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Dark Eyes (Trumpet Solo) - Harold Walters

July 14, 2017 | Author: Marlon Taruc Agapito Jr. | Category: N/A
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solo trumpet...

Description

E  Alto Sax. 1

" DARK EYES " Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.



       

 



 





  



    

  

      

         

15



  

22



 

31

   

     

38

      

45

   

  



   



   1.



  



 

cad.



   



  

    





     B

     

      



  

    

Swing   C            cad. 



           2.

      



   

       



 

    



                             



8



A

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

E  Alto Sax. 2

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.



   

8

      

15



  

22



 

31

   

     

38

45







   









 



  

 



   

 



  

    

  



A





   

  



   

      

         





B



   



   

   

     



Swing       C                     cad.  

  

   1.





  



             2.

   

       

cad.



 

   



                                   





     

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

E  Baritone Sax.

" DARK EYES " Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.



       

  

9

     

16



   

23

32









 



  

          

 





 

   







B



   





2.

 



 

cad.



   



   

          Swing    C      cad.   

             

1.



        

     

A

                       

       

44

 

 

 

       

38







  

   

    

        

                          

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

B  Bass Clarinet

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.





    

 

9

 

16



23



 



 



 

 



  

          





 

 

32









   







        

 

     

A

B





   

             C Swing      cad.    

                  





    



  



     







   

   

                                   45                              cad.             38



1.

2.

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES " Solo for Trumpet

Bassoon

Harold L. Walters

trans by Marlon T. Agapito Jr.









      

 

 







 

     

 

       

          

15

    

22

       

31



       

38

      

45

 



 

  



  



1.

   

 



 



 



   

B



  

     

 C         cad.    



   







      

               cad.  



 

Swing

           2.



 

       





8



A

 





    



             

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

Clarinet in B  1

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.

  





 







    

9



  

16

  

  



23





 

   



32

 







A







  

2.

 

1.





B

  C Swing                  cad. 



   

                               46          cad.  39



               

                             

  

     

   





  

    



          

             

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

Clarinet in B  2

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.





    

 





           

  

22

  

    38      

    

1.





      



  

 

cad.



   

   



31

45

 

   

    

15

 





    

8



             2.



    

 





A



    

   



   

B

         





     





     

   

   





            cad.  

       

   



      

C



      

Swing







 

    

               

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

Clarinet in B  3

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.





    

    

9



 

 



        

16

   



  

32

39

1.

 

 

    

45



      

 



A





   





B



    



    

     







   

    

 

  C Swing       cad. 

                               cad.  

2.





                  

       



     

24

 

   

   

 





 

   

       





   

    

                  

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE



" DARK EYES "

Clarinet in E 

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.



     

 

      



   

16

 

 



 

9







 

      





3

     

45



 

  

 

B





           2.







 

cad.









 

    



C Swing           cad. 

      

  





  

                            



   

1.





                   



       

    

23

32



A

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES " Solo for Trumpet

Euphonium

Harold L. Walters trans by Marlon T. Agapito Jr.

      



 

9



    



 

 

 



16





      



 

      





A





 

    











B



 



     

       

45



 

  

cad.

           2.



      





     



                            



   

1.

  

C Swing                                 3 cad.  





 

23

32



       

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES " Solo for Trumpet

Flute

Harold L. Walters

trans by Marlon T. Agapito Jr.

    

 

 





      



8



  

22



31





       

45

 



 





A



 



            

 

     





3

1.



  

cad.



           2.



 



      









    



 





   

15

 





  B



 



  

 

     





C Swing          cad. 

      





                           

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

Horn in E  1

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.



 

       

 







  

 

     



8

15

22



32







      

    

39

1.

     

45

  

 

     



A



 

    



   



         





  

cad.



 



  B



C Swing          cad. 



   

             





 

      

   





 

 

    

2.               





 





   

    

             

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

Horn in E  2

Solo for Trumpet Harold L. Walters

trans by Marlon T. Agapito Jr.



      

  

9







 





 

             

       

33

 

       

     1.

39

45







   

 



 

16

25







A



 

B

       



 C      cad. 









Swing





             



 



  

cad.



 

          



2.







       

             

   







      

      

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE



 

 

       

" DARK EYES "

Horn in E  3

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.



       

  

9







 

 



 

 





 



    



2.                

40



 

47

   

 



C

Swing

   



 

B



 

       

                   cad. 

34





16

25



    





        

 

               



A



 

        





Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE





       

   





 



   

      



 

 

   1.







 

         

cad.

" DARK EYES " Solo for Trumpet

Oboe

Harold L. Walters

trans by Marlon T. Agapito Jr.



      

 



31



 



44

 



   



         



  

   







   



                   

 





A

   

        

3



     

cad.



1.





  

cad.



    B



   



   

   

      





 C Swing       cad. 

           2.

       

                            



22





     

15

 



      

8

 

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES " Solo for Trumpet

Percussion

Harold L. Walters

trans by Marlon T. Agapito Jr.





        



    



    







     

A



        

9

    

   

   



      Swing C          

17

             

35

             

41

   

47

     

    

    

   



     



 

     





         





 

 

 









B

        

                   





 







                

       cad.  



                             1.

Fill-in

    

 

 

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

 

2.



   





cad.



       

   

" DARK EYES "

Conductor Score

Flute

Oboe

Bassoon

Clarinet in E 

             

Clarinet in B  1



Clarinet in B  2



Clarinet in B  3



Bass Clarinet

Alto Sax. 1

Alto Sax. 2

Tenor Sax.

Baritone Sax.

Trumpet in B  1

Trumpet in B  2

Trumpet in B  3

Horn in E  1

Horn in E  2

Horn in E  3

Trombone 1

Trombone 2

Trombone 3

Euphonium

Tuba

Percussion

Timpani

         

                                                                                   



                                

               

 





3

3

 



 

 









    



    



 

 





  

 



  

     



 







 



                 



    







































  

 



  



  



  



  



  



  



  

  

  

  

    



  

  

  

     

  









          





 

 











 



 



 

 



  



   



   



    









 A           3                               3 cad. 3  18      



 



 

    

 

 

 

 

trans by Marlon T. Agapito Jr.

 

  

cad.

 

Harold L. Walters

 

 







              



3                3 cad. cad.                





Trumpet in B 

Solo for Trumpet



 

  

   

    

 



 



 

 

          

 

 



 



            

          

    



   

     

         

          







  







  













 

              

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

  

     

   

  

Conductor Score      



  

13

Fl.

Ob.

Bsn.



  



  

 



   

















B                                     



9

 



  

    



  



   



  





 



   



  





  





  





  

   

   



  



  



   

 



  



 

 

  



 



 





 



  



 

 

  



 



 



   



  

  

   





  



   



  

   

   



      





  

   

   



  

  







 



  

  



  



   



   

  





   





 



 



 



 



 



 



 



 



 



 



 

 

  



  



   



   



 

   

  



 



 



 







B  Cl. 2





  



B  Cl. 3







  



B. Cl.





    



  



A. Sx. 1





  



   



A. Sx. 2





  



   



T. Sx.



B. Sx.



 

 

     

   



  



     

    



  



  



  



  



  



  



  



  



  



  



  



B  Tpt. 1





 

B  Tpt. 2





 

B  Tpt. 3





 

Hn. 1





 

Hn. 2





 

Hn. 3





 

   

 

   

 

   

 

   

 

   

  



    



 



  

   

 



  

13

13



13

  

           

           

    

 



  

          

 

    

   

  



  

  

  

  

  

  

  

  

  

    

  

 

     

   

    

         

   

   

   

   

   

   

   

   

   

      

  



       

    



 



 



 



 



 



 



 



 



 



 



 

            











  

   













 

   

9



  



Timp.



 

  

Perc.







Tuba



  



Euph.





 

B  Cl. 1

Tbn. 3



 



Tbn. 2





E  Cl.

Tbn. 1



                    



B  Tpt.







13



2

     

  

   

  

  



   



 



 



 



 



 



 



 



 



 



 



 



  





 





 

             

  

 

    

   

           

    

          

                

   



  



  



  



  



  



  



  



  



  



        

      

   

  

   

      

   

   

       

   

  

   

    

    

   

         

         

    



  





 





 



 



 



 



 



 



 



 



 



  



    



 



  



 



  

            



   



  



  



  



  



  



  



  



  



  

          

Conductor Score

  

23

Fl.

Ob.

Bsn.



   







E  Cl.



B  Cl. 1







B  Cl. 2







B  Cl. 3













B. Cl.

A. Sx. 1

A. Sx. 2

T. Sx.

B. Sx.

   

 

  





B  Tpt. 1





B  Tpt. 2





B  Tpt. 3





Hn. 1



23

Hn. 2

Hn. 3

Tbn. 1

Tbn. 2

Tbn. 3

Euph.

Tuba

 



 

                



   

23

Timp.





   

23

Perc.





 

  





      

                                           

                 







 

 

 

  

           

  

                          

                  

   



      

       

             



           

                                                                        





              

             



  

              

rit. 3

3





    

                                                                              

             



   





   





   





            

      



   

               



          

      

              

       

          3                                               

      



  





B  Tpt.

 





                                 

rit.

7





23

            

 

  

 

      

                                                                                                                       

  

  

 

   

 





3      

 

  

  







   







 











  

 

   

             

  

    

       





3



      

        





 

     

 

      















  

 

  

 



                 3                   3                   3 



   

     

                    

        

















  



 

 







































            

  





 



 

















   



3







               

  



3

  





 



            

 







 



  

             

        

      

3                       3                        3                         3 































       

       

                                    

                                                                                        

3





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.





cad.

3

Conductor Score

4 35

B  Tpt.



            3

3

3

  

C

Swing                                                           3          







 













 







 







 









 









 









 









 







 







 







 







 







 







 







 







 







 







 







 







 







 







   

 

















         



 

   







  



  



 



  



                                                



        

               

       











     

 

  

         

        







    

 

























   





       



 

 



























  

          

    

     

 



          



 

    



           

 



 

 





   

  

  

 









  

        



     

  

   















      





   



   









    







   

    

   



                

             



      





 

   









Conductor Score 45



45

Fl.

Ob.

Bsn.









  

E  Cl.



B  Cl. 1



B  Cl. 2



B  Cl. 3



B. Cl.



A. Sx. 1



A. Sx. 2



T. Sx.



B. Sx.



                                   1. 2.          1. 2.          1. 2.                       1. 2.          1. 2.                       1. 2.                       



  

 

  







     

 

 

   

B  Tpt. 1





B  Tpt. 2



B  Tpt. 3



Hn. 1



Hn. 2



Hn. 3



45

Tbn. 1

Tbn. 2

Tbn. 3

Euph.

Tuba





  

   



 



 

   

 





  







  



  



  



1.

   

   1.

1.

  

 







1.



1.



 



1.









1.









1.



  

 

 

 

 





   1.

  





   1.



   1.





1.



  







1.



  







1.



  







1.



  

 

 



 











  











1.

 





     





 



   



     













     



2.

      2.      2.      2.

     2.       2.        2.      2.      2.       2.      2.      2.

2.

                                      

      

            







 

 



    

     





     

    





   





       

   



      



    



 

    



    









   

   

  





       

    



            

            





        



    



   







   



   



     

                    

   













   

               

     

















   

   













    

           

   

 

    

   





        

   





5       cad.     



   

          



           

    

 

         





5











         2.





     

                 2.      2.      2.     

     

 





            

2.

     1. 2.   Fill-in            1.

 



45

Timp.

    



 

1.



45

Perc.

 

 

  





 



 

   



2.



B  Tpt.

1.

3

            

                  

           

       



  



    

Conductor Score

B  Cl. 2

B  Cl. 3

B. Cl.









T. Sx.



B. Sx.

 55

B  Tpt. 1



B  Tpt. 2



B  Tpt. 3



Hn. 1



Hn. 2



Hn. 3



Euph.

Tuba





     

    

 



  















        

  

 

             

          

 



   





55

Timp.





    

55

Perc.





A. Sx. 2

Tbn. 3







Tbn. 2





































































































 



 









 



 



   

A. Sx. 1

Tbn. 1





 

        



B  Cl. 1

 





          



E  Cl.

  









Bsn.



  





    



Ob.



3



            



Fl.

  

        



55

 



         





  

 

   



B  Tpt.

     



 



3

       



3          

55



6

   

 

  

      

 

  

 

  

 

  

 

  

 

  

 

           

 

            





 



  

 

      

      

  

              

 



    

   



   

   



             



     

 





 



 

   

  





   



        

           

    

 

 

 

       

               

 

  

             

              



 



                         

   

       



           

  

    

       

           

  



  

             

    

   

 

              

   

            

           

     

 

    

 

      

   



   



  

 

      

  

   



 

  

   



  

   





 

 



  

   



  

   

  

   

   

 

   

  

 

    

  

         

    

 

        

   

                      

               

    

            

 

 





  

  

  

 





 

     

       



  



          



     

" DARK EYES "

B  Tenor Sax.

Solo for Trumpet

Harold L. Walters

trans by Marlon T. Agapito Jr.

 

 

 







 

9

 

16

24



 

     

 







2.

       

47

 



 

 

 

A







          

 

B



  

      

       

   



       

        





       C Swing           cad. 

           

40



        



33

 

 

   

 

  





    

   



 



    







     

1.

 



 

               

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE



cad.



" DARK EYES " Solo for Trumpet

Timpani

Harold L. Walters

trans by Marlon T. Agapito Jr.

        







 

  

     

 

      



8

  

22

   

32

 

     

46

cad.

   





        

      

 

 

B

 

Swing

  



       

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE





 

          



   



 

 

          C

2.





 



          

       cad. 



 

  

1.

A



 

  

15



    

  

             

" DARK EYES " Solo for Trumpet

Trombone 1

Harold L. Walters

trans by Marlon T. Agapito Jr.

     

 

 







     

 

      

  

8

15

  

22









 



A



 



     





 



         

      

                  

47

 





  

 

  B

    



 



  

 

        

                        C Swing       3  cad. 

        2.  40            31



 

    

  

  





   

1.

 



 

          

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE



cad.



" DARK EYES " Solo for Trumpet

Trombone 2

Harold L. Walters

trans by Marlon T. Agapito Jr.

      



     

8

 



 





 

  





 



 

                            22        3  15



        





 







  B



 





  

 

   





C Swing                   cad.

      



     

                   

47



 

    



          2.  40               31

A



   



    

1.





 

          

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE



cad.



" DARK EYES " Solo for Trumpet

Trombone 3

Harold L. Walters

trans by Marlon T. Agapito Jr.

       







 

 







 

     

 

      

          

8

15

  

22

 

31



 





  

 

    







  B



 





  

 

    





Swing                  C            cad.   3      1.                      

             

40

 



A

2.

       

                   

47

     



  



         

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE



  

cad.



" DARK EYES "

Trumpet in B  1

Solo for Trumpet Harold L. Walters

trans by Marlon T. Agapito Jr.

 













         

17

25



 3



34



44





 



 

 

        cad.  





  

cad.



C

Swing

1.





 

B

 











 

 

      

        



A



 

          



 

   

9



   





    

            2.



 



  

               







       

       

                            



  

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

Trumpet in B  2

Solo for Trumpet Harold L. Walters

trans by Marlon T. Agapito Jr.



    

 





 

        

17

25





34





44

3



 





   

 

       

      cad.   







 

cad.



C Swing

1.





 

B



 

     





A



 

       

   

 

   

9









 

 





   





     

          2.



  

  

           







        

      

                              





Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

Trumpet in B  3

Solo for Trumpet Harold L. Walters

trans by Marlon T. Agapito Jr.







   

 



          

17

25





34

 

44

3



 





 



         









 

cad.

C

Swing

1.







  B





 

 







 

       

      cad.   

A



 

            



 

 

   

9





   





     

             2.



  

  

           

 



        

       

                                  





Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

" DARK EYES "

cad.

        

       





 





         18



    

  3

3

cad.

 





14

3







     





         

 

3

3

cad.

  



trans by Marlon T. Agapito Jr.



                 

             3  cad. 3

8

Harold L. Walters

Solo for Trumpet



Solo Trumpet in B 





                A

                





     

                                                 9

B

9







20



rit. 3

3







         7

rit.

         3 

    

25

                       

C

34

3

cad.

3

3

3

3





















  

 

     

 

 

1. 3     2.                                    



50

56

 





                        3 

                               



Swing

39

44



    









 

 



5           

cad.

   



   







Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

 3

    

       3

3

 

" DARK EYES " Solo for Trumpet

Tuba

Harold L. Walters trans by Marlon T. Agapito Jr.



        

       

9





  

  

   

                

  



  

33

 

39

       1.

      

45

 

  



   



16

24







A

    

          

 

 

   

              2.







 

cad.



                       

     cad.     





C

 

B



   

   

    

       

















   

     

   

   

        

   

Swing



   

               

      

Copyright 2011 © Marlon T. Agapito Jr. MUSIC HOUSE

     

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