Dark Horse

August 23, 2017 | Author: Vitor Medina | Category: Pop Music, Songs Written, American Musicians, Musicians, Music Industry
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Short Description

Sheet from Prism by Katy Perry...

Description

DARK HORSE

1

Words and Music by KATY PERRY, JORDAN HOUSTON, LUKASZ GOTTWALD, SARAH HUDSON, MAX MARTIN and HENRY WALTER

Half-time groove Gmaj7

     *





mf

Bm/D



    











Bm/A







          

Bm/D

 









Gmaj7



Spoken: “Yeah, you all know what it is.”

 





Bm

 



“Katy Perry,

       

       





Bm



μ



Juicy J,

    



Uh huh.”

         

Let’s rage.

       

  









I

 





Bm

       knew you Mark my

were, words,

              

* Recorded a half step lower.

 

  this

  



  



        

    

 





       

you were gon - na come to me. And love will make you lev - i - tate

  



here you like a

are, bird,

  

© 2013 WB MUSIC CORP., WHEN I’M RICH YOU’LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING, ONEIROLOGY PUBLISHING, ITALIANS DO IT BETTER and DEEETTA MUSIC All Rights for WHEN I’M RICH YOU’LL BE MY BITCH Administered by WB MUSIC CORP. All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission

 

but

you

  

2

     

  



bet - ter choose care - ful - ly. ’Cause I, like a bird with - out a cage. But down to

              

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di ba

-

     











te. by.





It’s

a



add cued notes on repeat



  



 



don’t just be

        





 

 

  

 



me or

 



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your a



one no,

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





      





me of

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and no

on may



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your Aph - ro your hand now,



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ly. be.



   your

 

But So

 

 



en - e - my, all to me,

 



 



  



Make palm



  



 



 



Make yes





    



ev - ’ry - thing. It’s in the

make me your be - fore you give it

sure,

 







  



 





 

ca - pa - ble of an - y - thing, if you choose to walk a - way,

 









I’m

  

and



 

  

  

of an - y - thing don’t walk a - way.

  

 

earth,

    



 



  



   







en - e - my, all to me,

      



3

G

 



 

     

give



   your it

en all



 

 -



 



boy,

    

 

  





 



you should





to

do



 

 





 

to

play



 





know





what you’re fall

 

  



 





-

ing

 

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Are

you

 











 

   -

ic,

     







 













like

a



dark

 

 



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 

Ba - by,





do

you











 







 





com - ing



at - cha

 





horse.

Bm



read - y

 

with mag



for.

 

’Cause I’m

this?





A



     



G

D

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you want

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G

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So,



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A

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e - my. to me.

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D



 for,



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for

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  

4

A

G

    

  

per - fect storm,

D





’Cause

per - fect storm?

      

    

 

          











 















once you’re mine,

 











once you’re mine,



 







 

1 Bm

Bm

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go - ing back.

there’s no

      

μ









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

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



2 Bm

 μ  





there’s no

    







go - ing back.



 





Uh,

 









she’s

a

beast,





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  











call

her





Kar - ma,





  



5

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  



 

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not

your heart

  



to

lead

her

on.

   

    love

 

get

   

so

     the



 

chance,

you



  



You may

fall







y

heart

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

is

on

ster

her.

She’s

 

sweet

 

  



 -

her,

but



  

  if

you

  

if you break her



 

       pie,

’cause



  





meet

as



oids,











when you

try



     love

 

care - ful,



in





  

 

 





 





 



bet - ter keep









Be





strong.

   













Jef - frey Dah - mer.

  















  

 

is



Short -

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  

 





like







 

out



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her







    



she’ll eat



  







heart,

 she’ll

 

6

   



turn

cold

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as

a

knight

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in









y

tale













she

can

be

my





 









Sleep - ing





end - ing







 

-











fair



ar - mor,





That





shin - ing

  

 

  





freez - er.





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 





a





I’m

gon’





 

with





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Beau - ty.







G

  







put

her

in

a

co - ma.

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 







 

 D

   sprung

    

   



     











and

I

don’t

care.







 

 





Now

I

think

I

  

love her,





Short - y



 

 





so

bad,









Bm





She ride



 









me

like

a

rol - ler



 







 

 





coast - er,

  







turned

the

 



7

A

G

  



    



 









bed - room in - to

a

fair.



 



 



 





 















Her

love

is

like

a

drug,

I

was



 







 

 







D

  















try

- na

hit

it

and

quit

it,

but

lil’

    







 





 



  









boy,

    

  









so

dope,

I

messed

a

 









 







 



you should

 know



-





D

    

   



So, you want to

play

         





 





with mag

-

ic,

        

  



A

  



 



ad - dict - ed.

Bm

 

ma - ma



             



G

          round and got





A

 



Bm



   









G







what you’re fall

 

 







  

-



ing

  







 

for.







 



Ba - by,









do

you

 





8

D

   dare

      

Bm

  





to

do



 



 



 



  













 







 





Are

you

 

 









per - fect storm,







read - y

 





 for,



 

read - y

  

 

  

horse.









 

 







a

  



  









  

D





 

’Cause

    

          



















once you’re mine,

 







      

μ









 



  



 











there’s

no

go



 







 

-



once you’re mine,



 

Bm

 

 



for









like



per - fect storm?

      

dark

 



Bm



  

a







 

G

    



at - cha



D

A

 



’Cause I’m com - ing

     



  



this?

G

 

A





ing

back.

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