY WAY

THAT’S SOME KIND OF WONDERFUL! WONDERFUL WONDERFUL WONDERFUL WONDERFUL WONDERFUL THAT’S SOME KIND OF WONDERFUL! THAT’S SOME KIND OF WONDERFUL!

6. HAPPY DAYS ARE HERE AGAIN

“Happy Days Are Here Again” by Milton Three Drifters Ager and Jack Yellen. EMI Robbins Catalog Inc. (ASCAP). Special lyrics by Douglas ALL YOU HAVE TO DO IS TOUCH McGrath and Cynthia Weil. MY HAND ...WONDERFUL TO SHOW ME THAT YOU UNDERSTAND I JUST KNOW WHEN I’M IN YOUR EMBRACE Cynthia ...WONDERFUL AHH...YOUR EMBRACE I’D LIKE TO SAY A THING OR TWO ABOUT THIS AND SOMETHING HAPPENS TO ME THIS WORLD IS A HAPPY PLACE SONG I SING FOR YOU ...WONDERFUL ...HAPPY PLACE THESE ARE NOT THE WORDS YOU THOUGHT YOU THAT’S SOME KIND OF WONDERFUL AND SOMETHING HAPPENS TO ME-KNEW ...WONDERFUL WONDERFUL...SO WONDERFUL

Lead Drifter

15

(to) HAPPY DAYS ARE HERE AGAIN

Gerry & Carole

BUT HE SURE AIN’T THE WAY I THOUGHT HE’D BE

THERE’S A REASON FOR THE SWITCH, I’M MAKING A CREATIVE PITCH WITH THE WORDS I WROTE WITHOUT A HITCH (to) HAPPY DAYS ARE HERE AGAIN

TAKE GOOD CARE OF MY BABY BE JUST AS KIND AS YOU CAN BE AND IF YOU SHOULD DISCOVER THAT YOU DON’T REALLY LOVE HER JUST SEND MY BABY BACK HOME TO ME!

HE DOESN’T LOOK LIKE A MOVIE STAR HE DOESN’T DRIVE A CADILLAC CAR HE SURE AIN’T THE BOY I’VE BEEN DREAMIN’ OF BUT HE’S SURE THE BOY I LOVE

I CAME TO SHOW YOU MY STYLE, MY NAME IS CYNTHIA WEIL W-E-I-L-MY LYRICS WILL BE SLICK AND SMART REMINDING YOU OF LORENZ HART AND WE’LL BOTH SING WHEN WE TOP THE CHART HAPPY DAYS ARE HERE AGAIN Take me home! YOU WANT A SONNET, I’LL GET RIGHT ON IT I LIKE A GOOD RHYME MORE THAN A GOOD TIME! MY PEN’S ON FIRE AND I’M FOR HIRE DONNIE, LET ME WRITE FOR YOU!

7. TAKE GOOD CARE OF MY BABY “Take Good Care of My Baby” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

Gerry MY TEARS ARE FALLING CAUSE YOU’VE TAKEN HER AWAY AND THOUGH IT REALLY HURTS ME SO THERE’S SOMETHING THAT I GOTTA SAY TAKE GOOD CARE OF MY BABY PLEASE DON’T EVER MAKE HER BLUE JUST TELL HER THAT YOU LOVE HER MAKE SURE YOU’RE THINKING OF HER IN EVERYTHING YOU SAY AND DO--

Gerry & Carole TAKE GOOD CARE OF MY BABY NOW DON’T YOU EVER MAKE HER CRY JUST LET YOUR LOVE SURROUND HER PAINT A RAINBOW ALL AROUND HER DON’T LET HER SEE A CLOUDY SKY

Gerry ONCE UPON A TIME THAT LITTLE GIRL WAS MINE IF I HAD BEEN TRUE, I KNOW SHE’D NEVER BE WITH YOU SO--

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8. WILL YOU LOVE ME TOMORROW “Will You Love Me Tomorrow” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

Carole TONIGHT YOU’RE MINE COMPLETELY YOU GIVE YOUR LOVE SO SWEETLY TONIGHT THE LIGHT OF LOVE IS IN YOUR EYES BUT WILL YOU LOVE ME TOMORROW? IS THIS A LASTING TREASURE? OR JUST A MOMENT’S PLEASURE? CAN I BELIEVE THE MAGIC OF YOUR SIGH WILL YOU STILL LOVE ME TOMORROW? TONIGHT WITH WORDS UNSPOKEN YOU SAY THAT I’M THE ONLY ONE BUT WILL MY HEART BE BROKEN? WHEN THE NIGHT MEETS THE MORNING SUN? I’D LIKE TO KNOW THAT YOUR LOVE IS LOVE I CAN BE SURE OF SO TELL ME NOW AND I WON’T ASK AGAIN WILL YOU STILL LOVE ME TOMORROW? WILL YOU STILL LOVE ME TOMORROW?

9. HE’S SURE THE BOY I LOVE “He’s Sure the Boy I Love” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI).

Cynthia I ALWAYS DREAMED THE BOY I LOVED WOULD COME ALONG AND HE’D BE TALL AND HANDSOME, RICH AND STRONG NOW THAT BOY I LOVE HAS COME TO ME,

LET ME TELL YA NOW, HE’LL NEVER BE A BIG BUSINESS MAN HE ALWAYS BUYS ON THE INSTALLMENT PLAN HE SURE AIN’T THE BOY I’VE BEEN DREAMIN’ OF BUT HE’S SURE THE BOY I LOVE WHEN HE HOLDS ME TIGHT, EVERYTHING’S RIGHT CRAZY AS IT SEEMS, I’M HIS, WHATEVER HE IS, AND I FORGET ALL OF MY DREAMS, EVERYBODY KNOWS HE DOESN’T HANG DIAMONDS ROUND MY NECK AND ALL HE’S GOT’S AN UNEMPLOYMENT CHECK HE SURE AIN’T THE BOY I’VE BEEN DREAMIN’ OF BUT HE’S SURE THE BOY I LOVE (WHOA-OH-OH) HE’S SURE THE BOY I LOVE (YEAH-EH-EH) HE’S SURE THE BOY I LOVE!

10. WILL YOU LOVE ME TOMORROW

YOUR SIGH ...MAGIC OF YOUR SIGH WILL YOU STILL LOVE ME TOMORROW ...STILL LOVE ME TOMORROW

TONIGHT WITH WORDS UNSPOKEN ...WORDS UNSPOKEN YOU SAY THAT I’M THE ONLY ONE YOU SAY... YOU SAY THAT I’M THE ONLY ONE Lead Shirelle Three Shirelles BUT WILL MY HEART BE BROKEN SHA-LA LUP SHUP, SHA-LA LUP SHUP ...WILL MY HEART BE BROKEN TONIGHT YOU’RE MINE COMPLETELY WHEN THE NIGHT YOU GIVE YOUR LOVE SO SWEETLY ...WHEN THE NIGHT TONIGHT THE LIGHT OF LOVE IS IN MEETS THE MORNING SUN? YOUR EYES MEETS THE MORNING... BUT WILL YOU LOVE ME TOMORROW? MEETS THE MORNING SUN? BUT WILL YOU LOVE ME TOMORROW? I’D LIKE TO KNOW THAT YOUR LOVE IS THIS A LASTING TREASURE SHA-LA LUP SHUP, SHA-LA LUP SHUP SHA-LA LUP SHUP, SHA-LA LUP SHUP SHA-LA LUP SHUP, SHA-LA LUP SHUP SHA-LA LUP SHUP, SHA-LA LUP SHUP IS LOVE I CAN BE SURE OF OR JUST A MOMENT’S PLEASURE? SHA-LA LUP SHUP, SHA-LA LUP SHUP SHA-LA LUP SHUP, SHA-LA LUP SHUP SHA-LA LUP SHUP, SHA-LA LUP SHUP SHA-LA LUP SHUP, SHA-LA LUP SHUP SO TELL ME NOW CAN I BELIEVE THE MAGIC OF ...I BELIEVE SO TELL ME NOW AND I WON’T ASK AGAIN AND I WON’T ASK AGAIN WILL YOU STILL LOVE ME TOMORROW? ...LOVE ME TOMORROW?

11. UP ON THE ROOF “Up on the Roof” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

Gerry WHEN THIS OLD WORLD STARTS GETTING ME DOWN AND PEOPLE ARE JUST TOO MUCH FOR ME TO FACE I’LL CLIMB WAY UP TO THE TOP OF THE STAIRS AND ALL MY CARES JUST DRIFT RIGHT INTO SPACE ON THE ROOF, IT’S PEACEFUL AS CAN BE AND THERE THE WORLD BELOW CAN’T BOTHER ME

Lead Drifter

Three Drifters

LET ME TELL YOU NOW-WHEN I COME HOME FEELIN’ OOH TIRED AND BEAT I GO UP WHERE THE AIR IS FRESH OOH AND SWEET ...UP ON THE ROOF

I GET AWAY FROM THE HUSTLING CROWDS OOH AND ALL THAT RAT-RACE NOISE WILL YOU STILL LOVE ME TOMORROW? DOWN IN THE STREET OOH ...LOVE ME TOMORROW? ...UP ON THE ROOF

shidra Scott, Blanchet, Ra ghes (Left) Ashley rieux, Carly Hu Mueller slo De sha Aly Epstein, Jessie (Below) Jake

AT NIGHT THE STARS PUT ON A SHOW FOR FREE AND DARLIN’ YOU CAN SHARE IT ALL WITH ME

AHH AHH AHH AHH

I KEEP A-TELLIN’ YOU RIGHT SMACK DAB IN THE MIDDLE OOH OF TOWN I’VE FOUND A PARADISE THAT’S OOH TROUBLE PROOF ...UP ON THE ROOF SO IF THIS WORLD STARTS OOH GETTING YOU DOWN THERE’S ROOM ENOUGH FOR TWO OOH UP ON THE ROOF ...UP ON THE ROOF UP ON THE ROOF ...UP ON THE ROOF EVERYTHING IS ALL RIGHT ...UP ON THE ROOF WHOA... ...UP ON THE ROOF UP ON THE ROOF ...UP ON THE ROOF

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12. ON BROADWAY “On Broadway” by Barry Mann, Cynthia Weil, Jerry Leiber and Mike Stoller. Screen Gems-EMI Music Inc. (BMI).

Drifter #1

Drifter #2

THEY SAY THAT I WON’T LAST TOO LONG ON BROADWAY I’LL CATCH A GREYHOUND BUS NO WAY FOR HOME, THEY SAY UH UH THEY CAN’T CHASE ME AWAY! NO WAY!

13. THE LOCOMOTION “The Locomotion” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

BUT THEY’RE DEAD WRONG, Little Eva Ensemble I KNOW THEY ARE EVERYBODY’S DOING A BRAND THEY’RE DEAD WRONG NEW DANCE NOW I KNOW THEY ARE COME ON, BABY, DO THE LOCOMOTION I KNOW YOU’LL GET TO LIKE IT Drifter #2 Drifter #3 ‘CAUSE I CAN PLAY THIS HERE GUITAR IF YOU GIVE IT A CHANCE NOW! ‘CAUSE I CAN PLAY THIS HERE GUITAR COME ON, BABY, DO THE LOCOMOTION THEY SAY THERE’S ALWAYS MY GUITAR MY GUITAR MY LITTLE BABY SISTER OOH WAH OOH MAGIC IN THE AIR CAN DO IT WITH EASE ...ON BROADWAY THEY SAY THAT I WON’T LAST TOO LONG IT’S EASIER THAN LEARNING OOH WAH OOH YOUR ABC’S Drifter #3 All SO COME ON, COME ON, DO BUT WHEN YOU’RE WALKIN’ DOWN THE STREET ON BROADWAY COME ON, COME ON, DO THEY SAY THAT I WON’T LAST TOO LONG OH! THE LOCOMOTION WITH ME Drifter #4 I WON’T QUIT TILL I’M A STAR COME ON, AND YOU AIN’T HAD ENOUGH TO EAT NO, I WON’T QUIT TILL I’M A STAR YOU GOTTA SWING YOUR HIPS NOW I WON’T QUIT TILL I’M A STAR OOH Drifter #1 ON BROADWAY! THE GLITTER RUBS RIGHT OFF AND YOU’RE NOWHERE THEY SAY THE NEON LIGHTS ARE BRIGHT ON BROADWAY ...ON BROADWAY

All

ON BROADWAY

Drifter #1

Others

THEY SAY THE WOMEN TREAT YOU FINE ON BROADWAY THEY SAY WOMEN TREAT YA ON BROADWAY BUT LOOKIN’ AT THEM JUST GIVES ME THE BLUES LOOKIN’ AT THEM WALKIN’ ON BROADWAY

Drifter #2 ‘CAUSE HOW YA GONNA MAKE SOME TIME WHEN ALL YOU GOT IS ONE THIN DIME AND ONE THIN DIME WON’T EVEN SHINE YOUR SHOES ON BROADWAY

AH OOH OOH AH OOH OOH WHOA OH WHOA OH ON BROADWAY ON BROADWAY

Drifter #4 THEY SAY THAT I WON’T LAST TOO LONG ON BROADWAY

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THEY SAY NO WAY

a Larsen Jarrod Spector, Anik

Harkness, Arbender J. Robinso n Corneliou s, James E. Clayton Douglas Ly ons,

COME ON, BABY JUMP UP, JUMP BACK JUMP UP JUMP ON BACK WELL, I THINK YOU’VE WELL, I THINK YOU’VE All GOT THE KNACK GOT THE KNACK MOVE AROUND THE FLOOR IN A LOCO-MOTION NOW THAT YOU CAN DO IT, Little Eva Ensemble LET’S MAKE A CHAIN NOW COME ON, BABY, DO THE LOCOMOTION COME ON, COME ON BABY, DO THE LOCOMOTION DO IT HOLDING HANDS IF YOU GET THE NOTION A CHUG-A CHUG-A MOTION DO THE LOCOMOTION COME ON, BABY, COME ON, COME ON, LIKE A RAILROAD TRAIN NOW WITH ME! BABY, COME ON COME ON, BABY, DO THE LOCOMOTION DO IT NICE AND EASY, NOW, NICE AND EASY THERE’S NEVER BEEN A DANCE DON’T LOSE CONTROL DON’T LOSE CONTROL THAT’S SO EASY TO DO EASY TO DO, COME ON! A LITTLE BIT OF RHYTHM BIT OF RHYTHM AND A LOT OF SOUL LOT OF SOUL IT EVEN MAKES YOU HAPPY WHEN YOU’RE FEELING BLUE FEELING BLUE!

All SO COME ON, COME ON, DO THE LOCOMOTION WITH ME

Little Eva Everybody ready? Let’s catch that train! Choo, choo, choo, choo Whoa

COME ON, COME ON, DO THE LOCOMOTION WITH ME!

14. YOU’VE LOST THAT LOVIN’ FEELING

SO COME ON, COME ON, DO “You’ve Lost That Lovin’ Feeling” by Barry COME ON, COME ON, DO Mann, Cynthia Weil and Phil Spector. Screen THE LOCOMOTION WITH ME Gems-EMI Music Inc. (BMI), EMI Blackwood COME ON, BABY Music Inc. obo Mother Bertha Music (BMI). DO THE LOCOMOTION Barry SWING YOUR HIPS NOW COME ON, BABY COME ON, BABY DO YOU NEVER CLOSE YOUR EYES ANYMORE WHEN I KISS YOUR LIPS DO THE LOCOMOTION

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AND THERE’S NO TENDERNESS LIKE BEFORE IN YOUR FINGERTIPS YOU’RE TRYING HARD NOT TO SHOW IT BABY, BUT BABY, BABY I KNOW IT--

Barry How long did that take--two hours?

Cynthia The problem is the key. It needs to be lower. And I know exactly who should sing it.

Righteous Brothers

Ensemble

YOU NEVER CLOSE YOUR EYES ANYMORE WHEN I KISS YOUR LIPS AND THERE’S NO TENDERNESS LIKE BEFORE IN YOUR FINGERTIPS YOU’RE TRYING HARD NOT TO SHOW IT AHH... BABY BUT BABY, BABY I KNOW IT-AHH YOU’VE LOST THAT LOVIN’ FEELIG WHOA, THAT LOVIN’ FEELING YOU’VE LOST THAT LOVIN’ FEELING NOW IT’S GONE, GONE, GONE, WHOA OH OH OH

AHH AHH AHH

BABY, BABY, I’D GET DOWN ON MY KNEES FOR YOU OOH...FOR YOU! IF YOU WOULD ONLY LOVE ME LIKE YOU USED TO DO OOH...TO DO! WE HAD A LOVE...A LOVE... A LOVE YOU DON’T FIND EVERYDAY WHOA BABY DON’T SO DON’T, DON’T, DON’T, DON’T LET IT SLIP AWAY AHH...BABY BABY, BABY, I BEG OF YOU PLEASE, PLEASE DON’T...AHH...BABY AHH...BABY I NEED YOUR LOVE AHH I NEED YOUR LOVE BABY...AHH SO BRING IT ON BACK SO BRING IT ON BACK BABY BRING BACK THAT LOVIN’ FEELING BRING BACK THAT LOVE WHOA, THAT LOVIN’ FEELING WHOA, THAT LOVE...AHH BRING BACK THAT LOVIN’ FEELING THAT LOVE! CAUSE IT’S GONE...GONE...GONE GONE...GONE...GONE AND I CAN’T GO ON-CAN’T GO ON-WHOOOOOA HMM

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15. ONE FINE DAY “One Fine Day” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

Three Girls

Josh Davis, Ke

vin Duda

THOUGH I KNOW YOU’RE THE KIND OF BOY WHO ONLY WANTS TO RUN AROUND I’LL KEEP WAITING AND SOMEDAY DARLIN’ YOU’LL COME TO ME WHEN YOU WANT TO SETTLE DOWN OH

SHOO-BE DOO-BE DOO-BE DOO-BE DOO WAP WAP SHOO-BE DOO-BE DOO-BE DOO-BE DOO WAP WAP

ONE FINE DAY, WE’LL MEET ONCE MORE AND THEN YOU’LL WANT THE LOVE YOU THREW AWAY BEFORE Janelle & Three Girls ONE FINE DAY, YOU’RE GONNA WANT ME FOR YOUR GIRL ONE FINE DAY, YOU’LL LOOK AT ME AND YOU WILL KNOW OUR LOVE WAS MEANT TO BE YOU’RE GONNA WANT ME FOR YOUR GIRL ONE FINE DAY, YOU’RE GONNA WANT ME FOR YOU’RE GONNA WANT ME FOR YOUR GIRL YOUR GIRL THE ARMS I LONG FOR WILL OPEN WIDE AND YOU’LL BE PROUD TO HAVE ME WALKING RIGHT BY YOUR SIDE ONE FINE DAY, YOU’RE GONNA WANT ME FOR YOUR GIRL

Carole

THOUGH I KNOW YOU’RE THE KIND OF BOY WHO ONLY WANTS TO RUN AROUND I’LL KEEP WAITING AND SOMEDAY DARLING YOU’LL COME TO ME WHEN YOU WANT TO SETTLE DOWN OH

ONE FINE DAY, WE’LL MEET ONCE MORE AND THEN YOU’LL WANT THE LOVE YOU THREW AWAY BEFORE ONE FINE DAY, YOU’RE GONNA WANT ME FOR YOUR GIRL YOU’RE GONNA WANT ME FOR YOUR GIRL YOU’RE GONNA WANT ME FOR YOUR GIRL

16. CHAINS “Chains” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

Carole & Two Backup Singers CHAINS MY BABY’S GOT ME LOCKED UP IN CHAINS AND THEY AIN’T THE KIND THAT YOU CAN SEE WHOA, THESE CHAINS OF LOVE GOT A HOLD ON ME, YEAH CHAINS, WELL I CAN’T BREAK AWAY FROM THESE CHAINS I CAN’T RUN AROUND CAUSE I’M NOT FREE WHOA, THESE CHAINS OF LOVE WON’T LE T ME BE, YEAH

Carole NOW BELIEVE ME WHEN I TELL YOU I THINK YOU’RE FINE

Backup Singers

ha hes, Alys t, Carly Hug (Above) , Rashidra Scot ke Ja ux ) Deslorie anchet / (Right Ashley Bl ssie Mueller Je Epstein,

I THINK YOU’RE FINE I’D LIKE TO LOVE YOU, AHH BUT DARLIN’ I’M IMPRISONED ...DARLIN’ BY THESE CHAINS ...BY THESE CHAINS MY BABY’S GOT ME MY BABY’S GOT ME LOCKED UP IN CHAINS LOCKED UP IN CHAINS AND THEY AIN’T THE KIND AND THEY AIN’T THE KIND THAT YOU CAN SEE THAT YOU CAN SEE WHOA, THESE CHAINS OF LOVE WHOA, THESE CHAINS OF LOVE GOT A HOLD ON ME, YEAH GOT A HOLD ON ME, YEAH WHOA, THESE CHAINS OF LOVE-WHOA, THESE CHAINS OF LOVE-GOT A HOLD ON ME ...ME

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17. WALKING IN THE RAIN “Walking in the Rain” by Barry Mann, Cynthia Weil and Phil Spector. Screen Gems-EMI Music Inc. (BMI), EMI Blackwood Music Inc. obo Mother Bertha Music (BMI).

Barry I WANT HER AND I NEED HER AND SOMEDAY, SOME WAY, WHOA, I’LL MEET HER SHE’LL BE KIND OF SHY AND REAL GOOD LOOKING TOO AND I’LL BE CERTAIN SHE’S MY GIRL BY THE THINGS SHE’LL LIKE TO DO LIKE WALKING IN THE RAIN AND WISHING ON THE STARS UP ABOVE AND BEING SO IN LOVE, OH...

Both AND WISHING ON THE STARS UP ABOVE

Barry

Cynthia

AND BEING SO IN LOVE LIKE WALKING IN THE RAIN LIKE WALKING IN THE RAIN AND WISHING ON THE STARS AND WISHING ON THE STARS AND BEING SO IN LOVE

(They kiss)

18. PLEASANT VALLEY SUNDAY “Pleasant Valley Sunday” by Gerry Goffin and Carole King. Screen Gems-EMI Music Inc. (BMI).

Marilyn THE LOCAL ROCK GROUP DOWN THE STREET IS TRYING HARD TO LEARN THEIR SONG

Barry Move in with me. At least move in with me.

Cynthia It isn’t done. It’s like something out of a Balzac novel.

Barry Then marry me.

Cynthia Ok, I’ll move in with you. Maybe that’ll hold you.

Barry Not for long.

Cynthia WHEN HE’S NEAR ME, I’LL KISS HIM AND WHEN HE LEAVES ME, WHOA, I’LL MISS HIM

Barry Cynthia I WON’T REALLY CARE

Both AND I’LL KNOW IT’S GONNA BE ALRIGHT CAUSE WE GOT SO MUCH WE SHARE

Barry LIKE WALKING IN THE RAIN

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Cynthia OOH

Jarrod Spector, Anika Larsen

THOUGH SOMETIMES WE’LL FIGHT

THEY SERENADE THE WEEKEND SQUIRE WHO JUST CAME OUT TO MOW THE LAWN

Marilyn

Ensemble

ANOTHER PLEASANT VALLEY SUNDAY AH...SUN VALLEY SUN CHARCOAL BURNING EVERYWHERE CHARCOAL BURNING EVERYWHERE ROWS OF HOUSES THAT ARE ALL THE SAME ...ALL THE SAME AND NO ONE SEEMS TO CARE...

Gerry SEE MRS. GRAY SHE’S PROUD TODAY BECAUSE HER ROSES ARE IN BLOOM AND MR. GREEN HE’S SO SERENE, HE’S GOT A T.V. IN EVERY ROOM

...BLOOM ...ROOM

ANOTHER PLEASANT VALLEY SUNDAY ANOTHER PLEASANT VALLEY SUNDAY HERE IN STATUS SYMBOL LAND HERE IN STATUS SYMBOL LAND MOTHERS COMPLAIN ABOUT HOW HARD LIFE IS OOOH...HOW HARD LIFE IS AND THE KIDS JUST DON’T UNDERSTAND... BUP BUP BA BAH BA DOP BOP BA BA BA BAH CREATURE COMFORT GOALS BUP BUP BA BAH BA DOP BOP THEY ONLY NUMB MY SOUL BA BA BA BAH AND MAKE IT HARD FOR ME TO SEE BUP BUP BA BAH BA DOP BOP BA BA BA BA BA MY THOUGHTS ALL SEEM TO STRAY BUP BUP BA BAH BA DOP BOP TO PLACES FAR AWAY BUP BUP BA BAH I NEED A CHANGE OF SCENERY... BUP BUP BA BAH ANOTHER PLEASANT VALLEY SUNDAY HERE IN STATUS SYMBOL LAND HERE IN STATUS SYMBOL LAND

19. WE GOTTA GET OUT OF THIS PLACE “We Gotta Get Out of This Place” by Barry Mann and Cynthia Weil. Screen Gems-EMI Music Inc. (BMI).

Barry IN THIS DIRTY OLD PART OF THE CITY WHERE THE SUN REFUSE TO SHINE PEOPLE TELL ME THERE AIN’T NO USE IN TRYIN’ MY LITTLE GIRL YOU’RE SO YOUNG AND PRETTY AND ONE THING I KNOW IS TRUE YOU’RE GONNA DIE BEFORE YOUR TIME IS DUE--

Anika Larsen, Jak e Epstein, Jarrod Spector

I CAN’T TAKE IT NO MORE WHAT ARE WE WAITIN’ FOR?

WE GOTTA GET OUT OF THIS PLACE IF IT’S THE LAST THING WE EVER DO WE GOTTA GET OUT OF THIS PLACE GIRL THERE’S A BETTER LIFE FOR ME AND YOU YOU SEE MY DADDY IN BED A DYIN’ YOU SEE HIS HAIR, BABY TURNIN’ GRAY HE’S BEEN WORKIN’ AND SLAVIN’ HIS LIFE AWAY (EVERY DAY) HE’S BEEN WORKIN’ YEAH! HE’S BEEN WORKIN’ YEAH HE’S BEEN WORKIN’ WORKIN’ WORKIN’ WE GOTTA GET OUT OF THIS PLACE IF IT’S THE LAST THING WE EVER DO WE GOTTA GET OUT OF THIS PLACE

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GIRL THERE’S A BETTER LIFE FOR ME AND YOU GIRL THERE’S A BETTER LIFE FOR ME AND YOU

20. UPTOWN “Uptown” by Barry Mann and Cynthia Weil Screen Gems-EMI Music Inc. (BMI).

Singer HE GETS UP EACH MORNING AND HE GOES DOWNTOWN WHERE EVERYONE’S HIS BOSS AND HE’S LOST IN AN ANGRY LAND HE’S A LITTLE MAN

Singer

Backup

BE NO DENYIN’ ONE OF US IS CHANGIN’ OR MAYBE WE JUST STOPPED TRYIN’

DON’T YOU FEEL IT, TOO STILL I’M GLAD FOR WHAT WE HAD AND HOW I ONCE LOVED YOU

AND IT’S TOO LATE BABY, NOW IT’S TOO LATE THOUGH WE REALLY DID TRY TO MAKE IT SOMETHING INSIDE HAS DIED AND I CAN’T HIDE AND I JUST CAN’T FAKE IT OH, NO NO IT USED TO BE SO EASY LIVIN’ HERE WITH YOU YOU WERE LIGHT AND BREEZY AND I KNEW JUST WHAT TO DO NOW, YOU LOOK SO UNHAPPY AND I FEEL LIKE A FOOL

BUT IT’S TOO LATE, BABY, NOW IT’S TOO LATE THOUGH WE REALLY DID TRY TO MAKE IT SOMETHING INSIDE HAS DIED AND I CAN’T HIDE AND I JUST CAN’T FAKE IT

AND IT’S TOO LATE BABY, NOW IT’S TOO LATE THOUGH WE REALLY DID TRY TO MAKE IT SOMETHING INSIDE HAS DIED AND I CAN’T HIDE Singers AND I JUST CAN’T FAKE IT UPTOWN IT’S TOO LATE BABY

BUT THEN HE COMES UPTOWN EACH EVENIN’ TO MY TENEMENT UPTOWN WHERE FOLKS DON’T HAVE UPTOWN THERE WILL BE GOOD TIMES AGAIN FOR ME AND YOU TO PAY MUCH RENT AND WHEN HE’S THERE WITH ME OOH BUT WE JUST CAN’T STAY TOGETHER, HE CAN SEE THAT HE’S EVERYTHING HE CAN SEE EVERYTHING THEN HE’S TALL, HE DON’T CRAWL, HE’S A KING DOWN-TOWN, HE’S JUST ONE OF A MIL-LION GUYS HE DON’T GET NO BREAKS AND HE TAKES ALL THEY GOT TO GIVE CAUSE HE’S GOTTA LIVE BUT THEN HE COMES UP-TOWN WHERE HE CAN HOLD HIS HEAD UP HIGH, UPTOWN UPTOWN HE KNOWS THAT I’LL BE STAND-IN’ BY UPTOWN AND WHEN I TAKE HIS HAND, THERE’S NO MAN WHO CAN PUT HIM DOWN OOH THE WORLD IS SWEET IT’S AT HIS FEET WHEN HE’S UP TOWN THE WORLD IS SWEET AHH IT’S AT HIS FEET WHEN HE’S UP TOWN

21. IT’S TOO LATE “It’s Too Late” by Carole King and Toni Stern. Colgems-EMI Music Inc. (ASCAP).

Carole STAYED IN BED ALL MORNIN’ JUST TO PASS THE TIME THERE’S SOMETHING WRONG HERE THERE CAN Jessie Mueller

24

IT’S TOO LATE BABY IT’S TOO LATE NOW DARLING IT’S TOO LATE BABY IT’S TOO LATE

22. YOU’VE GOT A FRIEND “You’ve Got a Friend” by Carole King. Colgems-EMI Music Inc. (ASCAP).

Carole WHEN YOU’RE DOWN AND TROUBLED AND YOU NEED SOME LOVING CARE

AND NOTHING, OH, NOTHING IS GOING RIGHT CLOSE YOUR EYES AND THINK OF ME AND SOON I WILL BE THERE TO BRIGHTEN UP EVEN YOUR DARKEST NIGHT YOU JUST CALL OUT MY NAME AND YOU KNOW WHERE EVER I AM I’LL COME RUNNING TO SEE YOU AGAIN

Carole & Barry WINTER, SPRING, SUMMER OR FALL, ALL YOU HAVE TO DO IS CALL

Carole AND I’LL BE THERE, YES I WILL YOU’VE GOT A FRIEND

Cynthia & Barry NOW AIN’T IT GOOD TO KNOW THAT YOU’VE GOT A FRIEND WHEN PEOPLE CAN BE SO COLD

Carole, Cynthia & Barry THEY’LL HURT YOU

All

Donnie YES, AND DESERT YOU Jeb Brown, Anika Larsen, Jarrod

THEY’LL TAKE YOUR SOUL IF YOU LET THEM

Carole

OH, BUT DON’T YOU LET THEM

All YOU JUST CALL OUT MY NAME AND YOU KNOW WHEREVER I AM I’LL COME RUNNIN’, RUNNIN’, YEAH, YEAH, TO SEE YOU AGAIN WINTER, SPRING, SUMMER OR FALL ALL YOU HAVE TO DO IS CALL AND I’LL BE THERE, YES I’LL BE THERE

Carole YOU’VE GOT A FRIEND

23. (YOU MAKE ME FEEL LIKE) A NATURAL WOMAN “(You Make Me Feel Like a) Natural Woman” by Gerry Goffin, Carole King and Gerald Wexler. Screen Gems-EMI Music Inc. (BMI).

Carole

Three Backup Singers

LOOKIN’ OUT ON THE MORNIN’ RAIN I USED TO FEEL UNINSPIRED AH-OOH AND WHEN I KNEW I’D HAVE TO FACE ANOTHER DAY AH-OOH LORD, IT MADE ME FEEL SO TIRED AH-OOH BEFORE THE DAY I MET YOU, LIFE WAS SO UNKIND BUT YOUR LOVE WAS THE KEY TO MY PEACE OF MIND

Carole & Three Backup Singers ‘CAUSE YOU MAKE ME FEEL YOU MAKE ME FEEL YOU MAKE ME FEEL LIKE A NATURAL WOMAN

Spector, Jessie Mueller

WHEN MY SOUL WAS IN THE LOST-AND-FOUND YOU CAME ALONG TO CLAIM IT I DIDN’T KNOW JUST WHAT WAS WRONG WITH ME TILL YOUR KISS HELPED ME NAME IT NOW I’M NO LONGER DOUBTFUL OF WHAT I’M LIVING FOR ‘CAUSE IF I MAKE YOU HAPPY I DON’T NEED TO DO MORE YOU MAKE ME FEEL YOU MAKE ME FEEL YOU MAKE ME FEEL LIKE A NATURAL WOMAN

Carole

Three Backup Singers

OH, BABY, WHAT YOU’VE DONE TO ME ...DONE TO ME YOU MAKE ME FEEL SO GOOD INSIDE ...GOOD INSIDE AND I JUST WANNA BE CLOSE TO YOU ...WANNA BE YOU MAKE ME FEEL SO ALIVE

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Carole & Three Backup Singers

Carole

YOU MAKE ME FEEL YOU MAKE ME FEEL YOU MAKE ME FEEL LIKE A NATURAL WOMAN

YOU’VE GOT TO GET UP EVERY OOH OOH MORNING WITH A SMILE ON YOUR FACE OOH OOH AND SHOW THE WORLD ALL THE LOVE IN YOUR HEART SHOW ALL THE LOVE THEN PEOPLE GONNA TREAT YOU BETTER OOH OOH YOU’RE GONNA FIND, YES, YOU WILL THAT YOU’RE BEAUTIFUL AS YOU FEEL YOU’RE SO BEAUTIFUL OOH MMMMM

Carole A NATURAL WOMAN

24. BEAUTIFUL “Beautiful” by Carole King. Colgems-EMI Music Inc. (ASCAP).

Ensemble

I HAVE OFTEN ASKED MYSELF THE REASON FOR THE SADNESS YOU’VE GOT TO GET UP EVERY MORNING IN A WORLD WHERE TEARS ARE WITH A SMILE ON YOUR FACE JUST A LULLABYE OOH OOH OOH AND SHOW THE WORLD ALL THE LOVE IN YOUR HEART IF THERE’S ANY ANSWER, MAYBE THEN PEOPLE GONNA TREAT YOU BETTER LOVE CAN END THE MADNESS YOU’RE GONNA FIND, YES, YOU WILL MAYBE NOT, OH, BUT WE CAN ONLY TRY THAT YOU’RE BEAUTIFUL AS YOU FEEL OH!

YOU’RE GONNA FIND, YES, YOU WILL THAT YOU’RE BEAUTIFUL YOU’RE BEAUTIFUL SO BEAUTIFUL AS YOU FEEL

YOU’VE GOT TO GET UP EVERY MORNING AH OOH WITH A SMILE ON YOUR FACE AND SHOW THE WORLD THE LOVE IN YOUR HEART SHOW ALL THE LOVE THEN PEOPLE GONNA TREAT YOU BETTER

SO BEAUTIFUL SO BEAUTIFUL YOU’RE BEAUTIFUL AHH AHH AHH AHH

25. I FEEL THE EARTH MOVE

Carole

WAITING AT THE STATION WITH A WORKDAY WIND A-BLOWING I GOT NOTHING TO DO BUT WATCH THE PASSERS-BY GROWING AND THEY DON’T SEE IT SHOWING, WHY DO I?

AH OOH

SO BEAUTIFUL

“I Feel The Earth Move” by Carole King Colgems-EMI Music, Inc. (ASCAP).

Carole I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN I FEEL MY HEART START TO TREMBLING WHENEVER YOU’RE AROUND OOH, BABY, WHEN I SEE YOUR FACE MELLOW AS THE MONTH OF MAY OH, DARLING, I CAN’T STAND IT WHEN YOU LOOK AT ME THAT WAY

Carole & Company I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN, TUMBLING DOWN I FEEL MY HEART START TO TREMBLING WHENEVER YOU’RE AROUND

Carole OH, DARLING, WHEN YOU’RE NEAR ME AND YOU TENDERLY CALL MY NAME I KNOW THAT MY EMOTIONS ARE SOMETHING I JUST CAN’T TAME

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Jessie Mueller

Carole & Company I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN I FEEL THE EARTH MOVE UNDER MY FEET I FEEL THE SKY TUMBLING DOWN A TUMBLING DOWN A TUMBLING DOWN A TUMBLING DOWN COME TUMBLING DOWN!

Produced for Records by JASON HOWLAND, STEVE SIDWELL and BILLY JAY STEIN Executive Producer: KURT DEUTSCH Recorded by JOEL MOSS Edited and Mixed by BILLY JAY STEIN and JASON HOWLAND Mastered by RYAN SMITH at Sterling Sound, NYC Associate Album Producers: STEVE NORMAN and GREG BRUNSWICK Orchestrations, Vocal and Music Arrangements: STEVE SIDWELL Music Supervision, Additional Vocal and Music Arrangements: JASON HOWLAND Synthesizer and Computer Programming: HIRO IIDA Music Coordinator: JOHN MILLER Music Preparation by JOANN KANE MUSIC; RUSSELL BARTMUS, Librarian Production Stage Manager: PETER HANSON Beautiful Publicity: O&M Co. Package Design: STEPHANIE LAYTON Cover Artwork: SERINO/COYNE Cover Photo and Production Photos: JOAN MARCUS Historical Photos provided by CYNTHIA WEIL and BARRY MANN, THE CAROLE KING FAMILY ARCHIVES, ELISSA KLINE, THE ODE SOUNDS & VISUALS ARCHIVE and THE SONY MUSIC ARCHIVES Recorded February 16-17 and 20, 2014 at MSR Studios, NYC Pro Tools Engineer: DAN FYFE Assistant Engineer: TIM KNOWLTON Mixed at Strange Cranium Studios, NYC

Special Thanks Martin Bandier, Mark Bennett, Mike Bosner, Kurt Deutsch, Dan Fortune, Connie Kirch, Sherry Kondor, Jane Read Martin, Katie Riegel, Christine Russell, Laurie Soriano

And Gerry Goffin, Carole King, Barry Mann, Cynthia Weil GHOSTLIGHTRECORDS.COM /GHOSTLIGHTRECORDS @SHKBOOM

Carole King

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Ghostlight

Records

℗© 2014 Beautiful on Broadway LLC, under exclusive license to Ghostlight Records. Ghostlight logo is a trademark of Sh-K-Boom Records, Inc. 630 Ninth Avenue, #407, New York, NY 10036. Distributed by Razor & Tie Direct, LLC. Unauthorized duplication is a violation of applicable laws. All Rights Reserved.

Jessie Mueller (by Nathan Johnson) Carole King / Courtesy of the Ode Sounds & Visuals Archive ©1971, ℗2014 Photographer: Jim McCrary 28