Classic3plan 2

September 12, 2022 | Author: Anonymous | Category: N/A
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660.0 25 31/32"

Back Block orButtBlock.V  orBu ttBlock.V ertical Grain CedarOr Ceda rOr Spruc  e Mi n nimu imum20   Grains/In.Some Luthiers Luthiers Sh Shave ave This Block or   Angle ItAway F romThe r omThe T op As This Block Often Often Gives Gives A GuitarA"H ump" In The Top And And Can C ause auseCracking.

Sc a ale le Length  7.6 1 7 7.6

 7 "

 .0  21  21 0

 6 "  3/1 1 3/1

4.8

330. 0

3/16"

13"

. 6  9 6 1 2 9.

/  3 2 "  3 3 5 3/

 .9  7.  7 9

/  4 "  3/  3 4

13"

. 9  4 9  3 4.

 4.9  3 4.9

 6 " 1  11/1

/  8 "  3    8 1 3/

/  8 "  3/ 8 1 3

T his his Light Line Light  Line Is The Neck S   plice Joint.There Is A8.13 Is A8.13 Degree Degree Angle FromThe Neck FromThe Neck To The Headpiece Headpiece

41.3 1 5/8"

Re-Co Re-Constituted nstituted Ivory OrE   xcellentQ uality  Bone Fort h he e Nut.

C llassical assical G GuitarBridge uitarBridge Complete Complete With Tie Block ,,Saddle Saddle C h hannel annel And  EitherBon EitherBone e OrIvory Saddle.Center  Saddle .Center  On 660mmS c cale ale Leng th th Both Vertically  and Horizontally.

Many Class Classical ical Guita Guitars rs BuiltIn The Spanish Spa nish Traditi on Shave The Bass Bass Side Of  The Fretboard  Down Gra Gradually dually Fro FromThe mThe 12th FretTo The FretTo  The Soun Soundhole dhole To Give The  Bass Stri ngs ngsAdditional  RoomTo RoomTo Oscillate  Oscillate..

ForFret Spacing, ReferTo F retSpacing retSpacing Chart Below  Chart Below   3.0  4 3.0

 9.1 1 9.

5/1 6 "

330.0

   "    4    4  .   /    1    6

   "    5  .   6    1    4    /    9    1

3       1       /        4       9        .  "       1      

Drill These Holes On ly AfterYou AfterYou Have Purchased Purchased YourTuning YourTuning Machines.Make Machines.Make H oles oles About1mm LargerTha n The Roller. Drill These Holes Holes FirstTo Minimi ze ze Tear-Out  Tear-Out  OfThe TunerSlot s s..  3.2 1 0 3.2

27.6

#1 Quality Cuban Mahogan Cuban  Mahogan y Neck With

T he he TopTrimFor T he he Headstock Headstock Is Traditionally  Made  Made From From The Same Wood Wood As The Back And And Sides. Itis Usually  LeftoverStock And And Is About  About 2.2mmThic 2.2mmThick.Glue k.Glue Maple Or  O r  Ma ple/Ebony  VeneerBeneath F orAdditional orAdditio nal Detail -This Is  APersonal Preference.Glu Prefe rence.Glu e These Pieces B efore Any  H eadstock eadstock W ork ork Is Started.

R 12.0 15/32"

E bony bony ReinforcementStrip ReinforcementStrip Do Down wn Center  Center  (See Detail Above).Selec  Above).Selec tOnly tOnly Vertical  Grain Wood Wood ForYourNeck.

   "    0  .   2    3    /    2    1    0      4    1

   "    2  .   2    3    /    5    5    0      4    1

1 3/32"

R 38.7

 "  4   4 1/1 6

1/16" (1.5mm)Ceda (1.5mm)Cedar  r  Bridg e Plate Glued To T h he e Unders Underside ide Of  The Top Place.No tch Fan Bracing Ov er  er  The The Top  Top OfThe Bridge Plate. Bridge Plate.

C ross ross Brac e Side Brackets At 2 At 2 Main Cr o oss ss Braces.ReferT o Top Bra Brace ce LayoutFor Size Size And   And  Configura Configuration.Install tion.Install AfterTo p Plate Is Glued Is Glued To Sides.

   "    6    1    /    0  .   1    1    4      3    9

Shaping The "Foot" "Foot" OfThe GuitarIs G uitarIs One Of  The The MostDem  MostDemanding anding Operations.The Operations.The Foot  Foot  Give The Neck And And Body A LotOfStructure  An  And d This Jo JoistShould istShould Be As P erfectAs erfectAs Possible.

       "        2

       2 .        3         0        /        3         1       1        "

Laminate Cuban CedarLeftO CedarLeftOvers vers FromThe Neck   Blank Blank (Be (Before fore You Rip The Blank Dow n The Middle).Make Sur e To Glue Glue Enough  Enough ForThe Con Continuous tinuous N eck eck Block And FootAtThe Foo tAtThe G Guitar  uitar  InteriorAs Well. EitherExtend The The Back M aterial aterial OverThe H e eel  el  OrPlace A Piece OfEbony Tr iimOverT  mOverT h he e Neck  Heal.Both Practices Practices Are Are Used  Used And Traditional. Traditional. Extension Extension OfThe  OfThe Back Plate  OverThe  OverThe Heals  Heals Gives The Gu GuitarAdditi  itarAdditi o onal nal Strength.

       2       2        3   .       /        2       3 

36.3

75.0

1 7/16"

2 31/32"

Back Braces -Vertic al al Grain M inimum20 i nimum20 Grain/I n. n. Ceda CedarOr rOr Spruc  e #1 Quality.Cope OutEnd  Quality.Cope OutEnd s Of  Bracing And FitInt o Channel s CutInto The Lini ng Lini ng (Do Not CutThrou Not CutThrou gh The Sides.

Ke Kerfed rfed Lining  Made   Made FromEitherBasswoo FromEitherBasswoo d OrCedar. Many Spanish C llassicals assicals U se se Solid Kerfing F orThe F orThe Back Plate A Attachment.If ttachment.If You Choose T o Do That  Make Sure The Kerfing The Kerfing Is  Is  Pre-BentPrior To To   Gluing.D Gluing.Do o N o otIntrodu tIntroduce Stress Into The Guitar  The  Guitar 

Longitudinal Section

Sid e And Ba Back ck Material:Many DifferentW oods DifferentW oods Can Be Used.For Bright Tones Bright Tones Go Go With  With One OfThe R o osewoods Such sewoods Such As Indian R o osewood sewood o orBrazialian rBrazialian Rosewood.Koa Is Rosewood.Koa  Is Bright  As  As Is Zircote And M adagasc ar  Rosewood  .ForWarmTone U se Walnu Walnut.Most  t.Most  Traditional Classical Classical Gu Guitars itars Are Construct ed Construct ed From Indian Ro Rosewood. sewood.

65.0

82.7

114.0

2 9/16"

3 1/4"

4 1/2"

Note:Most Luthie Luthiers rs Make A Template FromEi ttherWood  Or  herWood  Or  Plastic Plastic With The Neck Profile,H e eal al Shap Shape e And InteriorNeck  Block And FootP rrofile ofile -Al l In One Template. Make Ano AnotherCopy  therCopy  O fThis Plan Plan To  To Make YourOw n n.JustU  .JustU se se Spray Adhesive To Adhesive To  Attach The Pat ttern ern And C u utItOut tItOut With Your  r Band Band Sa Sand.CutA nd.CutA Little Big (  Away FromThe Line)And Line)And Fi nish nish Sand With AS   pindle SanderRight  Down To T h he e Line

63.2 2 1/2"

   "

   3  .   4    /    6    1

   "

   2    9  .   3    /    7    3    2    1

28. 6

6.0

28.6

1 1/8"

1/4"

1 1/8"

The Red Dashed Line Ind iicates cates The The CutOf   CutOf   A10" Table Saw  Blade

R 181.4

85.00°

Side Rein Reinforcing forcing Braces.Profile, Braces.Profile, Size and   Amou  AmountVary ntVary Greatly W iith th Guitar  Guitar Makers. Makers. This One Sits One Sits On T op OfThe Scalloped  Scallop ed  Por tion tion OfThe Top Plate Plate Braces And  Braces And  Extends Down Extends Down The The Side AboutHalf- Way. Th They ey Are Typically Installed Installed Afte AfterThe rThe Top Plate A And nd The S ides i des Have Been Joined  Joined 

Back Block orButt Block .Vertical  .Vertical  Grain Ce CedarOrSp darOrSp ruce Minimum 20 Grains/In.Some Grains/In.Some Luthiers Luthiers Shave Shave This Block Block orAng le l e ItAway From The Top The Top As This Bloc k Bloc k Often Gi ves ves  AGuita rA"Hum p" In The Top And  C an an Cause Cracking .

Classic al GuitarBridge Complete Co mplete With Tie Bl o ock,Sadd le ck,Sadd le Channel And  Either  Either Bone Bone OrIvory Sad d dle.Cente le.Cente r  On 660mm Scale Le Length ngth Both Vertic ally and Horizontally. Horizontally.

R 4,686.3 184 1/2"

7 5/32 "

GuitarTop Plate.Usually Plate.Usually B Braced raced Dead Level   (No (No Arch) Use Only #1 orAA ATop orAA ATop Ma Materials terials T h his is Is The The Single  Single MostImpor ttantPiece antPiece  OfWood Used In AGuitar. In AGuitar. Materials V ary a ry Quite ABit,ButUsually ABit,ButUsually Consiste OfSpruc e OrCeda OrCedarFromMany rFromManyDifferent  Different  Regions.Spanish Regions.Span ish Ceda Cedar,Canadian r,Canadian Red C e edarAnd darAnd Many Others.Must Be Others.Must Be Vertic a all Grain Wood Wi th th No Run-out,Even Run-out,Even Grain A Across cross The Top And   20 20 Grain Grain /In  /In Minimum.

Nec k Section Section At  12th 12th Fret   Fret 

Top Thic kness kness Varies As W e ell.From ll.From  AMinimumof Abo About2.5 ut2.5 to 2 .8mmUp To 3.5mm, 3.5mm, Depending DependingOn On The S trength trength OfThe Wood. Wood.

60.0

4.8

2 3/8"

3/16"

Solid Ebony Fretboard. Fre tboard.

   "    4    8  .   /    7    8      3    9

Kerfed Lining Lining Made FromEither Bassw ood OrCedar. OrCedar. Many  Spanish Classical s Use Sol id i d Kerfing ForThe Back Plate Plate Attachment.If Attachment.If You Choose To Choose To Do That  That  Mak e Sure The Kerfing   Is Is Pre-Be Pre-BentPrior ntPrior To Gluing. Do NotIntroduce Stress Stress Into The Guitar 

T one Bracing ForTo p.Spruce  OrCedar. Vertical  Grain Grain,No ,No RunRun-Out.Min.20 Out.Min.20Grains/Inch. Grains/Inch. To Co CoverUp verUp The Center  SeamIns SeamInside ide The GuitarBod  y And  Give The The JointAdditional  JointAdditional St rrength ength Us Use e AStrip OfMaple 3m 3mmThick.R  mThick.R un Betwen The Braces Braces And   Round-OffAs Shown Shown.The .The Bes BestWay tWay To Install This Th is Is As O ne Long Piece  And Care Carefully fully CutAnd CutAnd Chisel OutThe  OutThe  C hannels hannels ForThe  ForThe Back Braces.

These Are Th The e Side St ruts.They ruts.They Are Space Space  Around The Balance OfThe OfTh e Sides W h here ere There  Are NotBra ce Bracke Brackets.They ts.They Minimize The Chanc e OfSide Cracking   And And AGo AGood od Idea To Install,Buy  Install,Buy   N otEsse otEssential. ntial.

Spanish CedarNeck CedarNeck Material.Select  Material.Select  Vertical Grain Grain -As Shown H e ere.Split  re.Split  The Neck Bla Blank nk Down The Middle  And Rev erse The Grain So The So The Grai n Is Opposed -Gives M uch uch Greater  Strengt h To YourNeck And An d Prevent s Warping.

   "    3  .   4    /    1    6

   "

   2    9  .   3    /    7    3    2    1

Brown Sh Shaded aded Are Area a Indicates Area OfH ead OfH ead Block To Be S haved S haved Do Down wn ForSou ForSoundboard ndboard T h hickness ickness

GuitarSid  GuitarSid es es "Let-in" "Let-in" Neck & Hea Head d Block 

Outline Outline of"Foot" 

Dash Dashed ed Lines Indicate H e eel  el  Outline A AtBackpla tBackpla te

1/4"

27.0 1 1/16"

6. 0

27. 0 1 1/16"

Vertical Grain G rain Ebon y Center  Rein Reinforcing forcing Strip Down CenterO Down CenterOf  f  Neck.

Side "Let-In" AtHeel  AtHe el  Side "Let-In" AtTo p Of  He Head ad Block 

Outline Of  Head Bloc k  k 

GuitarSides GuitarSides "Let-in" Neck & Head Block 

Lateral Section

4.28°

Nec k Section At Section At 7 tth h Fret 

To p of Head  Bloc k  k  Looking Down Down Note ForDetailed Construction Instructions ReferTo OurBook "Guitar & Ukulele Construction Handbook @http://shopglss.com

This Drawing orDrawings Are To Used ForOne Use Only  And NotReproduced ForAny Other Purpose Than Construction OfThis ParticularInstrument, and a One Time Reproduction Only is Allowed Reproduction,Distribution orSales ForAny OtherUse Is Strictly Prohibited And Falls UnderU.S CopyrightLaws For  David VerBurg AIAc 2013 This SheetSize Is Metric A0 Size Overall Size is 1189mm x 841mmWith 15mmBorders On All Sides.For USA Customers PrintOn Architectural "E" (36" x 48")Without Resizing For1:1 Printout.

Georgia Luthier Supply 

Classical Guitar Plan #3

Date: Feb. 2010

Sheet Number 

Revisions: Dec 13, 2013

Unless Noted Otherwise, These Plans Are Drawing Full Scale. They Are Labeled in mm and FractionalInches

C2

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