Categories Top Downloads
Login Register Upload

Bryars - After the Underworlds

October 4, 2017 | Author: Michael Williams | Category: N/A
Share Embed Donate
Report this link


Short Description

....

Description

VI/12

itu r

Full Score

hru ng en

ns i nic c h ht ts fü

pa rt

Bryars �

for brass band (2012)

sce

an

orm

erf

rp t fo

no

Pe

rus

al

Sc

ore

-A

rA

uff ü

After the Underworlds

Leihmaterial · Unverkäufliches Eigentum · Rental Material · Not for Sale

al an s-

ce

ore

Sc

orm

erf

rp

t fo

no

rus

Pe

rA

hru ng en

uff ü

pa rt

ns i nic c h ht ts fü

-A

itu r

itu r

Gavin Bryars

__________________________________________________________________________________________________

ns i nic c h ht ts fü

(2012)

hru ng en

for brass band

pa rt

After the Underworlds

sce

an

orm

erf

rp t fo

no

Pe

rus

al

Sc

ore

-A

rA

Full Score

uff ü

__________________________________________________________________________________________________

Mainz • London • Berlin • Madrid • New York • Paris • Prague • Tokyo • Toronto © 2012 SCHOTT MUSIC Ltd., London • Printed in Germany

al an s-

ce

ore

Sc

orm

erf

rp

t fo

no

rus

Pe

rA

hru ng en

uff ü

pa rt

ns i nic c h ht ts fü

-A

itu r

itu r hru ng en

pa rt

sce

an

orm

rp

erf

First Performance: 12 August 2012 BBC Proms 2012 National Youth Brass Band of Great Britain Bramwell Tovey, conductor Royal Albert Hall London, UK

t fo

no

Pe

rus

al

Sc

ore

-A

rA

uff ü

ns i nic c h ht ts fü

Commissioned by BBC Radio 3 for the National Youth Brass Band of Great Britain

Duration: 8 minutes

Instrumentation

itu r

Soprano Cornet Solo Cornet Repiano Cornet 2nd Cornet 3rd Cornet

ns i nic c h ht ts fü

1st Baritone 2nd Baritone 1st Tenor Trombone 2nd Tenor Trombone

uff ü

Bass Trombone Euphonium E flat Bass B flat Bass

sce

an

orm

erf

rp t fo

no

rus

al

Sc

ore

-A

rA

Percussion (2 players): Bass Drum, Tam-tam

Pe

hru ng en

pa rt

Flugelhorn Solo Tenor Horn 1st Tenor Horn 2nd Tenor Horn

Gavin Bryars After the Underworlds









Repiano Bb Cornet

 







 

ppp



ppp

2nd Bb Cornets

 







 



3rd Bb Cornets

  







 



  





 





 



  



  



Bass Trombone



  



   pp

 







 









   







pp

Tam-tam p l.v. sempre

Percussion

              

p Bass Drum (molto scordata)

          

© 2012 Schott Music Ltd, London

  









pp



pp



 

pp



pp



pp

mp





 



pp



 







3

3

3

3







pp



               3

3

3

3

(ppp)







 









 









p



p







 













 











 



















(pp)

(pp)



(pp)



(pp)



(pp)























 



  





















(pp)







(pp)

-A 

pp









pp

Bb Basses

(non cresc.)



 

pp







mp

no

Eb Basses

  



pp

Pe

Bb Euphoniums

 

rus

2nd Bb Trombone

  





p

pp

(ppp)

(ppp)



               



(ppp)





 

orm

pp

1st Bb Trombone



mp

 

mp



(ppp)

pp





  

pp



(ppp)













 

(ppp)







pp



  

mp

pp

   



pp

ore

2nd Bb Baritone













erf

1st Bb Baritone







rp

2nd Eb Horn





 

Sc

1st Eb Horn







t fo

Solo Eb Horn

ppp

al

Bb Flugel Horn

ppp



itu r

 

  

hru ng en

Solo Bb Cornets





uff ü

ppp





pa rt





rA



ns i nic c h ht ts fü



s-



ce

 q = c.52  

an

Eb Soprano Cornet

dedicated to the Quay Brothers

(pp)

(pp)

                 

 

 





p

p

 

  











                          

Unauthorised copying of music is forbidden by law, and may result in criminal or civil action. Das widerrechtliche Kopieren von Noten ist gesetzlich verboten und kann privat- und strafrechtlich verfolgt werden.

 



 













3 3               



               

(pp)





(pp)

3

 



2nd Hn.

    



Bb Bass

Perc.









 



 

           

 

 



 

 

















 ppp









 













3

               3

3

 





 









 









 















p





p





  

   







  



p



























S&Co.8837



                 

p

























 

3



p



3



  





ppp











3 3               

pa rt 



3







   

 





al



 



(p)







(p)







rp





t fo

 



no

Eb Bass

 



rus

Euph.





orm

 





ore





Sc

  

2nd Tbn.

Bass Tbn.





Pe

1st Tbn.







p

ppp

uff ü

1st Hn.







rA

(ppp)



2nd Bar.







3

3 3 3 3       



1st Bar.











3 3 3 3     

(pp)









  

Solo Hn.







Flugel Hn.

3







 



3



ns i nic c h ht ts fü

3rd Cnt.





s-

 

3

3

(ppp) 2nd Cnt.







ce

Rep. Cnt.

A

-A

Solo Cnt.



an

Sop. Cnt.



itu r



9

hru ng en

  

erf

2







  



 

     

3





























Solo Cnt.

 





























Rep. Cnt.

 

              



              



2nd Cnt.

 













3rd Cnt.

 

              



              



3











1st Hn.

 





 

2nd Hn.

 





 

  





 







   



Euph.









Eb Bass

Bb Bass

Perc.

Pe

(p)





 





    































         



     



S&Co.8837

3

 











 











 

















p





3











  



mp









    

 















mp

   















p



mp



  

3



mp



3







              



mp







 



  







 





  



mp

  





erf

Bass Tbn.

   

 

rp

2nd Tbn.

(p)

3

an





3

orm

  



ore



Sc

1st Tbn.

 

3



 

t fo

2nd Bar.

3



p

al

1st Bar.



no



Solo Hn.

pp

rus

Flugel Hn.



3



hru ng en

  

3



3 3 3 3                

uff ü

3



3

rA



3

pa rt

3

3

ns i nic c h ht ts fü

3

3

s-

3

ce

3

-A

Sop. Cnt.

itu r

   15

   

 



    

4





























Solo Cnt.

 





























Rep. Cnt.

 

3 3 3 3               



              



2nd Cnt.

 





3rd Cnt.

 



3 3 3 3     



              



p

 

1st Hn.

 





 

2nd Hn.

 





 

  





 

 









Bb Bass

Perc.

  



    

 

























 











 











 











 



  

   







   







   



 

erf

sfpp

  

sfpp





 (p)













          

         p

p

   S&Co.8837

 

   

p

  



  









        





p

p



mp

p

 

mp





3

 



p



3







p

 



sfpp



3



orm





rus









no

Eb Bass





Pe

Euph.





p

al

 

2nd Tbn.

Bass Tbn.

mp

rp

p

    

Sc



 

t fo

    

ore





hru ng en

 





               3

uff ü



3





rA



3

ns i nic c h ht ts fü



3



s-

  

3

3

pa rt





3 3                3





1st Tbn.

3



 

2nd Bar.

3





Solo Hn.

1st Bar.

3

ce

Flugel Hn.



3

-A

Sop. Cnt.

B

an

21

itu r

  

 

5





Solo Cnt.

 







Rep. Cnt.

 

3 3 3 3               

2nd Cnt.

 



sord.  con   

      

Bb Bass

Perc.





p







 







pa rt



uff ü

    

        

rA



pp

       

     pp





        



   

 

  

                                     



rus



       

p legatissimo



3



       

p





        p legatissimo











s-



Pe

Eb Bass





    

p





ce



 

(solo)

-A

  

con sord.







p

















                          con sord.



p



 



(p)







 







 



  













  

 



(p)

p S&Co.8837





(p)







pp







(p)

 

                        

an



con sord.

Euph.



orm

 





ore







mp

p

Bass Tbn.







 

 



ns i nic c h ht ts fü

 

2nd Tbn.



erf

1st Tbn.





rp

2nd Bar.





Sc

1st Bar.



3

t fo

2nd Hn.

3

 

1st Hn.



3 3               

  

Solo Hn.







al

Flugel Hn.





no

3rd Cnt.

 

C Più mosso q = 72

itu r



Sop. Cnt.

poco accel.

hru ng en

   27

   



















2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

       











pp







       p legatissimo

Bb Bass

Perc.

   

 





  





   



 



   







  





 



       

       







pp

      





      

orm





      





erf

rp

(p)

t fo



p



no

Eb Bass

  



                         



rus

Euph.





al

              



                                               

Pe

Bass Tbn.







       

(p)

2nd Tbn.

mp

   

p legatissimo

          









3



       



  









uff ü

p

 





rA









                                   









p











ns i nic c h ht ts fü

 



con sord.



  

1st Hn.



s-



Solo Hn.

 

ce

Flugel Hn.





ppp

-A

3rd Cnt.



ppp

             

2nd Cnt.



an

Rep. Cnt.





ore

Solo Cnt.



ppp

itu r



hru ng en



pa rt

  32

Sop. Cnt.

Sc

6



 









 









 





  

















  

  

  



  

 

 

 S&Co.8837



 

  

7

  37

Sop. Cnt.











 

Solo Cnt.

Rep. Cnt.

























         



p





   

pp

           



   

    

         



pp

     



Bb Bass

Perc.

   





   



mp

 

(pp)





hru ng en

pa rt 







   

  



(mp)

mp



  



      



p





pp

     



      

p



    

p

sfp







 





  



 

erf

rp 



t fo







 



 

no

 

 



  





 pp

   S&Co.8837

   

mp



 

           

  



    

pp

       



          

(p)

rus



Pe

Eb Bass



al

(p)

Euph.





p

                                                 

2nd Tbn.

Bass Tbn.





Sc

1st Tbn.



    

p

2nd Bar.

    

  

           

uff ü

mp

 

ore

1st Bar.

     







an

1st Hn.



rA







s-

   





mp

-A

  





ns i nic c h ht ts fü



ce



orm



Solo Hn.

2nd Hn.



                                                  

2nd Cnt.

Flugel Hn.



ppp

ppp

3rd Cnt.





itu r

ppp



            (p)





pp







    









  





  

  

 

   

  



solo



   

2nd Cnt.







     





Bb Bass

Perc.

 

con sord.

pp





  



pp









s-

ore 



  



   









an

 









pp

pp





 

   

pp

 







    

  

    



          



pp

         

(p)







         

(p)





 

S&Co.8837







 

 



p





 









pp











p

p



  



mp

      

orm

erf

al

rus 











    

                        



            

 

ce

      

Sc

        





        

        

 



p

         



solo senza sord.



         





         

p



  

no

Eb Bass



-A

     

Pe

Euph.







uff ü

 

         

2nd Tbn.

Bass Tbn.



  

rA



pp

1st Tbn.



 p

ns i nic c h ht ts fü





pp

2nd Bar.



mp



  

1st Hn.

1st Bar.





                                     

Solo Hn.

2nd Hn.









Rep. Cnt.

Flugel Hn.





itu r

 

Solo Cnt.

3rd Cnt.



rp

Sop. Cnt.

D

hru ng en

42

pa rt

  

t fo

8



  

p

       

mp



   

9



Solo Cnt.

 

Rep. Cnt.

          

2nd Cnt.

  











    p









Eb Bass

Bb Bass

Perc.



ns i nic c h ht ts fü

       

    





 

 

 

p





















 















(p)

       





    

    







        p



an



 

(p)

orm





erf





rp



Sc







t fo

Euph.





       

p

                

2nd Tbn.

Bass Tbn.

      



       



ore

  

       





s-

 





              

(p)

-A

         

al

1st Tbn.





no

2nd Bar.



 

1st Hn.

1st Bar.





Solo Hn.

2nd Hn.













rus

Flugel Hn.







Pe

3rd Cnt.





itu r





hru ng en





uff ü



pa rt



ce

Sop. Cnt.

rA

   47



              

(p)

                        



(p)

  

















       



mp















pp

pp





 



 



 



pp

     p

S&Co.8837



 



pp

pp

1st Bar.

p









    

            



 





Sc

(p)





Eb Bass

 





Bb Bass

 





Perc.

   







 







 





    



     











        







(=)



(=)

    









(p)

 







                         







 



t fo

 



al



    





      







(p)

                     

  









  









 



  

 

S&Co.8837

 

 





  

   



   

  





    







p





 





(p)

 



  

no

Euph.







  

(p)

rus

Bass Tbn.



     

   

      

2nd Tbn.

mp







ore

    

Pe

1st Tbn.





hru ng en



   



pa rt

 

(p)

2nd Bar.











(p)

 

   

uff ü





ns i nic c h ht ts fü

2nd Hn.

(pp)

s-

 

1st Hn.



ce

 





mp





              

Solo Hn.





rA



  



-A

Flugel Hn.



p

pp

3rd Cnt.





                                               

 

2nd Cnt.





con sord.





Rep. Cnt.



an

Solo Cnt.

  

orm

Sop. Cnt.

E

erf

52

itu r

  

rp

10

11

  









  















Solo Cnt.



Rep. Cnt.

   



2nd Cnt.

 









 





 



   



 





mp

 (=)   (=)

 

Euph.

Eb Bass

Bb Bass

Perc.

 senza sord.  p

 



 



 













     

p



mp





-A







ce

an 



























(p)









  

senza sord.



p

  











    



 







 





















  

  





     

p



  











p





senza sord.







(p)

p







p







(p)

















s-





  



         





  

solo

orm



 

 



erf

Bass Tbn.



                

    

2nd Tbn.





rp

1st Tbn.

   



                       

al

2nd Bar.





rus

1st Bar.









Pe

2nd Hn.







ore

 

1st Hn.







Sc

Solo Hn.





t fo

Flugel Hn.

no

3rd Cnt.







pa rt

mp



ns i nic c h ht ts fü





itu r



hru ng en



F a tempo (q = 72)

uff ü

Sop. Cnt.

poco rit.

rA

   57

 

 

 

    

   



(p)

mp

 



(p)

S&Co.8837







1st Tbn.

2nd Tbn.

Bass Tbn.

Euph.

Eb Bass

Bb Bass

Perc.



    



ppp



      





(ppp)

(ppp)









 



















  



    



         



  

 





 

 







    





 

 















   



 











 



 









    





 







S&Co.8837



 

 



  



    















  





  

 













    





  

    











   







  





  



 



 



   



 





uff ü



   

   









 

    

  





 

 



rA



mp



s-





ce







mp



 





itu r



Harmon mute (tube out)



  





hru ng en

  

 



pa rt



ppp

 



    

Harmon mute (tube out)

-A





 

an

2nd Bar.



  



(ppp)

orm

1st Bar.

 

  

ppp

ore

2nd Hn.





  

Harmon mute (tube out)

erf

1st Hn.



  



mp

mp

rp

Solo Hn.







Sc

Flugel Hn.



 







t fo

3rd Cnt.



   

(solo)

al

2nd Cnt.





no

Rep. Cnt.

 



Pe

Solo Cnt.



ns i nic c h ht ts fü

  63

Sop. Cnt.

rus

12





   

p



  



         











  

13







Eb Bass

Bb Bass

Perc.

  



ore



     



            







 



 

 







       



 





mf











 

  

p

S&Co.8837



 (mf )

 



mf

 

 

    

mf

mf

  













   





mf

      mf

     





 

        mf





 

mp



p



mf

mf

  

  

    







mf







mf



   













  

    





3





mf



    



uff ü

 

 





erf









  



  

     

3

   

mf

-A

 

rp

Euph.





 







Sc

 



t fo

  

2nd Tbn.

Bass Tbn.



mp





al

1st Tbn.





      



 



     



no

2nd Bar.

    

rus

1st Bar.



Pe

2nd Hn.



  

3      

 

(ppp)

 

(ppp)

(ppp)

 

itu r



   

pa rt

   





















 







 

1st Hn.

mf

   

3                   (ppp)

Solo Hn.

mp

mf

3

Flugel Hn.



rA

(ppp)

3rd Cnt.

 

  



ns i nic c h ht ts fü

  

2nd Cnt.



s-

(ppp)



3

cresc. poco a poco

        

Rep. Cnt.

















ce

 

Solo Cnt.



hru ng en



an

Sop. Cnt.

orm

  69



mp



  p



 















   









          







 



(ppp)



  



  



  















      

 

Bb Bass

Perc.

 

     





Sc 

  

  

 p







  

p





















 



  



   



  











  



 







    



      

 



     

















 

  













  





   



     















    p

S&Co.8837

 



  

 

  





  







       









rp

  



  



t fo





al



   

  

p

p





   

  







   

no

Eb Bass





  

  

rus

Euph.



  

2nd Tbn.

Bass Tbn.



Pe

1st Tbn.



 



p

2nd Bar.

ns i nic c h ht ts fü

p



s-



 

ce

 













 



mf



  



-A





an



p





(ppp)

  

1st Hn.

3          



orm



(ppp)

pa rt

3      

itu r





Solo Hn.

1st Bar.





2nd Cnt.

2nd Hn.







Rep. Cnt.

Flugel Hn.

p



hru ng en

  

Solo Cnt.

3rd Cnt.

p

ore

Sop. Cnt.

G

uff ü

74

rA

   

erf

14



 

 

 

15









Solo Cnt.











Rep. Cnt.

         (ppp)

   

Eb Bass

Bb Bass

Perc.

















 

 



           



 

   

 



 

    

 























(mf )









  

    





  

al

 

Sc





s-

    





ce

 

  



            





-A



  

      





an



Pe

Euph.

(solo)

orm

  





     

ore

 

2nd Tbn.



rp

2nd Hn.

Bass Tbn.



t fo

 

1st Tbn.





(mf )

1st Hn.

2nd Bar.



no



Solo Hn.

1st Bar.

3

rus

Flugel Hn.

         

3

3

hru ng en

(ppp)

    

3

ns i nic c h ht ts fü

   

3 3         

pa rt

3

(ppp)

3rd Cnt.

         

     

          



uff ü

3

 

rA

3

          

2nd Cnt.

3 3          

       

3

erf

Sop. Cnt.

itu r

  80













  





 







 















 



  















 













     



 

   



 



mp



 S&Co.8837

 









       

 

p

mp mp

 

 





p

  



 

   

Rep. Cnt.





mp



3

        

        

  

  









  



(p)

Euph.

Eb Bass

Bb Bass

Perc.

 





  



















 

 





   









 

 











  

  

    





p

  



 

    





















  

(ppp)

mp









 



 



mp

 

(mp)













mf



   

 



 

  



  



     











  



mp





mf

 







 









 

   

  

        S&Co.8837









(ppp)

 

 



    

  





(ppp)









orm









ore



rp

Bass Tbn.



p

     

2nd Tbn.



al

1st Tbn.





no

2nd Bar.

  



rus

1st Bar.

 

Pe

2nd Hn.





-A



3          

an



      



(mf )

 

1st Hn.



erf



Solo Hn.



Sc

Flugel Hn.



3            

ce

3



     



ns i nic c h ht ts fü

3

t fo

3rd Cnt.





3

3

                        

2nd Cnt.



            

              3





itu r





hru ng en



Solo Cnt.



pa rt

Sop. Cnt.

H

uff ü



84

rA

 

s-

16









mf



p

  



   

  





   



   

    (p)



 





 

   p

















 

  











   



 

senza sord.

   p











   



 

senza sord.

  











   



 

senza sord.





Euph.



Perc.

 



ppp







    

p

p

    



    

 

   





(p)



 







itu r hru ng en

pa rt 













p

pp



mp



 



   solo    



mp

pp





(p)

 

p

3

  









 









p

   



  





 



mp











  

(p)



 



  

p







(p)

         S&Co.8837





pp





 



mp

   





mp





pp



  









   

p

 





p



an







pp





orm



     



p

 



p



uff ü

 

       



 





p

pp

 



 

Pe

Bb Bass

 



rA



p

Eb Bass





-A



  







ppp

   



ore



2nd Tbn.

Bass Tbn.



ppp



erf

1st Tbn.

 

 



rp

2nd Bar.



 

Sc

1st Bar.

 





t fo

1st Hn.



 

ns i nic c h ht ts fü

  

Solo Hn.

2nd Hn.

(ppp)

al

Flugel Hn.

p

(ppp)

 

I

p

s-

 

2nd Cnt.

3rd Cnt.

(ppp)

Molto meno mosso q = c.50

ce

 

Rep. Cnt.

no

Solo Cnt.

rus

Sop. Cnt.

17

  89

  



(p)











p





p





 









3rd Cnt.





Flugel Hn.

  





 









 





p

p



p

 





 



 



  



 



pp



 



al

  





Euph.

Eb Bass

Bb Bass

Perc.

   





ore





pp



pp



pp









pp

pp





 

 

  

 

 





 



solo

p



mp









   (p)



(p)



  

   









(p)





p









 





















p



 



 

p









 

 

 

 

 

 



 

 

 



 



 

pp

pp

pp

pp

pp

   







     

       

p

S&Co.8837

ppp

pp

p

p





  



  mp







p







ppp



 



p

 

 









  









p

mp





pp

pp

 

  

erf





p

rp

Bass Tbn.



Sc

2nd Tbn.



   

ppp

 

pp

(p)

p

 

   









t fo

1st Tbn.

mp

p





no

2nd Bar.



rus

1st Bar.



 





Pe

2nd Hn.

solo

 

 

p











pp

mp

1st Hn.



mp



pp

    

Solo Hn.



p



pp

itu r



2nd Cnt.

   

 

hru ng en



  solo    



  

uff ü





p





pa rt



Rep. Cnt.

 

rA





ns i nic c h ht ts fü





s-



Solo Cnt.



ce



-A



an

  96

Sop. Cnt.

orm

18

        

l.v. al fine

pp

Billesdon June 7th 2012

al an s-

ce

ore

Sc

orm

erf

rp

t fo

no

rus

Pe

rA

hru ng en

uff ü

pa rt

ns i nic c h ht ts fü

-A

itu r

al an s-

ce

ore

Sc

orm

erf

rp

t fo

no

rus

Pe

rA

hru ng en

uff ü

pa rt

ns i nic c h ht ts fü

-A

itu r

View more...

Comments

Copyright ©2017 KUPDF Inc.
SUPPORT KUPDF