Boston collection of songs
May 28, 2016 | Author: JohnNeumann | Category: N/A
Short Description
Boston collection of songs...
Description
THE BOSTON COLLECTION OF
CONTAINING
MARCHES, QUICKSTEPS, WALTZES, AIRS, COTILLONS, CONTRA DANCES,
HORNPIPES, QUADRIU^ES, ARRANGED WITH FIGURES,
SCOTCH AND IRISH
JIGS,
REELS,
AND STRATHSPEYS,
ARRANGED FOR
BRASS,
WOODEN, & STRINGED INSTRUMENTS. BOSTON:
Published C. C.
CLAPP &
by CO., 67
OLIVER COURT STREET.
DITS NEW TORK
:
N, 115 J.
E.
GOULD &
Washington CO., 29
BROADWAY.
St.,
^
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Ol\/E N
t
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BY
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^
THE BOSTON COLLECTION OF
•SI liSlll^'
]li\ h'
w^
CONTAINING
MARCHES, QUICKSTEPS, WALTZES, AIRS, COTILLONS, CONTRA DANCES,
HORNPIPES, QUADRILLES, ARRANGED WITH FIGURES,
SCOTCH AND IRISH
JIGS,
REELS,
AND STRATHSPEYS, ^ ^ ^^
ARRANGED FOR
BRASS,
WOODEN, & STRINGED INSTRUMENTS. BOSTON:
Published by C. C.
CLAPP &
CO., 67
OLIVER DITSON, H5 COURT STREFT.
NEW YORK; ;J..M. GOULD
&
Washington CO., 29
BROADWAY.
St.,
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DUKE OF YORK'S MARCH. • ^^fc^ 3ZZC rn
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ISSUE "S" MISSING
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KEITH'S aUICK-STEP.
wi-^
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99
KNAEBEL.
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M^§^l^:^#a##g^i^je^^ggi§p^ DA CAPO.
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YORRTOWN aUICR-STEP.
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a
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103
DENNIS'S aUICR-STEP. :& 9£
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104 -y^-f-
LYNN aUICR-STEP.
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GORDON'S aUICK-STEP. 3-
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105
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RORY O'MOORE.
106
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HENRY BERIYN.
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ROBERT LE DIABLE aUICR-STEP.
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ADAM KIRER
MARION aUICR-STEP.
108
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HENRY'S RETURN. t^.
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D A CAPO. DA CAP O.
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PROMENADE aUICR-STEP.
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JOHN SMITH aUICK-STEP.
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HENRY
fi-^Ei
111
BERlTJi.
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HOME aUICK-STEP.
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113
First couple
~g down
W *~T ti
the middle, up again, cast off right and left to place, cross hands or swing four to place.
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BASKET COTILLON.
g^^E^|^-^|E^^E^^|E^E^_g|^^|^^^ Forward two, cross over, chassez de chassez, cross to place. The whole form a wreath. Balance, and turn partners to
:«: Z»
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Four
ladies join hands, half
£^^~f3
iF
Four gentlemen forward, join hands, half round and back.
round and retain position.
places.
E^
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THE MISTLETOE BOUGH. — 5TXTMlXTjCX. 1
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Forward two and cross over.
Chassez, and cross over to place.
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All promenade
g:
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114
SOLDIER'S GLORY.
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Forward two and
\*
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cross over.
^U Chasaez and cross
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Balance and turn partners.
to place.
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THE SEA SHORE.
^^^ij^i^^^fep^^^ipfe^fe^ m^m One
lady forward and back twice.
Opposite gentleman the same.
Chassez across, lead
to sides
and form two
lines.
Forward eight and turn partners
t»f^
fe
^^^^m
m^^ m^ Leading couples right and
ft£a:
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left-
KITTY CLOVER.
^^Qj^^g^t^gpg^
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Side couples the same.
r
Promenade
all
round.
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ALL THE BLUE BONNETS. -8-
Forward two and
w^
^^^f^t^:^r^^mm
:.:t#=|?--g--P-g-
cross over.
Chassez and cross over
to place.
Promenade
115
:r.
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all.
^
•^?^=feiT^^^^ :=^h^
:^i^ f&s^
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CHERRY RIPE. It Right hand across,
^_
l^=Z>
left
hand back.
^^
Balance on a
line
Forward two and back
and half promenade.
to
back.
Forward four and back,
right
and
left to
place.
^^-
m. i? ^-^-1^^=^^
5
!^S^p=
^-^
CAPO.
p^-gt^E^ 5
.t-f—ti
FAR O'ER HILL AND DELL.
^3EP Four
ladies
advance and
gi^S retire.
Four gentlemen the same.
Ciiassez
all. I
•^
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CAFO.
116
THE FAIRIES. III
Right and
left.
Balancez.
Ladies' chain.
Half promenade, and
right
and
left to
place.
ss^^sm^
ft
N-r-P^-H^
I
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THE ALPINE MAID.
T
=F=F?=
Si ^
W^^^m First four lead to right, chassez out, form lines across.
I
All right and
I
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left across, all
^. MZt
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All forward and back, swing to place.
cbassez across.
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f—r-rr Ladies' grand chain.
:^
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GAILY THE TROUBADOUR.
B^^^iE^pl First couple lalance to the right, four
:e=^
t^^j=gz
Mm 2£ ^W
hands round and balance
to
^^jH^^lpsS
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the opposite, four hands round and
all
:bt
chassez.
P S^^'^^fe^ gjEfElEgSg BE
E^M
THE BOSTON SET.
JOHX
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gS^lte^l^^Egi^^^l^^ft^EE^ iE^
E.
HEWINS.
t^ I
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117
1^1
g|^^|^^^£^f^fei^Sg|^fe%j^^
g 1
—Right and
left four.
2.— All
3.— Ladies'
balance.
4.— Promenade
chain.
four
g^lg^P
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III
I
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^ive right hand, turn to place.
r
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up four
to the right; cha..ez out
f^^
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3.^ead
A A
—
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DA UArO. "A OAPO.
p^^
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Bi^M
j^^
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iple
balance
to
the nght, four hands round to place.
2.-right and
left
with the opposite couple.
^Se
3.-Ladies' chain with the next couple.
^-All ^T^
iii^li^i^Siim^^p^^^p
a
MAY DAY.
118
^^^^^^^^^ First four right
and
left.
Ladies' chain.
Balance four.
Promenade
:t=te§ES=i=^,i=f= lr=zr?=3i3i=: ;-f^-4
=^
DA OAPO.
four.
^ILr^ DA OAPO.
THE SOCIABLE.
m
^Ft^=?
8:
Forward fouranAackT
^
Tialf rlglUand
laft
Side couples the same.
Chassez
.
J=¥=f^f=?all,
and change partners.
^
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Tromenade
half round
u
I.
^^^^^^^^^^^^^ '
i^i^^^^g^^P^^^ First
hii
two forward and back twice
>
Back
to
back.
Balance
to partners.
All promenade
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^ ^^ ^
DA OAPO.
ti-^fe
TURKISH DANCE. fi:i !
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m
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PI
i^^^^ DA OAPO.
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WILLIAM TELL.
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wm 9 and back.
ladies forward
Two
Cross over, balance each other's partners.
^m^^^^^^ — ^
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and
Wm H+::*—
left.
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£
Grand chain.
All balance to partners, and turn.
^r T \^f0
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four, half right
^lea
left to
place.
EiiES^
WAS GIVEN. ^^ £ ^g=i3^
All promenade.
and
5^
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J"!>l_|^^fIZ
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DEAREST LASSIE. ^z:z> two
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First
£t^:
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Forward and back
same.
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tlie
wi
•^—f^T-r—rr-r-'n
^
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gentlemen
SING, SING, MUSIC -#-
Grand
119
— ;^a P
fiirward
"I
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and back, swing between side couples.
r
1
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:i=^ Forward
six,
swing
to place
i^^SSH^^^
with partners.
Balance
four.
Next two, &c.
COMING TMRO' THE RYE.^ E^&^=et:^ ^
120 ^^^-'t—rzzt— 1=:=^
^
57„d
,i,h.
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LELAND'S WALTZ. Ji
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i
LIST
OF MUSICAL WORKS
PUBLISHES BY OLIVER BERTINI'S
DITSOIV,
METHOD FOR THE PIANO-FORTE.
Do. Qo. HUNTEN'S INSTRUCTIONS Do. Do. HUNTEN>8 ABRIDGMENT CZERNY'S METHOD Do. Do. EitracKKl ftom CicniT. BOSTON PIANO-FORTE INSTRUCTOR. ABRIDGED. DoCZERNY'S ONE HUNDRED EASY FIVE-FINGERED EXER-
CISES.
CZERNY'S ONE HUNDRED AND ONE PREPARATORY LESSONS FOR PIANO. CZERNY'S GRAND EXERCISES OF THE SCALE. LOGIER'S FIRST' COMPANION AND SEQUEL. CHILD'S FIRST MUSIC BOOK, Or Eiut InitnicUoiu for Pius. HOWE'S PIANO FORTE INSTRUCTOR. CRAMER'S CELEBRATED STUDIES FOR PIANO-FORTE. LABLACHE'S COMPLETE METHOD OF SINGING. CRIVELLI'S INSTRUCTIONS IN THE ART OF SINGING. MASON'S VOCAL EXERCISES. D; Lowell Muoo. ZEUNER'S ORGAN MUSIC, In T>o Puts. AN IMPROVED INSTRUCTION BOOK FOR THE ORGAN, BEAUTIES FOR THE ORGAN. Hy difforcnt Auaiom SHORT VOLUNTARIES FOR THE ORGAN, GREEN &. WHITE'S INSTRUCTIONS FOR PLAYING THE 3ERAPHINE AND MELODEON. HOWE'S Do. Do. Do. THE SERAPHINE, Dy E. L. Wnm. JOUSSE'S CATECHISM OF MUSIC. BURROWE'S PIANO-FORTE PRIMER. BURROWE'S THOROUGH BASS PRIMER. BAKER'S THEORY OF HARMONY. CZERNY'S TREATISE ON THOROUGH BASS. CORFE'S PRINCIPLES OF HARMONY AND THOROUGH BASS. WOODBURY'S ELEMENTS OF MUSICAL COMPOSITION. KUREK'S MILITARY MUSIC FOR FULL BAND. BOSTON COLLECTION OF INSTRUMENTAL MUSIC, MUSICIAN'S COMPANION, In ThrM N'uiiib«n. INSTRUMENTAL MUSICIAN, In ?ii NumWn.
For Flute, TIoUd, &e.
HOWE'S PRECEPTOR FOR THE ACCORDEON. SMALL PRECEPTOR FOR FRENCH ACCORDEOK Do. Do. Do. Do. FOR GERMAN Do. ACCORDEON WITHOUT A MASTER. Do. Do. ETHIOPIAN ACCORDEON PRECEPTOR. HOWE'S SCHOOL FOR THE VIOLIN. VIOLIN WITHOUT A MASTER. Do. Do. Do. ETHIOPIAN.
US
TVASniIVGTOrV STREET, BOSTOrV SELF INSTRUCTOR FOR ACCORDEON OR FLUTINA. CUNNABEL'S ACCORDEON PRECEPTOR. OLE BULL'S VIOLIN PRECEPTOR. THE VIOLIN COMPLETE, SPOHR'S VIOLIN SCHOOL. HOWE'S CLARIONET INSTRUCTION BOOK. KENDALL'S Do. Do. Do. HOWE'S SCHOOL FOR THE FLUTE. Do. FLUTE WITHOUT A MASTER. Do. ETHIOPIAN FLUTE INSTRUCTOR. BOSTON FLUTE INSTRUCTION BOOK. WRAGG'S FLUTE INSTRUCTOR. HOWE'S SCHOOL FOR THE FLAGEOLET. Do. Do. Do.
Do.
Do.
FIFE.
COMPLETE PRECEPTOR FOR THE BANJO. INSTRUCTOR FOR THE GUITAR. : CURTIS'S PRECEPTOR FOR THE GUITAR. HAMILTON'S PRECEPTOR FOR THE VIOLONCELLO. DISTIN'S TUTOR FOR SAX-HORN. BURDITT'S COMPLETE PRECEPTOR FOR THE SAX-HORN. POST HORN OR CORNET Do. Do. Do. CORNOPEAN. Do. Do. Do. Do. BUGLE Do. Do. THE OPERA OF SEMIRAMIOE, THE NATIONAL GLEE BOOK, THE ORPHEAN LYRE, THE GLEE SINGER'S POCKET COMPANION. THE BOSTON MUSICAL LIBRARY, By E. L. Warn THE MUSICAL LIBRARY, Jiy M»s« & W^b THE SEMINARY CLASS BOOK, Mrs. PiMTHE SOUTHERN HARP, THE BEAUTIES OF CALEDONIA, AMATEUR'S SONG BOOK, THE THE GEMS OF SONG, THE UNION TEMPERANCE SONG BOOK. THE TEMPERANCE MELODEON. By A. R. Trowsmmi. THE BOSTON TEMPERANCE GLEE BOOK. By John S. COVERT & DODGE'S TEMPERANCE SONG BOOK. THE ETHIOPIAN GLEE BOOK. 1» Tmr F-mI/. THE ORATORIO OF THE CREATION, A COLLECTION OF CHANTS By IlATTto. THE ANTIQUARIAN, THE BOSTON SACRED HARMONY. By T. Biescu,. BALL ROOM ETIQUETTE, Or, Th» Dancer's Compsuiiol. .
'
.
I!.r
The U8ual discount to the trnde. iJo.JerB or Publisher* whc may wi^h for an edition of at least five hundred copies of cither of the abort b^oKS can be tucplied on UbCrai terms, with thiir imprinu nnminal publiaher. Either of the above can be sent to any pnrt of the tTnited Stares by mail.
u
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