Black & Blue solo alto saxophone
Barry Cockcroft
reedmusi c .com
Black & Blue solo alto saxophone
K Bluesy h = 92 iq = q e
6
10
14
18
22
f
26
3
30
don’t steal music
Barry Cockcroft 1995
fp
fp
fp
B
fp
Black & Blue © 2007 Reed Music Pty Ltd RM002 ISMN M-720019-01-7 www.reedmusic.com All Rights Reserved
C
Licensed to: Benjamin Stacy
[email protected] 916 Dangarsleigh RD, Armidale, New South Wales 2350, Australia
2 B
34
C
38
C
B
C
B
continue same multiphonic fingerings
42
46
C
p
54
62
B
C
fp
fp
58
50
Eb
C
C
C
fp
fp
RM002 www.reedmusic.com
3
p
Licensed to: Benjamin Stacy
[email protected] 916 Dangarsleigh RD, Armidale, New South Wales 2350, Australia
3
66
68
mp
70
mf
3
3
3
3
3
3
3
fp
3
3
fp
B C
72
f
74
C
76
78
80
3
B
B
B C
C
3
3
3
C
3
3
3
3
B
Eb
C
3
RM002 www.reedmusic.com
continue same multiphonic fingerings
3
B
3
3
fp
C
fp
C
3
B
Licensed to: Benjamin Stacy
[email protected] 916 Dangarsleigh RD, Armidale, New South Wales 2350, Australia
4 B
82
B
C
bass drum
snare
B
B
C
B C
Beat keys to simulate drums. Don't blow through the saxophone. Seal off the mouthpiece with your tongue to increase resonance.
86
90
C
drum fill
C
alternate between the two fingerings
C
straight
®
®
94
RM002 www.reedmusic.com
Licensed to: Benjamin Stacy
[email protected] 916 Dangarsleigh RD, Armidale, New South Wales 2350, Australia
C
98
102
106
110
114
118
5
®
®
C
play - 'Wa Wa' effect
ff ( ) Optional circular breathing passage - omit bracketed notes if breath is required.
6 6 6 C
122
6
cresc.
opt.
131
freely
fff
rall. chrom. gliss.
126
opt.
RM002 www.reedmusic.com
Licensed to: Benjamin Stacy
[email protected] 916 Dangarsleigh RD, Armidale, New South Wales 2350, Australia
Performance Notes
34
C
Multiphonic with suggested fingerings.
B
82
B
C
bass drum
snare
B
B
C
B
C
Beat keys to simulate drums. Don't blow through the saxophone. Seal off the mouthpiece with your tongue to increase resonance.
Page four is a simulation of a drum solo. By beating various keys on the saxophone, drum-like sounds can be produced. For example, beating low Bb will simulate a bass drum, while hitting the F key will produce a snarelike sound. Follow the suggested fingerings to produce the different drum sounds. The keys need to be hit loudly in this section so that the ‘drums’ can be heard. To increase resonance, close off the end of the mouthpiece and the reed with the tongue.
98
®
®
C
C
play - 'Wa Wa' effect
ff
The ‘Wa Wa’ effect on page five is achieved by alternating between the two given fingerings. The rhythm must be kept constant to provide a contrast with the changing articulations.
Licensed to: Benjamin Stacy
[email protected] 916 Dangarsleigh RD, Armidale, New South Wales 2350, Australia
