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HISTORIOGRAFÍA POSTMODERNA ŽŶĐĞƉƚŽƐ͕ĮŐƵƌĂƐ͕ŵĂŶŝĮĞƐƚŽƐ Luis G. De Mussy Miguel Valderrama
Ediciones Universidad Finis Terrae
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Historiografía postmoderna
Historiografía postmoderna
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Historiografía postmoderna
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Historiografía postmoderna Conceptos, figuras, manifiestos
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Primera edición: noviembre de 2010 © Luis G. de Mussy y Miguel Valderrama, 2010 Registro de Propiedad Intelectual Nº 196.373 © RIL® editores, 2010 Alférez Real 1464 750-0960 Providencia Santiago de Chile Tel. (56-2) 2238100ÊUÊ>ÝÊ2254269 ÀJÀi`ÌÀiðVÊUÊÜÜÜ°Ài`ÌÀiðV Composición e impresión: RIL® editores «ÀiÃÊiÊ
iÊUÊPrinted in Chile ISBN Obra Completa: 978-956-284-771-1 Derechos reservados.
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Historiografía postmoderna
Los límites de mi lenguaje significan los límites de mi mundo -VEXJH8JUUHFOTUFJO
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Historiografía postmoderna
A Luis e Isabella por día a día enseñarme la flexibilidad de las palabras y la necesidad de la adaptación. Y a María Teresa por haberme demostrado que cada despedida era el comienzo de una nueva historia. -(E.
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Historiografía postmoderna
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23
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26
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11
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20
$MFNFOU(SFFOCFSH j5IF$SJTJTPGUIF&BTFM1JDUVSFv The Collected Essays and Criticism WPM Arrogant Purpose, 1945-1949 $IJDBHP 5IF6OJWFSTJUZPG$IJDBHP1SFTT QQ1BSBVOBFYQPTJDJÓODSÎUJDBEFMBT UFTJTEF(SFFOCFSH WÊBTF "SUIVS%BOUP j.PEFSOJTNBOEUIF$SJUJRVFPG 1VSF"SU5IF)JTUPSJDBM7JTJPOPG$MFNFOU(SFFOCFSHv After the End of Art. Contemporary Art and the Pale of History 1SJODFUPO 1SJODFUPO6OJWFSTJUZ1SFTT QQ 21 "SUIVS %BOUP j.PEFSOJTN BOE UIF $SJUJRVF PG 1VSF"SU5IF )JTUPSJDBM 7JTJPOPG$MFNFOU(SFFOCFSHv After the End of Art PQDJU Q
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34
Historiografía postmoderna
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35
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Historiografía postmoderna
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Historiografía postmoderna
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39
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Historiografía postmoderna
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Historiografía postmoderna
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Historiografía postmoderna
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54
Historiografía postmoderna
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r-FDUVSBTTVHFSJEBT+BDRVFT%FSSJEB Aporías. Esperarse en los límites de la verdad .BESJE 1BJEÓT +BDRVFT -BDBO El Seminario. Libro 11. Los cuatro conceptos fundamentales del psicoanálisis #BSDFMPOB &EJUPSJBM1BJEÓT +FBO$MBVEF.JMOFS Détections fictives 1BSJT EJUJPOTEV4FVJM +FBO'SBOÉPJT-ZPUBSE La diferencia #BSDFMPOB &EJUPSJBM 1BJEÓT 4MBWPK ;J[FL Mirando al sesgo. Una introducción a Jacques Lacan a través de la cultura popular .ÊYJDP &EJUPSJBM 1BJEÓT 2000.
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Historiografía postmoderna
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Historiografía postmoderna
TÓàDP Z OP VO NPWJNJFOUP DPNPQFOTBSÎB.JMOFS RVFUFOESÎBFOMBTQSPQPTJDJPOFTEFMB MJOHÛÎTUJDBTVBYJPNÃUJDBCÃTJDBFTFODJBM-BEJTDVTJÓOFTEF JNQPSUBODJB TJOEVEB QPSRVF BUSBWÊTEFFMMBTFCVTDBGPSNBMJ[BS MPT DPOUPSOPT HFOFSBMFT EF VO NPWJNJFOUP JOUFMFDUVBM 1BSBFMàMÓTPGPBSHFOUJOP+PTÊ 4B[CÓO FTUÃ NJTNB QPMÊNJDB PCMJHBSÎBBOBSSBSFOQMVSBMMB IJTUPSJB EFM FTUSVDUVSBMJTNP "TÎ FOTVPQJOJÓO NÃTRVFEF FTUSVDUVSBMJTNP DBCSÎB IBCMBS EFFTUSVDUVSBMJTNPT1FTFBFTUB PCTFSWBDJÓO 4B[CÓO OP BCBOEPOB TJO FNCBSHP MB UFTJT EFM jNPEFMPFTUSVDUVSBMvQBSBEFàOJSFMNPWJNJFOUP&OTVTQBMBCSBT MBOPDJÓOEFFTUSVDUVSB DPNPVONPEFMPEFJOUFMJHJCJMJEBE MÓHJDB Z OP EF SFHJTUSP SFQSFTFOUBUJWP EF VO DPOKVOUP EF IFDIPT PCTFSWBEPT TFSÎB DPNÙO B UPEB EFàOJDJÓO NÎOJNB EFM FTUSVDUVSBMJTNP -BT OPUBT EFDJTJWBT EF VO NPEFMP FTUSVDUVSBM BTÎ DPODFCJEP FSBO FMDBSÃDUFSTJTUFNÃUJDPRVFQPTFÎBMBDPOFYJÓOEFMPTFMFNFOUPT DPNQSFOEJEPT FO ÊM TJ VO FMFNFOUPTFNPEJàDB TFNPEJàDBO MPT SFTUBOUFT Z MB QFSUJOFODJBEFMNPEFMPBVOHSVQP EFUSBOTGPSNBDJPOFT DBEBVOB EFMBTDVBMFTDPSSFTQPOEFBVO NPEFMP EF MB NJTNB GBNJMJB FM DPOKVOUP EF MBT USBOTGPS95
NBDJPOFT DPOTUJUVZF VO HSVQP EF NPEFMPT -B BDUVBDJÓO EF MBT QSPQJFEBEFT GPSNBMFT EF MPT NPEFMPT OP JNQMJDB OFDFTBSJBNFOUF MB BEIFTJÓO B BMHÙO UJQP EF GPSNBMJTNP +PTÊ 4B[CÓO Estructuralismo &TUB QFSTQFDUJWB EF BOÃMJTJT QVFEF TFSDBSBDUFSJ[BEBHFOÊSJDBNFOUFDPNPMFWJTUSBVTTJBOB &O ¿Cómo reconocer el estructuralismo? (JMMFT%FMFV[F BEWJFSUF RVF FOUSF RVJFOFT BDFQUBO FM UÊSNJOP jFTUSVDUVSBMJTNPv BMHVOPT FNQMFBO MB QBMBCSB jFTUSVDUVSBv Z PUSPT QSFàFSFO FM UÊSNJOP TBVTTVSFBOP jTJTUFNBv 5SBT FTUBT QSFGFSFODJBT TF FODVFOUSB jMB FYUSFNB EJWFSTJEBEv EF VO NPWJNJFOUPZEFEPNJOJPTFYQMPSBEPT$BEBVOPEFMPTRVF QBSUJDJQBO EFM FTUSVDUVSBMJTNP jTF PDVQB EF QSPCMFNBT NÊUPEPT P TPMVDJPOFT RVF NBOUJFOFO SFMBDJPOFT EF BOBMPHÎB DPNP TJ QBSUJDJQBTFO EF VOB NJTNB BUNÓTGFSB EF MB ÊQPDB EF VO FTQÎSJUV EF MPT UJFNQPT RVFTFEFUFSNJOBFOGVODJÓOEF EFTDVCSJNJFOUPT Z DSFBDJPOFT TJOHVMBSFTFODBEBVOPEFFTPT EPNJOJPT -BT QBMBCSBT BDBCBEBT FO –ismo FTUÃO FO FTUF TFOUJEP CJFOGVOEBEBTv (JMMFT %FMFV[F Q 4JO FNCBSHP IBZ DJFSUP BDVFSEP HFOFSBM FO TFÒBMBS B MB MJOHÛÎTUJDB DPNP FM PSJHFO
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TF FKFSDFSÎB FO MP SFBM Z FO MB QFSDFQDJÓO-BFTUSVDUVSB QPS FMDPOUSBSJPTFEFàOJSÎBQPSMB OBUVSBMF[B EF DJFSUPT FMFNFOUPT BUÓNJDPT RVF QSFUFOEFO EBS DVFOUB BM NJTNP UJFNQP EFMBGPSNBDJÓOEFMPTUPEPTZ EF MB WBSJBDJÓO EF TVT QBSUFT 4FUSBUBEFFMFNFOUPTGPSNBMFT RVFOPUJFOFO FODVBOUPUBMFT OJ GPSNB OJ TJHOJàDBDJÓO OJ SFQSFTFOUBDJÓO OJ DPOUFOJEP OJ SFBMJEBE FNQÎSJDB EBEB OJ NPEFMP GVODJPOBM IJQPUÊUJDP OJ JOUFMJHJCJMJEBE USBT MBT BQBSJFODJBT &O TÎOUFTJT FM PCKFUP FTUSVDUVSBM FM FMFNFOUP TJNCÓMJDP EF MB FTUSVDUVSB FT ÙOJDB Z OFDFTBSJBNFOUF jQPTJDJÓOv /PTFUSBUBEFVOMVHBSFOVOB FYUFOTJÓO SFBM OJ EF FTQBDJPT FO FYUFOTJPOFT JNBHJOBSJBT TJOP EF MVHBSFT Z TJUJPT EF VO FTQBDJP QSPQJBNFOUF FTUSVDUVSBM FTEFDJS UPQPMÓHJDP-BTSFMBDJPOFTFOUSFMPTFMFNFOUPTOP FTUBSÎBO NFEJBEBT QPS VO FTQBDJPQSFFYUFOTJWPPJOFYUFOTJUP TJOPQPSVOFTQBDJPRVFFT BOUFUPEPPSEJOBM SFEEFSFMBDJPOFT%FBIÎRVFMBBNCJDJÓO EFMFTUSVDUVSBMJTNPTFBUPQPMÓHJDBZSFMBDJPOBM "MBJO#BEJPV FTIPZ TJOEVEB FMHSBOIFSFEFSPEFFTUBUSBEJDJÓO %FFTUFDSJUFSJPMPDBMPQPTJDJPOBMTFEFSJWBOWBSJBTDPOTFDVFODJBT&OQSJNFSMVHBS TJ
Historiografía postmoderna
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DPNP CJFO SFDVFSEB FM NJTNP %FMFV[F B QSPQÓTJUP EF MB GBNPTB TFOUFODJB EF /JFU[TDIF j%JPT IB NVFSUPv TJ FM MVHBS FT BOUFSJPS B RVJFO MP PDVQB OPCBTUBDPOQPOFSBMIPNCSF FOFMMVHBSEF%JPTQBSBDBNCJBSMBFTUSVDUVSB:TJFTUFMVHBS FT FM MVHBS EFM NVFSUP MB
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r -FDUVSBT TVHFSJEBT (JMMFT %FMFV[F La isla desierta y otros textos. Textos y entrevistas (1953-1974) 7BMFODJB 1SF5FYUPT 'SBOÉPJTF %PTTF Historia del estructuralismo UPNP*Z** .BESJE "LBM +FBO$MBVEF.JMOFS El periplo estructural. Figuras y paradigmas #VFOPT"JSFT "NPSSPSUVFEJUPSFT 'SBOÉPJT8BIM ¿Qué es el estructuralismo? La filosofía antes y después del estructuralismo #VFOPT"JSFT -PTBEB &UJFOOF#BMJCBS Escritos por Althusser #VFOPT"JSFT /VFWB7JTJÓO .JDIFM'PVDBVMU La arqueología del saber .ÊYJDP 'POEPEF$VMUVSB&DPOÓNJDB -PVJT"MUIVTTFSZ&UJFOOF#BMJCBS Para leer el Capital .ÊYJDP 4JHMP99* #SVOP#PTUFFMT Badiou o el recomienzo del materialismo dialéctico 4BOUJBHPEF$IJMF 1BMJOPEJB +PTÊ4B[CÓO j&TUSVDUVSBMJTNPv $BSMPT"MUBNJSBOP EJS
Términos críticos de sociología de la cultura #VFOPT"JSFT 1BJEÓT &SOTU#SFJTBDI Sobre el futuro de la historia. El desafío posmodernista y sus consecuencias .BESJE 167
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Historiografía postmoderna
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Este libro se terminó de imprimir en los talleres digitales de
RIL® editores Teléfono: 225-4269 /
[email protected] Santiago de Chile, noviembre de 2010 Se utilizó tecnología de última generación que reduce el impacto medioambiental, pues ocupa estrictamente el papel necesario para su producción, y se aplicaron altos estándares para la gestión y reciclaje de desechos en toda la cadena de producción.
254
HISTORIOGRAFÍA POSTMODERNA
ŽŶĐĞƉƚŽƐ͕ĮŐƵƌĂƐ͕ŵĂŶŝĮĞƐƚŽƐ
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