Berio - Sequenza 14a
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Commissinne della$ffinscfrer Rundfunk Kôln, della Fundaçâo calousûeculbenkian, Lbboa, e dela socbtà del euartetto di Maiano.
Pcrlormance instnrc.tions The instrument must be tuned in the following
way:
TE=F -_-"
It should be noted that it is clearly indicated in the score which G$'s must be played as an open string. All other G$'s may be fingered according to their context. No attempt has been made to transpose any part of the ècore. The written pitches are those which are to be heard, and therelore the player must find a suitable fingering wherever the third (G) string is employed.
Where the music is notated on two staves the player is to produce a percussive sound which follows the contours and rhythms of the lower stave, played by four fingers of the right hand on the body of the instrument.The best area somewhere on the belly - will be determined by experimenting where it is possible to produce four ditferentiated sounds (derived from ceremonial Kandyan drumming from Sri Lanka) which range from high to to*. During these sections the upper stave notates the simultaneous left hand finger percussion.
-
Spielanwci3ungen Das lnstrument ist in folgenderWeise zu stimmen:
]F ___7-
Es ist genau angeçben, welche Tône Gis auf der leeæn Saite zu spielen sind. Alle anderen Tône Gis kônnen ihrem Kontext gemâB gegritfen werden Es liegû keine transponierende }lotation \lor, die angeçbenen Tonhôhen entsprechen dem realen Klang. Wo die drttte Saite (die G-Saite) benuûd wird, muss der Spieler daher selbst die passenden Fingercâtze linden. An jenen Stellen, wo die Musik auf zrei Zâ|crl ndiert ist, sof der SÉrbr einen perkussiven Klang erzeugen, der den Ïonhôhen und Rtrythmen der unbæn Zefe erfsgitf. Hbrtroa sdrËd er mit vbr Fingem der recÈten Haàd auf den Korpus des lnstrumentes. Db am b€sfien ge.ignt Sle zn lGrpus sol der Spbbi selbst finden, wobei es moglich sein soll, vier verscfiiedere Todrôherr wr hoclr tÈ H, at orangpn. Oirse fecnnik ist dem zeremoniellen Kandyan-Trommeln auf Sti lat*a nactremnnrglfrJrrsrd descr pæqen ist in der oberen Zeile ein simultan zu
erfolgendes Schlagpn mit den Rrgcrn
ûr ffii lH nrËdt
lnstnrzioni Lo strumento deræ
esero
dbd
Nella partiùra è rÙdhlç---frpossmo esl rst o ttrasposta Lc lrob cn i
.'EÈ
T
rzrl otd e nû.Tr.rûi gli altri sot diesis d, {ÉI b ffi. hn p.rb dela partitura è stata tb E f û5fn ûtr crnque rænga usata {, f Ét
ts4 DoYe la mli:e Ô il I Ët I tb ËlË E lË r FEuo se€frendo le direzioni pËn i d i c tl re ï, 5 tc tD ûrrlnrilo La zona meliore Ëf 9 ry dovrà esÉF rfE i b atfô J rbËË r- h- tnirlû (derivati dai tamburi kanlari nËl t l#ËD I f Ë pt i ffgcwna srperk re si trwa lapaun*rribpb-ttntff. -. la terza
@dr
scrttta per Rohan de Saram
Sequenza XIV
Luciano Berio
accordatura, sempre
(1
e25-2003)
per violoncello (2002) c = 92 ca.
ptzz. m.d.
mormorando e flessibile
DIZZ.
+--1
;-
tro-
**)
ptzz.
olzz. +-] '
>
.
*----r *-_---_r
+--_________.1
-____
o=120 = \€lllpT€
pizz
,
r--l-r
;- , 3--1
pizz. -
*---1
pizz :>
+ sempre
rall.
Pt!'* -- pizz'*-r
-l-
3:::::1;
ord. (stop +) T-----..Îî-.]
prende l'arco + o
*E
przz.
) = gZ(ma sempre molto instabile)
ord. V
arco tasto
{
pizz. arco
V
tJf" ppp
ïnt----rtasto-r
arco
vib.
ô :>
p!
I
,!f
ppp
"tford. vib.
s.v.
tl
-r
V
?-?pp
=>FryP arco
pont:-1
)xv
flaut:-r -
vib.
uT"p
r__
pgnt.
!
-gp
ûed>PP i--) >
\ ,
-
j-_..r
pont.
++.-
h=
fp III
-f
tt
(gliss. tremolo) ;>
ord.
I
sempre
7rp
f
e scorrevole
pont;
ô
*) slow the bowing and press hard on the string to produce noise
P
ô
>
q.
"!f
*) +
ffio
p?
trrn)
ôô
.setnpre
'vtb.
f
t-laut,
PPP
Vlt
41
p?p
tasto
mf tâStos.v.
Pont.--1 ll >:>
rV
f-p
vT'p
arco
Pont.S.V.
S.V.
S.V.
f-mf
tasto
S.V.
p
(vib. sul II)
pont.
uf.ppp
tasto s.v.
-PgP
molto r ib.
f
Iry e scevo
arco
.|
ttf"f>p
flîrr.---- ro-'}.
j pont.
:> --------r
c-
tasto
pont.
rf
1f >opp
arco
(vib. sul II)
l-
pont:
l--
ôV
f
*->
-
l\
pont.--1
gp
"f
'È. tasto
pont:-
S.V.
sptcc.
t"1->' vib.
ô o
>
tr "tr==-p?p
lt
:\
ff"p
Poont'...---
tasto
g.y.
pont
'fi.
)=
f tr"f arco
vib.
e----;
-
PP
ufzJf
sempre flessibile
--sJlz,f .-
P
r-J __r
arco
v
f
pp
s.\-.
fasto___-_--_-____--r
fia.ma
pont:
-
?ru
\,
p
P-pgp
??p S.V.
poco vib.
I
tasto-r
-
ô
#.f
JT
-
2''O t_
ppp Luciano Berio Seque nza XIV per violoncello (2002) O Copyright 2002by Universal Edition A.G., Wien
a
q?
Jr
ô
ff"
ôôôô
f-PP --',e'sa l:: :- -=
?':
f-J
vib.
pont.-1 >
pp arco
pont.-1
-?
vib.
{)r I
-?
tâStO-r
,ffi
,/,'---. -r-
V
t-.iï'Ë ord.
/T\x9 -r
ili
uf" r-)
f,
pont.____1
tastoT----1
rvih.
:>
Pont.-1 |
-
f
"!f o
?
?pp
==-
{>
--
f \z__ V
l--.
_fr
--? tasto-r
ITII
pont.------ltasto
DOht.--
-.p lrV
"tr
arco -
*) the length of the fermatas is onll' sussested
o
>
oo
l--5____-r arco Przz'
pont.-1
JT
gp
f>f
sffz
q
rïir ôôo:
@fz
arco sptcc.
3 P""t
uf"f
i-------
Oo
-q=
:
t-
ord.
pHp
Pont.--l
==-':
J----.]
pont. __, pont. '> OfO, :>
vib.-r pont,
:>
ttTt
r
f-pf
?pp
s.v..--t tastio--Æ'
Pont:-1
o
5-r
iwp
oont.-r -"S='tastc
ll,I
-(
)>
r
-?
0,!? ? F
tasto__r
v^
f --..-
ngf
-r
tasto
f / ,---, .o_
vftp
*)
r-5-r
tasto
ô
,!f
?
(vib.)
ry
depone I'arco
?r72, âlCc-\
0
)= fio
/T\*
:>
iç
rf,
+ (sempre)
>
Effz
"!/'
arco
"tr
mf r-5
\.-.
r l^
. t:
-_
FJnt.
'>
a +
f
prende I'arco
r:i\
sf qg-'
çff2 pont.-1
V-u rr
r-
lç
(tî)>oon
"tr
*) strike the hngerboard u'ith the palm of the right
-i
--r
Fl
?" ?'' 1
I-!o
o
Uft
pont.-r .f
1\ ^ot
r-
tasto
-3
b
-----r
ui6.
r-J_--r pizz. v:>:> ^
ô
-1
vftf-?
"Jl [àStr)-
t
t--
rî\\
P tr"?
J--1
r/.d:-
pont--1
(ritmico) l'l
Lasto _.]
tasto
:>
a
f>o
,trî -tW
l--
-J
ll
5
-JT
"!f
r--
(rftmico)
IT
tasto
-r
o
-
vl^
v
I
-A
{
? deporre I'arco
,1-1--^A
I
Jf=-
(violent and aggr"e ssive )
F\x
v-V
o
/T\x8
4
"?f
JT 1,r.,^ iXxu'21ô
uT.î pont.-1 l-J-t +
t--J-l
à>
--p
h-r
L 1
prende I'arco
-i
?
r-3-r
ll
>>
r:-
-l
plnt.-r
pont.-1
r-J-r
-----r
î}f
J:y
IY
--?
t!
>
V--.' r-J
-r
pont.-1 Tv Z-_
pont.-1
. ' /T\x9 r-J__-__r' ' tastO
tasto >/
/
o
\xb
^
pont.-1
V-T-J---] #
>/
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