Black Label Society Order of the Black

March 30, 2017 | Author: diegocojones | Category: N/A
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from Black Label Society - Order of the Black

CRAZY HORSE Written by Zachary Wylde F#5

E5

D5

9fr

7fr

13

5fr

13

13

Drop B tuning, down 1 step: (low to high) A-G-C-F-A-D

Intro Moderate Rock q = 92

    

µ

 



Riff A

               

               

3

3

f

0

0

0

0

0

3

0

0

0

0

0

0

3

5

6

0

0

0

0

0

3

0

0

2

3

0

6

5

         

P.H. 1

 

0

0

0

0

0

3

0

0

0

0

0

0

3

5

6

3

0

0

0

0

0

3

0

0

               

         

3

3

0

0

0

0

0

3

0

0

0

0

0

0

3

5

6

0

0

0

0

0

3

0

0

0

3

     

2

3



0

6

5

3

Riff C

 

5

End Riff B

               

3

3

 

   

Riff B

 



Play 3 times End Riff A

Gtr. 1 (dist.)

5

 

End Riff C

               

         

3

3

0

0

0

0

0

3

0

0

0

0

0

0

3

5

6

0

0

0

0

0

3

0

0

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

3

   

 P.H.

2

0

6

5

3

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 1: w/ Riff A (3 times)

    



µ





1. Light - ning from sac - ri - fice

   wake brac





of -

his ing

 



a - bove of oth - ers

  

   













fol - lowed by hail. walk with - in

that



 



A The

trail. him.





vi - sion cour - age



sent from



















the

Death from bat - tle - fields

a of

bove death



 





this child, be - yond

be sur

 -



comes rounds

a one’s

 in



 the em -



man. soul,

walk - ing

Gtr. 1: w/ Riff C

  



Blood side





of by

the

 



 

past side

has

B5



Oh,

 

his un









plan. known.

-





µ

B5









  

  





chose graves

through

Chorus µ

Gtr. 1



I



am,

Rhy. Fig. 1



0

 

10

12

 



0

10

12



0

 

  

P.M.

10

12

0

0

 



 

4 2

0



4 2

µ

0

10

B5

12

 



0

10

D5





  

 

oh,



Cra

12

 -



0

E5



zy

 

  

P.M.

10

12

0

µ

 Horse,

0



0

 

 

4 2

4 2





I

am.

 8va loco 

End Rhy. Fig. 1

 





















P.M.



















   

P.H. 1/2

0

10

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Sorgdal

12

0

10

12

0

10

12

0

0

0





4 2

4 2

7 5

7 5

9 7 5

5

3



0

1. Gtr. 1: w/ Rhy. Fig. 1

µ

B5







B5

Oh,

I



µ

B5







D5







  

µ

am,

Cra

E5

 -

µ





Horse,

I



zy

 am.

Interlude Gtr. 1: w/ Riff A

Gtr. 1: w/ Riff B

µ

  











2. Gtr. 1: w/ Riff A

 

Gtr. 1: w/ Riff C













 



D5

2. The

1.

    

Interlude F#5

F#5/G

Cra

-

µ

  



zy

I

Horse,

2.

F#5



E5



 

F#5/G



F#5



F#5/G

 



am.

A

(Sing 1st time only)

    



Rhy. Fig. 2

Gtr. 1

 

 











 









End Rhy. Fig. 2



 

let ring

11

11

9

10

11

11

11

11

9

11

11

10

 

 





11

11

9



10





11

11

Bridge Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)

F#5

F#5/G

    vi

 -



sion



F#5



sent

F#5







from

the

heav

F#5/G

-

good







day

to

die;

 



ens

to



F#5 Gtr. 1

  







 



now

fol

E5

 

-

low

F#5/G







see.

 

 

 

 





This

is

a





D5

 (cont. in notation)

me.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Double-time feel µ

  





                                          Gtr. 2 (dist.)

10 12 14 12 10

10 12 14

  Gtr. 1

10

10

f

10

10 12 14 12 10

14 12 10 12 14

14 12 10 12 14

10

10 12 14 12 10

14 12 10 12 14

10 12 14 12 10

14 12

Rhy. Fig. 3







0

2

2







3

2

0











2

0

0

2

2







3

2

0

D5 µ                              

E5

 

10

15 17 19

15 17 19 17 15

      

7 5

10

19 17 14 15 17

  



7 5

9 7

9 7



2

0

   

10

14 15 17 15 14





17 15 12 14 15

12 14 15 14 12







7 5

7

9

  15 14





7

9

12

12

End Rhy. Fig. 3





7

9





7

9

                                          Gtr. 1: w/ Rhy. Fig. 3 (3 times)

Gtr. 2

10 12 14

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Sorgdal

10 12 14 12 10

14 12 10 12 14

10 12 14 12 10

10

10

10

10

14 12 10 12 14

10 12 14 12 10

14 12 10 12 14

10 12 14 12 10

14 12

E5

D5

µ

                         



  

1 1/2

19

17



  

15

19

17

17

15

15

   

14

15

14

14

12

15

14

14

12

12

E5

14

12

D5

6

21

10

10

12

µ

                     

  

1/2

 

17

15

6

6



1

21

19

21

19

22

19

22

19

19

22

21

19

21

19

21

21

19

21

19

21

19

21

21

            

E5

    T T T T

    

*

15

14

17

12

17

10

17

17

D5

µ

              7

10

10

7

10

7

9

7

9

7

9

*Tap w/ edge of pick.

 

Gtr. 2

E5











1

Rhy. Fig. 4

7 5

9 7





10







7

10



7 5

9 7





7

10

7 5













1

7 9





1

9

  



1

9

      

Gtr. 1



1

7 9



D5

7

 1

7 9



7 9

 





7 5

7 5

7 5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                                       µ

10

7

 

10

7

12

10

10

12

10

7

12

10

7

10

7

12

10

10

12

10

7

12 10

7

10

7

12

10

5

12 10

7

12

10

7

10

7

12

10

12

7

End Rhy. Fig. 4







0

2

2







3

2

0











2

0

0

2

2







3

2

0





2

0

Gtr. 1: w/ Rhy. Fig. 4 (2 1/2 times)

E5

  





Gtr. 2



1



D5









1

7



1

10

7

9











1

10

7

9









1

10

7

9





1

7

7

9

7

9

9

µ

                                

 

3

14

12

10

12

10

12

10

12

E5

10

12

13

10

10

13

10

12

12

10

10

12

D5

             1

1

7 9

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

10

1

7 9

10

1

7 9

10

1

7 9

7 9





1

7 9

 

10 12

13

10

µ

1

7

12

10

 

13



12

12

10

1

10 12

12

      

1

10

10

10



14

10

  

1

12

12

1

12 14

Interlude

End double-time feel

E5 8va



  



1

  







1





      1

22

21



1

22

21

Gtr. 2 tacet

µ



1

22

 

Gtr. 1: w/ Riff A

D5

22

21



22

21

1







22

21

Gtr. 1

               

      

3

3

0

0

0

0

0

3

0

0

0

0

0

0

3

5

6

0

0

0

0

0



0

Chorus Gtr. 1: w/ Rhy. Fig. 1 (2 times)

µ

B5

µ

I

am,



B5



µ

B5





D5



E5



oh,

µ

µ

    



Oh,

 



  

Cra - zy

Horse,

I



B5





am.

µ



B5

Oh,

I

 

1.

Outro Double-time feel Gtr. 1: w/ Riff A (3 1/2 times)

µ





  

B5



am,

D5



E5

µ

    

Cra - zy

Horse,

I

µ

 











am.

    

Cra - zy

Horse,

I



am.

2.

  



Cra

 

-



zy





Horse,

I







3











0

0

0

0

0



3





0

0



3

 

2

0

6







am.

Gtr. 1











5

3

5



0





3

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

OVERLORD Written by Zachary Wylde Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Moderate Rock q = 100 µ

             



Gtr. 1

Play 3 times

mf

clean tone w/ wah

 

     

9

9

A5

7

 

 

7

9

E5

f

A5



 

 

2 0

2 0

2 0

7

F#5

 

2 0

2 0

9

9

fdbk. w/ dist. wah off

9

 

1/2

9

  

         

     

µ

7

F#5

7

7

0

1/2

9

9

µ

 

 

 



7

 







7

9

A5

Rhy. Fig. 1

 

9

9

9

E5

  

 

2 0

2 0

A5



Play 3 times End Rhy. Fig. 1

 

 

 

 

1/2

4 2

4 2

4 2

4 2

0

0

2

2

2 0

2 0

2 0

Pitch: F#

Verse Gtr. 1: w/ Rhy. Fig. 1

Gtr. 1: w/ Rhy. Fig. 1 (8 times)

F#5

µ

 

A5



E5







  

E5

A5

F#5









em - brace

    F#5

pressed

  



µ

 



A5





E5







of

cha

A5 F#5



F#5



1. The

A5



A5

un

-

 

dy

-

-

 lie



os

and







 



 

ing



µ



µ

A5

E5



war.



writh - ing down

A5





The

µ







on

the

floor.

 



A5

op

E5



-

A5



 

This

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F#5

  

bab

 -

F#5

  

rule



A5



 







and

F#5



µ





 











Kings

of

this

µ

 



 

11 9

11 9

6

7

9

9 7

of

fear

that

F#5



ser - vants

 

µ



11 9

11 9

9



all



7

 





9 7

6

7

9



10

9

(C#5)

7

9

7

9

7







that

you

hear

and







5

4



6

 4

 

(D5)



 



Kings

of

this

9 7

11 9

6

7

9

9 7

 11 9







that

you

 11 9



 



A5



E5

A5



throw.









5

4

F#5













all

that’s

to

 







9 7

6

7

9





see,

  11 9

4



µ

free.









nev - er

µ

 



6

world,

 

all

 

(C#5)

 





-

E5



A5

To

 

7

5



E5



slaves









 

F#5



 

µ





A5

know.

o - ver

    11 9

 

serve;



µ

µ

you shall



shall





         P.M.



 

E5 F#5













 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

A5

µ

   

2





world



5

E5





E5



  



de - stroy and

 

  





A5

   

   



A5 F#5

sup - press,

   Gtr. 1

E5

y - lon

 Pre-Chorus

Sorgdal

µ

(D5)



be,



5



yeah.





7

9









7

7

9

7 7

Chorus Gtr. 1: w/ Rhy. Fig. 1 (4 times)

 

F#5

µ

A5



E5

A5

F#5

      



I

am

your

o - ver

-

µ



A5

E5

A5

       



lord,

ev - ’ry - thing

a - bove and

be - low.

To Coda 1 

F#5

µ

  

A5



E5

A5

F#5

      



I

am your

o - ver

-

µ

A5

       

lord,

the

ex - o - dus

of your

   

will

and

To Coda 2 

E5

A5

   

all that you’ll ev - er

know.

Interlude

 

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

F#5

   



µ

A5



E5

A5

F#5

µ



A5





E5

A5





2. This

Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times)

  

F#5

broth



A5



E5

A5 F#5







- er - hood

of



µ

A5

    

snakes shall rule

and





E5



con - trol.

 

A5

The

cor -

D.S. al Coda 1

    

 

F#5

rup

   

 

µ

-

 

 



µ

A5



E5

A5

F#5



tion

 Coda 1

Interlude Faster q = 144 µ

     











of

man,

his

fate



µ







and

his

soul.

A5



 

E5

A5



 __ =    3





(Sing 1st time only)

    Gtr. 1

 



Riff A



 

 

 







3



















2

2

2

2

2

2

3 semi-harm.

2

2

2

2

Pitches: E





2

3

3



  

0

2

3

4



2

3

 









4

3

2

3

2

0

3

C#

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2nd time, Gtr. 2: w/ Fill 1

 

 























3















3 semi-harm.

2

2

2

2

2

2

2

2

Pitches: E

Play 3 times

2



End Riff A





4

2

3





4

2





4

2

3



4





4

2

3

3

 

4



3

2



 

0

C#

Bridge Gtr. 1: w/ Riff A

 

Gtr. 1: w/ Riff A (2 times)











     poc - a

 

Gtr. 2

-





 

so

bright,



    

 

lyp

end

-

tic







 



for

the

slaves

shall

 

        of

the

past;

 



 

-

er

see.

nev

the new

  

world

shall



 

flame

of

black





    for - ev - er



 

 



This

  

µ



 

     





   

f 1/2

4 4

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Sorgdal

1 17

 17







 

which



burns





The

a

-







  



   

  

be.

14

Fill 1 Gtr. 2 (dist.)

 

12

Guitar Solo µ

                                         Gtr. 2

3

5

3

16

    Gtr. 1

14

16

18

16

16

18

18

16

18

16

19

16

16 19 16 19 16 19

19

3

3

16

19

16 21 19 16

19

19

16

16

19

19 16

18 16

Riff B

3

3





   











4

4

4

4

4

4

4

4

    





4

4

4







  

3



4

7

 





5

3



4

6

1

19

19



6

4

5

4

5



7

    8va



1

19

3

   

 





3

19

19

0

0

19

19

18

   

3

3





















4

4

4

4

4

4

4

4

4

4









6

4

3



6





6

4

3



6





6

4

End Riff B

3

 



6

4

5

Gtr. 1: w/ Riff B 8va

    

Gtr. 2





 







3

3

3

18

20

18



 



3





   

3



21

19

21

19

21

19

21

19

21

20

19



7

  

3

2

20

3

19 18

18

17

16

 16

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

              3

3

1

1

16

3

1

19

3

1

16

19

3

3

3



1

16

2 1/2

16

19

           

     

8va

19

16

16 16

16 16

19

19

16

21 19 16

19

16

16

16

19 16

19

18 16

18

8va

     Gtr. 2

6

6

6

6

6

6

6

3 1

16

  Gtr. 1

14 17

14

17 14

16

14

14 17

17 14

16

14 17

14

17 14

16

3

16

14 17

3























2

2

2

2

2

2

2

2

2

2

2

   



         



17 14

16

14 17

14



1

14

14

17

    

3

3



  

0

2

17 14

16

14 17

14

14

17

14

17

14

17

14

17

1

19

19

14

14

17

3

3



2

4

 

4

       

3 1

17 14

16

14 17

14 17

1

14











2

3

2

0

   

2 1/2

14

17

3

3



17

17

14

16

16

16

End Riff C

3

3





















2

2

2

2

2

2

2

2

2

2

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17 14

14

Riff C

8va

 

14 17

14



3

  



4

2

2

4

4

3



4

      3

4

2

3

4

3

2

0

Gtr. 1: w/ Riff C

            *                           8va

Gtr. 2

        *T T T T T T T T 14

13

17

12

16

11

15

14

14

13

17

12

16

11

15

11

14

*Tap w/ edge of pick (next 2 meas.).

8va

  



































 

3

3

3

3

3

3



1

12

14

16

17

19

21



24

13

14

14

16

16

18

18

19

19

21

21

23

Interlude Gtr. 2 tacet

F#5

B5

    

Gtr. 1

 

loco

3

 

 

11 9

11 9

11 9

 

3

 

 

11 9

11 9

11 9

A5

F#5

 

   11 9

9 7

A5

E5

 

3

 

 

11 9

11 9

11 9

 

3

 

 

  

11 9

11 9

11 9

11 9

E5

  



Gtr. 1: w/ Rhy. Fig. 1 (2 times)

 

F#5

µ



A5

F#5

µ



A5





 

9 7

  =  

Tempo I



Play 4 times



E5





A5

3. The

great

con -

A5

E5

A5

The fires

of

Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times)

      F#5

spir

-

   

µ



A5



E5



A5 F#5



a - cy;

µ

      the

be - tray - al

of

  



god.

  

D.S. al Coda 2

      F#5

rev

-

o - lu

   

µ

-

tion



A5



E5



A5 F#5



µ

       aimed

at

the

heav - ens

  

A5

E5



A5



a - bove.

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Coda 2 Gtr. 1: w/ Rhy. Fig. 1 (4 times)



F#5

   

   ev



  



   





the

ex



A5



E5





- ’ry - thing

F#5

µ

a - bove

 -







and

be

µ

o - dus

A5





of

your







4 2

4 2

4 2

0

0



your

o

E5

-





ver

-

µ





A5



µ





lord,





I

am

low.



F#5













and

all

that

you’ll

ev

- er

A5







your

o

E5

-





ver

-



 

A5



lord,



know.

 







1/2

4 2

am

will

 



I







Gtr. 1





F#5



-



A5

2

2

Outro Freely Gtr. 1 tacet

 

   

µ

   

 

Ah,

      

she

is

  my



o - ver -,

  she

is

  my



 

o - ver -,

she

 

is

my







o - ver - lord.





 2

 

 3





She

is

my

o

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



3 -

ver

-

lord.













She

is

my

o

 -

ver

 -

lord.



from Black Label Society - Order of the Black

PARADE OF THE DEAD Written by Zachary Wylde

Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Moderately fast Rock q = 136

   

µ

Gtr. 1 (dist.)

Rhy. Fig. 1

 

    f



 

4 0

2

2



  

   

   

2

0

0

0

4

 

4

2

2

2

2

2

2

2

2





















   

2

0

0

4 2

E5



 

  

2

A5

 







2

2

2

2

B5

 







 

End Rhy. Fig. 1



1/2

4 0

2

2

4

2

2

0

2

2

0

2

5

2 0

4

X

X

2 0

A5







E5



B5







-

the lum

4 2







laws march

and

of es the

A5





  



µ

  





1. Ex - ter - mi



4 2

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

µ

  

X

 Verse

Gtr. 1: w/ Rhy. Fig. 1

 

X

-

nate sy es

E5



all. on. grave.

-

B5





The The





sa - cred mad - men A

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

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µ

   







past kill; fate





be - gins what’s left that can’t

Pre-Chorus A5

   

F#5

to is be

B5

  





A5



  

A5



F#5



Fall.

    Gtr. 1



2 0

  

   

4 2

X

4 2

X

   





4 2

4 2

X

X

X



µ

  

A5



   

   

P.H.

X

  2 0





The

un

  



-

D5



4 2

0

2 2 0





of

    

   

X

death.

7 5

X

A5



       

 

2

2 0

5

4

2

4

2

5

4





Gods

F#5





2 2 0

B5



 

dy - ing



F#5



 

 

X



E5

   

X

B5

F#5

 



Fall.

7 X



fall. gone. saved.

F#5





E5

The



    

 

4 2

X

X

 

   

4 2

X

4 2

X

   4 2

X

  2 0

dis -

    

X

4 2

X

0

Pitch: A

E5

  

ease

    2 2 0

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





it

must



   2 2 0

 

D5

 be

 

 

 



fed.







X

X

7 5

Pa





X

X



16



 -

µ



rade



2







of

the

dead.











5

4

2

4

2





5

4

Chorus µ

    





                 4 0

2

2

2

4

2

4

2

3

2

   



   

2

5

2

0

4 2

2

4

2

2

2

2

4

2

3

2

5



Pa

0

2

4 4

2

-

2



rade



2

4

of

the

dead.

   X

2



2 2 0

X

To Coda

  





                 4 0

2

2

2

4

2

4

2

3

2

            

   



4

2

5

2

0

2

2

2

1/2

4 4

4

4 4





                 Riff A

X 4 0

2

2

2

2

4

2

4

2

3

2

X

2

4

2

2

1.

 





(w/ echo repeats)

 

2



µ

 

4

E5



    

   

2

4 4

4



4

2

1/2

2



                 2



4



0

            









2. The

A

-

6 6                          End Riff A

6

5

2

0

6

5

2

0

4

2

0

5

2

0

4

2

0

4

2

0

4

2

0

4

2

0

  3

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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2.

  







A5



                 The

 

4 0

2

2

Bridge Half time q = 68 µ

  

venge

 

2

4

2

4

2

4

2





and

re

-

dis

2

-

5

E5

ease

2







tal

-

i

  

B5





must

be

fed.

 

       

2 0

X

X

2 0

X

 



Re

 

4 2

X

E5

 -



a



-





 



tion.

The End Rhy. Fig. 2

  









  

 

P.M.

4 2

-

 

Rhy. Fig. 2

0





4

2

2

0

2

2

0

0

   



  





  



1/2

2

2

0

4 0

2

2

     P.M.

4 2

0

2

2

0



  

0

2 2 0

Gtr. 1: w/ Rhy. Fig. 2

µ

  

shad

-







ow

of

man’s

 war





has

been

  



  

  

E5







 





cast.

Guitar Solo

 

Gtr. 1: w/ Rhy. Fig. 2 (2 times)

µ

  

Gtr. 2 (dist.)







f



1

17

17

16

   

16

16

16

14

 16

E5







w/ bar

14 0

0 -2 1/2

     

µ





E5



16

  14  14



w/ bar

1

17

       

17 16

17

16

17

16

14 -1 1/2

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µ

                                   

   

Gtr. 2

10

11 12 14 12 11

11 12 14

 

6

14 12

16 14 12

5

5

11 12 14 12 11

16 14 12 11 12 14

3

6

16 14 12

14 12

16 14 12

13

18 18 18

18

Gtr. 1





2

4













2

4





6





2

4

    1/2

6

4

4

4

4

                          10

  

B5



10

4

C#5

2

B5





1 1/2

19

 

16

16

21

19

19

16







2

4

4

16

16

19



21

19

16

19

16





19

21

19

16

   



18

16







2

4

4

20

18

16

18



 

 

 

6

4 2

6 4

4 2

Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)

      µ

Gtr. 2

16

16

µ

   16



















E5



                

 

3



1





1 1/2 21

6 4

 

3

3



1

16

16

16

16

16

16

16

16

16

16

16 14

16

16

16

14 17 17 16 14 16

16

14 17 14 16

16

                                     10

12

11

14

11

13 14 13 14 16 13 14 16

12

14 15 14 14

14

14 17

14 16 17 14 16 17 19 19 17 16

19 17 16 19 17 16 18

18 18

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    Gtr. 2

E5

                    



10

10

1

14

17 14

16

14

14

17 14

 

  



3. The mass

 



14 17 14 16 14 14 14 14 14 17

16



    

1

17

D.S al Coda (Tempo I)







w/ bar

17 16

16

12

0 -2 1/2

 

_

-6

Gtr. 1







0

2

2













0

2

2



4

 Coda

     P.M.

4 2

0

  

2 2 0

0

Gtr. 1: w/ Riff A

 









Pa

-

E5





rade

of





the

dead.

Outro µ

  



 



Gtr. 1

   





   

5 5 0

2

2

2





   

5 4 2

2

 

2

   

5 5

2

2

2

2

2

2



   



2

2

   

5 5 0

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

2

2

   

5 4 2

2

2

2



 -

   

5 5 2

2

2

2

4

2

4

2



 

       

4 4

Pa

 



3



of

2

2

2

2

4

5

4

5

2





the

dead.

      

4 4 2

2

E5



rade



2

2 2 0

µ

  



 



   







   

5 5 0

2

2

5 4

2

2

2

2

    



2

2

















2

2

  

   

5 5



5 5 0

   





2

2

2

2

2

2

       

4 4

2

2

2

2

4





The

dis

-





5

4





2

2

2

E5

 

ease

2

 









2 0

X

X

2 0

be









17

4 2







X

X

 4 2

F#5



1

   

2



must



5





Gtr. 1

2

B5

fed.

Gtr. 2

3



µ



4

2

A5



5 4

2





14



2











5

4

2

4

2





5

4

  

1



 17

17

 

 

 

4 4 2

4 4 2

4 4 2



7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

DARKEST DAYS Written by Zachary Wylde

G

3

4

C

Cadd9

Am

F

G/B

32 1

32 4

231

34211

2

Intro Slow Rock q = 60

G

C

    

*Gtr. 1

Am

    

    

 



0 0

1 0

C

                

mf let ring



0 0 0

1

0

0

0

0

0

3 0

3

1 0

3

3

0

1

2

2

3

0

1

0

1

2

0

3

1

0

1

3

*Piano arr. for gtr.

G

C

   



0 0 0

0



0



1



0

  



0

3 0



Rhy. Fig. 1

Gtr. 2 (acous.)

mf

     

Riff A

 

15 X 12



0





3

1 0







0 0

1 0

3

3

G

Am

 

 



       



Am



 

 

 

13 X 10

12 X 9

10 X 7



2

2

0

C

C



1



0



1

C

 



2



 

2

1 0 2 3

Cadd9

C

         

End Rhy. Fig. 1

    12 X 9

  8 X 5

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission



End Riff A

 

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 1 tacet

G

C

    

Cadd9

C

Am



                       

Rhy. Fig. 2

1. Di - vid - ed 2. For just one

soul mo

of a ment

-

trou - bled of

C

 

Cadd9

C

             



End Rhy. Fig. 2

man; peace

I

long

to

know.

Gtr. 2: w/ Rhy. Fig. 2 (2 times)

   G

   I

   G

the can

  



G

  





roots hur

-

Chorus G

   

Rhy. Fig. 3

Rain.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

a

wor load

Am

     

-

ed

C







the fi clouds

-

nal



F

and is



Cadd9

          Life

Sorgdal



C

 the

Cadd9

fight, storm

 

ban - don - ment





fi - nal see the

These tan - gled The blood of

Gtr. 2



C



need call -









to ing

un me

-



  

der back

-

for - ev - er love is

    

C

   Rain.





-

er



stand. home.



Cadd9





C

C

  A -

is

nev

G/B

a

Cadd9





still.

            

C

    

   



C

the ground. where the wa - ter

    

ry gun;



C

Am

ripped from ri - cane

Rain.



C





Am

to bul - let

be that

Cadd9

Am

some

found. - times

C

Cadd9

      kills.

C



                

G



  

F

           Take

this

hand

of

C

 

        sor

-

row;

Cadd9

C

G/B

Am

            

take

a - way

my

dark

-

    

End Rhy. Fig. 3

   

est

days.

Gtr. 2: w/ Rhy. Fig. 3

   G



Am

Rain.



    

C

Rain.

Rain.

C

turn

G



G/B



F

   

  

 

a - way

dark

days;

my

- est

  re -

Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Rhy. Fig. 1 (2 times)

me for

  

Gtr. 2

stay.

   F

Hey,

  

Am

I

feel

they’re here

C

to

Am



Bridge F



G

Interlude

                      



    C

Take

1.



Cadd9

G

C



       Yeah,

C

Cadd9

       C

         yeah,

    

C



Cadd9

C



stay.



C

Am

C

2. C

   

  

   

turn

me

feel

here

 

G/B

for

I

Am

they’re

to

G



             



  

Gsus4

G



yeah.

  

                     

yeah. (Hey.)

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Gtr. 2: w/ Rhy. Fig. 1 (3 times)

        Stay

















here

all

 

the

   

Gtr. 3 (elec.)

 











12

13



f

12

   



 14

12

12





14

    Cadd9

14











12

13

12

12

14

Cadd9

14

12

12 14 12 14

C

12 14 14 12 14 14

Cadd9

12 15 15 12 17 15

C



3

17

       



15

17

15

17

15

12





17

1 17

17



14

12

14

14

12

14

12

C



1





1 1/2

X

17





1 17

14

12



1 15

15

12

F

6

6

  13

                       1

17

   

C

15

G Gtr. 2

1

X

17

12

G 8va

1

14 12

13



12

C

   loco                  

Sorgdal

  

1

14

  15

G

12

12 14

   





8va

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



12

                 

Am

4



12

C

12

14 12 14

17



  



C

 14



14

Am



 1

    

14

C







w/ dist.

Am

C

way.







G

X

15

15

X

 

C







      



                                   3



1



6

3

1

15

15

6

6

12 14

12

12

12 14

14

14 12

15 12

15

12

12

15 12

15 12

15

12 17 15

12

15 12

1

12 12

14

14

14

Chorus Gtr. 2: w/ Rhy. Fig. 3 (2 times)

   G



Gtr. 3 tacet

Am

Rain.



    

C

Cadd9

Rain.

Rain.

C

Cadd9

    C

G

F

Take

     

  

   





this

hand

of

sor

-

row;





12

    C

take



 a

-

way

  C









my

dark

G/B

Cadd9

C







-

est

days.

Am

Cadd9

    C

    turn

G/B





me

for







Rain.



I

feel









Rain.

F









Take

a

- way

Am



Am

G

Rain.

C



 

G

 my

 dark







-

est

days;







 re -

G

 they’re

 here



Gtr. 2







to

stay.

  



 

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

BLACK SUNDAY Written by Zachary Wylde

A5

1

Drop A tuning, down 1 step: (low to high) G-G-C-F-A-D

Intro Free time

µ

           12 12

Gtr. 1 (dist.)



12

12

f

13 15 17 15 13 12

13 15 17

15 13 12

15 13 12

15 13 12 10 12 13

10 12 13 12 10 8

12 10 8

12 10 8

12 10 8

6

8 10

7

8 10 8

7 5

8

7

5

A5

                                           12

12

12

w/ bar

9

7

5

9

7

5

7

5

9

7

9

7

5

9

7

5

7

5

9

7

9

7

5

9

7

5

7

5

9

7

9

7

5

9

7

5

2 0 -1/2

µ



8va



 

loco 









Harm. w/ bar







 

 

Harm. w/ bar

w/ bar

4

 



1

8

 

 



Harm. w/ bar

w/ bar

1

8

7

   

5

7

0

12 12

12 12

12 12

-1 1/2

-3 1/2

-6

Fast Rock q = 172 Gtr. 1 tacet

µ

            

Gtr. 2 (dist.)

C5

Riff A

 

f

              P.M.

7 0

5

0

7 0

5

0

7 0

5

0

7 0

5

0 0

0 0

0 0

0 0

0 0



        

End Riff A loco

        15ma

P.H. 1

7 0

5

0

7

5

7

5

7

7

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

5

7

7

5

5

5 3

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Sorgdal

Gtr. 2: w/ Riff A

µ

C5













 



1. De

-

Verse



Gtr. 2: w/ Riff A (2 times)

µ





stroy 2. Fill

-





er me

of with

µ





side stroy



 

 my your



 

o - ver er of

-

 

 

vi strength



 

my my





sions, now;

venge vi -



come and lim - it -



 







ance; sion,



  re re

en less



- demp - tion - turn me







-

ter un

-



 

set to



C5





me. known.

Re De -



 

me my

free. home.

C5







 Chorus

Half-time feel 3rd time, Gtr. 1: w/ Fill 1







God

in

my

  



µ



Gtr. 2



  

Rhy. Fig. 1





 

C5

hands

star

 









 

µ





ing

down

on

D5

-



  

  





 

1/2

5

7

5

7

5

5

Fill 1 Gtr. 1 8va





20

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Sorgdal

C5











5

3

0

5 3

1/2

5

3

0

5 3

7 5

5

7

5

7

5

   1



me.







5

 



µ















No

use

for

mer

-

cy

  

  



 



D5





with

a

fist

  

 

  

 

 



G5



A5

ful

of

hate.

C5



-

 



7

7

5

5

 

 

   

0 0

0 0

0 0

P.M.

5

5

3

7 5

5 3

0

5 3

7 5

5 3

12 10 10

0

       P.H.  End Rhy. Fig. 1 8va

1/2

5





The

  

  

 



µ

14 12 12

0 0

0 0

1

Pitch: D

Gtr. 2: w/ Rhy. Fig. 1

µ









light

that

once

µ









brac - ing

my

Bridge G5

 











D5





end;

be



 



has

long

giv

To Coda



C5







for

re







-

en

way.



1.

A5



Sun







-

day.

C5





Em

2.

End half-time feel

µ



Black









day.

µ

A5

 -

G5



- com - ing

µ

need

µ

D5

shined



No

Gtr. 2

 

 

C5

-

µ

 



morse.

Rhy. Fig. 2

 

End Rhy. Fig. 2 8va

   

 

 



   

 

     P.M.

1/2

0 0 X 10

5

       

1/2

5

5

3

2 0

0

0

0

0

0

0

0

0

0

0

0

0



P.H.

3

Pitch: E

Gtr. 2: w/ Rhy. Fig. 2 (2 times)

G5

 





No

need







to

for

µ

 -

A5



µ



give.

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5

 





For

all

µ







that

re

A5

 -

µ









mains,

all

End half-time feel

Guitar Solo Gtr. 2: w/ Riff A (4 times)

G5







day

Gb5







that

shall

for

F5

 -

µ



ev

-





er

live. Gtr. 1

Gtr. 2

 

 

 

 

 

 

 

 

 

 

 

8va

 

 

 

 











1

12 10

12 10

12 10

12 10

12 10

12 10

12 10

11 9

11 9





8va





11 9

10 8

10 8

10 8

















1

15

15







1

15

15



15



15





15

15

15

0

C5







1

15



1



1

15

11 9



1

15

12 10















1

15

15















 



 

1

15

15

15

15

15

15

20

20

17

µ

                                       6 6 8va

6

6

6

17 19 20 17 19 20 15 17 19 15 17 19 13 15 17 13 15 17 12 13 15 12 13 15

6

6

13 15 17 13 15 17 12 13 15 12 13 15 10 12 13 10 12 13 8

10 12

                                                 C5

loco



6

6

6

6

6

6

6



1 1/2

5

8 10

5

8 10 10 8

5

10 8

5

5

8 10

5

8 10 10 8

5

10 8

5

11 10 8

10

9

8

8

9 10

8 10 11 11 10 8

10

9

8 9

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



µ





  



1 1/2



1 1/2

   

 1 1/2



1 1/2

    1 1/2











1 1/2

  

10

10

10

10

10

10

8

 



2 1/2

8

10

10

10

8

10

12

11

              

µ



C5

1 1/2

8 10



1 1/2

       



               

2

14

12

14

13 14

12

15

14

12

14

13

14

14

12

14

16

12

14

13

16

12

13

14

16

12

14

13

15



15

D.S. al Coda



     8va           

17

14

17 17

15

14

17 17

 Coda



15

17

15

20

17

20

17

                20

17

22

17

20

17

20

17

20

17

22

17

20

17

19

17

Outro







day.

µ

15

C5

Gtr. 2: w/ Riff A (2 times)



µ

C5







Half-time feel Gtr. 2: w/ Riff A (2 times)

µ

 

C5





 

A5 Gtr. 2







 

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

SOUTHERN DISSOLUTION Written by Zachary Wylde E5

11

Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Moderately slow Rock q = 75

µ A5 G5 µ G5

A5 µ

µ A5 G5 µ G5

E5

A5 µ

   

Gtrs. 1 & 2 (dist.)

 



        f

0

7 5

  

End Rhy. Fig. 1

Rhy. Fig. 1

5 3

0

5 3

       P.M.

    

5 3

0

7 5

3

3

       

      

   5

P.H.

2 0

0

0

0

0

7 5

0

5 3

5 3

0

5 3

7 5

0

0

3

0

Pitch: F#

A5

G5 µ G5

 

 

 

       

12 X 9

10 X 7

12 X 9

12 X 9

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

µ

  

Gtr. 3 (dist.)





  

A5

E5



f 12 X 9



A5 µ

G5 µ G5

µ



12 9

A5 µ

E5

µ



G5 µ G5

 

 

 

 

12 X 9

10 X 7

12 X 9

12 X 9

 

 

       

12 X 9

10 X 7

12 X 9

12 X 9

12 9

 

  

10 X 7

12 X 9

A5 µ

G5 µ G5

 



A5 µ



 



A5

A5





  1. The



 

 

 

 

12 X 9

10 X 7

12 X 9

12 X 9





   

12 X 9 12

10

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse

    



Gtr. 3 tacet

µ A5

quick 2. Sink

  



G5 µ G5

-

A5 µ

E5



sand ing,

µ A5



is come

 

ris save

-

G5 µ G5

A5 µ





ing; me.

I’ll No

Gtrs. 1 & 2

 

Rhy. Fig. 2

7 5

    End Rhy. Fig. 2

       

0

 



5 3

5 3

0

       P.M.

    

5 3

0

7 5

3

     P.M.

2 0

3

       

0

0

0

0

7 5

0

5 3

5 3

0

5 3

7 5

0

0





5

7

5

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (3 times)



 

A5 G5 µ G5

drown need

    Ti Fall



  war mis







once to

more pick

and my



-

do self

A5 µ

E5

µ A5 G5 µ G5





it off

a the





here; y

how is



is er

  

-

 Right

Gtrs. 1 & 2 Rhy. Fig. 3



-



A5 µ



long where

B5

  



on

 





fight piec



 



-

ing. es.

A5 µ





has I’ll

it be

been? found.





right

on





A5







5 3

5 3

5 3

4 2

4 2

 



B5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









C5



time.

 

4 2



















2 0

X

4 2





1

2 0 3

2

A5 µ



1/2

5 3

 



My My

µ A5 G5 µ G5







µ A5 G5 µ G5





A5 µ

gain. ground.

E5

time,







 of to

A5 G5 µ G5

-



E5

red ing

Pre-Chorus C5

  





A5 G5 µ G5

-

A5 µ

2 0

2 0

2 0 3

5 3



  

All

is

  





 

 

B5



 



good,

 

 

 

 

 





all

is

D5



 





A5



µ





fine.

 

 

 

 

 

 





 

C5

 

 



 



 

P.H. 1

5 3

5 3

5 3

5 3

4 2

4 2

4 2

4 2

7 5

7 5

7 5

2 0

2 0

2

5 3

3

Chorus







ern

dis

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)





 







I

hear

you

 

 

 

5 3

5 3

5 3

5 3

µ A5 G5 µ G5



take



 

 

 

D5





it

a

G5



A5

µ A5 G5 µ G5

call.

South

        7 5

5 3

-

 



way.

-

so



  

A5 µ

-

lu

E5

-

tion





come

and

End Rhy. Fig. 3

  



7 5

A5 µ



-







First

I

A5





G5 µ G5

A5 µ





E5

trip,







then

I

fall.

(Trip.)

µ A5

  

G5 µ G5





South

ern

dis



Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

µ A5



 

G5



µ

G5





A5 µ



µ A5 G5 µ G5



 

take





it

a

A5 µ

 -

way.

 







First

I

-





A5

-

so

G5 µ G5



trip,



  

A5 µ

-

lu

A5 µ

E5

-

tion

E5





come

and









then

I

fall.

(Trip.)

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

µ



A5

G5

 



G5



E5 Gtrs. 1&2







Riff A





0

0







0

0

3



3









0

5

3





3

0

5





0

0





3

0













1/2

5



0

0

3

5

0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



6

7

1/2





5

     3

0

0

5

3





6

7

 5

7 5



0

3

0

  



7

6



0



  

5

5 3

3





0

0

3

  

3

5 3

3







6

5

3

A5

G5

 

 

7 5

5 3

 

 

7 5

5 3

1.







3





6

3

3

5

7

7

6

0

2.

5 3



3

G5

0



1/2

   

5

Sorgdal













0



          

3

   





Gtrs. 1 & 2



3



5

µ

End Riff A

0

5

3





1/2

Gtr. 2



(cont. in notation)

3

Gtr. 1



 



Gtrs. 1 & 2

 



A5 µ

 __ =   

Interlude Faster q = 134 µ

  

µ

Riff B

3

6

5



   



0

0

3

5

1/2

0

5

3





   



0

0

3

5







3



  0



1/2

0

5

A5

G5 End Riff B

    



7 5

5 3

3

3

0

0

Bridge

 

Gtrs. 1 & 2: w/ Riff A



µ



Sym

-

 

µ

Spi

 

E5

3

  

0

0

0

µ





  

0

0

 stair

9 7

0

0

µ

 

A5

8 6

0

0

0

 

call





 

where

I

choose

  

0

0

µ

 

3



0

0

A5

G5





 

A5

G5

roam.

µ

E5

  

0

0

µ

 

3

12 10

0







to

 

  



home.



G5

3

14 12

0





my

  

A5

3

 

7 5

I



3

  

9 7

0

D5

0

0

  7 5

0

µ



     3

where



µ

7 5

0

 

well,

D5

  



Gtrs. 1 & 2: w/ Riff B



-

3

 

 





µ

 

Bb5

3

0



ral - ing

Gtrs. 1 & 2

 



is



-

Interlude µ

  



pa - thy

Gtrs. 1 & 2: w/ Riff A





Gtrs. 1 & 2: w/ Riff B

3

3

3

3

3

3

3

           

           

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

   

Guitar Solo Tempo I   =  

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)



Gtr. 3











 

µ A5 G5 µ G5



   1

14



Gtrs. 1 & 2



3

3

3

3

3

3

3

3

           

           

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

14



A5 µ E5

1

14



0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

  Gtr. 3             w/ bar *   µ A5 G5 µ

G5

A5 µ

A5 µ

15 14

17

12

17

0

14

0

15

12

*Rapidly tap with edge of pick at 17th fret while gradually releasing bend.

E5

µ A5 G5 µ G5

A5 µ

        



   

T

(14))

         

A5 G5 µ G5

12

12

16

15

16

14

 15 14

12

14

-2 1/2

                                                A5

G5

µ

G5

A5

µ

E5

6

12

12

6

14

12

15

14

15

14

15

12

13

15

12

14

15

12

13

15

14

12

15

12

14

15

12

13

12

15

12

14

15

12

14

15

12

13

                                              µ



12

12

A5

G5

µ

G5

A5

12

µ

12

12



6

1 1/2

15 12

14 15 12

13

A5



12 15

12 15 12

G5

µ

       

14 15 12

   

G5

1

12

14

12



15

µ

13

12 15

14 15 12

13

12 15

12 15 12

14 15 12

13

E5





                  12 6 1

12

15

0

0

14

1

12

15

15

12

15

12

1

12

15

15

12

15

A5

G5

µ

G5

A5

12

12

15

15

µ

12

12

12

15

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

A5

14 15 12

12 15 12

                                         µ



12

13

12 15

12 15 12

12

15

17

15

12

15

12

12

12

12

12

15

12

12

12

15

12

12

12

12

15

12

12

12

15

12

12

12

15

12

12

12

15

12

12

12

15

12

Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3

C5





  





Gtr. 3 tacet

Right





B5



on

 





right

on



time,

  



1

A5









B5





C5



time.



 15

15



  

All

is

  

B5



D5

 

   



good,

all

is

 



A5

µ C5

 





D5

  

fine.

I

hear

G5 A5

   you

call.

Chorus







ern

dis



Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)

  

µ A5 G5 µ G5

South





 

-

A5

G5

µ

-

so



  

A5 µ

-

G5

E5

lu

-

A5



tion

µ





come

and



E5

trip,

µ A5 G5 µ G5







take

it

a

A5 µ

 -

µ A5 G5







then

I

fall.





 



way.

µ

G5





A5





First

I

µ





(Trip.)

Outro E5

µ E5

 

          



µ

A5

               1/4

2 0

2 0

2 0

2 0

2 0

3

2 0

2 0

2 0

2 0

2 0





  

µ E5

Gtrs. 1 & 2

2 0

2 0

2 0

2 0

2 0

3

2 0

2 0

2 0

2 0

3

0

3

2 0

 

E5

  





2 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

TIME WAITS FOR NO ONE Written by Zachary Wylde

G

3

Gmaj7

4

Cm6

3

Em

2

C/G

Esus4

23

Dsus2

234

D/F#

A/C#

13

Eb+

3 1

G/D

3 2 14

1

24

Verse Moderately slow q = 64 G Rhy. Fig. 1

       

     1. As

mf

the

sun bur - dens

sinks, that

3421



Cmaj7

132

G/B

13241

Am

B

231

1333

4fr 1324

2

4

Gmaj7

   



*Gtr. 1

3211

D

32 1

C#m7b5

4fr 2 143

C



     



life gath - er,

the

cross

clos - es -

tired es that

  

  



   eyes.

As

hel -

bare,

*Piano arr. for gtr.

Em



Esus4

  

   what’s

turns its back and giv - en and tak - en

  

C







 

-







ed

to

be - lieve

  

  

A/C#

 3    



lo

Dsus2



 

  

it





  



greets like

the

o

good - bye. cean to



  





or

to

un

have



  -







  

 the

D



sand.



Nev - er

   

der - stand.

want -

   Time

   waits





for

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Cmaj7

  



           no

1. G

Cm6

one,

C/G

End Rhy. Fig. 1



child,



   

  

wom - an,

or

G



 



2.

G

C/G

Rhy. Fig. 2

  





      



a man.

G

2. The

D/F# End Rhy. Fig. 2

 



a man.

 Bridge

2nd time, Gtr. 2: w/ Fill 1

  

Em





  

   No

fi

G/D



  





hold

you

in

C



  

-

  my

nal





cur - tain

calls,

   













no

more

arms

and



storms





know

 



that

that

noth - ing’s

  3

ev

-

Am



    

  

To

bend

the

hands



 of





er



 







time.

Fill 1 Gtr. 2



    12

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Sorgdal









 



re - ar - range.











C#m7b5

 



 

G/B

 





  

Eb+

To

     gon

- na

 3



 



change.

G/B

 



   



C













   So

   

  

I



love

you





  

have

to

un

we

stand,

  and









     



one,

  



  

for

Esus4

    -

through









ev - er.



Nev - er

wan - na









or









 

 

   

a

Cm6

or



G





C/G





for

no

G



 





be - lieve

  



 

Cmaj7

    wom - an,

 

waits



child,



all

  3







it



Dsus2

C



   

Time

  









be - yond

der - stand.

  



and

To Coda

D



Em

    

   -

here

now

A/C#

  



 

G/B

     

B



  





man.

Guitar Solo Gtr. 1: w/ Rhy. Fig. 1

G Gtr. 2 (dist.)







Gmaj7

   



  





3



   

Em

   

Esus4



Dsus2

   

P.H. 1 10

1 10

1

12

10

12

15

 15

1

15

12

    

 12

3

15

15

15 15

12

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Sorgdal

A/C#



                                             12

14 15 14 12 14 12

C



   

12

15 12 15

14

12 15 15

12 15 12

      

15 12

12

14 12 14

12 15













12 12

D



6

15 12





12 13 15 13 12

14 12 14 11 12 14

  







14 12 11

14

   



3 hold bend



1

 15

15

1

15

12

15

12

1

15

14

14

14



1

15

12

14

14

14

12

14

14

12 19

D.S. al Coda Gtr. 1: w/ Rhy. Fig. 2

Cmaj7







Cm6

G

      



C/G







P.H.

                          3

15

15 14



 

  



Cmaj7

3

12 14

Cm6

12

12 12

14

12 14

12 15

12 15 12



    stars

 



4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

15 12

14 12

15 12











 



 

a - bove,

14 12



Oh,

          up

3

14

14 12

14

G/B

man.

C#m7b5

3

1

15

 Coda

3

1

12

12

D/F#

3



1

G

the

C

   

 

3

moon or

the

sun,

Am

 



not

the

G

                   time



waits

for

no

 

one.

 

from Black Label Society - Order of the Black

GODSPEED HELLBOUND Written by Zachary Wylde

E5

11

Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Moderate Rock q = 128

µ

   

Bb5

A5

µ

A5

G5

µ

G5

A5

µ

D5

*Gtr. 1 (elec.)

 



Rhy. Fig. 1

   

 

 

f

     

 

 

     

 

   

E5 Play 3 times End Rhy. Fig. 1



 

 

w/ dist.

0

0

0

8 6

0

7 5

0

0

0

0

7 5

5 3

0

0

0

0

5 3

7 5

0

A5

µ

0

0

7 5

0

9 7

*Two gtrs. arr. for one throughout.

µ

Bb5

A5

µ

A5

G5

µ

G5

 

Rhy. Fig. 2





End Rhy. Fig. 2







  

 

0

0

0

0

8 6

7 5

Bb5

A5

µ

G5

A5









0

0

0

0

 

7 5

 









 

 

5 3

0

0

0

0

5 3

7 5

Gtr. 1: w/ Rhy. Fig. 1













0

0

0

0



P.H.

7

Gtr. 1: w/ Rhy. Fig. 2

A5



G5

µ

G5

A5

µ

D5

E5

µ

Bb5

A5

µ

A5

G5

µ

G5

A5



µ

A5

G5

µ

D5

E5



Gtr. 1: w/ Rhy. Fig. 1





µ

µ

Bb5

µ

Bb5



A5

µ

A5

G5

A5





µ

Rhy. Fig. 3

3

3

3

End Rhy. Fig. 3

3 3

Gtr. 1





     



8 6

7 5

     



7 5

5 3

                 * 4

0

0

0

0

0

0

0

0

2

0

4

2

0

4

2

0

4

2

0

4

2

0

  1/2

6

*Run side of R.H. along strings to produce artificial harmonics.

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

µ

 



    



    



    



    



0

0

0

0

0

0

0

0

0

0

0

0

0



0

0

0

0

0

0



0

0



0

0

0

G5

A5



































0

0

0

0

0

0

0

0

0

0

0

0

0

0



19

 Verse

µ

   

ci gears gainst

    

-

kill grind mak

-







and shall er,

the no

bul nev re -







gard

lets er for

that be his































0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0





of that of

in

 -

the

fer burns, west

 -





no ob bow

that -











-

ter till to

the it his

sky. kills. call.



lit sessed down



































0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

0 X 3

2 0

G5

 



3

-

End Rhy. Fig. 4

A5



fly. still. fall.



2 Sorgdal

that





 



sions that his





Lords grudge winds







µ





 

The The





0 X 3

2 0

A5

G5

 

 

  1. De





Play 3 times

Rhy. Fig. 4









2 0

0 X 3

µ

   







 



cries phren mur









of ic der

the

prayers poems side







Shat Schiz Fam

-

tered o ine





































0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

and

-

re

-

nev

-

from

G5

er of with

A5



 



heard. death. in.

-

Ma The



 

0 X 3

2 0

A5

µ

-

3rd time, Gtr. 1: w/ Fill 1

µ



 

War chine vul







 of ev tures

-



-









the er

gods af gath



 

 that ter er

-



 





that de





-





drown nev vo

-









out er ur

the



-







words. rests. sin.

ing



 



 











P.H. 1

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

2 0

3



3

Pitch: E

Chorus Gtr. 1: w/ Rhy. Fig. 1





µ

Bb5 A5 µ

A5 G5

µ







 





Gtr. 1: w/ Rhy. Fig. 2



D5



E5

As

the

world

G5 A5 µ

µ

Bb5 A5 µ



A5 G5

µ

G5

A5

µ



 

burns

be - neath





the

ground,

To Coda Gtr. 1: w/ Rhy. Fig. 1



 

Bb5 A5 µ



A5 G5

µ





D5



as

the





G5 A5 µ

1st time, Gtr. 1: w/ Rhy. Fig. 3 2nd & 3rd times, Gtr. 1: w/ Rhy. Fig. 2

 

E5

µ

world





Bb5 A5 µ

A5 G5

burns,

µ



god

 -



speed

 hell

 -





bound.

Fill 1 Gtr. 1

6 6    6 6                        5

4

2

5

4

2

4

2

0

4

2

0

5

4

2

5

4

2

4

2

0

4

2

0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1. Gtr. 1: w/ Rhy. Fig. 4

µ



G5

 



















A5

  



2. The

2.

Gtr. 1: w/ Rhy. Fig. 1

µ



Bb5 A5 µ

 



A5 G5

µ





Gtr. 1: w/ Rhy. Fig. 1

µ



Bb5 A5 µ

 



A5 G5





 





Gtr. 2 (acous.)





As

the

world

µ

Gtr. 1: w/ Rhy. Fig. 2



 





E5

as

the

world



µ

µ



Bb5 A5 µ

A5 G5

G5

µ

A5

 

be - neath

the

A5

god

-





mf



speed

 

hell

-

bound.



Rhy. Fig. 5



ground,

µ

 





µ

  

G5



burns,







A5 G5









Bb5 A5 µ

burns

D5



E5

  

E5

G5 A5 µ



Interlude Gtr. 1

µ



 

Gtr. 1: w/ Rhy. Fig. 2

D5

G5 A5 µ

4





4







5

0



4

0





5

0





4

0







5

0

0





4

5

0

0

Gtr. 1 tacet

Csus#4

Em(add2)



        

3

4

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Sorgdal

3

5

3

4



5 3



     

4 3

3

5

3

4

3



5





4 0





5 0





4 0





5 0





4 0





5 0





4 0



5 0

Csus#4





B5

        4

3

5

3

5

4

3









4

3

3

   

5

3

4

3



5

3

A6



4

2





4

2





4

2









4

2

G

4

0







4

0

G/F# End Rhy. Fig. 5







4 3

4 2

Bridge Gtr. 2: w/ Rhy. Fig. 5

    

    

Em(add2)

Crash

-

    dy

-

  

ing,

  

  burn

-

    

ing,

 

Csus#4

 

 

ing,

here

to

Em(add2)

   

 

all

shall

 

 

  

 

Here

to

 

 

 

 

G

G/F#

Gtr. 1: w/ Rhy. Fig. 1

   

G

  

and

 

A6

A6

Here

    

Dead

B5



stay.





 

B5

 

 

Em(add2)

fade.

   

stay.



 

Csus#4

G/F#

µ Bb5 A5 µ A5 G5



to...

Gtr. 2











4



5

0





4

0



5

0

0







4 0

Gtr. 2 tacet

µ







5

D5 E5

µ

2

0



4







4

2

2



4





4

2

A5

Gtr. 1

     

0

0

0



4

 0





4







4



4

3

2

0

µ

G5 A5 µ

Bb5 A5 µ



A5 G5

µ

G5 A5 µ



D5 E5



µ 3

3

3

3

             *

4 8 6



Gtr. 1: w/ Rhy. Fig. 1

A5 G5



Bb5

0



5

0

Bb5 A5 µ



0



4

0

3





Gtr. 1: w/ Rhy. Fig. 2

G5 A5 µ

µ







3

3

3

              

  1/2

2

0

4

2

0

4

2

0

4

2

0

4

2

0

4

2

0

4

2

0

4

2

0

6

7 5 *As before.

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Sorgdal

Guitar Solo

            

Gtr. 1: w/ Rhy. Fig. 1

µ Gtr. 3 (dist.)







Bb5 A5 µ

µ

G5 A5 µ

Gtr. 1: w/ Rhy. Fig. 2

D5

E5

µ

Bb5 A5 µ

    



1 1/2 

f

12

12

12

12

      µ



A5 G5

 12 15

A5



1

12

12





1

7

12



12

1

15

15

12

12

15

12

15

15

Gtr. 1: w/ Rhy. Fig. 1

Bb5

A5

µ

         







A5

   

G5

    



6 3

3

3

1

15

15

    

G5

3

12

µ



3

15

12

  

G5



12

 

A5

1

12

15

12

15

0

12

1

12

15

15

12

15

1

12

15

12

12

15

12

12

13

Gtr. 1: w/ Rhy. Fig. 2

                                                 µ



G5

A5

6

µ

D5

6

E5

6

µ

Bb5

A5

µ

6

G5

6 3

12 12

15

15

12 17 15 12

15

12 17 15 12 12

15

12 15 15 15 15 14 15 14 12

   

14

15 14 12

15

12 14 12 10

14

Gtr. 1: w/ Rhy. Fig. 1

µ



A5

G5

A5

µ

     6

3

 





2 1/2

8

12 10 8 10 12

8

10 12 10

13 12 10

 



0

X



Bb5

A5

10

9

µ

10

A5

G5

6

G5





6



8

12 10 8 10 12

        

µ

G5

A5 µ

D5



1

0

8 10 12 10

9

7

9

7

9

9

11

9

11

9

11 11 12 11 12 11 12 12 14 12 14 12 14



1 1/2

8

8

9

7

9

9

G5

A5

4

µ

1

7

E5

                6 6

µ

                          6 6

  1

Gtr. 1: w/ Rhy. Fig. 2

µ

A5

1 10

12

Bb5 A5 µ

10 12 10 8

14 16 14 16 14 16 16 17 16 17 16 17

0



19

Gtr. 1: w/ Rhy. Fig. 1







G5 A5 µ D5 E5                                         6 Bb5

µ

A5

G5

6

19

5

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Sorgdal

A5

11

12

14

11

11 12 14 11 12 14

µ

3

12

13

12 13 15

3

12

13

15

17

15 17 19 15 17 19 19 17 15 17 19

15 17 15

19

15 17 19

19

  

Gtr. 1: w/ Rhy. Fig. 3

µ





Bb5

A5

µ

A5

G5

µ

                     6

           



6

6 3

3



1 1/2

19 17 15

19 17 15 17

15

19

17

19 17 15

19 17 15 17

15 17

19

15

19

15 17

19

19

15

19 17 15 17 15 15

17

D.S. al Coda

Gtr. 1: w/ Rhy. Fig. 4





µ

G5



















A5

  3. A -















 





 





steady gliss.

19

19

17

15

 Coda Gtr. 1: w/ Rhy. Fig. 1

µ



 

A5 µ



A5

G5



µ

 



G5

A5

µ



 

  



µ

Bb5

A5

Bb5





the

ground,



µ



A5

G5

burns,

E5

As

the

world

A5



µ

A5



Bb5

µ

G5





god

-

A5



speed

     



     



8 6

7 5

0

7 5

5 3

0

5 3

7 5

0

0

0

0

0

0

0

G5

0

0

A5

G5

µ

G5

A5





µ



D5

E5

as

the

world

µ



hell





A5 µ

burns



    

0

 

µ



Gtr. 1



Gtr. 1: w/ Rhy. Fig. 2





D5

A5 µ



be - neath



G5

Gtr. 1: w/ Rhy. Fig. 1

µ



Bb5



 -









bound.



7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

WAR OF HEAVEN Written by Zakk Wylde Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Slow Rock q = 52 µ

  

Gtr. 1 (clean)

Riff A





mf

  







    





  



End Riff A





    

w/ chorus let ring



0 2

0

4

2

2

2

2

4

3

0 3

2

2

2

2

 





 





f

2

 

Gtr. 1: w/ Riff A (3 times) Gtrs. 2 & 3 (dist.)

0

4



4

3

2

3

2

E5

 

 

2 0

2 0



 

0 0 19

 

F#5

E5

  

 

 

4 2

2 0

2 0

F#5

 

   

F#5



E5

2 0

E5

 

 





2 0

4 2

X

X



19

 

 

 

 

2 0

2 0

2 0

2 0

F#5



E5

8va

 



Harm.

      

  

2 0

4 2

loco

2 0

3

3

3

              

4 2 0

3

*

5 5 5 4 2

3

2

0

4

2

0

4

2

0

4

2

0

4

2



       



0 2 0

2 0

2 0

2 0

*Run side of R.H. along strings to produce artificial harmonics.

Copyright © 2010 Bellbottoms And Beer Music (BMI) and Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

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Sorgdal

 

F#5

Gtr. 1













fdbk.

2

2



Pitch: A#

  Gtr. 2

  





 

 

fdbk.

4 2

4 Pitch: G#

  Gtr. 3

  





 

 



fdbk.

4 2

2 Pitch: F#

Faster q = 80 Gtr. 1 tacet

E6 F#5

E6

F#5

µ

E6 F#5

E6

F#5

µ

B5

  Rhy. Fig. 1                                                  P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

Gtrs. 2 & 3

 

 

4 0

2

2

4 2

2

E6 F#5

0

4 2

0

E6

4

4 2

2

2

4

2

F#5

3

2

µ

4 0

2

2

4 2

2

E6 F#5



0

4 2

0

E6

F#5



3

2

2

5

2

4 2

5

µ





  1. The

 

                                           P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 4 0

2

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Sorgdal

 

End Rhy. Fig. 1

2

2

4 2

0

0

4 2

2

4 2

4 2

2

4

3

2

4 0

2

2

2

4 2

0

0

4 2

2

3

2

5

2

5



P.H.

2

Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)

E6 F#5

   throes 2. Ter

-

E6 F#5

  

hol nal

-

E6

F#5

    ruth false

E6





of ror

ex and

 o i

 -

E6

ty

-

  

   





ter per

-

mi se



F#5







poc

E6

that one’s



-



F#5

hate op

of







F#5

a



 

-

na cu

 cre so







-

from po

with -





µ

one and

-





-

lyp

B5



E6





-

tic





sin. li



F#5

F#5

E6







µ

B5



il be

E6





 gion.







psy

-

F#5





A5



5

5

7 5

9 7

7

7

9 7

7 5

5

5

9 7

7

7

9 7

7 5

   A





-

sis

cho

5

5

-

µ

7 5

-

B5

7 5

7 5

 



tion

F#5

B5

F#5

7 5

9 7

 

-

The The

            P.M. P.M.

7



tion. tion.

                    P.M. P.M. P.M. P.M.

7

fi



Gtrs. 2 & 3

9 7

the

µ



-



B5



E6

-

E6

µ

tion; tion;



in; si

F#5



F#5



A5





E6

 -

E6

-

 -

F#5

-

a lu

 from re

E6



µ

free god

A5

µ

of one’s

 

lu - sions com - ing

Pre-Chorus A5 B5



E6

less hood

µ

caust of



E6 F#5

 

-

F#5

9 7





-

tic

  

P.H.

7

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Sorgdal

2nd time, Gtrs. 2 & 3: w/ Fill 1

A5

B5





wheels

of

    

A5

in

-

san

A5



-

i

-

B5





 

ty

spin.

µ(A5)





       P.M.

7 5

7 5

9 7

7

9 7

7

7 5

F#5

    

 

war

  of

heav

 

7 5

5

A5

 

Rhy. Fig. 2

5

  

9 7

 

-

7

9 7

7

B5

7 5

C5

B5



5

A5

F#5

 

en

    

5

for

-

9 7

7

7







ev

-

er

call

A5

 

 



 



  





The

  

P.H.

17

7



D5

X

 

7 5

X

µ



-

7



ing;

     

 

     

µ(B5)

Yeah.

                          P.M. P.M. P.M. P.M.

 Chorus

 





B5

End Rhy. Fig. 2

     P.M.

4 2

2 0

3

X X

4 2

5 3

4 2

2 0

4 2

Gtrs. 2 & 3: w/ Rhy. Fig. 2

F#5

    

dy

F#5

   -

ing

B5

   

D5

   







ev

-

er

call

C5 B5 A5

F#5

D5

µ













 

on

the

wings

of

the

fall

-

µ

 



-

ing;



Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

en.

 

War

 

  

dy

-

ing

   

B5

C5 B5 A5

4

5

2

4

5

5

2

4

5

 

of

heav

  

0

 

-

B5

0

0

C5 B5 A5

 

en

for

2

4

6

2

4

µ













 

on

the

wings

of

the

fall

-

                        

4

 

D5

12

2

A5

F#5

12

2

0

To Coda

A5

F#5

F#5



Fill 1 Gtrs. 2 & 3

4

0

Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 times)

A5

 

7 5 5

5



6

2

4

6

2

4

6

X

  

 en.

  

P.H.

4

X 7 5

-



  

Bridge

µ(C#5)

G(b5)

      

-

low

Gtrs. 2 & 3

 

  

me

 

2

4

4

Won’t

   

6 5

F#5

 

down.



6

E5

  

     

Fol

    

F#5

E5

µ(C#5)

 

you

    

6 4

4 2

6 4

G(b5)

 

     

fol

-

low

4 2

2

4

   

6 5

4

 



down?



6

B5

  

me

 

  

F#5

 



6 4

 

4 2

Guitar Solo

µ(D#5)

A(b5)

G#5

F#5

G#5

F#5

11 11                        Gtr. 4 (dist.)

11

f

7

     Gtrs. 2 & 3

9 11

7

12

9 11 9

7

Rhy. Fig. 3







4

6

6

11 9

7



9

7

6

9

7

6



8

6

4

8

6

4



8

4

6

8



8 7

µ(D#5)

4

6

8

6

4

8

6

4

4

6

8

4

6

8

6

  

 

 

 

8 6

6 4

8 6

6 4

A(b5)

4

G#5

8

6

4

C#5

11                                         11



12

1 1/2

7

    

9

11

7

9

11

9







4

6

6

7

11



8

9

7

9



7

6

9

7

6

8



8 7

6

4

8

6

4

4



6

8

4

 

8 6

6

8

6

4

8

8

6

4

End Rhy. Fig. 3

 6 4

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

        

Gtrs. 2 & 3: w/ Rhy. Fig. 3

µ(D#5)

A(b5)

  

     

Gtr. 4

G#5



F#5







G#5 F#5



µ(D#5)

8

1/2

13

G#5

C#5

13

13

*

13

15

18





   T

P.H. 1/2

A(b5)

1 1/2

18

*Tap w/ edge of pick.

µ(F5)

    Gtr. 4



20



13

Cb(b5)

Bb5

Ab5

Bb5

Ab5



                            

20

13

19

   





6

8

8

13

18

13



Gtrs. 2 & 3

18

13

19

13



20

13

20

13



10

18

13



10 9

µ(F5)

18

13

18

13

18

13

16

13

16

13

16

  

 

 

 

10 8

8 6

10 8

8 6

Cb(b5)

13

Bb5

                          

16

 

Eb5





2 1/2

20

13

20

13

19

    





6

8

8

13

18



10

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

13

18



13

16

13

16



10 9

13

16

13

16



13

16

 

10 8

13

13

16

13

15

13

15



8 6

µ(F5)

Cb(b5)

  

Bb5

Ab5 Bb5 Ab5

µ(F5)



Cb(b5)

µ



A5





D.S. al Coda (no repeat)



  

The

  

  

 

   

 









     



w/ bar





steady gliss. 1/2

1/2

15 15

15 15

       

+1

15 15

15 15

   



13

    

15 15

15 15

  

 



 





    



P.H.

10 6

8

10 9

8

10 8

8 6

10 8

8 6

10 6

8

10 9

8

8

7 5

X

 Coda Outro

 

E6 F#5

E6

F#5

µ

E6 F#5

E6

F#5

µ

B5

Gtrs. 2 & 3

                                         P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 4 0

 

2

2

4 2

2

E6 F#5

0

E6

0

4 2

2

4 2

F#5

4

2

4

2

3

2

µ

4 0

2

2

4 2

2

0

E6 F#5

4 2

0

E6

2

3

2

5

2

5

4 2

F#5

                                  P.M. P.M. P.M. P.M. P.M. P.M. 4 0

2

2

2

4 2

0

0

4 2

2

4 2

4 2

2

4

3

2

4 0

2

2

2

4 2

0

0

4 2

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

SHALLOW GRAVE Written by Zachary Wylde C

Dsus2

32 1

13

F

Am

Dm

134211

231

C/E

231

G

32 1

3

4

Intro Slowly q = 54

µ *Gtr. 1

F

        mf



C

Dm

         

Rhy. Fig. 1

End Rhy. Fig. 1



   

 

3 5

2

3

    

let ring

0

1

0

2

0

0

2 3 3

3

3

1

1

2

2 3

0

3

0 2 3

3

1

0

2

3

*Piano arr. for gtr.

Am

F

Dm







C





  1. The

         

Rhy. Fig. 2

        0 2 2 0

1

0

2

0

0

2 3 3

3

1

2

3

End Rhy. Fig. 2



   

 

3 5

2

3

    

1 2 3

0

3

0 2 3

0

2

3

1 3

Verse Gtr. 1: w/ Rhy. Fig. 2 (3 times)

Am

 





fall







with - in

this

Life





Dm

hole;

Am

 



F

 







my

eyes

are

blind

F



 -

less





 and





C







yet

I



dark;







 



see.

Dm





C









no

need

to

feel











or

 be.







Mourned

the

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Am





pass

-

F





ing

of





  3



my

Dm





-





all

that

I

once









    0 2 2 0



1



0







2

 

0

0

2 3 3







3

3





to

 



watch



 

3

3 5

2

Dsus2

  



   

 -



day;





it

fall





2

0





 a

-

way.

End Rhy. Fig. 3









3

F



                      

End Rhy. Fig. 4A

 



Noth - ing

left

              



Rhy. Fig. 4

to

say.

   End Rhy. Fig. 4           

f let ring

12 14

12

13

12 14

12

13

12

12 14

14

14

12 14

14

14

15

14

13

12 15

14

12

13

15

14

*Composite arrangement

                              C

Dsus2

The bro - ken





14

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

piec

-

es

that

12

13

12 14

12

13

12

12 14

14

14

                F

fill

              

12



1

1

2





I

                f

 

saw

 

Rhy. Fig. 4A



I

held,

Chorus C *Gtr. 2 (clean)



Dm

Gtr. 1 Rhy. Fig. 3





F





self.

Am

 

C



this

       

12 14

14

14

shal - low grave.

15

14

13

12 15

14

13

12

13

12 15

14

13

Verse Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet

Gtr. 1: w/ Rhy. Fig. 2 (2 times)

Am

F

Dm





C

      2. Bur - ied

Dm

and

C

  emp

-





ty

and







a





with

left

-

-

lone,

drawn.

I













 

Am

Mourned the

pass

-





find

my

Am





ing

of



    F

3

-



self

   



F

3

my

-



self.

Gtr. 1: w/ Rhy. Fig. 3

Dm

C

 





I

saw







to

Am



 -

 









all

that

I

once



day;



F











 

held,

I

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (2 times)

Dm

C

  

 

watch

it

 









Dsus2

bro - ken

piec



The

Bridge F Gtr. 2













-

es



and the end

be - gins





Noth - ing

left

to

 



that

fill



                            cave

 

F

F

Am

The walls

Gtr. 1



a - way.

C

  

 

 

fall

Dsus2

as



 

this





say.









  

shal - low

grave.

                            

Dm

it

all

              



C/E

comes crash

-

ing

down,

yeah.

             



let ring

1 3

2

1

1 3

2

1

0 2

2

1

0 2

2

1

1 0

2

3

1 0

2

3

1

0 2

2

3

1

0

1

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                              F

I





                         

Am

hear

a voice I know

too

well;

G

it

F

comes

              



to

me

and



  

pulls

me

         



let ring

1 2

3





1

1 3







  down.

 

2



2



0 2





2





3

3

1

2





3



0



It

pulls

me















1 3



3

0

0

0

0

1

3

3

0 3





  

 



3

3

3

3

3



down.









 

0

3

3

0





0 3

0

1

2







1

3

3

2

3

3



Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet

µ

Gtr. 1: w/ Rhy. Fig. 2 (2 times)

F

Dm





*Gtr. 3

  

mf

7



C

10

 



10

9

Am



F

 

10

8





10

9

*Violin arr. for gtr.

Dm

  

7

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C

 



10

9

Am







7

8

7



10



F





8

10

Dm



10



C



8



 

9

7

Gtr. 1: w/ Rhy. Fig. 3

Am



F

 







All

that

I

once









Dm

held,

 

10

 

 





it

fall

 





8

7

5

I

 



 

9

7

5

watch





 a



 -



way.





3

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (3 times) Gtr. 3 tacet

C

Dsus2

  



C

  





The

C

 





Dsus2

bro - ken

piec











Dsus2

I

mourned

the

pass





Noth - ing

left

to









F







-

es

Gtr. 1





-

14

12

13

12 14

12

13



-

ing

of

my

es

that

12 14

14

 -

14



self

14





shal - low





I

saw

                F







 this

F



 to -

   grave.

   day.

  

this shal - low grave.

      

12 14



fill

12 14

fill



              

12

that



Dsus2

piec





Gtr. 2

The bro - ken

 





say.

F

                            C



15

14

13

12 15

14

13



 

12

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Black Label Society - Order of the Black

CHUPACABRA Written by Zachary Wylde Tune down 1 step: (low to high) D-G-C-F-A-D

Fast, freely q = approx. 156

B

µ

      

Gtr. 1 (acous.)

  

  

7 7 8 9 9 7

7 7 8 9 9 7







 



 



 

6

        

6



6

mf 7 7 8 9 9 7



12

0

         



 

2

4

1

0 0 0

E

0

12

0

0

11

0

0

8

0

0

0

5

0

0

3

0

0

2

0

2 0



                     6     6 6

8

0

0

7

0

11

0

8

11

8

10

7

10

7

11

9

8

10

9

7

9

7

6

8

7

5

                                         w/ pick and fingers

0 0 9 9 7 0

0 0 9 9 7 0

0

0

0

0

0 7

9

0

0

0

10

0 8

0

0 10



0

0 8

0

0 9

0

0 10

0

0 8

0

0 10

0

0

 

12 12 13

0

0

9



0

0

0

                    

11

7

0

µ



0





   





 

0





0

11

0

6

3

5



0

7



0

0



0

0

7

9

  

0

0

0

10

16

16

16

16

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

0

      3

16

0 8

16

3

16

16

16

13

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





                 6

13



16

13

12

13

12

12

13

10

12

8

10

7

8

10

11

12

                

5



               



4

4

5

5

4

4

5

5

4

5

4

5

2

4

7

11

8

7

10

8

7

10

8

7

8

7

2

5

4

5

6

2

4

1

2

3

5

2

3

6

5

2

3

            

2

0

5

3

2

0

0

2

3

0

2

0

0

2

3

2

3

7

5

3

2

(e=e)

                    



0

2

3

5

3

2



6

                    

3

5

5                  

3

6

8

2

3

5

3

2

0

5

3

0

0

                

w/ pick and fingers

0

0

0

2

0

0

4

0

0

5

0

0

2

0

0

4

3

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

0 2

0

0 4

0

0 5

0

0 2

0

0 4

0

0

                    0

0

0

5

0 5

0

0 4

0

0 2

0

0

0

0

5

0

4

                  0

0 2

0

0 4

0

0 5

0

0 2

0

0 5

0

0 4

0

                    0

0

0

2





0

0

4

 



0

5

0

0

2

0

0

4

0

0

0

0

2

0

0

4

0

0

5

0

0

2

0

8

3

0

0

0

7

5

9

7

5

9

7

5

5

7

5

9

7

5

9

3

0

0

5

0

0

0

0

2

0

0

5

0

0

4

0





0

4

                  3

7

8

3

3

5

0

3 3                     3

0

0

4

5

3

3

3

0

0

4

2

3

0

0

5

                   

                     3

0

0

0

0

4

                

0

5

             



3

0

0



7

3

5

3

7

3

5

4

7

5

4

4

3

3

3

5

7

4

5

7

3

5

7

                  w/ pick and fingers

0 9



7

5

9

7

5

9

7

5

5

7

9

5

7

9

5

7

9

                   3

8

7

3

5

9

7

3

5

9

7

5

5

7

9

5

7

9

5

7

3

8

0

0

9

8

0

0

0

0

10

0

0

9

0

7

                 

3

3

3

0

0

11

7

5

3

3

7

5

3

4

7

5

4

4

5

3

3

3

7

4

5

7

3

5

7

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

(e=e) 3



3

                                            3

3

3

3

w/ pick and fingers

0 9

7

5

9

7

5

9

7

5

5

7

5

9

7

5

9

7

9

0

0

11

0

0

9

0

0

8

0

0

10

0

0

9

0

0

7

0

0

10

0

9

                                                   6 6 6 

6

0

0

0

7

0

0

0

0

8

10

0

11

0 9

0

0

12

0

0 12

0

0

15

12

0

15

14

12 15

14

9 12

11

9 12

11

6

6

8

9

9

8

8

9

11

6 6                                        6 6 6

5 8

6

5 8

6

2 5

3

2

3

5

6 7

8

6

6 7

8

3 4

5

3 4

5

5 6

7

5 6

8va























7

2 3

  

3 3

Harm.

12 0

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

12 7

7

7 5

7

5

4

2 3

4

0

8 11

9

from Black Label Society - Order of the Black

RIDERS OF THE DAMNED E5

B5

Bb5 7fr

1

A5 6fr

13

Written by Zachary Wylde

G5 5fr

13

13

13

Tune down 1 step: (low to high) D-G-C-F-A-D

Intro Moderately slow Rock q = 74

  

µ

   

Gtr. 1 (dist.)





 f



 

12

19

Riff A

 



0

5

6







5

3

5

1.









3







  





P.H.

7

0

5

7

5

3

 





P.H.

5

0

2.











  

1. There is





no

                                   End Riff A

0

5

6

5

3

5

3

7

0

5

7

5

7

5

 

7

5

0

5

6

5

3

5

3

0

7

5

7

7

5

5

7

5

Verse Gtr. 1: w/ Riff A (2 times)

µ

   

ab va



  No Pun - ish

 -

 tion

so has

  re - gard ment

 -





lu

wrecked;

been



     for and

the

fu judg

-





tion;



-



ture; ment

nev - er dis - so

    as

for lay

the



 -

 past, rot - ting









lose what was nev - er lu - tion has been

 I

    nev - er be - neath

the

cared, ground,









there. found.

 







yeah. yeah.



Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus E5

A5

G5

D5

  



Bb5 A5



 



For

the

Bb5 A5

 

damned



shall

µ

 





Gtr. 1

      

      

Rhy. Fig. 1



  

    

 

roll



            

   P.H. P.M. 1

9 7

9 7

9 7

9 7

9 7

14 12

12 10

12 10

12 10

12 10

7 5

0

0

8 6

7 5

7 5

8 6

0

7 5

7 5

5

0



3

Pitch: D





E5

A5

G5

D5

G5





A5

G5

   

out

      

9 7

9 7

9 7

9 7

       

9 7

14 12

E5



12 10

A5

 

12 10

 

12 10

G5





7 5

0

0

           

5 3

7 5

D5

7 5



0

Bb5 A5



Walk

      

con - trol,

  



      







out

of

G5

   con - trol.

  

End Rhy. Fig. 1

  

12 10

of

A5

  

-

7 5

A5



ing

P.M.

7 5

Bb5

 

   



5 3

 

5



0 0 5 3

0

 

tall,

we

            

µ





stand.



 

P.M.



 

P.H. 1

9 7

9 7

9 7

9 7

9 7

14 12

12 10

12 10

12 10

12 10

7 5

0

0

8 6

7 5

7 5

8 6

0

7 5

7 5

5

0





3

Pitch: D

    

B5



D5

  Long

   

may

Bb5 A5

you

1. µ





run,

                   P.M.

4 2

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Sorgdal

7 5



8 6

7 5

5

5

5

5

5

5

5



 0

 

10

10

 0

 

10

10

 







 

rid

-

ers

of

the

 0

 

10

10

 0

 

10

10

 0



17

damned.

2.

Interlude Gtr. 1: w/ Riff A (2 times)

 



µ

 









 

2. Sal -





µ

  





 0





E5 Gtr. 1



 







rid

-

ers

of

 

 



10 10

0

 



10 10

0

10 10



 

 0

 

  the damned.

 



10 10



(cont. in slashes)

0

10 10

3

µ(E5)

Riff B





Gtr. 1 tacet



*Gtr. 2

 

Gtr. 1

  Interlude



 



 



 

 

 













 

 



 



 



End Riff B







mf let ring

7

8 7

7

10

7

7

7

7

7

8 7

10

7

7

7

8

7

7

9

7

7

9

7

7

8

9

7

7

7

7

7

*Piano arr. for gtr.

Guitar Solo Gtr. 2: w/ Riff B (2 1/2 times)

Gtr. 1



f





Gtr. 1: w/ Riff A (4 times)

       8va

B5

Bb5

A5

G5





Gtr. 3 (dist.)

 f

A5

 



G5



µ



                      loco





1/2

24

1

12

12

12

1

12 15

15

14

22

      



24

14

24

                  

 

 17

1/2

14 14



14 14

12

17

12

17

12

17

12

       

15

14

12

14

14

14

12

15

12



17 14

14



1

12

14 12

    

   



P.H. 1/2



14

12

                                          

14 16 17 16 17 19 16 17 19

16 17

19

16 17 19 16 17 19



12

12

6

9 15 17

19

15 17 19 15 17 19

15 17

19

15 17 19 20 19 17

20 19 17

19

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Sorgdal

  





  

 



1/4

15 14



  

1

15 14



 5

15

                                              12

12

12

6 1

10 12 15

10 12 15 15 12 10

15 12 10 10 12 15

10 12 15 15 12 10

15 12 10

15 12 10

15 12 10 10 12 15

10 12 15 15 12 10



15 12 10 14

  



   





 



 

                         

w/ bar 1

1

14

14

17

1

17

0

0

4 -1/2

X

1

12

X

12

X

12

X

X

12

12

X

12

12

1/2

12

12

-1

Chorus Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)

E5



 



Gtr. 3 tacet

A5 G5

D5



  



  For the

    



9 7

7 5

Bb5 A5



 

damned

shall

Bb5 A5



  

µ

E5

A5 G5



D5



roll





 14

G5 A5



  out

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

7 5

7 5

G5 A5

    of

con - trol,

G5

      out

of

con - trol.

E5



A5 G5



D5



Bb5 A5



Walk

-

Bb5 A5

   ing

tall,

  we



µ

stand.





B5



D5

 

  

Long

may

you

  

Bb5 A5

G5



B5



  

Bb5 A5







run,

 

yeah.

               

 

µ



oh,

                       P.M.



Gtr. 1

  

D5

P.M.



  

 P.H. 1

4 2

7 5

8 6

7 5

5

5

5

0 0 5 3

5

4 2

7 5

8 6

7 5

5

5

5

0



3

Pitch: D





B5

D5



Bb5 A5

  



Walk

4 2





 

10

E5



ing

tall

µ





we

stand,

8 6

7 5

5

5

5



0 0 5 3

5

0



0



7 5

 



                       P.M.

   



-

G5



    

9 7



10

0

 

10

10



0

10

10



0



 

10

 

10

 



0

10

10





0

10



0





10

0

 

10

10



 

10

10



0

 

10

10

 



0

10



10

0

 

10

10

 







rid

-

ers

of

 



0

10

 



10

0

10

10





0

0



10



0



10

  the

damned.

 

10

10

µ







X X

X X









X X

X X







X X

X X







X X

X X







X X

X X







X X

X X







X X

X X

 fade out

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Sorgdal

from Black Label Society - Order of the Black

JANUARY Written by Zachary Wylde Drop D tuning: (low to high) D-A-D-G-B-E

Moderately slow q = 68

 Verse

Dsus2

         1. The

       

0

3

2

2



G5



   2

0

to the to

-

0

0 5

 that one’s it

0 2

4

0



way. way turn.

   

 



4

2

4

4

0 4

3

4

4

  

row;



 



  0

2

3

4

  

the past is gone what’s in be - tween Noth - ing’s left



0

4

A7



 

0 5

0

0

0

2

2

0

2

0

2

   

 

 

and and for

0

G5



was hopes may

to and con

0

0

4

Em7

0

5

  

       4

0 2

mor tears, write.



all all whom

-

4

     

0

Bm(b6)

2

3

2

     



0

  



0

3

2

talks a - bout smiles and let - ters left

0

3

2

 

3

0

more the more

 

a a to

   

 



 

 

let ring throughout



No all No

    

     



mf

A7

  



   

 



F#7add4

the tides that drift for the rain has washed no more pag - es left

0

Bm

 





cold that burns, 2. Sea - sons change, book is done;

Gtr. 1 (acous.)



F#7sus4

 4



 

-

4

 0



 day. fears. cern.

-

  0

0

  





0

I I

       0

0 5

   

5

0

0 5

can’t for feel that Jan - u

Copyright © 2010 Bellbottoms And Beer Music (BMI)/Reach Global (UK) Limited All Rights in the U.S. Administered by Reach Global Songs (BMI), a division of Reach Global Inc. All Rights Reserved Used by Permission

-

0 5

0



get Jan ar -

      0

5





0

4

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

Em7

   

 the u y’s

-

  

-









cold ar cold

-

that y’s shall





for



0

2





0

1.

2

4







 

0

3

2



2



Emp

-

3

4

2



 

0

0

to

mem - ’ry

when

4 2

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4

3

4

4

 

the

bit - ter

0

0

5



3







3

2

0

5

 



0



3

2

Dsus2

  



2

0

-

ness

0

un



-

0

It’s

 

5



0

0

5

 

folds.

3

0

0

Dsus2/C#

 

      



0 5



   0

3

2

4

0

noth - ing

 



left

0 5

0

hold.

      3

0

to

0 2

3



  

   

 

there’s

    0

5





Dsus2

  

2

0

5

  



 

2



2

   

     

0

0

G5

      2



0

G5

a

4

day. pear. on.

-





5



3

2

hold



0

4

Bm



 

0

4

 





sky;

0

hard







0

4

 

u - ar - y er dis - ap



 



Em7sus4

ty

4

  



0

     



0



 



2. Dsus2

0

   







 

Jan nev live

5

 



5

Dsus2

Bridge Bm(add4)

Sorgdal





5

0

 



To Coda

 

that shall er

-

0

2

3

 

fell cold ev

-





     

 

G5

2



      3

0 0

0 2

3

2

0

   

Bm



Rain,

 

Em7sus4



rain,



2 4

3



des - ert

2

0



So

live

all

2

3

4

4

2

when

0

4

0

5

Dsus2

 

0

3

2

3



0



0

do

0

0

2

  

Jan

cold

for

ar

-

0 2

3

2





0



0

2

shall

  0

0

-



 

ev



0

2

-

 

5 2

4

2

0

 

 

er

live



0

5

0

  

4

0

0

2

 

      

4

5

2

2

0

0 5

5

D9

D%

Dsus2(b6)

D5











  3. The

2

G5

y’s

2

D.S. al Coda





0

2

     

-

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