Creo en Mi - Natalia Jiménez

Creo en Mi (Piano accompaniment)

Natalia Jiménez

transcribed by White Admiral

Moderately  = 84

Piano

4

               

     8

  

     12

  

    

  

 

 

 







    



 



       

1st verse

  





   

       

   

       

   

        

  

  









 

      

  

      

 

      

  





    

 

Page 1

 

      





      

      

      

      

 

       

  

                    1st chorus

16



 

     

 

  

     

 

    

 

          

       

 

 

              20

 

     

       

     

     

                                                        23

        26

 







 







      





    

      

        30



      

      



   

Page 2

2nd verse

 

 

     

 





     

              



        34

 







 









      

      

           42

 

  

     

           45

 

  

     

            48

 

  

     



   

 

        

 

    

 

         

     

Bridge

              

 



    

      

        38

      

          

        2nd chorus



 

     

          

 

     

          

 

    

 

          

                  Page 3

          

              51

 

                           

               54

 

 









 

  

     

           65

 

      

      

            62

       

 

                    

        58

          

        



    

     

 

 

         

      Page 4



     

       

3rd chorus

 

               





 

     

          

 

     

          

 

    

 

           68

 71

  

  



  

      





  

  

      





    

        

  

Page 5

 



  



    