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FREE music lessons from Berklee College of Music Hammond Organ Complete Dave Limina Part II Exercise 13 Trills, “Sputter” Technique, and Drone Tones

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EXERCISE 1 3

17

18

Percussion On/Normal/Fast/Second Leslie Slow

Trills, “Sputter” Technique, and Drone Tones This exercise explores three important organ sounds: Trills. It is common to trill between two notes a minor third apart on the organ. The root and flatted third of a chord and the fifth and seventh degree of a dominant seventh chord are used often. They are featured in this exercise. Sputter. Use two or three fingers to rapidly repeat a note. I call this “sputter” technique. It’s like trilling on one note. Drone tones. Another nice effect is to sustain a pitch while playing a lick along with it. I call this a drone tone. Some players use matchbooks stuck between the keys, small weights—and even their noses—to drone a note. Here, the fifth finger on your right hand will serve well. Try to imitate the examples on the CD. Play the exercise right-hand only at first, 8 8 8 hand. 8 8 8 then add your left 7 7 7 7 7 7

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

6 6 6 6 5 5 5 5 4 4 4 4 Upper 3 3 B3b Preset 3 2 2 2 2 1 1 1 1

6 5 4 3 2 1

6 5 4 3 2 1

8 8 8 8 7 7 7 7 6 6 6 6 5 5 5 5 4 4 4 4 Lower B 3 3 Preset 3 3 2 2 2 2 1 1 1 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

Upper and Lower Manual: Middle C

EXERCISE 13 Trills, “Sputter” Technique, and Drone Tones

59

18 Trills, “Sputter” Technique, and Drone Tones

17

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18 Trills, “Sputter” Technique, and Drone Tones (continued)

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EXERCISE 13 Trills, “Sputter” Technique, and Drone Tones

61

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The secret to creating funky sizzles and classic Hammond sounds is mastering the combined use of the drawbars, expression pedal, and the Leslie speaker speed switch. Sound complicated and intimidating? It doesn't have to be! This hands-on guide takes you step-by-step through the techniques of playing the drawbar organ, one skill at a time. Whether you're comping a rock tune or playing lead in a jazz trio, command of the Hammond organ will make you a sought-after player. Groove with this fun and comprehensive Hammond method! Learn to:

●

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Play gospel, R'n'B, jazz, blues, funk, and rock with an authentic Hammond feel Improve your playing skills with hands-on exercises. The accompanying CD includes 21 exercises, plus performance demonstrations of eight songs, with minus-organ versions so you can play along Achieve special effects used by the great Hammond organists, including unique tips and tricks for all drawbar instruments Learn authentic rock, jazz, blues, and funk comping techniques Understand all the parts of the organ and how to use them, including percussion, expression pedal, vibrato, chorus, and the Leslie speaker

About the Author Dave Limina

BUZZ

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Hammond Funk Techniques in Four Keys (PDF lesson) Hammond Trills, Sputter Tone, etc (PDF lesson) Hammond Leslie Speed Switching (PDF lesson)

Also by Dave Limina

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Berklee Shares: hammond funk techniques in four keys - hammond organ lesson

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Hammond Funk Techniques in Four Keys Author: Dave Limina

Lesson description Berklee College of Music faculty member Dave Limina shows you funk techniques on the Hammond Organ.

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FREE music lessons from Berklee College of Music Hammond Organ Complete Dave Limina Part II Exercise 18 Funk Techniques in Four Keys

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© 2005 Berklee College of Music licensed to the public under http://creativecommons.org/licenses/by-nd-nc/1.0/ verify at http://berkleeshares.com/legal-notice

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EXERCIS E 1 8

25 Leslie Slow

26

Funk Techniques in Four Keys Play this exercise on one manual with both hands. Try to emulate the left-hand ghosting that you hear on the CD. The result of ghosting is a percussive click that is typical in funk style. The combination of Leslie and drawbar settings with percussive two-hand playing can create infinite funky effects. Experiment with these patterns and try to create your own. Notice that, in essence, you’re distributing the sixteenth notes over both hands. It’s almost like drumming on the keyboard. Try rolling the chords slightly. Also, try playing it with and without the bass pedals. Play in F with CD 8track 8 and 8 26, 8 track 26 panned right. 8 play 8 the next three keys with

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

7 7 7 7 6 6 6 6 5 5 5 5 4 4 4 4 Upper 3 3 B3b Preset 3 2 2 2 2 1 1 1 1 8 7 6 5 4 3 2 1

Upper and Lower Manual: Middle C

76

PART II Exercises

7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

7 6 5 4 Bass3 Pedals 2 1 8 7 6 5 4 3 2 1

26 Funk Techniques in F

25

Straight-Eighth Funk

4 &b 4 ? 4 b 4

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? b 44 .. œ ◊

Bass pedals optional

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EXERCISE 18 Funk Techniques in Four Keys

77

Berklee Shares: hammond leslie speed switching - hammond organ, leslie speaker

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Hammond Leslie Speed Switching Author: Dave Limina

Lesson description Berklee College of Music faculty member Dave Limina explains how to work with the speed of a Leslie speaker to play the Hammond organ.

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FREE music lessons from Berklee College of Music Hammond Organ Complete Dave Limina Part II Exercise 3 Leslie Speed Switching

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Leslie Speed Switching

EXERCIS E 3

5

6

Leslie Slow

In styles such as rock, gospel, and r&b, you should speed-switch constantly to create that intangible swirling of sound. Develop the instinct to switch speeds along with the phrasing of the music. Speed switching can really enhance the music’s natural phrasing. In this exercise, play the tune with your right hand on the upper manual and your left hand on the lower manual. Switch the Leslie speed when indicated by the “X” in the music on the following page. Begin with the Leslie on the SLOW, or “chorale,” setting. If you have a speed switch on your instrument, it is most likely located near your left hand. If you have a foot switch to control the speed, use your left foot. Switch speeds as quickly as possible with your left hand. It’s okay to take your hand off the keys for a second.

Fig. 35. Leslie speed switching with the left hand 8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1 8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 8 7 7 6 6 8 8 5 5 7 7 4 4 6 Upper 6 B3b Preset 3 5 5 2 2 4 4 1 1 3 3 2 2 1 1

8 8 8 8 7 7 7 7 6 6 6 6 5 5 5 5 4 4 4 4 Lower B 3 3 3 Preset 3 2 2 2 2 1 1 1 1

Upper and Lower Manual: Middle C

28

PART II Exercises

Work with your right hand only at first to hear the effect. Add your left hand after you get a feel for it. Remember that one of the most sought-after effects on the organ is the Leslie in transition between speeds. Experiment with speed switching at dynamic changes, section changes such as verse-to-chorus or vice versa, at the high point of a solo, or at the beginning or end of a solo section. 8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1

8 7 6 5 4 3 2 1 8 7 6 5 4 3 2 1

5

6

Leslie Speed Switching

Gospel waltz, swing eighths

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EXERCISE 3 Leslie Speed Switching

29