Fake Book 1 pre 1923 Ver. 1.1
‡
Tuba
The Creole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline’s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at: www.madelinekoeberling.ca
This Fake Book has been assembled with tunes that have all been written prior to 1923. Therefore these are all out of copyright in the USA. I hope you enjoy the tunes. This fakebook has been produced in the following versions: C Treble Bb Treble Eb Treble Bass Clef Tuba (bass clef one octave lower) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The Creole Jazz Band
[email protected]
12th Street Rag ................................................. 1 A Good Man Is Hard To Find ............................. 2 Afghanistan .................................................................. 3 After The Ball Is Over .......................................... 6 After You’ve Gone ................................................... 4 Aggravatin’ Papa ......................................................... 8 A’int We Got Fun ....................................................... 7 Alabama Jubilee .........................................................18 Alcoholic Blues ....................................................... 10 Alexander’s Ragtime Band …….......................... 12 Alice Blue Gown ................................................. 16 All The Girls Go Crazy ….......................….……. 14 Amazing Grace .......................................................... 17 American Patrol ……………….............................…. 20 And They Called It Dixieland ......................... 19 Any Time ..…………………………........................……… 21 April Showers ………………….......................…….…. 22 At a Georgia Camp Meeting .......…................,,,. 23 At The Devil’s Ball ................................................ 24 At The Jazz Band Ball ........................................ 26 Aunt Hagar’s Blues ……….......................….……… 27 Avalon …………………………………….......................… 29 Baby Won’t You Please Come Home ............... 32 Back To Storyville …............................…….…….. 30 Ballin’ The Jack ……………............................…… 34 Beale Street Blues ….………......................……... 36 Blue and Broken Hearted ………......................... 33 Blues My Naughty Sweetie Gives to Me . 40 Bluin’ The Blues …………….....................…..…...… 38 By The Light of the Silvery Moon …..…...... 42 Careless Love ……………………………….....……… 44 Chicago ….…………………………………..................…… 45 China Boy …………………………………………....…….. 48 Chinatown, My Chinatown …………….............… 46 Cleopatra Had a Jazz Band ............................... 50 Creole Belles .………………………………….....……. 52 Curse of An Aching Heart .................................. 49
Dardanella …………………………….......…….....……. 54 Darktown Strutter’s Ball ................................ 56 Dear Old Southland ............................................... 58 Dixieland Jazz Band One Step ........................ 59 Down Among The Sheltering Palms .............. 60 Down By the Riverside ......................................... 61 Down Home Rag ........................................................ 64 Down In Borneo Isle ............................................. 62 Down IN Honky Tonk Town ................................ 66 Down in Jungle Town .......................................... 65 Down Yonder ............................................................. 68 Easy Rider’s Gone ................................................... 70 Eccentric ..................................................................... 72 Eh La Bas ..................................................................... 71 Fidgety Feet .............................................................. 74 Flee AS A Bird .......................................................... 80 Floatin’ Down That Old Green River ........... 76 Floatin’ Down TO Cotton Town ..................... 82 Foolish Questions ................................................... 84 Frankie And Johnnie ............................................... 81 Grizzly Bear Rag ..................................................... 86 He May Be Your Man ............................................ 88 Hesitating Blues ..................................................... 90 High Society ............................................................... 92 Hindustan .................................................................... 95 Hot Lips ........................................................................ 96 I Ain’t Gonna Give Nobody None of My Jelly Roll.... 98 I Can’t Let ‘Em Suffer ...................................... 100 I Never Knew I could Love Anybody .......... 102 I want to do the Bear Cat Dance .............. 103 I Wish I Could Shimmy Like My Sister Kate ..... 104 Ida, Sweet As Apple Cider .............................. 106 If You Were The Only Girl IN The World 110 Indiana ........................................................................ 108 Ja Da ......................................................................... 111 Japanese Sandman ............................................... 118
Jazz Baby ................................................................. 112 Jazz Me Blues ...................................................... 114 Jelly Roll Blues ................................................. 116 Just a Little While to Stay Here ............. 119 King Chanticleer..................................................... 120 Lasses Candy ......................................................... 122 Lassus Trombone .................................................. 123 Lazy Daddy .............................................................. 124 Limehouse Blues .................................................... 126 Livery Stable Blues (Vocal) .......................... 128 Livery Stable Blues ............................................ 130 Long Gone ................................................................. 132 Love Nest .................................................................. 136 Lovin’ Sam .................................................................. 134 Ma, He’s Making Eyes At Me ........................... 137 Mama Don’t Allow ................................................. 138 Mandy .......................................................................... 139 Margie ......................................................................... 140 Memphis Blues ........................................................ 142 Midnight in Moscow ............................................ 143 Missouri Waltz ..................................................... 144 My Bucket's Got a Hole In It ....................... 150 My Daddy Rocks Me ........................................... 146 My Honey’s Lovin’ Arms ..................................... 148 Oh ................................................................................... 153 Oh By Jingo .............................................................. 152 Oh Didn’t He Ramble ............................................. 151 Old Rugged Cross ................................................ 156 Ole Miss ..................................................................... 154 On The Alamo ........................................................... 157 Ory’s Creole Trombone ...................................... 158 Ostrich Walk ........................................................... 160 Over The Waves ..................................................... 162 Panama ......................................................................... 164 Pearls .......................................................................... 166 Poor Butterfly ...................................................... 163 Pretty Baby ............................................................. 168
Riverside Blues....................................................... 169 Rock A Bye Your Baby ........................................ 170 Rose of Picardy ..................................................... 172 Rose OF Washington Square ........................... 174 Rose Room ................................................................. 173 Royal Garden Blues ............................................ 180 Rufe Johnsons’ Harmony Band ....................... 176 Runnin' Wild ............................................................. 178 Sailing Down Chesapeke Bay .......................... 182 San ............................................................................... 184 Satanic Blues ......................................................... 181 Second Hand Rose ............................................... 186 Sensation .................................................................. 191 Shake It and Break It ......................................... 188 Sheik of Araby ......................................................... 192 Singin' The Blues .................................................. 190 Sister Kate .............................................................. 104 Skeleton Jangle ................................................... 194 Sobbin' Blues ........................................................... 196 Some of These Days ........................................... 198 Some Sweet Day ................................................... 199 Somebody Stole My Gal .................................. 202 Someday Sweetheart .......................................... 200 St. James Infirmary ............................................ 203 St. Louis Blues ..................................................... 207 Stockyard Strut ................................................. 204 Storyville Blues .................................................. 212 Strut Miss Lizzie ................................................ 208 Stumbling ................................................................. 211 Suez ........................................................................... 212 Swanee ....................................................................... 214 T'aint Nobody's Business If I Do ................. 216 Tain’t Nothin Else But Jazz .......................... 215 Take Me TO The Land Of Jazz ..................... 218 That Da Da Strain ............................................... 225 That Dixie Jazz .................................................... 220 That’s A Plenty .................................................... 222
There'll Be Some Changes Made .................. 228 Tiger Rag ................................................................... 226 Til we Meet Again ................................................ 229 Tishomingo Blues .................................................. 230 Toot, Toot, Tootsie ............................................. 232 Tuck me to Sleep................................................... 233 Under The Bamboo Tree ..................................... 234 Wabash Blues .......................................................... 236 Waitin’ For The Robert E Lee ......................... 238 Walkin' the Dog ..................................................... 235 Washington and Lee Swing ............................ 242 Way Down Yonder in New Orleans ........... 240 When Ragtime Rosie Ragged The Rosary... 244 When The Midnight Choo Choo Leaves ...... 246 When The Saints ................................................... 243 When You Wore A Tulip ................................... 248 When You’re A Million Miles From Nowhere .... 249 Where Did Robinson Crusoe Go .................... 250 WhiffenPoof Song ................................................. 252 Whispering ................................................................ 253 Wild Cherries Rag ................................................ 254 World IS Waiting For The Sunrise ............. 256 Yama Yama Man ....................................................... 257 Yellow Dog Blues ................................................ 258 You‘ve Got TO See Your Mama Ev’ry Night ...... 260
1
12th Street Rag
Euday L. Bowman - 1914
TUBA
B¨7 B¨7 B¨7 B7 B¨7
5
A E¨ B¨7
9
B¨7 E¨
13
E¨ B¨7
17
F7
B¨7
21
B E¨ B¨7
25
B¨7 E¨
29
E¨
33
E¨7
E¨ F7
B¨7
Standard Doo Wack-a-doo chorus
37
A E¨
A¨
E¨
B7
A¨7
E¨
Back to top with INtro
B¨7 Etc
q = 100
A Good Man is Hard to Find
TUBA
A Bb
C9
My heart's sad and I am
5
Bb
Bbm
F
all a - lone
Bdim
I re
9
C7
13
B
good man
17
F7
20
23
27
with some oth - er gal
C7
see
you al - ways
he's your
pal,
C7
him in his grave
oh
G7
Bb
look to find him fool - in' "round
G7
Bb
Bbm
crave
so if your man
just
and you all
F7
the oth - er kind
rave
Lord a
C7
get
you
then you
F
C7
when you think that
mean.
my heart is broke and that is why I say.
F7
me
F7
is hard to find
treats
that man I ev - er seen
G7
and
C
my hap - pi - ness is less to- day,
G7
F
Bb BdimF7
my man
C7
- gret the day that I was born,
F7
is
nice take
you wan - na
Bb F#7
F7
my
ad - vice
and
Bb Bb F#7 F7 Bb Bb
31
hug him in the morn - in' kiss him ev' ry night
C7
F7
good
man
now
- a - days is
give him plen - ty lov in' treat him right cuz a
Bb
hard to
find,
F7
Bb
F7
so
hard to
find.
Afghanistan TUBA
William Wilander & Harry Donelly - 1920
A F‹
Fº
B¨‹/F
In the land of Af- ghan- is-
5
tan,
F7
B¨‹
F‹
She swore by the stars up a - bove
F‹
F7
E¨Œ„Š7
In
21
B¨‹
by
25
Af-
the
o-
a-
E¨Œ„Š7
'Cross
the
B¨‹
des -ert
C7/E
There will be a bri- dal
F‹
a
Bº
Wait- ing
for
you,
A¨
sand,
we
B¨7
day for you,my i-
dol,
will
car- a-
her.
A¨/C A¨‹/C
van
And for you on-
ly.
G7/B
find a
tem-
ple,
A¨
in
to
E¨7
E¨7
Break - Unison 1 bar
E¨7
sis,
There's
A¨
fair
E¨7
way.
F‹
A¨
tan,
love her.
a-
his dreams he's call- ing
ghan- is-
C7
E¨7
B¨‹7 E¨7
29
In
to
F‹
C7/E
Hin- du man is lone- ly and blue.
B
one
stole his Hin- du maid-en
B¨‹
E¨7
was the
day,
17
B¨‹/F
But there came an- oth- er one
13
that he
man.
C7 Break
Break
her
Fº
There's a Hin- du maid and a
9
F‹
Af- ghan- is-
tan.
TUBA
After You've Gone
q = 110 - 120
1916
F7
Bb
A
Bb
Now won't you list - en hon- ey while I say
4
F7
D7
Gm7
How could you tell methat you're
F7
3
goin'a
way?
Don't say that
we
Bb
Don't you break your
F7
You know thatI'veloved you for these ma
Dm
-
ny years,
12
Eb7
Bb7
Day
Gm7
Bb7 Cm7
Cm
Ohhon- ey ba by can't you see my
F7
must part,
9
G7
F7
ba by's heart.
G7
Loved you both night
Cm7
F7
tears? List - en
while I
and
Bb
say.
TUBA
Eb B
Ebm6
17
C
F9
You'll feel blue
25
Ebm6
Cm7
Some
32
Bb
now don't for - get it, There'll come a time,
Ebm6 Ab9
G9
when you'll re - gret it.
Am7
ly
Your heart will break like mine and
you grow lone
-
F
Bb6
Cm7
F7
G7
Af ter you've gone
D7
When
you'll want me on - ly
there's no de - ny - in'
Dm7
Cm7
Edim7
Bb
G7
day
Gm7
Ab9
you'll miss the dear - est pal you've ev - er had.
G7
There'll come a time
29
Af -ter you've gone,
Dm7
Bb7
You'll feel sad
Eb
Bb
and left me cry - in'
Af -ter you've gone,
21
Ab9
Bb6
Af ter you've gone A - way.
Bb7
Solos at "B"
TUBA
After The Ball
q = 100
E¨7
Ab 9 E¨7 17 A A¨ 25 Ddim7 Db
33
Fm
41
Ab
B Db
Ddim Ab
51
A¨ Dº
65
C A¨
A¨
73
E¨7 81 D A¨ 89
F7
C7
B¨7
E¨7
Ab
Ab
E¨7
Db
E¨7
A¨
C7
F7
F‹
B¨7
E¨7
A¨
E¨º7
E¨7
F7
A¨ E¨7
B¨7
E¨7
E¨7
A¨
Ab
C7
Fm
Ab
B¨7
58
Charles K Harris - 1891
D¨
B¨7
A¨
TUBA
Ain't We Got Fun
Kahn & Egan Whiting 1921
q = 185
F
E
Ev - 'ry
B7 C7
much
mon - ey,
Not
Bb
E
morn - ing,
5
F
Ev - 'ry
F
eve - ning,
Oh, but
The rent's un - paid,
Am E7 Am
E7
But
way,
13
F
17
E
E - ven
21
Tax
an - y
if
F we
F
B7 C7 col - lec - tor's
Bb
25
There's noth - ing
F E
29
In the
E the
We'll
stay as we
C7
gro - cer
B7 C7
Don't
F
get - ting clos - er
A7 Dm Gm sur - er,
F
mean - time
fun!
F7
got
have'nt
F
got
fun!
We
dear.
owe
C7
E
Ain't we
dear,
F
hon - ey
B7
Ain't we
B7 C7
9
C7
Still
a
car,
Am
C7
are,
B7
C7
we
fun?
have
E we
have
F
F7 fun!
Bb C7
the rich get rich and the poor get poor - er
G7
in be - tween time
C7
Am F
Ain't We Got Fun!
Aggravatin' Papa TUBA
Roy Turk & Russell Robinson - 1922
A E¨
A¨
I know a trif-
lin'
E¨ He lives in Birm-
9
B¨7 oth- er
night,
They call him "Trif-
man,
5
ing- ham,
E¨
B¨7
lin'
E¨
Eº
bam'.
Now the
'Way down in Al-
a-
F7 B¨ C7
He
had a
fight
Sam".
with a
gal named Man- dy
F7
Brymm,
And she
13
F7 C‹7 F7 B¨7 B¨ plain- ly sta-
ted she was
ag-
gra- va-
ted, An she shout- ed
out to
him:
Aggravatin' Papa TUBA
2
17
B E¨
C7 F7 B¨7 E¨ "Ag- gra- va- tin' pa- pa, Don't you try to two- time
21
E¨
C7
F7
B¨7
E¨
Treat me kind or let me
E¨ E¨7 A¨
A¨
29
B¨7
List- en while
I
E¨7
Ag- gra- va- tin' pa- pa,
F7
I'll smack you down and I
B¨7
E¨
I'll do an- y- thing you
say,
37
But when you go strut- tin',
E¨
C7
jel- ly
roll.
If
Break 2 bars
A¨
high brown ba- by,
C7
I mean just let me be.
Stop mess- in' 'round, sweet
get you told,
C E¨
be,
E7
you step out with a
33
I said don't two- time me.
Ag- gra- va- tin' pa- pa,
25
me,
Do your strut- tin' round my
don't mean may- be!
E¨7 yes, an- y- thing you say.
G
D7
B¨7
way.
So
pa-
pa,
Now
pa-
pa,
Now
pa-
pa,
Stop Time - Play beats 1 & 4 as marked
41
E¨7 A¨ A¨ Aº Aº E¨ E¨7 E¨7 Just treat me
pret- ty,
You best be care-ful,Once you werestead-y
45
E¨
C7
Ag- gra- va- tin' pa- pa,
Be nice and sweet,'Cause
I pos- sess a fort- y four that don't re- peat!
As yon can
I can beat you do -in'whatyou'redoin to me,
be, 'Cause
Once you were true,
F7
But
pa-pa, nowsweet ma- macan't de- pend on you,
E¨E¨7 A¨A¨‹ E¨
B¨7
Don't you try to two- time
-2-
me!
B¨7
1
Alcoholic Blues
TUBA
AF
6
F
Bb
F7
Bbm
Albert Von Tilzer 1919
9
C7
F
Db7 C7
Vamp
13
B
F
C7 F
17
21
Pro - hi - bi- tion,
Gm
24
I'm so thirs - ty
just
run
that's the name,
C
pro - a - bi- tion
G7
soon
I'll
die,
I'm
sim - ply gon - na 'vap
- i - tate I
I
When Mis - ter Hoo- ver said to cut my
cut my coal,
G7
- o - rate or
C7
C7
did - n't hes
drives me in - sane.
dry.
C7
F
F
I
C7
30
G7
27
C7
C F
F
G7
did
- n't frown.
I
C7
but now they've cut deep in
- ner down,
din
cut my sug - ar
- side
my soul. I've got the
Alcoholic Blues
11
TUBA
2
33
D F
37
blues,
I've got the Blues,
blues,
I've got the
no Bars
more beer are
closed
to
al
since they am
- co - hol - ic - pu - ta - ted
blues.
There's
booze.
F
to
good
- bye
whis - key
lord
- y
lord
my
heart
and
night
what
the
Bbm
40
used to make me fris
I've got
Blues,
Bb
F7
- ky.
do,
cheer,
clubs too,
C7
So
long
hi - ball,
good
- bye gin,
So
long
hi - ball,
good
- bye gin,
- y
Solos at "D" 43
F
tell
me
tell
me
Db7
C7
- in'
back
a
- gain.
- in'
back
a
- gain.
when you're
com
when you're
com
F
TUBA
Alexander's Ragtime Band
VERSE
C
Oh, ma hon - ey,
Oh, ma hon - ey,
C
and let's
me
- an - der,
Oh, ma hon - ey, There's a fid - dle with notes that screech - es,
you go
- in',
Ain't you
Like a chick - en,
8
G7 rag gedme
C
- terman?
Oh,
ma hon - ey,
Al band
-
ex
an
-
what's
Come and lis - ten,
Bet
you
- ter
grand
- es,
C
Ain't
- der's
peach
- in'
Oh,ma
C
To
the lead
- er man,
And
the
clar i - net
F
12
G7
go
Like a chick - en,
is a col - ored pet,
Bet - ter hur - ry
D7
Ain't
15
Irving Berlin, 1911
C7 F G7 Oh, ma hon - ey,
5
1
-
hon - ey,
Let me take you to
Come and lis - ten,
To a class - i - cal
C7
F
C0
stand,
brass
band,
now,
some
come
-
how,
G7
C
C7
com hur
-
- ry
in' a
-
long?
a
-
long.
Come on
and
Alexander's Ragtime Band
1 TUBA
17
F
F
hear,
Come on and
hear,
Come
on and
24
Bb
Al ex an -
hear!
It's
Come on and
the
best
band
in
the
F
can play a bu
na
-
tur
al
-
gle
call like
that
you
you
just
the
best - est
That's
33
F long.
man.
ne
- ver heardbe - fore.
band
long.
Come on a
F7
man!
hear
the
am,
ho
me take
nee
F
Come on and
hear,
you
by
the hand.
Ri
- der
- ver played
Al -
Come on a
in
Bb
F
Bb Who's the lea
ney lamb.
Bb
Swa
war.
Let
to
C
F7
45
go
C
what
Bb
Up to the
to
C7
care to
F
37
Bb
want
G7
G
hear,
time Band.
F
So
F
Bb
They
F
41
der's Rag
F
land.
-
27
Bb
hear,
29
F
21
Bb
C7
of the
Up
to
the
band.
And if
you
Fdim
rag -
time.
C7
F
ex an- der's Rag - time
Band,
Come on
and
Tuba
1
All The Girls Go Crazy Stop Time-2 Bars:................................
Kid Ory
h = 100
Eb Eb Eb Eb Bb
1916
F7
A
Stop Time-2 Bars:.........................................
Bb
Bb7 Eb Eb Eb Eb Bb
6
12
F7
Bb
Bb7
All the
Solos Begin Here
17
B Eb
Bb girls
go
craz
on
their
knees
say - in'
26
F7
- y 'bout the way that I walk
22
"Ba
-
by,"
Sayin' "Ba
Bb7
Bb
Yes,
Craz - y 'bout the way I
walk.
Yes, they fall
knees
-
y 'bout the way that
plead - in'
"Ba
-
by,"
30
Hon - ey 'bout the way Craz - y 'bout the way
I I
walk,
all the
Bb
girls
go
on
their
F7
Bb7
that I walk,
-
by,"
walk walk
-
'Bout the way Say - in' "Ba
by,"
-
Eb
walk
Bb
way that I walk
The
Hon - ey'bout the way I
craz
They fall
On to "C" after last solo:
Chorus: 1st Time Soft:
1
The Grils go Crazy "bout the Way I Walk Tuba
Eb Bb
33
C
F7 Bb Bb7
Eb
37
42
Bb
45
Bb Bb7 F7
Climax Chorus: ad lib:
49
D
Eb
55
Bb
60
Bb7
Bb
Eb
F7
F7
Bb
Bb
Eb7 Bb
Alice Blue Gown (4/4)
TUBA
A
C
In
5
my
sweet
C7
B7 B¨7
lit- tle
A
wan- dered
down
in-
to town,
both
ev-
proud and shy,
man-
world
'ry
win- dow
shop
wilt-
As
I
felt
sweet
C7
B7
Fº
D7/F©
I
was
ev- 'ry eye,
ner
of
fash-
ion
I'd
primp,
But
in
seemed to
ed
I
smile
all
D©º
a-
wore
it,
I'll
lit-
tle
F©‹7
A-
lice
Gº
round.
C/E
al-
ways
C F‹
by;
Then
G7
I'd frown,
pass- ing
E7
in
A7
G7
B¨7
29
D‹
25
D‹
When I
A7
21
D‹
G7
17 B
C
13
D7
E‹7
C
G7
- lice Blue Gown,
D7
McCarthy/Tierney - 1919
A7
D7 first
9
1
Blue Gown.
B¨9
A7
a-
dore
And
E7/G©
the
'Til
it
it,
My
C
1
Amazing Grace F
-
F
saved grace have
grace, taught dang
zing that ny
-
how my ers
-
once pre grace
blind hour grace
-
was cious that
wretch fears rea
lost did brought
3
but I will
sound, fear, snares,
the to and
That And we
like re dy
-
F
but that us
now first lead
I How T'was
me. lieved. come.
-
now grace safe
C
Bb
Dm
13
sweet heart toils
C7
F
9
3 a my al
F
Bb
A - ma Twas grace Through ma
5
F7
3
am ap thus
was the and
found, pear, far,
-
F
I be us
-
see. lieved. home.
TUBA
q = 160
Alabama Jubilee
A
Bb Man- do
5
12
to your
C7
It's a
nights down
in
B G7
re
mind
Al
-
Goes right to you head and trick - les
F
-
see Dea con
Jones when he
C7
F7
23
'round like
a
clown,
Shout - in'"I'm full
G7
29
a
a
bam:
Bb
Aunt Jem - i
o' pep! Wtach yo' step,
Cmin
mem - o
ry
find
-
er
of
3
You
C7
bones,
- ma
-
who is
ought
to
Old Par son
F7
Brown danc - in'
past eight - y three
G7
watch yo' step!" One leg - ged Joe danced a -
Cmin
C7
her Hon ey Eb Threw Bb a- way his cane C7 and hol lered,"Let F7 Bbgo!" Oh
round on his toe,
Bb
D7
Hail,
Hail,
F7
Bb
26
er
rat- tles them
F7
G7
20
F7
treat,
old
F7
feet.
C7
F
Bb
rag time
F7
Bet- ter hur - ry hon- ey dear,or you'll be miss - in'
Bb
Bb
C7
lay,
Gb7
F7
Ev-'ry - bod - y tun - in' up,the fun be - gins,
lins,
don't de
Mu - sic sweet,
17
15
Com ethis way,
Bb
Bb
Gm
9
Gb7 vi - o
lins,
Bb
1 George CObb - 1915
the gang's all here for an
Al - a - bam a Jub - i
-
lee.
And They Called It Dixieland
TUBA
1
Raymond Egan & Richard Whiting - 1916
A B¨
B¨ D7 G7
C7
They built a
5
F7
lit- tle gar-den
keep the snows
9
fin- est place I've
known,
When they built
land.
G‹7
land. They built a
A¨
far a- way from Dix- ie-
C‹
And they called it Dix- ie-
B¨
sum- mer breeze to
G7
for the rose,
They built the
C7
my home sweet home,
Noth-ing
13
F C7 F7 C7 was for-got- ten in the land of cot- ton, from the clo- ver to the hon- ey
17
comb, And then they
B B¨
B¨ D7 G7 C7 took an
an- gel
21
F7 bit
of heav- en
from the skies,
And they gave her heart to
me.
D7
in her eyes,
be.
Just as blue as blue can
She had a
They put some
25
C7 G7 fine spring chick- ens
29
F7 twice as
nice
as
in the land,
And taught my Mam- my how to use a fry-ing pan.Theymade it
B¨
D7 G7 C7 F7
Par- a- dise,
And they called it
Dix- ie-
B¨
land.
American Patrol TUBA
F.W. Meacham - 1891
A
5
C7
F
9
G‹7
B¨
17 B
C7
C7
F
25 B¨
F
21 C7
29 B¨
F
F7
F
C7
G7
F
13
F
C©º
F
F7
D‹
C7
F
1
Any Time
Herbert Lawson ? in 1921
TUBA
D7
G7
An - y
8
F
time
blue,
An - y
prove
That's the
me,
A7
you,
28
G7
F
you.
So
Thatwill
An - y
time
you'rethink ing 3
time
I'll bethink ing of
an - y
time
you
say
you
C7
want me back
1.
D7
D7
32
F
C7
'bout
you'refeel ing
D7
your lovefor me is true.
24
time
youfeeldownheart -ed,
time
G7
20
An - y
C7
Bbm
G7
14
you'refeel ing lone - ly,
Bb
C7
a - gain,
F#0
C7
that's the
time
2.
An - y
I'll
F
you.
Bb
come back home to
F
April Showers
Louis Silvers & Bud DeSylva 1921
TUBA
D7
G
Tho' A - pril Show - ers 7
Am
So if its rain - ing
have no re - grets,
is - n't rain ing rain you know,it's rain ing vi - o - lets. And where you G
see
clouds
up - on the
Am
E7
hills,
you soon will see
C
Cm
So keep on look ing for a
E7
A7
when ev - er
crowds
of daf- fo -
G
blue bird,
D7
dils,
song,
D7
18
Be causeit
29
They bring the flo - wers
A7
E7
May.
13
24
may come your way,
that bloom in
G
D7
and list 'ning for his
G
A - pril Sho wers come a - long.
At a Georgia camp Meeting 2 bars unison w/ Clarinet trill
TUBA
F7
Bb
5
Bb
A
Eb
Bb7
11
Bb
C7
F7
Bb F7
Bb
Bb
Bb7
Eb
Bb
2 bars unison
17
F7
Bb
Bb
21
B F7
Bb
27
Gdim
33
Eb
Bb
G7
Fine
Bb
Bb
Bb7
F7
Bb
F7
Edim
C7
F7
Bb
Back to "B" for solos, after last solo play "A" once
At The Devil's Ball TUBA
Irving Berlin - 1913
A
I
4
had a
A‹
dream last night, - That filledme full
of fright: - I dreamt that I
was with the
A‹
G7 Dev - il
be - low.
In
7
C Dev- il was giv-
10 A‹
gaz- ing
at
ing
a
the mer-ry
great
his
big
fier-
y
E7
Ball.
crowd
13
D7
hall,
A‹
I checked my
that came to
coat and
hat and
must con- fess
to
you,
There were ma-
wit-ness the show.
ny there
Where the
start-ed-
G7
I
knew.
And I
At
the
At The Devil's Ball TUBA
2
17
B C
D7
Dev-il's Ball,
At
the Dev-il's Ball,
I saw the
21
C C C©º G7 C©º G7 cute Mrs. Dev-
il, so pret-ty- and fat,
25
D7
Eph-
G7
re-ham,the lead-er
man,wha
29 C
C Dev-il's
In
theDev-il's-
C G7
F
il that
E7
He played the mu-sic at the
D7
Ball,
fun-ni-est dev-
led the band last Fall,
33
37
tle red fire- man's hat.
Dressed in a lit-
I ev-er saw,
A‹
D7
Hall.
G7
I saw the
C
C7
Tak-ing the tick- ets from folks at the door,
D7
G7
D7
G7
I caught a glimpse of mymoth-er in- law,
41
C D7 G7 Danc-ing- at the Dev-il's-
Ball.
At the
Danc-ing with the Dev-il,
Oh! the lit tle Dev - il,
TUBA
At The Jazz Band Ball q = 180
Original Dixieland Jazz band - 1918
A Gm
5
F7
Bb
G7
C7
F7
Gm
9
C7
13
17
F7
B G7
C7
F7
23
Bb
28
33
G7
Eb
Edim
Bb
Bb
C7
G7
C7
F7
F7
Edim
Bb
G7
G7
Eb
Bb
C7
43
C7
38
G7
C7
F7
Bb
Aunt Hagar's Blues
TUBA
W.C. HANDY 1921
A Eb
Bb+ Eb Bb+ Eb Eb7 Old dea - con Spliv - in,
5
Ab7
His flock was giv - in'
Fm
Fm7
Bb7
Eº
No rag - time sing - in' to- night".
Bb7 Eb Eb7 Ab Abm Eb
Up jumped Aunt Ha gar
13
Eb
Said he"No swing - in',
9
the way of liv - in' right.
Bb7
and shout - ed out with all hermight:
B
Eb7 Eb "Why all this razz - in',
17
Ab7
a- bout the jazz - in'?
My boys have just come home,
Bb7
Withla - test mu - sic,
21
Ab7
Oh my, just lis - ten!"
Eb
They play it on the sax - o phone".
Bb7
Eb Ab7 the dea - con shout - ed with a
moan.
Eb
TUBA
2
25
C Eb Eb7 Ab Aº
Eb
Eb B7
Bb7
Eb
- dy,
It's
HearAunt Ha gar's
chil - dren har - mo - niz - ing.Hear thatsweet mel
29
Eb7 Ebm like a
Bb7
choir
B7
o
-
Bb7
from on
high
broke loose.
If the
33
Eb7 Bb7 B7 Ebm dev - il brought it, the good Lawd
37
41
sent
it
right
down
Aº Eb Bb7 Eb B7
to me.
Eb Eb7 Ab con - gre
- ga - tion join
while I sing those lov - in' Aunt Ha
Let the
Bb7
Eb
- gar's Blues.
Eb Eb7 Ab7 D
Oh, 'taint no use you preach - in', Oh, 'tain't no use o'teach - in'
Such jazz - a - pa- tion
46
Eb G7 C7 F7 such mod - u - la - tion,
Whenmy feet say dance,I just can't re - fuse,
50
Eb Bb7 that mel - o
- dy they call the blues,
Bb7
WhenI hear
Eb
Aunt Ha gar's Child - ren Blues.
TUBA
Avalon
AL Jolson
1920
A
I 5
C7
found
F
my
love
in
A - va - lon,
side
C7
F
the
Be
bay,
I
C+7
left
13
my
love
in
F
sailed 17
A - va - lon,
C+7
F
a
and
E7
way.
-
Eb7
I
B
D7 dream
of
her
and
21
Gm
dusk 25
D7
Bbm6
so
I
think
I'll
29
Gm7 -
-
from
trav - el
F
-
-
And
D7
C7 va
dawn.
E7 Eb7
A - va - lon
'til
F
A
-
9
C7
lon.
on,
to
Back To Storyville
TUBA
Louis Armstrong
A E¨7
Go- in' back to
3
B¨‹7
3
Sto- ry-ville, that's
E¨7
3
B¨7
E¨
Since
I was just
B¨‹7
is
B¨7
B E¨7
be,
Ev-'ry-thing'bout Sto-ry-ville
E¨ just a part of me,
9
to
A¨7
to ask me why.
6
where I long
3
Ain't notime
E7
this high.
Go- in'
E¨7
3 3
back to ol' De- sire,
12
I
know my way
A¨7
Noth-
street
in' changes on De-
sire,
where
I'll take
E¨
my
that streetof my home town,
B¨7
shake my hand.
A¨7
3
15
a- round, Friends I knowwill
stand.
the
B¨7
There's
a
Back To Storyville
1
TUBA
2 17
C A¨
G7
ca-fe-
C
called
"The
Pup" that's
19
F‹7
an-y-time
you
G7
dy
so
E¨
most
21
la-
shut,
B¨7
drop a round -
A¨
nev-er-
you
can
E¨7
choose.
There's a
C‹
tailored-
up
in
some-thin' cut
low,
she
23
F7 B¨7 CØ7 rolls the
ol'
pi-
an- o
with the"Jel-ly-
Roll
Blues".
Goin'
25
D E¨7 3 3 B¨‹7 E¨7 back to Sto-ry- ville,
28
I'm gon- na' take my horn,
A¨7
3
Oh I justcan't wait un - til
31
E¨
My
my
Sto - ry -
ville,
I'm back where I was
B¨7
nif-ty suit, my brush and comb.
E¨
my
home.
born,
B¨7
Baby Won't You Please Come Home
TUBA
Bb Dbº I've got the blues,
C7
4
F7
I
feel so
D7 D7b5
Bb
Dbº
F7
Bb
I could on
C7
lone
Clarence Williams and CHarles Warfield - 1919
-
ly,
I'd give the world
Gm D+ Gm7
C7
F7
- ly make you un - der - stand.
Itsure - ly would be
Bb Dbº C7 F7 Bb7 Gm7 C7
13
when you're gone
I'm
F#º
all for
Ba
20
- by won't you please come
C7
F7
I have tried
Bb
D7
When you left you broke my
29
Eb
Eº
- ry
vain,
C7
Gm7
Gb9
F7
Cm7
D7
you will hear me say,
a
-
nev - er no more to call your name.
Eb
Bb Ab7b5 G7
long.
G7
heart,
"Cause
'cause your mam - ma's all
3
F7
all day
C7
hour in the day,
wor
G7
Gm in
I
home,
F#º
lone.
25
Gm7 C7
- lorn,
A
grand.
As you won't you please come home,
F7
Bb D7
17
by,
Eb
9
I'm goin'to tel - e - graph you ba
if
Be - causeI nev - er thought we'd part.
C7
F7
Ev -'ry
Bb
Ba - by won't you please come
home.
Blue (And Broken Hearted)
TUBA
Lou Handman - 1922
A B¨
Gº
Blue,
5
be-
bro-
ken
was
a
You
time
I
was
jol-
ly,
know
the
rea-
son
I'm
F7
F©&
mel-
an-
chol-
y.
Gº
and
oh!
so
D7
lone-
ly,
G7
True,
I
C‹
want
you
E¨‹
We made
you're
F7
E¨‹
ed.
C7
Blue,
heart-
B B¨
ed,
E¨‹
29
part-
B¨
25
and
There
21
we're
C‹
17
cause
G7
Blue,
13
D7
9
a
blun- der
F7
blue
and
too.
on-
ly.
B¨
G‹
time
I
lots
B¨
of
E¨‹
E¨
won- der
B¨
if
Ballin' The Jack
TUBA
A G
Folks
in
It's
4
Geor- gia's
being done
C7
at
F©º
All
so-
all
F7
go
in- sane
Since that
the ca- bar- ets,
down in Geor- gia came;
I'm
the
on-
ly
now has got the craze,
It's
the
best dance
the
par-
ty
in-
That
is
why
I
rave
B G
Give
I'm
9
tro- duced a-
bout
A7
me
cre-
dit
Play some good
Rag
done in
C7
try
to
do
to know
a
that will make
mod- ern days,
When Once
it
there,
it
so!
thing or
two,
you prance;
I
will show this
the dance, Join right in
now
D
I
do you'll
a - gain
the
so!
E¨7
E¨7
Give Old
me
cre-
dit
folks, young folks,
G¨7
F7
for spring- ing some- thing new; all
- ty
D7
D7
F©º
12
cie
new dance
per- son who's to blame,
D
E¨7
G7
15
E¨7
'bout to
7
D7
A7
Chris Smith - 1913
say
that
it's
a
bear!
steps
to
you
I'll
show:
lit- tle dance to
you,
while you got the chance,
F7
Ballin' The Jack TUBA
2
17
C G7
C7
First you put your two knees close up tight,
20
C7
F7
sway'em to the right,
23
B¨ Twist
25
Step a-round thefloor kind of
D7
a- round and twist
a- round with
Stretch
lov - in'armsstraight out in space,
28
all
and grace
nice and light,
Then you
your might,
Then you
G7
C7
D7
G7
E¨7
D G7
le
Then you sway 'em to the left then you
Swing your foot
do the Ea- gle Rock with sty-
B¨
way 'round then
D7
bring it
G‹
G7
back,
Now
Solos at "C" 31
C‹
that's
E¨‹
F7
B¨
what
I
call
"Ball-
in
the
Jack".
Beale St. Blues TUBA
Bb F7 Bb F7
A Bb
3
see
pret
see
Hog
- ty
Eb tail
Bb -
Jugs
or
Could
in
beau
- ti -
ful
and
Chit
- lin
Ca
If
Beale Street
talk,
could
tell
of
hand by
- me - downs.
- gone days.
bags
and
Ex
walk.
Ebm
And
You'll see
- fe's,
You'll see
talk,
Mar - ried
-cept one or
Bb bus' ness nev
- er
Now just
sham,
You'll see
Gold - en balls
e
And the
- er drink booze,
blind man
on
men,
plac - es, once plac
skilled, You'll find that
nev
two,
- y hets killed. New Je - ru - sa - lem.
es, Who
clos
- es
- nough
to
'til pave
some the
the corner who sings these
2.
1.
bod
And
-
F7 F7 Bb Bb Bb7
10
You'll
gowns,
You'll meet hon est
pick- pock - ets a
F7 Bb Cm Bb F C7 Bb7
men_would have_to pack their
Eb
Browns
- mades and
that
8
- Nose rest - 'rants
Beale Street
5
Bb F7 Bb
You'll If
Beale
Street Blues..
Well I'd
Beale St. Blues
2
TUBA
Eb
12
Bb7
B
rath - er be
here,
Than an
- y place I know. May - be bye and bye.
goin' to the river, rath - er be
there,
Ab
16
rath - er be here,
Than an
Abm
rath - er be there,
Bb7 take riv
-
York
Eb
22
the
ser
er's
wet
may
be
Eb7
Ab
I'd I said I'm I said I'd
For
and all right,but
-
Eb
20
Eb7
- y place I know
Than an - y place I know. And there's a rea - son why: Than an - y place I know
goin' to the river,
Eb
geant
Abm
Eb
It's gon - na Be - cause the New
to
make
me
go.
Beale
Street's
done
gone
dry.
Beale
Street's paved
with
gold.
E7 F7 íf going back to "A"
Well
I'm I'd
TUBA h = 100
Blues My Naughty Sweetie Gives To Me D7
Gm
Ebdim
There are
Blues Blues Blues
that you get from that will give you to an - th - er
ry gle ie
-
ly, ly, ey,
Gm
Ebdim
The The And
Blues Blues Blues
are are are
Blues Blues Blues
that you get from that you get from that you get when
long long mar
-
ing ing ried
you can nev you can nev when she tells
F7
28
sort kind kind
-
er ex er ex you a
-
ly ly ey
For For spends
There are There are There are
plain; plain; lie;
D7
But the To hold Wish - ing
blu some that
-
est Blues that one on your you could be
be knee, free,
C7
of of of
Blues that's Blues that Blues that's
on my al - way good and
C7
mind, stabs, blue,
Bb
F9
mean - est kind, tax - i cabs, wine for two,
-
Cm
Are the But the But the
Blues Blues phones
G7
24
There are There are When she
when you're lone when you're lone when your hon
G7
D7
Gm
A7
-
Blues Blues Blues
Cm
D7
And there And there And there
pain, pain, guy,
your one and on your one and on all of your mon
Gm
17
wor sin sweet
Eb7
Cm
11
that you get from that you get when that you get from
Abdim
6
G7
Gm
1919
The Blues my naught - y sweet - ie The Blues my naught - y sweet - ie The kind of Blues my sweet - ie
gives gives gives
to to to
me. me. me.
They're the Come from Comes from
(D7)
ve - ry hi - ring hav - ing
There are There are There are
TUBA
Bluin' The Blues
q = 120
Bb
Bb7
Henry Ragas 1918
Eb
F7
pp
5
f
Bb7 A Bb
9
Eb7
Gb7
Bb
A7
F7
C7
13
17
B Bb
Ab7
G7
Bb
F
Bb
Gb7
Bb
Bb7
pp 21
Eb7
25
f
C7
Gb7
F7
Bb
A7 Ab7
G7
Bb
F7
Bb
TUBA
2
C Bb
29
Gb7
Bb
Solos
Bb7
pp
f
Eb7
33
Gb7
Bb7
A7 Ab7
37
C7
F7
Bb
41
D Bb
45
Eb7
49
C7
Bb
F7
F7
Bb7
Gb7
F7
Bb
G7
Bb
A7 Ab7
G7
Bb
F7
53
E B¨
G¨7
B¨
F7
pp
B¨
f
1 1
This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, “Did you ever notice that Peter O’Toole is the only Hollywood actor to have a first and last name with a phallic reference?” But I won’t be doing any such thing. So stop reading this. It is a waste of your time. I won’t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can’t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. As a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off batteries. It should be an easy fix for a home handyman.
TUBA
By the Light of the Silvery Moon A C
Cdim
G7
9
13
Cdim
is shin - ing thru the trees,
Place
park
scene
dark,
Sil - v'ry moon
Act
two,
scene
new,
Ros - es bloom - ing all
Dmin
C
5
C
E7
A7
Dmin
G7
Dm7
of kiss
Cast
two,
me,
you,
Sound
Cast
three,
you,
me
Preach - er with
C
Cdim
G7
C
one,
be
Choir
sings,
bell
D7
- gun rings
G
C
- es float - ing a
sol
on
- a logue, Preach - er, "You
Em
- emn look - ing
My
cue,
with
you,
Act
two,
all
through,
- r'y
face.
G
"where
woud
you like to
spoon?"
are
wed
for
more."
Un - der - neath the Ev
Am
G7
the breeze.
Cm6
Di
a - round the place.
Dm7
G7
C
Act
Gus Edwards & Edward Madden 1909 Dmin
e - ver
Am7 D7
G7
sil - v'ry
moon.
night the same en
- core.
By
the
By the Light of the Silvery Moon TUBA
2
C
17 B
Light
of
the
sil - ve
- ry
G7
21
Moon,
to my ho- ney I'll
croon
C#0
G7
love's
F
moon,
Keep
a shin
A7
C7
D7
Fm
Am
will
bring
love's
dreams,
we'll
beams
31
E7
soon,
A7
D7
C
G7
C
By
the sil
- ve - ry
Moon.
Ho
be
- ney
A7
Dm
Your
to
Dm
June,
C
29
want
tune;
- in' in
I
C
E7
C
spoon,
25
D7
cud
- v'ry
-
sil
dl
- ing
Careless Love TUBA
A
F
C7
Love,
love
oh
D7
thru
Bb
ma - ny
a
If
24
gal,
You've broke
the
heart
of
and you near
ly
-
lit - tle
build
my
nest
I'd
F7
fly
could
not
C7
both
wear my a- pron
way
up
- er
F
high,
Now
I
wear
my
F
F7
-
er,
nev
the
Now
air
- er
pass
- es
by.
where the
D7
I
G7
wear my a - pron high,
Bbm
pron
high,
and
C7
F
a
tree.
C7
Bb
C7
in
me.
F
45
to
C7
tree
Bbm
F
I
from
G7
Bb
mine.
F
boys
C7
D7
C7
C F
nev
F
broke this heart of
bird,
F7
C7
F
Now
F
bad
40
C7
F
right
fly
F
F
were a
You
C7
C7 I
G7
29
love.
F
I'd
33
care - less
Bbm
B F
F
my head like wine.
11
17
oh
6
F
he
Chicago TUBA
Fred Fisher - 1922
A E¨
G¨º F‹7 B¨7 F‹7 B¨7 Chi
5
- ca - go,
F‹7
Chi-
ca-
go,
That tod- dl'-in' town,
B¨7
ca-
go,
E¨
Chi-
tod dl'- in' town,
ca-
go,
B¨7
I'll
Chi-
show you a- round,
I
love it,
9
F7 E¨ Bet your bot-tom dol-lar you lose the blues
13
B¨7 F‹7 town that
17
F‹7
B E¨
State Street,
Sun- day could not
that great street,
do
things
Chi-
E¨/G Eº/G¨
ca-
shut
down!
I
just want to say,
they
don't
do
on
Broad-
They have the time the time
B¨7
ca
-
go
B¨7
On
just want to say,
C‹
C7
way,
F‹ A¨‹ E¨ F‹7
The
of their life,
F‹7
Chi
E¨ E¨º
- ca - go
my
home
town!
Gº
I saw a man, he danced
B¨7
They
Say,
25
29
go,
F‹7
G7
go,
G¨º F‹7 B¨7 F‹7 B¨7
21
D‹7(b5)
B¨7
Bil- ly
in Chi- ca-
with his wife, In Chi-
F‹7
B¨7
Chinatown, My Chinatown TUBA
Jean Schwartz & William Jerome - 1906
C When
5
C
And
E‹
the
town
is
fast
a-
That's
13
D‹7
Starts
sleep,
E‹
it's
mid- night
in
the
9
C
sky,
G7
E‹
the
time
the
A‹
G7
to
fes- tive
Chink,
C
wink
his
oth-
er
eye.
17
D‹
Starts
to
wink
zi-
ly
his dream- y
21
D7 La-
eye,
G7
you'll hear
him
sigh:
G7 G&7
Chinatown, My Chinatown TUBA
2
25
AC
G&7
Chi-
C
na
town,
my
Chi-
29
C
the
lights
na
town,
G7 Hearts
that
are
33
D7
low,
E7
A‹
know
no
oth-
37
er
land
G7 ing
C
Dream-
Drift-
C
Al-
y,
Hearts
fro.
y,
eyes
Chi-
F
of
brown,
C
seem
light
and
G7
y
Chi-
na-
na- town,
C&7
F‹6
dream-
mond
C
C7
53
dream-
and
G&7
G&7
49
F
to
45
D7
G7
Where
41 B
A7/E
G‹6/B¨
life seems
D‹
A7
bright,
In
C
C©º
D‹7
G7
town.
TUBA
China Boy
q = 160
Winfree/Boutelje - 1922
A F
Chi
na
-
F
5
Close
your
Sand
-
man
While
I
B Ab
sleep,
E7 Eb7
D7
don't
peep,
F
Eb7
eyes
soon
will
Bud
-
dha
Ab
21
Moon
-
man
Ab
25
while
F
Chi
soft
ly
-
their
smiles
on
hum.
you,
Eb7
Ab
too.
So,
Ab
C7
they
keep,
loves
you
watch
C7
-
come,
Ab
Eb7
29
Eb7
F
Bbm
13
17
go
G7
9
boy
F
F
na
boy
go
sleep.
The Curse of An Aching Heart TUBA
Al Piantadosi - 1913
E¨
E¨‹
5
9
A B¨
B¨º
made
me
what
I
am
hope
you're
dragged
with-
E¨
me
29
33
though
C7
curse
down
un-
til
the
you're not
died.
and
ev-
of
'ry
an
E‹
B¨/F
D7
true
I
still
ach-
Fº
Eº
love
ing
heart.
You
D7/F©
And
G7
you,
That's the
B¨
dream,
start.
You
the
B¨7
F7
D7
from
B¨
A7
fooled
You
B¨
me
each
I
F7
in
tered
day,
fied.
F7
B¨º
E¨
and
B B¨ shat-
is-
down
You
to-
sat-
me
C7
soul
25
B¨
B¨
B¨7
21
B¨
E¨‹
F7
F7
17
E¨
13
B¨º
B¨
Cleopatra Had A Jazz Band
TUBA
Jack Coogan & Jimmy Morgan - 1917
A E7 A7 G His-
5
to-
ry
G
re-
B‹
lieve they're right
9
G
In
a
dream
it
13 E‹6
A7
ly
goes
A7
takes me
E‹6
on-
cause last night
E7
to
prove that
self,
So the wise
I
heard pe- cu- liar mus- ic
A7
two
E‹6
E¨º
thou- sand years
A7
E-
say.
I
be -
D7 Dº D7 D&
D7 back
men
A7
be-
G
B¨ A‹
peats it-
D7
gyp- tians were not
D7
play.
E‹
a-
F©º
go.
B‹
Which
B¨
slow. Cle- o- pa- tra had
a
Cleopatra Had A Jazz Band TUBA
2
B
17
A7
D7
jazz
A7
band,
In her cas- tle on the
In
An- to-
D7
With her syn- co- pa- ted
on
41
E7
real
45 A‹6
his-
ic
tor-
won
Marc
B‹/F©
E‹7
And while they
G7
F©7(b5)
B
said: "There'll be
scan-
D7
dal,
was
Cle-
o
D7
gyp- tian
Bº
jazz
lost
Sphinx was
C7
B7
band
tune.
B7
But
her
san-
B‹
dal
as
G
E-
A
G
A‹6
a wed - ding soon".
D7
danced to the strains of the
B¨º
gyp- tian moon,
E
A7
She
G
ny.
'Neath the old
and
G
mids,
D7
She knew she had him all the while. In the sha- dow of the
look- ing
har- mo-
D7
37 A‹7
A‹
D7 B‹ B¨
swayed.
C A7
pyr- a-
style.
E7
A7
She
G/B
Fº A7/E
played,
E&
ny,
29
Ev- 'ry night she gave a
her queer E -gyp- tian
E‹6 E¨7 D7
33
B¨
G7
dance,
A7
B‹
Nile.
D7
jazz
25
G
21
1
the
B¨
she
Creole Belles
TUBA
F
Bb
C7
5
Bb
9
G7
17
Bb
C7
F7
F7 C7
C7 F7
31
1.
C#7
G7
C7
F7
Bb
Bb
F
E7
F7
Bb
22
26
F
D7
C7
A
F
13
1900
Bb
Bb Bb G7
C. C7 F7 2.
Bb
Creole Belles TUBA
2 Interlude 35 F7
39
F7
B
Fº
Eb
Bb
Belle shine
46
My
51
ba dar
-
by lin'
C
Bb
I love her I'll call her
my my
C7
66
F7
Bb
Bb G7
- lin' - by
my Cre - ole Belle my Cre - ole Belle.
Bb
Cre Cre
- ole - ole
F7
61
Bb
My lit - tle dar my dar - lin' ba
F7
55
cre - ole belle When stars shine
My Cre - ole When stars
Eb
NC
F7
I love her well I'll call her mine,
B¨
Bb7
C.
well mine,
my my
Bb
dar - lin' lit - tle
Belle. Belle.
Bb
Bb
Bb
F7
C7
F7
C7 F7
Bb
Solos at "C"; Out Chorus use Melody from "A."
Dardanella
TUBA
Felix Bernard & Johnny Black - 1919
C C C C 5 A C
Down
be-side the Dar-da- nel- la
Bay,
9
G7
Where Or- i- en- tal breez-es
C
play,
3
There lives a lone-some maid Ar- me-
ni - an
13
C
By
the Dar- da-nelles with glow-ing- eyes,
17
G7
C
sighs,
21 B A¨
Soon
I
I
will
B¨7(b5)
She looks a- cross the seas and
3
And weaves her love spell so si-
25
G
re-
E¨7
ni- an.
A¨
shall re - turn to Turk- e-
A7(b5)
D7
ask for her heart
and
stan.
G
hand.
G7 Break
Bass
Dardanella TUBA
2
29
C C
Oh,
C
G7
a luck- y fel-low
37
F
45 D C
49
oh
hear my
girl
tent
in my
ha-
Oh,
Dar-da-
My Or- i- en- tal,
Pre-parethe wed-ding wine,
E7
like
D7
the chil-dren-
57
C
sweet Dar- da- nel- la,
of
There'll
F©‹7 Gº
E7/G©
We'll build
the
be
rem when you're mine.
just
to be true,
sigh,
53
A7
Break 1 bar
G7
sweet Dar- da- nel- la,
F
one
Oh Al-lah
G7 C
Oh,
la,
To cap-ture-such a prize.
And he tells you
D7
nel-
C
C A7
knows my love for you,
I love your ha-rem eyes.
I'm
C
sweet Dar-da- nel- la,
33
41
G7
Or- i-
E¨º
a
ent.
G7
C My star of love di- vine.
Darktown Strutter's Ball TUBA
Sheldon Brooks - 1917
A B¨
B¨º
C‹7
I've
got
some
We'll meet
good
our
news
Dark town "ba
- by
G‹
7
Ball.
It's
Dolls",
And each
C7
- class
a
hon
- ey,
all the rest.
An
ex
- hi - bi - tion of the
- y
swell
will
one
af
do
I'll
fair,
-
their
B¨
All the
best,
B¨º
Just to
F7
wear my high silk hat and a frock tail
coat,
You
And there'll be danc - ersfrom ev-'ry for eign
land,
The
and your
F
new silk
clas - sic, buck and wing, and the wood - en
D‹
- vi - ta - tion to the
G‹
wear your Par - is gown
14
in
F7 E¨7 D7
there.
An
F7
ver
D7
11
B¨º
F7
"high - browns" will be out
B¨
high- toned neigh - bors,
F7
4
F7
F7
a
There
ain't
no
doubt
clog.
We'll
win
that
fif
bout it
babe,
We'll be the
best dressed
dol - lar
prize
When we step
out
in
-
- ty
F7
C7
and
shawl,
G‹
F&7
the
"Walk the
hall.
Dog".
I'll
be
Darktown Strutters' Ball TUBA
2
G7 C7 Bb
17
B
down to get you in a tax - i hon - ey, You'd bet ter be read -
F7
21
Bb/D
Now dear - ie
25
G7
mem - ber when we
29
late
C Bb
Bbº
don't be
I want to
y a bout half past eight.
Cm7
be there when the
band starts play - ing, Re -
C7
get there hon - ey, The two steps I'm goin'to have 'em
Eb
Eº
Bb
A7
dance out both my shoes,
33
C7
When they play the"Jel -
F7
night at
the Dar town Strut ter's Ball.
all.
Goin' to
G7
ly Roll Blues"
Bb B¨dim Cm7
mor row
F7
To
-
F7
I'll be
Dear Old Southland Henry Creamer & Turner Layton - 1921
TUBA
F‹
E&
A¨/E¨
C7/E
I want to stray
5
D¨ B¨‹ I want
9
B¨‹7
C7
A¨/E¨
to hear
E&
corn,
C7/E
My lit- tle home town.
A¨/E¨
To feel
C7/E
A¨7
A¨/E¨
My home town,
F‹
in the cot- ton and
E&
I want
born,
E&
to the town I was
to play
F‹
F‹
it,
I used to steal
D¨
dear old Moth-er- each
it.
Dº
morn,
Tuba
13
B¨‹7 C7 F‹ A¨º F‹ say-
ing
"Go long,
17 A F
21
go long,
Old Old
Sputh South-
B¨
hear you
F
you my
callheart
25
F
ing is
to yearn-
F&
long, long
A¨º
my I
old love
land, land,
D7
G7
I to
C7/G
long see
C7
Kenthat
tuckSwan-
I for
C7
me. ing.
And And
I I
Bº
how just
29
school".
B¨
Bº
Dear Dear
F
to
B¨
Dear, Dear,
to land
go long
F&
F
go long,
C7
to once
F
y ee
home. shore.
roam more
B¨7
back the
F
TUBA
Dixieland Jazz Band one Step q = 200
A Bb
6
Bb
11
F7
Bb
F7
Bb7
F7
C7
Bb
F
F7
Bb
Bb
C7
F7
F7
Bb
Bb7
F
Eb Cm7 Fm7 22 Bb Eb Eb Bb Eb 28 Cm C7 Fm F#dim Eb Bb7 Eb7 16
Bb
33
C Ab
B Bb
C7 F7 F7 Ab C7 39 Bb Eb Eb Ab Bb7 45
G7 Cm Cm
F7
Eb7
Ab C7 C7 F7 F7
49
D Ab
55
Bb7 Bb
59
Ab
F7
Bb7
Db
Ddim
Eb
3
Ab
Ab
Down Among The Sheltering Palms
TUBA
Abe Olman - 1914
A B¨
Down
5
C7 wait
a- mong the
for
me;
A¨7 G7
Oh
hon- ey
wait
shel- ter- ing palms,
A7
B¨7
Oh hon- ey
for
me;
9
F7
Meet
me
down by
the
Out
17
where
How
my love
How
Down
29
C9
wait
is
F9
for
a- bout eight.
burn- ing,
F7
Gº
yearn-ing, yearn-ing, yearn- ing
to
be
A - mong the
burn- ing, burn- ing,
B¨7
C7
my heart
E¨
is
25
B¨
21
G7
F7
the sun goes down
B B¨7
C9
old Gold- en Gate,
13
B¨
A7 A¨7 G7
Shel- ter- ing Palms,
Oh hon- ey
B¨
me.
TUBA
Down By The Riverside
q = 180
F Gon- na
5
F
F
lay down
my
sword and shield
C7 C7 down by
the
9
F
lay down
C7
Down by
F stu - dy
war no
down by
Ain't
stu - dy
C7
more
I ain't gon - na
stu
- dy
more
you know I'll
stu
-
dy
C7
that
war
-
dy
war
more
down by
the
more I ain't gon - na
no
I ain't gon - na
F
more
stu
F
no
F
C7
stu
war no
war no
C7
Gon - na
Bb
gon - na
F
ain't gon - na
F
side.
C7
A Bb
F
Bb Bb F
28
riv - er
riv - er side
the
24
I
the
F
side.
19
riv - er - side,
F
er
the
F
side,
F
-
down by
F
my sword and shield
14
riv
riv - er
F
F
1
more.
2. Gonna stick my sword in the golden sand 3. Gonna put on my long white robe 4. Gonna put on my starry crown 5. Gonna shake hands around the world
-
dy
war
no
Down In Borneo Isle TUBA
Herny Creamer & J. Turner Layton - 1917
A
C‹
Far
a-
way
in
G7
Jun- gle,
Jun- gle
5
F‹
land,
C‹
Jun- gle land,
Toms
C‹
Where
they
play
up-
on
13
B¨7
Jun- gle,
17
Tuba-
9
Tuba- Toms- etc.
Jun- gle,
Jun- gle,
the
F‹7
sand,
Jun- gle sand.
Tuba- Toms- etc
B¨7
B
B¨7
B¨&
In
the
eve-
E¨
ning
when the
day
is
cool- er
21
ev- 'ry-
25
bod-
y
does the
Boo-
la
Boo-
la.
C‹
And
they
say
that
29
B¨
Tum- bles,
F7
Stum- bles,
mon- key band,
B¨7
As
they bun- gle
thru the
jun- gle.
Down In Borneo Isle TUBA
2
33
C
B¨7
Down
37
E¨
in
Bor- ne-
Down
in
Bor-
41
B¨7/F
o,
ne-
o
Down
Isle.
Eº
B7/F
wild
45
E¨
men
D7
And
E¨
those
real
wild
wo-
men
56
C7
Bor- ne- o,
Oh, Oh, Oh,
Where I want to go,
to
a-
in
round,
swim- min'!
C7 Cº All
they wear is a smile,
C‹
And ev-'ry
Oh,
67
To
love
E¨
eve-ning when the
lights
62
F‹
ing
in
Eº I
danc-
49
Down
o,
B¨7
D B¨7
Bor- ne-
E¨
those
in
E¨
B¨7/D
see
the mus- ic slow,
are
B¨7
Oh,
Oh, Oh, Oh!
F7
Down
How
B¨7
in
Bor- ne- o
low,
Oh,
Oh,
they toad- al-
E¨ A¨7 E¨
Isle.
o,
Down Home Rag
TUBA
Wilbur C. Sweatman - 1911
B¨7 F7 5
A E¨ F‹7 E¨/G A¨‹6/F E¨ C‹7 F7 B¨7
9
E¨ F‹7 E¨/G A‹6/F E¨ C‹7 F7 B¨7 E¨
13
B
E¨6 F7 B¨7 E¨6
18
E¨
F7 B¨7 E¨
21
25
E¨7
G¨7
B¨‹
A¨
C
A¨7
G¨7
E¨7 D6 F©º G¨7 E¨7
D¨ D¨‹ A¨
E¨7
A¨
B¨7
E¨7
29
A¨
33
D A¨
A¨7
D¨ D¨‹ A¨
A¨ A¨7 D¨
A¨
B¨7 E¨7 A¨
D¨‹
A¨
A¨
D¨‹
B¨7
E¨7
37
A¨
D¨‹
A¨
A¨
D¨‹
B¨7 E¨7 A¨
Play "A" Once and end
TUBA
A Gm
Edward Madden and Theodore Morse - 1908
Down in Jungle Town
Verse
A7 A7b5 D7
9
F7
17
Bb
D
A7
D
A7
F
Chorus 25 B Bb
in jun - gle
Down
soon.
37
town,
a
ser
pret
-
ty
mon
F7
- en -
ade,
Bº
- key
To
F7
Cm7
maid,
Sings that mel
F7
that chim - pan
- zee
up
D7
B¨
mon key doo- dle
- doo way Down In
in
the
tree,
Bb
- o - dy.
51
a
C7
When
46
F7
is com - ing
C Bb
Bbº
Bb
A hon - ey - moon
F7
F7+
Then you'll hear
41
F7
F7
31
Bb
C7
C7
I'll
C7
Jun
-
be
F7
Bb
gle
Town.
true
to
my
Down in Honky-Tonk Town Chris Smith & Charles McCarron - 1915 TUBA
A E¨
D7
E¨
Bill John-son said one day,
5
E¨
"We've been to
To his E - li- za May,
near-ly
ev'-
G7
9
A¨
A¨
17
ry
place in
We both will
B
nov- el- ty,
A¨
G7
C‹
the thing up
D7
there is this place I hear,
D7
E¨ D7
brown!"
E¨
His sweet- tie said, "My Dear,
E¨
town.
some oth -er
D7
21
go and do
G‹
G7
G7
D7
A¨
If you sug- gest to me,
13
E¨
D7
D7
I got it straight from Mose,
who brings the
G‹
clothes.
25
C‹
It's Hon- ky Ton-
29
D7
That's
ky Town,
D7(b5)
where the
down where the gals
are brown.
G7
mu-
sic
grows.
Down in Honky-Tonk Town TUBA
2
C C
33
Come, Hon- ey, let's go down
37
D7
to Hon- ky
Ton-ky Town,
it's un- der-neath the ground,
where all the
fun is found.
41
G7
There'l! be
sing- ing
wait- ers,
sing- ing
syn- co-
pa- ters,
45
D7
danc - cin'
to
pi-
a-
no played by
G7
Mis- ter
Brown.
49 D
C
He plays pi-
a- no queer,
53
D7
You want to
He on- ly
plays by ear,
The mu- sic that you hear, would
stay a year,
57
G7
ev-
en start
a
Down
in
Hon - key
danc- ing with
G7
mon- key,
61
D7
a
don- key,
C
Ton - ky
Town.
Down Yonder TUBA
L. Wolfe Gilbert - 1921
A E¨
Rail- road train,
5
Put
a
Rail- road train,
lit-
tle
steam on
9
Hus-
E¨
Hur-
just
like
ry
some more.
tle
nev-
er
E¨
on,
Bus-
tle
be- fore.
B¨7
F7
E¨
on,
I've
13
F7
B¨7
F7
E¨
B¨7
F7
got
the blues.
B¨7
for
my
Swan-
ee
er
if
you
Yearn- ing
shore,
17
F‹ Broth-
on-
ly
21
F7
knew,
B¨7
You'd want
to
hur-
ry
up
too.
Down Yonder TUBA
2
25
B
E¨
B¨
E¨
E¨7
A¨
Down
yon-der some-one beck- ons to me,
31
A¨
E¨
49
C E¨
Down
and more,
B7/F
ry,
Swan- ee shore
I miss you
BReak 2 Bars
Ev- 'ry day, my mam-
B¨7
Eº
F7
B¨7
E¨
E¨7
Yon- der when the folks getthe news,
56
yon-der some-one
see a race in mem- o-
Be-tween theNatch-ez and the Rob-ert E. Lee.
more
Down
B¨7 E¨ E¨
E¨
37
43
B¨7 I seem to
reck-ons on me.
E¨7
my land, You're
A¨
sim-
E¨7
ply grand.
A¨
Don't
won- der at the Hul- la- ba- loos.
E¨
There's dad- dy
60
C7 my,
and mam-
my,
F7
B¨7
Wait- in' down yon-
der or
There's Eph- raim and Sam-
E¨
me.
B¨7
Easy Rider's Gone
TUBA
Shelton Brooks
q = 120
Bb7
I
5
won - der
Eb7 ne
9
where my
Ea- sy Ri-
der's gone to
- ver
told
me
he
was
- day
goin'
a
He
he was here he'd win the
race
F
C7
Gm
If not first he'd get
a
place.
Cash
F7
our tick - ets for a
If
D7
way.
-
F7
in
Bb
13
jol - ly joy ride right
a
- way
I'm
17
Bb7 los- ing
all
my
mon - ey that is why I'm
21
Eb7 win
25
29
blue.
To
Bb
a
he
race
knows just what
F7
put all
my junk in
C7
to
do.
pawn
F7
1.
Bb
Ea - sy Ri- der's gone.
Gmin
to bet on
I'd
D7
won - der where my
an- y horse that Jock ey's
2. Bb I
gone
on,
Oh I
Eh Las Bas
TUBA
Traditional
A Ab
bas, (band sings echo)
Ab
Eh la
Bas,
Eh la
Tra
la
la
Sis Boom
13
Eb7
Eh
y
sang
that
Well I
Eb7
in
a
pinch
I don't know what it means.
so
Ca - jun French
in a
fine ol'
ole way,
Cre
E¨7
on
real good, like I knew it ly
-
Ca
25
-
jun
I
would,
can say
like is Lais
down in
-
New
sez les bon
hear
that
clari - net
burn
and
let the
good
times
roll
friends,
and
to
my
it
but the
Or
I
leans,
-
temps
So
rou - lez!.
hear them trom bone gliss let the
mus
-
ic
- es
nev
-
er
I'd
play,
To -
Ab
sing French when I take my turn
mor - row may
But
Ab
E¨7
29
like
Eb7
love to
la
la bas
21
sounds
can't speak French, not
Solos here after Vocal
-
Aº
Bah
Eh
Or
A¨
Ab
bas,
B Ab
Eh la bas,
bas,
Ab
17
E¨7
Eb7
Aº
Eh la
7
1
come to
be,
but that ain't the kinda band that this is
Eh la
so let's
Eh la
love
it
up
to
-
day
Vocal Back to Top
Eccentric
TUBA
F Fº 5
F
J. Russell Robinson - 1921
G7
C7
F
F7
A C7 B¨
9
F7
13
3
B¨
F7
C7
F7
21
B E¨
B¨ F7
B¨7
E¨
B¨7
25
29
B¨
B¨7
B¨7
E¨
E¨
B¨7
F7
B¨
G7
E¨
B¨
B¨7
F7
E¨
C‹
33
3
B¨
17
E¨
B¨7
Solos: F7
E¨
Eccentric TUBA
37 2
Solos Begin Here first time
C
C7
3
B¨
41
F7
F7
B¨
45
C7 B¨
49
F7
53
B¨ F7
B¨
F7
3
B¨
After last solo play "C" as written then on to "D"
D B¨
B¨º B¨ C7 F7 B¨
57
B¨º B¨ C7 F7 B¨
61
D7
65
B¨º B¨ C7 F7 B¨ Tag 69 F7 B¨ C7 B¨ B¨º pp
f
B¨
B¨
Fidgety Feet
TUBA
F7 5
A B¨
The Original Dixieland Jazz Band - 1918
B¨7
E¨
Eº
B¨
F7
9
B¨
13
B¨
B¨
C7 F7 B¨
B¨7
E¨
Eº
B¨
17
Bº 2 Bar break
C7
F7
1. B¨
2.B¨
22
Stop time - 4 bars B E¨ G7
A¨
E¨
28
3 E¨ F7 B¨7
33
E¨
B¨7
E¨
C7
3
B¨7
B¨7
F7
E¨ C7 G7
A¨
B¨7 E¨ E¨7
Fidgety Feet TUBA
2
38
C A¨
E¨7
A¨
42
E¨7
46
D¨
D¨‹
B¨7
F‹7
A¨
E¨7
D¨
C7
62
A¨
E¨
A¨
A¨7
D¨7
D¨
A¨
58
B¨7
A¨7
E¨7
54
66
A¨
A¨
50
F7
1.
E¨7
2.
TUBA
Floatin' Down That Old Green River Cooper - 1915
A F
Concert pitch
I've been
wad
F
13
ship
"Rock
and
- ed
too
all
a
The
ship
got
21
25
F
had
29
got
G7
stuck
Wish
- in'
wrecked with
on
And there was
to
get
back
a
I
was
home.
the
cap
- tain
and
crew,
Bb
on
- ly
one
thing
I
could
do;
drink
that
C7
I
I
was
C7
F7 E7 Eb7
the
that
bar
on
- lone,
- er
G7
Riv
But
D7
Green
Rye,"
I
there
D7
old
far,
F7
that
17
down
C7
good
9
in'
-
float
G7
5
F7 E7 Eb7
F
I
D7
whole
Green
Riv
- er
dry
to
home
to
you!
F
No Repeat First Time - On To Vocal
Solos at "A"
Floatin' Down That Old Green River TUBA
2 Verse Interlude:
F
F#º
C7
F
F#º
C7
Verse - Vocal:
F
F#º
C7
F
F#º
C7
past
four,
Dan
33
B 37
Half
F
41
C7
45
G7
49
He
came
a'
creep
had
been
waitin'
up
half
the
night
to
come
home
and
go
to
bed.
Dan
F
53
F#º
Dan
57
F
61
C7
Graw,
-
She
Mc
G7
- in'
C7
to
his
ny
smiled,
But
then
his
you
been
all
"Where have
G7
this
is
what
Dan
- ny
F
like
wife's eyes
65
F
C7
grew
ve
F
night?"
C7
re - plied:
ey's
Eb7
door.
D7
For
F#º
C7
a
G7
-
F7 E7
-
wif
child,
ry
-
wild!
she
cried,
D7
And
D.S. to "A"
I've been Back to "A" for Vocal and Solos
Floatin' Down To Cotton Town TUBA
F. Henri Klickman - 1919
A B¨
D¨º
I
5
just dropped in
to
leave
to-
I'm
C7/G
day,
go-
in'
back
to
I
came
to
The min- ute
more I'll
F
when
I
sun-
ny
C7/G
To
I
my
way.
F©º
Dix-
ie-
land,
shake you
D¨º
F7
by
the
B¨
won't
that
ie
me,
just
CØ7/G¨
Line,
No
D¨º
be
hand.
F
D¨º
Dix-
F&
F&
C7
Cap- tain, don't fail
29
F
cross that
pine,
say,
on
F©º
F7
21
25
and
I'm
B¨
B B¨
F7
all
C7 That's why
you
B¨‹
17
B¨
13
see
D¨º
F&
F7
9
F7
hur-
fine?
Mis- ter
C7
ry
and
sail
me,
F7
that
gal
of
mine:
Floatin' Down To Cotton Town TUBA
2
33
C
C B¨
G7
Float- in'
37
F7
C©º
45
on
the
riv-
whis-
tle
toot!
toot!
C7
Cº
ies
sing-
in',
ey
53
F7
I'll
F©º
come back
fields
61
of
sug-
Float-
toot-
in'
a-
way,
in'
Down
And
those
lit-
tle
hon-
F7/A
ey
to
you
and
Al-
a-
bam;
lamb,
ar
cane
seem
to
Cot-
ton
G7
wel- come
B¨
Town.
While
B¨
day.
B¨7
B¨
F7
C7
To
ring-in''til the break of
Just hear that
my
G¨7
G7
ban- jos
C7/G
C7
Town.
G¨7
down,
Cot- ton
lamb,
57
E¨
G7
F7 Break 2 bars
C7
float- in'
B¨
D B¨ Hon-
er down to
ey,
B¨
hon-
F7/A
dark-
49
my
C7/G
down,
F©º
Float- in'
41
C7
me
a-
gain,
F7
Flee As A Bird TUBA Mary S.B. Dana - 1857
A D‹
9
He
Wipe
as
a bird
to your
moun-
er,
A7
Go
to
He
will for- sake thee oh
B F
er.
F
13 C D‹
He
on
his bos- om will bear
Cease from your sor- row and cry-
17
D‹
A7
D‹
thou who art wea- ry- of
sin.
Sav- iour will wipe- ev-'ry tear.
be clean.
D‹
and the Sav-
D‹
thee,
iour will hear
ment in
thee. ing.
G‹
A7 D‹
A7
D‹
The Sav- iour will wipe
A7 D‹
sigh-
A7
Thou who art wea- ry
ing,
ten- der- ly there.
Spend not the mo-
A7
D‹
G‹6
Call
tear.
thee, ing,
sin.
A7
Shel- tered so
C7
fly-
fall- ing
Where you may wash and
Haste then, The hours are
of
tain,
nev-
for the aven - ger is near
ev- 'ry
D‹
the clear flow- ing foun-
A7
tain,
will pro-tect thee for- ev-
D‹
Fly
G‹7 B¨7
Thou who art wea- ry
Flee
D‹
5
A7
of
sin.
ev- 'ry tear,
A7
D‹
Oh The
1
Frankie And Johnnie TUBA
Traditional
F
C7
F
C7
Frank-ie and John- nie were lov- ers.
Frank-ie went down to the cor-ner,
5
B¨
swore to be true
to each
said to the fat
bar-
8
F
G‹7
He was her
man,
He was my
man,
F
C7
F F7
Oh, Lord-y how they could love! Just for a buck- et
B¨
B¨7
of beer.
She
Bº
as the stars
a- bove.
Just as
true
ten- der,
"Has my
lov-
F
They
oth- er,
C7
in- est man been here?
B¨7
But he done her
wrong.
Buthe'sdone me
wrong".
F
C7
Floatin' Down To Cotton Town TUBA
F. Henri Klickman - 1919
A B¨
D¨º
I
5
just dropped in
to
leave
to-
I'm
C7/G
day,
go-
in'
back
to
I
came
to
The min- ute
more I'll
F
when
I
sun-
ny
C7/G
To
I
my
way.
F©º
Dix-
ie-
land,
shake you
D¨º
F7
by
the
B¨
won't
that
ie
me,
just
CØ7/G¨
Line,
No
D¨º
be
hand.
F
D¨º
Dix-
F&
F&
C7
Cap- tain, don't fail
29
F
cross that
pine,
say,
on
F©º
F7
21
25
and
I'm
B¨
B B¨
F7
all
C7 That's why
you
B¨‹
17
B¨
13
see
D¨º
F&
F7
9
F7
hur-
fine?
Mis- ter
C7
ry
and
sail
me,
F7
that
gal
of
mine:
Floatin' Down To Cotton Town TUBA
2
33
C
C B¨
G7
Float- in'
37
F7
C©º
45
on
the
riv-
whis-
tle
toot!
toot!
C7
Cº
ies
sing-
in',
ey
53
F7
I'll
F©º
come back
fields
61
of
sug-
Float-
toot-
in'
a-
way,
in'
Down
And
those
lit-
tle
hon-
F7/A
ey
to
you
and
Al-
a-
bam;
lamb,
ar
cane
seem
to
Cot-
ton
G7
wel- come
B¨
Town.
While
B¨
day.
B¨7
B¨
F7
C7
To
ring-in''til the break of
Just hear that
my
G¨7
G7
ban- jos
C7/G
C7
Town.
G¨7
down,
Cot- ton
lamb,
57
E¨
G7
F7 Break 2 bars
C7
float- in'
B¨
D B¨ Hon-
er down to
ey,
B¨
hon-
F7/A
dark-
49
my
C7/G
down,
F©º
Float- in'
41
C7
me
a-
gain,
F7
TUBA
Foolish Questions
q = 152 1915
G7 F F D7 C7 Now
you've
Now Now
let's
A 5
F all heard fool then say
-
no
you
and
ques - tions
ish
al - ways
there's that
per
-
son
who's
ele - vator
per
-
son
should for - get
the
F
B¨
doubt
won
hanging
der
why
Some -
'around the
place
And
the
door,
And
-
close
to
9
G
one
will
he
watch
ask you
you should
-
a
es you take hap
pen
ques - tion
your shav
-
you
give your
when
you
17
B¨
first thing she'll do know fool
that will
hit
fool
is will
stick his stick
se
ven
can - dy ra the
-
face.
And
floors.
And
F
Say
just
af
-
ter
tea
The
zor
its
prelim
ar
-
y
wave
You
bot
tom and
ert
Some
up
you
in
G7
her nose and to
-
-
you're lying there
D7
wrin - kle up
his
Like
come
F
up your
B¨
when you take your girl some
sen - si ble re - ply
a
let's say for - ty
down
13
as
ex- pect
brush and start to lath - er
ing
to tumble
but
C7
fool - ish
F
and
down the shaft and
in
F
C7
ask "Is ask "Are ask,
it
-
for
me?"
you gonna shave? "Are
you
hurt?"
Foolish Questions TUBA
2
21
FB Foo
lish
-
Ma
or
your
Pa
or
it's
pared
for
shav - ing
I
just love
have the fu ne aw
ful
you re - ply
No it's for
your
your
reply
is
No I'm not
pre
I hope
that
you re - ply
No, he just
though
You
utter your
dy - ing
No,
hurry
-
for
I
hope
the
it
gi
-
of
nal
like
to
on.
Ned
was
al - ways so
slow.
It
ele vator's just
too
and
paint
my - self up this
have want - ed com - ing
way.
-
F
no - ther fool - ish
-
ori lot
saves a
D7
A
to
ques - tion
You'll
way.
it that
down
you
take my shav-
usual - ly
B¨
a
way.
this
1.2.
way.
3.
C7 F G7
D‹
hear them ev' ry day.
D‹ way,
And
D‹
just
re
he
G‹
Then
there's this
fel
-
low
who meets you on your
A7
asks
you
why you're
all dressed up
and
this is what you
say.
You're
G‹
D‹ Ned
la - ter
F take it
I
and
I'll
time
soap.
he would
F
taste of die
-
in
just want - ed
then
now
was
I
and
And
I
guy
ral - now this
moan
some oth - er
B¨
ing brush
47
doubt
see
44
no
30
40
C7
an
35
G
he'd
F
ques - tion
26
B¨
-
turn - ing
from the
fu
-
ner
-
ral
of
dear
old
bro
-
ther
A7
And
as you're
ring - ing
out your hank - ie
he'll ask
"Is
Ned
dead?"
Back To "B"
Grizzly Bear Rag
TUBA
F
5
D7
G7
George Botsford - 1910
C7
F
Bass A F
13
F F
9
C7
C
D7
G7
C7 Break
F
C7
F
F D7 G7 C7 F
17
21
B C7
25
F
C7
29
33
C7
F
B¨
Bº
F
C7
F
Fine
Grizzly Bear Rag TUBA
2
37
CF
C7
F F
41
45
C
G7
C7
F
D7
F F
C7
F
49
53
D
D7
B¨
G7
B¨7
57
F7
61
B¨
C7
G7
C7
B¨ Break
Fº
F7
B¨7
G7
C7
E¨
G¨7
Stop time as Marked
B¨ B¨ E¨ B¨ C7 1. B¨ F7 F7
65
B¨
2. B¨ Break
Back to "B" - Play to Fine
He May Be Your Man
TUBA
(But HE Comes To See Me Sometimes) Lemuel Fowler - 1922
Eb
A Eb
5
Eb
Lee Green
from Ten- nes was some l'il
Ab
Eb
night
F7
Un - til Min - nie Was Miss Min - nie,
quite rough. could be.
beau Hall,
Eb
Now Down
Eb7
she loved him night where ev - 'ry - bod-
and y'd
F7
day. go,
Bb7
shook a shim - my and stole his heart a - way. drink - in'plen - ty and hug- gin' Lu - dy's beau.
Bb7
Bb7
Poor Sa die Lu - dy was
be as
Bb7
Bb7
Eb7
She would al - ways strut her stuff. They would al ways dis - a - gree.
she had a at Moon - shine
Eb
Miss Miss
B7
Snow, ball,
Bb7
F7
Eb
21
- where
was known to and jeal- ous
queen,
Cº
Sa die at the
17
an - y out at
Eb
- see
C7
Eb Ab7
Eb
An - y - time and When her man went
Eb
B7
13
Bb7
Cº
Min - nie Lu - dy
9
F7
near ly dies, but Min - nie on mad as well, Min - nie said "I
Gº
Bb7
ly sighed,then I heard her say: will tell you now so you'll know"
He
He May Be Your Man TUBA
2
F7 Bb7 B Eb
25
may
29
be your man but he comes to see me
Ab
33
Ab7
G7
Bb7
vam - pire
thatis
Bb7
My wick - ed smile,
But
need of cry
I don't mean, Ain't no need
Eb
Bb7
- in' and it's no use to weep and
I
his mind.
man from you.
Bb7
Eb
Eb7
mourn.
Eb
to be so bold, of get tin' rough,
F7
be your man but he comes to see me
G7
own,
my
own.
F7
Bb+
but I just want, 'cause I'm just right
to get you told, He to do my stuff
Bb7
Eb
Eb
may
My wick - ed walk, I've got the kind of eyes that seem to talk, It's
I love you man and I'm gon - na take him for my
53
Ab
C7
Eb
Eb
49
Ab7
I can cert' nly take you
F7
45
ture,
C Eb
no
al ways got me on
Eb
Cm
ain't no
41
37
Eb7
some- times.
And when he's with you he's
Eb
some- times.
Ab7
Bb7
TUBA
Hesitating Blues W.C. Handy - 1915
A Fº
F
Hel
- lo Sun - day If
3
Cen
I
Fº
night
my
was
whis
beau
pro
- key,
and
want to talk
Said she'd be hap dive
to
that
py
if his
with
this
line?
you
were
mine.
wif
I'd be
cup,I'd
a
Dm
Bb
me.
to
Tell
me
how
long
Said
he, "How
long
Oh, How
long
come up,
F
I
have
to
wait?
Please give me
will
I
have
to
wait?
Come
be
do
I
have
to
wait?
Can
I
- 9 - 8
wife my get it
What you
F
Kate,
Why do you hes or
F
C7
G7
Why do you hes
now,
B Bb
will
C7
2
13
- posed
High Brown
6
9
- ter
C#º
- ie and nev - er
to the bot - tom
mat
F/C
I
- tral what's the
F
F
Fº
I have to hes
Bb
say can't
I
de - clined him
I
had
wo
do
- man,
-
to my
just for She
a
F7
i - tate? i - tate?
Bb
F
Brown?
A
storm
stall,
He
left
was tall.
F
i - tate?
F
talk
-
Bb7
my
She
make
last night
blowed the
that
night
on
the
me
think
'bout
my
Hesitating Blues
2
16
F/C C#º
TUBA
Bb
Dm
wires
all
down.
Can - non Ball. par
- a - sol.
G7
tell
me
get
it
na - tion is
30
the thief of time,
off,
42
I'd
be his,
45
F7
left
me
he
do
I have to
wait?
Can
I
F
Bb7
F
F7
Pick-up to Chorus
i - tate?
He'd be mine,
Bb
Eb
"one stitch in time
- day.
lose.
F7
- i - ta - ting
Bb
Blues.
Eb7
Eb
Left
Bb7
a - lone
-
And if you
Bb7
My best friend's gone a
So all the wise owls say,
And I'dbe feel - ing gay.
The Hes
Pro - cras - ti -
Bb7
to grieve and pine,
WIll
Some - bod - y's bound to
Bb
wait?
Bb
D
I have to
To - mor - row's not to
33
37
will
hes
may save nine",
put
Oh, won't you
- i - tate? do I have to hes i - tate?
F7
wait?
C7
or will he
now,
C Bb
I have to
Why do you hes -
come back now,
will
now,
25
how long
Oh, How long
C7
21
F
Tell me how long Hon - ey
1
way,
He's gone and
Bb
High Society
TUBA
F7
Bb
5
A F7
Bb
11
Bb
D7 Gm
Gm
16
B F7
D7
D7
Gm
Bb
Gm
C7
F7
F7
21
1901
C7
29
Bb
35
Eb
Edim
Bb
Bb7
F7
Bb7
Bb
C7
F7
3 41 Ab Eb C Eb Solos Here
D7
Eb
49
Bb7
65
Ab
Adim
Eb
Ab
Eb
Eb7
Eb
C7
F7
Bb7
Eb
Bb+7
Eb
Bb7
Bb7
58
F7
High Society TUBA
2
73
G7
D Cm
Cm
Tuba
G7
Fm
80
87
G7
94
Cm
Bb7
E Eb
3
Ab
Eb
Bb7
102
Bb7
D7
Eb
Bb+7
Eb
110
Ab
Eb
Eb7
Eb
C7
115
Ab7
F7
Bb7
Eb
Ab
Adim
F7
Bb7
Eb
High Society TUBA
3
Bb Clarinet Solo as played By Alphonse Picou
121 C F 3
C7
3 3
125
F
129
C7
133
G7
3
Bb
F
F
3 C7
3
F
C7 F C7 F
138
Bb
142
F
Bb
Bº F 3 D7
146
3
149
G7
C7
F
TUBA
Hindustan Oliver Wallace & Harold Weeks 1918
q = 185
Bb
Hin
5
Bb
F+
-
-
rest
F7
our
tir
- ed
F7
9
Hin
- ed
pea
F7
- cock
Bb
proud
Bb -
pur
- ple
sun
van,
F7
stan,
-
F+7
Bb
Bb
- ly spreads his
fan
Bb
Bb
stan,
-
flahsed
C9 -
-
a
- cross
du
F7
her
and
the
world
the
be
Ebm Bb
-
where
the
F7
where
the
Eb
stan
-
we
sand,
Ebm
-
Eb
- bird
29
met
- a -
Bb7
C9 C7
F7
F7
du
-
25
Hin
where
F7
F+
21
Bb7
car
du
-
17
Hin
stan,
-
13
paint
du
-
Bb
Fdim
stopped to
F7
Bb
gan.
where
I
Hot Lips
TUBA q = 180
A
1922
Db7
F
There's a
boy that's
in our
band,
And
Fin - est since you're
13
horn,
When he starts you're
born,
call
him
Hot lips
for
He
G7
gone.
ev' ry bo - dy
on thefloor just
B
Ab when
he plays
jazz,
steps,
like
Eb+7
say:He's got hot
Eb7
Eb+7
And
Eb7
notes,
Eb7
blows real red hot
floats that's what they
Dº
lips,
Cº
C
21
he blows that
F
They all
17
Db7
9
how
F
C7
5
He
draws out
Ab
Eb+7
no
has.
You're
on your
one
Hot Lips TUBA
2
Abm6
Ab
25
toes
Eb
Bb+
Eb7
and shakes your
Ebº
shoes,
Boy
how he
Solo Break 29
Bb7
Bb+7
goes,
33
WHen he plays
Ab
C
Eb+7
I watch the
Blues .
Dº
crowd,
37
Eb7
un
Eb7
-
Eb7
til he's
through,
Eb+7
proud,
THey're cu- ckoo
too.
D Ab
Ab
rare
45
you
C7
Eb7 boy
his
mus- ic's
you know the
Solos at "B" Eb+7
Ab
is there,
with two hot
be
de - clare
must
can
Time: Fm Dº
C7 Fm
Eb+7
Stop Time 41
He
Ab7
lips.
I Ain't Gonna Give Nobody None of My Jelly Roll TUBA
Clarence Williams & Spencer Williams - 1919
Lit
tle
His sister
5
B¨
C©º F7 B¨ F7 B¨
Wil ly
Green
from New Or leans,
Til ly
Green
was real ly mean, and ver
F
D‹
He al - ways
She al - ways
want ed
want
lots of
his mom bought him a
When the kids
Toot
gy, too.
com pan - y.
D‹
roll,
to hide it she would try.
C7/G
F7
be
lit
tle Wil ly said:
a
round, bite,
C‹7(b5)/F©
you'd hear Til ly
C7 G7 ain't gon na' give no
bod y
ain't gon na' give no
bod y
21
none
B¨
sie Roll, the best can - dy that was made.
F©º
gan to hang a
One
to you.
C©º F7
A B¨
F7
F
just to keep him
jel ly
When the kids would ask her for
17
stin
B¨
When her mom bought her a
F
was he.
ed some of what you had but gave she noth - ing
F7
13
-y
boy
C7
E¨º
kids
9
day
a greed y
of my Toot sie
Roll,
ly
roll.
none of my
jel
B¨
would - n't give you a piece of my sweet, not to save your soul!
I I
cry:
(Toot sic (jel
ly
Rol!)
I
roll)
I
(save your soul!)
I Ain't Gonna Give Nobody None of My Jelly Roll TUBA
2
25
G7
29
C7
Dad dy told me to
day,
Just be fore he went a
way,
Mom ma told me to
day,
Just be fore she went a
way;
F7
C7
be a good boy, He'd If I'd
be
bring me a
a
good lit tle girl,
33
B¨
And I'm my Dad - dy's pride
toy;
G7
She
might
put
know you
want it,
37
F7
41
E¨
Toot sic Roll is sweet! jel
45
E¨
in your just hang- in' a- round,
but
I'm- a
gon- na' turn
in curls! You
(hang- -in'- a- round)
D7 you
down.
My
G7
And you know it
B¨/F
Interlude to Second Verse B¨ D¨º C‹7
I
can't
be beat!
I
ly roll is sweet!
Eº
You
B¨ G7
C7
F7
B¨
know you want it, but you can't have it! I
and joy!
my hair
Eº
49
C7
know there ain't no need
If I'd
Two Bar Break
F7
Back TO "A"
ain't a gon -na' give you none!
B¨
D¨º
C‹7
F7
1
I Can't Let 'Em Suffer
TUBA
Henry Creamer & Turner Layton - 1918
A E¨
F‹7
5
I
love
to
F‹
B¨7
see
the
fel - lows
B¨7
E¨
I
love
13
G‹ It's cru- el,
to
see
all
B¨&
E¨
the
while.
G¨º
B7/F
'ry- thing.
That shows they're jol- ly and ev-
F‹7
hap- py
see them smile.
9
E¨
Love to
E¨
B¨7
the
fel- lows
E¨
hap- py
all
B¨&
the
while.
D7
G‹ Eº B¨/F So
cru- el,
To
let them
E¨
plead.
B¨7
Oh, I
I Can't Let 'Em Suffer
1 1
TUBA
2
17
B
B¨7
E¨
B¨7
E¨
can't let'em suf-fer
for the want of love.
It's a shame to let'em plead.
No I
21
E¨ B¨7 E¨ B¨7 shan't let'em suf-fer
for the want of love,
25
E¨7 no
E¨7
use tryin'to stall,
I
When I know just what theyneed. Now there's
A¨
just can't save them all!
29
F7 cry:
B¨7
33
fall.
B¨7
Then I've
E¨
E¨7
just got to make'em
be my tur-tle dove,
Lov- in' kiss- es
45
I'll pro- vide,
F7 B¨7 can't let 'em suf- fer,
For the want of
My hon-ey
love!
love.
E¨/G
C‹7
Un- til they're sat- is- fied.
E¨
Then I've
G‹/B¨ B¨7/A¨
F‹
Got to keep'em out of harm.
in my lov - in' arms,
C B¨7 C7/G
37
A¨
I'mbound to
E¨
just got to take'em
41
But when they
F‹/C D¨7 B¨7/D
"Oh, Come and kiss me, Sweet- ie",
B¨7
'Cause I
TUBA
1
I Never Knew I Could Love Anybody
h = 84
1920
AG
G+
A7
5
9
13
17
25
29
F7
G+
A7
D7
D7
G7
Cm
D7
C
E7
G7
G
G7
A7
D G
E7
G
Cm
C
C G7
21
A7
F6
D7
B C
G6
Cm
G6
F6
E7
G
TUBA q = 164
A D7
Miss
G
Sa - die Hall
C7 in the
went
hall
they
to a
ball
one
balm - y
F
F
played a
rag
-
time
G7 D7
G7
how
to
do the Bear
C7
thought she'd take a
C
chance.
21
B C7 F
25
D7 C7
C
F
D7
F/C
D7
Dm
a
while
G7
then
C7
I
then she be- gan to
F
C
C7
G7
F
up, keep it up, 'cause I
now!
do
it
an
It's a
C7
It makes you hap py
G7
want to
roar,
F7
I want to do it
-
y
how.
C7
You feel you want to
C7
fess - or keep it up, keep it
the
walked out on the floor,
care
all
Sa die watched them for
G7
I don't
They were teach - ing
G7
That tune is snap py
33
So she
tered
Miss
as she en
D7
Db
I want to do it
bear, its' a bear, but
F
C7
in June. Just
Dm
C7 F
I want to do it
29
Cat Dance.
F
night
tune.
10
schol ars
G7
6
15
1 Shelton Brooks (1913)
I Want To Do the Bear Cat Dance
want to do the Bear Cat
F7
dance!
Oh pro-
F
dance.
1
I Wish I Could Shimmy Like My Sister Kate TUBA
A.J. PIRON - 1919
A¨
Aº
E¨/B¨
C7
F7
B¨7
5
B¨7
E¨
A
9
E¨
G‹7 G¨º F‹7 a
B¨7
All the boys are
21
F7
go -ing wild
and then I knew it was in her dance.
B¨7
o- ver Ka- tie's
E¨
B7
B B¨7
Eº
E¨
Looked at Kate, she was in a trance,
C7
E¨
then I got wise to some- thing new,
thing or two,
B¨ F7(“4) B¨7
B¨&7
13
17
ev- 'ry- one there said she danced so great.
I re- al -ized-
Went to a dance with my sis-ter Kate,
E¨
E¨
Eº
danc-ing- style.
I
wish I could shim my like my sis -ter Kate, she shiv -ers like the jel- ly
on a plate.
Two bar break:
25
B¨7 E¨ My mam -ma want -ed to know last night,
why all the boys treat sis-ter Kate so nice.
I Wish I Could Shimmy Like My Sister Kate
1
TUBA
2
29
B¨7
E¨
Ev
-'ry boy
32
E¨7
un- der- stood.
in our
neigh -bor
hood,
A¨
knows that she can shim -my and it's
Aº
E¨/B¨
C7
I know I'm late,
35
F7 B¨7 E¨ C7 shim -my like my sis- -ter-
Kate, I mean,
but I'll
be up to date,
B7
when I can
B¨7
E¨
Shim -my like my sis - ter Kate.
B¨7 solos here: Play as Written for out-chorus E¨
39
C
B¨7
43
47
2 bar break E¨ Trombone
All sfz sfz sfz
B¨7
E¨
E¨7
51
A¨ Aº E¨/B¨ C7 F7 B¨7 E¨ C7
55
F7
B¨7
1.
2. E¨
E¨
1
Ida, Sweet As Apple Cider TUBA
Eddie Munson & Eddie Leonard - 1903
A E¨
In
5
F‹7
the
Breath-ing
9
out
F‹7
up-
ros- es
on
E¨
the
Lives
a
dus- ky
13
C7
For
maid
I
know my
When the
sun
is
B¨7
to
call
Ev-
her
will
nev- er
G¨º
B¨7
love for
sink- in'
Rob- in
in
that
Red Breast gone
my
own,
B¨7
die;
gold- en West,
B¨7
to
seek their nests.
B¨7
I
sneak down
29
C7
B¨
25
Then
E¨
Lit- tle
E¨
long
21
B¨7
I
B E¨
G¨º
F7
air their sweet per- fume,
B¨7
al- ways bloom,
B¨7
E¨
17
B¨7
re- gion where the
B¨7
G¨º
to
that place
I
love the best,
F7
'ry
ev'n- ing
there
B¨7
a-
lone
I
sigh:
B¨&7
Ida, Sweet As Apple Cider TUBA
2
33
C
E¨
1
B¨7
da,
I-
Sweet as ap-
ple
Sweet-
than
all
I
er
E¨
out,
F7
in the silv- 'ry
moon-
light,
of
love we'll
B¨7
whis-
per,
so
soft
and
D
E¨
low.
B¨7
Seems
tho',
can't live with-
B¨7
Lis-
ten
Oh,
Hon-
ey
C7
you,
E¨
57
out
53
G7
do!
F7
I-
da,
61
love
45
E¨
G7
F7
Come
49
know.
41
C7
der,
ci-
37
B¨7
I
E¨º
you
I-
F‹7
da,
'deed
i-
dol-
B¨7
I
ize
ya,
E¨
do.
I
B¨7
Solos at "C"
1
Indiana
q = 200
TUBA
A
F
Bb
I
5
have
al
O
ver
-
9
F
a
13
sea
moon - beam
Casts
a
spell
Gm
-
on
the
wa
o'er
me
C7
ion
fair
I
see
Fº
gain
I
seem
to
A
Gm7
C7
be,
A
Gm
ter
C7
-
Bbm6
F
F
F#º
'rer
F
G7
-
and
F
land
F7
F
wand
G7
21
a
Bb
Yet
vis
- ways been
Bbm
Bb
17
F
Back home
-
a
-
Indiana
1
TUBA
2
25
B
F
E7
Eb7
D7
G7
gain
29
C7
that
- dle
fields
I
49
F dream
a
- bout the
long
- ing
C7
sends
all
its
fra
roam.
on
the
Wa
my
In
thru
the
Dm7
C7
for
grance
Dm
to
Dm
used
- ing
The
-
gleam
the
- di - an - a
new - mown
G7
moon- light
it
me.
And
bright
G7
C7
A7
F
shin
A7
D7
D7
for
A7
still
45
F
E7 E¨7
F7
see
- a - mores
F
F can
light
na
-
I
hay
53
a
-
G7
C
- di
G7
in
syc
41
in
Bb
can
33
37
C7
seems
Bb
G7
From
the
When
I
Dº7
-
bash,
then
F
(C7)
home.
I
If You Were The Only Girl In The World
TUBA
11
Clifford & Nat Ayer - 1916
A C
C
D7
If
7
A7
you were the
E¨º
on-
ly
girl
in the world,
C
boy,
could go
17 B
A7 C gar- den of
E
on
lov- ing
in
There
F&/C©
would
G7/D be
33 C
D‹ you
F‹
were
the
37
D7 I
were
to-
say
old
way.
such
won-
such
won-
on-
ly
the
on-
ly
noth- ing to mar
our joy.
der- ful
G‹6
things to you,
A7
der -ful
things to
C
girl
in
the
C
A
C E¨º
C/E
E‹
G&7/E
day.
G7
same
With
G7
ly
the world
the
would
on-
G7
24
I
in
- den just made for two,
D‹7 G7 A‹
were the
C
D7
I
G&7
We
F
And
D‹7
G7
29
Noth- ing else would mat- ter
12
D‹7 G7
G7
boy.
E¨º
If
A&
A7
and
G7
do,
world,
D‹7
111
TUBA
Ja Da Bob Carlton - 1918
q = 132
F
F
Ja - da
G7
Ja - da Ja - da Jing,Jing,
Dº
That's a
fun - ny
F
11
D7
Ja - da
F
9
Ja - da Ja - da Jing,Jing
Ja - da
E7 Eb7
It's
so
lit - tle
bit
of
mel - o -
and
F
E7 Eb7
D7
F
Jing,
Oh
yeah!
dy,
G7
to
Jing.
Jing.
me,
It
goes
C7
Ja - da
C7
Ja - da
G7
Ja - da
D7
ap - peal - ling
13
16
C7
sooth - ing
Ja - da
F
C7
Dº
C7
Ja - da
5
G7
E7 Eb7 D7
Ja - da Jing, Jing,
Ja - da Jing, Jing,
F
Jing!
Jazz Baby TUBA
11
M.K. Jerome & Blanche Merrill - 1918
C Cº G7
C Cº G7
My dad- dy was a rag- time trom- bone play-er,
My mam- my was a rag- time cab- a- ret- er.
5
C E7 Eº A‹ D7 G7 They met one day at a
tan- go tea, There was a
syn- co- pa- ted wed- ding and
then came me.
9
F F7 D7 G7 C7 Folks think
13 A
the way I walk is a fad,
C
But
it's a hirth- day pres- ent from my mam- my and dad. I'm a
C
G7
C
Cº
Jazz
Ba- by,
I
want to be jazz-
ing all the time.
There's some- thing
17
C D7 G7 G& G7 in
the tone of a
21 B C
Jazz
sax- o- phone,
that makes me do a lit- tle wig- gle
C7
Ba- by,
"Walkthe
28 C
Dog" and "Ball
G7
F
Full
25
F
all my own. Cause I'm a
of jazz- bo
har- mo-
D‹7
ny.
That
C
Cº
theJack" that caused all the talk,
G&
C
nat- 'ral- ly walk! 'Cause I'm a Jazz
Ba- by,
is
D7
just a
cop- y
G7
of the way I
C
Lit- tle Jazz Ba-
by that's me!
Jazz Baby
11
TUBA
2
33 C
C A7 F F©º Rocked to sleep while the cra- dle went to
and fro,
To and fro
to the tune of the "Tic-
kle Toe".
37
G7 C Cº D7 D7 Ev- er since I start- ed in
to grow, I'd love to hear the mu- sic play- in', See my dear old mam- my sway- in'.
41
F
F©º
Jazz, jazz, jazz, that's
45
D7
all
I
ev-
all
I want
Ba- by,
to do,
"Walkthe
Dog" and "Ball
long
I
nev-
Cº G7
Play
er would
C
me
a
lit- tle
G&
'Cause I'm a
F
Full of jazz- bo har- mo-
ny.
D‹7
get thru.
G7
jazz!
C7
53
F
day
Jazz
All
C
49
A7
er knew,
G7
Jazz, jazz, jazz, That's
D C
C
That
C
Cº
theJack" that caused all the talk,
is
just a
cop-y
of the way I
Solos at "D"
56 C
G7 G&
C
nat- 'ral- ly walk! 'Cause I'm a Jazz
Ba- by,
D7
G7
C
Lit- tle Jazz Ba-
by that's me!
After last solo play "C" to end
11
The Jazz Me Blues
TUBA
Tom Delaney 1921
Eb
Down in Louis - i
F7
4
- an - a in that sun - ny
Bb7
su - per
fine
clime
- They play a class of mu - sic that is
Eb
- And it makes no dif - fer- ence if its
rain or
shine
- You can
Break 1 Bar
Eb
Bb7
7
hear that
9
A
jazz band
mu
- sic
play
- ing
all
Eb
the
time
it
Eb
sounds so pe- cu - liar 'cause the mu- sic's queer
F7
Bb
12
fill
the
Howits sweet vi- bra - tion seems to
Eb
air
Then
to
Eb Break 1 Bar
14
be in
rhyme
you
the whole world seems
to
Bb7 Eb
You want noth - ing else but jazz - band mu- sic
all the
time
11
The Jazz Me Blues
2
TUBA
Bb7 Bbº Bb7 Bbº Bb7
17
G7
B
c
Ev -'ry
one that's nigh
C7
to sigh Hearthem loud - ly
F7
21
Jazz
nev - er seems
man
Don't stop the mu - sic it's
Bb7 Eb7
28
don't feel
F7
both
day and
Now if it's
rag
35
- time
Take your time don't rush
F7
37
dog - gone real - gone
it
play
it
jazz - band "Jazz
C7 sweet and
Me"
Eb Ab7 blues.
in
G7
Don't want it fast
Bb7
(Jazz-man!) You
Please Sir will you play it
Eb
(Jazz Time)
man
Cmin
and if you don't blow it hot then I
- time
31
jazz
night
D7 Db7 C7 right
Oh!
Eb Break 1 Bar
25
know I want to hear it
Jazz
cry:
Don't want it slow,
low
I've
Eb
got those
D7 Db7 Solos at "C"
11
Jelly Roll Blues
TUBA
Jelly Roll Morton - 1905
G¨
F7
F7
Ensemble
Stop Time Banjo Solo - 7 beats
A B¨3
5
G‹
B¨
3
Trombone Solo 3 Beats
B¨º B¨ Cornet solo
3 beats
B¨7
Ensemble 9
E¨
13
B¨
F7
C7
F7
B¨ B¨7
3
E¨
3
E¨‹
B¨
F7
Stop time 3 bars - ad lib breaks 17
B B¨
21
D7
E¨
25
F7
G‹
D7
G‹
B¨7
Eº
B¨ C7
F7
3
B¨ B¨7
E¨
3
E¨‹
B¨
F7
Jelly Roll Blues TUBA
11
Stop time 3 bars - ad lib breaks
2
C B¨
33
B¨
B¨7
Eº
E¨
37
B¨
F7
B¨
29
C7
F7
3
B¨ B¨7 E¨
3
E¨‹
B¨
F7
4 bar interlude - clarinet trill, drum roll B¨7 B¨7 B¨7
B¨7 B¨7
41
45
D E¨
G7 E¨ E¨7
49
E¨ A¨ Aº
53
B¨7
F7
B¨7
E¨
B¨7
Back to "D" for Solos
11
Japanese Sandman TUBA
Raymond Egan & Richard Whiting - 1920
A E¨
Here's the Jap- an-ese
5
F7
hand
C7
Sand man, Sneak- ing in with the dew.
sor-
13
D7 mor
17
man,
E¨ He'll buy your old day from
old-
row
Just to startlife a
row
of the day that is
bold-
Sand
er
hand
through,
G
B¨7
er
with the new day you
man,
wake,
And you'll be
man,
trad ing new days for
a bit
B¨7
make.
Here's the Jap- an- ese
Just an old sec- ond
E¨
a bit
Trade him sil- ver for
B¨7
Then you'll be
E¨º
new.
In the dawn when you
And he'll give you to-
F‹
29
F‹7
He will take ev-'ry
A¨
25
E¨
you.
E¨7
21
A¨‹
G
B E¨
Just an old sec- ond
B¨7
9
E¨
old.
A¨7
E¨
B¨7
11
Just a Little While to Stay Here TUBA
Db
Ab
to
stay
here,
be
o
Just
a
lit
- tle while
Soon this life will
Ab
Ab7
7
12
Db
Db
Just
- tle
while
end.
Soon we'll take our
hev'n
Fm7
bor,
in
ney,
Be
a
a
lit
at
home
a
- gain
Ab
Ab
Ab7
-
o
Then
state.
we'll
Bb7
-
march - ing the
thru beaut
Pearl
- ies
there
to
la
-
ly
jour
-
Db Ab Eb7
all
sin
- ful
this low and
Wait - ing for our
go march all
en - trance
Dbm
Ab
F7
- ing
o
go
o
-
ver ver,
Ab
the
straight,
In
pen,
Eb7
friends.
ble
Some sweet day we'll
there.
Ab
Eb+7
with
Db
Dbm
Eb7
and
trou
Heav - en's gates are stand - ing
lit
Ab
Db
- tle more hard
-
nar - row
Ab
lit
the path that's
B Ab
All
Bb7
Just
29
ver,
-
- tle while to And our trav - els here will a
Just
wait
23
17
all
Db Ab Eb7
Ab
Ab
Ab
A
-
y
Gate.
to
share.
King Chanticleer
TUBA
A
B+
C‹/Bb
C‹
1 Nat D Ayer & Seymour Brown, 1910
C‹/A
Ab
C‹/G
Play cues 1x for Repeat:
4
Ab7/Gb
C‹/G
D7
9
B
15
G
D7
D7
D7
25
C C‹
28
Ab7/Gb
C‹
G7
G
D7
G7
C‹/A
D7€5
C‹/Bb
D7
B+
C‹/G
C‹
G
19
G7
Ab
D7
G7
C‹
C‹/G
King Chanticleer TUBA
2
33
Trombone Solo - 16 Bars
D F‹
39
F‹
E Eb
60
D7€5
G7
Bb7
G‹
Bb
F7
Eb
Ab
Bb7
Bb7
F7
Bb7
Eb
Eb
F Eb
75
D7
F7
G‹
71
65
Eb
CHORUS:
55
F‹
49
C‹
C‹
44
1 1
Eb7
F7
Bb7
Eb Ab7
Eb
Solos at "E":
Lasses Candy
TUBA
A A¨
5
1
A¨
A¨º A¨º
E¨7
E¨7
9
F7
B¨
B¨‹
Nick LaRocca - 1919
17
B A¨
B¨‹
E¨7
B¨
A¨
A¨º
B¨‹
A¨
29
B¨7
E¨7
25
E7
A¨º E¨7
21
F7
E7
B¨7
Eº
B¨‹
13
G7
G¨7 F7
B¨‹7
E¨7
Lassus Trombone
TUBA
3
A
7
15
25
30
Henry Filmore - 1915
Trombone Solo
C7
D7
F
D¨7
F
C7
1.
C7
F
Fine
F
F
C7
B G7
C
C7
20
C7
F
11
F
1
F
B¨ Solos Here
mp
34
G7
2. F
F7 B¨
38
B¨
42
B¨7
E¨
E¨‹
B¨ B¨ E¨7
B¨
F7
After Solos Play "A" once
Lazy Daddy
TUBA
Bb7
A Bb
Bb7
Bb
9
Bb7
Eb
13
Eº
B Bb
23
F7
C7
F7
Eb
Bb
C7
Bb/F
G7
C7
F7
F7
Eb
Clarinet Break - 2 Bars:
Clarinet Break - 2 Bars
28
ODJB, 1918
Eb
Bb
Bb
C7
17
Bb
Bb
5
Eb
1
Bb
G7
F7
C7
F
F7/C
F7
Lazy Daddy TUBA
2
33
C
Bb
Bb
Bb
39
Bb
G7
C7
F7
53
E Eb
58
Ebº
Bb
Ebm6
Bb7
Eb
Eb
Eb
Bb
Eb
fine
F7
Bb
Trombone Break Bb7 Bb7
Eb
63
Eb
66
Eb/Bb
Eb
C+
F7
Eb
Trombone Break
Eb
Eº
Bb7
49
D Eb
F7
Clarinet Break - 2 Bars
44
Eb
Clarinet Break - 2 Bars
1
Trombone Break
Bb7
Eb
Trombone Break
Ab
Aº
Eb
F7
Back to "B" al fine
1
Limehouse Blues
TUBA q = 184
AF
Eb
Lime
In Oh
Dear
Am In
Right here in
Am
Am
F
or
- house, wear - y
to
play,
- ange blos - som land,
E7
Eb
Where yel - low Chin - kies love
Lime
I'm
17
Dear,
E7
F
- house
Oh
9
F
Am
C7
Where you can hear those blues all 'Cause no one seems to
un - der
day,
- stand.
B F7
Bb
And
they
And
Those
25
F
A7
seem all
a - round,
Like
weird Chi - na blues,
Nev
Eb
a
- er
Db
long, long sigh. a
go
F
F
Queer
sob
sound,
Oh, Hon - ey lamb they seem to say:
Sad,
mad
blues,
For all the while they seem to say:
Eb
Dm
F
- way.
Bbm7 Eb7 Ab7
1 Limehouse Blues TUBA
2
C 33
Db7
Db7
Oh! Lime - house
Oh!
Oh!
kid
C7
That
the rest of them did
Fm7
Bb7
no - bod - y's child,
49
kid.
Ab
Go - ing the way
43
Oh! Lime - house
37
Bb7
C7 B7
Poor bro - ken blos
- som
Eb7
Ab7
Haunt - ing and taunt
and
- ing you're just kind o' wild.
Oh! Oh!
D
Db7
Db7
Oh! Lime - house
blues
I've
the
real Lime - house
53
Bb7
C7 B7
blues,
Ab
Learned from the chink
- ies
those sad Chin - a blues,
F7
Rings on your fin -
gers and
Ab9 for repeat
59
F7 Bbm tears for your crown,
Bbm
Bbm7(b5)
Eb7
That is the sto
- ry
Ab
of
old
Chin - a
town.
1
TUBA
Livery Stable Blues (Vocal)
A E¨º
E¨
Way down in
Eº
Al-
a- bam,
3
E¨
It
6
sta- ble
9
in
Bir-
E¨7
brush
F7
on one string,
he
play,
ming- ham,
to
the
There was
hor- ses he'd sing,
E¨
a
up- on the
C7
B¨7
In-stead of work- ing all day,
E¨
A¨
B¨7
B¨&7
la- zy color-ed- fel- low named Lee,-
F7
was
E¨
this sad and lone-some- mel- o-
dy,
A¨7
and play up-
E¨
1
Livery Stable Blues (Vocal) TUBA
2
13
B
E¨
Oh hon-ey,- lis-ten- here,
16
E¨7 sta-
ble
Oh hon - ey lis ten here
Aº
hon-
ey
Oh how I miss your kiss,
you
21
F7 ba- by
25
know
why
I
A¨‹
A¨
E¨
B7
back to my
Al- a- bam- a
E¨
blues.
B¨7
E¨
ba- by,
E¨7
she prom - ised that she'd mar-ry-
they're the
blu
-
Those liv - 'ry sta - ble
way
B¨7
B7 B¨7
she'll drive a-
E¨
those blues,
B¨7
me some- day,
E¨
32
35
this,
I've lost my pep com- plete,
me,
E¨ G¨º A¨
got
A¨7
29
C7
have
E¨
I'se g'wine
C
I was- n't born for
I've got those liv-'ry sta-ble
Oh, law-dy-
C7
B¨7
mine,
E¨7
blues.
I've got those mean old liv-'ry
A¨
19
E¨
E¨
est
kinfd
of
blues!
blues
Livery Stable Blues,
1
a la Muggsy Spanier
(Barnyard Blues)
TUBA Lopez & Nuñes, 1917
Eb Eb7 Ab Ab‹ Eb
5
A Eb
B7
Bb7
Bb&7
Eb
Bass Drum
Eb7
Break - 1 Bar
Ab
10
Eb
14
Bb7
17
21
C7
Ebº
Eb
F7
Bb7
1st time Only
Eb
Bass, Trombone, & Bass Drum
B Eb
Eb7 Ab
Eb
C7
Last Time: To Coda
Eb
25
F7
Bb7
Eb
Ebº Bb7
Trombone Gliss to "C"
Coda:
Eb
Bb+7
29
Eb Fine
Bass Drum
TUBA
1 1
Break! 3 Bars
2
31
C Eb
Cornet "Horse Whinny"
Clarinet Break
Harmonize
Trombone
Ab
37
Eb
Bb7
Eb
40
F7
Eb
Solos
Eb
43
Ebº
Bb7
1 X Only - Trombone
Eb7
Ab7
49
Eb
C7
F7
Bb7
Eb
Ebº Bb Eb
Break: 3 Bars:
55
D Eb
Harmonize
Clarinet Break
61
Eb
Cornet "Horse Whinny"
C7
Trombone
64
Bb7
Ab
Eb
Ebº
F7
Bb7
Eb
Back to "B" - Take CODA:
Long Gone TUBA
1
W.C. Handy & Chris Smith - 1920
D¨ E7/D A¨ E¨7 A¨ A¨ A¨7/C
Did you
5
A A¨
E¨7
A¨
A bold bank rob-ber from Bowl -ing Green,
ev-er hear the sto- ry of Long John Dean? Long
John stood on the rail- road
tie,
Waitin' for
freight train
9
A¨ A¨7/C D¨ E7/D A¨ F‹7 sent
to the jail- house
Freight train
13
B A¨
Long
17
A¨ Long
yes- ter- day,
came just puffin' and flyin',
Late
Ought'a seen
F‹7 B¨‹7 E¨7 Gone
A¨7/C
gone,
from
Ken- tuck- y,
D¨ E7/D
and
what I
last night he made
mean,
A¨
Long
Long
to come
Was
by.
B¨7 E¨7 A¨
his
get- a- way.
John grabbin'
He was
that blind.
E¨7 F‹7 B¨‹7
Gone,
ain't
he
luck- y?
A¨
E¨7 A¨
Long Gone John from
Bowl- ing Green.
Interlude
21
F‹7 B¨‹7 E¨7 A¨
A¨
F‹7
B¨‹7
E¨7
1
Long Gone TUBA
2 25
C A¨
A¨ E¨7 They
They
to bring him back,
of- fered a re-ward
caught him in Fris- co, and to seal his fate,
30
A¨ A¨7/C
D¨
E7/D
out
D A¨
38
on the o-
San Quen- tin
A¨
F‹7
cean
F‹7
Now
John es- caped, The guard for- got to close
B¨‹7
E¨7
A¨
from Ken-
tuck- y,
Long
Gone,
Long
Gone
from San Quen-tin,-
Long
Gone
A¨7/C
D¨
E7/D
Long
gone,
and
Long
Gone
I'm
what I
tell- ing
ev-'ning- late.
But
B¨7 E¨7 A¨ the
F‹7
Gone
A¨
on his track.
no- bod- y knows where Long- John went.
Long
jailed one
Dog- gone blood- hounds lost his scent,
34
E-ven put blood- hounds
and
A¨
Gol-
den
B¨‹7
gate.
He was John's
E¨7
Ain't
he
luck- y.
still
a' sprint- in'.
E¨7
A¨
mean,
Long Gone John from
Bowl- ing Green.
you,
Shut your mouth and
shut mine
too.
Lovin' Sam (The Sheik of Alabam')
TUBA
C
A
Cº
Lis - ten sis Ev -'ry hus
ters and band and
bro lov
C
F
5
- thers - er,
C7
D7
C7
F
C
He's the great Keep your gal
17
F
est of un - der
a- bout a man I and you can pass it
Cº
lov cov
C
- ers - er,
D7
To be the bride of And in the morn - in'
he can't vamp, aim to keep,
C7
know: on:
C
C7
Ev - er kissed a girl on the cheek. Sure as there's a deuce on the dice,
There ain't a high brown gal in town If Lov - in' Sam gives her the grin,
21
C
C
But let me tell you Then here's my warn - in'
13 B
There ain't a wo- man But if your gal you
G7
I sup pose you've heard of the Sheik. Bet- ter take a bit of ad - vice.
They say that he's the lov - in' champ, Of course they say ad - vice is cheap,
9
1922
C
1
C
F
Who would - n't throw her dad- dy down Then you is out and Sam is in!
G7
C
this col ored Ro - me your lov - in' ma- ma's
-
o. gone!
C7
Peo- ple Peo- ple
TUBA
2
1
Lovin' Sam (The Sheik of Alabam')
G7
C F
25
call
29
him
mean love
Lov - in'
Sam,
mak - in'
go
stroll- in'
by,
-a -
bam'.
man!
He's a
And when the
step?
Does he
strut?
rolls
a
wick - ed
eye!
Break for 2 bars
C7
Boy! He
G7
DF
That's what he does- n't do
noth- in'else but! Could you
G7
love like Lov - in'
A7
down in Al - a
You could
ba - bies
- bam'.
cry
for Cas
The
Sheik of
In the fin est kit chens
F7
You'd make the high brown ba
- tor
-
for
ia!
They
all
love
Lov - in'
C7
you like
Sam,
F
Al
bies cry
F
Gm7
ham,
Bbm
D7
have your eggs and
F
Bb
C7
Sam,
46
54
Al
F
a heart break- in'
41
He's the Sheik of
Am
Does he
51
F
gals
37
C7
33
-
a
-
bam'.
Peo - ple
1
The Love Nest TUBA
Louis A. Hirsch & Otto Harbach - 1920
A
E¨
Just
a
love
dove
co- zy and
nest,
down on
a
9
B¨7
an-
da
with some
13
F‹
C
sort
B E¨
small
of
all
cling- ing
ros-
es
B¨7
room,
tea set of
room,
than
love
vine,
a
pal-
ace
with
a
nest,
gild-
ed
B¨7
blue.
dome,
You can call
home.
A
ver-
a
G7(b5)
a
E¨7
Best
of
two.
Then
Bet- ter
C7
E¨
dream room for
a
Then
twine.
G7
29
F‹
G7/D C7
A¨
25
B¨7
farm.
E¨7
Like
E¨
warm.
B¨7
ram- bler
F7
21
A¨
F‹
kit- chen where some
17
E¨
E¨7
A¨
E¨7
E¨
nest,
5
A¨
B¨7
is
a
1
Ma He's Making Eyes At Me
TUBA
Con Conrad - 1921
A B¨7 E¨ E¨ Lit- tle Lil- ly was
C‹
Cº
and
coo.
7
bill
oh! So sil- ly and
F‹7
to
B E¨
17
"MA,
26
al
cud - dle
up
to
C E¨
he wants to
41
E¨
mar-
you
peek
Can't you see I'm goin'
Ev-
'ry
min-
ute
he
gets
Me,
I'm
meet-
ing
with
re
on
my
should-er,-
for
as
-
sis- tance!
F7 Ma,
B¨7
E¨
in,
Be
my
boldsis
he's
kiss
-
B¨7
MA he's
Mer- cy! Let his con - science guide him
B¨7
-
fel- low would
to me!
If
B¨7
he's aw- ful nice
side him,
ry me,
cry:
be-
B¨7
some smart
I'm
E¨º
44
B¨&7 E¨
F7
MA,
She would- n't
E¨
B¨7 B¨º B¨7
But she would
MA,
B¨7
night
at me!
fel- lows knew,
- 'ry sin-gle-
her,
B¨7
F7
- most break- ing my heart,
33
E¨
F7 B¨7
he's mak- ing eyes
Cº B¨7
And all the
Ev
try,
shy,
B¨7
11
E¨
B¨7
A¨
hon-
ey
to
weak - en?
G7 C7 F7 B¨7 bee.
er,
E¨
Now
he's
lean-
ing
tance
I
shall
hol-
ler
- ing
E¨ me!"
A¨7
E¨
E¨º
1
Mama Don't Allow TUBA
B¨ Ma-ma- don't 'low
B¨
no
cor- net play'n 'round
5
Ma-ma- don't 'low
9
B¨
We don't
no
12
E¨‹ an- y how.
F7
cor- net play'n 'round
B¨7
care
here!
what
Ma-ma-
B¨
here!
No
She Don't
No
She Don't
E¨
don't 'low,he's
F7
Ma - ma don't 'low no
gon-na'-
playthat
B¨
cor net play'n 'round here!
cor-
net
No She
Don't
Mandy
1 Irving Berlin - 1918
TUBA
A B¨
I was
5
bo - dy
just some- bod - y
Man
21
han
25
-
29
there's a min - is - ter
-
dy,
-
C7
er
F7
I
want -ed to
some - thing like
han
this.
-
dy,
and it sure would be
fee.
fing
Gº
now
If we'd let him make a
Oh
G7
B¨
It was
F7
here's the ring for your
I
miss.
ding - er?
B¨7
So
B¨
So don't you
B¨
tune.
B¨
E¨
C7
F7
ling
word
ser - e - na - ding
dy,
C7
fa - mil - iar
G‹
I could
B¨
moon.
F7
17 B
E¨
a
Not a
F
ing
lis - ten,
B¨
'neath the silv' - ry
-
B¨
ing
E¨
-
C7
B¨
G‹
B¨
F7
B¨ sing
while to
Gº
even
F7
stopped a
13
E¨
hear some
B¨
stroll - ing out one
B¨
9
E¨
G7 -
B¨
er
is - n't it
Gº
C7
F7
a hum -
B¨
Come a long and let the wed -ding chimes bring hap -py times far Man -dy
and me.
TUBA
1
Margie Con Conrad & J. Russel Robinson
q = 160
A F
C
Bb
F
C7
F
can
talk
You
a - bout your
F
C
Bb
F
one
I
must
5
Here's
Gm
9
tell
All
night
long they
sit
C7
F
to
He holds her
up -
on the
close and starts to
Bb
Mar
gie,
-
F
Don't
29
G7
I
gie,
-
for
-
My
al - ways
I'll
tell
E7
EB7
D7
get
your
the
think - ing
of
you
world
to
Gº
G7
C7
Break 2 bars
have
bought
a
I
me,
lit - tle
prom - ise
F+7
C7
coo:
I'm
F
Mar
21
F7
D7
stairs,
F
17 B
25
Fº
Eb7
Gm
C
you;
G7
13
C7
love af - fairs,
D7
Gm7
home and ring and
love
you,
ev - 'ry - thing, For
1 1
Margie TUBA
2
33
F
C
F7
Mar
37
Bb
You've been
nev
-
er
my
in - spir - a - tion,
all
is
said and
Gm7
done,
There is
C7
-
gie,
Mar - gie
it's
you."
Af - ter
F7
E7
Eb7
D7
on - ly
one,
Oh!
real - ly
F
blue.
F
Mar
are
A7
45
gie,
-
Days
41
F+7
C7
"My
lit - tle
TUBA
W.C Handy - 1912
6
1
Memphis Blues B¨7
F7
E¨ E¨7 A¨7 A¨‹6
B¨7
B¨7
B¨7
E¨
E¨
10
E¨
E¨7 D7 D¨7
14
C7
18
F7
B¨7
F7
B¨7
E¨
A¨7
22
A¨
D¨7
27
A¨
30
E¨7
E¨7
B¨7
E¨7
A¨ A¨7 D¨7 D¨‹ A¨
TUBA
Midnight in Moscow
q = 160
8
Cm
Fm G7
Cm G7
Dm7 G7
Cm
Eb
G7
Cm
Dm7 G7
Fm6
Fm
Cm
Cm
3
Cm
Stop time- first beat of bar only
A Cm
Cm
G7
Eb
Cm
20
Ab Bb7
Fm
25
Cm
14
1
Cm
Cm
Eb
30
Ab
Eb
Fm
Fm
35
41
Cm
Cm
Time
G7
Cm
Cm
Cm
Dm7 G7
Fm
G7
Cm
G7
Cm
Missouri Waltz
TUBA
F
C7
Hush
- bye, my
a
F
5
Rest
sigh
your head
up
- on
is
call
as
in
long gone
Strum,
41
When
F0
Hum,
fall
tune;
by.
Way
I was a tin
down in Miss
strum,
- y child up - on
hum,
- our - i where I
- o sweet
hum,
hum, hum,
C7
F
and
low.
A7
Dm
strum, strum, strum, seems
my mom - my's knee; The
hum - min',their ban - jos were strum - min' so
I hear those ban -jo's play - in' once a- gain.
Dm
F
G7
Cm
The
- in' while the soft bree - zes
F
D‹
a
Dm
C7
soon;
F
days
- my hums
- in' where shad - ows are
old folks were
- in'
G7
C7
Bb
33
com
my breast while mom
heard this mel - o - dy.
is
F
25
- ber time
F
19
by, slum
F
G7
14
-
C7
sand - man
ba
Bb
9
F
-
John Eppel & 1J.R. Shannon 1914 F
A7
Tha - t same
old plaint
Dm
- ive strain.
Missouri Waltz TUBA
2
Dm
49
D‹
A7
Hear
that mourn
57
F
A7
- ful
mel - o
-
song.
Jour
Hush
Dix - ie
Dix
ie - land
-
C7
F
by,
in
dreams
a
- gain with
- frain.
Way
down in
C7
thestars were blink
- gain,
Miss
and the old folks were strum - min. that
C7
- our -
F
i, where I learned this lull
Dm
- in' and the moon
Bb
F
in
- a-
F
97
hear Mom - my Chloe, as
time
It
when
me;
F
G7
seems like your mom - my was there once a
92
F
F
old re
it seems when you hear that old
same
C7
F
to
long,
- a - bye my ba - by, go to sleep on mom - my'sknee.
C7
- ney back
Dm
G7
F
A7
It just haunts you the wh - ole day
Bb
81
87
Dm
F
F
A7
Dm
dy,
and you wan - der in dreams back to
77
Dm
71
Bb
D‹
64
1
days long a
was climb - in' high,
G7
- go, sing - in' "Hush
C7
F
a
bye."
and I
1
My Daddy Rocks Me TUBA J. Berni Barbour - 1922
q = 100
A
Fm
Bbm
Fm
I've got
a
He makes
9
hap -
Bb7
got
13
rock ing
C7
on his
rocks
Fm
knee,while
B Fm Fm/Eb
py.
me
Ab
chair, and
Cm/Ab
Cm/G
I'mglad to say
he's al ways gay. I've
Bb7
Eb
a great big
17
Aº
Eb
sosweetto me.
me
Cm
ev - 'ry night you'll find us
G7/D
Bbm/Db
C
he rocks me to a rock- y
Fm/Db
C
with onestead y
Fm/c
no one could be
G7
Db6
Sweet - ie,
Ab
5
Dº
Bbm
roll.
Fm
I'm
Fm/C
mel - o - dy.
Fm
there.
My ba by
Bbm
Fm
My ba by
1
2
My Daddy Rocks Me
21
Fm
Fm7/Eb
C7
rocks
25
Db7
me
with all hisheartand
Fm
Fm/C
soul.
C7
Gm7
We'll al ways spoon while the lights are Wrap'd in a blank et of love and
28
C7
low. charns,
Fm7/Eb
Fm
Fm/c
C7
Dº
Bbm/Db
He hates to
leave me when it's
I'm sit tingpret
ty when I'm
Most ev' - ry eve - ning at half past nine,
We get to geth
er and the
Talk a - bout row - boats and birch can - oes,
You need a
Gm7/D
C7
time to
go.
his
arms.
world is
mine.
in
C7/E
Fm
My ba - by rocks
Fm/Eb
chair to rock a -
Fm/Db
C7
me
with
onestead - y
way your blues.
31
Fm
roll.
Gº
C7
Fm
roll.
C7
Fm
My Honey's Lovin' Arms
1
Herman Ruby/Joseph Meyer - 1922
TUBA
F
You've heard lov-ers,
5
C7
Cº
They
F
I'm
so
diff- 'rent,
al- ways
lov- ers
A
fret
F©º
get
ro-
G‹7
man- tic,
Drive
so diff-'rent-
now;
bout their
C&7
you fran-tic.
F
B¨7 Oh,
F
C&7
pet;
9
Love- sick
C7
F©º
F
B¨7
A7
While I'm in
13
A‹ G9 G‹ C&7 D‹ love I
know
I
simp- ly
go
and
whis- per
low
to
Hon- ey
Ba-
by:
My Honey's Lovin' Arms
1
TUBA
2
A F
17
I
21
love your
place
A
They hold
to
nes- tle
D7
when
com- fy
A
co- zy
Oh, what
33
Seems to bless my
I
love
B¨7
you
more each day,
C‹6
You'll
find
my
41
G9
45
G7
Right
in
longs
world seems wrong,
F
love be-
C7
'Cause when the
my
Hon- ey's
ly.
hap- py
lit- tle
to
you
Lov- in'
way
on-
ey.
D7
F7
F
hon-
I
C7
pair!
When years have passed a-
F
37
world of charms,
C7
BF
a
G‹7
Hap- pi- ness,
lone-
chair,
One ca- ress,
am
29
G7
I
C7
a
C‹6
G7
lov- in' arms,
F
25
B¨7
know that
B¨7
ly;
B¨
B¨‹
I
be- long
F
TUBA
My Bucket's Got a Hole In It
1
q = 174
F7
5
C7
F
Bb7
10
F
F7
Bb7
F
C7
13
F
Bb
F7
Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well I'm standin' on a corner - With a bucket in my hand I'm waitin' for a woman - That ain't got no man. CHORUS 'Cause My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well, I went upon the mountain - I looked down in the sea I seen the crabs and the fishes - Doin' the be-bop- bee. CHORUS Well, there ain't no use - of me workin' so hard When I got a woman - in the boss man's yard. CHORUS Well, me and my baby - we just bought a Ford And now we sit together - on the running board. CHORUS
1 1
Oh, Didn't He Ramble TUBA
A B¨
6
F7 B¨
Traditional
B¨ B¨ F7
12
B¨ F7 TO Dixieland 2-beat swing feel Drums
16
B¨
F7
Well his
20
B B¨ head
was
in
the
mar-
ket,
his
24
girls came
ram
run-
ning
by
said:
ble, Didn't he
-
35
town.
"Look at that
ram
in
the
ram-
Didn't he
ram-
-bled
'til
F7
the
wo - men
mar-
ket
ble,
Didn't he
B¨
cut
him
down.
street.
All
B¨
F7
the
ram-
All a-round the
ble?
he
B¨
meat!" Oh didn't
He ram-bled all a- round,
ble?
B¨ F7
B¨
40
B¨
were
C
C B¨
F7
feet
F7
B¨
28
He
F7
Didn't
he
TUBA
Oh By Jingo
q = 180
F
F
C+7
C+7
F
G7
Oh, by Gee! by Gosh, by
7
1
Gum By
Gdim
G7
Juv,
Oh! by Jin go, won't you
C7
F
D7
We will build for you
a
You will be
hut.
13
G7
C7
We'll have a lot of lit tle Oh! by Gol - lies,
F
C+7
F
C+7
Then we'll put them
our fav'rite nut,
in the Fol-
F
F7
Bb
17
Oh, by Jin go said, by Gosh,
A7 Bm A7/C#
23
So they
F
D‹
Juv, by
Jin - go,
by
lies,
"By Jim - in - y, Please don't both- er
Gee.
Dm
me."
28
hear our
G7
love?
A
Albert von Tizler Gdim 1919
all went a way sing ing Oh! By Gee, By
F#dim
By Gee, you're the
C7/G
C7
on
- ly girl for
F
me.
Bb7
Gosh by Gum, by
F
1
Oh! TUBA
A
Byron Gay/Arnold Johnson - 1919
B¨
5
B¨
F7
F7 B¨ C7
10
E¨
F7 Break: 2 Bars
14
3 3
17
B B¨
3
F7
B¨ 3 3
22
F7 B¨7
27
E¨
31
B¨ B¨& B¨6 B¨&
B¨
F7
2. B¨
1.B¨
1
TUBA
Ole Miss A C7
F
5
F
C7
9
C7
13
W.C. Handy - 1916
F
C7
F
F7
17 B B¨
F
21
C
25
A7
D‹
A‹
E7
A‹
F
B¨
29 G‹
F©º
C7
F7
D7
F
B¨‹6
F
1
Ole Miss TUBA
2
C7
33 C
F
37
F
C7
41
F
C7
45
C7
F
49
D F
53
C7
57
61
F7
B¨
B¨
D7
G7
Bº
F
F
F
F7
C7
C7
B¨
D7
G7
A7
C7
F
Back to "D" for Solos Then Play "C" and "D out.
1
The Old Rugged Cross TUBA
George Bernard - 1913
A C
5
C
C
Cº
C
14
19
F
D7
25 C G7
31
36
C7
F
Fº
Cº
G7
C
C7
C F7 C
F F& C F C F6 G7
C
F
C
C
G7
Ritard
Fº
F F‹
F F‹ C
C
F
C
G7
9 B
C&
C
B¨7
A7
G7
D
C F F‹ C
1
On The Alamo
Isham Jones & Gus Kahn - 1922
TUBA
A D7 A‹7 F‹ D7 CŒ„Š7 D‹7 C
Where the moon swings
5
D‹7
G7
fair
9 CŒ„Š7
On the Al- a-
E‹7
where
ros-
es
grow,
D‹7
C
B7 of
the sum-
night,
der
to
and
fro.
17 B CŒ„Š7 D‹7
G7
C
wait
by
21
the gar-
den
gate,
D‹7
G7
said
"I
love
you
so".
A‹
25
dreams
29
E‹7
C
seems
D7
D‹7
low,
On
Break
F‹
E¨7
her
I'll
D7
On the night
I
D‹7
E7
And
in
all
my
F©º
it
A‹7
can hear
For she said
D7
der
A‹7 I
D‹7
the ten-
mer
A7
wan-
G7
In
13
In a gar-den
D‹7
E‹7
light
D7
E¨7
mo,
G7
I
go
C
the
Where the moon swings
F7
Al-
a-
mo.
C
Break
1
Ory's Creole Trombone TUBA
Edward "Kid" Ory - 1921
Trombone solo
G7
6
A
12
C7
G7
C7
G7
28
F
34
F
F
D7
G7
G7
C7
F
C7
F
22 B
F C7 F
F
17
C7
C7
F
D7
C7
C7
2. F
G7
C7
1.
D7
Ory's Creole Trombone
1
TUBA
2
C B¨
39
B¨
44
C‹
C©º
C7
B¨ F7
D D7
G‹
Trombone Solo
Trombone solo
Solos
B¨ C©º C‹ F7 B¨
TAG
Trombone
B¨
B¨
B¨
C7
79
F7
73
F7
F7
C7 B¨
83
C7
F
C7
60
67
B¨
F7
49
55
F7
C7
After last solo play "D" to end and then tag
C7
F7
B¨
TUBA
1
Ostrich Walk F
C©7
Original Dixieland Jazz Band - 1918
G‹7
C7
G
5
D7
G7
C7
G
AF
F
21
F7
Cornet
F
D7
26
B F
G‹7
Fº Break
F
C7
Clarinet
B¨
C7
Stop Time 4 bars
F Trombone
G7
G7
17
C7
F
13
G7
9
D7
C7
F
C7 Break
F Break
B¨‹ Trombone
1.
F
2.
B¨ Fº F
Fº
C7
32
C7
37
42
F Break
F
Fº
F
Fº
C7
Break Break
Fº
C7
F
F
C©7
G‹7
C7
Ostrich Walk TUBA
2
46
1 1
C F
F
F
F
50
G7 C7
G7
C7
Stop Time 4 bars F
54
58
F
F7 Cornet
Trombone
B¨ Clarinet
G‹7
D7
B¨‹ Trombone
C7
F
62 D F
C7
G‹7
66
F
D7
70
F
74
78
F
C7
C&7
F
sfz
Fº
G‹
Fº
F
Unison
C7
C7
F
F
F
F C&7
F
1
TUBA
Over The Waves
q = 120
F7
Bb
10
F7
19
B¨
E¨
26
Bb
Bb
F7
A¨
Eb
Ab
57
Bb7
E¨
49
Bb
B¨7
Eb
41
Eb
B¨
33
Eb
Bb7
Eb
TUBA
Poor Butterfly
q = 120
Poor But - ter
Abmaj7
Eb8
in - to
him
so.
hours,
The hours pass
tears,
She
in
The
- to
years,
mur - murs
faith
to
me
he don't come
Ab
low,
-
C7
F9
by
and
by.
Then I nev
E7 Bbm7
Eb9
ful,
I'm
sure
Poor
But
- ter - fly.
he
if
Bdim
sigh or
But
cry,
I
Ab
Ab
- er
she
The moon and
back
as
Ab
Dbm6
mo - ments
And
be
know that he
Bbm7
die.
F7
come
Poor But - ter -
Fm
Ab
C+7
ing
-
Abmaj7
I
25
B Eb9
21
Eb9
smiles thru her
29
Bb7
13
17
Ab
F9
for she loved
Bb7
'neath the blos soms wait
fly
pass
fly
-
C+7
9
Golden/Hubbel - 1916
Ab E7 Bbm7 A Eb9
5
1
just must
Panama
TUBA
William H Tyres - 1913
E¨
5
1
A E¨ B¨7
E¨
10
E¨
B¨7
18
E¨
C7
F7
22
B A¨
E¨
C7
F7
A¨ B¨7
Aº
C
43
A¨
A¨&7
E¨
E¨
38
B¨7
E¨7
F7
2. E¨ E¨7
C7
33
E¨
E¨7
E¨7
A¨
D¨
Aº
1. E¨
Aº
28
A¨
E¨7
B¨7
B¨7
E¨
E¨
E¨
15
B¨7
B¨7
E¨7
A¨
A¨
1
Panama TUBA
2
48
C‹
54
D A¨
C‹
G7
E¨7 E¨7
A¨
59
D¨
Dº
A¨
70
E A¨
A¨ A¨7 E¨7
A¨
E¨7
pp ff
76
E¨7
64
E¨7
A¨
A¨
A¨7
D¨
1. E7
A¨
E¨7
84
A¨
A¨
2.
A¨
E¨7
90
E¨7
E7 A¨ E¨7 A¨ A¨
1
The Pearls
TUBA
G
Jelly Roll Morton - 1919
A G D7 E¨
6
E¨ A‹ E7 A‹ G E7 E
11
A7
D7
G
E¨
G
16
A‹E7 A‹ E‹ A7 D7 G E7 E¨
21
B
G7
25
C7
B‹7 E7 G
A7
29
C7
G7
33
Gº
37
G
D7
Break - 2 bars
3 G D7 G
G7
Gº
3
3
G7
The Pearls
1
TUBA
2
41 C Tuba Only
All
G7
CŒ„Š7
45
A‹
E‹
E¨º
D‹7
49
G7 D‹7
E‹7
3
G7
C
53
D‹ E7 A7 D‹7 G B7 E‹ D‹ C D E G7
57 D Tuba only
All
61
G‹7
65
C
CŒ„Š7
3
F
A7 3
D‹
F
F‹ C A7
69 D‹7
73
G7
Gº
C
3
G7
Tuba Only
G7
C9
1
Pretty Baby TUBA
Egbert Van Alstyne & Gus Kahn - 1916
B¨7 Ev-
'ry-
ba- by that's why
B¨&
Ba-
bod- y loves a
5
E¨
B¨&
Pret- ty
Ba-
by.
like
to
be your
And
sis- ter, broth- er,
Ba-
17
B¨&
E¨7
come and
let
rne
Ba-
in
C7
cud-
25
dle
all
dle of
want
F7/C
you
love,
And we'll
B¨7
the
Won't
time.
Oh!
I
B¨ Bº
B¨7
29
F7
cra-
21
Pret- ty
D¨7
my
by.
A¨
rock you
Pret- ty
dad and moth-er too,
E¨
by,
I'd
B¨&
13
E¨
Pret- ty
9
B¨7
I'm in love with you,
E¨
by,
a
lov-
in'
F7
ba-
B¨7
Pret-
ty
Ba-
by
and
it
by
of
might as
mine.
E¨
well be
you,
TUBA
5
1
Riverside Blues
C‹
G7
C‹
A E¨
9
A¨7
13
F‹7
B¨7
18
E¨
B¨&7
E¨
E¨
3
break E¨ 2 bar unison
E¨ E¨7 E¨º A¨‹ 1.
B¨&7
A¨7
3
C‹ F‹
3
G7
Thomas A. Dorsey & Richard M. Jones
2.
E¨ B¨7
E¨B¨7
everybody plays this figure behind clarinet lead E¨ B¨7 E¨
B
G7
22
A¨
26
B¨7
30
F‹7
C E¨
34
A¨
38
B¨
B¨7
A¨
E¨
E¨7
E¨
2 bar clarinet break
E¨º A¨‹ E¨
E¨
B¨7
E¨7
E¨ Play 2bar unison on out-chorus
F‹7
A¨‹
B¨7
E¨ E¨7 E¨º A¨‹
Solos at "C" E¨
1
Rock a Bye Your Baby TUBA
Jean Schwartz - 1918
A C
C©º G7/D
B¨7
Just
13
G7/D
to
see
your
smil- in'
E¨º
When I'm
E¨
Your roll- in'stone is roll - in' home to- day,
E¨º
E¨
rolled a- way,
Mam- my mine,
C
B7
G&7
Your lit-tle roll- in'stone that
Eº E¨
9
C
Mam-my mine,
5
G7
in
your
G7
face,
B¨7
fond em- brace,
C
E¨º
Smile
a
wel- come
G
D7 Lis- ten
Mam- my
strolled a- way.
G7
there to stay.
G7
sign.
G7
mine:
1 1
Rock a Bye Your Baby TUBA
2
17
B
C Rock- A
- Bye Your
Ba- by
G7
Cº
With
21
G7
when you croon,
croon a
a
Dix-
ie
Mel- o-
dy,
D7 G7
tune
from the
25
G7
Just hang my cra- dle,
29
And swing it
Dix-
Mam- my mine,
from Vir- gin-
C
of
Right on that Mas- on-
ie.
A7
Dix- on Line,
G7
D7
33 C
heart
C
C
Weep no
more
my
37
D‹ G7 Old Black Joe,
la- dy,
ia,
To Ten- nes-see with all the love that'sin
Cº
sing
G7
that
song
a-
D‹
G7 F7
just as though
you
41 A7
E7
had
gain for
C Rock- a-
bye your
me,
And
E¨º
er, The min- utethat you sing the Swan- ee Riv-
A‹7
G7 rock- a- bye ba-
me on your knee.
D7
45
A million ba-by kiss-es I'll de-liv-
ya'
by with a
D7
Dix- ie
mel- o-
C
dy.
er,
Rose of Picardy
TUBA
F7
Ro-
5
F(“4) hush
ses are shin-
ing
F7
of
sil-
the
G7 Ro-
in
nev-
dew.
ing
a
rose
like
ro-
ses will die
21
F(“4)
G7
one
be
C‹7
rose
far
sum- mer time,
rosethat dies
not
in
that
I keep
But
B¨
in
Pi- car- dy!
F7
my heart!
E‹6
the
And our roads
C7
a- part,
And
D7
29
you!
F7 may
with the
but there's
B¨
F7
the
Pi- car-dy,
17
F7
in
in
D7
C‹
ses are flow'r-
er
ver
B¨
Pi- car- dy,
13
C7
Haydn Wood - 1916
B¨
9
25
1
there's
'Tis
B¨
the
TUBA
1
Rose Room
q = 140
In sun - ny
A Bb7
Rose
Harry Wiliams and Art Hickman - 1917
Eb7
Ab
- land,
Where sum - mer breez- es are play
Ab7
5
Where
the hon
Danc
B Bb7
shin
29
the ros
- es are
sway
- ing
-
ing,
-
while the mead - ow brook flows.
Ab
is more than ev
- ing,
The moon when
Eb7
- er
de
- sign
ing
-
Db
'tis
ev
- er then I
am
pin
- ing
Bb7
Rose
Dbm
F7
Eb7
For
Pin
ing".
-
Ab7
May
all
25
"A
Bb7
21
- ey bees are
Ab
There
17
Dbm
13
ing,
-
Db
9
- land,
ing,
-
Ab
F7
to be sweet - ly re - clin
Eb7
-
ing, Some - where in
Ab
Be - side a beau - ti
- ful rose.
1
Rose of Washington Square
TUBA
James F. Halnley - 1919
A A‹
D‹ E7 A‹ A gar-denthat nev-er- knows sun-shine
5
A7
Onceshel-tered a beau- ti - ful rose.
D‹
E
E7
D‹ A‹ but- ter- fly flew to the
gar- den,
13
C©º G C
heart of the rose set a-flut-ter,-
from out of the blue sky a-
E¨7
with a
A‹
A
A‹
D7
won-der-ful tale
17
G7 D7 D‹7 told her of birds and of bees,
y grows.
E7
Inthe
B7
sha- dows it grew with-out sun-light- or dew, as a child of the cit-
9
bove,
G of
the
love,
G7
He
ofthe brooks and of mea- dows and trees.He whis- pered,
Rose of Washington Square TUBA
2
21
BC
Rose,
Cº
G7
of Wash- ing- ton
for
where
Na- ture
but
be
the
Cº
Rose,
37 C C
I'll nev-
er
de-
41
G7
so
the
sun
shines,
not
mean
queen
your
45
that
love
to
of
part,
you should
some fair
gar- den,
but dwell
in your
A‹
G7
Dº
heart,
care,
I'll
bring
the
F‹6
C A7
sun- beams from the Hea-vens to you,
Rose
flow-er
G7
blush un- seen
D7
did
33
49
a
A‹
Rose,
D7
Square
should blos- som
E7
C
29
G&7
Fair
D7
G7
25
1
G7
and give you kis-ses that spar-kle with dew
of Wash- ing- ton
C
Square.
my
1
Rufe Johnson's Harmony Band
TUBA
Shleton Brooks & Maurice Abraham - 1914
A
F©7 Eº
E¨
B¨7
5
Rufe John- son
leads
When
down the street,
E¨
9
he comes
G¨º
E¨
a
band,
F‹6
The
E¨
Down
in
Sa-
van-
They
all
keep
sway-
ly
Old
Rufe can't
F7
17
Down
in
Sa-
van-
nah.
ing,
While Rufe
is
play-
ing.
F‹
a
note,
but
F7
Down
in
Sa-
van-
nah-
When
he
plays
'Man-
ci-
B¨
they par-
horse and
ade
mules
B¨7
nah,
Plays
shake their feet,
C‹7
man,
beat,
13
er
F‹6
G¨º
can't be read
lead-
C7 real-
peo- ple
B F‹
He
He's one grand
B¨7
F©7 Eº B¨7
B7
pa-
hol- i-
they
act like
mu- -sic- sweet,
he
get your
fools,
will
goat,
C‹ C©º B¨/D
B¨
G.
A.
When
tion
Day.
The
G‹ B¨ Aº day,
rag- time
B¨
each
C7
B¨
B¨7
You'll
hear
You
al
-
the
peo-
ple
most hear them
say: say:
Rufe Johnson's Harmony Band
1
TUBA
2
21
E¨
C
Here they come,
25
Just
Lis-
some,
He's
ten
to
that
dog- gone
E E¨
ten
to
Lis
Say
Root -te-toot,
F‹7
ain't
that
that
by
that
F A¨
F7
old
cor-
toot-
B¨7
te-toot,
F‹7
B¨7
trom- bone moan- ing, hear it groan- ing,
rump, rump.
A¨
Dº
got
rump,
C‹
net,
It's
-
C7
played
he
E¨
flute,
Hon,
G7
rump,
E¨7
49
ing
F7
toot-te- toot toot- te-toot.
45
go-
C7
Boy ain't
32
41
to that drum,
A¨
D
C‹
beat- in'
37
ten
G7
29
lis-
G7
a world
wide
lead-
C7
F‹
er
ta-
tion
B¨7
Old
Ruf-
us
John- son's
Har-
He's
E¨
u-
F‹
man.
Aº rep-
C7
mon -y
C7
For
E¨
Band
play-
ing
syn-
co-
pa-
tion;
Solos at "C"
TUBA
F
F
Bdim
A Bb
gal and
I first
9
I
met
fight
gal of
guess she
thinks
now
when she
thought she
Bb
thatshe's
gone
I'll
had me
right
she
her
lit - tle
won't sit home til
the worm
F
But
mean.
Like
act
Bb
wrong
no
lone - some stuff for
lamb
she
led
me
all
the
me
I
time,
Un
-
F7
She'll soon find that
I'm
rea - son
I'm
that's the
dream.
- in'
start - ed
turn,
a
I'm
to
I
shelf.
had
- self.
the
C7
- lone
my
lay right on
Gm7
a
by
Db7
all
led
all
When
Ma - ry
Bb
F7
Eb
she's all
My
C7
Bb7
her
seemed just like
show
Bdim
it
I'm
Gm
gon - na
F
and
mine
D7
F7
Eb
that
Bb
C7
had a
17
Gm7
Bb7
we
13
Db7
Verse
5
1
Runnin' Wild
Runn in' Runn - in'
wild, wild
[Patter, sung/spoken after chorus] No gal will ever make a fool of me, No gal! I mean just what I say; I ain't the simpleton I used to be, Wonder how I got that way. Once I was full of sentiment, it's true, But now I got a cruel heart; With all that other foolishness I'm through, Gonna play the villain.
Chorus
Runnin' Wild
1
TUBA
2
Bb7
B Bb
21
Cm6 D7
F7
F
all the
37
Reck less
C7
nev - er
time,
D7
too,
no
All a
- lone
Al - ways
Al - ways showin'
- bo
-
goin',
Idon't care,
F7
Bb
dy
F7
Care free mind,
C7
48
Bbm6
bold.
Eb
G7
Don't love
Gm
blue.
don't know where,
43
might - y
Bb7
C Bb
Run - nin' wild,
Feel - in' gay,
33
lost con - trol,
Bb
27
Eb
It's not worth
- while,
Bb
Run
-
nin'
Wild.
Royal Garden Blues TUBA
5
F
A F
9
B¨
F&7
B¨
12
B¨
A¨º
F7 F&7
B¨
C7
D¨7 C7
C7
F
F7 Stop time - Play downbeats 4 bars Cornet F7 3Clarinet 3
17 B
Clarence & Spencer WIlliams - 1919 1
F7
F&7
B¨7
F
C7
Trombone - ad lib 2 bars 3
21 D¨7 C7 F A¨º B¨ 25
C7
29
F
C F7
33
D
37
E¨7
B¨
E¨‹
F
C7
B¨‹
B¨
B¨7
F
F7
B¨7 B¨
E¨7
G7
41
B¨ E¨7 B¨ E¨7 B¨ C7 F7
Back to "D" for Solos
1 1
Satanic Blues TUBA
q = 154
Bb
F7
Fdim
F7
A Bb
5
Bb7
9
Eb7
Edim
Bb
G7
13
F7
Bb
17 B
22
Bb
Bb Fine
Eb
Bb
Edim
F7
Eb
Bb7 Eb
Bb
G7
C7
F7
27
Bb
F7
Bb
32
Bb
C7
F7
38
C Eb
C7
Eb
G7
F7
C7
Eb
F7 Bb7
Eb
Ab
Eb
F
From "A" to Fine
Sailing Down Chesapeake Bay
TUBA
1
Havez - Batsford - 1913
Verse
A
E¨ B¨7 Come on
Nan-
cy put your best dress on,
7
12
love- ly
All
a- board for
Bal- ti- more,
If we're late we'll
Cap-
'n let us catch that boat,
E¨
30
Ban- jos
'Cause we can't swim,
ring- in'
Set-tle down close
Mis- ter,
B¨7
a good old tune,
Up on deck
to spoon.
36
'neath the
sil-
v'ry
B¨7
moon,
40
be sore.
E¨
there's a place
E¨º
E¨
all
we can't float.
E¨
23
on the Ches- a-peake Bay,
E¨
B B¨7
Come on
cy'fore the
Ev- 'ry- thing is
E¨
Nan-
B¨7
steam- boat's gone.
17
Come on
A
Sail- in' down Ches-
a- peake,
B¨7
Ches- a- peake,
All
a- board for
E¨
Sail- in' down Ches-
a- peake
Bay.
No Repeat 1st time
1
Sailing Down Chesapeake Bay TUBA
2 45
C E¨
B¨7
'Round the bend
I
think
E¨
I
see
a
49
B¨7
E¨
to
this
B¨7
Dear,
can make
it
F7
pier.
And
E¨
if
we
hur- ry,
Nev- er
57
fear,
It's the
B¨7
Old
Dom-
in-
ion
Line.
61
D B¨7
E¨
Say, don't she look
pret- ty
as
65
Head-
steam- er,
here,
53
G7
E¨
Head- in'
we
she
hugs the
shore,
C‹
in'
for
Bal-
ti-
more.
Just
69
F7
hear the
73
pad- dles
C7
turn- in',
Hear my heart
F7
Queen of
the
Ches-
a'
a- peake Bay!
yearn- in', She's the
Solos on Verse
B¨7
1
San
TUBA
McPhail/Michels - 1920
Bass Intro
5
A D‹
G‹
King
San
One
day
A7
D‹
of
Sen-
e-
gal
the
queen
came
home,
9
A7
Sat Saw
on San
13
D‹
the in
shore sad
-
-
-
-
at ness
Buon
lathe
who'd
gone
she
would
a
A7
BuOn
lathe
A7
G‹
B¨7
B D‹
Sing Told
A7
may, shore,
17
may, shore.
D‹
ing
a
sad
re-
him
she'd
no
more
frain roam.
21
A7 To
On
25
D‹
way. dore.
his
dear
queen
ly
her
San
G‹
A7
D‹
This
was
his
lay:
Then
came
his
lore:
B¨7
A7
a-
C7
San
1
TUBA
2
29
C F
D¨7
F
Oh, sweet-heart
33
F
na,
G7
F
to
have
you
gone
Have
you
come
back
a-
You
said
you
loved
me,
C7
F
D7
But if I knew
you you
loved loved
me me,
C7
Why
did
you
act
this
way?-
I
knew
you'd
come
some
day.
If
I
had
ev-
F7
49
What
you
have
er
been
un-
done would
be
the
aches,
But
now you're
mine
G‹ If
you don't
And you're for
my heart
true
to
you
D¨7
thing
to
do.
dear, dear,
C7
D7
And
it
will
break
dear,
For
all
the
time
dear.
F
come
back
home a - gain
en
by your lov
- giv
F
But
D¨7
B¨
D¨7
B¨
F7
53
G7
na,
-
B¨7
F
D F
57
Lo
way? stay?
D¨7
45
F
41
F
dar- ling
C7
Why
G7
My
37
F
Lo-
D‹
D¨7
-
B¨7
-
F
to
San.
ing
San.
C7
1
Second Hand Rose TUBA
James F. Hanley & Grant Clarke - 1921
C7
F
F
C7
F
C7 F
F
Stuff in our a- part- ment,
9
G‹
G7
G‹
It's no won-der that I feel a- bused,
A F Fº C7
13
A‹
C7
I
nev-er- have a thing that ain't been used:
F
ond
hand
hats,
Sec-
ond
hand
clothes,
Sec-
ond
hand
shoes,
Sec-
ond
hand
hose,
That's
why
they
call
me
All
the
girls
hand
me
F E
-
ven
our
E
-
ven
my
Sectheir
ond
sec - ond
F©º
G‹7
Hand
Rose.
hand beauxs.
C7
pi-
an-
o
in
the
par-
lor,
pa-
ja-
mas
when
I
don
'em,
C7
Fath-
er
bought
for
ten
Have
some-
bod-
y
else's
cents
C&7
F
I'm wear-ing
25
G‹
F
C
C&7
G7
Sec-
C7
G
E - ven things I'm wear- ing, Some-one wore be- fore.
17
21
To a ba- by grand.
D7
G7
C7
came from fath-er's store,
D7
G7
Ev-'ry- thing from tooth- picks,
C7
G‹
Fath-er has a bus-'ness, Strict-ly sec-ond hand,
5
Fº
on
the
dol-
lar.
'ni-
tials
on
'em.
Second Hand Rose
1
TUBA
2
29 B
F Fº C7
F
G7
Sec-
ond
hand pearls,
I'm
wear-
ing
sec-
ond
hand
curls,
I
Sec-
ond
hand
I'm
sick
of
sec-
ond
hand things
I
rings,
33
F7
F&7
nev-
er
nev-
er
37 G‹
Once
get
a
get
what
C‹
ven
Jake
while stroll-
sin-
gle
oth-
er
G‹
B¨
thing
that's
new.
girl-
ies
do.
had
G‹
the
plumb-
er,
he's
the
man
ing
thru
the
Ritz
a
girl
41
F
B¨
C‹
F&
I
a-
dore,
got
my
goat,
He She
C&7
G7
the
nerve
to
tell
me
nudged her
friend
and
said
"Oh
45
F Fº C7
he's
been
look! There's
F
mar-
ried
be-
fore!
my
old
fur
coat!"
G7
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand
Rose,
From
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand
Rose,
From
49
G‹7
C7
F
Sec-
ond
Av-
e-
nue.
Sec-
ond
Av-
e-
nue.
C7
I'm
wear-
ing
1
Shake It & Break It
TUBA
Artie Matthews - 1915
5
AF
F7 Clarinet Break: 2 bars
F
B¨
9
C7
13
BF
21
25
29
F7
F
C F
F
C7
17
F
F
C7
B¨7
F F7 B¨ B¨‹
F7
Break: 2 bars
F
B¨7
33
C7
F F7 B¨B¨‹ F
F7
1
Shake It & Break It TUBA
2
37
Play "D" AS AWritten - Repeat for Solos B¨ F7
D
B¨ B¨ F7
41
B¨
45
F7
B¨
C‹
G7
C©º
After Last Solo play "D" once as written then go on
49
F7 B¨ B¨
53
E F
Break: 2 bars
57
F
B¨7
61
C7
F F7 B¨ B¨‹ F
Fine
Con Conrod 1920
q = 120
Ebmaj7
Ab
A Fm7
5
Fm
Eb
Bb7
Eb
17
21
F7
F7
2 - Bar Break
Bb7
Eb
Gbdim
3
Fm7 Cdim
Ebdim
C7
C7
F7
Bb7
Fm
C Fm7
Cm7
C7
27
Eb
Eb
G7
B
Bb7
32
Gm
Bb7
9
13
1
Singin' The Blues
TUBA
Bb7
Eb
3
3
Eb
TUBA
1 1
Sensation
q = 180
A Bb
Gm
1.
F7
1917
Cm
F7
Bb
G7
7
11
C7
Bb7
C7
Cm
F7
Bb
B Eb
16
2.
F7
Bb
Eb
B7
Fm7
Bb7
Eb
C7
21
F7
Bb7
Eb
Eb7
27
C Ab Db
Ab Db
Bb7
Eb7
Ab
Ab
Db
Ab Db
Ab
Db
Ab
33
38
Bb7
Ab
Eb7
Fdim
Eb
Db
1.
Ab Eb7
Bb7
2.
Eb7
Ab Eb7
Back to B
1
TUBA
The Sheik of Araby
q = 180
Gb7
Bbm
O
-
Bbm
5
Rides
His
the
bold
F
He
F7
Sheik
of
-
der
the
Ebm
sings to
Bbm
-
Cm7
by
band
At
his
Ebm
com - mand
F
F
car - a - van.
F7
Bbm
shad - ow
of
call
her
to
his
Cm7
Bbm
the
C7
Cm7
Cm7
Ebm
Bbm
free
Bbm
Ar - a
Cm7
and
C7
F
C7
wild
Gb7
Bbm
des - ert
low his love's
Bbm Un
Bbm
Fol -
21
ar - ab
17
the
Ebm
13
ver
F7
Gb7
9
C7
Cm7
palms,
F7
F7
arms.
I'm the
1
The Sheik of Araby
2
TUBA
A
25
Bb
Bb
Sheik
of
F7
29
Bdim
Cm a
-
Bb
Bb
love
be - longs
to
me
Dm
Dbdim
33
to
37
your
Cm
night
41
stars
light
49
rule
53
that
Sheik
F&
our
a
-
Bdim
a
-
way
to
Cm
Cm
bove
this
land
with
me
F7 Ar
Bb
-
a
-
by
In -
At
F7
The
F7
will
D7
you'll
Your
C7
of
D&
C7
D7
F7
love
G
C7
sleep
D&
Gm
shine
F7
Bb
Cm creep
F7
F7
I'll
Bb
G
tent
when you're
F7
45
F7
Bb
by
-
F7
Cm
Ar
F7
the
Bb
F7
Skeleton Jangle
TUBA
1 Nick LaRocca - 1918
q = 182
Ab
Bass A Ab
5
9
F7
Eb7
Eb7
Eb7
Eb7
Ab
Eb7
Bbm
Bb7
Eb7
Ab
14
Eb7
17
Bb7
21
Eb
Bb7
Eb
Ab
Aº
Eb7
C7
Bbm
Bb7
Eb7
F7
F7
30
Db
B C7
26
Ab7
C7
F7
BReak
33
Eb7
Ab
Eb7
Ab
Skeleton Jangle TUBA
1
2
37
C C7
F7
Bb7
41
Ab
C7
53
Unison for 2 bars
Bb7
Bb7
Unison 2 Bars
F7
Eb7
C7
65
Ab
Ab
Aº
Eb7/Bb
61
Eb7
C7
D
57
Bb7
49
F7
Eb7
45
F7
Eb7
Ab
Eb7
Ab Eb7 Ab
TUBA
1 Kassel and Berton - 1922
Sobbin' Blues
q = 164
F
C+
F
C+
F
C+
F
C+
mf
pp
mf
pp
A F
5
mf
Bb
9
Bbm
Bb7
F
F
Cm6
F
17
F
13
F7
3
D7
G7
C7
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
21
B F
C7
26
31
Bb
Swing
C7
F
Bb7 A7 Ab7
F
G7
C7
F7
Sobbin' Blues
1
TUBA
2
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
F C7
F
37
CF
C+
D F
62
Bb7
67
Bb7
C7
C+
pp
Bb7
F
mf
53
57
F
Bb7 A7 Ab7 G7
Bb
Swing
C7
42
47
F
F
Repeat only for Solos
F
C+
F
C+
mf
C7
F7
pp
F
F
F
C7
F
Bb7
F
70
F
Bb7
F
C7
F
Solos on "B" & "C" Section: After last solo play to bottom.
1
Some of These Days
TUBA q = 180
G7
G7
Cm
G7
Some of these days
your gon - na miss me
Cm
G7
5
so lone
Eb7
hon
ey
Fm
cuz you know
leave
me
C7
hon
F7
my
You'll be so
you'll
miss your ba - by
lone
-
C7
-
ly
Fm
ey
you al - ways got your way,
Eb
I
in'
-
Eb7
know you'll
grieve
Bb7
me
Eb
you know
kiss
Adim
you'll
Bb7
C7
Ab
miss
ly,
F7
when you're a - way.
-
C7
hug - gin'
Ab
on
Some of these days
Bb7
Ab
And when you
27
you'll miss my
-
ey.
Fm
F7
just for me
23
ly,
F7
F7
you'll miss me
17
-
-
you'll feel
11
Cm
hon
oh
some
of these days.
TUBA 1
Some Sweet Day q = 146
Tony Jackson - Ed Rose - Abe Olman - 1917
Al
C
- though it's
first
C/E
G/D
time
my poor
you're
good and
sum- mer's near
D7
17
for
me
some
long
21 B
C
cold
G7
25
C
29
friends
33
G7
dis - ap -
G7
- day,
But
wind does
- ev - er
Am
blow
Don't
ev
D7
I'll
C7/Bb
- en
soon will
melt
C7
-
way,
I'll have
mine
C7/Bb
sor
be
far
a
-
D7/A
time will prove
way.
C
my
side,
But when
You're goin' to
-
and its
Ebº
way.
row
D7
snow,
Then your
G7/D
I have
felt.
And when your
say.
G7
(Yes, Some Sweet
heart
D7
G7
what I
'Cause when the
C C7 Cº
Some Sweet Day.
In
G
G7
ice
It's
G&
D7
D7/A
with its
for each
by
G7
say good bye.
- day.
C
turn a
For
E7
pear,
D7
Cº G7
to
G7 G&
kind,
C7
Dm
you
me
has been in pain this
C
heart
G/D
G7 G&
Am
C#º
Cm Eb
Dm You're leav - ing
G7/D
time
sing
E7
win - ter
birds don't
G
Ebº
C#º
the
Cm
not the
13
spring
9
G7/D
5
Ebº
C/E
A
Now's your
time,
C
Day.)
Someday Sweetheart TUBA
Spike Brothers & Carter - 1919
AF
D¨7
F
You told me that you loved me true,
5
G‹
D7
broke your vow
9
and
I
it seems I'm al- ways blue.
F6
in you.
You
G‹7
C7
be- lieved
G‹
and now some-how-
When you'refar
a- way.
Butthere'll come a day
F
You'll
sit
a- lone
13
A‹ E7 A‹ G7 C7 and cry
for
me you'll sigh
and thedaysthathave gone by.
Some-day Sweet-
Someday Sweetheart TUBA
2
17
BF
C&7
G7
C7
F
C&7
may
be
sor-
ry
to
my
F©º
poor
things you
did
the
bro-
ken,
vows you've
that
made
us
drift
C F9
a-
and
can't
see
You
may
re-
The
C7
part,
You're hap-
how,
will ev- er come to
F
C&7
G7
py
the
wear-
y
will make you
But
as
and
what
you
E7 E¨7 D7
so
shall
you
reap,
dear,
C7
you.
F
reap
C7
what you've
C7/G
A‹
sow
45
G9
blues
41
B¨6
now,
37
for
heart.
E7
A‹
33
you
F
gret
29
F
done
25
E7 E¨7 D7
F
heart,
21
1
B¨7
weep some - day, sweet - heart.
you
C7
Some - day Sweet -
Somebody Stole My Gal TUBA
Leo Wood - 1918
5
A E¨
Some-
bod-
y
stole
Bass Pickups
B¨7
bod-
y
B E¨
stole
gal.
E¨7 D7 D¨7
pal.
F7
Some-
bod-
y
came
She
did-
n't
ev-
en,
The
kis-
ses
I
He's
get-
tin'
Gee!
me,
33
E¨
Aº
I
know
that
bro-
could
C‹/G
ken
heart-
37
she
Some
bod-
y
stole
leav-
my
in'.
B¨7
B¨7
know.
E¨7
But
would
F7
lone-
gal!
A¨7
come
to
see,
she,
E¨
G7
ed,
B¨7
was
A¨‹
A¨º
she
so,
I
if
say
now
way.
B¨7/F
29
A¨
a-
G¨º
A¨7
her
Iove
B¨7 2 bar break
E¨
took
and
25
F‹7
B¨7
E¨
my
21
B¨7
13
17
B¨&7
Some-
F7
B¨7/F
my
9
C7
G¨º
her
some
pal.
E¨
TUBA
St. James Infirmary A
Dmi
Bb7
A7
Dmi
When will
D7
My
I
13
Bb7
A7
Dmi
smile?
moan - in'?
When will
I
ev
left
me,
A7
Dmi
A7
She'll be gone a long
A7
Dmi
- bro - ken
What am
I
liv
- ing
Dmi
Bb7
A7
while.
Bb7
Dmi
long
Dmi
Bb7
left
A7
Gmi Dmi
ba - by went and
- er
Bb7
feel so blue and heart
21
Bb7
Gmi
My
17 B
Dmi
Gmi
ba - by went and
Dmi
9
ev - er stop
Gmi
5
I
A7
me
for?
A7
Ne - ver to come back
Dmi
no
more.
-
I went
A7
down to the Saint James In - firm -'ry "What is my ba by's chan - ces" go, let her go God bless her
My ba - by there she lay, I asked old Doc - tor Sharp, Wher ev - er she may be.
La
- id
She can
Bb7 Dmi A7 A7 F7 Dmi Dmi
out on a cold mar - ble ta - ble - Well, I looked and I turned a - way. "Boy, by six o' clock this eve' - nin, - She'll be play - in' her gol den harp. Let her hunt this - wide - world o - ver But she'll ne - ver find a man like me.
TUBA
Stock Yard Strut q = 195
A Ab
Ab
Bb7
Bb7
Eb7
Eb7
6
Ab7
G7
Ab
Eb7
Ab
11
Ab7
Eb7
15
Bb7
Bb7
Ab
Eb7
Ab
19
B Ab
Ab
24
Ab
Ab
Eb7
Ab
Eb7
Eb7
Ab
Eb7
29
Eb7
Eb7
Eb7
Eb7
Ab
Ab
34
39
3
Ab7
Ab
Ab
Break
Ab
Ab7
Db
Db
Ddim
Stock Yard Strut TUBA
2
44
Ddim 3
Ab
F7
Bb7
Eb7
Ab
49
Ab
Ab
Ab
Ab
55
Ab Adim
Eb7
Eb7
Eb7
Eb7
3
Ab
Eb7
Eb7
61
Eb7
Fm
Eb7
Ab
Ab
66
71
Ab
Ab7
Ab7
Ddim
Db
Bb7
Ab
Eb7
Db
Ddim
79
Ab
76
Ab
F7
Ab
Eb7
Stock Yard Strut TUBA
83
Ab
C
Ab
Fm
Ab
Ab
Ab Adim
3
89
Eb7
Eb7
94
Eb7
Ab
D
Eb7
99
Eb7
Eb7
Eb7
Ab7
Ab
Ab7
Ab
103
Ab
Ab
Eb7
Db
Ab
Db
Ddim
108
Ddim
Ab
F7
Bb7
Eb7
113
Ab7 Abdim
Dbm7 Ab
Ab7 Abdim
Dbm7
Ab
St. Louis Blues
q = 100
TUBA
Gm
D7
Cm
Gm
11
D7
by her a - pron
F
Eb
strings.
hair.
A G7
the eve - nin' sun go I feel to like
the eve - nin' sun like I feel
26
go to
D7
Eb7
B G
he done make my
rock
38
-
left get
-
this a
C7
cast
in
so
far
from
me.
D7
no
C
- where.
O - h,
D7
- 'cause
my I'll pack my
-
I
town. way.
G C G C G C G7
can
be.
C G7
ba - by trunk
G
Am
Feel Got the
C7
That
man got a heart like a
D7
Or
A7
G
the sea,
1.
and for store bought
Db7
Be
G CG C G
see I hate to feel to - mor - row,
down. day.
D7
Am
G7
- round,
Gm
down. day.
-
St. Lou - is Blues, just as blue as
34
G
man a
Cm
would not have gone no - where,
G
D7
Gm
C
29
Gm
Ex -cept for pow - der
C
I hate to see, to mor - row
Pulls that
You know the man I love,
17
22
D7
Eb7
There with her dia - mond rings,
St. Lou - is Wo - man
D7
Cm
A7 A7b5 D7
6
D7
W.C. Handy 1914
else
2. G Got the
me.
he
wouldn't have gone
Strut Miss Lizzie TUBA
Turner Layton & Henry Creamer - 1921
A Gm
D7
Gm
Cm
Gm
Bb
5
B
9
Eb
C7
F7
Bb
Ebm
I want to see you
Gm
22
meet
26
C7
Cm
Gm
like
the
F7
Strut Miss Liz- zie
way
Bb
talk.
When you
D7
But the men
Oh, you knock 'em
Ebm
Gm
Brown.( I'll bet you've got the cut - est
diz - zy,
Vocal to "C"
Bb
you
Bb
feet,
Eb
frown.
F7
you shake your
D7
Gm
Bb7
Bb7
Is the whole town
D7
for the
Bb
The oth - er girl - ies
walk,
Bbº
Bb
It'sa pi - ty,
Bb7
move so pret - ty,
G7
Bb
Ebm
Won't you
the way you syn - co- pate
Eb
F+
Bb
Get bu - sy
17
Gm
F7
folks all state
Eb7
Bb
strut Miss Liz - zie
13
C7
D7
lit - tle strut in town!) Go
Strut Miss Lizzie TUBA
2
29
Bbº
C
Bb
Bbº
street,
Bb
Bb
Bbº
stuff,
Bb
C7
By the
school,
Pat your feet you
Bbº
Bb
use your
Bbº
F7
Strut your
37
Bb
down the
33
Bbº
Bb
"Kerch",
step - pin' fool.
G7
Trot your toot - sies
Bb
Bb
C7 F7
Bb
by the
church.
C7
F7
Thru the
41
Bb
al - ley,
Bb7/Ab
Dodge the
Eb/G
cans,
Gb7
Cool your dogs we're com - in'
thru,
Get
Shake Miss Sal - ly's
pots and
Bb
C7
set for len - ox
F7
pans.
Av - en - ue.
Bb Bb7
Won't you
Back to "B: for Solos
TUBA
The Storyville Blues q = 132
5
Ab
Eb7
Ab
A
Ab7
1
Trad.
Ab Ab7 Db Dbm Ab
Db
Ab
Eb7
Ab
Bb7
11
Eb7
Ab
16
Ab
21
B
27
F7
Bb7
Ab7
Db
Db
Ab
Ab7
Db
Dbm
Eb7
Ab
Eb7
Ab
Bb7
Eb7
Ab
Ab7
Db
Dbm
Ab
Eb7
33
Ab
Eb7
37
Time
C Ab
Ab Ab7 Db Dbm Ab
Ab7 Db D¨m
Ab
Ab
Ab
51
Ab7
Db
Ab Ab7 DbDbm Ab
Back to "B" for Solos
Dbm
Ab
Tag
Ab
Db
Eb7
Eb7
Ab
Eb7
Ab Ab7DbDbm Ab
rit.
F7 Bb7
Drum Roll - Piano Roll - Sustained Bass
45
Eb7
11
Stumbling
Zez Confrey - 1922
TUBA
G
G
G7
Stum- bling all a- round, Stum- bling all a- round, Stum- bling all a- round
E7
so
fun-
ny,
5
A7
Stumb- ling here and there, Stum- bling ev- 'ry- where, And I must de- clare:
D7
9
E¨º
on her
toes,
And when
she
when
17
I
bumped my
rose,
nose,
I
felt
a-
shamed.
la- test step, That's the la- test step,
21
A7 No- tice
all the pep,
25 C‹6
bling,
29
A7
tho'
you are
No- tice all the
G stum-
pep.
bling,
D7 lit- tle bit,
just a
lit- tle bit, quite a
told
G7
and
lit- tle
bit.
her:
E7
My
hon-
ey,
She said: Stop mum-
I
like
G
just a
fell
And
G
That's the la- test step, That's the
I
AG
No- tice all the pep,
D7
I stepped right
E‹
13
A7
it
Suez
1
TUBA
Ferdie Grofe/Peter DeRose - 1922
E¨ G‹ D7 D7 Rhythm Vamp 4 bars
5
G‹
E¨
9
A G‹
13
G‹
17
G‹
21
D7
D7
D7
25 B G‹
D7
29
G‹
33
G‹
D7
G‹
C‹
C‹
D7
G‹
C‹
G‹
Rhythm Vamp:
G‹
G‹
G‹
Rhythm Vamp
G‹
D7
D7
D7
G‹
G‹
G‹
G
Suez
1
TUBA
2
37
G
41
D7
Solos Here C B¨
G
C‹
D B¨7
67
G7
C7
F7
61
E¨
G7
G7
Cº
E¨
C‹
C7
B¨
G7
53
D7
49
57
A&
B¨
45
B¨7
A&
F7
C7
F7
B¨
C7
F7
A&
B¨
TUBA
Swanee F
Swan
7
-
How I love you
folks
F
in
D
F&
B¨
by
C©7
B¨
B
see me no
Trio:
more,
C7
to
be
a mong the
F
the
Swan
45
I
The folks up north
B7 C7
F
love
the
shore.
F
I am com ing back
F
- ee,
C7
old
folks
Swan
- ee,
at
home.
to
Swan - ee.
F
F
C7
G7
When I get to that Swan - ee
- my's
Swan - ee.
C7
Mam
Swan -ee,
40
F
F
Swan -ee,
will
G‹7 C7
Wait- in' for me Pray - in' for me Down
old
C7
- e -ven know my
dear
C9
My
C7
- i -x - i
C7
I'd give the world
G‹7
How I love you
C©7
33
F
13
B¨
ee
Swan - ee.
19
Gorge Gershwin - 1919
F&
26
1
D¨7 C7
F
1
Taint Nothin Else But Jazz TUBA
Maceo Pinkard - 1921
A E¨ A¨7 E¨ A¨7 E¨ I'm blue,
5
Thru and thru,
G7
A¨
'Cause they're gon-
I'm ask-ing you please,
it's wrong
to con- demn
a song. Jazz has sim-ply got to
B E¨
B¨7
is
In
so-
B¨&7 E¨/B¨
lit- tle bit of wob- blin',
B7/F© F‹7
A¨
Ev-'ry lit- tle move-ment
B¨&7
Lit- tle bit of tod- dlin'.
Gli-din' sure-ly is de- vine. Still what makes you shiv-er
E¨
jazz,
C7
F7
Babe!
'Tain't
noth- in'
Aº
has
just a
F©º
Waltz-in'- round is might-y
F7
an- y time?
B¨7
Babe!
E¨
F©º E¨/G E¨ C‹7 E¨/G
jazz,
E¨
B¨&7
'Tain't noth- in'else but
28
32
Now!
op-'ra house it can't be beat.
E¨7
ci- e- ty of style and grace,
25
an
E¨
E¨
stay,
a treat,
21
say:
F7
But what makes you wan-na shake yo' feet?
In
B¨
D¨7 B¨7 B¨&7
13
High-brow mu-sic real-ly
F7
Just to pay at- ten-tion to me while I
B¨7 B¨
17
jazz a- way.
9
Can't you see
na take
E¨ E¨‹ B¨
On my knees,
B¨&7 A¨7 C7 F7
B¨7
'Tain't noth- in'else but
E¨
else
but
fine,
jazz.
1
TUBA
Tain't Nobody's Biz-ness If I Do Porter Grainger & Everett Robbins - 1922
A B¨
5
D7
ain't
noth-
in'
Aft-
er
all,
the
G7
I
can
say,
as
you
please,
can
do,
nor
noth-
in'
way
to
do
is
do
just
D‹7
G7
C‹
G7
That
folks
don't
crit-
i
cize
me
Re-
gard-
less
of
their
talk-
in'.
G7
But
I'm
Of-
ten
G7
C‹
gon-
na'
do
just
as
times
the
ones
that
talk
C
I
want
to
an-
will
get
down
on
13
C7
I
D7
9
There
G‹
y-
way,
their
knees,
G¨7
F7
And
don't
care
if
they
all
de-
spise
me.
And
beg
your
par-
don
for
their
squawk-
in'.
B 17
B¨º B¨
If
I
should
take
B¨7 E¨ Eº G‹
If
I
dis-
like
my lov -er
21
B¨
'Tain't
D7
B¨º
No-
bod- y's
a
no- tion
F7
Biz- ness
F&7
If
To
jump
in
And
leave
him
D7
I
Do.
G7
to
the
o- cean,
for an -oth-
C
er,
F&7
Tain't Nobody's Biz-ness If I Do
1
TUBA
2
25
B¨ B¨º
D7
Rath- er If
29
than
per-
to
church
B¨
Tain't
33
I go
Bº
no
B¨º
-
bod - y's
se- cute on
Sun
E¨º E¨
me,
I
choose
that
you
would
shoot
me,
-day,
Then
cab-
a-
ret
on
Mon-
day,
F7
F&7
B¨
biz - ness
B¨
B¨7 G‹
if
I
C‹7
do.
D7
G‹ B¨7
If
I
should
get
the
feel- in'
To
dance
up-
on
If
my friend
ain't
got
no
mon- ey
And
I
say
"Take
'Tain't
B¨º
No-
F7
F&7
bod -y's
Biz- ness
If
the
all
ceil-
in',
mine, Hon
-ey",
C7
F&7
I
D7 G7
Eº
B¨
B¨/D
E¨
37
C©º
Do.
If If
41
B¨ B¨º
D7
B¨7 E¨ Eº G‹
I
let
my
best
com-
pan- ion
Drive
me
right
in- to
I
give
him
my
last
nick- el
And
it
leaves
me
45
B¨ 'Tain't
B¨º
No-
bod -y's
F7
Biz- ness
F&7
B¨
If
I
Do.
B¨º
in
C‹7
the can -yon, a
pick
F&7
-le,
1
Take Me To the Land of Jazz TUBA Bert Kalmer, Edgar Leslie, Pete Wendling - 1919
F7 B¨ C7 There's mu- sic
C7
5
moan-
in'
9
C7
in the breeze,
G¨7
and
groan-
F7
ev-'ry
ca- bar- et,
G¨7(b5)
and
tune- ful
C7
on- ly
B¨‹ G¨7
C7
13
to
hear it,
I
must be near it,
You hear
F7
har- mo- nies.
F7
it's the
long
B¨
C7
B¨
F7
and trom-bones grow on trees.
in'
C7
In
B¨
thing they play!
F7 G¨7(b5) andthat's why
I say:
Well, I
Take Me To the Land of Jazz TUBA
2
17
Chorus: B¨
C7
Take me to the
land of jazz,
Play the kind-a' blues like Mem- phis has,
Take me to the
land of Jazz,
Let me hear the music New
21
F7
25
1
B¨
I
wan' na step,
I
like it
C7
to
hot,
up
C7
tune that's full
of
and you know that'swhat that
Pickin''em
a
and
layin''em down,
Come and take the
lat- est dare,
G‹
F7
gen -u- ine pep! ci-
ty's got!
D7
Teach them how all Learn
Or- leans has,
to
do
o- ver town,
the "Griz-zly- Bear".
I
29
C7 F7 G7 I'll give you fair warn- in',
I won't be home-
love that syn- co- pa- tion,
33
B¨ dan - cin' 'til
the
run - nin' wild and
At my des-
Bº
'til morntin-
a-
in'.
I'll be
tion!
F7
B¨
Just
sun comes up,
In the lov - in'land of jazz.
livin' it
In the lov - in'land of jazz.
up,
That Dixie Jazz TUBA James P. Maguire & Warren DeWitt - 1919
A E¨
B7
Have you heard the la-teststrain?
E¨
B¨7
E¨
It will
lin-ger
in your brain.
For it's a
5
E¨ C7 F7 B¨7 B¨7 rag-gy new mel-
o- dy,
So full of har-
mo- ny, You'll want to hear
9
B7 E¨ It's
13
B¨7
Oh,
a brand new South-ern drag,
B¨&
babe,
E¨
C7
What do you say?
E¨
It's a
dan- dy
it a-
E¨
ie
F7
rag.
B¨7
Come let us hear
gain.
B¨7 Dix-
the band
play.
That Dixie Jazz
1
TUBA
2
17
B E¨ That
C7
Dix- ie
jazz!
That
Dix- ie
jazz!
B¨7 E¨ F7
G7
21
My how I love to hear that Dix-ie jazz!
25
C7
From left to
F7
right,
Hold
to me
want to do the shuf-fle and the tick-le toe.
Oh, Hon- ey! Come,
C E¨7
Lis-
Lis-
ten can't you hear that man just
coax a
moan
let's
It makes me
B¨7
go!
from his trom- bone.
B¨7
ten to that syn- co- pa- tion
41
E¨
ing.
A¨
37
F7
B¨º
tight.
B F7
Oh, just see'em sway-ing when they're play-
29
33
It's the
best
I've ev- er known.
C7
That
Dix- ie
jazz!
That
45
B¨7 E¨ F7 My how I love tohear that dear old Dix-
ie
jazz.
Dix- ie
jazz!
B¨7
E¨ That Dix-ie Jazz!
That's A 'Plenty
Lew Pollack / Ray Gilbert 1914
TUBA
Dmi
A7
5
Dmi
21
A7
13
17
Dmi
9
A7
Dmi
C7
A
F
C7
F
F#º
C7
2 bar break
26
C7
F
F7
F
D7
G7
30
C7
Bb
Bº
F
A7
That's A 'Plenty TUBA
2
33
Dmi
B
A7
bass A7
38
Dmi
46
49 C
A7
Bass
Bb
A7 Ab7 G7
G7
Bbº
Cmi7
F7
F7
A7 Ab7
C7
G7
F7
Bb
Cornet, Clarinet, etc.
D
F
F7
Bb
65 D
C7
60
A7
Dmi
Bb
Bass
A7
55
70
Dmi
D‹
43
Bass
F
Trombone, Bass, etc
F7
Segue to Solos:
That's A 'Plenty TUBA
77
Bb
E
Solos - ad lib:
C7
81
Bb
Bbº
Cmi
F7
C7
A7 Ab7 G7
F
G7
F7
86
A7 Ab7
3
Bb
F7
Bb Eb7
Continue after last solo
92
Bb F7
D F FINE
98
F
105
F7
G Bb
G7
Soft "Shuffle Chorus"
109
mp
C7
F7
Bb
Cmi7
After "shuffle chorus" Play "E" (16 bars) Once as out chorus:
F7
TUBA
That Da Da Strain
q = 152
Smith and Medina - 1922
D7 A Gm D7
5
9
Gm
13
F
C7
F7
17
B Bb
21
D7
G7
C7
F7
Bb
25
Bb
D7
29
C7
Cm7
F7
G7
F
Bb
Eb7
Bb
Solos on "B"
TUBA
Tiger Rag
5
A B¨
C7
C7
F
C7
B¨
22
B¨
C E¨
33
37
F7
B¨7
B¨
Solo Break
B¨7
B¨
B¨7
F
F7
30
E¨
F
18
2.
F7
10 B C7 Cues are Trombone/Tuba F
26
B¨
1.
B¨
14
F7
The Original Dixieland Jazz Band - 1917
Solo Break
E¨
E¨ Solo Break
Tiger Rag TUBA
2
42
D B¨
46
A¨
50
E¨
C7
F‹
F©º
E
A¨
E¨
B¨7
E¨
E¨7
54
A¨
62
A¨7 D¨ A¨
D¨ B¨7
Solo Break
73
77
E¨7
A¨
F A¨
F7
E¨7
66
E¨7
58
E¨7
Dº
E¨7
A¨
Solos at "E" A¨
There'll Be Some Changes Made
TUBA
A
5
Forthere's a
C7
so
G7
change
in
on there'll be
a
13
walk
Noth- in'
in
will
be
change
in
me,
dif- 'rent,
my
talk
a- bout
me
is
and my
be
goin' to
My
name,
the
F7
sea,
the
same,
I'm goin' to
B G7
21
change
G7
C7
17
the weath-er there's a
from now
9
D7
Higgins/Overstreet - 1921
change my
C7
way
of
liv-
in',
Then I'll change the
way that
if
that
I
bod-
y
wants
29
There'll Be
e-
nough,
strut
my
stuff,
you when you're
F7
There'll Be
Some
Chan-
F7
33
C7
ain't
'cause
G7
no-
C7
25
D7
Some
Chan-
old
and
gray,
to-
day,
B¨
ges
ges
Made
B¨
Made.
E¨7
B¨
G7
B¨7
A7
A¨7
'Til we Meet Again TUBA
1918
Ab
A
Smile
by
I'll come
seem
you
to
Wed
-
be
F7
kiss
me sad a - dieu
Ab7
Db
you.
Then
Bb7
more
blue,
down
in
lov
ding
bells
Ab
F7
Ab
B
28
while
Ab
11
23
Eb7
Ab
7
17
the
Eb7
will
a mem
-o -
me,
'Til
-
ers
will
so mer - ri
-
ly,
Ev
Db
ry.
So
wait
and
pray
Eb7
meet
Eb+7
land
we
skies
ring
roll
the
Eb7
the clouds
Dbm
Eb7
Bb7
When
Eb7
Ab7
my
dear
-
'ry
tear
Dbm
Ab
each
night
Ab
a
-
gain.
-
ie
will
for
Tishomingo Blues
TUBA q = 132
Spencer Williams - 1917
Eb7
Ab
Ab
A
Eb7
Ab
5
Bb7
Oh Mis - si - sip - pi, To night I'm Pray - in'
Eb7
Ab7
Oh Mis - si - sip pi, To night I'm say in'
Db
My heart cries out for Oh Lord please bless the
Ab
Aº
8
you in sad ness train that takes me,
13
Dbm
I want to be where, To Tish - o min - go
Eb7
Down where the South- ern Where South- ern folks are
17
the win - try winds don't blow. way down old Dix - ie way,
Ab
B
Ab7
Bb7
Eb7
go. say,
I'm I'm
moon swings low, That'swhere I want to al - ways gay, That's why you hear me
Db
Ab
goin'to Tish - o min - go
22
E7
be cause I'm sad to
way down old Dix - ie
way.
I wish to lin - ger,
- day.
Ab
Db7
Ab7
Aº
Eb7
Oh my wea - ry heart cries
1
Tishomingo Blues TUBA
2
Aº
26
Ab
out in pain,
Oh
how I wish that I
was
Eb7
back a -
with a race,
gain,
Opt. Break on Solos 30
Bb7
in
33
a
place,
Ab
C
Ab7
A mong the cy press
Db
They get you dip- py,
C7
46
-
tion,
Ab
Ab7
trees.
with their stange mel - o
Fm
E7
I
just can't re
Eb7
Bb7
I wish to
Way
lin - ger,
-
- dies.
Ab
C7
ta
Db
down in Mis - si - sip - pi,
42
Eb7
where they make you wel come all the time.
37
Bb7
Eb7
To re - sist
temp
Ab
fuse
In Tish - o - min - go
Eb7
Where they play the wea - ry
Ab
blues.
Toot, Toot, Tootsie TUBA
Gus Kahn, Ted Fiorito - 1922
A E¨
F7
Toot, Toot,
6
B¨7
Toot-
sie,
12
F‹7
Toot-
don't
me,
cry,
a- way from
you
E¨
Eº
G¨º
F‹7
no
words can tell how
sad
it makes me
Do it
and then,
B¨&7
E¨9
that
B¨7
Toot - sie
E¨
F7
Kiss me,
Bye!
The choo choo train
F‹7 B¨&7
B E¨
B¨7
B¨7
takes
sie,
E¨
Good -
E¨
Toot, Toot,
18
o- ver
a-
gain.
26
A¨7
Watch
for
the
mail,
I'll
nev-
er
fail,
If
30
E¨ you
34
B¨7
get
a
let-
ter
then
you
know
I'm
C E¨
38
don't
in
jail,
F7
Tut,
Tut,
Toot-
sie
don't
B¨7
cry.
E¨
Toot,
toot,
Toot
-
sie,
Good
-
bye.
B¨7
Tuck Me To Sleep In My Old 'Tucky Home TUBA
George W. Meyer - 1921
AF
Tuck
5
cov-
9
me
to
sleep
in
my
old
F
er
me
Just
D‹
with
Dix- ie
F
kiss-
let
the
sun
kiss
in'
I've been miss-
I
ain't had
bit of
home,
C7
leave me there a-
Bº
my
cheeks
ev-
in'
lone.
F/C
'ry dawn,
B¨
I
25
can
since
Tuck
I
left
my
F7
in
her
B¨
me
to
sleep
in
my
old
'Tuck- y
F
lay there stay there
nev- er
no more
to roam.
C7
in' arms.
F/C
C7
lov-
Bº
mam- my's nest.
rest the best
F
29
al- ways
like the
rest,
21
G7
F
from my mam- my since I'm gone.
a
'Tuck- y
B¨
17
F
G7 C7
B F7
and
F7
F/C
G7
skies
13
C
Bº
C7
B¨
F7
F
home,
let me
G‹7
C7
TUBA
Under The Bamboo Tree
q = 164
Bbm
A Ab
Eb7
Ab
Down in the jun gles lived a
Bb7
Eb7
Fm
Ab
Bbm
Eb7
And ev - ry morn - ing
13
a wait- ing there his
17
B Ab
you like
21
- a me like
I like
down un - der neath a
from Ma - ta boo- loo
Eb7 Db
bam- boo
Bb7
Eb7
love to see.
and then to her he'd
I like
shade.
Bbm
we like
sing:
- a you and
tree,
If
- a both the
same,
Ab
- a say,
this ve
- ry day,
I like
- a chnage your
Eb7
name.
'Cause
Ab
I love
29
Ab
Eb7
25
up - on a Zu - lu
Fm
he would be
C7
Eb7 Db
a marked im- pres sion once she made ,
9
Bbm
of roy - al blood thoughdusk - y
maid,
C7
5
Bob Cole - 1902
- a you and
love - a
you true and
if you
a love
Eb7
a
me,
Ab
One live
as two,
two live
as one,
un - der the bam - boo
tree.
TUBA
Walkin' the Dog
q = 164
Bb
Bbº
Shelton Brooks - 1917
Bb
F7
Now lis - ten hon - ey 'bout a new dance You all were craz - y 'bout the "Bunn - ny
4
F7
F#º C7
9
days, bug!"
Bb
Been 'rig - i - na - ted for Most ev - 'ry bod - y was
craze, Hug",
F F#º C7
It's these, It's a bear!, But now, and some- how,
Bbº
And it's a new step The fun - ny Dog walk
ev - 'ry cab - a - ret and danc - ing ev - 'ry pri- vate home this dance is
F7
You see them do - ing it, yes, I called a friend of mine up
G7
17 A
all, phone,
If you'll just give me a Hear - ing on his Gram - o
Get 'way
29
Bb
slow,
step,
Bb7
and don't you lin - ger
F7
Get o- ver Sal - ly,
Do that
slow
Bb
the "Tex - as Tom -
Eb
that will
Bbº
show,
Eº
my",
Drop!
Bb
the
drag 'round the
hall.
F7
Like you're sit ting on a log, Rise
F7
one and all,
F7
Eb
C7
gal,
Bb
Do that
Bb
Eb
25
F7
I'll in - tro- duce this dance: This "Dog - gone" rag - gy tone:
and snap your fin- gers,
back,
Bb
Grab your
C7
21
chance, phone:
Eb
Bb
Bbº
hall, known.
F7
one and on the
a fun - ny two step. is all the town talk.
Bb
F7
D7
12
-
F7
In In
a a
bout ten "Tan - go
Bbº
Bb
dance called "Walk
-
in' the
Dog".
Wabash Blues
TUBA
q = 120
Bb
A
Near - ly
Gm
Bb
bro - ken heart - ed since the
C7
F7
Bb
bash
home,
3
Wa
-
Gm
6
C7
F7
place that'shard to beat but then I longed
13
Bb
17
Now
ev
Solos
at B
B Bb7
- 'ry
I
to
roam,
dues.
as
sweet as could be,
Bb
day I'm so lone
some it's
-
Bb7 Eb
those Wa bash
girl was
F#7
F7
Bb7
Eb
a
F#dim Eb7 Ab
A
lone
-
mis
-
er
-
y.
Eb Gm Ab A
Bb7
Bb7
I
know
Blues
My old home- stead
C
Oh,
Eb
had
G
a
Bb
Bb7
23
- di - an - na's sweet and it's
now can see,
from my
D7
Eb
I
once start - ed
In
Bb
Bb7
I
Bb
10
day that
Bb7
I
got my
Ab
Eb
Eb
I,
I
some soul am
Wabash Blues
2
B7
29
TUBA
B7
that
could
die.
Bb7
light that
dle
Bb7
Bb7
Bb7 Eb
me
Eb
43
in my
I'll
lose
- a - more
the moon - shine
can on
- dle
the
C7
F
I Ma
55
am
- king
start - ing up my
Bb be un
leav
- til
for that mind to
Eb
spot see
no that
Bb
light is Wa - bash
shin an
- ing bright, - y night,
Db7
hay turn
to me
me to
each night, the right,
F
need home
to so
ask far
- ing hoof prints t'ward the that hap - pens here's the
me when, a - way,
Eb
Blues.
C7
Bb7
I'll But
Eb
F#
Mem - 'ry brings the scent of new mown Seems that such a pic - ture's bound to
53
my walk - in'
Gm
Db7
pack
those Wa bash
D
the
F#
syc see
A
F#dim Eb7 Ab
Ab
gleams.
Bb7
Gm
dreams,
To
Thru the 'Xpect to
Eb
Eb
Bb7
Bb
C
Eb
Eb
shoes
51
Bb7
-
Haunts
49
I
Can
Bb7
37
Bb7
feel
33
Bb7
Bb
old home road best that I
a - gain. can say:
Back to B
Waitin' For The Robert E Lee TUBA
Lewis F. Muir & L. Wolfe Gilbert - 1912
AC 5
Way
down
The
whis- tles
F
Dad-
dy
ropes they
9
the
lev-
are
blow-
and
Mam-
are
throw-
C
13
on
G&
E7
ee
in
old
Al-
in',
the
C&
F
bam-
y,
There's
smoke-stacks are
show-
in',
The
a-
and
Eph- riam
and
Sam-
in',
ex-
cuse
I'm
go-
me,
F
my,
On
a
in'
to
the
C
moon
light
night
you
can
find
them
all,
place
where
all
is
har-
mo-
ni-
ous,
are waitthe preach-
in' er,
the He
banis
G&
ev-
C
in'? there?
keep
play-
er
go
jos
arc the
syndance-
coing
What's that they're sayWere you a- round
patin'. teach- er.
in'? there?
If
F
in', there
C7
hum-
min'
and
sway-
al-
ways
be
found
you'll
in',
U's
the
there, Why,
E7
ship
Rob-
ert
dog-
gone,
Here
comes
29 D7
good
C
C&
While they you
G7
What's that they're sayHave you been down
F
my,
17 B C
25
While they Even
21
C7
D7
C
G7
car-
ry
the
cot-
ton
a-
way.
good
old
Rob-
ert
E.
Lee.
Lee my
that's
come
to
by
on
the
ba-
C
C
G7/D
C7/E
Waitin' For The Robert E Lee TUBA
2
33 C
F
Watch
them
shuf-
flin'
a-
long.
37
C7
See
them
shuf-
flin'
a-
long.
Go
take
your
41
C7
best
gal
real
pal,
45
F
C&
down
49 D
to
lev-
the
ee,
Go
F
I
said
C7
to
lev-
the
ee,
And
F
join
that
shuf-
flin'
throng.
53
C7
Hear
that
mus-
ic
and
song.
It's
sim-
ply
57
C7
great,
61
mate,
Wait-
in'
on
C7
Wait - in'
for
the
Rob - ert
E.
Lee.
F©7
the
lev-
ee,
G7
For Repeat:
TUBA
Way Down Yonder in New Orleans Henry Creamer & J. Turner Layton - 1922
A F F©º
C7
3
Gucss!
Where do you
Guess!
What do you
D‹
5
Guess!
9
think I'm go
in' when the
winds start blow in' strong?
think I'm think in' when you
think I'm think in' wrong?
A7
3
D‹
Guess!
F
Where do you think I'm go
in' when the nights start grow in'
What do you think I'm think in' when I'm
F
B¨
think
in'
I
long?
I
all night long?
F
G7(b5)
C7
ain't go
in' East, I
ain't think in' this,
13
F
I
ain't go
in' West, I
ain't think in' that,
I
ain't go in' o
ver the cuck oo'snest.
can not be think in' a
- bout your hat.
bound for the town
D7 D7(b5) G7 B¨
that
heart does not start
to
I Iove best,
pit
a
pat
Where life un
less
I'm My
C7
is
one sweet
song;
I
hear this
song;
1
Way Down Yonder in New Orleans TUBA
2
B C7
17
G‹7
B Way down you
der in
New Or
F
21
there'sa gar den of
C7
25
Cre- ole ba
29 F7(“4)
G‹7
la - dy
There
you bet your life you'll lin - ger
is
They've got
F
way down
hea
an
yon -
der
in
mean.
B¨
a
lit tle smile.
C7
there,
a
lit - tle while.
F
D¨7
here on earth,
with those beau
- gels right here on earth,
F©º7
C7(“4)
D‹
ven right
F©º7
fair,
F&7
B¨6
F
F
soft ly whis - per with ten der sighs,
F7
Stop!
scenes,
F&7
Oh won't you give your
that's what I
G7
33
41
C7
C&7
den,
-
of dream - y
G‹7
- bies with flash- ing eyes,
Stop!
37
E
in the land
leans,
C7
F&7
C7
wear - ing
G‹7
C7
F6
New
Or
-
leans.
lit
ti - ful queens,
- tle blue jeans,
A7 A¨7
TUBA
Washington and Lee Swing T. Allen and M. Sheafe - 1910
q = 240
Bb
6
Dº
F7
F
10
F
14
Bb
18
Bb
A
Bb
26
Bb
B
22
F7
30
C7
Bb7
Eb
Bb
G7
F7
Eb
Eº
Bb
When The Saints TUBA
F
G7
C7
Gett - ing I want to Want to
Bdim
When the When the When the
A F
saints
saints saints saints
come come come
F
that pro pets
-
march march march
-
ing ing ing
in. in. in.
go march - ing
in
F Oh
lord
I
Bbm7
When
Oh when the saints
Dm7
the saints
ci - ty, cess - ion, blow - ing,
go
F
F#dim
march
- ing
F7
want
F
-
Oh when the
F
- ber
for that trum
num
F
C7
y in the
-
F
Gm7
Bb
read be hear
Bb
F
in
10
C7
F7
F
F
this land Plod- ding thru of For thestrength to help me Want to play in the ang - el
pil - grim heav - en, band,
F
sin; win, band,
6
a wea - ry each day to the heav'nly
7
12
I am just Well I pray Want to join
B dim
Bb
F7
to
Gm7
C7
go
march
- ing
in.
be
in
that
F
When Erastus Plays His Old Kazoo
TUBA q = 185
Ab7 Cm
Know their mu - sic thru and thru,
They say "Ras - tus
when
is
G7 won - der ful mel - o
11
Cm
Fmin
Fmin
F
he starts to
G7
beat.
were di
rave ov - er
16
Cm
Ab7
Thought they real- ly They
so cute
dies,
-
cer - tain - ly can't be
Ab7 G7
I've heard Cho - pin Wag - ner too
6
21
Cm
G7
toot toot toot
Cm
I've heard Liszt and
Rub - en
Crit - ics
he's un- ique
all
say
Cm
They
his tech
nique
His
al ways put me in ec- sta
mu - sic
cer tain - ly
Bb9
Bb9
But
they
don't
shine
And
from
his
lips,
in
With
a
cer - tain
man
Jazz
- y
notes like
sweet
stein,
vine,
His toot - in'
G7
-
F
love their
Ab7
G7
I
Car
- o mo - las - ses
is
-
a
treat.
Eb6
Eb6
Bb7
Bb7
line. drips.
cies.
When Erastus Plays His Old Kazoo TUBA
2
25
A Eb
Eb
Tain't
no
use
to
keep your
seat
for
28
Bb7 Eb trol your
33
feet
when E
Eb
Bb7
just one
key
It's a
- ply
old
ka
his
- de - o,
vo - do
old
Ka
de - o,
-
Ev
de - o,
Eb
- 'ry
op
- er
Eb
-
zoo.
-
vo - do
at
- tic -
vo - do
when E -
you
goes
can't help sing - ing
Bb7
- de - o,
your
star
a
- ras- tus plays his
he
C7
- de - o,
throws
When
Bb7
toire when E
Bb7
Bb7
ears are ring - in'.
Eb
- way
his
old
ka
-
zoo.
whole darn
Eb
-
Eb
re - per
con
zoo.
Bb7
-
Eb
can't
reg - lar low- down sym - pho - ny
F
vo - do
Eb
-
- de - o,
Eb
F
49
G7 C7
Vo - do
52
sim
G7
45
Bb7
- tus plays
vo - do
Bb7
- ras - tus plays his
37
Eb
Tho' he plays in
41
you
Eb
ras
Eb
When The Midnight Choo-Choo Leaves For Alabam' TUBA Irving Berlin - 1912
A E¨ B¨&
E¨
E¨ B¨&
day,
I've had a might-y bu-sy-
The minute that I reach the place,
5
give the land- lord back have n't had
a
E¨ B¨& kiss
way.
I'm goin' to ov- er- feed my
face, 'Cause I
E¨
his
rust- y
key,
good meal since the
9
up
my
Ma,
Pa and
of
the
o-
ver
B¨7
folks down Al-
a-
17
why you'll hear
me
glad
to
e-
nough
That opened
I went a- way.
Where
I'm
E¨
home who think of ba-
ma's
new mown
sing-
ing
throw my-
ma- ny wear- y nights I
a doz- en times for
F7
key,
flat,
mer- riself
a-
B¨
ev- 'ry
B¨º
B¨&
my drear-y-
The ver- y
day
13
F7
E¨
Now I'H
I've had to pack my things a-
A¨‹
A¨ E¨
goin' to
Eº
sat,
Think- ing
star,
Shin- ing
B¨
me.
That is
hay.
I'll be
B¨7
ly; way.
B¨º
B¨7
When that
When The Midnight Choo-Choo Leaves For Alabam' TUBA
2
21
B E¨
B¨7
mid- night choo- choo
leaves for
there,
I've
29
E¨
that dust-
y
33
F7
stop this train,
That's takin' me
re-
main,
Where
E¨
I
49
B¨7
board!
be right
will
be right there with bells,
man,
All a- board!
When
I
grab
him
That's where you
A¨
home a- gain.
Back home where
my hon-
ey-
lamb
B7
am.
C‹
G7
All a- board for
I'll
When that old con-
F‹
C7 I'll
"Al- a- bam! Al- a-bam!"-
C E¨7
I'll
E¨
haired con- duc- tor-
And I'll hol - ler,
45
fare.
B¨7
by the col- lar
41
bam',
my
B¨7
see
37
got
E¨
Al- a-
25
B¨7
E¨
Al- a-
duc-tor yells,
E¨
bam'.
"All a-
B¨7
When that
When You Wore A Tulip
TUBA
Percy Wenrich & Jack Mahoney - 1914
A B¨
When
5
B¨7
you wore
a
tul- ip,
a
sweet yel-
low
tul- ip,
and
E¨
I
9
B¨
wore
a
big
red
E¨
E¨‹
When you
13
no
one
then Heav
-
en blessed me, what
life
cheer- y,
when
you called
me
dear- ie,
'twas
the
blue
grass
grows,
Your
lips were
C7
sweet- er
than
jul-
ep,
when
F7
I
G7
a
D7
down where
knows.
E¨
B¨7
You made
29
'twas
B B¨
25
G7
F7
bless - ing
21
rose,
C7
17
B¨
ca - ressed me,
B¨7
you wore
that
tul-
ip
and
B¨
wore
a
big
red
rose.
When You're A Millioin Miles From Nowhere TUBA
Walter Donaldson - 1919
A G‹7
mil-
lion
You're a
5
C7
C7/G
one
lit-
G‹7
tle
mile
of
13 B¨/F
from
moth-
er's
tears,
your
ears.
FŒ„Š7
leave
the
gates
of
E‹7 Moth- er's
arms
to
D7
29 F/A
one
lion
miles
A¨º
C7/G
lit-
tle
mile
It's
the
That
keeps
heav-
A¨º
from
no-
C7 from
en,
home.
just
When
you
You're
a
G©º
where,
You
B‹7 Cº A7/C©
G7
F
roam.
A¨º
A7
G‹
F
C7
mil-
home.
21
25
C7
when you're
G‹7
in
where,
ing
no-
F
B G‹7
ring-
leave
from
A‹/C
C7
miles
A¨º
C7
song
C7
9
17
FŒ„Š7
When you're
B¨7
F
TUBA
Where Did Robinson Crusoe Go? Verse
F
Thous ands of
years
out
on
an
a - go
or
may - be
13
G7
no
is
-
land
on
a
Fº
C7
south - ern
Cru
-
soe land - ed
on
fine
rent
to
pay
and
no
wife
F7
21
G
25
G7
-
day,
day was
D7
bor - row
lit
-
his
on - ly
or
tle hut,
friend,
B¨
lend,
G
bey,
C7
o -
Fº
they didn - 't
Fri
They built a
29
shore,
to
A F
more,
C7
His good man
G7
Rob - in - son
17
D7
9
C7
5
Fº
Young/Lewis/ Meyer - 1916
livedthere 'til
D7
Fri -
day, but
C7
Sat - ru - day
night
it
was
shut.
And
1
Where Did Robinson Creusoe Go? TUBA
2
B F
33
D7
Where did
37
G7
Rob
Fri - day
-
in - son
on
Sat
-
Cru - soe
day
Sat - ru - day night
With
night?
Ev - 'ry
would start in
to
roam,
they
G7
45
G‹7
C7
Then on Sun - day morn- ing they'dcome stag - ger - ing
home.
On this
C D7
is - land lived wild
53
G7
men
in
wild
men
can - ni - bal
trim
-
min'
and
C7
wom
-
men,
so
D7
Where
did
Rob
G7
there must be wild
F
57
G‹7
wherethere are
61
C7
41
49
go
ur
-
in - son
C7
Fri - day
Cru - soe
go
F
on
Sat
-
ur - day
night?
With
Solos at "B"
The Whiffenpoof Song TUBA
Tod B. Galloway - 1909
A E¨
Eº
We're poor
5
Baa!
Baa!
9
lit- tle
Eº
black sheep
13
F‹7
Gen
Doomed
Baa!
Baa.
from
here
Lord
Baa!
on a spree,
E¨
E¨7
to
e-
ter-
ni-
ty.
D7 D¨7
F‹7
have
mer-
29
B¨7
Off
B¨&7
- tle-men song - sters
stray,
25
C7
a-
E‹
E¨
We're
who have gone
21
B¨7
way.
B¨7
B C‹
our
B¨7
B¨7
Baa!
E¨
E¨
who have lost
B7
Baa!
17
lit-tle lambs
F‹7
B¨7
cy
on
such
as
E¨
Baa!
Baa!
A¨‹6
we,
E¨
B¨7
Whispering
Schonberger - Coburn - V. Rose - 1920
TUBA
A E¨
5
Whis-
E¨
per- ing
while you
cud- dle
- per- ing
so
no
one
can
9
F7
lit-
tle
E¨
whis- per seems to
13
near
me,
C7
hear
me,
cheer
me,
B¨7 know it's
whis-
per- ing
B¨&7
true, there'sno
B E¨
I
one
why you'll nev-
E¨
dear, but
er
21
per- ing
why you'll nev-
er
25
F7
you,
You're
D7
leave
me,
C&7
Whis-
C7
grieve
me,
B¨7
Whis-
per
and
say
29
F‹7
B¨7
Each
C&7
Whis
17
D7
that
you
A¨‹
Whis- per- ing that
I
love
be-
E¨
you.
lieve
me,
Wild Cherries Rag TUBA
Ted Snyder - 1909
A C
E7
A‹
F
E‹
A7 D‹ 5
G7
9
A‹
C
E7
C
E‹
13
G7
B 17
Cº
C
F
A7
D‹
C
A7
D‹ A7 D‹
21 G7
G7 C
25 A7
C
D‹ A7 D‹
29
F
C
G7
C
Wild Cherries Rag TUBA
2
@ 33 C
F
F
41
C7
F
Bass Solo - Stop Time
61
C7
C
C7
F
ø
F
A7
D¨7
C
F G7
C F D¨7(b5)
C7
3
A7
C7
D‹
A7
F
57 D¨7
3
D¨7
C7
D‹
D‹
A7
D¨7
C7
C7
49 D D‹
53
F
C7
C/E
F
45
D‹
C/E
37
F
G7
65
Coda
C
G7 C7
D.S Back to "C" al Coda
The World Is Waiting For the Sunrise TUBA
Eugene Lockhart & Ernest Seity - 1919
F&
A B¨
Dear
5
F&
one,
B¨
the
world
ing
E¨
for
the
sun-
rise,
B¨
Ev
y
is
F&
with
B¨
dew.
The
on
high,
His
D7
sleep
-
y
mate
is
call-
ing,
25
E¨
B¨
And
E¨‹6
F7
-
-
ing
F‹
G7
my
29
call
F&
thrush
F7
B B¨
21
G7
rose
C7
F‹
'ry
heav-
17
is
9
D7
wait-
13
heart
is
B¨
you.
The Yama Yama Man Collin Davis & Karl Hoschna - 1908
TUBA
A¨/C
B¨‹
5
Great
big
sca ry eyes you see so you cov er up
A¨/C
Some
big
But
that
B¨‹/D¨
F‹
Ya rna man they see, Ya ma man
B¨
a fraid of the dark, you know.
up your head,
F7 when
C7
off to bed they go.
is there,stand ing right be side your bed!
F7
F7
B¨
B¨7
ma, Ya- ma, the
If
Ya-
ma man,
E¨‹
E¨
B¨‹
lit tle tot at night is
Ya-
13
F7
'ry
B¨‹
F7
Ev
B¨‹
9
B¨‹/D¨
you don't
Ter- ri-ble eyes
B¨
C7
G‹7
a doubt, If
he
watch out he'll get you with-out-
and a long bo- ney hand.
F7
can!
17
F7 F7 B¨ B¨7 B¨ May-be- he's hid-
21
E¨
in' be- hind
the chair,
B¨
Read-y- to spring
G‹7
C7
Run to your Ma-
ma cuz' herecomes the Ya-
ma
Ya-
out at you un- a- ware!
F7
B¨
ma
man!
F7
TUBA
Yellow Dog Blues
A C
W.C Handy 1914
E'er since Miss Su - san John son lost her Jock- ey Lee, There has beenmuch ex - cite ment, Yel - low Dog Dis trict like a book, In - deed I know the route that
4
F
C7
more to be; Ri - der took.
F7
You can hear her Ev - 'ry cross tie
F
F7
moan - ing night ba - you, burg
9
G7 Won - der where Way down where
my the
C
Ea - sy Ri South- ern cross
der's the
and and
morn. bog.
G7
C
Ca - ble grams come of Mon - ey don't 'xact - ly
17
F
F7
gone? Dog.
Has Down
e - ven a where the
Te - le grams go of in qui - ry cot ton stalks it growns with ease,
No
C
21
F7
Let - ters come from down in "Bam" racce horse, race track no grand stand
G7
C7
sym - pa - thy grow on trees, On
F
13 B
C
And Is
ev - 'ry where that like Old Back an'
C
ru - ral de - lie - ver South ern cross the
-
y. Dog.
Un - cle Buck - shot
Sam land.
G7
All day the Ev - e - ry
Yellow Dog Blues TUBA
2
25 C C
F
30
phone rings kit chen there
But it's not a cab is
F
Fill our hearts with While the far - mers
D7
from the
37
D F
Ea
42
Ten live
F7 Bb
- nes - long
Ri
struck this burg
F
to - day,
F
47
man car.
Dear
Sue
your
Ab7 Bb
sy
Ri
Bdim - der's
53
Bb7 it
but the hike
ain't
57
C7 gone where the South- ern
a
Blues
cross the Yel - low
south bound'ratt - ler
Seen him here,
F
-
On
C7
Ea
vamp
C7
C7
hog.
had to
G7
see. day.
side door Pull
C
F7 Bb7
- der
B¨7
G
F
- sy
This mes - sage comes, This Yel - low Dog
Bdim
D7
glee, play.
At last good ti - dings, Down where the boll wev'l works
for me, a - ret,
F
F
34
C7
C
and he was on the
F F7 got a stay
a - way,
F
Dog.
Solos at "D"
far.
F
so he
C7
F
He's
C7
You've Got TO See Your Mama Everynight Billy Rose & Con Conrad - 1923
A Bb
Bb
Bbdim
Bbdim
Dadd - y
dear
list - en
5
Bb
F7
C7
13
week
I'm not show -
Bb
Bbdim
F
in'
Bb
see
kiss
29
Bbdim
Needs a kiss or
Mam-ma
Mam- ma,
B¨7
you want my
the door
Bb
C7
see
Mam-rna
B7
Bb
C
You've got to
F7
Treat her right,
E¨7
Eº
You can't fif- ty
fif- ty
Or you can't see Mam-ma at all.
me.You've
got to
Bb
ev-'ry night,
Or she won't be home when you call.
com- pan- y,
You've got to
Or you can't see Mam- ma at all.
ev-'ry- night,
but I must lay down the law.
F7
Bb
F
Bb
two.
F7
If
- ver do.
you
Bb
B Bb
17
25
and that will ne
Ma -ma's cheek
21
Bbdim
you,
Once a
your mam - ma's feel - in' blue.
I don't see much of
9
here
Bb
1
You've Got TO See Your Mama Everynight
2
33
C Bb
F#
F7
Bb
Mon - day night
37
I
Cm7
Tues - day night
F#m7 F7
did not call
Bb
Fri - day night
Bb
F7
F#
and thurs -day night it was the same old stall
F7
Bb
Bb
Cm7
F#m7 F7
Sun -day night youcalled on me
F#
Sat - ur - day
you
took yourbath
Bb
F7
but you broughtthreegirls
D Bb
F7
you dodged my path
49
did not phone
Bb
45
you
Wednes - day night you
41
F7
sat a - lone.
Bb
F#
Bb
for some com - pan - y you've got to
F7
Bb
see your ma - ma
53
Bb
ev - er - y night
or youcan't see your ma - ma at all
C
Kiss your ma -ma and treat her right
57
You've go to
Bb
or she won't be
Eb
F7
at home when you call
Now
Eb7
I don't want the
61
kind of man
who gives his love
Bb
see your ma - ma
on the in - stal - ment plan you've got to
F7
Bb
ev -er - y night
or you can't see your ma - ma at all
