Brad Paisley Compilation

November 4, 2017 | Author: Astroman3000 | Category: Music Theory, Pop Culture, Elements Of Music, Musicology, Leisure
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Guitar score...

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Alcohol

3  3     =     

Words and Music by Brad Paisley

Intro Moderately q. = 48

B5

     

 



 

E

mf







w/ slight dist.

3





3





1







1

*





4 4 2

4 4 4 2 2 2 0 * Brad Paisley's guitars are equiped with a G-bender that allows him to perform many unorthodox passages which have been arranged for standard guitars in this transcription.

B5

E

     













3









1

4 4 2

2

X

4

4

4

1. I

      

E







can make





an - y - bod

-





y

pret

-



0





make

you

be

 -

lieve

 an

 -

y

1



 I

 

1



   0

 









let ring

2

E



0 0

ty,

2 2 0





    

 





1

1



P.M. 1

0

2

  



 0

0



can

  

0 0

lie.

let ring

4 4 2



0





B5

      

      

4 4 2

   

2

2



let ring

0

2

B5





1

Verse

  





  

3

1





I

can





0

2 2 0 © 2005 EMI APRIL MUSIC INC. and SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E

    make

     

F#/A#







 

you

pick

a

fight



G#5

   

  



with

   

F#5

   

size.





  

y

twice





  let ring











    

 

 





4







1/2

4

   

I’ve

2

E

  been





 

known

to

cause

  a

few

break

ups







 





let ring



2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





1

0

3

2 0

2

1

1

2

been

known

       to

cause

a

few

E



 





births.







        

 

1

4 4 2

and

0

   

      

 

let ring

4 4

B5

I’ve





  



          0

2

 

Well,

4

2

4

4

2





let ring

4

B5









4 2

   

 

your

6

6

4





-



7

6 4 X 6





some - bod

let ring

4 4 2

B5

0

9

10

9

7

7

7

7

9

9 7 9



Well,

  I



can

B5

  

make

   







you

F#/A#

  



new











let ring

4

2



4





let ring



4

4

B5

    

 



day

I

left









6









2



from





-







wau

- kee,









And

since

the

  



6

4

4

6

4









4

4



E

 Mil

6





fired

2

  

4

2

Chorus

   

   let ring



      

4

4

2

you

6

4





work.



get

let ring

6

F#5











7

4

    



or





B5





friends

let ring

  



G#5









let ring

0

2

4

B5

    



Lynch - burg

  







2

 and

0

1

0

   Bor



-

E







deaux,



  

France.

  





  

 

1 2

  Been



  

let ring

0

2



4

4

6

0 2

0



4

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B5

     

mak -

F#/A#





  

in’

the

bars







G#5

 





let ring







lots

of

big







- ey





  let ring

let ring



  

mon





F#sus4

7 4 6

     

C#m

  

6

4

and help - in’







white



peo - ple



6

4



 

dance.





let ring



B5

got

you

    

6

1/4

4

6

   

  

in

in

trou - ble





E





high

 









 

4

4

2

B5

 

 

col - lege

now

     

 

 that



    a

 

Sorgdal

1

2



       

1

0 2

but



ball.

  

2





  

1

0 2

E

was

 

w/ bar

2

0

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4



let ring

0

4

2

4

school,



let ring

0

 

   



I

2

     

  

 



2

5

6

2

F#

         

4

4



2

6



2

  You had



 

 



0 0

1 0

2

X

4

0

2

E

B/D#

C#m

            some

   

of

the best

 



times



 

 let ring

re - mem - ber

with



 





0

6



me.

Al

B5







Al













3











-

co

4

2

0

4

4

2

2

B5













 P.M.

2

2

 



2

2









3





1



4

4

4 2

B5

blamed

       4 4 2



2

0

E 3

 

  

at

your



1

Verse





got



 

3

4



2. I



hol.



4

4

E

3

-

1

        





3

1

2

co - hol.

2

E



-

 

2

   

   



4 4

4

     

   





1

4 7

F#

        

you’ll nev - er



let ring

B

   

wed - ding



re - cep

  

-

4







tion,





   0

1

2

   1

3

 

for your

0 0

0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

B5 3

 best

  

 



man’s

em

E5

  -

bar









- rass - ing









speech,

  



  and











0 1

0

0

B5

    





     

al - so

F#/A#





for

those

G#5



nak - ed

4 4 2

F#5









of

you

the

 let ring



4

4

2

beach.













 

I’ve

  

7 6





at

6

6

   



let ring

4









 



6

4 X 6

   





pic - tures

 

 

B5







let ring

  

1 0

2

2

     







3





6

4



7 8

6

8

6 6

8

6 6

4

8

4

2

 B5   in

      

 -



flu - enced

µ



kings



 and

 world

E5







lead - ers,













  





3 1/2

4 4 2

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Sorgdal

2 4

4

4

4



 I

helped







2

4

4

B5

       



E

 



Hem - ing

  

-



way



write

 

 

like

he



 











did.

And



 



 





I’ll 3



   

1/2

0

1

B5

      

bet

5

4

 



you

a

F#/A#





drink

or

two







that

I

 









can

make













you









4 4

6

4

4

4

6

4

F#

     

put





that





lamp - shade

 



4



4



on

your

    

2

2



1

0

Chorus

B5

    

 



day

I

left

      









since

the



 

’Cause

grad. bend

1

 -

wau





 -

 

grad. release

7

7

E

 Mil



 

head.

2

6









1 hold bend

1

4

2

4

4

B5



 

4 2

G#5





6

6

4

2

3

1/2









 



kee,





let ring

0 4 4 2

1

0



1

0

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B5

    

       

Lynch - burg

  

and

Bor



-

E



deaux,





 

France.

  



   





I









been





let ring

0

2

2

B5

  

mak

   

-







in’

a

fool

2

F#/A#







4











of

folks

just







let ring

1

0

G#m

out



2

2

0

1



B







like



  

you









  let ring

let ring

7 4

2

6

   

C#m

  



   

and help - in’







white



  peo - ple



dance.



4

6

B5

         

med - i



5

-



cine

I

3



am

 -





1

E

poi



 





1

4

4

   





6

     and





5

6

3



 

  



4





2

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



I

am

 



6

6

6



I

 

6

4

 

son. 3

  

0

0



 



1

0

4

 1

4 2

8



1

1

2

4

4 2

F#

3

let ring

6

6

6

4 3



can



B5

      

help

E

3

        



3

you

up

or



make

you





 







fall.

You had

 

    

 

  

   



2 4

2

  

some

  



F#

   

me.







 of

the





best

you’ll













4

B







nev - er

re









- mem - ber





5

4

 E      

2



4

-







co - hol.



 



 



2

4 4 2

2









3

3





-

0



4

4

2

2

F#



 



co - hol.

Yeah, since the 3



4

B5

 1

2

     Al



4

1

2

with



6

4



B5

 Al



4

6

4

4

4

6

0





times



4

5

C#m



  

5

4

0 3

B/D#





2

  

2

0

E

   

 

1

4

2



         

3



 

1

4 2

2

4

2

2 4

4

4

 



2

4

2





1

   1

4



1

4

 



1

4

2

2

4

4

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus

B5

   

 

  

day

I

left

   

E

 Mil

   





           

- wau - kee, 3

 



3



   

3 1

0

0 0

2

2

B5

-

deaux,

B5





        mak

-

in’

the

F#/A#

  

2

2

4

4

4



 



Been 3 3 3                   



3

3

1



1/2

9

4 4

   

0

France.

 4

2

   



        and Bor

0

4

E

              Lynch - burg

1



3

1

7

7

G#5







7





9

8

lots

 

of

7

9

7

7

big



7 5

7



  

mon - ey





   

let ring

5

F#sus4



bars



7 9

7

7

7

    

C#m

6

   

   

(Crowd:) and help - in’ white peo - ple

   



6 6

6 6





4

F#

 

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









dance.

Yeah, 3

3

3

I 3

3

3

                  2

10

2



4

6

2

2

2

2

2

2

2

2

2

2

2

2

2

2

2

4

2

B5

          

got

you

   

  

in

in

trou - ble

E





high

  

2

B5

   

 

col - lege

now

   

that

was

a

 

ball.







 

 



7 X 5

0

E







     

1/2

6 X 4

0

4 X 2

0

0





 

1

1

14

16

16

1

12 9

14

9

11

11

9

11

2

E

some

   







B/D#





of

the

best







C#m



   times

 



you’ll

B







nev - er

 

  

4

You had            

16

   

 

but



9 X 7

7

    



school,





 



  

re - mem - ber



 



5

4



with





let ring

9

9

11

4

9 4

      

F#





me.







 -







co - hol.



4

4

4

 Al



6

B5

  





  







3



 

3



1

2

2

2

2

2

2



4 4 2

4

2

  1

4

4 2

2

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E

    

B5







Al

   

-







co - hol.







let ring

0 0

3

 











3





1

4 4 2

0







3

2

2

2

4





1

4

4

4

2

2

Outro-Guitar Solo

E

    

B5





Al



 

 -

co - hol.

     

3 3                           let ring 3

3

3

1

0

1/2

 

1

0 6

6

7 5

7

E

   

7

5

4

4

7

6

5

3

0

2

2

2

B5





  

Al

-

co - hol.

                    



                 3

1

1

1

1

1

1

1

1

4 6

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Sorgdal

6

4

6 6

6

6

6

4

6

6

6

6

7

6

1 1/2

6

4

6

6

7

6

4

6

E

     



        

Al

 4

 -

co





 -

hol.

                  



6

1/2

7 6

9

7

7

7

10

9

10

9

E

     

       







B5

3

1/4

7

0

7

9

1/2

9





Al

7

7

9

10





-

co

7

-

hol.

5 5                                   6

7

9

10

3

7

0

9

9

7

3

9

7

0

9

      B5

9

7

7

5

5

7

8

7

E

   



 2 4

7



2 4

9 11

7

0

7

7





        

5

 

  

*

1/4



12 14

12 14

Al







5

0



  

co - hol.

    



steady gliss.

12 15

14

7



-

1 hold bend

12

8

19

14

18

*Played as even sixteenths.

      B5











1

18





  

 

1

16

18

16

18

Al





 -



 co

-

hol.

steady gliss.



19



 

  



E

2 1 3

1 3

7 9

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Sorgdal

B5

E

     





Al

   





    









rake

19

19

18

18

18

16

18

16

18

14

16

18

B5

   



14

14

16





      

16 16

16

14

16

17

E

 

1/2

1

      8va

co - hol.

              



1

1

-

8va

3

1

 





                    loco

3

3

3

3

3

3

1

19 21

19

18

16

19

 3            

17

16

18

16

18

18

Begin fade

B5

     3

 14

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 14

4

6

4

6

4

7

7

16 18

18

16

17

19

16

18

19

16

14

            E







1

16



1

7 9

9

7

7 9

7

16

14 16

Fade out



1

7 9

from Brad Paisley - This Is Country Music

Remind Me

Words and Music by Kelley Lovelace, Brad Paisley and Chris DuBois [E'9]

[C#m7]

[E]

[B'4]

[Asus2]

[A5]

34

34

[B5]

4fr 241

142

231

134

134

Gtr. 1: Capo I

Intro Slowly q = 71

F'9

Dm7 [C#m7]

* [E'9] Rhy. Fig. 1

     

     

Gtr. 1 (acous.)

   

mp

     

  

  

   

    

let ring throughout

0 0 1 4 2 0

 Gtr. 2 (elec.)

 



0 0 1 4 2 0

2 0

0 0 1 4 2 0



0 0 1 4 2 0

0 0 1 4 2 0

0 0 4 6 4

4



 

4 0

0 0 4 6 4

4

0 0 4 6 4

    



f

   



w/ slight dist.



3

5

7

5

7

7

5

3

7

5

3

*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.

C5 [B5]

Bbsus2 [Asus2]

        4 4 2



0 4 4 2

 

   

0

0 4 4 2

     

 

0 4 4 2

2 2 0

0 4 4 2

 





 







  

0 0 2 0

     



0 0 2 2

    0 0 2 2 0

End Rhy. Fig. 1

 

(cont. in slashes)

0 0 2 2 0



  



P.M.

5

3

3

1/2

3

5

1/2

3

3

1

© 2011 EMI APRIL MUSIC INC., DIDN’T HAVE TO BE MUSIC and HOUSE OF SEA GAYLE MUSIC All Rights for DIDN’T HAVE TO BE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for HOUSE OF SEA GAYLE MUSIC Administered by WORDS & MUSIC, COPYRIGHT ADMINISTRATION All Rights Reserved International Copyright Secured Used by Permission

1

15 15

0 0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

* [E'9]



 

    

    

 

    

Gtr. 1 Gtr. 2

w/ G-bender +1

1 1 0 0

+1

+1

0



 

[C#m7]

  

 

 

    



 

 

 

    





+1

0

+1

0

0

+1

+1

0

0



+1

0

0

0

3 *See top of first page of song for chord diagrams pertaining to rhythm slashes.

[B5]

 

 



 



[Asus2]

   

 



0

3

 

let ring

1

1

 

  





let ring

 

1

3

3

Verse Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 2 tacet

F'9 [E'9]

care

if



        



   



Brad Paisley: 1. We did - n’t

 

peo - ple stared.

We’d make

C5 [B5]



out

in

a

crowd

some - where.

Bbsus2 [Asus2]

  

  

Some - bod - y’d

tell

us



to

Gtr. 2



  

    

get

a



  



room.

It’s

hard

   to

be - lieve

    

that was me and you.







 

 



 





     

Dm7 [C#m7]



Now,



 

mf

3

F'9 [E'9]

we keep

   

5

7

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

        say - in’ that



we’re



o

   -



kay,

but



  3

         

  



    

Dm7 [C#m7]

I don’t wan - na

set - tle

 



3

5

for

 





   good,

not

great.

Now,

 5

C5 [B5]



Bbsus2 [Asus2]

  

   

 

         

     

        

0 4 4 2

0 4 4 2

Gtr. 1

0 4 4 2

Gtr. 2

0 4 4 2

felt

feel

that

then. I wan - na

   

   





way a - gain.

   

(cont. in slashes)

0 0 2 2 0

0 4 4 2

 

 

 

back







  

  





0 4 4 2

that it

  

  



the way

  



I miss



w/ G bender





  

  

+1



3 3

Chorus [E]

[C#m7]

  

Rhy. Fig. 2 Gtr. 1

  



  

3

3

3

Been

so

        

  

    

long

you’d

that





for - get

the



   

 

    

way

I

    used

       to

kiss



your

  neck.





 

 Carrie Underwood:

Gtr. 2



Re - mind

Riff A





  

mp let ring

2 1

3

1

 

2

 

  





 



  

let ring

2

3

3

5

3

5

3 3

5 5



3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

[B'4]

[Asus2]

 

 

  



  

 

 

 

  









 

End Rhy. Fig. 2



  So

  

  

 





me,

 



 







let ring

3

[E]



 

   

on

so



 



 

in

love.

   

Way



 



1

3

3

                         

back



3

3

[C#m7]

    



let ring

1

     

    

fire,







0



 

 

me.

2

2

  





   

   



1

1

2

2

 

re - mind





 



when

we could -n’t get



e - nough.





     Re - mind

 

















let ring

1

2

3

1

 



1

2

 



3

  

  

   



me,

   



5

7

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

5

[Asus2]

   

5

3

    

   

5

5 5

 

   





 

5 5

 



    me.

  



7

5

5



5

3

re - mind

let ring

5



  

let ring

3

[B'4]





End Riff A





let ring

3

3

5





2. Re -

   



1

Verse Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)

F'9 [E'9]



Dm7 [C#m7]









 

Well,

         mem -ber the Gtr. 2

  

air

-

port,

 

 

  

drop - pin’ me



off?

 



  





We were

  

  

kiss - in’ good - bye

  



        

  and

we could -n’t



stop.

   



*w/ delay

5

5 5

5

7

5 7

5

*Delay set for eighth-note regeneration w/ 2 repeats.

C5 [B5]

[A5]









  

  







but

that

meant

we

had

 

  







meant

we

Gtr. 1

     I

felt





missed

your

    bad

’cause you

 

  

flight,





But





 



3

 



 

that

5 5

3 3 1



[Asus2]



  

  

  

one

 

more

night.







had

one

more

 

 

 

 

 

3 1

3 1

3 1

3 1

3 1



night.

delay off

Chorus Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 2: w/ Riff A



F [E]

Dm7 [C#m7]







   



Re - mind

                   Do you

re - mem

-

ber how it

used

to

be?

We

turned

  out

 

   

the lights

and we did - n’t

     

  

just

sleep.

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C'4 [B'4]

  

    

 

 

 

ba - by,

re

 



me,



Bbsus2 [Asus2]

  





- mind

   

  







me.













Oh,

F [E]

Dm7 [C#m7]









    



Re - mind

    so

on

[B'4] Gtr. 1

 

  

  

       

fire

and

    

so

in

   

  

love,

that

look

  



        

ba - by,



in your eyes

[Asus2]



me,

 

           

    



 

  





 

 

let ring



        

3

2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

2

 



2

0

much.

      (cont. in notation)

    



I

 





wan - na



me.

 



      

let ring

1

1

so

me.





miss



Re - mind

Gtr. 2

I



re - mind



that

    

2

3

1 3

3

3

1



Bridge Gtr. 2 tacet

C5 [B5]





 

   feel

Bb5 [A5]

that







  



way.





     

 

Yeah,

hold

I

wan - na

   you

  

  

 3



Aw,

if

you



3





If

you



close.

     

 

 

     

 

 

   

 

  

    

   

   

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

Gtr. 1

4 4 2

4 4 2

C5 [B5]



Bb5 [A5]

   

 

still





4 4 2

love



still

 love

     me,

  

 me,

Gtr. 2







3



don’t

just

as

   -







don’t

just

as



-

2 2 0

2 2 0

Bbsus2 [Asus2]

   

      

sume



3

2 2 0

I

know.

  

sume

I

  



know.







 

f

10

     

 

 

     

 

    

 

 

 

 

 

 

 

 

 

 

 

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

2 2 0

2 2 0

2 2 0

2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

0 0 2 2 0

Gtr. 1

4 4 2

4 4 2

4 4 2

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Gtr. 1: w/ Rhy. Fig. 2 (2 times)

F [E]

 

Dm7 [C#m7]

 

   







  







  

    

Oh,

               

ba - by, re - mind

Gtr. 2

 



13 11

11

10

10

C'4 [B'4]

12

10

8

7

 





10

8

8

   

 

8

5

3

3







1









3



1/2

6

6

6

5



5

2

3

5

  

 

6

6

6

5

5

7

8

5

F [E]

7

0

   



   



me. 3                



6

5

0 3

5

5

Bbsus2 [Asus2]

           3

3/4

 

w/ G-bender

re - mind







+1

me,



         

 

5

7

5

5 5

3 3

3 3

3 3

10 12

13

10

10

12

13 10

Dm7 [C#m7]

 















Yeah.

                    

1



10 12



10 12

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

1



10 12



10

13





                   

1

10 13 10 13 10 12

13

 



1/2

13 10 10 13 10

10 12

13 10

12

12 10

12

10

12 10

12

10 10 12

10 8

10



C'4 [B'4]

 

 



Bbsus2 [Asus2]





   







3                      

Oh.









  

                    





rake

3

3

1/2

15

1

15 13 12 12 15

X X

8

13

16 15 13

15

8

Chorus [E]

  

 

Gtr. 1



  

      



     

      

Do you re - mem

the

    

-

ber





way

it

  

  

15

10 15



3

10

17

10 12

            



 

when we could -n’t con - trol





Gtr. 2





15 15

15

15

You mean back





[C#m7]







15 15 15

  

3

10 8

5 7

   

our

7

5

3 3

3

3 3

10

      







-

selves?





 

felt?

Re - mind



    





mf 1 1

2

2 3

[B5]









   

 

  



[Asus2]

   

     

Yeah,

re - mind







5

3

5

                            me.







 

me.



  



All







5 3

5 3

5 3

P.M.



5 5 3

5 3















      

5 3

5 3

3 1

3 1

3

3

3

5

2

3

5

7

5

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1: w/ Rhy. Fig. 2 (2 times)

F [E]

 



   

   

those

             that you

  

 





things

Gtr. 2



Dm7 [C#m7]

used

to

   

1 1 2

  

do

that

 



1 1 2

made



fall

in

love

5

5

5

7



  

 

5 7

5

Bbsus2 [Asus2]



  

  

with you.

     

5

1

C'4 [B'4]

me

5

7

      

 

 

1 1 2

3 1

 

5

 



7

 5

7

    



 

Yeah,

   

  



Re - mind



me,

   



 

oh

ba - by,

  

 

5 5



5 5 3

     wake

2

            up

in

my

old

       10 10 10

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

3

t



2

  

shirt,

  



 





3

1

3

Dm7 [C#m7]

     

all

3

1

          

those morn -in’s

I

was late

            for

work.

Re - mind



            

     

    let ring

10 10 10

  



let ring



10 10 10

   me.

2

    -



re - mind

let ring

F [E]

     

               

  

you’d

10

10 10 10

10

10 10 10

10 10 10

10 10 10

10 10 10

12





  



  

10 10 12

10 10 12

10 10 12

10 10 12

10 10 12

10 10 12

10 10 12

C'4 [B'4]





Bbsus2 [Asus2]

 

  



  

me,



ba - by,



    Oh,



 

   

5

7

5

5

  



5

5 5

5

7

7

  

3

  

re -



 

ba - by,

 

mind

  

3

re

-

  5 5

    



mind



 

1

3

 



3

5

 



2

1





3

5

 3

Outro Gtr. 1: w/ Rhy. Fig. 2 (till fade)

F [E]





 

Dm7 [C#m7]

      



me.

  

  





   

me,

  



   

 

1



8

8

5

7

7

5

7

C'4 [B'4]





yeah.

       



6

     Oh,

       8

     

3

6

8

6



  

5

6

7

7

3

 

ba - by,

      









3

7 12

Bbsus2 [Asus2]

10



 



mind





me.

      13

 

12

  

3

 

Ba - by,

   



     

 

8 8

8

9

re



8

9

8

8

9

10

10

you’d

    

 - mind

                        1/2

10 8

12



Yeah,

        

re -

10

13

10

12 10

12

12 10 12 10

12

10

10

12 10

12

10

10 8

10 8

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



F [E]

 



wake

    

up

in my

   



old

Dm7 [C#m7]

t - shirt.

 

  

   

   



me, 8va

 

 

   



 





 



yeah.



    

 





3

*w/ delay rake

3

Oh.





        



1

1 16

18

18

18

18 18 18

X

8

10

8

10

8

10

12

10

X

*As before

C'4 [B'4]

 

    



Ba - by,

  

  8va



16

re - mind

me.

                     

3

15

13

16

15 16 15 13

15 13

15

15 15

13

12

10

12 11

Begin fade F [E]

                                Dm7 [C#m7]

 



10 10 10 12 10 12 12 10 12 12 10 10 10 10 10 10 10

11

10 10 10 12 10 12 12 12 10 10 10 10 12

12

Bbsus2 [Asus2]

10

8

12

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

8

10 9 8

10

6

8

8 6

8

10

8

6 8 8 6

7

10 10 10 12 10 12 12 10 12 12 10 10 10 10 10 10 10

8

10

                  rake 1 1/2  10 12 10 12 10



13 12 10

10

10

10 10

10

12

10

Dm7 [C#m7]

12 X X

13 X X

         

Harm.

1/4

13 13 10

8

C'4 [B'4]

    6 6                                      6

8

10

F [E]

3

         

loco

13

     



1/2

16

          

 



       16

Bbsus2 [Asus2]

10 10 10 12 10 12 12 10 12 12 10 12 12 12

Fade out



from Brad Paisley - Play

Cluster Pluck By Brad Paisley, Frank Rogers and Kevin “Swine” Grantt A5

F5

C5

G5

D5

D#5 5fr

11

13

13

13

6fr

13

13

A Very fast q = 258 *A7#9

   

Gtr. 1 (slight dist.)





    

7

0

mf



0

5

7

       7

0

5

X

5

X

0



7

X

0



    

7

0

5

7

0

       7

5

5

X

X

0

7

X

*Chord symbols reflect implied harmony.

 

 0

 

0

 

     





P.M.

7

0

7

5

7

0

5

5

X

0

0

5

7

5

     

5

X

0



0



0

7

5

0

       

8

5

5

7

7

5

7

0

5

7

7

5

3

0

       7

0

5

5

X

X

5

0

7

X

       G5 3         

F5

1

7 0

7

0

5 0

       

     

  

7

0

P.M.

7

5

7

let ring

7

0

G5

7

P.M.

0

      5

5

    

      7

 1

A7#9



F5

      

5

X

5

X

7

8

5

7

5

8

7

5

7

5

© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and KEVIN GRANTT PUBLISHING All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

7

5

0

7

5

3

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B  

D7



 



    

       

P.M.

P.M.

   



P.M.

P.M.

7

5

7

5

7

5

9



A7#9

    

4

9

   

9

4

P.M.

9

8

7

5

9

        



w/ G bender +1

1 8

9

0

5

5

5

5

7

7

D7

  



let ring



 

5

4

2

5 3

4



    

   

 

5

5

5

 



0

4





2

 

9

  



     w/ G bender let ring 1

0

0

 



6

6

9

0

3

2



3

4









let ring

3

G5

  



4

8

P.M.

4

2

 

P.M. 1 1/2

1/2

X 5

 

3

          1

5

5

1 1/2

7

 

P.M.

1/2

4

8

4

9

   

 

P.M.

1/2

4

   

  

3 1

6 6

7

4

4 4

10 7

11

C5

       



9 9

8

11

7

10

8

9

11

7

9

7

E5

F5

F#5







0

1

C#5

D5

D#5







3

4

5

11 11

1/2

7

7

6

G5

  1/2

2

3

C  

A7#9

 0

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      7

0

7

5

0

       7

0

5

X

5

0 7

7

 0

      7

0

7

5

0

    



let ring

7 0



5

X

5

0 0

7



F5

 

 0

3                     

      7

0

7

5



7

0

5

X

0

            A7#9

5



3

3

3

0

3 6 6

3 3

      

0

0

2

4

2

0

0

4

G5 3          3

4

0

0 0

4

4

2

0

3

      

     



2

1

7

0

3

 

 0



7

5

0

    

7

0

7

5

0

7

5

7

X

5

5

0

X

7

X

    

7

0

 

 



3

5

7

0

7

5

0

7

7

F5

5

5

X

0 X

7

G5

                3

5 X

0

6

6

6

4

6

6

4

4

6

0 0

6

6

4

6

6

D A5

µ

       

A5

Gtr. 2 (clean)

 

    



12

15

12

G5

              

f 15

µ

13

12

14

12

14

12

14 14

14

8

7

5

6

7

5

7

5

5

16

6

7

5

7

Rhy. Fig. 1

     Gtr. 1

2 2 0







   2 2 2 0









   1/2

3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

                A5

µ

6

6

7

    

5

7



4

6

5

7

8

8

5



F5

C5

G5

D5

               



6

5

2

6

2

7

5

8

5

8

6

9

6



 

 

5 3

3 1

 

 

5 3

5 3

Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)

 

8

8

 

7 5

Gtr. 2 tacet

    

Gtr. 2

11

End Rhy. Fig. 1

2 2 0

A5

10

µ

A5

µ

G5



 10

                    Gtr. 3 (clean)

                    

3

f 1/2

5

5

8

5

7

A5

8

7

5

7

7

5

7

6

5

7

5

7

µ

          

6







4

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

2

0

2

4

0

4

9

9

7

0

3

4

C5



    

0

1



let ring

6 X

0

F5

Gtr. 3

   

5

5

7

5

5

5 5

5 5

2



1

0

3

4

1

G5

D5



    

0

3



let ring

8 9

7

7

7 7

7 7



Gtr. 3 tacet

A5

  

µ

10

 

A5



Gtr. 3









 

f

P.M.

P.M.







0

9 7

7

0



  

5

5 5

6

7

7 8

 

  

9 10

7 8

µ

           5 6

5 5

5 6



3 4

2 2

            5 5

8 8

7 7

5

X

7 7

5 5

7

6

7

7

Gtr. 4

    



      

7 6

5

A5

  P.M.

7

Gtr. 1

G5

10

Gtr. 4 (clean)

3 4

µ

4 4

F5

          2 2

4 4

2 2



2 2

4

3

2



C5

G5 3

3

     

0

1

0

3

3

2

 

3

      3

(cont. on lower staff)

5 3

 

D5

2

 

5



4

5



7



f (cont. on upper staff)

2 2 0

5 3

3 1

5 3

E        A7#9

Gtr. 1



14

 

 





  







1

14

16

14

    

16

14

16

14

 



5 3

16

16

    

17 14

14

14

14

Gtr. 4









0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4 tacet

       

  Gtr. 1

F5

C5

P.M.

17

 

14

16

14

17

16

14

16

G5

D5

                         let ring  w/ pick & fingers 14

16

14

14 15

12

16

P.M.

12

P.M.

11

14

12

P.M.

9

0

10

P.M.

7

5

0

9

0

0

7

2

0

A7#9

Gtr. 1











   

     











2

4





7

9

*

1 1/2

5

5

5

2

3

4

2

0 0 2

0

0 0 2

0

-1/2 *Bend neck. (Push outward on neck w/ left hand palm while holding down chord shape. Push body w/ right hand for leverage.)

  Gtr. 3



    

4

 





5



5

 







5











6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

F5

 

 

4

4

2

4







  

4

5

 

 

9

10

 9

9

9

9

9

7



C5

  

G5





C5





 1/2

5

1/2

9



9

5

5

4

2

0

  









10

9

7

10

9

10

3

4

Gtr. 3 tacet

A7#9

           

      

 

           let ring

14 14

12 12

14

12

7

  

12 13

14

10 11

14

12

4

9 9

11



8 8

7 7

9

7 7

7

5 5

X



7

5

           7 7

7

5 5

7

7



5

4

5

4



7

   

           Gtr. 1

1 1

 

2 2

4

A7#9

 

4

    

   

5 5

5 5

7

5

0

7

    

6

7 7

7

  5 5

0

5 5

     let ring

7 7

7

5 5

  



5 5

5 5

7

6

 

  0

0

5

    

7 7

5 5

7

7 7

5 5

6

7

5

 2

   



5 5

5 5

5 5

7





7

 

7

 

C5



C5

  



  

 0

2

2

 

    

   

5 5

5 5

7

5



0





12

12

4

5

0

4

5

0

4

5

4

5

0



0

2

4

   

   

1/4

7 2





        0

12

7

D7

       

5 5



F  

5 5

  



10 12

  

C5

1

16

2

3

2

7

G5

1 1/4

16



1



14 16

G5

0

    

1

5 5



0 0 0

F5

    

C5

 

0

7



F5

9

7

9

7

9

7

9

8

   5

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A7#9





  

*Gtrs. 1 & 5

  













 

let ring 1 hold bend

1

12

12

12

10

10

5

10

10

8

5

7

5

7

5







1

10

12

12

        



 

7

7

*Gtr. 5 (slight dist.) w/ talk box, played mf.

Gtr. 5 tacet

D7

           Gtr. 1

5

5

7

5

5

5

        7

7

5

7

7

5

7

5

5

9

10

7

7 9

7

11

12

**C5

9

9

11

9

12

11

5

5

C#5

7

5

D5

5

7

D#5

       

       

9

5

5

G5

          

       

10 12

11

10 14

13

12 14

        7

5

7

7

5

7

5

5

       

E5

12 13

F5

12

F#5

12

G5

16

14

16 14

14

**Chord symbols implied by bass, next 6 meas.

G

   

A5

  Gtr. 1

µ

A5

µ



G5



  

 

mf

1/4

17

X

 

Gtr. 6 (dist.)

       



    

w/ slap-back delay P.M.

17

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17 18

17

17 18

17

17 18

17

18

17

                   3



f

17



3

delay off

19

20 19 17 19

20

19

17

18

17

18

17

18

12 X

14

12

14

Gtr. 1: w/ Rhy. Fig. 1 (last 4 meas.)

           A5

µ

       

Gtr. 6

14

12

11

 

Gtr. 7 (clean)

12

11

9

9

11

7

7

9

6



6

7

5

F5

C5

G5

        

3         

3

6

5

7

8



5

6

5

7

D5 3

5

4



0

2

4

3

2



0

4

2



0

4



2

  f

2

Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas.)

 

A5

Gtr. 6 tacet

µ

A5

Gtr. 7



    

   

   



µ

        

1

2

0

0 1

4

 

4

Gtr. 6

2







1/2

4

4

4

2

4

          

1

2

2

0

G5



2

2

4

0

0

4

4

2



X

0

3



0









           Gtr. 7

    



Gtr. 1



*let ring

4



F5

5

2 2

0

5

2 2

0

5

2 2







7

5

C5

     

1

7

7

 

3

1/4

5



G5

     

1/4

5 0



C5





A5

8

5

7

5

8

7

5

7

7

7

5

7

5

*Refers to strings 3 & 4 only.

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 7 tacet

D5 Rhy. Fig. 2



 Gtr. 8 (slight dist.)      

 





   





12

12

 

10 13

12

10 13 12



3

1/4

10 13

12

12

10 13 12



12

12

12

   

3

1 hold bend

1/2

grad. bend

10 13

Gtr. 7



1 hold bend

1

  

                             

 w/ pick & fingers

f

let ring

C5

End Rhy. Fig. 2

10

12 10

12

1/2

10 10

12

12 10

12

10





7

D5

 





Gtr. 9 (slight dist.)











F5



C5







G5

C5





     f

1

8 8

3          Gtr. 8

1/2

12 10

8 10

8

 

        

10

5

Gtr. 1: w/ Rhy. Fig. 2

5

8

5

8

6

10

µ

             

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

10 12

12

12

10

12

12

10

12

10

12

11

10

       



µ

C5

             

1/2

8

8

8

12

D5

1/2

   

       

Gtr. 8 tacet

D5

8 8

   

1 hold bend

5

7

   

6

8 8

    10

10

6

9



7

9

7

5

5

7



7

6

7

5

7



5

3 7

6

5

2

3

4

1 4



0

D5



Gtr. 1



           2

1





Gtr. 9

0

3

2

4

3

2





F5



C5

G5

D5

D#5





(cont. in notation)

                            3

0

0

0

3

3

2

0

0

3

3

4

3

5

4

3

5

4

3

5

4

5

3

6

4

5

H Gtr. 9 tacet

E7

       Gtr. 2

  



 

      



9 7

7

  

 

      



9 7

7

   

 



 



   

6

7

6

7

7

let ring

7

6

0

0

       Gtr. 9

  Gtr. 1



 

0

9

0 0

8 6

6

9



 

0

9

0

0



9 9 7

9 9 7





7 9

    



12

12

12

12

       

P.M.

0 0

2 2

   

  

9 10

7 8 7

5 5

2 2

7 9 7 0

 7 7

            P.M.

X X

0 0

2 2

2 2

          

  

7 9





let ring

12

0

    



1

Gtr. 1

6

       

A7#9

 

8 6

3

2

Gtr. 2

0

0

let ring

2 2 0

9 9 7

5

        let ring 5 5

  

6

6

7 0

    

   

 5

 0

7



5

 2 2

7

5

7

    0

3

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2 tacet

E7



  





















     Gtr. 4



w/ pick & fingers

0 0 4

   

Gtr. 2

0 0 4





       

0 0 7

0 0 1



0 0 7



0 0 4





0 0 1

   



0 0 9 9 7 0

   Gtr. 1

7



6

C%

      Gtr. 4

 





9

9

 





6

7

7

  

 





9

9

C5

 

C#5

 









 

6

7

7 9

9

9

4 6 7

D5

D#5

        

E5

F5



F#5

G5

       

steady gliss.

8 7

1 0

13 12

13 12

8 7

7

0

12

12

7

    

  



 

12 12

7 7

7 7

Gtr. 1

12 12

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Sorgdal

5 5

5 5

8

8

5

5 7

8

5









3

4

5

6

5 7

7

5

5 7

7

5









0

1

2

3

5

I

       

Gtr. 4 tacet

A7#9

          



Gtr. 6

14 10

  Gtr. 1

14

14

11 12

12

11 12

10

Rhy. Fig. 3

     







  

14 11 12

12

 

14 14

11 12

10

 12

14 14

12 12

14

15

    G5    

14

12

15

14

12

14

12

12

           

       

 

 

  

12

14

  1

0 0

0

2 2

X X

2 2

X X

0 0

2 2

X X

2 2

X X

  

          3

          3

3

       0 0

0

2 2

X X

F5

3

9 10 11 12 11 10 9

A7#9







1

X X

2 2

X X

2 2

X X

0 0

C5

G5

D5

10 11 12

     let ring

X X

0 0

2 2

2 2

2

0

13 12 11 10



12 11 10 9

 





12 11 10

3

9

12 11 10

12 14

 





1

11 12 13 14 11

12 12

End Rhy. Fig. 3

 

1

5 3

1

7 5

3

7 5

Gtr. 6 tacet

 1

12

12

    

2 2

Gtr. 1: w/ Rhy. Fig. 3

 

2 2

3

12 13 14 15 14 13 12



0 0

               3             3  3 3

14

Gtr. 7

2 2

3

A7#9

 

0 0

   

 



          

1

10

15



1 hold bend

15

G5

   

 

1 hold bend

15 15



15

15

10 12

12 12

12

12

12

  Gtr. 6













14 14

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  Gtr. 8

A7#9

F5



C5



G5

D5







 

 let ring

7

               Gtr. 7



1

10

10

11

8

1/2

8

10

9

7

5

7

7

       



     

 

1/4

5

7

1/2

5

5

5

7

8

7

       

  Gtr. 8

         

       





w/ B bender let ring

0

0 12

0

10

12

0 12

10

0 12

0

0

10

12

0 10

10

12

12

12

  

     Gtr. 7

12

7

  





10

10





1/2



10

10

7

7

G5

hold bend

+1

10

5

7

Gtr. 7 tacet

A7#9

10



5

7

  Gtr. 1



      0 0

0

2 2

X X

           

2 2

X X

0 0

2 2

X X

2 2

X X



0 0

0 0

0

A7#9

2 2

X X

let ring

2 2

F5

       

          X X

7

C5

 

12

10

12 10

Gtr. 1



  0

0

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

8

10

  2 2

8

9

7

10

8

9

8

6

7

7 7

7

0 0

2 2

2

2

2

2

2

0

X

D5

         



5

             let ring X

X

G5

1/4

15

5



             Gtr. 8

     

3 1

7

grad. bend

5

7

6



5

3

5

5 5

6

1

3

 





7 5

7 5

1/2

5 3

3



Gtr. 8 tacet

A7#9

C7

                   Gtr. 3

  

       

     

   



w/ pick & fingers

9

 

8 9

10

0 0

8 9

11

Gtr. 8

0 0

8 9

11

0 0

8 9

11





8 9

0 1

0

5 5

3

0

5 5

3

0

5 5

3

0

3

5 5

5 X





7



3

 

 

   

        

2 2

X X

X X

Gtr. 1



0

2 2

0 0

2 2

X X

2 2

0

   

2

D7

 

5 5

3

   

          

X X

X X

5 5

3 3

5 5

X X

5 5

X X

G5

Gtr. 9



5 5

G#5







 



8

 

      

    

Gtr. 3

7

      Gtr. 1

9

7



9

9

7

    let ring

3

5

7 7

5

7 7

9



10

7

8

9

10 6

        

        

  

10

9

   

  

9

8



5 5

7 7

5

7 7 5

5 5

5

2

3

13

10

12

    let ring

1/2

X X

10

5

5 3

       

11

10



   5 5 3

12

10

12

11

10

13

10

  

5 3

6 4

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3 tacet

A7#9

C7

                     Gtr. 9

          let ring

3           

1

1

5 9

8

7

5

6

     

7

Gtr. 3

  Gtr. 1



D7

   Gtr. 9

6

 

    0

 

2 2





P.M.

8

3

4

4

2

3

5

6

7

4

5

7

7

5

8

X

7

7



     

     

X X

2 2

0 0

 P.M.

7

9

2 2







0



 

7 7

5

X X

   



 

7 7



5 5

3

2





1

9

7





5 5

3





  

7 7

 

     

     

X X

5 5

3 3

E5













7 7

5

5

      



 

  



1

5

7 9

10

 



0

2 0

 

  

  

8

9

12

10

9

12

9

12

11

10

11











2 0

2 0

2 0

2 0

2 0

2 0

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1/2

9



16

5 5

3

1

7

X X



1

5



5 5

1

10

7



let ring

X X

  



   

2 2

let ring 1

9

     

0



10

0

Gtr. 1

  

5

5



1

3

3

2

12

2 2

0

7





10 12

5

12

11

9

11

9

7

9

5







  

2 0

2 0

0

0

f

1/2

3

J Gtr. 9 tacet

A7#9

 

Riff A

Gtr. 5



 

     

    



mf talk box off

6

     



 

End Riff A



    

1/2

0

0

5

4

7

0

5

5

1/2

0

6

5

7

7

7

0

4

5

0

      Gtr. 9

0

7

5

5

0 5

7

7

7





 7

  Gtr. 1





    

7

0

mf

0

  Gtr. 5



7

5

    

7

0

5

     

5

7

0





0

7

0

       



0



    

7

0

5

7

F5

0

7

     0

0

C5

5



0

X

7

0

G5



 



D5

    

 

1/4

6

0

0

 

5

4

0

7

Gtr. 1



5

7

     

X

5

       

P.M.

0

7

0

7

5

0

7 0

5 3

3 1

5

X

5

7

5

7 5

                   let ring 1

6

5 3

5 3

3

1

3

1

0

3

1

0

3

1

0

3

1

3

3

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 5: w/ Riff A

A7#9

 

    



Gtr. 2

  





 

    





  

  

mf Harm.

7

12

12

7

12

7

       

  Gtr. 7

12

12

7

   



7





7

12

12

7





12

7

   

12

7

12

7

    



mf 1

X

X

10

10

  Gtr. 3

X

X

X

X



X

X

X

X

1

10

12



   



10

X

10

X

X

X

X

Fill 1



10

X 12

10

   



End Fill 1





mf 1

10

  Gtr. 1





     

10

12

    





10

       

12

    

10 12





1

7 3

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

7

5

0

7 X

5

7

5

0 0

7

0

0

7

0

7

5

0

7 X

5

X

5

0 0

7

Gtr. 3: w/ Fill 1

       

  

Gtr. 2





 

12

   Gtr. 8

12

7

12

7

      

12

12

7

    



7

 



Gtr. 7 divisi 1

X

10

X

X

10

X

X

X

X

10

X

D5 D#5

 

E5

F5

F#5

  

G5

 

   

15

17

A5



Harm.

7

C5 C#5

*

12

20

13

14

16

13

          1

14

µ





15

17

17







10

10



*Gtr. 8 to left of slash in tab.

  Gtr. 5



     

 



    

 

 

   

  





1/2

6

0

0

 

5

4

0

7

      

  Gtr. 4

7

0

7



5

0

5

0

5

5

Gtr. 1

0

5

7

7

     

7 X

7

5

X

5

0



7

6

7

8

5

6

7

8 5



 

 

 

0

0

X X X

0 0

 

8

9

0

 

10

11

 

 

 

X X X

X X X

X X X

   

7

8

9

10

7

 

5



5

  

10 10

10 10

19 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - Play

Departure By Brad Paisley and Frank Rogers E

B

C#5

Asus2

D

G

F#m

B5

C#m

4fr 231

1333

134

E/G# 4fr

12

132

134211

134111

134

A5 4fr

13421

312

11

Gtr. 4: Baritone gtr. tuning: (low to high) E-A-D-G-B-E

A Moderately q = 124 * C#m

    

      

A5

(Bass)

E

Gtr. 1 (slight dist.)







   f

**w/ delay

4

 C#m



†† p

Asus2



mf

12

           7

4





  4

6

5

  

mp

 0 0 6 6

   †Gtr. 4







B5

E5

   







mf

12



  

7

E

mp 12

Gtr. 1

6

1

***Pedal steel arr. for gtr. ††Vol. swell

Gtr. 3 (slight dist.)

7

**Set for quarter-note regeneration w/ 3 repeats.

    

B ***Gtr. 2

4



4

*Chord symbols reflect overall harmony.

   

7



mf

4

  1

2

13 13

11

11

9

              2

2

2

1

2

  



0 0 2 2

1



1

2



2

2

0





2

4

2

2

 

 1 2

0

 

      2

0



   



0

†Baritone gtr.

© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B Gtrs. 2, 3 & 4 tacet



Gtr. 1



C#m

         let ring 6

   Gtr. 2

A5

6

0

4

4

6

6

 



let ring

6

C#m

E

6

7

       let ring 

 



0

0

2

2

A5

1

1 2

2

E



  let ring

4 6

         1

2

B5





B

2

E



4

 



2

2

   

1/2

1/2

8

            let ring Gtr. 1

6

6

4

0

4

6

6

6

 



+1 hold bend

6

7

C#m



        w/ G bender

  

0

0

2

2

2

A5

     Gtr. 2

 



6

2

2

1

2

4

  2

8

 



 

8

4

0

E

0

4

2



B



            let ring Gtr. 1

6

6



4

6

6

6

let ring

7

Gtr. 3

   Gtr. 4

2

0

1

   0 1 2

2

1 2

4 6



2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 0

 2

  19



          let ring  2

1

   4 4 2

Riff A

4

Sorgdal

2 2 0

0

2



6 6 4

  

6

       let ring



     

4

0

  

    

4 4 4

2

19 6

  

  

 2

2

4

2

2

C#m

  

A5





E



B5



E





   



12 13

12 13

1

19

           

let ring

   let ring

      



  3

let ring w/ G bender



3      

6

     

6

4

4

6

6

6

7

Rhy. Fig. 1

6 6 4

  

  

2 2 0

6

0

2

0

2

2 0

2

0 1 2





 2

1 3

 

   

let ring

+1

0

 

4

 

4 4 2

2

2

End Rhy. Fig. 1

2 0

2

2 0

   

0 0 1 2

End Riff A



4



0



2



2



0

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C D

E

 

  

 

    





let ring

10 11

  

            

                

let ring

4

  

5

4



2

3 2

3

2 4

       

4

11



       



11 12 12 10

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

11 12 12

4

2

2

    

  

let ring

   

9

9

10

 

1

10

 

7





     

+1

2

1 2

2 4

 

4 6

  

4 6

4

  

let ring

12

11 12

1

w/ G bender let ring

 



grad. bend

1/2

9 9

 

1 2 2 0

     

12 12 13 14 14 12

0 0 1

     

5 6

4

6

6



D

E



  





   



    

1

7

9

               let ring

let ring







   





w/ G bender

 



   

4

  

5



11

       

2

3

        

10

7 7

7 7 9

4

0 5

   

9

  

let ring

11 12 12 10

2

2

5

10 11

11



11

9

9

    



+1

2 4

  

1

w/ G bender

+1

4

11



      

12 X 9

7

     

9

9

9

7 9

9

9

4 3

     

0 0 1 2 2 0

10 X 7

  

 

  

X X X 12

14 14 12

  

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G

F#m

B7

          

         



1 1

7

8

10

10

       

8

7

10

9

9



 

9

  

9

9

  

          w/ G bender



2

2

4

2

19

2

2

2

2

2

   







8 7 9 7





 12 12 10

2







      

4

   

9 10 11 11

5 5 3

19

4

2

4

   

       

 

3      



+1

2



8

    



w/ G bender

+1 hold bend

9

   

let ring

5 5 3

 

1/2 1

9

2



8va

 



9



9



7

D Gtrs. 3 & 4 tacet

Gtr. 2 tacet

   

C#m

Asus2

E

8va

Gtr. 2







1

19







1

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

0

0





let ring

2 0

2 2



6

2







2









 3



   Gtr. 1

0 2

2 2







0 1 2

2

    

steady gliss.

9

9

B



        Gtr. 1

11

9



let ring

1

    Gtr. 3



1

11



 steady gliss.



 9 9

11

9

0



4

   Gtr. 4

2

 

4

9 12

  

9

0 11

9

9

11 9

9

0

11 9

(cont. in slashes)

4 4

12 13

6

E

12

14

B

16

14

14

14

16

16

16

16

4 4

16 2

6

4 4

4 2

2



3

















1

 open   E

   

X

4

2

2

 



2

4





(cont. in notation)



 

w/ G bender +1 hold bend

1/2

0 2

2

X X







4 4 2

-1/2 *Bend neck. (Push forward on neck w/ left hand palm while holding down chord shape. Push body of gtr. w/ right hand for leverage.)

Riff B



4 4 2

Asus2

 

11

         3                              let ring let ring  * 

C#5

3

7



0

  

9

11

0 0



    

0





4 4

1 2 2

9 12 9

let ring

   

9



   Gtr. 1

       

9

 

5 6

2

Gtr. 3

9

12

9



A5

  

9

9

11

                        

C#m

4

2

0 4

4

4 End Riff B

 4

 0

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 4: w/ Riff B

                    

E

   Gtr. 1



B5

   

w/ G bender +1



1

9 9

9

9

  

      

X X

12

12 11

11

17

     

0 0 1 2 2 0

   Gtr. 2

 17 16

16 13

   

Gtr. 3

1

C#m

14

  

 

X X X X X X

4 4 2



let ring

let ring

17 16

16

16 16 16

16

17

16

19

2

2

4

19

1 1/2

16 16 19

16

X





1

16

19



1

19 17

19

18

2

           1  2



3

1

  





    

A5

      1 1/2  1

4

4

4





2

2



 

4 4

4 4

E Gtr. 4: w/ Riff A

C#m

Asus2

E

                    * let ring let ring 6

6

4

0

4

6

6

6

7

6

2

0

2

 

6

6

4

0

4

6

0 6

6

7

2



         

1 2 2 0

0 0 1 2 2 0



 



8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

2

4 4

4 4 2

4 4 2

  

 

 



 

let ring

7 4

6

6



4 6

8 9 9 7

4

8va



2 2

-1/4



19 6 6

3

0

0

 

**

0 0 1 2 2 0

steady gliss.

6 6

               

-1/4 **Bend neck

*Refers to 5th string only.

     

    **

0 0 1

0

*Refers to 5th string only.

                  *let ring let ring

   

B



C#m

A5

E7

                 ()                let ring 1/2  6 6

6

4

0

4

6

6

6

7

6 7

0

2 2

2 2

2 2

0 2

1 0

2

2 3

                 mf 1/4 1 

4

B

4

4

E5

2

2 0

2

         

let ring

6

6

4

  

0

4

6



 

6

1

7

2

2

0 2

0





 

7 6 7

2

0

0

7 7

8 9 9 7







let ring

1/2

0 6



        



4 4 2

9 9 7



     loco



f

9 11

F D

     Gtr. 2

      

1/2

13 11 11

13

13

E

     



   

10 11

10 11

13 11 9

      

9

11 11

11 9



0 0 1 2 2 0



 

  

 

let ring



3 2 0

       Gtr. 4

 

7 7 5

0 3 0

  

3

3



  

 



  

9 11 13

   

12 13

  

  

3 2 0

    



(cont. on top staff)

1/2

Gtr. 3

Gtr. 1



0 9

7

0

9 9 7

  

0

9 9 7

9 9 7

9 9 7



0 0 1 2 2 0

9 11

9

       

       

 

9 X 7

13 X 11

7

9 X 7

   

   



0

4

0

0

11 9

2

11 X 9

2

13 11

4

11 9

2

11 X 9

2

9

 

   

   



9 9 7

7

11

7

9

9

11

9

9

7

11

9

10

(cont. in slashes)

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   Gtr. 2         



D

Gtr. 3



  

    

    let ring 1 1/2

1

1/2

14

 

   

12 11

11

 





let ring

2 4 5

3 2 4

3

2

2

2

4

       Gtr. 4







steady gliss.

9

9

4

     

   

 

        Gtr. 1

13 11



1

1

14 13

 E

1

4

4

4

0 0 1 2 2 0

2

  





  

9 9 7





7 7 5

    





  

 

F#m

      

let ring



0 0 1 2 2 0

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

1

14



12



1

15

15

14

14

14

12

12 12 13

   4 4 2

5 5 3

   12 12 10

      3

w/ bar

  



9 9 7

15

14



     

13



           



     

13



  

11



let ring

1 hold bend

4



G

14 14 14

      11 11 9

11 11 9

12 12 13

16 17

17 19

 

17 19

12 11 9





B5



   







1



    

1

12

12

12 11

1

12 11







   



  

3 let ring 1 hold bend

12 11

grad. bend

1

7

7

6

Gtr. 5 (dist.)

Gtr. 1 divisi

7

6

6

     



6

6

  

4

4



 



f





0 4 4 2

4

    

6

  

16 16 14

G        3  

Gtrs. 3 & 4 tacet

Gtr. 2 tacet

C#m

A5

    Gtr. 5

E

        





  steady gliss. 

let ring grad. bend

0 4

1/2

1

4

9 9

3



1

4

   Gtr. 1

12

   

     Gtr. 2

4



B

9 10 9

11

11

11

9

11

3

11





4





     let ring

9

0 0 9







  let ring

6

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C#m

 

    Gtr. 5







 

 3

P.H.

11

rake

8

11

9

11

A5









   





11

1

1

9

9

9 9

9

11

12

  

 



  let ring

2 2

2

B

3                          3

6

6

let ring

1

12

0

9

12

12

9

12

0

9

0

9

11

9

0

11

9

11

9

 

  

let ring

0 1

  





12





14 13



     



16 13

       12

14

10

9

9

9

11

9

0

11

9

 12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

let ring

9

14 13

14



11

11

4 4

Asus2

                 let ring

12



9

12

9



9



10

9



11

9

9

  

let ring

4 5 6



  

 

4

C#m

  

12 11

9

    

12

11

2

12



3

5

 



 3

1







3

let ring

  



X

Gtr. 1

E



0 2

2

0 0

11

9

11



9

11

9



      

E

B

    

 





 







4

5 2

7 0

  

2

4

 7

   3

1

6

4

0

6

6

4

4

6

0





0 0 1 2 2 0

4 4 2

4

4











E

4

4 4 4

 



6





1/2

2

0

0

2

0

4

2

0

1

2

1

0

2

4 4

B5

6                            6

4

4



Gtr. 4: w/ Riff B (2 times)

0

4

 

let ring

2

2

4

 

0



3

     

Gtr. 3







 









let ring

9 4

0

2

0

2





4

6

4

3

  

     

  

9 9 7

  

X X X

4 4 2





C#m

Asus2





               3

3

6

          6

 





 

 



1

12

  

9

0

11

9

11

9

0

11

9

11

9

0

12

9

7

5

7

0

4

5

0

2 2 0

   

1

2 2 0 3



2 2 0 3

   

  



5 6 6 4

2 2 0

2 2

4

9

steady gliss.

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 E

  

  



B5



 

     

       





1

9 7

9

11

13

12

12

16

12





C#m



14

14

             

8va



14 0

14

Asus2



3

3



16

17 17 19

17

16



16

1

17

19 19

19

11

       

 

  

 

 

 

   

 

  



let ring

(cont. in slashes)

9 9 7

9 9 7

Asus2 *Gtrs. 1&3



8va

   Gtr. 5





E

B

   

4 4 2

4







loco               

1



1/2

19

19

19

0 5 6

6

Asus2

16 17 16

E

    

17 16

18 16

16

18



  

 





16

    

steady gliss.

9

11

11

Gtr. 4



0

  

0

*Composite arrangement

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



2





0

  

0



let ring

16 7

  

  (Gtr. 1, cont. in notation)

 19



B5

   

3

19

7

5 5 6



2



0

0



C#m



      

E/G#

A5

               1/2  Gtr. 3

Gtr. 5

6

4



6

4

2

  











   





4

     

           

Gtr. 1

5 6 6 4

5 4 6

    

2 2 0

  

 

  

7

4



11 12

12 11

7 6

6



12 11



 

3

X X X X X X X X X



 let ring

1

      

2 2 0

mf 12

4 4 2



  

  

  

0

2

Gtr. 2



B5

   

4 4 2

2

2

  2

2

Gtr. 4

  

4

H

  0

4



0



Gtr. 3

   Gtr. 5

grad. bend



Gtr. 2 tacet

A5





12 11

 

    

7

9

  

steady gliss.

1



  

B5

         



9

Gtr. 2



E

12 9

9

11



11

12

11

9



9



14 13

            let ring Gtr. 1

6



2



Gtr. 4: w/ Riff A (1 7/8 times)

C#5





6

4

0

4

6

6

6

  

let ring

7

6

0

    2

2



   let ring

0 2

1

2

 

   

 

1 2

4 6

4 6

 2

        1

1

2

4

2

2

2 2

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    

Gtr. 3: w/ Rhy. Fig. 1

C#m

 

Asus2

     Gtr. 5

     



E





steady gliss.

11

11

    

  

Gtr. 1



   

let ring

6 6

4

6

0

4

6

6

Gtr. 5  loco              P.H. P.H. 

E

8va

8va

9 9 7

9

    Gtr. 2

9

X X 9



0



 

       Gtr. 3

      

X 0 0

9

2 X X X X 2 X X X X X X X X



16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 9 7

 



 

6

7

0

9 9 7

 

3



let ring

0 0

0

2

2





let ring

0 2

1

  

  

4 4 2

4 4 2

 



2

1

3

    1/2

4

2

2

C#m

Asus2

     

E

loco











11

 

14 13

         let ring 6 6

6

4

0

4

    

6

6



let ring

0 0 1 2

7 X 9

9

11

Gtr. 1



6

9



6

9

10 9

  

4

B5

11

9

9

9 9

9

               let ring  let ring let ring  let ring

  

6

7



6 6

0 0 2 2

0

     

9 9



9

9

7 9

 

9

 

14



13

12 14

 

13



let ring P.M.

9

P.M.

9

10

9

12 12

9

13

12

12 14

14

13

12

13



  

B

C#m



Asus2



E



 *p



mp

7

   





13

11

8 9

9

         let ring

12

11

12

14 11

11

4

*Vol. swells (next 2 meas.).



            let ring  11



mf

6



12 11

12

B5

         let ring

2

6

6

0

4

   



4



6

6

let ring

12 11

9

9

9

9

9

7

 

6



0

2

2

0

0



let ring

9

10



9

7

  

12

0

1



let ring

12

   4

   12

9



let ring

0

   

12 9



   

let ring

6

  

12

 



13

4

2



11

I Gtr. 3 tacet Gtr. 4: w/ Riff A (1st meas.)



C#m

    Gtr. 5

A5

E





B





 

 fdbk.

2

2

    Gtr. 2

2





steady gliss.

2



9

   Gtr. 1















 

grad. bend 1

2

6

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C#m



 

A5

   

8va





loco

E

B5



8va

   





fdbk. grad. bend



grad. release

1 1/2

9



9



9







17

16

9





E

9

9

  



1/2

16

16

     

   



4

4

6





5

6

4

     

1 2

4

  

  



steady gliss.

1 2

2

6 7

13 14

13 14

Gtr. 5 tacet

  

C#m

Gtr. 2

A5

E



B









   grad. bend

1

6

6

       Gtr. 1

 13 14

   Gtr. 4

13 14







   

steady gliss.

     let ring

9 9 11

2



4

2

1

2

2

0

 

 

2



4

4



2





 2

1

2



3

   2

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





3

4

C#m

Begin fade E

A

   





 

grad. release

B5



E5

     



1

1/2

4

  

9

4



    

   1



 



4

2

4





  

0

0

  

1

2

2

1/2





2

0

2

   

4

4

2

9 7

7

10 12

11

11

        2

2

1

4

2

6

2

2 4



2

0



2

2

2

  



4

4

       

6

4



2

2

Fade out



     

12

11

Gtr. 4: w/ Riff A (till fade)

C#m

Asus2

   

  

Gtr. 2

E

 

B







1

11

11

     Gtr. 1

 



let ring



11





 

       

 

 

 

  

    

 

  

12

    

 

let ring



1

0

4

4

0

2 4

     Gtr. 3



let ring

2

4

6

7

0 9



  0 0 2 2 0

9

7

   

7

7

9

    let ring

2

0 0 1

7

9

  

7

8



8

7

8

     2 2

4 4 2

19 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - Play

Huckleberry Jam By Brad Paisley and Frank Rogers

Gtr. 3: Baritone gtr. tuning: (low to high) E-A-D-G-B-E

3 

A

Fast q = 195 (iq = iq) **A

   

3

3

mf



           

         

*Gtr. 1 (slight dist.)

12

10

12

9

11

12

3

3

3

11

9

10

13

9

11

12

10

9

3

10

11

12

3

11

9

10

w/ pick & finger

13

11

*Sped up gtr. arr. for gtr. **Chord symbols reflect overall harmony.

E 

 









w/ pick & finger

12

10







9

11

9

A

  3

12

8







10

12





9

11



 

8

9

   

µ



 10

11

B Gtr. 1 tacet

A

   

Gtr. 2 (slight dist.)

  

f

3

3

3

   

3



         

0

0

3

3

2

4

4

2

0

3

4

5

2

E7

3

3

       

0

3

4

2

4

2

2

              

 

0 0 1 0 2 0

0 0

3

1/2

0



3

3

     

1/2

0

 



0 2

0

4

2

4

2

0

3

2

4

A 3

3

           3

1/2

2

0 3

0

1 0 2 0

0

0

© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

3

4

2

4

2

0

3

4

0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C

 

D

     

 

 

    

           



E7



3

7

4

 

5 5

0

7 7

9

7

7 7

0

10

13

9

9

11

0

7

9

     



3

w/ pick & finger

12 5 5

3

A

0

7

    1/2

let ring

5 5

6

7 7 7

7

5 5 5

6 0

3

3       3                 3

3

3

3

3

            3

1/2

0

 

3

0

3

4

2

4

2

0

3

4

E7

5

2

2

0

2

4

4

2

0

1/2

2

3

0

A

           

 

0 0 1 0 2 0

0 0

0

3

2

4

0

2

D

                       3

2

2

C 3

4

 

3

 

    

w/ pick & finger

1/2

0

3



1 0 2 0

E7

 











3

0



3

0

3

2



3

3

w/ pick & finger

12

0

10

0

9

11

0

7

9

4

2

0

3

2

4

5 5

7

4



0



3

 

X X

7

5 5



0 7

A







4







9

7 7



let ring

0 0 0



7 7

9

13

 



5 5

4

5 5

3

0

4

C D

   

A

E7

Gtr. 2

0

 0

    0

2

    

0 3

4

   

4



0

*Gtr. 3 (elec.)

mf



   

    





       3

0



  

w/ clean tone

0

0

0

2

0 3

4 *Baritone gtr.

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

0

0

0

 

    

       1/2

2

0 2

3

4

5

0

0

 

3

4

    

4

      1/2

2

0 2

0

0

3

4

4

0

D

     

     

0

 

0 2 2

2

2

0 3











let ring

A

0

4

  





 



A

 

0

0

4

3





   



5

0

 

3

3

   

1/4

0

2

 

3

5

3

    

  

0

3



    

1/2

0

2

3

0

4

0

0

2

0

0

4

1/2

0

0 3

B

 

        







       let ring

P.M.

4

4

2

5

4

2

0

2

4

4

2

1

0

2 2

2

0 0

1

3

            

E7 3

3

1

5

 

*

2

2

0 0 1

0 0 1

0 0 1

2

-1/4 *Bend neck. (Push forward on neck w/ palm of left hand while maintaining chord shape; push body w/ right hand for leverage.)

 





2



0

D Gtr. 3 tacet

  Gtr. 2

A 3

3       3                 3

3

3

3

3

            3

1/2

0

 

0

3

4

2

4

2

0

            E7

3

4

5

2

2

0

4

2

4

2

0

3

2

4

0

A

0

3

2

4

4

3

3

          

0

7 7 X 0

7 6 7

0

2

3

4

2

4

2

0

3

4

 

     

4

7

2

0

D

 

    

5 5

5 5

0

 



w/ pick & finger

1/2

9 9 X 0

2

2

C 3

2

7

9

7 7

7 7 9

11

3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E7

A5

   

3











3

3

3



 







w/ pick & finger

9

0

7

0

6

9

0

4

7

 

0



µ

 





       



  







 w/ bar

0

6

6

7

5

4

4

4

3

2

3

2

1

0

E          let ring  A

0

 

0

2

3

0

1/2

2

4

E7



   

3 3             3

3

3

1

1/2

2

2

2

4

    



5

2

2

4

4

2

5

  

2

2

1/2

0

5

7

3

5

3

5

3

6

5

6

5

7

3

9

8

3

3

7

11

9 9

3

9 11

8 11

7

              3

1

14

3

15

14

16

16

14

17 16 14

A

  

9 10

9

10

11

13

3



5

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12 14

3

3



  

16

14

16 14

 3    

16

16 15 14

0

2

3

4

2

0

14

2

11

1

14

3

     

4

 3      2

5 5

8

3

16

3

5

14

16 14

16

14

5

5

6

4

7

D







  

  

5 6

    5 5 6 7

6 7

 

0

1

0 2

0

5 5 6 7





3

3

2



w/ pick & finger

 

13



16

 

       

C



8

8

0

3

E7

3

14

5

15

         

1

3

3

11

12

0

9

3

1

16

 

3

10



3

2

D

7

A

w/ pick & finger

4

1/2

                               E7

0

4

C

          

    

2

       

A

 

4

3

0

0

                

E7

 

A

*Gtr. 4

5



f

11

12

14

16

16 14 12

10

10

12

14

16

12

14

16

18

*Fiddle arr. for gtr.

3 3    3            3

3

1

2

0

0

2

1

0

0

3

2

       

   

Gtr. 2

  

   

**

0 2 2 2 0

0

0 2 2 2 0

0 2 2 2 0 -1/4 **Bend neck

F D

A

        8va

 



14

17 17

14

17 18

17 17 17 17 19 17 17 19 18 18 18 19 19

12

                           

mf

1/2

X X X

3 2 0

X X X

3 2 0

0

 

13

10 12 14

12 14 15 16



17

 

 

0

2 2 0

2 2 0

X X X

2 2 0

2 2 0

3

16



17 17

14

                   

1/4

3

Gtr. 3



 







1/2



  Gtr. 2

3                     

A

3

1/2 14

E7

14

17

17 14

17

           let ring 

1/2

X X X

1 0 2

X X X

3 1 0 2

3 1 0 2

14



Gtr. 4

1/4

2 2 0

2 2 0

X X X

2 2 0

0

3

0

3

Riff A



0



0



0









0

2

3

4

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D

A

B

E7

3 3 3                                               3 3 3 3 8va

3

3

15

3

15 15 14

15 14

3

14 14

14 14

14

3 2 0

X X X

3 2 0

17

15 14

17 15

14

3

12 14 12

12

14

            let ring

1/2

0

17 16

14

           

 

3

3

2 2 0

0

2 2 0

0

2

0

12

15 14 13





15 14



 

12

14





2

0

1/2

1

2

2

2

3

 

13 11

2

11 13 14

12 14

12 14 15 16 12 14

End Riff A









      



1/2

0

0

2

2

2

0

3

3

0

G Gtr. 3: w/ Riff A

Gtr. 4 tacet

D

A

    Gtr. 4

E7

8va









3

16

17

              *Gtr. 5

f

3

3

3







3

3

let ring 1

7

 

0

8

5

7

7

5

8

7

5

7





1

8

8

7

7

7





   



let ring 1/2

1

7

         

8

8

7

7

7

5 6

5

0

7 7

8 8

9 9

11 12

12 13

12

*Pedal steel arr. for gtr.

 



 

         

   

1/2

3 2 0

X X X

3 2 0

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1/4

X X X 3

        

   Gtr. 2

3

3

2 2 0

X X X

2 2 0

0

3

0

           2 2

X X

2 2

0

3

4

A

  Gtr. 5



D







  

let ring 1

14

14



 1/2

14

1

Gtr. 2

0



X

B

  Gtr. 5

 

2



3

3



3

X

4

     3

3

w/ pick & finger

1

15 13

15

  

    

X

 

12

14

3

1

 

3

1

12

12 15

14





3

3

3

1

14

14

14

  

3

3

1

14

 



A

                       

15 14 12

14 12

15

    

 

P.M.

3 2

0

X

X X

4

3 2 0

0

4

E5

   



 

 

3

2 2 0

0

   



X X

4

  



17 16 14

 

16 14 13

14 13 11

11



2 2 0

2

15

 

0

 

1



3 3

12 12

15 13

 

 

3

1/2

19

11

11 11

10 10

1/2

11 11

11

10 10

7 7

9 9

8 8

7 7

8 8

8

7 7

Gtr. 2











2

X

2

2

2

3

3

3

3

             *P.M. 2 0

2 0

2 0

2 0

2 0

2 0

2 0

2 0

2 0

2 0

0

0

3

3

3

3

           

0

0

0

1

1

1

2

2

3

3

3

4

*Gradually lift P.M.

  Gtr. 3

Fill 1

End Fill 1









2

2

2

2

3

3

3

3

3

3

3

3

           

           

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

2

2

2

3

3

4

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

H Gtr. 5 tacet

   A

 







1/2

5 5 5

 

 

  

3

 

 

 

 

  

3

 



3



 

 









5

5

7

3

f 1/4

X X X

 



X X X

X X X

1/4

5 5

X X X

X X X

5 5 5

X X X

X X X



X X X

5 5 5

X X X

7

7



0

Gtr. 3 tacet

E7

           

3              Gtr. 2

3

3

  

A

7 9 7

2

3             3

3

3

1

5

8

7

5

8

5

8

7

5

7

5 5

C

 

D

9 7

7

3



 

0

         3

0 2

1

0 3

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7

7 9 7

E7

0 0

 

5

 

7

5

1

0 2

1

0

0

0

2

2

1

0

A 3

2

Sorgdal

7 9 7

3 3 3                              

5

6

3

7 4

5

3

6 3

4

3

5 2

3

3

4 5

6

7 4

5

6 3

4

5 2

3

4

E7







9

10

12

        

   



    *Gtr. 6



  



 



9

10

12

10

9







12

10

9





11

9

mf

9

11

11

*Banjo arr. for gtr.

       Gtr. 2

        



 



9

12





  

      

9

0

0

5



  









9

0

0

5

4

2

0

              

E7







*

0 0 1 0 2 0

0 0 1 0 2 0

0 0 1 0 2 0

12

0

0

10

0

7

0

4

0

2

0

0

-1/4 *Bend neck

  Gtr. 3









 



0





12

0

10



0

7

I Gtr. 6 tacet

A

            Gtr. 4

   

 

       

 

3 1/2

10 12

  Gtr. 2

14

10

14

10 10 10 10 11 14

      

 

mf 2 2 0

  Gtr. 3

4

X X

2 2 0

4

10 10 10 11 14

     2 2 0

2

4

X X

12 12

14

14 14 14 16 14

        2 2 0

X X X

4 0

10 10 10 10 10 10 14 11 14

    

2 2 0

2 2 0

4

10 10 14

     2 2 0

0

4

12 11 10

12

12

  

12

9

        

0 0 1 0

0 0 1 0

0 0 1 0

0 0 1 0

0

Riff B

 0









0





0





0

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3 tacet

A

C

D

                  

 

3

14

 

12 14

14

0

3

2 2 0

4

2 2 0

4

15

16

  

            0

 

17 16 15 13

14

5 5 3

0

15 13

14

12 14

E7

A

                        3

3

3

3

3 15 14 12

14

15 12

14

14 12

14 11

  

    

  

              

5 5 3

X X X

7 7 5

9 9 7

7 7 5

12

14 12

3

3

14 13 12

12 14 13 12

15

0

15

12

15

3

9 9 7

9 9 7

9 9 7

9 9 9 9 9 9 9 9 7 7 7 7

            P.M. 3

3

X X X

0 0

3

2 2 0

2 2 0

2 2 0

End Riff B



3







3

5

7

 

 

2 2 0

2 2 0



J Gtr. 4 tacet

A

        

    

Gtr. 5

3

 

        3

3

        3

3



   

3

w/ pick & finger let ring 1

0 2

1 1/2

0 5

2

0 5

5

   Gtr. 4

2

0

2

5

2

5

5



0

0

2

2

1/2

0 5

2

5

5

0

0

2

2



0 5

2

5

5

0

0

2

2



12

       Gtr. 2

     



 

1/4

2 2 0

2 2 0

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4 0

1/4

2

2 2 0

2 2 0

4 0

2

    let ring 2 0

2

4 0



  

  

2 2 0

4

2

2 2 0



    

       

2 2 0

2 2 0

4

2 2 0

2 2 0

2 2 0

 

      

     

E7

Gtr. 5

1/2

1

7

7

7

7









 



let ring

2

0

E7

 



13

14

 







 

3

2 0

  

12

 

13

       let ring 2 2 0

0

 

A



  

12

15



   D



14

1/2

 



14

1

11

5 5 3





 

3



3



10

13

13

 

X X X

4

3

9

11

11

  

  

7 7 5

9 9 7





3





3

1/2

14

14

 



    1/2

15

4 0

1

14

1/2

12

     0

3

15

11

0 0

1



1

14

 

C

1/2

5

Gtr. 2

   

       

A

12

11

11

 

14

 

12

10

9

10

9

7

9

7

5

7

5

4

12

 



 

 



  



1/2

9 9 7

X X X

9 9 7

9 9 7

2 2 0

12

2 2 0

2 2 0

0

0 3

K Gtr. 3: w/ Riff A

E

A

  



Gtr. 5

5

     Gtr. 6



f

7 5

    

7 5

  7 5











4











7

7

 



 



4

6

3 0

7

 5

7

5

6

5

Gtr. 2

 

 

1/2

3 2 0

2 2 0

0 3



3

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 5 tacet

E7

A

              3

Gtr. 6

3

3

slight P.M.

9

 

7

9

7



9

6

7 7

7

9



4



7

9

0

3

0

7

2 2 0

3

4

2 2 0

2 2 0

0 0 4

10

10 11

10

11

13

  

 







2 2 0

4 4 2

2

2

2

3

15 17 16

14 17 16

3

12 14

3



16 17 16

12

11





2 2 0

12

3



  

9

  



11

10





9 9





    

10

  



9 9

    



10

10 11





3

E7



9 9

10

11



3

slight P.M.

10

3

2 3 2 0



               9

3

   

 

B

3

10

10

7

Gtr. 3: w/ Fill 1

A

3

3

1/4

2

4

5

          









2 0

3 slight P.M.

10 7

 

0

           

    

Gtr. 2



D

3

12 13

3

12 12

3

             P.M. 7

7

7

7

7

7

7

7

7

7

7

7

   



L    

Gtr. 6 tacet

D

A





E7







 10 10 11

  

      

 





f

9

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7

7 7 9

9

7 7 7

9

5

6



  



 

    

5 7

4

5

5



3

4

3

 

1/2

3 3

0

3

3

    3 3                               3 3 3  let ring let ring

A

  Gtr. 2

D

A

3

2

0

2

    

3

0

4

   

B

  

0

1

2

5

E7

   

5

7

 

7

 

7

9

8

1/2

1/2

11

10

9

9

9

8

7

0

1

0

8 6

3

1

11

14



 

 



7 5

6 4

5 3

3

0

2

1

0

2

2

13

 3

12

12

12

9



 





let ring

4 2

0

3 1

3

1

0 0

0

3

           

3

0

4

3

3

3

3

0

14

16



3

         

2

9

9

1/2

12

3       

7

9

3 1

  

3

2

3

4

0

2

3

2

4

2

4

M  

Gtr. 3: w/ Riff B

A

          0

 

0

3

0

4

4

2

2

0 3

              



E7

0 0 1 0 2 0

0 0 1 0 2 0

  3



5

2

0

 

10 11

2

0

2

4

3

       

    

0 0 0

 

3

0

4

0

0

3

2

4

9 9

4

3

0

7 7

2

0 3

     3

0

0

2

2

4

C 3

w/ pick & fingers

12

2

4

4



A5





7

4

 



5 5

5 5

 

3

0

5 8

8 8

4

2

3

0

4

2

0

D

     

2 2

4

3

           3

A

0 0 1 0 2 0



3

      3    



    

E7

0

 

3

3

0

        w/ pick & fingers

7

9



7 7

7 7

13

    

3

7 7

5 5

7 7

5 5

6

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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A

 

Gtrs. 2 & 3

3

3 3                       3

2 0

0

3

3

3

4

4

2

             E7

12

9

  Gtr. 3

11

0

0

2

4

4

2

0

3

2

4

C

0

D

3

3

0

 

3



E7



0

3

4

2 4 2 0

3

 

0

3

4 0

3

      

0

3

4

3

2 4 2 0

3



4 0

5 5

5 5

4

7

 

  

4

7

5

5

0 0



7 7

7

9

 

  

7

9

0

7 7

9

6

0

8

3

4

   1

µ

  





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0

6 8

0

4

4 7





steady gliss.

0

7

7

0

7

5

0

5

4

0

4

2

0

3

0

0

3

3



7



7 0

0

3

3

13



0 4

7

0

7

5

0

5

4

0

4

2

0

3

0

0

3

0



steady gliss.

1/4

10

0

7

7

3

0

9 0 9



3 3  3   3  3 3                             3  w/ pick & finger

9

2

3

10 0 11

3

0

4

11



7

0

         

13

1/4

10

2

3

3 3   3  3 3                             3  w/ pick & finger

0

4

3

A

9

2

12 0

12

0

3

4

3

w/ pick & finger

0

0

2

                             

     

0

5

4

3

 11

3

A

Gtr. 2

12

2

0

3

           3

3



from Brad Paisley - Part II

I’m Gonna Miss Her (The Fishin’ Song)

Words and Music by Brad Paisley and Frank Rogers

Gtr. 1: Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

[B7]

[Em]

213 4

23

[A7]

[D7]

2 3

[G]

213

32

4

Gtr. 2: Open G tuning, down 1/2 step: (low to high) Db-Bb-Db-Gb-Bb-Db

Intro Moderately slow q = 72

F#

F#/A# [G/B]

* [G]

  

Gtr. 2 (acous.)

B [C]

   

C#7 [D7]



F# [G]



F#/A# [G/B]

mf





w/ slide w/ fingers

10 10

               

 

Gtr. 1 (acous.)

mp

  



   

12 12

  









  







w/ pick & fingers let ring throughout

3



3

4

0

5

0

3

1

3 3

2

3

2

3

5

3

5

5

3

5

4

3

3 3

4

0

5

0

3

1

3 3

2

2

*Symbols in parentheses represent chord names respective to detuned guitars. Symbols above represent actual sounding chords. Chord symbols reflect overall harmony.

Verse

      



B [C]

C# [D]

 





    



5





  3

 5



 5



 

F# [G]

    



1. Well, I

love

F#/A# [G/B]

   



her,





7

  



3 3

4 3





  

3

4 5

 0

0

1

2





3 3 2

© 1999, 2001 EMI APRIL MUSIC INC. and SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B [C]

     



but





   I



     

 love

to



I

     





5 5



3

5

5





all





4

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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is



5





on

out



10 10

10 10

12 12



4





5

to

-



3

5

3

lake

and

 

3

5

0

2

F#/A# [G/B]

she

 

 

10

12

10 10

12 12



 





4

day

   

this

  

 



     

  But

 

5

day

F# [G]

catch.



7

5

    

I

   

3

C#7 [D7]

  

7

5



  

 

5

5

5

3 5



3

5

          hell

5

     





F# [G]



spend all



3



   

 

fish.

5



C#7 [D7]

      

  met me

at

the

 

door,

 

said



  

4



0 0

1

2





3 3 2

B [C]

        I





G#/B# [A/C#]

        would have

to



C#/F# [D/F#]

 

  

If

hit

I

    









  

3



that

fish - in’

  



2

4

4

2

0

pack - in’

 







7

8

8

7

2

all

 

  

 

0 0 0

2 0

0 0

3

2

0

her

things

  and





she’d



 





 

 

0 0 0

2 0

0 0

3

2

0



   gone

 

 by

  

5

 



be

6





 8



G# [A]

   

7



7

G#sus4 [Asus4]

     

to - day,





D#m [Em]

hole



4

C#/E# [D/F#]

she’d be



  



2

2

5

       



2

  

 

0

5

5

F# [G]





2

D#m [Em]

 



3





choose.

2



F# [G]





3

7

7



 

3 0

2

0

6

2

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Faster q = 99

  =    __

3 

C# [D]

     

rit.





    





noon.







    

  

Well,





 



  

5

5

7

5

7

 



 

3

gon - na

I’m

 

rit.

7

7













   

 

rit. 0

3

2

0

2

3

2

Chorus Gtr. 2 tacet

B [C]

      

3

miss



   

Rhy. Fig. 1



3

*Gtrs. 3 & 4 (elec.)



     

 

 

3 1 0 2

3 1 0 2



 

 

3 1 0 2

3 1 0 2

3

 

 

2 4 4 4

2 4 4 4

mf



 

 

2 4 4 4

2 4 4 4



3

 

3   

3

when I

w/ pick

    

     



her

Gtr. 1





3

F# [G]

get

  

 

 

3 1 0 2

3 1 0 2

3 1 0 2

3 1 0 2

 





home.

 

3

 



    

   

3 0 0

3 0 0

3 0 0

3 0 0

 

  

 

 

2 2 3 4

2 2 3 4

2 2 3 4

2 2 3 4

0

3





2 2 4 4

2 2 4 4



w/ slight dist.

2 *Composite arrangement

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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2

2

4

2 2 4

2 2 4 2

2

4

     

C# [D]



Right







    3 0 0







 

 

2 2 3 4

2 2 3 4

0

2

3

  

 

3           

3

now

3 0 0

3

    

  

 3               

   

  

I’m

 

 

2 3 2

2 3 2

on

this



 

 

 

 

2 3 2

2 3 2

 



   

lake - shore,



0

0





 

and

 

 

2 3 2

2 3 2

I’m

   



2 3 2 0

 



      

1

2

1

F# [G]





 

 

3 0 0

3 0 0



0

6 6 6

4

  3

sit - tin’



1/2

2

 

     

 

6 6 6



2

6 6 6

6 6 6

 

in

      3

the

 

3 0 0

3 0 0

    

  



  3

    

I’m

 

2 2 3 4

2 2 3 4



4

 

 

2 2 3 4

2 2 3 4

4

6



2





sure

 

 

3 0 0

3 0 0

3

 

6 6 6

4

4

sun.

 

6 6 6

4

4

3

    

2 3 2

 

 

2 2 3 4

2 2 3 4





0

2





4





it

- ’ll

3

1

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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B [C]

            3

hit



 3

  

  

3 1 0 2

3 1 0 2



3

  

4 2

2

Gtr. 4

 2

4

 

 

2 4 4 4

2 4 4 4

1

  

3 1 0 2

3 1 0 2

   



2

4



6

4

6

 

 

2 4 4 4

2 4 4 4

0 0 0 2

I’m

0

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

2 4 4 4

2 4 4 4

   



4

 

 

3 0 0

3 0 0











1/2

4

6

 4

  

  

3 1 0 2

3 1 0 2



1

6

2

6



1

3 0 0 0

  



6

2 4 4 4

2 4 4 4



door

to



3 0 0 0

6

6

 

 

2 2 3 4

2 2 3 4

    

Aw,



3

3

look - ie

  

   

  

  

3 1 0 2

3 1 0 2

3 1 0 2

3 1 0 2

there,

 0

-

2 0 2 1

2

2 0 2 1

  

7

 

  

  

            

2

 

her.

     1

     

2 3 2

0

1 3 1 3

      3

I’ve

     2 3 2

1 3 1 3

got a

   

End Rhy. Fig. 1

2 3 2

2 3 2

                        3

3

3

3

4 4

2





 

that

A#7 [B7]

C# [D]

4



through

3

6



 3    



      7

4

6

3

3

6

6

2

gon -na miss



1/2

1

4



3

0 0 0 2

 1

4

6

3

walk

B [C]

0

     

3 1 0 2

                 Yeah,

6

3 1 0 2





3

3 night.

7

3

  

1/2

F#/C# [G/D]

          

    



  

3



4

  

2

D#m [Em]



2



  

 3            

3

      





   

when I

Gtr. 3

    



3    

me

Gtr. 1





F# [G]

5

6

4 6

5 6

6

7

8

 

  

 

 

2 4 4 4

2 4 4 4

2 4 4 4

2 4 4 4

2

 4

6 6 8

6 6 8

6

    

   

6 6 6

6 6 6

6 6 6

4

6 6 6

F# [G]

  

  

bite,





 

al



 

 

3 0 0

3 0 0

-

 0

 

 

3 0 0

3 0 0



    P.M.

3

 



  

3

    P.M.

2 2 1 2

2



 

 

2 2 3 4

2 2 3 4

2

6 6





 3

     Gtr. 4

 2

  

  

3 0 0

3 0 0

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

3 0 0 0 X 3

 

 

 

 

0 1 0 2

0 1 0 2



2

4

1

2 2 3 4

2 2 3 4

4 4 4



4 4 4 2

4

2

4

6

2

3

 

 

0 1 0 2

0 1 0 2

 

 

4 4 4

4 4 4

4

 3

 2

4

2

4

6

4 4 4

 

 

0 1 0 2

0 1 0 2

    4 4 4

 3     

4 4 4





 

 

2 2 3 4

2 2 3 4

6

 

F# [G]

     3

7

9

9

7

3

 2

 

 

0 1 0 2

0 1 0 2

6

 1

1/2

2

1



4

        



grad. bend 1

8





4

1

6

6

6

 

2

3

   

1



3

4 4

     1

1

                3

1 Gtr. 1

  

P.M.

2 2



            4 4

  

3

2

4

Guitar Solo

B [C]





2



2

Gtr. 3

 

3

2 2 1

2

  

P.M. 1 hold bend

1

    

 

3

3

2



right.

3

    







        

0

1

0

2

2

1

    

 

 

3 0 0

3 0 0

3 0 0

3 0 0

 

  

 

 

2 2 3 4

2 2 3 4

2 2 3 4

2 2 3 4

0

2

3

 

 

4 4 4

4 4 4

 2

4

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3 6    6                    

4





2

4

4

3

2



5

4

6

 

 

3 0 0

3 0 0

4

5



 

 

5 6

0

2

4

 

6

4

4

2

 

 

3 0 0

3 0 0

4

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



4



0

2 2 3 4

2 2 3 4

 

 

 

 

2 3 2

2 3 2



2 2 3 4

2 2 3 4

F# [G]

4

3

4

  2 3 2

5

4

  2 3 2

0

4



0



1



1

5

5

4

4

4

 

 

6 6 6

6 6 6





2 3 2

4

    6 6 6

 

 

6 6 6

6 6 6



    3 0 0

3 0 0



1

1

0

    3 0 0

1

4



6 6 6 2

 

2 2 3 4

2 2 3 4



4

 

 

6 6 6

6 6 6

   

  

3 0 0 0

3 0 0 0

3 0 0 0

 

 

2 2 3 4

2 2 3 4

3 0 0

 

 

2 2 3 4

2 2 3 4



2

2

3

4

   

3

 

2 3 2



1

2

   

2 3 2

        

  1

5

 

4

6

7

2 3 2

 3      

 

0



3

     





2

6



4



                



6

  

3

3

2



4

  



3

    

6

C# [D]



(cont. in slashes)

0

1





4

0

Bridge [B7] Gtr. 1

  

     

  

 

[Em]



        

  



3

Now, there’s a

3      



chance

that

           Gtr. 3

mp

if

  

[A7]

[D7]



                

   

     3

I

hur - ry,



3

I



 

3

could beg

her

    

   

 

6 7 8 8 6

4 7 5 4 6 4

6 4 6 4

to

stay.

w/ tremolo

6 7 8 8 6

        

   

   

   

   

   

   

   

  

  

  

  

  

  

  

     

  

  

    

  

  

  

X X X X X X

6 6 7 8 8 6

X X X X X X

6 6 7 8 8 6

X X X X X X

6 6 7 8 8 6

X X X X X X

6 6 7 8 8 6

X X X X X

6 7 8 8 6

X X X X X

6 7 8 8 6

X X X X X

6 7 8 8 6

X X X X X

6 7 8 8 6

4 7 5 4 6 4

X X X X X X

4 7 5 4 6 4

6 4 6 4

X X X X

6 4 6 4

Gtr. 4

             3

[G]

[G] [A]

3 fr

      



open

[A#] 1 fr



[B7]

    

    

  

 3         

2 2 3 4 4 2

2 2 3 4 4 2

2

4

5

X X X X

[Em]

3

 



   

 3        

But that wa - ter’s right

    

X X X X X X

3

    

the

weath

    

and

   

     

    

6 6 7 8 8 6

6 7 8 8 6

    -

er’s

3

   

         

per

(cont. in notation)

-

fect.

  

  

 3              

  

  

  

  

  

  

  

 

 

 

 

 

 

 

 

X X X X X X

2 2 3 4 4 2

X X X X X X

6 6 7 8 8 6

X X X X X X

6 6 7 8 8 6

X X X X X X

6 6 7 8 8 6

X X X X X X

6 6 7 8 8 6

X X X X X

6 7 8 8 6

X X X X X

6 7 8 8 6

X X X X X

6 7 8 8 6

X X X X X

6 7 8 8 6

2

4

5

X X X X X X

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G# [A]

C# [D]

3    3   3               

3                    

No

tell - in’ what I

might

           

catch

     Gtr. 4



Gtr. 1



4

   

   

   

   

   

   

X X X X X X

4 4 5 6 6 4

X X X X X X

4 4 5 6 6 4

X X X X X X

4 4 5 6 6 4

  

  

  

  

  

  

  

  

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0



 

    3

6

6

    

 



4

7

4



    

4

4

4

6

4

4

 





gon - na

4

1

2

    

3

6 6 6

4

7

6

4

4

I’m

      1/2 

3

3

1

3

3

3



tremolo off

                       So,

mf

4 4 5 6 6 4



to - day.

  

Gtr. 3

F#/A# [G/B]

1/2

7

4

X

   

3



1

X

  

1

2 3 2

0

2 3 2

0

0

2 3 2 0

3

3 0 0 2

Chorus Gtr. 1: w/ Rhy. Fig. 1

B [C]

      

miss

    

3

  







  

let ring

4

2



2

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    

4

2

    4 4 4



4 4 4

    4 4 4

2

4 4 4



3    

3

when I

2

    

3

her

Gtr. 3

Gtr. 4

    



F# [G]

get

     

2 4 4 4 2

2 2 3 4 4 2



2

 

 

4 4 4

4 4 4

4 4 4

4 4 4

2



home.

    

    

 



2

    

   

2 2 3 4

2 2 3 4

2 2 3 4

4

2 2 3 4

     



 







 

   

Right

now







    



C# [D]

 

3 

 

I’m

   

 

 

 

 

3

on

this

1/4

2



 

X





2

4







    

1

2

 

 

6 6 6

6 6 6



 

 

6 6 6

6 6 6

1/4

2

1

2

        lake

     -

  

X

2

4

4

F# [G] 3

 



shore,

 

and

     







   I’m





  sit

  3

- tin’

 

 

in

 

3

 

 

the







4

2

2







4

2

2

1/2

4

4

6 4

     

 

 







 1/2

4

6 6 6

6 6 6

4

6 4

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      

 

    

     

3

sun.

I’m

 

B [C]

     

 

3

sure

it - ’ll

hit



            



  

3

   



me

  







         3

*

4 2 7

6

4

1

X

          



6

4

 1

X



2

     

2





    



2

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

4 4 4

4 4 4



 

3

I

F# [G]

   

walk

                               1  0 4 2 0  4 0

2

5

4

5

0

 

 

4 4 4

4 4 4

4

2

0



4 4



2

2

0

2

0

4

4

 

 

4 4 4

4 4 4

2

when

      

4

6

4

*Vibrato applies to bottom note only.



   7

0

2

0

4

2

 

 

4 4 4

4 4 4



2

A#7 [B7]

 3    

through

 

that

  

door





to

-

  

7 2

 

8

6

6

 

 

2 2 3 4

2 2 3 4



6

    6 7 6 8

6 7 6 8

D#m [Em]

F#/C# [G/D]

B [C]

C# [D]

3            3                         3

3

night.

     

Yeah,

I’m

  

gon - na

miss her.

8

6

      

4

6

3

4 4

  

     

    7 8 8

6



7 8 8

4

2

4

4 4 4

2

6

2

4

 







3

2

4

         4

6

6



4 4 4

2



look -ie

3



4 4 4

4 4 4

     3

an - oth - er bite.



  

6 7





there,

5

7



3

3

Aw,

1/2

7



     

    

6 6

8



4



8 8

6 6 8

6

    

   

6 6 6

6 6 6

6 6 6

4

6 6 6

Outro

F# [G]

      

 

     3             



Yeah,

      Gtr. 3

  

          3

     Gtr. 4



3

X X



Gtr. 1





3

2 X X

X X

2

 

2 2 3 4

2 2 3 4

2 2 3 4

2 2 3 4



 

2 2 3 4

2 2 3 4

2

    

   

3 0 0

3 0 0

0

6

6

 



3 0 0

3 0 0 3



4

   

      3

miss





her.

     3

Oh,





look - ie

 



4

6

 



4

6

1

4

2

 

3 0 0



6

  

4

1

X X

4

 

2

1

1

X X

gon - na

             

P.M.

2

I’m

B [C]



 1



2



2



3 0 0 0

2

3

4 4

2

     4 4 4

4 4 4

2

 

  

3 1 0 2

3 1 0 2

3

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Free time

    

C#5 [D5]

µ

     

3

  

   







 





  







3



there,

   

I’ve

got

         4

  

a

bite.



4

       6 4





   3 2 0

F#7 [G7]

        



   





2

0

let ring



2

4



4 4 2



          

3



     0

1

0

2

4

        4

4

2

2

    

    







2 3 2 4 2

 









3

3

5 5 3

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

 3

4



from Brad Paisley - Play

Kentucky Jelly

Drop D tuning: (low to high) D-A-D-G-B-E

By Brad Paisley, Frank Rogers and Mac McAnally

Baritone gtr tuning: (low to high) D-A-D-G-B-E

A Free time µ

3 3                  3 3

3         3    mf  let ring

  

Gtr. 1 (acous.)

3



0

3

3

5

  

5

0

5

7





5

5

7

let ring

6

5

  



7

5





 

7

0







X

1/4







7



5

7

 

 

gra - cious.

0

Ken

-



tuck - y







0

5

0



0





jel - ly.





0

5

2







 

5

5

7

 

Snoop Dogg: Good - ness,

  

5





3

0

B Very fast h = 126 * D5

G5

             let ring  Riff A

3

0 

2

0

3

0

0

3

0

        let ring

3

3

3

0

0

3

0

0 3

3



         0

2

0

3

3

0

0

3

0

3

  0

 



  3 0 0

0 3

5

*Chord symbols reflect basic harmony.

1.

          0

3

2

0

3

0

0

3

0

3

G5

        3

3

0

0

3

0

3

0

F5

        0 3

5

0 0

0

3

         let ring  2 0 0 0  0 0 3 3

D5



D5

1/4

End Riff A

  0

© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and WORDFARMER MUSIC All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5

F5

D5

G5



Fill 1

        

     

  



 

End Fill 1

F5

      

   

1/4

3

3

0

0

3

0

0 0

0 0

0

0

0

5

3

D5 µ

1/4

0 0

3

3 2

0 0

0 0 0

0 0 0

0 0

0 3

0

5







2.

3

   

0

0

0

3

3

C Gtr. 1: w/ Riff A (1st 6 meas.)

D5

G5

Gtr. 2 (elec.)

         mf

w/ slight dist.

3

5

5

0

X

3



            P.M. P.M. 

5

0

5

0

0

0

5

0

0

3

5

0

5

    

   

X

3

0 0

0 0

5

        

3

5

5

0

X

3

        P.M.  P.M. 

5

0

5

0

0

3

5

0

G5

F5

D5

 



    



3

5

5

X

0

3

3

5

 

0

0

          

0

0



0

5

Gtr. 1: w/ Fill 1

D5

 

X X X

0

X X X

X X X

3

Gtr. 1: w/ Riff A (1st 6 meas.)

        

3

5

5

0

X

3

         P.M.  P.M. 

5

0

5

5

0

3

5

   

0 0

0

3

5

5



0

G5

 

X

5



0

    0 0

5

3

0

  



3 3

5 5

Gtr. 1: w/ Fill 1

D5

        

3

5

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

0

X

3

5

G5

 

5

      P.M. 

0 0

0

3

5

0

0

   

3

5

5

5



F5

D5

  



0

3

0



 

3

7

0

D G5

F

*Gtr. 3



D5













6

6

6

8

    



Dm

      3



3

mf

5

C/E

7

8

5

7

9

*Fiddle arr. for gtr.

Gtr. 4 (12-string elec.)







   







mf

let ring throughout

1 3 2 0



        0 0 3



0

5

0 0

3

       



Gtr. 1

5

 

1 3

1 3

3 5 5









0

0

0

2



1 3

 

  

 

 

3 2 0 0 0

3 2 0

3 2 0

3 2 0

1 0 2







0

0

2



Gtr. 2

1 3

let ring

0 0 3

**Gtr. 5



5

0

5



3



1/4

0









 



mf

0 **Baritone gtr.

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 F



5

    

Rhy. Fig. 1A

5 6 5

    

5

5

      

5

6

5 6 5

  

3

   

Rhy. Fig. 1

5

5 6 5

 





5

6

5

 

5

6 5

 

 

6

5 6 5



 

 

3

5 3

6 5 3

        

 

 

C







8

10

8

    

  



3

3

3

    

8

8

  

3 5 5



 



8

3



   

5



5

3



8

  

End Rhy. Fig. 1A

5





5

5

End Rhy. Fig. 1

 

 

 

    let ring

1 1 2 3

1 1 2 3

1 1 2 3

1 1 2 3

1 1 2 3

1 1 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0

1



 

3

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



0 1 0 2 3

Riff B

 



End Riff B





3

3





3





3





 

Bb





  

8

10

10

10

   

8

6

  

7

5

7



1 3 2 0







let ring

1 1

      3 3 3 1

 

3

6

   

  

1 3 3





Dm







6

6

6

    



1 3

1 3

3 5 5





0

2

6

1 3

  

  

  

3 3 3 1

3 3 3 1

3 3 3 1

3 3 3 1







1 3





2

0

  



    

1

3

C/E

8



 

 

         

 

3 2 0

3 2 0

3 2 0

3 2 0

1 0 2









0

0

0

2

3 2 0

3 2 0



 





5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 4: w/ Rhy. Figs. 1 & 1A Gtr. 5: w/ Riff B

 F

Gtr. 3



5

 



5





5

5

 





5

6

5

Gtr. 2

 



 

8



 

8

8





10



8

8

 





8

10

8

 

8

10

 



8

10





13





f



w/ G bender +1

0





1 2

3

Gtr. 2

 





3

G5



1

2

3

Gtr. 3







C

0

0

 







15

17

15

13

       

w/ G bender +1

hold bend

0





0

 15

13

13

10

     

    

    

10

3

2

2

0

2

0

0 5

Gtrs. 1 & 4

12

        

3

0

     



0

3

    

3 3 0 0 X 5 Gtr. 5



Fill 2



5

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

End Fill 2









E 1st time, Gtr. 2: w/ Riff A (1 1/2 times) 1st time, Gtr. 4 tacet 2nd time, Gtrs. 1 & 2: w/ Riff A (2 times) 2nd time, Gtr. 3 tacet

Gtr. 3



Gtr. 3 tacet

Dm

G5



  









12

11

Rhy. Fig. 2

 

Gtr. 1



 

 

 

 

1 3 2 0

1 3 2 0

 

 

 

1 3 2 0

1 3 2 0

 

 

 

 

1 3 2 0

1 3 2 0

1 3 2 0

 

 

 

1 3 2 0

1 3 2 0

 

 

 

1 3 2 0

1 3 2 0

 

 

 

1 3 2 0

1 3 2 0

 

 

  

1 3 2 0

1 3 2 0

let ring

1 3 2 0

0 0 0 Fill 3

End Fill 3

Gtr. 5













0

Gtr. 5 tacet

G5

       

  

1 3 2 0

1 3 2 0

1 3 2 0

  

  

1 3 2 0

1 3 2 0

  

  

  

1 3 2 0

1 3 2 0

  

  

  

  

1 3 2 0

1 3 2 0

1 3 2 0

F5

  

 

0 0 3

  

D5

 



Dm Gtr. 1

1/4

X

       



let ring

0 0

5

 

End Rhy. Fig. 2

0 0 0

3

3 2 0

3 2 0

3 2 0

3 2 0

Gtr. 1: w/ Rhy. Fig. 2 Gtr. 5: w/ Fill 3



Dm





Dm/G





To Coda

Dm Gtr. 2

G5

          3

0

2

0

3

0

0

3

0

3

        3

3

0

0

3

F5

D5

       



0 0

0 X

0

3

5

0 0

0 0

3

  

*let ring

0

0

3





0

*Refers to 6th string only.

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F G5

F5

 Gtr. 2        

D5







Dm



C/E



 



w/ G bender Harm.

mf (cont. on middle staff)

+1

12

12

Gtr. 1

12 7

7

7

7

7 2 2

       

 

 





12

12

     

f

1/4

0 0 3

0 0

5

X

Gtr. 5

3 2 0

0 0 0

3

3 2 0

(cont. on top staff)

3 2 0 0





         let ring

       

3

5

3



0

0

3

5

5

7



7

5

7



6 6

7



2

Gtr. 1



 

   

8

10

F

 



Gtr. 2

  

10

8

  10

   

   

8

 



10

13

13

13

C



12

 

10

    

8 10

       string steady gliss.





10

13

  

let ring

noise

X X X

3 3 Gtr. 5

 

3

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 

5 11

3



5

5

       

10

11





3



10

12

10

9

10

10

8

Bb

Dm

           w/ pick & finger 7

5 10



X

7

       

3 5

X

X

3

5

0

5

3





0

X



1

3

C/E



 

  



0

X X

3

5

3

0

0 3

 



     

0



1 3

1





3

       



2

3

0

5



X

3

5

       

C

8

5

7



5

7

5

7



let ring

3

 

3





0

F



2

2

 

5

0



1



0

3

3

0



6

8

2

     

X

6

5

8

 

6

3 X





   

0 0

5

4

3

5



0



2

3

   X X X X

3



5

   



5

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 5: w/ Fill 2

G5 Gtr. 1

 

  

    0

1

0

1

3

2

0

2

3

0

0

3

3

2

0

3

   

0

 

 

Gtr. 2

       

        

       

1

0

2

2

  

0

3



2

0

0

3

2

0

 



0 0 X 5

3 3

3 3





let ring

3 3

3

f



3 3

5

7

G Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 5: w/ Fill 3

Dm

   Gtr. 2

 

G5

   

        





 

w/ G bender let ring 1

+1

1

6

5

5

0

5

        

3

0

0

1

0

0

3

      

4

  

0

3

5

5

     let ring

0

3



 

0

0

2

0

2

5

0

5

         

0

3

0

F5



w/ G bender +1

Dm

3

G5

          

2

0

       

Dm



1

0

3

0

2

0

3

5 4

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

11 10

12 11

10

     

3

       

0

D5

5





5

   steady gliss.

2 1

0

Dm/G





w/ G bender +1

1/2

13 12



  

+1

3

0





10

13

10

12

10 12

12

10

12

10

10

12

10

12

11

10

12 10

10 12 10

Dm

G5

         







   

 

w/ pick & finger





 

1/2

0

4

5

3

4 5

5

5

7

9

5

5



0

10

7

8

8

9

0

D5



 

11 10



 



let ring

5

5

 

F5

11

0

 

12 10





13

10

11

11

12

H G5 Gtr. 2

 

F5





 

D5



 

 



 



  

Gtr. 2 tacet

G5



* G5/A



 

w/ wah-wah w/ pick & finger

14



     

14

17

14

15

0

0

5

3

Gtr. 5



18 15

16

19

 

       

3 2 0

3 2 0

0 0 0

3



wah-wah off

19

16

let ring

1/4

0 0

15

 



 

13

16

13

Gtr. 1



15

12



3 2 0

3 2 0



3 2 0



  

 

   

 

  

 

 

 

 

 

3 3 0 0 X 5

3 3 0 0

3 3 0 0

3 3 0 0

3 3 0 0 X 5

3 3 0 0

3 3 0 0

3 3 0 0

X X X X

X X X X

X X

X X





w/ amp tremolo

5 *Bass plays A.

Bb

     Gtr. 1

G5

      

let ring



  

 

6 7 8

6 7 8

6 7 8

6 7 8

X X X

 

 

3 3 0 0 X 5

3 3 0 0

3 3 0 0

let ring

**T

6 7 8 X 8

  

X X X

6 7 8

X X X

X X X

6 7 8

X X X

X X X



 

 

 

 

 

 

 

 

 

 

 

 

X X X X

X X X X

3 3 0 0

3 3 0 0

X X X X

3 3 0 0

X X X X

X X X X

3 3 0 0

3 3 0 0

3 3 0 0

3 3 0 0

**T = Thumb on 6th string Gtr. 5

  3







5

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

I F+





Gtr. 3

 

       

G5

13

15



8va

   



19

22

G5/A



      

grad. bend 1/2

1

12

    Gtr. 5

        

13

12

13

13

13

12

13

15

  

       

 

 

3 3 0 0

3 3 0 0

 

 

 

 

  

3 3 0 0

3 3 0 0

3 3 0 0

3 3 0 0 X 5



let ring

5 6 6

X X X

4 4

X X

X X

6 6

X X

X X

4 4 5

4 4 5

4 4 5

4 4 5

X X X

22

22

3 3 0 0 X 5

X X X

20

18

15

18 15

    

 

X X X

X

X X X

7

X

Gtr. 5

 





3



5

Bb

   8va

 

 

 

 

 

 

 

 





 



A7

Am7b6



   

   3

3

18 15

18 15

18 15

18 15

    







6 7 8

6 7 8

X X X

let ring



18

13

18 15

18 15













X X X

6 7 8

X X X

6 7 8

6 7 8

6 7 8

14

14

15

15

13 13

15

10

14









 

 

 

X X X

X X X

6 7 8

X X X

0 2 0 2 0

0 2 0 2 0

1 1 0 2 0

15

T

6 7 8 X 8

  3

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





2

12

10

12

14

 

14

10

 

 

 

1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

D.S. al Coda 8va







    

15

12





3

 

15

15



  

21

      

loco

 

1 15

14



1/2

15

15

14

13

1

13

10

12 12

           1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

  

  

1 1 0 2 0

  

  

  

1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

 

  

  

  

  

1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

  

  

  

  

1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

  



12

12

10

12

  

  

  

  

    

1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

1 1 0 2 0

10

0 0 0



2

 Coda G5



 



F5

  

D5

  

1/4

0 0



 

0

5

Gtr. 2



  

3

0

  

1/4

0 0 3

Gtr. 5





   

0 0



3

µ 3



Gtr. 1



0

3

0



3

0 0

0 0

   

0 0

5

0

0

3



        

0 0

  

2

0

3

0

0

3

0

3

        3

3

0

0

3













0

0 3

0

3 2 0 0 0

 0

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5



µ

G5









0

          3



D5

 

          let ring

0 0 X 5

0

    

2

0

3

  

0

0



3

0

3

3



4





 

3



 

3





0



5



5

       0 X 5

0 0 X 5

0

3

       0 X 5

0 0 X 5

 



 

3

5

5

0



3

3

 

3



5



5

0

0

3

0

3

3

3

F5

      0 X 5

0 0 X 5

X

3

      0 X 5

0 0 X 5

  

 



 

X

3

5

5

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

0

3













X



3

 

3

 

3

G5

F5

0

0



     

5

0 X 5



5

0 0 X 5

0

3

      0 X 5

0 0 X 5

  

 



 

X

3

5

5

0



3

  

D5

      3 2 0 0 0

    3 2 0 0 0

 

0 5

0

0

G5

 

3

0

0

F5

0

       

0 0

0



G5

2

  

let ring 1/2

0

µ 3

5

3

5

X

3

       *

3 2 0 0 0

    3 2 0 0 0

-1/4 *Bend neck. (Push neck w/ left hand palm while holding down chord shape. Push body w/ right hand for leverage.)

0

from Brad Paisley - Play

Kim

By Brad Paisley C#m

Asus2

E

4fr 13421

12

231

A Moderately slow q = 71 *A,7

    

Gtr. 1 (acous.)



A6#11



A

 

 

    

mf





string noise

w/ fingers let ring throughout

9 9

Asus2

7 8

X X

0



2 2

 





0 2

0

0 2 2

0

*Chord symbols reflect implied harmony.

A,7 A6#11

   

**Gtr. 2





A'9

 



 



14

12



 

12

12

mf 1

14

14

**Pedal steel arr. for gtr.

   

Gtr. 3 (elec.)



 mf

    

w/ slight dist. & multi-tap reverb

9

  

Gtr. 1

 0



 

9 9

7 8

11



     

8

7

0

7

8



6



6

  

5

7

 

5

0

© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B E

  

Gtr. 2 tacet

B/E



A/E

E



C#m

Am





17

    









   9

9

  

  

9

11

                                            4

6

4

5 6

5

12

6

13

12

11

13

0

14

14

10

14

14

11

12

10

0

E

Esus4

    Gtr. 3





9 9

11 9

9

9

11

0

E

 

9 9

9

9 9

5

A/E

  

5

5

9

B/E

5

E



 5

6



noise

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

1

0

0 2

0 2

1

2

X X



5

5 6

0

5

12

12

6

13 0



 0 1 2 2 0

             



                                    string Gtr. 1

14

14

10

14

14

11

10

12

9 9 0

9 11

9

9



C#m

Am

Gtr. 2



E





D/F#



 



9 9

10

10

*

      

*Vol. swell

  



Gtr. 3



14



14

10 9

 

   

9

9

9

5

9 9

  

5

9

   0 0 1 2 2 0

5

5

5

 

       Gtr. 1



5

  



0

 

0

 

1

2

0

C G'9

D/F#

  





F6

Esus4 E





 

G'9

D/F#

 

  

2



*** mp 1

1/2

10

10

9

9

9

12 12

9

mf

10 11

***Vol. swells

    



 **  



 0 0 5

7

7

 

     

           



let ring

1

2

2

0 2

2

1

2

4

5

7

7

7

**Played ahead of the beat.

                    Riff A

0 0 3

2

0 0

2

3 0 2

2

3 0 0

           2 1

0

2

0

2 0

1

 0

2

               2 3

0

2

0

2

0 0

2

0

2

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F6

C

   

 

    

Am

G

  

 

let ring







B7









1

10 10

8 9

9 10

10

8 8 9

            



let ring

2

0

2

0

1

0

2

                    2

0

0

2

0

1 2

3

1

1

0

2 2

15 14

  

   

0

1

1

3 1

15

15 14

14

12

 

  

0

0

    

0

2

4

    

0

0

0

3 1

0

2 2

0

0

0 0

5 2

2

               1

5

 

2

0

2

3

1

2

0

 

10

2



4

End Riff A



10

4

D Gtr. 2 tacet

E

B/E

    Gtr. 3

A/E





5



14

  

10

  E

C#m



Am

 

 



12

9

 9

9 8

9

                  Gtr. 1

5 0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

5

12 6

12

13 0

13 0

13

14

10 10

14

14

11

9

9

 3     



9 3

       

14

    



12

 

9 0

9

12 9

11 9

  9 9

      9

9

9 9



4

5 7

   

5 7 5

5



5

5

E

    Gtr. 2





  

  

 

B/E



1/2

11

11

    Gtr. 3

 

 



   

1

  

12

 

 

12

9 X 9

11

9

9

11

11

9

9

9

       

  0 1 2 2 0

  



          14

2

   E

Gtr. 3

14

1 2

7







 5

2 4

   0

5

6



 

10



12

9

             14

10

14

14

11

10

12

0

9

 9

11 9

    

6

11



 



6

7

13

5

6

     

9

5

12 9

9

  14

 

14



12

13

13

D/F#

         let ring

      let ring 5

9

E

     

9

0

9

11 9

 

0

Am



9 9

Gtr. 1



9

11

14

 

0

12

6

C#m





0

Gtr. 2 tacet

14

 



2

A/E

14







13

7

0

0

1



9

10

Gtr. 1

    

1

9 6

9

5

9

9



5

11

      1

5

9

11

0

2



0 0 1

  1 2

0

0

9 11

 

0 1 0 2

E Gtr. 1: w/ Riff A

G'9

     Gtr. 2

             D/F#

1

12

12 14 14

 

14

    

 

7 9 10

7 7 9

Gtr. 3

F6

14

1

14

       Esus4 E



1/2

14

G'9

13

13

14

                7

8

1

12

 3

7 7

7

6

7

D/F#

    

12 14 14

14

     3 0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       F6



C



14

Am

    

     

G

B7



* 1/2

12

14

12

                      2

0

2

0

1

0

0

2

1

3

1

B/E

       



Gtr. 3



4

     

12

4

6

12



    5

4

 

 

 12

6

0

2

C#m



        





5



12

9



4

4

 

  

9

11

9

    

 

10 11

9

9

9

11

  

12 9

9

9

9

0



E 3



 



    



1/2

9

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  

E

 

Am

 

1/2

6

4

4

0

3

9

4

(cont. on higher staff)

5

    

11



12

10

5

     

    

4

End Fill 1

Gtr. 3

Gtr. 1

12

0

Fill 1

11

12

10 9

    4

 

12

10

3

2



 

13

0

Sorgdal

0

 

12 11



1

4

Gtr. 1

Gtr. 2

  

0

A/E

(cont. on lower staff)

       

Gtr. 2 tacet

E

 

*Vol. swells

2

F

1/2



12 11

12

 

12

12

11

11

     9 11 11

9 9

1

11

11

9

  5 5

9

      

9 9

9

11

10

   5

5

9

9

 0

9

 

9

7

   

0

1 2 0

12

0

  0 0 1

  1 2 2

  (cont. in slashes)

0 0 1

G C#m

 Gtr. 3     Gtr. 1



  





Asus2

               

  3

3

3

1



                       

3

3

1

12

9 12

9

1

9

12

9

9

12 9

          



1









 

12

9 10

9 10 9



*

9 6 6

6 6

4 4

0 0

11

let ring

4 4

12

12

11 9

11

Gtr. 2



6 6

*Vol. swells

E

                                                     let ring 1/2  **T 16 X 14

16

14 X 14

14 14

9 X 9

12 9

11

12

11

9

11 9

9

9 0

11 11

11 X 9

9 9

9 9 0

**T = Thumb on 6th string

   





3

   



let ring

9

         7

12



3

9

9



7 9

C#m

    

12

14

14

16

13

13

Asus2

                       (cont. in notation)                                 1/2 semi 1 1/2  harm  8

  

9

7 9

9

9

11

11

0

19

X

17

19

19

9

11

16

16

X

17

17 1

    9

 

 



9

9

 6







  6

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    Gtr. 2 tacet

   Gtr. 3

G

D/F#

                  3    1 0





3

0

0

0

B7

 

9

7

9

9

9

9

9

9

7

3



    Gtr. 2

12

11

      

  

0 0 0 X 3

3 2 0 X 2

Gtr. 1

7

8

 



3

4

 5

8

 





4

4



11



                 0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

0 2 1 2

4

H

      E

B/E

A/E

E

Gtr. 3





C#m

Am







 

1/2

4

            

              Gtr. 1

12



6

5

12

14

13

0

14 10 10





9 9

0

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9





9 9

4 4

4 4

        2

4

1

2

4

6

9

11

9

9

0

   

4

6

4

4

5

4

6

    

  



5

12

5 6

0

4

5

5

12

5

5

5

E



12 10

9



5

             A/E

1

X

12

9 9

5

12

        4

9 9

9

9

B/E

w/ pick & finger



9

14

E

  

12

0

    

             



4

5

4

9

  

14

14

10

12

 9

    10

12



12 X X X X

 

9

13

9 11 0

9

   

     9

 

E

 





9 9

       Am



   

C#m

11

9 9 11

5 5 7

 

  

9

9 9

9 9

 

0 1 2 2 0

2





let ring

5 5 5

5 5 7

2

  

5

    

5

5



1

2

2

5

  

0

0 0

let ring

2

   

 

 

0

1

I Gtr. 1: w/ Riff A (1st 4 meas.)

G'9

D/F#

    Gtr. 3



F6

     let ring

let ring

4

0

0

0





2

0

0

    

    Gtr. 2



1

12

12

14

  

 



2

0

2



2

   

14

10

14

0

    

1

10

12

D/F#

F6

7 0

    

14

2

3

2

5 7

8 7



10

7

10

0

2

2

2

0



14

14

     

14

C

 



 



12

10

12



7 9

  

13

12

13

12

   

1

0

2

    

13

                        3

    

1/2

G'9

3

Esus4 E

1/2

2

2

2

4

4

0

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

           

    Gtr. 3              Am

G



13

     Gtr. 2

10

B7



13

12

1

14 12

    



14

12

  

1

3

1 2

2

2

14

2

11

1

3

1

0

0

2

0

0

0

2

 

 



0

                  1



17



4

Gtr. 1

0

1

      

1

1



 

0

1

2

3

4



 

 



2

0

2

10

2

0

10

  

2

2

4

4



5

4

2

J Gtr. 2: w/ Fill 1

  Gtr. 3    E

    

B/E

A/E





E

14

14

                      Gtr. 1

5

5 6

0

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Am







17

4

C#m

5

12

6

12 13

0

14

14

10

12

12

 

   

9

14

9 0

9

11

9

              9 9

9

9

9 9

5 5

5

5

5

E

B/E

    Gtr. 3





 

  

    Gtr. 2



     

12

   E

  





9

9

6





 

A/E

12



19

12

X 9



17



8va

  









19 4

6

            

        Gtr. 1

1 2 2 0

4

C#m

     

7

6

4

4

4

7

4

4

4 4

5

4

4

5

5

 

12



 

12 13

0

    



14

14

12

10

9

14

0

   

9 11

9

0

Free time



              

Am



E



3

rit. 1

1

19

14 12

14

    

14 12

14

14

1/2

12

   

loco

 



 



rit.

5 4 6









9

5

5 5

rit.

9 9

9 9

9

5

5





        

   

0

2

2

1

0

1



   



      

0 0 1 2 2 0

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - Play

Les Is More By Brad Paisley and Frank Rogers

Fast swing q = 196

 __ =   

µ *C,7/D



B7/D

13

10 8 9

A

3

 

 

   

Gtr. 1 (clean)

    

mf

   

 

Bb/D

A/D

  

       

 

Ab/D

     

w/ pick & fingers



12

12

10

6

8

5 6 7

8

4

6

4

6

*Chord symbols reflect overall harmony. Bass plays D pedal (next 4 meas.).

B G

     

6 4

  

 

7 5

7 5

         

B7#9

 

0

 

 let ring

7

9 10

7 8

3



8

9

10

6

7

B7#9



4 5

4 5

     0 5

3

1

3

   3 2 1 2



1

  

0

      

G9

 



0 9

  

          let ring

G

  

1

A7



Em

    

3 2 1 2

5

4

C

1

B7b9

10

D7

8

 

B7b9

6

7

6

7







  



1

0

1

7

       



5

5

8

7

5

7

Em

3

7

D+

let ring

7

9

10

8

  

 

0 2

© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

2

G9



4

7

4

7

B7





3

4

4

4



7

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Em7

   



8 7 5 7

8





5

7

    Eb7



D7sus4



       0 X 0

3

1

 

 

 

8 6 5

    

3

4

3

4

0

3

0

 





2 3

4 5

4 5

0

1

B7b9

      

   

3

Em

  



1

0

3 2 1

 



7 5 7

7

B7#9 3

 



8

6

G

D7

3

8

   

 

0

2





G9

C

            3 3 3

3

3

2

5

2

4

2

5

4

2

6

3

5

D7

          7

Em



 

7

6

5

7

6

5



8

2

3



      

5

7

6

5

2

  

8 7

8

7

6

G7

 

7

Sorgdal

3

D+



8

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



  

A7



5

8

9

B7

 



7

9

8



8





   



9 8



3

1

3

  

 



7

8



7

 

5

B7b9

7 5

8

6

 

  



6 4

Em7



B7#9

9 8

10

 

0

G





5

3

0

  

2



2





10

8

5

5 6





5

7

  7 8

Eb7

D7sus4

   

   

8 6 8

6

9

D7

        

8

7

5

7

6

5

3



G

4





5

5

  

  

 

1

2

0

3











 3

C Gm

      

2 4

let ring

      

3 5

5

3

  

 

11

 

10



  

8

10

F





11 10

Gm

9



8

8

8

 11

10

Bb7

 

      

     

Gm

  

let ring

10

6

7

8

8

10

C9





 

10

9

8

8

10

8

8

8

10

8

7

10

 

10 10

D7



  

10 10 11 12

8

 



8 8

8

8



10 10 10

    

12

9

F6

let ring

8

F

10

       

       

8

10

D7b9

Eb6

        

11

10

D7#9



11 12 12

3

11

10



   

2

5

8

8 8

X

 7

5

X X

                3

6

F6

        



8

7

7

6

12

3

Eb6

 

C9

let ring

    



 

  

let ring

3

5

Gm

   

Bb7



14

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D 



 

14

G



B7#9



15

   





15 9

G9

    

8

7

9

    

10

7



 

7

D7

        

7

7

Em



5

7

10

6

 

7





3

2

3

2





7

 

4

 

3

5

 

  

5

3

D7sus4

 

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5

8

7

6

5

5

7

7

5

7

7

7

9

  

 

5 5

8

B7#9

5



3

3

2

4

5

4 5

4

4

5

5

4

2

3

3

3

5

4

5

Em7

 



B7b9

          P.M.

 

B7

D7

5 6

9

5 5

2

    

4

                  

6

4



G

G6

Eb6

5

7

5

   

4

9

 

     

  

8

9

10

7

3

5



   

5

5 4



3

 

  

A7



8

  

 

 

C

8

5

Em 3

7

    

10

7

7

7

B7b9

  



5





2

2



5





2

4



G





        0

5 2

3

1

2

      

4

5

2

3

4

3



E

Gm

Bb7

3 5

5

4

2

5

2

3

5

4

5

Gm

3

3

Gm

 

1

0

5

3

4

3

6

Gm

     

1

0

6

5

       

2

3

2

3

5

3

8

10

3

6

5

4

3





8

7

9

8

4

3

6

3

5

4

3

5

3

8

8

5

3

D7#9

      

2

5

3

2

2

5

3

3

0

       

3

5

4

5

3

2

6

F

8

11

10

4

D7b9

7

6 5 7

4 5 4

4

4 5 4

F6

  

 

5 6 5

5 6 5

3

        

D7

       

8 5

5

   

let ring

let ring

10

3

 

  

3

5

5



Eb6

4

          

11

3

3

2

C7

3

8

5

       

5

    

2

5

Bb7

6

3

6

3

F



     

7 5

6 4

7

2

3

C9

         

    

3

F6

   3               3

       

              let ring 2 4

Eb6

4

3 8

7

7

10

8 12

10

10

10 12

11



10

10

F 



 

G



      

12

15

15

12

13

B7#9



15

B7b9

      

14 14

12

15

14

13

Em

       

12 15

13 12

14

12

14

13

G



12

   

12 14

B7

     

10

9

12

10

8 9

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



  

       

Em

7 8



8 9

8 9

5

8

 

 

Eb6

7

D7sus4

8 8

7 7

D7

G µ

3               3 3 3  5

5

7

8

7

5

5

7

7

5

7

5

7

 



let ring

10

5

3

G * C,7/D



B7/D

    let ring



12

13

    

   

 

Bb/D

 

10 8 9

A/D

   6

  

  

8

Ab/D

 





5 6 7

8

   

6

5

4

6

4

3

*Bass plays D pedal (next 4 meas.).

H G

 

  

   

B7#9

3 3 4 5

4 5

3 3 4

X X

C

    1 0 X 3

  

   

   

 

X X

2 1 2

3 2 1 2

1 2 1 2

1 2 1 2

A7

  2 3

G



   

 

 

 

0 2

0 2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4 5 5



5 5

3 3 4

  



B7#9

G

 

 

       let ring

2 2 0

2 2 0

2 2 0

D7

2 2 0

    let ring

3 4 5 5

Em



mp

3

B7b9

  

    

X X X X

3 2 1 2

X X

  5 6 5

 

2

0 X 2

     

  



0 X 3

3

D7#9

 

 

 

 

 

8 9 11

7 5 7 5

7 5 7 5

8 6 8 7

8 6 8 7

7 5 7 5

    1 2 1 2

2 2 0



B7b9

 

0 X 2



 

Em

7 5 7 6

6 4 6 5

G

5 3 5 4

B7

 

  

 

  

  

 

2 2 0

0 0 2 2 0

2 2 0

0 0 2 2 0

0 0 0 X 3

0 0 0

 

  

2 4 2

4 2 4 2

Em7

 

    

8 7 9 7

9 7

7

Eb7

  

         let ring

8 7 9 7

7 5

  

D7

      

   

8 6 8 6

8 6 8 6

8 X 7

5

4

5

G

7 5 7



 

    

let ring

8 6 8

8 6

D7sus4

  

 

   let ring

6 5 7

0 0 7

8 7 9

5 5 5

5 5 5

3 3

I Gm

   *Gtr. 2

  



Bb7

 

 





        

Eb

  

 

6

8



mf

1/2

7 9

2 4

3 3

2 4

8

8

7

*Pedal steel arr. for gtr.

          let ring  Gtr. 1

3

4

4

5

 

4

10

8

10 12

10

      

   

X X

5 6 5

6 4 5

10

  

    C





1



3

11

12

  



10

 



10 X 7

11 3

 

8 8 9



3 4 3 5





      3 1/2

13

  

 

F

11 10

7 8

X X X

1/2

10



     

  

3 1 3

 12

  



3 3 3

Gm

         

8

  

3 3 5

4

F

8



 

10 10





1

10

12

10

     

10 X 7

X X X

5

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D7#9

D7b9

  

           



           

Gm

Bb7

   

3

10

10

1/2

1/4

10

      

1/2

1/4

10

 

10



 

10 X 7

10





10 10 11

12

10

  

   

F

Gm



14

14

 

 

3 5



7 5

     

let ring

3 4

3

12

11

13

  

 

 



4

6

5 6

8

7

7

5

8

5

8

   

  

10

 

5

6 8

10

4

1

11

13

    

   

13

13

 





8

10

8

10

13

12

11

8

11 10

3

  

 

8 9

9 10

8

 

8 8 9

13



3 4

6

 

1

13

3

          3

13



3 3

C

     1

13

14

7 5

3

13

1

let ring

10 10 11

   



1/2

10

let ring

11 X 8

1/2

1/4

  

 

  



 

w/ bar

1 1/2

Eb

2

5

F

       

10

9

8

7

7

7



  

8 10

8

9

7

  3 4

10

J Gtr. 2 tacet

D7

          6



8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



6

  

11 X 11

5

2 3

3 4

      14 14

14 X 14

14 14





5

B7b9



Em





5

  



10 11 12

7

B7#9



   

9



G

15 12 12

       

15 12 12

0

1

3

   3 2 1 2



     1 2 2

3

1

 0 0

   0 2

  4

G9

C

          Gtr. 1

4

5

3

4

4

5

2

5

7

4 5

X

3 4

3 0

0

1

3

G7

B7

4

3

4 X

8

8

10

Em7

 



  

7

8

8

 

10 12





8 11

8 10

2

1

 



D7sus4

1

0 0

D7



    

8 9

8 9

9

9

8

10

3



7 7

8 8



G6sus2



2

5 2

5 3

2 0

2 0

0 4

3

3

5 3

5 4

3

4

4

3 3 2 2 X 3

G

 

2

  



 8

6

   

Dsus4

 8



5

µ

  



3



2

     

8

 

0 0



 3            3                   3  3 3 3 rit. 

6

5

6

9

         

    

5

8

8 8

 

    



Eb6

3

D7

5 7

3

7

7

Em

        2

5

5

7

Em

3 4



7

B7b9

3 2 1 2

Eb6

6

7

            3 4

     

 

5

8

B7#9

K 

5

6

3



3

D7

    

  

 

         

5

 

G

         

5

 

4

5

D7b9

5 5

  

3

3

5



A7

  

3 3 2 2 X 3

   

3

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - Who Needs Pictures

Me Neither

Words and Music by Brad Paisley, Frank Rogers and Chris Dubois G5

2

34

F

C

134211

32 1

Intro Fast h = 118

µ

C

   Gtr. 1 (elec.)

 



f





w/ slight dist. 1



   

7

7

7



 







5



 



p



3

 

0 1 0 2



0 1 0 2

3

3

7

 

  

 

0 1 0 2

0 1 0 2

0 1 0 2

3

7

5

5

  





3 0 0 0

       

       

  



3 0 0 0

3

3

  

   

  

3 0 0 0

3 0 0 0

3 0 0 0

3

C







1

7

Gtr. 2 (acous.)

   

G

       

 

3



 

let ring 1

8

2





3

0

  

1

2



3 0 0 0 3

0

2

  

0 3

3



3 0 0 0 3

3

7

0

5

0

6

  

   

  

3 0 0 0

3 0 0 0

3 0 0 0

3

7

5



3

7

5

  0 1 0 2

0

7



3

0

5

0

  0 1 0 2

8

7



3

 

  

 

 

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

3

© 1999 EMI APRIL MUSIC INC. and SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse

    

C



 

1. Dar



- lin’, I’ve





been

  

stand - in’





mp

  





  



here

just



      

watch - in’

  



you



   

all

night.







3

And





  



I

  

P.M.

1 0

1 0

3

1 0

3

1

3

2

1 0

0

3

1 0

3

1 0

3

1

3

2

0

3

Rhy. Fig. 1





3

 

 



0 1 0 2

0 1 0 2

3

    





think I’ve

e

- ven

 









3

   



caught



  0 1 0 2

         

3

0 1 0 2

0 1 0 2

0 1 0 2

3



  

   

you

watch - in’

me







  





 

 



0 1 0 2



  

a

cou - ple







0 1 0 2

3

  0 1 0 2

3

   

         

3

0 1 0 2

0 1 0 2

0 1 0 2

G



  

times.

  









P.M.

1 0 3

 

3

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Sorgdal

1 0 3

  0 1 0 2



3

1 0 3

  0 1 0 2



3

1

2

3

3

 

  

 

 

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

3

1 0

0



3

1

2

0

3

3

 

  

 

 

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

3

0 0



0 0 3

  



3 0 0 0 3

   3 0 0 0

3



Rhy. Fig. 3A



Gtr. 3 (elec.)

mf w/ dist.

 







  

  If







G5

I

  

 don’t

ask

  

  

I’ll

nev - er

  



know.



  

This

may

  



sound dumb,

but

here

Rhy. Fig. 2







  















  











P.M.

0 0 3



0

2

0 0

0

3



  

3

  



3 0 0 0 3

End Rhy. Fig. 1

3 0 0 0

  

  

3 0 0 0

3 0 0 0

Rhy. Fig. 3



  



Do

you



we go.

      

  



be - lieve

in

0 0

0

0 0

3



3 0 0 0 3

  

2

3

  

  

  

3 0 0 0

3 0 0 0

3 0 0 0

3

  





3 0 0 0

3

3



love

at

first

     

End Rhy. Fig. 3A

   

     

  

3 0 0 0

3







  

  

  

3



0

3

3 0 0 0

3



0 0

3

3 0 0 0

3

 

0 0





sight?

Me

End Rhy. Fig. 2







   













   

P.M.

0 0 3





3

0

2

3

3

  

   

  

  

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0

3

0 0

0



0 0 3

  



3 0 0 0 3

0 0 3

  



3 0 0 0 3

3

0

2

         0 0

0

3

3

0

2

0

5

   

  

  

    

  

  

  

  

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0 X 3

3



3

  

3



3

End Rhy. Fig. 3





3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





Chorus F Rhy. Fig. 4A



     nei

-





I’m

 



mf let ring 1

5



  



1 1 2 3 3

1



  





lieve

  P.M. 





we

  

   

  

  

   

1 1 2 3 3

1 1 2 3 3

1 1 2 3 3

1 1 2 3 3

1



    

3

3

  



      

That’s

a

re - lief.





3

1

     big

3



1 1 2 3 3

1

7

7

Be

-

5

5

0

0

3

3



3

3

  

   

  

  

1 1 2 3 3

1 1 2 3 3

1 1 2 3 3

1 1 2 3 3

1

 

0

  



Well, this

  

      

5

5

P.M.

8

 

End Rhy. Fig. 4A

 

   

1 hold bend

7

 

      

  



me.

3



1 1 2 3 3

1



3

  





   

8

 

a - gree.

3

1

C

  

that

 

P.M.



1 1 2 3 3

1



glad



      

       

3

5

5

Rhy. Fig. 4

    

 



ther.

 



5

5

0

0

3

  3

  0 1 0 2

 



0 1 0 2

3

Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A

  G

place

 



 



loud.

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 3

 

  

 

 

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

 

    

 

 

    

is

aw

-

ful

crowd

  Would

  you



3

  -







like

to

go

 



 

 

ed

and



 and



0 1 0 2

3

  

  0 1 0 2

3

      

  

this

   grab

a

 3

 

  

mu - sic

  

bite

End Rhy. Fig. 4

 

  

 

 

0 1 0 2

0 1 0 2

0 1 0 2

0 1 0 2

3

 

is



to

 eat?

 

 

so

 







Interlude Gtr. 2: w/ Rhy. Fig. 1 (1st 4 meas.)

C



µ

    

 

Gtr. 3

Me

Gtr. 1



Fill 1



   

nei

-









ther.

       

End Fill 1







f

P.M.

8



      

       

1

11 10

10

8

8

0

4

5

10

3

5

0 0

4

1

2

3

3



1

2

Gtr. 2: w/ Rhy. Fig. 1 Gtr. 3 tacet

C



  



2. It’s



0

Verse

  Gtr. 1

0

  

nice

        

to



fi

-





   

 n’ly

  



meet a

   

girl

mf

who





   





    



does - n’t

  

move

too





 



P.M.

0

0

1

0

2

2

1 0

0 8

   

8



 

  

  

fast.

I

     

3

was on





-



1 0

3

3



  

ly

check - in’.

 

1

1 0

0

3

1 0

3

  



That’s





2

  

3



the rea

  

 -

    

1 0

son

that

   



I

  

P.M.

1 0

1 0

1 0

1

2

1 0

0

3

1 0

3

1 0

2

3

1 0

3

2

3

3

Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A

G

  









asked.







Re - la



P.M.



0 0 3

 

  0 0

3



0 0





0 0 3

  0

3



     

-

tion - ships



3

   

need



0 0

0

1 0

0

time

  0 0

3



0 0

1

3

   to



0



grow.



0 0 3

2

3

   0

2

0

3

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

  

You and



I

should take



this

slow.

   

 

Dar

           





      

P.M.

0 0

0 0

3

0 0

3

0 0

0 0

3

0

2

     - lin’, tell





 

me,

would

 



0 0

0

3

0 0

3

    you



0 0

3

    

 

like

to

  

  

0 0

0

0 0

3

2

0

3

Chorus



   



µ

dance?

 P.M.







0 0



 

 

3

0 0 X 3

0 0

3

3

  

 

just

be

  -

in’

 

    

 



    

Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A

 

 

  

Me

nei

-

ther.





F

 







5



po - lite.

 

Thank

good

    

     3









 

are

much

   

1 0

1 0

mp



   

        

tired.



 









  

7

5



7

5

Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A

     

too



My

3

feet

3



8 7

was



1 hold bend

8

      

 

- ness.



   



5

5

C

 

I

let ring 1

    



   



G

I’m

sure



    

1 0

1 0



  you’re



     

 

tired

too.









   

 

I

can



    

0 0

0 0

P.M.

3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

3

3

3

1 0

0 0 3

0 0 3

3

3

0 0

 

 

see

an

emp

 P.M.

  -







and

talk

    

0 0

 

3



We’d





0 0

0 0



3

  





like

to

may





0 0

0 0

0 0 3

3

 





     

 

0 0

0 0 X 3

0 0

0 0

3

      

nev - er

3

 

 

get

a

3

    



 

   





try

at

     there’s

no

chem - is

-



5



0 0 3

F

Me

nei





-

ther.

   f

  

 

 

    

C

3

think





12

12

- in’







 



1 hold bend

8

8 7

7

7

Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A

 

   

     

G

This has







13

all.

  



        

I’m

 

be

Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A

10

    

-

let ring 1

- long.

   

 

3

     



10

  

 

3



5

 



    

 

 



µ

0 0

 

 

    

while?

  

3

 



Would you



a

   0 0





3

        

P.M.

 

booth.

3

     



ty

 

0 0

3



 



0 0

sit

 

 

    

been

       mp  P.M. 1 0

0

1

a

     

 

waste

     of

time,



0

3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 



and

 





to

    

   



I’m

 

end

run - nin’

    



     

out

of

 

 

    

you

think it’s

   

lines.

Don’t

    

     

time

for

µ



me

    

Gtr. 1: w/ Fill 1





this

    



song?

Me

Outro Solos Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (3 1/2 times)

        F

nei







- ther.

   

Gtr. 1

   f

               

        

1 hold bend

3

5

6

3

3 6

C

6

6

4

5

6

4

4

5

5

3

4

3

5

5

4

3

2

3

2

1

0

1

0

3

5

                                        7

3

5

7

5

5

  

3 5

7

5

2

4

3

2

0

3

2

0

3

5

5

7

5

6 6

7

8

8

7

7

9

8

9

10

8 10 12

10

F



 10

C

 



 mp

10 10

3

    

5 3

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



5

5

5





    3

0

3

3

    5

7

   



  

5 5

7

3

        3

3

X

X

3

3

0

3



   

       

5

4

5

5

7

4

5

7

5

5

5

7

5

F





         

   



3

3

X

X

3

3

3

5

1

C



 

   

5

5

X



3

3

X

5

X

X

5

5

7







 



3 1

1

 

3



3

 

3

1



 



1

3

1



3



5

X





  

7 3

Rhy. Fig. 5 Gtr. 2





  



3 0 0 0 3

3

5

3

X

5

X

X

5

X

5

X

X

3

3

3

X

X

3

3

1

  

  

8 3

  

8 3



3 0 0 0 3

3

       



End Rhy. Fig. 5A

  

  

here we go.

  



      f X X X

5 3

X



 

  

X

       

Spoken: Oh,...

Gtr. 1

3

      





X

3

3

1



Rhy. Fig. 5A





3

1

G5

Gtr. 3



X

   

5

5

F



3

       

1

       

3

   



3

7 3

8 3

  

   

  

  

3 0 0 0

3 0 0 0

3 0 0 0

3 0 0 0

3

8 3



2 2 4

1 1

7 3

  



3 0 0 0 3

let ring

3 3 5

  



3 0 0 0 3

3

  

   

3 0 0 0

3 0 0 0

End Rhy. Fig. 5

  

  

3 0 0 0

3 0 0 0

3

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (3 1/2 times)

F Gtr. 1



 



let ring

 

 



 





   





5

3

2





 



3

0





2

3

1

1 1

3

1

4

1

0

1

5

3

2

3

C

0



3



2

1



 

8

0

0

4

5

        

5

3

5

5

7

7

7

5

6

5

7

8

7

5

0

5

0

8

0

5

5

0

0

8

0

5

4

8

5

0





6

8

4

7

F

3

10

5

7

    

3 3 3                  

8

5

3

3

1

3

       

          3

2

3

8

                      C



     



mp

0

1

3

1

0

1

 



3

3

  



1

1



3

0

3

0

1

3

1

3

1

0

1

1

3 2

3

F

                              3 2

 

0

3



0

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3 2

3 2

0 0

1

      3

X

X

3

0

3

3



1

0

3 2

3

3



   

3

3

3

0

3

3 2

0

1

  

X

3

1

3 2

3

2

    0

3

3

       3

0

3



3

3

0

3

1

C



3



   

0

X

0

2

0

 







0 3

   



0

0

0

3

1

2



   

1

0

       



1

2

F

1 0

X

0

X

2

 

 



0

0







1

0

1

1

Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A







  



1

0

1

1

   



0

 



1

1

0

1

G

   



1



1

1

0

1



  1

1

Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (3 1/2 times)









 



F

 

    3

f

0 3

     3

7

5

3

     

3

7

3

5

0

5

7

13

3                  3

8

        3

3

3

0

7

5

7

5

0

7

6

5



0

6

5

7

7

8

10

6

8

10

8

10

9

8

8

5

3

3

 F



  

  



0 1

1

8





X

X

 X





X

X



X







grad. bend

1 hold bend

3 5 5



 X



X

 



X





X

 

3 5 5

5

5

0

5

7

3

     3

0

2

0

0

2

 

C

    

 

3

 X

    5





2

X

3



2

 0

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                                      P.M. P.M. C



0

0

2

Begin fade

F

  

0

0





1

2

0

 

4

5

3

6



 

3

5

0

8

0

  



 



0

7

0





0

0

8

0

0





8

0

 



0 0

10

 

1/2 hold bend

5

0

7

X

7

6



  





1

8

11 11

10

8

7

         



11 10

8 8

11 10

12 11

11

8

10

10

3

8

10

10

10

10

10

8

10

8

10

10

10

8 8

8

8 8



 

10

8

11

8

8

8 10

10



1

12 11

3

8



1/2 1/4

0 0

0 0

3

     

3 3        3               3 3

0 0

3

C

 



0 0

0 0



1

11 11



      

8

11

F

  0

11

1

11

1







 2 5

5

Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A

1





      

 

1/2

3

3

       

       



steady gliss.

1

5

5

G

4

2

8

X

3

5

7

5

7

5

7

7

9

9

8

7

8



        1/2

9

8

7

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

8

9

7

9

1

8

9

8

10

F         



   

1

8

8 11

11

0 0

11

10

8

11

7

Fade out

Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (till fade)

       

9

10

8

7

from Brad Paisley - Play

More Than Just This Song Words and Music by Brad Paisley and Steve Wariner Intro Moderately slow q = 83

µ

 

*C

  

 

Gtr. 1 (elec.)

 

  



Fsus2

 

 

 

  

 

12

12 12

mf w/ clean tone



9

7

7

7

9

7

9

7

7

9

5

12

 

 

Gtr. 2 (elec.)

  

 

 



  

 

 

14

12 12

  

 

12

12 12

mf w/ clean tone



9

 

10

9

9

10

9

      

Gtr. 3 (acous.)





mp

10

9

9

10

  



3

0

1

2

0

0

2

3



12 12

12 12

14

  

 



12 12

12

  3

12



Fsus2









14

 2

 

0

1 0

3





0

0







 



12

14



 

 



9

7

7

9

5



 

 



10

9

10

7

 

9







0

0

2

1

a





 



T

3 2

 

1. Like

12



1

3

**T = Thumb on 6th string



  

0

1

C



12 12

   

3

1

*Chord symbols reflect overall harmony.



14

**T

3

1

0 2

12

     



w/ pick & fingers let ring throughout

7

 3

0

3

1

© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and STEVE WARINER MUSIC All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 1 tacet

C

G/B

 

     

boat

on

a

  

Am7





riv - er,



oh, this



bus

C/G



is

float - ing down

   

   Gtr. 2

   

  

this

 



old



high -





* w/ pick & fingers

5

7 9

5 7

5 7 7

7

*Vol. swells

Riff A Gtr. 3

 

    

3

2

F



 

0

2



0



3

0

0

2

 



  





    1

0 0



2

2



way.

Gsus4

   Look - ing

 



   

  

5A

6 5 7

out



     the

win

-

 

dow

I

    

**

6 5 7

1

0

3

G



 

0

2

   

6 5 7

8 7 9

-1/2 **Bend neck. (Push neck w/ left hand palm while holding down chord shape. Push body of guitar w/ right hand for leverage.)

 

   1

3





   

1 2

3

1 3

2





3

0 3

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    0

0

End Riff A

  

0

1

   3

1

G



    think

C

   

a - bout

how

I

 

got

 

here

to - day.





 

 

           

 





mp

mf





let ring

8 8

10

10

8

8 7

   

   0

    

3

0

0

0



0

0

  





1

0

0

3

3

0

2

9

 



5

7

w/ pick 9

7

      2

1

0

3



0

3

Gtr. 3: w/ Riff A

G/B

 



Oh,

  



an - y - one

who’s

  

     Gtr. 2

5

5

7

F

 

  it’s



  



  



 

5

4

4

4





5

8

5

7

8

7

had

some help

5

5

6

5

10

9

8

 

get - ting

there,

 

 

7

7



   of

 8

    the rea

   

7

 

Gsus4

And one

                   P.M. P.M. 0

 

C/G

G

true.

1

 



an - y - where

  

 5



Am7

-







 

sons

    

8 5

7

6

5

8

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G

Gsus4

  



  

  

why

get

to

the

Gtr. 2



    I

do

7

things







I







G

 

7

G6sus4



 







    0

0

 



0

0 0



1

  1

0 0

0



   



7

8





I

an -

met

this

 7

7



 

 

0

1 0 2

3 0 3

0

   

 

5

4 5 Gtr. 3





do:



G7[no3rd]

3 Gtr. 1





 







let ring

0

Chorus

 



-

gel

C

 

Riff B

 



  

  

7

10

   

9 10

9

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9



3

1



Am



0 3

2





    G

2





2

   

9 10

7 9

9 10

   



0

  0

 0





this



 

9

9

10

10

   



1

2

let

  

13 12

 



7 9



who

10

1

3

 

 

0

with cal - loused hands

    0

   

2



2

14

2

14

0

1

1

2

    9 10

  

7 9

   7 9

9 10

2

  0 3



 0

F

C/E

     

  boy

in

9

7

-

    

       

9

Gsus4

6 5 7

5 5 5

  



to

band.

his



5 5



  

1 3

1

3

2

3

3

      1

0

2

2



5

0

5

5

3







   



Un - der

wing,

3

4

3 4

his



3 5

       

End Riff B

  



5

3





          P.M.

 

7

G

5

4

3

3 4

  





7

Gtr. 3: w/ Riff B

    

  

C





I

  Gtr. 2

 

10 12

   Gtr. 1

7

        12 14

10 12

10 12

12

     

7 9

9 10

7 9

learned

to



Am



9 10

 

 



F

 

on these

           12 14



G

fly

14

 

7 9



   



10 10 12 12

10 12

9 10

        9 10

7 9

7 9

six



C/E

      strings

  

through

this life.

   

3

5 5 7



9 10

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gsus4

  





G



F



 

 

You can

hear him

3

5

5

5

7

5

5

9

8

7

9

7

7

8

10

 

Gtr. 3



3

G

   though

5

5

G#º7



he’s

gone

 

 

4

G

 









     and

I



14

12

12

10

 







ing

al





5

6

7

3 4 5

  

  

 

   

1 0 2 0

0 0 0 X 3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3 2 4



8

9

9

5

     2

F

 

1

  

owe him

so

2

  much

  

 

3

0

2



  more

     

than

 

 

2 3 3

4 5 5



 

0

2

 

   

T

0

2 3 3 1

1 3

3

0

2

3

G7

1 2 3



 

3

1

just

this

 

w/ pick & fingers

0 0 X 3

-



let ring

7

3

1/2

12



-





Am7





play



3

3

 

my

8

7

4



8

         5

in

 

    

7

let ring

9

 



7

    

Gtr. 1

C

 

                   P.M. Gtr. 2

4

  

5

3

5

3

   0

0 0 0 X 3

  0 3

 song.

C

    



A







 

 



 





8 8

8 8

10

8 9

6 7

5 5



12 12

  



2

0

14

12



14

12

14

12



    



2

3

3

1

0

  





2

2

2

0

7





1

0

2

2

12



7 3

11

    



1 2

a

            



5 5

 

 



  2. Like

let ring





6 7



 

2

0 2 2 2



Verse Gtr. 2 tacet

D

A/C#

   

  

leaf

that

had

    fall

-

Bm



A



en,

I

was

drift

            Gtr. 1

 

  Gtr. 3

-

7

5

2

3

2

5

7

5

2

4

2

 0

   

2

3

2





     

3 4

2

2

2 2



2 2

ing

down

a

 



5

Riff C

   

  

 

     

4

4

3 4





     2

4 0

2

2

2

2

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

G

A







   



stream.

  

Asus4

Mis - ter Gui - tar

       H.H.

Gtr. 1



0 12

7 19

5 17

4 16

 

came

life

in

-

to

my

w/ pick

2

0 12

Gtr. 2



 

    3

3

      

5

5 2

3







 

 

p

mf

12 10 9 11

  Gtr. 3



     



0

  

 

 

X X

2 2 2 0

3

0

0

End Riff C

0

0

0

0

0 0

X X

3

      

    2 2

2

2

2

2

3 2



3

2

2

Gtr. 3: w/ Riff C



 

and let

 

me

 



live

dream.

this



 

              His old

        









A/C#

9

     



Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

19 19

17 18

0

2

2

2

2

2

2

         0

17 19 17 18 19 18

 

0

3

3

   

14

0

2

8

15 17 11 14

15

            2

15 11



9 9 11

0

9 7

10 9

 

7

still speak -ing,

 

w/ pick & fingers

7 7

Gretsch





         

D



Dsus2

 

      A

2

3

0

0 2 2

2 2

2

0



   

Bm

A

   

it’s teach - ing

G

    



all

of

tune.

      

us

a

 

Gtr. 1

 



15 16

 

 

12 11

12 11

10 9

      





  

and

my

he

Asus4

-

2

0

5







 

3

3 4 5

 

     2 2 2 0

2 2

    2

2 2

2

0 0

2

3

3

5

5

5

-1/4

 





-1/4

Asus4



   

wrapped

 



up

in

 2





0 0

       2

5

5

     

3 4 5

let ring

0 0 0 2 0

5

7

A

   

      Gtr. 2

7

7

all

 

my

      

7

ro



was

3 4 5

  





 

  

10 9

2

Gtr. 3

     

-1/4 *Bend neck.

 

12

Gtr. 1

      

8 7 9

      

friend



He

 

Gtr. 2

     



*

15 16

A

 

3 2

2

3

 2

             0

2 2

2

2 2

2

2

3

2

3



 

0 2

2

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    A



one.

  

   

       5

5

7 7

  

7

5

7



  



7 5

9 8

I

met

this

an



   D

-





gel



   

   



9 11

   

9 11

 



7

9







2

         

  

11 12

   

9 11

9 11

 

 2

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

11

4

4



11

   





  na

-

12

 

0

3

2



0

  

2

2

3

2

 

    

ive

boy

D/F#

in









-





3

2

   



to

band.

his

12





2





  

3 4

hands

11 12

11

    

G

let this



P.M.

12

who

  

    10 11

    

A

 



       10 11

 0

  

Bm

Riff D

2

cal - loused

11 12



11

0

2 0

12



with





    

P.M.

6



 

w/ pick

11 12





Chorus

2

4

0

2



2 2

       

End Riff D

  

T

0 3



 

0

2

0 0

0

0 0 2

2

2

3

2

Gtr. 3: w/ Riff D

Asus2

        

   

 

Un - der

wing,

A

 



        10





9

10

12

  

11 12 11

14

 

 0

    0

2

2

Bm

      







0

2

2

    

 



9

11

11

 



his

 

15



14



14

  

  10 11

   Gtr. 2

11 12

9 11

 

 

11

12

11

2



 

   

learned

to

fly

  

     

11 12

9 11



9 11

12

11 12

    

   



11

11

12



G

    



his



11 12



12

   



2

      

11



A

   

9 11

   

I

11

2

2

2

 

 

    

     

on Gtr. 1



D

 

D/F#

 



six

strings

   in



 

7

9

7 7 9

 



7

9

7

  -

to

      

7

9



9

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



the



A



G





 

night.

I

   

   Gtr. 1

 

can



0 0

2

2

  

14

  Gtr. 3

 0

A

      though

   2

 



14

16

14

17

14 14

2

0 2

2

0

2 2

2

2

ing

al

3 2 4

play

-



  3 2 4 5

    



0

0

3



0

  



2 3

2

0

2

3

  

    

he’s

gone

A#º

 2



Bm

A

 

    and

I



let ring

0

0





  

owe him

  





G

so

A5

 

  much

  

more

 

than



3 4 5

0

   





w/ pick & finger





just

this



 

11 12

9 11

 



5 0

 

 0

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

-



2

2

 

3 4 5

15

              2

   

 

him



14

14



  

hear



            P.M. P.M.  Gtr. 2

  

  

still



let ring

5 2 5

D



Asus2

      

1

 1

2

4



   

2

4

5

4

2 2 0

4

5

  2



2

5

3

7

       0

0

3 0

5

7

0 0

   2



2 2

4

9 11

Interlude

  

D

   



  

 

11 12

9 11

song.

      9 11

G



11 12

   

11 12



 

9 11

11 12

      

  

6

6

10

7 9

9

   



–1/4

 



12

 *

–1/4

12

12

6

7

9

0 2

0

 

2

0

3

 

2

  

0





0

     0

0

0

0

0



11 12

14

11 12

9 9 11 11

16 14

3

0

11 12

14

12

12

7



       0

2

3

0

3



0

0

Ev - er - y

face



  



8

8 7

7

9

7

9

2

0

0

3 0 0

    9

7

9

   

 

3 0 0

3 0 0

   

A

Bm

we

see

  

       2 2 2

         0

3

7

      

   

10

7 9

9

0

0

Bridge

 

7

14 16

      

  

     



14 15 14



 

  

0

let ring

            

14

2

  

 

3



   

    

7 9

3

0

0

G

10 9 11 11 12

7 9





3



0

 

0

3

D

      

9

*Bend neck.

      

  

10 9 11

 

–1/4

*

10

10 9

11

  

–1/4

7

  



7 9



7

    

 

2 2 2



3 4 4

   



 7

         2 2 2 0

2 2 2 0

X X X X

 

 

X X X X

3 4 4 2



13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    



 

   

from

ev - er - y



     G5

D/F#

    

stage

     

we’re





7 10

7 7

         2

4

           

2

4

2

   

4



3 4

3 4

4

2

4

3 4 4

2

3 4 4

             A

note

   

we

4

5

               

   

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7

10 7

9

7

9

9

7

7

9

   

0 X 3

0 X 3

3 2 0

2 0 0 2

  



  

 

3 2 0

2 0

2







5 7 9

7 9

 

0

2 2

2

7

   0

3

4

6 7 9

 

G

though

 

 

mf

   

 

       

D/F#

they’re

 

gone,



let ring

3 4



7

10

7 7

  

9

2

4

4

9

7

6

9

      3

4

2

2

     









3

  3 2 4

3            3                  3 6 



7



0

3 2 0

3 4 4 2



9



e - ven

7 9

2 2 2 0

3 4 4

p



     

3 4 4

play,

7

10 7

5



 



3

Bm

  

5

3 4 4

  

with ev - er - y





T

3 4 4 2

 

           10

 





on,

3 4 4

     

   

4

X X X X

0 0 0 X 3

X

7

 

7 7 9

7

   



0 2

2 0

0



A

Bm

    

  

  

17 18

17 18

 

  10 9

16

   14 14

19

 



2

  10 9

16

11



5 6

5 6

7

 



5 6

5 6

7

  

live

 

on,











             Harm.  let ring

7 9

5 6 7

12

2

                      2

Bm

2

0

0

2

2

2

2

  

A

live

6

4

3 4 4

  

X X X X X X

2 0

12

12 7

7

7 5

5

5

5

X X X X X X

   

       0 0

12

 

let ring

5

     3

4

3 4 4

3 4 4

3



3

0 0

0

0



    





 12

12 7



7



  

delay off

w/ pick & fingers

3

5

2

2

Pitch: G





  

P.M.

5 6 7

 

3

3

*Set for dotted eighth-note regeneration w/ 3 repeats.



0

0

    

  =  

*w/ delay Harm.

7

0 0

G

3

on.



2

2 2 2

 3      

G5

  

   

3 2

they

2

2

    

  

   

 

11

 

G5

Pitch: D G B

0

 

 

they

  14 14

19

 

  



  





A

0

       0

2

2

X X X

X X X

   

2

4

   

3 0 0 X 3

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro-Guitar Solo Gtr. 3 tacet

    



D

Gtr. 1

   



let ring

2

3

3

  

 

Gtr. 2





w/ pick & fingers let ring

2

4

 



  

D/C#



Bm

 



3 2

2 2





 



3

4

5

4

0

let ring

3 4







 



2 2

0 0



 

2

2 0

3

4

5



2

3

 



let ring

2 2

* P.M.

3

A

  

4

4

4

2

4

4

2

2

*Refers to strings 4, 5 & 6 only.

G

D/F#

   

       

let ring

0 0

 

0 0

2

0 0





0 0

2 0



3

 

 P.M.

5 Rhy. Fig. 1

    Gtr. 3

3 2 0

0

4

 

2 4

4

2

5

7

7

7

 



10

7

9

5

3

2

2

4

2



   

 

 

   

3 2 0

3 2 0

2 3 2 0

3 2 0

3 2 0

3 2 0

3 2 0

2 4

w/ pick

7

0

      7

6

6







0

2

4

** Bm/A         

3 7

7

5

7

6

7

6



7 10

7

7

9



7

9

9

9

9

 

 

                     

4 4 2

3 4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

**Bass plays A.

16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9

        

        7



2

0

7

 



    

Bm

P.M.

5

 

3 2 0

2

2

0



    3 2 0

2 2





0

            P.M.  3

2

        

3

     7

 



2

5

Gtr. 2

2



2

         7

0

2 0

D

6

2

 

0

3

Gtr. 1

       

2





w/ pick & fingers P.M.

3

A

3

4 4 2

9

                  G

9

 

                5

D/F#

7

7

8

10





9



7

8 7 9



 

7 7 7

5

5

3

5 6 5

7

 



P.M.

2 3

2 4

7

5



P.M.

4 5

5





w/ pick & fingers P.M.

 

w/ pick & fingers

10

 



A

4

5

5 6 5

 

 





 

 * P.M.

2 2

2

2

2 2

0

 



let ring P.M.

 



0

2

2

0

4

0

*Refers to strings 4 & 5 only.

     0 0 0 X 3

 

     

      

  

  

  

  

  

0 0 0 X 3

0 0 0 X 3

3 2 0 0 2

3 2 0 0 2

3 2 0 0 2

3 2 0 0 2

3 2 0 0 2

0 0 0 X 3

0 0 0 X 3

G5

0 0 0 X 3

3 2 0 0 2

D

A



0

A#º

 

   

2 2 2

2

      

0

Bm



End Rhy. Fig. 1

 

A



2

2

2

G

A





0

2

2

2

  

14 12 15 14

12 14

3                                               3 6   P.M. P.M.  P.M.  7 7 10 7 10 7

9

 

10

9

7

7

Rhy. Fig. 2

       3 0 3

0 0 0 0 0 0 0 0 0

7

9

7

7 9 7 XX

7 10

9

7

7

7

10 7

                 2 3 2 0

3 3 X X 2 2 X X 0 0 X X

0

2 2 0

2 2 0

9 7

9

1

9 7

9 7 5

4 5 7

8 7

6 8

7 9

10

9 7

10 9 11

9 11

7 End Rhy. Fig. 2

 

 

            

   

 

 

 

      

 

       

2 0 2 1

2 0 2 1

2 0 2 1

2 2 2 0

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

2 2 2 0

2 2 2 0

4 4 2

3 4 4 2

3 4 4 2

2 2 2 0

2 2 2 0

2 2 2 0

3 0 0 X 3

3 0 0 X 0 3

2 2 2 0

2 2 2 0

2 2 2 0

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3: w/ Rhy. Fig. 1 (2 times)

 

12 14

D

  Gtr. 1

14 15

     



   

 

10 10

10 10

9



 



Gtr. 2

 



                Bm

10



9



10 9 11

11 12

3

11 12



9

7



let ring

6

9

9

  

7



10

9

7

7



       

3 4 4

2

3

4

4

4

4 4

2

2





*P.M.

4

5

7

 

3

4

5





let ring *P.M.

P.M.

7



w/ pick & fingers

Bm/A

2

4

4

2

4 4

*Refers to strings 4 & 5 only.

                3   w/ pick & fingers  7 10 0 0 0

G

D/F#

   

9

 

 



8

7

10

 



              

8

8

7

0 7

0 5

0 5

0 3

0 3

0 2

0 0

9

9

7

7

5

5

4

4

2

0

 



A





w/ pick & fingers P.M.

3 4 5

4 5

5

3

  

D

  

2 4

5

2 5

  

                   

1

3

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

5

3

4

2

3

5

6

7

7

8

4

2 2

0

0

     

 

0

2 2

Bm/A



2

3

5

2

2



0

2



0



Bm

 

2 3 2



2

0

mp

  





      

9



10

                   3 5

4 2 0

4

2

0

4

2

0

4

2

0

4

5

5

2

4

A

4

2

0

4

                      3      P.M. 5

5

X

X

7

X

7

10

7

9

7

          

7

7

9

7

7

7

  



10

 

7

9



6

 



3                 



9

11

11

9

11

0



0

   





11 10 12



9 8 10



D/F#



G

  

9 11

Gtr. 3: w/ Rhy. Fig. 2

D

Bm

12

14



A

G

A

     

     

               

w/ pick & fingers let ring

11 12

11

11

     

7

9

7 9

7 9

6 7

4 5

4 5

3

3

0

2

0

4

4

0

2

0

      

      

   



w/ pick & fingers

8



15

      



let ring P.M.

P.M.

3 9 8 10



A#º



mf

12

A



G

9 8 10

5

4

P.M.

3 2 4

5

P.M.

2 2 2

0

P.M.

2 3

P.M.

3

1

   

P.M.

2

4

2 2 2

0

P.M.

3 4 5 3

 





let ring

P.M.

3

3 2 5

2

0

3

5

  

P.M.

2

4 5

2

2

2

0

Gtr. 3: w/ Rhy. Fig. 1 (2 times)

D

       w/ pick  & fingers let ring  3

 

 

Bm/A





3

3

4

4

  

         

P.M.

5

Bm

1 3

1 3

7 9

7 7

8 9

10 11

       

         3

P.M. 10 11

8 9

7 7

9

9

6

9

P.M.

7

7

9

7 7

9

7 7

10

7

10

9

7 7

10 10

19 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

G

D/F#

             

A

D





14 15

  

                               let ring   14

12 15 12

   

Bm

17

17

X 14

11

   

12 10

14 12

10 12

9

12

7

7

11 12

11

7

5

7

 



 



w/ pick & fingers P.M.

3

 

2

2

      A

4

2 2

 

       

12 12 12

12 12 12

20 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12



 12

12





15

14

14

11

12





0

2

0

14

11

12

14

 







12

12



0 0

3

2 4

5

3

2 4

5

Gtr. 3: w/ Rhy. Fig. 2

G

D

A

A#º

Bm





2 2 2

 

A



10 12 11

             w/ pick & fingers  P.M.  P.M. 0

4

2

 

2 2





3



12 12 11 11 12 11 11



2

4

P.M.

3 4

2

11 12



3

0



P.M.

9 11

w/ pick & fingers P.M.

D/F#

14

 

6 5

G

 5

0 6 5

 



              

Bm/A

3

10

8 9





10

    

3

12

12 9

10

11



10 9 10 9



P.M.

10 10 10 11

  





6



   



14 15

3

2 0

2 2

0

                         

2 2 3

5

5

4

3 5 7

8

7

7

10

7

9

6

7

8 9

6 7

9

6

 



6 6

       

7 7

7 7

7 7

10 10 10 9

Begin fade

Bm Bm/A                           

Gtr. 3: w/ Rhy. Fig. 1 (till fade)

G

A

  



D

 



   

9 9 11 11



11 12

15 14 12 11

10 14

                                      7

6 8

8

7 9

10

     G

 14

 





10 7



8

  

9 8

10 9



8

7 7

6 6 6

7 7 7





7 7 7

2 4

4 5

12

14

15

14



 

11

 





5 3

3

5

4

4 4

4

2

2

2

12

1/2

11

11

   

X







11

11

 

5 5

4 4

2



14

               





5

5



   



12

A

w/ pick & fingers P.M.

2 X 5



10

9 11

9 11

12 11 9 11 12

 



2 4

5

1/2

15

11

w/ pick & fingers P.M.

D/F#

   

12

9

4

5

4

2

2 2

4

           

 

9

 

7

10 12



  

6

2

5 4



8

7

11

9

2

9 10



  

4

7



2 2

4

4

Fade out

D

Bm

Bm/A





7 9

  

9

      P.M. let ring  0 4

5

2 4

2 5

   

        

 



   

      

 



10

14

 

3

P.M. 2

2

3

2 4

X

1

2 3

3 2 5

7

9

7 7

8 9

10 11

7 7

6 8

7 9

7 7

9 10

11 12

10 10

10 10

10 10

21 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - 5th Gear

Mr. Policeman

Words and Music by Brad Paisley, Chris Dubois, Jim Beavers and Jimmie Rodgers G5

2

F5

34

F#5

134

Bb5

134

A

134

D

G7

F5 type2

B5

134

A7

G5

T3 4 1 1

134

Eb9[no3rd] D9[no3rd] 6fr

234

132

32

1

III

2 3

7fr

13111

13111

Gtr. 3: Drop D tuning: (low to high) D-A-D-G-B-E

Intro Very fast h = 142

µ



(Siren and Elec. Bass)

 

* G5



Gtr. 1 (elec.)

                mf

P.M. w/ clean tone



3

0

0

P.M.

0

3

0

0

0

3

0

0

0

3

0

0

0

*Chord symbols reflect basic harmony.

                

               

P.M.

3

0

0

0

F5



Gtr. 2 (acous.)



3

0

G5

0

0

3

0

Bb5



0

3

F5



P.M.

3 1

0

0

0

0

3

0

0

0

3

0

0

0

3

0

0

0

3

G5

 





mp

   

 





   

let ring throughout

3 3 0

3 3 0

3

   Gtr. 1

   3 3 1

      5 5 3

    3 3 1

        3 3 1

3 3 0

3 3 0

3

3

        0

0

3 3 0

3

       

P.M.

3

3 3 0

P.M.

0

3

0

0

0

3

0

0

0

3

0

0

0

© 2007 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC, SONY/ATV MUSIC PUBLISHING LLC, JOSEYBIXTUNES and PEER INTERNATIONAL CORPORATION All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for SONY/ATV MUSIC PUBLISHING LLC and JOSEYBIXTUNES Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203 All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Rhy. Fig. 1







 



3 3 0

    3 3 0

3

 



3 3 0

   



3 3 0

3

3 3 0

3



3 3 0

3

3

F5

0

0

0

3

1



0





3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

1

1

1

1

1

1

1

1

1

1

1

1

0

0

Verse G5



3

3

0

0

0

3 3 1

1

   

 

hey,

Mis

hey,

 





   

3 3 0

3 3 1

P.M.

1

3 3 0

3 3 0

3

3

0

0

0

3

0

0

0

3

               

1

0

                

3 3 1

3 3 0

P.M.

1. Well,

    

3 3 0



   

               







3

3

0

3

 

3 3 0

3

   -

    

ter

Po - lice

 



3 3 0



3 3 0

3

  





0

3 3 0





0

0



3





0

   

3 3 0

                 3

 

End Rhy. Fig. 1

-

    3 3 0

3

man,

3 3 0

3

                      mp  P.M. P.M. P.M. P.M.

1

3 3

3

5 5

3

5 5

3

3 3

5 5

3

5 5

3 3

3

3 3

5 5

Gtr. 2: w/ Rhy. Fig. 1













I



Gtr. 1



                     

P.M.

3

P.M.

3 3

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 5

3

P.M.

5 5

3

P.M.

3 3

5 5

3

P.M.

5 5

3 3

3

3 3

  

   

5 5

bet



P.M.

3

I

can





drive

fast

   -



er than you

can.

                     P.M.

3 3

5 5

3

P.M.

5 5

3

P.M.

3 3

5 5

3

P.M.

5 5

3 3

3

3 3

5 5











 





3 3 0



  

P.M.

3

3 3

5 5

    

3 3 0

    3 3 0

3

Rhy. Fig. 2



3 3 0

0

               P.M. P.M. P.M.

3

5 5

3 3

3

    shoot me with your

 

    

0 1 0

0 1 0

3

3 3

5 5

0

0

P.M.

ra



 -

dar

 

2

2

5 5

3

3 3



hoss,

let’s

have

some

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    

3 3 2

3 3 2

0



3 3 2

0

3

   

5 5

       

 P.M.

P.M.

5 5

5



7 7

5

gun.



    3 3 0

  



You look

bored

 



3 3 0



3 3 2

0



 



P.M.

5 5





 fun.

 

    

3 3 2

3 3 2

0

3 3 2

           

P.M.

7 7

5 5

5

P.M.

5 5

7 7

5

P.M.

7 7

0

  and

sure

3 3 2



3 3 2

0

5 5

7 7

am,

 



5

  



I

    3 3 2



5 5

0

    3 3 2

3 3 2

3

P.M.

3 3



3 3 0 3

        



Dsus4

  

0 1 0

3



3

G5

Go on,

3



3 3 0

C

  

 



3

Gtr. 1



    3 3 0

3



  



Come on,

Gtr. 2





Dsus4

5 5

3

3

3

5



        P.M.

5 5

7 7

5

           

P.M.

7 7

5 5

5

P.M.

5 5

7 7

5

P.M.

7 7

5 5

5

5 5

7 7

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Catch





me

  

if





0 1 0





   

     P.M.

3



0 1 0

3

5 5

 

3 3 1

4 4 2

  

 

3 3 1

4 4 2

3 3

     

 

hey,

Mis

2. Hey,

  

3

5 5



 

End Rhy. Fig. 2

3

3 3

G5

can.

    0 1 0

P.M.





you

 





 

F#5



  

F5





3 3 0

3 3 0

3







P.M.

5

3

   

-

Po - lice

ter

 



3 3 0 3

  

 

5

5

3

5



3 3 0

3

 

-

man,

    3 3 0

3 3 0

3

3

3

   

       





mf

0

5

5

5



3

5

5

Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)







    

Gtr. 1

6 7

5 3

    

7

5

0

     

   I



   

  





Verse

C

got

a

Sev - en - ty - five

        

3

3

5

0

3

0

5

3

3

5



   



P.M.

0

   

P.M.

3 3

3

5 5

5 5

3 3

3

Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)

Fire

-





bird

Trans



 





   





  

-

Am

           

with a

       

P.M.

       



Dsus4

  



Four - Fif - ty - Five



up

     

1

3 3 3

5 5

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 5

3 3

5 3

6

3

5

3

0

5

3

0

5

3

0

2

1

2

0

5

5 5

7 7

7 7

5 5

X

            un - der

the

    

 

hood.

Me

          7 7

7 7

5

      

5 5

Dsus4

   

 

Wake up

be - hind

them old

Rhy. Fig. 3

   Gtr. 2

 

   Gtr. 1

0

P.M.

5 5

5

C

7 7

5

5 5

Go



 

    

0 1 0

0 1 0

3





Riff A



3 3 2

0

3

5

7 7



5 5



0 1 0

 

3

3

6 5

5 5

    

me

if

0 1 0

0 1 0





7 7

0 1 0

3

5

3

5



5

3

5

Bb5

3

B5

can.

    

0 1 0

0 1 0

  

  

3 3 1

4 4 2

 



3 3 1

4 4 2

0 1 0

3

 



   

P.M.

5 5 5

5 5

3

3

  



 



on

 

    

0 1 0

0 1 0 3



5 3

4

    

 

3

3

    

3 3

you

P.M.



good.

    

turn

 

nin’

 

         

0

3 3 2

 



-



End Rhy. Fig. 3

   

5

let ring

5

Catch

P.M.

7 7

5

3

     





run

3

P.M.

5 5

it

3 3

C

 

3 3 2

on,

Rhy. Fig. 4





5 5

         





3

Bans.

 

0

5 5

    

Ray

P.M.

7 7

3 3



   

3 3 2

       

P.M.

Chorus

3 3 2

got

G5

P.M.





broth - er

  

       

3



   



3 3 2

0



X X

      

my

P.M.

7 7

5

and



P.M.

5 5

 

C



0 1 0

your

 

    

0 1 0

0 1 0

3

    3

  6

blue

0 1 0

3

     5

3



5

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  



G5



   



lights,





so

 



   



3 3 0

3 3 0

3







 



3 3 0

   



3 3 0

3

3 3 0

3

       

pret





-



ty.

You

 



3 3 0

   



3 3 0

3

3 3 0

3

       





End Rhy. Fig. 4

 



3 3 0

   



3 3 0

3

3 3 0

3

       

3 3 0

3 End Riff A

       



let ring

4

0

5

3

0

5

Gtr. 2: w/ Rhy. Fig. 4

C

know

   Gtr. 1

0

5

3



0

5

0



you

0

5

3

0

5

0

    

4

5

  

want

 

   



4

   





4

   



  

0

to.



 

   



0

3

0

0

5

    

 

I

flew

just

    



let ring

5

6

3

5

3

3

  

 

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

G5

5

5

6

3

5

3

5

3











by.

I

         

       

       

     

let ring

4

5

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

3

0

5

0

4

5

0

3

0

5

0

4

5

0

3

0

5

0

4

5

0

3

   P.M. 

0 0

0

Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)

  

Dsus4







 



5

3







can

see

you

Well, how’s



   

7 7

7 7

7 7

X X

X X

  

Come on,

  

out.

  

    

Rhy. Fig. 5

peel - in’

 



7 7



5

3

  

time

   



7 7



Smok - ey, it’s

  





Dsus4

Gtr. 2

  



C

to





my

dust



 

5 5

5 5

 taste

in



  3

0







Let’s

have

us

a

 



 





  

0 0 X 2

3

3

    

4

    

Bb5

F5

high

speed

End Rhy. Fig. 5

   





your mouth?

3



   

 



C



race.

 

   

G5

  



 

(cont. in slashes)

3 3 2

0

3 3 2

0

3 3 2

0

            5 5

7 7

7 7

5 5

5





0

3 3 2

0 1 0

7 7

7 7

5

        

0 1 0

3 3 1

3

        

7 7

3 3

3

5





0 1 0

3



G5 Gtr. 2

3 3 2

       

Gtr. 1

5

3 3 2

5 5

F5





5 5

3

 

3 3

F#5

 

3 3 1



  

3 3 1





3 3 1

Bb5





   B5



chase.

                   Gtr. 1

P.M.

3

0

0

0

3

0

0

0

3

0

0

0

3

0

0

0



  

    

3 3 1

4 4 2



    3 3 1

        4 4 2

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Gtr. 2: w/ Rhy. Fig. 4 (2 times)





C







f



 



















  



1/2

2

     

0



0

3

 



5

2

5

5

7

5

5

8

7

5

7

7

7

5

 

3

5

5





 

















 







2

0

1/2

3

3

5 7

G5

   1/2

6



1/2

0

5



0

3

5

0

5

3

0

0

0

5

5

3

0

1

2

2



     

 



      

C

    

 





let ring

0

0 4

0

6

0 0

8

5

7

4

7

5

5

10

5





8

8

9

      

11

8

10

9

8

10

9

8

10

8

    3                                  3 G5

 



1/2

5 5

6 5

5

5 5

5

6

7

5

3

5

5 5 5

3 3

8 5

3

5

0

0

0

6

5

3

0

0

5

3

0

7

0 5

3

0

Pedal Steel Solo Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)

        

4

0

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

2

3

0

1

Dsus4

    

2

0

2

0

 

 



3

5

     

          

5 5

5 5

mf

0 2

3

7 7

7 7

5 5

5

7 7

5

7 7

5

5 5

Gtr. 2: w/ Rhy. Fig. 5





C

    3 3

3







5 5

G5

5 5

3

C

Dsus4

 

 

0 0 X 3

0 0 X 3

     0 0

Bb5

3

4

F5



        

5 5

3

5 5

3

3





3

3

3 3 1



3 1

3

3

0

P.M.

0

0

3





5



3

3

 

3. Well,

hey,

hey,

Mis



4

3

3 3

5 5

0



       

5

2

3

5

5

3



5 5

3

 

    

                P.M.  P.M. P.M. P.M.

5

0

0



chop - per in



0

   

3

1



Gtr. 1

        0

0

3

0

0

0

G5



1

7 7

5

Gtr. 2: w/ Rhy. Fig. 1 (2 times)

3

3

7 7

5

Verse



3

1

7 7



P.M.

3

7 7



                     3

5 5

5

5

3

3

5



P.M.

3

the air

and

    P.M.

3

5

a

-

Po - lice

ter

3

5

5

    cou - ple of

P.M.

3

5 5

-

3

5

3



man,

5 5

3

5



SWAT

P.M.

3 3

   

     

        

5 3

     

 

3

 

  





5 5

7 7





5 5

5

P.M.



F5

      

       

 

3 3 1

type2





      

G5 Gtr. 2

  



vans.

      P.M.

3 3

3

3 3

5 5

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 2

 

 

 

P.M.

3





P.M.

3

5

3

-

X

you

  

P.M.

P.M.

5 5



5 5

3





P.M.

3

5

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

P.M.

6 5

5

0 0 X 3

2

2

F#5

 

4

  



3 3 1

4 4 2

5 5

P.M.

3 3

7 7

5

0

  

  

0 0

1

5 5

2

I

5 5

 

hey,

Mis

5 5

   can

    



plan.

           P.M.

5 5

5

7 7

5

P.M.

7 7

  

     

-

Po - lice

ter

5 5

5

3

7 7

    -

man,

P.M.

3 3

  fast



5 5

5 5

X

     -



er than you

3

 

0



can



    

5 3

7 7

            

run

  

5 5

5

back - up

3



bet

7 7

7 7

5

P.M.

     

3

7 7

P.M.

  

my

P.M.

3 3

5 5

5



use

        

3

5 5

P.M.



P.M.

5

7 7

5

road.

P.M.

       

G5



5 5

to

Verse



7 7

 

        

P.M.

  

5

         5

P.M.

5 5

    

3

block - in’ the

      

4. Hey,

P.M.

5 X

now,

Time



        

fair,

Dsus4

I

 

no

5



can.

  

that’s

       



if

3 3

3

P.M.

  

  

    

2

    

F5



P.M.

go?

 

3 0 X 3

3

to





me

5 5

3

 

2

  

posed







 sup





3

0

G5

I

5 5

3

3

3

0







P.M.

Catch

3

         



   

5

  

Where am

C



           P.M.



   

C





Ah,

    



Dsus4

3

0



3 X

Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)

















3

6

3

  

0

0

5 5

  

-

4

boy

0

5

boots.







7 7

3

0

 

A

hun - dred

5



C

3

7 7

4

bucks



0

3



2

3

bel - ly

and your



  

 

5 5

4

P.M.

7 7

5

 

says

you

won’t



 

 

0 0 X 3

0 0 X 3

3

  

know











these

woods

  like

the

   

5

back

of

my

7 7

7 7

5 5

7 7

7 7

5 5

5

if

7 7

3 3

5 5

3



 

0 0

3

3

Bb5

4

B5

can.

P.M.

5 5

I

   

P.M.

3

 

P.M.

you

P.M.

5





        

P.M.

5

me

7 7

5

shoot.

    

Catch

    

P.M.

5 5



hand.

  

 

P.M.

  

  

 C





Dsus4

P.M.

   

Gtr. 2: w/ Rhy. Fig. 3



   

P.M.

 

5 5

3



 

P.M.

3

pot

G5





P.M.

5

0

 



P.M.

5

5

big

3

3

  



P.M.

7 7

0

     



cow

5

your

3             3





with 3             



Dsus4

3 3

0

 



3 3 1

4 4 2

Chorus Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 4 (2 times)

C



  

    

Go

  

G5

spot







on,

  -

  

light,

  

  

  



  



turn





  so



 







on



shin

-



y.



 your



  I

  got

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





  



run



-

Gtr. 1



   



C

 



nin’





5

3

shoes



 



and

I’m



G5

all

  







  

young

   



 



- er

than



you



2

3









5

3

  

 

2



 

and





 



I’ve

got







2

3

4

     



night.

There’s no

     

       

       

       

let ring

3

0

5

0

5

0

Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)



Dsus4

way







you’re keep





P.M.

5



-



P.M.

7 7

5



in’

up

with



  

quit,

5

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

I

un

P.M.

5 5

7 7

5

5

 

       

P.M.

me,

5 5

5



7 7

5

     -

   

 

go





7 7

 



    5 5

5

3

0

 

back

to

4

     

3

5

3

4

Kreme.



if

If

   

0 0

0 0

Bb5

3

3

P.M.

5 5

F5



can.

3

  3 3 1



0

   

 

    

you

P.M.

5 5

5

3

          3 3

0

P.M.

     

3

3

0

 

Krisp - y

C

me

5

P.M.

5 5

3

0

G5

   

P.M.

7 7

5

   

P.M.

Catch

P.M.

7 7

 5 5

3

der - stand.

5

on

P.M.

P.M.

7 7

0

5

C

P.M.

     5 5

4

just

 

P.M.

7 7

0



    

wan - na

7 7

5



P.M.

5

Gtr. 2: w/ Rhy. Fig. 5

Dsus4



0



     



P.M.

7 7

    

 

3

0

5



  

4

   3 3 1

you







G5



 

      

  



Hey,

hey,

Mis

-

          P.M.

3

0



0

3

0

     

 



hey,

hey,

Mis

Po - lice

-

0



3





         

Bb5

F5



I



0

  

   

3 3 1

5 5 3

0

0



said,

    

    3 3 1

3 3 1

F5

      

  

-

3



 

P.M.

0



G5III

man.

P.M.

3



ter

Po - lice

               

   

 



-









 

    



       

0

0

G5

   

ter

P.M.

0

    

    



  



 

Gtr. 2

F5

man.

                                   * slight P.M. P.M. P.M. P.M. 3

0

0

3

0

0

0

3

0

0

0

3

0

0

0

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

*Gradually lift P.M.

Guitar Solo Gtr. 2: w/ Rhy. Fig. 1 (2 times)



        f

1

3

3

3

X

3

1

3

         

       

3

3

3

3

1

3

1

3

         P.M.

       

0

       





Gtr. 1

G5

1

0

1

3

0

0

3

3

       

4

0

5

3

   

4



5

3

 

1/4

0

5

3

0

5

3 3

0

3

5

6

3

5

6

3

6

3

0

5

0

3 3

5

0

5

3

5

0

3

0

9

2

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)

Dsus4



C

        

G5

                     

1/2

7

10

9



Dsus4

Gtr. 2





0

7

7

9

10

 

    

3 3 2

3 3 2

0

9

7



3 3 2

0

        

6

8

8

5

7

8

7

 

    

3 3 2

3 3 2

0

5

6

4

3

2

4

0

0

3

2

C

 



3 3 2



0 1 0

    0 1 0

3

1

0

2

3

G5

E5

F5

F#5









0

1

2

0 1 0

3

3

Gtr. 1

       

                





1/4

5

0

3

0

4

5

0

2

0

5

2

0

0

3

0

0

5

0

5

3

0

5

5

3

2

1

1

2

0

2

2

0

Banjo Solo Gtr. 2: w/ Rhy. Fig. 1 (2 times)

G5

   Gtr. 1



 

           mp  string noise P.M.

let ring 1/2

3 0

0

X X

2





3

3 3

P.M.

5 5

3

                    P.M.

3

P.M.

3 3

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

                   

5 5

3

P.M.

5 5

3

P.M.

3 3

5 5

3

P.M.

5 5

3 3

3

P.M.

3 3

5 5

3

5 5

P.M.

3 3

3

5 5

P.M.

5 5

3

3

3 3

                  P.M.

5 5

P.M.

3

P.M.

3 3

5 5

3

P.M.

5 5

3

P.M.

3 3

5 5

3

P.M.

5 5

3

3 3

5 5

Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)

Dsus4

          P.M.

P.M.

5 5

5

7 7

         

P.M.

7 7

5

5 5

P.M.

5 5

5

7 7

P.M.

7 7

5

5 5

5

  

0

   Gtr. 1

       

   

7 7

5 5

3

5 5

 

    

3 3 2

3 3 2

0



3 3 2

0

 

    

P.M.

5 5

3

5 5

3 3 2

3 3 2

0

  



3 3 2



0 1 0

  0 1 0

3

     

0 1 0

3

           

P.M.

0 0

2 3

0 0

0 0

3

G5

 

 



P.M.

C

    

G#5

 

  



5 5 3

3

6 6 4

4

 

 

5 5 3

6 6 4





P.M.

5 5

5

G

P.M.

Dsus4 Gtr. 2

C

7 7

7 7

7 7

5 5

7 7

7 7

5 5

7 7

7 7 5

3 3

3

5 5

5 5

3 3

Fiddle Solo

A

 

Rhy. Fig. 6







0 2 2

0 2 2

0

 

 





0 2 2



0 2 2

0

  0 2 2

0



0 2 2

0

P.M.

0

0 0

2 2

0

P.M.

2 2

0

P.M.

0 0

2 2

0

0

2 2





0 2 2



0 2 2

0

  0 2 2

0

0 2 2

0

                  P.M.

0 0

  0 2 2

0

P.M.

2 2



0 2 2

                  P.M.



End Rhy. Fig. 6

0

P.M.

0 0

2 2

0

P.M.

2 2

0

P.M.

0 0

2 2

0

P.M.

2 2

0

0 0

2 2

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 6

  Gtr. 1

                  P.M.

P.M.

P.M.

P.M.

        

P.M.

P.M.

P.M.

      

 

P.M. 1/2

0

0 0

2 2

0

2 2

0

0 0

2 2

0

2 2

0

0 0

2 2

E

  Gtr. 2



 



    0 0 1

0

0

 

0 0 1



0 0 1

0

    0 0 1

0

       

0 0

0 0

P.M.

P.M.

2 2

0

2 2

X

0

0

P.M.

2 2

0

 



    0 0 1

2 2

0

16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



0 0 1

0

2



0 0 1

0

2 2

0

P.M.

2 2

0

P.M.

0 0

   

2 2

0

3

2 3 2

2 3 2

0





2 3 2

2

2



 

0 2 2

7 7

7 7

5 5

 

    

2 3 2

2 3 2

0

5

0 2 2

0

0

     



 

   

3 2 0

3 2 0

P.M.

2 2

0

0 0

2 2

2 3 2

 

3 2 0 0

2 2 0

2 2 0

A5

0

                 0 0

 

5 5

5

    0 0 1

0

P.M.

2

0 0 1

0

0 2 2

 

 

2

4

P.M.

 



2 2 0

0

           

D

0

  

0 0

0

E



2 2

0

A



0 0 1

      

0 0 1

Sorgdal

 



Gtr. 1



2 2

D

0 0 1

 

0 0

0

0

A#5

 

   



2 2 0

0

3 3 1

1

 



2 2 0

3 3 1

0

 

 

Piano Solo

B5

   

   

Rhy. Fig. 7

End Rhy. Fig. 7



 

    



 

    



 

    



 

    

2

4 4 2

2

4 4 2

2

4 4 2

2

4 4 2

2

4 4 2

2

4 4 2

2

4 4 2

2



4 4 2

                   

P.M.

2

4 4 2

P.M.

2 2

4 4

2

P.M.

4 4

P.M.

2 2

2

4 4

4 4

2

P.M.

2 2

2

4 4

4 4 2

4 4 2

                   



P.M.

4 4 2

P.M.

2 2

2

4 4

P.M.

4 4

2

2

P.M.

2 2

4 4

P.M.

4 4

2

2

2 2

4 4

Gtr. 2: w/ Rhy. Fig. 7

    Gtr. 1



                  

P.M.

2

P.M.

2 2

4 4

2

P.M.

4 4

P.M.

2 2

2

4 4

P.M.

4 4

2

P.M.

2 2

2

4 4

   



 





    2 2 3

2

   

 



2 2 3



2 2 3

2

    2 2 3

2



2 2 3

4 4

4 4

2

2

2

2 2

4 4

2

P.M.

4 4

2

P.M.

2 2

4 4

2

4 4

 



2

4 4

        

0

2

1

4



 

    

2

4 4 2

2





    

0 0 1

0

P.M.

2 2

    0 0 1

0

P.M.

4 4 2

B5

0 0 1

                 P.M.

2

2 2

P.M.

E

2 2 3

Gtr. 1

P.M.

2

F# Gtr. 2

                



P.M.

0 0

2 2

0

2 2

0 0

4 4 2

4 4 2

P.M.

4 2

4 2

2

4 4

2

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

F#

 





2 2 3

2 2 3

2

   

   

 



2 2 3

   



2 2 3

2

2 2 3

2



P.M.

2

2 2

2

4 4

2

P.M.

4 4

P.M.

2 2

2

4 4

 



0 0 1

P.M.

2

               

0 0 1

      

0

B5

4 4 2

0

P.M.

4 4

    0 0 1

0

4 4

2



2 2 3

                

P.M.

E



4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

 



 



4 4 2

 

     

   

4 4 2

4 4 2

4 4 2

P.M.

0 0

2 2

2 2

0

4 4 2

4 4 2

4 4 2

Pedal Steel Solo

C Rhy. Fig. 8

 

 

    

0 1 0

0 1 0

3





0 1 0

3

 

P.M.

3





5 5

3

    

0 1 0

0 1 0

3

 

P.M.

3 3

 

5 5

0 1 0

3

3

P.M.

3 3

5 5

3

P.M.

5 5

    

0 1 0

0 1 0

3

            P.M.



 

3



3

0 1 0

3

 

P.M.

5 5





5 5

3

 

    

0 1 0

0 1 0

3

 

P.M.

3 3

End Rhy. Fig. 8

3

            P.M.

5 5

0 1 0

3

P.M.

3 3

5 5

3

P.M.

5 5

3

5 5

Gtr. 2: w/ Rhy. Fig. 8

P.M.

P.M.

P.M.

P.M.

P.M.



                

                 Gtr. 1

P.M.

P.M.

P.M. 1/4

3

3 3

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 5

3

5 5

3

3 3

5 5

3

5 5

3

5 5

3

3 3

5 5

3

5 5

3

5 5

3

2

5

G5

F7

 

Gtr. 2







3 3 0

3 3 0

3





3 3 0

3 3 0

3

P.M.

3 3

3

G5

5 5

 



3

5 5

3 3

3

   



3 3 0

3

P.M.

3 3 0



3 3 0



P.M.



F7

    3 3 0

3

3

3

1

2 3 3

0 1 0

0 1 0

3

1 1

1 1

    1 4 2

1 4 2

1

P.M.

5

5

C#5

 

   



5 5 3

3

6 6 4

4

 



5 5 3

6 6 4





P.M.

1 1

1

3

2

C5

        

5 5

3

2 3 3



1

P.M.

5 5

3 3

1 4 2

3 3

5 5

0 1 0 3





3 3

5 5

1 1

1

         

5 5

    

P.M.

3

P.M.

1 4 2

1

P.M.

      

P.M.



 

                     

5 5

3 3 0

3

P.M.

3

3

3 3 0

3

3 3

    1 4 2

1

5 5

 



1 4 2

P.M.

3

 



3

P.M.

3 3 0



3 3 0

   

                

P.M.



 



3

Gtr. 1



   

C

3 3

3 3

2 3 3

1

Guitar Solo Gtr. 1 tacet

D

 

Gtr. 3 (elec.)

       



f



  



  



  



  



 

       

w/ clean tone

0

5

Rhy. Fig. 9

  Gtr. 2

0

3

0

6

4

0

 

    

2 3 2

2 3 2

0

2 3 2

7

5

 0

0

8

6

0

9

7

 

    

2 3 2

2 3 2

0

2 3 2

0

10

 0

8

0

11

9

0

12

 

    

2 3 2

2 3 2

0

2 3 2

10

10

 0

12

10

10

12

10

12

10

End Rhy. Fig. 9

 

    

2 3 2

2 3 2

0

2 3 2

19 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 9

       

           Gtr. 3

12

A 8v a

   Gtr. 3

10

12

12

14

14

14

16

       

16

14

17

16

14

17

16

14

17

15

16

15

17

16

19

17

G7

       

loco

       

8v a

       

19

17

19

17

17

15

19 17

19 17

D

      

       



1

19 17

17 17

15 15

15

X X

14

12 14

15

14

12

14

13

12

10

10

12

11

10

11

9

7

12

  Gtr. 2







0 2 2

  0 2 2

0





0 2 2



0 2 2

0

  0 2 2

0



0 2 2

         



1 0 0

0

A

 

    1 0 0

3



1 0 0

0

9

9

7

 

    

2 3 2

2 3 2

0

9

2 3 2

3

G7

3            3             3

3

3

3

3

1

7 9

 





10

7



0 2 2 0

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Sorgdal

9

  0 2 2

0

7

9

7



0 2 2

0

9

7



0

8

6



0 2 2 0

0

6

 0 2 2

0

4



0

4

7



0 2 2

5

4

7

 

5

4

7



1 0 0 3

5

9

7

    (cont. in slashes)

1 0 0 3

4

1 0 0

Outro Slower q = 178

A Gtr. 2

 

 







  

 

I’m

     





3 

__





Gtr. 3

  =    





in

the

 



D

 





 

jail - house

 

in

the







P.M.

0 0

0 2

0 0

jail - house

 



0 0 0

0 0

A7

               

told

me

 



0 0 0

0 0

     or

2

4 0

2 0

2 0

X X





4

2

P.M.

  

 

 

 

 

0 0 0

0 0 0

0 0

0 0 0

0 0 0

3

         



3

 0 0

            They

 

 



5 5

5 5

5 9

 

5 5



5 5





5 5

5 9

       





   



 

5 5

   



“Son,

P.M.

2





 

G7

twice,

                P.M. P.M. P.M. 2 0



now.

  

once



now.

2 2 0

I’m







                  



0

4

X X

 

   

X X



5 5

X X





5

4

2

X X

        

    

-

spect



 

5

5 5

2 0



     

my

P.M.

2

4 0

4

au

P.M.

2 0

0 0

  

     

P.M.

3



P.M.

5

re

P.M.

2 0

  

X X

-

   4 0

2

21 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       

      

thor

 

         

-

   

I’m

            P.M.



in

   

the





poco rit.

 

    

i - ty.”

P.M.



poco rit.



jail - house





now.

 

3            3

3

poco rit.

1

2

4 0

2 0

4

X X

3

Free time

Eb9[no3rd] D9[no3rd]





  3     

  



 

1/2

4

2

0 X

0

0 0 0

2

 



    Gtr. 3

X

11

 





 

0

0

3

2

0

4

       





7 7

X X

Gtr. 2

 



10 10 9 10



    



8



7

10 10

12

   

10 10

 



D









0 *Played as even eighth-notes.

22 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9 9 8 9

10 10 9 10 9













  

 

0 0 0

0

*

Gtr. 3

Sorgdal

10 10 9 10

0

 1/4

5 5 5

7 7

0 0





Harm.

10 10 9 10

2

D7



X

0 3

Gtr. 2 tacet

     

 

0 5

5



4 0

0 2

2 2 0



 

12 12

from Brad Paisley - Mud on the Tires

Mud on the Tires Words and Music by Brad Paisley and Chris Dubois [G]

32

[F]

3

T3 4 2 1

[G/B]

2

Gtrs. 1 & 3: Capo II

Intro Moderately q = 92 D * [C]

[F type2 ]

[C/E]

3211

[Am]

4

2 1

[D5]

3 2 1

2

Bm7 [Am7]

Gtr. 1 (acous.)

   

mf

32 1

[G/B type2]

23

A/C# [G/B]

         

[C]

3

[C/G]

231

[G5/D]





D/A [C/G]

  

         





w/ thumb pick & fingers let ring throughout



0 3

0

2

1 0

2

0 0

0 0 2

2

3

0

1

0 2

1

0

0 0

2

0

2

2

3

2

0

2

3

*Symbols in parentheses represent chord names respective to capoed guitars. Symbols above represent actual sounding chords. Capoed fret is “0” in tab. Chord symbols reflect overall harmony.

Gadd9 [Fadd9]

 





1



 

3

Bm [Am]

 



      



0

3

3

1

  

  

The bank





0

3



2

3

D/A [C/G]

  



came



0



      

3

0

0

1 0

    





1 0

2 3

1 0



1. I’ve

got

0

0

       some big

1 0

3

news.



0

2

 







0

0

2

2

G [F]



    

 

and I’m



   

0

2

A/C# [G/B]

     

3

3



Verse D [C]

D/A A [C/G] [G]

through,

1 0



1

fi - n’ly

  2

0

A [G]



hold - in’ the

  

keys



   to

my



    

3

3

1

1

   

1 0

3

3

3

2

brand

  0

1

3

© 2003 EMI APRIL MUSIC INC. and SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

D [C]

A [G]

      new



0

3

 







Have you been

3 3 0

0

2

0

3

 

  

  

How

’bout

a





  

lit - tle

test

   

   

1 1 3

2

1 2

3

0

1 0

3

0

3

3 0 0

2

D [C]





drive

2



2

0 0

3 0 0

1 2

a

nice



1 2





0

1

0

2

1 0



 

lake?

 



1 0

2

 

3

    the



night.

2

0

   

3

  

A [G]

by

 

1 2

0

     

3 1 0

1 0

3

         It sure is

down

      1 0





           

1 0

 

D/A [C/G]

out - side?





1 0

0 2 3



2

Bm [Am]

         

Chev -ro - let.

1 0

G [F]

A/C# [G/B]

            





D [C]

 

 



3 0

3 0 0

3

3

Pre-Chorus

G [F]

 

There’s a

Gtr. 1



place

   3 3 1

   

   I

  





know a - bout

where the dirt

   

0

2

1

1

 0 0



Gtr. 2 (elec.)

mf

  

w/ slight dist. & Leslie

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 2 0



0 0 X 3

 

  



 0 0

road

  

 

runs

out,

     0



  



 

A [G]





   

3 0

0

0

2

0

0

D [C]

  

A/C# [G/B]

    we





can



try

 

out



the four - wheel





1 0



3

2





Come on











0

2



   0

what do

 

ya

  0

0

0

2





4



  

  

1 0

2



0

       



Girl,

I



can hard

0 0





-

ly

    

  

wait



0

0

3



0

   0

0

2

3

  





a

  

    

lit - tle mud

 

1

D [C]



1

on

 3 0

3 3

 





1

2 2 0

the



tires.

’Cause

    0



0

    

    





1



it’s

a

good

           

(cont. in slashes)

1 0 3

  

1

0 3

3

0

2

0

1 0

2

0 3

  





get

A [G]

3 2 0



      

to



0

2 2 0

G



2



4

say?

3

 [F]  

0 0 X 3

   

1

2

 

A [G]



3 2 0

    

2

2

0

2

    







0

1 2 0

 

   

let ring

0

3





3

1





3 0

     

now,



drive.

2 X 4

      





 

3 2 0

  

   

3 0

    

D [C]



1 0

3

  

Bm [Am]

3

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Sorgdal

Chorus Double-time feel Gtr. 2 tacet

[G]

[F]

Rhy. Fig. 1

             

      

Gtr. 1

w/ thumb pick



    



  



            

night

to

be

out



  

           

there

soak

-

in’

up

Gtr. 3 (elec.)







   

mf





   

   

    

    the moon -

   

 

w/ slight dist.

0 0

0

2

3

 



     

 

 

light.



       0

0

0

2

            

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

2

3

2

3

type2 [F ]

3



[G5/D]



  

  

Stake

out

  



  

0

2

a





3

  

    



       0

2

0

2 3

3



 



 

   



  

0

2

[C]

0

 

 

   

piece

of shore -

 

3

5

5

[G/B]





      

I’ve

got

the per

   

1 0 3

  

 



  

0

lit - tle

0

0

2

[C]

2

       

1 2

3

1

2

3

      

    0

[C/E]

line,

0 0 3

2

3

[G]



0

    

0 0

0

3



2

    

-

-

0

3

[G]

    

0 0

0

3

1 0 3

-



2



fect



   

place

 0 0

3

  in



2

  0 0

2

[Am]

 

    

  

   

[C]

    

       





0

It’s



    

2 2

0

2

2

    

2 2

2 2

the mid - dle



2

of

no



 

  

0

     

on - ly

one way

    P.M. 

  to

   

get

0 0

2

3

0



there:

    

   

0 0

0

3

0

2



 

 



where,

1 0

2

1 0

2

3

  



get

mud

               got - ta

 



0

3

  

0

[G]

ya

 

-

3



  

  

1 0

2

3

    



            P.M. 

1 0 0



[F]



3

in



[G]



  

         



mind.





3 3

1

a

lit - tle



End Rhy. Fig. 1

  

     on

the

        

  

0 0

0 0

3 3

0

3

3

tires.

 

3

0

3

Fiddle Solo Gtr. 3 tacet

[C]



       Gtr. 4 (elec.)



  

[G/B]





  

[Am]





  





mf

   



[C/G]





  





  

2 0

2







2 2

X X

  

     

   

w/ clean tone

0

3 2

2

4

3 0 4

4

2 2

0

2

2

4 4

0

X X

4

4 0

4

2 4

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Sorgdal

[F]



 



  

 



0

Verse D [C]

 



  

3 0

3 0

3 0

3

0 4

5

5

7



  

A/C# [G/B]

    



on

Bm [Am]





 







1

w/ slight dist.

0

 

    

1 0 2 3

1

2

0



2

X



G [F]

 

    Sun

 

  let ring

1 0 2

  

 -

set’s

a - bout

  

D/A [C/G]





   

trot

-



      

D [C]



nine

     this

 

 

let ring

1

2



1





 1

3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

3

    

2

  

0

3

0

2

3

0

3

A [G]

  

 time

of

 



year.

  



   

1/2

1

7

5

5

0



1 2

0

 

2

7

2

2

2

1

0

2

0



0

0

  



4 2



line.



1

 



a

5

3

   on

5 4

2

0

  

3

2

0

0



1

2



3

2

2 2

2

0



(cont. in notation)

4

w/ thumb pick & fingers

0







let ring

cat - fish

     

  

       

      

a duck blind,

Gtr. 4



0 7

5





3

2. Moon - light

Gtr. 1



           P.M.



3



End double-time feel

[G]

 1 0

3

   0

2



0 3



  

0 0

0

0 0

Gtr. 4 tacet

D [C]

A/C# [G/B]

Bm [Am]

               

  

     We

can throw

a

blank - et





down,

D/A [C/G]

       crick - ets

sing - in’

in

     3



the back - ground.



 3

 





 

1 0

1 0



1 0

  



0

0 0

0

3

0

2

G [F]

 



  

And more Gtr. 1



 3

  

    

stars

than you can



    

1 2

2

3

 0

2 2

1 1

1 2

3

2



1 0

    3



1 2

  

      1 0

3

a

night

this

    0

1 0 3



  



  

0 0

0

clear.



1 0

2





A [G]

on

3

1

2

D [C]







3

count



   



0

3

Pre-Chorus

G [F]

          I’ll tell you what Gtr. 1



       

we

need

to

   

A [G]

do

is grab a

   

  

2 3 3 1

0 0 X 3

     

0 0 X 3



sleep - ing

     

bag

or

  



0

3

two





0

2

0

 0

  





Gtr. 2

   

       

2 2 0

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Sorgdal

D [C]

   

   and

build







us

a

A/C# [G/B]

 



lit - tle

   

Bm [Am]

  

camp

-



fire.

 

 

  

1 0 2 3

0 0 2

2 2 0

   

 





















let ring

3 2 0

2 2 4

D [C]

  



And

Gtr. 1





   then

        

with

a

1

0

3

    



A [G]





  

1 0

  

  



Sorgdal

might

0

2





2

2

4

4

     

   just

get

 0

 

  

0

2 2 0

  

2

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





  



stuck.

 

3

3

w/ clean tone

8



0

2

3 2 0

Gtr. 4

   we

lit - tle luck

     0

Gtr. 2

2



1

2





4

0



2 0

    2

4

2

0

  

Let’s

get

a

lit - tle

3 3 1

0 0 X 3

     

  

 



 



3 3 0 0 X 3

  

2

      

mud

 

 



       

D [C]

on

the

  

 0

3

  

’Cause

a



it’s

      

1 0 2 3

2 2 2 0

         



tires.



  

A [G]

1

0

0

2

3

good

    1

0

2

2

3

   



G [F]

2 3 2 0





 

  

0

2

2

4

4

5

4

Chorus Double-time feel Gtr. 1: w/ Rhy. Fig. 1 (1st 9 meas.) Gtr. 2 tacet

A [G]

    

 

  

 

    

            

G [F]

night

 

to

Gtr. 4

 0

A [G]

     -

 

 0

 2 2



     2

4

2

2

 

4

out

2

4

5

3

4

    

G [F]



light.

 2 2

there

0

    



Stake

        2

4

2 2

2

2

2

2 2

    0 0

soak

-

        

   

2 2

0

 



be

           

2

2

  

4

5

 4

4

3 2

0

a

 2

the moon -

   

A5/E [G5/D]

out

4



       

D/F# [C/E]



up

3

0

  

in’

   

lit - tle

piece



 

2

0

D [C]



0

  of shore -

0



 

0

4

0

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Sorgdal

A [G]

         -

 

 

       

D [C]





2

0

 

4

2

       

   

   

     

I’ve got

the per - fect

place

in

mind.

    



3 2

0

4

2

D [C]

                    It’s

in

  

the mid - dle



of

Bm [Am]

     

line,



A/C# [G/B]

no

2

    

-

               

3 2

4

 

4

2 2

4

A [G]



2 2

4



where,

4 4

0

2

2

     

2

to





4 4

4 4

2

   

get

  

2

4

  

there:

1

3 2

0

2

4

3 2

G [F]

3 2

A [G]

                  ya

got - ta

     

get

a

Gtr. 4

0 4

Gtr. 1



3 0

0

0

on



the

 



2 4

2

2

2 2

0

D [C]





0

2

2

0





2

4

 

  

 

 

 

 

 

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

1 2 3 3 1

3 0 0 2 3

3 0 0 2 3

3 0 0 2 3

3 0 0 2 3

3 0 0 2 3

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4

              hold 1 bend

 

10

2

1

tires.

 

*T = Thumb on 6th string

2

2 4

    

mud



2 2

 

*T

Sorgdal





3 5

lit - tle

4

0

            





4 4

 

on - ly one way

   

    

       

4

0

2

4

2

1/2

3 2

2

0

2

2

 

 

 

 

 

 

 

 

 

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3



And

  

    

then

a

with

lit - tle

2

    

  

2

0



  

         

Let’s

     





Gtr. 4

3 0 0 X 3

     





Gtr. 2

get

might

just

get

a

lit - tle

mud

     on

the

  



stuck.

2 2 0

 

0 0 2 3

0

(cont. in slashes)



[F] Gtr. 1

we

   

   





4

2

0

0



  



  

0 1 0 2 3

    



luck

   







 

A [G]



2

    



tires.

            

   

w/ slight dist. slight P.M.

12

15 12

15 0

12

15 12

15 0

0

15 12

15 12

12

15 12

12

15 12



12 0

   

3 0 0 X 3

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro-Guitar Solo Gtr. 1: w/ Rhy. Fig. 1

 

A [G]



   P.M. 0

G [F]















    P.M.

X X

X X

X X

3

1

0

5

5

5

5



   

X 3

  

X X

2

3

X

3

2

3

3

3



G [F]

D/F# [C/E]

A5/E [G5/D]

D [C]

                3                        1 X X

5

X X

3

4

X

0

2

1

2

1 1

X

2 2

X X

X X

2 3

     2 2 0

3 4

0

0

3

0 2

2

5

4

3

5

5









5

4

2

0

3

2

0

4

0

                                     6  let ring 1  7 X 7 5 5

A [G]

D [C]

3

2

0

    2 2 0

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X

      P.M.

P.M.

    

A [G]

4

 

3

 

P.M.

3 3 0 0 X 3

2 2 0

 

 

6

3

4

0

4

2

0

A/C# [G/B]

4

5

7

5

7

5

7

9

7

9

6

7

9

9

7

9

7

8

10

7

 

  

3 2 0

2

5

7

7

2

0

3 2 X 2

2

        

 3 2 X 2

5

1

0 2

0

2

2

2

4

0

4

2 2 0

Gtr. 1



 

[F type2 ]



    

rit.





1/2

rit.

[C/E]

[D5]



2

0

3 0 0 X 3

0

4

4

0

 

 

0 0 X 3

2 2 0

[G/B type2 ]



4

7

2

0

4

0

0

0

2



[C]



           

 





 

1/2

3 4 5

4

 

 

 

2 3 2 4

0 0 0 2

4

8

7

A [G]

5

4

2

2

    

8

9



                 1/2 

    

[F]

 let ring 3

3 2 0

1

4

3

 



  

  

0 4

10 9

G [F]

    

5

10 9

 

X X X X

P.M.

 

9

3 4 4 2





let ring 1

5 4

  

  





X X

      

A [G]



 

4

2

0

4

4

   

rit.

3 3 0

2 2 2 4



3 2

D [C]





        



 

   



Bm [Am]

3 2 0

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - 5th Gear

Online

Words and Music by Brad Paisley, Chris Dubois and Kelley Lovelace C

G

D

Em

C5

G5

D5

E5 5fr

32 1

32

4

132

23

Intro Moderately fast q = 134 * Gsus4 G5

134

134

7fr

134

134

Gsus4

G5

Gtr. 1 (slight dist.)

  (Organ)  







 *Chord symbols reflect basic harmony (implied by organ, next 4 meas.).

  

Gsus4

F5



G5

 



f

 



G7







3





G

 





3



    let ring 0

3

C

    let ring

0 0

2

0





  

0



0

0 0

2

G

 

0



0

0



3

3 2

0

3

5

   0 0

3

0

3



 

0



 let ring



3 0

0

3

3

 

2

0

G7





    let ring

3 1

 

  

0

0

let ring

3

1



2



G

2

G7



let ring

F5

let ring

0



            let ring 

 

 



0

3

C

3

 



1

3

0

5



3

0

5

G7

let ring

3

1

 let ring

let ring

3

1





C

 

3

0

5



0



0

3

3

1

C





0 3



 









 





1

0 2

0 2

0

0 3

3

3

2

3

© 2007 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and DIDN’T HAVE TO BE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse G5







F5

  

 



1. I



  

work down

C5

 



at the

Piz

 -

za

  

G5

  

  



Pit

F5

     



and

I



drive

an

C5

  

old

  

Hyun

-

Gtr. 1



   







dai.

    



   

grad. release 1

1/2

1/2

3

3

0

3

3



Gtr. 2 (slight dist.)



           mf

          



 

      

         

w/ fingers

5 5

3

0

1

G5

1

D5

        I

3 3

5 5

3

E5

  

  

still

3

live with my

mom

    

3

5 5

3

5 5 3

X X

5 5

0

3 3

1

1

C5

and dad,

I’m





 

five foot three and o

-

 

 

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     

3







 

I’m



7 5

3

5 5

a

        let ring

1

5 5

5 5

1

1

    

3

ver - weight.

let ring

5



3

D5

                



5 5

3

5

7 7

5

    

7

9 9

2

          

3

5 5

5 5

3

5 5

3

3

    5 5

3

5 5

       

5 5 3

7 7 5

5

7

5

7

5

        

7 7

5

5

7 7

5

7 7

           G5

F5

sci - fi

fa - nat - ic,

    

C5

  

a

mild



  



G5

  

 

asth - mat - ic,

F5

       



1/2

7 5

5 5

  





nev - er been to sec - ond base.

        



C5

 

But there’s a

       





   let ring

5 5

3

5



5

5 7

3 3

X X

3 3

3 3 3

3





5 5

3



1

G5

1

D5

  

  



5 5

3

3

5 5

E5

whole ’noth - er me



5 5

3

3

that

you need





to

   

see.

2

2

3

                  

3

5

7 7

5

7

1

9 9

7

3

 



5 5

3

1



5 5

out

My





3

 

5 5

  -

space.

 

let ring









5 5

5 5

3

G5

   





 



’Cause

         let ring 

1

1

2

5 5

3 3

  

0

5

  

5 5

Go check

let ring hold 1 bend

4



    

D5

      







C5

         

        let ring

5 5







0

3 3



        

          

3

5 5

2

0 3

5 5

0

0 0

3

        

3

0

3

5

0

1

2

3

           

7 7 3

5 5

3

5 5

5 5

3

5 5

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Pre-Chorus Gtr. 2 tacet 2nd time, Gtr. 4 tacet





C

Gtr. 3 (clean)

      on on



Gtr. 1





D

         

mf





G

Rhy. Fig. 2



G

                     

-

line line

I’m down I live

in in



C

Hol Mal

-

G

    



ly - wood. I’m i - bu. I

      

six

pose

for

   

foot vin

Cal

five Klein,

Rhy. Fig. 1

       

    

  

       

0 4

0 0

0 2

P.M.

0 2

0 2



0 2

0 2

D

 

 



and I look I’ve been in



0 0



0 0

0 0

 

0 4



G

   



0 0

0 4

0 4

0 0

C



damn G.



good. I Q. I’m

0 0

 

drive a sin - gle

 

 

 

0 2



G

 





0 0

0 2

0 2

0 0

D

 

 



Ma - se - ra - ti, and I’m rich

I’m and

a I

0 0



0 0

0 0

Em

 

 

 

 

 

black belt got a

in set

Ka - ra - te, of six -

 

 

 

and pack

I

End Rhy. Fig. 1

    























    







0 0

0 0

0 0

0 2

0 2

0 2

0 2

0 0

0 0

0 0

0 0

0 4

0 2

0 2

0 2

P.M.

0 4



0 4

0 4

0 4

0 0



C

    

love abs







  a



 

    

good glass that will blow





 

  

of

wine. mind.

your







0 3

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

1

0

0 3





  











 It







3

3







let ring

0

0 4

C End Rhy. Fig. 2





0 4

0 2

Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3: w/ Rhy. Fig. 2

D

let ring

Sorgdal

0 4



2

2

0

2

G

  

  

    

turns



girls



    on

  



that

I’m

 

 

 

e - ven

on

a

slow







 

  

 

 

G

mys - te

-

 

ri - ous.

 

G

 

 

 

 

tell

’em

C



I

 

    

I

   

don’t

 

 

 

 

 

 

 

 

 

I

can

have

a

three

-

way





noth - in’

se

C







    

chat

 

P.M.

0 2

0 2

0 2

0 2

0 0

0 0

0 0

0 0

0 4

0 4

0 4

0 4

0 2

0 2

0 2

-

  

    



Gtr. 1



     

 

G

D

want

Em

D

day

  

G



 

C



     

 

D

 

ri - ous. ’Cause

 

with

 

 

two

 

wom - en







let ring

1

0 2

3

T o Coda 

    

 

at

one

D









Chorus

      time.







    

I’m





 

G

so

much

cool - er

  



  

     F

    C

on

-

   



line.



1/2

             1  X

3 0

3 0

3

10

0

0

   G

So





    

 



much

cool

 

 

-

er

F

5

3

1

5

 

  on

-

5

3

1

  C

3

 



3

8 7

8 7

3

 



9

7

5

7



line. 3













let ring







     

X 5 3

5

3

2

3

3

3

X

X











0 0

2

1/2

0 2

2

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 1 tacet



F5

 

 

 

2. I

      Gtr. 2  divisi Gtr. 1

7 5

5 5

3



get

 

C5







G5



home,



  

0

  I

  



kiss

  

3 3

1



1



  

my

Gtr. 2



5 5

3





mom



  

G5

3

  and





5 5

5 5



  

 

 

F5







me

a

snack.

she

fix

-

es

  

  



     

3

5 5

5 5

3

0

3 3

1



1

Riff A



Gtr. 4 (slight dist.)



               

mf

5

5

5

5

3

3

3

3

C5





 

And

   



5 5

3



3

 



5

7



5 5





7

5



 

3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

3

3

3

3

3





3

3

   



G5

  

3



 I





3

head

  







3

3

 

D





3

                      

3

3

3

5







E5

to

my

base

  





down

5 5

3



7 7

5

5

 -



  

5

7

5



5



3

3

C5





ment bed



9 9

-





0 0

3

3

3









room



5 3

3

End Riff A

 

5

5

5

5

4

4

4

4

2

2

2

2

3

3

3

3



D5

 

 

and

  



3

3









3



  





fire

up

my

Mac.







3

5

5



5 5





G5





3

3





3















7 7

5 5

3





5

µ

5









5



5



3









3

3





3

 



5 5

  





3



3



3

Gtr. 4: w/ Riff A

G5

F5

 

    In



Gtr. 2





real

  



5 5

3

   



life

the

0

3 3

1











 

          

5

7

5 3

5 5

5 5

7

1

  

was when



 

      

C5



C5



  

5 5 7

5

      on - ly

time

I

   

3

    

5

7

   D

got

  

3

ev

 

the chance

    

5 5

3

7 5

5 5

7

with

the

  7 7

-

5

er

e - ven been

  

5

 

F5

        

 

I’ve

5 5

3



  

 



 

G5

 

G5

   

5

0

E5

march

A.

3 3

1

1

C5

      -

ing

  



7

L.

      



3

to

9 9

band

to

play

     

0

3

5 5 3

5

3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D.S. al Coda





    tu



-







D5

  



ba

in

the

Rose

Pa



 

Gtr. 2







5 5

3



Gtr. 4









3



0 0

3

3

Chorus G

    









 5

      cool - er

5

3

3

5



 5



 5 5



3

   

-









3

3





3

3

0

0

0 3



3







5



3





3

            F

cool

-

er

on

-

let ring

0

0

0

3



3

      



3 2

0



  

Yeah, I’m

2



3

   



5 5

3

G

0

 





3

       

0

 5 5



line.





But







C

on

3

 5

        5

rade.

3

F

much

-



7 7

5

 

so











5

3

 Coda







 

G5

2

0

2

2

2

Bridge

        

Gtr. 1 tacet

C





line.

        





D5

D6

When

you

got

my kind - a

                 Gtr. 1





D7

D6

stats

it’s

        

G5

hard

G6

to

get

G

a



date,

let



1

0 2



Gtr. 2



3

1

2

1

0

2



0

2

0

2

0

3

5

       

w/ chorus

7 5

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 5

9 5

7 5

5 7 5

5

9 5

0 0

          0 0 X 3

2 3

3

0 0 X 3

3

0 2

0



         C5

C6

a - lone



Gtr. 2



a

  

D6

real

G

girl

-

           5 3

5 5

5 3

G5

  

G6



lose

a

5 3





bunch

of



*Gtr. 5



   

D5

7 5

G7



7 5



7 7

G6



weight

   ev

G6

G5





friend.

   



But

I

 

       

0 X 3

0 X 3

C5

 

-

0 0

0 0

X X

 

C6

 

C7

    

C6

’ry

time

I

2 X 3



log

      

D5

D6

grow



  

D7

an - oth - er

foot

and

       

7 5

5 7 5

7 5

9 5

 

D5

5 7 5

0 0

0 0

D7

 

 

D6

 

  

X X

D6

in.





I

       

0 0

3

  

   

 

 





 

 

10 7

10 9

10 11

10 7

12 9

    9 5

f 10 7

15 14

*Violin arr. for gtr.

   



 

  



 

 

5 3

5 3

7 3

5 3

3 5 3

3 5 3

7 3

7 3

Gtr. 2





 

  

 

 



 

   



 

5 3

5 3

7 3

3 5 3

3 5 3

7 3

5 3

7 5

7 5

5

5 7 5

9 5

Violin/Guitar Solo Gtr. 2 tacet

  Em





Gtr. 5







    D

  



    

C

 

1 15

 

     

1 15

15

15



    0 0 0 2 2 0

12

15

15

12

14

 

 

2 3 2 0

0 1 0 2 3

  

1 hold bend

1

14

Gtr. 1

  

15

15 14

  2

14

14



 

0

2

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   G





D





12





    1

  

1

0 2

3

               

    

1

0

0

3

0

0

2

3

3

0

2

2

0

3

4

0

4

Em

3

2

0

2

0

C

     3                 8v a

6

14

17





0

3

17 17 17

14



17 14

15 17



1

14 19

16 17 16

19 17 19

16 17 19

19 17 19

16

17

15 17 19

0

3

2

      

1

17

17 15 17 15

17

     

 









16 17 16

15

2



 

*

0

0

2

1 0 2 3

3

1 0 2 3

2

-1/2 *Holding the upper guitar body steady with the right hand, push forward on the neck with the left hand to lower the pitch of the open 6th string.

   

Gtr. 5 tacet

G



D



8v a

 15





3 6                                               6 3 3

1/2

2

0 2

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Sorgdal

0

2

4

0

0

2

4

0

2

0

1

2

3

1

2

3

2

0

2

3

2

0

0

0

0

1

0

2

0

4

0

2

0

4

2

0

4

2

0

0

Pre-Chorus

    

  

C



On

      

    

                

G

D

-

G

line

C

I’m down in Hol - ly - wood. I’m

    

six

  

  

  

  

  

0 1 0 2 3

3 0 0 0 2 3

2 3 2 0

3 0 0 0 2 3

0 1 0 2 3

3 0 0 0 2 3



D

foot

    Gtr. 3

           

G

five

and I look damn

     2 3 2 0

       

    

          

P.M.

0 2

0 2

0 2

0 2

0 0

         

G5

C5

Gtr. 3

E - ven on

a

0 0

0 0

0 4

D5

          

slow

0 4

0 4

0 4

0 0

0 0

E5



  

0 0

0 0

I

0 2





            

day

0 2

0 2

0 2

0 0

0 0

0 0

0 0

4

   P.M.

0

10

D5

    

   

can have a three - way

(cont. in slashes)

0 4



C5





0 0

good.



    

Gtr. 1



µ

chat

with two

  

    

 

wom - en

at

one

                                 

      time.

I’m

Gtr. 1

        

P.M.

0 2

0 2

0 2

0 2

0 0

0 0

0 0

0 0

0 4

0 4

0 4

0 4

0 2

0 2

0 2

0 2

0 3

0 3

0 3

0 3

0 3

0 3

0 3

0 3

0 5

0 5

0 5

0 5

0 5

0 5

0 5

0 5

Chorus Gtr. 3 tacet

     G

so





 

     F

much

cool - er

on

-

G

    



line.

Yeah, I’m

                let ring  let ring  let ring 3 5

0

3 0

3

  

C

0 3

0 0

2

0

0 0

3

2

   0 2

0 0

    

        

cool

       

F

-



er

C

on



-

line.

  

0 0 2



3

     

Yeah, I’m

       1

0

2

0

2

0 0

3

3

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

 

G





so





F

    

much

cool - er

   

C

on

G

     

-



line.

    



Yeah, I’m

                  let ring  let ring  let ring

 



0 2

0 0

        F

cool

-

er

   

 





C

on - line.













X

3

3

0

5

0

3

Guitar Solo G







X

0

0 0

3

0

0

2

      F

0

3

2

0 0

0 0





 

  

C



 

G

Hey,





  

 

 

Female: (Yeah,



     

he’s

cool

-

  

 

er

on

-

3

0

5

       

0

3



 

  

I’m

        F

cool - er

on

-







line.

          let ring 





  

 



3

0

3

1

3

     0

2

3

C

0

 

      let ring 3

3

0

3

5

G





 

 

0

0

0

0

3

F



line.







 

Oh,

   

yeah,

3

             



3



  

1/2

3

0

3

X

0

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

 

 

0

0

 

 let ring

 

he’s







 

 

cool - er

on



 let ring





  -



 

1/2

3 3

 

0

3

1

1

0

3

0

3 0

3

3

5

7

C

G

  







   

  

 











you ought - a

see

me

on - line.



  Yeah,



F













 



line.) (Oh,

6

                     3

3



7

0

2

0

3

2

5

3

2

5

0

6

3

3

2

  





3

2

0

3

2

0

0



3

G

F

   





6

 let ring



 

0

0

3

0

5







let ring

2

6





3

0

3

0

0

3

5

0

3

4

5

3



0

  

C

 

0



3

4

5

3

0

 

G

Hey,

1/4







               1/4

1/4

0 0

3 3

0 0

3 3

1/4

0 0

3 3

3 3

1/4

0 0

 

 

I’m

cool

3 3

1/4

0 0

3 3

 

F

-

er

1/4

0 0

3 3

0 0

 

 

on

-

3 3

3                       3

6

3

1/2

3 3 3

3 3



                                6

1/4





3

0

C

    

 







yeah.)

0 0

3 3

X X

5

6

3

5

3

3 5

3

0

0

0

5

3

0

0

2

5

4

0

0

5

6

3

0

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

C



-





 

 



G

F





line.

 

 

 

(Yeah,

he

is



  

  

cool

6          3              

 

-

er.

3



6

 5

3

5



 







*

1/2

6

3

0

6

3

0

5

7

5

3

0

0

3

0

0

5

0

0 4

2

2

5 5



  

0

+1/2

0 *Pull back on neck to raise pitch.

C





G

    



  

 

 











F







(Yeah.)











 



 















       



steady gliss. 1 hold bend

5 5

5





3

  

                  3

3

15



15

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

15

15

15

15

15

15

12

15

14

12

0

G

F





    

1 1/2

15

15

15

15

15

15

7



1

Sorgdal

8

C





8

15

15

1

12

9

12

10

 



Yeah,

 0 0

      

5

5

7

3 3

3 3

5

5 5

C





 

 

G

F

 

  

  

   yeah.



   

  

3

5 5 5

5

 

5 5 5

3

       

3 3 3

3

2

0

3

2

0

0



1

         





0 0

2

5 3



3

2

0

3

C



0

0 0

3 3

3

2

G

  

  

 





 Whoa.)



 

6

          

5

7

5

7

5

0

7

5

6

7

   3       3

9

7

7

9

7

0

9

7

0

5 3

14







steady gliss.

12 12

Outro Gtr. 1 tacet





G



(Marching Band)





Repeat and fade

  

Band tacet *



*Marching Band plays chord changes from Pre-Chorus section.

**





**Marching Band plays chord changes form Chorus section

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - Play

Playing with Fire By Brad Paisley and Robert Arthur C5

G5

D5

G5 X 10fr

Gtr. 4: Baritone gtr. tuning: (low to high) E-A-D-G-B-E

134

134

Eb5 10fr

134

134

Bb5 6fr

6fr

134

134

 __ =   

A

3

Moderately q = 123

            f  let ring  µ

* G5

Gtr. 1 (dist.)



X

3 3

5 3

5

  ( )  



3

   

3

** ***

1/2

3

5 5

5 5

5 5

**Vol. swell

      Gtr. 2 (dist.)

        



       



3 3 3

1/2

3

5

5



5 3 5

5

***2nd string is sounded from pull-off.



      

         

 

X X

X X

X X



mf



X X

3 0

3 0

X X

0

X X

X X

3 0

*Chord symbols reflect basic harmony.

       Gtr. 1

 3              p



††

5

3 3

6

mp

mf

 6

6

            let ring

 



w/ pick & fingers 1

4

5

5

1

3 3

5

5

3







10

8

5

5

1

3 3 3 3 5 5

5

3

5

5 5

3 3

††As before

  



   †Gtr. 3

mp

†††

10

†Pedal steel arr. for gtr.

   Gtr. 2

3

 10  10  10 w/ bar



†††Vol. swell

  

  

3 0

X X

3 0

  

    

3

3 0



   

X X



0 0 3

© 2008 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC and BET THE FARM MUSIC All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       3 w/ pick & fingers

    





  

            



 

             let ring 1 

 

let ring

1

15

6 5

12

11

 

10 10

3

3

5 3



3

5

5

5

5 5

3 3



5

14

10

12

10 12

3 3

3

6

5

3 5

       





      

  



3 0

X X

X X

              5

   

      



5

3

0

5



mp

11 14

3

11 12

5 5

0 0

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X X





X X X

    



3 0 0

0 0

12

11

12 10 0 11

10

10







   

3 3

3                3   

mf

8

3

  

mp

0 3

10



5 5 -1/2

  

X X



3         

5 5

3 3

  



3 3

w/ bar grad. dive

5 5

mf

Gtr. 3 tacet



3

X X X

p



-1

  

  

X X

3 0

3 0



     3 3 0

X X

    3 0

X X

3 5

0 3

 









Spoken: One,

 

  

Gtr. 1

3

3

3

            mf  P.M.  P.M. P.M. P.M. P.M. 3

5

5

    Gtr. 2

5

 

X X

0 3

5

5



0 3

0 3

5



3 0

0 3

5

X X X

X X X









one,

two,

three,

four.

3                P.M.

  

let ring

7 5

5 3

 

two,

 

5

 



5

    

5

   

3 3 0

3 0

5

5

5

    





mf

 

 

                     6

3

3 3



3 3

3 3

5

6

3

5

3

C7

 

          

 

3 3 0

0 0 X 3

3 0

         



3 3 0

3 0

3 3

3 0

0 0 X 3

 6

3

3 3

6

3 3

5

3 3 0

3 0

3 0

 3 0

3 0

Bb5

5

3

0

1

3

            let ring  P.M. 0 X 3

3 0

3 3

5 3 0

0 0 X 3

3 0

3 0

C5

     

3

5

3 3 0

0 0 3

0 0

1

1



3

5

6

     

3

3

4

3

6

5

5

 

 

3

5

12

      

  

3 5 3

Eb5

 

3

5

0 0 X 3

3 3

          

3 3

0 0 X 3

            w/ pick & finger   3

3 3

               

3 0

              G5

3

5

 

3 0

0 0 X 3



6

0 3

Rhy. Fig. 1

15

3        3         

G5

4

steady gliss.

3 0 15

B

0 0

10

3

D7#9

     3

6

5

     

6

X X X X

6 5 4 5

 0

 

  3 3

3 3

End Rhy. Fig. 1

 

 

 

6 5 4 5

6 5 4 5

X X X X

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Rhy. Fig. 1

G5

                    

    3     

Gtr. 1

 6

3



3 3

3

5

6

3

            G5

 6

3

5

5



1 1/2

3

3

5 3 5

5

3

3

3 3

5 3 0

5

3

         3

3

 6

3

5

 3     3          C7

0

C5

 

 

1

5 5

5



Bb5



     

3

4

3

5

3

5

5

0 0

5

5 5

D7#9

         

 3

5 5

Eb5

 

3

3 3

3

6

6

5

5

3

3 1

5 3

C G5

   Gtr. 1

C5

 3             

P.M.

3

3 3

      Gtr. 2

5 5

              

P.M.

0 3 0 X

  

3

3

Gtr. 2

3 3

5 5

 





G5



       

w/ pick & fingers P.M.

0

2 2

5 5

                 let ring

4

Riff A Gtr. 3

4 5 5

4 5

6

4

5

5







6

8

8

    3                let ring   1

3

3

5



(cont. in slashes)

3

  *Gtr. 4

X X

3 3 0

3 0 0

0 0 X 3

3 3 0

3 3 0

3 0 0

3 0 0

X X

3

  

Rhy. Fig. 2



3



  

mf w/ amp tremolo

13 12 10 *Baritone gtr.

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12 12 10

3

0

3

5 3 0

5

3

5

C5

      

           

 

   



G5



  

          

P.M.

1 1/2

1 1/2

1/2

4 5 5 3

4 5 5

X

5

4

6

5

5

1/2

5

  



6

8

8



8 8

3

1

3 3

5

  

3

5

5

5

5

3

3

5



     

11 12

11 12

Gm

3        3        3 Gtr. 1

3

3

6

3

6

5

3

5

3

5

4

  

3

4

End Riff A

Gtr. 3

      3

6



3

    

       Gtr. 4

11 12 12 10

6 6 5 6

 

 

   

5 5 3

5 5 3

5 5 3



5 5 3 End Rhy. Fig. 2



   6 6 5 6

     6 6 5 6

3

 

 

 

6 5 6

6 5 6

6 5 6

3

Gtr. 2

5 5 3

Eb7

 

 

 

4 6 5 6

4 6 5 6

4 6 5 6

 

 

 

3 16 15 13

9

16 15 13

4 3

X

6

4 5

6

8

8



  



13 12 10

µ

D7#9

  3

3

  2

1





 3    

    

 

 

  

   3

6 5 4

6 5 4

6 5 4

 

3

 

 

6 5 4 5

6 5 4 5

6 5 4 5

  

3

  

 

 

6 5 4 5

6 5 4 5

6 5 4 5

6 5 4 5

3 3

7 7

7 7

6 7

5



3

16 15 13

4 3

11 12

12

µ

X







11 12 12 10

4 3



let ring

13 12 10

3

5



    

     

     (cont. in notation)           w/ pick & fingers

1

3

4 5 5



     



w/ pick & fingers

C5





   

 

 

13 13 11 12

13 13 11 12



3 13 13 11 12

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D Gtr. 2: w/ Rhy. Fig. 1 (1 7/8 times) Gtrs. 3 & 4 tacet

        G5

   

Gtr. 1

10 10 8

        

   

12 12 10

3 0

0

3 0

3 0 4

 

C7

 

G5

3

       3

1

3

5

3

3

w/ pick & finger

    

6

8

5 3

0

3



1

3

3

    





5

3

  

0

3 3 0 0

   3 3

5

3 3

6

steady gliss.

12

1



3

3



1

3



 

3



1

3

3



5

3   3              3

3

0

5 5

5

5

3 3

4

3

3

5

    





5

8





3

5

  

D7#9

   

   



3

Eb5

    

Fill 1

Gtr. 3

1 1 0 0

3

5

C5



 

5 5

   

5

Gtr. 1

 

3

3

Bb5

 

 

3

5

   

5

 

4

5

5

3 3

6



3





 2

5

End Fill 1





w/ bar

6 5

6 5

-1 1/2 Fill 1A

   Gtr. 4

 



8



 



10

End Fill 1A



 



13



12

Gtrs. 3 & 4 tacet

G5

     Gtr. 1

     

 

       

   



   

1/2

1

3 3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 



5 5

5 5

2 2

3 3

 

3

w/ pick & finger

3



3 6

5

3

0

5

0

3 0

6 6

5

3

0

5

3

5 5

1

5 5

3

0

5

3

C7

   

             let ring let ring 3

3

6 5

5

5

7

8

13 7 8

11

 

 *      



10 10

10

12

 



6

  

G5

8va

17

20



3

18

18

20



20

      1

18



3

20 20

20

20

18

*Played as even eighth-notes.

Bb5

  

                     loco

8va



3

20

18

15

18

15

18

18

15

18

18



5

C5





   

1

1

15

      

  

3 w/ pick & finger 1 hold bend

15

18

15

18

17

15

17

17

18 18

18

17

17

1

17

Eb5

17



15

15

3

D7#9

G5

            3 3 let ring  3

Gtr. 1

3

3

 

3

Gtr. 2

6

3

1

5

12

3





1

13 11

13

10

12

                     3 3

1

10

6 5 4 5

1/2

5 3 0

5

   

 

6 5 4 5

6



13

3

5

  





3

6 3 0

       

8

0

 

           let ring 

 

X X X X

3 3 0 0

X X X

X X X X

X X X X

0 0 X 3

3 0

5 3 0 5

5

   

 

let ring

X X X

6 5 3 0 5

3 3 0

0 0 X 3

3 3

3 3

6

5

3 3





2

6

3

3

E Gtr. 3: w/ Riff A Gtr. 4: w/ Rhy. Fig. 2

Cm

     

              w/ G bender 1

3 3

5 5

    5 5 3

4 3

  X X X

1

6

4

3

3

3 3

0

      5 5 3

5 5 3

5 5 3

Gm

                 3  w/ pick & finger 6 2

0

3

  5 5 3

6

6

5

6

  X X X

5

6

6

6

3

5

3

5

0

       let ring

 

3 3 3

3 3 3

5 5 3

X X X

Cm

  

3 3



5 5

 

        

4 3

 

5

6 5

4 5

 

     

5 5

let ring

5 5 3

X X X

5 5 3

4 5 5 3

5 5 3



5 5 3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      

Gm

  



13 14

12 12

11 12

         

Cm

3

12 10

15

10 10

                 let ring 3 3 0

0 0 X 3

3 3 0

X

 

14

15 15

17

 

3

 17

17

     

 

15 15

 

 

17



15

 

17

 

1

15

17



3 let ring

15

15

15 18

     

 

  

3 3 3

3 3 3

3 3 3

let ring

3 3 0

5 5 3

5 5 3

X X X

4 5 5 3

X X X



4 5 5 3

4 5 5 3

5 5 3

3 3 3

X X X

3 5 5

5 5





D5 Gtr. 4

3



steady gliss.

8va          

Gm

G5 X

(cont. in notation)

                8va

Gtr. 1

3

3

3

1

18

18

15

   Gtr. 3

18

15

1

18

18

15

18

1

18

18

15

 

3

3

1

18 18





              

3

1

18 18



loco

15

18

15

17

15



18

17

15

17



17

17

15

15



steady gliss.

5

    Gtr. 2

7

 

 

7 7

 

 

 

 

 

12 12

 

12 12

 

let ring

7 7 5

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

7 7 5

X X X

7 7 5

X X X

7 7 5

X X X

5 5 3

3 3 3

   X X X

 

 

 

 

  (cont. in slashes)

3 3 5 5

3 3 5 5

X X X X

3 3 5 5

F





Gtr. 3 tacet

Eb5

Rhy. Fig. 3 Gtr. 2

8va





   Gtr. 1



1



 







3

1

1

15

18

  loco            

15

18

18

     



15

18

18

15

18

17

15

17

15

  

Rhy. Fig. 3A

Gtr. 4

16 15 13





Bb5

 

      







15

1

15 15





 





X

X X

15

17

     

 



  

X

15



C5

 

X

17

15 15

3

15

16 15 13 15

15





3

16 15 13

16 15

17 15

5

  





G5

  End Rhy. Fig. 3







3

18

18



 rake

  

steady gliss.

1

18



18

18

17

 

   3 3

X

13 12 10

13

   

 

13 12 10

1

     

15

  

15 15 13

  



X 16





X

15

     

  

 

3 3 5

 

4

End Rhy. Fig. 3A

3

3

5

17

      5

5

5

  

      let ring

3 3

5 5

3

3 5

 

 

 

 

 

 

 

 

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

12 12 10

3

5

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

Gtrs. 2 & 4: w/ Rhy. Figs. 3 & 3A

            Eb5

    

Gtr. 1

 let ring

3

3

5

3

5

5

4

3 0

6

5

µ

 

5

3

0

5

5

3

D7#9

Gtr. 1

3





0

3 3

6

0 X 5 3

5

3 3 3

5

5

5

3  3 3                    w/ pick & finger   let ring 3 3

  

 





  



7

8 7

7 6

8 7



1

2

5

3



    

Bb5



C5

   



  

 

1

3

3

1







5

3



3

3



3

 

     

2

3



5

3

5 3

8 7

3

3

7 6

5

  



Gtr. 4

5



3

12

12

      

 

6 5 4 5

6 5 4 5

3

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





3

Gtr. 2

5

7

 

     

let ring

12

3



   6 5 4 5

5

5

 

5

4



12

   6 5 4 5

3

6





5

3 3

5

4

5

6 5

5 5

  

1

5





P.M.

7

8 7

0

µ D7#9

  

 

let ring

3

0

5

5

5



12



   





6 5 4 5

5

5

G

    

    

Gtr. 4 tacet

G5

Gtr. 1



 5



   0

3 3

  



3

  

   Gtr. 2





X X X



 5 5

5 5

 

3 3



 

3

X X

1

  







X X













let ring

3 3 0

Gtr. 3



0

3

  

   



  



X X X

0 0



3 0

    



 10 10

3

     

 

3

 



 

let ring

3

       

  



1

1

2

1

3

2

5



 

let ring

13 13

13 12

11 10

0 4

 



15 X 15

12

15



0

0

 

 

3 X X

0

      





  Gtr. 1

Gtr. 2: w/ Rhy. Fig. 1 Gtr. 3 tacet

13 15

15

15

11

17

17

        17

 15 15

17

 steady gliss.

15 15

15

17

6

      Gtr. 3





 steady gliss. mf

10 10

10 10

3                 

Gtr. 1

 6

8 7 8

8 7 8

3 3

5

3

0

                  C7

3

3



5

3

5

3

5

3 X 3

G5



 

      

3

5 3

5

4 4

5 5

6 5

11 7

12

 

 

w/ pick & finger



3 12

6

5

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 3 3         3                Bb5

C5

3

5

3

5

5

4

3

9

10

8

8

10

12

 

10

10

10 12

5 7

13

10

11

10

12

18 17

15

17



3



5

D7#9



3

3

       

Eb5

18 18

H Gtr. 4: w/ Rhy. Fig. 2 (1st 4 meas.)

Cm

      

    

8va

Gtr. 1

            

rake



18 20 19

 

loco



 20 19















18 18 17

Gm

18 18 17

15

1/2

15 15 17

 15

Cm



5                    



17

3

15

                 let ring

    

X X X

5 5 3

Cm

3 3 0

3 3 0

0 0 X 3

 

5

X

Gtr. 2

Gm

3 0

1

5

               4 8

10

8 8

13 10

11

10

3 0

4 5 5

3 4 5

4 5 5

           13 13

13

10 10 10 12 10

12

10 10

3 3

6

3 3

6

6 5 3 0

         

10

8

 

3

8

3 4 5

3 3 0

X X X

 

3 3 0

3 3

0

  



3 0

0 0 X 3

6

3 0

                 3 3 3 

Eb7

*

10 10

3

let ring

3

5 5

6

         

Gm

Gtr. 1

3 3

3

3 3

7

D7#9

3

6

5

6

6 6

6 6

3

6 6

5 5

5

  

3

  

6 5 4 5

6 5 4 5

5 5

5 5

5 5

5 5

  

  

3

  

  

6 5 4 5

6 5 4 5

6 5 4 5

6 5 4 5

*Played as even eighth-notes.

             Gtr. 2

3 4 5

3 4 5

X X X

3 3 0

          let ring 3 3 0

0 0 X 3

3 0

3 0

3

 

 

 

 

 

4 6 5 6

4 6 5 6

4 6 5 6

4 6 5 6

4 6 5 6

4 6 5 6









             

 

     

   



13 12 10

11 10 12 10

11 12 13

Gtr. 4

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3 4 5

   

3

11 12 13

3

11 12 13

11 12 13

11 12 13

3 11 12 13

10 11 12

10 11 12

3 10 11 12

10 11 12

10 11 12

10 11 12



Gtr. 4 tacet

µ

G5

µ

3  3             Gtr. 1

4

3

5

5

4

3

1

   Gtr. 2

µ

3           3



let ring

4

3

    



Bb5

5

3

5

4

3

3 3 0 0 X 3

3

        

3 3

1

4

  





G5

3

5

5

4

3

1



 

3 3 1

3

3

3

    



3 3 0 0 X 3

1

I F5

G5

               w/ pick & finger

     

        3

3 3 1

5 5 3

  

5

5

  

 

3

5

0

  

 

3

3 5

5

 

5

5



 

6

3

5

5

 

  

0

  

  

    

3 3 1

5 5 3

  

 

  

  

3

5 5 3

12

12

14

    

  

3 3 0

3 3 0



let ring

X X X

3 3 0

3 0

3 0

X X X

X X X

C7

  







    

10

X

  



 0











3

13

10

3 3 0

X X X

   



13

15

0 0 X 3

   let ring

3 3 0

13 13





3

13

15



15

13



 



1/2

15

17 12

let ring

0 0 X 3

12

3 0

15

G5

3

3

X



3 0

13

  

14

17



 



 

 



 

 

 

let ring

3 3 5 3

3

X X X

3 3 0

3 0

0 0 X 3

3 3 0

17





   let ring

3 3 0

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb5

             

C5

Gtr. 1



1

15

17

  Gtr. 3

17

 

3

15

17



15

13



13

10

 

 



13

15

15

Eb5

      

          



15

17

15

15

17

15

18

17

15

14

17

    

 3

3

3

3

3

1

      



D7#9

15

15

15

15

15

17

 



5

17







w/ bar

6 5

8

6 5

-1 1/2

           let ring let ring

  Gtr. 2

3 3 0

0 0 X 3

3 3 0

 

  





3 0

0 0 X 3

     

 

3 3 1

 

5 5 3

   

   



  

6 5 4 5

6

3 0

Gtr. 2: w/ Rhy. Fig. 1 (2 5/8 times) Gtr. 3 tacet

G5

     8va

Gtr. 1

1

 



       

    



let ring

1

       

1/2 18

18

18

15

15

15

15

18

15

C7

G5

8va

          

  

   





   

1

15 15

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17 17

15 15

18

15 15

20

18

15

15 15

15

 

  ( ) 

15 15

15

 



15 15

 

15 15

15

   

1

20

20 20

1/2

20 20

15 15

    

1

1 1/2

20



15 15

3

3 3/4

15 15

15

20 20

1/2

20 20

20

1/2 20

20

20

20

Gtrs. 3 & 4: w/ Fills 1 & 1A

Bb5

    

8va

 

C5

        3

D7#9

 

20

15

18 15







1/2 20

Eb5

loco

18 17

 10



3

10

10

G5

12 10

12

12 11 10

10

6 0

G5

 

0

5

5

3

10

10

6 8 0

7

       

  



8

0

8 8

10

10

10 8

             3

6

0

8 10 8

3

w/ pick & fingers

6



3

     

 

C7

   3           

0

  1

13 11 10

11

6

    

          

0

6

0

0

0

3

0

0

0

0

0

5

0



1/4

3

0

0



3 3

3

3

15

15

3



15

                                                 



 18 15 17

3

15





15

17 15

3



3

15 1815 15 *

15

17

15 18 15 17

X

15

17 15

17 15





6

15

17





9

15 18 18 15 15

17

17



15 18 18 15 15

17



9

17





15 18 18 15 15

17

15





15 18

15

15

5

15

17

18 17 15

15 17

*3rd string bumped from pull-off.

           Gtrs. 3 & 4: w/ Fills 1 & 1A

Bb5

C5

3



15

   

17 15

  



16 15

D7#9

G5

                3 3

3

3

steady gliss.

13

   

3

Eb5

2



3

3

1

3

3

5

5

   

 

3

3

2

3

5

 

5

3

 



3



3

3

3

3

w/ pick & fingers

3 3

6

5

               3 3 6

3 3

6

3 3 6

0

3 0

  

 

3

3

6

0



6

3

3

0

0

  3

w/ pick & fingers 1

5 2

5 0

2

5 0

5 2

0

5 3

5 2

5 0

3 3 3

6

1

3 6

3 3

3 3 6

3 3

6

3

3 6

3 6

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   



 



3



3

w/ pick & fingers

3 6

3 3

6

      

C7





3

5

5

6

5

5

       



3

5

2 5

3 5

  

  

5

3

5



3



0



1

3



 

     

3

5



      3

3

  

   



5

1

3

Eb5

3

5



3



3

5



       



3

6

6

     

5

0

 

D7#9

3 3 3

Gtr. 3

0

C5

 

3





3

Bb5 Gtr. 1

  

G5

5

5

3

1

          

w/ bar

6 5

8

3

6 5

3 3

5 5

-1 1/2

         let ring Gtr. 2

0 0 X 3

3 3 0

   Gtr. 4

         let ring 3 3 0

0 0 X 3



3 0

  

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



3 3 1



    



  

 

   

 

     (cont. in slashes)

 

8

16

 

5 5 3





  

10

6 5 4 5

8 8 6



 

13





  

12

3 3 1

5 5 3

 

10

12

J





Free time

G5 Gtr. 2





steady gliss.



      

3

3

3

3

3

10

       5 5

7

9 9

  

1/2

6 5

5

6

8

5

5

6

6

17 17



Gtr. 4

 



steady gliss.

5 5

   

   

0

  

Gtr. 3



6

7



P.M.



8

  



         Gtr. 1





12

  

        8



Gtr. 4 tacet

6

5

8

6

7

8

 

6 7



5

    3

5 5

3 3

 

6

   5

3 3

        

 

5

5

3

0

5

 

3 3



    

   

let ring

      

3 0 0 X 3

3

         17 17

  

15

 steady gliss.

15

 



12

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - Time Well Wasted

She’s Everything Words and Music by Brad Paisley and Wil Nance F

G

C

134211

134211

32 1

Intro Slowly q = 53 C

  

Gtr. 3 (elec.) (Cymbal)

G/B

2

Am

4

231

3



7



7

9





2

1 0

1 0

0 0

1 0 0

32

Cmaj7

4

32

2

1 0

1 0

1 0

Gsus4

G

    



1/2

8 10

8

7

7

              

5



*T

let ring throughout

1 0

14

open



  



                    mf 0 2 3

32

G

F

f

  

Gadd11

2

w/ dist.

Gtr. 1 (acous.)

Am9

       

Am



G5

0 0

2

1 0

0 3

2

0 1 2

1 2

1 2

0 2

1 0

1

3

0

0 0

0

1

0

2

*T = Thumb on 6th string

  

End Rhy. Fig. 1

Rhy. Fig. 1

w/ clean tone

2 2 0









0 2 3



  2 3 3 1

  0 0 X 3



mf

 









Gtr. 2 (elec.)

Gtr. 2: w/ Rhy. Fig. 1

C

Am

F



     Gtr. 3





     



**w/ delay

5



delay off

12 7

13

13





  



      1. She’s a





12

G



      1

15

Gsus4



5

12

3

5

**Set for eighth-note regeneration w/ 2 repeats.

         



0 1

0 1

Gtr. 1

3

2

0 1

0 1

3 4

      0 1 0

2

0 1

0 1

3 4

  0 1 0

          3

0

0 1

0 1

0 1

3 4



    

1 2

1

3

0

0 0

3

© 2005 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC, ANN WILSON MUSIC, INC. and HILLBILLY WILLY SONGS All Rights for NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for ANN WILSON MUSIC, INC. and HILLBILLY WILLY SONGS Administered by ICG All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse *C

                 yel -low pair of run -nin’ shoes,

Am

  

a hole - y pair of jeans.





   



     

2

    

1

0

2

0

2

2

                She’s “I



 

mf

5

3

  

She looks great in cheap sun -glass -es, she looks great in an - y - thing.

   





3

 

1

0

2





2

2

0

2

let ring

1 2 2 0

5

      



2

2

0

1 2

1

2

2



 



2

0

2



 

0 2

2

1

2

*Chord symbols reflect overall harmony.

F

G

             

want a piece of choc -’late,

  

take me to a mov -ie.” She’s “I







let ring

can’t



G

  

    



        

Am7/G

find a thing to wear.”

Now and then





she’s mood - y.





 let ring

let ring

1

She’s a

 1/2

5

4 5

 

               

5 7

 

7

9

7

   

 

1 2

3

9 10

 

w/ pick & fingers

1 3

1 2

2

1

2

3

2

1

1 2

2

1

0 3

0 3

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

0

0

0

0 3

0

0

    2

0

0

0

C

          Sat -urn with a sun - roof,



Am

  

  

with her

 

brown hair

 



blow - in’.

She’s a





                      soft place to land

    

and a

good feel -in’ know - in’.





let ring

9

5 5

      

3

2

1

0

0

2

 



 



8

8

  

1

0

2

3

5 5 0

2

0

F

2

   

2 0

G

 

5

7

1 2

2

2

Am7/G

 

2

0

She’s a

4

4

5

        1 2 2

1 2 2

0

0 2 2

1

G

                                             warm con -ver -sa - tion that I would -n’t miss

  

for noth -in’.

She’s a fight -er when she’s mad

lov - er when she’s lov - in’. And she’s

      





and she’s a

 5

 

10

7

     1

3

1 2

2

1

2

3

   

2

1

10

    

1 2

10

2

1 3

0 0 0 X 3

12

  

 

1 0 2 X 3

3 0 0 X 3



 

(cont. in slashes)

0

0

1

3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus F

G

Rhy. Fig. 2



Gtr. 1

     

 

C

  

 



            

ev - ’ry - thing

I

ev

Gtr. 3

 

-

er want

-



 



   



ed



and ev

 





3

3

5

5

G/B

Am

  

     

  

- ’ry - thing

I

G5

  





need.



Rhy. Fig. 2A

  

 

 

 

  

  

2 3 3 1

0 0 X 3

0 2 3

0 0 2

2 2 0

0 0 X 3

F

G

Gtr. 2



  

  

Am

 

   

                            I

talk

a - bout her, I

go

on

on

  and

  



Am



Sorgdal



(cont. in notation)

   

  

’Cause

7

  

 

 

2 3 3 1

0 0 X 3

2 2 0

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



on.

10

12

12

she’s



           

1

4

G5 End Rhy. Fig. 2

    

   

    





and

Am9

12 12

10

  

11 10

  

8

End Rhy. Fig. 2A

0 0 X 3

Interlude Gtr. 2: w/ Rhy. Fig. 1

   

  F

Gtr. 3



  



     

ev

-

Am7/G

’ry

-

G

       

thing

 

to

me.



C

Am







         



1



1/2

7

5

5

   



     

1 0

1 0

7

8

    

   

   

   

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

Gtr. 1



8



5



Gtr. 2

  



let ring

1 1

2 3 3 1



     1 0 2 X 3



3

1



0

2

1 0

1 0

0 0

3

0

7

2

5

5

1 0

3



5

8

   



1 0

1 0



0 0

1



  0 0 X 3

Verse

F

  Gtr. 3



   

Gsus4

G







          

   



5

7

9

1/2

9

9

5 7

Gtr. 1

       3

1 0

1 0

1 0

 



2. She’s a

10

0

C

0 0





1 2 3

1

w/ pick & finger

9

9

7

5

10

10

8

7

3

                     

Sat -ur - day

  

   0

  

the town

and a

church girl on

Sun - day. She’s a



 

0 3

out on

2

    0

1 2

  3

0



1

      0

3

1 2

0 0

1

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 3 tacet

Am

  



cross



a

-





round



her







0

   



F



bub - ble





bath





cuss

word





0





and

can



 -







dles,







1



“Ba

- by,



1

3

   

2

3

3

   



She’s

a

Mon - day.









1



come

and





kiss

me.”





1

1



2



She’s







2

2





2



2









2

2

  

it’s









’cause

1

2

3

a



2





 



and



2

2



neck,

Gtr. 1







 a



1

2

3

1

G

Am7/G

                   

G

C

                    one glass of

wine

and she’s

Gtr. 3

 

feel -in’

kind - a

tip - sy. She’s the







giv -er I wish I could be,

and the



  

        

steal -er of the cov - ers. She’s a



 

1

0

8 0



        0

0

3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

1 2

0

1





 

3

3 0

0 2

0

0



let ring

8

Gtr. 1







0 3

2

   0

1 2

2

 0

2



3

2

0





0



1 2

0

2

0

2





She’s

the





Am

 



pic



- ture



in





my





wal

- let





of



my







un - born

chil



  



-

dren’s

 

moth

 - er.







let ring

1 2







  F





hand







2

2

2



 





that

I’m

hold

-











in’

2

2





when I’m

on





 my





knees

 and

pray - in’.







She’s

the

  

 

5 7



0

1

2









2

0

    

5





0

1

2

2

0



5

5

7





let ring

 



6 5

 

3



2



1







1 2

2



1



2



3



2



1









1 2

3

2



1

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G

Am7/G

 





an - swer



to







my

prayer

G







and

she’s

the









song

that

I’m

play



 -

       









in’.

And

 she’s







6

8

   4



5







0

0





0

1

7





0

2

5

5





1

3













3

0

0

7

0

0

3



1

3

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

    

F

  

 

    

ev - ’ry - thing Gtr. 3



I

ev

    



5

8

6



er want

-



a - bout her,

I

    

G

     

go

on



and

     on

  

C



ed

6

             talk

-



F

I

             

    

G

G/B

and ev - ’ry - thing

 



8

5

6

    and

 

    

I

Am9 Am



   

on.



13

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G

need.



 

15

G



   

   

’Cause

  

1

8

      



Am



    

Am

     

1/2

15

12

she’s

12

14

12

Guitar Solo

F

   

Gtr. 1

 

    

open

Gadd11

G

     

C

 



                           

ev

-

’ry

-

thing

       Gtr. 3

to





10

2

 

2 3 3 1

0 0 X 3

Gadd11

  



5 8 7 5

5



5 7 5

open





 

1

7

7

  

 

0 1 0 2 3

0 1 2 2 0



  

 

3

8

5

1

8

5

7

17

17

19

19

19

17

5



1

15

7

7

5

   

grad. release

1

15 17

5

     

        

3

5

Am

grad. release 1

  3 

grad. release 1

7

C



5

8

8v a

1

 



     

             

8

7 5

G

    

          

7



let ring

  

1

    

Gtr. 2



        

w/ slap-back delay

10

F



me.

 



Am

17

17

  

  

  

 

 

1 1 2 3 3 1

3 1 0 0 2 3

3 0 0 0 2 3

0 1 0 2 3

0 1 2 2 0

15

17

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse

F



 



Gadd11

 

G







Gtr. 2 tacet

open

C



(cont. in notation)





  



3. She’s the

 

8v a





  

3 1

17 15 12 13 15

17

15

1

15 13

15 13

15



1

1

15

15

  

  

1 1 2 3 3 1

3 1 0 0 2 3

3 0 0 0 2 3

some -day when I’m nine - ty. She’s that

  

15

   

         

  

loco

grad. release 1 1/2 15

      

voice I’d love to hear

     6

1/2

  

13

Gtr. 1

 

       

1 0 2 3

0

3

3

0

  5 5 5

2

   0

Gtr. 3 tacet

Am

 







wood - en



rock - in’

Gtr. 1



0

  



Ev

- ’ry





F





3

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2



chair

 I





want

rock





- in’







day

 1









that

pass

-

es







   

   

2

I

on



 -

ly



right



0





1

0

2















be





2

0 2

  love



her









- side

me.



 







10

9





1 0

2

more.

 

 

3

7





3 5

5

0 0

Chorus A tempo

Gsus4

G

F

Gtr. 1







  

               rit.

Yeah, she’s the one

Gtr. 3



 

that I’d lay down my own life for.



                      

And she’s

ev -’ry -thing





rit.

3

Gtr. 1



 

5





5

G/B

Am

G5

F

                              and ev - ’ry - thing

 

I

 

need.

-

er want

    -

  

ed

   

 

 

2 3 3 1

0 0 0 X 3



   

5

4

Gadd11

      

    

And she’s ev

 

-

to

                          

-

’ry

thing

  

5

7

4

open

G

     

 

1/2



ev

Gtr. 2

(cont. in slashes)

C

I



7

rit.

3

G





me.

 

5

 

 

   

  

 

 

 

1 0 2 3

3 0 0 2

1 2 2 0

0 0 0 X 3

2 3 3 1

1 0 0 2 3

0 0 0 2 3

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C

Cmaj7 Am

Am9

F

                  3 3





  

      

  

10 9

7

  

  

0 1 0 2 3

0 1 2 2 0

   



  

Yeah,

she’s



3 3

Gadd11

    

ev

   

           

-

’ry

-

      Gtr. 3





  

7

8

  

2 3 3 1

1 0 0 2 3

0 0 0 2 3



 

3

        

1



10

Gadd11



0

13 10

0

10

12

2

Gtr. 2

 

0 1 0

0 1 0

0 1 0

3 4

0 1 0

       

 

0 1 0

0 1 0

let ring

3

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

         

0 1 0

0 1 0

0 0 0

2

 let ring 

0 1 0

0 1 0

3 4

0 1 3

          0 1 0

0

0 1 0

0 1 0

0 1 0

0 0 0

0 1 0



2



10

10

I

ev

-

er want

12

9

12

-

0 1

3 1 0 0 2 3

3 1 0 0 2 3

3 1 0 0 2 3

   

    

 

0 1 2

0 1 2

1 0 0 2 3

0 1

0 1 2

0 1 2

10

3 4

0 0 2

1 0 0 2 3

ed,

9

  

0 1

9



  

0 1

me.

   

  



let ring

3

9 10 12

   

       

    

G



3

3

10 12



12

                  1

 

                     

  

Rhy. Fig. 3 Gtr. 1

12

  



grad. bend

10 9

 

3    

  

F

  (cont. in notation)

to

7

Ev - ’ry - thing

1

12



   



Am

       

12



10 9

    



open

thing

 

Outro-Guitar Solo

C

G

9

End Rhy. Fig. 3

  

  

  

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

 

 

 

 

1 0 0 2 3

0 0 0 2 3

0 0 0 2 3

0 0 0 2 3

Gtr. 1: w/ Rhy. Fig. 3 (till fade)

C

Am

F









and

Gtr. 3





 





12 15 12

Gtr. 2

         

 

let ring

0 1 0

0 1 0

0 1 0

0 0 0



12



14

0

12

9

10 12

12 10







let ring

0 1 0

0 1 0

0 1 0

0 0 0

20

1

F





   

3

  

3

3 1

20

20

20

19

17

                  let ring let ring 0 1 0



0 1 0

0 1 0

0 0 0

0 1 0

0 1 0 0

0 1 0

0 1 0

0 0 0

20

10 14

13

13

 

0 1 2

0 0 2

15



0 1 2

15

’ry

-



let ring

  

  

1 0 0 2 3

1 0 0 2 3

1 0 0 2 3

0 0 0 2 3

0 0 0 2 3

0 0 0 2 3

0 1 2 3

1

1 1

 

 

 

to



8v a

 

17

20

G

thing

 



17 19

17

  

Gadd11

-

17 19

  

                

    

15

  

17

   

15

  

20

17

0 1 0

12



20

 

12

2

3

Am

1

20

6

6

let ring

0 1 0

      

    



need.

   

And she’s ev

  

I



1

0

C

8v a

’ry - thing

3

  

6

          

0 1 0

3

 

-



3

1

15

   

  

ev

G

8v a                               

3

15

  

Gadd11

me.

       

3

17

 

17



3

15 17

17

17

3

15 17

 

 

 

 

  

  

  

  

  

  

1 1 2 3

1 1 2 3

1 1 2 3

1 1 2 3

3 1 0 0 2 3

3 1 0 0 2 3

3 1 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

3 0 0 0 2 3

17

17

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  C

8v a





 

   15

  

F



Gadd11







  

17



17 18

  

3

12

13

  

15

15

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

Begin fade

C

0 3 0 2 3

0 3 0 2 3

3

15 13

13

12

15

15

14

       

10 9

5 5

10 9

1

5 5 3

6 7

8 9

6 7

8

8

8

5

0

7

        8

8

8

8

8

8

10

8

5 5

6 7

0 1 2 2 0

9

7

0 1 2 3

8



1 1 2 3

 

5 5 3

   

6 7

8 9

6 7

8

10

5

8

10

8

10

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

8

0

7

5 5

6 7

7

9

   

8

8

 let ring

8

8

8

8

10

8

10

1 1 2 3

3 4

4

5 4 2 0

10 10

2

   

  

  

  

1 1 2 3

3 0 0 0 2 3

1 0 0 0 2 3

1 0 0 0 2 3

1 0 0 0 2 3

1 1 2 3

0 1 0 0 2 3

3

3 1 0 0 2 3

3 1 0 0 2 3

Gadd11

10 10

0

3

              let ring 

G

        12 12



12 12

10

8

10



10

8

10

8

10

8

10

8

8

10

8

7

8

7

Fade out

F

Gadd11

8 9



12 12

12 12

     



10 10

10

10 10



let ring

8

G

       

 

8

       

let ring

8

5

1 1 2 3

5

let ring

Am

8

1

8 9

                   3

C

3

                  

 let ring

let ring

Sorgdal

0 3 2 2 0

F

5

   

8

0 3 2 2 0

2

5



                         3

2



0

3 3

        

  

Am

 



1/2



0 1 0 2 3



3

1

1

17

     

5

let ring



G

       loco     3                    

17



Am

8

10

7 8

8 10





     7 8

8 10

7 8

8

from Brad Paisley - Play

Start a Band Words and Music by Kelley Lovelace, Ashley Gorley and Dallas Davidson

F5

Bb5

C5

D5 5fr

134

134

134

134

Gtrs. 4 & 6: Capo I

Intro Moderately q = 122

µ





** F5 Gtr. 2 (elec.)

Bb5

mf

w/ slight dist. *Gtr. 1 (elec.)

        



Riff A







mf

w/ slight dist.



1

3

1

3

5

5

5

5

5

5

5

5

3

 

   

3

5



5

3

3

3

5



C5

 

   

 

5

3

   ***Gtr. 4

5

3





D5

1

1

F5

          1

5

       

3

3

5

**See top of page for chord diagrams pertaining to rhythm slashes.

Gtr. 1



 

1

3

*Brad Paisley

 

     let ring 

7

5

6 6 5



†Gtrs. 2&3

 

5 7



    5

3

5

3



  

 



    3 3 1

1





 

 

  

  

X X X

3 3 1

3 3 1

     

 

mf

w/ slight dist. let ring 1/2

0 4

***Keith Urban Capoed fret is “0” in tab.

4

0

2

†Gtr. 3 (acous.) played mf. Composite arrangement

© 2007 EMI APRIL MUSIC INC., DIDN'T HAVE TO BE MUSIC, BUG MUSIC-MUSIC OF WINDSWEPT, SONGS OF COMBUSTION MUSIC and BIG BORASSA MUSIC, LLC All Rights for DIDN'T HAVE TO BE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for SONGS OF COMBUSTION MUSIC Administered by BUG MUSIC-MUSIC OF WINDSWEPT All Rights for BIG BORASSA MUSIC, LLC Administered by WORDS & MUSIC, COPYRIGHT ADMINISTRATION All Rights Reserved International Copyright Secured Used by Permission Reprinted by Permission of Hal Leonard Corporation

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bb5









C5

     

Bb5



F5

 











      

Brad Paisley: 1. I nev - er was a



     



3 3 1

1

   

  

3 1

3

5

let ring

5

5

 

 

          

3

5

5

7

5

7

3

X

3 5



3

 

 



 

   

3 3 1

1

1



steady gliss.

13



Harm.

1

12 12

1 4

End Riff A



5

       

     

2

 

 

2

0

2

2

0

Verse Gtrs. 2 & 4 tacet

F5 Gtr. 3

Bb5

C5

F5

                       

    straight

  

     

laced,

straight A

   

Gtr. 5 (elec.)

mf

     

  

   

stu - dent,

     

  

   teach - er’s

pet

  

   or child

       



  



prod - i - gy.

     

I wan - n’t gon - na

 

 

         

              

3 3 1

3 3 1

3 3 1

3 5 5 3

 

          

3

5

 

w/ flanger & wah-wah as filter w/ pick & fingers

10 10 8

Gtr. 1

    3 3 1

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Sorgdal

10 10 8

10 10 8

10 10 8

10 10 8

3 3 1



3 3 1

1

3 3 1

5 5 3

5 5 3

3



5 5 3

5 5 3

8

10 10 8

8

8



10 10 8

8 10

Bb5

C5

                              get

rich

throw -ing

a

foot - ball.

              

8

10

10



8

8 10 8

8 10 8

3 3 1

It -’d take too

     

3 3 1

3 3 1

3 3 1

1



3 3

F5

  

  

       





long

    

Bb5

to get a

law de - gree.

   3 5 5

3 3

5

   

5 5

1





1

3 3 1



So

 

6



  

 I

sat

             10 10 8

8

  

10 10 10 10 8 8





10 10 8



 steady gliss.

1 0 13

Bb5

down

Gtr. 5



  

They tried to talk some sense

in - to

my thick

  

          

  

 

  

10 10 8

X X X

3 3 1

5 5 3

5 5 3

7 7 5

7 7 5

8

10 10 10 10 8 8

10 10 8

3 3 1

1

3 3 1

3 3 1

         

                steady gliss.

10 10 8

X X X



10 10 8

10 10 8

X X X

X X X

3 3 1

X X X



3 3 1

3 3 1

5 5 3

5

5 5 3

5 5 3

3

5 5 3

          

  

5 5 3

5 5 3

5 5 3

X X X



5 5 3



 

Mm, but the,

  

10 10 8



head.

    

 

3

with Ma - ma and Dad - dy.

 

                  

Gtr. 1

Gtr. 4

D5

                                              





C5

  

7

7

7

            7 7 5



X X X

6 7 7 5

X X X

5

        

1

4

1 0

X

4

2

X

4

2

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Sorgdal

F5



Bb5

      

     

mm, best ad - vice

     

*Gtrs. 1 & 5



 



3

8

10 10 8

 

ev - er got

 

X 10 X 10 X 8

8

     1

1

3 3 1

was from my





  

sis - ter’s rock

star

boy

 

          

    

X X X

3 3 1

X X 3 X X 3 X X 1

1

F5

  

        

that I

Bb5

X X X X X X

5 5 3















C5

-

  

friend.

Just

   

 

 

 

 

 

 

    

3 3 1

10 10 10 10 10 10 10 X X 10 10 10 10 10 10 10 X X 8 8 8 8 8 8 8 X X

*Composite arrangement

    Gtr. 4







     

**Gtrs. 4 & 6



4

2

6

9

11

**Gtr. 6 (elec.) w/ clean tone, played mf. Composite arrangement

Chorus Gtr. 5 tacet

C5

Bb5

F5

C5

Bb5

F5





  

  

  

 

Rhy. Fig. 1

         



***

get you a gui

-

tar and

     

          

learn

how to

play.

Riff B

 

Gtrs. 4 & 6

 11

11

9

9



   

  

5

3

Gtr. 1



5 3

4

1

***Keith Urban: harmony vocals

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Sorgdal

X X X

X X X



          

Cut up some jeans,

    



9

4

6

9

11

   

come

    0



0

            let ring

3 3 1

3

3 3 1

3

5

5

X X X

3 1

3 1

3 3

1

  steady gliss.

10 10 8

 

When you’re



      



10 10 8

6

 11

X X

4

 

End Riff B

9

2

      3 3 1

name.

     0

  

3 3 1

up with a

0

 

X X X

        

let ring

0

11

  

X X

10 10 8

0

C5

Bb5



D5

Bb5

F5

C5

                                           



  



liv - ing in

a world that you

don’t

         



0

0 0



0

0

0

4

2

          

    

 

find a

      

 

let ring

0

11

un - der - stand

few good







start a

    





End Rhy. Fig. 1

        

bud - dies,

 

F5



band,

(cont. in notation)

start a

band,

  



let ring

4

6

0

9

0

0

0

2 2 0

    



2

 

   





 

   1

5

5 3

X X X

3 3 1

X X X

6 6 4

7 7 5

3 3 1

1

3 3 1

0

1

3

3

3

0

1

1

Interlude Gtrs. 4 & 6 tacet

Gtr. 1: w/ Riff A, simile

C5

Bb5

F/A



  

C5/G



        start a

F5

  



Bb5



3

5

5 3

1

3

3

   

2 1

0

0

3

3

5

Fill 1 Gtrs. 2 & 3

5

5 3

1

3

3 1

0

3

2 3



3

     let ring 

3







End Fill 1

             let ring  let ring 3

3



band.

Gtr. 1

            let ring  let ring

C5

X X 3 X X 0

Rhy. Fig. 2

 

        

3 3 1

3 3 1

3 3 1

3 1

         3 1

5 1

X X

X X

3 1

5 3

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D5

   Gtr. 4

C5







           5 3

X X X

7 3

3

X X X

   

5 5 3

5 5 3

  



6

5

4

7

                  7 7 5

7 7 5

X X X

7 7 5

5 5 3



5

End Rhy. Fig. 2

7 7 5

Bb5 (A5)

                     

4

Gtrs. 2 & 3

F5 (E5)

* (B5)

5 5 3

3 3 1

4



6

7



6

4

2

        

               

3 3 1

3 3 1

3 3 1

X X X

3 3 1

3 3 1

3 3 1

3 3 1

X X X

X X X

4

  

3 3 1

3 3 1

*Symbols in parentheses represent chord names respective to capoed guitars. Symbols above reflect actual sounding chords.

C5 (B5)

Bb5 (A5)

F5 (E5) Gtr. 3





  



       

 

Gtr. 4

   



 

  

   

    

Keith Urban: 2. Now

 

all those

girls



Harm.

steady gliss.

1

12 12 4

4

2

2

4

Gtr. 5



4

2

0

9











    10 10 10 10 8 8

Gtrs. 2 & 3



 

              (Gtr. 3, cont. in slashes)

5 5 3

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Sorgdal

5 5 3

5 5 3

X X X

3 3 1

3 3 1

X X X

3 3 1

Gtr. 2

  

  

Verse

Gtr. 3

        that were too cool to

Gtr. 1

 

  





   

Bb5

talk

to,

C5

 

  

wait

               



3 3 1

   

6 6 4

9 9 7

 

Gtr. 5



    

      



they’ll be



 

-

ing in

a line out

8 8 6



5 5 3

*



        0 3

  



Might get your



 







F5

     



back.

      

8 8 6

D5





F5





Gtrs. 2 & 4 tacet

0 3 0

  

 

2 0 3 0

3



steady gliss.

10 10 8

10 10 8

5 5 3

5 5 3 *Brad Paisley: harmony vocals

           pic - ture in

   Gtr. 4

a



  





 

C5

home town

pa - per,



Bb5

    

F5



    

  

may -be buy your

ma - ma that

                   





Bb5

Cad - il - lac.



Brad Paisley: Just



     





4

Gtr. 1



 

 





         13

3 3 1 Gtr. 5



   10 10 8

3 3 1

10 1

13 12 10

18

 

12

  

   

 

3

3

1

3

1

1

steady gliss.

 

 

 

 

 

 

 

10 10 8

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

3 3 1

3 3 1

3 3 1

1

3

9

11

           

13

 



  

6

5

3 5

3

5

7

5 7

5

3

                3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus Gtr. 3: w/ Rhy. Fig. 1 Gtrs. 4 & 6: w/ Riff B, simile Gtr. 5 tacet

C5 (B5)

Bb5 (A5)

F5 (E5)

*                 get you a gui

-

tar and learn

how to

play.

5

5

3

3

3

1

3

10 10 10 10 8 8

3 3 1

1

8

Bb5 (A5)

F5 (E5)

            

         

                        let ring let ring Gtr. 1

C5 (B5)

    

  

10 10 10 10 8 8

10 10 8

 

      

 

5 5 3

5 5 3

3 3 1

Cut up some jeans,

come

3 3 1

0

          

up with a

name.



When you’re

      

 

let ring

1

0

3

0

3

1

2

3

*Keith Urban: harmony vocals

C5 (B5)

Bb5 (A5)

D5 (C#5)



            liv - ing in a world that you



0

11

Gtr. 1



0

0

                   

don’t

Gtrs. 4 & 6

un - der - stand

   0

0 4

6

4

 

       

  

5 5 3

5 5 3

7 7 5

3 3 1

F5 (E5)

find a

0

0

4

6

Gtr. 6 tacet

 

3 3 1



F/A (E/G#)



3 3 1

Bb5 (A5)

Scrape up some mon - ey, buy





 



bud - dies,

8

**Gtrs. 1, 2 & 3



   let ring

3

5

5

**Composite arrangement

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

6

6

4

4

2

2

1

1

4

4

5 5 3

5 5 3

5 5 3

0

3

2 0

1

van.







Buy

a

van.

2

2

3

Gtr. 6 divisi

 



Start a (Start a

band. band.

 

9



 

   

1

3 3 1

0

8

3 3

5



6

8

Keith Urban: Learn

9

 

10 10 8

0

10 10 8

“Free

1

       

Bird”

and “Ram - bl - in’ Man.”



8

8

3 5

Bb5 (A5)

    

 

9

    

F/A (E/G#)

  

  

a

                   let ring  let ring 5 5 3

band.

 

                       8

start a

  

Gtrs. 4 & 6

9



Gtr. 4

C5 (B5)

       

 

         

0

Bridge

C5 (B5)

F5 (E5)

2 2 0

         7 7 5

     

few good

    

C5 (B5)



          

Bb5 (A5)

 



Man.)

           

6

6

 

   

 

           let ring

    

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

5 5 3

4

4

2

5 5 3

2

0

1

3

1

4

2 0

4

3 3 1

2

2

9 11

X X X X X X

C5 (B5)

 





Dm (C#m)

        buy

Gtr. 7 (elec.)

 

F/A (E/G#)

  

C5/G (B5/F)













Bb5 (A5)



an - oth - er beer a - gain.

 

 



C5 (B5)

          

*

Nev - er

Gtrs. 2 & 3: w/ Fill 1, simile

Bb5 (A5)

  



 



     

                 

mf w/ dist. & chorus 15 X 13

          

  

Gtr. 4

  

Gtr. 6

Gtr. 4 divisi

11

9

9

8

8

6

6

5 6 6 4

4

5 6 6 4

  

    

17

17 17 X X 15 15

15

15 X 13

                 let ring

0

0

2 2 0

14 14 14 14 14 12 12 12 12 X X X X X X X X X 12 12 12 12 12 10 10 10 10

**Gtrs. 4 & 6

let ring

2 2 0

15 15 X X 13 13

0

0



0

0

4

4

4



let ring

0

0

0

9

4

11 11 11

**Composite arrangement Gtrs. 1, 2 & 3



     

 

            let ring

    

5 5 3

5 5 3

5 5 3

3 3 1

5 5 3

5 5 3

X X X X X X

5

7

7

7

3 3 1

 

Gtr. 1

3 3 3 3 1 1







5 5 3

 

8

8

*Brad Paisley: lead vocals Keith Urban: harmony vocals

Guitar Solo Gtr. 6 tacet

Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtr. 7 tacet

F5 (E5)

Bb5 (A5)

     Gtrs. 4 & 6

Gtr. 4

 

let ring

C5 (B5)

D5 (C#5)





C5 (B5)







 

1

11

12

Gtr. 1



 

   

steady gliss.

5

8

1

1

6 7

5 5 6 5 5 5 5 7

  

                    

5 5 5

5 5 5

3 3 3

3 3 3

3 3 1

0

1

2

3

3

2

0

1 3

1



5

5

                      





    

2

1 0 X X 3

1

1

5 3

5

7

10 7

13

10 10 10 13 10 12

13 12 10

12

3

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F5

Bb5





Gtrs. 2&3

  

    1



2



2

2

2

2

F5

0

0

3

End Rhy. Fig. 3

2

4

2

0

2

4

6

4

4

5

6

7

7

9

9

*Shake neck





10 10

Bb5

                                                   let ring let ring  1  * 

1

      2

C5

 

Rhy. Fig. 3



12

12

14

12

14

         



1

10 10 8 10

8 10 12

10 10 12

10 10

10 12

Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st 4 meas.)

C5 (B5)

Bb5 (A5)

F5 (E5)

C5 (B5)

Bb5 (A5)

F5 (E5)

                                               1

1

12 14

14

1

17

17

14 13

14



1

14

1

14 13 10



      1

1

10 11

12

         

1

13

13 12

12 10

12

12 10

Gtrs. 2&3

  

  



1

1

17



Bb5

10

19 17

 



1

1

        1/2



  

  

1/2

17

17 16

D5

16

     1





12

 



14

   



14

13

15 15

15 13

13 13

13 12

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

12

10

12



1

10

12 10

13

12 10

12

13 15



 



9

13

 



5

9



 

11 14



1/2

15

14

12 17

          13

12

13

C5

     

1

1

1



12

12

10 11

12

1

14 12

14 13

14



14



10

     

1

16

12 14

14

1

8

C5

13

16

          



1

14



1

12

9 11





8



7

X



5





4

2

     

6 7

7

 

5 7

3 5

1 2

5 7

Chorus



Gtrs. 2 & 3 tacet

C5 (B5)









2

X

get you

           

     



5

X

12 11 9

4

12 9

7

8



3 7

1

5

6

2

5

0

Gtr. 5



7

5

7

5

7

6

Bb5

   



     





5

   

5 5 3

3

1

                       let ring  let ring 

Gtr. 1



3

5 5

3

1



1

3 3 1

1

6

8



8

10 10

1

8

Keith Urban: Grow



lit - tle bit

  

8



10 10 8

Gtrs. 2 & 5

 

10 10 8

5 5 3

       0

13

0

1

5 5 3

*Brad Paisley: lead vocals Keith Urban: harmony vocals

    

   

3 3 1

1

     

C5

name.

Gtr. 5

3

play.

3

  *                up with a

how to

 

3

   

come

learn



With a

out your hair,

tar and



F5

 

-

9

3

Gtr. 4 tacet

gui

  





C5

a



      

   

                

Gtr. 1

F5 (E5)

         

 

Brad Paisley: So,

Gtr. 4

Bb5 (A5)

Bb5

1

3

   

D5

(cont. on upper staff)

3 3

1

3

3 3 1

1

     

Bb5

  

          

3 3 1

7 7 5

of luck you’ll be pack

-

ing the



stands.





(Gtr. 5 cont. in slashes)

7 7 5

3 3 1

  

           

3 3 1

7 7 5

7 7 5

7 7 5



3 3 1

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





Gtr. 2 tacet

Bb5 Gtr. 5



F5 (E5)



   



   

     

 



Find a Gtr. 2

C5 (B5)

few good

    

bud - dies,



F5 (E5)

     



  

   

Gtr. 5 tacet

start a



band.





3 3 1

Gtr. 1

    

       

3 3 1

3 3 1

    

Gtr. 4

3 3 1

3 3 1

                3 3 1

X X

   

  

No need to

  





0 0

0

0

0

Gtr. 1

       



1

1

12

1

5

3

5

*Keith Urban: lead vocals Brad Paisley: harmony vocals

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

3 3 1

3 3 1

3 3 1

3 3 1

F5 (E5)

 3     start a

   

0 0



3 3 1

 X  X  X   X  X  X 

stud - y,



Gtr. 4

3 3 1

C5 (B5)





  

3 3 1

 

5



   

3

5



 

2 2 0

 **   



2 4

2



 

3

3

5

8

3

 



4

2

       

3

5

5

 

up

3

4

2 2 0

2

C5 (B5)

2 2 0



start a

    

    



band.

      (cont. on lower staff)

2 2 0

2 4

2

4 4 2

4 4 2

X X X X X X

                let ring (cont. on upper staff)

3 1

3

1



  

some bud - dies, man, and

2 2 0



X X X

              

  

 

4

2

 



let ring

X X X

Bb5 (A5)

0 0





   

let ring

Call

2 2 0



1

3

      

4 4 2



0 0

band.

 

 

0

             P.S.



*   

3 3 1

  

1

**Brad Paisley: lead vocals Keith Urban: harmony vocals

1

3

3

X X X

5 5 3

5 5 3

X X X X X X

Guitar Solo Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtr. 4 tacet

F5 (E5)

F5

 



Gtr. 1

   



   



 

  



 

 



 



Bb5













8

3

3

       

1

5

5

5

5

5

5

5

  

           3

2

5

6

5

 

5

        

1/2 8

1/2

7

5

6

             Gtr. 4

3 3 1

1

X

9

6

6

9

8

2

3

1

5

3

3

3



3 X X 3 3 3 X X 3 3 1 X X 1 1

1

3

             



5

7

4

C5 (B5)

Bb5 (A5)

5 5 5

5

3

7

7

7

9 7 7

5

6 7

  

5 7

 







5 3 0 3 5

   

5

7

6

7 5

7

9

9

11

9

9 11

9

11

13

6

10

8

8

   







3             

5 3 0



0 30

12 13

18

17

19

19

5

    

1

7 7 7 7

8

F5 (E5)

1

9 9

7

 

  

              

1/2

7

1

C5

                     

6 3 3 1

8 X 6

9

8

Bb5 (A5)

   

 8 6

8

 



F5 (E5)



3

  

steady gliss.

       

Gtrs. 2 & 3: w/ Rhy. Fig. 3

Gtr. 1

3





D5

0

5

3

  

12

Gtr. 1

3

3

        

5

3

2 2 0

3

 

4

1

Gtr. 4

1



     let ring 



1

3 3 1

C5

19 17 2

0

4

6

0

5

5 7 6 5

3

      1/2

0

4 2 0

3

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  3 3  3 3                                                    1 1/2 3 3  1/2 1 1 1   1 5 0 ( 8) 6 8 5 6 3 0 3 5 5 5 3 0 3 2 0 3 4 5 5 3 0 3 0 2 3 2 5 6 5 5 5 5 3 3 

Gtrs. 2 & 3: w/ Rhy. Fig. 2



Bb5

C5

8

  

8

C5

8





D5







0

F5

Bb5

Rhy. Fig. 4 Gtrs. 2&3



     

  







 

P.M.

6 5 7

5 7



6 5 7

0

1









       





     P.M.

3

3 3

3

2

2

5

4

6

4

4

7

4

4

5

7

3 3 1

7

7

F5

5

6

Bb5

        

Rhy. Fig. 5

        





1

1

15

15



13 13 13 13

15

13 13

3 3 1

5 5 3

15

15

14

17

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

17

9

11

13

12

1

3

X X 3

6

3

10

3

12

12

16

17

12

12

     

0





 



2

3

 



3

8

*

3 3

3 0 3 0

3 0

0

-1 *Tune down string w/ tuning peg.



5

End Rhy. Fig. 5

1 hold bend

3

6 5

5

D5

3                             1 1

5 5 3

       

        

1 1 15

8

X

C5

1/2

           1 

Sorgdal

1

                 

     

3 3 1

Bb5 End Rhy. Fig. 4

                     1 hold bend let ring 0



C5









  

12 12

  14 14

Gtrs. 2 & 3: w/ Rhy. Fig. 3

F5 (E5)



        steady gliss.

steady gliss.

10 10 8

8 8

  

  10 10 8

 

 

3 3 1

                14 12 12 14 12 12

Bb5 (A5)

9 9 9 X X 7 9 9 9 X X 7

  

     

5 5

5 4

7 6

0

3 3 1

1

Bb5 (A5)

       

5 5 3

5 5 3

5 5 3

       

5 5 3

           

3

3 3 1

5

4

6

4 2

4

2

1

4

4

1

4

3 3 1

3 3 1

3 3 1

        



1 1/2 1

F5 (E5)

1 1 1/2

1

4

4

4 2

4

4

4 9

11

F5 Gtrs. 2&3



  

     P.M. 

3 3 1

C5 (B5)

 

 

 

 

 

 

 

 

                       



  

3

3

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

10

12

10

12

10

10

12

11



                  



10

12

12 13

 

10



12 10

0

12

10



Harm.

12 12 9

7

9

7

6

8

6

4

6

4

2

4

2

Bb5



0

2

 

                             3

6

3

6

0

C5

D5

C5

                                     let ring  1

12 13

  

10

12 10 0

12

10 12 13

10

12 10 0

12

10 12 13 10 0

12

10

9

10

8 9

7 8

7 8

2

5

3

5

7

5

6 5

7

6 5

5 7

5

3

  8va







5

5



Harm.

5

Pitch: B

15

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F5





   



 

 

    

3

3 3 3

X X X

3 3 3

3

Bb5

 



  

 







     

   

3 3 1

3 3 1

 



  

5

3

3

5

4

5

3 3 3

3

6

3

5

4

5

  



   

   

Bb5

   

P.M.

1

0

3 3 1

1

3

3

6

5

4

5

6

7

5 3

3 1

5

5 5 3

5 3

5 5 3

3 3 1

(cont. on lower staff)

3 3 1

 let ring

let ring 1/2

6

    3 3 1

3 3 1

           



1

6

  



                            

5

C5

4 7

1/2

5

7 8

8



(cont. on upper staff) 1/2

5

8

1/2

5

8

8

Outro Gtrs. 2 & 3: w/ Rhy. Fig. 5

F5 (E5)

           Gtr. 4



Gtr. 1



9

9

9

 

         

10 10 12

12

10

 

9

 

12

F5 (E5)

         

4

9

9

9

9

9

9

10

steady gliss.

10 10

12

1 1/2

9

10

  

  

12



1

2

9

9

10

 

7

          

12

10 10

12

10

 

13

10 10

13



12

10 10

12

12

10

 

10 12

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12 10 11

10

8

8

8



steady gliss. (cont. on lower staff)

10 9 7

9

7

9

7

6

7

6

6

6

6

6

                  

 

12 10

7



(cont. on upper staff) 

1/2

10

10

                    

3

12

1

F5 (E5)

1

1

7

2 1



12 12

Bb5 (A5)

12

10

12 10 11

16

10

12

10

C5 (B5)

7

         

steady gliss.

5



1

3

10 10

7

 

6



5

                

 1

6

        

7



1/2

9

9

steady gliss.

steady gliss.

9



1

12

2

Bb5 (A5)

 

10 12 12 10

3

 

12

7

10 10

D5 (C#5)

                         

 

        

steady gliss.

Gtrs. 2 & 3: w/ Rhy. Fig. 3





9

4

C5 (B5)

       

steady gliss.

2

10

9

9

Bb5 (A5)

10

8

10

8

8

8

8

8

14

Gtrs. 2 & 3: w/ Rhy. Fig. 5

Gtr. 1



          13

13

13 14 12

   

13

13

14 12

  

Gtr. 4



Bb5 (A5)

        

 

13

13 14

15

 

13

15

13

12 14

12

13

14

12 14

14

12 14



13

13

                15

15

15

       

13

 

D5 (C#5)





13

let ring

12

C5 (B5)

14 14



17

15

17

15

15

17

15 13

17



let ring

14

16

14

16

16

16

15 13

13 15

         

         

14 14

15

1/2



16

16 14

16

16

16 14 13 14

Gtrs. 2 & 3: w/ Rhy. Fig. 4

F5 (E5)



  

  

Bb5 (A5)

C5 (B5)

       

      

13

13

13

13

13

13

14

14

14

       

13

13

13

15

15

12

13

12

12

      

13

14

14

13

14

12

12

14

14

15

14

14



 



15

15

   

 

16

12

17

15

   

   



13

let ring 11

 

Bb5 (A5)

15



16

15

17

let ring

14 16

17

  

16

18 17

      17

17

12

16

Gtrs. 2 & 3: w/ Rhy. Fig. 5

F5 (E5)

Bb5 (A5)

               

8va



17

  

18

17 17

18

17 17

18

17 17

18

17 17

18

18 17

               

                18

18 17

18

18 17

18

18 17

18

18 17

18

18 17

18

               

let ring

12

7

9

12

7

9

12

7

9

12

7

9

12

7

9

10

12

7

10

12

7

10

12

7

10

12

7

10

12

7

7 10

9 12

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C5 (B5)

             

8va





20 19

20

20 19

20

20

20

19

19

20

19

        

  

Begin fade D5 (C#5)

20

9

12

9

14

9

9

12

  



14

9

18

15

15

18

17

18

17

15 17

18

15 17

18

17

              



9

12

15

20

19

let ring

14

              



let ring

11

12

Gtrs. 2 & 3: w/ Rhy. Fig. 3

F5 (E5)

9

9

11

9

11

9

9

9

11

9

9

11

9

9

Bb5 (A5)

              

              

17

18

8va



18

17

18

17

17 17

18

17 17

18

17

18

17

17

               

  

18

18 17

18

18

17

18

18 17

18

18 17

18

17

               

let ring

12

7

C5 (B5)



loco



9



12

7

9

12

7

12

9

7

17

12

7





1

 









15

15









13

10











1

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

7

7

10

12

7

10

12

7

10

12



1



10





10

steady gliss.

   9



12



1 10

  

10

7

10

12

7

7 10

9 12

Fade out

 12

12





1

9 10



11

9 10



1

1

12

12

10

F5 (E5)

12

  

9

Bb5 (A5)

1/2

15

9



steady gliss.

9



from Brad Paisley - Who Needs Pictures

The Nervous Breakdown Words and Music by Brad Paisley, James Gregory and Mitch McMichen G5

2

Csus2

34

2

D

34

Em

132

12

C

A7

G/B

32 14

1 2

1

Dsus4

34

134

A Fast h = 164 µ

                   mf

Gtr. 1 (acous.)

3



0

0

6

3

0

           let ring let ring 3

2

0

3 2

3

3

3

0

5

0

3

0

P.M.

5 5

 

 3

7

2

0

3

0

3

2

5

0

3



5

7

2

3

3



2



P.M.

2

0





7



0

3

7



 (cont. in slashes)

3

Csus2



Rhy. Fig. 1

mf



  





let ring throughout Gtr. 3 (elec.)

  

                   f

   

0

0

6

3

0

5

0

3

0

5

0

3

0

5

0

5

6

0

3

0

5

0

3

0

5

0

3

0

0



   

 

 

7 5

9



 

P.M.

5

    

7



1/4

3 7

G5

           P.M.

0



  

5

7

D

 

3

7

5

                            0

    P.M.

w/ clean tone

3

  





G5

3



       

G5

 

 

        

B Gtrs. 1 & 2 (acous.)



0

0





3 2

0

5

 

6



P.M.

5

0

7

© 1999 EMI APRIL MUSIC INC., SEA GAYLE MUSIC, MUSIC ALLEY, SAD CARLOTTA MUSIC and TRUDYSONG MUSIC All Rights for SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for MUSIC ALLEY, SAD CARLOTTA MUSIC and TRUDYSONG MUSIC Administered by ICG All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



       3





0

 

 





5 7

3

 0



 

5



0

3



0

       

5



     0

3





5

3

5

0

0

0

5

1.



 





5

  

0



5

3

 3

7

D

3

    

P.M.

5



 



0

0

  

let ring

7



  



 3





G5

P.M.

5



0

6



  

Csus2

7

G5



  

  

5

4

  

3

3

      

2.

                 

End Rhy. Fig. 1

3

Rhy. Fill 1

  



1

2

End Rhy. Fill 1

     1/2



3

2

3

2

C Em



Rhy. Fig. 2

  



 





2 2 0

4



Gtr. 3







 

      

mf

w/ clean tone & tremolo

 0 0 0 2 2 0

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

let ring

Rhy. Fig. 3 Gtr. 4 (elec.)





5

2

 





 

  











   

1

2

2

2

5

4 End Rhy. Fig. 3

     

     

     

Gtr. 4 tacet

C





  





   

  

     



  

   



      Gtr. 3

G5



   





1/2



1 0 2 3

3 0 0 2 3

2

2

Gtr. 4: w/ Rhy. Fig. 3

Em



  



  









  







let ring

2

C

    

Gtr. 3

4



   

0 2 3

2

5

3

   

 

 3



2



4



3





  











   

1

 



  



5

2

2

D

   

2









5

4

         7

4

5

9

10

Gtr. 4

 

 

 

2 0

2 3

Gtr. 4: w/ Rhy. Fig. 3

Em



   Gtr. 3



  









   

let ring

2

4

5

2

 





 

  









1

2

2

2

5

 

      4

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C





  

  









G5

   









let ring

2

3

A7











3

0

2



 









 



  







0

4

    





   



3





  









0

4

 













5

5

7

7

7

9





5





D

End Rhy. Fig. 2

  







 

7 7

7

9

9

11

 



 11

D    

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 12 meas.)

G5

         

Csus2

       

 





P.M.

3

0

6

0

3

0

5

0

3

0

5

0

3

0

5

5

0 5

G5

          3

0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





4

Dsus4

5

7



G/B

0

D

   

0

2

4

1/2

1

5

 1/2

3

let ring

0





0



2

C

    

3

  

0



6

0

3

0

5

0

3

0

5

0

3

0

0

5

7

  



5

 

7 5

9

7

3

  5

7

      G5

P.M.

0

   P.M.

3

7

D

       





6

 5

7

          3

0

6

G5



Gtrs. 1&2

0



   



3

0

3

 0

5

3



0





3

0



(2nd time, cont. in notation)

 

5



5

4



1

3





2

 

 P.M.

5

3

  

3

 

7

  

7

G5







  



0

3

3

7

5



1



2







0

2

0

Gtrs. 1, 2 & 3 tacet

G

Gsus4

G5add#4

   

  

  

*Gtr. 5



7

To Coda 1 

 

5

0

0





P.M.

  

3

5

0



 







  

3



  

5

0

5

D

To Coda 2



0

  

let ring

5

       

0

5

Csus2

mf 3 3 4 5

0

3 3 5 5

3 3 6 5

*Banjo arr. for gtr.

E Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 7/8 times) Gtr. 5 tacet

G5

   Gtr. 3



  

3

3

2

2

2



 

let ring 1

1



Csus2

       

0

3

2

G5

2

3

0

3

0

3

2

D

               3

0

       

2

0

3

2

0

3

0

1

2

0

2

 



2

5

0 0

2

3

0

3

0

          G5

        4

0

6

5

7

6

8

7

9

9

7

9

9

7

8

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

          6

7

5

7

7

5

2

 



7

9

3

2

5

2

7

9

G5

5

5

0

7

9

2

5

2

5

7

2

5

  

        0

3

3

5

G5

5

0

2

3

0

     

0

3

3

4

5

5

3

3

5

5

 



7

9

0

7

0

Csus2

      0

 



7

9

0

9



8

3

2



8

7

9

0

 



     

9

10

10

0

0

7

0

0

8

0



     

9

10

10

0

10

7

0

0

9

       

  

5

2

D

      9

7

 

0

0

5

4

0

G5



0

4

0

Csus2

3                                   

3

4

3

4

3

0

2

3

           

0

0

4

0

5

0

0

0

2

3

0

3

3

2

0

3

2

0

3

3

2

0



        

12

0

3

2

0

3

  

3

0

0

G5

  

   

  

2

0 0

7

0

7

0

12

17

15

0 0

15

  0 0



Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

2

 

0 0

6

3

Gtrs. 1 & 2: w/ Rhy. Fill 1



0

2

3

D



G5

Sorgdal

0

 

        3

2

8

     

9

    

2

7

Csus2

       

4

     

     

2

8

D

       

7

5

7





8

G5

0



5

7







5

       

19

0

0

F Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Rhy. Fig. 3

 Em  









let ring

2





4

2

C



 

     

3

2

3

2

0

5

 

    0

7

7

5



5

7

 2

2







5

4

4

G5

        

    0

0



1

2

5





7

0

9

9

7

0 9

0

8





 

10

0

8 7

9

Gtr. 4: w/ Rhy. Fig. 3



 



2 2 0

4





Em



let ring











2

5



8v a























5

4

1

2

C





2

2

D



















1/2

0 2

+1

0

4





w/ G-bender Harm.

1/2

loco

5 Pitch: D

7

5

7

7

7

7

7

10

G

Gtr. 4: w/ Rhy. Fig. 3



Em



2 2 0

4



  



let ring











2

5











5

4

1

2

2

G5







1/2







1

0 2



2

C











1/2

0 5



5







1/2

0 2



0 1





let ring

0

0 2

9







0

2

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









    3

      3









A7

1/2

1/4

2

X

3





1/2

X X

X

3

3

G/B

      3







Harm.

1

X

X

X

3

4

X

X

3





1

0

3

Pitch: E



              

5

5

D.S. al Coda 1





C

D





 













Dsus4

 0

1/2

0

5

5

12

0

3

8

7

 Coda 1 G5

Gtrs. 1&2





D

  



           let ring 5

Free time Gtr. 2



Gtr. 3





 

3

5

0

5

0

3

0

D

5

5

5

5

5

5

5

G5



  

5



5

5



5

5

5



 (Gtr. 1, cont. in notation)

          5

3

5

4

3

3

1

2



3

      0

1

0

2

















0

     Gtr. 1

3 3 0 0 X 3



3













0

0

*w/ tuning key 0

0

0

-1/2 *Prior to picking, detune 2nd string 1/2 step, then pick and raise back to original pitch.

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

0

G Gtrs. 1 & 2: w/ Rhy. Fig. 1

G5

Csus2

8v a



                    *Gtr. 6

  





  

  



  

f 18

15

14

15

18

15

18

15

14

15

18

18

15

15

14

15

15

12

11

12

18

15

14

15

15

12

11

12

18 16

17

16

*Piano arr. for gtr.



Gtr. 3



  



  

mp



0 0 X 3

G5

         8v a

13

15

15

14



14

15

14

15

14

15

17

14



14



18

20 22

14



          let ring

15 17





     

15



 

19 21

17 19

19

18 20

G5

   

2 3 2 0

Csus2

loco



    

   





14

     







D





               

w/ pick & finger let ring

    



12 16

15

14

12

15

14

12

   

14

12

14

12

14

12

8

8

7

9 8

7

10



7

10

7

10

7

10

6

3

3



3 3 0 0

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5





D

   





G5

  







  





 

 

*Gtr. 7







Gtr. 6 divisi

8v a

 

**





5

7

5

 

5





5

8



 



P.M.

5

7

5

7

5

5

7

9

7

7

0

7

0

20 0 21

0

 

*Fiddle arr. for gtr., played f.

mf

5

5

5

6



 



5

7

 



5







  



**Gtr. 6 notated to left of slash.





8

8



5

7

9

7

7

7

7

9

8

H Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 14 meas.) Gtr. 6 tacet

G5

    



8v a

Gtr. 7

20 21



19 20

  





19 20

Csus2

19 20

20 21

  



14

Gtr. 3





mp



 



let ring

8





0 0 3

G5

          8v a

17



16

17



14

16



15

17

14

15

21

17

14

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

16

17

14

15

  

15

17

14

17



15

14

17

15

D

       

15

15

16

14

3 0 X 3

        17

14

  

16

14

    2 3 2 0

10

       

     

15

14

17

15

14

17

15

G5

        16

   

14

17

16

14

16

14

17

8v a







17

14

16





16

17





15

17







14

15

15

    





22

   









Csus2











22

20

18

20

22











18

17





let ring

3 0 0 X 3

3

0

0

3

Gtrs. 1 & 2: w/ Rhy. Fill 1

G5

D

8v a

18





15

18

17

14

15

13

12

15

13

15

12

15

  





       

   





let ring

13

12

               

loco

14

12



     

G5

12

15

14

12

15

14

    

12

12

15

  

14

12

15



14



11

12



f





1/2

3 3 0 0 X 3

3 2 0

3

2

2

I Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Rhy. Fig. 3

Em



 

Gtr. 7 tacet









14



   



2 2 0







let ring

4

5

2

















5

4

1

2

2

2

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C

G5

 

    Gtr. 3





let ring











1/2

0 2

0 0 3

2

2

Gtr. 4: w/ Rhy. Fig. 3



Em

 









let ring

2

4













5

4

1

2

5



2

2

2

Gtr. 4: w/ Rhy. Fig. 3

C

D

 

 

 







1/2

2

2





let ring

2

5







12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



5

4



3

A7

 

 





    1 0 2 3

 

 

2 0

C



G/B

 



2

2

4

2 0

Sorgdal



1

2

0 0 X 3





G5

   





4

C

D

   

  



 

2 2 0

   









2 0

2 3

 



   

Em

3 2 0

Dsus4

D

 

D.S. al Coda 2





3

3

 Coda 2

J (Drums)

G

  



C

  





  

3 3 4

  

 







Gtr. 3







  

Gtrs. 1 & 2

D  

G5





3 5 5

10 10 11

    

    

    

    

    

   

3 3 0 0 X 3

3 3 0 0 X 3

3 1 0 2 3

3 1 0 2 3

3 3 0 0 X 3

2 3 2 0

    





3 3 0 0 X 3

0

3



2

     

2

3

  

2





3

2











let ring

0

0

  



   Gtr. 4



Slower q. = 54 µ

0

3 2 0

3

Free time

      G5







3 3 0 0 X 3





      

    

    

    

    

    

    

    

    

Gtr. 1

 pp

    



pp



3 3 0 0 X 3



mf

3 3 0 0 X 3

      



    

Gtr. 2 tacet

3 3 0 0 X 3

4

          mp 3



0

0

0





 pp

w/ G-bender +1 +1

3



0

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Brad Paisley - Time Well Wasted

The World

Words and Music by Kelley Lovelace, Brad Paisley and Lee Thomas Miller E

B5

A5

C#m

A

F#m

C#5

4fr

Intro Fast q = 176 E5 E6

    

231

134

E5

Gtr. 1 (elec.)

11

E6

13421

E5

E6

E5

D5

4fr 111

E5

E6

134111

134

E5

E6

5fr 11

134

E5

E6

E5

E6

E5

E6

                                   

mf

w/ dist. w/ wah-wah



2 0

2 0

4

0

2

0

4

2

0

4 0

0

0

2

4

0

0

2 2

0

4

2

0

4

0

2

0

0

4

0

2

2 4

0

2

Gtr. 1 tacet

E Rhy. Fig. 1

       

Gtr. 2 (acous.)

mf

  

Gtr. 3 (elec.)

               

Rhy. Fig. 1A

       





mf

let ring

w/ slight dist. w/ fingers



End Rhy. Fig. 1

       

       

2 4

0

0

1

2 4

0

1

End Riff A





       



1/4

w/ dist.

  

2 4

Riff A

mf

Gtr. 6 (elec.)

4 6



  

Gtr. 4 (elec.)

4 6



let ring

0 2 4



End Rhy. Fig. 1A

0



2

1

0



0

3

0





    



mf

w/ dist. *w/ Leslie

*Leslie set for eighth-note regeneration w/ 1 repeat.









       mf 1/4 

  

Gtr. 5 (elec.)

0 0 0 0

w/ dist.

X

2

3

4

2 3

0

© 2005 EMI APRIL MUSIC INC., DIDN’T HAVE TO BE MUSIC, NEW SEA GAYLE MUSIC, MUSIC OF STAGE THREE and HOLD JACK MUSIC All Rights for DIDN’T HAVE TO BE MUSIC and NEW SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for HOLD JACK MUSIC Controlled and Administered by MUSIC OF STAGE THREE All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A Gtr. 4: w/ Riff A

  











 

1. To

       

Rhy. Fig. 2

Gtr. 6

the

End Rhy. Fig. 2

   

   

   

1 2 2 0

  

Riff B

Gtr. 5



       







1/4

X

0

2

3

2

4

3

0

Verse Gtr. 6 tacet

  

   

       

tel - ler down

at



Gtr. 3



B





  

Gtr. 5 tacet

*E



the

bank

     

you’re just an - oth - er

      





   

0 0 2

0

   Gtr. 2

Rhy. Fig. 3

     0

0

0 0 1 2 2 0

  

4

2

2 0

0

4

2 0

4 0

  

2 0

0

0

0 0 1 2 2 0

X X X

X X X

2 0

4 0

2 0



2

2



    

     

4 4

4

      

4 4 4 2

2

4 4 2

4 4 4 2

To the



4 4

2

X X

4 4

          2

2

4 4 4 2

X X X

X X X

End Riff B

 0 *Chord symbols reflect basic harmony.

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



 

check - in’ ac - count.

4 4

2

                      

Gtr. 5

Sorgdal

2

    





2

6

  4 4 4 2

        C#m

plumb - er that came

   Gtr. 3

  

4

4

you’re just an - oth - er

6 6

4

X X

6 6

   

6 6

0

4

4

4 5 6 6 4

4

6 6 4

4

X X X

6 6 4

6 6 4

 

house.

At the

           

  

2 2

0



2 2

4

2 2

0

X X

0

2 2

4

2 2

End Rhy. Fig. 3

                   

6 6 4

         



          6 6

    4



to - day

6 6

4

Gtr. 2

   

 





A

   

6 6 4

0

   

2 2 0

0

0

                2 2 0

0

0

0

2 2 0

X X X

X X X

2 2 0

2 2 0

2 2 0

Gtr. 2: w/ Rhy. Fig. 3

      E

air - port

  



tick - et

        Gtr. 3

0

  

     -

er

      

4

6 6

           

you’re just an - oth - er







 

fare.

At the

              

1/2

2 2

4

2

2

X X

the mall,

4

4

6 6

well,

4

6 6

X X

4

4 4

6

2

X

4 4

you’re just

6 6

6 6

an - oth - er head o’ hair.

   

0

0

2 2

  

3

4

X X

2

4 4

6

   

             

            

4

4 4

2

A

    

     at

2 2

0

C#m

beau - ty shop



             

2 2

    

count

B

That’s al

-

right,

           2 2

0

2 2

X X

0

2 2

2

4

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus

B5

A5

Rhy. Fig. 4

                                                           Gtr. 2

that’s o

  

-

kay.

If

Gtr. 3







2

   Gtr. 4

 P.M.

4

4

4

2

4

4

4

2

B5

       

      don’t

feel



im

-

por



    

4 4

4 4

4 4

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

6

          P.M. P.M. 4

Sorgdal

  

  

    

  



0

0

2

4

4 2

4

4 4

6

4

4

2

4

2

                

 2 2

                 P.M.  P.M.  P.M.  P.M. 

2

you

  

3

2

4

2

-



tant,

2

  

 

hon - ey,

all

    

   

4 4

4 4

6





6

6

          P.M. P.M. 4

6

4 2

4

4

2 2

X X

X X

2 2

2 2

4

2

              P.M.  P.M.  P.M.  P.M. 

          

4

2

2

2

2

2 0

4

2

0

A5

                      I’ve

got

  

  

  

2 2 0

2 2 0

2 2 0



   

P.M.

2 2

2 0

P.M.

2 0

4

2

2

to



say

 0 2

    2

4

2

Chorus

B5 End Rhy. Fig. 4

                   is

  

 

Gtr. 3



 4

2

  

to

the

  

E

Rhy. Fig. 5

          



   2

7

4



      

 



1/4

4 2

2

4 4

  

  



    

9

7



  

7

9 9 7







 

9 9

11



9 9

 

 



1/4

6 6 4

Gtr. 5





9 9

Rhy. Fig. 5A

Gtr. 4

 

world

 

2



4

9 9 7









4







5

   

0

0





4

0

5





 

Gtr. 5 tacet

B5

  



     



      

you

   Gtr. 3

 2

  

       



may

 4 4

 

be

6



   

  

             

just

     4





4 4



an - oth - er

     6

4 4

    6

4 4

C#m







 

     



girl.

 

  

2

4

 6 6



   4

6 6

Gtr. 4



7



  11 9

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 5 tacet

  



  





B5

 





A

  



    Gtr. 3



 

let ring

4

6

     Gtr. 4

11 9

   

 





4

2

0

 

 

 

11 9

9 7

7 5

 



9

7

    



6

F#m



 



Gtr. 5





  

   



3

4

    



2 2



  



 2 2



 



    





  



    

4 6

2 4

2

4 2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

to

me,



   2 2

 

B5

  



  

0 0 2

 



2

  



    

-

  4 2



by,

 4 4

2

Gtr. 4

 

But

4





2

  

0



ba Gtr. 3

2 2

0

  

 



 

        





    

2 2



   

you

    

4

6

4 4

Interlude Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A Gtr. 4: w/ Riff A Gtr. 6: Rhy. Fig. 2

Gtr. 5: w/ Riff B

E

                     

End Rhy. Fig. 5

are

the

       Gtr. 3

6

 



6

     

4 4







 

world.

2. To

    

4 4





















    









6

the

4

End Rhy. Fig. 5A

Gtr. 4

4 2

    Gtr. 6



0 0 0 0

Verse Gtr. 2: w/ Rhy. Fig. 3 (2 times)

     

E



B



wait - er

 



at

res

the

  

-

tau - rant



 

2

4

Gtr. 3







2 0

     











 

you’re just

  



2





2

2

  4





an - oth - er





4 4

2

   tip.

    4

6

4 4

C#m



 X X

 4 4

 2



 4 4







To

the

guy







4

2

4







at

the

 6 6

 



  

ice - cream

 

  6 6

  









shop



 4

6 6

 4

   6 6

6 6

 2

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E



     

you’re just an - oth - er

    Gtr. 5



 

dip.

And you can’t get



 

  

0 0

2 2

4 2

1

0

va

-

tions

’cause

2

          

2



-

  



3 2

3

Gtr. 3

res - er



    

                 



1/2

  

   

      

A

  

     

      

2

2

1/4

2 2

0

3

Gtr. 5 tacet

         

   

B

you

don’t

    Gtr. 3



4 4

     

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







4

6



6 6

4

6 6



6 6

2

0



 



Or









4 4

4

2

you

  

4 4

2





 

2









did - n’t

get

an

in



4 4

4

A

’cause

 

0

C#m

4 4

tion

4

8

clout.

    

3

    some - bod





2

0

   -

 2 2

y

  

left

6 6

6 6



 

out.

    

4







you

3





   

2 2





the



2 2

0



have



-

2 2

4

2 2



-

2 2

0

2

  

vi - ta -

 



6 6

  

That’s al

    

0



4

-

right,

   2 2

4

2

Pre-Chorus Gtr. 2: w/ Rhy. Fig. 4

     

      

B5





  



4 4

2

   Gtr. 4

    



4

4

4

     

     

4

 

4 2

B

      

2

feel im

   



-

por



    

4 4

4 4

4

6

          P.M. P.M.  4

4

4 2

X 4

4

2

  

you don’t



4

4

4

-

4

4

  

    

tant,

hon - ey,

6

X

2



2

  0

4

4 2

got

to



6

 

2 2 0

2

2

0 2

2 2 0

 

  

0

0

4

0

     P.M.  P.M. 

2

B5

 

2

2

0

 

    

is

to

2

4 2

    the world

        

 

4 4 2

2

4 4 2

2

4

4

       

P.M.

2 0

2

   

say

           2 2 0

4

4

all

I’ve

2 2

2 0

          

2 2

  P.M. 

        A

             P.M. P.M.  P.M.  4



4

2

2

2

       

4

3

P.M.

2

4

2



            

2 2

               P.M. P.M.  P.M.  P.M.  P.M.  

4



If

0

4



kay.

2

2

  

-

    

4

4

 



that’s o

Gtr. 3

A

2

4

2

4 0

4

4

2

4 2

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus Gtrs. 2 & 4: w/ Rhy. Figs. 5 & 5A

     

     

E

   

B





you



9 9

7

   Gtr. 5

    

    

9

9 9

11

X X



9 9





    

may

just

be







    

4 4

2

4

4 4

6

  

    

    



an - oth - er

girl.

        



4 4

6



    



    Gtr. 3

        

6

4 4

6



1/4

0

       

C#m

     

0

4

0

5

B



7





  

    

A



But

   

4

  

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





6 6

       6 6



4



6 6







4

2

0

   



9

5

7



2 2

    

3

4



2 2

     

0



to

2 2

0

2 2 4

me,

   

F#m

B

   



     



ba

  



    



     

let ring

0

0

2 4

0

2

4

 



0

2

2

2

       

X X

-

by,



 

      

you

are

    

4 4

4

0

   

world.

   

4 4

6

    the



6



 2

    

4 4



2

Bridge



E

Gtr. 2

           

     







    

Gtrs. 2 & 5 tacet

C#m



You think you’re

   Gtr. 3





 



  



  

  



one

of





0

      

*Gtrs. 4 & 5

0

  

3

4





   

mil - lions,

  



    

let ring

0 0 2



6

4

6

6

5

6

6



7

Gtr. 4







6

6

  



3

4





0 0 1



4

7

2

*Composite arrangement

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

  

   

    

 



but you’re

  



P.M.

 







 

one



 



 

 

in

a

E

    

 

 

 

 

mil

-

lion

to

me.





   

  

  

 

*Gtrs. 2 & 3

















 



let ring

let ring

0 0

2 2

0

2 2

2

2 2

0

2 2

0 2

4

1

0

    

0

*Composite arrangement











let ring

0

3

2 0

   

     

 





  



When

      Gtrs. 2 & 3

 

  

let ring

0 0

0

1



  



 

 



   

0

3

    let ring



   

0

3

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

4

0





2

0

      3



 

0

1

 

1

Gtr. 4

0

 

0 0

 





let ring

0 Gtr. 5

 

you

1



3

          

1/2

3

2

2

2

2

2



0

2

2

0

1

2

4

2

Gtr. 2 tacet

   

    

C#m

won - der

  

if

 

you

mat

  

Gtr. 3



let ring

  

    

-

ba

 5

6

4

      

ter,

-

 

   

  



by,

look

  

6

6

    

A

in - to

 



2 2 0

2

 let ring

7

   

    Gtr. 3



let ring

      

2

4

  



3

4

6

7

F#m

   

    

and

tell

 



2

*T

  

2

2 2 0

B

 

    



me, can’t

 









0 0

0 2

0

4



you



 

 





2

Bsus4

  

 



4

    

  

      5 4 4

4 4 6

2

         5 4 4

2

5 4 4

  



  

0 0 2 4 4 2



see?

2

4



 0

2

     

 

     



        

2

  



 







4

Gtr. 5

eyes

  



Gtr. 4

  



4

2

Gtr. 4

3

my

Gtr. 5

  

   



4 4 2

*T = Thumb on 6th string











 



4

7

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Gtrs. 3 & 5 tacet

    B5

B#5

C#5





  

D5



D#5



 

You’re ev - ’ry - thing

  









to



 



me.

     





E5

Gtr. 7 (elec.)







mf



 

 



w/ slight dist. & slap-back delay 1 1

4



5

2

3

 

     

let ring

6



let ring

2

1

1

9 12

2

5

0



1

1

10

11

12

13

14

15

5

5

0

  



let ring

1

8 11

8 8 6

           

 

  

1

7 10

7 7 5

4

1

0



12

 

P.M.

15 0

  

 



4

7







9





10 9

9

Gtr. 7













1







1

2



2

Sorgdal

11 12

11 12







9 10

9 10



 







 

    1

2

16

14

17 16

17 16

 17 16

7



  



4

2

   (cont. in slashes)

4 4 2





Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



5

0

    

14



1

Gtr. 4

7



16

2 5

0





11

8

B5

  











             Gtr. 4

3                   3 3

Gtr. 7

3

1

9



3

9

12

9

9

11

12

11



9

7

10

5

0

7

0

5

3

let ring



3

   



 



2

4

2

0

1

0

3

2

2

4

5

2







    

4

9

 

1/2

  



 



1/2



 





  

1/2

1/2

4

4

3

0



2

5

2

0

3



5

0

5





C#5

         

              

5

3



B5

  

6

4

E5

    

 

1

12

let ring



A5





C#5

         steady gliss. 1

4

6

0

4

6

0 0

3 3

4 4

6 6

5 6

4



6 7

7

9

0





                 3

7



A5

  

7 X 0

10



D5

8

7 9

   



8 10

(cont. in notation)

  

That’s al

  

-

right,

           

               

14 14

14 14 14

1

1

12

0

7 8

12 12

14 14

14 12 14 12

14

14

14 14 14

14 14 14

12

14

14 12

14

14 14

14 12 14 12 14 12 14 14

14 14 14

12 12 12 14 14

14 14 14

14 12 12 14 12 12 14 12 12

12 12 12

12

13

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus Gtr. 2: w/ Rhy. Fig. 4

     

Gtr. 7 tacet

         

B

    Gtr. 7



  



that’s o





   

4

  



4





        you don’t

 2

   Gtr. 4



  





-

2

16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

6



4



6

 

por

7

0

0

   

   -

4 4

tant,

6

   4

4

0

4 4

X X

  P.M. 

4

6

4 4



0



7

0

all

got

I’ve

        2 2 0

2 2 0

         P.M.

to

 

B5

2 2 0

  

 2

0





 

    

is

to

0

4 4 2

4 4 2

2

2

2

2

0

0

0

      0

0

2

4

0

0

   0

2

2

the

4 4 2

2

        2

2

2

1/2

3

   

        2

3

  

            4 4 2

1/2

P.M.

2

0

  

P.M.

P.M.

4

0

say

   





P.M.

5

          

2 2 0



  



P.M.

4

0

P.M.

0





P.M.

5

       

6



  

4 2





A

hon - ey,



P.M.

4

             

4 4



   

   

4 4



  P.M. 

2

Gtr. 5





6

4

6

4 2

  



When

 Gtrs. 4 & 5          P.M.  

4

feel im

4 4

6



  4

B

  



kay.

         



4 4

6

4 2

Gtr. 3



14 14

2 Gtr. 4

-

     

 







14 14

Gtr. 3



   1

14 14



A5

2

world

Chorus Gtr. 2: w/ Rhy. Fig. 5 (1st 10 meas.)

     

     

E

   

B





you

   



    

9 9

7

9

11

    

9 9

     

9 9

11

11

 

9 9 7

   



7



 0

     C#m

 



X



0

7

5

B5

   

may

just

be

     4

6



4 4

    4

     

6 6

 

4 4

6 6 4

4

 

11 11 9

   

9





6

4 4

4 4

6



A



     

 

6 6 4

2 2 0

11 11 9

6



  

    





4 4 2

        4

girl.

         

  



   



an - oth - er

But

   

    

       

9 9 7

0

      0

    

  

 

 

4

4 4

2

   9 9 7



        

9 9 7

  

3

4



2 2

me,

     0

2 2

  

7 7 5

   



9

5

7

     

to



17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F#m

B5

    

   

        

Gtr. 2





ba

  





let ring

 



let ring

   2

2

4 2

     2

4

2

     

  

4

   

4 4 2

  



4 4 2





-

            by,

you

 

   

4 4 2

4

6



      

  

are

  the

  

world.

 4

4

  

  

4 4 2

4 4 2





4

2

2

Outro Gtrs. 2 & 5 tacet Gtr. 3: w/ Rhy. Fig. 1A (2 times) Gtr. 4: w/ Riff A (2 times)

     

Gtr. 5: w/ Riff B

E

   Gtr. 6

 









 





    0 0 0 0 0 0

Gtr. 5: w/ Riff B (1st meas.)

          0 0 1 2 2 0

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     

     

  

     

    0 0 0 0 0 0

 

     

2

1

Gtr. 6: w/ Rhy. Fig. 2

   



Gtr. 3



 

1 hold bend







0

2

2

2

2

0

Gtr. 5

3 2

2

Gtrs. 4 & 5



   P.M.



0

X

           9

7

7

 7

0

        

Gtr. 3

1/2

9





7

  

 0

  





7





P.M.

5

0





P.M.

  

P.M.

4

X

P.M.

2

X

1/2

0

3

                

9

9

7

7

0

0

0 9

Gtr. 4



  

1/2

9

7

 



1

1/2

0

  



7

6

6

4

5

7

7

5

5

6

         

         

   

 

7

X

X

7 0

X

X

7

X

7

X

7

7

X

7

X

7

X

7

7

X

X

7

7

X

7

Gtr. 5









0

  

Gtr. 5 tacet

 



 *

0

  

 



Gtr. 3

  

                3 3

3

3

steady gliss.

0

2

12

13

14

12

13

14

12

14

15

12

14

15

12

15

-1/2 *Holding the upper body of the guitar steady with the right hand, push forward on the guitar neck with the left hand to lower the pitch of the open 6th string.

Gtr. 4

 0

 

 







 

  















7

7

X

7

X

7

7

X

7

X

7

X

7

7

X

X

7

X

 0





X

7

19 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

             

           3     3 3

             

1/2 1/4

15

14

12 12

14

12

14

13

12 12 12 12

12

12

   







 



X

7

X

X

9 7

7

      

    

 

5



12 12

X X X

   

X

    Gtr. 3

15 14 12

12 12

15 14

12 12

12 12

12 12

       

9

X

9

X

X

9

X

X

9

9

X

X

9

 



  



         

15 14

14 12 12

12 12 12

14 14 14

12 12

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9



  

    

1/2

1/4

14

12 12

     

1/2

12 12

X X X







 



 







 



 





9

X

9

X

9

X

9

X

9

X

9

X

9

X

9

X

9

X

 

 



X

  

X X X

12 12 12

X

X

X

 E









2 4

4 6



 

Gtr. 2



  

1/2

12 12

2 2 4

1 2





Gtrs. 2, 4 & 5









9

X

X



 



(Gtr. 2, cont. in slashes)

9

4

6

4

   

Gtrs. 4 & 5





2 2 0





15

20

X

 

1/4

X

X





   

X X X

       

12 Gtr. 4

X X X

 

1/4

X X X

12 12

12

1/4

X X X

X X X X

14

0





X X X X



12

1/2 1/4

X

from Brad Paisley - 5th Gear

Ticks

Words and Music by Brad Paisley, Kelley Lovelace and Tim Owens C#m

A

E

B5

E5

A5

C#5

4fr

4fr

13421

111

231

134

11

11

134

Intro Moderately q = 94

µ

 

** E5

      Gtr. 2 (elec.)



*(City noises)



 

mf



w/ dist. w/ wah-wah



7

      Gtr. 1 (elec.)



7

5

7

     mf





0

0

2

0

3

0



P.M.

0

 



P.M.

7 7

9 7

  

     

2

0

 



P.M.



1/4

w/ slight dist.



 

X

0

X

0

9 7

0

X

X

X

0

X

*City noises fade out as music fades in over next 5 meas. **Chord symbols reflect basic harmony.



    Gtr. 3 (elec.)

    mf

P.M.

0

P.M.

9 7

0

P.M.

9 7

0

7

5

7

5

              P.M. 2 0

X

2 0

0

0

P.M.

1/4

   Gtr. 1



X

X

0

 

3

0

   1/2

17 16



 

P.M.

9 7



0





P.M.

9 7

0

17 16

     



      

17 16

1/4

7

3

0

7

0

3



1/4

 

  

P.M.

9 7

0



       1

9 X 7 X

0

5

5

7

0

3

              f

X X X X X X

2 3



P.M.

0

           X X X X

0 0

5





 

15 14





 



steady gliss.

1/2 1

14 14

14 14

  

   

 

w/ dist. w/ wah-wah 1/2 1

Gtr. 2

     

0

2 2

0

2 2

2 2

0

X X X X X X X X

0

1

3

© 2007 EMI APRIL MUSIC INC., NEW SEA GAYLE MUSIC, DIDN’T HAVE TO BE MUSIC, MUSIC OF WINDSWEPT, SONGS OF BUD DOG MUSIC and CHAMALAND MUSIC All Rights for NEW SEA GAYLE MUSIC and DIDN’T HAVE TO BE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights for SONGS OF BUD DOG MUSIC and CHAMALAND MUSIC Administered by MUSIC OF WINDSWEPT All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 2 & 3 tacet

  

A5

E5

Gtr. 1

  P.M. 





       B5



  

    



P.M. 1

4 2 4

4

2

0

0

     

6

6

4 2

 



4

2

2

2

2 2 X X 0 0 2 4

4 4 2

2 2 0





1

      1

4 2 4 4

0

0

4

0

4 2



 



w/ slight dist.

2 2 0

       

     

Gtr. 4 (elec.)

mf

E5

4

6

4

0

A5

2 2 0

2 2 0

Gtr. 4 tacet

    

C#5



B5



E5





µ

  



1. Ev - ’ry

     Gtr. 2

 





0

4

2

2

            Gtr. 4

4 4 2

6 6 4

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  4 4 2





   



        Gtr. 1

2 2 0

    2 2 0

  

  

 

2

2

2

X

0

X

0

     4 4 2

X

  

   time









0

 

9 9 7



 you

   take

a

Verse Gtr. 1 tacet

         E5



      



sip

in this

                  let ring Gtr. 2

9 7 0

  

  

9 X X 9 X X 7

smok - ey at

-

       

X X X X

9 X X

9 7 0

X 9 X 7

  



      

let ring

X 9 X X 9 X 7 X X 7

A5

mos - phere,

X 9 X X 9 X 7 X X 7







     

             

14 14 14 12 12

14 X X X X 14 X X X 14 14 14 X X 14 X X 14 X X 14 X 14 14 X X 12 X X 12 X X 12 X 12 12

X X

Gtr. 3

   

P.M.

0

   



P.M.

2 2



0

  

 

 

P.M.

2 2

0 0

   

P.M.

2 X 2 X

2 2 2

0

bot -tle

to

2 2 2

2 X 2 X

P.M.

P.M.

14 X X 14 X X 14 X X 14 X X 12 X X 12 X X

           P.M.

7 5

7 7

5 5

P.M.

7 X 7 X

5

2 2

0

X X

                P.M.  P.M. P.M.  P.M.  P.M. 

0 X 3

   

  

7 5

7 7

7 7

5 5

      



and I

7 5 5

9 7

   

wish I

was

your

                                

14 14 12

X X X X X X

14 14 12



9 X X 9 X X 9 X X 9 7 9 9 X X 9 X X 9 X X 9 7

9 9 7 7

7 9 7

9 X X 9 X X 9 X X 9 X X

    

                 

7 X 7 X

2 2

P.M.

P.M.

7 5

7 7

5 5

lips

let ring

14 14 14 14 14 14 14 14 14 14 12 12 12 12 12



 

P.M.

0

E5

your

                    

 

2 0

     

you press that

    

9 7

0

P.M.

0

P.M.

2 2

0

P.M.

2 X 2 X

P.M.

2 0

4 2

0

P.M.

2 2 2

0



  P.M.

2 2

0 0

9 X X 9 9 X X 9 7



     P.M. 2 2

0 0

X

4

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     B5







 

beer.

And

                      let ring  2 2

4

X X

4

2

    

 

X X

4 4

X X

9 7

9

X X

4

9

7

X X

X X

 

      P.M.

P.M.

9 7

X

X

  

4 4

X X



  

9 9

7

X X

7



4

       

9





                   6 6 4

    

X X X

Gtr. 3



X X X

6 6 4

X X X

11 11 9

9



mf



w/ slight dist. & Leslie

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

of

4 2

 

  P.M. 

7

4

X X

X X

 



9 9

X X

  6 4



P.M.

7

your

4 2

 

P.M.

9 9

7

X X

9 9

7

6 6 4

X X X

X X X

X X

9

X X X

    

P.M.

11 11

6 6 4

X X X

  

 are

play

 -

  

9 9

in’

peek

X X X

4 4

  

 

6

6 6

 

6 6

X X X

 

X X X

6 6 4

X X X

X X X

6 6 4

X X X

6 6 4

X X

9

-

a - boo.

   

6 6 4

           

P.M.

11 11

 

              let ring

X X X

   1

9 9

9 9

9

11 11

Rhy. Fig. 1A

     

Sorgdal

X X X

  

P.M.

4

X X

your jeans

Gtr. 2

6 6 4

X X

   



back

6 6 4

there



mp

Gtr. 6 (elec.)

4

2



7

Rhy. Fig. 1

6 6 4

small,

X

9 7



the

2 2

P.M.

9 9

in

  

  



    



P.M.



 

         let ring

4 2

C#m Gtr. 5 (acous.)

  

  

11 11 9

11 11 9

12

9

11 11 9

X X X

X X X

11 11 9

X X X

0

3

X X X





A

   









  

like to

see

  



I’d

   

   

the

half

oth - er

                                  4 0

     

2 X X 2 X X 2 2 2 X X 2 X X 4 2 0 X X 0

       P.M.

2 2 0



P.M.

2 X 2 X

0

4 2

2 2

    

P.M.

2 2

0

2 0

2 2 0

4 2

     

2 X X 2 2 X X 2

7 7

        P.M. P.M.  P.M.



2 2

0



4 4 2







 

your

but - ter



4 4 2

-

fly

4

  

P.M.

2 2

0

2 X 2 X

0

0 0

    

P.M.

P.M.

2 X 2 X

0

2 0

4

     5 4 2 2 0



 

4 4 2

4 4 2

X X X



4 4 2

X X X





2

4

X X X

X X X



 P.M. 2

4 4 2

X X X

  4 4

X X X

End Rhy. Fig. 1





        



tat - too.

             

4

     

 

P.M.

     

 

     

let ring

2

9 X X 9 X X 9 X X 9 9 9 9 X X 9 X X 9 X X 9 7 X X 7 X X 7



   of

     



E

4 4 2

    P.M.  2

2

Hey,

that

  

                     

   

9 7 0

9 7

X X



P.M.

4 4 0

 



2 0

2 2 0

   



0

2 X 2 X

0 0

B5

  

2 2

4

4

  





2

0



                let ring  P.M. 

 

2 2

 E





    

9 7

X X

X X

9 7

X X

X X

9 7

X X

X X

9 7

  

  

    P.M.  1/2

2 2

2 2

2 2

P.M.

X X

0

P.M.

X X

0

X X

0

X

X X

4

End Rhy. Fig. 1A

5 4 2 2 0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus Gtr. 6 tacet

Gtrs. 2 & 3 tacet

B5

E

Rhy. Fig. 2

       gives

      Gtr. 1

A

  





  

me

an

 

 

i

   

   -



de - a.

    

 

E

 



 









   

    

  

  

  

Let’s

get

of

bar,

out

 

    

 

this

  P.M. 



drive

       P.M. 



P.M.

1

4 4 2

4 4 2

X X X

     

 



4 4 2

4 4 2

X X X

X X X

9 9 7

9 9 7

X X X

0

2 2 0

3

2 2 0

0

0

2 2

2 2

0

2 2

0

2 2

0

0

Gtrs. 2 & 3



B5

E







    







out

in

to

the

     

 

 

 

Gtr. 1



-

B5







   





coun - try,

 

 

 

 

and





















   

find

a

place

to

park.

 

 

 

 

 

End Rhy. Fig. 2

    

 







 

steady gliss.





 1

4 4 2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4 4 2

X X X

X X X

X X X

9 9 7

9 9 7

8 6

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4

0

3





Chorus A

       

 

’Cause I’d

like

Gtr. 5



E

Rhy. Fig. 3

     

   

      

to

you

3

see



2 2 0

2 2 0

2 2 0

X X X

X X X

2 2 0

     

 

 

 

     

2 2 0

2 2 0

2 2 0

X X X

X X X

2 2 0

Gtr. 6

  

       

    

in

the moon

 

         

4 4 2

4 4 2

4 4 2

X X X

X X X

4 4 2

 

 

2 2 0

E

out

Gtr. 2

         



B5



light.

 

   

     

2 2 0

2 2 0

X X X

2 2 0

X X X

2 2 0

 

4 4 2

2 2 0

-

    

2 2 0

Gtr. 1

 0





      2 2 0

      2 2 0

  

 0

    

 

I’d

like



    to

          2 2 0

2 2 0

X X X

X X X

2 2 0

kiss

    



         

2 2 0

2 2 0

 0

2 2 0

X X X

     

way

 

2 2 0



  

0

4

2

B5

you

 



2 0



E





2

0

A

   





X X X

2 2 0

  4 4 2

back





in

the

        3

sticks.

              4 4 2

4 4 2

X X X

X X X

4 4 2



X X X

X X X

  4 4 2

     X X X

X X X

  

 2

1

3



4 4 2



 1

3



  0

 1

3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





A

   

    

 

I’d

like



     

to

walk

2 2 0

2 2 0

X X X

X X X

         

2 2 0

2 2 0

2 2 0

X X X

X X X

2 2 0

  2 2 0





0

0





A

a

field

of

      

   

      2 2 0





like

 

to check

4 4 2

X X X

4 4 2

2 2 0

2 2 0

4 4 2

  2

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



2

    2

0

2

4 4 2

flow

-

ers,

 

         

 

 

4 4 2

4 4 2

6 6 4

4 4 2

 

 

 

4 4 2

6 6 4

4 4 2



  



2

2

4

2

4 4 2

X X X

X X X

4 4 2

End Rhy. Fig. 3

for ticks.

2 2 0

X X X



   



   

 

0

you

        

     



    

 

X X X

wild

B5

E

          2 2 0

C#m



B5

and I’d

Sorgdal

through

 

2 2 0

  

   

you

2 2 0

     

   

                 

B5

     

         

2 2 0

  

 

    

E

4 4 2

   2 2 0

   2 2 0

3



  

0

0



           1

2 2

4

3

6

4

5

4

2

0

4

0

5

2

2

Verse Gtrs. 5 & 6 tacet

   

E5

E5

  

 

  

2. I know the

  

   

 



  



per - fect lit - tle path

  

out in

  

 

these woods I



used

to

Gtr. 1





            

 

P.M.

P.M.

 

1/2

0

X 10

   Gtr. 2

4



5

7





5

P.M.





0

7

3



2

0

 



3

   

4 2 0









3

3

    

1

P.M.



5

7



P.M.

2 0



7



5

0

7



P.M.

2 0

2 0

babe,

    

1

2

  

 

    P.M. 

 I’ve

0

7



0

got



3

2 0

 

    P.M.

2

1

2

2

3

 

4

3

your

2 2

P.M.

2 0

5

0

  

1

7

7

0



    

1

5



3

2





P.M.

0

Don’t wor - ry,

     

7

    





P.M.

A5

P.M.

  

 

0

2

0

hunt.

  

2

2



2

0

0

P.M.

2



1/2

5

P.M.

2

  

5 7





P.M.

5

7

 

 

2



 P.M.

2 0





  

2 0



P.M.

P.M.

2 0



0

2

4

2 2

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

           E5





   



back,

and I’ve

     



let ring

  



     P.M.

  

P.M.

1

0 X

5 4

0 0

2

4

2 2

2



P.M.









P.M.

2



  

2

 

2

0

0



 

your

 

2

2

    I’d



 

0

 

P.M.

2

0

0

2

0





   

    

hate

to

waste

a

night

like



      

P.M.



2

0



 

2

0







P.M.

2

0

            

got

0

front.

  

al - so

2

P.M.

2

0

B5

 

P.M.

2

0

  





0

0

  

 

0 2

  

      

P.M.

1

  



 



let ring

1

0

  



P.M.



3



2



10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4



P.M.

4 2

0

2

4



9

4 0



P.M.

4 2

6

7

     P.M.

4 2

9 X 9

9

2

4

4



7 7

7 7



9





P.M.

4

4 2

 P.M.

4 2



11

    P.M.

4 2

2

2

2

2

Gtr. 2 tacet Gtrs. 5 & 6: w/ Rhy. Figs. 1 & 1A





C#m



   



  

 



this.

   Gtr. 1

 



A

   I’ll





 





keep

you



 





safe, you

  

  

 

wait

see.

and

    



let ring

0 11

9

9

9

9

6

1

0

2

1

2







  

1

2

2



E5 Gtr. 2

   

 

The





on

- ly

    Gtr. 1

   

  

thing

al - lowed





    

 to





crawl

    



all









 

o

-

ver

you

   

         

X X X

X X X

1

2

2

2

2

2



X X X

X X X

X X X

E5





 

when

     

X X X



B5

     

0

X X X

   we

  get

    there



(cont. in notation)

   

  is

 



me.

  You

            P.M.

let ring



know,



0 4 4 2

0

5

5

4

3

2 3

0

1

2

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Pre-Chorus Gtr. 5: w/ Rhy. Fig. 2

B5

    







ev - ’ry

guy

in

     

 

4 4 2

4 4 2

     

 

Gtr. 2

Gtr. 1

E

    here



 

    to - night

 

 

2 2 0

2 2 0

    

 

A



would

4 4 2

X X X

X X X

X X X

9 9 7

  

like

to

   

take

you

    3

 

But



  

9 9 7



home.





X X X





2 2

0

3



  P.M. 

P.M.

1

4 4 2



E

0





P.M.

2 2

0

2 2

0

      P.M. 

0

2 2

0

2 2

Chorus





Gtr. 5: w/ Rhy. Fig. 3

B5

E

B5

A5 Gtr. 3

   

  

   

       

I’ve got way more class than them. Babe, that ain’t what I

         4 4 2

4 4 2

     2 2 0

4 4 2

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X X 9 X X 9 X X 7



9 9 7



want.

1

2 2 0

  

        

X X X X

                  4 4 2



   

12



 

11

11

steady gliss.



12 12

2

4 2

2

2

2

you



1

12

to see

  

9

         

2

       

’Cause I’d like

 12





   

 

  

E5

P.M.

4 0

     P.M.  2 2

0

0

       P.M. P.M. 

2 2 0

2 2

0

0

2 2





Gtr. 2 tacet

B5

   

       

     out

   Gtr. 1





E5

in



the moon



   P.M.

P.M.



A5

    

-









P.M.

    

 

I’d

like



     P.M.



light.

  

E5

 P.M.

   

  

to

you

kiss

  







     P.M.

P.M.

1

4 4

2

2

4 4

2

2 0

0

0

0

0

2 2





 

 

way

in

the

back





        3



sticks.

    P.M. 

P.M.





 

P.M.



  





0

2 2

0



A5

      

2 2

0

2

B5

  

2 2

0

E5

    

 

I’d

like



     P.M.



P.M.

      to

walk

  

you

through





 



P.M.

a

 

   P.M.

1

4 4

2

2

2

4 4

2



B5

of



P.M.

2

wild



flow

 

   

 

3

-



2

   



2

4 4 2

6 6 4

4 4 2

4 4 2

4 4 2

0

2 2

0



   

      





I’d

like



     P.M.

P.M.

4 4

2 2

2 0

2

0

B5

and

P.M.

4 4

0



ers,

 

0

A5

     

    

2 2

0

B5



       

field



0

C#5

         

4 4

2

2 2

0

 

to check

0

2 2



     you



P.M.

2

4 4

       for

   P.M. 2

2

ticks.



4 4

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Bridge Gtr. 3 tacet

E5 Gtr. 3

A5

   

   

   



Now,

   Gtr. 2

E5

 

 

     

 

oo,



 



9

                             

12

12

9

11

nev - er know

  

11



  

one

B5

 

 

might

be.

 

          

 let ring 12

9

9

  

where



 

12

9

9

C#5

         

 

 let ring

let ring

11

  you

  



B5

9

  

11

13

12 13

12

11

13

13

14

Gtr. 1

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0



X X X X X X



0

0







2

4

2

A5

      











 

And

      

9

  

11

   



 

9

9 7

9 7

9

11

                                          6 3

1

3

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1

0

0

3

1

0

0

3

6

6

6

1

0

0

0 3

2

0

4

4

2

4

2

4

2

3

4

2

4

6

4

6

4

6

4

5

6

5

7

7

5

7

5

    

 

C#5

 

B5

     

 

 

oo,

 

 

there’s lots

of

A5

    

                   let ring

let ring

9

11

12 11

9

12 11

12 9

     7

12

8

8

 

plac - es

that

                 are

hard



12

9

12

9

11

12

6

0

2

0

1

2

2

0

0



2

0

2

0

2



2



4

3

7



let ring

0

11

2

6

           

2

2



  



   





9

9



2

7

7

9

0

2 0



3 3 3 3 3 3 3 3 3



8

9 9

11



  

 

2

0

4



4

      

Harm.

4

2

4

6

4

4

6

4

X X

B5

          6       3              3 6     1

9

X

6

6



Gtr. 5

12 11

12

11

2

  

9

9

12

0

9

7

9

0

7

4

                

2 2

2

C#m

               1 let ring  7



2

E5

0

  



2

0

0

2

3

1/2

3



2 2

A5

2

0

0 0

0

 let ring

let ring

2

9

B5

Gtr. 2

0

8

6

6

0

12



E5



9

          4

9

3

  



12

9

9

got -cha.



 

4 2

11

  

I

11

2

  

          

 

to reach.

 let ring

let ring

3                    1  P.M. 4

µ

3

              

Gtr. 1

2

B5

9

Guitar Solo A5

9

 

E5

X

2

2

4 2

X X

4

6

0

4

2

0

4

2

0

4

2

0

4

2

0



6

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus Gtr. 2 tacet

A

E

             

               

Gtr. 5

  

               

 

I’d

B5

like

to

see

you

out

in

E

   

the moon

  

 



      -

 

light.

Gtr. 1

     





   



1

0

  

4

2 2

4

0

1

2 0

0

1

Gtr. 3





  



P.M.

0

2 2

X X

X X

I’d

2 2

   

like

to

Sorgdal

X X

2 2

kiss

    

you,

2

  

   

ba - by,

X X

X X





2 2 0

0

0

2



  

2 2

X X

P.M.

4 4

X X

X X

4 4 0



   way

 

back



X X

2 2

 3





   

in

the

sticks.

 

4 4 2



  

2 2

X X

X X

2 2



 



 

 

steady gliss.

P.M.

2 2

  

   

0





X

B5



P.M.

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

X X

     

2 2 0

16

2 2

E

     

0



X

P.M.

0

            



  

P.M.

A

  



2

2

3



     

4 4 2

1

X X X

3





A

E

             I’d

  

  

                

like

to

walk







  

2 2



X X

X X

2 2 0



  



and

B5



 

  

I’d

like

      

to check

     



       

field

B5

  

of

wild



    

    

flow

-

ers,

 

 

 

4 4 2

6 6 4

4 4 2

  

 



2 2

X X

4 4 2

4



    

you

X X



2 2

 

       for









  



X X

X X

2 2

2







  







  





  

P.M.

4 4

X X

X X



4 2

   

    

  

Oh,

2 2 0



 

 

P.M.

2 2

E

6

ticks.

4 4 2

P.M.

0

  



 

2 2 0

  

a

C#m

P.M.

A

   

through

   

0

P.M.

0

you





0

  

B5

4 4 0

   





0

0

0



  

2 2

X X



1

0

3

P.M.

2 2

X X

X X

2 2

0

X X

2 2

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





Gtrs. 3 & 5 tacet

B5



A

Outro

        

 

     

I’d

sure

like

to check

     

E5

    

 

you

 

 

  

for







ticks.



  steady gliss.

2 2 0

  

4 4 2

4 4 2

Gtr. 2



 P.M.

2 2

0

X X

X X

2 2

 

      

 

  

4 4 2

0 0 0

2 2

P.M.

4

2 2

        



2 2

P.M.

2 2

0

X

0

0 0

0 0

0 0

Gtr. 2 tacet

A

Gtr. 5

   

  

   

E

  

 







  

Come on!

   





  

  



    

          

P.M.

1

1

4

1

4

2

4 4

0

  

            P.M. P.M. P.M.  0 0 0

2 2

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4 0

0

4 2 2

0

0

    

3

0

X

0

0 0

0

0

Gtr. 4

 

P.M.

2 2

0

2 2 0

  2 2 0

4

4

4

2

B5

A



E

         6                               6 1  0 4

2

2

2

2 0

0

X

0

2

3

2

4

0

2

4

2

 0

5

4

4

 

4 4 2



B5



6            

0

1

0

2

1

0

2

1 0

      

 

6 6 4

4 4 2

3

5

0

4 5

4

2 0 3

1

0

2 0 0

2

2

0



Gtr. 2

2 2 0

     let ring  0 0 0

0 0 2

2

2

0





0 0 2





0 0 2





0 0 2

2 2

3



2

2 2

1/2

3

1/2

0

0

0

2

2 0

2

0 2 0

0

2 2

0

0

4 5

0 2

2

0

2

4

4

         

2 0

2 0

0 0

2 2 0

 

2

0

         P.M.       

                 P.M. 

 

               let ring







                           0

5



  

2

4

E5

4 9

   



5

Gtrs. 4 & 5 tacet

P.M.

7 3

2

2

                

       1  0

3

5







1/2

2 2 0

A



3

 

2 2 0

C#m

  

2

4

     

0

      3 3              

1/4

0

3

2

0

4

2 2

0

0

3

0

19 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

           

    Gtr. 3

Gtr. 3 tacet





  7

   Gtr. 1

 

0

7

5

7

       

 

 

  2 2 0

2





1

2

0

  

  2 2 0

     

2 2

     Gtr. 1

7 9

0 0

       

0

5

X X

0

9 9

  



3

    

0

7

5 0

5 0

2 0

            

9 9

0

2

7

7





9 7 0

7 7

9 X 9 X

 

4 5

0 0 2

Gtr. 2

  



 

X 7 X X 9 X X X

9 9

 

 



X X 7 X X 9 0





4

         

2 2

0 0

 

4

0 0

0



2 2 0





0

 

 

7 7 7



4 2

0

0

0

0

0

  

9 9

X X

 



4 2

0

0

      

X



4 2

X X X

 

7 7 7

0

       9 9



4 2



3

9



 

1/2

4 2 0

20 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

2

0

3

 

0

3 1 2

2

  

                    

1/2

5

Gtr. 2

  

5

2 0

2 2

4 2 0

0

4 2 0

2 2

4 2 0

4 2 0

11

9

   

Begin fade

   Gtr. 3









grad. bend 1

17

14

6  6                                  3 Gtr. 1

3

12 12 12

3

14 14 12 14 14

0

12 12

3

9 9

0 0

7 7

11

10

   Gtr. 2

      



9 9

11

7 7

9

10

7

9

 

 

0 0

2 2

0



0 0

3

   

7

0

7

0

 

                 1/2

4 2

2 2

0

9



1/2

4 2

7

0

0

2

4 2

0 3

3





 

   



1/2

17

9



 



0

  



7

9

7

6

 



4 2 0

9

 

9

9

7





9

-4

2

4 5

4



 



0

9

4

2

0

0

2 0

            

 

1/2

4 2 0

1

9

7

4 2 0

7

9



0 9

7

      

-1 1/2

       

0

    P.H.

w/ bar

  

0

4 2

Fade out

 17

1/2

0

2

4 2 3

0

          1/2

4 2 0

 

4 2 0

0

2



4 2 3

0

 

        

1/2

4 2 0

4 2 0

0

2

3

21 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Time Warp Words and Music by Brad Paisley and Frank Rogers

A Fast Jazz q = 200

   

Gtr. 1 (clean)

           

**A,7

D#º7

   



3 * w/ pick



9

8

E7b9



mf 10

        

Bm9

9

10

9

7

7

5

5

6

5

7

4

7

5



7

6

*Pickup switch in middle position. **Chord symbols reflect overall harmony.

   

 3               3   ***  A,7

6

11

11

10

D#º7

14

12

10

9

10

12

9

9

Bm9

E7

       

   



7

7

9

9

10

7



steady gliss.

9

9

***Downstroke

µ

6

7 6 7

†Pickup switch in bridge position.

B Country two-beat Double-time feel

   

A5

   

 

                0

2

2

0

4

2

4

0

4

2

0

4

2

0

4

0

3

0

5

3

0

5

5

3

0

5

           

3

0

5

A5

              5

5

7

0

5

5

7

7

5

0

7

5

F5

              

1

          

  

2

D5

0

C5

1

1

1

3

0

0

0

0

1

3



0



7

5 5

    

1

3

5

1

3 3

7

5

0

5

0

4





 

8

E5

         

0

0

© 2005 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

0

0

2

4

4

4

4

5

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 



2

4

1/2

4

0

6

2

2

0

4

2

0

4

4

2

0

4

0

4

2

0

3

0

5

3

0

5

5

3

0

5

3

0

5

A5

          

C

2

           

D5

0

 

C5

                               

         1/2

 

A5

5

7

7

0

5

7

0

7

5

0

    5

0

7

7

7



5

5

5

7

5

0

5

0

4

8

Pedal Steel Solo

A5

            

mf

0

2 2

2 2

2 2

C5

D5

A5

                                   

2 2

5 5

3

2

5 5

5 5

3

4

7 7

5

C5

7 7

7 7

5

3

2

D5

2 2

0

 

2 2

2 2

2 2

A5

End Rhy. Fig. 1                                                          w/ pick & fingers Rhy. Fig. 1

0

2 2

2 2

2 2

0

2

5 5

3

5 5

5 5

5 3

4

Fiddle Solo F5

3

3

7 7

7 7

5

3

2

0

2 2

2 2 0

0

2 2

0

2 2

E5

 Riff A           3

7 7

5

   

 

3

3

3

 



3

        2

1

1

1

2

2

End Riff A

       

2

0

0

0

2

2

3

3

4

4

End double-time feel

 

A5

C5

D5

                                 0

2 2

2 2

2 2

0

2

3

5 5

5 5

5 5

3

4

5

7 7

7 7

7 7

  7 7

A5

       0

2 2

2 2

2 2

   f *

w/ pick

7

8

*Pickup switch in middle position.

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D

Guitar Interlude

Fast Jazz

                       

A,7

D#º7

   

12

9

9

8

9

 

5

7 6 5

8

10 9 8

9

8

10

7

6

5

D#º7

        

    

10

Bm9

10

7

6

E7b9

                  5 5

7 6 5 X 5

5

Bm9

8

10

7

7 10

8

7

9

8

7

7

6 7 6

7

                   

12

A,7

4

6

7

6

4

55 5

7 6

E7b9

     

6

5

7

6

4

3 2 0

3

4

2 0

     2 0

4

2

  

5

3 0

1

E Country Breakdown

 

F5

G5

µ

F5

     

   w/ pick & fingers *

1





3

0

1

0

3

5

5

0

4

1

2

µ

 

  

P.M.

5 1

            1

E5

2

2

0

3

0

0

8

*Pickup switch in bridge position.

 

  

F5

    7

9

   

5

7

  

     

let ring

8 7 8

3 4



      

F

     



E

0

G5 µ



5



4

3

5

5



               3

3 5

4

4

5





5

0

2

0

3

2

0

0

0

2

0

3

2

0

3

3

      steady gliss. 



let ring

7 6 3

3

7 6

7

7 0

Piano Solo

Country two-beat Double-time feel

  A5  

Gtr. 1: w/ Rhy. Fig. 1 (2 times)



C5



D5



A5



 3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo F5

     3                               

Gtr. 1

1

3

5

3

1

0

3

3

1

0

3

3

1

0

3

3

1

0

3

3

1

0

3

3

E5

 

                                7

0

2

0

4

2

4

0

C5

        

2

0

4

5

G    

8

5

2

2

4

3

4

2

4

4

6

6

4

6

4

5

6

D5

                  



let ring 1

5

4

8 7

7

5

5

5

8

8

8 8 7

5

 

9

1

0

3

3

1

        

A5

 5

9

7

10

8

5

9

7

 

        





5

5

1/4

6

6

7

0

3

A5

8 7

5

1



 

0

5

7

7

5

7

6

5

0

3

Fiddle Solo

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

A5

C5



D5



A5







Pedal Steel Solo

 

Gtr. 1: w/ Riff A

F5



E5





 End double-time feel

 

Gtr. 1: w/ Rhy. Fig. 1

A5



H

       

Gtr. 1

mp 5 6 6

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5



A5





Piano Interlude

Fast Jazz A,7

 

C5

D#º7

   4 5 4

  

Bm9

     9 7 7

      E7b9



6 7 6



  

I  

Country Breakdown F5 E5 µ



          mf

F5



E5 µ



     

F5



G5 µ



     

w/ pick

3 1

3 1

3 1

5 3

1

1

1

0

1

1

1

3

Slow Blues q. = 67 (q = e)

Gtr. 1 tacet

 

Gtr. 2 (slight dist.)









  

E5



 



f









w/ pick & fingers let ring 1

5 8

7

0

J

7

Guitar Solo

                      5 5 3 8 5 3 4 3  5 5 0  5 7 7

A5

C5

  

let ring

8

           A5

5 5

5 5

       

5

 

9

7

8 9

8 9

A5

 



 

  

7

8 9

9

8 9

8 9

9

7

 

8v a

 

 

    **

1

7 10 9

7 10 9

10 9

11

15

13

14

 

6

5

7

  

8 9

7

8

9

 

17

9

9 9

10 10

9

*Bend 2nd & 3rd strings simultaneously.

             10 10 9

10 10 9

17

    

1/2

17

20

17

     

20

16

17

19

18

17

16

 

loco

   

1/2

16

19

18

17

17

7 9



15

0 13

14

 15

17





4 1

13 13

20

20

  



17

16

 

8 10 9

      



       

10 10 9



A5

     16



  

D5

5

1

20

20

E7 3

1

5

4 4

**Played behind the beat.

8v a

1

*

1

15

10 9

4

5

5

C5

F7

  

 

        

let ring

5

8

5

 

D5

15

hold bend

15 15

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C5

                  

*



 

D5

4

  

4 1

3/4

 3

1/2

15

15

15

15

15

15

15 15

12 16

15

0 15

13

(e = q)

A5

15

8

5 0

   3        3                     1/2    5 5 8 8 5 0  5 5 7 8 7 5 0 7 5 8

7

5

5

6

5

3 0

5

3

*Played behind the beat.

K Fast Country q = 200

   

Gtr. 1

A5

Gtr. 2 tacet

µ

                0

   

2

2

4

0

2

0

4

4

Gtr. 2

 



 

5

5

D5

Gtr. 1

2

L

2

0

4

2

0

5

5

0

7

3

5

0

5

7

0

5

5

3

0

5

         

A5

5

3

3

0

5



µ

7

5

0

7

5

0

7

7

µ



5

5

5

7

5

0

5

4

0

9

Guitar Solo

C5

D5

                                        0 2

3

4

0 2 0 4

4 2

4

4 2

4

2

3

4

2 4

5

2 3 2

4

2

2 0 4

4 2

A5

    



 1

0

4

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

          



Country two-beat Double-time feel A5

 

0

µ

  

               0

 

C5

5

4

0

3

  

   

3

0

0

0

3

0

0

 

3

0

4



4 0

4

2 0

4

0

4 2 0

   

 

5 0

5

0

7

0

4 0



4

C5

 

D5

    

  

  

 



A5

          

       



1

8

5 0

 

5

0

8

6

5

7

7

7

7

6

5

5

7

5

7

7

7

5

7

6

F5

5

7

6

E5

 

                          

5

 

5

8

5

     

 

0 0 1

1

3

0

1

3

0

0

3

9

X

X

10

9

9

3

3

1

0

3

0

3

1

0

5

0

5

3

       

 

1

0

8

14

5

12 13

11

13

11

10

12

11

11

3

A5

C5

             

             

7 0

2

4

0

2

4

0

4

2

0

4

2

0

4

0

3

5

0

3

5

0

5

3

0

5

0

5

End double-time feel

D5

 













1

5

7

M





 







5

7

5



   



 

5

5

1

7

5

7



A5

5

5

7

5

0

5

4

3

Bass Interlude

Fast Jazz Gtr. 1 tacet

   

A,7

D#º7





Bm9

E7b9







N Country Breakdown F5 G5

 

Gtr. 1

µ



(Drums)

    1

1

1

3



F5

E5

     1

1

1

µ





0

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

F5

G5 µ



    1

1

1

 



E5

   



3



0

O Pedal Steel/Fiddle Solo Country two-beat Double-time feel

  A5  

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

C5



D5



Piano Solo F5

A5



E5

            

Gtr. 1

           

           

w/ pick & fingers

1

3 3

3 3

Guitar Solo A5

 

   3

   



9

8

7

7 10 7

3 3

3 3

3 3

 3      4 6

5

7 0

5

5

3 3

3 3

5

6

7

5 7 5 0

     2 2 0

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

5

0

5 7

7 5 7 5 0



8







0

2

3

   

10

7

C5

2 2 0

5

D5

F5

E5

9 6 0

G5

8 7 0

7

5 7 5 0

A5

µ

       

5 5 3

7 7 5

10 10 8

9 9 7

12 12 10

                           1

4

2

4

4

2

0

3

4

           



14 14 12

A

4

4

w/ pick

3



 

7

Outro

1

2 2 0

5

3

            





Free time A5

7

2 2

3

1/4

5

2 2

7

7 5

        

7

2 2

D5

A5

6

2 2

                

A5

5

3 3

C5

P  





4

2

4

3

2

2 2

0 3

3

3

2 2 2 0

µ

   2 2 2 0



Whoa!

from Brad Paisley - Play

Turf’s Up By Brad Paisley and Frank Rogers

Gtr. 3: Baritone gtr. tuning: (low to high) E-A-D-G-B-E

A Moderately fast q = 148

Free time

 *Gtr. 1          

Gtr. 1 tacet

**Am

let ring



14

 12

14

  

 



mf w/ bar

 

13

14

µ

  

Gtr. 2 (slight dist.)

                mf



***steady gliss.

12 13 14

12 13 14

17 17 17

-1/2 *Pedal steel arr. for gtr. **Chord symbols reflect basic harmony.

Gtr. 1

 















-1/2







    







12 13

11 10

9

8

7

5

3

2 0

2 0

-1/2

0 1 2 2

0 1

0 1 2 0

© 2008 EMI APRIL MUSIC INC. and NEW SEA GAYLE MUSIC All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

 

X X 2 0

12 8 13 10

10 10 12

-1/2

        

steady gliss.



1

12 13



0

let ring

-1/2

         



0



12 13



2 0

1 2 2 0

    

0 1



2

   



2 0

2



13 12



-1/2

                

14

               

12 13

-1/2

1 2

15

w/ bar

8 10 12

8 10 12

2

16 16

***Steadily slide down neck while picking sixteenth-notes. Pitches are approximate.

w/ bar

Gtr. 2



0 1 2 2

0 1

0 0 0 10

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B  

Am



F

E7

Am







10 10 12

Riff A



             

  

             

            *

0

0 0 3

0

2

2 0

3

0 1

3

3

2 3 3 1

2 3 3 1

0

F

Gtr. 1

0 0

2

2

4

2 0

3

2

2

2

0

E7



   



1 2 2 0

-1/4 **Bend neck

Am



1 2 2 0





 







   

**

1 2

-1/2 *Bend neck. (Push forward on neck w/ left hand palm while holding down chord shape. Push body of gtr. w/ right hand for leverage.)

Gtr. 2: w/ Riff A

  

End Riff A

w/ bar grad. release



13 14

-1/2

F Gtr. 1



 

w/ bar

E7







13 14

Gtr. 2

 

0 0 3

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

2 0

3

0 1

1 1



 

6

5

5

    





0

0

1 1 2

 



     





 

5 6 5

5

Am

6

5

       

13 13 14 0

0 0

4

2

2

2 0

3

2



 

12 13

13

  



20 20





let ring

0

2

2

1

2







F



E7



Am







20 20

                            

                      



*

0

0

0 0 3

2

2 0

3

0 1

3

3

2 3 3 1

2 3 3 1

0

0 0

4

2

2

2 0

3

2

0

2

0

2 3

2

0

2

0

0 0

2

-1/2 *Bend neck

C C Gtr. 1

 ( )   





G

  

Fill 1

  



w/ bar

End Fill 1



  



3



13 12 14

13 12 14

12

11

12

-1/2

      

Gtr. 2



2

3

2



**Gtr. 3



mf

0 1 0

      let ring

0 1 0

let ring

0 2

  

         

           

1 3

2

0

0 1

0 1

0 0 2

let ring

3 5

         



 



5

7

5

4

3 3

3

3 5

4

  

w/ amp tremolo

5

5

5 5

5

5

5

5

5

6

5

7

5

4

5

**Baritone gtr.

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Am



      

13

14

12

11

    

  let ring



3

3

14

  

G

 

5

3 3

4

5

 



12 12

12

 

  let ring

3

3



5

            let ring 7





17 17

3

5

  

5

12

12

7

X

4

 

w/ bar 5 6 5



  

-1/2

5 6 5

5 6 5

-1/2



5 6 5

   

5

7

5

5

      6 5 7



  2

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

6 5 7

18 17 19

2

5

5



7

5 5

5

5 5

5 5 5 7

3 3 4 5

  

 



 

1

2

2

0

1

0

2

3

C

 



 

16 17

17 18

15 17



-1/2

 



let ring

1 1 2 3

5 5 7



5

        

5



F

 ( )

5 5

 

3

2

5

          



                         let ring let ring

   steady gliss.

6 3

7

  1

0 0



3

13



 

3

2

3

0 2

2

0

0 1

0 1

0

0 1

0

2 3

2

0

0 1

0 1

0

1

2

      

         

5

5

Riff B

5

5

5

5

5 5

5 5 5

5

5

6

5

7

5

G





 



Am

 



G







steady gliss.

19 20 21

12 12 12

           



let ring

5

5

4

3 3

3 3

4

3 3

             let ring

             let ring

3 5

5

3 3

4

3 3

3 3

4

7

7

5

5 5

5 5

5 5

5 7





7

7







 

7

5

   

7

4

  

   





   

5

7

5

5

3

5

5

5

4

5

F

 

 

5

2

2





5

3





2

0

5 0

 

 

3

End Riff B

   

2

0

3

2

E



 

 







 



 

 steady gliss.

1/2

4





1

   1 1 2 3 3

3

5

           *

1 1 2 3 3 1

  

5

5

  

                 P.M. **steady gliss.

1 1 2 3 3 1

15

-1/4 *Bend neck

  3

5

15

13

12

11

10

9

8

8

7

6

5

4

3

2



0

**Slide & pick as before.

 2

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D Gtr. 1

Gtr. 3 tacet

Gtr. 1 tacet

Am

F

E7









10

         



0

0

0

0

3

2

2

0

0

3

 

* let ring



8 8



13 13 0

14

12









 5 6

       3





 

 

 

Gtr. 2

12 12 13

15

    

0 13

15

0 12

0

*Refers to 6th string only.

Am

  

Gtr. 2

     



 

10 5 5 1     

0 10

0

0

0

F





0

  



3



 



 



13

0

14

0

0

X

15

12

13

12 13 12

15

Am







15

1 2

E7 Gtr. 1



        





12

9

15

10

10

8



 steady gliss.

Gtr. 2



         

0

0

0

4

2

2

2

0

3

2

   

 

     

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

17

3



**

0

2

2

1 2

1 2 2 0 -1/4 **Bend neck

6

5



5

         

1/4

1 2 2 0

3

0

3

3

0

2

0

2

0

3

0

F

E7







Am

 

  

 







10 10

9 9

 

13 13

13 14



 

8va

16 17

 



20 17

17 17 17

17 20 21



 

        

 

 

8va



loco          



P.M.



steady gliss.

1/2



17 18

16

17

17

16

16

19

16

17

20

21

21

14 14 14 15 15 14 14 12

11

10

8

Gtr. 1 tacet

F



8va



15

      

15

7

7

10

7

9

           

  

7

9





7

10



20

3

7





 

17 20 21

E7

13 14

7

14 15

12 13 14

13 14

3

        

14 14

0

0

0

2

4

2

0

2

0

3

2

E Gtr. 1: w/ Fill 1 Gtr. 3: w/ Riff B

C Gtr. 2

3

    

3

3

        







   



 8 8 9

0

0

0

0

4

X X X

5

X X X

7

7

7 8

8 8





            

8 8 8

X X

8

10

10

8 8 9

8 8

8 9 8

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G Gtr. 1

 

  



  



1/2

9

 

5



      

4

3 3

4

5







8

     

 





let ring

7

7

Gtr. 3

  

5

5 5

5 5

5 5 5 7

0

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

3 3 4 5

    



2

0

0

2

3

2

8

  

13



   

  

3 3 4

3

3 5

5

7

5 5 5

5 5

5 5

F

13

Sorgdal

4





3

Gtr. 2

8

let ring

3 3



8

P.M.

G Gtr. 1





5

3 3

4

   

7





      

Gtr. 2

7

8

   

Am

  

1 1 2









13 15

13 15

3

9

10

8

8 10

 

3

3



 

3

3

3



  

1

1



3

5







1

3

0

5

C



G

 

 



   



20 22

19 20 21

         

 

9

10

8 8

8 8

X X



8 8

8

8

 



2



  let ring

5

  0

9

8 8

8 8

X X



 

8 8

3

3

2

2

let ring

3

X

2

2

2

2

0

10 X 12

10 12

7 8 9

3 5 7

        4

3 3

3 3 4

3 5 7

10 12 14



 

0

0

2

3

G

 



       

3 5

7

   

   

 

0

5

5

0

0

4

5

7



8 10 12



5

3

 

  



3

3

         

3

5

     



        

Am7

    19 20 21

  

1/2

0

3

10

10

   

  

2

       3

5

5 5

5 5

2

      

5

5

5 7

7

 

10

9

8 10

10

0

3 3 4 5

   



2

0

0

2

 

P.M.

5 7

   2

  

3

2

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F

 

 







  

Gtr. 3 tacet



 









                 

   

*

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

12

15

1

15

12

15

15

 

 1

X

X

5

X

X

7

X

X

8

14

14

14

15

   

          

1

 3

1

15



3

3

13





10

10

8

X

let ring

-1/4 *Bend neck

 





3

E7

Gtr. 1





  



    

   

w/ bar

15

Gtr. 2





13

13 15

13 15

  

8

 

10

   0 0 1 0 2 0

       

**

0 0 1 0 2 0 -1/4 **Bend neck

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

21

-1/2

let ring

8

15



     0 0 1 0 2 0

        ***steady gliss.

10

22 22

21

20

                    

19 17 15 13 12

***Slide & pick as before.

11

10

9

8

7

6

5

4

2

0

0

F Am

µ

Gtr. 1

F

E





Gtr. 2

  



Gtr. 3



Am



 







 

1 1 2



µ



1 2 2 0



µ







 



0 0 1









3





5

5











17

5 5 5







*w/ delay

0

µ

2

0

*Set for dotted eighth-note regeneration w/ 2 repeats.

Am

µ

F

µ



E

8va





loco



 



  

20 6

















  

 

7

7

7

 

5

4

6

  





5

 

Harm.

8 10

8 10 10 7

7

7

7

7

9

9 12

12

12

Pitch: G#



 0





 1













2

2

2

0

2

2

9

7

G#

9 G#





3

2

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G 

 

13

13

Am





Gtr. 3 tacet

F

E7





0 0 3

0

2

2 0

3



        * 

     

0

Am

0 1

1

3

2

3

2



       



     let ring 1/2

2 0

0 0

4

2

2

2 0

3

2

0

3

7

4

4

7

-1/4 *Bend neck











0

Gtr. 1





F

F7



    

10

6 7

7

Gtr. 2



             

          

**

0

0 0 3

0

2

2 0

3

0 1

3

3

2 3 3 1 -1/2 **Bend neck

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 3 3 1

    





5 6

12 13

13 14

5 6

12 13

 

10 12

             

0

0 0

4

2

2

2 0

3

2

0 3 5

0 5

7 7

5 7 5

4 7

10 12



5

5 6 7



H C Gtr. 1



G

 

 

 









7

7 8

7 8

1/2

7 12 14

                   Gtr. 2

 8

0 6

 5

0 6 7

5

 0 8

 

   

15

13 13

12

13 15

19 13

0

0 0



 

 

 

   



 

18

0

0 7

10

    







 

   



  let ring

8

Gtr. 3

 

 

13

5

10

12

0

0 7

10

0

12 7

 steady gliss.

delay off



1 0 2 3

3

Am



5

5

G

 

 

2

F





 

8va







let ring

12 13



X X

    

 

  

     

22

 



let ring

0

4

5

7

 

7

4

5

5

7

   

7

22

 

1/2

5

7



         

1/2

1/2

5 8

10

10

8 8

10

8

10

   



9 7

3

7



  

2

5

20

        1/2

2

0

10







1 1 2 3

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 1 tacet

C Gtr. 2





 

 

 



 

 



7

9

 

 

    

9

12

 

G

  

 

8 3

5

5

7

7

8

7

8

12

12

15

12

14

15

16

  

         

19 20 20 19 19 17  18 18    

19 15



   



   





3 3 4 5

8 9 10

     Gtr. 2                loco



10

15

16

10

Gtr. 3

15

 8va     



w/ pick & finger

5

 

 15 13     

13 13 12 12 12

Gtr. 1

12 13 12

Am

    

1 15 12

14 12 0

12

14

14

G

               3









   



12

13

17

14





20 17

19

17

20 19 17

19



19 17

19



17 19

 1

10 10

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Sorgdal



3 3 4 5

  



     Gtr. 3

5 5 7





0



3

17



F

E

  

8va



                        

    

loco

8va

loco

*steady gliss.

17

20

X

17

18

20

17 0

18

17

20

17 18

17

17

16

19

17

X

19

19

17

15

14

13

12

11

9

7

6



5

*Slide & pick as before.









10



10







7

6 7

5 6





5





1

0





4

4 5

I Gtr. 3 tacet

Am Gtr. 1



F

 



12 13

12 13

E7

Am

 



E7#9

      



17 18

11 12 12 13

Gtr. 2



     

       **

0

0 0 3

0

2

2 0

3

0 1

3

3

2 3

2 2 3

2 3 3

       

0

0 0

4

2

2

2 0

3

2



0

 

3

13 13 14 14

    

7

8 7 6

-1/2 **Bend neck

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

        Am

F



E7

Am











10

12

13

 





 

7

4

5

4



w/ bar

13 14

13 14

-1 1/2



      

       

0

0

0 0 3

2

2 0

*

0

3

       

1

2 3

3

3

2 3 3

2 3 3

0

0 0

4

2

2

2 0

3



2

0

-1/2 *Bend neck

Am

µ

F6

      Gtr. 1

13 14 14

µ

E

    



13 14 14

15 14 15



15 14 15

Gtr. 2



             **

0

0 0 3

0

2

2 0

3

0 1

3

3

2

2 3



 0

16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







  

 

16 17 16

16 17 16







8 9 9

13 14 14

18 17

16

15

14 13 12

11 10

9

8

7

5

0

     1 2 2 0

***Slide & pick as before.



2 1



   

  

                 ***steady gliss.

19 19



Am

2 3

-1/2 **Bend neck

Gtr. 3

µ





 

0

     13 14 14

5

from Brad Paisley - Part II

Two Feet of Topsoil Words and Music by Brad Paisley and Robert Arthur

Intro Moderately slow q = 78 ** G

    

*Gtr. 1

  

*** w/ fingers















  

  

 





let ring

4 0

4 0

3

3

0

2

0

4

3

2

4 0

4

0

3

0

3

*Violin arr. for gtr. **Chord symbols reflect basic harmony. ***Track fades in.





B



   

Em

3





A/C#

  





mf

0

0

2

4 5

3

5

D

4

2 5

4

 





let ring

0

2 4

2

3

C

  

   



let ring









G

Gtr. 2 (elec.)



3

1

0



G6

  







  

mf



 



















w/ G-bender let ring

w/ slight dist.







+1



3 2 0

0 2 3





0 0 5 3

3

0

0

2

0

1 0

0

0

2 †Vol. swell

    

Gtr. 1



0 2 3

0



0



4 5

  

 

0

0 2 3

2

   



© 1996, 2001 EMI APRIL MUSIC INC., SEA GAYLE MUSIC and EMI BLACKWOOD MUSIC INC. All Rights for SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Very fast h = 157 Gtr. 1 tacet

C

µ

Gtr. 2

   

C







µ

  



G

   



0 1 0 2 3

1 0 2 3

Riff A



3 0 0 0 X 3

End Riff A

Gtr. 3 (acous.)

         

 





 

mf

       

 



   

let ring throughout

2

1

3

1

0

1

2

1

1

0

1

1

1

3

2

1

3

2

3

0

1

1 0 2 3

2

0 0 0 X 3

Verse Gtr. 4 tacet

C

  

    

1. Yes - ter - day

Gtr. 2





Am

 



I

  

thought that

      



 



I

was

      

dist. off

0 1 0

0 1 0

0 1 0

3

 

 

     

0 1 0

0 1 0

3

Riff B Gtr. 4 (elec.)

 

3

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



0 1 0



low



0 1 0





as

 

      

0 1 2

0 1 2

 

     

0 1 0

0 1 0



0 1 0





I

could



0 1 2

0

3

 

 1



  

3 0 0

3 0 0

3 0 0

 

     

0 0 0

0 0 0

3



  

0 1 2

0 1 2

0



0 1 2 3





get.

      

End Riff B

mp w/ slight dist.

Sorgdal

0 1 0

3

Rhy. Fig. 1 Gtr. 3

0 1 0

  

G



0 0 0

C

 













I’d Gtr. 2





  

  



1 0







1 0

3 Gtr. 3

  



1 0

3

1

3

 

     

0 1 0

0 1 0

2





 

     

0 1 0

0 1 0

Gtr. 2



0 1 0





bot - tom

  

1 0



3

er

     

0 1 0

0 1 0



0 1 0

   you



2 2

  

2 2





End Rhy. Fig. 1

 

     

0 1 0

0 1 0

0 1 0



  

up

and



  

1 5





left. Gtr. 5 (acous.)

2

3

3







0

3

1

G



1 0

  

3

since

  



3

  

-



3

 

  



1 0

C

 

ev

  

1 0

3





   1 0

Am

rock





1 0

3

    

  

 3



Gtr. 3: w/ Rhy. Fig. 1

hit

  

1 0 3

3

 

  

0

3

0 1 0

3

  













But

this





8

10

mf w/ slide

8

Gtr. 2

 

 1 0

3

    1



 1 0

2 3

    1

2



 1

2

    1



         1 0

0

1

1 0

3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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F



  



  

morn - in’



when I

saw



Gtr. 5



     you

with

some

   -



  

bod - y

else,





well,

need

-

  



less

to





10

Rhy. Fig. 2 Gtr. 3



 3

Gtr. 2



 1

 

     

1 1 2

1 1 2

1 1 2

 

  

1 2 3 3

1 2 3 3

 

 

1 2 3 3

 3

 

     

1 1 2

1 1 2

1 1 2

 

  

1 2 3 3

1 2 3 3

 



 

1 2 3 3

1

C

   

3



 

     

1 1 2

1 1 2

1 1 2

 

  

1 2 3 3

1 2 3 3

 

 

1 2 3 3

1

F

  





 3

 1

 

     

1 1 2

1 1 2

1 1 2

 

  

1 2 3 3

1 2 3 3

  1 2 3 3





 





say

  3 3

 

that’s



 

     

0 1 0

0 1 0

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Sorgdal

5

6

 

     





0 1 0

0 1 0

0 1 0

0 1 0

3

 1 0

3



5 5

3

 





    1 0



1 0

 1 0

3

    1 0

3



1 0 1



 

     

1 1 2

1 1 2

1 1 2

 

  

1 2 3 3

1 2 3 3

  1 2 3 3

 

 3

 1

 

     

1 1 2

1 1 2

1 1 2

 

  

1 2 3 3

1 2 3 3

  1 2 3 3

 

Gtr. 5 tacet

    when

I

Gtr. 3

 

3

Gtr. 2



start

-





  

sink - in’

 

     

 

     

1 1 2

1 1 2

1 1 2

3 3 4

3 3 4

 

  

1 2 3 3

1 2 3 3

 

1 2 3 3

1



F

ed

 



G

  



5



e



-

ven

   

0 0 0

0 0 0



  



where

I’m



3





1



     

1 1 2

1 1 2

  1 2 3 3

  

1 1 2

       1 2 3 3

1 2 3 3



3



1

low - er



3



to

   -



     

1 1 2

1 1 2

1 2 3 3

1 1 2

       1 2 3 3







as

far

as

 

     

1 1 2

1 1 2

1 1 2

 

  

1 2 3 3

1 2 3 3

 

1 2 3 3



5

1 2 3 3

 

     

3 3 4

3 3 4

End Rhy. Fig. 2





0 0 0

   



µ

Well,

        1

0

2

0

2

0

3

        3

1

0

2

0

2

0 0 0

3

G

3

3 3 4

   

0 0 0

day.

 

 

and

 

1

at

 

  



0 0 0

3

F



3 3 4

G

0

3



 

 

there’s









0



0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Chorus

2nd & 3rd times, Gtr. 7 tacet



  

     

soil,

a

lit - tle

 

 

 

two

feet

of

top

-

 

     



 

     

3 3 4

3 3 4

3 3 4

3 3 4

Rhy. Fig. 3



     

     G



5

3 3 4

5

F



3 3 4

3





  





  



let ring

0

lime

 

5

 

5

-

  F

stone

in

 

     

3 3 4

3 3 4



0

  

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4



3 3 4

let ring

5

 

3





     

1 1 2

1 1 2

bed

 

     

1 1 2

1 1 2





  

  

2

-





 let ring

3

      

rock,

 

     

0 1 0

0 1 0



  

0

2

C









0 1 0

2

A

 

     

0 1 0

0 1 0



0 1 0

 

     

0 1 0

0 1 0

0 1 0

3



  





   

let ring

2



 



tween.

1 3

 

1

2

3



 

1 1 2

let ring

1 1 2

let ring

3

of

3

-

 

1 5

5

   be

bit

1

4

5

    

     G



0

4

5

 

C

3

Riff C



    

0

1 2

3

2

0

2



  

     

G

fos

 

- sil - ized

 

5

 

     

3 3 4

3 3 4



 

di

3 3 4

  



5



-

    

 

    

no - saur,

a

lit - tle

 

     

3 3 4

3 3 4



let ring

0

4

5

0 5

4

5



   

 

thou - sand





 

 

feet

of



  

0 1 2

0 1 2



   

gran - ite



0 1 2

0



 

un

 

der



  

0 1 2

0 1 2

  



1

2

0

crude

oil,

     

1 1 2

1 1 2

3



   G

-





  

2

2

  

2







  a

 

     

0 1 0

0 1 0



  

0 1 0



let ring

1 3

   

0

2

   

2



neath,...

End Rhy. Fig. 3



 

     

0 0 0

0 0 0



0 0 0

 

     

0 0 0

0 0 0

0 0 0

3

End Riff C







  





   

let ring

0 2

C

1 1 2

3

1 2

of

 



0 1 2

let ring

2

    

let ring

0



 

      

3





patch

1

  -

3

5

To Coda 2

Am



3 3 4

  

    

F

0

0

0 0

0

0



0

3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal







*Gtrs. 2 & 3

         3

2

0

3

2



To Coda 1 

µ





and

then







C7



there’s

2

0



me.

       

2

0



1

3

1

0

1

2

 



1

1

0

 



1

1

1

3

3

*Composite arrangement

Verse Gtr. 3: w/ Rhy. Fig. 1 (2 times) Gtr. 4: w/ Riff B

C





G5



C







2. I

         2

1

3

2

3

0

1

Am



   my

Gtr. 6 (acous.)

Gtr. 2



2 0

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1 0 2 3



3 0 0 X 3

  

 way

2



2

  

back

out.



       5

3



3



   

Gtr. 2



was

kind



 -

a

hop - in’

        

5 5

5 5

  

could

       



5 5

5 5

3

5

5

  

5

3

5





              mf   P.M. P.M. 0





I

C









G

  

dig



2

 

   



 5 5

1

3

1

0

3

    5 5

5 5

3



3

0

3

 5 5

1

0

3

0

2

    5 5

5 5







0

1

0

2



 

1

5 5

1

3

1

0





5 5

Am



0

   

5 5

3

2

  

  

A

cou - ple doz

       

        

3



2

2

5 5

  

get

you

3

5 5

  

 back



some

-

   how.

 





en

ros

- es,





may

-

be



   

5 5

3







C





3



G

  



0

   

5 5

3

0



-



5 5





5 5

5 5

3

  

   

5 5

5 5



 

   

    let ring

1/2







5 7 5

    

5 5



5 5



3 3

   

4

1/2

1/2

1/2

0

0

0

0

4

4

4

4



3 3



5 5

   

5 5

5 5



3

1/2

0



5 5



4

   

5 5

5 5

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



   4



  5



3

0





 

5

4



5 5

5 5

 







as

you

talked

to

him







6 5

6 5

   



love







5

3

3

     

0









6 5

3

 

Gtr. 7 (elec.)



the





5

3







5 5

5 5

5 5

3

    

see.



But



 

C



 



5



6 5

3

5

5







Gtr. 2

0







 

  

Gtr. 6 tacet

eyes



3



5 5

3



 

Gtr. 3: w/ Rhy. Fig. 2

 



to

- day





6 5

6 5

    F





 

 F



6 5

6 5

 



  to



6 5

3



plain





your



was



in

6 5

3











 







6 5

6 5







So

       

       

       

mf

w/ slight dist.

0

Gtr. 2





3

 5 5

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Sorgdal

1

2

0

2

0

    5 5

5 5

2



3

0

1

 5 5

2

1

3

4

0

    5 5

5 5

1

 3

0

4

 6 5

1

1 0

1

2

    6 5

6 5

1

 3

4

 6 5

1

3

1

3

0

    6 5

6 5

   

  

I ain’t

gon

-



G

na

get in - volved,

  

 





 

F





 

but

should





you change



G

   

your

mind,





 

well,

you



2

 



6 5

3

6 5

    

 

know

right

F



   

Gtr. 7



6 5

 

5



8 7

    where





    8 7





8 7

   

6 5

3

6 5

6 5

    

G

I’ll

be.



   

8 7

8 7

8 7

D.S. al Coda 1

µ

Yeah,

       





5

    

 



      there’s













1

3 5

Gtr. 2





3

Gtr. 3





3



   

6 5

6 5

6 5

 

     

1 1 2

1 1 2

1 1 2



3



3



   

6 5

6 5

6 5

 

     

1 1 2

1 1 2

1 1 2



5



5

3

3

3

3

4

5



  

 

8 7

8 7

8 7

8 7 5

 

     

 

3 3 4

3 3 4

3 3 4 5

3 3 4

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Sorgdal

 Coda 1 C7



C5





Bb5

A5





Ab5

G5



1

1

0



Aw,

         3





me.

2

Gb5

1

2

  



1

1

0









6













get 6









1 3

3

0

3

1

0

4

3

2

Solo Breaks

F

















down. Rhy. Fig. 4

Gtr. 3



 3

Gtr. 2



 



 

     

1 1 2

1 1 2

 

     

1 1 2

1 1 2



1 1 2

3



 

     

1 1 2

1 1 2

 

     

1 1 2

1 1 2



1 1 2

3

3

Gtr. 6



2

1 1 2

1 1 2

1 1 3

C

        0

Gtr. 3

 

1

3

0

2

3

0

 

     

0 1 0

0 1 0

Gtr. 2

 

2

        3



0 1 0

3

0

2

3

0

2

3

 

     

0 1 0

0 1 0

 

     

1 0 2

1 0 2

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1 0 2

 3

1 1 2

1 1 2



1 1 2

0

1 1

2

3

1 1 3

3

2



3

1

2

3

1

3

 

     

0 1 0

0 1 0

 

     

1 0 2

1 0 2

1 0 2

 3

     

1 1 2

1 1 2



1 1

2

4

        5



3

0

4

3

     

1 0 2

1 0 2

1 0 2

3

0 1 0

0 1 0

X X X

0

End Rhy. Fig. 4

     

          3 2 3

0

 

3

 

1 1 2





0 1 0

3

 

3

       

0 1 0

3

3

Sorgdal

3

     

          let ring

let ring

1

 

3 2 3

0 1 0

Gtr. 3: w/ Rhy. Fig. 4 (2 times) Gtr. 6

F

C





  



          



4 3

3

5

5

3

0

5

3

                 Gtr. 2

1

3

2

3

3

1

3

             

1 1

2

3

1

3

2

3

3

                  3

5

5

3

0

0

5

  3

5

7

 

     

1 0 2

1 0 2

6

5

7



1 0 2

7

8

6

8

 

     

1 0 2

1 0 2

3

2

3

    

0

1 0

1 0 2



10 8

10 8

10

7

X

6 10

7

         

1 0 2



F

9

3 2 3

X X X

4

1 0 2



       



3 2 3

5



         7

9

1

3

3

1 1 2

3

3

0

1

Gtr. 6 tacet Gtr. 2



  

       

      let ring

  



let ring

1

2

1

2

3

Gtr. 6

0

3







1 1

1 3

2







1

3



1

  1 0

3









1 0

1 1

   

1 0

1 0

10

 

1 0

3



 

Gtr. 7



Gtr. 6 divisi



 

 



  3

7

7

7



1 0 3







8 10

 

 

2

1

11

Gtr. 2

  

C

  

5

5

4

 



7

5



1 0 3

3

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 6 tacet



       

12

0

Am Gtr. 7



13

Gtr. 3



 0

12

     

1 2 2

1 2 2

2 2

0 Gtr. 6



 



5

7

0

15

1 2 2

2 2

13

0

0

10

         



12

0

10

 

     

1 2 2

1 2 2

12

11

10



12

10

10

0

5

5

 

     

0 0 0

0 0 0

1 2 2

        6

   

 2 2

0

2 2

5



0 0 0

3



2 2

G

 





   





12

 

Gtr. 2



0

 

0

0





  



0 0

0 0

0

2 2

 

     

0 0 0

0 0 0

0 0





    



D.S. al Coda 2

µ

Well,

Gtr. 3



 1

3

0

 1

0

3

     

2 3 3

2 3 3

 3 3

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

 

Gtr. 2



4

3

2 3 3

    3 3

3 3

3     3  3                 

 1

 1

3

2

0

0

3

5

3

5

3

0

5

3

0

5

3

0

1

5

3

0





3

3

 

     

  

  

  

  

  

  

  

  

  

2 3 3

2 3 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3



  

               

 

3 3

3 3

5 5 3

5 5 3

2 3 3

3 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

 

there’s

3

3

0



3

3





3

0

0 0 0





G

          

3

3

F

Gtr. 7

4

3





4











 Coda 2     

      G

neath.





Yeah,

 

     

  

0 0 0

0 0 0

0 0 0 X 3



  

0 0 0

3

 

  

let ring

0

0

0

C

  bed

G

rock,

lime

Gtr. 5

 

-

  C

µ

  





 

in

   di

 

9

  -

 

no - saur,

 a

lit - tle

of

top

-









 

3

3

5

5

7

7

     

  

     

soil,

a

lit - tle

F







3

3

1

    

 

bit

of



be

C

-

  

patch

 





tween.

1

 

feet

      



F

two



F

  

 



1 0 2 3



 

 



         

stone

 

Gtr. 5

0 1 0 2 3



     G

there’s

0 0 X 3

0

    

    

  -

µ

Gtr. 2: w/ Riff C Gtr. 3: w/ Rhy. Fig. 3











5

5

7

8

9

C



      

    

of

crude

oil,

A

fos - sil - ized

 

7

Am

 a

       

 

G

    



thou - sand







7

5

7

9





feet

of

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

   

gran - ite

 

 

-

der

un

Gtr. 5 tacet

     

G

-

 



µ





neath.

then





Gtrs. 2 & 3

 



7

       



3

5

2

0

3

2

0

2

0



And





there’s

3

Outro Gtr. 3 tacet

C7







me.

Gtr. 5

    3







5

8

         2

Gtr. 5



3

 

11

  



Gtr. 2

1

1

0

2

1

1

 



1

0

1

1

1

3 3

3



9

  

 





5 5

 



   



3 5

5 7

5 7

3 5

2 3

  C









12

12

  







    

6 7 8

5 5 7

3 3 5

1 2 3

2

Gtr. 2

Gtr. 3







16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

1 2

3

     2

Sorgdal



3

1 2

3

   0

1

2

   0

1

2



µ













13

3

  0 1 0 2 3

from Brad Paisley - Play

Waitin’ on a Woman Words and Music by Don Sampson and Wynn Varble

A5

F5

C5

F5 type2

G5

3fr 11

1134

3fr 134

2

Intro Moderately slow q = 77 ** C5

    

Gtr. 1 (elec.)

Csus4



   

3

134

  

 

F5 VIII

D5 5fr 134

 

Fsus2 7fr

134

C5



E5

8fr 134



8fr 1341

Csus4

   

  

  

mf ***w/ slight dist. & delay



10 10

12

P.M.

13 12

10

P.M.

13 10

10

10

12

13 10

13 10

13 10

***Delay set for eighth-note regeneration w/ 1 repeat. 2nd delay set for half-note regeneration w/ 1 repeat. *Gtr. 2

 







 †

pp let ring



0 0

*Pedal steel arr. for gtr. **Chord symbols reflect implied harmony.

C

†Vol. swell

Csus4

C





Csus4







  1. Sit - ting

 

  

  



 



 

 

P.M.

3

5

5

3



 

  



P.M.

5 3

3



3

5

5 3

5 3





mf let ring

0

2

© 2005 EMI APRIL MUSIC INC., SEA GAYLE MUSIC, EMMA AND MADDIE MUSIC and WARNER-TAMERLANE PUBLISHING CORP. All Rights for SEA GAYLE MUSIC and EMMA AND MADDIE MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

1

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 2 tacet

G5

 

 

on

a

  



bench

at

 

West

    

Town

    





 

Mall,

  

      

he

in

sat down

his

o - ver - alls

  and

asked

Rhy. Fig. 1

Gtr. 1



     



let ring

 3 0 0 X 3

0

0

3

Rhy. Fig. 2 Gtr. 3 (acous.)

    





    

mp let ring throughout





3 3 0 0 X 3

3 0 0 X 3

C

Csus4



  

 

 

C

Csus4

6        

Spoken: You wait - ing on



a wom - an?

me...

  

  

let ring

3

5

  

  



 

End Rhy. Fig. 1



 

  

let ring P.M.

5 3

5 3

    

3



 



3

5

 

2

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1 0

3

3

5 3

     P.M.

1 X 3

3

0

2



let ring

5

P.M.

0

  

1 0 3

1 X 3





      I

nod - ded



yes

 

  

and, “How

’bout

you?”





He



 

Son,

since nine

 -



  







G5

teen

fif - ty

two

I’ve

said...

  





    



let ring



 3 0 0 X 3

3 0 0







   



     3 0 0 X 3

C

  

3 0 0 X 3



Csus4



been

Gtr. 2

 

       wait - ing on

a wom - an.





C

Csus4

3



  

 

  



 

P.M.

3

5

Gtr. 3

  

5 3





 

 

2

5 3

     1 0 3



1

7

  

  When I



9

12



P.M.

3



 



3

5

 

5

5 3

3

5

     

P.M.

0



       



5

Gtr. 1



End Rhy. Fig. 2



P.M.

1 X 3

3

0

2

1 0

0 0

3

2

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus Am7





  

 



12

14

for

our

first

date

I







 



let ring

1

Rhy. Fig. 3



  

 1 2 2 0







0

1

2



2

   

there

be



     

   

   

0 1 2

1 1 2 3 3 1

1 1 2 3 3 1

   the

1 0

  



 9



let ring

2

3

5

3 0

 

 

      

 

 

 

 

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1 0 2 3

3 0 0 X 3

 

1 1 2 3 3 1



1

9





 





10

9

 

7

7

 



let ring

1

0 2 3

 

1 1 2

She said, “I’m



   

   

        

at eight thir - ty.

7

  

 

 



mf

8 9

      

C



pp



0

3

thir - ty.

stairs





3



Spoken: At eight

down

and

1 2

                

   

eight



let ring

2

0 1 2

at



 

G5

she came

Sorgdal

I’d





0

C

0

        

1

0

0



told her

  









  up

  F

 

picked her



    

 3

2

 2

 0

3

        2

1 0

1 0

2



3 1

 1

2

  

Am

   

sor - ry

that

I

   

      

took

long.

so



Did - n’t

   

like

12 12

5







let ring

1 0

0

   

  

  

  

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

          

  

0

p

 1

8 7

  let ring

0 2



3

 0

3

0

   

   

   

      

   

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

      













6 5



2

2

 

 

 

 

 

  

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 1 2 3 3 1

2 3 3 1

1 1 2







12

13 12

  

2 3 3

5 5

7

X X X



Yeah, she’ll

      

  

X X X



12

3

1 1 2 3 3 1

      

13



      



10

 

   



1 8 7

      

2



C

she sure looked pret - ty. she sure looked pret - ty.

 

    

let ring

  



on.”



  



7





  2

        

tried

13 14

  



     



1

0

I

  

F



mf

2

that

  

Let me tell you, son, Let me tell you, son,

  

0



thing

  

C

   

 

12 12

   

 

a

 



    

   

F

7

  

  

  

  

  

 

 

 

 

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3



5

 

7

 

 

 

 

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

End Rhy. Fig. 3

 

 

1 0 2 3

1 0 2 3

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Dm

 

 

   

C/E

F

    



 

But

 

take





her

grad. bend

10 10

 

9

9

 



0

0

   

2

9



3

Interlude C

w/ G bender 1

13

  

  



 

5

   0

2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 3

5 3

     P.M.

1 0 3

1 X 3

9



P.M.

3

3







 



 



1

10

  

Csus4

        1 X 3 3



 



2. He said, “The

w/ bar 

 

2



13 10

10

1/2

C

  

 

2

5

  





Csus4



9

2

 

3 2 0

a wom - an.



1/2

grad. bend



wait - ing on





3       

   

I don’t mind

time.



 

 



1 X 3 3

1 X 3 3

1 X 3 3

10

12

 

 

  



P.M.

3

5

  0

2

5 3

5 3

     P.M.

1 0 3

1 X 3



Verse Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet Gtr. 3: w/ Rhy. Fig. 2

G5

 

  



      

     

             Spoken: I

wed - ding took



C

   



a

year

Csus4

 

to

plan.

You talk

a - bout

an

C









Wait - ing

on

a

an

-

 

Csus4













vous.

Gsus4

 

nudged

    

   my

arm

like

old

men



    do

 

 

“I’ll

say this



then

he

  

     

  It

and said,

    

Gtr. 1

And



was

’bout the hon - ey - moon”...



  



   

wom - an.

G

was ner -

xious man.”



let ring

C

    worth it.



 1 0 0 X 3

1 0







Csus4



0 0 0

C

   

Csus4

  









 

(Laughing) Wait - ing

Gtr. 2

on

a





wom - an.







12 12

12 12

“And











5 5

8 7

 



3

2

I

1

8 7

Gtr. 1

  

 

   let ring

3

5

5 3

5 3



 

  3

 

 

   let ring

3

5

5 3

5 5



7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus





Gtr. 3: w/ Rhy. Fig. 3

A5

F5

Rhy. Fig. 4 Gtr. 4 (elec.)

mf

  

w/ dist.

   

 



don’t guess we’ve been





an - y

     -



where

she





  

8 7

10 9

7

 let ring

0

1

2

2

0



8 9



1 0

2

             

    she



does

it

just

 

Spoken: ’Cause ’cause

      

   

made

late,

swear.

us

I

 





1 2

2

3

      she can she can

do do



it. it.



13 12

let ring

0 0 3



8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

8 7

1 2

3

5

3 0

1





     let ring



C5

        

1

1 hold bend





let ring

1 1/2

   



Some - times



let ring

13 12

   

10 10

G5

  

    

   



C5



has - n’t

8

9

   







  

 0



 

7

8



let ring

1 0 2 3





5

7

1 7



1/2

12

12

  

3



1

7

7







4

5



A5

  





  



 

   

       

a

life.

        

F5

  

     

be

the

 



     

  You

Boy,

it’s

just

fact

of

It - ’ll



  



10 9

7

8

8 10

  















9

let ring

1

0



2

0

3



3

3 3

wife.

 



  

2

3

3fr



just go go

on and on



1

0

1 0

C

                    might as well Might as well







  



young

let ring

F5 type2

C5



with your

0

2

0



same

get used to it. and get used

 

  

to

it.”







End Rhy. Fig. 4 (cont. in notation)





 





She’ll

   

    



1 1/2 1

1

8

8

7

7

 

1



let ring

0 2 3

10

10

  





3

9

7



7



1

8

5 5

7



let ring

1 2

1

0 3



  

1 2

0

2

0

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

         

Dm

C/E





take

her

time.

  

Gtr. 2



5



7

7 9

Gtr. 1





  









   

let ring

            

F

You don’t

wait - ing on

 

 

9

10

6 7

8 9

 



 





2 3

2 3

0

3

 



let ring

0 0 2



Gtr. 4





 



    

3

3



f

3 2

Gtr. 3



a wom - an.



1

0

      

 

1

3

mind

C

3

3

3 2 0

3

        

  

     

   

       

     

   

       

   

   

 

 

 

     

           

 

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0 0 2

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

  

3

1 3 2 0

2

1 3 2 0

   

  

  

5 5 3

7 7 5

5

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

  

1 0 2 3

1 0 2 3

(cont. in slashes)

5 5 3

3 3 1

7

1 0 2 3

0

Guitar Solo





Gtr. 2 tacet

G5



Rhy. Fig. 5A Gtr. 4 Gtr. 1



  

   

  

 

   

1/2

 



 

    

Gtr. 3

2

2

2

2

2

 

2

3

2

3

3

5

5

5

5

5 0

0

2

    5

3

2

3

Rhy. Fig. 5

  

 

 

 

 

 

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2



1

5 0

3

 

 

 

 

 

 

 

 

 

 

 

 

 

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

 

 

 

 

 

 

 

 

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3



C5

    

   

5

3

5

 

3

5

   





7

7

   

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3



5

  

G5









 

7

8

8

8

8

C5

 

       

let ring 1 hold bend

12

12

12

5

5

  

  

  

  

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3



1 hold bend

12

5

  

12

14

12

1

12

15

0

15

15

7

7

8

 7

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

13

15



1

7

5

7

5

5

5

5

12

  I’ve

    



1

14



          

5

  

14

        

7

  

14



1/2

  

hold bend



1

End Rhy. Fig. 5

               

 

12

1

13

7

  

13

12

7

5

  

let ring 1 hold bend

5

7

7

5

8

7

  

      

1 hold bend

                   1/2 1  



Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A Gtr. 1



 

End Rhy. Fig. 5A

1

3

2

0

0 5

5

3

Chorus Gtr. 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Rhy. Fig. 4

Am

  

read







some - where





    

           

sta - tis

show

-



tics

the





mf let ring

1 0

0

    F

man’s

al



  

    - ways

 

the



first

to



 

go.



And

   

let ring

1

1 2

            

2

3

0

0

0

1



0 3

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

       

C

sense

   

’cause





let ring

3

     



     Am

when it

know



  

Spoken: She won’t be she won’t

3

0

5

comes

time

 













let ring

So





 if



7

9

10









2

  

to

the oth

get

9

9





1

8 7

 

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 





1

2

 

I’ll

find



1/2

 



9

7



 

1/2

2

0

C'9

         they get

  

an - y. if they’ve got



 

0

2



an - y.

 I









  hope she

 

1

7

7



  



let ring

1 0





3



   

 

 

0

3 0 2 3

let ring

1 2

12

side

7

let ring

0

er

9

   

let ring

-





a bench



3

F

If self

2

I



2



       -

2

             

grad. bend

0

my

3

1/2

1

0

    

   

   

1

C

 

   F

grad. bend

Gtr. 1

 

y.

3

fi

my



1

     

n’ly



let ring

5

     

Gtr. 2

-





let ring

      

-

read - y. be read

 

3

0

2

0

I

 

C



that makes

0

     

G5

0 3

3 0 2 3



 7fr



D5

Gtr. 4









her



5

7







1





    

   3 0

1 3 2 0

3 2 0

2

0

Well, I don’t mind ’cause I don’t

 

 

0

2

1 2

1 3 2 0

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 3 2 0

1 3 2 0

1 3 2 0

0

2

 



12

12

12

 

 

       



 

 

 

 

 

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

 

  





a wom - an.

2



 

    

1 0 2

1 2

3

 



  

10 12

12 13

12 13

 



10 12

13 15



  

  

  

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1





 



   

Hon - ey,

1/2

12

0



3

  

an.

3

0

3

  

1 3 2 0



let ring

  

let ring

wait - ing on a wom wait - ing on

 

  

        





  



        



             

C5

5

mind



3

0 Gtr. 3

   

8 9

let ring

3

          

 









time



Gtr. 1



  

 

takes Gtr. 2



F5 VIII

E



10 12

 



12

0



5 3

8 8 9

   





12 12

12

7

5

3

3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

 

 

 

 

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

5

7

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



  

D5

3              

      

Hon - ey, take your time take your

    5



   



 

 

10 10

  

  

  

  

  

  

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

 







10 10

    8 8 10 10

   

   

   

   

     

     

1 1 2 3 3 1

1 1 2 3 3 1

X X X X X X

X X X X X X

1 1 0 3 3 1

T



X 2

   

Wait - ing on a

10 10 8



5

mind.

  

X 9 X 9 X 7





7 7 5

  



              



   



I don’t mind ’cause I don’t

8 9

7

Fsus2

                

’cause

time



F5 VIII

E5

1 1 2 3 3 1

Interlude Gtr. 4 tacet

C5

   







wom - an.







   

 



   

 



P.M.

10

12

       1 1 0 3 3 1

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

13 10

13 10

10 12

12 14

10 10

10 10

13 12



  

     

3

5 5 3

5 5 3

  

       

5 5 3

5 5 3

13 10

P.M.

3

5 5 3

 



3

3

3

9 10

   





12 13

 

5 3 3

5 5 3

13 15



3 15 17

13 15

15 17

13 15

12 13

   3

 



5

5

Pedal Steel Solo

  

Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A

G5 Gtr. 2



 

   

 

w/ pick & fingers



  



 

   

1

1

15

13

12 10

14

16

14

12

10

10

10

12

10

12

           





3

let ring

13

 1

1/2

1

10

1/2

10

12

12

10 12

12

10 12

12 13

Gtr. 1

  

 

 

  

5 5 3

5 5 3

5 5 3

5 5 3

Guitar Solo



  

11 12

    

12 13



13 12

13 14

14

 

 

3



10 12 13 12

6 7

     



Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A (3 1/2 times)

              

C

8 10 12 8 8 10 13 9

12 13

13 15

12 13 13 15 15 12 14 14

13 15

 



let ring

                  let ring 1/2 



13 12

8 7

9

10

7

        

 

f

1

0

2 3

1

0

0

3

1 3

3

2

 















w/ G bender grad. release

+1 hold bend

0

0





0

0

3

Gtr. 2

 











10 10

10 10

8 9

7

let ring 1

5

5



5

 (cont. on lower staff)

10

             (cont. on upper staff) 1

0 5

5







0

2

C5

Gtr. 1

7

7

G5

1

1

0 5

0 5

5

    



 5

7

5

0 0 5

  

5

7



15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                

                   G    G5



3 grad. release

 7

5

5

1

6

6

6

8

5

8

  

 

1

5

8

7

12 12 12 12 12 12 12 12

12 12

12

  

3



1/2

12 12



3

12 10 10 10 12 10 10 10





3

12 12 12 10 10 10 10 10 10 10 10 10

  



1

6 7

10 10 10



8 9

9

7

10

10

8 8

8 8

8 8

G5

2

9

8 10 12

12

8

10 12

12

9

   

10

9

8

5

8

5 0

5

 8

9

   let ring

           let ring let ring

5

  



C5

0 2 3

 

0

3 3

5

5





4

9

12

12



12

w/ G bender

12

7

0 5 7

7

0 7

6 7

0

7

5

7



   

Harm.

5

0 0

5

  

5

5

    let ring  

16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9

0

0

2

0

3

              

1

5

12

12

0

12

12

14 15

12

15







1

7 8

4



Pitch: G



5

8

+1

0 0

10

                                    3  3 w/ pick & finger  let ring   

       

C5



8 9

12

1

12 15

12



     12

12

G5 8va



















 



loco                         

1/2 19

19

  



10



9

19

19

19

19

19

3



19

19

17

19

Gtr. 1







1/2

13 15 13 12

13



           

12

15 13 12

14

15

12

14



    



14

14

14

14

14



0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

 

15

12



 

1/2

1/2

9

 

 







+1



 



w/ G bender let ring

 14

 





3





15



Gtr. 2

Gtr. 3

13

3

7

14

14

15 17 15 15



C5 Gtr. 4

3

3

14

12

12

13 13





9

9

 

 

 

 

 

 

 

 

 

 

 

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

 

12

12



 

9

7

5

 

 

 

 

 

 

 

 

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





G5

     



  









w/ G bender let ring



          



grad. release



+1

13

13

12

12

12

12

12

12

12

12

14

12

12

14

  

  

  

  

  

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

X X X X X

X X X X X

3 0 0 X 3



  

  

  

  

  

  

  

  

  

  

  

  

  

3 0 0 X 3

X X X X X

X X X X X

3 0 0 X 3

X X X X X

X X X X X

3 0 0 X 3

3 0 0 X 3

3 0 0 X 3

X X X X X

X X X X X

3 0 0 X 3

Outro

Gtr. 1



 



   

C5

12

6

  

  

  

  

3 0 0 X 3

X X X X X

X X X X X

3 0 0 X 3

  

  

X X X X X

X X X X X

(cont. in slashes)



 

Csus4



 

   

P.M.

10

  

8

Gtrs. 2 & 3 tacet

Gtr. 4 tacet

C5 Gtr. 3

12

 8

   

12

   







14

13 10

  

  

P.M.

13 10



Gtr. 2

 

10

13

12

10

 P.M.

13 10



10



1

7

C5 Gtr. 1









Csus4















 

rit.

µ



Csus2



C







 

w/ G bender

let ring P.M. +1

10

12

13 10

13 10

10

12

13

13 12

7 8

18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

8

7



from Brad Paisley - Play

What a Friend We Have in Jesus Words by Joseph M. Scriven Music by Charles C. Converse

Drop D tuning: (low to high) D-A-D-G-B-E

A Free time *D

   

A/D

G/D

A7

         

Gtr. 1 (acous.)



           5  

mf w/ fingers let ring throughout



0

0

7 7

7

0

5 6

3

6

7

0

5

D5 3

2

0

3

0

0

3

2 3 2 0

2

4



3

0

0 0

4

4

0

0

*Chord symbols reflect basic harmony.



D

  

Harm.

12

12

12

7

7

7

7

A/D

 



12 12

G/D

12

7

7

5

3

6

7

0

0

A/D

       



12 0

G/D

  



   

      



   

0

0

5



0

2

2

7

2

B Moderately slow q = 78 D

     0





 

5



  

5 0

7

0

5

7



5

7

7

0



0

5

5

6



              

3

  

X

6



8 0

0

 



   

10

12 14

14

11

12 14

14

0

3

4

0

5

7 0

           0

0

 

D

0

A7

 

 

G

5

0

5

0 5

 7 0





  

5

5

7

0

7

7

2

 

5 7 7

0

3

2

0

0

2

0

0

D

 

0

3

7

5

7 0

0

G

  5 5

5

0

Copyright © 2010 by HAL LEONARD CORPORATION International Copyright Secured All Rights Reserved

           3

3 0

5

5

5

0

0

3

4

0 5

4 0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D5

Bm7



  



    



 2

0

A7sus4 A

   

3 2

2

3  3                           

Em

0

2

0

2

0 0

0

2

3

2

0

2

D

0

2

C A

  



 





 







7

0

5

4

5 6 7

 



 



5

7 0

5

5

X

D





7 7

0



0

  



5

0

0

8

7

7





7

5 7

 

Em7

  



 





    

Bm7

Asus4







2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3 2 0 2



 2 0 0 0

0 0 0 X 2

2

0





5 5

5

7 7

A

 

3 0

7

5



7





7

0

0

A7

7

5

6

7 7

0

6

8



  



0





3



12

5

5 5

      

  

5

0

0

4

12

3

5



12

4

5

       

2 0

7

Gm

3 0 0 X 5

D

5

5

6

5

0

Harm. 0

0

G

 

3

                     0

0

D5

5

A6

5 5 0



0

5

7 7

0

5

7

7

7

 

5

0









4

7 0





5 7

0

   



7 7

7



 

7

 

7

A



2

2

     



  

D



0

0

3

2

D

 

7

2

4

0

G

   

7

2

4

1/2

6

0

0

12 7

7

7

0 5

     

7 0

2

4

0

2

0

D D

 

  



4

2 4



2



0

 

  



3 2

3

3 2

2

2

4

4



4

2

0

2

0

0

      

0

2

0

0

0



  

0

   

3

5

7

7

7





0

3





2

4

7

5



4

5

0

0

0

5

   

5

7

5

Bm7

EsusÊ Esus4

   

  





0

3 2 0 2





0

3

X

   

Harm.

3

3

5

X 2

2

5

Asus4 A



D

      rake 

0

3

2

2

 





Harm.



0



7 5

0



 7

0 0

Pitch: A

0

4

  

5

0

2

0

4

X

5

6

0

6 5

6 5

       

 





5

3 4

0

2

5

   



0



G

  





7

3

0 0

7

0



      

   

0

2

A7



3

0

2

0

2

D5



 



2

0

2

0 0

0

A7sus4

D



            

       

D

0

 

  

G

4

0

  

7

11

0

3

10

0

D

E A7

2

2 2

3 2 0 2 0

0

          



2

0 2 0 2 0





0

 



0

2

   

















 

D

0 3 2 0 0 0

2

2

3 0 0

3 2

   5 X 7 0 0 0

   

7

11

10 10



X

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G

D

  

7 0 0 0 X 5

D



7

X

    5 7 7 0 0 0

 

7

7

8

7

  



7 7

  



7

5

2

 

5

  

0 5

5 6

7 7

7

3 0 0 X 5

0

D5

Bm7







2

0

0





2 0 0 0

3 2 0 2





3

2

2

2

7

 



 



 4

0

  





3

4

0

5

0

C9

3

2

0

2

4

5

                 0

5

6

5

0

7

3

0

0

7

0

7



Bm11

2

0

7



0

3 0

2

0

2

3

2

2

0

0

2

3

3

3

3

2

3



  

0 2

  



   





     

EsusÊ Esus4 Asus4 A

2

G

 



         

2

0

2

0

5

7





5

7

5 7

7

      

  



 



0

0

0



 

     

A7

0 3 3 2



3

F D5

Bm7

EsusÊ Esus4 Asus4 A



 

       rit.

2





3 2 0 2

0

3

2 2

2



  7

5

0

0

0

0

 



0

 

0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

  

14

14



7

0 0

0









  

15

14

15



 



7

0 0

10

0





14

11

   

0

 12

0

0



Harm.

7 0

10







7

7

10

0 0

 

  

7

0

9

3





      

rit.

5

3

15

7





5

Free time D 3



A7sus2

0

0

0



 0

2 0 0 0

G/B



  





    

A tempo G

12 12 12 X 0

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