Complete Guide to Ornamental Leather Work

COMPLETE GUIDE TO THE

ORNAMENTAL

LEATHER WORK.

LONDON PUBLISHED BY

J.

RETELL,

:

272

OXFORD STREET

SOLD BY T.

T.

LEMARE, OXFORD ARMS PASSAGE, PATERNOSTER ROW;

B. .SMITH, 107,

FLEET STEEET; AND AIL BOOKSEILEHS. Jlalf-a-Cromi.

REVELL'S COMPLETE GUIDE TO THE

OMAMESTAl LEATHER WORK. GENERAL REMARKS. WE

feel

requisite

assured that a long introduction to the reader

or publisher of a

is

neither

Work

like

the present, and shall, therefore, merely say, that the great success our former

little

Works have met

with,

has induced us to send forth this edition, in which will

be found every particular connected with this very useful

source of amusement and fashionable department of

practical art.

The

illustrations are furnished

pupil of the School of Design, prize for

who

by a

late

obtained the highest

Flower Painting, assisted by a student of the

ROYAL ACADEMY OF ARTS.

Every example given has

been practically tested, and, in most instances, the drawings have been copied from the models executed in leather,

and

will

design.

be found to combine durability with beauty of In order to make the leather modelling as

durable as possible,

we have

not departed from nature in

the finished form, but in the

example,

we make

piece of leather.

mode

of construction; for

several portions of a flower in one

The Narcissus and

Lily have each six petals

;

in

the beautiful

the entire corolla of the flowers in one piece

White

we make

both instances, ;

thereby,

while losing none of the beauty of the natural form of the flowers,

we

gain strength and solidity

petals of the Lily or Narcissus to be pieces, one,

if

;

as,

were the

composed of

imperfectly cemented, might

fall off

six

and

detract from the beauty of the entire piece of work.

our method of proceeding,

mention

this,

in

as,

it is

impossible to do so

we

at perfectly correct

and

artistic

from the

differ

botanic construction, while, at the

it

impracticable to

piece of leather

must be taken

;

where

to have

literally

same time, we

arrive

formation.

In some flowers, as in the Hop, Dahlia, &c.,

found

we

Making and

our description of

Modelling Flowers in Leather,

By :

we have

combine many petals

in

one

this is the case, especial care

good

liquid glue,

and fasten each

petal securely.

All leather to be used in Modelling Leaves, Flowers, &c.,

must be

as this

is

first

wetted, and modelled while wet

;

and

a general rule, the student will understand that

mention of the necessity of

this operation

will

not in

every instance be repeated.

Amongst

the

applied, that of

many

uses to which Leather

ornamenting Pulpits

will

capital field for the display of this art, as

Work

is

be found a capable of

it is

B 2

xii.

being moulded into any form, and nothing can possiblv

have a more substantial and beautiful appearance.

of varied form,

Glasses

fashioned goblets, as well as ture, can Lilies

many

of

and

old-

modern manufac-

be covered on the outside with Leather

of the

trailled

as jelly glasses

Valley, and other such

Work

flowers,

round a groundwork of leaves, and being

being eithei

gilded or stained, look exceedingly well; and as the\ are capable of holding water,

become

really useful at

well as ornamental articles for bouquets of flowers.

Fire-screens and scroll the

same manner,

for frames.

wool,

or

work

are executed exactly

ir.

as described in the following pages,

Fire-screens are generally

some other fancy work.

filled

with

Berlii;

Those who would

prefer to have an entire piece of Leather

Work, cat

paint landscapes or flowers upon white leather, usinsr

the same for

body

colours.

medium which

is

used at the School of Desigi:

colour painting, mixed with finely powdered

Gold Leather

Work

looks remarkably well upon a

blue or crimson velvet ground, and frames,

fire

When

screens, &c.

makes very

rich

tastefully arranged, the

flowers and leaves upon these grounds have a very

mag-

nificent appearance.

Amongst

the numerous articles which admit of being

ornamented with

leather,

brackets, vases, pole and

may be enumerated

hand

racks, music and watch stands.

frames,

screens, card plates

and

imfte

teamwitai

to

ftatkr

THE MATERIALS.

The principal Materials required for

this

Basil Leather.

Skiver ditto.

A

Bottle of

Oak Varnish

Stain.

Ditto Spirit Stain. Ditto Shaw's Liquid Glue.

work arc-

REVELl/S COMPLETE GUIDE

16'

A

Bottle of Stiffening.

A

Small Hammer.

A

few Brushes,

Some

Tacks.

A

pair of Nippers.

A

Veining Tool.

A

few hard Steel Pens.

Bradawl. Pair of Scissors.

A

Leather-cutting Knife.

Grape Moulds. Ditto for Passion Flowers.

Fine Black Lead Pencil.

TO

ORNAMENTAL LEATHER WORK.

1

7

LEATHER.

The kind it

of leather used for general purposes is basil

;

should be selected of an even texture and of a light

colour, as the lighter coloured basil takes the oak var-

nish stain better than the dark.

Great care must be taken to select

from blemishes, as

work when so

if

finished,

even by

good an appearance

skilful artists,

The

soft

is

skilful

is

and

free

used, the

hands, will not have

as the production of

where good

skiver leather

it

dark and rough leather

much

less

basil leather is used.

used for making grapes, or very

small leaves and flowers, and can be obtained at the

same place

as the basil leather

useful for thin stems

work.

;

this

kind

is

also very

and any minute portion of the

REVELL

IS

S

COMPLETE GUIDE

DIRECTIONS FOR MAKING THE LEAVES.

Sketch, either from nature,

or

from the example

annexed, the leaf you intend to copy, upon pasteboard cut

it

out very carefully

No.

1.

cold water for half a minute (not longer),

leather

is

;

then place a piece of basil in

;

unusually thick

;

unless the

the leather should then be

taken out of the water, and pressed in a linen cloth until the it

surface

quite

flat

becomes dry.

Being thus prepared, lay

and place upon

it

the pasteboard pattern,

TO ORNAMENTAL LEATHER WORK.

it

holding

firmly

down with

the

left

19

hand, while with

the right, draw a line round the pattern with a fine hard

black lead pencil or the veining tool is

damp

:

while the leather

cut oat the leaf with a pair of scissors or with

the leather-cutting knife, as occasion are

smaller or larger leaves

may require when ;

required,

made

enlarged, sketch should be taken, a pattern

pasteboard, and applied in the same

above, cutting out as

many

manner

leaves as

or

a reduced,

you

of

it

in

as described require,

and

generally making about four sizes of them, as varying

much

the sizes of the leaves adds foliage.

Leaves

all

to the beauty of the

the same size would have a very

formal appearance, as they must be veined before they

allowed to dry;

are

much

too

leather

must not be

wetted at a time, nor more leaves cut out than can be

To

veined. tool

vein the leaves,

pressing heavily on the required

be

mark them with the veining

on the smooth side of the leather strongly, by

visible

leaf,

where a thick vein

and more lightly where only

;

;

for raised veins

of scissors for the large,

employ the end of a and a hard

is

finer ones should

steel

fine pair

pen for the

REVELL

20 smaller

veins.

S

COMPLETE GUIDE

Being veined, the leaves

should be

bent and moulded as they are to appear upon the work

when

it is

quickly, as

completed it

:

they should then be dried rather

greatly assists in the hardening.

TO ORNAMENTAL LEATHER WORK,

TO HARDEN THEM

Wiicii the leaves are thoroughly dry, brush

them

all

over, particularly the edges with the prepared stiffening

applying

it

with a camel's hair pencil, nimbly, as

very rapidly, apply cover the stainiu

;

are those

in

the cup

this completes the fully-

72

CHERRIES.

Cherries are

made

in the

same manner

as grapes,

the stalk neatly covered with skiver leather.

and

TO ORNAMENTAL LEATHER WORK.

73

APPLES, *c,

Apples and pears can be turned in wood be

bare, or covered with skiver leather

left

much

better covered with skiver,

work, properly speaking; or

and

fruit

;

;

they

may

they look

are, then, leather

may be moulded

in

plaster casts with gutta percha.

Carved wood figures may be draped with tolerable success with the skiver leather, but

we have never seen

any that looked well enough when finished to repay the time and trouble.

74

RKVELL'S COMPLETE GUIDE

TO MAKE

SIZE FOR STIFFENING

THE

LEATHER WORK.

Simmer 4 till it is

may

oz. of strips of

arise to the surface,

then strain

sieve, or cloth, into a basin will

be firm and clear

much

as

parchment in 8 oz. of water

reduced one-half; skim off any impurities that

;

;

when

you want, and warm

leave

it

it till

through a cold,

fine

when

it

required for use, cut off as it.

Use while warm.

TO ORNAMENTAL LEATHER WORK.

TO MAKE STIFFENING WHICH

IS

NOT

AFFECTED BY DAMP.

Mix,

cold,

2 oz. of Australian red gum,

orange shellac, | pint bottle,

and shake

dissolved;

it

and

strain,

spirits

it

is

preferable to the above size, dries

quicker,

affected

is

by damp

of wine; put till

up occasionally fit

as

for it

use. is

the

change of weather.

of

into a

gums

This

is

are far

more hardening,

always ready for use, and in

6 oz. all

is

never

REVELL

S

COMPLETE GUIDE

TO MAKE MAHOGANY VARNISH STAIN,

WHICH DRIES

iMI.:

cold,

f

Ib.

and

it is fit

for use.

A FEW MINUTES.

Australian red

shellac, 1 pint spirits of

shake occasionally,

IN

till

wine the

;

gum,

-j

Ib.

garnet

put them in a bottle, and

gum

is

dissolved

The above makes

;

strain,

a capital varnish

for leather of all kinds, especially for the leather covers

of old books

;

it

preserves them, and gives an appearance

almost equal to new.

TO ORNAMENTAL LEATHER WORK.

SPIRIT

OAK VARNISH STAIN

Can be made by adding

to the above

mahogany

a small portion of vegetable black, and shaking well incorporated. surfaces

To

we have found

same manner

as a

it

stain, till

up

use the spirit oak stain on larger it

preferable to apply

French polish

and wax be perfectly rubbed

it

in the

let all

namely,

dirt

with fine glass paper,

off

till

quite smooth, then make a flannel rubber in the form

of a printer's dabber, put a

and put a clean oil,

calico

little

rag over

it

;

stain

on the dabber,

apply a

little

linseed

with your finger, to the calico, and commence rub-

bing over a small space, in a circular direction (never suffering the rubber to remain it

become

on,

till

on any

tacky, then apply a

little

the stain on the rubber

the stain

become too thick

to

is

part),

more

till

oil,

exhausted.

work

freely,

you

feel

and so Should

add a few

REVELL'S COMPLETE GUIDE

78

drops of spirits of wine, and shake

When you it

have raised a

it

well together.

over the surface,

fine polish

remain a few hours to harden, then take a clean

and just damp

calico,

it

with

let

bit of

of wine, rub

spirits

it

lightly over the surface in a circular direction, which,

repeated two or three times, will clear off leave the

most

In this latter process of finishing cautious not to

damp

instantly destroy

and not

often,

carved work directed,

The

tum

;

it

it

all

the polish

suffer is

it

fire,

letting

think

it

change the rag

it

For

as before

stain with a camel's-hair brush, it

dry between each application.

is

that is

made with

asphal-

attended with great

best not to give the particulars

Can be procured cheaper than

quantities.

you must be

on any part.

only necessary to clean

best oak varnish stain

we

off,

also, to

;

to remain

but, as the manufacturing

danger,

smears, and

the rag too much, for that would

and apply the

by a gentle

all

beautiful gloss ever seen.

it

could be

made

;

and

in small

ORNAMENTAL LEATHER WORK.

TO

79

TO PRESERVE LEAVES AND KEEP THEM FORM FOR IMITATION. Procure 1

Ib.

or

more of white

starch powder,

well in an open dish before the

when

side to cool,

fire,

it

put

IN

dry

it

on one

quite cool, put a layer of half an inch

bottom of a small box, observing that the box

at the

also is dry

summer starch

;

day,

powder

gather the leaves,

if

on a

possible,

fine

and lay as many leaves gently on the at the

bottom of the box as can be done

without interfering with each other, then sprinkle starch

powder over them, and shake settles all

are

it

down

so that the

round above and below the leaves

powder

until

they

completely covered, and about half an inch of the

starch

powder above them, then put another layer of

leaves,

and proceed with the starch powder as before

until the

box

is

filled,

then press the top part, quite

of starch powder, fastening the lid of the

down

until the leaves are required.

Ferns and

full

box firmly flat

leaves

can be preserved by placing them between sheets of blotting paper under a weight.

80

REVELL'S COMPLETE GUIDE

TO GILD LEATHER WORK.

The materials necessary for gilding of

A A

Gilder's Knife. ditto Cushion.

Some Gold

A

One

Leaf.

Cotton Wool.

little

A few A

this kind are

Camel's Hair Pencils.

or two Hog's Hair Tools.

Tip.

Oil Gold Size.

Fat Oil.

Drying

Oil,

and a

Burnishing Stone.

They

cost only a few shillings,

very long time.

and with care

last

TO ORNAMENTAL LEATHER WORK. Size the cut

wood work

the leaves, and

all

ner ; size them

down

secure

it

:

twice over with parchment size,

make the

flowers in the usual ;

and glue them when tacks would look

needle points are very useful in this

firmly,

parts are dry

man-

over twice with parchment size nail them

all

to the frame,

unsightly

Si

and cut them short

all

work

to

when the glued

off

the flowers and leaves being attached,

go over the entire work again with parchment size very thinly

the parchment size

;

the size

is

dry,

mix well

must he used warm

in a cup

vessel about an ounce of oil gold size, parts of

fat

oil

the consistence of it

and drying

and with equal

thin the gold size to

oil

;

brush equally and very thinly

for

when

cream take a hog's-hair tool, and with all

over every part that

can be seen with this prepared gold side

;

or any clean earthen

size, set it

an hour or two or more, until

it

on one

has become

almost dry, and just sticks to your fingers when touched: it

must now be gilded

book of

gold, handling

all it

draft, as a current of air

over,

quietly,

and to do

this,

take a

and mind there

would blow

all

the gold

is

no

away

:

turn out of the book two or three leaves of gold upon

REVELL'S COMPLETE GUIDE

82

the cushion, and blow gently upon the centre of each leaf,

to

make them

lay flat on the cushion

;

with the

gilder's knife cut the gold leaves into the sizes required

to cover the

work, and with the

tip or the gilder's knife

take up the gold from the cushion and lay

frame

till it is

covered, pressing the gold

it all

over the

down with a large

camel hair tool or a piece of cotton wool, taking care not to rub

it

backward or forward, but to put

down on

to the

work

;

it

very straight

should there be any holes

left,

cut small pieces of gold leaf and lay over them, pressing

the gold down, proceeding in the above

frame

is

covered

to dry an

all

over with gold

;

it

manner

till

the

must then be

left

hour or two, and when dry brush

all

the loose

gold off with a large camel hair or badger's hair tool,

and the gilding

is

completed.

Leather work gilded by

the above process will bear washing, and

durable kind of gilding known.

is

the most

TO ORNAMENTAL LEATHER WORK.

83

TO BURNISH COLD.

and any wooden part attached to leather work

u:

ran be burnished, which adds

work, and of the

is

much

to the variety of the

done in the following manner

work intended

to be burnished

:

that part

must be prepared

exactly as above, except that instead of using the pre-

pared

oil

gold size take the white of an egg and give the

work a coat

of

it,

let

it

dry, then give

and when nearly dry see that the gold leaf

all

over

hard; then burnish

;

it

leave

it

it

it

another coat,

lays on 'evenly

;

applv

an hour or two to becorrn

by rubbing

it

all

over with a bur-

84

REVELL

8

COMPLETE GUIDE

wishing stone or any very hard and perfectly smooth

This burnish gilding

substance.

than the durable.

oil

is

far

more

gold, but will not wash, and

brilliant

is

not so

TO ORNAMENTAL LEATHER WORK.

85

BEE HIVES.

Bee Hives can be made with Cut a piece of wood wind and glue upon and

it

finishing off at the

leather stems, as follows

to the shape

and

size required

the stems, beginning at the top

bottom.

To

join

to hold

them

liquid

tie

the hive

visible

can be cut

is

fit

;

a piece of thread round

tightly together until the

When

To

glue, and

;

join the stems as

you proceed, cut each end to an angle, so that they

them with

:

;

glue

is

completed, that portion of thread

dry. left

off.

imitate the tying seen in hives,

mark with

a pen,

or a camel's hair pencil, with the darkest stain, lines and

dots from top to bottom

lower

tier to

make the

;

cut a small piece out of the

entrance, and put a

at the top with a piece of stem.

little

handle

RKVELL

si)

When made

s

as above,

COMPLETE GUIDE on wood, and well glued, they

can be sawn in halves, thus making two. Placed amongst foliage, frames, &c.,

a pleasing effect.

they are quite in keeping, and have

TO ORNAMENTAL LEATHER WORK.

S7

TO PAINT ORNAMENTAL LEATHER WORK.

Use

finely

powdered

colours,

and mix them to the

consistence of cream, with the following

the white of an

egg with 2

medium

Mix

:

oz. of pure distilled vinegar

;

put them into a bottle and shake them well together

whenever you are about to mix any colours with

mix

the colours with parchment size

warm

:

or

mix them with a weak

and, in either case, varnish pale varnish,

solution of

them with

;

it

:

or

use while

gum arabic

;

a quick drying

Oil colours will not do for painting this

kind of materials

:

any of the above mediums, properly

prepared, will answer well.

with brilliant

warmed

effect.

Gilding

may be

interspersed

REVELL

S

COMPLETE GUIDE

A QUICK MODE OF STAINING.

The qucikest mode

Work

is

as follows

:

of staining the Ornamental Leather

Procure a bottle of

CHYMICAL OAK COLOUR STAIN. not will

soil

REVELL'S

This preparation will

the hands, or the finest linen or woollen fabrics

not stain

wood

leather to which

it

is

;

or any other substance than the applied, to

which

perfect appearance of old oak without

it

imparts the

any

gloss, at the

same time hardening the leather without injuring

it.

TO ORNAMENTAL LEATHER WORK.

89

DIRECTIONS FOR USE.

Having your

leaves,

c.,

cut out and dried, pour

copiously with a camel's hair brush,

all

back and front, particularly the edges

damp

some

and apply

of the contents of this bottle into a saucer,

it

over the leaves,

bend them while

;

you wish them to appear upon the finished

as

work, then dry them rather quickly tance from the

fire,

at a

moderate

or in a current of air

;

dis-

when dry

they are ready for use.

The and it

leaves, &c., can be attached to

it is

completed.

When

any form of work,

the entire work

can be varnished at pleasure, as follows

bottle of entire

RKVELL'S

OAK

work an even coat

:

is

complete,

Procure a

SPIRIT STAIN, and give the of

it

;

it

dries in a few minutes,

and has the appearance of polished oak.

REVEbl/S COMPLETE GUIDE

90

TO STAIN WOODEN ARTICLES.

If all the

work

to

is

in dull if

To

ner.

put upon

be

left

OAK

bracket, &c., a coat of

dull,

give the frame or

SPIRIT STAIN, which dries

new wood,

not prepared in any

prepare wooden frames, &c., so that the

SPIRIT STAIN shall assume a polished surface, necessary to size the frame well and leave

when

it

dry, give

one or more coats of

it

OAK

man-

OAK it

is

to dry;

SPIRIT

STAIN.

Those who prefer making the Oak do so by with

referring to the receipt in this

little

tralian

Red

trouble,

Gum

and, although

;

and a

many

when they have

is

composed

new article

book

;

it is

principally of

made Aus-

most of our readers

druggists, &c., have procured

received orders for

say, in several instances, they article

to

Spirit Stain, can

of that description;

it,

we

;

it

are sorry to

have said there was no

or else have substituted a

TO ORNAMENTAL LEATHER WORK.

91

kind of gum, perfectly worthless for

different

this

pose ; consequently, disappointment has ensued

;

pur-

and in

order to protect the public from being imposed upon,

and ourselves the disgrace of publishing anything not practicable,

we came

we

to use

In the

are obliged, in self-defence, to state

month

of January,

1852, the publisher was

would dry quickly,

applied to for a varnish stain that

and

at the

making the

how

it.

same time be the colour required

experiments for this purpose,

TIMES newspaper

:

he was

when, taking up

of Friday, January 23rd, he found,

under the heading of SOCIETY OF AKTS, an epitome of Professor

EDWARD SOLLY'S

lecture, at the

above Society

on the previous Wednesday, on vegetable substances used in the Arts, &c. red

Allusions were "made to a fine

gum from New South Wales

lecture,

and then,

:

he procured the

after a little trouble, obtained

samples

;

they were tested, and one was found to answer, and he has

now

in stock several tons

making the

stain,

of the proper

and can supply

it

in

kind for

any quantity.

REVELL'S COMPLETE GUIDE.

92

We

will

now

conclude by directing the student to an

attentive observance of nature possible, technical terms

trations will, in this

mode

most

;

:

we have

avoided, as far as

where they are used the

cases, explain

illus-

The study

them.

of decoration has often led those

who had

of

not

before observed the varied beauties of the floral world to

do so with the greatest results.

pleasure

and

the

happiest

SHAW'S LIQUID CLUE Requires no preparation, sets almost immediately, will

and climate

resist wet, violence, time,

;

adheres to any

surface or material; cements china, marble, wood, paper, leather, &c.

;

is

useful to shipbuilders, carpenters, book-

binders, pianoforte, brush,

and toy makers; and

easy of application, that ladies and gentlemen their

own

so

is

may mend

china, ornaments, toys, veneers, mouldings,

parasols, book-covers,

and a hundred other

little articles,

with the greatest ease and certainty.

Price 6d.

and

per Bottle.

Is.

SOLD WHOLESALE AND RETAIL BY J.

REVELL,

MESSRS.

272,

OXFORD STREET

BARCLAY &

MESSRS. SUTTON

&

Co.,

Co.,

;

FARRINGDON STREET

Bow CHURCHYARD

;

;

AND TO BE HAD OF ALL

OILMEN, CHEMISTS, FANCY STATIONERS, &c., &c.

LIST OF MATERIALS,

&c.,

LEATHER WORK. SOLD BY J.

REVELL,

272,

OXFORD STREET.

Basil Leather, of the first quality, at Is. Cd.

and

2s.

per skin. Skiver ditto, ditto, at

Leather Leaves,

6d.

ditto.

per

dozen,

or

4s.

per

gross,

assorted.

Leather Stems and Tendrils, 2d. each. Passion Flowers, Roses, &c., from 6d. to 2s. 6d. each.

Convolvulus

and other

less

elaborate

2d. each.

Holly and Ivy Berries, Gd. per bundle. Acorns, Is. per dozen.

Flowers,

from

Oak Varnish

Stain, Is. per bottle.

Spirit

Oak

Spirit

Mahogany ditto,

Rev-ell's

Is.

ditto,

Chymical

Is.

ditto,

,,

which possesses the property

of staining the leather used for this work, and will

not

soil

the finest linen, neither will

or any other material than leather.

warm.

either cold or

It

it

invention

of

the

requested to observe his

publisher,

name and

This being

purchasers

Wood

Stains.

Stains and Varnishes of every description.

Saucers for the

Oak

Stain, &c., Is. per doz.

Shaw's Liquid Glue, without smell, Ditto,

Is.

per bottle.

Old kind, 6d.

Prepared Stiffening, Is.

Veining Tools, Cutting

ditto,

Grape Moulds,

Is. 6d. each.

Is.

2s. 6d. per set.

are

address on each

seal.

Stephens'

wood,

Sold, with full directions for

use accompanying each bottle, price is. the

stain

can be applied

,,

Gd.

Bradawls,

Hammers, Wire

each.

Is. 3d.

,,

of different sizes.

Hog's Hair Brushes, 3d.

to 6d, each.

Camel's Hair Pencils, from Id.

And

a

variety

of Brackets,

Frames,

&c., for Orna-

menting.

NTLD BY

S.

ODEJ,L, 18, PRINCES STREKT,

CAVENDISH SQFA

LIST OF VARIOUS ARTICLES, SOLD BY

JAMES RETELL,

272,

OXFORD STREET, LONDON.

Oil Colours in Patent Collapsible Tubes, Of various sizes, and in Extra Fine Powder. Cremnitz White Flake White Nottingham White

Ultramarine Ultramarine Ashes

Purple Madder Light Red Venetian Red Indian Red, 1, 2

Brown Red

Raw

Cohalt

Royal Smalt French Ultramarine Permanent Blue Antwerp Blue Prussian Blue

Sienna

Burnt Sienna

Brown Ochre Burnt Brown Ochre

Roman Ochre Burnt Roman Ochre

Indigo

Vandyke Brown

Yellow Ochre Indian Yellow Chrome, 1, 2, 3 Italian Pink Yellow Lake King's Yellow

Brown Pink Madder Brown

Lemon

Yellow,

Raw Umber

Burnt Umber

Cologne Earth 1,

2

Dutch Pink Naples Yellow

Bone Brown Cappa Brown Asphaltum Bitumen

Lake

Mummy

Purple Lake Indian Lake

Verdigris

Crimson Lake Scarlet

Lake

Emerald Green Terra Vert Chrome Green,

Oxyde

Red Chrome

Blue Black Lamp Black Sugar of Lead

Carmine

Madder Lake Rose Madder Pink Madder

of

1, 2,

Chromium

Chinese Vermillion Orange Vermillion

Ivory Black

Gumption Magylph

3

Sable Hair Pencils. For Oil

or Water.

Pencil Sticks. Cedar,

Large Goose, Brown or Red ditto Small ditto

Duck

ditto

Crow

ditto

Round

ditto

Ivory, 15 in.

&

Badger Softeners.

Small Swan

Large

Ebony, 12

6,

&;

Flat.

Nos. 1,2, 3,4,5,6,7,8,9,10,11, 12-

Miniature

Lining or Rigging Writing and Striping

Palette Knives.

French Sables. IN TIN FOR WATER.

Red Nos.

or

Brown.

1, 2, 3, 4,

Sables for Round

Sf

5, 6.

Port Crayons.

Flat.

French Brushes. Sf

Do. Ivory Handles Do. Spatula Shape, Hrrn Handles ditto Do. do. Ivory

Oil.

Nos. 1,2,3,4,5,6,7,8,9,10,11,12.

Flat

Horn and Ivory Steel, with Horn or Bone Handles

Ronnd.

Albata, snd Bra

Steel,

Brush Washers for Turpentine.

Nos. 1,2,3,4,5,6,7,8,9, 10,1 1,12.

Nos,

1,

2,

3,

4.

Camel Hair Pencils, All Sizes, Long and Short.

Camel Hair Brushes, In Flat Tins.

inch

If inch 2 " 24

H

Oils

and Varnish.

Turpentine Cold Drawn Linseed Oil Nut and Poppy Oil

Spirits

Drying

Oil, pale or strong

Fat Oil

Japan Gold Size Mastic Varnish Copal Varnish

n

White Hard

Camel Hair Brushes. In Round Tins.

Nos.

8. 1, 2, 3, 4, 5, 6, 7,

Asphaltum

Magylph Gumption

Spirit

Varnish

Extra Pine Cake and Moist Water Colors, IN

Permanent White Constant White Flake White Chinese White Ultramarine Ultramarine Ashes Cobalt

Azure Blue Royal Smalt French Ultramarine Permanent Blue Antwerp Blue Prussian Blue Indigo Intense Blue

CAKES AND HALF CAKES.

Lake Crimson Lake Scarlet Lake Dark Lake Indian Lake Vermillion Extract Vermillion Scarlet Vermillion

Carmine Burnt Carmine Dragon's Blood

Madder Lake Rose Madder Pink Madder Pure Scarlet Dahlia Carmine

French Blue

Indian

Red

Gamboge

Light Red Venetian Red

Yellow Ochre

Brown Red

Indian Yellow

Lemon Yellow

Red Orpiment Red Chalk Red Chrome Deep Rose

Italian

Chrome, 1, 2, 3 Pink

Raw

Dutch Pink Yellow Lake Mars Yellow

Burnt Sienna Brown Ochre Roman Ochre Burnt Roman Ochre

Platina Yellow

Gall Stone

King's Yellow Naples Yellow Patent Yellow

Sienna

Vandyke Brow:i Verona Brown, Sepia

Orange Orpiment Orange Red Mars Orange Orange Vermillion

Warm

Sepia Roman Sepia

Raw Umber

Burnt Umber

1, 2,

3

Water Colors,

(continued.)

Miscellaneous.

Revell's

Permanent Brown Ink,

FOR DRAWING UPON BASIL LEATHER. Price Is. per Bottle.

Pen and Ink Drawings can be made with

this Ink, they have all the appearance of the so-called Poker Paintings, (viz. Drawings upon Wood, executed with one or more red hot wires.) The Ink is permanent, and will be found advantageous as an adjunct to the

Ornamental Leather Work.

Unprepared Colours of the Pirst Quality.

Colours of every description for House Painting,

Park Fencing,

A

000 020 423

o