CLARKE, Bass Clef

. '-:--­

.

-­

-~ -- ---_.--- _

,

HERBERT L. CLARKE

~

BASS CLEF INSTRUMENTS Edited by CLAUDE GORDON Transposed into Bass Clef by William B. Knevitt

CARL FISCHER ~ 62 Cooper SQuare. New York. i'JY 10003

Copyright MCMXII by Carl Fischer, lne., New York. Copyright Renewed. Copyright MCMXXXIV by Carl FilCher. ~nc.. New York Copyright Renewed. Copyright e MCMLXXVI by Carl FilCher. Inc., New York 62 Cooper Square, New York, N. Y. 10003 International Copyright Secured. Copying or reproducing thia publícation in whol. or in pwt violatea the Federal Copyright L.aw. AII rights reserved ineluding publlc performance for profit.

04968

.

This work has,·been espe . writteh to show the student how thro proper and any obstacles which may occur in musical passages written for rus may be overcome.

the exercises contained in this book in rI"fl .... to student enduran ce without muscles wroch control the

.... 1~'l.1u"la ••n ..._

...,...

... ,... rof"...

untU

a brute force is necessary to ......"rt •• ro... It will be found to the hIgnes:t. as well as tone instructions that and not very exercises in tros book are QnUC1Jit. if pra.cuc:ea at flIst and not for too a time. 1 have used them in my for years and have been the rneans of rny rea.CI1llnJ;'!; the a two hour concert and also of so that never tire. What has been a should be of benefit to other nl!:l'\1Plr~

"i,

to attain the rug;ne!5t One cannot of excenen~e without hard work and peJ;serverance. Nev.er be satisfied with to to sorne extent each to. that COflOlllerf'!11 what at rlIst seemed an unpmiSlb!tl1t I

'-"'-',......,"".. the leastmistake you make lm:me

;1:1

>-

:::>

::>

:::>

::>

>­

::>

d

d

31 J JJ J J J 3J j J J J J JIJ3bJ J j J j J JJ:J J ~ EfE I

::>

:::>

:::>

:::>

::>

:::>

::>

---==========

v: I are Lrr eL r f er r EEr FlE r bE rE r j LEr r r Er Et I ;H 70

ffrFfrrrEEffEEf1:IBErcrDZfi!J:11 ~j#jjJ ~ ;hb~9 flJ j J JJ JJ J J:J J;2 JI j J&J Jj JJ JJJ5]1 (j pp ::>

fj

;1:

~;,

ji

b

j:b&¡,b

>-

>-

>-

>-

Jit ..

>­

2J J j J j J j J j J J3 ji J JqJ 3j JJ Jnn...~ rrll

Fj r r

>-

::>

6

rr r r r r r Fñr ErIrCf r r cr r t r fr.rEei I &

.

mrrrrDmtlytrrrr¡mrrrM:11 ¡m_J 6 =====-­

::>::>

TI

NS924

(

v

17

...

l

... ...

'.)!

)

~~'~b

.....

.. 76

.

!Hn

!l

fr FFFrFFErFFEr FrI rm rr Emr m; r rl ~~ r11 ij

J

1

~

.. ...

~

... ...

;>i #ti ~

I

.

\

..

.... .1

...

..

... \

~ f'!:. ~

~ ~«

'~

p: ## r r L r j F5r r r j r k r L r I br"1# re Ff r eFti Ek

N5924

::>

::>

::>

::>

qt:

«

::>

::>

::>

t:A

t

I

.f.>.

N

\O

Vl

c:.o

-.ti

"'" OC

-.l

--.,q

CI':o

CQ

.~

(;~~

~

N

-o

Vl

z

'-: "_'-'-,, 'lo a. L- a.-L'-L ......

"-.,,,~,,' .... 'l-~~ 1 1 "l "lll"ll-l '1- l·l' 1 la¡ 1 ¡ 1

'-I-",q,¡ ~

" " i7;

'~'f

00 O

~ll~)l-l· -l ·.p,Jl-

:)

".r~·

p----­

/1'

;:';'ID ~/ ',¡:,. N ¡/

'. t' "

,- "

----,

"

,'..... ( .....

---'"

._----­

'"'

""'

- - ".........

j.,...'.....,. ~~ ~~ ~ . ...., ---~~ ~'-"'.

--,

.... ..-.,

--, -..,

~

.-...

~"""'~J'~r~ ~Ir ,-.

00 CJ1

__ ", _

H',l~'

~

00

..Q.,O-.

~

00 O

Nl

--......,..

~~" .- , , -

I

..

~~

21

I

86

d: 1,49 J J &Effi;etffJ Eh~r ff lfitr h tE geoP ~I d: ~ g¡; 6(rerfiT?tRt rei te rgfQW tI ªql

v

=:~::;~

sr si tlff t r etc r

~~ =>~

3h ef f f u~r Eflqf f Ef f rf I se rr

p:~ f):

oWt U

ER1qE r F!? l&Dj J melle 6 ~ I

9

~ IJb J hL r F t rbEr r U I

t): ~

NS924

ere

::>~

f

~I

OOJ

e r c::

j:J J j J J j J br br r rEe I r Fr r rFErE E r; -

I

-

}

r

-¡ rsiS;>

J

JI

¡ ~

~ J

t

22

1

~

¡

1

;-, :

I

~

l

FIFTH STUDY

i!]

I¡!

EbJ~6'n"ce

is 90% o~ Brass playing, and will-power is necessary to accomplish what is considered an by rhany ~layers. " ~/ "

~p~~~bi~ty 1

! ~

Dili~ent

!

~

.. ~;~, -.

.

.

practice pf th~e precedlpg m~tenal must have lmproved the breath control oí the players who should no~ -ready fo~ thÚ Study con-taiñ"ing more ambitious exercises. Here is a test of endurance and breath ~~n~rbi as these ekerciJes comprise a range of two octaves . • i - ¡

bé

¡

Ex. 94

Do .nbt attef.npt until you have played the preceding ones over many times with perfect ease. Then try the : neXt .a step lúgher and so on until you have mastered aB. Remember that a twenty story building requires a~ rríucli frrmer foundation than a structure of only two stories. f

' t

.

1

i

i

Do "¡ no~

strain or force the tone. Single and double tonguing thls study will add to your advancement.

Etude V Must be played in one breath.

,!I~~

tr Jt1 iE rife el 'r U

:::>:'--======= --~------~~--------------------~----~~ I

=

::>

er tI ErE; Qr 61

1

te el ar rt f

r.";

11

,r r F emUfe Cf {j 1):11 =

=

ti J] ~ Fr; ee6f 1J JJ I i 9J] cr r; te U ¡'"'j §) I E1JfJf1 f rE r r r r Er E1 Or e ~ rr r f1 =

:::>:

1

N5924

"\

. )

11

J

j

•

••

23

t:\

II ;>:& (\

, • •

-----=====

.

:J J J J¡J JJ:J j JO¿J JJ I:J J JJ¿J J J JOJJ

pp-:=>

=

n:a er [/ ar [ rEr :>

-=

jf

:>

:1

i ¡ ¡

---------­

ErEn;,

=.:>

:1

; .

I1 1

¡ !I !i I

1J,

1

Er rJ EEr¡ Er EL fiB

:11 ¡ '1

li i'

j¡

¡: 11

i'

¡;

, li ~

It 1

• •

•• 91

•

~

• j):

• •

,

¡J

¡

'.

! .

: 3): ~1

¡fi; [r EX eFc¡ i; J J1t F G t F(fO f bfif; I • : p: ," / (fU gEr f f Er r r j r: EF r rEfE t t /

~:>

•

1

•• •• •

.

t 9

N5924

".

t:"\

1I

;

; I

i I

l.

I¡

¡¡iJ I

¡ ! I

~===-::

.. 't

j:1

:

===- --====-= -========--

-==

~====:

====- :::>

--o

= ====­

~;!'~Pl~ f5i-j-e-'-E-F-E==-i'--E;--I-~-J-J E-F-G-F=--:;=--i'-r-r--':t:=i=S=--;:;~i?r -1

~:: 13 erFf Er r f f f r r QEEl 1rF r rªf f U

1

o

1

#

;I:~::

93

;>;

dJJJErcrlJJJcrrr liJJJccv;¡iJ;J abjr:r¡

~b lJí5Q t rc=;, r el t=====-­ Ei' r lE--====== r el fe Cl' rEFfE?? :I~ ===­ - ~ :==

94

:,:'.

II

... .,.. -.

N5924

o

tí

..... .... ...... ... .. -"'!ir

~­

i

..'".Ji

25

"

~

95

~

~

.... .­...

..... ~

!

...,. ...... ... ~

:): rfCE f f [ f f t rErF tr-I f e r f t Ef il

~

1I

~\\~~! [fá 6r fl ir FIlr = &1 ESEE [rEtf rtrtrFlI

...... :>: ~I':,~~ filcftrr eh UEC[F, f rFrtte rFe CtU i

.,. ... ;): &&:,~~ ai 'r EfEtr! er bt l' FFi rnefffEtfU¡, 96

:IIi

~

~

....

......,. ..... (t Ji

~

...... !. ~

...... 1­ ...... ...... ...., i

....

" .

-l' - ¡; " ~3

*z

---.lS. ,

,:~\~~ rrtrErtflEEfrntrf IEr:fffrfff

r."\

1I

·, These as

)ne bre

19

lOl

15924

slide which ~re so ,,,'J many in

IJ'-J''''.......

j

~ .-""',:..~

• . ',r.,

-

--:-:'--.:-

.

-'~;".

. . /::;l:f.~' ~"

--: .~~"!,,"

••

.$;.-.. .~ '-

.~~~..i"~.~;7:..~~::.

~

I

27

•

t:\

-

11

t:\

-

11

t:"\

-

11 \ !

t;'\

- I

~

-

1I r.'\

-

.­

1I

..

•. ..

t:\

}

-

1I

I

4

...

...

.... ... ... . .. ./

..

t:"\

-

N5924

1I

ETUDE V

o ~o

JO o

o o (

---; =J OJJJ2JJi141¡j~Jli9JJ1JJj[JjjP~1 ,!: ~ ir 2JJ 2

()

::::::¡

o () f)

¡:~& lnr ~ EEC/eCCFerWlccrprrC-fErFffcfr I te j t rr fEfffr crerJfrEe r efeEe ~ --- fe--tCrrl

o )

o

o

): j&

o ')

n r)

f) í) r

r )

') ­

o \

• ----._--~~~

' -_.::-::.:. ...

.

,. ,

'

r:\:.: .. , .· ·"

_ .~

, SIXTH STUDY

e ~

29

~

Another forrn of major and minor scale practice in different registers; a great help towards endurance, technic and elasticity of the Iips.

~

Both tonguings should be praeticed as usual.

e e

Perhaps now you will realize that mueh more benefit is derived from playing these exercises in one breath than by holding long tones. .At the same time enduranee, technic, elasticity of lips and the kriack of reading musie rapidly, is gained. (Met.

118 ;H e

~- 92

to

1.~2)

15JJJJjJJJJJJJjJIJJJJJJJ]JJJ]J3JgI

PP-:::>

'

::>

-:::>

. : ~: # JD J JJJ J J J ; J JJj

4

-:::>

-:::>

:>

,

J d J J Ud UJ UJUJ Ud Jij,1 1

-:::>

-:::>

\

~ ¡ ~: # J5i jU,O "O

EEc.t g r#dt lffiertbr rEr Ee'e; _1

-:::>

,

1J55 JiU.; J Er rt EL#r:t 1leir! EFr FC1mr fiJo'1 EJ:' 115 J 1 J J O1 J J J J J JOIj ¡ ~ ~ Uf

j): B

:::>

-:::>

ji BaH"

-:::>

-:::>==--=======

nJ J JJ J JJ J J 3JJ J J3J ] JJJJ:J J

-:::>

i

:J J) j :J J

1

-:::>

-:::>

.

:::>

JI

Sr El rrFflfffrCEEdErc'. 1 ====~___ :- j .

;1:B aHn j§5n;J l~ E ~



::>

: ir BallB ~

lfIin J J ErCi 6t"¡ffftgC GcE 5ej_¡ -:::>

.

7--_

~------------------~~­·-·ff

C· c@=

;"

~ j

...

"'

--::.;

.~: if' -"";"""" ..,.,.".", ..

::::>

f);

i"H

:>

:::>

:>

'

JD J J J JJ J j ] J ] J] JJ j J J J J J :J J J J :J J JJ J1 I

~

:>

:11

:>

:>

~ ..

: ;?=ipH ...

# ~~ q

Jf53tDerr trr¡rdrfl f i

fFtFr~eC#r1Jii51

::::>

t:'\

..,

... ...

... N5924

•

11

I I I

31 .>

•

123 ;h&&\Hl

:rt

j3J3JJJJjJJJjJJJIJ3J3jJJJj3JJjJJj,

pp ::> .:::> :> :> -------~----------------~---------

---9: ~&I,j~& dJ; J D j J dJ J J JJJJI 3J 3J 3J3JDU JJiJ}11

ª

~

.

:

: p: ~"!,\i,

•~

1

:- tr .\.,' .,

I

~ 24

: (1

: p' y" ttt

'

;WbrrJ ErrJ' rfAIrEfJetr{ E[ El jm

3m l

J 3j

~

~

:;r p. f ttt ¡¡

J J JJ gJ J3IJ

~

:11

~

t:'\

1I

JJJJ JJj JJJj JJJj JIj JJ JJJJJj JJDJfldl j15 J :J J J Jj J J Jj J:J J J JJ J j JJ 3JJ j l5J ,1

;} é H

pp~

~

~

~

:>

1

~

UD

~

::::>

-: y: ~'1 d5Jif j'Ff Ee grr1r ¡ffrrEtE! EE1EfrJi):1 q

: p:

~; J5fi ¿J JJ JJ J J¿J j J J P. E tl1

8:::>

1

~

~

.

'~r

~

.

, ti

"

NS924

'

t:'\

1I

1 7

1

---------------------------------------~

NS924

i

~

11

,

J

.~:~.'ia~:.' -~ '""" " ''-

"C!:#

el

p~"":: :>

~"3.~3\ !A _ 1IIi.

..... .,­ "7'" l1f

-­ r

~

_

....,.,q,.-,...

i:...L...I

~;¡¡

~

=­

~

....... ,...

~

-----~

r

~ ~

r"

-

-ID j -.,

ra .:~f•

,... --

.....J~

~

,.

r.

r.J

ra.;]' 1'3 ~.i' • • _ ~,,-.;- _. ' r­ -_ 3"'­ ~-_

ti

... r­

-

I'!!:Ciii

....L....oI

-

-,.. ­

--

-~

_

-.­

·.,.,.,.

,

-

_·'1 ·'1

- '­

•

-ti tfrrí Iif20_ rr. ~

~

--.­

o....L.

­ /9

- /f."l:"-­-­~ -

u....I

~:;¡¡

:

=-1'_ T_ . --­-.-=­,... -

r;;-­ ~

:>r­

l~

I!: ....

-=--­

-----......

t:\

l.

• '1 • ,'1.

..,

,j

l. l• l.

,.

::>

156 t:\

- 11

157

.

, ::..

" :'R#



_reFlCE! r~r Ifr~ L~Ft!! JOgro·11 ~ i

----===

176 ;h& !119b1jqJ1?fpl@j!rrrqC!rrrrrlf~rqr!rr~rer~E#ij1 §f9

,.r.

f):&~ ;rTrrfJ(rt:,~jmmrrFrr,~ : I

~~~~ ~I

~ f)¡~& Iffítiti,frrftfrrttrltrrrEErttErrfl_~rtt'tVfUI

~ ~

: ¿: &&

•

n

j in] i%J JgJ

JJ 11¡~WtO ge a! ~rJ I§(if[crfe1d I

;

J)1&blijfÚr~rr~r Icr~r c'.¿Fi?lerll

•

N5924

,

¡ViiI

I :~

,.

r

¡

z ;.

~r"-··-

N

-l»

\()

.' VI

v

.:±:

-,.

1. ..' __,

...~

·,,§¡¡;: 'iIJ·; , ;/~ , '.' ', ;(~~. 'r! ('1 '!'\~. ' l. ..: '~fí,,~~~f~ ~,::~{?'~~.