Compilation.pdf

November 26, 2017 | Author: Astroman3000 | Category: Music Theory, Pop Culture, Elements Of Music, Musical Techniques, Performing Arts
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Guitar score...

Description

from Foo Fighters - Greatest Hits

All My Life Words and Music by Foo Fighters G5

134

Intro Moderately fast Rock q = 168

µ(G5)

End Rhy. Fig. 1   Rhy. Fig. 1                                                              Gtr. 1 (dist.)



mf

P.M.

 



5 3

  





All

my

life

5 3

5 3

5 3

Gtr. 1: w/ Rhy. Fig. 1 (3 ¾ times)

 

   All

  

    see

   



night

long

I







me

with

the



get - ting

5 3

5 3

5 3

5 3

-

dream

of the



5 3

 

thing.

-

5 3

5 3

5 3

day.

to

the

leads to

When

prize



   

at



 

feel - ing

that

I

feel

the

most,

Interlude Gm

 





 

the



    

 

end of

tak - en



feel

5 3

5 3

P.M.

5 3

5 3



Harm.

4 4

   

  

  

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

f

0

     noth

the



-

 

ing.

Noth -

rope.

Leaves













it

come

to

life

when

I



  

5 3

a - way.



  

5 3

       

Gtrs. 1 & 2 (dist.)

 

5 3

       

 

it comes a - round, and it’s

 

5 3

nev - er

-

er

5 3

  

close,

clos

5 3

 

       



  

5 3

       



ghost.

5 3

thing nev - er comes,





5 3

    

Some

       

    

your

Gtr. 1

5 3

 

but I’m

   



5 3

     

 

ing sat - is - fies



5 3

I’ve been search - ing for some

       -

5 3

 

Am

 

  

   

  

     

 

 

0

3 5 5 3

3 5 5 3

3 5 5 3

5 7 7 5

5 7 7 5

5 7 7 5

0

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved International Copyright Secured Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gm

    

Bbm

 

  

 

  

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

5 7 7 5

0

 

      

0

3 5 5 3

Am

     3 5 5 3

3 5 5 3

    

  

  

  

6 8 8 6

6 8 8 6

6 8 8 6

6 8 8 6

3 5 5 3

0

 

  

   

3 5 5 3

3 5 5 3

3 5 5 3

0

Gm

  

     

  

  

  

  

   

  

  

3 5 5 3

3 5 5 3

5 7 7 5

5 7 7 5

5 7 7 5

5 7 7 5

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

0



 

0



 

3 5 5 3

0

Bbm

   

0

Gm

  

   

  

    

  

  

3 5 5 3

3 5 5 3

3 5 5 3

6 8 8 6

6 8 8 6

6 8 8 6

0

Verse

     

µ(Gm)

1. Calm 2. Will

 

  don’t a

down, find

I

 Rhy. Fig. 2             P.M. P.M.  

3





you re be - liev - er,



 

3

3

  



3

Bbm

3

 

          P.M.

3

3 3

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3

3

6 8 8 6

6 8 8 6

  

3

µ(Gm)

   

5 7 7 5







6 8 8 6

  



 

   P.M.



it to

a de

 

-

3

3



del - i - cate one who be -

   P.M.

3



 

wrist. lieves,

  P.M.

3

3

3

3

3

3







 

Am

twist, ceive

  P.M.

3 3



P.M.

   

3 3

    5 7 7 5

give one

5 7 7 5

   5 7 7 5

3

P.M.

6 8 8 6



 

You’ve such a an - oth - er

And if I an - oth - er

  

µ(Gm)

            P.M.

3



Am

sist.

3

3





P.M.

3

3

   

   P.M.

3 3



3 3

3

3

   

  

  

5 7 7 5

5 7 7 5

5 7 7 5

Gtrs. 1 & 2: w/ Rhy. Fig. 2

 



µ(Gm)

 



some - thing to o - ver and

 

 

I

 

   P.M.



3

3



there er

µ(Gm)

An and

   



 -

-



er you

rea let

-

   



up my noth - ing

  

oth if



Gtrs. 1 & 2

   P.M.

3



 

3

3

3





to and

give if

me you

son me

to in



   



6 8 8 6

3





find get

 just o -



6 8 8 6

some - thing in an - y clos -

6 8 8 6







what pen

I up

need? wide,



Gtr. 2 tacet

Am





One On

by and

one on

Gtr. 1

   



µ(Gm)

 one on





mf



 



bleed, side

-

I I



Bbm







by and

one on

hid I

2nd time, Gtrs. 2 & 3: w/ Fill 1



 

hid - den I got

  



up my noth - ing

       

  

 

 

5 3

5 3

5 3

5 3

P.M.

P.M.

3 3

µ(Gm)

sleeve. hide.

to

3 3



Will If

            P.M.

3

Am



grip. knees?

3

3

    

µ(Gm)





3

my my



 

3

  

  

lose on

P.M.

3

    

  

End Rhy. Fig. 2

P.M.

5 7 7 5



hold when o - ver down







Bbm

to



 -

den got



sleeve. hide.

        

3 5 3

3

5 3

5 3

5 3

Fill 1

  

Gtrs. 2 & 3



  

 

P.M.

  

3 1

5 3

5 3

f

5 3

5 3

5 3

   Harm.

4 4

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Chorus Eb/G



 



Eh, Rhy. Fig. 3 Gtrs. 1 & 2







 



 



don’t

let

it

go

to

waste,

G5







 



I







love

it

but

I

     

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 4 3 5 6 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3





f



 

hate

the

taste.

  

  

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

 







  

C/E



 F



Way

keep

pin

- ning

me

   

  

  

  

  

  

  

   

   

   

   

   

   

   

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

0 1 0 2 3 0

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

Gtrs. 1 & 2: w/ Rhy. Fig. 3

Bb

Eb

  

Bb

A



down.





Eb/G

Eh,

   

   

   

   

 

6 6 7 8 8 6

6 6 7 8 8 6

6 6 7 8 8 6

6 6 7 8 8 6

6 6 7 8 8 6

8 8 8 6

G5



 



 



don’t

let

it

go

to

waste,

        6 6 7 8 8 6

 



I

love







0 0 0 0 0 0







 



 

it

but

I

hate

the

taste.











End Rhy. Fig. 3

      

  



T o Coda

C/E

F





Way

keep

pin

  

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-





Bb

ning

me

down.



 

Eb



Bb

A



Gm



    









Am

Gm









Bbm



(Oh.)

          Gtrs. 1 & 2

3 5 5 3

3 5 5 3

3 5 5 3

0

  

     

  

   

  

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

0

0

  

   

  

  

  

  

   

  

     

  

   

  

5 7 7 5

5 7 7 5

5 7 7 5

5 7 7 5

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

3 5 5 3

0

0

0

  

  

  

   

6 8 8 6

6 8 8 6

6 8 8 6

 

Bridge Gtr. 1: w/ Rhy. Fig. 1 (1 ¾ times) Gtrs. 2 & 3: w/ Fill 2 (8 times)

Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2 tacet

µ(G5)

 





   -

   







thing

nev

- er



get - ting

  close,

 





comes,



nev -



µ(G5)

    

All my life I’ve been searching for some thing. Some



 



 

 



 





er

leads

to

noth

-

ing.

Noth

-

ing











clos

-

er

to

the

prize

  









sat - is - fies

but

I’m













at

the

end

of

the

rope.

  

15ma

  



Gtr. 1: w/ Rhy. Fill 1

 

Fill 2 Gtrs. 2 & 3





Harm.

  





f

*

3.3 3.3 3.3 3.3 3.3 3.3

3.3 3.3 3.3 3.3 3.3 3.3

* Harmonic located three tenths the distance between 3rd & 4th frets.

Rhy. Fill 1 Gtr. 1

   

 



  

 

 

5 3

5 3

5 3

P.M.

5 3

5 3





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Gtr. 1: w/ Rhy. Fig. 1 (5 ¾ times)

  

G5



All

night

 long

Rhy. Fig. 4A

     Gtr. 3

        

   I

dream



of the day.

    

When



it comes a - round,



tak - en

a - way.

Leaves End Rhy. Fig. 4A



3 4

Rhy. Fig. 4

  

        

1

3 4

 

and it’s



1

Gtr. 2

 

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

End Rhy. Fig. 4

  

  

3 3 0 0 X 3

3 3 0 0 X 3

* P.H.

3 3 0 0 X 3



*To produce harmonics while strumming, use all downstrokes and tilt right hand slightly so that edge of thumb brushes against strings. Move strumming hand up and down length of strings to produce ascending and descending harmonic pitches.

          Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (4 ¾ times)

me with the feel - ing that

  





done,

  









on

to

the

next



 









on

to

the

next

 

one.

feel





Done,

it come to

 



done

and

I’m

on

to

the

next

and

I’m

on

to

the

next

on

to

the

next

one.

Done,



Done,



done









 









 

 done

 

 

 one.

      

see your





 

when I







life

  

 







 one.





Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



most,

    



  

6

       

feel the

done,

  

Sorgdal

I

  



ghost.

Then I’m







done

and

I’m

 



 

one.





Done,

done













and

I’m

on

to

the

next

 

Done,





and

I’m

 one.

  Done,

  





 

done

    

and

I’m



Gtr. 3

      

 

on

Done,

to

the

next

one.









 

I’m

done

and I’m



Gtrs. 1 & 2: w/ Rhy. Fills 2 & 3

       

on



1

to

  

the

next.



Harm.

1

3 4

3 4

4 4

Gtr. 3 tacet

G5

Rhy. Fig. 5

End Rhy. Fig. 5

                                                                    

Gtrs. 1 & 2

   

f

5 5 3



5 5 3

5 5 3

5 5 3



5 5 3

5 5 3

Gtrs. 1 & 2: w/ Rhy. Fig. 5



Done,

 



done,







5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

      

 

on

Done,



done,

to

the

next

one.

5 5 3



      

 

on

Done,

to the

next

one.

5 5 3

5 5 3





I’m

done



5 5 3

5 5 3

5 5 3

  and

I’m

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

 

5 5 3

      

 

on

Done,





 

I’m

done

and I’m

to

the

next

one.

    

                                                  

on

to the

D.S. al Coda



next.

Gtrs. 1 & 2

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Rhy. Fill 2 Gtr. 1

 

      P.M.

3

3

3

5 5 3

   Harm.

4 4

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

               

5 5 3

5 5 3

5 5 3

     

*P.H.

  

  

      

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

Rhy. Fill 3 Gtr. 2

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

4 4

*See footnote on previous page.

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Sorgdal

 Coda

G5

Gtrs. 1 & 2

 

    

        



   



  





 





 



(Oh.)

     



Gtr. 3

 



1

 

13

11

15

13

Outro

  

          







 



1

 







to

the



   



one.

 



1

Done,





1

14

11

13

13

16

16

13

15

15

done



and

I’m

     

    

on

next.



to

the

 

 



 



   

    

 

1

 





 



1

1

14

14

15

15

16

16

17

17



  1

14

13

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

next

11

8

Sorgdal

on



1

8 11



           

done,

1

             I’m

 

 1

15

 



1

13

6 9

 



13

   

 

   

11

Done,

 



1

       

 



      



 

Low Words and Music by Foo Fighters

Drop D tuning: (low to high) D-A-D-G-B-E

Gtr. 2 (dist.)

Intro Moderately fast Rock q = 144 *G5

   

Riff A1

               



           

 

13 X 10

13 X 10

f



11 X 8

Gtr. 1 (dist.)

   

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

13 X 10

13 X 10

13 X 10

13 X 10

13 X 10



Riff A

              f



5

5

5

5

5

5

5

5

5

5

5

5

5

5

*Chord symbols reflect implied harmony.

 

 

F#5



 

 

 

 

 

 

 

      End Riff A1        

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

11 X 8

4

4

4

4

4

4

4

4

4

4

4

4

G5



7 X 4

F#5



7 X 4









 (Ba - by blue.)

  are don’t

7 X 4

 

 1. Hey

Gtrs. 1 & 2: w/ Riffs A & A1 (4 times)

G5

7 X 4

End Riff A

Verse

    

7 X 4

4

Gtrs. 1 & 2: w/ Riffs A & A1

 

7 X 4



             

4

7 X 4

  you go

in no

F#5

   

-

there? where.





(Don’tgo

 no

-

  where.)

I’m I’m

you,

 



stuck right

out be

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

  -

side side

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5



   

  







you, you,

G5

  



G5



 



 

You

be



 



  



er, where.

-







-



  



 (Go - ing no

F#5





-

We Me

could and

 



an - oth - er I’m right be

where.)





F#5

my

use you

  like side

-



 





 







 

pass

-



er





-

by,

Riff B

                                               

5

5

5

5

5



5

5

5

5

5

5

5

5

5

5

5

 



 

I’ll

be

your

5

5 5

5

Bb5





  

5

5

5

5

5

5

5

5

5

5

5

   new

5

4



4

4

4

4

4

4

4

4

4

4

4

4

4

4

 



 

one

to

pass

                                               

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

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Sorgdal



oo. oo.

 

 



F#5

one an - oth go - ing no



 Pre-Chorus G5      





you, you,

Gtr. 1

F#5

oo. oo.

(Me and you.)

   



8

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

4

E5

   









through.

 

End Riff B

            

2

2

2

2

2

2

2

2

2

2

2

2

2

           





2

0

2

1st time, Gtr. 1: w/ Riff B 2nd & 3rd times, Gtr. 1: w/ Riff B (1st 7 meas.)

G5

 



Screws

in

-

  

  







side

2

2

2

 

F#5

 

turn

so

2



2

2



2

2



2

2



2

4



 

turn - ing

on



 

tight,



1.

Bb5

    

  



 



you.

 

I’m



 

hang - ing

on

T o Coda

E5

  









     



you.

Oo,

Interlude Gtrs. 1 & 2: w/ Riffs A & A1

G5

   







   



F#5







 

oo.

2. Ba



 -

by



blue,

2.

     Gtr. 1







Tak - ing

you

as



Rhy. Fill 1

Chorus Eb5

End Rhy. Fill 1

  

   



low as

you

go,

C5



2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

Gtrs. 1 & 2 Rhy. Fig. 1

1 1 1

X X X X

 



as

End Rhy. Fig. 1

                              

2



1 1 1

X X X X

1 1 1

             

10 10 10

X X X X

10 10 10

X X X X

10 10 10

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Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

Eb5

     low

as

Eb5

C5

     you





go.



 

low

as

you







1 1 1

X

X

X

 

Tak - ing

       





 

Eb5

you

  

    

low

you

as

as

C5



 



go,

as

C5







F5





go.

Rhy. Fig. 2



 









 

X

1 1 1

X

X

X

X

1 1 1

 

 

 

 

 

 

10 10 10

10 10 10

10 10 10

10 10 10

10 10 10

X X X

End Rhy. Fig. 2

 

 

3 3 3

3 3 3

Interlude *Gtr. 1 & 2: w/ Riffs A & A1 (2 times)

G5

 





   









   



Oo,

*Gtr. 1 w/ Phase shifter (next 8 meas.)

G5





 



F#5





 

oo,







 



F#5

D.S. al Coda







oo.

 Coda

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

Gtr. 1: w/ Rhy. Fill 1

  

Eb5

Eb5

      







-

ing

you

as

low



 





4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

as

you

 



Low

as



 

as

you

 



 



 



Tak





 

go.

  



low as



-

  you



 

(Low

as



 

 











ing go.

you

as



 



 

as

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Eb5





 





you

 

go,

 

go.

as Low



C5

you

C5







 

as

   



 Tak

low



 

C5

you

Eb5

  low

 



low

as



 

as

C5





go.





you

 

go,

 



F5



go. As

you

go.)

 

Guitar Solo G5

  





F#5





     

   

   

12 X 10

12 X 10

14 X 12

15 X 13

15 X 13

   

 

 

 

 











5

5

7

7

7

Riff C1

Gtr. 3 (dist.) Riff C2

mf

 

Gtr. 1



(Low as

  

Gtr. 2

    

  

you

  



go.



Riff C

                                              f

5 5 5 5 5

F5

  



5 5 5 5 5





     

5



5 5

5

 

  

As

low as

14 X 12

    

8

10 11 10

8

    



you

   

10

 

4 4 4 4 4

E5





  

go.)

4 4 4 4 4



4 4 4 4



4

4

8

10

11

8

10

8





  

   14 X 12



10 X 8

17 X 15

15 X 13

 

 

 

3

4

4



7

 

5



End Riff C1



End Riff C2



End Riff C

                                               

3 3 3 3 3

3 3 3 3 3

3 3 3 3

3

3

8

10 11 10

8

10

2 2 2 2 2

2 2 2 2 2

2 2 2 2

2 2 2 2 2 2 2 2 2

0

2

4

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 



    

(Low

as

you

Gtrs. 1, 2 & 3: w/ Riffs C, C1 & C2

 

Gm



     

 

Gtr. 4 (dist.)

 

 

3

 

 





3

D(#5)/F#









go.



 



 

3

 

As

 

 

3

    

  

 



low

 



as

 

you



3



 

go.



3

*

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

3 3 3 4

*Vol. swells

Bb/F

  

   





3







3







 



    

Low

as

you





3



C/E







go.)



 



 

 



 

3

3 3 3

3 3 3

3 3 3

3 3 3

3 3 3

3 3 3

3 3 3

5 5 5



 

 

 



3

5 5 5

5 5 5

5 5 5





3

5 5 5

5 5 5

5 5 5

Interlude Gtr. 4 tacet

G5

  





 



 

 

 



Oo,

 

Gtr. 1

    

    

5

5

5

5

5



  

Gtr. 2

5

Riff D1

* Harm.

2.6 Pitches:

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Sorgdal

5

5

5



5

     

**

3.3

3.3

3.3

4

 

oo.

Riff D

w/ phase shifter

 





    

    

5

5



4

C A A A F# F# *Harmonic located six tenths the distance between 2nd & 3rd frets. **Harmonic located three tenths the distance between 3rd & 4th frets.

5

5

5

5



5

5

5



End Riff D



End Riff D1

5

     

Harm.

2.6

3.3

3.3

3.3

4

4

C

A

A

A

F#

F#

   





 Tak

 





















5

5

5

5

5

5

5

5

5

5













  

Harm.

Pitches:

2.6

3.3

3.3

3.3

4

4

C

A

A

A

F#

F#





-







ing

you

as



 

17









 

17

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (7 times)

Eb5

     low

as

you

Eb5

     low

C5

    



you

C5

low

  

     you







    

    

as

you

low

as

as

you

C5

  

           





 

C5

as

you

Tak - ing

C5

  





  

 



as

low





     

as

you





as

you

as



   

you

Tak - ing you go.

    

C5

  

 

as

    

go.

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Eb5

you

   

go.

Low

     you





          low

    Tak - ing

go.

go, Low as

as





go.

    

low

C5

Eb5



you

as

   

as

Eb5

you

    

Eb5



go, (Low

as

Eb5



go,

C5

as

low





Eb5

    



go,

    

as







F5

as

 

go.

go.

As

low

as

you

go.)

Outro Gtrs. 1 & 2: w/ Riffs D & D1 (4 times)

G5

   





  



  



Oo,

  



 oo,





oo,









  





oo,

   oo,







   oo,

  

 

 



oo.

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Have It All Words and Music by Foo Fighters Intro Moderately fast Rock q = 162 * C5add#4 Gtr. 1 Riff A (slight dist.)

End Riff A

    

  

  

  

  

  

  

       

mf w/ chorus



4

let ring

5 5

4

4

4

5 5

4

5 5

4

4

4

5 5

4

4

5 5

4

4

5 5

4

4

5 5

4

5 5 7

5 5

4

5 5 7

 Harm.

Gtr. 2 (dist.) Riff A1

    

  

End Riff A1

  

  

  

  

9

   

Gtr. 3 (fuzz) divisi

f



Gtr. 2

9

10

9

9

10

9

9

10

9

9

10

9

9

10

9

9

10

9

9

10

       mf

9

7 0

9

7 0

*Chord symbols reflect implied harmony.

Am

  

Gtr. 1

5 5 7

Gtr. 3

Am

8 5 7

5 7

     

   

5 7

5 7

5 7

5 7

5 7

5 7

5 7

Gtr. 2 Harm.



Am7



5 7

D

   

  

5 7

5 5 7

7





7

7 7 7

   

7

7

7 7 7





C

   

5

5

5 5 5







       

5

5

5 5 5



0

     

f

1/4

0







0

0

7

 



    



Gtr. 4 (dist.)

0

7

  

  

  

0



1/4

1/4

0

  

5 5 7

 

7 0



5 5 7

0

0

7

0

7

0

7

0

5

5

7 5

5

5

7 5

3

3

5 3

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

3

3

5 3

0

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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Am

Am7 Am

       

Rhy. Fig. 1

                 5 5 7



5 5 7

5 5 7

5 5 7

5 5 7

5 5 7

5 5 7

5 5 7

5 5 7



5 5 7

8 5 7

5 7

5 7

5 7

5 5 7

5 5 7







D

C

   

7

7

7 7 7

   

7

7

7 7 7

   

  

5 5 5

5 5 5

5

5

D

Eb

   

End Rhy. Fig. 1

7 7 7

8 8 8





  

             



 



7 0

     



1/4

0

0

0

 







7



    



Riff B

1/4

1/4

0

0

7

0

0

7

0

7

0

7

0

Gtr. 2 tacet

Am7

               

               

Gtr. 1 Rhy. Fig. 2

8 8 8

5 7

8 5 7

8 5 7

Gtr. 3

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7





  

5 7

5 7

8 5 7

5 5 7

5

5

7 5

5

5

7 5

D

3

3

5 3

0

C

   

7

End Riff B

7

   

7 7 7



7

7

7 7 7



5 3

   

  

5 5 5

5 5 5

5

5

7 5

8 6

D

Eb

    

End Rhy. Fig. 2

7 7 7

8 8 8

       



Rhy. Fill 1

f

5 3





         0

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0

0

7



    

1/4

1/4

8 6

 



Gtr. 4 Riff C

0

0

7

  

  

1/4

0

0

7

0

7

0

7

0

5

5

7 5

5

5

7 5

7 5

8 6

End Riff C            

5 3

5 3

5 3

0

5 3

7 5

8 6

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times)

Am7

Gtr. 3

 



Gtr. 3: w/ Rhy. Fill 1 (2 times)

D



C





End Rhy. Fill 1



 



Gtr. 2

12

8 6

Am7

        

Gtr. 2

       

Riff D

D

       

 

 

14

D



Eb

 

12 14

 

12 14

C

D

      

Eb



  1/2

5

7

8

5

8 7

5

7

                  Am7

Gtr. 1

Gtr. 2



5 7

8 5 7

8 5 7

   

7

7

5

5

8 5 7

8 5 7

 

8

8 5 7

8 5 7

8 5 7

8

5

7

          

8 5 7

5



Riff E



Gtr. 4

7

 

 

7

0

0

0

7

 

8 5 7

8 5 7

0

0

7

7

 

8

5 7

5

5

5 7

8 7



8 5 7

5 5 7

   

7

5

5

    

1/4

1/4

8 6

8

            

Rhy. Fig. 3

8 8 8

8

5



7

7

7

5

5

7

7

5

5

D

7

   

5

7 7 7

7

7

   

7 7 7

5

       

7

5

5

5

7

7

C

   

7

5

7

5

  

5

7

7

5

  

5

5

     

End Rhy. Fig. 3

5 5 5

5

5

5 5 5

5 5 5

       

End Riff D

5

5

5 5

3

5

3

5

End Riff E

   

   

1/4

0

0

7

0

7

0

7

0

5

5

7 5

5

5

7 5

3

3

5 3

3

5

3

5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Am7

   

 

1. You’re my 2. Wind - ing

  

size, through

         

Gtr. 1

Rhy. Fig. 4

 

8 5 7

8 5 7

8 5 7

8 5 7

 

I this



  

need maze

to you

D

 

try hold

you me



    

               

   

8 5 7

8 5 7

7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

5 7

8 5 7

5 7

Csus2



on, in,

        8 5 7

C

5 5 7

7 7 7

7

7

   

7 7 7

7

5

   

End Rhy. Fig. 4

5 5 5

5

7 5

7 5

7 5

7 5

Gtrs. 2 & 3

 

Riff F

End Riff F



 







0 Riff F1

   

 







 

0

0

0

7



    

1/4

1/4

 

 

0

0

7

  



Gtr. 4

 



 

some - one search - ing

in all

Am7

 

-

 ’ry ’ry

 



0

 

be these

0



tween days

   

 

thing thing,

kept ev -

you’ve you’re

7

0

7

7

0

0

5





the to

right find





   

your ’ry -

wings thing

7 5

5

3

C





5 3

3

3

Csus2



5 3

3





wrong. end.

0



Through ev You’re ev -

Gtr. 2 tacet

  

  

5

D

  and the

7 5

5





a -

part. not.

I’m

D



C



Csus2









Through ev But I’m an -

Gtr. 2



  

1/4

Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtrs. 2 & 3: w/ Riff F Gtr. 4: w/ Riff F1 (3 times)

Am7

  

End Riff F1







0 Gtr. 3







    

      



     

0

0

0

0

3

7 5 5

Riff G

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

0

0

0

0

0

0

0

0

3

7 5 5

7 5 5

     

     

     

7 5 5

5 3 3

5 3 3

7 5 5

7 5 5

5 3 3

5 3 3

5 3 3

5 3 3

End Riff G

Gtr. 3: w/ Riff G

Am7

 



-

  



’ry - thing y - thing,

 

you I’m

Asus2

 

stayed an -

A



    

 

the y -

same one

art. want.

 





had

e

  

 

 

11 0

11 0

-

old you

D





C







Csus2







 



 

And

when

I’ve





nough...

She

Gtr. 4 Rhy. Fill 2A

9 0 *Gtrs. 1 & 3 Rhy. Fill 2

   2 2 0

 



 

 

  

2 2 0

2 2 0

2 2 0

  

 



 

me

     

 

       

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

                 

Gtr. 4

0 9 11 0

  

0 9 11 0

0 9 11 0

   

 

       let ring

11 0

9 0

9 0

11

0 9 11 0

9

when

     

5 6 7 0

0 9 11 0

Gtr. 3



Pitch: E

drains Gtr. 1

End Rhy. Fill 2



fdbk.

*Composite arrangement

 Chorus A    

End Rhy. Fill 2A

10 9 11 0

7 0

  

5 6 7 0

5 6 7 0

  

  

10 9 11 0

10 9 11 0

      7 0

7 0

  

I’m

emp

         5 6 7 0

5 6 7 0

5 6 7 0

5 2 4 0

      let ring 7 0

9

7

0 9

       let ring 7 0

9

  

  

Dadd9/G

7

4 0

  

-

  

 

 

ty.

A

She

fills

  

  

  

  

  

  

  

  

  

  

    

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

    0 9

9 0 9

      4 0

4 0

    0 9

0 9

9 0 9

    0 9

0 9

9 0 9

5 6 7 0

        7 0

7 0

9 0

11 0

     

     

       

4 0

4 0

7 0

4 0

4 0

4 0

4 0

7 0

9 0

11 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



    



her -

           

Gtr. 1

5 6 7 0

5 6 7 0

       

Gtr. 4

11 0

0 9 11 0

5 6 7 0

self,

  

  

  

  

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

       

  

0 9 11 0

10 9 11 0

 

Gtr. 2

0 9 11 0

0 9 11 0

  



0 9 11 0

 

Dadd9/A

she

  

  

takes

  

  

  

  

  

  

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

5 6 7 0

5 2 4 0

  

  

10 9 11 0

10 9 11 0



     

7 0

9

  



7

0 9

 

it

  

  

In

  

  

  

  

  

  

  

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

5 2 4 0

   

   

   

9 0 9

9 0 9

9 0 9



0 9

0 9

G

all.

  

0 9

  





0 9

0 9

    

5

0

    



3 3 0 0 X 3

9



3 3 0

 



10

        Gtr. 3

    let ring

11 0

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 0

9 0

9 0

11

9



 

7 0

     

7 0

7 0

     

7 0

9

7

4 0

     

4 0

4 0

     

 

           

4 0

4 0

4 0

4 0

4 0

4 0

4 0

4 0

4 0

0 X 3

  

   

 

D/F#

too

         

3 3 0

3 3 0

3 3 0

     

   

deep,

  





she’s

     

2 3 2



2 3 2



  

spill

-

ing

 

   

   



2 3 2

3 3 2 3

3 3 2 3

  

  

8 7

8 7

   

  



Riff H

 

F6add9

3 3 0 0

    

Fmaj13

o

-

G6

  A



ver

0 3 2 3

0 3 2 3



  

       

0 3 0 0

2 2 2

2 2 2

    

 

  

8 7

5 6

5 6

8 7

G

me.

       

0 3 2 3



2 2 2

5 6

2 2 2

2 2 2

2 2 2

3 3 0

  

End Riff H

5 6

5 6

5 6

3

     

10

10

10

       

0 3

0 X 3

   

0 X 3

12

10

9

      let ring 0 X 3

5

3

0 X 2

  

9

9

     

0 X 2

0 X 2

10

9

8

       let ring 0 X 2

3

2

0 X 1

8

    

0 X 1

    

  

8

7

10

 



10

      

        

       

0 X 1

2 0

2 0

0 X 3

2 0

2 0

2 0

2 0

0 X 3

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

  

In

the

Gtr. 4 tacet

         

Gtr. 1

3 3 0

3 3 0

 

   

Gtr. 4: w/ Riff H

D/F#

  

deep,

she’s

   



3 3 0

2 3 2

     

   

 

      2 3 2

spill

-

   



10

10

12

       

10

3 3 2 3

3 3 2 3

  

    

  

9

9

10

9

8

8

       let ring

    

Gtr. 3

0

0 X 3

3

      let ring

0 X 3

0 X 3

5

3

     

0 X 2

0 X 2

0 X 2

0 X 2

3

0 X 1

2

o

0 X 1

   -

   

2 3 2

9

 

Fmaj13

ing

 

Gtr. 2

10

  

F6add9

T o Coda 

 

G6 A



ver

0 3 2 3

0 3 2 3



me.

       

0 3 2 3



0 3 0 0

 

8

7

10

Go on

     

2 2 2

    

2 2 2

2 2 2

and

      2 2 2

2 2 2



2 2 2





       

 

  

0 X 1

2 0

2 0

0 X 3

  

  

2 0

   2 0

2 0



2 0

1. Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff D Gtr. 4: w/ Riff B

Gtr. 1: w/ Riff A Gtr. 3 tacet

C5add#4







 

have

it

Gtr. 2

   

  

  

9

10

9

9

Gtr. 3: w/ Rhy. Fill 1



C

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



D

Eb

10

9

9

10

  

9

9







D









7

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff E

Am7

Am7 Am

all.

    5

9

Am



D



C





2.





Gtrs. 1 & 4: w/ Riff A





have

it

all,

Riff I

Gtrs. 1 - 4 End Riff I Riff J

C5add#4

 Gtr. 2

   

9

9

  

10

9

9

Gtrs. 1 & 4: w/ Riff A Gtr. 2: w/ Riff I



9

10

9



C5add#4



9

11 0

10

11 0



 

 

     

11 0

11 0

11 0

A





9 0

End Riff J

     

7 0

7 0

       

7 0

7 0

7 0

7 0

7 0





all,

 

C5add#4



Gtrs. 1 - 4: w/ Riff J

it

Gtrs. 1 & 4: w/ Riff A (2 times)



9



have

 

  

       

  

10

A

 

  

  

have

it

all.

Gtr. 2

   

9

9

10

      

  

9

9

9

10

10

9

9

10

9

           

10

9

9

10

10

9

9

10

10

9

9

10



  0

0



7

10

Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff D (1st 7 meas.) Gtr. 4: w/ Riff B

Am

   

Am7 Am



C

 

D



D



Eb

 



You’re ev Gtr. 2 Riff K

       

 



Gtr. 3: w/ Rhy. Fill 1 (3 times)

Am7

-

C







’ry -

thing,

  



5

5

   you’re

 



D Eb

 

  

ev

-

 

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times)

’ry

Am7

  -



   



D

  

thing

D



  

I’m





not.

           

End Riff K

1/2

5

5

5

5

5

7

7

7

7

8

8 7

7

5

5

8

8 7

7

5

5

7

7

5

5

7

7

5

5

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Riff K

C

 

D





But

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff E

 Eb  I’m

 Am7 

an

-



y -



 

  

I’m

an

-

 

thing,

y

-

    

 

one

want.

you



D





D.S. al Coda Gtrs. 1 & 3: w/ Rhy. Fill 2

C

Asus2







A







 She

Gtr. 2

 



5

5









  

5

3

3

3



 

 

 

0

9 0

11 0

7 0

Gtrs. 2 & 4

5

 Coda

    







5

 



 

(Go

on

and

    

 

 

 

 

 

 

2 2 2

2 2 2

2 2 2

2 2 2

2 2 2

2 2 2

2 2 2

Gtr. 1

  



G

   

In have

it



    



Gtr. 4: w/ Riff H







  

deep, all.)

  

3 3 0

3 3 0













10

10

10

12

10

9







 

 



 

F6add9



she’s

2 3 2

Gtr. 2

7



too

Rhy. Fig. 5   

 

D/F#



 

spill -

   

 

 

2 3 2

2 3 2





 

9

9

10

 

 

  



3 3 2 3

 

9

8

Gtr. 3













Rhy. Fig. 5A

 



 

let ring

2 0

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 0

2 0

2 0

2 0

2 0

2 0

0 X 3

0 X 3

0 X 3

5

3

0 X 2

0 X 2

0 X 2

0 X 2

3

    2

0 X 1

   Fmaj13     -

ing

o

          3 3 2 3

3 3 2 3

8

8

       0 X 1

   

0 X 1



-

ver

0 3 2 3



0 3 2 3

0 3 0 0

8

7

10

       

 

0 X 1

2 0

0 X 3

  





 

9

9

9

10

 



Have

 







spill

 

9

8

 

 

 

 

2 2 2

2 2 2

2 2 2





7

7

-

 

 

2 2 2

2 2 2

2 2 2







7

7

7







2 0

2 0

2 0

2 0

 

 



o

-

ver

 

  

Fmaj13

ing

  

8

8

 

10

D/F#

the

deep,

End Rhy. Fig. 5

 



  

F6add9

Gtr. 2

C5add#4

 

 





 

In

2 2 2

 





Gtrs. 1 & 3: w/ Rhy. Figs. 5 & 5A

G5

me.

she’s

Gtrs. 1 & 4: w/ Riff A (2 times) Gtr. 2: w/ Riff A1 (2 times)





    

Gtr. 4: w/ Riff H



  A

       

0 3 2 3

    

 

G6















10

10

10

12

10

9



End Rhy. Fig. 5A

G6





2 0

2 0

 A





















12

12

12

12

12

me.

 

12



  







it

all.

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro Am

Am7

   

                

Gtr. 2

Gtr. 3 divisi

       

    

5 5 7

8 5 7

5 5 5

8 5 7

5 5 7

5 5 7

5 5 7



8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

5 5 7



Harm.



               

5 5 7

5 5 7



D

                sim.

5 5 7

C



        5 5 7

Am7





Gtr. 1

5 5 7

Am

5 5 7

5 5 7

5 5 7



8 5 7

8 5 7

8 5 7

8 5 7





Eb

8 5 7

8 5 7

8 5 7





 *

7 7 7

8 8 8

              

8 X 5 5 3

7 0

    

10 X 7 7 5

11 X 8 8 6

*Gtr. 2 to left of slash in tab.





     

 

0

0

0

0

0

0

0

0

0



12

  

0

0

0



12



   

0

0

0

0

0



12



0



12

 

   

5 3

7 5

8 6



  

 

   

2 0

5 3

7 5

8 6



      

0

0

Gtr. 4

Gtr. 5 (dist.)

   mf

 

  w/ bar

grad. bend

0

0

0

grad. release +1/2

2 0

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 0

                  Am

Rhy. Fig. 6

 

8 8 8

5 5 7

5 5 7

5 5 7

     

5 5 7

5 5 7

5 5 7

5 5 7

               

               

       

          

8 5 7

5 5 7

8 5 7

5 5 5

7 7 7

     

           End RiffL1

8 X 5 5 3

10 X 7 7 5

Am7

Am

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

5 5 7

Am7

5 5 7

5 5 7

5 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

8 5 7

C











8 5 7







Riff L1

 11 8

8 6

*

7 0

Eb

End Rhy. Fig. 6

Riff L

Harm.

D

 

8 8 8

End Riff L

 

11 X 8 8 6

*Gtr. 2 to left of slash in tab.

 

Riff L2

 

8 6

      

0

          

0

0

0

0



0

0



 

0

0

12

0

0

0

12

2 0



0

   

0

0

0

0



12



0



12

 

 

+1/2

grad. bend

w/ bar

8 6

  





0

      

        End Riff L2

7 5



  

       

2 0

5 3

7 5

0

0

0

0

8 6

grad. release

2 0

 

5 3

8 6

 

Gtr. 1: w/ Rhy. Fig. 6 (5 times) Gtrs. 2 & 3: w/ Riffs L & L1 Gtr. 4: w/ Riff L2 (3 times)

Am

   

Gtr. 5

Am7

 



 

Am

Am7

 

C

 

D

  

 

5 3

7 5

Eb

 

grad. dive w/ bar

8 6

2 0

2 0

8 6

-1

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Half-time feel Am

   

Gtr. 2

 

Am7

              

               

11

8 X 5

8 X 5

8 X 5

8

 

8 X 5

8 X 5

8 X 5

Riff M1

    

8 6

0

Riff M2 Gtr. 5

     

8 6

0

0

0

0

8 X 5



0

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

          0

0

0

0

0

0

0



0

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

10 X 7

       0

0

0

0

0

0

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

14 X 12

  Gtr. 1

Am

   

8 8 8

      

µ

D

Eb

    

  

0 0

Gtr. 2

 



11 8

     

0 0

Gtrs. 3, 4 & 5

 

8 6

14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 0 0

C

Am7

µ

 

5 5 5

7 7 7

8 8 8

  

 

  

 

8 X 5

10 X 7

11 X 8

11

  

 

5 3

7 5

    8 6

  8 6

D

Eb

5 5 5

7 7 7

8 8 8

  

 

8 X 5

10 X 7

  

 

5 3

7 5

 0 0

 0 0

µ

     

    

Play 3 times

0 0

8

C

 

 

       8 6

 



11 8

8 6

C

D

     0 0

      11 X 8

8 X 5

10 X 7

11 X 8

 

              

0 0

 0 0

0

 

0

5 3

0

7 5

8 6

 

         End Riff M2

 

12 X 10

Am Am7                                  86 0 0 0 12 0 0 0 0 12 12 0 12 12 0 0 0 12 0 12 0 Gtrs. 2, 3 & 5: w/ Riffs M, M1 & M2 (2 times)

Gtr. 4

Eb

End Riff M

8 X 5

0

               

12 X 10

    

D

End Riff M1

               

12 X 10

C

8 X 5

            12 X 10

        

Am7

           

Gtr. 3

 

Am

Riff M

3



5 3

6

C

7 5

8 6

D

Eb

 

                5 7 8  0 0 0 3 5 6

Eb

µ

  

  













   





5 5 5

7 7 7

8 8 8

8 8 8

  

 

  

  

8 X 5

10 X 7

11 X 8

11

  

 

5 3

7 5

    8 6

8

8 6

from Foo Fighters - Greatest Hits

Times Like These Words and Music by Foo Fighters D5

A5

C5

E5 VII

E5

5fr

7fr

134

11

Intro Moderate Rock q = 144 D7add6

                  f

 



114

4.

End Rhy. Fig. 1

              

                   

5 0 5 0 0

5 0 5 0 0

w/ clean tone

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 5

* D5 Gtr. 3 (dist.)

5 0 5 0 5

 

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

         

5 0 5 0 5

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

Csus2

                  Riff A

End Riff A

f

0

134

1., 2., 3.

Rhy. Fig. 1

Gtrs. 1 & 2 (elec.)

134

12

10

0

12

11

0

12

10

0

12

11 12

10

Rhy. Fig. 2                                 **Gtr. 1



0

 

0 0

D5

 

12

10



0

 

12

11



0

 

12

10



0

 

12

 

11 12

10

                           

w/ dist.

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

10 X 7

8 X 5

**Two gtrs. arr. for one.

                                                 Gtr. 2

Rhy. Fig. 2A

w/ dist.

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

0 0

*Chord symbols reflect combined harmony.

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights Reserved International Copyright Secured Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Riff A (6 times)

Bm

A5

D

End Rhy. Fig. 2

                             Gtr. 1

7 X 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

5 X 2

5 X 2

7 X 4

                             Gtr. 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

8 X 5

10 7

7 7 5

0

0

8 7 5

5 5 3

7 X 4

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

D5

 

Bm

10 X 7

8 X 5

7 X 4



                         

0 0

4 4 2

7 7 5

D                              

7 X 4

7 X 4

4 4 2

                            5 5 3

7 X 4

                           

Csus2

8 7 5

7 X 4

End Rhy. Fig. 2A

                            8 7 5

                           

8 X 5

10 7

A5

                            7 7 4

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

7 7 4

4 4 2

5 X 2

4 4 2

5 X 2

0

0

D5                              

Csus2

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

8 7 5

10 X 7

8 X 5

                                                             7 7 5

7 7 5

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

0 0

Bm Riff B

    Gtr. 3





12

11





0

12

10

0

    

 

 

 

 

7 X 4

7 7 4

7 7 4

7 7 4

7 7 4



Gtr. 1

Rhy. Fig. 3







12

11





0

12

10

0

 

 

 

 

 

 

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4

7 7 4





End Riff B







12

10

12

 

 

 

 

7 7 4

7 7 4

7 7 4

7 7 4

      

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 0

4 4 2

4 4 0

4 4 2

Gtr. 2

Rhy. Fig. 3A

 

End Rhy. Fig. 3

X X X

End Rhy. Fig. 3A

  4 4 0

*Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (2 times)

 

D7add6









*w/ dist.





Verse D5 Rhy. Fig. 4 Gtr. 2

    





1. I, 2. I,

  I’m I’m

Riff C

      Gtr. 1

 

 









A5

a a

 

 one new



  

 

way day

 

mo ris

 

* let ring throughout

 

2 0

2

0

3

2 2

3

0 2

3

  

-





tor - way, ing,







3 2

0 0

2

2





1



 0

2

*Next 6 meas.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 2fr 



B

  







I’m I’m

a a

road brand

   

0

1



 



 that new





3



C5

 

E5





drives sky

  



1

2





a - way to hang







2

3





3 1

0

2

and the



 

fol stars

-





1



 

lows up -

 

 

 

you on

2 2 0

 

 back

 

home. to - night.

 

0 3

0

2

End Rhy. Fig. 4

3 0

2 2 0

End Riff C



0 0

Gtr. 1: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1

  

D7add6







 

*D





I, But I, *Chord symbols reflect overall harmony.

 





I’m I’m

a a

 street lit -

 



tle

light di

  -



Am7

shin vid

-







ing, ed.







 

I’m Do

a I

white stay

 light or

  blind run

**Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (2 times)

   C





-

ing a -

bright, way



  and

Em7





-

ing it

off all



burn leave



 and be



D7add6





on. hind?

-

**w/ dist.

 



 Uh. Uh.

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal















 It’s

  times





 Chorus Rhy. Fig. 5A Gtrs. 2 & 4 (dist.)



E5 VII

C5

     f

  

like



these



you

        

D5



learn







to

live





End Rhy. Fig. 5A







a - gain.

It’s

Gtr. 3



let ring throughout

0

0

5

     Gtr. 1

5

3

Rhy. Fig. 5

mp



5

3

     

 



let ring

0 2 3

3 1 0

0 2 3

1 0 2

1 0 2

 

  



0

0

5

2 2 0

Riff D    





0

5

2 2 0

0 3 0

0 3 0

4

let ring

3 0 4

0 4

 

8 X 5

10 X 7

0

4

5

5 3 0 4 5

4

 

 

   End Rhy. Fig. 5           

 



0 3 0

0

4

7

times

  

   

        

 

let ring

Gtr. 5 (dist.)



7

 

0 0 0



 



5 3 0 4 5

5 3 0 4 5

0 0

End Riff D

mf

8 X 5

Gtrs. 1, 2 & 4: w/ Rhy. Figs. 5 & 5A (2 times) Gtr. 5: w/ Riff D (2 times)

     C

 

like

 Riff E   





these

you





Em7



give

and





give





a

- gain.

  

Dadd4





It’s

Gtr. 3

0



5





0



5

3



3



5



0









0

5



5

7





0 7





4



0



4

  



4

5

   

times

 

End Riff E

0

T o Coda

Gtr. 3: w/ Riff E

C

 



 

like

these



 you

 learn

Em7







to

love



 a

 -

gain.

Dadd4







 It’s

 



times

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1.

Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A (1st 2 meas.) Gtr. 3: w/ Riff E (1st 2 meas.) Gtr. 5: w/ Riff D (1st 2 meas.)

   

 

C

 like

*Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (2 times)

 





these

Em7





time



and

      Gtr. 4

5 5 3



time

 a

 -

D7add6



gain.

  

  

9 9 7

7 7 5 *w/ dist.

  



Gtr. 4 tacet



    

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5













  

2.

Interlude

   

Em7

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (3 2/3 times) Gtr. 3: w/ Riff A (11 times)

 and

 

 





time

a

- gain.



   D5



     9 9 7

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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

Oh,

  

Gtr. 5

 

10 X 7

Gtr. 4



Gtr. 4 tacet

Csus2

     7 7 5

 

  



Bm



oh.

 

8 X 5

 

D5

 

  7 X 4

 



A5

Gtr. 5 tacet

   D5

Csus2





Oh,

D5







oh,

   

Csus2

Bm





oh,

A5





ah,

oh.



A5



D5



ah,

D5



Bm

oh.



D5



Oh,

Csus2





Oh,

D5







oh,

 

ah

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A Gtr. 3: w/ Riff B

    

Bm

 oh.

    Gtr. 4





  f

10





steady gliss.

17

10

Gtrs. 3 & 4: w/ Riff B (4 times)

 D7add6  

   







   



Uh,

        Gtrs. 1 & 2

  

  

5 0 5 0 5

5 0 5 0 0

w/ dist.

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

  

  

5 0 5 0 5

  

5 0 5 0 0

5 0 5 0 5

uh.

  

  

      

  

  

  

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 0

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

  

   5 0 5 0 0

  

  

   

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

D.S. al Coda

  



   









Uh.

         5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

   5 0 5 0 0

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

   5 0 5 0 0

   5 0 5 0 5

 

  It’s

  

  

      

  

  

  

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 5

5 0 5 0 0

5 0 5 0 0

   5 0 5 0 5

  

  

5 0 5 0 0

5 0 5 0 5

   5 0 5 0 5

   5 0 5 0 0

   5 0 5 0 5

times

  

  

   

5 0 5 0 0

5 0 5 0 5

5 0 5 0 5

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Coda

Gtrs. 1, 2 & 4: w/ Rhy. Figs. 5 & 5A (5 times) Gtr. 3: w/ Riff E (5 times) Gtr. 5: w/ Riff D (5 times)

     C

 

like



 



these



Em7

time

and

      Gtr. 2

5 5 3

C    



 

like

these



Riff F        

12 X 10

12 X 10

12 X 10



  you

    

     C

    

Sorgdal

It’s

times

  

 

 

 

 

 

 

 

 

9 9 7

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

 

Em7

learn

 

 

 

to

live

 

 

 

Dadd4





a - gain.





 

It’s

times

 

 

 

 

 

 

 

 

   

 

 

 

 

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9



Em7

 

like

these

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

gain.

 

 



8

-



 

 

these

like

a



 

like

 

time

  



 

  

C



 

 



 

 

 

Gtr. 2: w/ Riff F (3 times)

C



Dadd4

  

these

 

  you



  you

 





give

 

  and

 

Em7

learn

  

time

 

Em7

 

 

give

 

to

love

and

  time

 

a

 

 

 

 

 

-

 





a

- gain.

  gain.

  It’s

 

-

 

gain.

 

  a

Dadd4

11 X 9

 

Dadd4





  It’s

Dadd4

 







 It’s

 

End Riff F

11 X 9



  times

  

times

  times

Outro *Gtr. 1: w/ Rhy. Fig. 5 (3 times)

 C  



 

like

these





Em7



you



learn

   





to

live





12 X 10

   



a

 

Gtr. 2

Dadd4

-







 



gain.

It’s

times

 

 

 

12

11

11

10

9

9

Gtr. 3





0

*w/ clean tone

Gtr. 3 tacet

    C

Gtr. 2 tacet



 

like

these





 you



Em7



give

and

   





give

 

Gtr. 2



 

Dadd4



a

-







gain.



 

 It’s

times



 



9 7

    C



 

like

these

    



  

C

like



 learn

 

Em7

these



time

let ring

0 2 3

0 2 3

3 1 0



you

         

     Gtr. 1

Em7

1 0 2

1 0 2

0 0 0

let ring

2 2 0



to

love



 a

 

   and

 



time

2 2 0

-







gain.

It’s

Dadd4

C





times

 

a - gain.

            0 3 0



Dadd4

0 3 0

0 3 0

0 4

 

   

  

  

let ring

3 0 4

4

5 3 0 4 5

5 3 0 4 5

     5 3 0 4 5

0 0

      3 1 0 2 3

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Disenchanted Lullaby Words and Music by Foo Fighters

Intro Moderately q = 112 * B7(no3rd)

   

Gtr. 1 (clean)

Riff A



Gtr. 1: w/ Riff A (3 times)

    

mf

    

End Riff A





     

Gtr. 2 (clean)



mp



0

2

0

2

2

0

2

0

2

0

 

2

2

0

*Chord symbols reflect implied harmony.

   





Play 3 times

P.M. **w/ delay

let ring throughout

2



 

7

**Set for eighth-note regeneration w/ multiple repeats.



  

 









Ah.

Riff B1

8va     *** Gtr. 3 Gtr. 2





7

7



(clean) mp divisi † Riff B2 †† Harm.

7



7

7

***w/ Compression & sustain †Vol. swells ††Applies to both gtrs. Gtr. 4 (dist.) Riff B3

 



mf

                 P.M. 9

9

7

7

9

7

9

7

7

 

Gtr. 1

Riff B



    

2 2

Sorgdal

42



0

2

0





2 2

5

     

2 0

7

0

2

0



                 P.M. 9

5





2

7

7

    

2 0

9

9

7

9

7

7

2

0

2

0





2

5

     

2 0

7

0

2

2

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

0

5



2 0

   



Esus 24

  

  

Ah. 8va    







   

 

loco



D6

 End Riff B1



End Riff B2

Harm.

7

7

5

7

 

                    P.M. 9

9

7

7

9

7

9

7

7

7

9 X 7

9

7

 



  2

0

 2

  0

 

 

2

2

2

0

  2

0

 

0

2

0

2

2

2

  

End Riff B3

11 X 9

    0

 

 

 2

   0

2

11 9

  

0 0

0

2

  2

End Riff B

  0



2 0

Verse Gtrs. 1, 2, 3 & 4: w/ Riffs B, B1, B2 & B3

    

    

B7(no3rd)

1. Dis - en

- chant

    Sing

-

ed



  

-

la

lul

    

with

me,

now



what’s

- bies.

B7(no3rd)



Sing

  

 

a

to

boy



Sing Sorgdal

a -

    

 

long,

soul

my

Esus 42

 

yours,

sing





I’ll

  

  



 

you

What’s





mine.

    

D6

do?

  



Sing

   

me

    

a

boy

to

do?

Gtrs. 1 & 4: w/ Riffs B & B3 (1st 6 meas.) Gtrs. 2 & 3: w/ Riffs B1 & B2

Gtrs. 1, 2, 3 & 4: w/ Riffs B, B1, B2 & B3 (1st 2 meas.)

  

  



   to

   take.



a

  

-

long

   Sing

a -

  for

yes







-

ter -

day.





    



  

 

long

-

er

for

an - oth

song

you.

43

Esus 42

  



  

  

D6



µ

What’s a Riff C1    

  

boy

 

Gtr. 4

Bm7

to

 

  Gtr. 1

11 X 9

Riff C



     

2

2

0

0

2

   

  

   

  

  

  

  End Riff C1     

0

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

  

  

  

   

  

  

  

End Riff C       

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

1

2

0

2

0

2

0

 Chorus 2nd & 4th times, Gtr. 3: w/ Riff B2 (1st 2 meas.) Bm7            

a

shat - tered.

1

  

µ

What does it



               

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

0

1

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

1.

 

mat - ter?

44



0

1

            

    

Sorgdal

lit - tle



0

0

                

Bm7

 

2

0

            

Gtrs. 1 & 4

 

1

   Bm7    

scat - tered, Rhy. Fig. 1

0

µ



  

  

        

0



  

f w/ dist.

2



I may be

11 9



do?

f

9 X 7



µ

       µ

No one has

a

fit like

E



I



D







do.

0

1

   

µ

I may be End Rhy. Fig. 1



  

  

  

   

  

  

  

         

   

   

   

   

   

  

  

  

  

      

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

0

2

0

0 0 1 2 2 0

0

0

1

 

2.

   D

I’m

 

  the

on - ly

 



µ

one

   T o Coda

that

 

B7(no3rd)



fits







you.



8v a



Gtr. 2

Gtr. 3 divisi





Harm.

7

7

      Gtr. 4

  

  

  

  





 



 



mf 2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

     

  

  

  

  

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

Gtr. 1

0

0



1

2

2

    



 

mf dist. off

2 0

0

1

2

0

0

   





2

2

2 0

2

0

2

Verse Gtrs. 1, 2, 3 & 4: w/ Riffs B, B1, B2 & B3

B7(no3rd)    

2. Whis - per

     Whis - per

Sorgdal

    

 

with

pass

   with

me,



  the

voice



   the



time.

 



Whis - per



 

 

in -

side

of

    

 

for

days

Esus 42



the





   gone

  



by.

D6



you.

45

Gtrs. 1 & 4: w/ Riffs B & B3 (1st 6 meas.) Gtrs. 2 & 3: w/ Riffs B1 & B2

B7(no3rd)    

 

With this

ring

     -

  

ti

you

   -

ply.



 Coda

 

will





 

be

mine.

 



With

this

 



 

With

this

ring





  



ring

sur -





ren

-





der -

 



 

I

mul -

 



ing

to

you.

D.S. al Coda (take repeat)

Gtrs. 1 & 4: w/ Riffs C & C1 Esus 42

 

 

 



  

What’s

a

boy

to

do?

E

D

A

D6



B

µ

B/A

        





 

Bm7

 











B

 

B/A



E

 





 



I

may

be

D

A





µ

you. You.

   

Gtr. 3

Riff D

End Riff D







Harm.

Harm.

7

      *Gtr. 2



7

     

Rhy. Fig. 2A

   

        





 

End Rhy. Fig. 2A

w/ dist. delay off

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

9 9 9

7 7 7

  

  

2 3 2 0 0

2 2 2 0

6 7

7 8

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

7 8 9

9

7

  

6 7

7 8

*Two gtrs. arr. for one. Gtrs. 1&4

Sorgdal

46

Rhy. Fig. 2

     

 

 

  

  

  

  

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 0

4 4 4 0

4 4 4 0

0 0 1 2 2 0

  

1

 

 

 

  

  

  

  

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 0

4 4 4 0

4 4 4 0

0 0 1 2 2 0

  

2 3 2 0 0

End Rhy. Fig. 2

   2 2 2 0

1

Gtrs. 1, 4 & 2: w/ Rhy. Figs. 2 & 2A Gtr. 3: w/ Riff D

B

B/A

   

E

D



Voc. Fig. 1



A

B



 

B/A

E

D





A End Voc. Fig. 1





Ooh.

Lead Voc.: w/ Voc. Fig. 1 (2 times) Gtrs. 1, 4 & 2: w/ Rhy. Figs. 2 & 2A (2 times) Gtr. 3 w/ Riff D (2 times)

B B/A E D A B B/A E D A                                                                 Gtr. 5 (dist.)

mf

 

   

14 X 11

14 X 11

14 X 11

Bm7

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11



14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11

14 X 11



     

14 X 11

14 X 11



16 X 13

16 X 13

16 X 13

16 X 13

16 X 13



16 X 13



16 X 13



16 X 13

 

  

µ

I

 

Gtr. 5

14 X 11

may

be



14 X 11

      Gtr. 2

 

Gtr. 4 divisi

 

 

   

9 2

   



  

  

  

   

  

  

  

   

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

Gtr. 1

Sorgdal

0



0

1

  

  

  

   

  

  

  

      

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

0

0

1

47

Chorus 1st time, Gtrs. 1 & 4: w/ Rhy. Fig. 1 2nd time, Gtrs. 1 & 4: w/ Rhy. Fig. 1 (1st 7 meas.) Gtr. 2 tacet Gtr. 3: w/ Riff B2 (2 times)

Bm7      









  

scat - tered,

a

    

lit - tle



  

µ



shat - tered.

       µ

   

mat - ter?

No one has

 D 









I’m

the

on - ly

one

    

 

 

 

 

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

Gtrs. 1&4

Bm7

What does

1.

Bm7

2.

  

µ

     E

D5



A5





that

fits

you.



 

0 0

2 2 0

a

E

fit

like



I







do.

D











No

one

has

a

fit

 

   

   

   

   

 

 

 

 

 

2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

µ





   

µ

I

   

Bm7

  

I’m the on - ly one that fits

 



D

   

       

do.





D



E



may be

D5



A5

like

I



 

0 0

2 2 0





µ

you. Gtr. 3







Harm.

7

  

  

  

  

  

  

  

  

  

  

  

     

2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

Gtrs. 1 & 4

Sorgdal

48

0

0

1

it



  

  

  

   

  

  

  

   

2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

2 0 2 0 2

Tired of You Words and Music by Foo Fighters

Gtr. 1: Drop D tuning: (low to high) D-A-D-G-B-E

F

C

Gm

C/G

1 3 33

1 3 4 11 1

1 333

Eb/G

134 211

D7(no3rd)

3 1 21

21

Intro Moderately q = 106 G5

Gtr. 1 (slight dist.)

                                                                            mp w/ reverb  P.M. 

5 5

Verse G5

     1. I

 

can

7 5 5 5

5 5

5 5

5 5

7 5 5 5

5 5

 

  

be

li

-

your

7 5 5 5

  

F5

5 5



5 5

5 5

7 5 5 5

5 5

3 3

3 3

7 5 5 5

5 5

5 5

5 5

   



dia - monds

  

7 5 5 5

5 5

7 5 5 5

5 5

5 5

3 3

5 3 3 3

5 5

3 3

3 3

5 3 3 3

3 3

5 3 3 3

3 3

 

in

fire,

your

  



 

burn - ing

7 5 5 5

5 5

5 5

your

bear

7 5 5 5

5 5

5 5

7 5 5 5

5 5

Eb5

    

Sick and

un

-

in

er

5 5

 

5 5

3 1 1 1

1 1

1 1

1 1

  

     like

1 1

a

flame

3 1 1 1

5 5

bad

7 5 5 5

5 5

  



     But

is

this

     just

de

  - sire

D5

  

  





or

the

truth?

G5



5 5

news.

5 5

7 5 5 5

0

       

spired

0

5 5

by

the End Rhy. Fig. 2

             0 0

2 0 0 0

0 0

  

 

in - side

of

0 0

0 0

F5



© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights Reserved International Copyright Secured Used by Permission

2 0 0 0

0 0

0





you.

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

Eb5

7 5 5 5

5 5

 

of

D5

                 1 1

5 5

           

5 5

-

7 5 5 5

5 5

   -

            5 5

5 5

  

Rhy. Fig. 2

0



5 5

be

can

Gtr. 1: w/ Rhy. Fig. 2

    

5 5

I

  

3 3

7 5 5 5

5 5

    

           

3 3

5 5

  

5 5



Gtr. 1: w/ Rhy. Fig. 1

G5

5 5





5 3 3 3

5 5

ar,

5 5

P.M.

3 3

7 5 5 5

           

                   3 3

5 5

End Rhy. Fig. 1

            P.M. 5 5

5 5

    

Rhy. Fig. 1

5 5

5 5





  So

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus C5

    

     

shame on

me

for the

G5



           

P.M.

5 3

5 5 3

    

5 3

5 3

5 3

5 3

    

F5

oth - er

one

 

Gtr. 4 (dist.)

re

5 5

0

5 5

  

Eb5

-

7 5 5 5

5 5

5 5

5 5

7 5 5 5

0

     

turned

that

I’ll



nev - er

me

for the

5 3

D5

5 5 3

5 3





5 3

5 3

  





blues.

               5 3

G5

     

Shame on

Rhy. Fig. 3

5 3



ruse.

                  Gtr. 1

C5

  

5 3

 

An -

             5 5

0

5 5

7 5 5 5

5 5

5 5

5 5

7 5 5 5

5 0





use.











Riff A2

mf

10

 

Gtr. 3 (dist.)











Riff A1

 mf

7

 

Gtr. 2 (dist.)











Riff A

 mf

8

  Gtr. 1

                

P.M.

3 3

3 3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 3 3 3

3 3

3 3

3 3

5 3 3 3

0

            1 1

1 1

3 1 1 1

1 1

1 1

1 1

3 1 1 1

0

            0 0

0 0

2 0 0 0

0 0

0 0

0 0

2 0 0 0

0 0

End Rhy. Fig. 3

             0 0

0 0

2 0 0 0

0 0

0 0

0 0

2 0 0 0

0

Chorus Gtr. 1: w/ Rhy. Fig. 2 (2 times)

         Gm

 

         

F

Eb

          



              1 1 11  I

won’t go

get - ting

tired

of

you.

I

won’t go

get - ting

tired

of

you.

I’m not

10

10

8

8

            

7

(7)



  

Gtr. 2

1



1/2



 

  

1

5

5



           1 1

  

 fdbk.

(8)

7

(8)

8

8

tired.



Gtr. 3

1/2

- ing

 

Gtr. 4

(10)

get

    6

6

6

Pitch: D

     D

Gm





 

      

I



fdbk. 1

7 Pitch: D

     

 

10

4

4 Pitch: C#

  





won’t

go

get - ting









F





tired

of

you.



1/2

1



     

7

  

8

1/2

7

1

8

fdbk. 1

1

8

8 Pitches: D

1

8 C

1

8

1

8

1

8









  I

won’t

go

get - ting



10

   7

         

1

5



    



1/2

5



10

fdbk.

1/2

4

 



    

1/2

7





1

8

8

8

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Verse Gtr. 1: w/ Rhy. Fig. 1        tired

of

you.

      

10

 7





    



 

I’m not

get

tired.

-



ing



End Riff A2



2nd time, Gtrs. 2, 3, 4 & 5 tacet

D

  

Gm



  

2. Hang - ing 3. I can



8

7

End Riff A1





5

5

wire, li -



7

4

on be

this your

fdbk.







 

1/2

fdbk.

4

4

4

Pitch: C#

D

 

  



  



mf

6

6

5



*

Gtr. 2 divisi

1/2

6







22 8





Gtr. 5 (dist.)

1

ar,

Gtr. 3

End Riff A





7

7

8v a



  

1/2

1/2

5

 



    

1

    



1/2

8

Gtrs. 2 & 3 tacet

Gtr. 4

  

1

8

    

    

  





Eb



18

5 * Vol. swell

Pitch: Bb

 





    

  

Gtr. 6 (clean)



** w/ delay & heavy reverb

 



let ring throughout

3 3

5

3

3

** Delay set for dotted eighth note regeneration w/ one repeat and volume is swelled in once all of the arpeggiated notes ring together. Reverb is present only on regenerated repeat. Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 4 & 5 tacet

   



wait - ing I can

    Gtr. 6

3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 3

     for be

the your

     3

3

 



day bear

-

  3



   I er

have of

 to bad



F







choose. news.



 1

   1

  

  

1 0

0

2



Gtr. 1: w/ Rhy. Fig. 1

Eb

  

     

Cursed by Sick and

love un -

 

so in

  

3

4

3

Gm

 

dire. spired.

    

    4

D7

by

the

dia

 



One -

more monds

 



       

3

0

1

2

2

  



boy in

for your

     3

1

2

0

  



hire, fire,

 

3

3





3

Gtr. 1: w/ Rhy. Fig. 2

   



one more burn - ing

  



 

   boy, like



to a

   3

3

0

Eb

     is

this

    4

3

0

0

     just

de

  -

4

lend flame





 

 

a in -

hand side

to of

3



you. you.

 







1 2



  

  

 

or

the

      1

2

      

Fill 1 Gtr. 6



3 3

2

     1

1

2

3

Gm





 

  



 

1 0

0



2

2nd time, Gtr. 6: w/ Fill 1





truth?

 

  So

  

        w/ bar

1

 



But

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

D7

0



  

0 0

3

sire

     3

3





F

0

 

3

3 3

3 3

3 3



3

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus





Gtr. 1: w/ Rhy. Fig. 3 2nd time, Gtr. 6: w/ Rhy. Fill 1 (2 times)

C

mf

   

on

me

     

 

 

  

 

8 5 5

8 5 5

6 5

5 5

3 3

shame

Gtr. 6









for

the

ruse.



 



 

Shame

on

me

  

 

 

  

 

8 5 5

6 5

5 5

3 3



  





 

C/G





* w/ delay & heavy reverb



Gm



Gtr. 7 (clean)





5 3

8 5 5









for

the

blues.

* See footnote instructions for Gtr. 6 (p. 4)





F

  

 

    

An - oth - er

3 3

  

5 3

3 3 3 0

1 2

3

Rhy. Fill 1

      

Gtr. 6

8 5 5

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8 5 5

re

    

  









     

one

1

  -

     



turned

that

I’ll

nev - er

      

3

3

4

4

3

Fill 2

    

 

6 5

3 3

5 5

 

         

Gtr. 6

2

1

2

1

    3 1 2 0

3

   2 1 2





use.









D7(no3rd)







  



2nd time, Gtr. 6 w/ Fill 2

Eb/G





Gm

  

   2 1 2 0

 



Chorus Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 7 tacet

Gtrs. 2, 3 & 4: w/ Riffs A, A1 & A2



  Gtr. 7



    









I

won't

go

get - ting

Gtr. 6





 

Gtr. 5 tacet

Gm





 

3

5

  

  

3

3



tired

 



3

1 2 0







of

you.



 

3



   





6

3





w/ slight dist.

3

4

F

  I

   Gtr. 6



5

3

D7

      

2

3







won't

go

get





 

1 2

4

6

- ting



 





of

you.

1





1







2 2





1





2

0

Eb









I

won't

go

get - ting







3 5

3

5



 

 



I’m

not

get

-

ing









 



3

   3



3

4

3





  



2

3

Gm



 



1

1





tired

 





3

5

Gtr. 5

 







tired

 

4

3



3





of

you.

  3

 

  tired.



3

 

3



3



0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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T o Coda

F

   I









won't

go

get - ting

        

 

Gtr. 6

1 2

3

     tired

  

1

1

of

  



you.

I’m not

      1

1

1

3

 

Eb



2

3



    

 

get

tired.

-

ing

      

  

Gtr. 6

Gtr. 3 divisi

3

4

3

4

3



3



D7

Gtr. 2 divisi

 of

  2 4

Gtr. 4



 you,

       1

2

1

2

2

X

  7 5

Gtr. 2 tacet

Bridge C

  

 







 

Gm











 of

          Gtr. 6

5

5

5

5

5

6

5

5

    Gtr. 4

        

       6

6 5

5

0

Gtr. 4

 

Gtr. 2 divisi

5

3

5

 

 you.

      

3 3 3

3 3 3

3

5

   

mp w/ bar Harm.

          

5 3

12

   Gtr. 3



fdbk. w/ bar 

5

5

5

Pitch: D

                  Gtr. 1

P.M.

5 3

5 3

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5 5 3

5 3

5 3

5 3

5 5 3

5 3

               5 3

5 3

5 5 3

5 3

5 3

5 3

5 5 3

0

                  5 5

5 5

7 5 5 5

5 5

5 5

5 5

7 5 5 5

5 5

                 5 5

5 5

7 5 5 5

5 5

5 5

5 5

7 5 5 5

0

D.S. al Coda Gtrs. 3 & 4 tacet

C

 

 







 

Eb



D7

   









Ah.

         

Gtr. 6

5

5

5

5

5

6

             P.M.

5 3

5 3

5 5 3

5 3

 Coda

5 3

5 3

5 5 3

5 3

     D7

6

5

5

Gtr. 1

6 5

5

0

          5 3



5 5 3

5 3

5 3

  of

 

        

      

5 3

5 3

5 3

Outro Gm

0

3

3

4

3

3

1 1

1 1

3 1 1 1

1 1

1 1

1 1

3 1 1 1

2

1

2

           





4

        1

2

2

0

             0 0

0

2 0 0 0

0 0



0 0

0 0

0 0

2 0 0 0

0



    

you.

Gtr. 2





fdbk. w/ bar

5

5

    

Gtr. 4

  

Gtr. 3 divisi

 

1/2 1/2

*

7/4

(7)/(4)

* Gtr. 4 to left of slash in tab.

      

         Gtr. 6

2

 

1

2

1

2



2

5

Gtr. 1

3

3

3

 

3

3

            P.M. 5 5

5 5

7 5 5 5

5 5

5 5

5 5



7 5 5 5

5 5

           5 5

5 5

5 5 5

5 5

5 5

5 5

5 5

3 3

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Gtrs. 3 & 4 tacet

Gtr. 2 tacet

Gm Gtr. 7

 

     

*





Gtr. 5

3

3

mf 6

  

Gtr. 6

5

   

 3





 

3

3

  

 3

5 3 3 5

  



3





 

3

5

 sim.



  



P.M.

6

3



3

3



semi-harm.

   

5

3





3

3





 



    

3

5 3 3 5

3

3

6

3

3

3

3

Gtr. 1

      5 5

  





  





  







5 5 5

5 5

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5

Gtr. 2









5

 0 0

  

p

  





  



3 3

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5 5

5 5





5

   





* Vol. swell

Gtr. 5









 



  

3 3

5 5

w/ bar

steady gliss.

5 5

5 5

3

3

      



3

3

6

              

3

3

3

3

3

3

  

   

5 3 3 5

3



   3

    



3

3

6

3 3 3 5



5 3 3 5



  



       Gtr. 6

5 5

3



  

3 3

5 5

Gtr. 1

5 5

5 5

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5 5 5

5 5

5 5

5 5

  0 0



         

3 3

5 5

5 5

5 5 5

5 5

5 5

5 5

5 5 5

5 5

       5 5

5 5

5 5 5

5 5

5 5

5 5

  0 0

-1

Halo Words and Music by Foo Fighters G6

G5 5fr

F5

A5

5fr

13 14

type2

G5

11 1 4

C/E

Eb5

D5/F#

type2

7fr

1 1 14

F5

D5

5fr

111 4

4fr

12

D5 type2

12

C5

D5 V 5fr

Drop D tuning: (low to high) D-A-D-G-B-E

12

12

1 1 14

2

13 4

134

Intro Moderate Rock q = 130

G6

G5

G6

G5

    Rhy. Fig. 1

* Gtrs. 2 & 3

End Rhy. Fig. 1

f

          Play 4 times                            End Riff A

Riff A

Gtr. 1 (elec.)



f w/ slight dist. let ring

 



3

5

3

0

0

3

5

5

3

0

3

0

0

Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Fig. 1

G6

    



1. Good 2. Say

and your

G5

    

    

  

bad, prayers

swear you

had scared,

I when

I’ve get

G6

 



them and



Gtr. 1



G5

0

5

3

0

        Riff B

when you get you keep

   

0

3

3

0

 

let ring

1

1

3 0

Rhy. Fill 2 Gtrs. 4 & 5

  

1

1



1

1

0

    7 5 5 5

0

   

1

   

ver - rat na make

ed, it





but is - n’t it and then when you’re

fun done

2nd time, Gtrs. 4 & 5: w/ Rhy. Fill 2

D5

                     -





of ing

 

one? up.



 





 



  

End Riff B



let ring

5 0

o gon -

   

End Rhy. Fig. 2

hold fuck

  

    

A5

                          

0

5

3

   

they’re you’re

Rhy. Fig. 2



5

G5



both, pray

F5



0

3

* Gtr. 2 (elec.) w/ slight dist. Gtr. 3 (acous.)

Verse

Gtrs. 2&3

3

3

0

   

5

5 0

   

5

5 0

 

5

5

0

5



0



7 5 5 5

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Fig. 1

G6

  



Some One

 

go day

G5

 

 

 

some dis

-



bad soon

and I’ll

 

 come ap





back, pear

-

G6



the and

 



good if

 

ones you’ll

 

all come

G5



 

get I’ll

tak take

Gtr. 1: w/ Riff B Gtrs. 2 & 3: w/ Rhy. Fig. 2

     -

F5

  

en. you

I’m

call - ing your some - where to

Pre-Chorus Bb

Asus4 G/B

        Wait and



 

pray

you’ll

 

G5







bluff, go,

  

pick

on

me

the

  

  

  

  

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

Bb



 

0 8 8

   0 8 8

0 8 8

0 7 7

0 10 9

0 10 9

     I’ve

been

0 8 8

0 8 8

0 7 7

    

  

blessed

I’ll

damned.

but

0 10 9

be

  

  

  

  

  

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

0 10 9

5 5 3

Sorgdal

    

 

raise

hand.

my





nough. old.

  



            

  

  

  

  

  

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

10 8 0 0 10 9

0 8 8

0 8 8

0 8 8

0 10 10

0 10 9

0 10 9

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3



       10 8 0 0 10 9

0 10 10

         

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

e ing

Csus2

Rhy. Fill 3 Gtrs. 4 & 5

2

0 8 8

    

           0 8 8

10 8 0 0 10 9

strong grow -

 

2nd time, Gtrs. 4 & 5: w/ Rhy. Fill 3

Asus4 G/B

Guess that



0 8 8

I

    



Csus2 G/B

  

day

                       

Bb

 

    

D5

  



you ain’t to keep from

Gtr. 2

0 8 8

 



A5

5 5 3

5 5 3

     

10 8 0 0 10 10

0 10 10

10 8 0 0 10 10

0 10 10

     

10 8 0 0 10 10

0 10 10

10 8 0 0 10 10

                5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3



5 5 3

7 5

0 10 10

0 10 10

10 8 0 0 10 10

      10 8 0 0 10 10

0 10 10

0 10 10

10 8 0 0 10 10

  10 8 0 0 10 10



Chorus 2nd time, Gtr. 7: w/ Fill 1 type2

G5

 f w/ dist.    Ha



      

Gtr. 2



-

Rhy. Fig. 3

0 5 5

0 5 5

  

5 3 0 0 5 5



F5 type2







D/F#

*Gtrs. Rhy. Fig. 3A 4&5 (elec.)



C/E



lo,

God

  

  

      

   

5 3 0 0 5 5

5 3 0 0 5 5

5 3 0 0 5 5

5 3 0 0 5 4

0 5 4

0 5 4

   

   

   

     

5 3 0 0 5 4

5 3 0 0 5 4

5 3 0 0 5 4

    

 

on

knows,

  

0 3 3

0 3 3

-

ly

  

  

  

3 1 0 0 3 3

3 1 0 0 3 3

3 1 0 0 3 3

        

     3 1 0 0 3 3



0 3 2

0 3 2

3 1 0 0 3 2



   

    3 1 0 0 3 2

    3 1 0 0 3 2

    3 1 0 0 3 2

* Composite arrangement





D5 type2

Eb5



 

right

       1 4 3 1 1 1

  

 

be - hind

me

ev

  

  

  

1 4 3 1 1 1

1 4 3 1 1 1

1 4 3 1 1 1

  

  

1 4 3 1 1 1

1 4 3 1 1 1

  

C5

    -

  

’ry - where

    

 

I



 

           

End Rhy. Fig. 3A

go.

  

7

 

 



let ring

5 8 5 0 0 0

   

D5 V

5

 

 

 

3 3 5 5 3

3 3 5 5 3

3 3 5 5 3

 

 

 

 

3 3 5 5 3

3 3 5 5 3

3 3 5 5 3

 

 

 

 

 End Rhy. Fig. 3   

5 3 2 0

5 3 2 0

5 3 2 0

5 3 2 0

5

3

0

1st time, Gtrs. 2, 4 & 5: w/ Rhy. Figs. 3 & 3A 2nd & 3rd times, Gtrs. 2, 4 & 5: w/ Rhy. Figs. 3 & 3A (1st 6 meas.)

G5



D/F#





Ha

Eb5





right

F5

-





be -

hind



lo,







me

ev

C/E



 

 



 

God

on

-

ly

knows,

 





1.

D5



 -

 ’ry

 where

 



 

I

go.

C5





 



D5





 

  

Fill 1 Gtr. 7



 16

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Fig. 1

G6



 

Gtrs. 4&5

G5



G6



     

   

Rhy. Fill 1



G5





   

   

End Rhy. Fill 1

  

7 5 5 5

2.

D5 type2

C5

Eb5

F5

                              ToCoda                     End Rhy. Fig. 4

Rhy. Fig. 4

Gtrs. 4&5

          Oh.

Gtr. 7 (elec.)



Oh.

Riff C1





f

w/ dist.

17

14





15

17

Riff C                                         

               

Gtr. 6 (elec.)

mf

w/ dist.

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

Gtrs. 4 & 5: w/ Rhy. Fig. 4 (3 times)

C5





 



17 X 15

11 11 11 11 11 11 11 11 X X X X X X X X 9 9 9 9 9 9 9 9

D5



15 15 15 15 15 15 15 15 X X X X X X X X 13 13 13 13 13 13 13 13

Eb5

  

   



17 X 15

17 X 15

17 X 15

17 X 15

F5





17 X 15

17 X 15

17 X 15

 



  

17 X 15



Oh.



     

17

14



(Oh.

End Riff C1

   15

14

End Riff C                                                  

17 X 15

17 X 15

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

17 X 15

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

Gtrs. 6 & 7: w/ Riffs C & C1

C5

    

D

   

   

Dis - ap

-

pear,

the



   

light

is

fad

-

Eb5

 





F5

 



ing.

Dis - ap

-



            

  

pear

reach.

out - side

their





Oh.

C5

D

           

    



Dis - ap -

pear,

I’m

tired

of wait

-

Oh.

Eb5

 

F5

       

 



ing.

 

Dis - ap -

pear

   



we burn

way.

  



be - fore

a -

Oh.)

Guitar Solo Gtrs. 4 & 5 w/ Rhy. Fig. 3A (1st 6 meas.)

G5



D/F#

 

F5



    f w/dist. 

Gtr. 8 (elec.)



Riff D          

12 12

12 12

12 12

14 12

14 12

14 12

16 12

12 12





12 X 10

Gtr. 6



  

   

16 X 14

C/E

7 X 5

               

       

 

11 12

9

0

11 12

11 12

12 12

12 12

14 12

14 12

14 12

10 10

5

10 10

10 10

12 10

12 10

12 10

14 10



14 10

Gtr. 8 tacet

Eb5

D5

9

9

7

5

D5 V

C5

                         Gtrs. 4&5

Gtr. 7



   

15

14

17

                               

Gtr. 6

14

          

   



1

8 8

8 8

8 8

10 8

10 8

10 8

12 8

12 8

10 7 7

10 7 7

10 7 7

8 7 7

7 7 7

7 7

7 7

5 5

5 5

5 5

7 5

7 5

7 5

8 5

8 5



End Riff D

1

1

7

8

10

9

10

12

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D/F# F5  C/E           Gtrs. 4 & 5: w/ Rhy. Fig. 3A (1st 6 meas.) Gtr. 6: w/ Riff D

G5

Gtr. 7



   

16

14

17

14

17

D.S. al Coda (take 2nd ending)

Eb5

D5

C5

                         Gtrs. 4&5



    15

14

17

17

 Coda

Gtrs. 4 & 5: w/ Rhy. Fig. 4 Gtrs. 6 & 7: w/ Riffs C & C1 (last 4 meas.)

C5







D5

 

Eb5





 



F





 





 

Oh.

Outro Gtr. 1: w/ Riff A (1 1/2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1 1/2 times) Gtrs. 4 & 5: w/ Rhy. Fill 1

G5

G6



G6

G5

G6

G5

G6 Gtrs. 2&3

 













G5

        



         

Gtr. 7



  16

















         

Gtr. 1

3 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

16

let ring

6

 

3

5 0

3

5 0



 

Lonely As You Words and Music by Foo Fighters B5

C#5 7fr

A5 9fr

134

134

E5 7fr

G5

13 4

F5

134

D#5

9fr

113 4

5fr

13 4

F#5 10fr

D5

4fr

13 4

G5/D

13 4

G#5 5fr

8fr

134

F#5/C# 6fr

134

1 34

9fr 1134

Intro Moderately, freely q = 120 * F#

       

  

What

would I

          

A#m

  





do

lone

Gtr. 1 (clean)

   

mp

-

3





ly

as





3

 



let ring

3  44



E

6 8 8 6

2

6 7 7

D#m









Pleas - ure

or

3



you?

  

3



  



let ring

4

8

D

4 6 6

4 5 5



3

6

*Chord symbols reflect overall harmony.

  F#    pain

1.

B

    

 

I

choose.

can’t





         3 4 4 2

Verse Faster q = 160 Half-time feel

   

    

8 9 9 7

7 7 9 9 7

Gtr. 1 tacet

      

F#5

A#5

     

1. Wake

up

 

you’re

dream

-

2.

Bm

B

 



  

     

7 7 8 9 9 7

  

     

ing,

can’t

stand

I



     

       

E5



D#5

  

  

your

scream

  Rhy. Fig. 1                                                   

-



ing

Gtrs. 2 & 3 (dist.)

mf

               

P.M.

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

4 2 2

3 1 1

3 1 1

3 1 1

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

3 1 1

3 1 1

3 1 1

3 1 1

3 1 1

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  D5   

     

drown - ing out

       

F#5

  

these

prayers,

                       

just

G#5

 

some

G5

     

words

with

-

  

  



out

mean

-



ing.

End Rhy. Fig. 1

  

  

  

  

  

  

  

                                  

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

P.M.

2 0 0

2 0 0

2 0 0

2 0 0

2 0 0

2 0 0

4 2 2

4 2 2

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)

F#5

      

Spare

     

   

 

all

the

No

one un

-

       

A#5

 

preach

    

D5

-

ing,

 F#5     

der

-

5 6 6 4

stands

5 6 6 4

5 6 6 4

5 6 6 4

E5

se

       

B5

like

do.

5 6 6 4

5 6 6 4

   

 

my

5 6 6 4

-

cret’s

5 6 6 4

4 5 5 3

D#5

  worth

keep

I

P.M.

2 0 0

2 0 0

2 0 0

4 2 2

4 2 2

6 4 4

6 4 4

6 4 4

6 4 4

6 4 4

6 4 4

6 4 4

0

9 9 7

4 5 5 3

4 5 5 3

-

4 5 5 3

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7



ing.

9 9 7

End Rhy. Fill 1

               9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

Gtrs. 2 & 3: w/ Rhy. Fig. 1

F#5

     

A#5

       

E5

 

     

Keep

out

reach,

I’m

lead

and

      

  D5   



Hide

be

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

of

     - hind

these

 

F#5

  

masks,

   though

your

4 5 5 3



Rhy. Fill 1

2 0 0

4 5 5 3

  

  

                                                      2 0 0

4 5 5 3

 

Gtrs. 2 & 3

2 0 0

4 5 5 3

de

    

G#5

     

they

still

see

 

right

D#5

  

  

-

le

-

G5

 



through



tion.

   them.



Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)

F#5

      

  



Ev - ’ry

  D5    down

       

Rhy. Fig. 2

Gtrs. 2 & 3

f



now

 

 

and

out

 

 

and

  



E5



you’re down

  

E5

 

-

F#5

3 2 0 0

  7 6 4 4

D5









 

Harm.

4 4

 

4 4

my







4 4

4 4

 

 

 

down

and

out

    

 

 

3 2 0 0

3 2 0 0

3 2 0 0

7 6 4 4

 





down

and

out

 



4 4



  

 

E5

  



 a

-

F#5



gain

     

 



 

 

 

but

I’m





  

4 4

B5

3 2 0 0

C#5

3 2 0 0

3 2 0 0

A5

5 4 2 2

B5

7 6 4 4

4 4

G#5



B5





-

gain,

      5 4 2 2

 

  

down

 

4 4

  

E5

a

Harm.

7 6 4 4



friend,

D5

gain,

5 4 2 2

F#5

out



 

     

3 2 0 0

and

D#5

 

    

   

then

a

     

7 6 4 4

 

Harm.

3 2 0 0

       

A#5

 

4 4

  with

 

End Rhy. Fig. 2

(cont. in slashes)

7 6 4 4

G5

                             (cont.  innotation)    f       Rhy. Fig. 3

End Rhy. Fig. 3

Gtrs. 2, 3 & 4 (dist.)

you.

           Gtr. 5 (dist.)

Riff A

 f

8

11

8

                End Riff A

 11





11

8

10

11

8

9

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Chorus Gtr. 5 tacet F#5

F5

              

E5

          

One more

time

for the

D#5

D5

     

last

A5

B5

G5



time.

  





     

Voc. Fig. 1



E5

(Oh.)

      

  

   

(Oh.)

    

Gtr. 4

Rhy. Fig. 4A



                       

End Rhy. Fig. 4A



7 7 5

                           

Gtrs. 2 & 3

Rhy. Fig. 4

6 4 4

6 4 4

6 4 4

5 3 3

5 3 3

5 3 3

4 2 2

4 2 2

4 2 2

3 1 1

3 1 1

3 1 1

 

D#5

7 7 5

7 7 5

      

One

     

E5

  

 more

     

time

for



F#5

 

One

more

       

F5

2 0 0

7 7 5

7 7 5

7 7 5

7 7 5

F5

  

-

 for

F5

E5





the

last

E5

9 9 7

9 9 7

9 9 7

9 9 7

7 7 5

9 9 7

9 9 7

9 9 7

E5

9 9 7

B5

D#5



G5







End Voc. Fig. 1







D5

  

A5



E5

B5

G5

 To Coda 

time.

D#5

 

Ev - ’ry - one

    

wants

    

     to

be

-

D5

D5

A5

E5

B5

G5/D

 





Gtr. 4

               

lieve.



Gtrs. 2 & 3

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Sorgdal

End Rhy. Fill 2

                         7 7 5

4

End Rhy. Fill 2A

Rhy. Fill 2





7 5 5

9 9 7

Rhy. Fill 2A

       

12 12 10 10

9 9 7

lease.



 

7 7 5

A5

 



time

F#5

re

9 9 7

Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)

D5

  

9 9 7

7 7 5

End Rhy. Fig. 4

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 4 & 4A (2 1/2 times)

F#5

7 7 5

                      



      

7 7 5



7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

7 5 5

  7 5 5

Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 Gtr. 4 tacet

      

F#5

2. Blame

     

A#5

       

 

     

it

youth,

all

years

I’ve

 

on

E5

three

D#5

    

 

been

los

-

D5

          

 



ing.

Blame

it

on

the

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 6 meas.)

F#5

      

       

G#5

it’s

last

          

 

the

-

ing

   

place

         

E5

rag

 

  

ru



knew

     -

  

 

I

D#5

and

G5

  



you.

all



Blame

it



ined.

Blame

        

D5



  

F#5

on

     

        

A#5

the

chil

-

dren,

they’re

        

F#5

  

the

  

past,

  

black

and

the

blue.

Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Fill 1

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)

B5

F#5

     

    



           

Ev - ’ry

Gtrs. 2 & 3: w/ Rhy. Fig. 2

D5

      

down

      

F#5

         

and

 

but

I’m

    

a

now

and

F#5

- gain,

 

E5

down and out

a

 

B5

with

my

F#5





 

D#5



friend,

D5

- gain,

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Riff A

     

down

you’re down and out

          







then

D5

 

E5

down

        E5

and

out

a

- gain

D.S. al Coda

C#5 A5

B5



G#5

B5



G5



you.

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

F#5

      Gtr. 5

out

 

 Coda

E5

               

A#5





Ev - ’ry - one

F5

 





wants



E5

D#5

     

   to

be

-

 

* **w/ delay

lieve.

D5

 



A5

  

mf



E5

B5

G5/D



  delay off

11 X 9 *Vol. off **Delay set for quarter note regeneration w/ multiple repeats.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Gtr. 4 tacet

F#5

       Gtr. 5

 

 

 

11 X 9

11 X 9

11 X 9

A#5

E5

F#5

D#5

 

 

 

 

11 9

8 X 6

8 X 6

8 X 6

8 X 6

      

           

 

     

 

3 3 1

4 2 2

3 1 1

3 1 1

3 1 1

 

 

 

 

 

 

 

   

10 X 8

10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

9 X 7

9 X 7

 

     

3 3 1

3 3 1

f 11 X 9

       Gtrs. 2 & 3

        

Rhy. Fig. 5

6 4 4

D5

6 4 4

6 4 4

8 6 6

E5

F#5

9 X 7

6 X 4

       

 

    

7 X 5

7 X 5

7 X 5

        2 0 0

     

3 3 1

3 3 1

3 3 1

G#5

             6 X 4

6 X 4

6 X 4

4 2 2

6 X 4

4 2 2

6 4 4

4 2 2

     

8 X 6

8 X 6

8 X 6

8 X 6

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

6 4 4

2 0 0

2 0 0

4 2 2

6 4 4

6 4 4

6 4 4

6 4 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

9 9 7

  

A#5

 

 

 

 

E5

 

 

    

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

15 X 13

13 X 11

13 X 11

13 X 11

      

 

  

 

  

 

 

 

 

 

 

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

10 X 8

10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

f

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

     

2 0 0

 

6

E5

      7 X 5

3 1 1

 End Rhy. Fig. 5                                                

  

Gtr. 5

3 1 1

G5

8 X 6

 

F#5

6 4 4

B5

      8 X 6

4 2 2

         

Gtrs. 2 & 3: w/ Rhy. Fig. 5

Gtr. 6 (dist.)

Sorgdal

6 4 4

9 9 7

5 5 3

5 5 3

5 5 3

5 5 3

2 2 0

2 2 0

2 2 0

F#5

  

D#5

 

 

 

 

13 X 11

11 X 9

11 X 9

11 X 9

11 X 9

 

   

 

 

 

 

9 X 7

9 X 7

8 X 6

8 X 6

8 X 6

8 X 6

13 X 11

7 5

2 2 0

D5

E5

F#5

               Gtr. 6

14 X 12

14 X 12

14 X 12

13 X 11

              Gtr. 5

7 X 5

7 X 5

     Gtr. 7 (dist.)

7 X 5

B5

             

                                               

11 X 9

11 X 9

Gtrs. 2 & 3

9 X 7

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

             

                               

6 X 4

8 X 6

6 X 4

6 X 4

6 X 4



6 X 4

6 X 4

6 X 4



8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

               

               

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

Pre-Chorus Gtrs. 2, 3 & 4: w/ Rhy. Fig. 5 (1st 4 meas.) Gtrs. 5, 6 & 7 tacet

     

F#5



  

Ev - ’ry

now

and

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2

D5

    

down

E5

 

a

- gain,

     and

out







A#5



 



then



F#5

but

I’m

    down

with

    





D5



B5

E5

 

a

- gain,

    

down and out

    

C#5

and

A5



out



F#5

my





F#5

 









friend,

D5



down

B5 G#5

D#5

B5

E5

 

a

- gain,

     and

out

G5







      



you’re down

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3

F#5

E5



you.

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 4 (3 1/2 times)

    



F#5

One

    

Gtr. 4

more

E5

time

for

Rhy. Fig. 6

the

Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)

  

     

F5

D#5

last

D5

A5



7 7 5

     



 

One

more

time

F#5       One

 

    



Ev

- ’ry



     Gtr. 5



re

- lease.

for

the

last



F5







one

wants

to

be

 

One

more









 



-

D#5







7 7 5

7 7 5

7 7 5

7 7 5

D5





D5

A5



D#5

   

9 9 7





9 9 7

9 9 7

End Rhy. Fig. 6

12 12 10 10

9 9 7

E5

B5

G5

E5

B5

G5







A5



E5



B5

G5/D



lieve.

  

9 9 7

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

D5

E5



9 9 7

7 7 5

A5



D#5



time





time.

E5

  

1



D#5

 

 

 

for

the

last











  

 









End Rhy. Fig. 7A



time.







1

1

D5

















1

1





7

7

7

7

7

7

7

7

7

7

7

7

7

7

9

9

9

9

9

9

9

9

9

9

9

9

9

9

9

    

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Rhy. Fig. 7



1

7

Gtrs. 2 & 3

Sorgdal

for



  





F5

Rhy. Fig. 7A

    





Outro F#5 Gtr. 4

E5

E5

time

-





F5

more

F#5



F5

G5

                      



Gtr. 4: w/ Rhy. Fig. 6 (2 1/2 times)



B5

time.



F#5

E5

End Rhy. Fig. 7

 

 

 



 

 

 

 

 

 

 

 



 

6 4 4

6 4 4

6 4 4

5 3 3

5 3 3

5 3 3

4 2 2

4 2 2

4 2 2

3 1 1

3 1 1

3 1 1

2 0 0

2 0 0

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

      



One

      

Gtr. 5

 

more







A5

time









1







E5



for

re





 -







B5





lease.













1

1

G5/D







  



1



1

7

7

7

7

7

7

7

7

7

5

5

5

8

8

9

9

9

9

9

9

9

9

9

7

7

7

10

10

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 7 & 7A

    

F#5

 



One

more

       





 

time









1

7

7

9



Ev

       



-

’ry





11

last





-







one

wants

to

be





F#5

 



One

more









7

9





7

9

 



11



7



























1

7

9

7

9



B5





1

7

9



7

9

7

9

9

G5/D





lieve.

 













7

7

9













for

the

last







5

7

5

7

12

7





12

14



 

 1

5

9

E5





1

 



7

9



1

13





E5

9

time





9

-

D5

time.

7

7

9

F5



D#5

1

7

9



 

1

9







7

9

A5

1

13

the



7

9

     

for

7

9

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 7 & 7A

    



1

7

9







7

9

1

7

E5

1

7

9

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

    







1

7

9



F5



D#5

14

D5



time.







1



















1

1

11

11

11

11

11

11

11

11

11

11

11

11

13

13

13

13

13

13

13

13

13

13

13

13

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2, 3 & 4: w/ Rhy. Fills 2 & 2A

    

 



One

more

       



time





 

A5







1











E5

for

re





 -





1



B5

G5





lease.





  

  

1



















1

1

10

10

10

10

10

10

10

10

10

9

9

9

12

12

12

12

12

12

12

12

12

12

12

12

11

11

11

14

14

14

Gtrs. 2, 3 & 4: w/ Rhy. Figs. 7 & 7A

    

F#5

 



One

more

       





 

time







1

11

13

13

D5







E5





for

the

ver





 

 





D#5



 

y

last

time.







1











11

11

11

11

11

11

11

11

11

11

13

13

13

13

13

13

13

13

13

13

A5

 

 

 

 

wants

to

be

E5

 

-



1

B5

  

 

lieve.



Al



G5/D



 

-

 



  

10

10

10

10

10

10

10

10

9

9

9

12

12

12

12

12

12

12

12

12

12

12

11

11

11

14

14

14

    

7 7 5

7 7 5

7 7 5

7 7 5

 

 

7 7 5

7 7 5

 

 

 

9 9 7

9 9 7

9 9 7

 

1

10

 



  

1

1

12

     



F#5/C#

right!

        

1



1

1

13

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



11

                    

10





13

Gtr. 5

Gtrs. 2 & 3





D5

11

Ev - ’ry - one

Sorgdal



-

 



    





1

11

Gtr. 4



F5

11 13

 

 

   

 

 

   

9 9 7

9 9 7

9 9 7

7 5 5

7 5 5

6 4 4

4

14



Overdrive Words and Music by Foo Fighters D

A7sus4

132

Am

1 3

G5

231

DsusÊ

3

11

3

Am7

231 4

Gtrs. 1, 2 & 3: Drop D tuning: (low to high) D-A-D-G-B-E

Intro Moderately fast Rock q = 158 D

A7sus4

               sim.

Rhy. Fig. 1A Gtr. 2 (dist.)

f

    

Riff A (Drums) Gtr. 3 (dist.)

 f

  

  

    

9

9

  



w/ ebow



9

7

5

7

    

      f

5

7

  

 

   

2 3 2 0 0 0

0 3 0 0

0 3 0 2 0

9

  

Rhy. Fig. 1

Gtr. 1 (dist.)

5

2 3 2 0 0 0



D

   

     0 3 0 2 0

0 3 0 0

A7sus4

                               

 

9

       2 3 2 0 0 0

  

7

5

 

9



7

    

9

  

5

  

9

9



7

    

    

2 3 2 0 0 0

0 3 0 2 0

0 3 0 0

End Riff A

  

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

    0 3 0 2 0

0 3 0 0

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D

Am

                               

End Rhy. Fig. 1A

 Riff B 

  

9

7

 

5

9

    



7

9

5

5

9

   

      

  

2 3 2 0 0 0



      

2 3 2 0 0 0

0 0 0 0

Riff C

7 X 5















Sorgdal

  

0 1 0 2 0

End Rhy. Fig. 1

 

 

0 1 0 2 0

3 0 0 0

     

   

 

   

 

End Riff C

7 X 5

9 X 7

11 X 9

11 X 9

12 X 10

9 7

9 X 7

11 9

12 10

 

12 X 10

DsusÊ

                

 

7

5

     

  

  

  

  

  

  

     

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

3 3 0 0 X 5

2 3 2 0 0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

End Rhy. Fig. 2A

Rhy. Fig. 2

2

End Riff B

D

Rhy. Fig. 2A

   

7

   

G5



  



4

 

2

   

0

End Rhy. Fig. 2

       2 3 2 0 0 0

0 3 0 0

Verse Gtr. 3 tacet

D

Am7

                                                               Rhy. Fig. 3A

1. Com

 

- ing

End Rhy. Fig. 3A

down,

I’m

com - ing

’round,

this

Fill 1

time

I

think

wak - ing up.



End Fill 1



I’m





0

Rhy. Fig. 3

  

       2 3 2 0 0 0

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

 D  

Give

  





me

to

drown

loud

Pre-Chorus G5

   it

  

      

2 3 2 0 0 0

0 0 0 0



  



out

be - fore



Am7

D

                           Rhy. Fig. 4

     

Gtr. 1

3 3 0 0 X 5



   

the

world

    

starts

break - ing

G5

Gtr. 2

then

  

3 1 2 2 0

Rhy. Fig. 4A

and

you

End Rhy. Fig. 3

up.



 

 

3 1 2 2 0

0 0 0 0

 You

  change

D

                      

change

a

-

gain.

  

 

  

  

 

  

  

 

  

  

 

3 3 0 0 X 5

0 0 0 0

2 3 2 0 0 0

2 3 2 0 0 0

0 0 0 0

3 3 0 0 X 5

3 3 0 0 X 5

0 0 0 0

2 3 2 0 0 0

2 3 2 0 0 0

0 0 0 0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Am7

G5

D

DsusÊ

                                                   End Rhy. Fig. 4A

Turn

-

ing

like

a

      0 1 2 2 0

wheel

  

 

0 1 2 2 0

0 0 0 0

in - side

your

head.

  

  

3 3 0 0 X 5

3 3 0 0 X 5

 

     

0 0 0 0

2 3 2 0 0 0

End Rhy. Fig. 4

  

     2 3 2 0 0 0

2 3 0 0

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (2 times)

 

 

D



Your’s

and

 D    You

mine

 

and

and

get

and



Am7

Turn

-



like



 

with



life



D

and



a

wheel

in

  

    

-

life

G5







  

 

sides

to



we’ll





 

side

a

 

a

-

 

 your





ev - ’ry - one.

bet - ter

 

G5

 

  

    

find

change

 -



Am7

 

you



two

pray

 



  

still





Am7

 

there’s

then



ing

 

right,

  

 

 

G5

 

and

on

 Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A

  

left

 



I

   

  

 

one.

 

D

 

You

 

change



gain.





D



DsusÊ

head.

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

 D  O

  

-

ver - drive,

        

Gtr. 3

Rhy. Fig. 5

7 7 5 0

7 7 5 0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

7 7 5 0

we’re go

ing

A7sus4    





or

death. End Rhy. Fig. 5

  

  

  

  

  

  

  

  

  

  

  

  

  

               

               

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 5 0

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

Gtr. 3: w/ Rhy. Fig. 5 (2 times)

 D 



O

-

ver

  



D

O

-

 -

drive







 

we’re

go

-



 

ing

life





  

 

we’re

go

-

life



ver - drive,



ing

 

 

 

or

death.

  



A7sus4





Am7



or









death.



T o Coda 

 

Two

strang -

Interlude Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 2 meas.) Gtr. 3: w/ Riff C

    G5

   -



  

ers

     -

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (1st 8 meas.) Gtr. 3: w/ Riff A

ing

on

    

 

life

death.

or

 

   D

the



A7sus4





mend.

D

O







  

A7sus4

O

we’re go

 

- ver - drive

we’re go -

  

    

-

life

or

  



 

- ver - drive

  

ing

  death.

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (2 times) Gtr. 3: w/ Fill 1

      





  

we’re

get

-

D

3. Hur

 

- ry

now,

 

  

D

Leave

be - hind

 Coda

this

ting

  

va

-

cant

  out,



town

to -

  

   ers,



  

Am7

  

 

this

  

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 2 meas.) Gtr. 3: w/ Riff C (2 times)

G5

  

time





Am7

night

there’s

 

 



noth

-

ing

     and

let

it

 

stop - ping

to

D.S. al Coda

 

     turn

us.

rust.

  

You

change

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

  

no re - la

-

   tion,



   on

the

     D





DsusÊ

mend.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo

 

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (1st 4 meas.)

G5

  

Gtr. 4 (slight dist.)

  f

D

      

 

G5



  

       

D





      





 

You

change

       

let ring throughout 12

10

12

12

10 12

12

10 12

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A

  

G5

12

Am7  

10 12

12

10 12

  

Turn

-

ing

like

8

8

11 12

12

 

you

10

12

11

10 12

11

10

12

10 12



G5

  

10

11 12

12

10

12

10 12



    

 

D





a



in - side

head.

 

   

9

your





12

10

10

11

-

gain.

12

10 12

10

11

12

D

      

G5

    

12

   

a

  wheel

10

12



change

       

            10

10

11

 

then

          12

10 12

D

and

10

11

  



12

10

12



       

12

10

11

10 12

10 11

DsusÊ

 



  

12 12

11

12

 

 

3

10

8

10

12

10 10 11 12

12

10 12

11 12

10 11 12

12

10 10 11 12

Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (2 times) Gtr. 4 tacet

 D  

4. Com

 

Gtr. 3

- ing

down,

I’m

com

 

- ing

  

’round,

 

this

Am7

  

time

   

    

I

think

I’m

wak - ing



up.

Riff D

End Riff D

           

   

5

5

5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

  

5

5

5

5

5

5

5

5

5

5

5

5

5

               

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

Gtr. 3: w/ Riff D

 

  

 

me

to

D

Give

loud

  

drown

it

  

 



out

be - fore

 

Am7

the

  

world

 

starts

 

  

break - ing

up.

  

You

change

Pre-Chorus

  

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (1st 6 meas.)

and

 

  

 D  

 

G5

then

 

you

 D     

 



G5

change

a

-



gain.

Gtr. 3

       

5

5

5

5

5

5

5

5

0

0

0

0

Am7

0

0

0

0

5

5

5

5

5

5

G5

    

       

       







like





a

wheel

5

5

        0







in -

side

 

 



Turn

-

ing

your

































7

7

7

7

7

7

7

7

5

5

5

5

5

5

5

5

0









D

Gtrs. 1&2

0

0

0

0





0

0



head.

0

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A Gtr. 3: w/ Rhy. Fig. 5 (3 times)

  



D

O

-

D    O

   O

-





ver - drive,



we’re

go

-





 

we’re

go

-



ver - drive



D



 



ver - drive,

 -





 we’re



 

ing

life



 

ing

life



  

 

go

-

life

ing

 

 

  





or

 

 or



A7sus4



death.



 

or

death.

  



death.



Am7

A7sus4









 Two

  strang -

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1st 2 meas.) Gtr. 3: w/ Riff C

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A Gtr. 3: w/ Riff A

G5

D

   

   -



 

  

ers

on

  

the

 

O

A7sus4

      O - ver - drive,





we’re

go

  

-

ing

-

D

 

 

life

death.







  

we’re

go

-



mend. ver - drive,

     or



 

O - ver - drive,

ing





  

we’re

go

-

 

   

   

life

or

death.

 

ing



  

life

or

  death.

Gtr. 3: w/ Riff B

A7sus4

       O - ver - drive,

 

  

we’re go

-

ing

D

    

 

life

death.

or

    

 

O - ver - drive,

 

  Two

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.) (4 times) Gtr. 2: w/ Rhy. Fig. 2A (1st 2 meas.) (2 times) Gtr. 3: w/ Riff C (2 times)

  strang

 Gtr. 2: w/ Riff C (2 times)     -



G5

   -

  



ers,

no





ers,

re

-

we’re go

-

tion,

 



 



no

re

-

 

 

 

 

 

 

 

 

14 X 12

14 X 12

12

12 X 10

12 X 10

11

11 X 9

11 X 9

9

9 X 7

9 X 7

7

      

 

 

17 X 15

17 X 15

16

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

 



on

the

 

16 X 14

 

la

or

  tion,

 

16 X 14

14 12

      2 3 2 0 0 0

death.

  two

strang -



 

 

 

 

 

14 X 12

14 X 12

16

16 X 14

16 X 14

17

14

 

 

 

 



mend.

 







-

  

ing

  

D

Gtrs. 1&2

life

la

 

9

-



 

10

    

 

   

Gtr. 3

  

Am7

  

      

15

Burn Away Words and Music by Foo Fighters D

A5

G5 7fr

Open D tuning: (low to high) D-A-D-F#-A-D

D5 5fr

333

1 11

Intro Moderate Rock q = 128

A5



Half-time feel

2nd time, Gtrs. 2 & 3 tacet

G5

B5

A5

G5 A5 B5

D Gtr. 3 (clean)

mf

                            

* Gtrs. 1 & 2

     

Gtr. 1 (dist.)

f

 



7 7

7 7

5 5

9 9

7 7

5 5

7 7

f

0 0 8 7 5 0

9 9



        

     

    

0 0 8 7 5 0

0 0 8 7 5 0

   

   

   

   

   

   

     

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

0 0 8 7 5 0

 

* Composite arrangement. Gtr. 2 (dist.)

A5

G5

 



Rhy. Fig. 1

mp

   

w/ dist.

 

let ring

      

7

0

5

    

Rhy. Fig. 2A

0 7 5

7

5

spent still

a life re - mem

-

7

9

2

0

0

12

  

A7



time ber,

0 5 5

9





for hind

the the

chance. skies,

  

0 7 5

0 0 0

mf

4

  

 

Rhy. Fig. 2

7

7

9

D

wait - ing there be -

 

             End Riff A

0

0

End Rhy. Fig. 1

(2nd time cont. in notation)

7

                                       





        

    

  

 

      

  

Gadd2

1. I have 2. Will you

Gtrs. 1&2

9

D5



0

      

 



Riff A

Verse A7

Gtr. 3



A5

   

2

0





0

   I’ll

End Rhy. Fig. 2A

  

End Rhy. Fig. 2

     

 

               

7 5 0

7 5 0

7 5 0

P.M.

7 7

7 7

7 7

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

7 5 0

7 5 0

7 5 0

7 5 0



7 5 0

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times) Gtr. 3: w/ Rhy. Fig. 2A

   A7

  

Gadd2



save you walk - ing

  

A7

my on

Gadd2



same old hard - est

su part

-

   

* Gtr. 4 (dist.)

 

mf



con - fess - ion, the em - bers,



 







 

A7





per - sti is know -





save me stand - ing

  

 

A7



tions ing



 

your in

dance. light?

D

 



haunt us ev - ’ry

    

D

-

last their

 

now thing



  

4

0

 

   

 

 and must





 



The The





 



then. die.

I’m The



w/ ebow

4

2

* Synth. arr. for gtr.

  

  

   

Gtr. 3

let ring

0 7 5

  

   

for part

ig - ni - tion is wait - ing here

Gadd2

beg - ging hard - est

   

Gtr. 4

  

4



0 0

0 5 5

A7     

 



0 0 0

A7    

D

 

start it read - y

    

all to

a col -

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

                                      let ring let ring

  

0 7 5

0 7 5

0 7 5

Gtrs. 1 & 2

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7 7

5 5

We’ll



      

0 0

0 5 5

7 7

 



gain. lide.

  

7 7



  

  

let ring

Sorgdal

  

  

0 7 5



0

  

Gtr. 3

 

0 0





2

   

let ring

0 7 5

to

  

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7

0

  

  

  

  

  

  

  

  

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

0 0 0 0 0 0

        

0 12

9

7

4

7

9

2

0

0



Chorus Gtrs. 3 & 4 tacet

µ(G)

     Gtrs. 1&2

 

burn

  

a

-

(D/F#)

  

 



way,

Riff B

burn

  

a

-

way,

(A/E)

    

  

 



burn

a

-



way

my

      

5

4

2

5

5

9

4

4

4

4

7

2

2

2

2

 



We’ll End Riff B

      

5



bride.

       5

(D5)

 

         



let ring

7

0

0

0 0

0

0

2

4

Gtrs. 1 & 2: w/ Riff B (2 3/4 times)

(G)

    burn

(G)

  

a

   -

 

burn

 

a

  

way,



burn

(D/F#)

-



(D5)



-

(A/E)

  

 

way,

burn

a

(D/F#)



way

    

a

  





from

all

(G)

  

 





We’ll

burn





the

oth



  

a

-

 

way,

-

 

way

bride.

my

(A/E)

 



 

-

er

flames

(D/F#)

  

burn

a









  

way,

burn

 





 

burn

(A/E)

 



We’ll

that

   -

(D5)

    

a

-

 

to

-

night.

    

 

way

bride.

my

Bridge

  

D5

E5



F#5

          

Gtr. 1

7 5

7 5

7 5

7 5

 

Gtr. 3

7 5

7 5

9 7

11 9



G





A





Breathe

for

me





from





now

on.

                        12 10

12 10

9 10

9 10

9 10







9 10

9 10



w/ dist. let ring

5

5

5

 



D5

9 10

11 12





11 12

11 12

11 12

11 12

11 12





11 12

12 12





let ring

7

5

4

7

7

12 12

12 12

12 12

12 12

12 12







12 12

12 12



let ring

8

7

5

12 12



7

Rhy. Fig. 3

Gtr. 2

          0

0

0

0 0

0 0

2 2

4 4

                                 5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 7

7 7

7 7

7 7

0 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

0 0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

G





   















9 10

9 10

9 10

9 10

9 10

9 10

9 10

9 10

  







 

5





Breathe

for

me













17 17

17 17

17 17

17 17

17 17

17 17

17 17





5

5

0 0



5

5

5





 when

















11 12

11 12

11 12

11 12

11 12

11 12

11 12

12 12





4

7





7

5

7

End Rhy. Fig. 3





























 















5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 7

7 7

7 7

7 7

  

D5

G



 I’m

5 5





gone.





























12 12

12 12

12 12

12 12

12 12

12 12

12 12

12 12

9 10

9 10

9 10

9 10

9 10

9 10

9 10

9 10







8

7

5

 

 

 

 

 

 

 

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

7 5 0

0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





5

7

    

4

0 0

Burn











   

  

Sorgdal

A







let ring

5







5

5















17 17

17 17

17 17

17 17

17 17

17 17

17 17

5







0 0



5

5

5



5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

A

  



out

be

Bm7

C6

 

-









yond,



out







the

sun.



be - yond

   

 

 

 

 

 

 

 

















 

 

 

 

 

 

 

14 12

14 12

14 12

14 12

14 12

14 12

14 12

14 12

16 14

16 14

16 14

16 14

16 14

16 14

16 14

16 14

17 15

17 15

17 15

17 15

17 15

17 15

17 15

  



4

7





7

7







3

4

2

 4







0 0



3

5

3



5

   































 













7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

10 10

10 10

10 10

10 10

10 10

10 10

10 10

 0 0

Interlude

G5

E5

  

17 17

G5



                  17 17

  

17 17

17 17

17 17

17 17





17 17

17 17

1st time, Gtrs. 1 & 2: w/ Riff A (2 times) 1st time, Gtr. 3: w/ Rhy. Fig. 1 (2 times) 2nd time, Gtrs. 1 & 2: w/ Riff A 2nd time, Gtr. 3: w/ Rhy. Fig. 1

   

       

14 14

14 14

14 14

14 14

17 17

17 17

17 17

A5



G5

















17 17



       

5

2 2

5 5

5

                 5 5

5 5

5 5

5 5

5 5

5 5

5 5

0 0

2 2

2 2

2 2

5 5

5 5

5 5

5 5

        2 2

2 2

2 2

2 2

5 5

5 5

5 5

5 5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

A5

1.

D5





2.

 Bm  





G

Burn

on,

burn

on

  

 

 

0 2

2 4

4 5

Rhy. Fig. 4

12 X 9

12 X 9

12 X 9

12 X 9

        Rhy. Fig. 4B

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

 Rhy. Fig. 4A           

A5



Rhy. Fig. 4C

12 X 9

Gtr. 3



A

            Gtr. 1

G5



    Gtr. 4

A5

D5



    

  



high un

-

til

 

End Rhy. Fig. 4C

         

  

         

  

         

12 X 9

10 X 7

10 X 7

8 X 5

8 X 5

8 X 5

10 X 7

10 X 7

10 X X

10 X 7

0 0

8 X 5

8 X 5

8 X 5

8 X 5

0 0

8 X 5

8 X 5

8 X 5

9 9

9 9

9 9

9 9

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

8 X 5

8 X 5

10 7

   

         

   

         

   

         

   

8 X 5

7 X 4

7 X 4

5 X 2

5 X 2

5 X 2

5 X 2

8 X 5

7 X 4

7 X 4

7 X 4

7 X 4

7 X 4

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

5 X 2

End Rhy. Fig. 4A

   

    

  

    

  

    

 

9 9

7 7

7 7

5 5

5 5

5 5

5 5

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A Gtrs. 3 & 4: w/ Rhy. Figs. 4B & 4C (2 times)

 Bm  

End Rhy. Fig. 4

End Rhy. Fig. 4B

Gtr. 2

9 9

you...

    0 0





0 0

7 7

7 7

7 7

7 7



A





G

Burn

on,

burn

on

 

0 0



5 5

5 5



5 5

5 5

0 0

 



high

un

5 5

5 5

  -

til

5 5

 

5 5

 you...

7 7

Bm

  



A



on,

burn.



Burn

  

G





* Gtr. 5 (dist.)



mf

w/ ebow

9

7

0

* Synth. arr. for gtr.

   

 

 

 

 

 

12 X 9

12 X 9

12 X 9

12 X 9

12 X 9

12 X 9

   











9 9

9 9

9 9

9 9

9 9

9 9

Gtr. 1

 0 0

 

 

 

 

 

 

10 X 7

10 X 7

10 X 7

10 X X

10 X 7

10 X 7













7 7

7 7

7 7

7 7

7 7

7 7

 0 0

 

 

 

 

 

 

 

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5















5 5

5 5

5 5

5 5

5 5

5 5

5 5

Gtr. 2

 0 0

Gtr. 5 tacet

  

A5

G5



 0 0

B5

A5

 

G5

A5



B5 



I’ll

  

 







0

   

 

 

 

 

 

 

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

8 X 5

   

 

 

 

 

 

5 5

5 5

5 5

5 5

5 5

5 5





7 7

7 7

 





5 5

7 7

7 7



 



5 5



   5 5





9 9



 9 9



 

7 7



 7 7

 

 





5 5

7 7

9 9

  





5 5

7 7

9 9

 



7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro Gtrs. 1 & 2: w/ Riff A (3 times) Gtr. 3: w/ Rhy. Fig. 1 (3 times)

A5 G5            nev - er

burn

     

Gtr. 4

a - gain,

  

4



  D         

A5

nev - er



2

burn



  

4

5

     2 4

burn

  

G5

    

 

2 4

   

Gtr. 3

We’ll nev - er

 

4 5

A5 Gtr. 4

a - gain.



 

nev - er





  

2 4

0 2



 

2 4

4 5



 



 

a - gain,



  

4

2



  D         



nev - er

 

D



A5

a - gain,

A5

burn

burn



  

2 4

4 5

a - gain.

 

Begin fade



 

 

w/ bar

0 2

 

burn



a - gain,

A5 D A5 G5                      nev - er

  G5       

A5

Fade out

 

 

4 5



 

slack

 

   

w/ bar

7 7

    

Gtr. 2

5 5

 

7 7



 



8

 

8











w/ bar grad. dive

7 7

5 5

7 7

0 0

-1 1/2

 

0

    

-1 1/2

 

Gtr. 1

 7 7

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  5 5



 

 7 7

   7 5 0

 

  

fdbk.

7 5 0

  

Come Back Words and Music by Foo Fighters A5 5fr

Intro

Moderate Rock q = 90

1 34

** Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times)

Gtr. 1: w/ Rhy. Fig. 1

C#5

     

E

Esus2

B5

Esus2

µ



C#5

E



Esus2

B5 Esus2 µ C#5





Esus2

  



 Gtr. 2 (dist.) Rhy. Fig. 1 End Rhy. Fig. 1                                             f   mf



(Oh,

   

Gtr. 1 (elec.)

*

w/ dist.



E

Voc. Fig. 1

11 11 11 11 11 9 9 9 0 0

9 0

9 0

9 7

0 0

9 7

9 7

9 0

9 0

9

11 7

6

9 9 7 0

7 0

** Gtr. 3: w/ dist. played f; composite arrangement

* Vol. swell

Verse 1st time, Bkgd. Voc.: w/ Voc. Fig. 1 (4 times) 2nd time, Bkgd. Voc.: w/ Voc. Fig. 2 (4 times) Gtrs. 1 & 3: w/ Rhy. Fig. 1 (4 times)

Gtr. 2 tacet

B5

Esus2 µ

C#5

        

Esus2

B5

  



oh.



Esus2 µ



µ

C#5

     

E

 

End Voc. Fig. 1



Esus2

B5

Esus2

µ

   

   

1. Mov - ing 2. Chang - es,

a gain, chang - ing

C#5

E

Esus2

com - fort back and

of forth

              the chase. a - gain.

oh.)

C#5

E



Now Trad

Esus2

  





Esus2



Oh,

B5

    

E

-

B5

Esus2

  

 



and ing

a plac -

µ

C#5

E



gain, es,

Esus2

B5

             

 

this my strang - ers

sav in

-

ing the

grace end.

Esus2 µ







1st time, Gtrs. 1 & 3: w/ Rhy. Fig. 1 2nd time, Gtrs. 1 & 3: w/ Rhy. Fig. 2

C#5

E

Esus2

B5

Esus2

                 Dead on

the

in

-

side, I’ve got noth - ing to

µ

C#5

E

prove.

Keep me a - live

End Rhy. Fig. 2  Rhy. Fig. 2                           

11 9

11 9

11 0

11 0

9 0

9 0

9 7

9 7

9 7

9 0

9 0

9

11 7

B5

Esus2

                  



Gtrs. 1 & 3

11 9

Esus2

6

µ

        

and give me some - thing to



lose.



7 0

Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times)

    

C#5

Good

E

Esus2

      -

bye



B5



this



Esus2

  time.

µ



C#5

E



  

Leav

-



ing

Esus2



B5



Esus2



you.

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission



µ

 



I’ve

been

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus A5

   







gone (Gone

so so

long, long,

so, so,









  



(Oh.



gone gone

so so





Oh.

                                                         Gtrs. 1 & 3

7 7 5

7 7 7 7 7 7 7 7 7 7 5 5 5 5 5

7 7 7 7 7 7 5 5 5

7 7 7 7 7 7 7 7 7 7 5 5 5 5 5

7 7 5

7 7 5

7 7 7 7 5 5

7 7 7 7 7 7 5 5 5

7 7 7 7 5 5

7 7 7 7 7 7 5 5 5



But

I



7 7 5

F#

     I

7 7 5

7 7 5

 

7 7 5



7 7 5

7 7 5

7 7 5

7 7 5

G#5

  

7 7 5

 



I

     

  

  

  

               

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3 4 4 2

0 0 6 6 4

6 6 4

7 7 5

E5

will come back.

2

Sorgdal

7 7 5

6 6 4

7 7 5

7 7 7 7 7 7 5 5 5



will

7 7 7 7 7 7 7 7 5 5 5 5



come

0 0

0 0 X 2 2 0

9 9 7

9 9 7

9 9 7

9 9 7

7 7 7 7 7 7 7 7 5 5 5 5

7 7 7 7 5 5

7 7 5

  



back.



 

Rhy. Fig. 3

 

 

         

11 11 9

11 11 9

11 11 9

11 11 9

F#

 

7 7 5

A





                                    7 7 5

7 7 5

 

 

long. long,)



7 7 7 7 5 5

Chorus C#5

B5

    

  

7 7 7 7 5 5

A5

   

 

will come back.

I

11 11 9

6 7 7 5

7 7 5

6 7 7 5

 

  

6 7 7 5

6 7 7 5

0

B5

    

 

will come back.

  

  

  

  

  

  

  

  

      

                 

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

0 0 X 2 2 0

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

7 7 5

7 7 5

7 7 5

End Rhy. Fig. 3

7 7 5

7 7 5

7 7 5

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

Gtrs. 1 & 3: w/ Rhy. Fig. 3

C#5

   





I

A



will come

F#

  





back.



I



G#5

will come

E5

   







back.





I

will come

F#



  



back.

1. Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times)

A5

   





I

  

will

come

B5

C#5





for

you.



back

E

Voc. Fig. 2





Esus2

 

B5

Esus2

 







(Oh,

µ







oh.

2.

C#5

E

    

 

Esus2



B5

Esus2

 





Oh,

µ

A5



End Voc. Fig. 2

 

 







I

will

come

 

B5





 



back

for you.

oh.)

Bridge

C#5

     Gtr. 2

Riff A

13 X 11

     Gtr. 1

             

 

 

     

         

13 X 11

11 X 9

10 X 8

8 X 6

6 X 4

6 X 4

8 X 6

 

    

 

     

6 6 4

6 6 4

     

13 X 11

13 X 11

     

 

10 X 8

10 X 8

10 X 8

      

10 X 8

P.M.

     

Gtr. 3

6 6 4

6 6 4

6 6 4

4 4 0

Rhy. Fig. 4A

     

 

6 6 4

6 6 4

6 6 4

4 4 0

6 X 4

6 X 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

      

 

    

 

6 6 4

6 6 4

4 4 0

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

4 4 0

6 X 4

6 X 4

16

       

 

8 8 6

8 8 6

       

 

4 4 0

6 6 4

6 6 4

6 6 4

P.M.

P.M.

6 6 4

6 X 4



P.M.

P.M.

P.M.

6 6 4



     

Rhy. Fig. 4

6 6 4

D#5





   

6 6 4

6 6 4

6 6 4

4 4 0

6 6 4

6 6 4

6 6 4

8 8 6

8 8 6

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

E





B5      

B5



F#5

for

    

 

 

 

             

   

13 X 11

13 X 11

13 X 11

13 X 11

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

9 X 7

       

  

     

  

0 0 1 2 2 0

0 0 1 2 2 0

1 2 2 0

0 0 1 2 2 0

4 2 0

      

  

  

  

  

  

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 7 7 0

9 9 7 0

Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4A Gtr. 2: w/ Riff A

    

C#5



      Gtr. 2

 

mp

7

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

  

4 X 2

4 X 2

4 X 2

  

 

 

4 X 2

6 X 4

4 X 2

4 X 2

  

     

0 0 1 2 2 0

4 2 0

1 2 2 0

  

  

  

  

  

  

  

  

  

9 7 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 7 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 7 7 0

9 9 7 0

  

E



     

  2

2

4 X 2

4 X 2

4 X 2

End Rhy. Fig. 4

  

D#5

4

4 X 2

 

  



  7

6

4 4 2

4 4 2

 

 

End Rhy. Fig. 4A



11 11 9

9 9 7



dim.

 

 

4 4 2



   

End Riff A

         

  

  

A5

Gtrs. 1 & 3

Sorgdal

9 X 7

         

you.

B5

F#5



    

 

4

2

2

B5

Interlude Gtrs. 1 & 3 tacet

C#5

   

Gtr. 2



Gtr. 2 tacet

E



B5



F#5



C#5

E

 

  

11 9

11 0

B5



F#5



11 Gtr. 4 (acous.)

 Rhy. Fig. 5    mf

  

11 9

11 0

Gtr. 4: w/ Rhy. Fig. 5

  

C#5 E

 

 

 

9 7

4 2



 

 

 

9 7

4 2

B5

F#5

C#5 E



B5



F#5



C#5





Gtr. 5 (nylon-str. acous.)

 

   

E

B5



F#5

C#5





 

   

4

6

mf

4

    

F#5

  

6

4

C#5

C#5

   4

6

E

           Gtr. 5

E

4

4

5

5

F#5

 



4 4 4

6

 

  

B5

B5

     7

2 3 4

4

4

6

    

6

4

   

C#5

   4

6

C#5

E

5

6

E

     

6

3

4

4

5

7

 

5

F#5

 

semi-harm.

5

4 4 4

2 3 4

    

B5

F#5

     7



  

B5

   

E

6

* Gtr. 6: acous. played mf

4

F#5 **

**

3



* Gtrs. 4 & 6: w/ Rhy. Fig. 5 (2 times)



B5

End Rhy. Fig. 5

4

6

** slight vib. throughout Gtr. 7 (12 str. elec.)

B  Riff        

    

      

    

End Riff B

mf

w/ clean tone let ring throughout

11

*** Gtrs. 4, 6 & 8 (elec.)

9

0

4

6

0 9

8

0

11

11

                                 Rhy. Fig. 6

11 9

11 9

11 9

*** Gtr. 8: w/ slight dist. played

11 0

mf

11 0

11 0

11 11 0 0

9 7

9 7

9 7

4 2

4 2

4 2

4 2

4 2

9

0

4

6

0 9

8

0

11

End Rhy. Fig. 6

                             11 9

11 9

11 9

11 0

11 0

11 0

11 11 0 0

9 7

9 7

9 7

4 2

4 2

4 2

4 2

4 2

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 4, 6 & 8: w/ Rhy. Fig. 6 Gtr. 7: w/ Riff B

C#5

E

   Gtr. 5

 



   B5

 

F#5

C#5

E

 





 7

      C#5

3

E

 

Gtr. 5

 

   Gtr. 7

Riff C1

11

   Gtr. 2

Gtrs. 4, 6 & 8







 

5

5

7

5





0

9

4

6

Riff C



 

9

11

    

5

 

 

   



4

7

4

 

F#5

 4

6



0 9





6

4





0

8

 

 

 4



6

3

4





0

11



 

12

14



4

6



11



14

Rhy. Fig. 7

11 9

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

5

4

B5



5

 

          

 4



F#5



7

9

 

B5

     

     

       



     

     

       

11 9

11 0

11 0

9 7

9 7

4 2

4 2

11 9

11 9

11 9

11 0

11 0

11 0

11 0

11 0

11 0

9 7

9 7

9 7

4 2

4 2

4 2

4 2

4 2

4 2

       C#5

 

E



   

4

   



6



5

7



4

6





0

9

11



F#5

  

   

2 4

2 4





 5

B5

 

9



0

4

6

    



11





0

8

9







 

0

11



 

12

14

End Riff C1

11



End Riff C



14

    









 

 

 

 

 

 

 

   

     

      

11 9

11 9

11 9

11 9

11 9

11 0

11 0

11 0

11 0

11 0

11 0

11 0

11 0

9 7

4 2

B5

F#5

    

C#5

Gtrs. 2 & 7: w/ Riffs C & C1 Gtrs. 4, 6 & 8: w/ Rhy. Fig. 7 (3 times)

C#5

E

          Gtr. 5

  



  

4

4

5

5

7

4

6

9 7

          E

9

9

9

9 9

9

9 7

9 7

4 2

   

B5

F#5

4 2

 

4 2

4 2

4 2

4 2

4 2

   



 

 3

9 7

End Rhy. Fig. 7

7

6

7

5

4

5

5

7

5

4

5

4

4

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C#m

E,7

      Gtr. 5

3

  



 

4

5

5

4

D  Riff   Gtr. 7

9 11

   

B

 

F#

  

7



8 9

8 9

16

16 16 16

16 16 16

   6 8

16

16 16 16

Gtr. 7: w/ Riff D

C#m

     

Gtr. 5

3

E,7



4

   4



5

 

5

B

 

4

                  Gtr. 2

16

16 16 16 16 16

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

16 16 16

16 16 16

16

16

16 16 16





  

  

9 11

8 9

8 9

16

14 16

16 16 16 16 16

    

14 16

14 16

5

16 16 16

    

E,7

 



4

6

 

7

16

7

16 16 16 16 16

14

B F#          



 

 5

16 16 16

9

7

9

             

16

6 8



C#m





End Riff D

             

       

F#

  

7

F#

6

                       

16 16 16

B



Gtr. 2

16

E,7



4

  

C#m

16 16 16

16 16 16

16

9



Gtr. 5 tacet

C#m

B

      

A5

 

Gtrs. 1, 2&3

  



 

7 9

6 7

Rhy. Fig. 8

 Rhy. Fig. 8A     Gtrs. 4, 6&8



11 9

11 9





  

 

7 5

4 2



ah.



   

       

 

         

               

11 9

9 7

7 5

7 5

4 2

f

11 9

 





(Ah,

F#5

11 9

9 7

C#m

9 7

9 7

9 7

9 7

9 7

9 7

9 7

B

      

 

Ah,

     

7 9

7 5

7 5

7 5

4 2

A5



4 2

4 2

4 2

4 2

4 2

4 2

F#5

 





4 2



ah.)



  



  

6 7

7 5

4 2

End Rhy. Fig. 8

    







  

       



     

       

11 9

11 9

11 9

11 9

11 9

9 7

7 5

7 5

4 2

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

7 5

7 5

7 5

4 2

End Rhy. Fig. 8A

4 2

4 2

4 2

4 2

4 2

4 2

4 2

Gtrs. 1 & 3: w/ Rhy. Fig. 8 (2 3/4 times) Gtrs. 4, 6 & 8: w/ Rhy. Fig. 8A (2 3/4 times)

C#m

      

B

 

(Ah,

     Gtr. 2

7 9

A5







F#5

 

ah.

C#m







B

 

Ah,

A5







F#5

 

ah.)





  



    



  



         

6 7

7 5

4 2

7 9

6 7

7 5

4 2

13

12

13

11

13

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C#m

B

     

(Ah,

     13 X 11



     

       

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

F#5

 





         

C#m

13 X 11

13 X 11

13 X 11

13 X 11

ah.

13 X 11

         

        

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11



13 X 11

13 X 11

 





 

 

 

 

 

 

 

 

 

 

 

 

ah.

 

 

 

 

 

 

 

  

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

C#m

B

Ah,

A5

 



    

 

 

 

 

 

 

 

 

 

 

 

 

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

C#m

      

 

ah.

 

 

 

 

 

  

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11



     

         

ah.)

 

 

   

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

   

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

Gtr. 9 (elec.)

13 X 11

13 X 11

13 X 11

Gtrs. 1, 3, 4, 6 & 8

 *

f







7 5

7 5

7 5

w/ clean tone

7 * Vol. swell

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 2



12

  4 2

16

 2



12



  

 



  

 



 

  

          13 X 11

2

 

F#5

Ah,

     Gtr. 2



 





12

 

A5



 



Gtr. 9 tacet

B

12

F#5







F#5





13 X 11

    

      

Sorgdal

13 X 11

A5

 





 

B

     

Ah,

A5

 

Gtrs. 1 & 3: w/ Rhy. Fig. 3 (2 times) Gtrs. 4, 6 & 8 tacet

C#5

      

 

 

 

 

 

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

Riff E

Gtr. 2

 

13 X 11

A

 

E5

F#

G#5

 

 

 

 

 

 

 

 

 

 

             

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

F#

10 X 8

A5

    

 

 

 

 

     

 

 

 

 

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

10 X 8

10 X 8

10 X 8

10 X 8

B5 End Riff E

 

 

 

 

 

              

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

13 X 11

13 X 11

13 X 11

13 X 11

 

13 X 11

Chorus Gtrs. 1 & 3: w/ Rhy. Fig. 3 (2 times) Gtr. 2: w/ Riff E (2 times)

C#5

        

A

F#

        I will come back.

C#5

        

A

F#

I will come back.

    



Rhy. Fig. 9

6 6 4 4

6 6 4 4

     

6 6 4 4

6 6 4 4

        

0 0 0 0



I

   I

will





will come

come

 back.

        

     

F#5

A

I will come back.

I will come back.

E5

F#5

B

   

 

 

 

 

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

0 0 0 0

6 6 4 4



  



  0 0 0 0

A

I will come back.

I will come back

 



B



  for you.



         6 6 4 4

  

      

 End Rhy. Fig. 9

Gtrs. 1 & 3: w/ Rhy. Fig. 9 (till fade)



G#5

I will come back.



              Gtrs. 1& 3

E5

I will come back.

         Outro C#5

G#5

0 0 0 0

6 6 4 4

   

 

 

 

 

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4





  0 0 0 0

         6 6 4 4

0 0 0 0

6 6 4 4

    6 6 4 4



back.

  



1st time, Begin fade





 I



will come



  

Play 2 times and fade







back.

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Foo Fighters - Wasting Light

Bridge Burning Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear E5

D/F#

11

C

1

D5/A

32 1

Eb5/Bb

13

1134

Intro Moderately fast q = 170 µ Riff A

           mf

*Gtr. 1 (dist.)

 XX  X 9

  

  

X X X

X X X

**



   

                         9

X X X

X X X

X X X

9

X X X

X X X

X X X

X X X

9

X X X

  

  

X X X

X X X

   

               9

X X X

X X X

9

X X X

X X X

  

X X X

X X X

   

                         9

X X X

X X X

X X X

9

X X X

X X X

X X X

X X X

9





X X X

End Riff A

                X X X

X X X

9

X X X

X X X

 

X X X

*Two gtrs. arr. for one. **Hammer on low note w/ left hand while strumming muted notes behind the bridge.

Gtr. 1: w/ Riff A (2 times)

E5

          Gtr. 2 (dist.)

f

 

P.M.

10

12

10

12

10

12

10

12

         

10



12



0

 



P.M.

10

12



0

       

 

P.M.

10

12

10

12

10

12

10

12

10

12

0

  P.M.

10





12

0

Gtr. 2

 

P.M.

10

12

10

12

10

12

10

12

10

12





0

  P.M.

10

12





0

       

 

P.M.

10

12

10

12

10

12

10

12

10

12





0

  P.M.

10

12

Riff B Gtr. 3 (dist.)



0 End Riff B

          f

5



7

5

7

5

7

5

7

 

5

7

 0

 

5

7

 0

       

 

5

5

7

5

7

5

7

5

7

7

 0

 

5

7

 0

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Riff B (2 times) Riff C

End Riff C

          

*Gtrs. 2&4

 

 

P.M.

10

12

10

12

10

12

10

12

10



12

 



P.M.

0

10



12

       



 

P.M.

0

10

12

10

12

10

12

10

12

10



12

 



P.M.

0

10



12



  

0

*Gtr. 4 (dist.), played f.

Verse E5

Eb5

1. These are

my

  fa

Db5

  

-

mous

C5

  





last

words!

                                 

Gtr. 4

9 9 7

9 9 7

9 9 7

8 8 6

8 8 6

7 7 5

7 7 5

7 7 5

6 6 4

4

15



A



D5







          

  

  

                  

5 5 3

4 5 5 3

4 5 5 3

4 5 5 3

5 5 3

5 5 3

5 5 3

4 5 5 3

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

End Rhy. Fig. 1

Rhy. Fig. 1 **Gtrs. 2 & 3



8 8 6

G





    

  

D5











15

         

  

  

    

  

  

  

 

 

 

 

5 5 3

4 5 5 3

4 5 5 3

4 5 5 3

6 7 7 5

6 7 7 5

6 7 7 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

5 5 3

5 5 3

5 5 3

4 5 5 3

6 7 7 5

**Composite arrangement

Gtrs. 2 & 3: w/ Rhy. Fig. 1

E5

Eb5

 

num - ber’s

up,



 bridg

-





es

well

                            Gtr. 4

9 9 7

9 9 7

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 9 7

8 8 6

8 8 6

8 8 6

7 7 5

7 7 5

7 7 5

6 6 4

4

15

C5

G





A





D5









My

  

Db5





  

D5

burned!

          

 

 

                 

5 5 3

4 5 5 3

4 5 5 3

4 5 5 3

5 5 3

5 5 3

5 5 3

4 5 5 3

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

Em

Eb

  

 

  

 

you

let

Oh, won’t Riff D1

   Gtr. 4

   

Dsus4

  

0 5

 

me

   



A7/C#

  

twist

0 5

 

your

   



C5





A7

0 5

   

0 5

get - ting

   



0 5

  

 

It’s



Dsus4

  

  



fate?

   



G5

kind

-

   



0 5

   a



late,

 

0 5

0 5



    P.M.

Riff D Gtrs. 2 & 3

                                   P.M.  P.M.  P.M.  P.M.  P.M. P.M.  P.M. 7

7

5

0 0

Em

6

5

6

0 0

5

Eb

  

     

 

0 0

Dsus4

  

  



and



5

5

0 5

0 5

0 0

3

   

wan

-

   



5

4

A7/C#



I don’t

   



  

4

na

0 5

5

5 0 0 3

3

5 0 0

5

5

C5

G5

A7



   



wait

no

   



3

  

   



0 5

0 5

5

5

µ



more.

   



0 0 5

    

8va



End Riff D1 loco



Harm.

0 5

0 5

4 4 17





8va

                                   P.M.  P.M.  P.M.  P.M.  P.M.  P.M.  P.M. 7

7

5

0 0

6

6

5

0 0

5

5

5

0 0

4

4

5

0 0

3

3

5

5 0 0 3

3

5



Harm.

4

5 0 0

End Riff D loco

3

5

17

Gtrs. 2 & 3: w/ Riff D (2 times) Gtr. 4: w/ Riff D1 (2 1/2 times)

Em

  

   Oh,

Eb

 

may

have

I

Eb

 

  



C5

 

this

dance

days



  

Dsus4

 

A7/C#

   

  

   

Em



Dsus4

Passed your

of

A7/C#

   

test

of

  

 

C5



G5

 

G5

A7

Dsus4

  

    

locked in

your

 

   

A7



em

  - brace?

µ





faith.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

An - oth

time,

Eb

  

er

    

Em

      

Eb

an

- oth

Dsus4

 





  

A7/C#

-

er

 

An - oth - er

    

 

in

way.

line

up

C5

G5

A7



   



face.

your

µ





  

                             P.M. 

-

ways

glanc

C5

-

  

on

stairs

and side

 

 

crook - ed

A7/C#

    

-

    

Down

    

  

  

 

Dsus4

    

Dsus4

  

  

Eb

  

your

an - oth - er

A7



Em



  

G5

place,

A7/C#

  

      

C5



   

-

  

Dsus4



    

Em

G5

es

comes

A7



Dsus4



the king

of

  

 

sec - ond

chanc -

Gtrs. 2 & 3

7

5

7



0 0

Em

6



  

0 0

   

5

5

5

0 0

Dsus4



es.

Gtr. 4

5

Eb

         -

6

0 5

4

5

A7/C#



  

 

  

Now

throw him

in

the

   



4

   



0 5

0 0

  



0 5

3

5

5 0 0 3

C5

3

5 0 0

G5

5

5

0 0 5

A7



5

5

Dsus4





   



   



flame.

   



3

   



0 5

   



0 5

0 5

 

0 5

0 5

                                           let ring  P.M.  Gtrs. 2 & 3

7

7

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

0 0

6

6

5

0 0

5

5

5

0 0

4

4

5

0 0

3

3

5

5 0 0 3

3

5 0 0

5

5

0 0 0 5

5

0



Pre-Chorus

Csus2

  

  

   

What - ev



  



-



er

A7sus4

      

keeps

you

warm



  





at

Csus2





     

night.







(What - ev

-

   

   

    er

keeps

you

  

  

warm



at

night.)

                                                                  3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

                                               3 0 5

0 5

3 0 5

  

3 0 5

3 0 5



3 0 4

3 0 4

-



er



3 0 4

  

     What - ev



3 0 4

3 0 5

3 0 5

3 0 5

5 0 7

3 0 5

0 0

you



warm



in

3 0 5

3 0 5

3 0 5

3 0 5

3 0 4

3 0 4

3 0 4

3 0 4

Dsus4

      

keeps



3 0 5

  



-

3 0 5

3 0 5

3 0 5

3 0 5

2

3 0 5

0

Eb











  

side.







*Gtrs. 4 & 5

                                          3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 4

3 0 4

0 0

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

*Gtr. 5 (dist.), played f. Doubled throughout

                                     3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 4

3 0 4

3 0 4

3 0 4

3 0 5

3 0 5

3 0 5

3 0 5

5 0 7

3 0 4

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 4

3 0 4

3 0 0

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

3 0 5

0 0 0

0 0 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Chorus

E5

  





Your

bridg

Rhy. Fig. 2 Gtrs. 2, 3 & 4

                  9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

Rhy. Fig. 2A

                    Gtr. 5

-







es

are

burn



D%



-





in’







down.

They’re

             

               

               

9 9 7

11 X 9

11 X 9

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

11 X 9

              

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

               

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

               

let ring

9 9 7

0 0 9 9 7

9 9 7

C,7

   

9 9 7



all

com

9 9 7

9 9 7



in’

12 X 10

12 X 10

12 X 10

12 X 10

9 9 7

9 9 7

0 0 9 9 7

9 9 7



9 9 7

9 9 7



down,

               

12 X 10

9 9 7

E

 -

0 0 9 9 7

12 X 10

13 X 11

             10 10 8

10 10 8

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10 10 8

10 10 8

10 10 8

0 0 9 9 7 0

7 7 5

7 7 5

0 0 7 7 5



C,7





it’s

all

com

7 7 5

7 7 5

7 7 5

 -

0 0 7 7 5

13 X 11

  

13 X 11

  

13 X 11

   

13 X 11

  

13 X 11

  

13 X 11

  

9 9 7 0

9 9 7 0

0 0 9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

13 X 11

13 X 11

      0 0 9 9 7 0

0 0 0

12 X 10

12 X 10

12 X 10

12 X 10

7 7 5

7 7 5

0 0 7 7 5

7 7 5

 

    

in’

12 X 10

7 7 5

7 7 5



12 X 10

13 X 11

End Rhy. Fig. 2

                13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

  

  

   

  

  

9 9 7 0

9 9 7 0

0 0 9 9 7 0

9 9 7 0

9 9 7 0

13 X 11

10 10 8

10 10 8

10 10 8

10 10 8

0 0 9 9 7 0

13 X 11

0 0 0

End Rhy. Fig. 2A

  

let ring

10 10 8

7 7 5

’round.

                 0 0 9 10 10 8

0 0 7 7 5

7 7 5

E

                             

let ring

0 0 9 10 10 8

0 0 7 7 5

9 9 7 0



     0 0 9 9 7 0

0 0 0

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1st 4 meas.) Gtr. 5: w/ Rhy. Fig. 2A

E5

  

   



C,7

all





You’re

burn



com

-

 E

in’

               

12 X 10

C,7

   

bridg

12 X 10

12 X 10

12 X 10

12 X 10

13 X 11





es

are

burn

-

12 X 10

12 X 10

12 X 10

12 X 10

13 X 11

Rhy. Fig. 3A

             Gtr. 5

let ring

10 10 8

10 10 8

13 X 11

 

               

12 X 10

0 0 9 10 10 8

10 10 8

10 10 8



10 10 8

0 0 9 9 7 0



them







To Coda 2 

It’s



C,7





they’re

all

com



13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

 -

 in’

13 X 11

13 X 11

12 X 10

12 X 10

12 X 10

12 X 10

     



E

in’

12 X 10

To Coda 1 



down.

12 X 10

You’re

End Riff E

               

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

       

    

13 X 11

13 X 11

D5

13 X 11

13 X 11

Eb5



down.

                13 X 11





down.

                             



E

Rhy. Fig. 3 Gtrs. 2, 3 & 4

12 X 10

in’



 -

-



’round,

Riff E Gtrs. 2, 3 & 4

12 X 10



D%

13 X 11

13 X 11

13 X 11

  

  

      

  

  

9 9 7 0

9 9 7 0

0 0 9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

13 X 11



0 0 0

     0 0 9 9 7 0

0 0 0

End Rhy. Fig. 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

8 8 6 6

End Rhy. Fig. 3A

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

8 8 6 6

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude Gtr. 2: w/ Riff C

E5

Riff F

          Gtr. 3

7

9

7

9

7

9

7

 

9

7

 



9

7











7

7

9

7

9

7

9

7

9

 



9

0

7



9

0

0

Riff F1

End Riff F1













7

Gtr. 5

 

9

0

Gtr. 4

       

End Riff F







7



7

7

Riff F2

End Riff F2













0







0



0

0

Verse Gtrs. 2 & 3: w/ Riff D Gtr. 4: w/ Riff D1 Gtr. 5 tacet



Em

 

  

let



me

Em

Eb



  

Dsus4

     

put

you

Eb5

tell

me,

what’s



               Gtrs. 2 & 3

9 9 7 7

9 9 7 7

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 9 7 7

8 8 6 6

  in

G5





giv - in’

D5

ev

-

Db5

  

’ry

-

C5

  

for

  

me?

 



C5

G5





thing

a

 

 

 

 

     

    

8 8 6 6

8 8 6 6

7 7 5 5

7 7 5 5

7 7 5 5

6 6 4 4

5 5 3 3

me now,

 

 

 

5 5 3 3

5 5 3 3

G5



when

5 5 3

you

  

µ

  

in

5 5 3

it

-

way.

say



But

A5

D5

  

it

   

    

A7

    5 5 3

love

 

what’s

Dsus4

  

I

  

Tell

6 6 4 4

A7

place.

    

 

it

your

C5

A7/C#

  

 

 







 

in

Dsus4

you’re

E5

A7/C#





  

   

2. Oh,



Eb

E5

      

for

me?

No

     

 

     

7 7 5

7 7 5 5

7 7 5 5

7 7 5

7 7 5

9 9 7 7

D.S. al Coda 1



 

 one’s

Eb5

 

get - tin’

this

               9 9 7 7

9 9 7 7

D5

  

9 9 7 7

8 8 6 6

Db5

  

C5

    

for

free,

 

so

tell

 

 

 

 

     

     

8 8 6 6

8 8 6 6

7 7 5 5

7 7 5 5

7 7 5 5

6 6 4 4

6 6 4 4

G5

  



me now,

A5

 

what’s

in

D5

  

it

  

for



me?

 

 

     

     

 

 

   

5 5 3 3

5 5 3 3

5 5 3 3

5 5 3

7 7 5

7 7 5 5

7 7 5 5

7 7 5 5

    

D5

 

5 5 3

5 5 3

7 7 5

7 7 5

0 0 0

 Coda 1 Gtrs. 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Rhy. Fig. 3A





 





bridg - es

are

burn

-

C,7

   

E

in’

       

12 12 12 X X X 10 10 10

down. End Rhy. Fig. 4

7 X 5

7 5

9 X 7

4 X 2

     

       

 

 

 

 

 

 

 

 

 

 

 

 

 

    

4 X 2

4 X 2

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

4 X 2

4 X 2

4 X 2

4 X 2

0 0 0

Bridge * E5









     



   

Gath - er - in’ the



Gtr. 4





Riff G1

 



1



8 8 6 6

D/F#

Rhy. Fig. 5 Gtr. 5



Rhy. Fig. 4

              Gtr. 2



Eb5



 



1

12

12 12 12 12

14

14



 

ash



1

12 12



12 12 12

14

14









    

- es,

 

ev -’ry - thing

 

1

12



 

 

1

12 12

 

 

1

10

10 10 10

12

12

 

     thrown

-

   

1

10 10

a

1

1

10

10 10 10

10

12

12

12

Riff G

Gtrs. 2 & 3



   

   

   

   

   

   

   

   

10 12 10 12

10

10 12 10 12

10 12 10 12

10 12 10 12

10 12

10 12 10 12

P.M.

10 12 10 12

12 10 12

10 12

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C



D5/A

      



         

way.



Gath - er - in’ the

  

   

1

8



 

1

8

8

8

    8







 

 

 

 

1

8 8

10



     

8

  

End Rhy. Fig. 5

scat - ter as they

1

8

10



ash - es,

1

8 8

10



 

Eb5/Bb

8

10

   

 

1

10

10 10 10

12

12

 

blow



1

10 10

1

   

   

   

   

   

   

10

10 12 10 12

10

10 12 10 12

10 12 10 12

10 12 10 12

12 10 12

E5

  





Gtr. 2

12 10 12

    



way.



Gath - er - in’ the ash

11

11 11 11

11

13

13

13

   

    

-

D/F#





es,

8

6

8

6

8

6

8

  

  



ev - ’ry - thing

thrown

a

-

       

       

       

7

7

7

7

9

7

9

7

9

7

9



way.

7

9

7

Gath - er - in’ the ash

          7

9

9

7

9

7

9

    

C

9

7

7

  -

E5

way.

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



7

9

7

9

7

9

D5

9

7

9

7

9

7

9

Eb5



    



scat - ter



as they blow

a

-

               

7

7

9



9

es,

9

7

9

7

9

7

D.S.S. al Coda 2

  

9

       

Gtr. 2: w/ Riff C (1st 2 meas.) Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2 (1st 2 meas.)

Sorgdal



6

       

     



1

End Riff G

Gtrs. 3 & 4: w/ Riffs G & G1 Gtr. 5: w/ Rhy. Fig. 5



-

 EndRiff G1

P.M.



a

9

9

7

9

7

9

7

9

8

10

8

10

8

10

 Coda 2

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (last 2 meas.)





   

C,7



all





com - in’

 

   E

down.

 



8

10

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 5: w/ Rhy. Fig. 2A (2 times)

E5

   













Your

bridg

-

es

are

burn

-

in’

Voc. Fig. 1













the

ash







(Gath - er - in’

 

  

C,7



all







E

com - in’

   way.



 



 

burn - in’

     



all





com - in’



com - in’



down.

They’re





Gtr. 2: w/ Rhy. Fig. 4 Gtrs. 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Rhy. Fig. 3A

 You’re



thrown



 

It’s

all

 



bridg - es

are

burn



com - in’

 

-

a

-



in’

End Voc. Fig. 1

 -





way.)



E





’round,

they’re

       

     

 



a







Gtrs. 2, 3 & 4: w/ Riff E

E



You’re

C,7

 

 



E5



   



C,7



’round.









down.

scat - ter as they blow



 

E



E

down.

  

C,7

all

them



D%



ev - ’ry - thing

Gath - er - in’ the ash - es,

Bkgd. Voc.: w/ Voc. Fig. 1



es,

C,7

it’s

    



-



          

 

down,



D%

D5

down.

Outro





Gtr. 2: w/ Riff C Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2

Eb5



E5

          Gtr. 3

7

9

7

9

7

9

7

9





        7

9

7

9

7

9

7

9





       

 

7

7

9

7

9

7

9

7

9



9

  7



9

0

         

0

Gtr. 2

       

       

 

P.M.

10

12

10

12

10

12

10

12

10

12

10

12

10

12

10

12

10

12

10

12

10

12

10

12

10

12



 



P.M.

0

10

12





0

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Foo Fighters - Wasting Light

Rope Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Intro Moderately q = 138 *Bm11

F#m11

Rhy. Fig. 1

     

Gtr. 1 (slight dist.)



End Rhy. Fig. 1





Dm11



 





 







mf **w/ delay

0 5 7 7



0 12 14 14

0 8 10 10

0 8 10 10

*Chord symbols reflect implied harmony. **Delay set for quarter-note triplet regeneration w/ 5 repeats.

Bm11

F#m11

               Gtr. 2 (slight dist.)

           

Dm11

          

      

mf 5 7 7

    Gtr. 1

5 7 7

5 7 7

0 7 7





5 7 7

12 14 14

 

12 14 14

12 0 14 14 14 14





0 8 10 10

12 14 14

 

0 8 10 10

0 8 8 8 10 0 10 10 10 10





0 8 10 10



0 8 10 10

0 8 10 10

 

f delay off

0 5 7 7

0 12 14 14

0 8 10 10 7 5 0

 

Gtr. 3 (dist.)









7

5 0

 

f

7 5 0

7

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

5 0

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bm11

F#m11

          

  

Rhy. Fig. 2

0 5 7 7

 

0 5 7 7

0 5 7 7

0 0 7 7













7

7

7

7

7



5







0











7

7

7

7

7

5



7

Riff A1



  



0 5 7 7

Riff A

0

 

0 5 7 7









7

Dm11

  

0 8 8 10 0 10 10

10

10 10 10

8

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5

5

5

5

3

        0 8 10 10

8 10 10



10

        

5

Sorgdal

0 8 10 10

        

10

  

0 8 10 10

    

0 12 14 14

0 12 14 14

 









9

9

9

9

9

 









9

9

9

9

9

5

End Rhy. Fig. 2

0 8 10 10

0 8 8 10 0 10 10

8 10 10



        

10

10 10 10

8

10

0

End Riff A1

        

5

5

5

5

5

3

5

0 12 14 14

0

 

0 0 14 14



0 12 14 14







7

9







7

9

Bm11 Rhy. Fig. 3



      0 5 7 7

0

End Riff A

10



0 8 10 10

   

  

0 12 14 14

A5

           0 8 10 10

   

0 5 7 7

0 5 7 7

0 5 7 7

0 0 7 7

0 5 7 7

Riff B

 

7

     

7

7

7

7

5

7

Riff B1

 

7

     

7

7

7

7

5



7



F#m11

* Dm11

            0 12 14 14

0 12 14 14

0 12 14 14

0 12 14 14

0 0 14 14

A5

               

0 12 14 14

0 8 10 10

0 8 10 10

0 8 10 10

0 8 8 10 0 10 10

                 

End Rhy. Fig. 3

0 8 10 10

8 10 10

0 8 10 10

0 8 10 10

0 8 10 10 7

           

9

9

9

9

7

9

        

9

8

           

9

9

9

9

7

9



9

8

8

8

8

7

5

5

5

5

3

0

7

5

0

            

End Riff B

8

8

        

5

5



5

8

8

8

8

7

5

0

7

5

0

End Riff B1

             5

5

5

5

5

7

5

0

7

5

0

*Bass plays F.

Verse Bm11

    

1. This

  **Gtr. 2

  

        

in

-

de - ci

Rhy. Fig. 4



0

      0 5 7 7

0 5 7 7

0 5 7 7

0 5 7 7

0 0 7 7

0 5 7 7

F#m11

    -

 

  

sion

got

     

Dm11

me climb

-

              0 12 14 14

0 12 14 14

0 12 14 14

0 12 14 14

0 0 14 14

0 12 14 14

 

      

in’

up

a

0 8 10 10

0 8 10 10

0 8 8 10 0 10 10



wall.

             0 8 10 10

 

A5

End Rhy. Fig. 4

            0 8 10 10

8 10 10

0 8 10 10

0 8 10 10

0 8 8 10 0 10 10

8 10 10

0

**Doubled throughout Riff C Gtrs. 1 & 3

    

0















0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3: w/ Rhy. Fig. 3

Bm11

F#m11

cheat

      Gtrs. 1 & 3

-

in’

grav

-

i

-

ty



and

wait

            

-

in’

on



the

    

A5

   



Been

    



    

Dm11

      

    

            

fall. End Riff C





      

0

7

Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4

 

 

How

did

Bm11

  

   

 

 

this

 

come

 

 

o

-

F#m11

 

ver

 

 

   Thought



me?

5

   

Bm11



 



  

Our

  

hopes

 

  



 

 

 

I

was

a

- bove

gone

up

  

F#m11

5

   



Dm11

all.

 

 

  

in

smoke,

0

  

it

Gtr. 2: w/ Rhy. Fig. 3

A5

7

0

   swal -

Pre-Chorus Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4

Dm11

    

-

   

low

   

your

  



F#m11







Sorgdal

  

 





thought

I’d

save



 

      On

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





crown.

Dm11

4

 



F#m11





Yow!

     



On

a

Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3

kiss,

  

          

 

Bm11



      

A5

a

A5

  

 

my

  

 

breath

Dm11

kiss,







thought

I’d



 

for

you.

   save

 



Bm11







Yow!

   my

A5

  breath

 



 

for

you.

 Chorus G5





  

Em7

   

  

Gim -me some rope, Rhy. Fig. 5

   

     Gtr. 2

let ring

3

0 0 X 3

3

-

0

in’

3

0









  

loose.

   



3 0 2 2 0

0

com

Bm('4)



0

 

I’m

hang



let ring

0 3

4 4 2

4 2

    

-

on

G5

in’

you. End Rhy. Fig. 5

    

 

  

A5

   



2 0

0 0

3



   

1/2

2

2

0 0

0

Rhy. Fig. 5A

2

0

End Rhy. Fig. 5A

     

  

  

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

Gtr. 3

3

    

I’m

     

  



  

  

  

  

   

   

   

3 0 0 X 3

3 0 0 X 3

3 0 2 2 0

3 0 2 2 0

3 0 2 2 0

   

   

   

  

  

  

3 0 2 2 0

3 0 2 2 0

3 4 4 2

3 4 4 2

3 4 4 2

  

  

  

 



3 4 4 2

3 4 4 2

2 0

0 0



    



1/2

2

2

0

3 0 0 X 3

3 0 0 X 3

Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (1 1/2 times)



Gim - me

A5

   -

some











in’

 

 

out

of

my

Rhy. Fig. 6

   

 

for

   

rope,

I’m





 

you

   

  





 



com

-

in’

A



Rhy. Fig. 6A

   





in





 

3

 

 

3 4 4 2

3 4 4 2

3 4 4 2

 

  

 







  

some

rope,

 

 

to

the





2 0

2 0

 





loose.

I’m

pull -

Em7

 

   



 

 



I’m

com

-

in’

  

clear.



When



2

0 0

 

 





 

 

 

3 4 4 2

3 4 4 2

0 0

0 0

2 2 0

2 2 0

2 2 0



    



let ring

4 4 2

4 2

    





-

Bm('4)

  



Gim - me

head,

0 4 2







now.

let ring

Gtr. 3



G5

Bm('4)

Gtr. 2









  

Em7

2

 

 2 0







0 0

0 0

 

 





2 2 0

2 2 0

0 0

0 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

To Coda

G5

E/G#

    

you

 

    







go,

*Gtrs. 2 & 3

               5 3

5 3

5 3

5 3

5 3

7 4

    



I

               

0

F#/A#



     

A5

7 4

7 4

7 4

7 4

0

come

         7 5

7 5

7 5

7 5

7 5

   

    





loose.

              

End Rhy. Figs. 6 & 6A

9 6

0

9 6

9 6

9 6

17

*Composite arrangement

Interlude Gtr. 2: w/ Rhy. Fig. 2

Bm11

F#m11



Dm11





   

               Gtr. 4 (dist.)

f

4 X 2

4 4 4 4 4 X X X X X 2 2 2 2 2

6 X 4

      

7 X 5

7 7 7 7 7 7 7 X X X X X X X 5 5 5 5 5 5 5

       

7 7 7 7

5

9

7

       

7 7 7 7

5

9

7

Bm11

               Gtr. 4

4 4 4 4 4 X X X X X 2 2 2 2 2

6 X 4

9 9 9 9

7

9

7 X 5

9 9 9 9

7

  

       

10 X 8

10 10 10 10 10 10 10 12 X X X X X X X X 8 8 8 8 8 8 8 10

14 X 12

14 14 14 14 14 14 14 14 X X X X X X X X 12 12 12 12 12 12 12 12

         

9 X 7

10 X 8

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

8

10

5 5 5 5

3

5

**Dm11

                     10 10 10 10 10 10 10 17 X X X X X X X X 8 8 8 8 8 8 8 15 **Bass plays F.

6

10 10 10 10

         

5

                     7 7 7 7 7 7 7 X X X X X X X 5 5 5 5 5 5 5

                  

9

F#m11



  

10

        

Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3

4 X 2

9 X 7

        

Gtr. 3

7



  

Gtr. 1

7



A5

14 X 12

 0

         

10

10 10 10 10

8

10

0

          5

5 5 5 5

         14 14 14 14 14 0 X X X X X 0 12 12 12 12 12

3

5

0

A5

  7 5 0

7

5 0

Verse Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4 Gtr. 4 tacet

Bm11

 

  

2. These

prem

-

F#m11

    

  

        o

-

ni

-

Gtr. 2: w/ Rhy. Fig. 3

Bm11

Leave

your

F#m11

    

  

       

    

con

-

tions

di

-

tion,

    

   

got

me

        this

po

-

 

cry

  

Dm11

-

in’

   

    

-

up

a

 

tion

does

A5





storm.

       

Dm11

si

        

    

  

no

A5



harm.

Pre-Chorus Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4







F#m11





  

Bm11



     

Yow!



On

    

  

kiss,

thought I’d

Dm11

a

  

 

A5

  

save

my

    

 

breath

you.

for

D.S. al Coda Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3









F#m11





  

Bm11



     

Yow!



On

    

  

kiss,

thought I’d

Dm11

a

  

 

A5

  

save

    

my

breath

for

  you.

 Coda

Interlude B5 A5

        9 7

B5

A5

9 7

7 5

7 5

9 7

B5 D5/A

        9 7

E5/B µ

B5

 

  7 7 5 5

 

 

7 7 5 5

  

 

   9 9 7 7

E5/B µ



            

9 9 7 7

9 7

B5



B5 D5/A





E5/B µ

A5





   

B5 D5/A

A5

7 5

9 7

B5 D5/A

7 7 5 5

9 9 7 7

E5/B µ

             9 7

7 5

9 7

7 7 5 5



9 9 7 7







17

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B5 A5 B5 D5/A

E5/B

 

Gtr. 5 (dist.)

G5

A5



E5

B5 A5 B5 D5/A



E5/B

G5



A5

E5







f

0 0

Rhy. Fig. 7 Gtrs. 2 & 3

          

End Rhy. Fig. 7

 

 

 

 

 

              



let ring

9 7

7 5

9 7

7 7 5 5

9 9 7 7

X X X X

X X X X

X X X X

X X X X

        

5 5 3 3

7 5

7 5

 

 

 

              

 



let ring

0 0 5 3

 

2 0

9 7

7 5

7 7 5 5

9 7

9 9 7 7

X X X X

X X X X

X X X X

0 0

X X X X

5 3

5 5 3 3

7 5

7 5

2 0

 

E5

Guitar Solo Gtrs. 2 & 3: w/ Rhy. Fig. 7 (3 times)

B5 A5

B5 D5/A

       

E5/B

G5

A5

E5

B5 A5

B5 D5/A

              

Gtr. 5

E5/B

G5

A5

   



Harm.

 



 

Harm.

*

4

3.3

Pitch: G#

4

2.6

3.3

4

2.6

3.3

4

3.3

2.6

4

3.3

B

G#

B

D

G#

B

B D G# B D G# *Harmonic located three-tenths the distance between the 3rd & 4th frets.

B5

A5

   



B5

D5/A

E5/B

      

w/ wah-wah

7

0 0

  

1

10

7

9

7

10

A5

B5

7

10

10

E5/B

7

0 0

9



G5

 

A5

10

7

10

7

10

E5

 



7

9

7

9

7

10

7

5

7

5

G5

A5

E5



    

 

1 10

    

7

0 0

7

10

7

10

10

B5





0 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 0 0

12

8

   

 1

7

7

0 0

7

10

9

7

9

7

A5

10

B5 D5/A

A5







12 12

B5 D5/A

 

E5/B

G5

   1



12 12

9

7

8

7

10

E5/B

10 0 0

7

1 1/2

10

F#

          Harm. 1 

B5

10

9

0 0 0

E5

          



7

9

D5/A

A5

G

4

1

                B5

G5

0 0 0

2.6



12 12

A5

E5

Chorus Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (3 1/2 times)

G5

 

    



  

Gim - me some rope,

 



    

I’m

com



-

Bm('4)

  





in’



  



loose.

 

I’m



  

    

-

on

A5

hang

G5



 

Gtr. 5 tacet

Em7

in’



you.



16 16

  

Em7

Gim - me some rope,

    





I’m

Em7

  

Gim - me some hope,

  

I’m

-

in’

  

Bm('4)





I’m

     com

-

in’



   I’m

-

     

out

of

   

my

you

count

-

in’

now.

G5

you.

           

A

   

    

on

in - to

the

clear.

When

      

F#/A#

    



for

      

 

head,



 

come...

Dm11



in’

A5

I



     











F#m11



pull

A5

   



I’m

through.

go,

Outro Bm11



G5

  

Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A





loose.

A5

 

 



Bm('4)

  

you

     

com

E/G#

     

Gtr. 1

in’

Em7

Gim - me some rope,

G5

-

  



    



   

com

Bm('4)



  

  

       

   







*w/ delay



 

delay off

0 5 7 7

0 12 14 14

0 8 10 10

0 8 10 10 7 5 0

7

5 0

*Set as before.

  Gtr. 3









  7 5 0

7

5 0

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     



Bm7'4





F#m7'4



  



loose.

      

  

Gtr. 2

0 5 7 7

 

0 5 7 7

0 5 7 7

0 5 7 7

0 0 7 7



0 5 7 7

Gtr. 1

 0

 











7

7

7

7

7







5

0











7

7

7

7

7

Dm11

      

0 8 10 10

  0 8 10 10



0 8 10 10

0 8 10 10

8 0 10





5

  



7

Gtr. 3







7





   0 8 10 10

8 10 10

  

   

0 12 14 14

0 12 14 14

0 12 14 14

 





9

9

 

9

   0 12 14 14

0 0 14 14

0 12 14 14









9

9

9









9

9

9

9

   0 8 10 10

  

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

    



8

8

7

8

 

    



5

5

5

8

5

8

5

8

5

3









 

7





9





7



9

      

0 8 10 10 7

  

 

5

0

7

5

0

          

8

8

8

 

 

5

5

5

8

8

7

5

0

7

5

0

       7

5

0

7

5

0

from Foo Fighters - Wasting Light

Dear Rosemary Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

B5

A5 7fr

134

G5

A

Bm

E

111

1342

231

5fr 134

2

34

Intro Moderately q = 124 *Bm

Em7

Bm

Em7

Riff A

   

Gtr. 1 (elec.)







mf





4

2

















0

2





w/ slight dist. let ring



3

4

4

4

3

4

3

4

0

4

3

4

*Chord symbols reflect implied harmony.

Bm

  

**Gtrs. 1 & 2

Em7

Bm

Em7 End Riff A











4

2

















0

2





let ring

4

4

3

4

4

3 0

4

3

4



3

4

**Gtr. 2 (elec.) w/ slight dist., played mf.

 

Gtr. 3 (elec.)







 mf w/ dist.

10

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Riff A (2 times) **Bm

   Gtr. 4 (elec.)

A'Ê

G

Em7































9

9

7

7

6

6

7

7

6

6

4

4

2

2

4

f

w/ dist.

11

Rhy. Fig. 1 *Gtrs. 3 & 5

    4 X 2

End Rhy. Fig. 1

 

 

 

  

  

  

  

  

  

  

  

  

  

4 X 2

4 X 2

4 X 2

4 2 0

4 2 0

4 2 0

4 0 X 3

4 0 X 3

4 0 X 3

4 0 X 3

4 2 2 0

4 2 2 0

4 2 2 0

*Gtr. 5 (elec.) w/ dist., played f. **Chord symbols reflect overall harmony. Gtrs. 3 & 5: w/ Rhy. Fig. 1 (3 times)

     

   

Bm

A'Ê

Gtr. 4

 4

4



6

6

G

6



 





7

6

6

4

2

4









 







7

9

11

11

9

9

7

6

6

7



7

Em7

7

Asus2

9

9



  

    

2

4

4

6

Bm



G

A'Ê

E5

Gtr. 4



12

6

6

   

7

9



7

7

  

G



4

11

A'Ê



        B5

Bm



Em7

  

  

   

G

7

Em7



10

9

       

B5

Asus2

G

 11



1

9

9

7

E5

   

9 0

Rhy. Fig. 2

                                        P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 5

0 4 2

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

0

4 2 2 2

0 0 4

0 4 0

3

3

0

0 4 0

2

2

0

4 2 2 2

0

0

End Rhy. Fig. 2

           let ring  P.M. 0 4

0

0

3

3

4 2 2 0

0

0

0

Verse Gtr. 4 tacet

Bm

A'2

1. You got

a - way,

got

a

Rhy. Fig. 3

             Gtr. 3

3 4

3 4

2 2

2 2

E5

Bm

        - way,

got

a - way from

A'2

   

G



me.

                           0 0

0 0

E5





           

G

0 0

0 0 4 2

3 4

3 4

2 2

2 2

              

End Rhy. Fig. 3

0 0

0 0

0 0

0 0 4 2

End Rhy. Fig. 3A

Rhy. Fig. 3A

                                                     P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 5

0 4 2

2

0

0 0 4

0 4

4 2 2 2

0

3

3

0 4 0

0

2

2

0

0 0 4 2

0 4

4 2 2 2

0

3

3

0

0

Gtr. 5: w/ Rhy. Fig. 2

Bm

A'2

            Now get

a - way,

get

a

Rhy. Fig. 4

           Gtr. 3

3 4

3 4

2 2

2 2

G

E5

Bm

  

       - way,

get



a - way from

A'2

  

G





me.

                         0 0

0 0

E

0 0

0 0 4 2

3 4

3 4

2 2

2 2

End Rhy. Fig. 4

          0 0

0 0

0 0 1

0 0 1

0 0 1

0 0 1

Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A

Bm

A'2

                 I could - n’t

grow

just, a,

Riff B Gtrs. 1 & 2

         

G

E5

Bm

       

              liv - in’ in the shad

A'2

- ow.

Where do you go when no one’s

       

       

G

E5

       

fol - low - in’



you?

       

let ring

4

4

3

4

4

4

3

4

4

4

3

4

4

4

3

4

4

4

3

4

4

4

3

4

4

4

3

4

4

4

3

4

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bm

A'2

             You ran

a - way,

ran

a

Rhy. Fig. 5

           Gtr. 3

3 4

3 4

2 2

2 2

G

E5

       

- way.

    

It was right on

Bm

A'2

  

0 0

 

0 0

0 0 4 2

Shall I

         

3 4

3 4

2 2

2 2

          0 0

0 0

0 0

End Rhy. Fig. 5A

2

 

2

0

0

Gtrs. 1 & 2

       

3

 

0 0 4

0 4

4 2 2 2

3

                P.M. P.M. P.M.

0 4 0

0

       

2

2

0 4

4 2 2 2

0

0

      



let ring

4

4

3

4

Gtrs. 1 & 2 tacet * B5

4

4

3

4

A5

           

Rhy. Fig. 6 Gtr. 5

   

   

on,

and on,

  

and

               Harm.  Harm.  Gtr. 3

9 9 7

7

7

9 9 7

7 7 5

5

5

7 7 5

4

4

3

4

B5

4

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

4

A5

           

   

   

on,

and on,

  

and

3

4

4

4

B5

3

4

4

4

A5

           

   

   

on,

and on

 

             Harm. Harm. 

9 9 7

9 9 7

7

7

9 9 7

7 7 5

5 E

5

7 7 5

7

7

9 9 7

7 7 5

3

3

0

     

(cont. in slashes)

0 0 4 2 2

0 0 7 7 5

End Riff B

         4

4

3

4

4

3

4

B5

A5

       

End Rhy. Fig. 6

 

     

a - gain?

              Harm. Harm.

Pitch: E *See top of first page of song for chord diagrams pertaining to rhythm slashes.

4

4

go

End Rhy. Fig. 5

                              P.M. P.M. P.M. P.M. P.M. 0 4

A5

   



Rhy. Fig. 5A

Gtr. 5

Sorgdal

E5

cue.

                 0 0

G

10 9 7 5 E

5

             12 11 9

12 11 9

12 11 9

12 11 9

12 11 9

12 11 9 15

 Pre-Chorus G5



A

Bm

      

  

    

Rose - mar - y, Rhy. Fig. 7

    

 

0 0 X 3

0 0 X 3

 

you’re

  

let ring

3

3

       

part

 

  

0 0 X 3

0 0 0 0

A

      

Rhy. Fig. 7A

of

me,

  

  

  

2 2 2 0

2 2 2 0

2 2 2 0

you

  

      

    



know

  

  

2 2 2 0

2 2 2 0

  0 0 0 0

you are,

  

    

Rose - mar - y,

    

-

 

you’re

   3 4 4 2

3 4 4 2

mar

Bm('4)

       

part

of

me,

you

 -

Gtr. 3

 

 

y,







 

3

4 4 2

    

know

you are,

please

par

3 0 0 X 3

0 0 X 3

     

  

  

0 0 0

 

you

are,

you are. End Rhy. Fig. 7

  

  

  

2 2 2 0

2 2 2 0

2 2 2 0

  

  

  

2 2 2 0

2 2 2 0

  0 0 0 0

         

 

A

are,

you

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

 





 

 

 

 

2 X 0

2 X 0

2 X 0

2 X 0

2 X 0

 

 

 

 

 

 

2 X 0

2 X 0

2 X 0

2 X 0

2 X 0

2 X 0



-

don

 

 

 

 

0 0 X 3

0 0 0 0

2 X 0

2 X 0

  

  

 

 

3 3 0 0 X 3

3 3 0 0 X 3

0 0 0 0

2 X 0



 

3

  

E5





let ring

Gtr. 5



0

 

are.

2nd time, Gtr. 3: w/ Rhy. Fill 1

  

  

G5

Rose

A

you

            let ring

Gtrs. 3 & 5: w/ Rhy. Figs. 7 & 7A

G5

 

               

End Rhy. Fig. 7A



 me.

 0

 

 

0 0 0

0 0 0

Rhy. Fill 1 Gtr. 3

                     4 2 X 0

4 2 X 0

4 2 X 0

4 2 X 0

4 2 X 0

4 2 X 0

4 2 X 0

0 0

0 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  Chorus

3rd time, Gtr. 7 tacet

              Bm

A

Truth

ain’t

 

gon - na

  Gtr. 4



G5

change

E5

       

 

the way

lie.



you

Bm

  



      3 4 4 2

         3 4 4 2

3 4 4 2

3 4 4 2

2 2 2 0

   2 2 2 0

  0 0 0 0

  

    

  

          let ring

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

0 0 2 2 0

       

       

9

9

7

7

6

        

3 4 4 2

2 2 0

E5



 



G5

 

11

Rhy. Fig. 8 Gtrs. 3 & 5

A

3 4 4 2

3 4 4 2

3 4 4 2

6

7

  

2 2 2 0

 

2 2 2 0

0 0 0 0

7

6

6

4

    

  

4

2

2

4

End Rhy. Fig. 8

  

          let ring

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

0 0 2 2 0

2 2 0

To Coda 1  To Coda 2 

Gtrs. 3 & 5: w/ Rhy. Fig. 8

              Bm

A

Youth

ain’t

gon - na

 



G5

change

E5

     the

way

Bm

  

   



you

A

G5

E5

 



die.

             

Dear

       

Gtr. 4



  Rose -

      



fdbk.

4

4

4

11

11

9

9

7

7

6

6

7

7

6

6

4

4

2

2

10

Gtr. 5: w/ Rhy. Fig. 2

-

Asus2

mar

-

y.

G

 



E5

B5

   

Dear

  Rose

        

11

12

Asus2

G

     

-

mar

-

 



y.

        11

E5



        B5



 

1

9

11

9

   

9 0

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

0

0



Verse Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A Gtr. 4 tacet

A'2

2.You’ve got

a - way,

 

Gtr. 6 (elec.)

got

a

G

E5

           

- way,



got



 

a - way with



Bm

A'2





Bm

A'2

w/ dist.

14

7

5

 



a - way,



got

a



- way,

  

E5

got





a - way with





Bm

2

4

5

A'2



3

5

5

2

G

4

5

E





things.

                   



14

4

5

4

7

4



You got

      

G



                    



4

          

E5

things.

f

Gtr. 3: w/ Rhy. Fig. 4 Gtr. 5: w/ Rhy. Fig. 2

G





               Bm

7

2

4

5

3

       

G

5

5 0

0

0

0

Gtrs. 1 & 2: w/ Riff B Gtrs. 3 & 5: w/ Rhy. Figs. 3 & 3A

Bm

  

  False

 

     

G

    

E5

starts,

hearts

shat - tered.

A'2

your



get

Bm

  

A'2

Pick up the piec - es com - in’





E5

        

down a - round



you.



7

Gtrs. 3 & 5: w/ Rhy. Figs. 5 & 5A

           Bm

A'2

You ran

 

a - way,



ran

a

G

E5

      

- way.



    

It was right on



Bm

A'2

    

G

 

E5

A5

   



cue.

Can I



 

14

7

  

4

go

                 5

4

2

4

5

3

5

5

2

4

5

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D.S. al Coda 1 Gtr. 5: w/ Rhy. Fig. 6

Gtr. 6 tacet

   

on,

and on,

A5

  

   

   

on,

and on,

B5

and

                  Harm. Harm. Gtr. 3

9 9 7

 

7

9 9 7

7

7 7 5

5

7 7 5

5

A5

on,

and on



 

A5



B5

A5



a - gain?

           Harm.  Harm. 

     

9 9 7

9 9 7

16

7

7

9 9 7

7 7 5

5

5

7 7 5

7

7

9 9 7

7 7 5

E

7 5

16

16

16

16



16

5

17

E



 



and

    

B5

            Harm.  Harm. 

Pitch: E

Gtr. 6

  

   



   

B5





7

 Coda 1

Bm

A

 

G5

E5







   



die.

  































11

9

9

7

7

6

6

7

7

6

6

4

4

2

2

4

Bridge Gtr. 4 tacet

G5

A

Bm

A

                                                                        Rhy. Fig. 9

End Rhy. Fig. 9

*Gtrs. 3, 5&7

This

was

no

or

-

di - nar

-

y

life. (This

    Gtr. 2

3

     2

5

  2

    Gtr. 4

 4

*Gtr. 7 (acous.), played mf.

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Sorgdal



     3

5



 

  

2 4

3

was

no

or

      2

5



3

4

0

-

di

   2

2

-

nar

y

     3

5



life.

Gtrs. 3, 5 & 7: w/ Rhy. Fig. 9 (2 times)

G5

      



     





This

was

no

A

Bm

or

   

      





-

di - nar

-

y

 



     Gtr. 2

    

3

2

 

5

0

 

    



2

3

     

 

was

-







     

life. This

Riff C

A

2

3

4

or

     

  

2

5

no

5

3

4

0

di

-

nar

  

y

life.)

    

2

2

-

3

End Riff C

5

Gtr. 2: w/ Riff C

     G5





  





I’m

A



here



 

   

from

now

   

Bm





on.

A





But

  



once

 

I’m

gone,

D.S.S. al Coda 2

                 

         

G5

Gtr. 7

    

gone.

    

3

2

         3 3 0 0 X 3

3 3 0 0 X 3

      

 

5

0

Gtrs. 3&5

3

4

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

Bm

4

3

5

4

            

0 0 1 2 2 0

0 0 0 0

9 9 7

A



 



     

 

 Coda 2

   



   

I’m Gtr. 4

          

E

9 9 7

9 9 7

9 9 7

G5





9 9 7

E5





die.



9 9 7

15



Dear

 Rose -

  































11

9

9

7

7

6

6

7

7

6

6

4

4

2

2

4

Gtr. 4

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Sorgdal

Gtrs. 3 & 5: w/ Rhy. Fig. 1 (4 times)

Bm

A'Ê

       



- mar

-



G

   

  Gtr. 6

          Gtr. 4

9

7

7

Bm

6

6

7

A'Ê

        -



mar

-



   

6

4

9

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9

7

 



-

4

2

7

6

6







of

G

   

Em7



  





  

me.

    

Dear you’re

part

of

Rose -

me.

       

      

       

11

7

11

9

9

7

7

6

6

7

7

6

6

4

4

2

2

mar

-

9

9



6

6

4

4

9

9

7

7

7

7

6

6

4

4

2

2

2

2

    





par

-

7

6

6

7

A'Ê



don

6



 

please

par

9

7

7

6

6

7

      

7

6

6

4

4

2

2

Em7



    

  

-

me.)



 



6

4

4

2

9

7

7

6

2

6

don

       

11

       

11

9

G

      

7

9

me.

y,

      

7

6

Bm

   

     -

11

Em7



6

       

      

11

7

    

part

       

2

A'Ê

y,

please Rose

         

11

mar

y,

        

6

-

G

Dear

7



      

Bm

you’re Rose



9



y, (Dear

11

Em7

7

9

9

7

7

6

6

7

       

7

6

6

4

4

2

2

4

    Gtr. 3

* B5

A5

G5



E5

 











 

Dear

Rose

B5

A5

     







-

mar

P.H.

-

y.

G5

  

B5



        



fdbk.

          2

Pitch: F# Gtr. 6

 7

7

9

         4

   A

 7

Gtr. 4

6

2 2 0

2

 



grad. bend

2 1

  

 4



2 2 0

7 0

 



grad. bend

2 1

0

0

0

   

4

Gtr. 5



2 2 0

   

0

 

2 2 0





 grad. bend

2

0

0

0

          2

1

2 2 0

2

2 2 0

2 2 0

2 2 0

*Chord symbols implied by bass.

Outro Gtrs. 3 - 6 tacet

  

B5

   You

      B5

   Gtr. 4

A5







got

a

G5



A5



-



way,

E5







got

a

   

B5



Harm. let ring **

G5



-

A5



way,

     

Now get a - way,



G5





got

a

E5



-



way

E5 µ



get a - way from

    



from

       

get a - way,



me.

   



me.



5 3.3 Pitch: B D **Harmonic loacted one-third the distance between the 3rd & 4th frets.

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Sorgdal

from Foo Fighters - Wasting Light

White Limo Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Intro Moderately fast q = 169 * B'b9

     

A5 B5

Gtr. 1 (dist.)

  P.M. 





mf





P.M.

8 7

  P.M. 

7

     

Gtrs. 2 & 3 (dist.)



7



P.M.

8

10

7



7

C5 B5 A5 C5

                                 P.M. P.M.  P.M. P.M.

10 7

7

9 9



7 7

8

7 7

7

7

7

8

10

7

7



7

0 0

7



7 5

9 7

9 7

10 8

9 7

7 5

10 8

                f



7 5

9 7

9 7

10 8

9 7

7 5

10 8

*Chord symbols reflect implied harmony.

B'b9

   

A5 B5







C5 B5 A5 F5/C



 



Uh!

              P.M. P.M. P.M. 8 10 8

    

7



7



P.M.

8

10 7



7



       P.M.

10 7

7

P.M.

9 9

7 7



7 7

  



 P.M.

8 7

7

7

7



  P.M.

7



               

8

10 7





7

0 0

7 5

9 7

9 7

10 8

9 7

7 5

10 8 8

                (Gtr. 2, cont. on higher staff)

10 8

7 5

9 7

9 7

10 8

9 7

7 5

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

10 8 8

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B'b9

A5 B5







    







Rhy. Fig. 1

               P.M. P.M. P.M. Gtrs. 1 & 2

C5 B5 A5 C5

8

10 8 8

7

P.M.

8

10 7





7



P.M.

10

7

7

7

     

 

P.M.

9 9

7 7

7 7









P.M.

8 7

7

7

7

 



P.M.

                

8

10 7



7

0 0

7

7 5

9 7

9 7

10 8

9 7

7 5

10 8

Rhy. Fig. 1A

              Gtr. 3

10 8 8

7

7

7

7

7

7

                       

       

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7

0 0

7

7 5

B'b9

8 7

7

7

7

7

7

7



P.M.

10

7

7



P.M.

8

10 7



7

              10 10 8

9 7

A5 B5

              P.M. P.M. P.M. 10 8

9 7

7

      P.M.

9 9

7 7

7 7

 









P.M.

8 7

7

7

7

 

P.M.



9 7

7 5

7

10 10 8

C5 B5 A5 F5/C End Rhy. Fig. 1

              

8

10 7



10 8

0 0

7

7 5

9 7

9 7

10 8

9 7

7 5

10 8 8

End Rhy. Fig. 1A

       

7

7

7

7

7

7

7

7

7

                         7

7

7

7

7

7

7

0 0

7

7 5

9 7

9 7

10 8

9 7

7 5

10 8 8

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)

B'b9



       

1. I’ll take it out - ta the wish - in’ well.

B'b9

Go



 





with your

bad

self.

            B'b9

You think you’re los - in’, it’s time

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



    

I have a



 

to stop ac - cus - in’. You’re nev - er

  -

A5 B5

   



C5 B5 A5 F5/C



self?

        gon - na take a

C5 B5 A5 C5

plan.

       Why did you cheat your









    

I’m think - in’



A5 B5



  

           

hit on the head.

A5 B5

   

C5 B5 A5 C5



B'b9





 

Now



if you don’t

              P.M. P.M. P.M. Gtrs. 1 & 2

8 10 8

7



7

7

       take a



      

P.M.

10 7

P.M.

9 9

7

 Chorus

7



7

7

7

got

some

P.M.

7

7

7

- where.

  P.M. 

Hey! End Rhy. Fig. 2



                 

8

10

7

 

7

7

0 0

7

7 5

9 7

9 7

10 8

9 7

9 9 7

7 5

End Rhy. Fig. 2A

       

                       

7

7

7

7

7

7

-

7

7

7

7

7

7

7

7

7

you wan - na

try

7 5

9 7

9 7

10 8

9 7

G5

       

thin’,

0 0

7

Bb5

     

   

You

7





some





 

  

Rhy. Fig. 2A

D5/A



   



7

 



8

7 7

7 7

Gtr. 3

10 10 8

ride

Rhy. Fig. 2

7

             



care,

P.M.

8

10

7



C5 B5 A5 B5



    

A5 B5

    

and

buy

B5

  

us

9 9 7

7 5



  



in.

Hey!

                    

    

 

 

             

              

      

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

8 8 6

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

                      

    

 

 

                               

      

  

  

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

7 7 5 5

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

       

Rhy. Fig. 3

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

0 0

0 0

Gtrs. 1 & 2: w/ Rhy. Fig. 3

              Gtr. 3

4 4 2

D5/A

   

You

4 4 2

4 4 2

4 4 2

4 4 2

0 0

some

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

8 8 6

0

8 8 6

3 3 0 0 X 3

0 0

Bb5

    

got

8 8 6

-

thin’,

       

    

it’s

’round

go - in’ ’round

3 3 0 0 X 3

and



   

a and

-

gain. ’round

 

a

-

gain.

     

 

 

                         

      

  

   

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

0 0

0 0

3 3 1

4 4 2

0 0

B

      4 4 2

9 9 7

0

G5







   



0 0

End Rhy. Fig. 3

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

0 0

15

   0 0

 4 4 2

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Go!



9 9 7

8

9

4 4 2

  

G

11

12 12 10

    



12

      

3 2 0 0

4 4 2

8 8 6

0 0

3 2 0 0







Go!



9 9 7

9 9 7

         4 4 2

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4 4 2





9



   0 0

12 12 10

      3 2 0 0

And the ride

       

12 12 10

11

       3 2 0 0

      

12



    0 0

7 7 5

    0 2 2 2 0

       

7 7 5

6

      0 2 2 2 0

          4

5 5 3

5

       3 0 0 X 3

Em

A5 B5



   

0

0 0 X 2 2 0

    0 0 0 2 2 0



   

0

9 9 7

   



4 4 2

C5 B5 A5 C5



  



shared.

7





long. long.

3 0 0 X 3

 

was

so so

5 5 3

     



A

Go!

            8



0

3 3 1









8

     

3 3 1

D

7

8 8 6

    



   

B

  

  

You said that I’ve been a - way You nev - er have been a - way



To Coda

    

               

     



12 12 10

0 0

Rhy. Fig. 4A

          Gtr. 3

Bb



      

Rhy. Fig. 4

9 9 7



Go!

            Gtrs. 1 & 2











    

D







Go

End Rhy. Fig. 4

           7 5

9 7

9 7

10 8

9 7

7 5

10 8

End Rhy. Fig. 4A

                7 5

9 7

9 7

10 8

9 7

7 5

10 10 8

Interlude B'b9











lim

              P.M. P.M. P.M. Rhy. Fig. 5

8 10 8

7



7

7

P.M.

10 7

             

7

P.M.

9 9

7 7

7 7

7

7

7

7

7

B'b9



7

7



7

7

7



7



7

7

10 8 8

8 7

7

7

7

7

7

7

7

7

7



10

7

7

7

 

  

7

7 7

7 7





P.M.

7

  P.M.



            

8

10 7



7

0 0

7

7 5

9 7

9 7

7

7

7

7





7

7



 







7

7



P.M.

8 7

10 8

9 7

7 5

10 8 8

                     

P.M.

9 9



7

0 0

7

7 5

9 7

9 7

10 8

9 7

7 5

10 8 8

C5 B5 A5 C5





o.

     

P.M.

7

            10 8 8

P.M.

8

10





-

  



A5 B5

  

lim

              P.M. P.M. P.M.

7







7

       



   



7

 

Go

8

Rhy. Fig. 5A

10 10 8





C5 B5 A5 F5/C

o.

       

P.M.

8

10 7



-

 

A5 B5



  



   



7

  P.M.

End Rhy. Fig. 5

              

8

10 7





7

0 0

7

7 5

9 7

9 7

10 8

9 7

7 5

10 8

End Rhy. Fig. 5A

       

7

7

7

7

7

7

7

7

                   

7

7

7

7

7

7

7

7

0 0

7 5

9 7

9 7

10 8

9 7

7 5

10 10 8

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1 3/4 times) Gtr. 3: w/ Rhy. Fig. 5A (1 3/4 times)

B'b9



   

  

2. I guess you’re stuck in the Hab - i - trail.

 

 

     

A5 B5

   



      

C5 B5 A5 F5/C



You’ve grown to lov - in’ this shit.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B'b9

 

Way out

on

a





back

shelf,

           



    

  



C5 B5 A5 C5





you nev - er meant what you planned.

               

B'b9

A5 B5



  



    

Look what you’re do - in’, now ma - ma said it’s ru - ined. You got a

A5 B5

   

C5 B5 A5 F5/C



mol - lusk in the palm of your hand.

D.S. al Coda Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 2A

B'b9

 





So

it’s

a

bad

smell.



  Your

 Coda

    







And

the

ride

      

  



7 7 5

7 7 5

      

 

7 7 5

7 7 5

      

 

0 2 2 2 0

0 2 2 2 0

Gtr. 2

Gtr. 3

D

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 0



  





D



 Go!

 

 



 

 

    

 9

9



 



2





  9 9 7

 

0 0

9 9 7



   4 4 2

2 2 0

G

        What - ev - er hap -pened to Day



0 0

  

Bb



B



2 0

A



Go!

0

Go!



    



 



B

  

 

-

clothes?

Glo

Em

       And the ride

was

  shared.

A5 B5











Go!

 



  

Hey!



9 9 7









 

9 9 7

2 2 0



win.

won’t



1





    



ass



 

0

7



 

shared.





6

 

was

7



Gtrs. 1 & 2: w/ Rhy. Fig. 4 Gtr. 3: w/ Rhy. Fig. 4A







6

Gtr. 1

 

E

    

C5 B5 A5 B5











    

A5 B5

C5 B5 A5 C5



  

Go

Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1st 4 meas.) Gtr. 3: w/ Rhy. Fig. 5A (1st 4 meas.)

B'b9











  

lim

B'b9











               P.M. P.M. P.M. 10 8 8

8 7

P.M.

8

10 7



7

7



P.M.

7

            

7





7 7



-

 







7





C5 B5



A5

 



o.

Yeah!

 







7

7





  P.M. 

P.M.

8

7 7

  



Go

P.M.

9 9

 

C5 B5 A5 F5/C

o.

     

10

A5 B5

A5 B5

  

lim Gtrs. 1 & 2

-



   



 



   



8

10

7

               

7

7

0 0

7

7 5

9 7

9 7

10 8

9 7

0

7 7 5

Gtr. 3

10 8 8

7

7

7

7

7

7

Guitar Solo A5

                   

7

7

7

B



7

7

7

7

E5/B









7

7









   

7

       

All

   

*Gtr. 4 (dist.)



7

7

7

7

0 0

7

7 5

9 7

9 7

10 8

9 7

0

7 7 5

A







          

f 0 0 0

7

right!

     



7

1

0

7 7

1

7 7 9

7 7

       

1

7 7 9

7 7



1

7 7

7 7

9

7

7 7

9

12 12

*Dave Grohl Rhy. Fig. 6

         

**Gtrs. 1, 2 & 3

7 7 5

7 7 5

7 7 5

     7 7 5

7 7 5

0 0

  9 9 7 7

 

 

 

 

    

9 9 7 7

9 9 7 7

9 9 7 7

9 9 7 7

0

4 4 4 2

 

 

 

      

4 4 4 2

5 4 4 2

5 4 4 2

4 4 4 2

4 4 4 2

 

 

 

 

5 4 4 2

4 4 4 2

5 4 4 2

4 4 4 2

  

End Rhy. Fig. 6

 

  

4 4 4 2

2 2 2 0

**Composite arrangement

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 6 (2 times) Gtr. 4 tacet

        

E5/B

   

*Gtr. 5 (dist.)



B



     f



1

0 0

0 0

1

         

    



1

1



1/2

1/2

A



1

7

7

9

9

10

10

12

9

9

11

11

13

13

14

12 14

*Dave Grohl

Gtr. 5 tacet

E5/B

    Gtr. 4

B





 0 0

    





































  



5 grad. bend 2 1/2 1/2

9

1 1/2

1

9

9

9

9



 

0 0 0 0

0 0 0





1 9

A



 



2 1/2

2

9



  

2

9

9

9

9

9

9

9

Gtr. 4 tacet

E5/B

    Gtr. 5



B

      



0 0

          Gtrs. 1, 2 & 3

7 7 5

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

7 7 5

     7 7 5

7 7 5

0 0

  9 9 7 7

 

0 0

 

 

 

  

9 9 7 7

9 9 7 7

9 9 7 7

9 9 7 7

0

       

7 7

  4 4 4 2

7 7

 

7 7

7 7

7 7

7 7

7 7

7 7

 

 

 

 

 

 

 

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

4 4 4 2

A5 B5

C5 B5 A5 C5

          0 0

7 5

9 7

9 7

10 8

9 7

7 5

10 8

               

7 5

9 7

9 7

10 8

9 7

7 5

10 8

Interlude

     

Gtr. 5 tacet

B'b9

Gtr. 5



A5 B5





C5 B5 A5 F5/C





10 8

              P.M. P.M. P.M. Gtr. 1

8 10 8

7

     

7



 P.M.

        P.M.

8

10 7

Gtrs. 2 & 3



10

7

7

P.M.

9 9 7

7

  





 P.M.

8

7 7

7 7



7

7

7

  P.M.



7

7



            

8

10

7



0 0

7

7 5

9 7

9 7

10 8

9 7

7 5

10 8 8

               



(Gtr. 2, cont. on upper staff)

10 8

7 5

B'b9

9 7

9 7

µ

   









10 8

9 7

7 5

10 8 8

C5



  

Whoa!

             P.M. P.M. P.M. Gtrs. 1 & 2

10 8 8

8 7

P.M.

8

10 7



7

7



P.M.

10 7

           

       

7

P.M.

9 9 7

7 7

7 7

  



 P.M.

8 7

7

7



7

  P.M.

7

7

7

7

7

7

7

7

       

       

7

7

7

7

7

7

7

7

7

7

7

7

7



7

7

7

   

10 10 8

7

Gtr. 3

10 8 8



8

10 7









   

10 10 8

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro Gtr. 2: w/ Rhy. Fig. 5 (1st 7 meas.)

   



B'b9









                    









Gtrs. 1 & 3

10 10 8

9 7

B'b9

9 7

9 7



9 7

9 7

9 7





    

9 7

   

9 7

9 7

9 7

9 7

9 7









                               

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7



9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

0 0

7 5

9 7

9 7

10 8

9 7

7 5

            0 0

0

2

2

2

2

0



               

               

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

(Gtr. 3, cont. on lower staff)

9 7

9 7

9 7

9 7

9 7

9 7

9 7

          

          

1/2

0

2

2

2

2

0

2 X 0

           

          

2 X 2

2 X 0

1/2

0

2

2

2

2

0

0

2

2

1/2

2

2

0

2 X 0

          

1/2

0

2

2

2

            

1/2

Gtr. 3

0 0

0 0 0

2

2

0

0

2

2

2

      w/ bar

G#5

  

2 2 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

     2 2 0

-1/2

10

A5

2 2 0

           

1/2

2

2

2

1/2

2

0

2 X 0

0

2

2

2

Gtr. 3 tacet Gtrs. 1 & 2

9 7

A

2 X 2

10 8 8



1/2

Sorgdal



B7(no3rd)

Gtrs. 1 & 2

   



C5 B5 A5 F5/C

               

                    10 8 8



A5 B5

µ



2

2 2 2 0

from Foo Fighters - Wasting Light

Arlandria Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

            **C#m

Gtr. 2 (dist.)

         

Intro Moderately q = 116

       

mf

 9

9

11

11

           

Gtr. 1 (dist.)

9

9

11



1/4

9

11

        



11

9



11

9

9

9

11

      

f

1/4



9

     

*Gtr. 3 (dist.)

12

11

9

11



9



f



9

12

11

9

12



9

9



12

11

9

11





9

*Doubled throughout **Chord symbols reflect implied harmony.

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3 tacet







1. Ain’t

   



Gtr. 2



   









that

the

way







it

al



  

 -

ways

 



 9

11

   

9

1

9

11

9

9



Gtr. 1















  1

9

12

11

9

11

12

12

Verse Gtrs. 1 & 2 tacet

C#m7

Asus2



   



E5





starts?

  



A

sim

-



  





ple

round

of

con

 -

ver

-

Rhy. Fig. 1

     Gtr. 4 (dist.)

F#

mp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 X 4

4 X 4

4 X 0

4 X 0

4 X 0

4 X 0

4 X 0

4 X X 0

4 X X 0

4 X X 0

3 X X 2

3 X X 2

3 X X 2

3 X X 2

0 0





P.M.

4 X 4

C#m7

Asus2

     sa

    

 

 -

E5





tion

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



be

-



came

 a

  

shame - ful

e

 -

qua

-

End Rhy. Fig. 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 X 4

4 X 4

4 X 0

4 X 0

4 X 0

4 X 0

4 X 0

4 X X 0

4 X X 0

4 X X 0

3 X X 2

3 X X 2

3 X X 2

3 X X 2

0 0

P.M.

4 X 4

F#



Gtr. 4: w/ Rhy. Fig. 1 (2 1/2 times)

  

C#m7

Asus2



  

E5





F#

 

tion.

C#m7

    

I flipped to

    

C#m7

sta - tion

to

Asus2





E5

F#





sta - tion.



Hey,

F#5

  







   



don’t

go

and

turn

the oth - er

way.

Rhy. Fig. 2

      Gtr. 1





E5



Asus2

mp

End Rhy. Fig. 2

 

 

  

  

  

  

  

  

  

  

 

 

 

 

 

4 2 4

4 2 4

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 2 0

4 2 2 0

4 2 2 0

4 2

4 2

4 2

4 2

4 2

P.M.

4 2 4



Gtr. 1: w/ Rhy. Fig. 2 (2 times)

   

C#m7

Asus2



E5

F#5

    



   

Don’t say there’s noth - in’ more

   

C#m7

Asus2

Riff A

     Gtr. 2

 



hush,

set - tle

down.





Hush,

 

 

 

C#m7



to

Asus2

E5

  

        

say.

Come on,

E5



hear me out.

F#



  

But - ton



F#5

 

up,

 don’t



 



make a



sound.

 



let ring 1

1

9

11

1

9

11

1

9

11

9

11

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 X 4

4 X 4

4 X 4

4 X 0

4 X 0

4 X 0

4 X 0

4 X 0

4 X X 0

4 X X 0

4 X X 0

3 X X 2

3 X X 2

3 X X 2

3 X X 2

0 0

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 2 4

4 2 4

4 2 4

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 2 0

4 2 2 0

4 2 2 0

4 4 2

4 4 2

4 4 2

4 4 2

4 0

Gtr. 4

Gtr. 1

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C#m7

Asus2



   

shame,

go

a - way.



 





Shame,

     Gtr. 2



E5

  





Come a



  -

gain

 

F#



 

some

oth - er



 



   

day.

 

End Riff A





let ring 1

1

9

11

     Gtr. 4

 

1

9

11

 

1

9

11

9

11

 

 

 

 

 

 

 

 

 

 

 

 

 

mf

4 X 4

4 X 4

4 X 4

4 X 0

4 X 0

4 X 0

4 X 0

4 X 0

4 X X 0

4 X X 0

4 X X 0

3 X X 2

3 X X 2

3 X X 2

3 X X 2

0 0

     

 

 

 

 

 

 

 

  

  

  

 

 

 

 

 

4 2 4

4 2 4

4 2 4

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 2 0

4 2 2 0

4 2 2 0

4 4 2

4 4 2

4 4 2

4 4 2

4 0

Gtr. 1

  

*Gtr. 5 (dist.)







 

f

16 *Doubled throughout

 Pre-Chorus

           Gtrs. 1, 2 & 4 tacet

C#5

You used to say

I could - n’t

Rhy. Fig. 3

              Gtr. 5

6 6 4

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Sorgdal

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

0 0

        

A5

save you e -nough,

so I’ve been

  

  

  

  

  

  

    

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

5 5 2 2 0

0 0 0 0

       

E5

sav - in’ it

up,

I start - ed

                2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

0 0

       

B5

F#5

sav - in’ it

up.

            4 4 2

4 4 2

4 4 2

4 4 2

0 0

4 4 2

4 4 2

4 4 2

            C#5

And when you said I could - n’t

  

Gtr. 6 (dist.)

       

A5

give you e - nough,



I start - ed

        

       

B5

giv - in’ you up,

giv - in’ you up.

E5



I start - ed



C5







  

mf

0 0 0

16

        Gtr. 5

6 6 4 4

6 6 4 4

 

 

 

 

   

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

6 6 4 4

  

Gtr. 7 (dist.)

0 0

  

  

  

  

  

  

     

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0



End Rhy. Fig. 3

              

0 0 0

2 2 0

2 2 0

2 2 0

2 2 0



2 2 0

2 2 0

2 2 0

0 0



               4 4 2

4 4 2

4 4 2

4 4 0

5 5 3



5 5 3



5 5 3

0



mf

16

Chorus

C#m7







You

are

not

     

Rhy. Fig. 4A

 

 

 

 

6 6 4

6 6 4

6 6 4

0 0 6 6 4

Rhy. Fig. 4



6

4

 

 

6 6 4

6 6 4

  



4

2

 



4





2

-







lan

-

dri

 -

 

6

4

4 4 2



 

  4 4 2

 

 

4 4 2

0 0 3 4 4 2

  



a,



 

 

4 4 2

0 0

0 0

4 4 2



 



4

4 2

4 2

Rhy. Fig. 4B



  

F#7'4

Ar

  

4

    

 

me,

5 6 6 4

  



 



   

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

A'9

   

Ar

-







lan

-

dri

B5

 -

      



C







 

  

a.

 

  

 



1

6 7 7 5

7 7 5

     

 

  

  

6 7 7 5

6 7 7 5

0 0 6 7 7 5

0 0 6 7 7 5

  

  

 

  

7 7 5

0 0 6 7 7 5

7

7

9

9

9

0 0

 

7 5







End Rhy. Fig. 4A



1

7





9

 

 

 

4 4 2

4 4 2

4 4 2



8

8

8

10

10

10

   

  

  

5 5 5 3

5 5 5 3

5 5 5 3

0 0

 

 

 



4 4 2 2

4 4 2 2

4 4 2 2

0 0

0

  

 

 

5 5 3 3

5 5 3 3

5 5 3 3

End Rhy. Fig. 4

 0 0

End Rhy. Fig. 4B

 0 0

Gtrs. 5, 6 & 7: w/ Rhy. Figs. 4, 4A & 4B

C#m7

You







 



and

what

ar

-

my?

F#7'4

 



   



   Ar

-







lan

-

dri

 -



a,

To Coda

A'9

   Ar

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

-







lan

-

dri





   

-

a.

B5









C

Oh,

God,

you

got

 -







ta

make

it



Interlude Gtr. 7 tacet

   

C#m7





Asus2

E5



F#7'4

C#m7



Asus2

E5



F#7'4



stop.

                                                                    Gtr. 5

0 0 4

0 0 4

0 0 4

0 0 4

0 0 4

0 0 4

0 0 4

0 0 4

0 0 4

         P.M.

0 0 4

0 0 4

0 0 3

0 0 3

Gtrs. 1 & 4

4

0

     Gtr. 7

4

   

P.M.

0



0

0

0



0 0 3

0 0 3

0 0 3



0 0 4

0 0 4

0 0 4

0 0 4

4

0

4

0 0 4

0 0 4

0 0 4



     P.M.

2



0 0 4

0 0 4

0 0 4

0 0 3

0 0 3

0 0 3

0 0 3

0 0 3

     

P.M.

0



0 0 4

0

0

4

2





6 6 4

Verse Gtrs. 1 & 5 tacet Gtr. 4: w/ Rhy. Fig. 1 (1 1/2 times)

    

C#m7

Asus2



E5





2. Chase Riff B

    Gtr. 8 (clean)





mp













F#







all

of

those







  mem - o



-

 



ries

a

End Riff B





-



let ring throughout

6

0

4

4

4

0

0

0

0

4

2

3

4

0

0

0

Gtr. 8: w/ Riff B (2 times)

      C#m7

way.

Asus2

 

E5

F#

          Save them all

for

an - oth

- er

C#m7



Asus2

   day.

E5

F#

         Don’t you re - mem -ber

it

was

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    

C#m7

Asus2



E5



  

rain

   



4

6

     Gtr. 4







0

4

4



drowned

 0





0





you?





0







0

4

2

4

 

 

 

 

 

 

 

 

 

 

  

4 X 4

4 X 4

4 X 0

4 X 0

4 X 0

4 X 0

4 X 0

4 X X 0

4 X X 0

4 X X 0

3 X X 2

P.M.

4 X 4

µ



that

Gtr. 8

F#



Gtrs. 4 & 8 tacet

    

C#m7

Asus2

E5







Wait!

   Gtr. 5

I

wan

-





na

see







if

you

can End Riff D1











4

  



Riff D1

4

Gtr. 3



F#



4 4

0









4







4

0

0

0



3 0

2





3 2

Riff D

2

End Riff D







9

Gtr. 3: w/ Riff D (2 times) Gtr. 5: w/ Riff D1 (3 times)

C#m7

Asus2

change.

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E5



F#

        I

wan - na keep all

I

can

C#m7





Asus2







   

take.

E5



F#

        I

feel much bet - ter

now.

   

C#m7



    Use

me

up,

Gtr. 2

Asus2





   

 

spit



me

out.

 

  

E5



 

Let me



be





F#

  



 

 

your

hand

me

down.



let ring 1

1

9

12

12





     Fame,

fame,

  

 

a - way.

go



Gtr. 2



 

 

E5

 

Come a



-

gain

9

12



 

 

some

oth - er

day.

F#









let ring 1

1

9

12

1

9

12

D.S. al Coda





Asus2

1

9

12



    

C#m7

1

9



1

9

12

12

9

   Gtr. 5









4







4

4

4







4

0







4

0

0





3

0

0

2

4

2

 Coda

Bridge Gtr. 5: w/ Rhy. Fig. 3 * C#m



stop.

     Gtr. 6



 

    My

  sweet

           

A

Vir

-

gin

-

  E



  

Gtr. 6 tacet

   



ia,

I’m



the

same



1

9

9

11

11

  

  

 

  

5

5

5

4

Gtr. 7

    

       

6

4

4

2

1

0 0

5

5

7

*Chord symbols reflect combined harmony, next 7 meas.

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B

F#

as

I

was

in

your

  

4

4

    

6

4

E





   



 





6

0

4

0

5

4

2

1





I’m

the





5

Vir

 

  

5

4

-

gin



B5



same

 



5





as

I

 



1

1

ia,

6

C5



was

    

-

    

6

1

0 0

A

sweet

        let ring

6

            

 

My

           4



arms.

Gtr. 7

7



C#

            



  





in

your

 

1

4

heart.

   

1

1

1

7

7

7

8

8

8

9

9

9

9

10

10

10

11

Interlude Gtr. 4: w/ Rhy. Fig. 1

   



   



C#m7

Gtr. 7 tacet

Asus2



Gtr. 7

E5



F#



C#m7



Asus2

E5





F#







9 11

Verse Gtr. 4: w/ Rhy. Fig. 1 (3 times)

Asus2

   



shame,

go





3. Shame,



C#m7

Mem

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





 

a - way.

-



o

- ries



 keep





F#



Come

Asus2



E5





a - gain

E5





haunt - ing



 

some

oth - er



 



 





   

C#m7

day.

F#

















me.

Help

me

chase

them

all

a

- way.

C#m7

Hush

   Gtr. 7

now,

  



 



set - tle

down.

E5









But

- ton

F#



up,









don’t

make

a

sound.













Asus2



   



* **w/ delay

X X X X X X *Pluck strings behind nut. **Set for quarter-note regeneration w/ multiple repeats (hold for next 12 meas.).

Gtr. 2: w/ Riff A

C#m7

E5

Use

    

me

Asus2

up,

   

spit

 



Gtr. 2

I don’t



me

Come

now,

care,



out.

it’s

all

Watch it

  

Let me

be

 



F#

       

E5

 



take the blame.

E5

the same.

  

F#

your

all

go



flames.

  

hand

 



up in





  

Asus2

       

play the game.





C#m7

   

C#m7

to the ground.



That’s o - kay, I’ll





F#

Asus2



Help me burn this

             E5

       



a - round.

C#m7



turn

F#



Close your eyes,

  





       

Asus2

me

down.



let ring 1

1

9

12

1

9

12

1

9

12

9

12

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 X 4

4 X 4

4 X 4

4 X 0

4 X 0

4 X 0

4 X 0

4 X 0

4 X X 0

4 X X 0

4 X X 0

3 X X 2

3 X X 2

3 X X 2

3 X X 2

0 0

Gtr. 4

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Fame,

fame,

    

Asus2



  

go

a - way.

 



E5

 

Come a

  -

gain

 



F#



 

some

oth - er

  day.

 





let ring 1

1

9

12

    

 

4 X 4

9

12

 

4 X 4

1

 

4 X 4

 

4 X 0

 

4 X 0

4 X 0

 

4 X 0

4 X 0

 



1

9

12

 

µ





  



C#m7

9

12

 

 

 

 

 

4 X X 0

4 X X 0

4 X X 0

3 X X 2

3 X X 2

 

 

3 X X 2

3 X X 2

mf



Pre-Chorus Gtrs. 2 & 4 tacet Gtr. 5: w/ Rhy. Fig. 3

   

C#5

      

You used

    Gtr. 7

    Gtr. 6

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

to

say

I

could - n’t

    

A5

save you

e - nough,

   so

  I’ve been

    

E5

sav - in’

it

up,

   I

start - ed

      

       

       

9

7

5

9

9

9

7

7

7

5

5

5

4

5

4

      

       

5

4

5

5

5

4

4

4

6

6

6

4

6

4

4

4

4

4

5

4

       

6

4

6

4

4

6

4

            B5

F#5

sav - in’

it

C#5





up.

4

0



4

    

E5

giv

   

-

6



said

I

could - n’t

    

give





in’

you

up,











you

e - nough,

I

start - ed

       

9

7

9

9

9

7

7

7

5

5

5

4

5

4

      

       

5

4

5

5

5

4

4

4

6

6



  

A5

      

0

       

6

     

And when you

        5

  





I

start





-





B5

ed

giv





-

 

 

 

in’

you

up.





6

6

4



6

4

C5



   















1

5

4

   



6

4

4



6

4

4



4



5

4

5

4

0

13

13

13

13

15

15

15

15





















4

6

4

6

4

4

5

5

5

5

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro-Chorus Gtr. 5: w/ Rhy. Fig. 4 (4 times)

C#m7

You are not

 

F#7'4





         

  

me,

A'9

     

Ar - lan

Riff E1

          

  

- dri - a,

B5

C

     

Ar - lan





- dri - a.

                  

    

  



End Riff E1



1

9

9

9

7

7

7

7

           Riff E

5

6

5

5

4

4

5

5

5

4

5

4

5

4

4

4

4

5

4

5

4

0

13

13

13

13

15

15

15

15

End Riff E

                    

4

4

6

6

6

4

6

4

6

4

4

6

4

6

4

6

4

4

6

5 5 3

 

 

5 5 3

5 5 3



0

Gtrs. 6 & 7: w/ Riffs E & E1

C#m7

C#m7

my?





My sweet

           9

     

9

11

Vir - gin

11

           

9

9

11



  

dri - a,



11



 

 

9 12

14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

11 9

11

9 12

11 9

12 9

dri - a.

Oh, God, you got - ta make it

C

µ

Oh, God, you got - ta make it

stop!

       



11

 

 

                

11

9

9

11

9

12

Gtr. 1

 



C

      

            

- ia.

9

-

B5



B5

   

Ar - lan

A'9

 

9

-

A'9



         

Gtr. 7

11

Ar - lan

F#7'4

stop.

 



    



     

-

  

F#7'4



You and what ar

 



         

9 12

11 9

12 9

9 9 7

12

9 9 7

12

9 9 7

12

9 9 7

13

10 10 8

13

10 10 8

13

10 10 8

13

10 10 8

 





from Foo Fighters - Wasting Light

These Days Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear A

D5/A

111

13

Intro Moderately q = 133

   

*A

Dsus2

Gtr. 1 (elec.)



 

 

mp



A

       



Dsus2

 



  



       



w/ clean tone w/ fingers let ring throughout



0

11

0

12

11 12

0

12

12

12

12

0

12

12

0

12

11 12

12

0

11 12

12

0

12

12

12

12

0 12

12

*Chord symbols reflect implied harmony.

Verse A

    

  



1. One

 

of these

Riff A

 0

 







11 12

12

 0



Dsus2





days,





the

0

12

12

12

12

12





0 12

12

Dsus2

  

ground

       



11 12

A

  



will











11

0

12

0

12





  

drop





out

from End Riff A



11 12



12

        0

12

12

12

12

0 12

12

Gtr. 1: w/ Riff A (8 times)

 

A



   be

     One

A

 -

of

its



  



your

Dsus2

 

these

A





days,

   fi

 -

   nal





Dsus2





feet.

   your

Dsus2



A

 

will

A



  



heart





  



neath

  

A

  

Dsus2



Dsus2





  

stop

and

Dsus2

 play



beat.

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

Dsus2

         

A

Gtr. 2 (elec.)



mf

w/ clean tone & chorus let ring

12

11

0

0

   

12

11

0

One

of these

 

0

12



* Dsus2/A

A

  



days,



the

          11

0

12

11

0

0

12

12

12

12

0

12

0

0

12





 

  

12

0

12



11



0







  

stop

   0

11



Dsus2/A

will

       

0

11

clocks

let ring throughout

0

  





Riff B

12



let ring

0

 

  

A



Dsus2

0

12



11



and

time End Riff B

       

 0

12

12

0

12

0

12

12

12

*Bass plays A.

 

Gtr. 2: w/ Riff B (2 times)

A



  



Dsus2/A



won’t

One

of

  

-

lence

  12

0



Dsus2/A

  





ev







bombs



’ry

will





drop

Dsus2/A





-

Dsus2/A

  



A

  

-

A

 

their

Dsus2/A





Dsus2/A

thing.

days,

  







 

Riff C

Gtr. 2



these



a

 

  

A

A

  

mean

     



A

  



and

si



thing. End Riff C

 11

Pre-Chorus C

  

   0

12

  

0

 11

 0

12

12

0

12

  

G



 

But it’s

all



       

12

12

0

   

12

  12

0

 11

   0

D'4

12

0

  



right.

 11

 0

 

Yeah,

        12

12

0

12

   

12

12

0

0

A'4

it’s all

   

right.

Riff D *Gtrs. 1 & 2

           3

2

0 3

*Composite arrangement

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

-

2

3

       3

2

0 3

2

3

       5

4

0 5

4

5

       5

4

0 5

4

5

C

  





Said

  

G5



 

it’s

all

0

2

3

2

3



Eas - y



0

3



  

right.

           

   

µ





  

3

 

  

  

  

  

  

  

   

3 0 0

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3

for

you

End Riff D



 Chorus

Gtrs. 1 & 2 tacet

µ

A



say.

Rhy. Fig. 1 Gtr. 3 (elec.)

  



 

       

Em7







to

Asus2



    

       



Your heart has nev - er been bro - ken,

       

     

       

f

your pride has nev - er been stol -



  

 

 

 

 

0

0 0 0 12 10 0

0 0 0 12 10 0

0 0 0 12 10 0

0 0 0 12 10 0

0 0 0 12 10 0



  

  

  

  

  

0

0 0 7 9 7 0

0 0 7 9 7 0

0 0 7 9 7 0

0 0 7 9 7 0

0 0 7 9 7 0

  

  

  

  

0 3 0 2 2 0

0 3 0 2 2 0

0 3 0 2 2 0

0 3 0 2 2 0

   

 

 

 

  

0 0 0 12 10 0

0 0 0 12 10 0

0 0 0 12 10 0

0 0 0 12 10 0

0 0 0 12 10 0

  

  

  

  

    

0 0 7 9 7 0

0 0 7 9 7 0

0 0 7 9 7 0

0 0 7 9 7 0

0 0 7 9 7 0

  

  

  

    

0 3 0 2 2 0

0 3 0 2 2 0

0 3 0 2 2 0

0 3 0 2 2 0

w/ dist.

11 0

11 11 0 0

9 0

7 0

7 0

7 0

7 0

7 0

7 0

0 0

0 0

Rhy. Fig. 1A

   Gtr. 4 (elec.)

 

       

     

       

f

  

w/ dist.

11 0

11 11 0 0

9 0

7 0

 

 

 

2 2 2 0

0 0 2 2 0

7 0

7 0

7 0

7 0

7 0

0 0

 

     

  

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0

Rhy. Fig. 1B

   *Gtrs. 5 & 6

  

 

   

f

  

     

let ring throughout

2 2 2 0

2 2 2 0

2 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0

0 3 0 2 2 0

0 3 0 2 2 0

0 0 0

*Gtr. 5 (elec.) w/ dist.; Gtr. 6 (acous.). Composite arrangement

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C'9

    

 

yet,

yet.



-

 

  

en.

Not

   

 

       

12 10 8

12 10 8

12 10 8

    

 

       

3 0 2 3

3 0 2 3

3 0 2 3

12 10 8

12 10 8

3 0 2 3

3 0 2 3

    

12 10 8

12 10 8

       

12 10 8

12 10 8

      

3 0 2 3

3 0 2 3

not

12 12 10 10 8 8

0 0

       

3 0 2 3

3 0 2 3

3 0 2 3

3 0 2 3

0 0



       

11 0 9 10

11 0 9 10

11 0 9 10

4 5 5

4 5 5

4 5 5

4 5 5

  

  

2 3 2 0 0

2 3 2 0 0

      

  

  

  

    

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

2 3 2 0 0

Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A Gtrs. 5 & 6: w/ Rhy. Fig. 1B



I’ll

C'9

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

I

 

bet,

bet,

11 0 9 10



4 5 5

  

  

  

2 3 2 0 0

0 3 0 0 0

2 3 2 0 0

  

     

  

these

End Rhy. Fig. 1

       

11 0 9 10

11 0 9 10

11 0 9 10

11 0 9 10

D

   I

4 5 5

4 5 5

4 5 5

  

  

  

  

  

  

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

I’ll

    

 

bet,

bet.

I

       

4 5 5

   

bro - ken.

     I

11 0 9 10





4 5 5

4 5 5

End Rhy. Fig. 1B

   

bet your pride -’ll



4

 

be



en.

  

bet your heart -’ll



-

       

Em7

4 5 5



 days,

    



     

11 0 9 10

       

  



11 0 9 10

 

  



11 0 9 10

 

  

Asus2

 

End Rhy. Fig. 1A

  

A



 

  

µ



 

  

  



One of

    

0 0 0

  

D



    

   One of

be stol -

  



these

To Coda *A

A End Rhy. Fig. 2C





 

  



days,

Rhy. Fig. 2

11 0

11 0

11 0

11 0

11 0

11 0

11 0

Rhy. Fig. 2A

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

2 2 0

7 7 5

days.

               

               

               

12 0

11 0

12 0

12 0

12 0

12 0

12 0

12 0

12 0

12 0

11 0

11 0

11 0

11 0

11 0

11 0

11 0

12 0

12 0

12 0

12 0

12 0

12 0

12 0

               

               

               

7 7 0

2 2 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

Rhy. Fig. 2B

7 7 5

these

End Rhy. Fig. 2A

7 7 0

7 7 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

End Rhy. Fig. 2B

                   Gtr. 5



End Rhy. Fig. 2

                   Gtr. 4

 





one of

                  11 0

   



  

Gtr. 3

D5/A

                               

Rhy. Fig. 2C Gtr. 6



D5/A

7 7 5

               

               

               

7 5 5

7 7 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

Verse Gtr. 1: w/ Riff A (4 times) Gtr. 2: w/ Riff B (3 times) Gtrs. 3 - 6 tacet

   

 

  

A

2. One

of these

  





-

ap

-

pear.

Dsus2/A

A

  



your

A











  

eyes

Dsus2/A



will

Dsus2/A







  

close



A





and

pain

A



  

One

of these

 

  



will



Dsus2/A



days,

 dis -

 you

   will

Gtr. 2: w/ Riff C

   for

  - get

Dsus2/A

     to hope

A

    and

  

Dsus2/A

learn

   

A



   



days,

  

A



Dsus2/A

to



Dsus2/A



fear.

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus Gtrs. 1 & 2: w/ Riff D

  



 

But it’s

all



      

  

  

  

  

  

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 0 X 3

*Gtrs. 3 & 4

mf

  

G

  

D'4





  

C



right.

  

 

Yeah,

   

A'4

it’s all

  

  

  

  

  

  

 

 

 

 

 

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

2 2 2 0

   

right.

  

  

  

  

    

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

0 0 0

*Composite arrangement

  





 

Said

it’s

all

     

 

 

 

 

  

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 0 X 3

 Coda

A



  



  

   

µ



right.

  



Eas - y

  

  

  

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3







D5/A





for

you









 (cont. in notation)





    

  





D.S. al Coda

G5



   C

days.

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

11 0

11 0

11 0

11 0

11 0

11 0

11 0

11 0

12 0

12 0

12 0

12 0

12 0

12 0

12 0

0 0 0 0

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 



2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

0 0

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 



7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 0 0

Bridge Csus2

But it’s

all



Rhy. Fig. 3

     

 

 

 

 

  

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 0 X 3

*Gtrs. 3 - 6

   

 

  

D5/A





right.

  

   

 

A

Yeah, it’s

Asus2







G5



 

  

all

right. End Rhy. Fig. 3

  

  

  

  

  

  

 

 

 

 

 

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

2 2 2 0

    0

  

        

  

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

*Composite arrangement

 

Riff E

Gtr. 2



3

End Riff E

      0

2

3

2

0

       

3

Gtr. 2: w/ Riff E (2 times) Gtrs. 3 - 6: w/ Rhy. Fig. 3 (2 times)

all

 

G5

Don’t

say

it’s

     

 

 

 

 

   

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 0 X 3

Gtrs. 3 - 6

   

3

      0 3



   

0

  



say

   

 

A

5

Asus2

all



right.

   

 

A

it’s

4

5

Asus2

all



right.





   

  

  

  

   

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

right.

  

        3

2



    Don’t

all

Gtr. 2

2

D5/A

0

4

5

  



right.

  

0

Yeah, it’s

   

 

4



    



right.

G5

it’s

5



   say

   

 

3

0

4

5

D5/A



Csus2

all

     Don’t

  

Said it’s



3

0

      



Csus2

  



G5

2



    

Csus2

  

0

2

     



0

3 0

0

3 0

       0

3 0

0

3 0

0

3

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude

 

Gtr. 1: w/ Riff A Gtrs. 2 - 6 tacet

A

Dsus2



A



Dsus2





Verse Gtr. 1: w/ Riff A

    

  

A

3. One

of

A

 

  

  

its

fi

Gtr. 1

 0

these









11 12

C



-

nal

12

12

 

But

it’s

all

0

2

2

3

12





11

0

12

G



and

Dsus2

12

12

0









play



11 12

12

       12

0 12

12

12

Eas - y

  

0 12

   



right.

0

3

stop









  







0

12

12

            3



  

beat.

0 12

  









will

A



Dsus2

  

heart

       



12







  



your

Dsus2

11

0

12

A

  

days,









  

Dsus2

 

for

you

  

0 2 3

Chorus Gtr. 1 tacet Gtrs. 3 & 4: w/ Rhy. Figs. 1 & 1A (2 times) Gtrs. 5 & 6: w/ Rhy. Fig. 1B (2 times)

µ

A

say.

 days,

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Not



Asus2







  

 

yet,

yet.

not

               I

bet your heart - ’ll

be

               your pride has nev - er been stol -



  

D







A

 

Em7

    





µ

Sorgdal

  

en.

  

     

Your heart has nev - er been bro - ken,

  

C'9

  



        -



Asus2



to





    



Em7

bro - ken.



One





       I’ll

 

of

these

   

bet your pride -’ll

be

stol -

bet,

Gtrs. 3 - 6: w/ Rhy. Figs. 2, 2A, 2B & 2C (2 times)

A

  

D5/A









days,

   

 



bet,

bet.

I’ll

 



A



one of

Gtr. 7 (elec.)

I’ll



these



  

  



One of

these

  

D5/A





  

I’ll

 



bet,

    



I’ll



en.

   D



 



    





-

  

  

C'9



      

days.

   



One of









these

 f

w/ dist.

17

A Gtr. 6

A



D5/A



 





 

    

D5/A

  



days.

 

     Gtr. 7

 



1

  Gtr. 3

 

1

    

1

5

10

5

7

12

7

1

0

3 5

               

               

             

 

11 11 11 11 11 11 11 0 0 0 0 0 0 0

11 0

12 12 12 12 12 12 12 12 0 0 0 0 0 0 0 0

11 11 11 11 11 11 0 0 0 0 0 0

0 0 0

2 0 0

               

               

             

 

2 2 0

7 7 0

2 2 0

0 0 0

2 0 0

Gtr. 4

 

  



2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

7 7 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

Gtr. 5

               

               

             

 

7 7 5

7 5 5

7 7 5

0 0 0

2 0 0

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 5 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

   

   

   

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Foo Fighters - Wasting Light

Back & Forth Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear A

5fr 1342

Intro Moderately q = 138 **F5

F#5

          

B5

C5

 

  

G5

G#5

C#5

A5

  

 

Gtr. 1 (dist.)

mf



   

 

 

 

 

 

 

7 0

7 0

7 0

7 0

7 0

P.M.

3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

          

 





4 2 2

5 3 3

6 6 4

6 4 4

7 0

7 0

   

 

 

 

6 4 4

7 7 5

7 7 5

*Gtrs. 2 & 3 (dist.)

mf

3 3 1

4 4 2

5 5 3

6 6 4



*Composite arrangement **Chord symbols reflect overall harmony.

Verse Gtr. 2 tacet

Gtr. 3 tacet

  





A

 

A,7

    

1. Once

                 P.M. Gtr. 1

7 0

   Gtr. 3

7 0

7 0

7 0

7 0



7 0

7 0



  

A6

up - on

a

 

time,

I

was

               

A5

     

some - bod - y

C5

 

else.

In

              

P.M.

10 9 7 0

  

7 0

   

7 0



7 0

6 0



6 0

6 0

6 0

4 0

4 0

4 0

2 0

2 0

2 0

0

5 3



6 7 7 5

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       

C(#4)

an - oth - er

C

C(#4)

  



life,

I

                  

G

    

sold

my

-

    

self.

    

Way

   

back

Gsus4

  



 

then,

back

Gtr. 1

         

P.M.

5 3

5 3

5 3

5 3

     G

4 3

4 3

 

5 3

5 3

5 3

was

7 3

7 3

2 3

4 3

4 3

4 3

4 3

2 3

Dsus4





2 3

2 3

2 3

0 3 3

2 3

D5



0 3 3

0 3 3

0 0



new.

     

            

P.M.

2 3

D

     I

2 3

0 0

G6

when

   

4 3

        

 

7 3

4 5

0 0

4 5

4 5

4 5

4 5

5 5



5 5

0

 

             

7 5

7 5

7 5

7 5

7 5

7 5

7 5

 

7 5

0

Gtr. 3 tacet *A

Gtr. 3



  



Some - where down the line

I

start - ed to

            P.M.

7 0

7 0

7 0

6 0

6 0

C5

C(#4)

        

Rhy. Fig. 1

    Gtrs. 1 & 2

A5

6 0

slip.

  

Years

C

  

gone



by,

C(#4)

G

  

    

bit - ing

my



     



A6

    

lip.

All

                                    

6 0

4 0

4 0

4 0

2 0

2 0

2 0

5 3

5 3

5 3

5 3

5 3

4 3

4 3

4 3

2 3

0 0

2 3

2 3

4 3

4 3

4 3

4 3

2 3

*See top of first page of song for chord diagrams pertaining to rhythm slash.

   

the

 

Gsus4

  





      

while,

G5

G6

  

all

D

    

this

time

 

I

knew.





D5



µ F5 F#5 B5 C5 G5 G#5 C#5



 



2. Now

1, 2 & 3  Gtrs.                           

End Rhy. Fig. 1

                      

P.M.

2 3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Dsus4

2 3

2 3

2 3

0 3 3

0 3 3

0 3 3

0 0

5 3

5 3

5 3

7 3

7 3

7 3

0 0

4 5

4 5

4 5

4 5

4 5

5 5

5 5

7 5

3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

6 6 4

6 4 4

Verse Gtr. 3 tacet

A5

A,7

      



you’re on your own,

A6

A5

C5



     

 

worn through the pag

-

es.

C(#4)

C



      

O

-

ver the hill

and

C(#4)

   



through

the ag

G

  

 

-

Does

es.

Rhy. Fig. 2 *Gtrs. 1 & 2

End Rhy. Fig. 2

   

           

 

                         P.M.

        

4 0

4 0

2 3

P.M.

7 0

7 0

7 0

6 0

6 0

6 0

6 0

4 0

2 0

2 0

2 0

2 0

5 3

5 3

5 3

5 3

5 3

4 3

4 3

4 3

0 0 0

2 3

2 3

4 3

4 3

4 3

4 3

2 3

*Composite arrangement

Rhy. Fill 1

     Gtr. 3

End Rhy. Fill 1











9 7 0

Gtr. 3: w/ Rhy. Fig. 1 (last meas.)

Gsus4

      

      

my

 

G5

heav

 

- en

G6

D

         

burn

like

hell

 

on

Dsus4

   

D5



µ F5 F#5 B5



C5 G5 G#5 C#5

 



you?

Half

Gtrs. 1 & 2

     

                        P.M. 2 3

2 3

2 3

2 3

0 3 3

0 3 3

0 3 3

0 0

5 3

5 3

5 3

7 3

7 3

7 3

0 0

P.M.

4 5

4 5

4 5

4 5

4 5

5 5

5 5





7 5

0

          

0

3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

6 6 4

6 4 4

Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fill 1

A5

A,7



be - neath the cracks, they’re

A6

A5

   

com - ing in

waves.



C5

  



      

Roll

C(#4)

     -



ing like an earth - quake

C

C(#4)

     

un - der the pave - ment.

G

  



Where

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      

  



G5

 

now?

G6

D

 

      





they

 

Gsus4

Tell

me if

it’s

still

Dsus4

   

D5

A5

     



true.

You got

a

 

lot of

nerve,

Gtrs. 1 & 2

 

P.M.

2 3

          P.M.

                    2 3

2 3

0 3 3

2 3

  Gtr. 3

0 3 3

0 3 3

0 0

5 3

5 3

5 3

7 3



7 3

7 3

4 5

0 0

4 5

4 5

4 5

4 5

5 5



5 5

              

7 5

0 0

7 5



7 5

7 5

7 5

7 5



7 5



7 5



5



14



Pre-Chorus A5

Ab5

  

G5

Ab5



A5





Ab5





5

G5

  

oh.

             

Riff A *Gtrs. 1, 2 & 3

0 0 0 5

            

End Riff A

0 0 0 4

0 0 0

4

3

           

0 0 0

3

4

0 0 0

4

5

5

0 0 0 4

4

3

*Composite arrangement

Ab5

   





   

F5





   

Now

  Gtr. 3



      0 0 0

0 0 0

0 0 0

show

a

lit - tle

        Rhy. Fill 2A

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

8 10 10 8

10 10 8

10 10 8

Rhy. Fill 2                                

3

4

4

13

G5

 back

-



  

 

bone,

why don’t

you?

               

End Rhy. Fill 2A

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

Gtrs. 1 & 2

0 0 0 3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 0 0 4

4

0 0

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

12 12 10

                 5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

 

12 12 10

End Rhy. Fill 2

5 5 3

 

5 5 3

 

Chorus C5



 



I’m Rhy. Fig. 3A *Gtr. 4 (dist.)









 

 

 

look - ing

for

some

back

and

forth

with

F5

 

  



C5

you.





Are

you





 

feel - ing

the

same

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

mf

*Two gtrs. arr. for one. Rhy. Fig. 3 Gtrs. 1, 2 & 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

F5



 

 

 

 

 

as

I

do

now

and

D7

  

  

F7







now

                        

 

  

and

 

then?

            5 A  5 A  5 A  5 A  5 A 

End Rhy. Fig. 3A

1/4

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 4 5

10 X 8

10 X 8

10 X 8

  

 

 

 

 

 

 

                 

 

 

 

 

 

 

 

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

10 10 8 8

13 12 13

13 12 13

13 12 13

13 12 13

13 12 13

13 12 13

13 12 13

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Rhy. Fig. 3A



C5







I’m

   

look - ing

for some

5 4 5

10 9 10

5 4 5

10 9 10

5 4 5

5 4 5

10 9 10

10 9 10







back

and

forth

F5

5 4 5

10 9 10

5 4 5

5 4 5

1/2

10 9 10

10 9 10

   with

you.

10 9 10

10 X 8

10 X 8

10 X 8

        

C5

Are you feel - ing

the

same



F5

10 X 8

10 X 8

 

End Rhy. Fig. 3

13 12 13





 

as

I

do

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

To Coda

D7

 

down

and

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1 (last meas.)













 

F7



µ F5

 

F#5

B5

C5



G5 G#5



C#5



 



out?

3. Roll -

Verse

    

A5

A,7





-

path,

I’ve

ing my

A6

A5

C5

 

      wait - ed and wait

-

ed.

C(#4)

    



could sim - ple life

get

How

C

C(#4)

       so com - pli - cat

-

 

ed?

Rhy. Fig. 4

   

G

Shoes

End Rhy. Fig. 4

Gtrs. 1 & 2

            P.M.

7 0

7 0

7 0

6 0

6 0

6 0

6 0

                                         P.M. 4 0

4 0

4 0

2 0

2 0

2 0

2 0

5 3

5 3

5 3

5 3

5 3

4 3

4 3

4 3

2 3

0 0

2 3

2 3

4 3

4 3

4 3

Rhy. Fig. 4A

    Gtr. 3





       



7 0

5 3

  

to

 

Gsus4

fill,

se - crets to

 

 

   2 3

2 3

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 3



2 3

3 3



3 3

3 3

3

G6

  

 

P.M.

2 3

G5

    

        

2 3

2 3

End Rhy. Fig. 4A



      

0 0

   

D

spill

you.

  



 

down

            5

5 3



5 3

5 3

7 3

7 3



7 3

0 0

4 5

   4 5

5 3









5 3

   2 3

Dsus4

   

D5



µ F5 F#5 B5



C5 G5 G#5 C#5

 



Deer

        P.M.

4 5

4 5

4 5

   4 5

4 5

4 5

5 5



5 5

0 0

7 5

                       0

3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

6 6 4

6 4 4

                     3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

6 6 4

6 4 4

Gtrs. 1 & 2: w/ Rhy. Fig. 4 Gtr. 3: w/ Rhy. Fig. 4A

         A5

A,7

   

the head - lights,

spoke in

Gsus4

               tak - ing it

 

A5

You

G6

D

  

all

  

wheel.

G5

 

back,

the

   

C5





in

A6

my

I

O

    

won’t

 

    

C(#4)

pre

-

 

tend

You got a

        

 



3

5

P.M.

2 3

2 3

Gtr. 3

   2 3

2 3

2 3

3 3



3 3

3 3

5 3



5 3

5 3

7 3

7 3



7 3

0 0

4 5

4 5

4 5

4 5

        



7 4 5

2 3

 Coda

4 5

7 4 5

5 5

5 5

7 5

0 0

I’m

D.S. al Coda A5

 

lot of

nerve,

End Rhy. Fill 3

             

           P.M.

               

 

real.

Rhy. Fill 3

Gtrs. 1 & 2

 

for

     

U’s.

G

    

mean

D5

   

C(#4)

  

I

Dsus4



C

7 5



7 5

7 5

7 5

7 5



0 0



20

5

  

7 4 5

5

Interlude

µ F5 F#5 B5 C5 G5 G#5 C#5 Gtr 5. (dist.)

 



A,7

A6

             

15ma



A5 Riff B **Gtrs. 5 & 6 loco

A5

  

C5

     



 

f *fdbk.

1

X

1

1

10

10

10

9

9

9

12

12

12

11

11

11

9

1

7

7

7

5

9

9

9

7

1

0

8 10

Pitch: A *Microphonic fdbk., not caused by string vibration. **Gtr. 6 (dist.), played f. Composite arrangement

                      Gtrs. 1, 2 & 3

3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

6 6 4

6 4 4

Rhy. Fig. 5

 

 

 

 

 

   

 

 

 



    

7 0

7 0

7 0

6 0

6 0

6 0

4 0

4 0

4 0

2 0

2 0

6 0

2 0

0 0

5 3

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

 





C(#4)





  

1

8 10





C







  

1

8

8

8

7

7

7

10

10

10

9

9

9

9

 

 

 





5 3

5 3

5 3

5 3

4 3

4 3











   

1

12 14

 

 











5

7

7

7

7

7

9

9

9











2 3

2 3

2 3

4 3

4 3



    

2 3

G6









1

1

D End Riff B







12

12

12

13

13

13

13

15

15

15

17

17

7

14

14

14

15

15

15

15

17

17

17

19

19

9

 







 

 

 

   

 



2 3

2 3

2 3

2 3

3 3

3 3

3 3

0 0

5 3

5 3

5 3

7 3

7 3

0 0













Dsus4

  

1





D5



 



1

µ

F5

  

1

F#5

  

1

B5





C5

  

1

G5





 4 5

G#5





C5



7

7

8

8

10

6

7

7

8

8

9

9

9

9

9

10

10

12

8

9

9

10

10

11

11











4 5

4 5

4 5

4 5

5 5

5 5

End Rhy. Fig. 5

 0 0

 7 5





1

1

7

   

  1



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

0 0



8

14



 

7 9

12

14

 



1



1

5

0 0





5











1

G5





G





   

Sorgdal



7

Gsus4





1

    

   

C(#4)

 



 



 



 

3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

6 6 4

6 4 4

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 5 Gtr. 5: w/ Riff B

A5

   



Gtr. 6





A,7





1

 















14

14

12

12

12

16

16

14

14

14

















C(#4)

1





14







17

17

15

15

15

19

19

17

17

17











1

15 17

15

17

17

17









C5







1

10

10

10

10

12

12

12

12

C

   

17













17

19

19





17

19



19



  G



1

1

13

13

15

15

15

15

15

15

15

17

17

17

17

   



       G6



D



15

15

15

15

18

18

18

18







1

17



1

G5





C(#4)

0 0

13

1

15





1

19







12

1

17





10

Gsus4

 



A5

1

16

17 19



1

14



A6

  1

18

10 12

Gtrs. 1, 2 & 3: w/ Rhy. Fill 3

 

Dsus4



    Gtr. 6













1



D5









1



 











 



You

got

a

lot

of

















10

10

12

12

15

15

15

15

15

15

12

12

14

14

17

17

17

17

17

17

   













  

1

7 9

 

nerve,





1

10 12

Gtr. 5

A5









1

 



























1

7

7

7

8

8

10

10

10

10

10

10

10

9

9

9

10

10

12

12

12

12

12

12

12

Pre-Chorus Gtrs. 1, 2 & 3: w/ Riff A (4 times) Gtrs. 5 & 6 tacet

A5

G5



A5





Ab5



G5



Ab5



A5









Ab5



  

Ab5

oh.

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

Ab

Nerve,

    

      

Gtr. 4

6 X 4

5 X 3

  



    

5 X 3

4 X 2

A



5 X 3

 

  

 

6 X 4

6 X 4

5 X 3

G

  

oh.

      

4 X 2

Ab

       5 X 3

Ab

  



    

5 X 3

4 X 2





  

Ab



    

G

      

4 X 2

5 X 3

  

5 X 3

6 X 4

Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Fill 2 Gtr. 3: w/ Rhy. Fill 2A Gtr. 4 tacet

  

F5



Gtrs. 1, 2 & 3: w/ Rhy. Fig. 3 (3 times) Gtr. 4: w/ Rhy. Fig. 3A (3 times)

G5

   

Now

show a



lit - tle

back - bone,

F5

 

 

back

and

forth

F5







 

 

 

 

as

I

do

now

and

  

Are





you

feel - ing

    

the

look - ing

  

  

F7



now



F5

same

 

 

back

and

forth





   

I’m

look - ing for some

  

and

C5

then?

    with

 

 

 

 

 

as

I

do

now

and

D7

    





  

I’m

look - ing for some back

and

forth

with you.

Fsus2



F5

for some



C5

then?

   

D7

     

you.

and

I’m

 

C5

  

you?



now Gtr. 6

with

  

  

F7



  

why don’t

   

you.







C5

 



Are you feel - ing the same



 

  



            C5



        

C5

Are you feel - ing the same

               

               

               

15 13 12

13 13 12

15 13 12

P.S.

X X X

Fsus2



13 13 12

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

15 13 12

15 13 12

D7

15 13 12

15 13 12





 

 

 

as

I

do

down

and

              13 13 12

14 12 11

13 13 12

13 13 12

13 13 12

15 13 12

13 13 12

15 13 12

15 13 12

15 13 12

10 10 11

10 10 11

10 10 11

10 10 11

10 10 11

13 13 12

13 13 12

13 13 12

15 13 12

13 13 12







15 13 12



15 13 12

15 13 12

15 13 12

15 13 12

15 13 12

15 13 12

15 13 12

Gtr. 6 tacet

µ F5 F#5 B5 C5 G5 G#5 C#5

 



out?

                  0 0

13 13 12

F7







 

10 10 11

10 10 11

10 10 11

                13 13 14

13 13 14

13 13 14

13 13 14

13 13 14

13 13 14

13 13 14

13 13 14

Gtrs. 1, 2 & 3

                   3 3 1

4 4 2

4 2 2

5 3 3

5 5 3

6 6 4

6 4 4

from Foo Fighters - Wasting Light

A Matter of Time Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

F#5

G5

134

E5

134

11

Intro Moderately fast q = 172

µ

      

Gtr. 1 (dist.)

mf

E5

F#5

Rhy. Fig. 1 **Gtrs. 1 & 2

 



 

  

 

   

9 9 7

9 9 7

G5 F#5 E5 End Rhy. Fig. 1



       

0

4 4 2



 

 

  

*fdbk.



X

0 0 0

9 9 7

0

0

0

9 9 7

5 5 3

4 4 2

2 2 0

0

9 9 7

0

9 9 7

0

Pitch: E *Microphonic fdbk., not caused by string vibration. **Gtr. 2 (dist.), played mf.

F#5

    Gtr. 3 (dist.)

G5



F#5

E5





mf

17

       

0

Gtrs. 1 & 2

9 9 7

9 9 7



       

0

4 4 2

5 5 3

4 4 2

2 2 0



0

  9 9 7

  9 9 7

  

0

0

  

0

0

 

   

9 9 7

9 9 7

 

   

9 9 7

9 9 7

9 9 7

9 9 7

F#5

G5

F#5

E5



       

0

4 4 2



       

0

4 4 2

5 5 3

5 5 3

4 4 2

4 4 2

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

2 2 0

2 2 0

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

µ

  

Rhy. Fig. 2

End Rhy. Fig. 2

 

Gtrs. 1, 2 & 3





9 9 7

0





0

0

 

 

 

9 9 7

9 9 7

9 9 7





0

Verse Gtrs. 2 & 3 tacet

   

E





  

change

the

sub

 1. Let’s

            Gtr. 1

G#5/D#







- ject

to

some

 -

  

 

You know,

late -







one

else.

Rhy. Fig. 3

       

       

       

6 7

6 6

6 6

P.M.

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

D5

6 6

6 6

6 6

6 6

6 6

6 6

6 6

6 6

6 6

6 6

A/C# Gtr. 2

  

-

ly



I’ve

been

           

  





sub

- ject

to

  

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

6 6

G5 F#5 E5

   





change.

               

7 5

6 6

End Rhy. Fill 1

   



               

            

7 4

7 4

P.M.

7 5

6 6

*F#5 Rhy. Fill 1

   

6 6

7 5

7 5

7 5

7 5

7 4

7 4

7 4

7 4

7 4

7 4

7 4

7 4

7 4

4 4 2

0 0

5 5 3

4 4 2

0

*See top of first page of song for chord diagrams pertaining to rhythm slashes. Gtr. 2 tacet

      C

  



Nor

E

- mal - ly

 











I

reel

in

the

strange

                     









hang

-

o

-

       

       

6 7

6 7

P.M.

2 3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

2 3

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

  

*A'9



Gtr. 3







-

vers,



Riff A1







Am%











I’m

old

-







   Gtr. 2

9

11

0

Riff A







0

0

0





9

11







0

0

9

11

                           9 11 0

9 11 0

9 11 0

9 11 0

9 11 0

9 11 0





11

0





11

0



10

End Riff A





0

0

11

10

0







11 14

                                             

P.M.

9 11 0

9







0

0

11

10





End Riff A1

End Rhy. Fig. 3

Gtr. 1

9 11 0

0





0

let ring

0

er.



w/ clean tone & amp tremolo let ring



  

9 11 0

9 11 0

9 11 0

9 11 0

9 11 0

9 11 0

9 11 0

9 11 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

11 10 0

16

*Chord symbols reflect overall harmony.

Verse Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.) Gtr. 3 tacet

    E

2. You’re

D5

   







one

to

talk.











that

keeps

on

tick

C

count - ing

-



heart





ing

a







  

down

to

det

-



is

a

clock

just

like

a

way,





-

nate.











5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3



You

5 3

will End Rhy. Fig. 4

       

        

9 7

9 7

P.M.

5 3

bomb



Rhy. Fig. 4

5 3

 

  





E

o



F#5 G5 F#5 E5



                    Gtr. 2



A/C#

   -









The

  

    



G#5/D#

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3: w/ Riffs A & A1







need

    

E'9







an

ar

Am%





-

       

   

   

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

Rhy. Fill 2

   

 



   

   

   

   

   

    

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 11 9 11 0

0 0 11 9 11 0

if



it

does

0 11

0 9

0 11

0 9

0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

0 0 9 10

0

11

- n’t

mat - ter

0 11

0 9

0 11

0 0 9 10

0

11 11 9 9 11 11 0 0

9



               

Sorgdal

       



  

                   0 9



0 0 11 9 11 0

to

sum - mon





It

does



  

- n’t

mat - ter

  

 

much

to

me

       

       

0 9

0 9

0 11

0 9

0 11

0 9

0 11

0 9

0 11

0 11

0 9

0 11

0 9

0 11

0 9

0 11

                      0 0 9 10

0

17

  

 

much

to

E'9



0 0 9 10

0

  

0 0 9 10

0

0 0 9 10

0 0 9 10

0



0





     

0 0 11 9 11 0

  

17

End Rhy. Fill 2A

let ring

0 0 11 9 11 0

End Rhy. Fill 2

   

              





 Pre-Chorus Am('9)



Rhy. Fill 2A

       Gtr. 2



my

me.

Gtr. 1





   

A'9

you,

       

       

       

0 9

0 11

0 11

0 11

    0 0 9 10

0 0 9 10

0 9



0

0 11

0 9

   0 0 9 10

0 11



0

0 9



0 11

0 13

0 11

0 13

0 11

0 13

0 11

0 13

            

0

0 11 9 11

0

0 11 9 11

0

0 13

    0 11 9 11

0 11 9 11

0 11



0

0 13

0 11

   0 11 9 11

0 13



0

0 11



0 13

   

  

Am('9)









oo.

                   0 11

0 13

0 11

0 13

0 11

0 13

0 11

0 13

                 0 11 9 11

0

0 11 9 11

0

      if



it

does

  

*Gtr. 4 (dist.)

It

does



  

- n’t

mat - ter

  

 

much

to

me

       

       

0 11

0 9

0 9

0 13

    0 11 9 11



  

- n’t

mat - ter





           

0 11 9 11

0



0 11



0 13

0 11

   0 11 9 11

0

0 13



0 11

0 13

0 0 9 10

0

0

 

much

to



0 9

0 11

0 9

0 11

0 9

0 11

           



  



0 11

0 0 9 10

0

    0 0 9 10

0

E'9



0 11

0 0 9 10

0 9



0 11

0 9

0 11

   0 0 9 10

0

B5

   



0 9

0 11



0

C#5



you.

mf



    

12

0

4 X 2



  6 X 4

     7 X 5

 

 

9 X 7

11 X 9

 

 

4 X 2

6 X 4



*Doubled throughout

   Gtr. 3





                   Gtr. 1

0 9

0 11

0 9

0 11

0 9

0 11

0 9

0 11

                Gtr. 2

0

0 0 9 10

0

0 0 9 10

0





       

       

    

0 9

0 11

0 11

0 11

    0 0 9 10

0 0 9 10

0 9

 0

0 11

0 9

   0 0 9 10

0 11

 0

0 9



0 11

0 13

0 11

0 13

0 11

0 13

0 11

0 13

             0

0 11 9 11

0

0 11 9 11

0

0 13

    0 11 9 11

0 11 9 11

0 11

0 13

0 11

   

 

9 X 7

11 X 9

0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  Chorus

   

D









It’s

just

a

mat

-

  



ter

time

of

A'9/C#



be

                    Gtr. 4

 -







fore,

be

 -



fore.

Riff B

12 X 10

12 X 10

12 X 10

               

                11 X 9

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

11 X 9

Rhy. Fig. 5A

     

  

  

  

  

  

  

     

  

  

  

  

  

  

  

                               

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

0 0 6 7 4

Gtr. 3

7 7 7 5

                    Gtrs. 1 & 2

11 X 9

11 X 9

0 0 6 7 4

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

0 0 6 7 4

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

11 X 9

0 0 6 7 4

0 0 6 7 4

11 X 9

0 0 6 7 4

11 X 9

0 0 6 7 4

Rhy. Fig. 5

12 12 10

12 12 10

C

   

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10









It’s

just

a

mat

12 12 10

-

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10



ter

time

of

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

     

 

 

 

 

 

 

    

 

 

 

 

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

10 X 8

10 X 8

10 X 8

End Rhy. Fig. 5A

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

12 9



12 9

12 9

 -

12 9

12 9



12 9

12 9

12 9

fore,

be

12 9

B5





12 9



fore. End Fill 1

9 X 7

9 X 7

11 X 9

9 X 7

9 X 7

Rhy. Fill 3A

5 5 5 3

5 5 5 3

0 0 1 2 2 0

12 9

C#5



-

12 9

 

5 5 5 3

10 10 8

12 9

         

    

10 10 8

12 9

               

 

10 10 8

12 9

Fill 1

 

End Rhy. Fig. 5

10 10 8

12 9

be

                    10 10 8

               



End Riff B

10 X 8

               

E

  

                   

Sorgdal



   0 0 1 2 2 0

Rhy. Fill 3

   0 0 1 2 2 0

9 X 7

   0 0 1 2 2 0

9 X 7

   0 0 1 2 2 0

9 X 7

   0 0 1 2 2 0

9 X 7

   0 0 1 2 2 0

9 X 7

   0 0 1 2 2 0

   0 0 1 2 2 0

9 X 7

   0 0 1 2 2 0

9 X 7

   0 0 1 2 2 0

9 X 7

9 X 7

     0 0 1 2 2 0

4 X 2

  

  

  

  

  

  

  

  

  

  

  

    

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 X 7

End Rhy. Fill 3A

  6 X 4

End Rhy. Fill 3

  11 X 9

Gtr. 3: w/ Rhy. Fig. 5A Gtr. 4: w/ Riff B

   

D

  









And

though

I

hate

to

re

A'9/C#

 -



wind

                                   





be

-







fore,

be

 -



fore,

Gtrs. 1 & 2

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

               

               

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

12 9

To Coda 1  To Coda 2 

C









it’s

just

a

mat

-

  



ter

time.

of

                                 10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

14





Gtrs. 1 - 4



  9 9 7

0

F#5

   0

0

G5 F#5 E5





   

E5

 

   

9 9 7

9 9 7

9 9 7



        

0

4 4 2

5 5 3

4 4 2

2 2 0

Verse Gtr. 1: w/ Rhy. Fig. 3 (2 times) 1st time, Gtrs. 2 & 3 tacet 2nd time, Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.)

     

E

4. Do





3. My - ing

     

past my





*Gtr. 5 (clean)

 is time

   get





G#m/D#

 - ting for







us

no line





 -

 where af -





 ter

fast, line.







 When





  

 

I was will I

nev learn





mf

 

w/ amp tremolo let ring throughout

7

9

9

9

9

9

0

9

8

9

7

9

8

0

9

9

*12-str. elec. 1st time, Gtr. 2: w/ Rhy. Fill 1

   

D6

-

     7

   er to

 10

one sing

 for these

 7

 10

   tak cramps

 7

 ing to

 10

 things my -

 0

  

A/C#











F#5 G5 F#5 E5



slow. self?

 10

 6

5

5

 5

 6





5

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2nd time, Gtr. 2: w/ Rhy. Fig. 4

    

C6

E







No - where seems Pris - on - ers

    





some - where share a



5

5

5

like to







5

to





 

go. cell





 Come I’m

with.



0

5

5





5







4

5

4





5



 0

5

4



o hold -

 5

1. Gtrs. 2 & 3: w/ Riffs A & A1 Gtr. 5 tacet

  

A'9

 -



Am%





ver ing,

and still



o hold

-









ver. ing,

2.

D.S. al Coda 1

Gtrs. 1 & 2: w/ Rhy. Fills 2 & 2A

   

 hold

 Coda 1

 

ing

you

in.

E

 

















    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

   

   

   

   

   

   

   

   

   

   

   

   

   

   

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

0 0 9 9 7 0

  

  

  

  

  

  

  

  

  

  

  

  









0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

2

3

2

0

Gtr. 4

         Gtrs. 1 & 2

  Gtr. 3

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







-

 

E'9

Bridge Gtrs. 3 & 4 tacet

  

Am('9)

      

Where

the

                     0 0 0 17 17 17

        0 0 9 10 0

E'9

    

0 16

0 16

0 0 14 14

              

Gtr. 2

 

0 16

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

  

0 0 9 10 0

0 0 9 10 0

0 0 11 9 11

hell

were



               

0 14

0 17

0 14

0 17

0 17

0 17

0 16

0 16

0 14

0 14

0 17

0 16

0 16

0 16

0 14

                                          0 0 9 10 0

0 0 9 10 0

0 0 9 10 0



0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0





0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

  

0 0 9 10 0

0 14

0 17

0 17

0 17

0 16

0 16

0 14

0 14

                       

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

  

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0





Oo.

         

      

 

           

you?

0 0 16 16



                 

Gtr. 1

 



0 16

0 14

0 14

0 14

0 0 13 13

     0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

               

               

                 

0 13

0 0 0 16 16 16

0 13

0 16

0 16

0 16

0 14

0 14

0 13

0 13

         0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 14

0 14

0 13

     0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 13

0 16

0 16

0 16

0 14

0 14

0 13

0 13

 

         0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

0 0 11 9 11

 

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Am('9)

  

     

Where

the

               Gtr. 1

0 17



0 17

0 17

0 16

   Gtr. 3

0 16

0 16

0 14

0 14



 

hell

were



                               

               

0 14

0 14

0 0 17 17

0 17



0 16

0 16

0 14

0 14

0 17

0 17

0 17

0 16



0 16

0 16

0 14

0 14

0 17

0 17

0 17

0 0 16 16

Fill 2



0 14

0 0

End Fill 2





17

        Gtr. 2

0 0 9 10 0

  

  

  

  

  

  

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

   0 0 9 10 0

     

  

  

  

  

0 0 0 0 9 9 10 10 0 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

   0 0 9 10 0

  

  

  

  

  

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

   0 0 9 10 0

  

  

   

0 0 9 10 0

0 0 9 10 0

0 0 9 10 0

D.S.S. al Coda 2 Gtrs. 1, 2 & 3: w/ Rhy. Fig. 1

E5

    

Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2



F#5 G5 F#5 E5





B5



C#5



you?

   Gtr. 4

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









 

 

9 X 7

11 X 9

 Coda 2

E

B5

  











   

C#5

D









  

  

What

does

it

mat - ter

now?

   

Riff C2

Gtr. 7 (dist.)



                               



mf

7 X 5

  

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

Riff C1

Gtr. 6 (dist.)







  mf 0 0 0

                  Gtr. 4

9 X 7

9 X 7

9 X 7

9 X 7

                Gtr. 3

0 0 1 2 2 0

0 0 1 2 2 0

9 X 7

9 X 7

9 X 7

9 X 7

         

 

9 X 7

11 X 9

9 X 7

9 X 7

9 X 7

9 X 7

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

                9 X 7

12 12 12 X X X 10 10 10

11 11 X X 9 9

9 X 7

9 X 7

Riff C

                               

12 12 12 12 12 12 12 12 X X X X X X X X 10 10 10 10 10 10 10 10

12 12 12 12 X X X X 10 10 10 10

12 12 12 X X X 10 10 10

12 X 10

  

  

  

  

  

    

 

 

 

 

 

 

 

 

       

 

 

 

 

 

6 X 4

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

            

  

  

  

  

  

  

  

  

    

 

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

9 9 7 0

11 X 9

9 9 7 0

9 X 7

7 X 5

  

0 0 1 2 2 0

9 9 7 0

9 X 7

7 X 5

  

0 0 1 2 2 0

9 9 7 0

12 12 12 11 11 11 X X X X X X 10 10 10 9 9 9

Rhy. Fig. 6A

0 0 1 2 2 0

Gtrs. 1 & 2

               

7 X 5

4 X 2

9 X 7

7 7 7 5

7 7 7 5

7 7 7 5

Rhy. Fig. 6

                               

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10

12 12 12 12 12 12 12 12 10 10 10 10

12 12 12 12 12 12 10 10 10

12 12 10

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A'9/C#

   







  

  

What

does

it

mat - ter

now?

                   9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

                 11 X 9

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

7 X 5

7 X 5

                  

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

                    0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

           

12 9

12 9

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12 9

12 9

12 9

12 9

12 9

12 9

A5

B5

  

         

 

9 X 7

11 X 9

9 X 7

9 X 7

9 X 7

9 X 7

         

 

7 X 5

9 X 7

11 X 9

11 X 9

11 X 9

7 X 5

C



   



                12 X 10

12 X 10

12 X 10

11 X 9

11 X 9

11 X 9

9 X 7

9 X 7

                10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

9 X 7

7 X 5

7 X 5

               

End Riff C2

9 X 7

12 X 10

12 X 10

12 X 10

11 X 9

11 X 9

9 X 7

9 X 7

End Riff C1

                7 X 5

10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

7 X 5

7 X 5

End Riff C

         

 

11 X 9

9 X 7

11 X 9

11 X 9

11 X 9

7 X 5

              0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

0 0 6 7 4

7 X 5

  9 X 7

                               

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

 

 

 

 

 

 

 

    

 

 

 

 

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

5 5 5 3

10 X 8

10 X 8

10 X 8

End Rhy. Fig. 6A

 

 

 

5 5 5 3

5 5 5 3

5 5 5 3

End Rhy. Fig. 6

         

 

7 X 5

9 X 7

12 9

12 9

12 9

12 9

               

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

Gtrs. 1 & 2: w/ Rhy. Fill 3 Gtr. 3: w/ Rhy. Fill 3A Gtr. 4: w/ Fill 1

E

B5

     

 

 

 

 

 

 

 

 

13 X 11

13 X 11

13 X 11

11 X 9

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

    

 

 

 

 

 

 

 

 

9 X 7

9 X 7

9 X 7

7 X 5

7 X 5

7 X 5

6 X 4

6 X 4

6 X 4

Gtr. 7

Gtr. 6

Gtrs. 1 & 2: w/ Rhy. Fig. 6 Gtr. 3: w/ Rhy. Fig. 6A Gtrs. 4, 6 & 7: w/ Riffs C, C1 & C2







What

does

it

D

   

    



 

mat - ter



A5

 



 

mat - ter

   B5



 

 

 

 

 

13 X 11

13 X 11

13 X 11

13 X 11

14 X 12

 

 

 

 

 

9 X 7

9 X 7

9 X 7

9 X 7

11 X 9

   



now?







What

does

it

A'9/C#



now?

C

C#5









It’s

just

a

mat

 -



ter





of

time.

Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)

Gtr. 3: w/ Fill 2

E5

F#5 G5 F#5 E5

    







F#5 G5 F#5 E5







Gtr. 3: w/ Rhy. Fig. 1 (2 times)

F#5 G5 F#5 E5















F#5 G5 F#5 E5















   



Screamed: Time.

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Foo Fighters - Wasting Light

Miss the Misery Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear E5

Em7

G5

A7sus4

D5

E5 VII 5fr

1

12 34

2

34

1 34

C5

B5

134

134

7fr

134

134

Intro Free time

Em

  

Gtr. 1 (dist.)

     

        

  

 

        

G(b5)

   



mf

*

1/2

w/ slow amp tremolo

0 0 0 2 2 0



  

** Em7

3 3 0

1/2

3 3 3 3 2 2

3 3 0

3 3 0

3 3 3 3 2 2

amp tremolo off

3 3 0

3 2 0

**Chord symbols reflect basic harmony.

*Fade in

Moderately q = 120 Em7

   Gtr. 1











5

2 0



     

0 3

2 0

3 3 3 0 2 2

3 0 2 0

2 0

0 3

0 2 2 0



    

        

  







0 3





 oh.)

              

Riff B

12 X 10

2 0

     

(Oh, Gtr. 1

17

0

End Riff A

Gtrs. 2 & 3: w/ Riff A (2 times)





                                                               mf 1/2 1/2    

Riff A Gtrs. 2 & 3 (dist.)

  





11 X 9

9 X 7

7 X 5

 

End Riff B

      5

0

5

7

7

0

3 3 3 0 2 2

2 0

2 0

             

               12 X 10

11 X 9

3 0

9 X 7

7 X 5

  

 

2 0

0 3



0 2 2

0



      5

0

5

7

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

7

0

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse



Gtrs. 1, 2 & 3 tacet

* E5

Em7

Rhy. Fill 1A Gtrs. 2&3

 1. If

Rhy. Fig. 1 Gtr. 4 (semi-clean)





I

had

     

  

  

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 0 X 3

mf







my

   







way,

A7sus4







if

I

had

  

   

 

 

 

 

  

  

  

3 3 0 2 0

3 3 0 2 0

3 3 0 0

3 3 0 2

3 3 0 2

3 3 0 0

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 0 X 3

           Gtr. 1





  

G5

Em7

End Rhy. Fill 1A

Rhy. Fill 1







  

to

   





lose,

End Rhy. Fig. 1

  

   

 

 

 

 

3 3 0 2 0

3 3 0 2 0

3 3 0 0

3 3 0 2

3 3 0 2

3 3 0 0

End Rhy. Fill 1



0 0 0 2 2 0 *See top of first page of song for chord diagrams pertaining to rhythm slashes.

Gtr. 4: w/ Rhy. Fig. 1

  

G5







would - n’t

 

A7sus4



take

 

back

Em7

 



one

G5

 

thing.







Nev - er

had

much



A7sus4

Em7





to

choose.





Gtr. 4: w/ Rhy. Fig. 1 (3 1/2 times) 2nd time, Gtr. 1: w/ Rhy. Fill 1 2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1A

G5



Then 2. What

  



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



it a

dawned nice

G5



like a Nev - er

2





cold worked



 

A7sus4





on long

A7sus4

Em7











   

Em7

me, leash,



 

sky for

rain me



G5



com - ing what a

Em7



down nice

G5

 



-

ing but









un - der a sure would look





A7sus4





on tight

burn - ing good on

moon. you.





you noose.

A7sus4

  

Em7

  

Em7

 







  Been



wait



Gtr. 3



G5

   -





ing

all



A7sus4



 your

Em7





 

life,





 

 

your

wish

is

 

 

3 3 0

3 3 2



 

 

A7sus4

com

-

ing

 

 

 

Em7

D5

E5 VII



true.

   

 

 

G5

1/2

3 3

3 3 0

2

         

        

Gtr. 2





 0 0 0 2 2 0

G5

A7sus4

Em7

Gtr. 4

    Bless



   

                your

heart

for

beat

-

    

Em7



    



in’

   

G5

me

  

 

  

right

A7sus4

          

out

of

D5

    w/ dist.





you.

 

 

 

 



(cont. in slashes) 1/2

3 3 0

         





 0 0 0 2 2 0

3 3 0

3 3 2

3 3 2

3 3 0

7 7 5 5

     

9 9 7 7

9 9 7 7

7 7 5 5

        7 7 5

9 9 7

9 9 7



7 7 5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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Pre-Chorus C5

D5

E5 VII

B5

                               

End Rhy. Fig. 2

Rhy. Fig. 2 Gtrs. 3&4

   

  

  

    



Miss the

mis

-

               Gtr. 2

9 X 7

9 X 7

9 X 7

9 X 7

er

-





y,

  

  

need a

rea

  





Need a

9 X 7

9 X 7

9 X 7

Chorus

       

Csus2

  

9 X 7

9 X 7

D5

9 X 7

9 X 7

9 X 7

E5

rea

-

  

Don’t

a

8 X 6

son



to

ex re

  -



  

 

plain, frain,



so turn

it

8 X 6

8 X 6



B5

8 X 6

  

on

a - gain.

           

               

            

9 X 7

9 X 7

11 X 9

  D

9 X 7

9 X 7

 

  

change

9 X 7

  

your

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

       

Em7

    

mind.

11 X 9

  

You’re

11 X 9

11 X 9

12 X 10

12 X 10

12 X 10

wast

-

  

in’

light.

End Rhy. Fig. 3

        3 3 0 X 3

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

       

 

B5

Rhy. Fig. 3 Gtrs. 2, 3&4

3 3 0 X 3

change.

9 X 7

9 X 7

      

9 X 7

for

9 X 7



             

son

                       



   

  

-

   

    

           

Gtrs. 3 & 4: w/ Rhy. Fig. 2

C5

    

3 3 0 X 3

 

 

 

 

 

 

 

 

 

 

 

 

 

  

  

  

  

  

  

  

  

               

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

3 3 0 X 3

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

2 3 2 0

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 2 2 0

3 3 0 2 2 0

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3 (1st 2 meas.)

Csus2

   

 



       

  

  D

Get



Gtr. 1



 

 

in

  

and

 



let’s

Fill 1









5

Gtr. 1: w/ Riff B (1 1/2 times) Gtrs. 2 & 3: w/ Riff A (1 1/2 times)

 

    

Em7

go,

       

  





  

     





   



   

     

7 5



Gtr. 3



 2 0



Gtr. 2



 2 0

    





5

        0

3

2 0

        0

3

2 0

0

5

7

7

0

   

0

2

2

0

   

0

2

2

 

0

     

D5/A



         

5

5



     

2 0

2 0

Rhy. Fill 2A

        

End Rhy. Fill 2

7

Rhy. Fill 2B

 



   



0

D5/A E5/B

Rhy. Fill 2

Gtr. 1



17

2.

 

 

   



go.

1.





       

End Fill 1

3

2 0



     

2 0

2 0

3

2 0

0

7 7 5

 

9 9 7

 

9 9 7



7 7 5

End Rhy. Fill 2B

 

 



(cont in slashes)

7 7 5 5

9 9 7 7

9 9 7 7

7 7 5 5

End Rhy. Fill 2A

        7 7 5

9 9 7

9 9 7



7 7 5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bridge Gtr. 1 tacet

C5 Gtr. 3

  





   



  



D5

             



  



Miss the

mis

-

                   Gtr. 2

9 X 7

9 X 7

9 X 7

C5

       

9 X 7

9 X 7





9 X 7

9 X 7











  

  



Miss the Gtr. 4

9 X 7

mis

er

-

E5 VII

  





y,





  

B5



                     

      

give me

rea

-

son

for

a

change.

               

                               

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

D5

             

-

er

-

9 X 7

9 X 7

E5 VII

  

9 X 7





9 X 7



  



y,



9 X 7

9 X 7

9 X 7

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

8 X 6

B5



                     

      

give me



8 X 6

rea

-



son

to



re - frain.

   



5

                  Gtr. 2

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

               

               

               

9 X 7

9 X 7

11 X 9

9 X 7

Gtr. 3: w/ Rhy. Fig. 3 (1 1/2 times)

   

Csus2

 



  





Miss your







Riff C

12

   

 12



9 X 7

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 12

  9 X 7

 12



 12

  9 X 7

 12



12

mis

 12

  9 X 7

 12



9 X 7

9 X 7

D

9 X 7

9 X 7

 



-

er



14

  9 X 7



13



9 X 7

9 X 7

  -



14

  9 X 7



9 X 7

9 X 7



y



13



9 X 7



9 X 7

9 X 7

9 X 7

9 X 7

11 X 9

11 X 9

14

  9 X 7



13





14

  9 X 7

11 X 9

11 X 9

11 X 9

Em7







 



to - day.



11 X 9



13



  





Miss your

 12

  9 X 7

 12



 12

  9 X 7

 12



 12

  9 X 7

 12



11 X 9

mis -

 12

  9 X 7

 12



B5

     

     -





er

-

y

10

11

11

10

11

10

10

 D

 

  

  

to - day.

       

11

Csus2

Come on

and

turn

  

 

it

a - gain.

on

       

     

12

14

12

13

13

12

13

12

13

14

15

15

14



End Riff C *Gtrs. 1 & 4





15 17 *Played by Gtr. 4 only when recalled.

  

  

  

               

             

11 X 9

11 X 9

11 X 9

12 X 10

14 X 12

    

11 X 9

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

12 X 10

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12



14 X 12

Interlude Em7

   

    



Gtrs. 1 & 4









          

**w/ octaver 1

 

1

1



 

1

5

5

8

10

5

7

7

10

12

7

  

1

7



 

1

1

12

8

10

14

10

12





**Set for one octave below.

  

Gtrs. 2 & 3





2 0

2 0



 

 

     1/2

3

2 0

0

2

2





2 0

2 0



 

 

     1/2

0 3

2 0

0

2

2

0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





 



 



1



      







1

1

5

8

10

5

7

7

10

12

7

 

 

2 0

2 0



     

0

2 0

Bb5

 

 



C5

F5



 

 

2 0

2 0

1

8

10

14

10

12

1

10



  

 



  0

2 0

C5



 



1/2

3

E5

1

1

12

   

G5

*

2



   

0

2







2



1

7

1/2

3

E5

1

  

 

 

1

5





D5

G5









2

0

2

A5

1

12

5

*Vol. swells





 

   

2 0

2 0

   

8 6

10 8

Em7





 





 

1





 

 

10 8

12 10

12 10

10 8

       1

5

8

10

5

7

7

10

12

7





2 0

2 0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

 

     1/2

2 0

 

2 0

2 0



0

2

2

 

   

10 8

12 10

 

1

5

  

 

 



1

8

Sorgdal

   







2 0

2 0

1

8

10

14

10

12

0 3

12 10

14 12

14 12



12





12 10

1

 



   

1

7

   

 





 octaver off

      1/2

2 0

0

2

2

0

Chorus Gtr. 1 tacet Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 1/2 times) Gtr. 4: w/ Riff C (1st 4 meas.)

       

Csus2

   

  

Don’t

Gtr. 4: w/ Riff C

Csus2

 

change

     





Don’t

B5



make

 

this

  D



Em7

       

right.



Gtrs. 1, 2 & 3



 2 0





 2 0

             

        2 0

3

2 0

        2 0

3

ed

light.

   Don’t

Gtr. 1: w/ Fill 1

  D

 

in

 

  

  

and



let’s

2 0

   

       



go.

     1/2

0

2



      

0

2

     1/2

2

2

    

       

2 0

0

       



2 0

2 0

        2 0

3



     1/2

0

2 0

3

0

D5/A E5/B D5/A

 

Outro Em7



-

  

Gtrs. 1, 2 & 3: w/ Rhy. Fills 2, 2A & 2B



go,

wast

right.

  

Get

 

       

 

B5

Em7



this





  

     

  

make



  

You’re

 

Gtr. 1: w/ Riff B (1 1/2 times) Gtrs. 2 & 3: w/ Riff A (1 1/2 times)

     

    

mind.

Csus2

  

   

your

  



  

  

 

       

Em7

 

   

  D

2 0

2

0

2

     1/2

0

2

2

0

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Foo Fighters - Wasting Light

I Should Have Known Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear

Intro Moderately fast q = 115

µ

   

(Strings)



8 sec.

*Gm Gtrs. 1 & 2 (slight dist.)

  

mf

    

    

  

    

  

w/ fingers let ring



0 1

3

0

0

3

1

3

3

1

0

0

3

3

1

1

3

0

3

1

3

*Chord symbols reflect overall harmony.

      

  

1. I

 

  

let ring

3

Cm6

  

3

known

that



 

1

1

  

 

there was

3

 

no

         

it would

3

1

2 3

1

3

1

   

    way.

   

3

1

2 3

3

1

Am7b5

oth - er

Did

   

1

way.

3

1



should have

   -



0 3

     

n’t

hear



let ring

1



0

3

 

0

I

   

  

1

let ring

3

end this

0

0

3

   

        

  

    



0

3



known

Riff A

0

  

         

should have

    0

1

Verse Gm

your

warn -

      2

0

 

1

0

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

0

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb

Cm7

       -

 

 

ing.



Damn,

 

  

  



let ring

3

0

1

F'9

0

1

1

0

my

   

 

heart

deaf.



  

    

let ring

3

1

3

gone

1

3

I

let ring

2 0 3

1



should have

  

  

0

3

     



End Riff A





0

3

1

1

Gtrs. 1 & 2: w/ Riff A

Gm

  



 







known,









look

at

the

shape

  







you’re

  



in.





I

should

 have

Gtr. 3 (dist.)



mp

5







   

but

I

dove

right

Cm6

   





known,



  

 in.





  



One



thing

  



 

is

for

cer -



6

5

Bb

    





Cm7

  

tain

as

  



5

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Am7b5

6

 

  

I’m

stand

 -

 ing

F'9





  

here,



    I



3









should have



Pre-Chorus Gtr. 3 tacet

Gm

  

F'9/A

Bb



C







Gm7/F





known. Riff B

  Gtr. 1

                   let ring  let ring  let ring  let ring let ring 3

  Gtr. 2

1

0

0 5

3

0

0 6

0

5

0 8

  

  

8

0

0

 

0

7

8

0

0

0 8

 

End Riff B

 

8 0

0

8

8

Riff B1

3

                let ring  let ring let ring

0

0

5

3

3

0

6

3

5

0

3

0

3

1

0

2

3

2

3

        

3

3

2

0

2

3

Riff B2 Gtr. 4 (dist.)

 





3

5

6

mf

Gtrs. 1 & 2: w/ Riffs B & B1 Gtr. 4: w/ Riff B2 (2 times)

Gm

F'9/A



Gm

     

5

8

8

one



C

3

 

0 5

3

0

  



last

0 6

5

0





mine.

C

   

  

   



time.

Though I

                   let ring  let ring  let ring  let ring let ring 0

  

  

Gtr. 1

1

0

3



   





  

Gm7/F



me



in

Bb

  

Heal



hands

F'9/A



Gm7/F



your

 

   

Bb

  

Lay

 

3

End Riff B2



  

0

End Riff B1

          let ring let ring 1

 

0

0

8

 

  

8

0 8

7

8

  

8

0

0 8

  

 

0 8

can -

0

0 8



8

Gtr. 2

         let ring  let ring 3

1

0

0

5

3

3

0

                let ring  let ring let ring 6

5

3

0

3 1

0

3

3

2

0 3

2

3

         3

2

0 3

2

3

0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus

Eb

  



not

for

  Gtr. 1

  

   -

let ring

0

5

6

 

give you

 

Gm

  

No, I

4 5



0

5

6

  

can - not

for

  

3

0

0

 



4

0

0





  



0 6

3

5 3

0

11



11

    

Leave

my

heart

3

  

 

in

6 8

8

8

C9

 



 

0

0

6

*

0

0

8

0 0 X 8

0 0 X 8

0 0 X 8

0 0 X 8

0 0 X 8

3

2

1



3 3

3

5

3

0

5

5

0 3

 3







0 0 X 8

8 0 0 X 8

  

 

2. I

should have

  

  

  

  

    

8 0 0 X 8

8 0 0 X 8

8 0 0 X 8

8 0 0 X 8

8 0 0 X 8



                           

**

2 3

2 3

3 2 3

3 2 3

3 2 3

3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

**Increase strum intensity.

   

8

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



8



***

2 3

1 3 2 3

3

***Allow 5th string to ring after notes are muted.

       

      

3

3

3

3

3

3

3

 

µ

1 0



3

*Increase strum intensity.

           let ring

 0

0

let ring

6

11



3

     

0

11

                 0 0 X 8



3

    5

6

 

let ring

6



  

 

   

debt.

           let ring 8

   





     

F'4

5

6

3



yet.

4

Gtr. 4



 

let ring

3 3

3

give you

5

  

 

let ring

-

Gm

 



5

6





  

let ring

3

4 5

 

  0

            let ring 6



let ring

Gtr. 2

3



   

yet.

   

Eb

3

3

3

3

3

3



Verse Gtrs. 1 & 2: w/ Riff A (2 times) Gtr. 4 tacet

Gm

    

   

 

I

was in

known

     -



      mf

   

side of

you.

Cm6

  

I

should have

known

  

there was that

   



side

of

you.





 3 3 3 5

8 8 8 10

            Am7b5

-

out

Bb

  

 

a



Cm7

  



  

caught me



   

known

here be

             Am7b5

thing

Pre-Chorus Gm

Bb

  

 

for

fore.

I





Cm7

  



F'9/A

I’m

Bb

   

Gm7/F

  

should have End Rhy. Fig. 1



known,



         

        don’t want it

  

-

in’

an - y - more.

F'9

   

still stand

C



I

1 1 2 3

 

should have

cer - tain,



  

is

-

ware.



Cm6

        

I’ve been

-

8 8 8 10

Gtr. 5: w/ Rhy. Fig. 1

    

a





10 11 10 12

Gm

-





 13 13 14 13

un







      

F'9

      





   

warn - ing,



    

Came with

One

        

       





Rhy. Fig. 1 Gtr. 5 (slight dist.)

  



   

here.

I







should have



known. Riff C

  Gtr. 2

                        let ring  let ring  let ring  let ring let ring 3

0

6 0

3

0

6 0

5

0

1 0

0

3 0

0

6

0

Gtr. 1

                 let ring  let ring  let ring  let ring 3

1

0

0 5

3

0

0 6

5

0

0 8

0

0

  

8

2

     

let ring

0 8

8 0 0 7

   3

3

Rhy. Fig. 2

 

  

8 0 0 7

8 0 0 7

0

0 3

End Riff C





1

2



0

2

End Rhy. Fig. 2



                 8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

0 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 2: w/ Riff C

Gm

F'9/A

    

  

Lay

Feel

  Gtr. 2



me

one

6

0

  



last

  



not

for

Rhy. Fig. 3

    

0 5 6





-

 



give

you

4 0 5

 

 

6

5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

C

      

  

0

0

Though I

0

4 0 5 6







4 0 5 6



0

 

 

 

0



0 0 X 3





3 3



0

Eb





- not

for

5

6

0

5

5

2

  

0

 

No,

I

can

  

 

  

 

              let ring

0 0 X 3

0 0 X 3

0 0 0

0 5 6

0 5 6

  

  







5

0

-

give

4 0 5



you

4 0 5 6



 



yet.

4 0 5 6



let ring

3 3

 

0



let ring

4

1

2

3

let ring

0 0 X 3

0

3





can -

          3

0

Gm

 

   



3 0

yet.

let ring

3

0



time.

6

              let ring 0 5 6

Riff D

   

0

5

Chorus Eb

Sorgdal

   



  

mine.

Gm7/F

6

0

0

3

Gtr. 2

  

  



in

Bb

C

  

                       let ring  let ring  let ring  let ring let ring 3

Gtr. 1



hands

F'9/A

    

Gm7/F



your

Gm

   

Bb

6

5

3

0

 

4 5

6

0



Gm

  

   

F'4





Leave

     0 0 X 3

3 3

0 0 X 3

0 0 X 3

 

    

0 0 X 3

0 0 0

End Riff D

6 0 8 8

Riff E

 

5

5

0

5

0

7

8





debt.

6 0 8 8

0 0 0

   

   No,

   

      

8 0 0 X 8

8 0 0 X 8

 



0

7

0

     

  

0 0 0

End Riff E

  

1

2

3

can -

End Rhy. Fig. 4

let ring

0

I

8 0 0 X 8

0

6

0



    

let ring

3 3

in

6 0 8 8

C9

 

    

  

   

let ring

heart

Rhy. Fig. 4

      

let ring

my

   

End Rhy. Fig. 3

 

 

      

2

0

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D

Eb

  



not

   

for - give

F'4

  

my

heart

No,

6 0 8 8

6 0 8 8

6 0 8 8

6 0 8 8

6 0 8 8

let ring

8

6

 

 

for - give you



   

0 8

0



yet.

You









  

   leave

 

I

should have

                                 8 0 0 7 8

0 0 0 0

          0

can - not



Gm

debt.

Gtr. 2

7

I

   



            

Gtr. 1



  

C9

  

in

Eb

   

yet.

     

    

    

you

Gm



8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

0 0 0

                                 1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

0 0 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude Gtr. 2 tacet

Gm

F'9/A

Bb6

        

Gm7/F

C'2







known.

 

     Gtr. 5

3 

 

2 

 

 

  

 

3 10  

9 

9 

9 

 

3 

Rhy. Fig. 5

End Rhy. Fig. 5

                                                 Gtr. 1

0 0 1 3

0 0 1 3

0 0 1 3

0 0 1 3

Gtr. 1: w/ Rhy. Fig. 5

Gm

0 0 3 5

0 0 3 5

0 0 3 5

 

F'9/A

    Gtr. 5

3

0 0 3 5

0 0 5 6

0 0 5 6

0 0 5 6

0 0 5 6

Bb6

0 0 8 10

0 0 8 10

0 0 8 10

0 0 7 8

3

0 0 7 8

0 0 7 8

0 0 7 8

C'2

  

3

0 0 7 8

 

Gm7/F

 

2

0 0 8 10

 10



0 0 7 8

 

grad. bend

10

0 0 7 8

0 0 7 8

0 0 7 8



0 0 7 8

0 0 7 8

0 0 7 8

0 0 7 8

0 0 7 8

0 0 7 8

 



0 0 7 8

 

1





10

10

Bridge Gtr. 1: w/ Rhy. Fig. 5 (2 times)

Gm

F'9/A

Bb6

              May - be you was

3

right,

did - n’t wan -na

fight,

I

C'2

 

   





   

should have known.

 

   

 

 

   

 

  

 

3

3 5

5

7

7 10

9

9

9

    

 

 

   

 

 

 

3 

3 7  

7 

5 

5 

  Gtr. 5

Riff F Gtr. 6 (slight dist.)

mf 0 

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gm7/F

        

3

3

2 

End Riff F

Gtr. 6: w/ Riff F

Gm

   

  

Could - n’t

read

the



     

 

3

3

C'2

  

  have

Bb6

   

 



signs,

Gtr. 5

 

F'9/A

  

  

could - n’t

 

 

 

5

5

7



see

Gm7/F

  

the

 

light,

7  















































should







I

10

known.

   

 

 

 















No,

I

can







-





1

8

8

8

8

8

8

8

8

8

8

8

8

8

8

8

8

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

10

Outro-Chorus Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D Gtr. 5 tacet

Eb

  



not

for

Rhy. Fig. 6 *Gtr. 7 (dist.)

-

 



give

you

 

 

   

 

 

 

13 13 11

13 13 11

13 13 11

13 13 11

13 13 11

13 13 11

13 13 11



 





yet.

     f

Gm



 

No,

I

 

 

 

 

   

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

can

Eb

 

  





- not

for

-

give

you

  yet.

 

 

 

 

 

 

 

13 13 11

13 13 11

13 13 11

13 13 11

13 13 11

13 13 11

13 13 11





*Doubled throughout Gtr. 1: w/ Rhy. Fig. 4 Gtr. 2: w/ Riff E

Gm

  

  





  



F'4

  

Leave

       5 5 3

5 5 3

End Rhy. Fig. 6

       

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

 

my

 

heart

C9

  

 

in

debt.

       

     

15 15 13

15 15 13

15 15 13

15 15 13

15 15 13

15 15 13



15 15 13

   No,

I

     

       

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

can -

10 10 8

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D Gtr. 7: w/ Rhy. Fig. 6

Eb

  



not

for

Eb

  



not

for

 -

give

  -

give





you



 

my

 

heart

     

  

Gtr. 1

  

 

you

6 0 8 8

  



in

 

 

 

 

 

 

15 15 13

15 15 13

15 15 13

15 15 13

15 15 13

15 15 13

15 15 13

  













Gtr. 2

let ring

8

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7

0

  

6 0 8 8

     Gtr. 7

6 7











No,

I

can

Gm



 





C9

 

C5

  



0

0 0 0





 

  

5 5 5 8

5 5 5 8

 

 

 

10 10 8

10 10 8

10 10 8







let ring

0

0 3

2



leave

D5





No,

I



 can







  

 

 

 

10 10 8

10 10 8

10 10 8

12 12 10





-

  

 You

debt.

 

6 0 8 8



yet.



 



yet.

F'4

   



Gm

-

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff D Gtr. 7: w/ Rhy. Fig. 6

Eb

  



not

for

Eb

  



not

for

F'2

-

us

-

all



give



give

you

6 0 8 8

6 0 8 8

6 0 8 8

6 0 8 8

6 0 8 8

let ring

8

6

0 8

0

                 Gtr. 7

15 15 13

15 15 13

15 15 13

15 15 13

15 15 13

15 15 13



yet.

Gm

  













No,

I

can





 



yet.

You

15 15 13

leave

µ







  

                              8 0 0 7 8



8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8

8 0 0 7 8



1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

1 3 2 3

           

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

should have





1 3 2 3

               

10 10 8



8 0 0 7 8

                               1 3 2 3

-

  



I

0 0 0 0

          0



debt.

Gtr. 2

7



   



            

Gtr. 1



C9

  

in



you

 

     

    

    



Gm



10 10 8

Gtrs. 1, 2 & 7 tacet

  









 

known.

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Foo Fighters - Wasting Light

Walk Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear A

123

E

F#m

231

D

134111

Dm

132

231

Intro Moderately q = 132 *Asus2

     



Gtr. 1 (slight dist.)



















mf let ring

9 



7

10

10

9

 

10

9

Rhy. Fig. 1 Gtr. 2 (slight dist.)

      

mp

  70

End Rhy. Fig. 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

7 0

P.M.







 

*Chord symbols reflect overall harmony.

Verse Gtr. 2: w/ Rhy. Fig. 1 (4 times)

Asus2

  

1. A

mil

         



Gtr. 1

Riff A

let ring

9

10

7 9

     

  



10

9

10

E'4/A

-

lion miles









a - way,



   your

       



9

7 9

9

9

sig -



let ring

9

 

10

Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bm7/A

-

nal

    

 

in

dis

the

Dm6/A

  





    

-

         

tance



  

  

to

whom

may





let ring

7

10

7

10

7





I

          Gtr. 1

think

I

lost

 

my

10

7

10

9

9

7 0

Bm7

7 0

7 0

7 0

   

at

start

- ing



10

10

7

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 7

9 7

9 7

9 7





let ring

9

9

7

9

9

9

10

7 0

9 7 0

9 7 0

 

  

o

-

7 0

7 0

7 0

7 0

7 0

7 0

7 0

   

ver

ev - ’ry





         9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7 0

9 7 0

9 7 0

9 7 0

  



that

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

Dm7

  

I

9 7 0

9 7 0

9 7 0



re - turn.

        





let ring

10

9 7

9 7 0

time

7

9 7

9 7 0

Dm6

7

9 7

   



7 0

P.M.

9 7



                       

                  9 7

10

10

       



let ring

7

10

10

                       

          7

10



    

7 0



               

P.M.

7 0

End Riff A

Get - ting good

Gtr. 2

7 0

7

  

10

                 



way.

let ring

9

cern.

E'4

   

  

-

let ring

10

Asus2

  

con

       

7 7

it





10

7

10

10

8 10

               

              

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

0 0



Chorus

 

Gtr. 1: w/ Riff A (2 times)

A'9

       



Learn -ing to

                   *Gtrs. 2 & 3

6 7 0

6 7 0

6 7 0

6 7 0

6 7 0

6 7 0

6 7 0

walk

a

-

E'4



6 7 0

6 7 0

 

  

6 7 0

6 7 0

6 7 0

6 7 0

9 7 0

   



gain.

              

6 7 0





0 0

I

be - lieve

                       

                     

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

0 0

*Gtr. 3 (slight dist.), played mp. Composite arrangement

     Bm7

    

I’ve

         7 7 9 7

7 7 9 7

Where do

  

  

  

  

  

  

  

  

  

  

  

  

      

  

  

  

  

  

  

     

  

  

  

  

  

   

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

                   6 7 0

6 7 0

6 7 0

6 7 0

6 7 0

6 7 0

talk

a

-

6 7 0

6 7 0

6 7 0

6 7 0

6 7 0

9 7 0

E'4







0 0

Bm7

    

I’ve

wait

-

 

ed

long

   

   e - nough?

Where do

0 0

   



Can’t you see

                       

                     

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

9 7 0

Dm6

    

6 7 7 5

gain.

               6 7 0

be - gin?

0 0

       



6 7 0



ed

Learn -ing to

6 7 0

I

 

-

A'9

e - nough.

  

wait

 

long



Dm6

   



9 7 0

9 9



  

I

9 7 0

9 7 0

9 7 0





9 7 0

0 0





be - gin? (In.)

        

 

  

 

 

  

 

 

 

  

 

 

       

 

  

 

 

  

  

   

 

 

 

 

 

  

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

7 7 9 7

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

7 7 9 7

7 7 9 7

0 0

6 7 7 5

0 0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude

A

   



           Gtr. 1

f







  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

w/ dist.

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

      

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

Gtrs. 2 & 3

f

w/ dist.

2 2 2 0

2 2 2 0

Verse A

2. Do

you re

-

E'4







 

mem - ber the days

we

  built

         

   

  

       

  

       

  

       

 

     

 

     

 

     

 

     

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

 

             

  

                  

  

                  

2 2 2 0

2 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

10 9 7 0

10 9 7 0

                   2 2 2 0

2 2 2 0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     

   



E



  

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

10 9 7 0

2 2 2 0

2 2 2 0

2 2 2 0

10 9 7 0

2 2 2 0

9 9 9 7

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

9 9 9 7

0 0 1 2 2 0

10 9 9 7

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

10 9 9 7

0 0 1 2 2 0

Bm7

     these

 

     pa

-

per

  moun

   -

 

 

and

sat

tains

Dm

   and

 

  

watched

 

them







burn?

  

          

       

  

          

               

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

       

  

          

       

       

       

             

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

7 7 5

7 7 5

7 7 5

10 7 7 9 7

10 7 7 9 7

               3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

A

  

10 7 7 9 7

3 4 4 2

    



I

think I

10 7 7 9 7

3 4 4 2

10 7 7 9 7

3 4 4 2

10 7 7 9 7

3 4 4 2

    

  

found

place.

my

10 10 0

10 10 0

7 7 5

                     

10 10 0

10 10 0

7 7 5

10 10 0

10 10 0

7 7 5

10 10 0

7 7 5

E

10 10 0

10 10 0

7 7 5

7 7 5

E'4

     



10 10 0

10 10 0

7 7 5

7 7 5

10 10 0

7 7 5

   



Can’t you feel

         

   

  

       

  

       

  

                       

  

       

  

       

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

 

             

2 2 2 0

2 2 2 0

10 9 7 0

10 9 7 0

                   2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

10 9 7 0

2 2 2 0

2 2 2 0

2 2 2 0

10 9 7 0

2 2 2 0

9 9 9 7

9 9 9 7

9 9 9 7

  

                  

  

                  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

9 9 9 7

0 0 1 2 2 0

9 9 9 7

0 0 1 2 2 0

9 9 9 7

0 0 1 2 2 0

10 9 9 7

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

10 9 9 7

0 0 1 2 2 0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bm7

       

       it

 

grow

Dm

       

- ing

strong

-

   

er,

lit - tle con

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

10 7 7 9 7

10 7 7 9 7





quer - ors?

     

     

         

10 10 X 7

10 10 X 7

10 10 X 8

10 10 X 8

10 X X 9 7

10 X X 9 7

10 X X 9 7

10 X X 9 7

10 10 0

10 10 0

     

 

       

 

 

 

 

 

 

 

 

 

 

 

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

7 X 5

7 X 5

9 X 7

9 X 7

10 X 8

10 X 8

12 X 10

12 X 10

3 4 4 2

3 4 4 2

       



Learn - ing to

Rhy. Fig. 2



10 X X 9 7

Chorus A

 

Dm/G

10 X X 9 7

3 4 4 2

10 X X 9 7

Dm/F

   -

                                                

             

walk

a

-

gain.

10 10 0

E

10 10 X 7

10 10 X 8

10 10 X 10

E'4







10 10 X 10

10 10 X 10



0

   



I

be - lieve

           

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

          

 

 

 

 

 

 

 

 

 

 

  

 

   

 

   

 

   

 

 

   

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

10 9 7 0

10 9 7 0

Rhy. Fig. 2A

2 2 2 0

2 2 2 0

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



   

10 7 7 9 7

Dm/E

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

0 0

let ring

0 0 1 2

0 0 1 2

0 0 1 2



0 0 0

Bm7

Dm

    

    

I’ve

wait

-

 

ed

long

   

   e - nough.

Where do

Dm/E



Dm







  

I

Dm/F

be - gin? (In.)

 

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

     

     

     

     

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 10 0

10 10 X 7

10 10 X 8

10 10 0

10 10 0

10 10 X 7

10 10 X 7

10 10 X 8

        

  

  

  

  

  

  

  

  

  

  

  

    

 

 

 

 

 

 

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

7 X 5

7 X 5

9 X 7

9 X 7

10 X 8

10 X 8

3 4 4 2

3 4 4 2

A

   

       



Learn -ing to

Rhy. Fig. 3

0 0

talk

a

-

gain.

E

10 10 X 8

 

End Rhy. Fig. 2

10 10 0

 

10 10 0

End Rhy. Fig. 2A

  

7 X 5

7 X 5

0 0

E'4







   



I

be - lieve

     

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

             

 

 

 

 

 

 

 

 

 

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

9 9 9 7

9 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

          

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

   

  

 

   

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

1 2 2 0

Rhy. Fig. 3A

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

9 9 9 7

let ring

0 0 1 2

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

 

   

1 2 2 0

1 2 2 0

0 0 1 2

0 0 1 2

0 0 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bm7

Dm

    

    

I’ve

wait

 

Gtr. 4 (dist.)

-

 

ed

long

   

   e -nough.

Where do

Fill 1





 f

15

  Gtr. 1



Dm/F

Dm/G





  

I

End Fill 1



Dm/E

be - gin?

 

 

 

 



7 X 5

9 X 7

10 X 8

12 X 10

12

   

   

   

   

   

   

   

   

   

   

   

   

   

   

   

     

     

     

     

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 7 7 9 7

10 10 0

10 10 X 7

10 10 X 7

10 10 X 8

10 10 X 8

 

 

 

 

10 10 0

           

  

  

  

  

  

  

  

  

  

  

  

    

 

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

3 4 4 2

7 X 5

Gtrs. 2 & 3

3 4 4 2

3 4 4 2

0 0

10 10 0

 

10 10 X 7

10 10 X 8

 

End Rhy. Fig. 3

10 10 X 10

 

10 10 X 10

 

End Rhy. Fig. 3A

(cont. in slashes)

7 X 5

9 X 7

9 X 7

10 X 8

10 X 8

12 X 10

12 X 10

Bridge *A

                               

Rhy. Fig. 4A Gtrs. 2&3

  







     



Now,

for the ver - y first

                              Gtr. 4

Riff B

End Riff B

6 X 4

Rhy. Fig. 4

6 X 4

7 X 5

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

11 X 9

13 X 11

time

                        

14 X 12

6 X 4

6 X 4

7 X 5

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

11 X 9

13 X 11

14 X 12

     

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

10 9 7 0

Gtr. 1

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

Gtr. 4: w/ Riff B (2 times)

E



                                               don’t you pay

no

mind.

     

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

9 9 9 7

Gtr. 1

F#m

D

Dm

                                                   

End Rhy. Fig. 4A





Set me

free

                              Gtr. 4

6 X 4

6 X 4

7 X 5

7 X 5

7 X 5

       

  

  

  

10 11 11 9

10 11 11 9

10 11 11 9

10 11 11 9

Gtr. 1

10 11 11 9

10 11 11 9

9 X 7

9 X 7

9 X 7

11 X 9

13 X 11

  

  

  

  

  

  

  

  

  

  

10 11 11 9

10 11 11 9

10 11 11 9

10 11 11 9

10 11 11 9

10 11 11 9

10 11 11 9

10 11 11 9

10 11 11 9

a - gain.

To

End Riff C                               

Riff C

14 X 12

6 X 4

6 X 4

7 X 5

7 X 5

7 X 5

 

 

 

 

 

 

10 11 11 9

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

7 7 7 5

  



9 X 7

10 X 8

10 X 8

 

   

 

 

 

 

7 7 7 5

7 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

10 X 8

12 X 10

14 X 12

End Rhy. Fig. 4

 

 

 

6 7 7 5

6 7 7 5

6 7 7 5

Gtr. 1: w/ Rhy. Fig. 4 (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 4A (2 times) Gtr. 4: w/ Riff B (5 times)

A

    keep

  

   

  

a - live

E

    sac

   

-

ri - fice,

a

but

     mo -ment at

a time,

          know -ing to sur - vive.

but

still

  

 

The

first

   

  

   

  

in - side

to cry

a

        

whis - per to

a

ri - ot.

         

an - oth - er state of mind.

To

   I’m

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4: w/ Riff C

F#m

   

   

on

  

my knees,

 

Gtr. 5 (dist.)

I’m

          pray - ing for

Dm

                    

  

a sign.



D

For - ev - er,

what - ev - er,



I

nev - er want to die.





   I

  



mf

10

 

Gtr. 6 (dist.)









  



mf

10 X 8

Gtr. 4: w/ Riff B (5 times)

A

nev - er want to die.

 

I

  



I’m

on

nev - er want to die.

   

  

my knees,

I

    

  

nev - er want to die.

I’m

       

       

       

       

14

14

14

14

14

14

14

14

14

14

14

                 

14 12

14 X 12

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    



  



      

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

15 14

               

               

               

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

E

      

  

danc -ing on my grave

and

          12

12

12

12

12

12

12

12

                 

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

run - ning through the fire.

 

       

For - ev - er,

what -ev - er,

I

  

nev - er want to leave.

I’ll

          14

14

14

14

14

14

14

                 

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

    

  

nev - er want to die.

I

 

     

       

       

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

   

           

               

               

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

    

  

nev - er say good - bye.

D

 

       

For - ev - er,

what - ev - er.

13 X 11

Dm

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

 

     

For - ev - er,

what -ev - er, oh.

13 X 11



      

11 X 9

  

Gtr. 4: w/ Riff C

F#m

14

   

 

       

       

       

14

15

15

14

14

14

14

14

14

14

15

15

15

15

15

15

15

15

15

15

15

15

15

15

               

                               

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

10 X 8

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Chorus

Gtrs. 2&3

 





   

Learn

- ing

to

walk

Gtrs. 4, 5 & 6 tacet

A

 



   Gtrs. 4 & 5

 





a



 



-

gain.



14

    Gtr. 6



14 X 12

   

      Gtr. 1

   

10 9 7 0

  



10 9 7 0

  



10 9 7 0

10 9 7 0

Gtr. 1: w/ Rhy. Fig. 2 (last 6 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 2A (last 6 meas)

E

  

E'4





   



I

be - lieve

Bm7

    

I’ve

        wait

-

ed

   long

    

   

e - nough.

Where do

I

Gtr. 1: w/ Rhy. Fig. 3 Gtrs. 2 & 3: w/ Rhy. Fig. 3A

Dm

Dm/E

   

Dm/F





  

Dm

A





       



be - gin?

Learn - ing

to

talk

a

-

gain.

(In.)

E

  

E'4





   



Can’t you

Gtr. 4: w/ Fill 1

Dm

   

Dm/E

   be - gin?

12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Dm/F



see

Bm7

   

I’ve

        wait

-

ed

   long

    

   

e - nough?

Where do

I

Gtr. 1: w/ Rhy. Fig. 2 (1st 6 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 2A Gtr. 4: w/ Riff B (3 times)

Dm/G



A



        Learn - ing

to

walk

a

-

gain.

E

E'4

  





   



I

D5

Em

       

Bm7

    

be - lieve

I’ve

wait

F5

-

  

ed

    

long



e - nough.

G5

   

 

 

 

 

 

 

 

 

14 X 12

14 X 12

12 X 10

12 X 10

10 X 8

10 X 8

12 X 10

12 X 10

12 X 10

Gtrs. 1 & 4

Gtr. 1: w/ Rhy. Fig. 3 (1st 6 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 3A Gtr. 4: w/ Riff B (3 times

 

A









Learn - ing

to

talk



  

 

 

 

Can’t

you

see



D5

   

 

14 X 12

14 X 12

Gtrs. 1 & 4

*C

F5

 

 

 

 

12 X 10

12 X 10

10 X 8

10 X 8

E

 a





-

gain.

 

  

  

 

  

I’ve

wait

-

ed

long

Bm7

  



E'4



  

 

D5

 

 

9 X 7

9 X 7



e - nough?

Gtrs. 2 & 3: w/ Rhy. Fig. 3A (last 2 meas.)

Em/G





C

F5

 

 

 

 

 

 

14 X 12

14 X 12

12 X 10

12 X 10

10 X 8

10 X 8

Em/G

 

 

9 X 7

9 X 7

*Bass plays C.

Outro A

                                   Gtr. 1                                                                                                        Gtr. 3

10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0

         Gtrs. 2 & 4

2 2 2 0

2 2 2 0

2 2 2 0

10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0

10 10 10 10 10 10 9 9 9 9 9 9 7 7 7 7 7 7 0 0 0 0 0 0

10 10 9 9 7 7 0 0

10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 0 0 0 0 0 0 0 0

10 9 7 0

 

 

 

 

 

 

 

 

 

 

 

 

                                     

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

0 0

7 7 5

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Learn to Fly Words and Music by Dave Grohl, Nate Mendel and Taylor Hawkins

Intro Moderately Fast Rock q = 136 Bsus4

F#m11

Riff A

      

Gtr. 1 (dist.)

 

f

E5

              

           

  

               

6 X 4

6 X 4

1/2



4 X 2

15

4 X 2

4 X 2

  

  

4 X 2

4 X 2

4 X 2

4 X 2

6

  

  

       



0 0 4 4 2

0 0

4

6 X 4

6 X 4

6 X 4

4 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

Rhy. Fig. 1

     

  

*Gtrs. 2 & 3 (dist.)

mf

  

**T





           

 

let ring throughout

0 0 4 4 2



0 0 4 4 2

0 0 4 4 2

0 0 4 4 2

0 0 4 4 2

*composite arrangement

4

2

0 0

2

0 0 2 0

2

2 0

0 0 4 2

0 0 4 2

2 0

0 0 4 2

**T = Thumb on 6th string

Bsus4

                    

End Riff A

Riff B

 

F#m11

           

              

  

1/2

4 2

4 X 2

4 X 2

4 X 2

4 X 2

4 X 2

0 0

                       0 0 4 2

0 0 4 2

2 0

0 0 4 2

0 0 4 2

0 0 4 2

0 0 4 2

4 X 2

4 X 2

4 X 2

 

 

 

0 0 4 4 2

0 0 4 4 2

0 0 4 4 2

 

4 X 2

4 X 2

4 X 2

 

 

 

0 0 4 4 2

0 0 4 4 2

0 0 4 4 2

4 X 2



6 4

6 X 4

6 X 4

     

4

2

0 0

6 X 4

6 X 4





0 0



0 0

2

2

© 1999 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC and LIVING UNDER A ROCK MUSIC All Rights Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights Reserved International Copyright Secured Used by Permission

1

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Sorgdal

Verse

   

E5



Bsus2

  



1. Run and

                



let ring

6 X 4

   

4

4 X 2

2

4 X 2

2 0

0 0 4 2

2 0

0 0 4 2

F#m11

- -

1

0 0 4 2

0 0 4 2

0 0 4 2

End Rhy. Fig. 1

               

0 0 4 2

2 0

0 0 4 2

E5

gels,

     

 



this

could

2 0

0 0 4 2

 

0 0 4 2

 

take

0 0 4 2

   all

tell

all

   of

the

an -

Fill 1

 

4 X 2

4







0 0 4 2

           

 

      

4 X 2

          

End Riff B

  

 

0 0 4 2

Riff C



   

2

2 2

4

2

 

 





night.

 

End Fill 1

 

4 2

   





 



  

  

T

0 0

0 2

4

0 0 4

2 2 0

2





4





End Riff C



0 0 2

0

Gtrs. 2 & 3: w/ Riff C, 2 1/2 times, simile Gtr. 1 tacet

          Bsus2

Think - in’

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

it

in

time will

  help

F#m11

   me

    

 

get

right.

things

E5

  





    

Bsus2

Hook

     









me

up

a

new







rev - o

- lu

F#m11

 

-





 



I



sat



 



tion,

Bsus2

  





E5

’cause



 

this

one

is



 

the

last

 

  

 

a

lie.



*

F#m11

  

a - round

 





laugh - ing

and

 

 watched

 

 

one

die.

*w/ echo repeats



Chorus

Gtr. 1: w/ Riff A, 3rd time

E5

Bsus4

       *







  



     





Yeah I’m

   

Gtrs. 2 & 3

Rhy. Fill 1

                2 0

2 0

look - in’

End Rhy. Fill 1

0 0 4 2

2 0

0 0 4 2

               

0 0 4 2

2 0

0 0 4 2

2 0

0 0 4 2

0 0 4 2

0 0

0 0

to

the

 

sky

to

save

Rhy. Fig. 2

 

       

4 4 2

4 4 2





0 0

0 0

0 0

4 4 2

Gtr. 4: w/ Fill 2, 2nd & 3rd times, simile

       F#m11

     

E5



me,

look - in’

                   2 4 4

0

0 0

2

0 0

Bsus4

look - in’



for

F#m11

  

some - thin’ to







  

look - in’

for

a

comp

    

2 0

0 0 4 2

2 0

End Rhy. Fig. 2

0 0 4 2

0 0 4 2

2 0

0 0 4 2

0 0 4 2

0 0 4 2

2 2

Gtr. 4: w/ Fill 2, 2nd & 3rd times, simile

   

  

help

me

Gtr. 1: w/ Riff A, 1st 3 meas., 3rd time

Bsus4

              

0 0 4 2

of

 

                2 0

sign



I’m

2 0

a



life.

0 0

2 4 4

Gtrs. 2 & 3: w/ Rhy. Fig. 2, 1 3/4 times, simile Gtr. 1: w/ Riff B, 3rd time

      

for

 

burn

   out

 

-





li

- ca

 

-



tion,

  

 

   



bright.

Gtr. 4: w/ Fill 2, 2nd & 3rd times, simile

F#m11

E5



I’m

  

E5





look - in’ ’cause

 I’m

   tired

 of



 ly try -

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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To Coda 1  To Coda 2 

Gtr. 1: w/ Fill 3, 3rd time

    

in’. in’.





G

  



                   0 0 4 2

0 0 4 2

2 0

2

way

Asus4

back

home

  

  

  

  

  

  

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

A

µ

      



  

0

4

  

  



Make my

Gtrs. 2 & 3

0 0 4 2

  

when

I

learn

     3 2 2 0

to

fly

        



2 2 2 0

2 0

2 2 2 0

X X X X

Interlude Gtr. 1: w/ Riff B Gtrs. 2 & 3: w/ Rhy. Fig. 1, simile

        

Bsus4

   

 

high.

Gtr. 4 (slight dist.)



F#m11

E5



      







  



      

mp

6

5

4 5

6

5

4

2

2

2

0

2

0

2

0

Gtr. 1: w/ Riff A, simile

   

Bsus4



F#m11

E5









   2. I

   



     Fill 2

6

5

4 5

6

     

Fill 3 Gtr. 1

4 2

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

5

4

 

 

 

4 X 2

4 X 2

4 X 2



  

2

     12

2

steady gliss.



End Fill 2

Verse Gtr. 1: w/ Fill 1 Gtr. 2: w/ Riff C, 3 1/2 times, simile Gtr. 4 tacet

             *

Badd9

think I’m

F#m11

  

 

dy - in’ mis - sing

pa

-

Riff D

4

2 4

4

  



tience,

it

    

        

Gtr. 3

4

Esus2

5

6

 

wait

night.

one

    

4 5

6

can

  

     

5

4

    

2 5

4



5

4

End Riff D

2 5

4

*Chord symbols reflect combined tonality.

Gtr. 3: w/ Riff D, 2 1/2 times

Badd9

    

Give

F#m11

  







it

all

a - way





if

you

 

 give



 

me

one

Esus2

  

 

 

*

 

last







try. *w/ echo repeats

   

Badd9



     

Esus2

  



 



just

 



 





We’ll

live

hap

-

pi

  

save

 

my





-



 

ly

ev

F#m11

 



 

-

er

trapped

Badd9

  



life.



Run - nin’





down

the

 

  



 

if

you





an - gels

and

 ev -

D.S. al Coda 1 Gtrs. 2 & 3: w/ Rhy. Fill 1, simile

F#m11

      -

 

 ’ry

 Coda 1

-

     G

Make

 

thing’s



my

Rhy. Fig. 3









all

  



E5

  



right.

 

way

  





back

Asus4



home

    I’m





when

A







I

learn

to

fly

 

 

 

 

2 2 2 0

2 2 2 0

2 2 2 0

        

  

  

  

  

  

  

 

 

 

 

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 2 2 0

3 2 2 0

3 2 2 0

2 2 2 0

Gtrs. 2 & 3





5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       E



G

  

  



high.

Make my End Rhy. Fig. 3

      

           

1 2 2 0

0 0 1

1 2 2 0

0 0 1

way

      



back

A

home

when

I

learn

to . . .

  

  

  

  

  

  

  

 

  

                 

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 2 2 0

3 2 2 0

3 2 2 0

0 0 1

1 2 2 0

  



Asus4

  

2 2 2 0

2 2 2 0

2 2 2 0

2 2 2 0

Bridge

        

Bsus4

  

Fly

a

        

G

  

  -

long

         

4 4 2

4 4 2

0 0

0 0

4 4 2

with

me,

   

  

  

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

0 0 0

I

  

D

   

    

   

can’t

quite

  

  

  

 

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

2 3 2 0

       

D/F#



G

Try

      

   

 

to make

life

  

                        

this

  

1 2 2 0

1 2 2 0

0 0 1

3 2 0 X 2

0 0 0 0 0

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

make

2 3 2 0

it

a -

lone

2 3 2 0

2 3 2 0

0 0 0

2.

Asus4

  

Asus4

    

my

own.

  

  

          

  

  

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 2 2 0

2 2 2 0

3 2 2 0

3 2 2 0

D.S. al Coda 2

    

A

A

      

my

  

own. I’m

           

  

  

2 2 2 0

3 2 2 0

2 2 2 0

T

0 0 1

   

          

1.

E

   

 Coda 2

0 X X

0 X X

 

3 2 2 0

3 2 2 0

  

     2 2 2 0

0 X X

0 X X

Outro-Chorus Gtr. 1: w/ Riff A, simile Gtrs. 2 & 3: w/ Rhy. Fig. 2, 3 times, simile

Gtrs. 2 & 3: w/ Rhy. Fig. 3, 1st 2 meas.

         G

  



Make my

way

Asus4

  

  

     



back

A

home

when

I

  

learn



to . . .

     

Bsus4

Look - in’

to

the

 

sky

to

save

Gtr. 4: w/ Fill 2, simile

    

F#m11



me,

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



E5









look - in’

for

a

   sign





of

life.









  I’m

Gtr. 1: w/ Riff B

Gtr. 4: w/ Fill 2, simile

Bsus4

F#m11

       look - in’



for

  

some - thin’ to

   

  

help

me

burn

Gtr. 4: w/ Fill 2, simile

Bsus4

F#m11







  

look - in’

for

a

comp

-





li

- ca

-

 

   



bright.

I’m

E5



 

  

 

out

Gtr. 1: w/ Riff A

    

E5

  

  



tion,





  



look - in’ ’cause

I’m

tired





of

try -

Gtrs. 2 & 3: w/ Rhy. Fig. 3, 2 2/3 times, simile

G

    

 



in’.

Make

my

E

G





      





high.

   

E

  



way

 



Make

my

  



 



Make

my

 

  



way

home

 

 back

 

A





back

way

G



 



Asus4

  











when

I

learn

to

fly

Asus4



home

 

 back

home

A









 

when

I

learn

to

fly.

 



Asus4





A





when

I

*

 learn

to . . .

*w/ echo repeats

Outro

Badd9

     Gtr. 2

 





4 2

      Gtr. 3

 

B5

4



4





play 4 times



 

2 2 4





2 4

   

 



2

4 4 2

     

4 4 2

Emaj7

 

Badd9



 

6 4 0

   4 4 2

 

 

2 4 4

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

ALL MY LIFE

Words and Music by FOO FIGHTERS

Driving Rock G5

   

3fr



   

Play 8 times





 





All

my

life

 





 

      

I’ve been search - ing for some

 

-

 

thing.

Some -

      

 

                                              

      -



thing nev - er comes,

     





 

  

nev - er

leads to

 

  

                

    

get - ting

    



  

  

  

  

close,

clos

                

Sorgdal

    

noth

-

 

ing.

Noth

    

 

               

        -

er

to

the

prize

at

the

     -

 

ing sat - is - fies

but I’m

    

 

               

     end

of

the



rope.

       

    



         

         

© 2002 EMI VIRGIN SONGS, Inc., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

   All

  





night

long





  I

   

dream

of

the



day.

 

    

 

    

When

it comes a - round,

 

   

  

        I

feel the

                 

       

  



                

       tak - en

a - way.



         

Leaves

       



me with the feel - ing that

         

  then it’s

 

         

  

  

  

most.

Feel

                Gm

       it come to

 

life

when

      



      

 

       Am

 



 

Sorgdal

I

   see your

  

 









3fr



ghost.

 

    

  

                   

Gm

Bbm 3fr

           

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

    

   

    

    

                 

    

           

    

   

    

3

Gm

Am

               

Gm

3fr

3fr

    



    

  

    

                   

Bbm

                 

Gm

    

Am 3fr

   



 

           



 

     

   

    

 

Calm Will

 

     

   

     

          



                            

 

You’ve such a An - oth - er

del - i - cate wrist. one who be - lieves.



Am



 

Sorgdal

   





      



  

-

 



3fr

           

     

    

    

And if I give it An - oth - er one to

     

     

 

a twist, de - ceive.

                 

 

Bbm 3fr

 



Gm

 

    

  



Gm

 



sist. er?

   

Bbm 3fr

   



down, don’t you re I find a be - liev

Gm

  



some - thing to Ov - er and

     

 hold ov

 

  -

     

when I er down

 

 

  

lose my on my

   

  



grip. knees.

                  Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Gm

Am

            

Gm

3fr

Will If

       



I I

find get

 

to give me just what I And if you op - en up





    

   

Am 3fr

    

   

        



           

 

An - oth - er rea - son And if you let me

    

need? wide.

                       

    

Gm



    

to bleed in - side.

     

 

Gm

  



 

    

 

  

 



G5 3fr

one On





 

by and

one on

hid - den I’ve got

            



    

up my noth - ing

    



 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

 

 

   

sleeve. to hide.

        

Sorgdal

 

Bbm



       



         

   





some -thing in there an - y clos - er.

            

3fr



 







  

  

up my noth - ing

   

 







sleeve. to hide.

 

   

One On



 

3fr

  





 

by and

one on

hid - den I’ve got





 

         

Eb/G



3fr

Hey,

 

    don’t let

it

   

       

  

 

    

waste.

go

to





  

   

   

5

G5

  

C/E

      

3fr

     

    

I



love

it

but

I

          F5

keep

-

      

     to

      



 

taste.

  

Weight

  

  

               





ing

me

down.





 





waste.

 

   

Eb/G



    

it

 

       

       

   

3fr

       I

love it

but

I

     

        F5

  

 keep

   

   hate the

    

 





taste.

  

  

   

Bb5

-





ing

me





    

 

 

       

       

don’t let

  

C/E



   

3fr

Hey,

G5

Weight

Sorgdal

hate the



       

go



  

Bb5

  



  



  

down.

  

 

        Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

Gm

Am

Gm

3fr

3fr

             









 

        Bbm

    



 

3fr

   



      

 



Play 4 times

 





 

All

my

life

I’ve been

 

                                                   





    

    

G5





   

      

 

To Coda



         search - ing

for some

-

thing.

 

Some

                          



      -

     -

thing nev - er comes,

       



 

ing sat - is - fies

but I’m

get - ting



 

  

     



               

Sorgdal



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  

 

  

nev - er

leads to

 

  

close,

  

clos

               

noth

      

         

     -

 

ing.

Noth -

  

      

        -

er

to

the

prize

at

the

       

         

7

Gm

       end of

the





rope.

      



All



                        it comes a - round

  then it’s

       

                  



    

  

feel the

most.

     

  

                   



   done,

   









done,

 

               

Sorgdal



night

long

 

  I





dream

tak - en

a - way.

when I

     

 

on

to

the

next

one.

        

me with the feel - ing that

  

  

see your

 

ghost.

   

  And I’m

  

 



 

done

and I’m



 

          

Done,

             

I

         

                

When

         

 

life

      

day.

       

       

    

the

            

Leaves

            

it come to

of

  

    

  

    

            

Feel

   



3fr

 



          Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

         on

to

the

next

one.

           

 





    





 

done

and I’m



 

                         on

to

the

next

one.

           



 

       



   



 

done

and I’m



  

                 

Sorgdal

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  



 

done

and I’m



 

      

on

on

to

the

next

one.

  

 done

     

and I’m

       

on

to

the

next

one.

        

done

    



Done,

  and I’m

  

              

 

on

Done,

to

the

next

one.

        

  

      

one.



Done,

 

 

next

  

                     

the

 

             

 

      

to

        

         

Done,

                      



Done,

                       



   

         



   

 

Done,

       





 

I’m

done

and I’m





 

       

9

G5

       

3fr







on to the next.

 











I’m

done



                     

and I’m



on to the next

   







 

I’m

done

and I’m



      

 

        

   

on to the next

 







     

one. Done,

                   



done,

  





    

 





done,

 

        

   

one.

D.S. al Coda

CODA

G5



   

3fr



Done,

     

  

       







done,







               

 







 

    

 

      

 



I’m



done



and I’m

 

on to the next.

    

 

 



one.

Done,

Done,

                  

         on to the next

Done,

       on to the next

 

on to the next.

         

                                            

Sorgdal

one.

                                    

            

    



Done,

      

  



Play 8 times

      Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

I'LL STICK AROUND

Words and Music by DAVID GROHL

Medium fast, energetic Rock G5

    



   G

   

Eb5 3fr

f

 



       

-











 

 



to ly







 



 

 



thought could

I it

  

 

  

  





both one

 

-

  

 





 I in

    

-











 

 

  

  





said san

-

  





 

 

 





G

you. sees





-







 



  



 

 









 



all I'm

it the

  





Eve your

  







 

took on -

  

 



 





C/G



  

 



 



 

 

 





  

Play 4 times F5 3fr

knew be,

er who

was i

C5

3fr

 





Eb5

 

Am/G

   

G5

F/G





F5 3fr

1. I 2. How

       

C5







Bb/G

 

 ry re

    





  

word hearsed

-

1



true. ty,

  

 











 



That

you'll

 

 





 

see.

   



© 1995 M.J. TWELVE MUSIC All Rights Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights Reserved International Copyright Secured Used by Permission Sorgdal

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

G

  



  





 







  



  

 







  





 







 









2

G5

  





yeah.

 











G5





      





Sorgdal

 













Eb5

C5

   



 



   



all all

the the

  

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  

   

 







 



  



 



G

 



still been

re a

  

       







 

meth pawns

  

  





   F/G

3. I 4. I've 5.,6. (See additional lyrics)



F5 3fr









  -

  



C/G







C5

   

   

 

F5 3fr

 





3fr



    







Eb5 3fr

fuse round

   

G

-

 



  

ods you've





 

 

   

you gagged

 





  

a and

-







 

 

buse. bound.

  





3

Bb/G



 



It's They'll

al come

    







  







 



  

right back

-

 



Am/G



if and

    

  







 

 

  

  





you're knock



 

 con you

-

fused. down,





  

 



G

  

and



   



 





 



Let I'll

me be

 





  

 





be. free.

 



 





  

 





 







Bb



  

   



  

 





G

 



  

 









 

I’ve

tak

 

   





  

  

-



 

en

all

  

 

 

  

C7

     





Sorgdal

 





and

I've

 

    

      

 

 en

 

-





dured.

      

   

 

 

     

   

 

 

 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Bb









 One



      



G

 

  

 

 

 

 

 

 

 

 



  

 

day

 

 

 

  

   

 

it

all

     

 

C7



 





will

 





 

 fade,

 

    

 

 

 I'm

  





sure.

      

 

 

   

 

     

 

G5





Eb5

 

 

C5

F5

I



 

 

 

 

 

 

  

  

 

 

 

 

 

 

 

  

G5

   an

       

Eb5

C5

3fr

F5

-

y

   

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  -

thing!

    

   









don't

owe

you

 

 

 



 

G5

3fr



3fr

 





Sorgdal

 

 

3fr

  



   



 



Eb5

 C5

3fr









 

I

don't

owe

you

  

 

F5 3fr







 

 



 

 



 







5

G5

   an



        

3fr

 -

y

 

      



 

I





 -

y

thing!

-

 



    

 

  

F5

Eb5

-

y

 

 



thing!

-

    

 

 Sorgdal





Eb5

 

you

 

 

 

F5

F5 3fr

owe





C5

don't

 

  

 



 



 







I'll

 

 

stick



a

















Eb 3fr

     









 -

round,

  

G

 







   

I'll

 

 

stick



a















I

 



 

 



F





 

 







you



 



owe





 

don't

G5

3fr







C5

3fr



3fr





F5

  

   



C5

 

C5 3fr

   

3fr

G5

        



  

Eb5



an

 

Eb5 3fr



3fr

           



thing!

-

 

an

G5

3fr

G5

  

D.S. (with repeats) C5 F5

Eb5





 -



round

 

 





 and

 





 learn

  

     



 

from

all

  



   

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

D



Eb



 that

   







 



 came

  

     



 

from

it.

  







  

  







F





 







 

 

stick



a











I'll

    







I'll

 



a



 

stick

















 -

round,

  

G

 



 

3fr





 -



round

 

 





D

 and





 

learn

 

 





   



 

from

all

  







   

Eb 3fr







 that

   









 



 

  

from







 came

Play 3 times

 



 



  

  

 

 









it.

 



F



  



Sorgdal











G

 

  

    







Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





 



  

 





 





  

 











  

 





  





7

D



Eb



   















3fr

 



 

 





It,

  

 

 

 

 

 













F





G5



Eb5





C5

F5

3fr



  

 

    











G5





  









  

  

Eb5



  



C5

 

 

Play 4 times F5





 

 









 













 











3fr





 

G5

3fr

  

Additional Lyrics 5. I had no hand In your ever-desperate plan. It returns and when it lands, Words are due. 6. I should have known You were better off alone. I looked in and I was shown. You were, too.

Sorgdal



Ah!







  



3fr

  





3fr

      

    









Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

LEARN TO FLY

Words and Music by DAVE GROHL, NATE MENDEL and TAYLOR HAWKINS

Moderate Rock Bbsus

Fm7[add4]

     *





 

 



























 

 



















f

   

Eb

Bbsus 3fr

          

           

  

       

  



 

     



     

Fm7[add4]

     

Eb 3fr

          



 



     

          



    





    

     

Bbsus2

   Run Think

   



  

Bbsus/F





and I’m

tell dy



  

* Recorded a half step higher.

-





in’

all nurs









of in’

the

an pa

-









 

 



-







gels tience.

 

  

 



© 1999 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC and LIVING UNDER A ROCK MUSIC All Rights Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights Reserved International Copyright Secured Used by Permission Sorgdal

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

Eb

Bbsus2

     3fr

this could It can



 

      

 

take wait

       

    



all one

  

night. night.



Think I Give it

    

  



Bbsus/F

       





need all

a dev - il a - way if

to you

help give

          



  



Eb 3fr

      me me

  

   

things last

 







 



 

 





right. try.

 

  





  





 

 



lu ev

-

tion er



 

 











me live

up

a hap

new -



 







 



  

    



















rev - o pi - ly



-

 





 



trapped

  





 

’cause you

if

 

 

 





Eb

     

3fr

this

      

Sorgdal

 



Bbsus2

Hook We’ll



  

   



 

get one

      



 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 



 

one just

is save

  

 

 

 

    





 

 

a my

lie. life.



 



 

 









  We

 

 

  

 

  



3

Bbsus2

Bbsus/F

  



sat Run

a - round and tell

   



  



  









laugh - in’ an - gels

the







 



 



and that

watched ev -



 



 the ’ry





 

 

 

 

 



last thing’s

-



 



 

one all

die. right.

 

Eb 3fr

  



 



  

  

  



Bbsus

  

 

 

 









Fm7[add4]



  

the sky

to

 

  

save

 



 

  

Sorgdal

      







look - in’ for





     

 

sign



of

life,

 

     

Fm7[add4]



  

some - thin’ to

help

  

    

 

  

 

me



  

  

  

  



   

a

      

look - in’ for

 



  

  



 

    



me,

     



  

Eb

Bbsus

  

  

3fr

 

  

look - in’ to look - in’ to look in - to





I’m

      







  







burn

out

   

bright.

      Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

Eb

Bbsus 3fr

    



    

 



I’m

       



 



     

3fr

 



tion,





in’. in’. in’.

ly try try -

  

   

  



     

     

     Make my

      



Absus

 

     way

back

    

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

pli - ca -

 

To Coda 

 



to fly learn to fly to...







 

 

    



1 Bbsus









high.

         

 

       

       



     

Eb 3fr

           

4fr

when I

6fr



 

      

  

Fm11

Ab

4fr

home

         

 

-

     

  of

look - in’ ’cause I’m tired

Gb5

Sorgdal

  

     



com

Eb

     -



       

Fm7[add4]

a

      

      

 

   

look - in’ for

 

     

            

     

       

     

 

5

2

Eb

Gb5

   

3fr

  

 

Make my

high.

    

           

Fly

 

a

    

    



   

-

     

3fr

with

me.

I

Absus

  

 

    

 

  

     

  



     

Try

to



my





 

 

 







own.

 

make

this

CODA 4fr

 

D.S. al Coda

  

  



a - lone.

        

Ab

4fr

4fr

  

    

my



own.

   

    

 

    



    

Bbsus













Look - in’

to

the

sky

to

save





















   



it

     

life



I



make

1 Absus



 

     

quite

      

Ab

4fr

to...

       

can’t

    





  

learn

         

Gb5



Sorgdal

when I

 

    

     

              



  

home

Db

  

long

Eb

        

    

back

4fr

      

Gb5

    

   

 

Ab

4fr

       

Bbsus

2

    

way

   



 

Absus

  





Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

Fm7[add4]

Eb 3fr

    

    



me,

look - in’ for

 



     

Bbsus

look - in’ for

        

of



   

 

 

     



some - thin’ to

help

   

    

me

burn

  

   

out

 

  

 

    

     

look - in’ for

   





a

 

com

      

   



     

Fm7[add4]

-

  



pli - ca

-

 

  

     

Eb

tion,





     

Gb5 3fr

       look - in’ ’cause I’m tired

            

Sorgdal

     

bright.

   

    

I’m





Eb

  

 

          



life,

Bbsus

  



3fr

     





Fm7[add4]

    



sign

      

     



a

 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 



of

in’.

Make my

 

try -

 

     



  



    

 

    

  

way

back

 

 

  

    



      

home

7

Absus

Ab

Eb

         4fr

4fr

when I

learn to



fly

Gb5 3fr

    

 

    

  

high.

Make my

         

  

         

   

      

       



Absus

Ab

4fr

Eb 4fr

when I

learn to

fly.

Make my



          Ab

when



 



back

    

home

  

    

       

Bbsus2

learn





to...

         

way



  

    

  

       

  

 

    

         

           

home

 

4fr

I

back

  

         4fr

way

Gb5

  



            

Absus

Eb/F 3fr

        

Sorgdal

  

 



  

   





  

  

 

    

   



Bb5 Ebmaj7(no3rd)

Fsus

  

 

  



 

  

  

 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Long Road To Ruin Words & Music by Dave Grohl, Taylor Hawkins, Nate Mendel & Chris Shiflett

q=148 C

          



C5 3fr

    

    



 

  

 



   

      

   

 

C5

F5

                Hey now don't make a sound. 3fr

Verse

 



   

       

        Say

have

     

you heard

the news

                        

to - day?

           

F5

             One flag was ta - ken down

       

            





 Sorgdal

to

             

raise

a - noth

       

© Copyright Flying Earform Music/Bug Music (12.5%) Administered by Hello Mr. Wilson. MJ Twelve Music/Songs Of Universal Inc/Living Under A Rock Music/ I Love The Punk Rock Music (87.5%) administered by Universal Music Publishing Group. All Rights Reserved. International Copyright Secured.

          -

er

in

its

place.

         

C5

 



3fr

    A



hea - vy

C5

   re 

 

    



- mains un - changed.

    



 

 

  

-

  

   

     

     

    no

life,

no

stub -

born

heart

 

    

       

     

   

 



love

    

No



stran - ger

   



 

    

 

    

    

 

  

in'

name.

          

your

    

F

F/A

-

3fr

    

 

       

   May

A

 

    

C5

    sing



bear.

    

No harm,

F5



 



F5 3fr



you

   

       

 

  

 

cross

    

   

 

F/A

G/B

  

  

be

the sea -





  

        G

 

G/B



son



Am/C

Am7

    

       

        Am/C

G/B

G

G/B

  

    

  

col - ours

change in the val

skies.

- ley

                                                               

 Sorgdal

2

F/A

F

F/A

G/B

G

C

G/B

D

F

                                      Dear God, I've sealed my fate. Run - ning through Hell, Hea ven can wait. Long 

              

            



F



C

               road to ru - in there in

                   

  



Am

     

D

          to - mor - row no       

    

     

    

    

   





F

Chorus



 



your eyes

dead

    

-

  

     Dsus4

  

  

un

   



   

sight.

Am



  

street - light.

 

No

 

  

     

    

F5

end

    



the cold

    



  

  

der

     in

    

C

  

  

        





      

      

C5

            Let's say we take this                    

Verse

 Sorgdal

3fr

   

 

town.

No

   

  

     King

or

   Queen

       

    of a

-

ny

    

  state.

 

         3

F5

  

     

  

    





Get

         

up

to

 

shut it down

O - pen

   

         

    

    



   

the streets

    

and

   

  

 

raise

the gate.

  

 

       

C5 3fr

  

    I know a



wall

    

  



    to

   

  

 



scale

  

I

   



     know

a

    

    field

with - out

   

 

     a

name

    

 

           

F5

  

Head on



with - out

a

      F

F/A

   May

-

F/A

G

G/B

  

  

be

the sea

  -

 



care.

     

    

   

     

    

   

Be - fore

  

 

it's

   

    way

too

   

  



late.

  



     

G/B

Am/C

  



son

Col - ours



Am

Am/C

G/B

G

G/B

    

  

change in the val

skies.

- ley

                                                               

 Sorgdal

4

F

F/A

F/A

Em/B

Em/G

C

Em/B

D

F

                                      Oh God I've sealed my fate. Run - ning through Hell, Hea ven can wait. Long 

              

            



F

     road

Chorus

C

       to ru - in

  

there



   





un

-

         

-

row

  

no

dead

  

        

    

         your eyes

un

 

 

    



   Long

    

-

der

the cold

  

 

street - lights.

 

 





5

   No

  

   

C

   road `

     

C



 

F

ends

  

Am

street lights.

   

       

     



the cold

    

  

F

    

 

  

der



    

                                  

 Sorgdal

your eyes

    

 

    

C

     in

in

  

D

to - mor

 

C

  

  



Am

 

                  

F

                       

      

      to

ru - in

there

         

    

Am

D

          No

to - mor - row

no

                     

   

      

D

Dsus4

     dead

         



F5

    



end

in

sight.

 

         

         

    

       

       

  

  





C5 3fr

  



   

   

   

C

   



C

      

  

G/B

C

G/B

 Sorgdal

 



              

 

in place

a

for - ev - er

gone

with -out

trace.

                                         

    

Am

G/B

G

                             Your hor - i zon takes its shape no turn - ing back,                               

   

   

  

               For ev - 'ry piece to fall

 

   

  

Bridge

      

   

       

 

      6

    



          don't

turn

that

page.

           

      

F/A

  

F

F/A

     Come now

 F/A

    Is

  





 



that

price

the

  

 

Sorgdal

G

you

Am/C

  



G/B



  

 

 

be - hind.

   

 3  

 3         





 

Csus4

    C

  

 

        



Hea - ven can wait.

F

  





C

     

        7

it all



 

F

D7

     



 

 

      

  

   

D

                

 

G/B

          

Run - ning through Hell,

C

G

let's leave

C

      pay?

G/B

       Come now,

          



         

Am

to - night.

   

  

Am



here

G/B

    

     

Am/C

     



F/A

F Solo

G/B

             

        

    



F

G

I'm leav - ing

         

G/B

   

  

Fmaj7

C



  





Am7





  F

  

 

C

               road to ru - in there in

                       Am

D

          to - mor - row no                   





your eyes.

dead

    

Un

-

  

der



  Dsus4

F



the cold

           

1, 2.

  

C

    

  

   

   

 

 

   



Dsus4

3.



end

end

sight.

Long

dead

                       

 

in

    

Sorgdal

No

    

  

   

    C5 3fr



                     



  

F5

    

in...

Am

street - lights.

F5



 

           

  

  



 

F

Chorus





               

    



F

Long

           

D7

    

   

   

   

     8

   

   

  

  

  

  

                  



1

TIMES LIKE THESE

Words and Music by FOO FIGHTERS

Driving Rock D7(add6) 5fr

                                                   

Play 3 times

ff

    

 

  

 



     

 

D

              

      



      

  

  

 

 

              D

 



  

  

  

 

 

             

 

C

     



 

G/B

     

 

  

             

C

 

  

  

  

  

 

 



  

  

  

 

 

                           

  

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission Sorgdal

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

G/B

D7(add6)

   



    



  

  

  



   

       

 

  



           

   

    

 



       

5fr

D

 

  



     



I, I,

             



        

I’m I’m

       

Am7

way day

mo ris -

 

        C

  

 



   

tor - way. ing.

I’m I’m

a a

road brand

   that new

 



drives sky

a to

 

way hang

and the

fol stars

      

  

 

   

           





      

Em7

lows up

     



 

  

  

 

D7(add6)

    -

 

  

      

-

Sorgdal

one new

         

      

a a

 

    

-

you on

back to -

    

 







home. night.

 

       

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5fr

               

          

     

 

  

  

3

D

Am7

   I, I,

 



 

    

  

I’m I’m

 

a street a lit - tle

 light di

  

       

  

       

   



  

I’m Do

a I

  

white stay

light or

 -

     



 

 

      

   

       

  

 

bright, way

  

    



ing a -

        



ing. ed.

Em7

   blind run

-

shin vid

-

C

      

  

 

 and

 



burn leave

  

-

 

ning it

 

    



off all

and be -

  

 on. hind?





      



D7(add6)

  

5fr





             



 

    





    Uh

  

 

 

 Sorgdal

times

   

    

 

Em7

  

                              It’s



          

  

C

  



huh.

                   



like

  

these

     

 you





learn

  





to

a

- gain.

live





 

     





   



      



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

D[add4]

  

C

Em7

3fr

  It’s

 

times

  

like

                         



D[add4]

      3fr

            



  It’s

   

 





 

you

     

  times

 

It’s

  

  times

 



a -

gain.





      



and

 

give

        

    

Em7

   like

   

  

 

these

you

     



learn

 

  





to

a

- gain.

love

 

     





 

    







1 Em7

C

 



give

          

3fr

    

these

    

C

D[add4]

  

 

  

   like

    

  

 

these

time

     

 

               



   and

time

a - gain.





      



 

     

D7(add6)

  

5fr

              

 Sorgdal

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.







   

          

     

          

   

 

 

  

    

 

  

5

2 Em7

 





      



C

D



   and

time

    a -

 

 

      

  

  





gain.

     

          

     



    

      

    

   

G/B







 

  

 

Umm,

          



    

    

   

  

D



woah,

    

    

    



    

 



    

   

       

   

    

D





woah,

    

Sorgdal



Umm,

 

  

    

   

 

G/B



    

C

  



    

    

 

    

      

  

    





 



          Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

C

G/B

   



 



   

  

Umm,

      







 

  

    

 µ 

        

    



    

  





Uh

      



 

  

     

 

 













  

  

  

  

  

       

huh,

     

  

 

  

   

    



Uh

 



 

 



  

   

     



 

Sorgdal

 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



  



  

  

  

   

 

  



      

    



 











  

  

 

huh



 

It’s

times

 





















7

C

Em7

    

 like like

         



   

 







these these





 







you you





learn learn





 







D[add4]

  

to to

live love



  





 a a

 







 -

gain. gain.









C













It’s It’s

 







 

 

 

  





times times



 like like

 



   

 





these these

 





 you



 

give time





1 D[add4]

Em7

3fr

  



    







 



3fr

       











and and



give time

 

  

 





 a a



 

 -

gain. gain.









 





 It’s

  











     

 



 



 



times

 

2 D[add4]

   

C

3fr





 It’s

     



 

Sorgdal



 





     

  

 

  

 

   

 



times





 

like like



these these









you you

   

 







 learn learn









Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

Em7

D[add4]

  



     





to to

live love











  

 





 a a



 -







 









 

like like

   

these these

















you

   

 





give time

 





 





 and and



D[add4]

2 D[add4]

3fr

3fr

   







 

It’s

      





1



  









 

It’s It’s

times times

 

 









Em7

   

 



gain. gain.

C



3fr











     

times

 

 

 



C



 



  

 









   









give time





Em7

a a







 

It’s







-

gain. gain.









 

times

 





 

 

D[add4] 3fr

    

like

     



 

Sorgdal



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  

these

  

 you







learn



  to

  

live

   

   a -

   





gain.



It’s

  

  

times

 

9

C

Em7

   

 like

   



 

 



   

 

these





 you



give





 

        



      







    





Sorgdal



a

  

 



-

gain.





 



 

  

like

 







   

 

these



you

learn





 D[add4]

C

3fr





to

love



  

  

 





a -

gain.









 

 It’s

  

times

  

 

 

like

    



Em7



give



 

times



      



C

Em7

  



3fr

It’s

 





D[add4]





and



   



  

 

these

time

     

 

 D[add4]

C

 

3fr

 and









time

a

  



 

 -





gain.



  





 



     

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Walk Words & Music by Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett & Pat Ruthensmear

q = 140 A

       





       

           





       



A

    



E/A





           1. A

mil - li - on

miles





a - way.

                         

                          B/A

  

       

    

                            

Sorgdal

Your

sig

-

nal

in

the

       

     dis

-

tance.



  To

whom

                 

© Copyright 2011 Living Under A Rock Music, USA/I Love The Punk Rock Music, USA/ Ruthensmear Music, USA/Flying Earform Music, USA/MJ Twelve Music, USA Bug Music Limited (22.21%)/Universal/MCA Music Limited (77.79%) All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.

D/A

A

  

   it

  

      



may

  

con



 -







cern.

  I

                                   E

   think



   

    

I

way.

lost

my



                                                      

D‹

    at

        



   

  

start - ing

o

      

    

  

-

  

ver,

ev -’ry

  

 



time



that I

 

  



re - turn.

     





E

       

           I’m learn -ing to walk

 



    

A

Sorgdal

    

Get -ting good

B‹





a

   





- gain.

           

    I be - lieve

   

      2

B

D

    

   

I’ve

wait - ed

        

 



    

long e -nough.

Where do I

      



 





be - gin?

                



          I’m learn -ing to talk

 



    

A

  

  

E

 



   



a - gain.

Can’t you see

                            B

   

   D

              I’ve

wait - ed

        



long e - nough?

       





               

 

        Where do I

be - gin?

 

         





A

  

Sorgdal







                                                          3

A

E

    



 

     

     



                           2. Do

you re

-

mem - ber the days?

               

E“4

                D

    

and

    

       

                We

  

built

these

pa

 

          -

per

moun

           

 

               

  

watched

  

them



think

I 3

found

       

  

                 -

tains,

my

 









  

   I

            E



place.

   

sat

A

E“4

  

then

       

burn.

 

    

  

                                         

                  Sorgdal



              



E

  3  



B

E

  



    Can’t you feel

                                  4

      

       

B

D

         

  



grow - ing

strong - er?

A

    



 

        

Lit -tle con



learn -ing to

walk

                       

    

     

      

 

             

$E  







                   a

-

    

                    

gain.

       

be - lieve

 

I’ve

    

   

                     

wait - ed

long

e - nough.

Where do

I

                       

D

      

Sorgdal





B

E

I

 



que -rors.

               

  



-

         I’m

E“4

 



    

            it

    

  

A



   be - gin?

    



 







   I’m

 





              

                        5

E

       







E

   



 Can’t you see                                                                lear -ning to



 

E“4

talk

a

-

gain.

I

B

D

      



 

be - lieve

   

I’ve I’ve

wait - ed wait - ed

    

To Coda Ø

    long long

     Where do I Where do I

e - nough. e - nough?







 

  

be - gin?

                        

  





             

A

      





Now,



 

                   

   

    

  

                        for the ver - y first

     E

    







                                                

 Sorgdal

      

6





 

  

time.



      

             Don’t you pay

no

  

mind.

 

F#

  

D





                    





 



                                        Set me

free

a - gain.

                

D

  

     



A





               



 

       

 

You

   



  

         

                          

keep

a - live

a

mo -ment at

a

time.

That

                E

  

  

          

  

 

                                                                   still

in - side,

a

whis -per to

a

ri - ot.

The

sac

-

ri - fice,

the



      

  

  

      

                                                        know -ing to

sur - vive.

The

first

to climb

 Sorgdal

7

 

             

an - oth - er state of mind.

I’m

      

F#

  

D

   

       

                       on

my knees,

I’m



D

  

   on

       



 

  

   

       

nev - er wan - na die.

I

  

              

nev - er wan - na die.

 

I’m

E

       

  

                                 I

nev - er wan - na die.

I’m danc -ing on my grave,

I’m

                                         

                     

Sorgdal

I

               

       

      

run -ning through the fire.



what - ev - er,

               

my knees,

      

 

For - ev - er,

                 I

               



a sign.

       

nev - er wan - na die.

 

                                 

pray - ing for

A

      

            

For - ev - er,

       

what - ev - er

       

I

 

  

              

nev - er wan - na die.

I

 

                        8

F#

      



            

       

nev - er wan - na leave,

            

D

      

                                  

I’ll

nev - er say good - bye.

For - ev - er,

what - ev - er,

for -

                     D A D.S. al Coda    µ                  - ev - er,

what -ev - er.

               



 

       

Ø Coda

D

D/C

    

Learn - ing

to

walk

a

-

gain

                             

    

D/F

E/G

A





            I’m learn -ing to walk a - gain.                          

                                            be - gin?



E

  

E“4







B

E

     

                               I be - lieve



 

Sorgdal

I’ve

     

  



                  

wait - ed

long

e -nough.

      9

D

A

     











 





 



 

 

                             I’m learn ing to talk

a

- gain.

                                E

  

E“4





B

E

     



Can’t you see

   

I’ve

                               

       

  

wait - ed

  

long



e - nough.

                  

       D

    

 







 

 



 







 

 

                                A

 

Sorgdal

                                                               10

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