British Literature
Short Description
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Description
Title/author/year
W.Shakespeare The Sonnets (1609)
W.Shakespeare Romeo&Juliet (mid1590) W. Shakespeare Julius Caesar (1599)
W.Shakespeare Hamlet (1603)
W.Shakespeare A midsummer's.. (1600)
Canon
Renaissance, Elizabethan age, Humanism
Renaissance, Elizabethan age, Humanism
Renaissance, Elizabethan age, Humanism
Renaissance, Elizabethan age, Humanism
Genre
Historical context
Narrative
sonnet
Elizabeth I (1558*18- young 1603), James I (1603- man, 130 - dark 1625) lady
drama tragedy
point of view of Elizabeth I (1558Romeo and 1603), James I (1603Juliet, 1625) occasionally servants'
tragedy
drama revenge tragedy
Elizabeth I (15581603), James I (16031625)
Elizabeth I (15581603), James I (16031625)
Renaissance, drama Elizabeth I (1558Elizabethan age, comedy 1603), James I (1603Humanism fantasy farce 1625)
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Setting
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14th-15th c, Verona and Mantua
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Themes love, 130 mocks the Petrarchan metaphors-love don't need conceits to be real forcefulness of love, love as cause of violence, indiv. Vs. Society anxiety of Elizabethan England over succession of leadership
late medieval indecision, son and period, mother, Denmark impossibility of certanty, mystery of death, nation as a diseased body
elements of friendship,treacher Ancient Greece y, difficulty of love, and magic, nature of Renaissance dreams, fantasyEngland reality
Daniel Defoe Robinson Crusoe (1719)
Neoclassical Augustan A. Enlightment Classicism
Title/author/year
Canon
Jonathan Swift Gulliver's Travels (1726)
Neoclassical Augustan A. Enlightment Classicism
btw 19th &20th Jane Austen c., btw Pride and Prejudice Classicism & (1813) Romanticism
Emily Bronte Wuthering Heights (1847)
Victorian era
dissenters, the self-awareness, adventure restoration, 1st & 3rd person 1659-1694 colonial attitudes, novel novel of colonialism, glorious fictional York, Brazil, fear, human isolation revolution England in autobiography Trinidad island condition,money, 1719 industrialization
Genre
Historical context
Narrative
Setting
Themes
novel satire
England in the 1720s, unreliable England, the Restoration, the author, 1st Lilliput, Glorious Revolution person narrator, Blefescu, and War of Spanish ppl as they Brobdingnag, Succession, Ireland, appear to him Houyhnhnms the Enlightnment
indiv. Vs. Society, limits of human understanding,
comedy of manners, novel of manners
J.A.'s England, the 3rd pers French Revolution and omniscient Napoleonic Wars, n.,Elizabeth's English Regency point of viewsociety indirect speech
1797-1815 Napoleoniv Wars, Longbourn
marriage, love, reputation, class, pride, prejudice and tolerance, change and transformation
The Victorian Age (1837-1901), Illness, Death, Funeral Lockwood, gothic novel, Customs, Literary Nelly(not an realist fiction traditions and omniscient n.) romanticism, Inheritance and social position
1770-1802 Yorkshire moors: Wuthering Heights, Thruschross Grange
the destructiveness of love that never changes, the precariousness of social class, revenge, violence and cruelty, supernatural
Charles Dickens Great Expectations (1861)
Victorian era
social criticism bildungsroma n, autobiographi cal fiction
novella, fairy Lewis Carroll tale, children's Alice's Adventures Victorian period fiction, satire, in W. (1865) allegory
Title/author/year Henry James The portrait of a Lady (1881) Thomas Hardy Tess of the D'Urbervilles (1891)
Joseph Conrad Heart of Darkness (1902)
Canon
Genre
industrialization,
1st pers n., n. +protagonist=Pi p
the Victorian Age in England, Victorian views of childhood, the early development of children's literature
3rd pers, occasionally 1st and 2nd pers, anonymous narrator
Historical context
Narrative
Setting
Themes
limited point of view, through the eyes of Isabel
Albany, NY, England, Florence
Americans living in Europe, social and emotional maturation
1880s-1890s Wessex,SW England
social ostracism, men dominating women, fate&chance, God&religion, sex
Realistic period psychological claimed by both Enlightenment ideas realism AM&ENG
Victorian Realism
20th c., Edwardian period, Modernism
Darwin & Social Darwinism,Industrializ omniscient, obj. regional, ation and Rural 3rd pers n. tragic novel England, Women in Anonymous n. Victorian Society
mid19th c., Kent and London
ambition, desire of self-improv.,guilt, innocence, maturation, affection, loyalty, victim, victimization
tragic inevitable victorian era, loss of childhood England, innocence, life as a Wonerland meaningless puzzle
novella, 1st narrator 1876-1892, colonial lit., uses 1st pers pl, Thames River, frame story, Marlow Brussels, adventure European presence in narrates in the Congo Africa, the Ivory tale, romantic 1st pers. Sg. Trade, Belgian traits:symboli atrocities in the sm, Congo supernatural, heroism
civilisation, hypocrasy of Colonialism, madness as a result of imperialism, absurity of evil, race&racism, violence, moral corruption
James Joyce A portrait of the Artist as a Young Man (1916)
Modernism
E.M. Forster A passage to India (1924)
Modernism
Title/author/year
Canon
Virginia Woolf Mrs. Dalloway (1925)
William Golding Lord of the flies (1954)
Modernism stream of consciousness
Contemporary Age
bildungsroma n, 3rd pers autobiographi Joyce's Ireland: the narrator, cal novel, use historical and political Stephen of stream of context, literary Dedalus' point consciousnes context of view s
psychological Forster's England, the omniscient 3rd novel Indian context pers n.,
Genre
modernist, formalist, feminist
novel, allegory
Historical context
Narrative
anonymous omniscient n., point of view changes the new modern era, constantly:strea WWI m of conscio., free indirect discourse 3rd
1882-1903, Dublin and surrounding area
development of individual consciousness, religion extremism, the role of the artist, the need of Irish autonomy
1910s-1920s, India: Chandrapore, Mau
difficulty of ENGIND friendship,, unity of all living things, muddle of India, negligence of British colonial gov.
Setting
Themes
mid June 1923, flashbacks fragmentary post Bourton WWI England, summer 1890, consiousness, London disillusionment neighborhood with the British E. of Westminster Fear of death, threat of opression
Golding and WWII, the anonymous 3rd geography of a pers n., near future, a tropical island, omniscient, deserted political climate ofthe character's tropical island 1950s inner thoughts
civilisation vs. Barbarism, loss of innocence, innate human evil, good and evil, reason&emotion, morals&morality
John Fowles The French Lieutenant's Woman (1969)
Between modernism and postmodernism
Victorian setting, metafiction techniques
Existentialism, the New Woman
narrator has a double vision and double voice
Lyme Regis, Exeter
social constraints, freedom
Motifs
Symbols
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light/dark imagery, opposite points of view
poison, thumbbiting, Queen Mab
incestuous the ghost, desire, Yorick's death and skull suicide, darkness and the supernatura l, misogyny love out of balance, contrast
Theseus and Hippolytaorder, stability
counting, measuring, eating
footprint, cross, crusoe's bower
Motifs
Symbols
LilliputiansB robdingnagi foreign ans, languages, Laputans, clothing Houyhnhnm s
courtship, journeys
Pemberley
doubles, repetition, the moors, conflict btw ghosts nature and culture
crime, criminalitydi sappoin. Expect., weatherdramatic events, doubles
stopped clocks, obj relating to crime and guilt, Satis House, Joe, marsh mist
dream, subversion, garden, curious, mushroom nonsense, confusing
Motifs
Symbols
birds, book Prince, of Genesis, d'Urberville variant family names vault, Brazil darkness, hyperbolic language, inability to find words, upriver vs. Downriver
rivers, fog, women,sev ered heads, maps, ''whited sepulchre", man trying to fll bucket with hole in it
music, flight, prayers, secular songs, Latin phrases
green&mar oon, Emma, the girl on the beach
echo, the Marabar EasternCaves, the Western green bird, architect., the wasp Godbole's song
Motifs
Symbols
the Prime time, minister, shakespear weapons, e,trees&flo old woman wers, waves in the & water window biblical parallels, natural beauty, bullying of the weak by the strong
conch shell, Piggy's glasses, signal fire, the beast, Lord of Flies,boys
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