Creedenceclearwaterrevivalbestof Us Tab Isbn142340680x Dsm 140213130054 Phpapp01

May 2, 2017 | Author: paolonicolo | Category: N/A
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Creedenceclearwaterrevivalbestof Us Tab Isbn142340680x Dsm...

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from Creedence Clearwater Revival - Chronicle

Bad Moon Rising Words and Music by John Fogerty

Gtrs. 1, 4 & 5: Tune down 1 step: (low to high) D-G-C-F-A-D



Intro __  3 Moderately fast q = 180   =  

D/A * (E/B)

     Gtr. 1 (elec.)

   

  

mf



A (B)

       

 

 

G (A)

 

D (E)

 

(E6) (E)

 

 

(E6)

      

(E)

(E6)

  

  

2 1 2

0 1 2 2 0

2 1 2 2 0

  

  

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

     

w/ clean tone



9 9 9 7 7

7 9 9

9 9 9 7 7

Gtrs. 2 (elec.) & 3 (acous.)

   

7 9 9 9 7

8 9 9 7

7 7 8

5 5 6 7

6 7 7 5



0 0 1 2

2 0



  

 

mf

  

0 1 2

2

0 0 1 2

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

0 0 1 2

  

w/ clean tone let ring throughout



2 3 2 0

2 0 *Symbols in parentheses represent chord names respective to detuned guitars. Symbols above reflect actual sounding chords.

Verse

D (E)

   1. I

 

  

A (B7)



see





a

bad

Rhy. Fig. 1



  0 0 1 2



 

 

0

1 2

2 1 2

0 Rhy. Fig. 1A

G (A)







moon

 2 0

   ris

D (E)

(E6) (E)

  

-

 

      

2 2 2 0

2 2 2 0

  

  

  

  

  

  

  

3 0 0 0 X 3

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

    

  

  

  

  

  

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

0 2 2 2 0

0 2 2 2 0

3 0 0 0 X 3

(E6)

in’.

 

  

(E)





 

 

(E6)

0 0 1

0 1

2

     

0 0 1

  

 

2 1

0 1 2 2 0

2 1 2

  

  

End Rhy. Fig. 1A

  

  

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

0 0 1

2 0

Copyright © 1969 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

  

End Rhy. Fig. 1

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1A (3 times)

(E)

  

   I

  

   I

  

   I

  

Don’t

on

 



earth

-

 

bad

  

 

go

to - night.

a - round







the

way.

D (E)



 and

light

G (A)

 





G (A)

quakes

A (B7)







 



-

nin’.





times



(E6) (E)

(E6)





(E)

(E6)



(E)

(E6)



(E6) (E)



(E6)



D (E)



(E6)

(E)



(E6)



to - day.

D (E)

  

(E6) (E)

   Well, it’s

  

bound

     to

take

(E6)

your

 

(E)

(E6)

(E)

   

(E6)



life.

 

Rhy. Fig. 2



 

0

2 2 2 0



 

0

2 2 2 0

Rhy. Fig. 2A

     Gtrs. 2 & 3

0 0 0 2 3

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 



D (E)





A (B7)

see

Chorus G (A)

G (A)

trou - ble

see

(E)

  

 



see

(E)

Gtr. 1

A (B7)

   3 0 0 0 2

   0 0 0 2 3

   3 0 0 0



 

0

2 2 2 0

  0 0 2 3

  

  

3 0 0 0

3 0 0 0



 

0

2 2 2 0



 

  

1 2

1 2 2 0

0

  2 1 2

  2 0

 

  

2 1 2

0 1 2 2 0

0 2 1

       

 

 

     

 

         

3 0 0 0

2 3 2 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

0 0 0 2 3

3 0 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

A (B7)

  

 

There’s

a

 



 

 

2 0 2

2 0 2

1 2

 

  

  

moon

on



 

G (A)

bad

 0

D (E)

  the

 

 

0 2 2 2

0 2 2 2



(E6) (E)





 

        

0 0 1 2

0 0 1 2 2 0

(E6)

(E)



(E6)

rise.

 0

0 1

2

 

0 0 1

   

 

  

0 0 1 2 2 0

2 1 2

0 1 2 2 0

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

 

End Rhy. Fig. 2

0 2 1

End Rhy. Fig. 2A

  

  

2 3 2 0

2 3 2 0

Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1A (4 times)

D (E)

   2. I

A (B7)

  





hear

  

Gtr. 4 (elec.)

G (A)

hur

-

  

   

ri - canes

a



D (E)

  

blow



-

(E6) (E)



(E6)

(E)

(E6)



in’.



    





mf

    

 

w/ clean tone

0

2

 



  

 

I

know

the

(E)

 RiffA    





end

A (B7)



 is

G (A)

  

com - in’



 

D (E)

2

1

(E6) (E)











  

(E6)

0

(E)

0

(E6)



soon.

0 1

0

2

     0 0

1

     2

0

 

End Riff A

0

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Gtr. 4: w/ Riff A

A (B7)

  

(E)

   I





fear

(E)

 

I





riv - ers

  





G (A)

 

hear

the

        Gtr. 4

A (B7)

o

  

 -

ver -

flow

G (A)

voice

of

rage

and



 



-

in’.

-

(E)

(E6)



(E6)

(E)



(E6)



in.







(E6)

(E6) (E)

  

ru

(E6) (E)



D (E)

     



D (E)

  

0

0

1

        

2

3

4

0

1

2

Chorus Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 2 & 3: w/ Rhy. Fig. 2A Gtr. 4 tacet

G (A)

  

Don’t

  

 

go

to - night.

a - round

A (B7)





There’s

a

bad

  

Gtr. 5 (elec.)

  

   Well, it’s

G (A)

bound

  





moon

on

the

rise.



to

take







(E6)

your

D (E)



 

    

(E6) (E)





  

  



 

D (E)

(E)

(E6)

   

 

(E6)



life.

(E6)

(E)

(E6)

Al

-

right.







 



(E)



mf w/ clean tone

2

Guitar Solo Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1A (2 times)

D (E)

    

 

   

4 5 4

4 5 4

4 5

Gtr. 5

   Gtr. 4



A (B7)

 

G (A)

D (E)

 



(E6) (E)

 

2 4 4

0 2 2

0 0 1





    

(E6)



0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

(E6)





1 2

  

    

mp 0

(E)

2

0 0

1

     2

0

(E)

  

 

   

4 5 4

4 5 4

4 5

 

A (B7)

G (A)

D (E)

2 4 4

5 5 6

4 5 4

 





(E6) (E)

  



   4

   





0

(E)

(E6)

7

5

4



  

2

0

    

(E6)

0

0 0

1

Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 2 & 3: w/ Rhy. Fig. 2A Gtr. 4 tacet

G (A)

  Gtr. 5

    

 5 6 7

5 5

5 5 6

5 7 6

7 6

D (E)

5 5 6

5 7

      

0 0 1

0 0

D (E)

        

7 7

(E6)

 



G (A)

         7 9

 

5 5

7 6

A (B7)

7 7 8

   

 

(E6) (E)

0

2 1

0 0 1

0 0 1

2 1

    

(E6)

(E)

0 0

0 0

0 0 1

2 1

(E6)



2 1

(E6)

       

5 5 6

(E)



(E)

(E6)

          

0 0 1

0 0

2 1

0 0

0 0 1

2 1

Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1A (4 times) Gtr. 5 tacet

D (E)

  

3. Hope

  Gtr. 4

A (B7)

  



you

  

got



your

G (A)



things





  

to -

geth

D (E)

   -



(E6) (E)

(E6)

(E)



(E6)



er.



 2

     0 0

1

     2



0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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(E)

  

Hope

A (B7)

  





you

are

quite

 

G (A)

D (E)

      pre - pared

to



(E6) (E)











  



 



Looks

  

A (B7)



like

   

G (A)





  

we’re

in

for

nas

-



weath



-

 



One

  



  

eye

is

tak - en

  

for



an

2

1

0

(E6)

(E)

(E6)



 

    

   2

D (E)

   

0 0

er.



G (A)

    

(E6) (E)

0

A (B7)

    

2

  

0

(E)

(E6)



D (E)

    ty

(E)

die.

0

(E)

(E6)

0

0 0



2

1

(E6) (E)



    

(E6)



0

(E)

(E6)

   



eye.

Well,







  

0

0

    

    

0

2

0

2

1



0

Chorus Gtr. 1: w/ Rhy. Fig. 2 (1 6/8 times) Gtrs. 2 & 3: w/ Rhy. Fig. 2A (1 6/8 times)

G (A)

  

don’t

  

  

 

go

to - night.

a - round



D (E)

  

   Well, it’s



      12

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

9

bound



     to

take



(E6)

your

(E)

 

(E6)

(E)

   

(E6)



life.

       4

5

7 4

4

5

A (B7)

 

There’s

a

  

  

  

moon

on

bad



D (E)

  the





  



 

G (A)









(E6) (E)

  



  

 

Don’t come a - round

 

 

D (E)

  

   

  

  

to - night.



(E)

(E6)





0

2

rise.

   0

G (A)

(E6)

Well, it’s

      

0 0

2

    

bound

to

take

    0

(E6)

your

(E)

(E6)

(E)

   

 

(E6)



life.





2

      

 

4

4

mf 12 10

9

9

10

12

10

9

7

5

9

4

4

Gtr. 4 tacet



 

There’s

    Gtr. 4

a

    

G (A)

  

  

moon

on



 

A (B7)

bad



D (E)

  the

    

(E6)





 

7 7

9

5 6

 

    

Gtr. 1

5 5

7

0 0



 

0

1

2

2 1

       0 0 1 2 2 0

  

  

  

  

  

     

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0 0

2 3 2 0 0

Gtrs. 2 & 3





rise.

mp 7 8

(E)

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Sorgdal

from Creedence Clearwater Revival - Chronicle, Volume Two

Born on the Bayou Words and Music by John Fogerty

Intro Moderately q = 114 * E5

E7

Gtr. 1 (clean)

      

(Dist. organ)





 

 

 

  



5 7

7

      



   

mf

w/ amp tremolo let ring



5 2

7

6

7

6

0 5 7

6

5 7

0 5 7

6

5 7

*Chord symbols reflect overall harmony.

Rhy. Fig. 1

                  

End Rhy. Fig. 1

        

let ring

 

7 0

6

0 5 7

5 7

0 5 7

6

5 7





  1. Now,

               let ring Gtr. 1

   Gtr. 2 (clean)

6

5 7 6

6 7

0 5 7

Verse E7

   

5 7

0 5 7

6

0 5 7

7 6

5 7 6 7 0

     5 7 6 7 0

0 0 0 0

         mf 0 5 7 6 7 0

0 5 7 6 7 0

0 0 0 0

        

when

I

Rhy. Fig. 2

  7 6 7 0

   7 6 7 0

Rhy. Fig. 2A

     0 5 7 6 7 0

0 X X X

was

just

     0 5 7 6 7

7 6 7 0

7 6 7 0

   7 6 7 0

0 X X X

7 0

0 5 7 6 7

7 0

lit - tle

     0 5 7 6 7

7 6 7 0

             7 6 7 0

 

6

5 7

7

    

a

  

7 6

         

X X X 0

0 5 7 6 7

Copyright © 1968 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

6



0 5 7



boy

sim. 7 6 7 0

7 6 7 0

0 5 7 6 7

         X X X 0

0 5 7 6 7

  a

    

  

5 7

X X X 0

  

  

      

7 6 7 0

7 6 7 0

7 6 7 0

0 5 7 6 7

0 0 0 0

           0 5 7 6 7

X X X 0

0 5 7 6 7

0 5 7 6 7 0

0 0 0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    stand







 

in’

to

my

dad

-

     

  

7 6 7 0

7 6 7 0

        7 6 7 0

    0 5 7 6

  0 X X X

7 6 7 0

 

  

0 X X X

7 6 7 0



 

- dy’s

 



E7





 



knee,



  

  

7 6 7 0

7 6 7 0

  

 

7 6 7 0

E9

0 5 7 6

0 5 7 6 7

   X X X 0

my

  

  

7 6 7 0

7 6 7 0

 

  

0 5 7 6

0 5 7 6 7 0

 

  

0 5 7 6 7



0 5 7 6 7

X X X 0

 

 

7 7 6 7

 

  

0 5 7 6 7

X X X 0

End Rhy. Fig. 2



    

0 5 7 6

0 5 7 6 7 0

0 0 0 0

End Rhy. Fig. 2A

      

  

0 5 7 6 7

X X X 0

0 5 7 6 7 0

0 0 0

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

     

  

                  

pa - pa said, “Son, don’t let

    



the

man

get - cha,



do

       7 6 7 0

       Gtr. 2

0 5 7 6 7 0

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Sorgdal



0 5 7 6 7

  0 X X X

   X X X 0

   7 6 7 0

 

 



0 5 7 6 7

  0 X X X

  0 5 7 6

  7 0

  0 5 7 6 7

  X X 0

 



   

0 5 7 6 7

  

  

X X X 0

0 5 7 6 7 0

0 5 7 6 7

   X X X 0

E7

’cause he -’ll get -

  ’cause

 

    

what he done to me

cha,

Gtr. 1

E9

  0 5 7 6 7

   X X X 0

   X X X 0

 

 

0 5 7 6 7

  0 5 7 6 7

  0 5 7 6 7

   X X X 0



 

he’ll

get - cha

   7 6 7 0

 

  

0 5 7 6 7

0 5 7 6 7 0

  0 0 0 0

  0 0 0

   



now,









 



now.

     

  0 5 7 6 7

7 6 7 0

     

 

  

0 X X X

 



0 5 7 6 7

X X X 0



7 6 7 0

2. And

0 5 7 6



  

0 X X X

7 6 7 0

 

 

   

0 5 7 6 7

X X 0

  

  

  

  

5 7 6 7 0

5 7 6 7 0

0 X X X X 0

0 5 7 6 7 0









-

ber

the

Fourth

0 5 7 6 7

   

  

  0 5 7 6 7

 

0 X X X X 0

5 7 6 7

 

0 5 7 6 7

X X X 0

 

0 X X X X 0

 

  

5 7 6 7

 

  

0 0 0 0

7 6 7 0

  

 

0 X X X X 0

0 5 7 6 7

  

  0 0 0

5 7 6 7 0

 Verse

Gtr. 2: w/ Rhy. Fig. 2A (1 1/4 times)

    E







E7

can

re

       

  

   

  

  

  

   

0 0 1 2 X 0

X X X X 0

0 3 1 2 X 0

X X X 0

1 2 X 0

X X X 0

0 3 1 2 X 0

(2., 3.) I

Gtr. 1

    E



E7

-

mem

  

               0 0 1 2 X 0

X X X X 0

0 3 1 2 X 0

0 3 1 2 X 0

0 3 1 2 X 0

0

2

A





of

Ju

 

  

   

  

    

2 X 0

1 2 X 0

0 3 1 2 X 0

1 2 X 0

0 3 1 2 X 0

G



0 X X X X 0

   



X X X 0

0 3 1 2 X 0

   

      

0 3 1 2 X 0

X X X 0

2 2 2

0 0 0 2

 -

 

 

 

0 0 0 2

0 0 0 2

G





 

ly

a



  

0

0 0 0 2

         E

and

  

A



bare,

               X X X 0



  

    

run - nin’ through the back wood



I

E7

can

       0 0 1 2 X 0

X X X X 0

still

hear

   

              

0 3 1 2 X 0

X X X 0

my

1 2 X 0

X X X 0

old

0 3 1 2 X 0

hound

0

2

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   







dog

     

bark

 

  

X X 0

0 3 1 2 X 0

Gtr. 1

1 2 X 0

       

 

Gtr. 2

2

 

  

0 5 7 6 7

X X X 0

0 5 7 6 7

X X X 0

       





     

 

0 3 1 2 2 0

0 0 0

2 3 2 0

        

  

0 3 1 2 2 0

0 5 7 6 7

5 7 6 7

 

 

  

1 2 X 0

1 2 X 0

0 3 1 2 X 0

  

 

    

0 5 7 6 7

0 5 7 6 7 0

  

 

let ring

2 2 2 0

   

 

2 2 2 0

  

-

1 2 2

0 X X X

0 0 0 0

0 5 7 6 7 0

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 X X X X 0

0 3 1 2 2 0

  

 

  

 



1 2 2

0 0 0

X X X 0

0 0 0

 

  

 

hoo - doo

               0 5 7 6 7 0

  

0 X X X

7 6 7 0



Rhy. Fig. 3

0 0 0

  

0 X X X

 

a

0 3 1 2 2 0

- doo

 

let ring

0 3 1 2

hoo

X X 0

         

    

a

0 3 1 2 2 0



in’ down

down

    

7 6 7 0





 

0 0 0

E7

 

  

   

E7



in’

0 3 1 2 2 0

E





-

2

0

 

0 0 0 0

 

2 3 2 0

0 0

E

   chas

  



chas





A



in’,

X X X 0

D

    

-

  

0





 

 





    

   

   

   

0 3 1 2 2 0

0 3 1 2 2 0

  

   

0 5 7 6 7 0

0 5 7 6 7 0

0 3 1 2 2 0

A

  

  

  

 

let ring

0 3 1 2 2 0

2 3 2 0

       

  

0 5 7 6 7 0

2 3 2 0

0 0 0

0 5 7 6 7

X X X 0

D

there.

   

there,

0 5 7 6 7

7 6 7 0

E

 

2 2 2 0

   

0 0 0 0

 

End Rhy. Fig. 3

  2 2 2 0

0 0 0

Chorus Gtr. 2: w/ Rhy. Fig. 3 (2 1/2 times)

E

E7

Born

        let ring  Gtr. 1

1 2 2

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 3 1 2

 

E7

on

a

-

   

Em7

  

  

  

  

  

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

bay

  

0 3 1 2 2 0

A

E



E7



 

 born

0 3 1 2 2 0

   

Em7

born

ou,

               0 3 0 2 2 0

D



  

0 2 2 0

   2 3 2 0

  

     let ring

  

     

2 2 2 0

2 2 2 0

0 0 0 0

1 2 2

0 3 1 2

on on

a a

  

  

  

  

  

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

bay bay -

    0 3 0 2 2 0

E7

D

 

-

A

 



ou. ou,

       

  

0 3 1 2 2 0

0 3 1 2 2 0



  

E7



ow,

  

 

E



   

  

  

2 3 2 0

2 2 2 0

 

2 2 2 0



Born Born

yow.

 

 



let ring

0 2 2 0

 



0 0 0 0

0 3 1 2

1 2 2

Em7







on on

a a

bay bay

  

  

  

  

  

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

T o Coda

-

   0 3 0 2 2 0



2nd time, Gtr. 2: w/ Rhy. Fig. 2A (1st 2 meas.)

-

ou,

       Gtr. 1

0 3 1 2 2 0

   0 3 1 2 2 0

D



Lord, ou.

0 2 2 0

           0 5 7 6 7 0

  

Em7

Lord. Gon - na

0 0 0

2 3 2 0

 

E

E7

 run,

         

Gtr. 2

0 5 7 6 7 0

A

  





E7



   

2 2 2 0

go.

  let ring

2 2 2 0

0 0 0 0

2 2 2 0

2 2 2 0

Doot,

                 1 2 2

        

2 3 2 0



0 0 1 2

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 3 1 2 2 0

 

  

1 2 2 0

0 3 1 2 2 0

  

                 0 3 1 2 2 0

0 3 1 2

2 0

0 3 1 2 2 0

0 3 1 2 2 0

0 0 0 0

                                     0 5 7 6 7 0

0 0 0

0 5 7 6

7 6 7 0

0 5 7 6

7 6 7 0

0 5 7 6

0 5 7 6

7 6 7 0

7 0

0 5 7 6

0 5 7 6

7 0

0 5 7 6

0 0 0

7 6 7 0

Guitar Solo Gtr. 2: w/ Rhy. Fig. 2A (3 times)

    Gtr. 1

E7

2

       

      

 

2

2

1

1

2

1

2

1

2

1

1

2

1

2

        2

1

2

1

2

1

2

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                         let ring let ring 2

0

3

4

2

4

1

2

               let ring

*

7 X 7

9

9

9

9



let ring



9 X 9

7 X 7

7 X 7

7

  





0

3

4

     

4

2

1

2

1

2

5 X 6

4

7 X 7

7

2

1

2

1

2

          

             5 X 6

1

7 X 7

7

9

9 X 9

9

9 X 9

9

7 X 7

2

            

5 X 7 7

7

9 X 9

7 X 7

9

9 X 9

9

9

*Fret w/ 3rd & 4th fingers.

D

              

           

Gtr. 1

7 X 7

9 9

9 X 9

9 X 9

9

7 X 7

7

7 X 7

5 X 6

4

4 X 4

5 X 6

A

E7

  

  

5 6 7

5 4 6

    

5 X 6

7 7 7

7 7 7

5 6 7

Play 3 times

          4

7 6

5 6

6

Rhy. Fig. 4

                                            0 X X X

7 6 7 0

0 X X X

0 5 7 6 7

7 6 7 0

X X X 0

0 5 7 6 7

X X X 0

0 5 7 6 7

X X X 0

0 5 7 6 7

0 5 7 6 7

X X X 0

0 5 7 6 7 0

Gtr. 2: w/ Rhy. Fig. 4

 

    

3 2 4

3 2 4

2 2 2

D

A

       

2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 2 2

   

2

 

2 3 2 0

2 3 2 0

0 0

  

                         

0 2 2 2 0

0 2 2 2 0

0 5 7 6 7 0

0 0

X X X 0

0 5 7 6 7

0 5 7 6 7

X X X 0

X X X 0

0 5 7 6 7

0 5 7 6 7 0

0 0 0

Gtr. 2: w/ Rhy. Fig. 2A (2 times)

      Gtr. 1

0 0 0

4

E7

  

  



0 1 2

 

  

2

4

2



2 0



   

2

4

2

4

 

 



2 0

 

2

 

End Rhy. Fig. 4

Gtr. 2

7 6 7 0

0

  

2

4

 

2 0





2

4







2

4



 

2

 

Interlude Gtr. 2: w/ Rhy. Fig. 2A





E7

  

 



  



  



 

 

  



  



  



let ring

0 5 6

7

0 5

7

0 5

5 7

6

6

0 5

7

6

0 5

5 7

6

7

0 5

7

0 5

7

6

6

7

6

   5 7

0 0 0

Verse

E7

3. Wish

     Gtr. 1





I

were



  

E9



back







on

a

bay

 



 



0 5 7 6 0

E7



0 5 7 6

0 5 7 6

0













  

  

-

 



ou,

 

6

 



    





*T

0 5 7 6

6 X 0

0

roll

0

0

0 5 7 6 X 0

5

-



3

0

*T = Thumb on 6th string

     Gtr. 2

Rhy. Fig. 5

0 X X X

 

  

 

 

 

  

 

0 X X X

0 5 7 6 X 0

0 X X X

0 X X X

0 X X X

0 5 7 6 X 0

0 X X X

  0 X X X

Gtr. 2: w/ Rhy. Fig. 5 (3 times)

         -

   Gtr. 1

in’ with

some

        0 5 7 6

6 X 0

0 5 7 6

7 6

   Ca

 

3

-

jun



  

 

 

 

  

0 X X X

0 5 7 6 X 0

0 X X X

0 X X X

0 X X X

0 5 7 6 X 0

E7

  



queen.

       6 X 0

  

E9

 

0 5 7 6 0

A,

               T T X X

0 5 7 6

7 7 6

wish that



0

I

    7 6

0

 

0 X X X

       

5 7 6 X

End Rhy. Fig. 5

were



0 5 7 6

a

fast

     6

0

 

7 6



0 5 7 6 0

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  



freight

  

  

   

train

a

just

a

choog - lin’

           

 

0 5 7 6 0

6 X 0

7 6

7 6

    on

E9

 

down

to

   

New

0 5 7

7 6 0

7 6

6 X 0

0





       



0 5 7 6

7 6

E9

Or - leans.

             

0 5 7 6

E7



     

0 5 7 6 0

 



0 5 7 6

7 7 6

0

7 7 6 0

Chorus Gtr. 2: w/ Rhy. Fig. 5 (4 times)

E7

 





Born

    

 

7 7 6



5 7 6

 

 

5 7 6

5 7 6









on

a

bay

-

ou,

 

 

  

 

5 7 6

5 7 6 X 0

7 7 6

 

E7

0 5 7

5 7 6

on

     P.M.

5 7 6

-

0

0

 

E9

doot,

E7

E9

doot,

0 5 7 6

7 7 6

doot,



5 7 6

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

-

    5 7 6

0

  7 7 6

0

8



        ou,

E9



bay

0

                  5 7 6

the

5 7 6 0

   

 

  

E7

ou,

mm,

 



born

7 7 6



0

   

      





0

   

E9



     



5 7 6

0 5 7 6

7 7 6 0

E7

  

 

E9

mm.

 

Born

   



5 7 6

 



Oh,



0 5 7 6

7 7 6 0



0 5 7

 0 5 7 6

0

5 7

7 7 6

on

the

bay -

5 7 6

5 7 6

5 7 6

5 7 6

0

E7

    

 

         

0 5 7 6

doot.

   



      



7 7 6



E9

E7



0

E9

  7 6

mm,



E7





  

 



0 5 7 6

   Lord!

   0 5 7 6

0



0 5 7 6



Interlude Play 3 times

Gtr. 2: w/ Rhy. Fig. 2A (3 times)

E7

   

  

 

2

2

0

Spoken: Oh,



get back,

2

boy!

  

  

2



4

 

4

2

2

       

2

4

2

4

4

6

4

2

2

4

0

4

  

2

4

2

2

4

  

 

  

2

2

        Gtr. 2

  

0 X X X

7 6 7 0

4

  



 

2



2 0

2

4

2

4

   

    

     

    

    

     

0 X X X

0 5 7 6 7

0 5 7 6 7

0 5 7 6 7

0 5 7 6 7

0 5 7 6 7

7 6 7 0

X X X 0

 



X X X 0

X X X 0

E7

X X X 0

0 5 7 6 7 0

0 0 0

  2 3 2 0

3 2 0

 

4

2

4

A

let ring

3 2 0

4

2

0

 

2

   

D

   

       



0





   

2

Gtr. 1

7 6 7 0

 

  

     let ring  1/4 2 2 2 0

2

    

  

  

 

2 3 2 0

0 2 2 2 0

0 2 2 2 0

0 0 0

2

0 0

4

E



  

 

   

2

4

2

 

   0 0 1 2 2 0

3

   X X X X 0

     

0 0 1 2 2 0

   

   0 5 7 6 7

 

 

0 5 7 6 7

0 5 7 6 7



 

 

0 5 7 6 7

0 5 7 6 7

  X X 0

  X X 0

  X X 0

  0 5 7 6 7

  X X 0

  X X 0

  X X 0

  0 5 7 6 7

  X X 0

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 2A (3 times)

    Gtr. 1









  mf

2

   

2

 































let ring

7

0 5

5 7

6

0 5

7

6

6

    

7

6

D.S. al Coda



Gtr. 1: w/ Rhy. Fig. 1 (3 times)

0 5

7

 



 



3. Well,

 Coda

Outro Gtr. 2: w/ Rhy. Fig. 2A (till fade)

E7

          doot,

doot,

doot,





ah.

                         

  

Gtr. 1

0 3 1 2 2 0

0 3 1 2 2 0

2 0

0 3 1 2

0 3 1 2 2 0



 

0

 





  

6

7

7

0 5

0 5

7

    







Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



6

6

6

7 6

Fade out

 Mm,

10

   0 5

7

Begin fade Gtr. 1: w/ Rhy. Fig. 1 (till fade)



let ring

0 5 2







  

mer - cy.











from Creedence Clearwater Revival - Chronicle

Commotion Words and Music by John Fogerty E Tune down 1 step: (low to high) D-G-C-F-A-D

231

Intro Moderately q = 132

µ (E)

      

Gtr. 1 (slight dist.)

f



12

15

12

           12

12

12

12

14

 

 

12 X 9

11 X 8

10 X 7

8 X 5

 

14

12

* E7

    

Gtr. 2 (slight dist.)

  

Gtr. 3 (clean)

    

15

1

15

15





1

0



        

1/2

15

15

12

15

12



  

  







3

  

  



1

12 12

14

14

    0 1

  0 3 4

2

12



0 0 1 2 2 0

0



12

1

1/2

 

f







   

 



1 1/2

12



Gtr. 1



14

       14

        

12

14

12 14

   

0

0 0

12

14



X X

 

 

0 3

0 3



14

14

14



0

1/4

12 12

12 12





0 3 4

0

       0 3 1

0 3 1

  0 3



0 3 1

12

12 X 14

14

12 12

 

       

0 0 1

0 0 1

 

 

0 3

0 3

0 0 1



0 0 1

 0 3

0

   

  

 

 

mp

let ring

0 0 1 2

0 0 1 2

0 0 1 2





  



0 0 1 2

  0 0 1 2



  0 0 1 2



  0 0 1 2



  0 0 1 2

0 *Chord symbols reflect combined harmony.

Copyright © 1969 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 1 tacet

        

turns

my

head

  

  

a - round.



  

  

  

no,

no,

no,

No,











1. Traf - fic in the cit - y

  



              E7

      f 

no. Gtr. 4 (slight dist.)





0 0 1

2

        

         

0

2

2

               

Rhy. Fig. 1

End Rhy. Fig. 1

mf 0 3

0 3

0 3

             0 0 1 2

0 0 1 2

 

0 0 1 2

0 3

0 0 1 2

Gtrs. 1 & 3: w/ Rhy. Fig. 1A (2 times) Gtr. 2: w/ Rhy. Fig. 1 (2 times)

0 0 1 2

0 0 1 2

0 0 1 2

     

0 3



12 14

0 3

0 3

0 3

0 3

0 3



0 0 1 2

0 0 1 2

    

0 0 1 2

0 0 1 2

 

Ev -’ry - where you look there’s a

    

0 0 1 2

0 0 1 2

     

frown, frown.





12 12 12

0 3

End Rhy. Fig. 1A

                  0 0 1 2

    

12 12

0 3

Rhy. Fig. 1A

0 0 1 2

  

back up in the church.

    

12 14

0 3





   

0 3





Back up on the free - way, Gtr. 4

0 3

             



0 0 1 2

         

0 3

0 0 1 2

 



     

Com, com -

2 0

2

2

Chorus Gtr. 1: w/ Rhy. Fig. 1A (2 times) Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Rhy. Fig. 1A (4 times)

E7

         mo

 2

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

-

tion,

get,



 





        get,

get

gone.

Com,



 

        

com - mo - tion,

get,



get,

get

  





  

Gtr. 4 tacet

gone.

Gone.



 

Riff A

End Riff A

Gtrs. 1 & 2

     





*w/ amp tremolo

2 0

1

      2

0

3

1

0

     



2

0

3

1

0

0

     



tremolo off

2 3

1

0

0

3

*Gtr. 1 only.

 Verse

Gtr. 1 tacet 1st time, Gtr. 2: w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 1A (4 times) 2nd time, Gtr. 2: w/ Rhy. Fig. 1 (4 times)

E7



2. Peo - ple keep a talk - ing. They don’t there so you 3. Hur - ry - ing to get

  Gtr. 4

 

 say save

  

          



a word. some time.



Jaw, Run,



jaw, run,

jaw, run,

jaw, run,









           

jaw. run.

 

        





grad. bend 1

0 2

2

0

2

2

2nd time, Gtr. 4: w/ Fill 1

Talk up in the White House, Rush -ing to the tread - mill,

   



    



  

So much go -ing on I just can’t Wor - ry ’bout the time you save,

talk up to your door. rush -ing to get on.

   

         



      





          

hear. save.



  

Com, com -

        





grad. bend 1

0 12 14

12 12

12 14

Fill 1 Gtr. 4

          grad. bend 1

0 2

2

0

2

0

2

12 12

     

2

2 0

2

2



 2

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

T o Coda

Chorus 1st time, Gtr. 3: w/ Rhy. Fig. 1A (2 times) 1st time, Gtr. 4 tacet 2nd time, Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (3 times)

E7



mo

  

-

 

Gtr. 2



mp

   



 

get,

get

gone.

tion,

 

 P.M.

P.M.

0 3 1 0

Gtr. 2: w/ Rhy. Fig. 2

 

 P.M.

0 3 1

get,

 

 P.M.

P.M.

0 3 1

0

0

 



0 3 1

Com,

 

 P.M.

0 3 1

0

  

 



  

 

 P.M.

0 3 1

0

 

 P.M.

0 3 1

0

0

             

  

1/2

12

12

12

12

15

12

12

12



1

15

 

get,

get,

 

 P.M.

0 3 1

Gtr. 1

 P.M.

0

0 3 1

   

1

17

15 17

15

12

                       

1

1

12

15

      

12

1

1

12

12

   

14

   

loco



15

17 15

15

12

14

14

  

P.M.



       

1/4

17 X

17

17 15 17

15

0

1

17

12



         



   f

14

8v a

gone.

  

0 3 1

0

15



get



End Rhy. Fig. 2

 

P.M.

0 3 1

1/2

15



0



1

15

Rhy. Fig. 2



      

tion,

P.M.

0

 

-

0 3 1

Gtr. 2: w/ Rhy. Fig. 1 (11 times)

 



com - mo

Guitar Solo

E7



17 15

17

15

12 X 9

11 X 8

10 X 7

8 X 5

12 12 12 0

0

7 7 7

9 9

9 9 9

0

D.S. al Coda

  





 

P.M.



       

12 12 12 0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

0

  P.M.

9 9 9

7 7 7

9 9 9

 



0



P.M.

9 9 0

       

P.M.

12 12 12 0





9 9 9

7 7 7

9 9 9

9 9

 P.M.

X X 0

       

12 12 12 0

9 9

7 7

9 9

 Coda

   

 

get,



 

Com,

com



gone.





- mo

-

 

tion,

 

 

get,

get

get,

  





gone,

gone,

Outro Play 7 times

Gtr. 3: w/ Rhy. Fig. 1A (7 times)

       E7







Play 5 times













 

    

gone.

1/4

5

7



7

5

7



1/4

0 5 7 6 7

0

0 5 7 6 7

           

   Gtr. 2

5

 

                     

1/4

7

5

5

7

5

7

 

0 5 7 6 7

5

5

7

5

7

 

0

0 5 7 6 7

             1/4

5

7 7 7

5

7

5

7

 

      

0 5 7 6 7

7 6 7

7

 

7 7 7

 

0 5 7 6 0

0

0 5 7 6 7

             





        

   Gtr. 1

7 6 7

 

7 7

7 6

0 5 7 6 7

 

7 7 7

     

7 6 7

7 6 7

 

7 7

Free time Gtr. 3 tacet

   Gtr. 3        E

5 7 6 7

        7 6 7

   5 7 5



    7 5

D/A

E7

   

   

w/ amp tremolo

0 5 7 6 7 0

7 7 7

 

     0 5 7 6 7 0



        

 



let ring

0 5 7 6 7 0

   

7 7

5

7

5

7

   

 

0 5 7 6 7 0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Down on the Corner Words and Music by John Fogerty F

C

G 3fr

134211

3fr

1333

134211

Intro Medium Rock q = 100



Gtr. 1 (clean) (Percussion)

 

µ Riff A



    

mf



3

5

3

3

  

3

5





   

3

F

Gtr. 2 (clean)

          

3

5

3

3

3

5



3

           C





3



 

3

  

2

5

   

5



2

3

   



   

3

 





3



3





   

f



3

3

2

3

   



           

 



5

3

G

 

 

  

3

C





3



5

    

(cont. in notation)



3

 

 

5

3

3



 

3

 

5

Copyright © 1969 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

3



 

3

 

2

3



   

End Riff A

3

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Verse

Gtr. 1: w/ Riff A

C

   1. Ear 2. Roost 3. You

-





ly er don’t

in hits need

    the the a

      

5 5 5 3



eve - nin’ wash - board, pen - ny

  

  

   

               

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

 





o ver Blink - y if you’ve

by thumps got

5 5 5 3

X X X X



court - house gut bass nick - el,

  

 

 

 

  

          

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

X X X X

   

   

    

  

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

5 5 5 3

you



 But



in’ los your

to un for a mon - ey

   

   

   

   

    

 

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

5 5 5 3

    

     

C

 

-

5 5 5 3



5 5 5 3

start so lay



 

- time, ta smile. a - round.

   



they’re and won’t



   

G

 

C

 

a - bout sup - per peo - ple just got just to hang

5 5 5 3

    the the a

  

just

  

Rhy. Fig. 1 Gtr. 2

G

 

X X X X

 

5 5 5 3





wind. while. down?

         5 5 5 3

X X X X



5 5 5 3

3rd time, Gtr. 3: w/ Riff C

F



-

kids boy ver

on twangs on

    

   

   

   

    

   

    

   

    

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

X X X X X X

1 1 2 3 3 1

Four Poor O

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C







    the the the

 



cor - ner rhy - thm out cor - ner

try - in’ on there’s



 

    

his

to bring you up; Kal - a - ma - zoo a hap - py noise.



 and

  

  

  

  

   

          

   

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

X X X X



  

  

   Wil - ly Wil - ly Peo -

ple

picks goes come

a in

tune to from all

out a a





and

he and to

 -

dance round

      

  

  

   

          

    

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

X X X X



 

G

blows dou - bles watch the

it on

C

  

on mag - ic





the harp. ka - zoo. boy.

  

  

  

  

   

          

    

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

3 3 4 5 5 3

5 5 5 3

5 5 5 3

End Rhy. Fig. 1

5 5 5 3

(cont. in slashes)

X X X X

Chorus

F

C

Rhy. Fig. 2

         

Gtr. 2

Down



on

G

 

  

 

the

cor

-



   



   

C

          



ner,



    

out

here

in

the







 

3

3

3





   



    

street,

 

Wil - ly



 

 

and the

Riff B Gtr. 1









1

1

1

 

3



3

 

3

 2

3

2



3

  

 

3

3



T o Coda

F

C

           Poor





1

-

boys



               



are play - in’.



1

Bring

 

3

3



 

3

3

G



 

 

a

nick



   -



C

          el,

tap





2 3

3

3



  your

        

   

End Rhy. Fig. 2





feet.

 

2





3



  

3



End Riff B

  

3

 

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 1

C

G

C

G

C

Gtr. 3 (clean)

                                       mf

2

5

3

2

2

3

5

F

2

5

2

2

5

2

3

2

3

5

2

5

C

G

2

C

                                         Riff C

2

End Riff C

5

3

2

2

3

2

2

5

5

5

2

5

2

3

2

3

5

5

3

Chorus Gtr. 1: w/ Riff B Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3 tacet

   F

Down

   F

Poor

-

 

 

on

the

 

 

boys

are

 

 

 

cor

-

ner,

C

 



  

C

play



- in’.

  

 

 

 

out

here

in

the

 

   

 

 

-

el,

tap

your

 

 

 

Bring

a

nick



 

 

G

G

C

 



street,

 

  

C

 

 

 

Wil - ly

and

the





feet.

D.S. al Coda

Interlude Gtr. 2: w/ Rhy. Fig. 1 (1st 4 meas.)

C

G

C





G



C





 Coda

Outro-Chorus Gtr. 1: w/ Riff B (till fade) Gtr. 2: w/ Rhy. Fig. 2 (till fade)

    

 

 

on

the

F

Down

  

 

 

boys

are

F

Poor

-

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

 

cor

-

ner,

  

C

play

  C

-

in’.



 

 

 

 

out

here

in

the

G





 

 

 

Bring

a

nick

  C

 



street,

 

   

 

 

-

el,

tap

your

G

  

  C

feet.

  

 

 

 

Wil - ly

and

the

Repeat & fade







from Creedence Clearwater Revival - Chronicle

Fortunate Son Words and Music by John Fogerty A5

G5

D5

E5 5fr

11

133

113

11

Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Moderately q = 128



     

Gtrs. 1 & 2 (clean) (Bass & drums)



 

*A

 



G/A



 

f

 



D/A



 





let ring

5



3

6

4

2

2

4

0

2

*Chord symbols reflect overall harmony.

A

let ring

  





     

      

G/A



 

   

D/A





  



1/4

0 0

5

2 3

3

6

4

2

2

4

0

0



Verse

A

G5

Rhy. Fig. 1 Gtr. 3 (dist.)



       

1. Some folks

  

    

  

2 2 0

Rhy. Fig. 2





       Gtr. 1

let ring



are



born

  





 3   3  





p



Gtr. 2 tacet

A5

 

2

made



 

  

2 2 0

2 2 0

to

    

wave

  

the



flag,

 

   

5 5 3

5 5 3

1/4

0 2

0

       Gtr. 2

3

0

2 2 0

  



  



0

let ring



2 2 0

2

5 5 3

5 5 3

5 5 3

5 5 3



1/4

0 0 0

2 3

0

2 2 0

Copyright © 1969 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

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Sorgdal





D5

A5





  

ooh,

    

 

7 5 5

7 5 5

Gtr. 1



 





their

red,

white

  



7 5 5

 

Gtr. 4 (dist.)





3

and

End Rhy. Fig. 1





 

 

2 2 0

2 2 0





blue.

 

 

 

7 5 5

7 5 5

7 5 5



  



2 2 0











 

 

 

2 2 0

2 2 0

2 2 0





f

  1/2

2 2

5 5

2

4

3



 3               And when the

        2 2 0

2 2 0

      2 2 2 0

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G5

band

   2 2 0

plays



 3   

“Hail

        2 2 0

D5

2 2 0

2

to

     5 5 3

5 5 3

the

  





Chief,”



5 5 3

  

 ooh,

        they point the can - non at

     

          

  

5 3

7 5 5

7 5 5

5 4

5 5

7 5 5

7 5 5

7 5 5







E5

Rhy. Fig. 3A

   



 

 



Lord.

           2 2 0

End Rhy. Fig. 2

Rhy. Fig. 3

      2 2 0

   

2 2 0

2 2 0

   

2 2 0





2 2

0

0

2

  

2 2 0

  

2 2 0

2 2 0

7

1/4

9 7 0

7 7

9 7 0

   

0

3





 

I

ain’t

no

sen - a - tor’s



  

7 7 5

7 7 5

7 7 5

   

 

 

7 7 5

2 2 0

2 2 0







4





2 2 0

  

1

3 4

  

 



  son.

 





son,

 

7 7 5



 

End Rhy. Fig. 3A







7 7 5

0

9 7 0

  

2







 



9 7 0

  

A5

   

 

9 7 0

0

D5

  

       

  

2 0

3

 

it ain’t me;

1/4

4

     

me,

  





 



 

  

But it ain’t

2 2 0

  

 



you,

2 2 0



Chorus A5

A5



  

  

2 2 2 0

2 2 2 0



   2 2 2 0

 

1/2

4

End Rhy. Fig. 3

1/2

2 3

0

0

3

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Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A

    

 

 

It ain’t

me,

    

E5







 

 





1/4

 

  





me;

I

    



   

     

it ain’t

Gtr. 4



D5

ain’t

no



for - tu - nate



one,



1

3

4

4

2 0

2 0

0

0

3

4

3

 Verse

Gtr. 1: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 1 (2 times)

 

A5

 







no.

  

 

 

A5

     

2. Some folks 3. Some folks



 

4

2



are born in - her -



it

 

G5



sil star

-

 -

 







  

ver spoon in hand. span - gled eyes.



 

1/2

2 4

D5

   

Lord, Oo,

A5





don’t they help them they send you down

 

2 0

to

    



  



2 3

selves,





y’all? y’all.

war,





  

But when the tax And when you ask

  

  



1/2

G5

 3  

 

to the door, much should we give?”

 



     

D5

come “How

 

0

2

0

3



2 0

A5

       

Lord, the house look, a, like Oo, they on - ly an - swer,



a rum - mage “More,

  



  

man ’em,

1/2

2 3

    

    

sale,

yeah, now. more,” y’all.

more,



        1/2

5 5

2 2

4

2 3

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Chorus Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A (2 times)

A5

D5

  



it ain’t me;

 



  

1/4

A5

  

    



 





Well, it ain’t me, It ain’t me,

     

E5

          

I

ain’t no

 mil - i





4

4

 

D5

2

4



I

       ain’t no

for - tu - nate

3



4

0

3

4

  

one,

2





  1/2

2

2 0

3

0



no.

4

4

2 0

2

A5

              1/4   1

2 0

4

4

T o Coda 



it ain’t me;

 

  

1



 

     



it ain’t me,

3



3

E5

    

  

0

0

no. boy.

 





1

4

2 0

no, son,

            

  



mil - loin - aire’s son, - tar - y son,

3 2 0

  

3

Interlude Gtr. 4 tacet

A7

Aº7

     Gtr. 1

8 9

      Gtr. 2

8 9 X 0

     

0

0

0

0

0

0





7 8

7 8

         7 8 X 0

0

0

0

0

0

7 8 X 0

G/A

A

 

  

3 4

   3 4 X 0

3 4



5 6

     

          

0

3 4 X 0

0

0

0

0

0

5 6 0

0

0

0

0

0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D.S. al Coda

 

A7

Aº7

G/A



    

A







 

Yeah,

     Gtr. 1





7 8

7 8

8 9

            Gtr. 2

8 9 X 0

 

0

0

0

0

0

         7 8 X 0

0

0

0

0

0

3 4

3 4

        

7 8 X 0

0

  

 

3 4 X 0

0

0

0

0

0

0

yeah.



5 6

               3 4 X 0

5 6 0

0

0

0

0

0

Gtr. 3

 







p

f

0

 Coda

Gtr. 1: w/ Rhy. Fig. 3 (till fade) Gtr. 3: w/ Rhy. Fig. 3A

A5

 





  





no.

  













2

4



 

1

2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

2

2

2

2 0





It

ain’t

 me,









A5



                 1/4   1 ain’t

no

for - tu - nate

one,

3

no,

0

0

0

3

4



 

no,

no.

          

1/4

4

4

2





I



it ain’t me;

 



 

        



  

D5



     

E5

2

2

4

2

2

4

2

2

2

4

3

3

Begin fade

 

 

  

It ain’t

me,

    

E5





it ain’t





  

me;

 

I

no

ain’t

         1/4 

Gtr. 4

 

D5





  





  



    for - tu - nate



son,



1

3

4

4

2 0

 

2 0

Gtr. 2

  

 2 0

4

 

0

0

3

4

3

  



 

  

    



1

3

2

4

4

4

2 0

2

4

0

4

3

4

Fade out



son,



son,

 

y’all.

           1

2

  

2

4

2

4









  

   A5

4

2

      

 

But

 2 0

 

    it ain’t



E5





me,

it ain’t

   2

4

2

  

 

4

 

1/2

2

4

2

4

2 2

2

2 0

    

2

4

2

4

 2 0

  2 0



 

  

 

me;

2

4

2

  

2

4

2

4

 

4

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Green River Words and Music by John Fogerty E

Em7

231

C

A

32 1

111

Intro Moderately q = 138 * E7

    

E

Gtr. 1 (elec.)

       

 

f

     

   

 



let ring

w/ pick

w/ clean tone w/ fingers



3 4 2 0

3 4

3 4 2

3 4

0

3 4

2 0

    

Gtr. 2 (acous.)

  

3 4

3 4 2

0

2

4

0

0

0

2

      

     

2

2

0

0





            mf



0 0 0 0



1 2 2 0

0 0

2

0

0

0

0

2

1 2 2 0

0 0 0 0

0 0

1 2 2 0

1 2 2 0

1 2 2 0

0 0 1

2 3

                

  

1 2 2 0

2 3

2 2 0

 

 

 

0 0 1 2

0 0 1 2

0 0 1 2

*Chord symbols reflect overall harmony.

E7

  

E





  







   

 

1. Well,

 

    

 

 

 

  

4

2

  



     

P.M.

3 4

3 4

3 4

3 4

3 4

2 0

3 4

3 4

3 4

0

0 0

1 2

2

0

Rhy. Fig. 1

                0 0 1 2 2 0

   

0 0 1 2 2 0

0 0 1 2 2 0

  

     

0 0 1 2 2 0

0 0 1 2 2 0

0 0 0 0

   

  

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

  

0

2

0



2 3



2 0

0

  

                        

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 0 0

0 1 2 2 0

0 0 2 2 0

X X X

Copyright © 1969 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

1 2 2 0

1 2 2 0

1 2 2 0

0 0 0

0 0 1 2 2 0

2

  

0

2

End Rhy. Fig. 1

  

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 2: w/ Rhy. Fig. 1 (2 times)

E

      



take me back down where cool

  Gtr. 1









wa - ter

flows,

 







    

P.M.

0

3 4

3 4



 

3 4

0



  

     



P.M.

3 4

2

0





Oh,

1/2

0

Gtr. 3 (Dobro)



     



E

y’all.

0 3 0

E7

        

3 4

3 4

3 4

3 4

2

0

0

    





mp



w/ clean tone

0

2

Gtr. 3 tacet

let me

  

re - mem - ber



  



E7

       

E







          

things

I

love

now.

   









    

P.M.

 

      

P.M.

1

0

3 4

2

3 4

3 4

0

 





      0

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

3 4

3 4

3 4

3 4

3 4

0





2

0

0

E

Em7

C

                                                          Rhy. Fig. 2

Gtr. 2



Stop - ping at the log

   Gtr. 1

where cat



-

fish

bite,

walk - ing

    



mp 3 1 2

Rhy. Fig. 2A Gtr. 4 (elec.)

 



p

    

1

a - long

the riv - er

road

    

at night,

    



0 1 0

0

1 0 2 3

3

0

0

                       

            

w/ clean tone

0 1 2

2 0

0

2

0 1 2

0 1 2

0 1 2

0 1

1

0

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

0 1 0 2 3

1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

1

0

Gtr. 5 tacet

A

E

  

                                         bare - foot

   Gtr. 1



0

girl

danc

   

  

-

in’ in the moon



  

f

2 2

  

0

0

1





       



           

End Rhy. Fig. 2

2

              



P.M.

0 3

3 1

3 1

3 1

0

3 1

3 1

0 0

3 1

0

Riff A

Gtr. 5 (elec.)

E

light.

3 1

2 2



Em7

End Riff A



  

f







w/ clean tone

0

      Gtr. 4

2 2 0

       2 2

2 2

2 2

    2 2

0

1



2

0



         3 1 2

3 1 2

3 1 2

  

 

 

3 1 2

3 1 2

3 1 2

End Rhy. Fig. 2A

  3 1 2

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 4 tacet

        E

can hear the bull - frog

   Gtr. 1

E7

E







2. I

       





call - ing

me,



how!

   





             Gtr. 3  divisi Gtr. 1

      



P.M.

1

0 0

2

3 4

3 4

3 4

3 4

3 4

3 4

2 2

0

0 0

1

0

  

   

Gtr. 3 tacet

E7

    

E









    

Won - d’ring if

the rope’s still

  



    

hang -ing

to

the tree,









0 0

2

3 4



3 4

3 4

3 4

3 4

3 4

2 2

0

0 0

1

0

Gtrs. 2 & 4: w/ Rhy. Figs. 2 & 2A

            Love to kick my feet

 

      

      

P.M.

1

0



oh.

   

Gtr. 1

        

Em7

way down

mp

    

0 1

3 1

   



the shal - low wa - ter.



  

     

Shoo, fly,

drag - on - fly, get

C



back





    

  

to your moth - er.

   

      

1 0 2

1 0 2

1 0 2

1 0 2

1 0 2

1 0 2

Gtr. 5: w/ Riff A

A

Pick up

 

a

flat



rock,

E7

        skip



it

a - cross

    



         

Green

  



4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

1

2





   A,

    

0

         

P.M.

3 1 0



Riv - er.



2



0

3 1

3 1

3 1

3 1 0

3 1

3 1

3 1

0 3

Guitar Solo Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)

E

     

Gtr. 5 tacet









well. f               Gtr. 5

    







w/ clean tone

Gtr. 6 (elec.)

Riff B

1/4

3

4

2

f

3

4

2

5

5

5

2

2

              



  

2

5



  

0

0



  

1/4

5

2

2





5

2

2



  

1/4

2

5

            3



P.M.

1/2

Gtr. 1





End Riff B

divisi

5

Gtr. 6





Gtr. 5

0

2

0

2

0

2

2

0

2

0

0

2

0

0

2

2

0

0

      Gtrs. 2 & 4: w/ Rhy. Figs. 2 & 2A

  

Gtr. 7 (elec.)





f 1

12

15

  

















  

  

1

2

1

2

  



0

1

2

2

2

0

0

                   

 

0

0

0

2

0

2

2

0

2

0

2

2

2





2

 



1/2

2

5

5

2

2

2

5

                

  



     0

3

   

1/2

2

2

2

            

1

0

Gtr. 1



let ring 1





w/ dist.

Gtr. 6

Em7

2

0

2

0

2

0

2

0

2

0

2

0

0

2

0

0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C

      A

  





1

     3

   

0

2

 

0

0

       P.M. 



0

0

2

1

3

2

0

0

2

2

0

2

2

0

0

2

2

0

2

2

    



let ring

0

0

2

    

  



1/2

2 2

2 2

0

               

       2

grad. bend

15

                     

0



12

15

  







0 0



    0

2

0

0

2

0

2

2

0

2

0

0

1

2

Verse Gtr. 6 tacet

   Gtr. 7

E

E7

E





   

E

     3. Up

Gtr. 3



at

Co - dy’s camp



  I

  

  

spent

my



days,





        

0

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

              

P.M.

3 1

3 1

3 1

3 1

3 1 0

3 1

3 1

3 1

oh,

    

0

  

 



12

Gtr. 1







  

Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 7 tacet

0 0





2

 

 

let ring

3 1

0



Gtr. 3 tacet





    



with

           Gtr. 1

7 8

7 8

7 8

7 8

0

flat car

       

0 0

0 0

2

0

1

      rid



0 0

-

ers and

       

cross

    

   

0 0 1

0 1

tie





  

 



Old

   

       

         

 

C

7 8



7 8



0



find

  

0 0

2 2

0

 



said, “You’re gon - na

 

0 0

the

1 0

1

 

world

  



0 0

1



 

is

smould

1 0

 

    0 3 1 2

0 3 1 2

Gtr. 3 tacet

ior

took

me

o

Gtr. 1

  

1 2

0





ver,



    0

2



- ’ring,

 











and

if

you

get,

a,

lost





A

    



1 0

1 0

 



1 0

Em7

-





  



-

Gtr. 3 divisi

0

ers.

2





   

7 8

dy Jun



Gtr. 1

p 7

-

-

          

  

Co

walk



Gtrs. 2 & 4: w/ Rhy. Figs. 2 & 2A (till fade)

  



 

  

2 2

Gtr. 5: w/ Riff A

      come

   

 

on



home



 





to

Green



E



E7





0

1

2







Riv - er.



0

  A,

 

 

 

 



 

 

 

 

 

3 1

3 1

3 1

3 1

  



P.M.

3 1 0



3 1

3 1

3 1

0 3

0

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro-Guitar Solo Gtr. 5: w/ Riff B





   Gtr. 7







         

1/2

           







3

5



1/4

5

3

4

2

5

12

     0 0

0 0

1

15

1/4

12

15

12

14

   Gtr. 5

14



12

12



14



 

0

0 0

2 2

1

0 0

1

0

Spoken: Come on home,





12

14

             

            1/2

12

  

1

0



15

P.M.

2

Gtr. 7



1/4

12

15

Gtr. 1

 



well.





1/2

man.



12

15 14





    

        







      E

P.M. 1/4

7 8

   Gtr. 1



    

P.M.

0 0 0

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

0 0



   let ring

0 0

1 0



0





2 2

1 0





0 0

 

7 8



7 8

9

 

P.M.

0 0 0

7 8

0 0

1 0



7 8

0

7 8

   0 0

1

1/4

7 8



0

8

 2 2

1 0

  0 0

1

Begin fade Gtr. 7 tacet



0

7 8



1/2

8

0 0

1

  



0

0 0

1



1/2

9 9





0 0



0 0

0

 

2

0 0



0 0

1

  



1/2



0

0 0

1



1/4





1/4

7 8

  



0

0 0

1

9 9

    2 2

1

0







7 8

0

2

0 0

1

0

 

1/4

7 8



  0 0

1



0

7 8

 

1

 

   

1/2

7 8

 

   

1

0

     

7 8

7 8

2 2

1

0

   

7 8

0

 



1/4

0 2

P.M.

0

  

0

1/4

7 8

     0 0

   

0

         





  Gtr. 1

7 8

     







1/4

7 8





 



           Gtr. 5

0 0



0 1

0



  

2 2

2

0 0

    



3 0

1

0

   



3 0

1

0



1

0

0

Fade out

   





0 0

      3 0





0

 2 2

1 0

  0 0



  3 0

1 0



  3 0

1 0



  3 0

1 0





0

 2 2

1

  0 0

1

0

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Have You Ever Seen the Rain? Words and Music by John Fogerty

Intro Moderately q = 116

Am

F

Gtr. 1 (acous.)

          

  

  

  

  

  

  

  

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

  

             

C



            



mf



0 1 2 2 0 0

0 1 2 2 0 0

Gtr. 2 (elec.)

  

mf

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

    

 

       

 

   

             

 

0 1 2 2 0

1 1 2 3

1 1 2 3

X X X

1 1 2 3

1 1 2 3

0 1 0 2 3

0 0 0 2

w/ clean tone

0 1 2 2 0



0 1 2 2 0

X X X

0 1 2 2 0

0 1 2 2 0

G *Gtrs. 1 & 2

0 1 2 2 0

0 1 0 2

1 1 2 3

1 1 2 3

1 1 0 3

0 1 0 2 3

X X X

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

C

   

   

   

   

   

   

   

   

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

 



    

5

4

2

*Composite arrangement

    **Gtr. 3

mf

2

5

  



2

2



3







3

Riff A

5

 

5

**Piano arr. for gtr.

Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved Reprinted by Permission of Hal Leonard Corporation Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 3 tacet

        

1. Some - one told 2. Yes - ter - day

     

Rhy. Fig. 1

 

0 1 0 2 3

 

0 1 0 2 3

a - go, be - fore,

there’s a calm sun is cold

be - fore and rain

the is

storm. hard.

I I

know, know,

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 0 0 0

End Riff A





 

me long and days

         

  





  



  

C







3

2nd time, Gtr. 3: w/ Riff A

G



  

    



it’s Gtrs. 1 & 2

    

been been that

com way

 

in’

   

   

   

   

   

   

   

   

   

   

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

  

for all

for

   

C

  

some my





time. time.

 

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

0 0 0 0

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

Gtrs. 1 & 2: w/ Rhy. Fig. 1



When it’s o - ver, ’Til for - ev - er,

so on

        they it

G

   





shin

it

   

Chorus F

 



in’

down stop,

  

   

know,

have you

day. slow.

I I

know; know;





wa - ter. der.

won

C

 

ny and

C

like

I

-

* C/B





ev - er

**Am/G

Am

  

seen

the



rain? End Rhy. Fig. 2

  

  

  

  

  

  

  

 

  

  

  

  

  

  

      

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

X X X X

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

can’t

   want to

it’ - ll rain a sun through the cir - cle, fast

    

G

I Rhy. Fig. 2 Gtrs. 1 & 2

say, goes,

        

 

  





 

  

 

End Rhy. Fig. 1

0 0 0 0

0 1 0 2 3

*Bass plays B.

**Bass plays G.

   

Gtrs. 1 & 2: w/ Rhy. Fig. 2

F

 

G

 

I

  

want to



C

 



know,

C/B

 

have you

  

ev - er

Am

Am/G

 





the

rain

seen

1. Gtr. 3: w/ Riff A

  

F

 

com - in’ Gtrs. 1 & 2

                1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

        

down

  

  

 

  

1 1 2 3 3 1

1 1 2 3 3 1

X X X X

3 0 0 0 2 3

Gtrs. 1 & 2: w/ Rhy. Fill 1



    

4

2

5

 



5

3

F





    

  

  

  

  

  

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3



  

F



want to

G

down

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3



know,

C

have you

 

 

know,

have you

C

  

a sun

- ny day?

ev - er

0 1 0 2 3

 



C

C/B

  

Am



 

ev - er

seen

G





the

Am/G

 rain

C

  

  

  

  

 

  

  

  

  

  

  

            

 

 

 

 

     

     

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

X X X X

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

3 0 0 0 2 3

0 1 0 2 3

     

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3



the



  



0 1 0 2 3

 

seen

  



    

C/B

  

0 0 0 0

  

End Rhy. Fill 1

    

 



want to



Gtr. 3

G

G

       

com -in’

    

Rhy. Fill 1

Gtr. 3 tacet

    

I

 

0 0 0 0





rain?

day?

  



Am/G

 

ny

  

I

Am



-

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)



  

Gtrs. 1 & 2

sun

  

Yeah,

5

a







  

F

Gtr. 3

   

  

2.

  

C



 

G

2

5

2



2 3

     

3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Hey, Tonight Words and Music by John Fogerty B5

13

Intro Moderately fast q = 124 *E

        

 

Gtr. 1 (dist.)

     

   

 

     

   

 

   

f

    

let ring

12 0



9

7 0

0

0

9

5

   0

0 5 6



sim.

0

12 0

9

7 0

0

0

0

5

9

0 5 6

0

12 0

9

7 0

0

0

0

5

9

0 5 6

0

*Chord symbols reflect basic harmony.

 Verse      

       

E

 





1., 3. Hey,

                            Gtr. 1

let ring

0 0

4 6

4 4

0 0

4 6

0 0

4 4

0 0

4 6

0 0

4 4

0 0

4 6

0 0

4 4

to - night,

 



 

 

 

           

**

0 0



0 1 2

0 1 2

0

0 1 2

0

0





sim.

0 1 2



0 1 2

0

0





0 1 2 0





0 1 2 0

 0 1 2

0

**P.M. between strums to make each eighth-note staccato (next 10 meas.).

   

Gtr. 2 (slight dist.)



f









Riff A





End Riff A

                  



let ring

       

6

4

2

4

6

4

2

4

2

0

           

Gtr. 2: w/ Riff A (2 times)

   

gon - na

  Gtr. 1

be

   





P.M.



0 1 2 0

 



0 1 2 0

 



0 1 2 0

 

2

0

don’t ’cha know



0 1 2 0

2

 



0 1 2 0

 





0 0 1

0 1 2 0

 

0

 



0

 



0 0 1

0 1 2 0

4 0

 



Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved



0 0 1

0 1 2 0

I’m fly

 

0

sim.

2

           



to - night,

Rhy. Fig. 1

 

4 0

 

0

2

4 0

2

    -

 0

0

2

 

4 0

to



 

-

End Rhy. Fig. 1



0 0 1 0

2

 



in’

0 0 1

0 1 2 0



 



0 0 1 0

  0 0 1

0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

T o Coda

     

A





 



night,

   Gtr. 1

to

Rhy. Fig. 2

    

 

    

0 2 2 2

0 2 2 2

0 2 2 2

0

0

0

 Riff B      

0

  

  

  

 

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

0 2 2 2

0

0

0

Gtr. 2

2

4 0



2

0

2

come

4 0

2

0

2

4 0

   

   

Hey,

2

0





night?



 

 



0 1 2 0

4 0

2 0





0 0 1

0 1 2 0

 

0

 



 



0 0 1

0 X X 0

0

2

4 0

2

0

2

4 0

2

           



on,

 

End Rhy. Fig. 2



0 0 1 0

 



0 0 1 0

  0 0 1

0

gon - na

chase

0

2

4 0

2

   

to - mor

-

0

2

4 0

2

 



row

to

-

Gtr. 2: w/ Riff A

     

A

2



Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Riff B

   

    

E

                                   let ring 

Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A (2 times)

    

 

End Riff B

let ring

0

-

   0







  



night,

to

    

 

 

E

-





night.

Bridge

B

F#

Gon - na get

it

to the

raft

-



ers,

watch

                                    *Gtrs. 1 & 2

4 2

4 2

*Composite arrangement

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

6 6 2

4 2

4 2

4 2

6 6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

6 2





me

now.





      

   B

  



   

 

                     4 2

4 2

6 6 2

4 2

4 2

4 2

6 6 2

6 6 2

4 2

4 2

6 6 2

4 2

4 2

4 2

6 6 2

4 2

F#

B

B5 Gtr. 1

Jo - dy’s gon - na get re - li

  

                    4 2

6 6 2

4 2

6 6 2

4 2

6 6 2

4 2

  





     

-



gion

4 2

4 2

6 2

6 2

4 2

4 2



all

night

6 2

 

long.

                   

       

6 6 2





   

Gtr. 2

(Gtr. 1, cont. in slashes)

4 2

6 2

4 2

6 6 2

6 6 2

4 2

                 

4 2

6 6 2

6 6 2

                4 2

4 2

6 2

4 2

4 2

4 2

0 0 0

6 2

Verse Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A (2 times)

   

   

   

E

2. Hey,

come



on,

hear

the

   

 



song,

to

-

Gtr. 2: w/ Riff A

  

A

      

gon - na

Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Riff B

   

 







 



night,

    

 

 

E

to

-





night.

Interlude Gtr. 2: w/ Riff A (2 times)

E

                    

*Gtrs. 1 & 3

       

                     

let ring

0 9

0

0 10

0

0 9

0

0 5



sim.

0

0 0 4

0

0 0 2

0

0 0 1

0

0 0 1 2

0 0

0 9

0

0 10

0

0 9

0

0 5

0

0 0 4

0

0 0 2

0

0 0 1

0

0 0 1 2

0 0

*Gtr. 3 (slight dist.), played f .

     Gtr. 1

 

Gtr. 2: w/ Riff B Gtr. 3 tacet

Gtr. 2: w/ Riff A

A

E

     **    0

0 2 2 2

0

     

     

   

 

0

0

0 2 2 2

0

0 2 2 2

0 2 2 2

0 2 2 2



sim.



0

  0 2 2 2



0

  0 2 2 2



0

 



0 2 2 2





0 1 2 0





0 1 2 0





0 1 2 0





0 1 2 0





0 1 2 0





0 1 2 0





0 1 2 0

  0 1 2

0

 

**P.M. between strums as before.

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bridge

B

F#

it

to the

raft

                   

-



ers,

watch

*Gtrs. 1 & 2

4 2

6 6 2

4 2

6 6 2

4 2

6 6 2

4 2

4 2

4 2

6 2

6 2

4 2

4 2



me

now.

6 2

 

                               

               

0 0 0





Gon - na get

   B

  





     



   

4 2

6 2

6 6 2

4 2

6 6 2

4 2

6 6 2

4 2

6 6 2

4 2

6 6 2

4 2

6 6 2

4 2

6 6 2

4 2

6 6 2

*Composite arrangement

F#

B Gtr. 1



Jo - dy’s gon - na get re - li

  

        4 2

4 2

6 6 2

 Coda

6 6 2

4 2

4 2

-







all

night

long.



gion

(Gtr. 1, cont. in slashes)

6 6 2

0 0 0

4 2

4 2

6 2

6 2

4 2

4 2

6 2

4 2

6 2

4 2

6 6 2





4 2



6 6 2

4 2

6 6 2

4 2

4 2

6 6 2

4 2

4 2

4 2

6 6 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

 

     

A

-





0 0 0

4 2

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.) Gtr. 2: w/ Riff B

to

 



night,

to

-

Play 6 times & fade

    

   

6 6 2

 

night,

Outro

Ah! Gtr. 2

      

E



           

                                             

Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.) Gtr. 2: w/ Riff A

     



  

     



   

D.S. al Coda

B5

Gtr. 2: w/ Riff A (till fade)

 

E













night?

       Gtr. 1

let ring

0 9

0

0 10

0

       Gtr. 3

                               let ring  0 9

0

0 5

0 4 6

   

let ring

0 9

0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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0 10

0

0 9

0

0 5



0 0

4 4

0 0

4 6

0 0

4 4









6

4

2

4

0

0 0

 

4 6

   

6

0 0

4 4

0 0

4 6

0 0

4 4

0 0

4 6

0 0

4 4

0 0

4 6

0 0

4 4















4

2

4

6

4

2

4

0 0

    

from Creedence Clearwater Revival - Chronicle

I Heard It Through the Grapevine Words and Music by Norman J. Whitfield and Barrett Strong Gtrs. 1 & 3: Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Moderately q = 116 D5 * (E5) Riff A Gtr. 1 (clean)

End Riff A

    

       

mf

          

       

   

          

 

w/ amp tremolo



7 0

10 0

0

7 0

7 0

0

0

10 0

9 0

7 0

0

10 0

0

7 0

7 0

0

10 0

0

9 0

0

*Symbols in parentheses represent chord names respective to detuned guitars. Symbols above reflect actual sounding chords.

  

    

Gtr. 1: w/ Riff A











1. Oo, Rhy. Fig. 1 Gtr. 2 (clean)

           

 

       

End Rhy. Fig. 1

               

               

5 X 7 7

5 X 7 7

mp 5 X X

7

Verse D5 (E5)

7

5 X 7 7

5 X 7 7

5 X 7 7

X X

7 7

7 7

X X

5 X 7 7

5 X 7 7

5 X 7 7

5 X 7 7

X X

’bout your but these not, not,

plan tears not

                                 

     Gtr. 1

 

X X

5 X 7 7

5 X 7 7

5 X 7 7

5 X 7 7

5 X 7 7

X X

5 X 7 7

5 X 7 7

7 7

X X

5 X 7 7

7 7

7 7

X X

5 X 7 7

    

7 7

5 X 7 7

to make me blue I can’t hold in - side. from what you hear.

7 7

                   

5 X 7 7

X X

5 X 7 7

5 X 7 7

X X

    



7 7

  

  

3 X 4

3 X 4 5 5

3 X 4 5 5

3 X 4 5 5

                

 

X X X

X X X

X X

7 7

5

5 5

5 5

5 5

X X

guy you’d help

  

    

5 X 6 7 7

7 7

  

with some oth - er Los - in’ I can’t

       

Rhy. Fig. 2

5 X 7 7

5 X 7 7

G

  

  



bet you’re won - d’rin’ how I knew ain’t sup - posed to cry, from what you see,

 X57 7

X X

A

(µ)

          

Gtr. 2

5 X 7 7

End Rhy. Fig. 2

tremolo off

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

7 0

© 1966 (Renewed 1994) JOBETE MUSIC CO., INC. All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. on behalf of STONE AGATE MUSIC (A Division of JOBETE MUSIC CO., INC.) All Rights Reserved International Copyright Secured Used by Permission

1

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 2

D5

    

that you knew be - fore. end my life, you see, be - in’ con - fused.

’Tween the two of us ’cause you If it’s

          

Rhy. Fig. 3

     Gtr. 1

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

X X X

guys, mean true,

X X X

G

      

   



you know I love you more. that much to me. won’t you tell me, dear?

          

  

X X X

A

  

    









  

X X X

X X X

Took me by sur You could have told Do you plan

           X X X

X X X

X X X

X X X

          

End Rhy. Fig. 3

  

X X X

X X X

X X X

X X X

X X X

X X X

X X X

Gtr. 1: w/ Rhy. Fig. 3

B5



    

prise, to Gtr. 2

  

 

I must say, me your - self let me go

Rhy. Fig. 4

2 X 4

4 4

4 4

2 X 4 4

2 X 4 4

X X

G

  

   



 

  

 

out yes - ter - day. when I found that you found some - one else. for the oth - er guy that you knew be - fore?

3 X 4

4 5 5

3 X 4

X X

3 X 4

3 X 4

3 X 4 5 5

 

Oo. In Oo,

stead,



   

I

  

 

heard (Heard



                   

7 7

X X

End Rhy. Fig. 4

               

         

  



D5





G

3 7

7 7

7 7

7 7

7 7

X X

4 5 5

3 X 4

X X X

3 X 4 5 5

3 X 4 5 5

3 X 4 5 5

X X

Chorus Gtr. 1: w/ Rhy. Fig. 3 (2 times) 2nd time, Gtr. 3 tacet

D5

G5

           

    

it through the grape - vine, it through the grape - vine,

       Rhy. Fig. 5

7 7

7 7

X X

                      

not much



  

       

7 7

7 7

7 7

7 7

X X

7 7

7 7

X X

5 X 7 7

7 7

7 7

 

long long

-







 

 

er would you be er would you be

 

 

   

mine. mine.

5 5

5 5

X X

5 5

5 5

5 5

X X





Oo,

              5 X 7 7

    

5 5

5 5

5 5

I

 

  

heard Heard

End Rhy. Fig. 5

     

X X

5 5

5 5

5 5

5 5

X X

To Coda 1  To Coda 2 Gtr. 2: w/ Rhy. Fig. 5

D5



          









   

it through the grape - vine, it through the grape - vine,

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



     

and

I’m

 G5



                     

just just

 

 

 

 

 

a - bout to lose a - bout to lose

 

my my

 

mind. mind.)

  

     



Hon - ey, hon - ey,

  yeah.

Interlude Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Rhy. Fig. 1 (2 times)

D5 (E5)











1., 2.







    



2. You know that a 3. Peo - ple say you









  





3.







man half





Gtr. 3 (slight dist.)



     



mf 1

 

14

1

14

14

Guitar Solo Gtr. 2: w/ Rhy. Fig. 2 (2 times)

Gtr. 1 tacet

D5 (E5)

             Gtr. 3

3

3

A (B)

 

  

      







            

1

14

12

   



3

1

Gtr. 1

G (A)

14



12

14 12 14 12

14

13

12

10



12 14

12

12

14

14

14 12



12

14



3

12

14

14



7 0

D5 (E5)



Gtr. 3









A (B)

           

3

    



G (A)



1/2

              

1

3

16

12

14

12

14 12 14 12

14 12

10

12 12 14

12

14

14

14 12

12 14

14

12

14

14

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 4

B5 (C#5)



 

G (A)

 

 

        

D5 (E5)

         

G (A)



     

14

12

1

14

12

10

11

14

14

10

11

10

12

13

14

12 12

12 12

12

14

14

14

12

14

14

14

Gtr. 2: w/ Rhy. Fig. 5 (2 times)

D5 (E5)

         





 

 



1

12 12

12 12

14

12 12



 

    1/2 1

14 14

14 14

12

14 14

14 14

14 14

12

14 14 14

12 12

14 14 14

G5 (A5)

 

        

14

  



1/2

1

14 14

14 14

        



1 14 14

1/2

12 12

    1/2

14 14





1

14 14

         12 12



   

14 14

D5 (E5)

12 12

 

1/2

1/2

12 12



G5 (A5)

1

14 14

14 14

14 14

12 12

14

14 14

12 12

12 12

Interlude Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Rhy. Fig. 1 (2 times)

D5 (E5)















14















 







14

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





3

1

14

 1

14

1

14

Guitar Solo Gtr. 2: w/ Rhy. Fig. 2 (2 times)

Gtr. 1 tacet

D5 (E5)

A (B)

   



Gtr. 3

      

              



3

3

3 1

1

14

14 12

14

14

12

G (A)

 3

12 12

12 15

12

12

12

12

14

1

14

14

14 12

14

12

        3



12

10

    Gtr. 1



12 12

14



14 14

14 14



7 0

D5 (E5)



Gtr. 3



 



A (B)



  

 

1/2

 

 



   

14 14





1

14 14

14 14



      

         

3

1/2

1/2 1



G (A)

1

1

14 14

14

14 14

14 14

14

14 14

14 14

12 12

14

12 12

1

1

12

12

15

15



G (A)

D5 (E5)



14





   







 





                            

1

1

15

14 12

14

12 14

14

12 14

14

12

14

14

   

I





   

heard (Heard



 

1 hold bend

1

12 14



  



Oo,

1

15 12

G (A)



   

15

15

12

15

D.S. al Coda 1

B5 (C#5)



1

14

Gtr. 2: w/ Rhy. Fig. 4



1

14 12

14

12 14

12

12

12

12

14

14

14

 Coda 1 D.S. al Coda 2

G5



   



   a a







bout bout

to to

lose lose

   -

  

  





   

my my

  

mind. mind.)

  





   

Oo,

 



 

I

  

   

heard (Heard

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Coda 2

G5











bout bout

to to

lose lose



  

   a a

   -

 



Gtr. 3





  





  

 

my my

  

 

mind. mind.)

Hon



 

 -



ey,

hon



-





 

ey,

yeah.



  hold bend 1

14

Guitar Solo Gtr. 2: w/ Rhy. Fig. 5 (38 times)

D5 (E5)









G5 (A5)





  





   

3

 





   

3





   

 

3





                   3

3



hold bend 1/2

1/2 1

14

14 14

D5 (E5)



  



1/2

1 14







  

14

14 14

14

   

   

1

1/2

14

14

1

1/2 1

14

14

14

   

  

14

14

14

 





3

3

 

14 14

3

1/2 1 14

14 14

14 14

14 12 14 12

14 14

1/2 1 14 14

14 12 14 12

14 14

14

14

14

14

12 14 12

14 12 12 14 12 14 14 12 12 14 12 14

G5 (A5)

3 1/2 1

1/2 1

14

                      

1/2 1 14 14

14 12 14 12

14 14

14 14

14 12 14 12

14

12

D5 (E5)

14 12 14 12

14 13

12

15

12

12 12 12 12

12 14 12 14

G5 (A5)

                                       12 12 12 12

12 12 12 12

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12 12 12 12

12 12

12 12 12 12

12 12

12 12

12 12 12 12

12 12 12 12

12 12 12 12

12 12 12 12

12 12

14 14 14 14

14 14 14 14

14 14 14 14 14 14

14 14 14 14 14 14

14 14 14 14 14 14

14 14 14



D5 (E5)

                      

14 14 14

14 14 14 14 14

14 14 14 14 14 14

14 14 14 14 14 14

14 14 14 14 14 14

         

  

14 14 14

12 12 12 12

12 12 12 12 12 12

       

12 12 12 12 12 12

12 12 12 12

12 12 12 12 12 12

G5 (A5)



                                             

14 14 14 14

14 14 14 14

14 14 14 14

14 14 14 14

14 14 14 14

14 14

14 14

14 14 14 14 14 14 14 14 14 14

14 14

14 14

14 14

12 12 12

                      12 12 12

12 12 12 12 12 12

D5 (E5)

    

12 15

15 15 15

12

12 12 12 12 12 12



12 15

12

12 15

                                       12 15

12 15

12 15

12 15

12 15

12 15

12 15

12 15

12 15

12 15

14 14 14 14

14 14 14 14

14 14 14 14

14 14 14 14

14 14 14 14 14 14

14 14 14

D5 (E5)



12 12

14 14 14 14 14 14

12 15

12 15

12 15

12 15

12 15

          

14 14 14 14 14 14

14 14 14 14 14 14

14 14 14 14 14

12 12

G5

(A5)                                                                      

15 15 15 15 15 12 12 12 12 12 14 14 14 14 14



14 14 14

12 12 12 12

      

G5 (A5)



12 12 12 12











15 15 15 12 12 12 14 14 14



1/2 1

14

12

14 14



12 15 12





12 15 12

12 15 12

14 14

12 15 12

D5 (E5)

 

1/2 1

1/2 1 14 14

12 15 12



12 15 12

12 15 12





15 15 15 15 15 12 12 12 12 12 14 14 14 14 14



1/2 1 14 14



 

15 15 15 15 15 12 12 12 12 12 14 14 14 14 14



1/2 1

14 14

12

14 14





12 12

14 14

 

14 14 14 14 14 14

 

 

14 14 14 14 14 14

 

14 14 14 14 14 14 14 14 14 14



 

14 14 14 14

  



14 14

14

14 14

1/4

1/2 1

14 14

15 12 14

1/2 14 14

14 14

14 14

12 12

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5 (A5)





   

 



   

  





  

 

let ring 1/4

1/2

1/2

1/2

1

1/2

14 14

14 14

0

14 14

14 14

0

14 14

14 14









            

1/2 1

1

1

0



 



D5 (E5)

14 14

14 14

14 14

0 14 14

14 14

14 14

14 12

G5 (A5)

14 12

  

        

             

12



14

12

12 12

14

14

12

12 12

14

14

12

12 14

14

12

12

12

14

14

                    3      3 3 

12

12

15

12

14

14



 





3



   1

15

15

G5 (A5)

      



12

14



3

3

1/2

12

3

D5 (E5)





12

12

14

 



1

15

15

3

12

12



1

14

1

14

D5 (E5)

3



14 12

3

1

12 12

12 12

14

14

12

 

14



13

12

10



12

12

14





14

14

 



14



 



14



1/4

14

14

G5 (A5)





 





14



12

14



   

 

14 14

14 14

14 14

14 14

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



12 12

12 12

     

12 12

12 12

14 14 14

12 12

14 14

14



1/2 1 14 14

12 12

0

12 12

14 14

12 12

D5 (E5)

   

 

 

  

 





 

 

X X X

X X X

X X X

12

14

12 12 12

12 12

12 12

14 14 14

12 12





14 14

       

14 14

1/4 1/2 14 14

14



14 14

14 14

 



         12 12

D5 (E5)







12 12

14

12 12

   1

12

  



12

15

1

14



14

 

15

14

14





12

15

12



14

 



12

10

12

14

12 12

12 12

15

12

12 14



12 12

0 0

      



12 14

14 14

14 14

14 14

14 14

12 14

12 14

14 14

14 14

14 14

14 14

         1/4

12 14

1

12

1

12 15

12

12 15

G5 (A5)

           

1

1

12

12

15

14



1

1

12 12

14 14

   

    

12

  

1/2

D5 (E5)

          

14 14

1/2

14



    

          

1

12

 

12

G5 (A5)

14





1/2

14

1

12

   

3

13

12 12

1

       

1

12



14

14 14



12 12







14 14

G5 (A5)

3

1

12 12

14 14

  

14

14 14

D5 (E5)



1

14 14

12 12

14 14

     

1/2

1/2

12 12 12

 



1

           12 12 12



1/2

D5 (E5)

12 12 12



3

1/2

14 14



 



    

   

G5 (A5)

12

15

12

12

14

14

      1

15

1

15 12

15



12

14

12

14

12

14

12

13

         

1

12 14

14 12

14

12 14

14

14

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5 (A5)

              

        



D5 (E5)

   



 

1

14

14

    



 12

12



14

14

14

    

12

14

14



14

14

12

14



3



12

 



12 0

           3

12

12

3

3

12

12 12 12 12 12 12

       

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14 12 14

14

12 12

14 14

12







1

14





12

14

12

   

12 12 14

13

12 12

12



        3

12

12 12

14 14

12

15



3

 



  



3

12



1

12

12 15

15

    

12

12 12 12 12 12 12

G5 (A5)



1/4

1

12 0

12

15

12

12

          

14 14

14 14

14 14

12

       

3



D5 (E5)

12

14

       



15

15

12

G5 (A5)

14

     



12 12

14 14

12 12

12 12

12 0

12

12

12

15

     



1

12

14

12

14

1

12 12 12 12 12 12

D5 (E5)



12

            

12

1

G5 (A5)

         3

12 14

14

G5 (A5)

D5 (E5)



12



1

14

14

1/2





14

         

14 14

12 12

14

12



14 12

12 12 14

X X

12 12

         X X

14 14

12 12

D5 (E5)

           12 12

12 12

D5 (E5)



14 14

 

   

  

15 12

15 12

15

D5 (E5)



12 12

14







 



12 15 12

           12 12

14 14

D5 (E5)



   

12 12

12 12

12



12

12

 

12 12

12 12



  

15

12 12

12 12

   

14 14

12 15 12



12 15 12

 

  

12 12

G5 (A5)

12 12

  



    

 

12 12

12 12

12 12

X

12 12

12 12



  

 

  

14 14

14 14

14 14 14



       

14 14

14 14

14 14

 

14 14

14

     14 14 14

14

         

14 14 14

14 14

  

14

14 14 14

14 14 14

       

12 12

  



14 14 14

G5 (A5)

 

14 14 14

12 12

14 14

G5 (A5)

       

12 15

12



12 15

15

D5 (E5)

12 12





12 12

X X



12 15

14



          

     





12 12

G5 (A5)

14 14

G5 (A5)

14 14

14 14

14

            14 14

14 14

14 14

14 14

14 14

      

  





14 14

14 14

14 14

14 14

14 14

X X

14 14

14 14

14 14

0

 0

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5 (E5)



    

 

  

   

G5 (A5)

 



                       

1

X X

12

12 12

12 12 14

D5 (E5)



    

1

14 12 14

12

14 12 14

D5 (E5)



    

12



        

 



 

12

12 14

14

12 14

14

X

                         



1/2

14 12

1



12

 



12 14

14

14 14 14

1

1

1

 



12 14

12

1/4

12 14

14

D5 (E5)

 

12 14

14

12 14 12

14

             1

14

12 14 12

14

G5 (A5)

1

12 14

14

G5 (A5)

12 14

14

1

1

12

   

12

14 12 14

14

1

15

1

12 14

14

14 12

14

1

12 12

14

1

12 14

12

             

1

14

12 14

1





12

1

    

12

   

1

1

12 14

14

 



12

12 14

12

14

      1

12 14

14

     

14

12

1

12 14

14

12

14

         



hold bend 1/2

1/4

1

1/2

14 12 14

12 14

G5 (A5)





 

14

   

14 14



14 14

14 14

14 14

     

 





12 12

14 14

14 14

1/2 1

1/2 1

12 12

0

0 14 14

14 14

14 14

        

1/2 1

1

0 14 14

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14 14

1/2

1/2

1

0 14 14

14 14

0 14 14

1/2

1

14 14

0 14 14

0 14 14

14 14

D5 (E5)

 

   

1/2

1

14 14

1

0 14 14

let ring 1/2

1/2



0 14 14

14 14

0 12 12

  

1/2

1

14 14

0 12 12

14 14



1/2

1

14 14

12 12

14 14

 

1

14 14

12 12

14 14

14 14



       let ring





1/2

            1/2

1

1/2

1

0

12 12

14 14

14 14

G5 (A5)

           let ring

 

1/2

1

1/2

1

1

0

0

0

0

14 14

14 14

14 14

14 14

14 14

D5 (E5)

           

12 12

12

14 12

  

14

 

   

     

12 12

0

12 12 12

12 12

G5 (A5)



    

 

 

12 12 12

 

12 12 12

 

1

14 12

14

1

12 12

15



 

 

14

16

 

 

15 16

 

 

14

 

12

14

14

12

14

        



 



12 15

 

 

14

16

 

12

14 12

G5 (A5)

 

15

 

15 16

 

 

13 14

 

12 12

12

14

14

D5 (E5)

12 12

14

1

12 15

14

 

14 12

1

12

12

12

14 12 14 12 14

12

14

     



1

12

          

 

 

14

16

 

15 16

14 12

 

14

12

D5 (E5)

 

 

12 12

14 12 14

    

 

 

14

16

 

 

15 16

12 12

0

 

14

12

    let ring

14

16

15 16

      let ring  0



12 12 12 15

14

12

14

16

15 16

14

      

12 12

14

16

15

15 16

13 14

14

12

14

13 14

15 16

15 16

16

14

12

13 14

15 16

15 16

14

12

14

16

15

0 16

G5 (A5)

          

1

12

12 12

12

12

14

14

14

12 12

14

12

13

12

10

               

12

14

12

12

12

12

12

12

12

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5 (E5)



        

12

12

12

12

12

12

12

                

12

12

12

12

12

12



        

12

12

12

12

12

12

12





        

12

12

12

12

12

12

D5 (E5)

                

X X X

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X X X X X X X X X X X X

12

12

   



12

    

 

12 12

14

12

 

12

               X X X

12

 

12



12

 

12 12

14

D5 (E5)



 

12

14

D5 (E5)

    12 12

14

D5 (E5)

12



X X X X X X X X X X X X X X X

12

G5 (A5)

       

12

12

12

12

12

12

12

       

12

12

12

12

12

12

           

12

12

12

12 12

12 12

12 12

12 12

       

12

12

12

12

12

G5 (A5)

12

               X X X

X X X X X X X X X X X X X X X

 

12

   



 

12 12





12 12

14

12

 

12

14 14

G5 (A5)

12



14

G5 (A5)

   

12

14

G5 (A5)

12



12

12

      

12

12

12

      X X X

X X X

                  X X X

X X X X X X X X X X X X X X X X X X

X X X

Gtr. 3 tacet

D5 (E5)

            X

12

X

X

12

G5 (A5)

      



14





12 12 12 X X

X

Outro Gtr. 1: w/ Riff A (till fade)

D5 (E5)

                  Gtr. 2

X X

7 7

X X

5 X 7 7

X X

7 7

X X

7 7

          7 7

7 7

X X

7 7

7 7

7 7

X X

7 7

                 7 7

7 7

X X

7 7

7 7

7 7

X X

7 7

                    5 X 7 7

5 X 7 7

X X

7 7

7 7

7 7

X X

7 7

         

X X

5 X 7 7

X X

5 X 7 7

X X

7 7

X X

7 7

       

       

7 7

7 7

7 7

X X

7 7

7 7

7 7

X X

7 7

7 7

X X

7 7

X X

7 7

X X

7 7

       

       

       

7 7

7 7

7 7

7 7

X X

7 7

7 7

7 7

X X

7 7

7 7

X X

7 7

7 7

7 7

X X

7 7

       

       

7 7

7 7

7 7

X X

7 7

7 7

7 7

X X

7 7

7 7

X X

7 7

7 7

7 7

X X

5 X 7 7

                

7 7

7 7

X X

X X

X X

X X

X X

X X

X X

X X

X X

X X

X X

X X

X X

X X

7 7

X X

7 7

7 7

7 7

X X

7 7

                5 X 7 7

5 X 7 7

5 X 7 7

X X

5 X 7 7

5 X 7 7

5 X 7 7

X X

Play 10 times & fade

        

X X

X X

X X

X X

X X

X X

X X

X X

  15

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

I Put a Spell on You Words and Music by Jay Hawkins

Em

Am

B7

7fr

C

5fr

13421

134111

Em

7fr 131211

open

8fr 134211

Intro Slow q. = 66

Em

    

(Snare drum)











1. I put a

  

     Gtr. 2 (clean)

  

  

  

  

  

  

  

  

  

  

  

mf



8 9 9 7

8 9 9 7

8 9 9 7

Gtr. 1 (clean)



  

  

  

  

  

  

  

  

  

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

   

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

     

8 9 9 7



  

  

(cont. in slashes)

8 9 9 7

8 9 9 7

8 9 9 7



8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

8 9 9 7

   



  

mf

  

sim.



    

8 9 9 7

  

w/ amp tremolo

0

3

2

0

2

0

0

2

0 0



2





0 0 0 2 2 0

0 0 0 2 2 0

© 1956 (Renewed 1984) EMI UNART CATALOG INC. All Rights Controlled by EMI UNART CATALOG INC. (Publishing) and ALFRED PUBLISHING CO., INC. (Print) All Rights Reserved Used by Permission

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Verse 2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1

Em

Am

                      

       

Gtr. 2

(1., 2.) spell on



you

be - cause

   

     

0 0 0 2 2 0

0 2 2 0

0 0 0 2

0 0 2

       0 1 2 2 0

0 0 2

Em

                  



                 

mine.

You bet - ter

 

 0 0 2 2

   

     

0 0 0 2 2 0

0

Rhy. Fill 1

    Gtr. 2

0 0 0 2 2 0

    

2

      

Sorgdal

  

  

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

7 8 9 9 7

   

dist. off

   7 8 9 9 7

w/ amp tremolo



Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

0

2 0



2

0

  

2

     

(cont. in slashes)

Gtr. 1

0 0 2 2 0

 

0

  

    

0 0 0 2 2 0

7 8 9 9 7

7 8 9 9 7

0 0 0

   

 

 

 





  

you’re



 

   



 



    

Gtr. 1





      

0 0 0 2 2 0

Am

                           stop

the

thing

that

you’re

do

in’,

  



 





1 2 2 0



           



B7

 

 

0 1 2 2

1 2 2 0



2 0

0 0 0

I ain’t



1 2 2

 

out



1 2 2 0

said, a watch



    





1 2 2 0

I

 





   

-

                      

                 

ly - in’.

Yeah.

     

  

  

  

  

  

  

  

  

  

      

  

  

  

  

  

  

  

       

2 1 2

2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

mp

Em

  



 





                     I ain’t gon - na

0 2 1 2

0 0 2

fool - in’ a - round.

0 0 0 2 2 0

     



0 0 0

   



0 0 4



0 0 0 5

   



     



 0 0 0 2 2 0

   

0 2 1 2

                    

take none of your



    





0 2 1 2

f

0 0 0 5

0 0 4

0 0 0

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Am

  

                   

 

I ain’t gon - na

take none of

  

                    



your





C

a

        









         0 1 2 2 0

put - tin’ me down.

I

put a

8 8 9 10 10 8

2nd time, Gtr. 1: w/ Rhy. Fill 2

Em



          spell

           

2

2

T o Coda

Em

Whoa,

al

-

right,

   

   

  

  

  

  

  

  

   

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 2 1 2

  2 0 2 1 2

Sorgdal

open

           

   

        

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Em

(cont. in notation)



oh, yeah.

Rhy. Fill 2 Gtr. 1

4

2 0 2 1 2

B7



mine.

2 0 2



Am

                          

0 2 2 0

2 0 2 1 2

0 0

    



0



0





0 0 0

0 0 2 2 0

  

you’re



  

be - cause



  

              

     

     



     

0 0 2 2 0

    

    

you

   

  







on

B7

 

 

 

 

 

 

 

 

 

  

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 0 0

Guitar Solo Em

   Gtr. 1

Am

            w/ slight dist. tremolo off

5

7

1

5

7

9

7

9

1

1

9

9

1

1

9

9

         



   

grad. release

1

1

9

1

9

9

7

1

9

9

10

7

9

10

9

9

7

10

        

   

   

   

   

   

   

   

   

   

   

  

  

  

  

  

  

  

  

  

  

  

  

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

Gtr. 2

0 0 0 2 2 0

     Em



     





   

 



           

w/ bar

8

9

7

8

8

8

1

8

1

8

1

8

8

8

8

9

w/ bar

7

9

9

7

14

9

Rhy. Fig. 1

                 0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

 

3

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

   



3



1

 w/ bar

1

1

1

12 14

       0 1 2 2 0

0 1 2 2 0

1

1

12 14 12

14

Rhy. Fig. 2

  

              

w/ bar

1

12 14 14 14 14 14

End Rhy. Fig. 1

                   

Am



0 0 0 2 2 0

      



w/ bar

1

 

14

12 14 12

14

12 14

14

14

14

14

14 12

14

14

12 14

12

14 12 14

14

14

12

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

    

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 0 0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B7



                 1

1

12

1

12

14

12

      2 0 2 1 2

1

12

14



12

1

12

14

     

12

1

1

12

12

12

15

15

15

12

  

  

  

  

  

  

  

  

  

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

    2 0 2 1 2

 





1

1

14

14

14

14

  

  

  

  

  

  

  

  

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

               

3

1

  

Gtr. 2: w/ Rhy. Fig. 1

       

1



  



1

12 15 14

  

Em

1

12

14

  

Gtr. 1

           

14

End Rhy. Fig. 2

     2 0 2 1 2

0 0 0

               

3



3

w/ bar 1

1

14 12

14

14

12 14 14

1

14 12

14

           Am

Gtr. 1





14

      

12 14 12 14 12 14 12 14

         3





w/ bar 1

14

1 1/2

14

14

12

14

12

14

14 12

14

14

12

14 12 14

14

12 14

12

14

 w/ bar

14

12

13

12

13

12

14

13 12

12 14

14 15

12 14

15

12

  

  

  

  

  

  

  

  

     

 

 

 

 

 

 

 

 

 

 

   

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 2 2 0

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

12

Rhy. Fig. 3

        Gtr. 2

12

12 14

              12

14

14

C

w/ bar

1

14 12

14

0 0 0

0 0

                          Em



B7



  

      



 

  

3

w/ bar

1

12

12 14

14

14

             0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

1

14

1

14

1

1

14

14

1

14

1

14

1

1

14

14

   

   

   

   

   

   

     

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

         9

9

                      0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

End Rhy. Fig. 3

14

14

9

9

9

7

  

  

                

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

0 0 0

C

Rhy. Fig. 4



9

2 0 2 1 2

1

        

B7

w/ bar

7

12 14 12 14 12 14

   

0 0 0 0

Am

1

14

14

   

Em

1

   

  

  

   

  

     

 

 

 

 

 

2 1 2

2 1 2

0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

Rhy. Fig. 4A

2 0 2 1 2

 

  

  

  

  

       

  

  

  

  

  

  

  

3

  

  

  

3

  

  

  

3

  

  

  

3

  

  

  

3

  

  

  

3

  

0 0 0 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

2 0 2 1 2

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 0 0

F,7

D

    

  

3

  

  

  

3

  

  

  

3

  

  

  

3

  

  

  

3

  

  

  

3

  

0 1 2 3

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

                                       

 

3

 

 

 

3

 

 

 

3

 

 

 

3

 

 

 

3

 

 

 

3

 

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

         3

0 1 2 3

0 1 2 3

0 1 2 3

 

 

3

0 1 2 3

0 1 2 3

3

0 1 2 3

  0 1 2 3

0 1 2 3

0 1 2 3

 

 

3

0 1 2 3

0 1 2 3

3

0 1 2 3

  0 1 2 3

0 1 2 3

0 1 2 3

 

 

3

0 1 2 3

0 1 2 3

3

0 1 2 3

  0 1 2 3

0 1 2 3

0 1 2 3

 

 

3

0 1 2 3

0 1 2 3

3

0 1 2 3

  0 1 2 3

3

0 1 2 3

0 1 2 3

3

0 1 2 3

0 1 2 3

0 1 2 3

  0 1 2 3

3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

2 3 2 0

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G

A 3

          3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3

          3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

   

3

   

3

   

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

   

3

   

3 0 0 0 X 3

3 0 0 0 X 3

   

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

   

   

3

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3





   

3

   

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

   

   

3

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

   

3

   

   

   

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

   

   

3

   

   

3

   

   

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

End Rhy. Fig. 4

  

3

  

3

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

   

  

3

  

3 0 0 0 X 3

0 2 2 2 0

0 2 2 2 0

  

3

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

  

3

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

3

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

  

3

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

  



  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

  

3

  

  

  

  

  

 

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 0 0 0

End Rhy. Fig. 4A 3

w/ bar

2

2

     

      

0 0 0 2 2 0

0 0 0 2 2 0

2 0

3

3

9

9

9

    

   

   

   

   

   

   

  

  

  

  

  

  

  

  

  

  

  

 

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 0 0 0

                  

9

Gtr. 2: w/ Rhy. Fig. 1

Gtr. 2: w/ Rhy. Fig. 2

Em

Am

   

 

 1 1 1 1

9

     



 w/ bar

1 8

9

9

9

9

9

9

1



8

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

8

8

8

8

 



11

14











9

7

 

      

14

17

w/ bar 1 8

9

8



w/ bar 1

1

9

                                 1

1

8

B7

1

9

       

grad. bend grad. release

Sorgdal

  

 1 1 1 1

grad. release

8

  

Am

1



  

3

                

Em



   

3

8

7 9

7 9

7

8

7 8

7 8

11 8

11

11 11

11 11

14

14 14

14 14

17

17 17

9

9

   

17 17

17

12 14 14 12

Gtr. 2: w/ Rhy. Fig. 1

      Em

12 12 12 14 14 12



    

    

   

12 12 12 14 14 12

12 12 12 14 14 12

 



    

    

    

    

 

0 0





0 0

5 5 5 7 7 5

8 8 9 10 10 8

8 8 9 10 10 8

8 8 9 10 10 8

8 8 9 10 10 8



C



0





                         

Em



         

Gtr. 2: w/ Rhy. Fig. 3

Am

B7

  

 w/ bar

1

1/2

9

9

9

7

9

7

9

Em



      



Am



9 7

9 9

1/2

7

9

7

9

8

7

9

8

7

10

7

7

7

D.S. al Coda

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A





B7





w/ bar

3 1

9



7 7 7

C

F,7



D

G

A







  



2. I

put

a

 Coda Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A





B7

     

3

  

  

0 2 2 2 0

0 2 2 2 0

      0 2 2 2 0

Gtr. 2

Gtr. 1

C

F,7



  

3

  

3

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

3

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

3

  

  

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

  

3

  

  

  

3

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

D

G



3

        

    

0 0 0 2 2 0

0 0 0 2 2 0

  

  

  

 

 

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 0 0 0

0 0 0 0

  

3

  

  

  

3

  

  

  

           

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

3



Em

3

0 0 0 0

A



 

0 0 0 2 2 0

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Hot Stuff

Keep on Chooglin’ Words and Music by John Fogerty

  =   

Intro Moderately fast q = 160 * E7

__

 3

                                                    mf   let ring let ring Gtr. 1 (clean)

** slight P.M. 1/2



5 0

2 2

1/2

4 2 X 0

5 0

0

4 2

5 0

2 0

0

2 2

5 0

0

4 2 X 0

5 0

0

2 2

5 0

4 2 0

     









Fill 1

2

5 0

0

5

       

**6th string only, next 8 meas. Gtr. 2 (clean)

0

End Fill 1



f



3 *Chord symbols reflect basic harmony.

                        let ring

Gtr. 2 tacet

      slight P.M.

Gtr. 2: w/ Fill 1



1/2

(5) 0



Gtr. 3 (clean)



4 2 X 0

2

1/2

2

0

0





     mf

2

5 0

0

7 6 7

    Gtr. 1

Gtr. 3: w/ Rhy. Fig. 1 (4 times)

( 05 )

   3 1





 

 



1/2

0 0

3

0 0

4 2 X 0

5 0

P.M.

7 6 7

0

   3 1



5 0

2 0

0

0

                        P.M. P.M. P.M. P.M. 7 6 7

0

  0 5

0 5

End Rhy. Fig. 1

Gtr. 2: w/ Fill 1



7 6 7

0

 

 let ring

0 0

3

 

0

3 1

Rhy. Fig. 1

      

P.M.

                   P.M. 

3

Copyright © 1968 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

0

0

0

7 6 7

0

         0

1

7 6 7

3 1



0

  let ring

0 0

0 0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  



       

  



let ring



 

 

   

     

 

0

0 0





  



  

 

0

0 0

   





A,

keep





on

  choog

1/2

0 0



0

0 0

3 1

0 0

3

3 1

3

Chorus Gtr. 3: w/ Rhy. Fig. 1 (10 times)

E7

      -

      

5 0

   

    

A, keep on



2 2

2

     

       let ring

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

X



     

2 2

5 0

choog





lin’.

2

lin’,



  

 

- lin’,

choog

        let ring



   -

5 2 0



 

0

5 0

2



choog



3





1/2

2 0 0



0

          P.M. let ring let ring



5 2 0



A, keep on

 

lin’.

1/2

2 2





    



P.M.

1/2

   

-



 

5 2 0

choog

  



      -



    

    



lin’.

   

Sorgdal

0 0

3 1



  

1/2

0 0

5 2 0

2 0 0

5

      2

      

2

2 2

2

Verse 1st time, Gtr. 3: w/ Rhy. Fig. 1 (5 times) 2nd time, Gtr. 1: w/ Riff A 2nd time, Gtr. 3: w/ Rhy. Fig. 1 (4 times)

E7

   





1. May - be you 3. If

you can







don’t choose









un - der - stand it, who

  

Gtr. 1



it can







re - fuse

it?

    

 

  but Y’all











if

you’re

a be

nat choog -









u - ral man lin’ to - night.



1/2

0 0 X 6

8 7

    





1/4

that’s what You got

  



ball pick,



and oh,







have right





a good from the







time. get



  And

go.







0 0 0 0

     I choo

to

to your



  

call gle

-

T o Coda 



 

-

gl - in’.

choo to - night.





   







got take



1/2

8 7

    

 

you Go on,

        

   



 



       



1/2

7

    

1/2

0 0

1/2

0 0

7

0 0

7

Verse Gtr. 3: w/ Rhy. Fig. 1 (4 1/2 times)

E7

    



2. Here comes

   

Riff A

    Mar

-



  



y

 

look - ing for

   

let ring 1/2

5 2 0





    

       

Har

she gon

-

ry,

   

let ring 1/2

5 2 0





choo

- gle









to - night.

           let ring  let ring 1/2

5 2 0

1/2

X

0

5

2 2

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Here come

  

Lou



-

      



ie,

works in

   





let ring 1/2

       

the sew - er, Lord,

He gon

   





let ring 1/2

5 2 0



choo



- gle







   





      

to - night.

                 

End Riff A



1/2

5 2 0

1/2

5 2 0

2 2 0

2 2

5

2

Chorus Gtr. 3: w/ Rhy. Fig. 1 (5 times)



    

  

   

 

A, keep on

choog





-

  

lin’.

Keep on

     



2

 

   Keep on

   

2 2

5 0

    

  

choog



-





choog

          let ring 5 2 0

    



-

    let ring 1/2

(5)

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 





  





choog

-



  

-

lin’.

     



      





lin’,

choog

          let ring



-



lin’,

choog -

5 2 0







  

lin’,



P.M.

5 2 0

2 2 0

 

 

1/2

2 2 0

5

2

2 0

X

5 0

2

  choog -

1/2

2 2 0



2

             let ring let ring

1/2

2 2 0

 

2 2

    

lin’.

 



5 0

1/2

2

  

2

     

 

lin’,



 

  





   

E7

2







5 2 0

Guitar Solo Gtr. 3: w/ Rhy. Fig. 1 (20 times)

E7

   

Gtr. 1







w/ dist. grad. bend

     





1

2

2

  

2

1

2

Gtr. 2

      



0

2

2

2

0

2



0

    



0

2

Fill 2





2

0

2

     



 0

   

 



        

grad. bend 1

  



    

2

 





1

0

0 2

2

2

  

0

2

End Fill 2



0

0

2

0

2

1

2

2



0

1

2



    



 0

2

Gtr. 2 tacet

               3

0

2

3

0

0

2

3

0

0

2

3

0

0

3

3

2

0

2

0

3

2

0

0

2

0

0

0

                         3

0

2

3

0

0

2

3

0

0

2

3

0

0

2

        

3             

Gtr. 1

3

0

0

2

3

X

0

2

0 0

1

0

2

4 X 4

4 X 4

3 X 3

2 X 2

               

3

0

4

      0 X 1

 

0

  0

   

3

0

0

0

1

0 0

X X 4

3 X 3

2 2

0 X 1

0 0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





          





grad. bend 1

hold bend

10

11

            1

1

0 0

11

11

11





9

11

9

11

11

1

11

9

11

         

9

0



 

   

9

11



         12 12 12

     Gtr. 1

12 12 12

       

9 9 9

9 9 9

12 12 12

12 12 12

12 12

      12 12 12

             9 9 9

9 9 9

12 12 12

   Gtr. 2

12 12 12

1/4

12 12 12

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12 12 12



12 12 12

 

9



p

9







  

1/4

12 12 12

12 12 12



9

   

1

6

1/4

12 12 12

12 12 12

             

fdbk.

9 9

12 12 12

  



12 12

                  1/4



9 9

0

9

9 9 9

12

        w/ bar

9

w/ bar



9 9 9

11



1/2



12 12 12

9

           

  

w/ bar

1/4

11



9

11

9

        

1

9

 

11

11

   

Gtr. 2: w/ Fill 2 (3 times)

    

 

3

11

9

11



    



1



11



0 0

         

0



let ring

11

1

0











   

0





      2

3

9 9

Gtr. 1 tacet

    

Gtr. 1

















9

  

*Gtr. 4





 



f 0

*Harmonica arr. for gtr.

   

Gtr. 2

   



    

   

 2

0

1



1

3





   

 2

0

3

Harmonica Solo Gtr. 2 tacet Gtr. 3: w/ Rhy. Fig. 1 (39 times)

E7

      

 

  

Gtr. 4

1/2



1/2

15

15

15

      

    1/2

P.M.

12

14 14

 

12

14

12

14 14

12

X

14 14

12

14





 

3 1/2

 

 



  

14

X

12

14

12

               

14



P.M.

14

12

13

13

14



14

14 14

12

14

12

14 14

14

13

14

12

12

       P.M.

12

        let ring 12

   

1/2

15

15

P.M.

           P.M. 14

  

X

13

14

14 14

12

13

    15 16

14

14 14

  

X

12

14

14 14

 



15 16

14 14

12

12

14

14

     12 12

14

14 14

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     

 

  



16

15 16

12 12

      

     1/2

14 14

12 12

1/2

12

      



14

14 14 14

     let ring

13 14

  



14

12 13

  



let ring

14 14



12 14

13

  

14 14

19

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14 14

12

12



15 16



12



14





  

    

14

17 17





14

12

12

13

14 14

14

14

14

14 14 14

12

14

 

12

14

   

  



    14 14

14

  



3 1/2 1

17

17

17

 

14 14

14

1/2 1



 



12 14

17



15



12 13

14 14



14

14 14

let ring

14 14

12 14





14 14

13



17

14 14

X X

  

 

1/2

12

14 14

  

13

let ring

14 15



  1

1/2

0

14

14

let ring

12

1/2 1

14

       3

1/2

1

17



14 14

14

       

1/2

17 17

14 14

14 14 14

1

3 1

12 13

14



14 14



15 16

      

14

    

  

15



14

14

   

      

12

14

 

1

16

14

13

14

17 18

 

   



      

 

3

17 17

12

14



14 14

19 19

12

3

11



19 19

1/2

12

13

14

   

3

1/2

12

 19 19



1/2

12

 

 3

1/2

12

   

        

14

 

1/2

12 12

12

 

   



1/2

12

14 14

14

14

  

   

 

0 X 12



  



1/2

0 X 12

1/2

0 X 12







let ring 1/2

 

 

1/2

1/2

1/4

0 X 12

12

  



 

  

1/2

12

12



12



1/4

12

  

14 14

14

18

14

  1/2

12

12

  

12

          3

1

0 14

12

3

14 14

1/2

14 14

14

 

12

3

19 19 18 14

      

14 14

14

19 19

18

14

 

14

19 19

18

14

14

14 14

18

14

     

3

14 14

19 19

12

                      

3

19 19

1/2



1/2

12

  

 

3

grad. bend 1/2

 

1/4

12





 

1/2

12

   



     

14 14

14









     

19 19



14 14

12 12

13

    

14 14



19 19

18

14

14

14 14 14

        

14

14

       

14 14

14

14

14

14

       

1/2

14

14 14

14

12

14

        



14





14

14

14

14

15

13

0

14

14



14 14

12

14

15

       13 14 14 14

14

14

            3

1/2

15

3

14 14

14

3

15

0 16

12

3

            3

14

          

 

1/2

14 14

14

15

0

14 14

14 14

12

          3

3

0 14

0

13

16

15

14 14

13

0

14 14

12

14

14 14 14

12

14 12

14 14 14

14

14

        

14

12

12

12

14

14 14

14 14

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

         

       

let ring 1/2

12

1/2

14 14

1/2

12

14 14

14 14

12

          1/2

12

1/2

14 14

12

14

X X

  

   

1/2

1/2

1/2

14

12

14

14 14

14 14

      

1/2



  

14 14

12

14

14 12 14 14

12

14

 

       

 

14 14

12

12

14 14

14

12

14

12

12

12

    

14

12





   

 2

1

   Gtr. 1

14 14



12



14

14





     

12

   



Riff B

   

  1/2

1/2

12

Gtr. 4 tacet Gtr. 2

 

12

  

14

14 14

14

14 14



12

   



2

0

3







 



f 9 9 9

   Gtr. 2

   

1



0



End Riff B     

   

 2

1

3

0





   

 2

3

Guitar Solo w/ Voc. ad lib. Gtr. 2 tacet Gtr. 3: w/ Rhy. Fig. 1 (30 times)

E7

  

Gtr. 1



     

 

 

 

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

12

9 9 9

13 14

 



3

fdbk. w/ bar

12 12 13



12 12 13

12 12



 



3

12 12 13

12 12

12 12

         w/ bar

12 12 13

12 12

3 grad. bend 1 1/2

15

12

 

  



   



 



 



                               

3 let ring 1

12

1

12

1

12 15

12

1

12

15

X

15

12

15

15 12

12

15

15

1/2

12 15



  

        

3

1





12

14



 

14



 

 

12

14







12 15

12

15 15

15

      





1

1

12



3

w/ bar

15 15

15

12

      12

1

1

1/4





  

1

12 14

    



let ring

1

1

12

15

12

15

15

15

  

 

12 12

       



12

15

12 12

12

12

3

14

    8v a

Gtr. 1

14

14

12

P.M. 1 hold bend

12 12

14 12

14

14

    



  ( ) 

15

15 15

 w/ bar

1

15 15

1

15 15

 1

17

12

      Gtr. 2

  

12 12

15



15

  





15

17



15

17 17

15

12

15

15

       ( )   

17

 





15

17 17

17 17



 

let ring

17

15

17

15



12 12

12

              8v a

3



         

3

1 17

15

17

17 15 15 17

15

17

15

17

15

17



loco



      

3

w/ bar

1

17 15 15 17

       

3

1

15

1

12

1/2

Gtr. 1

17 15 15 17

1

12 15



17

Gtr. 2 tacet

17

15

1

1/2

12

12

1/2

17 17

let ring 1/2

12

14

     

17 17



15 16

15

12

1

17

1

w/ bar

1

1/2

17

1

15

w/ bar

1

1

1

                       

12

12 14

12

15

   

P.M. w/ bar 1

1

1

1 hold bend

15

17

15 12

12

12 14

14

14

12

14

12

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







w/ bar

0

2

                 

12 12 12

   

9 9 9

9 9 9

      



0

       





9 9 9

12 12 12

12 12 12

  

12 12 12



1/4

12 12 12



2

1/4

12 12 12

12 12 12

12 12 12 12 12 12





0

9

12 12 12

9 9 9

2



                

7 5 5

9 7 7

  



12 12 12

      

2

9

9

1/4

12 12 12

12 12 12

                 

       0



12 12 12

8 9 9

         



       

1/4

2

    

fdbk.



7 7 7

0

     

      



  

    

9 9 9

9 9 9

9 9 9

12 12

2

1/4

0

 

      

12 12 12

2

Gtr. 2: w/ Riff B Gtr. 1

12 12 12

12 12 12



1/4

12 12 12

 w/ bar

1/4

X X X

    





      

0



            



0

9 9 9

12 12

        

   



 

12 12

14

Gtr. 2



w/ bar

1/4

 

14

              



           Gtr. 1

9 9 9 7 7

9 7 7

9 9 9 7 7

9 9 9

Pitch: F#

  









  

 



Ah,

                  9 9 9

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 9 9

11 11

9 9 9

11 11

9 9 9

11 11

9 9 9

            9 9 9

9 9 9

9 9 9

9 9 9

                9 9 9

11 11 11

9 9 9

11 11 11

9 9 9

11 11

9 9 9

            9 9 9

9 9 9

9 9 9

9 9 9

  



     oh,

   

          

  9 9 9

9 9 9

11 11 11

9 9 9

      

11 11

fdbk.

    

5



2

0

no,

         

no,



     

no.

  

  w/ bar

9 9 9

11 11 11

9 9 9

9 9 9

11 11

9 9 9

   

9





    2 2



P.M.



           P.M. P.M. 

          

P.M.

5

   

9

P.M.

1/2

no,

    

w/ bar

9



9 9 9

no,

  



 9 9 9

    

 

1/2

2

2

5 0

0

5

5 0

0

2 0

2 2

0

      5 0

3

5

2 2

5

D.S. al Coda

  



     1/2



        



P.M.

5

5 0

0

2



        

        



P.M.

2

 Coda

2

5 0

0

 



  

 

Keep on

choog

-



P.M.

2

2

5 0

0

2

Chorus Gtr. 3: w/ Rhy. Fig. 1 (15 times)

         2

E7

  

 

  

Keep on

choog

-

 



   

  



lin’.

Keep on

     5 0

2 2 0



  2

     5

 

  

choog

-



  

lin’.

    5 0

2 2



  2

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

  

    

Keep on

   



choog



-

     

 

lin’,

choog

        let ring



-

lin’,

choog

-

    

lin’,

choog - lin’,

               let ring let ring 1/2

(5)

     choog

5 2 0

-

5 2 0

lin’,

choog - lin’.

5 2 0



   

2

  

5 2 0





  

        let ring

1/2

1/2

5 2 0

2 2 0

5 2 0

       2 2 0

5 2 0

no,

no.

      



2 2 0

5

2











 

fdbk.

2



0





no,

2





2 2 0

     

no,





          let ring let ring



2 2 0

        let ring 2 2 0





choog -

Oh,

1/2

2 2 0

   

 

    

1/2

2 2 0

lin’,

1/2

5 2 0

                let ring let ring

1/2

2 2 0

2 2 0

  

 

1/2

5 2 0

     

-

        let ring



1/2

2

     





9 9

2

Guitar Solo Gtr. 3: w/ Rhy. Fig. 1 (24 times)

             E7

 w/ bar

17 16 18

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17 16 18

16

          



    

   

        

w/ bar

16 14 16

14 14 14

12 13 14

          w/ bar

12 13 14

12 13 14

12 13 14

17 16 18

17 16 18

15 14 16

14 14 14

12 13 14

12

12 13

                

          

          

    

 w/ bar

17 16 18

17 16 18

15 14 16

14 14 14

12 13 14

12 13 14

10 9 11

11 12

9 9 9

9 9 9

                        3

3

3

3

3

3

7 7 7

0

2

0

2

0

0

2

0

0

0

2

0

2

0

0

3

0

2

0

0

2

0

0

                         3

3

3

3

3

3

   

0

2

0

0

2

0

0

2

0

0

2

0

2

0

0

3

0

2

0

0

2







2

3

2

0

0 0

    

3





0

3 0 3

0

1

 

  0

1

         



let ring

0

5 4 6

              w/&pick w/ bar finger  



let ring

0

5 6 7

2 X 2



 

 

fdbk.

0 X 1

0

       

P.M.

0 1 0

E7#9

  

         P.M.

         

P.M.

8 7 9 0

0

0

0

        

0

0

0

0

0

7 0

0

 

0

0

0

0

0

         P.M.

8 7 9

7 0

0

0

0

0

0

0

0

0

0

 

8 7 9 0

0

0

0

0

0

0



E7

  

         P.M.

       P.M.

       P.M.

       P.M.

     

8 7 9

8 7 9

8 7 9

8 7 9

8 7 9

0

0

0

0

0

0

0

0

0

0

0

0

0

    

  

    



w/ bar

0

9 X 7 0

fdbk

9

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

w/ Ld. Voc. ad lib. (till end)





 

 9





















9 9 9 0

0

0

0

        

       

P.M.

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

         P.M.

9 9 9 0



9 0

  



P.M.

    

0

0

0

         P.M.

9 9 9

0

0

0

0

0

 

P.M.

9 9 9

0

0

0

0

0

0

0

Play 4 times

       P.M. 

     

9 9 9

9 9 9

0

0

0

   

     

9 9 9

9 9 9

0

0

0

              

0

 

9 9 9

9 9 9 0

9 9 9 0

9 9 9 0

       

      

    

10 9 9 9 7 0

10 9 9 9 7 0

10 9 9 9 7 0

10 9 9 9 7 0

      

    

   

  

7 6 7 0

7 6 7 0

7 6 7 0

Gtr. 1



Gtr. 3

7 6 7 0

 16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.









 



9 9 9 0

          

Free time

Sorgdal

0

 

 



9 9 9 0

 



9 9 9

     

   

  



9 9 9

0

     

 

0



0





  

from Creedence Clearwater Revival - Chronicle

Lodi Words and Music by John Fogerty Bb

Eb 6fr

C

G

F

8fr

3211

3fr

333

32 1

134211

134211

Intro Moderately q = 126

Bb

F

Riff A1 Gtr. 3 (clean)

    





  



3 3

4 5

4 5

6 7

Eb



   



3 3

3 3

4 5

4 5

End Riff A1

  

mf



Riff A Gtr. 2 (clean)

    

mf

3

6 7

6 7

4 5

 



let ring

3 3



Bb

4 3

3

3 3

End Riff A





3

3

  



3

8

8

8



       P.M. 

3

3





  

  

3

3

3

3

 

 

                      

5 6 5 7

5 6 5 7

X X X X

Rhy. Fig. 1 Gtr. 1 (clean)

                    

3

5

3

5

3

5

3

End Rhy. Fig. 1

mf 6 6 7 8

 

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

X X X X

X X X X

8 8 8

8 8 8

6 6 7 8

X X X

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

Verse Gtr. 3 tacet

Gtr. 2 tacet

Bb

         1. Just a - bout a year rode in on man from the mag

    Gtr. 2





 -

  



Eb



     



a - go a Grey - hound, a - zine

I well, I’ll be



Bb



set out on walk - in’ out if said I was on



    I



the road, go. my way.





*P.M.

 

6

*1st time only.

                                                        Gtr. 1

 

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

X X X X

8 8 8

8 8 8

8 8 8

X X X

8 8 8

Copyright © 1969 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

8 8 8

X X X

8 8 8

6 6 7 8

6 6 7 8

 

         

X X X X

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

* Bb/A

 



 

 

 

 

 

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

 

-

and for in’ through, con - nec -

 

 

 

6 6 7 8

X X X X

X X X X

** Gm/F

   



seek - in’ my fame I was just pass Some - where I lost Gtr. 1

Gm

  

tune, tions,

               

       

3 3 3 5

3 4 3 5

3 3 3 5

X X X X

3 3 3 5

Things got Ran out came in

bad of time to town

6 6 7 8

      

Bb/A

X X X X

6 6 7 8

Gm

3 3 3 5

3 3 3 5

X X X X

X X X X

X X X X

Gm/F

  

3 4 3 5

X X X X

        of to

gold. more. play.

       

3 4 3 5

Eb





and things got and mon - ey; a one night

6 6 7 8

  

3 4 3 5

3 4 3 5

I

 

 

 

 

5 6 5 7

5 6 5 7

X X X X

5 6 5 7

X X X X

 

 

 

 

5 6 5 7

X X X X

X X X X

**Bass plays F.

                          6 6 7 8

F

pot an’ look - in’ for a months sev - en or of songs I ran out

must be

   



  

Bb

      



*Bass plays A.

   

Eb

worse,

I

stand,

 

guess you looks like looks like

know they took my plans

               

 

 

 

 

3 3 3 5

3 4 3 5

3 4 3 5

X X X X

3 4 3 5

3 3 3 5

X X X X

3 3 3 5

3 3 3 5

3 3 3 5

X X X X

Bb

   

 

the my fell



tune. friends. through.

 

 

 

3 4 3 5

3 4 3 5

X X X X





                6 6 7 8

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

1.

    

  

Oh,

F

  



Lord,

(I’m)

  Gtr. 2

stuck in

a

Eb

  

      

Lo



T o Coda 

-

di

a

-







  



gain.

2. A

      



Bb

 

  

   

1

3

        

 

6 6 7 8

6 6 7 8

Gtr. 1

 

5

3

5

 

 

 

              

 

 

 

 

6 6 7 8

X X X X

X X X X

5 6 5 7

3 4 3 5

3 4 3 5

X X X X

3 4 3 5

5

5

 

 

 

3

5

 

3 3

 

 

 

 

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

3

 

 

 

  

6 6 7 8

X X X X

6 6 7 8

5

3

 

5

(2nd time, cont. in slashes)

6 6 7 8

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X X X X

5 6 5 7

X X X X

5 6 5 7

5 6 5 7

X X X X

3 4 3 5

3 4 3 5

X X X X

 

2.

Interlude

Bb

Bb

Eb

Bb

                                 let ring  Gtr. 1

Gtr. 3

3 3

3 3

4 5

4 5

6 7

6 7

6 7

3 3

4 3

4 3

4 3

5

3 3

   Gtr. 2

  

3 3

5

  







3

3

3

3

5

3

  



3

8

8

8

5

3 3









  



3

5

5

5

3

5

3

3 3

5

3 3

3 5

        3 3

5

3 3 3 3 5

D.S. al Coda Gtr. 1: w/ Rhy. Fig. 1 Gtrs. 2 & 3: w/ Riffs A & A1

 



F



Eb

Bb







 



3. The

 Coda

Interlude

Bb

F

  

*Gtrs. 2 & 3

     

 

  

let ring

3

10 10

12

10 10 10 12 10 10

12

10 10



C

G

C

     

      

 

let ring

5 5

7

5 5

5 5

7

5 5



let ring

5 5

4

5

5 5

4

4 5 5



5 5

*Composite arrangement

 

 

 

 

 

 

 

      

6 6 7 8

6 6 7 8

X X X X

6 6 7 8

6 6 7 8

6 6 7 8

6 6 7 8

1 1 2 3 3 1

  

  

  

  

  

  

  

  

  

1 1 2 3 3 1

0 1 0 2 3

0 1 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtrs. 2 & 3 tacet

C

Mm.

4. If

         Gtr. 1

0 1 0 2 3

      

        

 

0 1 0 2 3

 

0 1 0 2 3

I on - ly had

  

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

* C/B



 

  

ev - ’ry

time

Gtr. 2

I’ve

  

dol

-

lar

  

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

Am

  

had

to

for

ev -’ry



       

song

sung,

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

  

  

 

   

  

F

play





  

**Am/G

  

   



a

C

I

  

  

sat



  

  

  

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

there

  

G

 

 

while peo - ple

  



             0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

  

0 1 0 2 3

  

  

  

  

  

  

  



0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

*Bass plays B.

  

  

    

   

   

   

   

0 1 2 2 0

0 1 2 2 0

1 1 2 3 3 1

1 1 2 3 3 1

X X X X X X

1 1 2 3 3 1

1 2

   

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

drunk.

You

       let ring



3

Gtr. 1

  

  





  

0 1 0 2 3

  

F

   

   

   

   

   

   

   

1 1 2 3 3 1

1 1 2 3 3 1

X X X X X X

3 3 4 5 5 3

3 3 4 5 5 3

X X X X X X

3 3 4 5 5 3

  

C

4

   

5

   

    

3 3 4 5 5 3

3 3 4 5 5 3

0 0

**Bass plays G.

Gtr. 2 tacet

   C



C/B

know I’d

catch

 

            

Gtr. 1

0 1 0 2 3

0 1 0 2 3

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   



0 1 0 2 3

0 1 0 2 3

  

Am

Am/G

  



F

      



the

next

train

back

  

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

  

to

where

  

   

  

  

  

  

0 1 2 2 0

0 1 2 2 0

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 2



I

  







live.

  

  

  

  

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

(cont. in slashes)

C

G

F

C

                                        

           

Gtr. 1

Oh!

Lord,

Gtr. 2

 

(I’m) stuck in

a

Lo



-

di

a

-



   

gain.

        







   

       

1

 

5

7

5

7

5

7

7

5

5

7

5 5

7

5

 

5 5

7

Outro

C

F

                            

                                     let ring

Gtr. 3

 

5 5

5 5

6 7

6 7

8 9

8 9

6 7

5 5

  

5

6

6 5

6 5

7

5 5

5

5 5

7

5 5 5



 

  

  

    

  



5

5

5

10

5

5

7

5

5

10

10

5

5

                           5 5

5

5

Gtr. 2

 

8 9

C

6 7

6 7

8 9

8 9

8 9

6 7

5 5

7

7

7

G

        6 5

7

6 7

F

7

Repeat & fade

                      

6 7

5

6 5

5 5

 

  

  



 

  





5

5

5

5

10

5

5

5

7

7

5

5

5

5

7

   



10

5 7

5

7

C

 

10

5 5

   

7

5

5 5

7

  

5

7

5 5

5 5

5 7

 

   

5

5

7

  5

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Long as I Can See the Light Words and Music by John Fogerty Intro      Slow q = 64 (jjjq = iiiq) E/B 3

      

Gtr. 2 (clean)

3

B

    



E/B



mp

B

 







6

4

         

 



E/B

B



 







6

4

w/ amp tremolo let ring throughout



5 4

      

*Gtr. 1





5

6

6

4

   

 

 

mf



4

6

5 4

6

         

   

w/ light dist. & amp tremolo let ring throughout

0 0 1



0 0 1

2

0 0 1

4 4 4 2

2

0 0 1

2

2

0 0 1

4 4 4 2

0 0 1

2

4 4 4 2

2

*Wurlitzer elec. piano arr. for gtr.

Verse B

F#

   

   1. Put

B

    a

    Gtr. 2

can

-



dle

E/B



 

 

in

the

-



win

3

               3

       



Rhy. Fig. 1



  

  

4 4 4 2

  





    

4

4 4



5 6

6

   

 



0 0 1

4 4 4 2

3 4 4 2

  

dow,

4

Gtr. 1

3

0 0 1

2

2

Rhy. Fig. 1A

    

mp

 

 

 

4 2

4 2

4 2

4 2

Gtr. 3 (clean)

 

 

 

 

4 2

4 2

4 2

4 2

 

 

 

 

 

 

 

 

4 2

4 2

4 2

4 2

4 2

4 2

4 2

4 2

sim.

Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B

G#m

B

F#

B

                           

   

3

but I

feel

     

I’ve got

to



Though I’m go - in’,

   





2 4 4

 

 

4 2

 

4 2

E7

4 2

A/E

    

        6 4

6 4

6 4

E7

6 4

 

 

4 2

4 2

4 2

4 2

B

       

  



5



in’,

I’ll be com - in’ home soon,

   

long

0 3 1 2

 

4 2

4 2

4 2

   as I

4 2

   can see

3 4 4 2

     

 

4 2

4 2

4 2

4 2

        4 2

B

    

3 4 2

3 4 2

2 2 2

3 4 2

4 4 4 2







       

  

  

  

  

  

  

  

   

7 6 7 0

7 6 7 0

7 6 7 0

7 6 7 0

7 6 7 0

7 6 7 0

7 6 7 0

7 6 7 0

4 2

      

   4 4 4 2

3 4 4 2

4 2

4 2

F#



the light.

 

4 2

E

9 9

  

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

   

3 4 4 2

4 2

  

7 7

     

2

4 2

0 3 1

 

2

 



         2 2

4 4

4 4 4 2

F#

    0 3

Sorgdal

 

4 2

 

3 4 4 2

 

A/E E7

4 2

go -

     

2

  

4 4 4 2

4 6 6 4

          4 2

    

3

4 4 4 2

         



move.



       

F#

3

2

4 4

4 4 2

       X

9 9 9 7

11 11 9

  

End Rhy. Fig. 1

  

0 0 1 2 2 0

  3 4 4 2

End Rhy. Fig. 1A

4 2

4 2

4 2

   

   

4 2

4 2

4 2

4 2

           4 2

4 2

4 2

4 2

4 2

4 2

1 2 2 0

  3 4 4 2

Verse Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A

B

   

2. Pack

    Gtr. 2







F#



my





bag

and



  



B

  

let’s



get

E/B



 

mov

-





 in’



 

 

 

   

7 7 8

7 7 8

7 7 8

8

7 7

  7 7 9

9

7 7 9

9 7

B

   





G#m

  



’cause I’m





bound

   

  

to





drift

B





F#





         3



a - while,



3





oo.





   

 

4

2 2 3

2

4

B

   

F#

     Oh, I’m





gone,

   

E7

 

 

A/E



A/E

E7

        

gone.



E7 3

5

You don’t have

to



wor - ry,



no,

    



0 3 1

3 1 2

B

   

   long

   





as

I

F#

 





B







see

the

light.





E





F#

    7 8 9 9 7

 7 7



   9 9 9 7

  



X

   11 11 11 9

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Sax Solo Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A

B

     *Gtr. 4

7

      F#



  

  

3

7

  

3

8

7

7

3                 

B

8

7

8

7

E/B

6

8

7

8

6

4

4

4

4

4

4

6

3



6

4

*Sax arr. for gtr.

    Gtr. 2

 2

 

 

6

4

4

3

  

4

4

4 5

B

    

 

  4

 

2

4

G#m















1

11



B



1

11









4 4 4

1

12

11

    



4

11



F#





     3 1/2

 

11



11

 

4

E7

12



6

A/E









 



4

6

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

4

2

 6



1





4 4

2 3

4

A/E

  

  

E7

   

1

10

10



6

    

E7

9

11

   7 6

6

5 4 6



11



4

8

4

13

13

4 4 4







 

F#

11

   

  

   

6

B

    

2

4

3

10

   



 

5 4

9

9

7

  4 6



5 6

       

B

                     

F#

   



    

7

9

    



9

 

4 4

7

8

7

9

7

6



4

 

4 4

8

4

F#



3

7

8

2

8

7

    6

E

3

3

7

 

4

6



3

3

B

7

8

7

8

6

4

4

4

4

6

7 7 8

8 9 9 7

2

4

4

             





6

9 9 9 7

X X

11 11 11 9

Verse Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1st 6 meas.)

B

    

  



3. Guess I’ve

F#

    got

that old

   

B

    trav - el - in’

E/B









               

bone,



3

7

   



 

   

8

3

7



       

7

8

2 4 4

G#m

   

8

    but

I

feel

 I’m



8

7

2 4 4

B

    leav - in’

7

8

6

4

     



7 7 8 9 9 7

B

7

      

 



 4 6

6

F#



         3







 

3







1

1

7 7

6

      4 4

4

 6 4

4

6

5

4 4

a - lone.



4

 

 

4 4 2

3 4 4 2

7

   7

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B

F#

    



        

  

  But

I



won’t,



 





E7

I

 

A/E

E7

E7

3           



won’t

be



A/E



los - in’

my

way, no,

*

no,

     



7

7

7

3

4

4

6

6

*Played behind the beat.

      

 



4 4 2



2 2 3 4

4 2

 



3 1 2

1 2

  3 1

0

Gtr. 4 tacet

B

   

   long

F#

B

E

            as I

can see





     

 

 

4 4 4 2

   

  

3 4 4 2

3 4 4 2

        4 2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4 2

4 2

4 2

    4 2

4 2

    4 2

4 2



7 7 8

9 9 9 7 0

 

      

  

4 4 4 2

4 4 4 2

0 0 1 2 2

2

4 4 4

4 4 4

  

End Rhy. Fig. 2A

   

   

9 9 9 7 0

9 9 9 7 0

  4 2

4 2

4 2

4 2

4 2

4 2

9 9 7

9 9 7

 

0 0 1 2 2

4 4 4 2

4 4 4 2

0 0 1 2 2 0

    0 0 1 2 2 0

            



 

                       0 0 1 2 2 0

 

  

Rhy. Fig. 2B

Gtr. 3

Sorgdal

9 9 7

Rhy. Fig. 2

Gtr. 1

  

            



9 9 7

4 2

       



Yeah!

 

2 2 3

4 4 2

E

 

the light. Rhy. Fig. 2A

Gtr. 2

B

 2

7 7 8

9 9 9 7 0

 

  

4 4 4

0 0 1 2 2

4 4 4

   

   

9 9 9 7 0

9 9 9 7 0

End Rhy. Fig. 2

  

   0 0 1 2 2

End Rhy. Fig. 2B

                         4 2

4 2

4 2

4 2

4 2

4 2

0 0 1 2 2 0

0 0 1 2 2 0

    0 0 1 2 2 0

Gtrs. 1, 2 & 3: w/ Rhy. Figs. 2, 2A & 2B

B



E

B



E

 





  

   

Yeah!



Yeah!

Verse Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A

B

    

  

 

E

F#

B





Oh, yeah!

    Gtr. 2

   

4. Put

   

       

7 7 8 9 9 7

7 7 8 9 9 7

9 9 9 7

      

   



7 7 8 9 9 7

      Gtr. 1

4 4 4 2

  

4 4

2

4 4 2

  

  

F#

    a

 

4 2

4 2

4 2

4 2

B

         Gtr. 2

4 4







   

0 0 1 2 2 0

but

I

the win



-

dow,

       



4 4

  











4 4

4 4

5 6

4 6

3 4 4 2

1 2 2 0



in

9 11 9 11 9 11 7 9

                        4 2

                        

E/B

3

3

can - dle

Gtr. 3

4 2

B

   3 4 4 2

G#m



feel









I’ve

got

to

  

B



F#





         3







move.





 

 

2 4 4

2 2 3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B

F#







Though I’m

 



go

in’,

-

      

   

   long

as

I

can

   



-

in’,

see

E7

A/E

       



5

I’ll

3 4

   

  







4 4 2

F#

 



go

 

4 4 2

B



A/E



   

E7

be

com - in’ home

the

 

soon,

 

3 1 2

3 1 2

  0 3 1

E

  

light.



 

 

B

 

E7

F#



 

   

         

7 7 8 9 9 7

7 7 8 9 9 7

Mm,



9 9 9 7

X X

   11 11 11 9

Outro Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (last 2 meas., till fade)

B

   

F#

   long

B

   

   as

I

can

    Gtr. 4



see

  the

 

E



         3

light.

  

  

  

  





         3

     

Rhy. Fig. 3

Gtr. 2

7 7 8 9 9 7

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





F#

 



Mm,

7

Sorgdal

3



8

  

     

3

7

8

7

8

3

8

7

  

   

 

  

7 7 8 9 9 7

7 7 8 9 9 7

9 9 9 7

X X

7

8

7

8

7

8

7

  

8

End Rhy. Fig. 3

11 11 11 9

Gtr. 2: w/ Rhy. Fig. 3 (till fade)

B

    

  

     



6

4

Gtr. 4



F#

 

long

as

 





B

 

  





can

see

the

light,

I



E

 









        



F#

  

  

3

4

7

8

8

7

7

8

7

7

8

7

8

Begin fade

B

    

F#

  

  

long

    





as

I



B

    can

see

  the

E

 

 









light,



  

  



4

4

7

  



  



3

3

3

6

F#

7

8

7

3

7

8



7

8

7

7

7

8

Fade out

B

    

   long

    

F#

    as

I

     can



see

B

  the

E

 







F#



light.

  





  

7

8

  



  

3

3

7



7 7

8



3

7 7

8

7 7

8

7

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Lookin’ out My Back Door Words and Music by John Fogerty (C)

(Am)

(F)

(G7)

(G)

(D)

(A)

Bm 2fr

32 1

231

134211

32

1

32

4

132

123

13421

Gtrs. 1, 2, 4 & 5: Tune down 1 step: (low to high) D-G-C-F-A-D Gtr. 3: Open G tuning: (low to high) D-G-D-G-B-D

      

Intro  3  3  Moderately slow q = 110     =     µ

* (C)

                                             Rhy. Fig. 1

Gtr. 1 (acous.)

mf

w/ slapback delay

Rhy. Fig. 1A

Gtr. 2 (elec.)

 



                 



mf

w/ clean tone



5 5 5

3

5 5 5

5 3

5 5 5

5 3

5 5 5

5 3

*Symbols in parentheses represent chord names respective to detuned guitars and do not reflect actual sounding chords.

(Am)

(F)

(C)

(G7)

(C)

            (cont. in notation)                   End Rhy. Fig. 1

Gtr. 3 (Dobro)



mf

w/ slide

8

Gtr. 2



 

 

 

2 2

2 2

2 2

sim.

2 0

Gtr. 4 (elec.)



2 0

2 0



 2 0

 2 2

8

     3 1

1 1 2 3

  3 1

6

7

 

  

1 1 2 3

5 5 5

5 3



 5 3

5

3

  5 5 5



7

7

7

    

 

5 3



3 3 4 5

  5 3

3 3 4 5

5

3

   5 3



5 5 5



mf

End Rhy. Fig. 1A

 5 3



  5 5 5



w/ clean tone P.M.

3 Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

0

2

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Sorgdal

Verse

Bb

Gm (Am)

* (C)

  

1. Just





got

 

     

home from

Il

-

  Gtr. 3





li - nois.

Lock



  

    the

front

door,

 

oh,







boy!





3 3

Gtr. 1



Rhy. Fig. 2

  0 1 0 2 3

Gtr. 2



X X X X

0 1 0



Gtr. 4



   5 5 5

 

    

0 1 0 2 3

X X X X



  

Rhy. Fig. 2A

5 3



    

5 3



5 5 5

 

0 1 0

        

0 1 0 2 3

X X X X



  

5 3



5 5 5

 

0 1 0

0 1 0 2 3



5 3



0 1 0

X X X X

   5 5 5

 

0 1 0

  

    

0 1 2 2 0

X X X

 



sim.

2 0



2 2

 

sim.

0 1 2

0 1 2 2 0

 

2 0



     X X X



2 2

 

0 1 2

0 1 2 2 0

 

2 0



        

(cont. in slashes)

X X X



2 2

 

0 1 2

0 1 2 2 0

 

2 0



0 1 2

X X X



2 2



P.M.

3

1 0 2

1 0 2 3

3

1 0 2

1 0 2 3

*Symbols in parentheses represent chord names recpective to detuned guitars. Symbols above reflect actual sounding chords.

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

1 2 2

1 2 2 0

0

1 2 2

0

3

0 1 2

(F)

(C)

                              Gtr. 1

Got

to

   



Gtr. 3

sit

Gtr. 2



 3 1

Gtr. 4





take

a

        let ring 

let ring

8 8

down,

8

8

8

 

 



1 1 2 3



 

10 10 10

 5 3

 









10

  3 3 4 5

     

the

let ring

5 5 5

5 3

on

 

 

 

 

5 5 5

5 3

 



 

                         

End Rhy. Fig. 2

rest

3 3 3

3

 

1 1 2 3

3 1

 

3 3 3



(G7)

porch.

8

10

 

5 3

 



 

0 0 0

0

0 0 0

10

End Rhy. Fig. 2A

 



3 3 4 5

-





10



I



3 3 4 5

5 3





3

3

  3 3 4 5

5 3





0

2

P.M.

1 2 3

1 2 3

3

1

1 0 2

3

1 0 2

3

3

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Bb (C)

    

mag

-

i - na

     

-

Gtr. 3

let ring

2

3

5



tion

sets

   let ring

2 2

3 3

 

  

   

5

Gm (Am)





  

in,



  3

  

pret - ty



 

mp





 



 



3

1 0 2 3

3

I’m



3

  1 0 2

sing

 



3

2

-





in’,





 

w/o slide

0 3





0



 

P.M.

1 0 2

soon

 

let ring

0

Gtr. 4

  

   

0

0

0

0



1 2 2

  1 2 2

0



0

  1 2 2



0



3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3 tacet

Eb (F)

      

  





“Doot,



doot,

Gtr. 4



Bb (C)

 



 



P.M.

1 2 3

1 2 3

1



do,”

look

 

-

in’

  

 

out

1 0 2

3



back

 



Bb (C)

 

my

 



1 0 2

3

1

   





F7 (G7)

0 0 0 3



door.







0

2

3

  2. There’s a



3





0

2

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

Bb (C)

Gm (Am)

   gi



-





ant

do - in’

 



 

Look







-

 

1 0 2

3



cart



P.M.

Eb (F)

  



 

   

at

the

 

hap

 



-

1 0 2

crea

 



-

tures

  

1 2 3

3

1

1 0 2

3

0

wear - in’

 

danc - in’

on

  



1 0 0 0

0



 





1 2 2

0

0

  



heels.

1 2 2





high

 



0

2





1 2 2

  

P.M.

1 2 3

ue

F7 (G7)





 

0

 

py

-



3

  



stat

 



Bb (C)

all

a

1 0 2

3

3





wheels,



1 0 2





0

   the

 1



3



 

lawn.

 

A



   1 0 0 0

0

3

3





0

2

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Bb (C)

   di

- no - saur

 

P.M.

3



1 0 2

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



    Vic - tro

  1 0 2

3

 -



3

 



la,

a

      lis - ten - in’

   

      1 0 2











Gm (Am)

0

0

2

0

0 1 2 2

0

to

  

Buck



Ow

  0 1 2 2

1 0

  -



0





ens.

    1 2 2

2

0



3

Eb (F)

   





Bb (C)

  

 

“Doot,



doot,



    

do,”

look

-

in’

F7 (G7)

 

Bb (C)

  

out

  

my

back



door.

Fill 1

  Gtr. 3





 

End Fill 1





mf

w/ slide

7 7

Gtr. 4













   

  



P.M.

1 2 3 1

1 2 3

3

3

1 0 2

X 0

  1 0 0 0

0

2

 0

3

 



 2

1 0 2

3

 



1 0 2

3

 Bridge

2nd time, Gtr. 5 tacet

(G) Gtr. 1

         

Tam - bou - rines

     Gtr. 3

and

Gtr. 2



  5 3

Gtr. 4





 10

   3 3 4 5

10

  5 3

   3 3 4 5

 



 

0 0 0

0

0 0 0

P.M.

3

el

-



e - phants

    



let ring

10 10

    

  are

 



8

  5 3



5 5

5 3

   0 0 0

3

 

3 3 4 5

            

  





    

play - in’

in

the





 let ring

6

  

(C)



  

8 8

 

3

 

sim. 3 3 4 5

 

3 1



0 0 0

0

8

1 1 2 3

  1 2 3

1





3 1



3

 



Won’t



you

        3 3 3

8 8

 

band.

(cont. in notation)



   

     

(F)

  1 1 2 3

  1 2 3

  5 3



3

 

 

5 5 5

5 3

   1 0 2



  5 5 5

  1 0 2

0 3

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb (C)

  

Gm (Am)

  

take

     Gtr. 3

a



ride





let ring



on

spoon?

X X X X

Gtr. 4



fly

-

in’

 



 

5 5 5

 

0 1 0

0 1 0 2 3

 

5 3



0 1 0

 

X X X X

 

5 5 5

 

0 1 0

0 1 2 2 0



2 0



7 7

10 10

         X X X

 

0 1 2



0 1 2

0 1 2 2 0



2 0



0 1 2

X X X

 

0 1 2

Doot,

  10

do,



do.

   

          

  

   

          

3 0 0 0 2 3

X X X X

3 0 0 0

3 0 0 0 2 3

X X X X



5 3



 

3 3 4 5

3 0 0 0 2 3



5 3

3 0 0 0

X X X X

 

3 3 4 5

 



 

0 0 0

0

0 0 0

10 10



5 3

 

3 3 4 5





3

3

3 0 0 0

3 0 0 0 2 3



5 3

3 0 0 0

X X X X

 

3 3 4 5





0

2

P.M.

3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1 0 2

1 0 2 3

0

1 2 2

0

1 2 2 3

A

 8

3 0 0 0





    

10

0 1 2



     

 

let ring

0 1 0 2 3

 

the



          

5 3



 

 

Gtr. 2



     

3

3 3

Gtr. 1



F (G)

   3 0 0 0

Gtr. 1: w/ Rhy. Fig. 1 2nd time, Gtr. 3: w/ Fill 2

Bb (C)

  

Gm (Am)



won - drous Both - er



   



ap - pa - ri me to - mor -

tion row,

   

 







pro - vid to - day

-

ed I’ll

by buy

           Gtr. 3

ma - gi no sor



-

cian. rows.









 3 3 3

Gtr. 2



 

5 3

Gtr. 4





3

 

5 5 5

 

 

 

 







5 5 5

5 3

 



5 5

3

 

5 5 5

5 3

 



 

 

5 5 5

5 3

2

2 2

2 0







P.M.

3

1 0 2

1 0 2

1 0 2

3

3

3

Fill 2 Gtr. 3

            let ring let ring 3 3

3

3 3

0

3



2





1 2 2

0

mp

let ring

10 10

10



10



10

8

10

let ring

3

3

2 0

 

1 2 2

0

0

mf





1 2 2



2 2

2 0









2 2

2 0

            8 8

 

0

0



2 2



3

     

 let ring 3



3

3

3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

T o Coda

Eb (F)

  

  

  

 

Doot,





let ring

 

 

1 1 2 3

3 1

 



look

 

 

1 1 2 3

-



in’



F7 (G7)

 

1 2 3

3

1

3

  

out

   back





 



3

7 7

10 10

 

 

 

  

1 0 2

0



3 3

 



3 4 5



 

5 5 5

5

 



2

0 0

f

3



0

3

3 3





0 0 0

0

2

X X

5 3

 

door.



 

3 4 5

5 3



10 10



 

5 5 5

5 3

10



       

my

P.M.

1 2 3

Bb (C)

let ring

5 5 5

5 3

 



do,

3 3 3

 

3 1

    



0 0

 



   



8

8 8





doot,

  



Bb (C)

7

 



1 0 2

3

1 0 2 3

Guitar Solo Gtr. 1: w/ Rhy. Fig. 2 Gtr. 3 tacet

Bb (C)

Gm (Am)

Eb (F)

                 Gtr. 2



let ring

5

5 5

5 7

Gtr. 5 (elec.)

5

7

5

5

5 7

5 7





9

8

Bb (C)

F7 (G7)

                          let ring

9

7 5

6 5 7

6 5 7

10 10 10

8 8 9 9 10 10



5 5 5

5



3 4 5

3

3

5 5



3

4

5





f

 

w/ clean tone

3 Gtr. 4



     

P.M.

3

1 0 2

1 0 2 3

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

           3

1 0 2

3

2

0

1 2 2

1 2 2 0

 0

 



1 2 2 0

0

              1 2 3 3

1

3

1 2 3

3

1 0 2

3

1 0 2 3

   

   

  

1 0 0 0

1 0 0 0

1 0 0 0

2

3

0

2

  0

2



D.S. al Coda Gtr. 1: w/ Rhy. Fig. 1

Gtr. 3: w/ Fill 1

Bb (C)

Gm (Am)

5 7

0

2

3

7

2

  

P.M.

3

1 0 2

3

3

5 7



  1 0 2

3

 0

2

3

 

 



1 2 2

   back



X X

      5 3



10 10

3 4 5

0

2

    



3

0

2

3

  1 2 2

7 5

0

6 5 7



let ring

10 10 10

8 8 9 9 10 10

5 5 5

5

3 4 5

    

3

3 5 4 5

5 5 5

               0



6 5 7

         

1

 

3

 1 2 3

3

1

5



3

3 5

 1 2 3

0

2

3

3

3

0

2

3

                  3

1 0 2

3

1 0 2

0 0 0

0 0 0

0

3

3

1 0 2

3

1 0 2

                             (cont. in notation)   

 

door.







     

3 3

2 2

      3



5 5 5

 

P.M.

0 0 0

9

Bb (C)

Interlude µ

Gtr. 1

        10

0

0

Bb (C)

my

10 10



1 2 2

 Coda F7 (G7)

8

  

0

1 0 2

      

9



 0

      1 0 2

5

   





5

5 7

F7 (G7)





5 5

5

Bb (C)



                  let ring

       

5

Eb (F)

3

5 3



1 0 2

5 5 5

5 5 5 3

 

   

1 0 2 3

    

3









3 3







1 1

     5 3



2 2

4 2



3 1

  



P.M.

3

2

1

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G (A) Gtr. 3

F (G)





C (D)





0 0



       Gtr. 5

  

  



let ring

5 5

      Gtr. 1

0 2 2 2 0

  

7

6

5

5

 

  



let ring

3

5

5

2

3

3 2

0 2 2

0 2 2 2 0

0 2 2

X X X

0 2 2

        

0 2 2 2 0

X X X



 

0 2 2

0 2 2 2 0

0 2 2

X X X

0 2 2

  

              

3 0 0 0 2 3

X X X X

3 0 0 0

3 0 0 0 2 3

3 0 0 0

X X X X

3 0 0



 



 

 



 

2 3 2 0





5 5

7 5





0 0

0

3

4

2

             X X X



2 3 2

2 3 2 0



2 3 2

X X X



sim.

2 0

 

2 2

2 0

2 2

2 0

2 2

2 0

2 2

5 3

5 5

5 3

Gtr. 4





P.M.

0

2 2

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





2 2 0



0



2 2



0





2 2





0 0 3

3



let ring

Gtr. 2

 

      

4

           X X X



7 7



7 5



3 2

7 7



3 2 0

2 3 2

Am (Bm)

G (A)









 



3

     



    



let ring

0

    

0

2

X X X

   



 

4

         

2 3 2 0

7 5

2

7 7



2 3 2

2 3 2 0



7 5



2 3 2

X X X



7 7



2 3 2

2 3 4 4 2

 

4 2



2

4

 

5

3



3 4 4



2 3 4

 

let ring

4

4

            X X X X



2 3 4 4 2

 

4 2



2 3 4

X X X X



4 4



2 3 4







7

5 6

7

  

          

0 2 2 2 0

X X X

 

2 0





2 2



0 2 2

0 2 2 2 0

 

2 0



0 2 2





5 6

6



let ring

0 7

6



X X X



2 2



0 2 2

0 2 2 2 0

 

2 0

8

         X X X



2 2

0 2 2

0 2 2 2 0

 

2 0

0 2 2

X X X

0 2 2



2 2









0

0

2

4

P.M.

0

3 2

0

4

2

3 4 4

2

3 4 4

0

2 2

0

2 2

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 5 tacet

Gtr. 4 tacet

C (D)





Am (Bm)





3. For - ward

Gtr. 3



 

trou

-

     Gtr. 1



bles,

Il



   -

li - nois.

 5

5

 A

    



let ring

5





lock

the

front

    

door,

1

2

5

               

            

  

  



boy!



 7

5

 



  



let ring

5

 

oh,

p

 3

  

   

            

  

 

  

       (cont. in slashes)

2 3 2 0

X X X

  



Gtr. 2

5

7 7

     P.M.  Gtr. 4

0

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2 3 2

2 3 2 0



5



2 3 2

X X X



7 7

2 3 2

2 3 2 0



5



X X X



7 7

2 3 2

2 3 2 0



5

2 3 2

X X X



7 7

2 3 2

2 3 4 4 2



2

X X X X



3 4 4

2 3 4 4

2 3 4 4 2



4 2

2 3 4

X X X X

2 3 4

2 3 4 4 2





4 4

4 2



X X X X



4 4

2 3 4 4

2 3 4 4 2



4 2

2 3 4 4

X X X X



4 4

2 3 4 4

(G) Gtr. 1



(D)



      

     



  

  

  

at

the

Look

Gtr. 3



all

 

   mf

let ring

8

10

10

  

hap

-

py





 

5 5

5 3

10





5 5

5 3

-

5

   

danc - in’

on

the







 

rit.

 

 

 

7 5

7 5

7 5

7 5

  

rit. let ring

0



7 7

7 5



0 0 0





7 7

5

0

0





7 7

7 5



lawn.

 

 







7 7

7 5



5



rit. rit.





5



     

  

tures

let ring

5 5 5





  

Gtr. 2



crea

(A)

Slower q = 80

(D)

   





  

  

      





   

Both - er

me

to - mor - row,



 

 

 

let ring

5

  

5

  7 7

5

5



5

  7 7



5

   

(Bm)



 

to - day

    





5

7 7

I’ll

 

 

    

buy

no

sor

 





5

-



row.

    

2

2

2



    

let ring

5

 

     

  7 7

 

2



sim.

4 2

4 4

  4 2

 4 4

5 5

2

  4 2

 4 4

  4 2

 4 4

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

(G)

      

(D)

             

Doot,





doot,



   

let ring

10 10

 



3

10



5 5



3

         

do,

look





-

in’



let ring

10

5 5





5 5

5

(A)

5



7 7



 

  

out

 



back

0





7 7

7 7

5





    5 5

0 0



5



door.

   



0 0

     

let ring



5



my

5





(D)



 

 

 

7 7

7 5

7 5 5

7 5

Outro A tempo

µ



(G)

(D)

(D) (A) (D)

 

                                                                

10

   

7 5

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Sorgdal

(A)

10

  

3

5 5



5 3

8

 

 

5 5

7 5



9

  7 7

 

7 5

7

5

  7 7

9

9

9

  

 

7 5

7 7



7 5

7 7

7

5

        7 5

7 5 5

7 5

from Creedence Clearwater Revival - Chronicle

Proud Mary Words and Music by John Fogerty C/G

A

G

F

D

Bm

Bm7 2fr

342 1

222

Intro Moderately q = 120 C/G A

134211

G

C/G

       

Rhy. Fig. 1A

                  mf



5 5 5

5 5 5

5 5 5

0 2 2

2 2 2

2 2 2

D

              1 1 2 3

1 1 2 3

 



1 1 2 3

3

13121

A

G

C/G

A

G

F

   

          

         

mf Gtr. 2 (clean)

13421

       

Rhy. Fig. 1 Gtr. 1 (clean)

132

2fr

3 2

5 5 5

5 5 5

5 5 5

0 2 2

2 2 2

2 2 2

3 2

5 5 5

5 5 5

5 5 5





2 2 2





1 1 2 3

3 4 5

D

End Rhy. Fig. 1 Rhy. Fig. 2



       

End Rhy. Fig. 1A Rhy. Fig. 2A

  

 

 

 

 

 

1 1 2 3

3 2 4

3 2 4

3 2 4

3 4 4

3 2 4



       

End Rhy. Fig. 2

 

 

 

 

 

 

 

3 2 4

3 4 4

3 2 4

3 2 4

3 2 4

3 4 4

3 2 4

     





 

End Rhy. Fig. 2A

3 2 4

 

 

3 4 4

3 2 4

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (4 times)

            D

1. Left a good job 2. Cleaned a lot of 3. If you come down

in the plates in to the

  

cit Mem riv -

 

y, phis, er,

                   and I nev - er lost one min - ute of sleep - in’, but I nev - er saw the good side of the cit - y You don’t have to wor - ry you have no mon - ey, ’cause

  

work - in’ for the pumped a lot of bet you’re gon - na

man pain find

  

  







ev - ’ry night and day down in New Or leans some peo - ple who live.

 3      

  

  

    

wor - ry - in’ ’bout the way things might have been. till I hitched a ride on a riv - er boat queen. peo - ple on a riv - er are hap py to give.

Copyright © 1968 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

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Pre-Chorus

2nd & 3rd times, Gtrs. 2 & 3: w/ Fill 2

A

G

Bm

Bm7 Bm

G

                                                     

          

Rhy. Fig. 3

End Rhy. Fig. 3

Gtr. 1

Big wheel

keep on

turn

-

in’,

Proud

           

 

 

 

  

 

 

 

  

 

 

 

    

0 2 0 2 4

0 2 0 2 4

0 2 0 2 4

0 2 0 2 4

0 X 0 X X

0 2 0 2 4

0 2 0 2 4

0 2 0 2 4

0 X 0 X X

0 2 0 2 4

0 2 0 2 4

0 2 0 2 4

0 X 0 X X

Gtr. 2

0 2 0 2 4

0 X 0 X X

Mar - y keep on

burn

-

in’.

Roll -

 

 

 

  

 

      

2 3 4 4

2 3 4 4

2 3 4 4

2 3 4 4

2 3 4 4

2 3 4 4

X X

*Gtrs. 2 & 3

5

7

5

7

  

7 7

     9 9

7 7

9 9

*Gtr. 3 (clean) played mf.

T o Coda 

Chorus Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 3 tacet

       D

-



2nd time, Bkgd. Voc.: w/ Voc. Fill 1

   

in’,

roll

Rhy. Fig. 4

           Gtr. 2

     -

   



in’,

          

roll

-

in’ on

a

riv

  -

 



er.

     Gtrs. 2 & 3                      

Fill 1A End Rhy. Fig. 4 Gtr. 3

               





End Fills 1 & 1A

   

 



3 X 4

 

Gtr. 2 Fill 1 divisi

3 2 4

3 2 4

3 4 4

3 2 4

3 2 4

3 4 4

3 2 4

3 2 4

3 2 4

3 4 4

3 2 4

Fill 2 Gtr. 2

 

3 2 4

3 2 4

  



  

3

5

2

  Gtr. 3

4

 

3

5 X 5

4

Voc. Fill 1



3 4 4

   2

 

3 2 4



  (Oh

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5 X 5

  

5 X 5



3 2 4

3 4 4

3 2 4

3 2 4

 

 

 

7

5

7

7

5

7

 

 

 

7

5

3

7

5

4

 Lord!)



3 2 4





3 2 4

5 X 5

7 7

7 X 7

5 X 5

3 X 4

3 X 4

5 5

Interlude Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A Gtr. 3 tacet

 

C/G

A

G



C/G

A

G



C/G

A

G



F

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

 

D







Guitar Solo Gtr. 1: w/ Rhy. Fig. 2 (4 times)

D

     *Gtrs. 2 & 3







7

9

7 7





    

7 7

9

7 7

7 7

8 9

 

 

    

  7 7 7

7 7 7

7

7 7

    

 

8

7 7 7

9

7

7 7

8 9

  7 7 7

    

8

7

7

7 7 7

9

7

    

 

7

7 7

8 9

 

 

 

7 7 7

8 7 9

7 7 7

 



7 7



7 9



7 7

*Composite arrangement

        

7 7

8 9

10 11

10

10 11

 

10 11

                   

    8 9

7

7

9

7 7

7 7

9

7 9

7 7

7 7

7 7

8

              

7 7 7

9

7

7 7

7 7

8 9

7 7 7

7 7

8 7 9

7 7 7



 

 



4

6

6

7

Gtr. 1: w/ Rhy. Fig. 3

    7 7 7



7 9



   7 7 7





7 9



 

 

7 7 9

7 7 9

  3 2 4



     3 2 4 5

A

    

7

7

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

G



Bm

Bm7 Bm





   G



Roll -

            7

6

6

4

          

6

9

6

9

7

7

       

9

7

7

6

7

7

D.C. al Coda

Chorus Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 4 Gtr. 3 tacet

Gtrs. 2 & 3: w/ Fills 1 & 1A

       

  

D

-



in’,

    

roll

-

  



in’,

         

roll

-

in’

on

a

riv

  -

 









er.

 Coda Gtrs. 2 & 3: w/ Fills 1 & 1A (2nd meas.)

    





Bkgd. Voc.: w/ Voc. Fill 1 Gtr. 1: w/ Rhy. Fig. 2 (till fade) Gtr. 2: w/ Rhy. Fig. 4

  



Roll

Gtrs. 2 & 3: w/ Fills 1 & 1A

     -

 

 

 

 

in’

on

a

riv

  -

 

 

-

in’,

 













er.

  

 

 

roll

-

in’,



roll -

Gtr. 2: w/ Rhy. Fig. 4

   Roll



 

 

-

in’,



 



  











   roll -

(Mmm,

Begin fade

    

 



-



 







  







in’,

roll

Gtrs. 2 & 3: w/ Fills 1 & 1A

 

 

 

 

 

-

in’

on

a

riv

  -

 







er.

   Roll -

mmm.)

Fade out

       

Gtr. 2: w/ Rhy. Fig. 4

-

in’,

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



    roll

     -

in’,





   roll

         

Gtrs. 2 & 3: w/ Fills 1 & 1A

-

in’

on

a

riv

  -

er.

 





from Creedence Clearwater Revival - Chronicle

Run Through the Jungle Words and Music by John Fogerty

D5

13

Drop D tuning: (low to high) D-A-D-G-B-E

Intro Free time * D5 Gtr. 3 (elec.)

  









 



  



  





mf w/ dist. & multi-tap delay 1/2



14

Gtr. 1 (elec.)

  

15

1/2

15 14

15

16

    

** p

mf



w/ dist. fdbk.



7

**Fade in

Gtr. 2 (elec.)

  



        mf

        

         

w/ dist. & heavy reverb P.S.



X *Chord symbols reflect implied harmony.

 X  X  X  X  X  X  X  X  X  X  X 

Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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Moderately q = 136 Gtrs. 2 & 3 tacet

D5

Rhy. Fig. 1 Gtr. 5 (acous.)













mp



8v a

     Gtr. 3















End Rhy. Fig. 1





pp 1

15

15

16

       Gtr. 1

 7

7

Gtr. 4 (elec.)



           

  

  



mf

  

 

  

3 2

3

     

P.M.

w/ clean tone, slackback delay & amp tremolo P.M.

1

3 2

2

2

1

0

3

0 0

0 Gtr. 2

             

0

1 2

0

3

2

1

1 1

3 2

2

1

3

0







 X  X  X  X  X 



Gtr. 5: w/ Rhy. Fig. 1 (2 times) Gtr. 1



Gtr. 1 tacet







     

          

pp

7

Gtr. 4



     

           

P.M.

1 2 0

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

3 2

1

1

0

3

0 0

0

3



1 2

0 2

3 2

3 2

1 1 2

3 2

3 2

2

1

3











 



1. Whoa,

Gtr. 4





  

           

1

3 2

2

1

1

0

3

0

Gtr. 6 (elec.)

  

mp

 





7 7

7 7

0 0

0



1 2

0

3

5 5

         

7 7

7 7

7 7

Verse



Gtr. 5



thought it





was

 

0

a

  



3 2

5 5

2

1

3

  

 

5 5

5 5

7 7

7 7

7 7

7 7

7 7

  

     

7 7

 

2

7 7

1

0

3

7 7

0 0

0 0



5 5

7 7

  

was

true.

so

  

  

 

1 1 2 0

3 2

3 2

3 2

 



 

5 5

7 7

5 5

7 7

3

0

7 7

 

5 5

  



      1

2

0

   

7 7



    

 



     



         

7 7



  

0





Lord, it

3 2

1



D5

3 3





0

night - mare,

   

  

1 1 2

Rhy. Fig. 2

 

 

   



3 2

2

0

w/ clean tone

5 5

        

  

1

0

3

 

0

         

End Rhy. Fig. 2

7 7

7 7

7 7

7 7

5 5

0

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 5



   

 

They told

me, “Don’t

 

Gtr. 4





  

go

    

1 1 2



walk - in’

             

           

slow,

on



     

Rhy. Fig. 3

the

        

3 2

1

2

0 3

3

dev - il’s

3

1

2

1

0

End Rhy. Fig. 3



loose.”

      

 

2

the

        Bet - ter

 

3

      

run



Gtr. 6: w/ Rhy. Fig. 2

0

0

0

0

3

1/4

0 3

 Chorus

Gtr. 5: w/ Rhy. Fig. 3 (2 times) Gtr. 6: w/ Rhy. Fig. 2 (2 times)

D5

through







the jun - gle.

Bet - ter

1 2

2

1

0

3

0

0 0

0



 

run

           



0

   



  

through

 



   



the jun - gle.

Bet - ter

run

           

w/ pick & fingers

3 2

0

3





  





  

0

1 2

2

1

0

3

0 0

0

0

3

0

2nd time, To Coda 1





the jun - gle.







Whoa,

3

1 2

2

1

0

3

0

0 0

0





don’t

           



0

 

3



look

back,

 

  

1 1 2

0

   

3 2

you

3rd time, To Coda 2 







see.

        





through





  





  

  

3 2

1

2

3

3 2

1/4

2 0

0

3

Verse Gtr. 5: w/ Rhy. Fig. 3 (2 times) Gtr. 6: w/ Rhy. Fig. 2 (2 times)



2. Thought I

heard





  3 2

0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

 

  

a

-

  1 2 0

rum

blin’

     1 1 2

  



3 2

call - in’

   





   



D5

3 2

1/4

 

3 2 3

 

to

name.

my

      1 2

0 0

    

3 2

1

2

3







       1

2

1

0

3

  0

D.S. al Coda 1

  

 



Two hun - dred mil - lion guns



 



3 2

0

  

  

are

Sa - tan

cries,

load

- ed.

         

  

1 1 2

    

1

2

3

3 2

3 2

1 2

2

1

   



“Take aim!”

     

 

2

   

0

Bet - ter

 

3

      

run



   

0

0

0

0

3

1/4

0 3

 Coda 1 Harmonica Solo Gtr. 5: w/ Rhy. Fig. 3 (4 times) Gtr. 6: w/ Rhy. Fig. 2 (4 times)

D5

*Gtr. 7

























3

mf 1/2

      

3

1/2

13





1/2

13

1/2

13

13

   

3

1/2

13

  

1/2

1/2

13

13

12

12 10

13

12

12

12 10

12

*Harmonica arr. for gtr.



      1 2

3 2

1 2

3 2



0

13

    

  

1 0

1 1 2

3 2

3 2

     3 2

1/4

 

1/2

13

13

1

3 2

 

1 2

1 2

3 2

     

3 2

1

2

1

0

   

 

 



12 12 12

10

 

3

0

   

1/2

13

    

  

0 0

3

1/2

13





3 2

      



13



3 2

0

1/2



  

1 2

0 0







  3

13

12

10

12

       1

2

1

0

3

12

12

10

         







Gtr. 4

0 0

0

3

0

1/4

0 3

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

13 14

13 14

 

 

         

   10

12

12

   

  3 2

1

2

3





13 14

3



 

 

1/4

 

12

12 10

12

     

 

1/4

3 2

3 2

1

2

1

0

3

0 0

  

         



 



1/4

2 3

  

12

1 1 2

0 0



13

14

         



12

1/4

1 1 2



13

12 10

  

  





 









 



    



  

10

12

0

1/2

14

13

13 14

12

12

 

 





   

 

13

12

13

13

12

12

    

    

 

12

        





13

1/4

1 1 2

3 2

1

2

3

3 2

3 2

2

1

2

1

0

3

0

0

0

0

3

0

1/4

0 3

Verse Gtr. 5: w/ Rhy. Fig. 3 (2 times) Gtr. 6: w/ Rhy. Fig. 2 (2 times)

D5



 

3. O - ver

on

the







3 2 0

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

moun



   



 -

tain,

 



12

14





3 2 0

  





   

  

  

3 2

1 1 2

thun - der

  

13

12



12

1

 

mag

spoke,

- ic



   

13

0



 1 1

3

0

   3 2

3 2

  3

 



     



10

        3 2

    

 2

14

12

10

     1

0

3

12

10

  0

“Let

 

the peo - ple



  

know



    

my

  

wis - dom,









fill

    

 

the

smoke.”

land

   

with





      



  

10

12

13

10

         

     

 

13

10

12

3 2

3 2

1

2

3

3 2

3

2

1

2

1

0

3

10

End Riff A

 

     



1/4

1 1 2

12



13





 

run

1/2

13

Riff A

 

Bet - ter

1/2



 





  

  

D.S. al Coda 2

0

0

0

0

3

1/4

0 3

 Coda 2

Harmonica Solo Gtr. 5: w/ Rhy. Fig. 3 (3 times) Gtr. 6: w/ Rhy. Fig. 2 (3 times)



D5



      

  

         

1/2

13

Gtr. 4





1/2

13

13

14

13

13

           1 2

3 2

3 2

3 2

3 2

1 2

3 2

14

13

 

Gtr. 4: w/ Riff A

   

3 2 0

12

12

10

12 12

13



1/2

13

     1/2

10

13

12

    

 

  

   

12

 



1/4

1 2

3 2

2

3 2

1

2

1

0

3

0

0



  







  

3

1/2

13

14



0

Gtr. 7

  





Gtr. 7

1/2

13

1/2

13

 

       

  



12

12

    

1/2

13

13

12

10

12

12

12

10

10

12

12 12 12

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 7 tacet Gtr. 1













* pp

7

Gtr. 7



  

  

  



1/2

  

   







mp

1/2

13

12 12

13

Gtr. 4



*Fade in



  

     

1 2

3 2

2

2

1

0

3

13

13

12

   

0

0

0

12



1 2

0

3

           

  

3 2

2

1

1

0

3

0

0

0

0

0

3

Outro Gtr. 5: w/ Rhy. Fig. 3 (till fade) Gtr. 6: w/ Rhy. Fig. 2 (till fade)

D5

8v a

*Gtr. 8 (elec.)















     

** pp w/ dist.

mf

1/2

17

17

15

    

*Bkwds. gtr. arr. for gtr.



**Fade in



 7

Gtr. 4





7

   1 2

3 2

2

0 Gtr. 2



           



1

1

0

3

0 0

0



3



     1 1 2

0

3 2

2

3 2

3 2

   



1/4

3 2 0

0



    



Gtr. 1

15 15

3

            

P.S.

X

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 X  X  X  X  X 

Begin fade





8v a



  



 



 



 



  

3 1/2

16

16

1/2

16

1/2

16

16

Gtr. 8 tacet



 

1/2

16

16

16

16

14

14

       7



  



1 1 2

1 1 2

 



1/4

1/4

3 2

2

1

3

 

 

        



 

 



 

 

3 2

3 2

0

0

1

2

1

0

0 0

3

 

1/4

1 1 2

3 2

     

3

0

                                                    X  X  X  X  X  X  X  X  X  X  X  X  X  X  X 

   

Fade out

Gtr. 2 tacet

Gtr. 1







7

 

 

 

Gtr. 4





 

3 2

2





1

3



 

 



 





 

 

2

0



 

3

0

1/4

0

5 6 5

3

2

3

1

1

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Susie-Q Words and Music by Dale Hawkins, Stan Lewis and Eleanor Broadwater

Intro Moderate Rock q = 126

      

 

*E



(Drums)





 

 

mf

   

       

Gtr. 1 (clean)

  

        



w/ pick & fingers



3 0

1/2

2

0

0

0

0

2

2

0

0

0

0

2 0

3

*Chord symbols reflect overall harmony.

 

 

Gtr. 1



 

           

  3

0

  

2

0

 

Riff A

              1/2

  3

0

0

0

0

2

2

0

0

0

2 0

3

0

0

Rhy. Fig. 1

       

       

mf

0

0

0

0

0

0

0

0

0

0

0

0

0

0

9 9 9 7

0

0

  

0

0 0

0

0

   9 9 9 7



             1/2

2

2

0

0

 

0

0

   9 9 9 7

0

0

2 0

0 3

End Rhy. Fig. 1

  

0

0

0

E



 

Riff B

 

    3

    

0

0

             2 0

   9 9 9 7



0

Gtr. 2: w/ Rhy. Fig. 1 (2 times)

 





0

  

0

End Riff A

 Verse

1. Oh,

Gtr. 1

 

0

Gtr. 2: w/ Rhy. Fig. 1

 

2

0

Gtr. 2 (clean)

0

           

   

0 0

2

    

Su - sie - Q. End Riff B







  

(1., 3.) Oh, Su - sie - Q. Well, say that you’ll be true. Rhy. Fig. 2





3

0



      2

0

0





2

0

Copyright © 1957 (Renewed) by Arc Music Corporation (BMI) International Copyright Secured All Rights Reserved Used by Permission

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     



    

  



A



Oh, Su - sie - Q, Well, say that you’ll be true

   



Gtr. 1

  

3

2



  

0

0



   

5

5 5 6 7 7 5

2

5

5 5 6 7 7 5

you, blue,

   Su - sie Su - sie

      

 



8 8 9 10 10 8

8





5

Gtr. 2: w/ Rhy. Fig. 1 (3 times)

      

5

Gtr. 1: w/ Rhy. Fig. 2

E

       



7

Like the way you walk. Well, say that you’ll be mine.

     

Gtr. 1



3

2

0

0

5

8

8

I like the way you Well, say that you’ll be

End Rhy. Fig. 2



5

5 5 6 7 7 5



8 8 9 10 10 8

    

7

7 7 8 9 9 7

7

           







Q. Q.

End Rhy. Fig. 3

5 5 6 7 7 5

5

-

7 7 8 9 9 7

                         

Gtr. 2

     

Rhy. Fig. 3

 

  



   

B

   

      ba - by I love and nev - er leave me



C





talk. mine.





2

0

To Coda 2

walk, mine,

A

C

    

B

I

like the way ba - by, all

            

you talk, the time,



To Coda 1 

E





I like the way you Well, say that you’ll be

Gtr. 2: w/ Rhy. Fig. 1



   

        

Gtr. 2: w/ Rhy. Fig. 3



Su - sie - Q. Su - sie - Q.

Guitar Solo

                     Gtr. 2: w/ Rhy. Fig. 1 (2 times)

Gtr. 1

E

w/ dist.



w/ bar 

1 w/ bar

1



                       w/ bar 

1

1

1

12

1/2

12 15

14

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14 12

14

12

12 14 12 14

14

14

14 12

14

12 14

12 14

12

14

14

14

14 12

Gtr. 2: w/ Rhy. Fig. 3

C

        

Gtr. 2: w/ Rhy. Fig. 1 (3 times)

        

A

 

B

E

         



3

P.H.

w/ bar 1

1

14

14

12

14

12

14

1/2

14

14

14

12

14

12

12

14

14

14

1/2

14

 

loco

15ma



1/2

14

     

1

14

14

12

14

12

12

12

Pitch: A Bb C# D

       Gtr. 1



12 14

                   

1

1

14 12

14

 

Gtr. 3 (dist.)

12

14

12

14

1

12



1

1

12



1

12

12

 

14 12

14

1

12

11

14

12

14

14





      

14

12

14



pp w/ fast amp tremolo

12

Gtr. 2: w/ Rhy. Fig. 2

Gtr. 2: w/ Rhy. Fig. 1

A

C

B

                     1

12

1

12

1

12

1

12

  

E







1

12

12 12 11



14

12

13

12

15

12



 mp

12

Interlude Gtr. 1: w/ Riff A (3 times)

E

  

Gtr. 3







ff





p gradually slow down tremolo

tremolo off

12

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D.S. al Coda 1 Gtr. 1: w/ Riff B















say

that

you’ll

2. Well,





be

true.



  

Gtr. 3 tacet

 Coda 1

Guitar Solo Gtr. 2: w/ Rhy. Fig. 1 (4 times)

E

  

 

Gtr. 1



 3

5

3

0

    

3

2

     

3

4

0

4

2



3

2

0

 



 

3

2

5

2

0

0

3

4

4

2

0

0

0

    E





w/ bar

0 5

3 4

             let ring

3

0

Em

3

4

0

0 5

0

             let ring

3

5

0

0

E Gtr. 1

2

0

3

0

4



                  let ring



5

3

4

0

 

 

               let ring

17

0 5















3

4

let ring

3

0

5

0

3

0

2 0

       

   

   

   

   

   

   

   

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 1 2 2 0

Gtr. 2

Rhy. Fig. 4

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

   

   

   

   

   

   

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

End Rhy. Fig. 4

    0 0 1 2 2 0

Gtr. 2: w/ Rhy. Fig. 4 (3 times)

 



Em

 

E

 

(Oo,

    



Em

 





let ring

w/ bar

0 5

5

17

0 5

3

E





0

5

0

3

3

 



0 5

4

 



oo,

              

w/ bar

0



oo,

                

 

let ring w/ bar

4

  oo,

Gtr. 1

 

  

17

5

0 5

w/ bar 



let ring

w/ bar

3

0

0

5

0

3

3

4

Gtr. 2: w/ Rhy. Fig. 1 (2 times)

  

Em



 

    

let ring



0 5

4

E





 

E7





 



oo,

 

             

5

17

0 5

w/ bar 

3

0

5

0

0

3

4





oo,

oo.)

 



w/ bar 

0 5

0 5

D.S. al Coda 2

Interlude Gtr. 1: w/ Riff A (3 times)

  



E











Gtr. 1: w/ Riff B





     3. Oh,

 Coda 2

   

Oh,

Su - sie - Q.

Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 1 (2 times)

  

  

Oh,

Su - sie

E

  -

  







Q.

  

  

Oh,

Su - sie

Gtr. 2: w/ Rhy. Fig. 3

    

  

 

A



Su - sie - Q,

    Gtr. 3

pp



  -







Q.

Gtr. 2: w/ Rhy. Fig. 1

    

 

ba - by,

you,

I

love

C



B



  

 

E

  





Su - sie - Q.







p grad. bend

w/ fast amp tremolo

7

 

7

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro-Solo Gtr. 2: w/ Rhy. Fig. 1 (till fade)

     

E

   





Gtr. 1

w/ bar 

w/ dist. 1

9



      

  

w/ bar 

1

9

9

7

9

9

9

7

9



    Gtr. 3

mf

7

7

9

      



1

9

7

1

9

9



7

1

8

8

9



f

p grad. release

1 3/4

1/2

7

7

                    

            w/ bar  1

8

w/ bar 

8

9

7

9

1

7

9

  

w/ bar 

1

9

7

9

7

9

7

9

7

9

7

9



9

7

7

9



pp

7

7

Gtr. 3 tacet

         Gtr. 1

1/2



                                      3

3

1/2

1/2

1

1

12 14

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Sorgdal

12



1/2

12

7

14

14

14

14

14

15

 w/ bar

1/2

1

1

12

14

1

1

12 14 12

14

12

14

14

14 12

14

12

14

12 14

14

14

14

           w/ bar

12



let ring

         1

14

12

14

12

12

16

14

12

12

15

14

          



1

1

12



Gtr. 3: w/ fdbk., amp tremolo & vol. swells (till fade)



15

1

12 12

15

1/2

12

15

12

14

                                            w/ bar

1/2

12 14

  

1/2

14 12

14

12 14 12 14 12 14 12 14 12

14

14 12

12 12

14

1

1

12 12 14

14

                       

1

12

15

1

12

15

12

15

12

         

3

1/2

14

1/2

1/2

12

15 12

12

14 14

14

12

1/2

1/2

12

15 12

12

12 14

14 12

14

1

12

15 12

12

12 14

14

14

Begin fade

  

 

      

1/2

  

12

15

12

1

14

14 12

1

14

             1

 

1

12 14

            

12

 

1

14

14



12



14



14 12



14

12



14

14 12

  

1

14

12

14

12

14

12

14

14

14

12

14

14 12

  

Fade out



1

14

14

14

12

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Travelin’ Band Words and Music by John Fogerty C#

B 4fr

F# 2fr

1333

1333

C#7 2fr

13421

2fr 3241

Intro Fast q = 168

C# **Gtr. 3 (clean)

    



mp



B

    



F#

    

 

C#7



 



                                                                        f

*Gtrs. 1 & 2 (clean)



6 4

6 4

8 4

6 4

6 4

6 4

8 4

3 1

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2 0

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

0

*Composite arrangement **Doubled by piano.

 Verse

2nd & 4th times, Gtrs. 1, 2 & 3: w/ Rhy. Fill 1 (4 times) 4th time, Gtr. 4 tacet

F#

                                                    1. 2. 3. 4.

Sev - en Thir - ty Sev - en com - in’ Take me to the ho - tel. Lis - ten to the ra - di - o Here we come a - gain on a

            

4 2



out of the sky, a, won’t you take me down to Mem -phis oh, well. Bag - gage gone, Come on, come on, Some - one got ex - cit - ed, talk - in’ ’bout the last show. Sat - ur - day night. A, with your fus - sin’ and your fight - in’,

    



    

4 2

4 2

Rhy. Fill. 1

Gtr. 3



F#

      



Gtrs. 1 & 2

 



on won’t had won’t



   

a mid - night ride? I wan - na you get me to my room? I wan - na to call the state mi - li - tia. Wan - na you get me to the right? I wan - na

   



4 2

 

4 2

Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

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Sorgdal

B

Rhy. Fig. 1A



     

     

 



move. move. move. move.

      



F#

                                                    Play

-

Rhy. Fig. 1

4 2

in’ in

a trav - el - in’ band,

             

             

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

6 2

4 2

4 2

4 2

yeah.

Well, I’m fly -

                                

6 2

4 2

0

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

T o Coda

C#

B

-

in’ ’cross the

land

   

     

try -

in’



                      6 4

6 4

8 4

6 4

6 4

6 4

8 4

to



get

a

     



                 

              





hand.



  Play

-

4 2

1.

6 2

4 2

4 2

4 2

6 2

6 4

4

2.

F#













     

6 4

a

8 4

C#7

        

     



in

6 4









    

End Rhy. Fig. 1

        4 2

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Sorgdal

4 2

6 2

4 2

4 2

4 2

6 2

1

  

6 4

8 4

band.

 0

F#

              

End Rhy. Fill 2A



wow!

 

Gtr. 4 (dist.)



  Gtrs. 1 & 2

6 4

Rhy. Fill 2A

A

    

trav - el - in’



3.

F# End Rhy. Fig. 1A

in’

             

              

4 2

C#



 f

             4 2

3 4

2 4 3

2 4 3

2 4 3 4

  

4

Rhy. Fill 2

End Rhy. Fill 2

          4 2

4 2

6 2

4 2

4 2

4 2

6 2

3 1

Guitar Solo

B

F#

                                                             

Rhy. Fig. 2A



     



let ring 1

1

14

17



let ring

let ring

1

14 17



let ring

1

14 14 17

14

14 17



let ring

1

14

14 17

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

6 2

4 2

4 2

4 2

let ring

1

14

14 17

  Rhy. Fig. 2                                  4 2



6 2



1

14 14 17



let ring 1

14



let ring 1

14 17

14



let ring

let ring

1

14 17

14 14 17

14

14 17

                 4 2

0

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

4 2

0

D.S. al Coda

B

    

                            

let ring



let ring

1

17



let ring

1

14

14 17



1

14

14 17

4 2

6 2

4 2

4 2

4 2

6 2



let ring

4 2

14 17





                    

let ring

1 hold bend

1

14

                     4 2

let ring

C#

14

1

14 14

14 17

17

17

14

1

14

16

14 16

14 16

6 2

4 2

4 2

4 2

4 4 2

6 4

6 4

8 4

6 4

6 4

6 4

1

14 16

4 4 2

8 4

6 4

  

End Rhy. Fig. 2A

     

1

                   

6 2



1

            4 4 2

      

1

14 16

1

14 16

16

End Rhy. Fig. 2

              let ring 6 4

6 4

8 4

6 4

6

6 4

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Sorgdal

 Coda

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fill 2 Gtr. 3: w/ Rhy. Fill 2A

F#

Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 2A *B

 

         A

 



wow!

      Gtr. 4





          

  

1

4

7

8

1

1

7

7

         1

7

10

1

7

10

10



7 10

7

7

10

10

8 9

*Chord symbols reflect basic harmony.

                  

          

F#





14 14

15 16

14 14 15

16

8 9

14 14

15 16

14 14 15

16

          







14

B

1

14 4 5

7

7

8

7

C#

    





10

10





7

7

     Oh,

        

               



let ring 1

7

10

7

1

7

7 10

7 7

10

7 7 8

9 9 10

9 9



let ring

1

9

1

9 12

9

7

 

I’m

          let ring let ring

1

9 12

10

play -

1

9 12

9

9 12

9 12

Chorus Gtr. 4 tacet

F#





                              

-

    

in’ in

        



                              Gtr. 3

a trav - el - in’ band,

play

-

in’ in

a trav - el - in’ band.

Want

Gtrs. 1 & 2

                                                               4 2

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Sorgdal

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

2

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A Gtr. 2: w/ Rhy. Fig. 1 (1st 4 meas.)

B

a





hand.

C#

Well, I’m

       

play

-

B

try - in’ to get

  

in

a

trav - el - in’

a hand,



play

-





band.

    Well, I’m

fly -

F#

       

 



in’ ’cross the land,

in’

C#

       

          -





to give my - self

 

F#

  



          

in’ in

 

a trav - el - in’ band.

A





  

wow!

                                                                    Gtr. 2

6 4

6 4

8 4

6 4

6 4

6 4

8 4

4 2

4 2

6 2

4 2

4 2

4 2

6 2

6 4

4

6 4

8 4

6 4

6 4

6 4

8 4

Outro

B

Gtr. 3

     





                 Gtr. 2

C#

      





6 2

4 2

4 2

4 2

3 1

6 2

        

             rit.

         

         

4 2

F#

     



4 2

0



rit.

4 2

4 2

4 2

4 2

4 2

3 1

4 2

4 2

4 2

4 2

4 2

4 2

6 4

6 4

6 4

6 4

6 4

0

                                                   Gtr. 1

4 2

4 2

             



rit.

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

4 2

4 2

6 2

4 2

6 4

6 4

8 4

6 4

6 4

6 4

6 4

0

4 2

4 2

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Cosmo’s Factory

Up Around the Bend Words and Music by John Fogerty D

A

132

G

123

21

3

Intro Moderately q = 130 *D

End Riff A

                                  

         

Gtr. 1 (elec.)

mf

 0

D

A

Riff A

 

w/ dist.



10 6

10

11

11

10

10 6

0

10

11

11

5

10 2

5

6

10

5

6

6

0

0

10

11

11

10

*Chord symbols reflect implied harmony.

Verse **D

A

D

                                                                 Rhy. Fig. 1



End Rhy. Fig. 1

Gtr. 2 (acous.)

mf

1. There’s a

place

up

a - head

and I’m go

-

in’

just as

fast

as my feet

can

fly.

Rhy. Fig. 2

                                                         let ring let ring let ring              sim. Gtr. 1

2 3 2 0

2 3 2

4 0

2 3 2

2 3 2

4 0

2 3 2

2 3 2

4 0

2 3 2

2 3 2

4 0

2 0

2 2 0

2

4 0

2 2 2

2 2 2

4 0

2 2 2

2 2 2

2 3 2 0

4 0

2 3 2

2

2 3 2

4

**See top of page for chord diagrams pertaining to rhythm slashes.

Gtr. 2: w/ Rhy. Fig. 1

          Come a - way,

come a - way

                 let ring

2 3 2 0

2 3 2

4 0

2 3 2

2 3 2

4 0

2 3 2

        if you’re go

-

     

 

A

in’,

leave the sink

-

in’

ship

                            let ring 2 3 2

4 0

2 3 2

2 3 2

4 0

3 2 0

2 2 0

2

4 0

2 2 2

2 2 2

Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved Reprinted by Permission of Hal Leonard Corporation

4 0

2 2 2

    be

D

      -

hind.

         2 2 2

4 0

2 3 2 0

 

End Rhy. Fig. 2

 

 

 

2 3 2 0

2 3 2 0

2 3 2 0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus G

   

D

             

Rhy. Fig. 3A Gtr. 2

 

Come on

5 5 3

5 5 3

G

      

                  

the ris - in’ wind,

Rhy. Fig. 3

      

A

           3 3 4 5 5 3

0 0 0

2 3 2 0

we’re go -in’ up

               

2 3 2 0

2 3 2 0

0 0 0

D

2 2 0

2 2 0

2 2 0

2 2 0

  

  

2 2 0

2 2 0

    0 2 2 2 0

a - round

    

           0 0 0

5 5 3

A

3 3 4 5 5 3

5 5 3

           

End Rhy. Fig. 3A

the bend.

Oo! End Rhy. Fig. 3

                            let ring  sim. 0 0 0 0 0 0 0

3 2 0

3 2 0

3 2 0

0 0 0

2 2 2

2 2 0

2 2 2

2 2 0

2 2 0

2 2 2

2 2 0

2 2 2

 Verse

Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 1 (2 times)

      

D

and a smile der per - pet to the end

Chorus

    

the end for a good a - head

to up

Come on

-

of the high con - ver - sa and I’m go -

     



jo. tion, way

Bet - ter get fix your mind and we’ll meet

    

   

D

 

the ris - in’

A



     

wind,

           

   

go - in’ up

the

G

we’re

get - tin’s tal big red

 

  

turn where the ne - ons there’s an ear for what come a - long, come a - long

way tion, in’;

 

while the on a crys by the

A



   

 

A

T o Coda

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

G

for the ban u - al mo of the high

      

          Hitch a ride Al -ways time There’s a place

2

2 2 2

2

2 2

D

a - round



  

 Yeah!

      good. day. tree.

D

      wood. say. me.

to you with

  

A

D





 

Oo!

bend.

Interlude Gtr. 1: w/ Riff A (2 times)

       D

Gtr. 2

2 3 2 0

 

 

2 3 2 0

2 3 2 0

Fill 1 Gtr. 3

 

   

A

Sorgdal

 

2 3 2 0

0 2 2 2 0

         12

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 





1

2

2

3rd time, Gtr. 3: w/ Fill 1

            2. Bring a song 3. You can pon 4. Catch a ride

2

12 10

12

10

   



   

D

 

 

0 2 2 2 0

2 3 2 0

         



1 12

12 10

12

10

 

 

2 3 2 0

2 3 2 0

       2 3 2 0

  

  

2 3 2 0

2 3 2 0

   

    

A

  

  

2 3 2 0

0 2 2 2 0

D

  

  

0 2 2 2 0

2 3 2 0

   

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

 

G

D

A

G



D









  

A



D.S. al Coda

 

Oo!

 

Gtr. 3 (elec.)

 

                               



  



f w/ dist.

0

2

1

4

3

1 hold bend

5 3

5

4

2

1

5 4

4

4

2

0

2

4

3

5

1 hold bend

5 3

4

 Coda

1

5

2

4

4

4

2

1

   let ring  1

5

5

5

4

4

4

4

2

Outro

   

Gtr. 1: w/ Rhy. Fig. 2 (till fade) Gtr. 2: w/ Rhy. Fig. 1 (till fade) 2nd & 3rd times, w/ Voc. ad lib.

   

A



 

D







Yeah!

  Gtr. 3

  Doot,



 



 



 

  

5

6

7

6

 



 

doot,

do,



5

7

Play 3 times and fade

  



 

doot,

do,

     5

6

7

 5





A









do.



 7

  Doot,



   6

7

 5

   6

7

 5



 7

D



  7

 





 

do,

do.

    3

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Creedence Clearwater Revival - Chronicle

Who’ll Stop the Rain Words and Music by John Fogerty C/G

G

342 1

32

D/F#

4

T

Am

132

Em

231

23

Intro Moderately fast q = 123

G

D/F#

Riff A Gtr. 3 (acous.)

      



 

Em

 



D/F#

 

 



 

 

End Riff A

mf let ring



3

0

Rhy. Fig. 1 Gtrs. 1 & 2 (acous.)

3

0

0

0

0

  

  

  

  

  

  

  

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

mf



0

3 0

End Rhy. Fig. 1

            3 0 0 0 2 3

3 0

3 0 0 0 2 3

   

*T

  

  

  

  

  

  

  

  

  

  

  

  

  

   

2 3 2 0 0 2

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

2 3 2 0 0 2

T

*T = Thumb on 6th string

Verse Gtr. 3 tacet





G



G

  



    

1. Long



     



 

 



0

3

0

0

I

re

-

mem

    -

 



ber,

the





let ring

3

as

 



3 0

    

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

Rhy. Fig. 2

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

   

Copyright © 1970 Jondora Music Copyright Renewed International Copyright Secured All Rights Reserved

   

   

   

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C/G

     rain Gtrs. 1 & 2

been com

   

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

   -







in’

down.

  

  

  

  

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3



  con

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3



 

Good men

   



  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

  



    

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3







fu

-

sion

on

the

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

  





-

   

   

   

   

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

   

 

 

  

and

I

won

   

   

   

  

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

  

   3 0 0 0 2 3

pour End Rhy. Fig. 2

  

  

3 0 0 0 2 3

3 0 0 0 2 3



  

  

   

   

   

   

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3







  

   

t’ry

  

ges

  

-

 

ground.



  





C/G



 

G

 

G

  



    

3 0 0 0 2 3



C/G

 

3 0 0 0 2 3

  

G



  

  

a

  

    

Rhy. Fig. 3

   

  

  

the

mys

  

  

through

of

  

   



Clouds

  

   





  

   





  

C/G

-









in’

   

C/G

  

-



    

  

G

   

try

-

in’

to

find

  

   

   

   

  

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

    

  

   

D/F#



-

der,

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

   

still

I

won

  

   T

  

  

  

0 1 0 2 3 3

2 3 2 0 0 2

2 3 2 0 0 2

2 3 2 0 0 2

2 3 2 0 0 2

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3







the

sun;

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

    -

  

   



der

  

  

  

2 3 2 0 0 2

2 3 2 0 0 2

2 3 2 0 0 2



Em

   

who’ll



Gtr. 4 (elec.)



G

 

 

 

stop

the

rain?



     





     







mf w/ clean tone let ring

2

4

3

3 2

4

2



      let ring

0 0

Gtrs. 1 & 2

             0 0 0 2 2 0

0 0 0 2 2 0

  

0 0 0 2 2 0

  

0 0 0 2 2 0

  

  

  

0 0 0 2 2 0

0 0 0 2 2 0

0 0 0 2 2 0

2

0

0

2



0

End Rhy. Fig. 3

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 3 meas.)

G

   2. I





 

went

 

down

Gtr. 4



Gtr. 4 tacet

 Vir

-

 



gin

-

  





ia





seek - in’







C/G







-

ter

from

shel









the

storm.



3





G





Gtrs. 1 & 2



    

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

   

 



 

Caught

up

in

   

   

   

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3



   

Bm

 

  





the

fa

   

   

   

Rhy. Fig. 4

  

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2

2 3 4 4 2



-





ble,

  I

  

  

  

 

2 3 4 4 2

2 3 4 4 2

0 0 0

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4 tacet

C/G

G

  

the

tow



Gtr. 4





      

watched

-

er

C/G

  



grow.

Five year

Riff B



 









7 5



   

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

  

5

  

  

  

  

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

Gtr. 1: w/ Rhy. Fig. 3

C/G





deals

D/F#

      still

I



Gtr. 4



 

 

won

    -



der







wrapped

in

gold

Em



 



 

-

en

chains;

 

 

who’ll

stop



    the

3

  

End Rhy. Fig. 4

  

  

  

  

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

G



G





Sorgdal

 

 

  

and

I

won

     





     



  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

     -

der,



rain?

2

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  

   

C/G

let ring

4

new

4

Gtr. 4: w/ Riff B

G

   

3

and





5

7

plans

End Riff B  

let ring

Gtrs. 1 & 2

     

4

3



2

4

2

 0





Interlude

C/G Gtr. 2

G

D/F#

      

Am

C/G

Em

D/F#

              

      

(cont. in notation)

    Gtr. 4

2

  

2



0

0

                      let ring Gtr. 1

       

0

0

0

0

0

0

0

     

  

  



f

mf

0

2

2

  

               let ring

0 1 2 2 0

0 1 2 2 0

        f

0

2

2

2

2

2

0 1 0 2 3 3

0 0 0

3 0 0 0 2 3

3 0 0

0

2

   

  

T

0 1 0 2 3 3

2

T

2 3 2 0 0 2

0 1 0

0 1 0 2 3 3

0 1 0

0 0 0 2 2 0

2 3 2 0 0 2

G



Gtr. 4









3

Gtrs. 1 & 2

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

mf

   

   

   

   

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 2: w/ Rhy. Fig. 2 Gtr. 4 tacet

G



Gtr. 3

   



3. Heard

the

mp







 

-

ers

play

sing

 

   

-



ing,

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

mf

 









we

cheered

C/G



  



how



Gtr. 4



 



 



    

Gtr. 1





 

G

 







for

more.















 



 



  

2

0

2

   

  

  

  

  

  

  

  

  

  

  

  

  

  

   

   

   

   

   

   

   

   

   

   

   

   

   

   

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

Gtr. 1

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



The

0





(cont. in slashes)

Gtr. 3 tacet

Gtrs. 1 & 2: w/ Rhy. Fig. 4

G

Bm

                  Gtr. 1

crowd had

rushed



Gtr. 4

to - geth

C/G

   -

 

er,



 

G

   

       

 

try - in’

to

warm.

keep







         let ring

 



7 5

5 X 5

7

3 X 4

3

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1st 3 meas.)

      C/G

Still the



      rain



kept

C/G

   

  pour

-

   

7

  

  

  

C/G



and

I

won

     -

der,

Gtrs. 1 & 2



                  

   still

I

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

0 1 0 2 3 3

fall - in’

on

    my

 

G



 

ears;

  







let ring

3 X 4

3 X 4

won

  

  

  

  

  

0 1 0 2 3 3

0 1 0 2 3 3

2 3 2 0 0 2

2 3 2 0 0 2

2 3 2 0 0 2

2 3 2 0 0 2

     let ring

7 5

     

  

T

0 1 0 2 3 3

7

D/F#



  

    

let ring

5





in’,





Gtr. 4 tacet

  

G

 

 

 

 

who’ll

stop

the

rain?

Em



-

der

  

  

     

     

2 3 2 0 0 2

2 3 2 0 0 2

0 0 0 2 2 0

0 0 0

7

 

3 7

3

     

4

 

     

Outro

Play 4 times & fade

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (till fade) Gtr. 3: w/ Riff A (till fade)

  

G





D/F#

Em





D/F#



7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

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