Detlef Mertins Same Difference

271

Sam Dif Differ ferenc enc Detlef Detlef ertins erti ns ai

late late

retrospect, ect, Aalto's uollage, In retrosp

is

th

ll tota tota tr ryth rythin in ifie ifie

itic itic

ll

if,

ri

ta li in te id li "i acul aculat at ho ogen ogenei eity ty." ." call call it in ivid ivid al to th ir

reta retati ti li in re

ts

inin inin la thin thin to

lt 's

is 'C in

thin ll thin

tr

orph orphyr yrio io

Deme Demetri tri Porphy Porphyrios rios (Lon (Londo don: n: Academ adem

lo

te

lite lite

in

th

th focu focuse se

Sources

Edit Editio ions ns/S /St. t.

in

lf

ic an

en

th

ld to

it to th

rg

on th

form form

of

it

ff

if

th

te to ia

ts

i: ri g'sor g'sorga gann-li li

th iv te to

func functi tion onal alis is

lain lain

th

functions." open open-e -end nded ed iv

cr tl lt

iz

alto alto's 's hete hetero ro eneo eneo

of Modsm Modsm Eclect Eclectioism: Stud Studie ie arti artin' n' Pres Press. s. 1982 1982), ), p. 1.

eSee Miche Miche Foucault, Th Orde Orde of Things. An Archaeology (New (New York York Vint Vintag ag Books, oks, 1973), 73), p. xvili.

ib

id

in th

920s 920s

er

arin arin

la

ault ault

syntax re

lt

tr

lt's lt's riti riti ll in tead tead

istu isturb rb

t,

te ie 's lvar lvar alto alto's 's ibil ibilit it

lt

ia." ia."

tr

te

into into

is

conat

II.n

to ic," ic," irin irin id iv rs ce," ce,"

re ar

ired ired

tr it

ield ield li ." or hyri hyries es prom prom te tero teroto to ic rd ri

ti

as in cl im

beneath

ence ence

arts arts

io

's

is ipli ipli e. to

tota totali lity ty

lati lati

itri itri

ie an

in en ibil ibilit it ap to re re enta entati tion on of diff differ eren ence ce rath rather er than than eter eterri rito tori ri that le if re to em rg ix infl infl ible ible ullzationa that lt 's ry tall talliz iz ti itie itie th ipte ipte in e; I"oduo oduoed ed

on Alva Alva

Aalt Aalt

of the Human

SCiSllOSS

th

th

to en

rele relent ntle less ssly ly

"Chr "Chris istia tia

to li in

appr approa oach ch rk

it

dest destab abil iliz izin in

Norbe Norberg-Schu Schult ltz: z:

it

albe albeit it

ithi ithi

iv th

ce

stru struct ct ri

th

is

und Werkfo.rm no. 11(1958)

ie 's

th

trat trateg eg

A'Th.lk Th.lk with

Neumeyer, Th Artle Artless ss Word Word.Mies .Mies va der Robe

MIT Press, 1991 1991), ), pp 338-33 338-339. 9.

ithi ithi

ie va

615-61 618. tran trans. s. pp. 615-

life that that ways of life isto isto ic

iv

ar

it in th th

prac practi tice ce of arch archit itec ec

de Bohe," he," publ publis ishe he Jarz Jarzom ombe

an

in Baukunst

repu republ blis ishe he

(Cambrid ridge. ge. Building Art (Camb

in Flit Flit Mass.:

73

is thin

te tu rkin

th th

ei

ia

ld fsie lu

in

ia

li

th

26 in

it

Lebensre-

ic

wedding.

is

ls

tu

fonn

io ro idin

ro

fo th

foldin

life,"

t-

ly

ly La

tr

th fo th

re entirely tr ft al pr ductio of difference hi is th

ti

it in

li

id li

li l di n tity fo im th im in ivid alitie it

rd im in in

rati

." to

ie in that

ro es

th

tu

ts ls La

th

in abit ti

coll

infrastr ct an te

th

te t-to

an

ts

in rm ll

ti

ir

ls

li

ante

er

to ther reed

er i bi t

id erat

elf-

by

uk

it Ellingto

turned

ts l di n

Tth

lo ed

te

tlig ts

experi enta la te

into as

ls

in

ed

usical ense ble,

ia trin in tr t, ir tr ferrin ib atio akes ie 's iv rs

ilin

faces." Recently th

:M SS,transf rmed it 24,0 feet ir tl into th ce iv rs is

th

building

ig -p li te tr ct e. ly

cl tirely en above. It to fold ivid

la

lls, tr ly

lo

inim ll

lti-

an

arti ipat

ll

tr

rp

iz li

ie ev rythin

lu en

rce

t hi n , " interr

th

ecti it

Alison an

Pete Smithson

It ro id Without

li

tl

Rhetoric. p. 19 an

ri

ta

la

tw in

ic

to in

rd

te

in

ir

io rg

co

te

tr

ture

ield

ies's Pieces. pp. 16.33.

ci

rm ti th

an

to fo

an thin ti tr

ee

Th even is recorded:in th yearbook Integral. 1958 (Chicago: Institute of pp.

ts

ev rythin

rati

Th Students ofthe lllinois

27

enrity

th

ri is

tu it

lf fa

io in

Li iste ti

ap

ch

to life

awin

th

ty er th

orld

in

te

in

ti

el -det

hile safeguarding

th chit isio fo

il in

'I

tu al ew

avantto ia

in

in ti

it in

in

alterity

in

ie

isti

is

im lf am

not ro ecti ecis ly ci ty it ..Ne th le is

utopia.

tota

ie

by

ll in in

it

niversal rged

th

princi le

tr

ic

ierr

go erni

al

in

th

-Sim

ri ci le

La lace

74

's

eneo

th

el

27),

in it 's

apacit

re rm

align as revealed 1900 by 6,

to ir

te

to eu it

anit

it

th

it

th

rnin

as

full

it

th

in iple

is ipli ad re ti

cience reinte lo

ti

Utopia ofGlaes,

-artic late

Er

See Detlef Mertins. "The Enticin

an

ti

an

Threatenin

in AssembJag>'l29

Face of Prehistory: Walte Benjamin

(1996), p, 6·23,

Fig. Plat from Erns Haeckel. Art Pbrms in Natur (1901) depicting variou specie of Radio!ari (a type of marine Protozoa), Courtesy ofPrestel (E,Haeokel, unslionnen de N e u u : Munich

Ne

York: Prestel.

1998, plat

41),

277

colo

an

larize rt lars

in fo

isti

rl

re

ie ft

in

re tu sp ia it

rt

re

hich soci re

th

ra

ic ra ia rs (Fig. ).T to th ir ltiplicity an iversality fo they ld ss fi ri ti fo fere ir ts al er th rl Ever re erfu icrosc telesc firmed th ri ci le stru tura it fr th icrosc ic to th acrosc ic il strati re ro fi ri ro forms. is in ti it struct re it tero eity in ivid atio reiterat thro th twenti th

this

t,

rt sistentl ra ig at li

rp ri th le re (Fig.

ture

lo ie

ex lore at

th ssibilit atic l, sp tial

sp

th

sors

roliferati

rk ch ra teri ed refi

restless r-

in

rs tu

they re tw -way sp

iffere in syst

iffere ce

stri in fr in il

erimenta

re (720 fe

ex ress

1 , 1 , I 1 , 1 , 1 1 , I 1 1 I , 1 , I , I , ! '1

ew rc it tura an tech lo ic

re), -w

s,

I I, I ! 1 , I I ,I . i, I ,I I ,I ,I . !

ro

lt rn ti el

ab

Fig.

ffic ofMie va

unifor

scale: Farnsworth

ro

de Rohe Elevations

50 House; Convention. Hall, C hi ca go ; Nationa Gallery, Berli

From Phylli

La bert

fo seve

clear-span building

House. Plano: National Theater,

"Mie Im ersion,"

Ro

B ac ar d

annheirn

Administration

Canadian

S.

drawn to Hall ill;

Crow

Building; Santiago.

Centre for Architecture.

in Mies in America (Montreal: e G A . 2001), p. 422.

279

th

ro

th

it

ri

ll

ri

Si

th

ff re ro ed to th static

re

th r, in stri ro

fi

If

st

re

ld stan rdiz ti ts si s,

fo

iv rs

it ev lo ed in is si

rp

lo le

la ts fr

fi

(R

Ius

(Fig. 3). Despite its re io re

in

te

ra

ri No

im lied th ri s,

ti

th

rt

iv

f,

fi

ro ressio

tr

sf rm is

will

fl

ri it lf to rati

io th

form ly thro

le

fr

's th

-s ro rm-m in

re lt

It

rro

Se Johann

olfg ng

Chronica Botazuo Johan Hein

olfgan

Grctzk

on

10 no, vo

oeth

io

iffere

The Metmnolp.hosw

of Plants, trans,

gnes

Fig. rber in

(Summer, 1946).

Goethe

Th

MetmnOlpho,,;

(VlTyoming,Rhode Island

Blo-Dyna io

of Plants,

'Irans, Anne E, Marshall

Literature

1978), p, 20

arid

Leaves from th

from th bottom of th

.s

continuou

Goethe's

avid Seamon

buttercu

(low st left to th to

transformation

the movement-form Rereadin

fiel st

an

of

ofmeta orphosis

(RanU lCuJUS

form th

is

aori (botto

never fixed. but

Courtesy Ronald H.

Organics," in Goethe's

- w . . y of Science:

Arthur Zajono (Albany: Stat

rr ng

University

gr de

right) th is

leav

always

'in.

sequ nc pe

motion,

rady "The Idea in Nature Pbe.nolllology ofNe

ofNature, ed

York 1998), p. 94