COMPLETA VOZ Michael Buble-Save the Last Dance

October 15, 2017 | Author: Enrique Valencia | Category: N/A

Short Description

arreglo original...

Description

Vocals q = 135 (Latin)

    

3



3

A

(Sing 8vb)





    

 

You can dance

10

       

3

         

dance with the guy who gives you the eye,

14

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

let him

ev - ery



hold you tight

  

You can

                               smile

18

ev - ery smile for the man who held your hand be - neath the pale moon - light

                        Butdon't for - get who's tak - ing you home

22

   

27

                So, dar - ling, save

the

last dance for

B

              

31

know



  

that the mus - ic's fine,

3

  

            

C



me

    Oh,

I

3           

like spar - kling wine,

go and

have your fun

            

 

butwhilewe're ap - art don't

give your heart

to an - y - one

              

And don't for - get who's tak - ing you home

and in who's arms you're gon - na be

3                

So



3

Laugh and sing

36

40

and in who's arms you're gon - na be

dar - ling, save the last

dance for

me

     

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

Ba - by, don't youknow I

2

45

Vocals

D

        

49

love you

       

so

Can't you feel it when we

        

53

   

touch

     

let you go



I will nev - er, nev - er





  

I love you oh, so much

You can

E

                          

57

dance

Go and car - ry

on

         If

61

tell

65

if you're all a - lone, F



 

82

7

Save

the last

to go

home? You must

dance for

and in who's arms





me

H





                   

Oh, I know

    

85

       



you're gon - na be

G

can he walk you

'Cause don't for - get who's tak - ing you hoem

      

71

time

              

   

him no

gone and it's

              

he asks

     

'till the night is

  

have your fun



thatthe mus - ic's fine, like spar - kling wine, go and

  

 

Laugh

and



sing,

                        ap - art don't give

your heart

to

an - y - one

    but



while

 

we're

   

And don't for -

89

Vocals

I

    

           

get who's tak - ing you

92

  

97

home



and in who's arms

              3

So dar - ling,

save the last

J

           

you're

me

and in

So dar - ling, save thelast

dance for me

106

                  the last

dance

for me

114

dance

for

L

             dance

the ver - y last dance

So, don't for -



   Oh,

    ba - by, won't you

Ooh, you make a prom - ise that you'll

                    the last

  

         

110

save

3

who's arms you're gon - na be

               

save





K

  

gon - na be

            

get who's tak - ing you home

101

dance for

      

3

    

me

     for

me

Save



the last

3

Tenor Saxophone II

q = 135 (Latin)

  

Save The Last Dance For Me 3



                          

mf (Vocals)

8

        

A

18

B Opt. Tacet If Using Strings







40

     

 





p





f 47

          





C

 

52



E





pp

f

33

Michael Buble ver. Trans. Shaun Evans

  



 

   

D (Play)

         

3



mp

         



  

       



f

3

            

 

mf

61

                

65

    

68

    

     

 



F

        

       



mf

f

 

        



Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

3

 

 

    

2

Tenor Saxophone II

                                                

71

G

                                         

75

ff

79

3

H

   

                         mp

85

                                      mf cresc.

89

I

   

      

93

     mf

3

        

          

   

                   

mf cresc.

                   

97

          

J

f

    mf

  

3

Tenor Saxophone II

  

      

                     

106

   

        

                     

110

   

        

              

102

K

        f

       

       

114

L

       

118

   

        

           

        

        

mf cresc.

                        f

ff

Tenor Saxophone I

q = 135 (Latin)

  

3



                          

(Vocals) mf

        

8

A

18

f

33















 

p

    



         E



  

   



 

3

    



mp

        



3

f

              mf

                     

   



      

      

61

65



D (Play)

f

47

68





pp



40



B Opt. Tacet If Using Strings

C

 

52

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

     

 



F

       

      

         

3





mf





f

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

    

2

   71                                                Tenor Saxophone I

G

                                                

75

ff

79

H

   

3

                          

mp 85

                                    mf cresc.

89

I

          

93

     mf

3

        

       

   

  

  

              

mf cresc.

                              

97

   

J

f

mf

   

  

3

Tenor Saxophone I

       

                     

106

       

                     

110

     

                     

102

K

           f

          

          

114

L

          

118

      

           

      



 

mf cresc.

    

                    f

ff

q = 135 (Latin)

 

3





(Vocals)

      

8

18

A

  

                

mf

B Opt. Tacet If Using Strings



f 33





40

   



 

 



f

47

         

 E







pp

p





 C

 

52

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Alto Saxophone II

  

3

   

 



   

D (Play)

         



mp

        

        



f

                

3

 

mf

                    

61

65

    

69

    

  



  

F



       3

  

mf

3                   3

3



f Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

        

   

      

2

Alto Saxophone II

                                 

71

G

   

75

                                               ff

79

H

   

3

                        

mp

                                 

85

mf cresc.

89

I

          

93

     mf

     

3       

   

                

mf cresc.

                     

97

         

J

f

mf

   

  

3

Alto Saxophone II

102

K

           f

106

         

110

       

114

L

   

         

      

               

     

               

  



       

             

118

  

     

       

       



  

    

mf cresc.

                 f

ff

q = 135 (Latin)

 

3



     

8



(Vocals)

18

A

                

B Opt. Tacet If Using Strings













pp



 

  

mf

f 33

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Alto Saxophone I





C



   

 

 p

40

    



  





D (Play)

         

f 47

        

52



 E



  

3

mp

       



  



f

              

     

3

mf

                  

61

65

    

  



  

F



    

3 

     

   

mf

69

    

 3 3                  3



f Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

      

2

Alto Saxophone I

                                  

71

G

                              

75

ff

79

H

   

3

                        

mp

                                 

85

mf cresc.

89

I

          

        

   

   

  

  

f 93

     mf

3       

  

             

mf cresc.

                       

97

J

f

    mf

   

3

Alto Saxophone I

102

K

    

  

  

  

  

               

  

  

  

  

               

f

106

    

       

110

114

L

    

  

  

     

  

   

  

   

       

  



  

     

mf cresc.

             

118

                 f

ff

Save The Last Dance For Me

Baritone Saxophone q = 135 (Latin)

 

3



8

          

A

                 mf

(Vocals)

18





46



pp









C

 

40

        

B Opt. Tacet If Using Strings

f

33

Michael Buble ver. Trans. Shaun Evans



   

 





   

59



p

    

D

              E



   

 

                mp f



         



(Play)





    51           f 55



   mf

     

              



     

    

                                

63

F

    

     

        

       

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

  



2

67

    mf

Baritone Saxophone

3

         



 

                f

                                             

71

G

      

75

79

       

3

H

   

                               ff

                         mp

85

                                            mf cresc.

89

I

   

      

93

    mf

3



        

         

             

                  

mf cresc.

97

Baritone Saxophone

J

                       f

102

        mf  

  

        

                 

106

  

        

                  

110

  

        

                  

  

        

K

        f

        

        

114

L

       

118

             

        

3

          

mf cresc.

                   f ff

q = 135 (Latin)

  

3



                          

mf (Vocals)

8

f





18

A

         

44

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Trumpet III

6

D

 

10

B

6

C

f

        



mf

        

3

3

E

  



8

f

61

F

                 mf

65

    

69

    

  



 

  

              3

    

mf

                     3

3

3



G

  



        

f

                                            

72

            

76

79

H

   

8

               

 

    

mf cresc.

ff

 

     

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

89

Trumpet III

I

                      

93

     mf

97

J

   

3

           

  mf cresc.

                 

         

        

          

f

mf

 

    

  

    

  

                       

106

  

    

  

              

110

  

    

  

                    

102

K

        f

               

114

L

       

118

  

    

           

  

   

  

        

mf cresc.

                 f

ff

q = 135 (Latin)

  

     

   

44



3



8



Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Trumpet II

                          

A

f

mf (Vocals)

18

6

D

 

10

B

C

6

3



mf

        

f



8

E

  



3

   

f

61

F

                 mf

65

    

69

    

   



3

 



  

            3

3

                

3   

mf

     

G

   

  



    

f

                                             

72



             

76

79

H

   

8

                     

    

mf cresc.

ff

 

     

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

89

         

Trumpet II

I

                     

93

    

                

3        

mf 97

mf cresc.

J

            

102

K

           f

106

          

110

       

114

L

       

118

      



       f

   

 

    

mf

      

                       

      

              

        

                    

        

           

        

        

mf cresc.

                 f

ff

q = 135 (Latin)

  

3



        

8



44



Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Trumpet I

f

D

 

                          

A

mf (Vocals)

18

6



f

10

B

  

6

C

  

  

3

3





     mf

8

E

  



f

61

                 mf

F

               

         3

65

3

3

        3

           mf  G  70                                                                                                     f

74

          

78

H

8

              ff mf cresc. I 89                                       Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

93

    

               

Trumpet I

        3

mf 97

mf cresc.

J

          

      

Opt. 8va!!



 

f

mf

   



      

                

             

      

     

            

   

               

            

102

K

f 106

110

             

114

L

      

          

      



 

mf cresc. 118

           

      f

 

       

           ff

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Trumpet IV q = 135 (Latin)

  

3



8

A

            f

    

44

                          

mf (Vocals)

18

6

C



E

        

f

3

         3

mf

6

D

10

B

  



8

f

61

F

                 mf

65

   

69



    

  

 3

3

  

mf

3

 

               3

    

                       f

72

           

75

 

G



   

          

 

              

        

                                          

79

H

   

8

ff

    

mf cresc.

 

     

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

89

Trumpet IV

I

          

                   

93

     

3

         

                  

mf

97

J

   

mf cresc.

         

        

f

mf

 

   

  

   

  

                       

106

  

   

  

              

110

  

   

  

                    

102

K

         f

                 

114

L

        

118

  

   

           

   

  

  

        

mf cresc.

                 f

ff

q = 135 (Latin)

   

3



                          mf (Vocals)

          

8

A

18

10

B

C Opt. Tacet If Using Strings

40

f

           E







  





47

 

3

D (Play)

         



mp

         





           f

               

3

mf

                

61

65

    

  

      



G

   



f

 

F

  



  

       

 3                

mf

70

75

   



p



     

 



f

52

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Trombone III







            

                    

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

ff

2

79

H

89

I

3

Trombone III

                         mp     85                                  

mf cresc.

               

94

     

98

 

102

        f

106

       

110

       

114

L

       

   

J

mf cresc.



mf

        

  

3  

  

       

                

    

  

                   

       

                

f

       

            

118

  

             

         

K

  

mf

       



  

     

                 mf cresc.

f

ff

q = 135 (Latin)

   

3



           

8

40

     

A



mf (Vocals)

18

B

10

E







C Opt. Tacet If Using Strings









47           

 

                         

f

52

D

 

       f



3

    

   

       (Play)

mp



  

 f

              

                   

61

   

 

p

mf

65

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Trombone II



F

      

   

3

       

3               

mf



70



     G                              

                              

74

f

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

       

78

84

3

Trombone II

H

ff

                    I   88                   

92

           

96

101

   

J

K



                  mp                  mf cresc.                

3       

mf

mf cresc.

                 

        f

             

    

               

       

               

L

105

109

113

117

 

 

mf cresc.

  

  

       

         

f

      

  

     

      

      

   

  

   

   

  

mf

   

  

                           f

ff

q = 135 (Latin)

   

3



      

40

f

A



E



18

B



47           

 

                          mf (Vocals)

8            

52



10

C





 

      



    

   

   

 

       (Play)

mp





  

f                    

                

61



D

f

3

Opt. Tacet If Using Strings

p

mf

65

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Trombone I



F

      

   

3

       

3              

mf

      G     70                                                  74                          f

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

    78    

3

H

      

Trombone I

        

mp           84                          ff

           

88

           

92

96         

      

101

J

K

I

      

       

mf cresc.

3       



   

  

                mf

mf cresc.

   

      

  

         

f

       mf

             

   

  

   

  

     

               

      

   

  

      

               

L

f

105

109

113

117

 

 

mf cresc.

   

  

      

      

                                  f

ff

q = 135 (Latin)

   

3



8

                 

45

                          mf A

(Vocals)

18

   







D



49

           E



mf 57

     

      

61



65

C Opt. Tacet If Using Strings



     

  

p

          

53

10

B

f

39

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Bass Trombone



   

    

          

mf



f

  

    



      

       

F

mp

      

            f 

     

         



(Play)       

      

       

        

3                     

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

70

 f



 

75

 

79

Bass Trombone

G

H





3

















            



                ff   

                           mp

85

                                  mf cresc.

89

I

       

93

   mf

97

        

          3



               



mf cresc.

                

J

                   f

          

mf

3

Bass Trombone 102

  

   

  

               

106

  

   

  

               

110

  

        

                 

K

     f

    

    

114

L

    

  

        

118

       



        

      f

         

mf cresc.

              ff

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Bass q = 135 (Latin)

   

3



8

          

A

17

(Vocals)

              

mf



 

f

30

Bb9sus

34

Bb9sus

37

C Ab

42

Bb7

Bb7



Bb7

   

        

    

    

mf

   

   

B Eb

Abmaj7

Fm7/Eb



Fm7/Eb

Bb9sus

    Eb

   

   

 Eb

Gm7/C

   

Bb7

   

  

       

  





Cm7

Fm11



                                            

D Bb7sus

Eb%

                            f mf 47 Eb Bb7sus      Bb                         52

 



57

E E



     

Bb

Eb%         

Eb

f

B7

                         mf



F#m7

B7

E

                                     

62



    

cresc.

F A

F#m7/E

E

G#m7/C# C#m7

                              

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

Bass B9 E%

                                f

67

F#m11

B9sus

    

72

77

B6

E%

       

E

     

E%

                   ff   

91

F#m7/E



94



B9sus

  

E6

  



B6

  

97

JA

102

K F#m11

107

B9sus

B9

112

E%

Emaj9/D#

  B9



H

G#m7/C#

E%

G B7

B7           

10

F#m11

/B

G#m7(b5)/D

        

                    cresc.

B9sus

             

C#m7

     



B9

E%

    

IA

f

G#m7/D#

      

   





  

A6/C# E/B        

F#m7/E E6

/B E13

 

G#m7/C# C#m7

                 

Emaj9/D#

C#7(#5b9)

F#m11

                                   E%

Emaj9/D#

C#7(#5b9)

F#m11

B9sus

B9

                                        

117

C#7(#5b9)

L

                                     

E                       mf cresc.

    E%                f ff

q = 135 (Latin)

    

3



 

mf (Vocals) 8

 



                    

Clean/Accoustic (Solo) A Eb

Bb9sus Bb7(#5)

          

12

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Guitar

  

                          sim...

mf

f

Bb7

                      

17

Eb

Ab

Eb

                      

22

Bb7sus

Bb

Eb

                      

27

B Eb

                             

31

Bb7

Bb9sus

36

Eb

C Ab

sim...

Bb7

Bb9sus

Bb7

Bb9sus

   

Fm7/Eb

                       

40



   

Gm7/C

Cm7

Abmaj7

Fm7/Eb

Eb

        

Fm11

Bb7

Eb%

sim...

                      f

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

2

45

D Bb7sus

Guitar

Bb

Eb

             

  

mf 49

sim...

Bb7sus

      

53

E E

57

mf

Bb

Eb

 

   

     

 

 

 

 Eb%   





f

B7

                        sim...

F#m7

B7

E

                     

62

     

F A

G#m7/C# C#m7

E

                  

cresc.

66

F#m7/E

sim...

F#m11

B9sus

B6

B9

E%

                    f

71

G B7

E%

                sim...

75

B7

     

 79     H

mf

 

     

 

 

E

E%

            ff

 

 

 

 

 

 

 

 85    

Guitar

 

 

 

90

 

 

cresc.

F#m7/E

 

E6

              B9sus

97

JA

B6

B9

      

E%

 G#m7/D#      

f

      

  

/B G#m7(b5)/D

C#m7

           

        

K F#m11

sim...

105

C#7(#5b9)

110

F#m11

B9sus

114

L F#m11

B9sus

   

F#m11

B9sus

B9

B9sus

F#m7/E

E/B

 

E6

       

B9

    E%

   

A6/C#        

cresc.

G#m7/C#

F#m11

/B E13

                      

101

3

IA

G#m7/C# C#m7

sim...

94

 

E%

Emaj9/D#

   

Emaj9/D# C#7(#5b9)

                                 

118

B9

E%

   

C#7(#5b9)

   

B9

   

                   

Emaj9/D#

   

   

E

                mf cresc.

E%

                      f

ff

    

q = 135 (Latin)

3                    3

(Snares Off)

                     

4

mf

3

3

7

     

11

         

    

16

    

21

    

                        3

3

3

                                mf (Vocals)  A 3 3 3 3                   f

mp

   

   

   

   

   

    

   

(10)

(6)

       Cross-stick B 26 3             3             3

       

33

    (14)

3

3

        C

   (16)

3

sim...

    (8)

3

   

(12)

    

             

                        

    

37

sim...

    (4)

(8)

29

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

Drums

3

    (6)

            

                              sim...

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

    (4)

2

Drums

41

3 3                

         3 3 f D 45                                   49

(6)

mf

    E 53         58

 

   

 

f

mf

(4)                                 

      F 63             68

                  sim...

(6)

    (4)

(6)

     (6)

sim...

   

    (8)

   

   

Fill

cresc.

(4)                            

                      sim...

G

      

       

                                       sim...   H  76                                                             ff   mf   80                                           72

f

sim...

Drums

84

       (6)

 I 89        

       

      

      

(8)

cresc.

   

Fill

(4)                              f sim...  J 94 (6)          Fill                   

      

                         

98 Fill

cresc.

      

102

K

     

106

110

118

  

sim...

    (4) Fill

  

   

   

   

  

   

   

   

L

  

       

(6)

      

114

   

                    

                         

   

(10)

3

(8)

Fill

Fill

                                             Fill

mf cresc.

        

                                   f

ff

 

Piano q = 135 (Latin)

                   mf                        5       mf 

Ab6 Bb9sus Bb7(#5) 

8

               31 Bb7      Eb

    

     34

Bb9sus

    



           

                  

                  25

Michael Buble ver. Trans. Shaun Evans

Save The Last Dance For Me

       f       

A





   



Bb7



   

mf

   

    

  

         

Eb

  

B Eb

  

 

Ab

10

   

  

  

 

Bb7sus

Bb

  

 

     

Bb9sus

   

               

   

    

10

(Vocals)

                





      Bb9sus



   

Fm7/Eb



      

   







   



   



      Bb7



    

Eb



      

   



                     

Prepared By: Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

 

2

     37

C Ab



 

                41

Fm11



 

                 45

D Bb7sus

   

mf

  

 

Abmaj7



Bb7sus



 

         Bb7





 

            Bb

Fm7/Eb

Bb

Eb

  

Gm7/C

Eb%







Cm7



 

        

      

   

                       Eb

                              

                              49

Piano

Eb

                 

f

                Eb%                  f              

             







                       53

EE

 

mf

        

B7

        

       

         

         

                       58

F#m7

 

cresc.

FA

 

                 67

F#m11

 

                71

G B7



 

              75

E

                                                  

     63

Piano

B7

B7



 

         

 

 

F#m7/E

    

         

B9sus

 

B6



B9

E%

 

 

       





 

       

G#m7/C#

 

         

 

f

         E%





  

   

E

         

 

       

C#m7

    

        

          

E

  



   







  

        

E%





         ff                   

3

4

    mf    83     79

H

Piano

                                              

                  86

            I 89 A                

         

     93

F#m11

 

       

B9sus

JA

 

B6

B9

            

                     cresc.          97

                         



                                  cresc.                

      

f



                 

F#m7/E

E6

    

E%

     

G#m7/C#



C#m7

   

        

G#m7/D# /B G#m7(b5)/D

/B E13

A6/C# E/B

                                             

         

F#m7/E E6

  

    

   

G#m7/C# C#m7

 

    

                     

Piano 102 B9sus B9 E% Emaj9/D# C#7(#5b9) F#m11                       

K F#m11

    

             107

B9sus

B9

 

        111 B9sus     

 

Emaj9/D#

 

B9



   

    





E%

  

 

L

   

117 E               mf cresc.              

             

 

C#7(#5b9)

 

 

      

     

    114

E%

    

     



Emaj9/D#





   

   

F#m11

   

C#7(#5b9)

   

 

 

   





 

   

 







   

E%                    f ff                                         

   

                

   

5

Save The Last Dance For Me q = 135 (Latin) (Snares Off)

3

     Drums       q = 135 (Latin)   mf        Piano mf          

Michael Buble ver. Trans. Shaun Evans

3 3                                                                 

Copyright ©2006 - Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!

         

   

2

 A. Sax. I  4

A. Sax. II T. Sax. I T. Sax. II

 

  Tpt I  

Bar. Sax.

Tpt II Tpt III Tpt IV Tbn. I

 

  



    Tbn. III   B. Tbn.   Tbn. II



3

    

  Guitar     Bass           Pno         Dr.

        mf          mf         mf    mf               mf          mf         mf          mf       mf        mf        mf    mf           3        mf                     mf         mf          mf                      mf  



 

                                                                                        3                                             

A. Sax. I

 

A. Sax. II T. Sax. I T. Sax. II



 

  Tpt I   Tpt II  

Bar. Sax.

Tpt III Tpt IV Tbn. I

   



                                                                                               3                                

    Tbn. III   B. Tbn.   Dr.    Guitar      Bass    Vocals        Pno       Tbn. II

A    (Vocals)              f  (Vocals)       (Vocals)      f      (Vocals)      f    f       (Vocals)     (Vocals)       f       (Vocals)      f      (Vocals)      f        f    (Vocals)       f   (Vocals)      (Vocals)      f   (Vocals)      f      f       (Vocals)   3 3 3  3       (Vocals)  f        Bb9sus  Bb7(#5)   AClean/Accoustic Eb (Solo) f       mp       (Vocals)               f   mf(Vocals)    (Sing 8vb) f        Ab6 Bb9susBb7(#5)          (Vocals)                          f    

7

3

  

4

10

Dr.











Vocals

 Dr.

Guitar

Vocals

 Dr.

Guitar

Vocals

Pno

       

                         sim...

Guitar

   

   

14







   



     

   

          

                

      

3

   



 

   

   

Eb

   

      

   

                      

      

18

       

sim...

   

       

Bb7

Ab

   

Eb

   

                          

Ab

mf

      

Eb

    

      

22

Dr.



   

 

    



         

  Guitar                               Vocals       Bb7sus Bb                 Pno             Bb7sus

Bb

5

Eb

    



      

  

Eb

6

  26

A. Sax. I

A. Sax. II

T. Sax. I

T. Sax. II

   

B Opt. Tacet If Using Strings 



pp Opt. Tacet If Using Strings







pp Opt. Tacet If Using Strings





pp Opt. Tacet If Using Strings





Bass

Vocals

    



   

        Pno     



 

pp Opt. Tacet If Using Strings

 pp    Cross-stick 3 3                   Dr.   BEb        Guitar         

Bar. Sax.



  mf

   

Eb



     3                   

         sim...

 

  







Eb

    









 

   



    











 

   

 















T. Sax. I

 





T. Sax. II

 









29

A. Sax. I

A. Sax. II

Bar. Sax.

Dr.





  3    



  Guitar     Bass

Vocals

Pno

      

   



       3       



    

    



    

   



Bb9sus







   

Bb9sus

3

   

        

Bb9sus









 

   

Bb7

 

Bb7

   

    

 



sim...

7



  3



  

 

 

Bb7

      

 

8

 A. Sax. I 























T. Sax. I

 









T. Sax. II

 

















   

   

 











32

A. Sax. II

Bar. Sax.

Dr.

 

  Guitar        Bass

Vocals

Bb9sus

Bb7

Bb9sus

Bb7

Bb9sus

Bb7

Bb9sus

Bb7

Bb9sus

Bb7

             

Pno

    

    

        Bb9sus

   

         

Bb7

   

       

 

   

Fm7/Eb

   

Fm7/Eb

             3        



       



Fm7/Eb

   

   

   

  36

A. Sax. I

C





 



 



 

9

p A. Sax. II T. Sax. I T. Sax. II





 

p

 

p



 

    Opt. Tacet If Using Strings  p     Tbn. I  Opt. Tacet If Using Strings  p     Tbn. II  Opt. Tacet If Using Strings p      Tbn. III  Opt. Tacet If Using Strings p    B. Tbn.      3       p 3       Dr.      C       Eb Ab   Guitar          p

Bar. Sax.

  Bass    Vocals       

Eb

 

Eb

 Pno        

                   

Ab

    Ab 

  

     





   





      

 

    3              Abmaj7     Abmaj7

      Abmaj7



  

  

sim...

sim...           





   



10

 A. Sax. I  39

A. Sax. II T. Sax. I T. Sax. II







 



 







     



     









  

 

 





   











  

    Tbn. I    Tbn. II     Tbn. III    B. Tbn.   

Bar. Sax.

Dr.



 

   



 



 



 



 

       



   



   

                 Fm7/Eb Eb Gm7/C Cm7 Fm11 Bb7                                   Bass          3                 Vocals       Fm7/Eb Eb Gm7/C Cm7 Fm11 Bb7                      Pno                                       Guitar

Fm7/Eb

Eb

Gm7/C

Cm7

Fm11

Bb7



 





 

 A. Sax. I  43

A. Sax. II T. Sax. I T. Sax. II



     

    Tpt I  

Bar. Sax.

Tpt II Tpt III

   

 







   f  f    f      3 3  f     mf f        3 3          mf   3 3 f        mf f     3 3   mf f 

     Tbn. I     Tbn. II    Tbn. III   B. Tbn.      Dr.   Eb%        Guitar    Eb%        Bass           Vocals  Eb%         Pno               Tpt IV

f

f

  f  3 f     f   f   f    f     f

      

D

























      mp    (Play)        (Play) mp  (Play) mp      (Play)         mp  mp  (Play)

11

         

 

       (Play)          (Play) mp   (Play)      mp      (Play)            mp     3        3        mp D   Bb7sus      mf           Bb7sus   mf       mf      Bb7sus            mf             



12

 A. Sax. I  46

A. Sax. II T. Sax. I T. Sax. II













    Tbn. I 



Bar. Sax.

Tbn. II Tbn. III

 

                





 

     Dr.   Bb   Guitar    

B. Tbn.

Bb

       Vocals     Bass



                            





     



     

                3              Eb sim...        Eb   sim...                  

        Pno        Bb



  

  

      

 

 



 

  



 

  



 



 









  

   

 

                                                Eb

 A. Sax. I  49

A. Sax. II T. Sax. I T. Sax. II



 

   

    Tpt I  Tpt II  

Bar. Sax.

        

 Tpt IV        Tbn. I       Tbn. II      Tbn. III     B. Tbn.    Dr.  

  

  

 

 



 

       





 



 

       

 

 



  Guitar      Bb7sus      Bass     Vocals      Bb7sus          Pno      

           

  



Bb

 Bb   Bb 

     



f

  f

f f

 



 











    





   f

f





        







Tpt III

Bb7sus

        

  

   

    Eb   Eb 

f f f f

    

  f   f    f        f f



   

                         

     

              Eb f                   f                   

                                         

13

                                Eb%    Eb%        Eb%              

14

 



   

E     mf





52

Bar. Sax.

B. Tbn.

Dr.





 mf

 





  



 

  



  



                                    

mf

  Guitar   

  

sim...

EE                mf

Bass

Vocals

           

E





  

 



sim...

  







   

 









   

 

 mf

E

mf





     

 





   

 

Pno

  



 

 

    A. Sax. I     A. Sax. II     T. Sax. I     T. Sax. II     Bar. Sax.       Tbn. I 55

Tbn. II Tbn. III B. Tbn. Dr.

   

    

 

  

  Guitar   Bass   Vocals     Pno  

        mf     mf     

 

      

 

   





                    

 











 

A





 







   



mf        mf            mf       mf       mf   

     



A



   

       A  

     

  

 



  

  



  

                                      

15

                    



 



          

 

 

     

16

        Bar. Sax.     58

  B. Tbn.   Dr.



  Guitar   Bass  Vocals

    



     

          

     



     

          

 

 





 

 

 

 

B7





 

 

 

B7

     

F#m7

 

F#m7

     

F#m7

 



      

         

      

   

B7





 

 

 

 



      

  

      

Pno

 

        

              A. Sax. I                A. Sax. II              T. Sax. I                 T. Sax. II           Bar. Sax.                       Tpt I        mf          Tpt II        mf          Tpt III        mf          Tpt IV         mf   Tbn. I               Tbn. II               Tbn. III       B. Tbn.   Fill  Dr.        E   cresc. Guitar        E      cresc.  Bass      cresc.    Vocals    E          Pno      cresc.           61

       

 

                        

              

         

   

 



   



  

F

17

                                                                                                  F A      A                         A                  

18

    A. Sax. I     A. Sax. II     T. Sax. I     T. Sax. II    Bar. Sax.         Tpt I     Tpt II       Tpt III     Tpt IV  64

Tbn. I



 Tbn. II  Tbn. III  B. Tbn.  Dr.    Guitar   Bass     Vocals     Pno  

                

    

                            

       

               

                                                

                                            E      F#m7/E        sim... F#m7/E    E   sim...   E                         F#m7/E E                       

     

  

mf mf

 

mf

 mf  mf   mf mf

mf

   mf

   mf     mf     mf    mf G#m7/C#  C#m7  F#m11 

3      3  3   3   3     3   3      3     3  3    

3 3 3

 

     

G#m7/C#  C#m7    F#m11               G#m7/C#C#m7 F#m11                         

  

  

     A. Sax. I  68

   A. Sax. II     T. Sax. I     T. Sax. II       Bar. Sax.  

    

           

   

         Tpt I           Tpt II          Tpt III         Tpt IV           Tbn. I        Tbn. II       Tbn. III       B. Tbn.   Dr.    B6  B9 B9sus     Guitar    B6  B9 B9sus            Bass         B6  B9 Vocals  B9sus        Pno             

          3  3   3   f          3   3 3            f      f          f         f           3   3   3              3   3   3    f     3  3 3  f            3  3 3  f            f            f            f        f                f E%           f      E%       f            f E%            f          

      

19

                                                       

20

G      A. Sax. I       A. Sax. II         T. Sax. I        T. Sax. II       Bar. Sax.           Tpt I         Tpt II        Tpt III       Tpt IV    Tbn. I   71

Tbn. II

  B. Tbn. 

Tbn. III



  Guitar   Bass     Dr.

Pno

 



                                                                                      

                G B7          B7     B7                



                                                                                                                                                                                                 

              sim...        sim...                 



            E%       E%      E%

      

 



    A. Sax. I     A. Sax. II     T. Sax. I     T. Sax. II     Bar. Sax.       Tpt I     Tpt II     Tpt III     Tpt IV   74

Tbn. I

Tbn. II Tbn. III B. Tbn.

 

  

  Guitar   Bass     Dr.

Pno

 

            



21

                                                                                                                                                                                                                                                                                                              B7

    B7                    B7                                  

                       

22

           A. Sax. I             A. Sax. II                T. Sax. I            T. Sax. II        Bar. Sax.                    Tpt I            Tpt II             Tpt III          Tpt IV                  Tbn. I            Tbn. II            Tbn. III     B. Tbn.                Dr.        E     Guitar   E        Bass         Vocals  E            Pno              77

                     

             

H                                                        H ffE% mf       E%        ff   mf      ff  E%                      ff       mf            

       ff      ff   ff      ff      ff     ff     ff    ff   ff     ff    ff    ff  ff        

           

          

    

    

    A. Sax. I     A. Sax. II  80

T. Sax. I

T. Sax. II

       

   Bar. Sax.      Tbn. I

Tbn. II

Tbn. III

 

 B. Tbn.  Dr.





































                  

    Guitar        Vocals              Pno        

 



 

       



23

     mp      mp      mp      mp          mp

 

      mp     

 

  

 

mp

mp

      mp                               

        

 

              sim...       

 

24

         A. Sax. I               A. Sax. II           T. Sax. I            T. Sax. II              Bar. Sax.              Tbn. I 83

Tbn. II

Tbn. III

B. Tbn.

 

 

                                              

        Guitar      Vocals         Pno       Dr.



                                         

          



  

                                      

        

    

               

 

        

                                        

                   

                 

 

    A. Sax. I     A. Sax. II     T. Sax. I     T. Sax. II     Bar. Sax.       Tpt I     Tpt II     Tpt III     Tpt IV   Tbn. I  Tbn. II 86

  B. Tbn.  Dr. 

Tbn. III

                                    

                       

   

    

           mfcresc.      mfcresc.       mf cresc.          mf cresc.         mfcresc.        mf cresc.        mf cresc.        mf cresc.              mf  cresc.      mfcresc.      mfcresc.  

                                                             mf cresc.          Fill     mfcresc.         

       Guitar           cresc.  Vocals                         Pno   cresc.                   cresc.

  

25

     

                                    

  

              

              

26

I            A. Sax. I          A. Sax. II           T. Sax. I            T. Sax. II           Bar. Sax.               Tpt I               Tpt II          Tpt III             Tpt IV              Tbn. I           Tbn. II            Tbn. III     B. Tbn.                  Dr.       If A      Guitar  A        f    Bass       f   Vocals  A         Pno  f        89

  



 

         

    

 

               

  

  

     

  

                                      

  

  

                      



      

sim... F#m7/E

    F#m7/E      sim...        F#m7/E           

                                        E6

 E6         E6       

   3                       A. Sax. I  3        f       mf   A. Sax. II        3            mf      T. Sax. I    3           mf  3       T. Sax. II          mf             Bar. Sax.      3                           mf           Tpt I  3           mf       Tpt II    3           mf         Tpt III                3              mf Tpt IV  3                       mf Tbn. I 3            mf    Tbn. II  3              mf         Tbn. III     3   mf        B. Tbn.            mf Dr.   C#m7  F#m11     B9sus  B6  B9 G#m7/C#   Guitar   C#m7    F#m11     B9sus  B6  B9 G#m7/C#             Bass           3                 Vocals  G#m7/C# C#m7 B9sus B6 B9  F#m11               Pno                           92

27

      

           mfcresc.        mfcresc.          mf cresc.          mf cresc.             mfcresc.        cresc. mf          mfcresc.         mf cresc.           mf cresc.           mf cresc.     mf cresc.

                mf cresc.  G#m7/D#  /B G#m7(b5)/D  E%            E% G#m7/D# /B    G#m7(b5)/D         G#m7/D# /B G#m7(b5)/D E%                        mf cresc.

28

J                A. Sax. I                A. Sax. II             T. Sax. I               T. Sax. II        Bar. Sax.                    Tpt I             Tpt II             Tpt III                    Tpt IV            Tbn. I              Tbn. II             Tbn. III        B. Tbn.       Fill        Dr.        JA   E/B /B E13 A6/C#                    Guitar     E13 A6/C# /B E/B A          Bass         3    Vocals   E/B A  /B E13 A6/C#                 Pno                 96

     

                    Opt.  8va!!                                                                 cresc.             cresc.       cresc.

                                                                                        Fill                                  

     

            cresc.                  

    A. Sax. I  99



f       A. Sax. II    f   T. Sax. I    f   T. Sax. II    f  Bar. Sax.          f   Tpt I    f  Tpt II    f   Tpt III    f    Tpt IV      f Tbn. I     f  Tbn. II  f    Tbn. III    f B. Tbn.      f Dr.      Guitar       Bass       Vocals       Pno     

    



         





 mf 





  

mf

                 mf      mf             mf      mf          mf         mf            mf        mf        mf         mf                mf                               F#m7/E E6 G#m7/C# C#m7 



  F#m7/E

           

 

29

 

F#m7/E

    

 E6            E6             

G#m7/C#    C#m7                G#m7/C# C#m7                    



sim...

  

30

K           A. Sax. I 

           f            A. Sax. II             f        T. Sax. I             f          T. Sax. II        f          Bar. Sax.                 f          Tpt I      f           Tpt II          f        Tpt III             f            Tpt IV            f          Tbn. I            f         Tbn. II         f           Tbn. III         f         B. Tbn.                       f      Dr.  KF#m11      B9sus    B9   Guitar      B9sus   B9 F#m11        Bass                  Vocals    F#m11 B9sus B9            Pno               102

                                        

          

                     

            Emaj9/D#    E%

 sim...E%   Emaj9/D#             E%  Emaj9/D#          

     

           A. Sax. I             A. Sax. II          T. Sax. I                T. Sax. II           Bar. Sax.              Tpt I          Tpt II             Tpt III                Tpt IV           Tbn. I               Tbn. II               Tbn. III       B. Tbn.         Fill Dr.     C#7(#5b9)   Guitar     C#7(#5b9)      Bass       Vocals  C#7(#5b9)       Pno         105

 

               

   



                                                                                                   F#m11  F#m11

                                                                                                 B9  B9sus

   B9sus   B9                             F#m11 B9sus  B9                    



31

   



32

    A. Sax. I     A. Sax. II     T. Sax. I     T. Sax. II     Bar. Sax.       Tpt I     Tpt II     Tpt III     Tpt IV   Tbn. I

Tbn. II Tbn. III

108

 

  Dr.    Guitar   Bass   Vocals     Pno  

B. Tbn.

                    

    

                                 Emaj9/D#  E%  E%   E%   

                                                                                                                                          Fill  C#7(#5b9)   

 Emaj9/D#   C#7(#5b9)             C#7(#5b9) Emaj9/D#          

               

   

                                                                                                   F#m11

   F#m11                           F#m11                 

       A. Sax. I         A. Sax. II         T. Sax. I         T. Sax. II        Bar. Sax.           Tpt I        Tpt II        Tpt III          Tpt IV       Tbn. I       Tbn. II        Tbn. III    B. Tbn.        Dr.     B9sus   Guitar    B9sus    Bass     Vocals  B9sus      Pno      111

                                        B9  B9



                       

                                 Emaj9/D#  E%  E%

 Emaj9/D#                     E% Emaj9/D#  B9              

                                                                                                                                        Fill  C#7(#5b9)     C#7(#5b9)          

C#7(#5b9)

  

 

       

33

       

   

            

34

L      A. Sax. I     A. Sax. II      T. Sax. I      T. Sax. II      Bar. Sax.        Tpt I      Tpt II      Tpt III      Tpt IV    114

Tbn. I

Tbn. II Tbn. III B. Tbn.

 

  

  Guitar   Bass   Vocals    Pno   Dr.

                                                   LF#m11  

                                                           

   

                                                              B9sus  





       



                                                                                                                                     Fill    B9    

                    









               

     A. Sax. I   mfcresc.  A. Sax. II    mf cresc.   T. Sax. I    mf cresc.   T. Sax. II    mf cresc. Bar. Sax.         mf cresc.   Tpt I    mf cresc.   Tpt II    mf cresc.   Tpt III    mf cresc.   Tpt IV      mfcresc. Tbn. I  mfcresc. Tbn. II  mfcresc. 117

Tbn. III

  Dr. 

B. Tbn.

  Guitar 

mf cresc.

  mfcresc.  mfE cresc.

    mfEcresc.  Bass     mf cresc. Vocals  E     Pno  mf cresc.   

                                                                                                           

 

 



   

  

    

                             

   



      

  

 

                             

   



      

    

                      

                                                                                 

            

                   

35

 

 

    

    

   

   

   

   



36

    A. Sax. I     A. Sax. II     T. Sax. I     T. Sax. II     Bar. Sax.       Tpt I     Tpt II     Tpt III     Tpt IV   119

Tbn. I

Tbn. II Tbn. III

 

 B. Tbn.  

  Guitar   Bass     Dr.

Pno

 







f

   

f 

f

f f



f

 





f

 

f f

f f

f    f       f    f  f   f  

                                        

           

    

 

                                        

           

    

 

                                        

            

   

 

   ff    ff   ff    ff    ff   ff   ff   ff   ff   ff   ff  

  

ff

    

  ff   E% ff   E%  ff  E%  ff    ff    

 

 

    

    

 

     

    

 

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COMPLETA VOZ Michael Buble-Save the Last Dance

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