Calamity Jane
Short Description
Piano Vocal Score from the Broadway Musical...
Description
a .
Amateur Oberatic Version '
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MIIT JAH (Opere&a,inTryo Ac:*)
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MUSIC BY t
SA}I*TY FAIN
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Vocal Score .:1
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KINNEYMUSIC ,',: -,
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6gents: Sole.selfing
ffiUS|G SALES*f'b ., |9,Ndwmsn I
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CALAMITY JANE MUSICAL NUMBERS Pqc
No.
I
Ovrnrrnr
ACT I l. 2. 3. 4. 5. 6. 7. 8. 9. 10. l0a. ll. "12. 13. 14. 15. 16.
" Tlfi DEADwooo SucE " (Calamity and Enscmblc) ; " CAREESswm{ fiIE Tntmr " (Calamity, Bill and Mcn) " (Bill and Mcn) " ADELAIDE " Ev'RyoNE Conplrnls Asour rnr Wrlrrnen " (Frycr) '" MEN ! " (Calamity) CIN-Crx @anccrs) "HrvE Fwr. or HoxE'Y" (Fryer) " I CAN oo Wmrow You " (Calamity and Bill) OpsNrNc ScnNn 2{rchestra " Ir's HARRYI'ru PuNNrNc ro Mlnnv " (Adelaide and Stage'DoorJshnniss) " (Katie) " Rrpruse oF fT's HARRYI'u PuNNrNc ro Mmnv "ADELAIDE" (Men) OprNrNc SceNE3-RnPRrsEoF " WINDY CnY " (Calamity and Chorus) ' . * KEEPIr Uxpnn Youn Hlr " (Katie) " " Rrpnlss oF KEEnIr UNorn Youn Hnr (Katie and Chorus) " Wmr THs TR'tm{ " Frxeu Ac"r OwE: Rrpnrsn oF CARELESS (Ensembleand Chorus) ENTR'IcIB
6
2r
n v
39 45 48 5l 55 56 60 62 6t ?8 79 83 t5
AciT 2
: : { ,T t
I
'17. OpBNrNcAct Two : " A WoMAN'sTouclt' (Calamity and Katie) " (Bill) 18. " HIcIsR TtnN I Hawr " (Chorus) " 19. THB BLAcr Hrrrs or Dnott '19a. Opnr.nNcScrNn 3 : Rrpruse oF " BLAcK HIr.rs or Dlrotl " (Calanity, I(atie, Bill, Danny and Chorus) \u." IrvE vou DslRLv " (Katie and Danny) n. 21. Frt.nr"erro (Calamity and Bill) 22. OpnmNc ScsNB4-Orchestra 23. " My Sncnrr LovE " (Calamity) " '23a. MeIos lxp Rrprusn or " MY SscREr I.ovE " (Calamity and Bill) U. RepRIseoF " WrNDy Cny " (Chorus) 25. Flxer,E (Full Company) 26. CunrHN Clr.r: "Ttte BIAcx Httts oF DAKoTA"
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88 98
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109 l14 tt7
r20 r22 125 lzE r32 r43 tn
CALAMITY
JANE Music bv
LYricsbY
SAMMY FAIN
PALILFRANCISWEBS'TER
Music adapted arxlarrangcdby RONALD HANMER
OVERTURE Broadlyin 2 (l =m)
El n.Ent2 (J=rn)
L
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O Copyright MCMLXII by Remick Music Corporation, New york. KINNEY MUSIC LTD., 69 New O>idordStreet,London, W.C.1for
United Kingdom & Eire.
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El Steady4 (r -ns)
r i f
r f i f r f i F t r i f i
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T I
t r t T r F i T t F I r i
i F i
Vlns.
f r F i r r f i
r r r t F t r I r i Fi
7 t f t
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Trcm Sob
i 7 r r r r r r r r
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(J=125) mAttegTvivo
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ACT I THE DEADWOODSTAGE
N9 I
(CALAMITY Md ENSEMBLE)
Bright2 (J'ros)
It'll
be
here,
Uncle.
No
need to worry.
MILLER: Wro's worried?
Ever sce re
worrredl
the Ded-nood S@is a
cur- tainsflappin'andthedriver a - slmiri the
Whipcrdauay,wtripcra&a*ay,uttipcrad a- uay!-
t
Oh, theDeadwood Stage
In - jun :uro\&sare a - thicker thanporterpine
ti5te 3r de - lay-
Whbcracka-way,whipcracka-way,
THREEOR FOURi.IEN
Thev'rehead-irf straiehtfor town
I
t
load-ed down
with
a fan - cv
Dad-v'md Stageis a - cominon
af-ter is
nest,
Whipcr*a-way, wfrip cnrk a-uay,
Tv,enty-tlrcemiles,
-4-J'
tlreyr.e orveredodry-
t .rrr
I
l0
MILLER:
ncvef
happ)
Thal
tr
she
might
have
anothcr
Indim
fight
BILL: Quit boilin'
rrnless shes
mr,
( ' a l a r n ' s n c v c : l a i l e d t o h r r n g r n t h € s t a g e y e l - h r i u n s o r m h , i u nMsIl L L E R : D r d n t $ m t a n y t h i n g r o h a p p e n t c h e r t h i s t r i p - s h e ' s g o t m y r t r e s s a b o a r d -
-, -T--l
goturnin Thewheels
tL-
lnmervardtxutid.
em hum-min?
I{ap - py tinrs
br
to
sta.v
Hey!
Tlq'1lbe hrne to- niglr
by thc
Tlrcy'll be horne to - niglrt by fre
ardteir lrara a- thunninlilaamardolinplunkin'a
r-rl
Wlrcntheyget home, /-1.
Ttrtll be fix-in' to stiry=--l
r l2
Whipcnrck a-way,whipcnck a-waY,
Fkre theybe!
Fbrethey be!
How's a-bout a
If al -t i* [i lr tS r
CALAMITY
JANE
cntcrs
followcd
.
sort of
I
RATTLESNAKE
and passcngers from thc stage - coach
fol thc werlcrtmc
t
-
l
r
LOCALCHARACTER
( high pitclad voice)
A
lst Local Newrubberhoots 2td local
'
Thingsto cro-drct
v
brine ustcrdrvl-
Ten dollarsuits !
!
vns.
r
spark-le Beadsthat
gin-e-hamfor the
like a
girls; ' )
l
+
l
rheuma- tis - m;
Snakeoil fer Yer
Prls-m
Gum drops nmdeuP
, +
l
)
r
string of sog-gy, and a gen-u-wine
+---..-____=--
wore in
ev'- ry
fam-ous con- cert
ltnll --=----r-;-l
,
t
+
+
+
Cir^st yer eye on l
pa-tent pending hair re - stor-er,
Lkr- tor Borah's
ball
- rill
t-| L t l
grur-run- teed- to grow har on a bill- iard
- tro - du-cing Hen-ry
=t I
I
Fl &Clar col rcice
---J-
Ain't a
showman an - v
Gar- ter. wherethe creamof Deadwood Ci - ty connsto IJ
dine
srart-er. op - er
ates the Go[- den
r6 Cal. glad to
say he's a
\€ - ry epod ftiend of
a-----/ mine!
I t
told he pam'd for
gold but ne - \€r
Fron-tier 1
scort for Gen'- ral
back in
w
Yel - low -storc in
man and bron-cho .
eigheen- six-ty -
q----/
But I m
glad to say heb a
rie- ry good frierd of
mire ! -
whre dla get tlrrn
fiur- try ckflrcs?
Cal.
I (
smel-liri like
---------* Flere\ a
On his
mnn the sher-iff
lrtrntherebmorctkrn twen-ty sev- en
wat -ches---=*.-
not 'ches
On firc
l8 Cal. draw theresno one fas - ter, and yr:u're flirt - in with dis
But I'm
-ta - tlon )ou ma
ftroat is drv as a des-ert thistlein
116lr,r, so.,
as - ter wtrenBill
May-
gbd to say he's a
Hbk- ock s
re - Pu -
ve-ry goodfricndofa
ln the Gold-en(iarter gmna
l9
wet my uiristle to - day
Ltst to thc bar's-
Set'em up Jce. set
threeleggedcrow-
'em uP Joe.
r-:-1
rFglg1l.'o*
Drink on the Housc
I
Makemine sas-par- il - lY
Set
'em
up
Joe,
set
'em
Joe, set
up
>
S€t
'em
up
'em lp
>
>
Joe! -:.8-
t:
>
>
>
r
?
A
€>
2l
N92
CARF,LESW S ITH THE TRUTH
-
(CALAMITY BILL & MEN)
C r e : C A L A M I T Y : Y o u c a l l i n ' m e a l i a r a g a i nB i l l H i c k o c k ? AD LIBS: Tell us arcthcr erc.
Andantemisterioso(l =u; All
righr
*C,{[.AMITY:
tcllers.
. .
tr Bright2,with a steadybeat(J=roo)
tell p'boutthe
I
for
to
was
cap-turedby a
scalp me just fer
scoreor more of
play.
and
Well, Stlr Cl.rs
I ltst junpedLpon a
buf -fa - lq pulled otr his horn and
blew
s o a
I 22
Cal I-da-ho
come
to save the
lnnour of me
day
the
L'btessotempo(J=J) buf-fa-lo on the nidt- el and an 6'-
Tell
tooth.
She's
not
us another one.
tell
jun on
tn
ttrc cent-
unctherone,
lv - in'. but slre's t:are-lesswith the
oh,my ach-in'
B
Care
witlr the Care-less
Sheb not ex- act - ly
C-arelesswift the
She\ mt
Stgr.W.W
E Brisht2 (J roo) Did I
tell yabcuttlrc timelastweek,lln
ex - act - ly
A
Cal. Crip - ple
Cre*. when
all
at
once
I
see
grizz - lies
two
f>
on each side of
grab- bin'
up
I just was-n't in tltc mtxrd to
me-
mv
rif
gcl
the
with
bar - rels.
tul-let wentNorththe oth-erSouh.shot
L'istessoTempo{J.=J) orrc of
'em throughtlre
tail
atd shot tlre oth '
- :\._/
er through the mouthl-
us an-oth- er orn,
Ha. ha, ha, ha,
Oh. my
ha. lu,
tooth,
tell
Shei
toc)
Bcru- ti-lirl dolls.tut boy oh boy, They ain't
jusl
Spokenad libn:-"\\'evc heard of all thce gals""&rmedolls'etc
tFtqF
lf
vou
3l
r. --:r ev-ercamet()t(unfrstiriout in fiat gownnlde of silk rurdbroca&_ ---i---;
t|tcywouUhrwtohirea hall.irst ttt
r-r-r hirb thegu6u,lrcklfall for AdclaideI
Wth tlr
bu;tbthrrNuucar I
Ad-elaide Ad-e-laide
bustlethatyru wdrr I dc- clrrc il's rrowcnl.r rvcrc
the [l
un
der pur
thimb.
Adehide.Ad -c -laide,whafa bclur-rvvou
der
lrour
thumb-
der
''rur
thwnb _
-1-;i\
^
stresww.
0tt, whirl
,?
32
at.
with the
beau- ty!
t'a
e -laide
with the
J.
J'
a
wqy ltufillyarclothes,arrdyourhose, andthatccrnehith-er
look
Ad
In
your hose and thatcune hith er wav 1rufill ytrrrclothes,and
ffi you that $'€think witheadr udris- ky we drink at the
Flere'sto yor
eye-
eye_
The Queenof
bar
She-ba,andCle- o - pat - ra, just
t)
ycur
33
tley wouldn't rate a
scc-orrl lor* com - Fred
bhrd in his
e -hde
If
yes, he's played-
e - laide
yeq heis prayed-
a
manhasan-ybbod in his
T'lrate -wn-tually heges, in hb
l}at
e. - rcn-tuallv he eets. in hb t
,h.N .D r r \J I rcck-on he's
p'ayed
*: *
prayedpl_.,
,bJ
34
N94
EV'RYONECOMPLAINSABOUT THE WEATHER ( FRYERI
Cac. FRYER: But yrucm at lcast letme s/ror youl
Why&rn'tthw sim - ply
"HowcrxldXu
sell
if
a n - y
rain?" >>
My
friends.it all Vl6
de-
-perds on Moth-er
Na -ture
The
laws of corn- pen - sa - tion still ap-
The wea - ther mry be fright . ful to nrcnt
coubnt be nore de - light - ful
you still com- plain a-bort
ev
'ry
one,but,
point of view of
the weather
Then
loptrorut cil b A
flr dev-il dont
.15
eV . fV-One 5tqs, VlrW.
com - plains a - bor.rt the weat-heX
bo- dy
bout it-
- lise
wnnt
a ve - ry
til
have
a
stm
spriryl
You gotta
friends,it all Vlnr
Whydcrntthey re
have
de - pends on Moth- er
a
win - ter if
_
\--l
M-ture-
3t
Fry. Th
hws of ccm-pen - sa - tion still
the
show- ers on
Fry. beef -
cloud ' Y
a
day-
jtst
lhinkof the fiekb of
I (
if
weather,
why
tou do sonrthirg,then wtry thedevil donl
the devil don't pu
yru still
com -platn
do sornethltitlrn why
)otl do scnBttrirUa bout
the devil don't
39
N9s
MEN!
-
Cr: BILL: Likcr tcrchyolduunm.. . . H h . . . M 4 / b eh c s g o rt o m r h i n gt h r c . . . . C A L A M I I ' Y :W h y , p r . . . y o , . . ! (Slc rwlvr lor smrling ro lnn, .d hin) Mm.. . I
Bright Waltz (J -60)
think of
rnen you can't
print in
a
-\--l
been took!-
\..--l
.
:
Lnck-y t|le
girl who has
chance, they'll strfu€you a - longwith a
slipyou a
of
-
wink with the
pink lem-on - ade-
bur- ber - ry
you can call otr the
But leaveyon as -
lAtt
And
I'n be
a
I
dont
spin-is - ter
scng and
a
soon as the
pro- po6e
dance, They'll
nDon |
mischiev-ous men!
Be on your gu,ardu4rn yor-r stroll in
trin - kets ard
pearls
prom- ise you
tk
They'll ply you with
re - gard-ingtheir pnrm-is - es; Do just as
be doubting Thomas- es,.
Show me the
Fbr- ri- ble
dora and I'll
the
Cal. mcn-tion"l'a - mour'l---a
quickJikea
flash,I will
Just let
a
ten - der-foot
42 ('al
Fris-ky from whis-key and
jaib,
ien-----------6 no Deadwrndcoy - o - te will
hog -
S()
I\'e
come
con - clu - sion -
dol - lar
wa - ger, will
henl-
tie
I
donl uantan'v
get You a
Men are
part of
'em
oh! Tlrct'rkrckilt:rrtrf tntl Down.
typeor the
downwiththcm all.
mub head-ed rnen who are
plugg-ab - le,
love-ab - le .
nose fer
An- y
lynch- ab - le ,
menl
drrck-enwlrob kick-
Song
up to trc
and
rl
_wv[__,---
trou-ble be - - gan-
herls off
htrck-skin iuri
Trou - ble cones tbu - ble in
drnce.
ant
dish'd all
the
- al So now that welrn: fin
dirt that we
czul
Ad- am be-
piurts!
ly
holl - ered our
for
45
CAN - CAN
N96
E
Cre: MILLER
. the Golden Gartcr Show!
Furirno(l=rs:)
47
48
HIVE FULL OF HONEY
Ng7
-
Cre; MILLER:
(FRYER)
the toast of Ncw York.... Miss FrrrrccsFrverl
(FRyER (FRYER earzn)Moderate
.i
4 ()=tlz)
- -'I'\egot two rrcnderlirl arms, I vegot twu worderfulliPs. Vlns,
twen- ty one- and I'm
free
I've got a hiw full of
lron-e1'
+' ghm-cr-ans type.
For
tlle
i'{Bp*ar;ous type, Yotlll lor,cdrc way I fit_
on }our
I'vc
got a hivc full of
right kind of honey
on - ly child.
Do tou think you ctxlH leam to care?_
If Im ttre oneyoua-dore comeonand Vln!. W!!i
get mebefore
rir,
Somebodyshrkesit down- from tlrc
got
I'vc
a hirc
ftrll
ol
tr \---l
ho-nry-
lve got tu,o u,onderflrlarms, I regrrttwt'l
lor the riglrt kiud of honey bcc-
Vlns.W.w.
-. won- der-ful lips,
I'rrr ov - er
one-
ancl Iltt
FRYERSrr.e con(\
IVe eot a hive full of honev
For
the
I right kirrd of hort-n"
bee.-
tLt.
5l
I
N98
T CAN DO WITHOUT YOU (CALAMITYand BILL)
Cre CALAMITY;
ain't nuthir' you say mm
mything to me! . . . .
Moderate2 (J=ss) le
CALAMITY
nt*P,1,#T,,]"-$
I
t J
Vlns
n\
r-r
FI ,
w1n-ter
_.
a l
banquet ylure thd
F
net - tle
r-1
I
ard the n.rl- dew on the
.s
".
l-
can cn wthou
C Like an
I ;- ,uh.o t -
-D A AAAFT*
yell fer yt-
t0 oonr birck!
J",_-,-
r*,ri €
F i, +.^ '\
Yute tft
Qr€s-
t
1
1
/
\
.
'F
the ointmefit pure tlrc
,
1
!
,
pe'nsable like a brrckor
(,t:r fi i:r L Tho' I know sonr
r'-r .-r
""9 hE''I {Ecando withcltt rf.n.6,
i';';t';ilil
-{ t' t: In* tne bar - rel ta 0t4
t'il ti"
*\oi#S,"
'.it 4 tr \6.rte tfu tack
53
i .ioa,yw,'fr,,,
K i '. , q tcf be
'e
L { ? \ for'951, psl - son
! F l whe
- er you
;nthe croak.
54
E *or..rr*o*,
I
Cahm! CALAMTY:
Then lets get the old tch;orer
It4ore'sthe pi - tyl
rollinl N{ILLER:
candow
Pronriselrr anything-orh trirgler k^-! CALWIT\:
I lt
s5
N99
OPENING SCENEN
-
Broadly(i =r,l.o, 1.,
*--_..._
-*
o- --'----------/
-+
^ l - \ ', l-i
..-__//'
---_--l
errhully
r
\-_/
El
Nltrsb hdcsot
.r-.
rndsr q^-111n-qacti.rr and diakrgue
CURTAIN-UP n, ^ yun .rsprcrrc,rt,
5t)
..IT'S HARRY I'M PLANNING TO MARRY''
N - 9l0
(AI)ELAII)t rnd thc JOIIN\lES) Crc .{DEI \lDE
rtl fareucll pcrlorm.rnce I
Valsemoderatoin I (J=oo)
-\---l
'rent diff -
sa -
fa - ri
He
can
['m Har - ry .!- l1 t**
box like
Hes m
a
mar - rv-
built like
tlrc
bust of
re
- mem -ber
-t----/
sta - tue
hol - lou
Plrys- ic
-
'ly
he's de -
lish
Br
-ly
su- per -
fish
Har - ry
I'm
plan- ning
mar- ry-
Men-td-
lrtrt's
Yes,, it's
lfu - ry
ac
I
-bout his sus- pcn-dcrs
numb; I
-
she's planning to
mar- ry-
l.
He's tlrc
orB that I
'TtE
suc - cwnb,whentrc ren-ders-
tru - ly
fre on the
-
Wlrn he
wined a -
flex-es his muscles I
n-ut-#-
Like a
Bar
but- ter - fly
ca4l* in
a
\--_-/ shut-ter-
Whenhe
calls nrc hb
Br.
phn-ning to
mar - ry-
nute,
I just dis- in-ter - grale. So it's lfar-r! ri
Sirce the uorld first be - gan
Ne-wr
Sirre tlr
u,rrrld fint be - ean
tr
lr|r w.W
been srch a
Wln cqrld tove
been srch a
lhr
like tE
qnr
so
60
Adel.
plan- ning ttt
N9lOa
G
..IT'S HARRYI'M PLANNING TO MARRY, REPRTSE: (K\ItL)
Cs; KATf E srrrlLesau'4ttclaidc Athms nosein front of mirnr
Valsemoderato in I (*eo) (/zurrtrq ft
KATIE
When you
;\delaide)
turn
tc) the
sub- jcct
of
Har - rY
tle's as
dunrb as
an
ox,
Har - rv
But it's
Ihr
-l
ww j+
A
mar - ry--
-rnem{er
Thoughhe's buih like the
sta - tue
is
|
Men-tal - Iy
sup- er
a
t4 t !
I
- 'llYl he's & -
hol - low
fislr. But
1
-
Ju51 rc -
bust of A
CAL.{MITY
- lish
-,-
plan- rung to
KATIE ses CALAMITY'S rcJbct&nin the
arcn
,nvrcl
I{ar - ry l
=
I'm
I
planning .-'*,r'#,,:{
62
O P E NI N G S C E NE I I I
N9tl
R e P r i s eA. D E L A I D E ( r 4 F N) Cue C\LAl\1ll-Yl
. . wmchrdys beinghutled. ( Illack-out)
Bright2 (J=108)
<
=toa) E Moderato(J >
,.--
CURTAIN '>, b4:)
P >
SOLO
TENOR
Slowly and sadly
If
you
give a mana wish, ten to
cxre hewouldwishforthat one
per - fect girl, z--..
Mm
IVIm-
-laide.Adelaide.Adet-ride, oh. howlorclyyou are-
If ytu
girrea mar a drca[trYlto
+--___-/
p
r--T-l
l*-wtluldhold on - ly orrc.in hisdreanrs
Ad-el - aide.Adelaide \d - el- aije,)otr'reour lav-our-ite t--f-l
Mm_--
DANNY: Tcmpting provirJcnct Millie - That s what tt
65
it rculdnl surpri* me rcne ;f land
I
Affegrovivo (J=l4/-)
gave a man a
she walkcd in nsht this minuteand said--
I |
CALAM: \tWll bovs! 'er! I ve bruns '14lta, MEN: ???
/i.\
hrngo ri
\c4
",r* ir,:.Aftt
Vlor.
Col Voc
wish,
ten to
6
you trae come to
tovvn
)ot-t €n
bet
all
the
tovm will
be
r----3------]
68
-N9
WINDY CITY
12
(CALAMITY &
t.'a.. (-ALAMI'tY
. .
CHORUS)
tbe biggct noise in I llimis t
tr
Allegro( J= loo )
CALAMITY
from the Win - dy Ci - tv, The
A
A
4
f
f
- -raE Thcy got shacks up to StAs piuz
door
wayJ
se - ven storeyi,They ne-rer seean-y ' r l l r r t
We got-'em )
-j-
j-
+.
rom - ing glories But a
step
fiun- our
J
min- strel shoun
Ttey got thce r
B
r
l# *. ,J-^,Pnb-lic
parks.
For the sake of
They'regotfoun-taim thereto squirtyouI Just blew in fromthe Win- dy Ci - tX Tlr -la
8r
might - y prettybut they ain't got_what
got.-
we
I'mtel-lin you
,-'1 t
We\e got rmre life in Dead-\rood Ci - ty thanin I
all
of
Il -
^
Just blew in
from the Win- dy Ci - ty,
TIle
v pretty But they
is
Win-dy Ci-ty
BOYS
=e-L
ainl
got-
uhat
They gotshacksupo
onf
--,_:1
I
Cho.
r
r
-/-,\
-
va
> >
> >
> >
> >
4..
a stcp se-ven storeys,Thy ne-ver see iu1-y mom - ing glories.But
o7-)'
I
from our
a
J:
we got_
'em
fer
free.
la- dies in their bls
They got those
chap-eaux
Pri -mte
min - strel shows
lawns,
V16. sxs.
Fer
ttrc
sake of
Theyle got forn - tr.irs
ttpre
to
squirt 1,ou ! r:\
- ty pretty but thel,
ain't
got- what we
We've got more life
got-
1-T=.1
a^*",rrE
optiwt art nfl
y don"" nat rcquired
On the sfieetuasadan- cin' feller.
l-il *.ws.r,. -r fi1't-
ofyellerandthe dance he
Schottische Geft shrestyte) =tZo)
74
Shoulila-seen me a-win-der
s h o p - p r n ' ,a - win - der shoPPin'with eyes
the
e - vl-tcn Jusf as
I
heard claim.
hun- dreds came
a
thingtheycall a
76
Cal. gar
stores, rc
-
ven - ttons com - ln'-
vol - ving doors.
Stgr. Suer
'stead of
-in'!
Just blew in
Win -
dy
from the
Win - dy
Ci
El *'.,. rr.rn.
J.
Win - dy
migh -
ty pret-ty but
they ain't
got.-
*f r
I'm tell - in' ya
I
ainr a - swap- pin'
half
of Dead_unodforthe
I'm tell_ - i4' ya
I
ain't a - swap- pin'
haJf
of Di:adlwoodfor the
7E
YOURHAT KEEPIT UNDER (
N9 13 Cac: l\{[LLER
KATIE)
the one and only Adclalic Adanr!
4()=tzo) lModerato
KATIE
(vcr-r rctvus onl lr\irut)
Well,norvif yru'vegot
real sweetpatootie,bet-ter
keep it ruder yo-uhiI-
\.-i__l__---/
Just re-memder cu-ri-os-i -ty in fa-bhsofdd-
killedthecur- i -ous cnt-
(crtwd truls b mum,wrtfully)
you have a laddie*4ro's a
teal qg -ar daddy, Bet-ter take in
Re - mern-berthere'sa do- zen dollsfor ev - ry Dan-
the welcomirgrnat.-
Ycu're rrrt the on-ly sveet pea
in
if Ku wannakncrwtrwayto keep yrur man,-
the
hat.
Hat-tie,
Keep it underyour
Keepit underpur hat, lbt-tie,
REPRTSE:KEEP IT UNDER YOUR HAT
N914
(KATIE
OTa KATIE
Keep it un-do your
My cn uy?
&
CHORI.JS)
Okay - I will!
Moderato4 U rzo)KATIE t ryui
snle & cu{i&te)
ltblt,rnwif yurle got a cu-tiewho'sa real svreetpatootie,Better Vln..
V
keep it un &r ]our hat-
Jrst rc-nrrr$ercu-ric
- i-ty, in fa-blesofold_
t0
thecurj i.oir ",tY
trke in
the welconirgmat;-
Supposin' ].ru love lt laddieWhma real
Re - mernberther€isa dozen dolls for
t if
not the on-ly su,tetpea
un-del y'our
Keepit un-deryour hatl
-ar daddv:Bet
ev -'rv Darl-
| r I t)-. yruwannakrurvtlrewaytokeepyoql nnn-
Hat - tie.
Keep it urrder your hat."
Sbll,nowif youlegot a cu-tie who'sa rcal sweetpatootie,Better
Well,nowif ydve got a cu -tie who\ a
q",
real swcetpatoo-tie,Better
keep it un-deryourhat_
in fa-blesof
v
keep it un-dcryourhat_
Just re -membercu-ri-os- it-y, in fa-blesof oH_
K i l l e d t l rccr r- r ' i . { } uc\ A t . _
Supposin' you love a lad-diev,lxr'sarcal sug- ar daddy, Better
Killedthecu- ri-
Supposin' ytrr lole a lad-diewho'sa re.rl sug- ar daddy,Bet_ter
aqt
takein
thewelcomirg ma[_
takein
thewelcorningmat_
Re - nretnoerthere'sa doz-cncblls for ev' - ry Dan-
there'sa doz-endollsfor
ev' - rv Dan_
Yru're
You'rc
t2
not the on- ly sweetper
in the can;-
if yx wuuu kuu theuayto keepytur nran,-
nol the m-ly swectpea
in
krnrvtkwayo keep yrur manif 1u-rwanna
tlr can;-
Keepit underyur lnt,
Keepit underyour hat,
Keepit under your
Hattie.
Keep it under yorr hat,
Keep
Hattie,
Keepit uder your
83
N9 15
F[NSlEsAqr t REPRTsE ,(ENSET\4BLE *lIKruJE TRUTH
-
*
Crc' CALAMITY
. . . .the only girl for rhe Golden Gurrer was Kdtie gtnn! ( Big laryh froot everyho,ly)
Steady2 (.t=roo)
FULL COMPANY EXCEPT CALAMITY
us
an.oth-er-otre.
an-oth-cr orrc,
t4
Cho.
ex - act - ly
rlrt
ly - in', But
she:s
cure -
less.
cilre
-
less.
qlre
-
less,
CURTAIN
>
>
>
>
:>
>
:-,-
>
END OF ACT I
85
N9 16
ENTR'ACTE Broadlyin 2 (t=so1
-:t-^
A little faster Iptr
=;
-i
>f-'1-
J A + =
+
I
>
1
I
-.1 t
. -f\+' -
_ Steady4 (l= tos; A 4---\ , a---\ -
f t r t
F t F t f r f r
t r i
86
i i r
?r
tr
-l r F
t
a
F
h
T I
I
t r t
Vlnr. F-
r
1 7 r
J
'
7
T t r t T t r t 7 I
1^\
a
7 r I
^.-\
r 7 t
Eocr
=I
t:l
r r 7 r r t r t r r f t f i f i
T i F i
n Vrr:.J
t r t
7 I
Vlnr.
T'l
rc
= +l a
n
'
l
P
i
t
?
l
lF
J _-J
r t r t r r r i
Sxi.
Vlns
Sxs
T i r i r i r i 7 r r r r { r { F r r r
r
8E
ACT TI OPENING ACT II
-N9 17
A WOMAN'S TOUCH (C{LAMITY & KATIE)
Bright andlively (J=t:o)
KNIIE',
hqmren oil ttuge.
,i^'i't"-'-"r''l'-"", ,l' , rr
.lt,
r,\,
,\,
|SIJE.SS',-yw.s.srpi,,.Gro.k
E9 CALAMI'fY: NGtie, thiscrbino'minewu fl ole rats'nest- till yougot wo*in on it. Nx its realpurty-
KAf IE:liothing to rt - ib1 a cal ot parfa few frills, andaremrn! t(Mh!
A
woman'stouch.
The magic of Al - ad-din ouldrft
l
1
-
LJ-I
v
I
And she doesnt rrceda hnp!
do asmuch.
Shdsa wizard sh's a champ.
-
,
L? e'
-
T
Iq
7 T 7 7
T
q)
wonmn'stouch
pocustkfshe dtrs mwell;
Cur uea'ta spell
Wfittre maglc of a
Tlr
kird of trocts -
bruom, $rccan mesmertze a
Br.A
' +t' t ' - r' 1
1
With a whisk-whiskhrcarda ufrisk-u,hiskthr€ardadust nan for tp H
\
cin&rs.
9l
rub-r'ubhcrqarda rLrb-rub tlrre sheciur pttlish up thc win-&ru.
pre-st() clrange-o .sud-den-ly, thc
sun conrspeeping tluo€h
Ard wtut doesMister
nukesWu blink
To
Sunshine sayto
stopandthink
j
r _, - , t
1
-
.
1
-
A
+
e
(=,
woman and a rvhisk-broomeanac-
92
So
ne - ver un-der - cst
4\
diur mrnh -
-complish r
Srr
119- vcf urt-r-br - est
wonl
iilt s
a
t
womaristouch
-
-
n
-
s
l
q
-
e
+
e
-
e
t-r'|--llI
enrpty fl()wcr boxes ort a
can quicklyfill
ltrt
winder sill .
Orre snrilefrrxnherand 'ztxrm'. fil
t_= t'
r 1 = 7 \i
92
rre - ver un-der - est - i -nfle a
So
touch!
A
-complish yr diun mtrJh -
Srr
lle - ver un-&r - est
wonl
iill s
a
woman'sttluch
C
-
-
q
C
t { , t -
e
-
r
+
q
t r '
-
cnrpty fltrrvcr boxes ou a
e
can quicklyfill
l ' 7 t
winder sill .
One snribfiun herand 'ztxrm'. 4
Ft'
d . >
L2 I'
r-
7 I= 7
93
Crl.
Katr A
touchofpaint
e'rurtum a kit-ch!-tl
l t ) 1
_ , |
T J
. 1 _ 1
t
I
' ? '
-r.J
ch.ririn - to rr Chippendale
Ev-en makea lampap-pear
cry- stalchrn1el- ier
like a
chairin- to a Chippendale
t v
L _ 'T '
(F'
{:_f-'
a
?
l
tr Wift a
tack,urk.here arda
tack,tack;trre,Anda
Stgs W.W.
hand around a
hammer,With a mop,nrcp,hereanda nrop.mop,therefoucangivea ca - bil
glammer.
CAI."AMITY: l&l$/ha6 this?
CALAIv{ITY:rr\rhv. - its a pitcherof pu!
Sl85 ptrz
e\
W.W. Glck
nf Cello Vla
Hn
96 K,\TIE:Not t ww goo.l one isit? /i
With a
plrc- to - grryh
ix.l- y
roomlookskind-a
rromeyl
KA T I E
On the mant-Ic- Piccc'J
in with nre, this
ca - bin tlnt
I
has be - come an el - e -gant
pizz
\r,
W w.
lriantle
man-siottmiv* lor
97
two -
me anr.l1,ouI
Thc piesumlcakes
wonranbakes
r ? 7 7 r 7 i 7
tcll her that hc lovesherre.n t-rrt-tch. /e
\-/
n e - v e rr r n - d e r - e-st i - m a t ea
l z = 7
f t = z
So
nc - vel under- esti - mate
So
ne - ver under - esti - mate a
touch
wo - rrran'.s trruch. No.
9E
N9 l8
H I G H E RT H A N A H A W K ( r l t L t .)
Cre. BfLL: (kxtliiug ttttiltnl
Whrr u gal. . . .
Moderate 4 (RrbatoJ=loo)BrLL
My
heart
a luwk-
- + z----|
Ftnlpsrs,
J
+ W
J
_
bve
is
deeperthan a well
t ' '
My loveand ['ll
well-
giv - in' nre tl"p eycSt8!
Her per - fume
blowin' me a kiss
be at rrll sur-plised
I wercr.n - ly
lf
dcamirgall
And wlrcn
o ----------------
Jirn
/,--a'\--
look
al
I
Dnssedin
pl
like
f
Rjks will shout"Take a
red,
-l^
the head!'l-
laughd at
a - hrut
I
oth-erswhenthevfi:ll
A
I
said that
I wouldne-,'erf;tll-
Stgs.W.w
And here ['n A
Higher
Ftrlks will shrut:''Dott'tyou
E conreprima think they rnakc a
won- der-firl pair?"
hawk. and deepetttnn a
I
My
well
>
: h"€'
love, nry
r:\
hauik, and deepcr tlun a
I
ctid that
>
>
>
>
>
I wouldne-verfall-
love
is
higlter thm a
()l
N9 19
B L A C K H I L L SO F D A K O T A ( ( ' l l o R L r s)
Cra,.C.{tAMITYrunrrira
Bll.LS unrr. Blal;rnt. Taht
L'istessotempo(J=J) ()nt tub;
-
Clawt
ett.
Take me back to the
r r r Hills.
"l
=l
i r r
lF
t r t
Tb thebcar- ti-ful ln - di- an qJuntrv that
The Black Hills of
f
t t - t f t f
f t f t
l-ost mv hart in tlrc Bl.ick Hills. Thc BlackHills ol
rr.&
I
Da -
-.
_
a__=r
_
_
\Mrre tlre pinesaresohightlrattheykiss the slry a -
r t r r r t r r r t r i Cho.
y-
-
+.
get that lone-someftel-irg, And Ih
bove!--
t r t
+I+
miles a-way
I
iakenre brk
my- sttc mountains
call - irg me tnck
And when I
lrcme
hear the robe of
to tlre Black
thc
Hills. The
Takenp back, The Take ne back to the Black
Hills, The
Take rne bsck, Tlrc
BlackHills ol
Da - ko - ta,
to the bcar-ti-ful In-di-an qun-lry that I
r t r i
r t r t r t r t
*5-
BlackHills, Vlni.,
J^J
Crp Br
BlackHills,
Tkx€h I've wanderedfa a - lvay
,{-J
Tt
Wherethe deer and the {ta-'--..''.-->
Black Hills,
!-t
-*,-
Black Hills,
J..:l
I'll comebaditoyru som day!
htr-fa-lo
Thr's tE pbce tts I1l cdl n1 lunc, TIE
roam Ardth red wing feathershernest,
Take me birck,
Take me back,-
r
lard that I lorretlre
best.
Black
Take me back -
Take me back,-
back to
ttrc Black
BlackFflls
Thc BlackHills of
Sttr prrr w.w'
i r t Take me back
T*e
nre back_
To the beau- ti-ful In-di - an coun-try Take nre back
tlnt
I
love Tklt
Take me back-
I
4
To the beiu - ti - ful In-di - an ccun-try
Da-
The Bld Hills of
Hills.
Take me back to
Take nr
Black Hills of
thal Bn opcn
f,,----
r r t
Da-
l,
I
I
yv
Lbst rnv lrcurtin the Black Hills, The BlackHillsol Da - ko - ta-Where I-ixt rrrl hatt
-
the pinesare rirrlighthattlq
Lmt my heart-
Losi nry lrcart in the Black
Hills. Thc
StSs pizz W.W.
t
r i ! i I
I
. sky a - bor.el
And when I
thal lone-some
T-
I hear the wice \
;-_-
a while back?
CALAMITY:
Never heard of
im
BII-L:
What yor
Who was that
say to
us
lootenant yort were tellin' me alxrut
takin' a
ride
iust
the
trvo
of
J-)
We ould
k
watch the moon hangin' high
over tl€ mountains.... CALAMITY:
T h e w a y i t ' l l l o o k , I s h a n ' te v e r h a v c s c n
it before' '.
us?
125
ComePrim
JfTurtt
(Br cupr)
my secretlove'.s no secret
an- y - more z:--
vin!. Fl
u----/u
NP 23a
MELOSer.roREPRISE:MY SECRETLOVE (CALAMITY & BrLL)
Cw.'DANNY.'
This me she loft m sa;n errything.
Lisr,il. . . .
Moderate(J=t2o) in brc with pr.
mtl ltlaytrc | m.
but I'm not -not Jrn' morc
DANNY: Shut up and listen! "Crlamity's in krc with yu.
126 md lexp€t y)u're in love with her, too,
riglrt to mme betwen
I ir trutnueou
yur tuo.Prctend it
e
,
rru A&hide Adams
Katic Bm
rcwr
I I ;w...GoodbyeDany' I whosrnc to Deduood-l existed.. .Sledoesn'tl. .. .(Heotnfus tle ma)
J
I
BILL
"Never existcd".... Shc was the most real Derson in Deadwood.
CALAMIry
(with suddenresolution) I've Fotta bring her back.... Thcre's nothin' I've gotta bring her back! elsc for it-
But shc's on her way to Valley Falls DANNY CALAMITY But she ain't gonna catch no stage- not while I can ride faster'n any woman alive! I'm gittin' back to the cabin. quick! Bill. you can saddle up fer me, while I get m'deerskinson.... While Im gone, find a preacherro do the splicin'! .... Dannv, you git back to thehrt an' invitc the folks to a weddin' a doubleweddin'- you and Katie, 'n me and Bill.
DANNY
(after a stunnedpause) Did-
CALAMITY
Thafs right!
BILL
Sure is.
DANNY
Well I'll be! .... Bill, I don't know what kind of alife vou'llhavc with this catamount... ,. .
E g.ro 2 (s=tz)
.,.but it ain't gonna be dulll
Timp. roll.
l|---
did you say you-and--
Bill?
E o*",r,
127
-dils!
last
my heart'san op - en
door,
my
door.
heartbanop- en
St3s y1.yY
t ? l
E Con moto
our
sec- ret love's no
an- y tPn. ten
our
sec- rct lovelsno
an-
y
-
more!
6 Con> moto
Ien.-
-
h;
bi
>
t28
-N9
24
WINDY CITY REPRTSE: ( C H O R U S)
Bright 2 ( J = r o s ) =\
>
.f
NOTS: If shmter scene-changemusic is requirc
>
l,u. c'tto'
u)
s
Just blew in fromthe win-dy
ci-ty,
The win-dy Ci-ty
is
migh - ty prett%Buttlrey aint
got
what
I''EN
o-
/--------\
|
- A,
l
G
No,
sir - reel
Theygot shackstpto sev-enstoreys,They rt-\€r see any
i4---4 .E
o,,--\
l.
morning glories, But a Step from our door - way
tJ
We got 'em for free!
4F
het - ty la-diesin their big chapeaux.
minstrelshows
lawns, public parls, Stt!. Sxs
L
Ah Stt. W.W.
civ-ic virtug Thdw got fountainsttrcreto squirtyan!
Jus blewin fromtheWindy Ci- ty, The Win-dy Ci- ty is --.3r
c
migh - ty pretty,Butthey ain't
a
t?tl a
------
got what we
{_---1
Deadumod Ci - tv than in all
-
Iln tel - lin' pu
4-T.e
boys!
132
N 92 s
FINALE
-
Crre: R\Tf
(FULL COMPANY) I.FSNAKF:
Deadrvood Stase all rt,adv fer thc rveddin. party!
Bright(J=ros)
Oh.
the Deadwoodstase is a- rol-lin'on
With the cur-tains flappirlzurdthe driver a - slappin'the
Beauti- ful r-- .'----1
\
ov-er the
reins
Whip cracka -way,whip
)-->).
crack a-way,\44tipcrack a - wayl-__.-___.-
Oh,tlre DeadvroodStageis
-_-.*--
a heidin' on
ov_crthe
- aF,t
In - jun arrc^5 are a - drickerthrn porkcrpine quills *ft-
+lq--. a
tq\.
r d
'---___i_--Dangerous land
r----r
ls\
2J
A,-'---,).
ts\.
+ l
Whipcracka-way,Whip cru* a-waStWhip crrck a - wa1,!
and she das- nt need a
tr
l3tt
CIORUS GIRLS
a'charming wed-ding
kind
of
ho- cus
p,r- cus that she
&ps so welli
2rcO
EJsbr* Hey
pres- to. change-q W.W. (Sx)
std-den - ly
the
sun correspop-pirrg
lx
Tempoprimo Fry. What does mb - trr
Sun - shine sav
Ile gm
to
Tell
tu'o
us
E nn*, ^te4 ()= n2) + " - J
-
t
-
t
.
-
-
wonderfularms. Yan'vepttwo vorderfullbs,
twen-ty one-
and I'm
free-
You're >
one I a-dore.
s-
gpt youbfol€
smEbody shookyou do"mfmm the tree;
137
Frv sweet as a hive full
of
hon- e1i-
So let me
be ycur honev
ECon moto Ettter K.\fIE
aari DANNY >
--=:b=
vou
Love Stgs
u-r-------u
More than iust
More thanjrrst
sin - cere- ly.
More tkrn there are
rmc-buds
in
a
tt----------=--
darr-ly,
138
Kate. Need I
say
needyou mcrc and
more
Need I
say
need rru ntorc and
ITIore
day?
E Moderate4 I wculdneverfall-
My
But rnw Im not a-fraidtotell:-
br'e,rny love is higherthm a
StSs W.W
*----*
haq&.,and deeper than a
S
+---=..-
/
Brter CALAMITY
last
my
heart's an op - en
told the gol - den
Sttr W.W.(Srt
tbr
heart'san
op - en
door,
And
my sec-ret lor,eb no
sec- ret
her sec-ret loveb no
sec-ret
\l/
Dead-wo
l
l
-
r
a |I |I n 4 OC-
I
I
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