Classic3plan 2
September 12, 2022 | Author: Anonymous | Category: N/A
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660.0 25 31/32"
Back Block orButtBlock.V orBu ttBlock.V ertical Grain CedarOr Ceda rOr Spruc e Mi n nimu imum20 Grains/In.Some Luthiers Luthiers Sh Shave ave This Block or Angle ItAway F romThe r omThe T op As This Block Often Often Gives Gives A GuitarA"H ump" In The Top And And Can C ause auseCracking.
Sc a ale le Length 7.6 1 7 7.6
7 "
.0 21 21 0
6 " 3/1 1 3/1
4.8
330. 0
3/16"
13"
. 6 9 6 1 2 9.
/ 3 2 " 3 3 5 3/
.9 7. 7 9
/ 4 " 3/ 3 4
13"
. 9 4 9 3 4.
4.9 3 4.9
6 " 1 11/1
/ 8 " 3 8 1 3/
/ 8 " 3/ 8 1 3
T his his Light Line Light Line Is The Neck S plice Joint.There Is A8.13 Is A8.13 Degree Degree Angle FromThe Neck FromThe Neck To The Headpiece Headpiece
41.3 1 5/8"
Re-Co Re-Constituted nstituted Ivory OrE xcellentQ uality Bone Fort h he e Nut.
C llassical assical G GuitarBridge uitarBridge Complete Complete With Tie Block ,,Saddle Saddle C h hannel annel And EitherBon EitherBone e OrIvory Saddle.Center Saddle .Center On 660mmS c cale ale Leng th th Both Vertically and Horizontally.
Many Class Classical ical Guita Guitars rs BuiltIn The Spanish Spa nish Traditi on Shave The Bass Bass Side Of The Fretboard Down Gra Gradually dually Fro FromThe mThe 12th FretTo The FretTo The Soun Soundhole dhole To Give The Bass Stri ngs ngsAdditional RoomTo RoomTo Oscillate Oscillate..
ForFret Spacing, ReferTo F retSpacing retSpacing Chart Below Chart Below 3.0 4 3.0
9.1 1 9.
5/1 6 "
330.0
" 4 4 . / 1 6
" 5 . 6 1 4 / 9 1
3 1 / 4 9 . " 1
Drill These Holes On ly AfterYou AfterYou Have Purchased Purchased YourTuning YourTuning Machines.Make Machines.Make H oles oles About1mm LargerTha n The Roller. Drill These Holes Holes FirstTo Minimi ze ze Tear-Out Tear-Out OfThe TunerSlot s s.. 3.2 1 0 3.2
27.6
#1 Quality Cuban Mahogan Cuban Mahogan y Neck With
T he he TopTrimFor T he he Headstock Headstock Is Traditionally Made Made From From The Same Wood Wood As The Back And And Sides. Itis Usually LeftoverStock And And Is About About 2.2mmThic 2.2mmThick.Glue k.Glue Maple Or O r Ma ple/Ebony VeneerBeneath F orAdditional orAdditio nal Detail -This Is APersonal Preference.Glu Prefe rence.Glu e These Pieces B efore Any H eadstock eadstock W ork ork Is Started.
R 12.0 15/32"
E bony bony ReinforcementStrip ReinforcementStrip Do Down wn Center Center (See Detail Above).Selec Above).Selec tOnly tOnly Vertical Grain Wood Wood ForYourNeck.
" 0 . 2 3 / 2 1 0 4 1
" 2 . 2 3 / 5 5 0 4 1
1 3/32"
R 38.7
" 4 4 1/1 6
1/16" (1.5mm)Ceda (1.5mm)Cedar r Bridg e Plate Glued To T h he e Unders Underside ide Of The Top Place.No tch Fan Bracing Ov er er The The Top Top OfThe Bridge Plate. Bridge Plate.
C ross ross Brac e Side Brackets At 2 At 2 Main Cr o oss ss Braces.ReferT o Top Bra Brace ce LayoutFor Size Size And And Configura Configuration.Install tion.Install AfterTo p Plate Is Glued Is Glued To Sides.
" 6 1 / 0 . 1 1 4 3 9
Shaping The "Foot" "Foot" OfThe GuitarIs G uitarIs One Of The The MostDem MostDemanding anding Operations.The Operations.The Foot Foot Give The Neck And And Body A LotOfStructure An And d This Jo JoistShould istShould Be As P erfectAs erfectAs Possible.
" 2
2 . 3 0 / 3 1 1 "
Laminate Cuban CedarLeftO CedarLeftOvers vers FromThe Neck Blank Blank (Be (Before fore You Rip The Blank Dow n The Middle).Make Sur e To Glue Glue Enough Enough ForThe Con Continuous tinuous N eck eck Block And FootAtThe Foo tAtThe G Guitar uitar InteriorAs Well. EitherExtend The The Back M aterial aterial OverThe H e eel el OrPlace A Piece OfEbony Tr iimOverT mOverT h he e Neck Heal.Both Practices Practices Are Are Used Used And Traditional. Traditional. Extension Extension OfThe OfThe Back Plate OverThe OverThe Heals Heals Gives The Gu GuitarAdditi itarAdditi o onal nal Strength.
2 2 3 . / 2 3
36.3
75.0
1 7/16"
2 31/32"
Back Braces -Vertic al al Grain M inimum20 i nimum20 Grain/I n. n. Ceda CedarOr rOr Spruc e #1 Quality.Cope OutEnd Quality.Cope OutEnd s Of Bracing And FitInt o Channel s CutInto The Lini ng Lini ng (Do Not CutThrou Not CutThrou gh The Sides.
Ke Kerfed rfed Lining Made Made FromEitherBasswoo FromEitherBasswoo d OrCedar. Many Spanish C llassicals assicals U se se Solid Kerfing F orThe F orThe Back Plate A Attachment.If ttachment.If You Choose T o Do That Make Sure The Kerfing The Kerfing Is Is Pre-BentPrior To To Gluing.D Gluing.Do o N o otIntrodu tIntroduce Stress Into The Guitar The Guitar
Longitudinal Section
Sid e And Ba Back ck Material:Many DifferentW oods DifferentW oods Can Be Used.For Bright Tones Bright Tones Go Go With With One OfThe R o osewoods Such sewoods Such As Indian R o osewood sewood o orBrazialian rBrazialian Rosewood.Koa Is Rosewood.Koa Is Bright As As Is Zircote And M adagasc ar Rosewood .ForWarmTone U se Walnu Walnut.Most t.Most Traditional Classical Classical Gu Guitars itars Are Construct ed Construct ed From Indian Ro Rosewood. sewood.
65.0
82.7
114.0
2 9/16"
3 1/4"
4 1/2"
Note:Most Luthie Luthiers rs Make A Template FromEi ttherWood Or herWood Or Plastic Plastic With The Neck Profile,H e eal al Shap Shape e And InteriorNeck Block And FootP rrofile ofile -Al l In One Template. Make Ano AnotherCopy therCopy O fThis Plan Plan To To Make YourOw n n.JustU .JustU se se Spray Adhesive To Adhesive To Attach The Pat ttern ern And C u utItOut tItOut With Your r Band Band Sa Sand.CutA nd.CutA Little Big ( Away FromThe Line)And Line)And Fi nish nish Sand With AS pindle SanderRight Down To T h he e Line
63.2 2 1/2"
"
3 . 4 / 6 1
"
2 9 . 3 / 7 3 2 1
28. 6
6.0
28.6
1 1/8"
1/4"
1 1/8"
The Red Dashed Line Ind iicates cates The The CutOf CutOf A10" Table Saw Blade
R 181.4
85.00°
Side Rein Reinforcing forcing Braces.Profile, Braces.Profile, Size and Amou AmountVary ntVary Greatly W iith th Guitar Guitar Makers. Makers. This One Sits One Sits On T op OfThe Scalloped Scallop ed Por tion tion OfThe Top Plate Plate Braces And Braces And Extends Down Extends Down The The Side AboutHalf- Way. Th They ey Are Typically Installed Installed Afte AfterThe rThe Top Plate A And nd The S ides i des Have Been Joined Joined
Back Block orButt Block .Vertical .Vertical Grain Ce CedarOrSp darOrSp ruce Minimum 20 Grains/In.Some Grains/In.Some Luthiers Luthiers Shave Shave This Block Block orAng le l e ItAway From The Top The Top As This Bloc k Bloc k Often Gi ves ves AGuita rA"Hum p" In The Top And C an an Cause Cracking .
Classic al GuitarBridge Complete Co mplete With Tie Bl o ock,Sadd le ck,Sadd le Channel And Either Either Bone Bone OrIvory Sad d dle.Cente le.Cente r On 660mm Scale Le Length ngth Both Vertic ally and Horizontally. Horizontally.
R 4,686.3 184 1/2"
7 5/32 "
GuitarTop Plate.Usually Plate.Usually B Braced raced Dead Level (No (No Arch) Use Only #1 orAA ATop orAA ATop Ma Materials terials T h his is Is The The Single Single MostImpor ttantPiece antPiece OfWood Used In AGuitar. In AGuitar. Materials V ary a ry Quite ABit,ButUsually ABit,ButUsually Consiste OfSpruc e OrCeda OrCedarFromMany rFromManyDifferent Different Regions.Spanish Regions.Span ish Ceda Cedar,Canadian r,Canadian Red C e edarAnd darAnd Many Others.Must Be Others.Must Be Vertic a all Grain Wood Wi th th No Run-out,Even Run-out,Even Grain A Across cross The Top And 20 20 Grain Grain /In /In Minimum.
Nec k Section Section At 12th 12th Fret Fret
Top Thic kness kness Varies As W e ell.From ll.From AMinimumof Abo About2.5 ut2.5 to 2 .8mmUp To 3.5mm, 3.5mm, Depending DependingOn On The S trength trength OfThe Wood. Wood.
60.0
4.8
2 3/8"
3/16"
Solid Ebony Fretboard. Fre tboard.
" 4 8 . / 7 8 3 9
Kerfed Lining Lining Made FromEither Bassw ood OrCedar. OrCedar. Many Spanish Classical s Use Sol id i d Kerfing ForThe Back Plate Plate Attachment.If Attachment.If You Choose To Choose To Do That That Mak e Sure The Kerfing Is Is Pre-Be Pre-BentPrior ntPrior To Gluing. Do NotIntroduce Stress Stress Into The Guitar
T one Bracing ForTo p.Spruce OrCedar. Vertical Grain Grain,No ,No RunRun-Out.Min.20 Out.Min.20Grains/Inch. Grains/Inch. To Co CoverUp verUp The Center SeamIns SeamInside ide The GuitarBod y And Give The The JointAdditional JointAdditional St rrength ength Us Use e AStrip OfMaple 3m 3mmThick.R mThick.R un Betwen The Braces Braces And Round-OffAs Shown Shown.The .The Bes BestWay tWay To Install This Th is Is As O ne Long Piece And Care Carefully fully CutAnd CutAnd Chisel OutThe OutThe C hannels hannels ForThe ForThe Back Braces.
These Are Th The e Side St ruts.They ruts.They Are Space Space Around The Balance OfThe OfTh e Sides W h here ere There Are NotBra ce Bracke Brackets.They ts.They Minimize The Chanc e OfSide Cracking And And AGo AGood od Idea To Install,Buy Install,Buy N otEsse otEssential. ntial.
Spanish CedarNeck CedarNeck Material.Select Material.Select Vertical Grain Grain -As Shown H e ere.Split re.Split The Neck Bla Blank nk Down The Middle And Rev erse The Grain So The So The Grai n Is Opposed -Gives M uch uch Greater Strengt h To YourNeck And An d Prevent s Warping.
" 3 . 4 / 1 6
"
2 9 . 3 / 7 3 2 1
Brown Sh Shaded aded Are Area a Indicates Area OfH ead OfH ead Block To Be S haved S haved Do Down wn ForSou ForSoundboard ndboard T h hickness ickness
GuitarSid GuitarSid es es "Let-in" "Let-in" Neck & Hea Head d Block
Outline Outline of"Foot"
Dash Dashed ed Lines Indicate H e eel el Outline A AtBackpla tBackpla te
1/4"
27.0 1 1/16"
6. 0
27. 0 1 1/16"
Vertical Grain G rain Ebon y Center Rein Reinforcing forcing Strip Down CenterO Down CenterOf f Neck.
Side "Let-In" AtHeel AtHe el Side "Let-In" AtTo p Of He Head ad Block
Outline Of Head Bloc k k
GuitarSides GuitarSides "Let-in" Neck & Head Block
Lateral Section
4.28°
Nec k Section At Section At 7 tth h Fret
To p of Head Bloc k k Looking Down Down Note ForDetailed Construction Instructions ReferTo OurBook "Guitar & Ukulele Construction Handbook @http://shopglss.com
This Drawing orDrawings Are To Used ForOne Use Only And NotReproduced ForAny Other Purpose Than Construction OfThis ParticularInstrument, and a One Time Reproduction Only is Allowed Reproduction,Distribution orSales ForAny OtherUse Is Strictly Prohibited And Falls UnderU.S CopyrightLaws For David VerBurg AIAc 2013 This SheetSize Is Metric A0 Size Overall Size is 1189mm x 841mmWith 15mmBorders On All Sides.For USA Customers PrintOn Architectural "E" (36" x 48")Without Resizing For1:1 Printout.
Georgia Luthier Supply
Classical Guitar Plan #3
Date: Feb. 2010
Sheet Number
Revisions: Dec 13, 2013
Unless Noted Otherwise, These Plans Are Drawing Full Scale. They Are Labeled in mm and FractionalInches
C2
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