Cumparsita, La. - Full Score and Parts



Tango (q = 60)

         

Accordion

D7

f       

    



libremente



  



  

  

  

mf





G‹

 

 



 

f





La Cumparsita   

Tango

  

f   

mf





    D7









  

  





  





G‹

 

 

 



  



 





G. H. Matos Rodriguez Arr. Juan Villodre G7

    

















  

















   

















   

















  

















 

















Clarinet in Bb 1

 

















Clarinet in Bb 2

 

















 

















 















  















  



Flute 1

Flute 2

Oboe 1

Bassoon

Clarinet in Eb

Solo Clarinet in Bb

Clarinet in Bb 3

Bass Clarinet in Bb

Alto Saxophone 1

Alto Saxophone 2

 mf



mf

 mf



mf

 



mf

















Tenor Saxophone

 

















Baritone Saxophone

  

































Horn in F 1

   

Horn in F 2

  

















Flugelhorn 1

 

















Flugelhorn 2

 

















Trumpet in Bb 1

 

















Trumpet in Bb 2-3

  

















Trombone 1

   

















Trombone 2

   

















Trombone 3

   

















Euphonium 1, 2

   

















Tuba 1-2

    

































































 

















  















































Violoncello

Contrabass

Timpani

Percussion 1

Percussion 2

Orchestral Bells

              

   

Tango (q = 60)

Xylophone

   



mf



2

 9

Accord.

Fl. 1

C‹

          

  

 

   

 

  

  



G‹

  

 









 



  

  





D7

   

 

   

 

  

 

  

G‹



   























Fl. 2



















Ob. 1



















Bsn.

 





























Eb Cl.



Cl. Soli.



 











 













 









Cl. 1



Cl. 2















 





Cl. 3















 





B. Cl.



A. Sax. 1



A. Sax. 2



T. Sax.



B. Sax.



   

























 















 































































Flug. 1

















Flug. 2

















Tpt. 1, 2

















Tpt. 3, 4

















Tbn. 1

 















Tbn. 2

 















Tbn. 3

 















Euph. 1, 2

 















Hn. 1

Hn. 2

Tba.

Vc.



  

      mf    pizz.    mf pizz.

Cb.

Timp.

Perc. 1

Perc. 2

      

mf







 















 





 

 

 











 









 

 









 







 









 

 





















































































Orch. Bells

 

Xyl.



3



16

G‹

    

Accord.

Fl. 1

 



 

 







   





Ob. 1



Bsn.

f

     

Fl. 2

  

  

f



  

 







       D7













         







 



  











 



             









  





















 







   

 

 







 

    



G‹





 





 



 









































Eb Cl.



Cl. Soli.



              

                                                                          

                             

Cl. 1



       

                                       

               

Cl. 2



       

                                                            

                      

Cl. 3







f

B. Cl.

A. Sax. 1

A. Sax. 2

  















 





       

  



 





 









 

f





   



T. Sax.

B. Sax.

Hn. 1

Hn. 2

Flug. 1

Flug. 2

Tpt. 1, 2

Tpt. 3, 4

Tbn. 1



 











  

 

 









cue: horns

 

  ff

 

 

 



 











  

mf cue: horns mf

f

  

 

cue: horns





mf

























  







     









Cb.

Timp.

Perc. 1

Perc. 2

Xyl.

























       











       



 







 



 

 

   





 





       

f





  







 

 





 



 

 





 



 

 



 

         

 



 



 







      

       





 



    

  

     

 







  











 









 





 





















 







      









      

        

        

        

        

      

 

        

      

   

      

 

        

        

        

        

        

        

      

 

        

     f arco       

  

 





p

  f

tambourine



      



f



     











   











 

 

 

 

 

 

 

      

 



 

 

 



















       









f

        



f

mf

     

glockenspiel

Orch. Bells



    



 

f arco

Vc.



 



f

       



f

Tba.





      

f

Euph. 1, 2





    f

Tbn. 3



  

 

f

Tbn. 2





ff







       



f

f







f

f

   



   

  





 

   



 





























 



 

 



 

 

 















































   



        

 



      

     



 

 







 



4



24



Accord.

Fl. 1

Fl. 2

Ob. 1

Bsn.



Cl. 3

B. Cl.

A. Sax. 1

A. Sax. 2



 





B. Sax.

 mf

 

mf

  

mf

   

Hn. 1



Flug. 1

Flug. 2

Tpt. 1, 2

Tpt. 3, 4

Tbn. 1



     mf

   mf ord.

 







mf ord.

mf solo



f ord.





mf

  

 

















  

Vc.

Cb.

Timp.

Perc. 1

Perc. 2

Orch. Bells



 



      

 



 































     





 











   





 











































































































           

  

   

  









 

 





        

                 



      







 



 

 

    

        

     

















































 

 



     





 

        









                       



      

          

















       

     

       

     

      



 

         

 

        





 

     

      



                











 

      

 

 

        

        

      

 

      

        

       

      

mf









 



mf



 





 





 



mf





                 







       

                 



    





        

      

                     



    



        

3

         

                 

   



mf



         



 





     

                

      

 

      



      



     









 





































 











 





 





























































































    mf



                                                                                               

 

    

 



                                                                                                       

      

marimba

Xyl.



 





   





 



      

 

 



mf

Tba.





   

mf

Euph. 1, 2





mf

Tbn. 3







mf

Tbn. 2



mf

mf

Hn. 2







  









mf







mf

















mf

mf

T. Sax.





 

mf



















mf

    

Cl. Soli.



3

mf

 



f

   



Cl. 2



 

Eb Cl.

Cl. 1

 

        

                 

        

        

        

      



32

5



Accord.

Fl. 1

Fl. 2

G‹      

 

    p

   p

Ob. 1

  









    



mf p

    



mf p

Bsn.

 



  

    

C‹

 

    

p

 



    





    



mf p

    



mf p

mf p



 

  



     





    



mf p

    



mf p

mf p

 





  

    





    





    



mf p

    



mf p

mf p





G‹



 

  







    



mf p

    



mf p

 



  

    

C‹

 

    

mf p





    





    



mf p

    



mf p

mf p



 

  



     





    



mf p

    



mf p

mf p

 



 

  

    





    



mf

    



mf

mf p





G‹



 

mf



                                                

Eb Cl.



Cl. Soli.



Cl. 1



                                               

Cl. 2



                                               

Cl. 3



                                               

B. Cl.



A. Sax. 1



A. Sax. 2



T. Sax.



B. Sax.



Hn. 1

                                               

  







Flug. 1











  













 



















cue: horn 2











f cue: horn 1













Tpt. 3, 4









Euph. 1, 2

Tba.

Vc.

Cb.

Timp.

Perc. 1

Perc. 2

Orch. Bells

Xyl.







Tpt. 1, 2

Tbn. 3





























                                               



Tbn. 2

  

                                               

Flug. 2

Tbn. 1



                                               

f

Hn. 2



    





 

 

 







 





 







 



 







 





 























 



 





 



 







 



 







 



 



























  



   



  



   



  



   



  



   



  



   



  

    



  



   



  

  

   

   



   

   



   

   



   

   



   

   



   

   

   

   



   

   

 

   

    

   

    

   

    

   

    

   

    

   

        

    

   

      

  

 







              

p



p







  







































  





















































brushess

   









         mf

 

 

vibraphone





p tambourine











 







  















 



 

 



  





















mf































     

 





 

 

 



     

 



 

 

 



 









     



 

susp. cymb.

mf

 





 

 



6



40

  

Accord.

Fl. 1

Fl. 2

Ob. 1

Bsn.

Eb Cl.

Cl. Soli.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

A. Sax. 1

 

    





 











 



D7





 







 







G‹





mf

mf







      



      

mf p

           



mf p

    



mf p

      



      



      



      



      





     



          



mf p







p



p



p



p





   





           

     

p





mf p

mf p

mf p









mf p

mf p

mf p





mf p





       mf p



      



      



           



mf p





mf p

mf p

      



          

mf p



mf p



 









 

      



      



      



      



mf p

mf p

mf p







           



      



      

mf

           



mf

    



mf p

      



      



      



      



      



p

mf

p

mf

p

mf

p

mf

p













p

mf

p

mf

p

mf

p







          





      





      





           







mf p

mf p

mf p

      

mf



p









mf p

















































 











   















 



 

























































































 

 



 



 

 



 



 

 



 









Flug. 2











Tpt. 1, 2



















Tpt. 3, 4



















Tbn. 2

Tbn. 3

Euph. 1, 2

Tba.

Vc.

Cb.

Timp.

Perc. 1

Perc. 2

Orch. Bells

Xyl.

  



   



  



   



  



   



  

    



  



   



  

    



  



   

 

   

   



   

   



   

   



   

   

   

   



   

   

   

   



   

 

   

    

   

    

   

    

   

        

    

   

        

    

   

 

  

 







 

 









Flug. 1

Tbn. 1







                                                                               





G‹



mf



B. Sax.



 



                                                                               

          







      

T. Sax.

 









Hn. 2

D7



                                                                                

 

A. Sax. 2

Hn. 1





 





              













 









































 





























p

 









 









 



      



mf p





 







  



 

      



mf p







 













 

      





mf

p





p

 

 

 

mf

susp. cymb.  

  



       mf





mf



 





 





       mf p







 













       mf p







 

  









 mf



             p





     

f

















triangle







   



 

 

mf

 

       mf p





7



     f      

48

Accord.

Fl. 1

Fl. 2

Ob. 1

D7

 

 



  

           6 f       f      





  

Eb Cl.

Cl. Soli.



  













Cl. 2

Cl. 3





f





A. Sax. 1

 

A. Sax. 2

T. Sax.



  





 

  



mf

mf





f



6





 















    





 



    









    





 



    

mf

  



  

f



f

  



mf





















  

       

 

 

  





 

  





 

  







         





  







 



    



 



    

mf











7

 



                   f

 



mf



mf





f

mf

      



 



f







 

 

 





      

mf



mf

6



mf













   













   



 



f

f

B. Cl.





6



 

f



 



      

f

Cl. 1



f



 

            







G‹



mf

  

f

  

mf

f

Bsn.

 

 

f



3





f



f

  



 

 3

    





 3



     3

    





           3

3

3







 



3

    



 



 3



       

3





3



 

3

      



        

3

3



3

 

3

   



    

























  





f

B. Sax.

  

   



f

Hn. 1

f

Hn. 2

   f

Flug. 1

Flug. 2

Tpt. 1, 2

Tpt. 3, 4

Tbn. 1

 



f

f



f

Timp.

Perc. 1

Perc. 2

Orch. Bells

Xyl.



 mf

 

  

 



 























f

mf

  



 



 

 



 





 



 





   



 





 



 





  

 



 





 



 



   

 



 

 



 



 

 



 

pizz.



 



 



arco div.

 



 

arco div.

pizz.

 



 

arco div.

 



          

f

 f















f

 



f

glockenspiel

    f

    

xylophone



 



arco div.

  





 

 



f



 

 



    

f pizz.

Cb.









f pizz.

Vc.



 





 

f

Tba.





 



f

Euph. 1, 2



 



  f    

f

Tbn. 3

 

 











f

Tbn. 2

 



 





 







    

 mf







    





       



f



 





 

  

 

 

tambourine

 







   



mf



 

  

 



     

8



D7

     f            52

Accord.

Fl. 1

Fl. 2

f

        f

Bsn.

Eb Cl.

 





  

 



 















 



 



f

Ob. 1

 

  



   



            



Cl. Soli.



6

f

Cl. 1

f



6













  

G‹





           



 

  







 

  









f

 



 





mf









 







 



       

 









7

  









       6



 

G7

  





 

  





 

  







                    f











 



   

 





 









  



  



         

mf





Cl. 2













    





 



    











    





 



    

Cl. 3

 









    





 



    











    





 



    



 



B. Cl.

A. Sax. 1



A. Sax. 2



T. Sax.



B. Sax.



Hn. 1

Hn. 2



  

 

Flug. 2



 

Tpt. 1, 2





Tbn. 3



3



 

      3







3

    

 

           3

3







 



3

    



3

3













  

    











 













 











  





 











 





 















3

3







3        



 

 

   





















3



 





 3









3





f

     



 

    

Tbn. 2



   



Tbn. 1





Flug. 1

Tpt. 3, 4

3



 

 

 

  



 



 



 



 



 



    



 



   



 





 

       

  

 

  













  

 



 









Tba.

   

 



 

















Vc.

   

pizz. a2

Cb.

Timp.

Perc. 1

Perc. 2

Orch. Bells

      







 

 



 

arco div.



 

        



 



 





f

Xyl.

 

 

arco







 

 

  







    



 

    



       

 

 



 





 

 



 

 

    

 

Euph. 1, 2

pizz. a2

3

   

tambourine



    

 

 

  

 





    

9



56

Accord.

Fl. 1

Fl. 2

Ob. 1

Bsn.

C‹

     ff      

    



  ff

  ff

  

Cl. 3

B. Cl.

A. Sax. 1

  

 



 









7





B. Sax.

 

ff



Hn. 1



Flug. 2

Tpt. 1, 2

Tbn. 1

Tbn. 2



f





7



  



 





 





    

7

6

   

   



   















 



7

7



  

  

 

 

mf



9

mf





    



         

 

                

    

3

 





9



 

    



                 

        

  

         

    





  

         

    





                 

        



3

  

3

3

         

    







 3



 3



               3

  

3

3

3

3

         

3

    



            3

3

3





















 



 







 

  

 

 







 



 





   



 

ff

  

















 



3  

     3            3

3

3

                  





 



 

























  









  









  



    ff    



   



ff



ff





























 

   





ff

Euph. 1, 2

ff

Tba.

Vc.



ff

Cb.

Timp.

Perc. 1

Perc. 2

Orch. Bells

Xyl.

  







 

ff



ff

 

 

  

p

ff

   ff

      ff



        



mf p





  



  

         

 mf

        









         









         









 





 

 

  

                          



        













         









        









        

























 

    



    mf p

        



   

   

 

 

        





  

         



    

ff

Tbn. 3

   





ff

 



 

 





 

    





7



f





          

                    

         

  



  



 

        



ff

 ff    





G‹

 

  







     

  



3 3 3 3                       3



  

                    







mf

 





     

7

 









3

7

f

D7



    

                                 

mf



 





ff

Tpt. 3, 4





    

  

   

    

ff

ff

Flug. 1

  



         



    

 

 



ff

Hn. 2

    



         



     



 

G‹

  

ff

T. Sax.



ff





3



 







            

6

  

ff

A. Sax. 2

    



  

ff

Cl. 2

 

  



ff

Cl. 1



  

ff

Cl. Soli.



ff

ff

Eb Cl.





 



  

p





    





 

 

p

tambourine

  

  



   

         







    



        

    

        mf p

      

triangle

  



  

 



                 

 

                 

Accordion



La Cumparsita

 G‹              mf  f          

Tango (q = 60)

          f        D7

libremente



   

  D7                mf  f            Tango

G. H. Matos Rodriguez Arr. Juan Villodre G‹

                    

  G7 C‹         G‹         D7                                                            

8



G‹ G‹        D7                                 f f           

16



27





 



           

   









       

G‹





G‹





G‹

       

   

3



       

    

C‹









   C‹ D7 G‹ D7 G‹ D7     G‹                                                     f                    

38



  G‹                     mf  f         

49



C‹              ff           

56

  D7                mf  f           

  G‹                      

     G‹         D7                                        

G‹

  G7          

            

        

Alto Saxophone 1

Tango (q = 60)

   16







  mf

   





La Cumparsita Tango





G. H. Matos Rodriguez Arr. Juan Villodre





   



                           f mf



f

                   

28

                 

        

35

43



  51





 



3

3





3

3

3

3

     

 3

            

3

f

 3

3

 3 3

       3

3

3

        3

 3

 

 3

3

3

 3

  3



   3

3

 3

3

  

                  3

3

3

3

3

3

                          3

56

ff

3

3

3

3

3

3

3

3

3

3

3

3

3

3

                                

60

3

3

3

3

3

3

3

3

3

Alto Saxophone 2

Tango (q = 60)

   16







La Cumparsita



G. H. Matos Rodriguez Arr. Juan Villodre

Tango

     



mf









 

f

f



   

  



             

mf

                                                    

26

32



                                 

38















         

f

                                                                      

49

                                                                 

55

ff

                                                   

59

Baritone Saxophone

Tango (q = 60)

  

La Cumparsita



G. H. Matos Rodriguez Arr. Juan Villodre

Tango

                               f

                                         mf

23

                                     

32

43



                 

    

     

f

53



 



ff











    

       

Bass Clarinet in Bb

Tango (q = 60)

 

La Cumparsita



                                 

23

 32

 43

 53



G. H. Matos Rodriguez Arr. Juan Villodre

Tango

                                 mf                                                   



 



ff





     

     

f







    

       

Bassoon

Tango (q = 60)

   

La Cumparsita

G. H. Matos Rodriguez Arr. Juan Villodre

                      



Tango

f

                       

24

     

mf

32

  









48

        f

56

   ff



















    

    













   

 

     





     

Clarinet in Bb 1

Tango (q = 60)

 

La Cumparsita





 

Tango





G. H. Matos Rodriguez Arr. Juan Villodre





   



mf

16

                                                                                 

22

mf

32

                                                                                  

38

p

mf p

mf p

mf p

mf

      44                                                                     p

mf p

mf p

mf p

                  

51

f

   

mf

f

          

57                                             mf

f

ff

Clarinet in Bb 2

Tango (q = 60)

 



La Cumparsita 

 

Tango









G. H. Matos Rodriguez Arr. Juan Villodre

   



mf

16

                                             

22

                                mf

32

                                    

38

                                               p

mf p

mf p

mf p

mf

44

                                                             p

mf p

mf p

mf p

f

50

                                                                                                                               

56

ff

                                              

60

   

Clarinet in Bb 3

Tango (q = 60)

 

La Cumparsita



 







mf



16





f





G. H. Matos Rodriguez Arr. Juan Villodre

Tango















   

             

mf

31

  

                             

37

                                              mf p p mf p mf

43

                                                       mf p       mf p  f p mf p mf p

49

                                                            

55

                                         ff

                                        

59

Clarinet in Eb

Tango (q = 60)

   24



La Cumparsita



 





Tango

 

 

 

 

 

G. H. Matos Rodriguez Arr. Juan Villodre

 

 

                              

                                       

36



p

mf p

mf

                                                  

42

p

mf p

mf p

mf p

mf p

mf p

f

                                        

49

mf

f

mf

f

                                         

56

ff

Contrabass

Tango (q = 60)

   

La Cumparsita



Tango

  

pizz.



mf

 

G. H. Matos Rodriguez Arr. Juan Villodre

     

   



                                                      

16

arco

f

mf

                                    

27

pizz. arco div.                                     

38

50

        pizz.

arco div.



57

  





pizz. a2

      

arco div.





 

  

f

 

 

   



ff



Euphonium 1, 2

Tango (q = 60)

   

La Cumparsita

G. H. Matos Rodriguez Arr. Juan Villodre

                            



Tango

f

                                         

22

        

mf

30

45

  



54

 



 

  

ff









f





    

       





















            

Flugelhorn 1

Tango (q = 60)

 



La Cumparsita Tango

               

           cue: horns

G. H. Matos Rodriguez Arr. Juan Villodre

mf

                                    

24

ord.

mf

cue: horn 1                                      

30

41

       

              f



          

                                      

53

ff

Flugelhorn 2

Tango (q = 60)

  24

 

 

Tango

G. H. Matos Rodriguez Arr. Juan Villodre

               

           cue: horns

mf

ord.

mf

30



La Cumparsita

                                                                   

cue: horn 2

             

41

       

              f



          

                                      

53

ff

Flute 1

Tango (q = 60)

  

La Cumparsita

Tango            





32

      

   p

37

   p

42



46



 



     

                      

21

  



  

G. H. Matos Rodriguez Arr. Juan Villodre

mf



mf p

      



      

      

mf p



mf p



      



      

mf p



mf p

       mf

                          

mf p

mf mf

                                                           

                          

6 f mf f        51                                                f ff                           57                    

f

7

mf

9

Flute 2

Tango (q = 60)

   

La Cumparsita



                   

             

26

35

   p

40



G. H. Matos Rodriguez Arr. Juan Villodre

Tango

      



mf p

      



mf p



      

p

      



mf p



mf p

      

      

mf



      

mf p



mf

      

mf p

mf

                                          mf

                                              

44

  49                                         mf f mf f                              57                

        

f

ff

   

Horn in F 1

Tango (q = 60)

  

La Cumparsita



Tango

       ff

24

             mf

32





f

        

                         

55

ff

f

  

    

             

          

                   

45

G. H. Matos Rodriguez Arr. Juan Villodre



      

            

    

    

   

   

         

Horn in F 2

Tango (q = 60)

  

La Cumparsita



Tango

       ff

G. H. Matos Rodriguez Arr. Juan Villodre

             

                                                     

24

mf

                   

        

31

f

43

    

54



           

          ff

 

    

f





   

          

  

   

         

Oboe 1

La Cumparsita Tango 



Tango (q = 60)

  

G. H. Matos Rodriguez Arr. Juan Villodre



                                                         

32

p

mf p

mf p

mf p

mf p

mf p

mf p

mf

                                                           

39

p

mf mf

                                                                              

45

f

mf

f

mf

52                                         f

        

58

      

ff

     

      

    

   

Mallets 1/2

Tango (q = 60)

   

 



             f glockenspiel



  

24

La Cumparsita











G. H. Matos Rodriguez Arr. Juan Villodre

Tango

                





















                                                             marimba

mf

31





vibraphone

    mf                              





40

        

  

    

                             

  





    

  

 

    

    

                                                                 p

     47

mf p

mf p

mf p

mf p

mf p

       f xylophone f                                                      p

glockenspiel

    



     mf

f

mf p

mf

          mf f                        

                              ff                                                                             

53

    

ff

       58



    



   



     

                                                                 

       

Percussion 1

Tango (q = 60)

 

La Cumparsita



       



23





38





p

mf





brushess

      

       

p



mf





p



G. H. Matos Rodriguez Arr. Juan Villodre

Tango





 

 













 

mf

48

          f

56







                             p mf p mf p mf p





          p mf p





    

Percussion 2

Tango (q = 60)

 

La Cumparsita









  

39

mf

 

51

 

susp. cymb. triangle

f

 

     

tambourine

       f tambourine

23

G. H. Matos Rodriguez Arr. Juan Villodre

Tango



 

tambourine























 

 

 

  tambourine     

 

 

   

 

p

ff

   

susp. cymb.

 

 

tambourine

mf

 

f

triangle

 

   

       

Solo Clarinet in Bb

Tango (q = 60)

 

La Cumparsita





 

Tango





G. H. Matos Rodriguez Arr. Juan Villodre





   



mf

                                                

16

                                

22

mf

32



                                   

                                           

38

p

mf p

mf p

mf p

mf

                                               

44

p

mf p

mf p

mf p

                            

49

mf

6

7

f

6

6

f

           

mf

                                           

52

f

6

6

mf

f

6

7

                                              

55

mf

ff

3

6

                     

58

3

7

f

7

7

7

mf

                  7

mf

                                 

60

f

7

3

mf

6

9

7

   

Tenor Saxophone

Tango (q = 60)

 

La Cumparsita Tango   



f

            

24

   



     

     



  



G. H. Matos Rodriguez Arr. Juan Villodre

f

   

mf

      

32

                                    

38

             

50

  











   ff



























         

f

Timpani

Tango (q = 60)

 

La Cumparsita



                

f



25

 

55





 

 





p

44

 

ff

G. H. Matos Rodriguez Arr. Juan Villodre

Tango

 



 





mf

f





 

  

 

  

  

mf



mf



  

    



 

   

Trombone 1

Tango (q = 60)

   

La Cumparsita



G. H. Matos Rodriguez Arr. Juan Villodre

                             Tango



f

                                            

21

27

  

 

mf

                            

                                                         

32

39

  

46

  

                                          

      

         

54

  ff

      

f



 

       

 



                

Trombone 2

Tango (q = 60)

   

La Cumparsita



Tango

G. H. Matos Rodriguez Arr. Juan Villodre

                                

f

21

                                                       mf

27

                                              

32

                                                   

39

                                                                                    

46

f

          

54

  ff



 



      

      

  

         

Trombone 3

Tango (q = 60)

   

La Cumparsita



G. H. Matos Rodriguez Arr. Juan Villodre

Tango

                                  

f

21

                                              mf

                                

27

                                            

32

                                              

38

44

                            

52

        

  

        ff

  

      

      

  

    

f

Trumpet in Bb 1

Tango (q = 60)

 

La Cumparsita



Tango

           

solo              

f

  

48

  

f

21

32













3













                                    f mf f mf f 56                                    ff



     

           

        

G. H. Matos Rodriguez Arr. Juan Villodre







                   

Trumpet in Bb 2-3

Tango (q = 60)

  24

La Cumparsita



Tango

           cue: horns

mf

G. H. Matos Rodriguez Arr. Juan Villodre

               

                                           ord.

mf

30

              





















43

 



54

 

  



























         

ff

f





Tuba 1-2

Tango (q = 60)

   

La Cumparsita



G. H. Matos Rodriguez Arr. Juan Villodre

Tango

  



mf

  

      

  



16

                                              mf   f

27

                                          

38

                                    f

50

       





    



57

 













   



 

   



ff



Violoncello

Tango (q = 60)

    16

La Cumparsita



Tango

  

pizz.



mf

 

G. H. Matos Rodriguez Arr. Juan Villodre

     

   



                                              mf   f arco

27

                                                                              

38

50

pizz.

        pizz.

arco div.



57

  





   

pizz. a2



arco

 

f

 

  

arco div.

 

 

   



ff

