beatlesguitar-pdf -------------.pdf
Short Description
Download beatlesguitar-pdf -------------.pdf...
Description
THE GUITAR MusicEditor: JohnCerullo Associate MusicArranger:RayDonato Art Direction:FrankMorano
I llrru LEoNARD alrPlrBllslllNG rE
CORPORAflON
ion. ffc.: 9@ East&rk Sveer w n o na M N 5 5 9 8 7
N.tion.l il.t ff..: 8119 west 8lehound R@d M r w a u l e e w 5 3 !1 3
For all works containedherein Unauthorizedcopying,arranging,adapting,recordingor public performanceis an infringementof copyright Infr inger sar e l i abl eundert he l aw .
ONTENT lsEcTloN A Song ThatSignature Licks Melodic
Ride. . . . . .18 TicketTo ..46 Julia.. . . o. . . . . . . . .55 YouCan'tDoThat. . .10 ComeTogether... . . . . . 23 YouNeverCiveMe pper...... ..14 L a d yMadonna DayTri YourMon e y......5 0 .....38 LucyInTheSkyWith DearPrudence l ine. . . . . . . . . . 6 B lackb i rd.. .. . . . . . 42 l F e eF
Good GoodMorning
Diamonds
Mo rn i n g.. o. . . . . . 33 Michelle.
sEcfloNllA song Thatsignature LiclG Rhythmic
It Won'tBeLong. . . .85 with A LittleHelpFrom A Rich BabyYou're .76 MyFriends...... . . . 1 0 6 N o Reply. . M an . . . . 68 GettingBetter. . . . .71 Te1Mewhy . . . .94 YouWon'tSeeMe. . .60 GoingToLose . .88 WeCanWorklt Out. .65 You're HeYJude .........80 ThatGirl JustTo I'mHaPPY WhyDon'tWeDott DanceWithYou. .102 tnfne Road . .98 l'm S oTir e d . . . . 9 1
sEcTloN!llThat RhythmicAndMelodicLicks A Song Signature
Afl MyLoving . .132 Hello,Goodbve.. . .168 LittleChild. . . . . . . .128 . .206 . . . . 109 PaperbackWriter A ny tim e A t A l l . . . . . 1 5 9H e l p! .152 HoldMeTight. . . . .176 RunForYourLife.. .124 BackInTheU.s.s.R. SheCameInThrough can'tBuyMeLove..144 | ShouldHave carryThatweight. .135 KnownBetter. . .116 TheBathroom Window. . . ... ..1 4 9 A Week..120 twill EightDays .179 She'sAWo ma.n..1 . 72 .197 l'llCryInstead Rigby Eleanor .202 Mothershould FixingA Hole. . . . . .192 I'mA Loser.. . . ....138 Your K n O W o . . . . o o...1 8 8 G[rl. . . . . . . . . . - - - -184I'mLool{ng CoodDaVSunshine.141ThroughYou....164 . . . ..182 Night .112 lt'SOnlyLOVe. A HardDay'S
ALLttlY LOVINC. . . . . . .132 ANYTIMEAT ALL . . . . . .159 BAtsYYOU'RE A R lcHM AN ..... . . . . . 106 BACKIN THEU.S.S.R. . . .152 BLACKBIRD. . . . . . . . . . 42 CAN'TBUYME LOVE.. . .144 CARRY THATWEIGHT.. .135 coilfrEToGETHER . . . . . . 46 DATTRIPPER . . . . I'''' 14 D,EAR PRUDENCE . . . . . . 38 EilGHT DAYSA WEEK.. . .120 E|IEANOR RICBY. . . . . . .197 Flfx[NGA HOLE. . . . . . . .192 G'ETTINC BETTER. . . . . . 71 G,fiRL . . . . . . . . . . . . . . .184 " GOODDAYSUNSHINE. . .141 GOODTI,IORNING G OODM OR N | N G . . . . . 33 fr HARDDAY'SNIGHT.. .112 HllEi[Lco o , o D BY E . . . . . . 169 HllEil.P!. . . . . . . . . . . . . . .109
HEYJUDE.....
o ....
o. gg
H O LDM ET I G HTO '''' . . 1 7 6 I FE E LF I NE . . . . . . . . . . 6 I S H O UL D HA V E K N O W NB E T T E R. . . . . 1 1 6 I w l LL . . . . . . . . . . . . . . . 1 7 9 I'LLCRYfNSTEAD . . . . . .202 l'M A LOSER . . . . . . . . . .139 I'M HAPPYJUSTTO DANCE WITHYOU.. . .102 I'M LOOKING TH R O UG HY O U. . . . . . 1 6 4 l'M so TIRED. . . . . . . . . 91
PAPERBACK WRITER.. . .206 RUNFORYOURLIFE. . . .124 SHECAMEIN THROUGH THEBATHROOM
w|NDow.......... .149
S HE ', S A W O M AN ......1 7 2 T E L L M E W HY . . ...... 94 TICKET TORIDE. . . . . . . 1g WE CANWORKIT OUT . . 65 WHY DON'TWE DOIT lNT HE RO A D..,..... g g WITHA LITTLE HELP FROMMY FRIENDS . . 76 frs oNLYLoVE.. . . . . . .192 YOUCAN'TDOTHAT.. . . 10 ITWON'TBELONG.....85YOUNEVERGIVE J U LI A . . . . . . . . . . . . . . . 5 5 M E Y O URM O NEY....5 0 LA D Y M A DO NNA . . . . . . 2 3 Y O UW O N'T S E E M E....6 0 LITTLE CHILD. . . . . . . . .129 YOU'RE COINGTO LUCYIN THESKY L O S E T HA T G IR L .....8 0 WI T HDI A M O NDS ... . 26 YOURMOTHER MI C HE L L E . .. . . o. . . . . . 3 0 sHouLDlflow......1gg NO REPLY. . . . . . . . . . . . 6g
NTRODUCTIO
Yqr'veall heardof Lennon andMcCartney, the songwritbut what aboutLennon - thebuitar andHarrisbn irElQl1o, frrc?Well,that's what youaregoingto discoverii fUe trATLff, guitar book. Thisbookis a specialwork containing a selection of Beafles'funesarrangedexclusively for the guitar.lt is desigredto provideanaccuratelookintothe le-ad andrhythm gl$tr sWlesof GeorgeHarrisonandJohnLennon. fithough the arrangements in this bookarewritten to ernbodythe essence andstyle of the guitar worksof lsrnon andHarrison, the arrangement is not just a transcriqtionof the guitarsright off the record.Rather,it uses Clof the musicalelements: bass, drums,keyboards ind guibs, tlustm the Beatles usedthem,but allincorporated into mgu'rtarso that youcanplaythe arrangement aloneor in a krd.
Thebookisdividedinto threesections: 1. MelodiL c i cks T ha tS i g n a tu re a Song 2. RhVthmic LicksThatSignature a Song 3. Rhvthmicand MelodicLicksThatSignature a Song
sEcTtoN 1
Thissectionincludessongsthat are most characterized by the useof a melodicsignature theme. songslilKeDavTripper,TicketToRide,Julia,or Lucvh Theskv with Diamonds. Thisdoesnot meanthat vouhaveonlythe leador bassguitarin the song,but ratherthat their importanceisthe drivingforcebehindthe tune.Therhythmguitarcom-ptiments the bassand leadlicksin thiscase.
sEcTroN2
Thissectioncontainssongswhosesignatureis the rhythmguitar.In other words,Lennon,s rhythmguitartakesprominenceoverHarrison's guitaranclMccartney's bassor keyboards. Again,voumayhavesomeguitaror basslicks,but thevtakea backseatto the rhvthmguitar. T h i ss e c t i oni sal soi mp o rtanat n du niquein that it affor dsa guitarplaverthe chance to l ear n how to plavrhythmguitar patternswhich incorporatepercussive qualitiesthat anv good r h y t h mg u i tari stsho u l dkno w .Le n nonwasa br illiantr hvthmguitar istand Vou' iloenet i tO v learningthesetunesasarranged.
sEcTtoN 3
Thissectioncontainssongswhosesignatureisboth melodicandrhvthmic.Let'sfaceit, most s o n g sb Vt h e B e a tl es area mesh i ng to getherof m elodicandr hvthm icelem ents. LennonH, ar r i son,and Mccartnevdid not operatein separatelitfle compartmentsknownas rhythm,lead andbassguitar,but rathermergedtheirfunctionstogether.tnthissectionwe seehow mostof theirsongsarea f inebalance betweenrhvthmicandmelodicessence. Sometimes it,sLennon,s effectiverhvthmguitarbehindthe verseand chorus,followedby Harrisonbtendingin a nice soloand bridgethat goesbackinto the strongrhythmicversesection,or Lennontradingoff with MccartneV's bassor Harrison's smallerlicksections. lt'sallput togetherfor you in THEBEATLES: guitarbook. ln addition,pleasenote that the guitarpart is written in guitartablatureto accommodate m u s i c i a nwsh o rea dmu si c,asw el l a sthosewho do not. Forthosewho do not read,Voucanfollowthe tablaturenumbers,strums,accents, and picking patterns,whichyou'lllearnhow to useon the instructionpagefor tablature(seepage5). Forthosewho readmusic,Voucanfollowallof the above,as.wellasthe addedmusicalelementsthat areinctudedin the tablatureline. All chordchanges areshownby the chordframesabovethe voiceline.Thevoicelinegives you the lyrics,melodyandwhichkevthe songisin.
OWTOREADTABTATUR 1.TABLATURE ismadeupof 6 lines,representing the 6stringsof theguitar.Thetop linerepresents the first,or higheststringon the guitar,whiletne oottom line-represents ine sixth,or the loweststringon the guitar.Thiscanbeseenin Ex.1. Ex.1: ---f--TTmrF-T--T-..4
2.Tnenumbers on eachlineindicate whichfret,on that particularstring, isto be pressed. For example, if thenumber5 isonthe3rdline,thismeans thatthesthfretoritne3rdstringisto be pressed. Thenumber0 means to plavtheopenstring. rt = DownPickor Downstrum. Orup strum. v = uF PiCk
Ex.2:
3.A slash((l is usedto indicate strumming. Stemming andbeaming indicate rhythmasin I ordinary musicnotation. B- Strumbass, or lowerstringsfthe2or 3 lowerstrings). (the3 or 4 middtestrings). M- Strummiddtestrings Strum treble, or high strings fthe2 or 3 higherstrings). -T previous line)- continue symbol. --,'(clotted
Ex.3:S
n V n
-
f?
v
B
GC EF\/I
ll
ll
V
ll----------1
n- - - -
tttt
-----.1 at
T
B---------r
l \,1--------.r
T--------r
4.i I lrn.chordal indicatesa muffledsound.to be plavedon a chord.Thisis achievedby touchinglightly(notpressingl the stringsof the chord.
m'"
A
G
ffisa. tatl
II
ffitfi
nl
BB - --- - --- - --- J- - - J
f-- - - - - - - -:
5.( t I rnesingte note i' indicatesa muffledsoundto be playedon a singlenote.The techniqueisthe sameasthe chordalX .
E x.5: n ----
r
V
6.Commonmusicsymbols, suchasthe following,arealsousedwith TABLATURE. > =?CC€t'lt
. =staccato a =fefmata
oooooo
iTfm = O p e n chord
ffi #
Ffffft
I FeelFine
and PAULMCCARTNEY By JOHNLENNON D7
Bright rock
C7
ffii
hHfffi
L a y d own 1 st f in g e r , le f t h a n d , o n b o t h 5 th strrng & nut of the gui tar
|.1
Fl v -l
.
\/
\/
f.r
\/
F.'1
v.
-Vl-V
G
Ttr+
ffi
G ooo FFFffi fi-rn
?H+H by's by by
good says says
mine,mi n e , -
you know,you know,you know ,-
she's she she
hap tells tells
py me me
as all all
D
#
ffi you k n o w , you know,you know,-
she she she
said said said
so. so. so. .
V-V -
+ \Iixoly'dian mode. not keY of C
6
@ 1964 N O R TH E R N S O N G S LI M I TE D
Copvrr eht (MACLEN) MUSrc Admrnrstered,,by_tnT._[H3;.0" AuRrghts "?;!:#,:":i3ilffili"r:'."#"ttv
can the the
time,tim e,-
G
ooo
FFFFFI
ffi lovelovelove-
i
with with with
her her her
n
.
and and and
III-
feelfeelfeel|-l
:>
\/-
\/
-
G
Bm
ffi'u
ffi
I'm .
\l n
\/ -
-
n
v .
-
C
ffi that
elad
!
(repeat to 2nd lyric) ( continue) (continue)
fine.fine.fine.-
she's
my
lit
tle
o i rl
v
B
D
#rn I-t-tfhl iilt t l !ttttl
G
Bm
ffi'n
ffi
She's
glad
she's
c
di teU - in-s
all -
the
world-
that
ba
by
buys
her
things,-
you
he
know,-
buys
her
di a
.
VNV-
-
D Fh
ffi
G To Coda
ooo
ffi irt..l-!-IJ
FH+H
and
8
I-
feel-
fine.-
-
mond
rings-
G
E+m3rr.
ffi l.-; tr--i EI
n
-
V-
V-
I
; |
Y |
.-z
- /i -i
ll
-
I
-/i
I
D
o
D.S. al Coda
LLTTII I l 1T
n
-
VV V
-\/
tt - / i
t)
bl
i--=
IJ
I
)ltl
|
G
Coda ooo
+H-H+I FIlEFfl Ltl-LLl
D #t.n
G ooo
FFFFFI
ffi
ffi
in
love-
and
I-
-
feel -
fi ne.-
V-
V
-
Repeat and fade
YouCan'tDoThat and PAULMCCARTNEY By JOHNLENNON
Moderato G* o@ FFFFFT
ffi
G7
ffi'o' (1.) I
got (2.)
cause you some - thing to say that might you talk in' sec- ond time I've caught
n\ /
\/-vn
:>
--\/
paln;him;-
to
If I doI
- V- V
c7
ffi' a
gain,sin.-
gon - na
let
you to that b o yatalk - in' catch have to tell you one more time I think it's
| . 1v . v
|l :>
gon - na think I'll
let let
you you
down down
:>
t>
G
ooo FFFFR
ffffi -
and leave you Y ou d o w n
-((Background Let
r - V- V .
vocals: 2nd and 3rd times) :>
B * Originally recorded in Gb
10
;>
flat, -
you down and leaveyou
\ / . -v
l>
flar.)_ \/-\/-\/
- V- VV-
I
COOV ri E O ht 1964 N OR T H E R NS ON C SLIMIT E D All RiehtsAdministeredUv tsLnefwOoD MUSIC lNC. under licensefrom ATV MUSIC (MACLEN) All RightsReserved InternationalCopyrrghtSecured
Be - causeI've
D7
C7
ffi'*' told you |.l
G7
ffi"
m'u
be - fore:
you can't
do V-
_____- - - _a
-vr
Em
ffitt'' Well, it's
Eu -'ry-bod-y's
the
v
green
'cause
-_--_-
V
- - .!' 1V- V-
BB
B7
Am
5TfTTl?fr n-TaT1 ',"' LIITTI IIIT' I
ffffi5fr.
ffi
I'm
the
one who won your
Em
87
ffi
m'u
7fr.
love._
But
Em
if
they'd
ffita-
rrTEI'"' LIta fl t I I TN
seen
n- !v - v - v
furt
Bm
oo
ffi
ffi tfrif1
talk - in' that
D7
way_
they'd laugh in
G7
m'o my
face.-
So
ffi'n' please
lis - ten to
lr v -
-1
:>
me
;>
you
V
11
wan - na s t ay - t - \i l -
I
mi n e , -
go
hel p
out of
V -V
;>
:>
G
C'I
ooo FFFFF
ffi{
Effi
let you
--
down
:>
(Let
'/-
3J vou
and leave you dorvti l -
(gon-na
c'l
ffi'
ffi'o' Be- cause['ve told you be - fore:
Jlat)-
v|r\/-\/
ll-----
To Coda
o h ,-
you can't
do
;
G
G
ooo FFFffi
o@ FFFFFT
ffi
Effi ( Shottt ):
n
r2
l et you tlct*'n and
:>
D'7
leave
my
\ /.
Wow!-
Emphasizetop note in eaih chord to bring out
(Solo)
(You)
C7
o
ffi (can't do
(You can't do_
that)-
that)_
- V- V
-
V- V
G7
FFFIRsfr.
ffiou'
H1ffi
(You
V
V -VN
-V -V -
- V-
(You
can't do that)
V
G
x
D.S. al Coda
ooo
ffi do-
that)
Ev -'ry-bod-y's
13
DayTripper
By JOHNLENNON and PAULMCCARTNEY
ffi'n' l . Got 2.S he' s 3. Tried
a a
good big to
rea teas please-
-l
lllr
-
t4
Copynght@ 1965N OR T H E R NS ON C SLtMtT tD All RightsAdministeredby BLACKWOODMUSIC lNC. under lrcensefrom ATV MUSIC (MACLEN) All RightsReserved InternatronalCopyrrghtSecured
for
tak - ing the she took me she on - ly
eas half played-
way J the way one - night
out,there.stands.-
-
A1 ffffisft.
ffi
Got a good rea son teas She's a big 9I' please- her, Triedto Fl
ffi'n' tak - ing the she took me she on - ly
y way o u t , eas now. now . halfthe way there,played- one- night stands,- now.
She was She was She was
Day Day D av-
---
Trip - per, Trip - per, Trip - per,
one - way one - way Sun - day
tick tick driv
yeah;yeah;yeaht-
. v
---
:>
It took me It took me It took me
!rv :>
l>
t5
c*
G+7
ffi+r'. r-tH+l
ffi
Hffi
4fr.
$)-,1SO SO SO
n
B
NV
ffi H-rrfl
out,out,out,-
and and and
I I I
found found found
-|r \ /. .
B
B
ffi
to find to find to find
oooooo FFF|F
H++X
7 fr,
out. out. out.
FfitH
Last time to Coda$
( repeat) ( continue) (to Coda)
l . r n. ---
XII pos. solo 87 m7ft.
ffttfl
2nd Guitar
16
muffled note
D.S. al Coda
x
>>>>
-
>>>>>
>
-
\/
-
\/ n \ / . v - v
Coda
+
'#
= St--
N.C.
Bass& Middle Strings
I
I
TicketToRide
and PAULMcCARTNEY By JOHNLENNON
Moderate rock tempo
A
A
oo FFFIfi
oo FFFffi
Trfi] TTTTT]
HTffl rrFF-l
\/- \/!\/l \/
v
lr
v rt
v
rr----------------1
v
A
oo
FFF
tftil rrn-n
I is
think it's
to her
The For
day down
Bm7 F'FIFI
ffi
gtrl she tl
that's would ----------'l
driv - ing me nev - er be
ma d free-
go-mg ls - way.- I when I was a - round.- |
-
l>
-\/-
BB Co pyrrght@ 1965N OR T H E R NS ON C SLIMIT E D IiCCNSC fTOMATV MUSIC (MACLEN)& SBKUNARTCATALOGINC' MIJS"ICINC. UNdCT bY BLACKWOOD '-" AII RightsAdMiNiStCTCd ett nigt'ts Reserved InternatlonalCopyrightSecured
18
>
-
:>
-
Film
ffi rttftl
got
a
tick - et
to
ride
iIVl.| V-V
F*m
ffi rttftl She's -
D
F tm
ffi
ffi t-affH
o FIFFI'I
got
a
g
v
-rrFlrrF\,-
tick - et 'i
but
g
to
ri
'r
g
she
VNV
-
hi
-
hide,_
got
N
_-___-1
!- - - - -
-V-V
a
tick - et
\/ -
to ride,_
\/.\/ -
don't
>
V-
:>
19
ffi'o' don't
know
she ought - ta
why
she ought - ta
do
BB
D7
ffi'n fore
gets
she
n
.
n
:>
l>
think twice, she ought- ta
she ought - ta
good - bye-
to
do right
by
me
lr l>
-
-V
-V-V
A
rf# rTl-rn
think said n- - ' - '
I'm that
gon - na liv - ing 1
be with
sad,me--
I is
think it's bring - in'
to - dayher down-
Y
The girl For she
Bm7
that's would
driv - ing me nev - er be
madfree-
E7
ffi
F'IFFI
ffi
i s g o -i n g a - way. w'h e n lI ro u n d . was a:>
n-
-\/
I
veanr-
>
B
F ilm
D7
m o
ffi
ttaf1-l
rrFfi-l
tick - et
21
D
Ffm
F*n
ffi
ffi
rttffl
got NV
:>
a
tick -
-V
tori -hi
et
-v-
;>
:>
:>
Flm
ffi hhtftl
A
loo
FFFFFT
Hffi ffitr|
oo
fFn+t
ffi
Falsefto----------l
(lst time only)My
/f
ba - by don't &
I
--
2
-|l
Repeat and fade
LadyMadonna
BYIOHITILENNON ANdPAULMCCARTNEY Brightly,r,r'itha beat A o FFFFI
MTil
2 34
Usespecialfingering on "A" chord.
F
VN -V-
-
V
-
t tt-------------1
-
-
-
-
G
BD
A
m i f+ffi5n'Ji:?f;sffijr.;:i:., L a- dy I-a - dy l-a - dy
Ma - don Ma - don Ma - don
-
o
Hnfi Frrrn chil - dren ba-by chil - dren
tr4' fr&t t4,
G
ffi
der der der
how how how
you you you
man - age man - age man - age
at at at
your feet,your breast,your feet,-
*m'fr':3#R HTM
rr?m
hsn rS'on ffi:cnn
A
FFFFF|
A
oo FFFFI
rrrrn
to to to
makefeed make-
ends the ends
meet.-(
to Coda)
Co p yr ig h O t 1968N OR T H E R NS ON C SLtMIT E D All RightsAdministered..bY BL-AcKwooD MUStc tNC. under licensefrom ATV MUSIC (M CLEN) .{ll RigittsReserued InternationalCopyrightSecured
I
o +t+
r*ffi
rf+
the mon Ma- don
Who finds La- dy
-
eY na
D
A
ffi
FTM rrrrn
you Did Lis - ten
think to
----
that the
mon - 9y mu - sic
pay on
F
G
A
oo FFFffi
ffi'o'
HI4H fi-rrn
sent?head.-
heav in
wasPlaY-ing
the rent,the bed,-
----
-----1
-
-
G7
Dm
oo
ffi
#
ffi Fri - day nightTues - day af
ar- nvester - noon-
suit end
with- outis nev
-V
Am
c
oo
xoo
ffi
ffi
Fffi ffil
H++f,
Sun - day morn Wednes-day morn
n \i -
-m g - ing
creep -- - ing pa Pers
-VNV
case,_ing,lt
\ /n
-V
21
ffi
when you ly - ing
ffi
r*ffi
FFFffI
FFgffi
Tfi11 rrfl-h
ffi
Hfi# Fffrn
D
A
D
A
like did -
a n't
nun,come,-
-
-\i -
Dm
#.Fr
ffi
Mon Thurs
- day's - day
has your
child night
iearned to stock - ings
his ed
Lltr _
need
boot mend
lace. lng. --
n\/
|l -
-
ffi' -l -,
"ffi
Bm7
C
E7
FI'FFF
ffi
See
how
-
l>
they
After repeat D.S. al Coda
run!
n
l.]
-
:>
>
-
-
:>
>
-
I
f
[r
I
A
C di m o
Codaf,rmo
+ffi
_>
-
l'alsetto (opt. )
'l
V-
-A.
-
Cdim o
ffi
ffi
:>
- \ / r1\ /
HlW
ffi
NV N V
+rrl
.ffi
FFTFI
-
D
_.fll
"ffi
A
V
-
.'T
;>
ffi rrTrn
E7
:> >
--
TTTTN
- VNV
E7
A
oo
FFF
Tfffl
rFFrr'l
--
a
LucylnTheslry WithDiamonds
and PAULl\'lIcCARTNEY By JOHNLENNON
XX
Nm"t Pic Fol Pic
-
Pi Ff
tt lG
A xx
H++H
your her your
- self down - self
xo
ffi'"'
ffi'u'
FEEFEl0fr.
ture low ture
Dm/F
boat bridge train
in to on
er tain, tion
riv foun sta -
on by in
with where with
n
n
ffi
H#
H# tan rock plas
xx
xx ElF10fr.
ffEll2fr.
ine horse cine
F(9
q/Ffi
ATIG
A/E x'x
trees peo - ple por - ters
9fr.
mar marsh look -
and eat with
fTfTR8fr.
H+ffi
ma mal ing
-
(Usepick on bass
skies. note.3& 4 finger Pies' on treblenotes ties. chords)
lade low glass
for spaced
f ] -- -- -- -.:- -- -- -- - --' r.
D/Fil
A'7IG
rofr. FFFFFI
rfffRl2fr.
ffi Ofr
ffffil
H]ffi
ffi
Some Ev-'ry Sud -
XX
XX
bod den
-v
- one -l y
calls smiles some -
tltalt | | I I rv
you, as one
you you is
"^'
an ' drift there
---'---'1 ------
Co p yri ght@ 1967 N OR T H E R NS ON C SLIMIT E D Uv 6[,qEfWOOO t"tUStClNC. under licensefrom ATV MUSIC (MrcLEN) All RishtsAdminisrered "-"""'-'InternationalCopyrightSecured ntidiihG geserved
fr
swer Past at
quite the the
Dm/F xo
L 7 lc
AIE
ffi'u'
DmajT
xx
XX
ffffRl2fr.
o
FFffilofr. EEEDgfr. LLLLr.j !-fFfil rrrTn Last time to Coda lff?fl
H##
0
slow flow turn
girl grow girl
with so with
Iei cred lei
scope blv scope
eyes.
high ( to Coda)
-
Dm
Bb
o
ffi I-I-FFH
FFffil0fr. FFTl-r1 rr-rrn
C el -1o-phane pa N ew s-
------1
ll-----
C9
F6
ffi flow tax
-
-
ers is
of ap
-
yel pear
per
ffi - low on
and the
green shore
Bb
er ing
C9
ffi
ffi FI-FIH head.
tow wait
way-(Lay
R.H. palm acrossstringsfor muffled
sound on these two measures)
Look Climb
ili
rili;
Iiii
jlr
iii' ,,,i'|, ,ti '
n
(J.=J)
G
#
fffi
back
eyes clouds
the your
with with
c
G
D
ffi
o@
o FFFFF
FIFFF
flffi
ffi
the
Lu - cy in >
:>
>
n
-
-,____=
-
with
sky-
-vn
>:>
ffitot''
-
-
n
>:>
-
-v-
- - -\/
ffi
Ffrfl
in
|r
> ;>
-
the
with
sky-
n\ / -
.
dia
-
n
- -v
:>
-
-
Lu - cy
monds,
- \/-
-
ll :>
n -v
-
in
>:>
the
with
sky-
ll
r .lv-
| . 1v
-
-
BB
BB
m D
D
T[Elt1Ofr
Fft-t-Fl {>
Ft+H"]
monds, :>
-
28
monds,
@o FIFFFI
,rTjTfi1ofr'
Lu - cy
.-
n
-
G
fffi
dia
dia
-v
G
@o FFFFFI
-1
she's you're
and and
:>
-\/-
-
After repeat, D.S.al Coda
X
Coda
+
No chord
eyes.
G
D
#
ffi'
ffi
rrrrn
Lu -cy
monds,
G
D
ffi
r*
fiffi
rl-fffi
Lu - cy
B
in
the
sky_
with
G
rffi
ffi
Lu - cy
in
the
sky_
B
D
ffi
Ofr.
I Ofr.
r-ft-t-j-l
A
ffi
5fr.
Ft-t-t+J Repeat and fade
Michelle
and PAULMCCARTNEY By JOHNLENNON Guitar CapouP 8 frets
ModeratelY Am-I o rrrT-ft t-l-t4+]
Am7
E+
oo
TilN rn-rh F|-fi-n rffrn
l..#H
Fft-fl
ffi
E
FmajT o
Am6
o
ooo
ffi
Fffrr1 ffrrn
Hi+fl
I
Dm7
A
o
OO
ffi
Efm
Fit++t
ffi-rn
ffi
}i.#
ma
chelle,
-
-
E
oo o
ffifi ffil ffit-n
r*aim
G ooo
are
words that
Mi Mi
Mi - chelle.-
-
ffi
t+]+{ ffi
ffi
trrrn
\/n
o
oo tlfm t-tllt.l
ffi
Ffif'l
Dm7
A
E
ooo
ffi
\ /n
these
\/ n
Df dim rroE l-++t-]{
my
belle,
H+fl
fttff1
-
Vlt
B
rruft
CIEE
t1fifi
H1-rn
F|l+H FI-I_TN
siffi sont sont
Df;dim trrn Fi-lt+'? 3---
rf;aim
G ooo
des des
mots mots
vont vont
ma - belle, ma - belle,
chelle, chelle,
tres bien tres bien
en - semble, en - semble,
E
ooo
ffi ffi rflfH
tres bien en - semble. tres bien en - semble.
Co p yri ghto 1965 N OR T H IR NS ON C SLIMIT E D UVbhefWOOD MUSIC lNC. under licensefrom ATV MUSIC (MACLEN) All ''"" "'-''\ro"\J Admrnrstered ' r" Rrshts nti(rehts Reserved lnternationalCopyrightSecured
30
Am
t7 o o-4
F
oo
ffi
ffiffi ffi
rrrrH
TTTTr1 L'JIIJ
H+1+l Fffrn
FfftrI
love you, I need to I
love you, I need to, I
nn
love YoU' need t o
that'sall I I need to
o
want to say. make you see.
U n-ti l I Oh, what
find a wavyou meanto
B
Am
Am-I
oo
ffi
will say un - til
-
Am7
o ETE |-+.t++..1 Fl-Ft+i n-rrFt
Am6
oo
the I
o
wordg I know that you'll hop - ing you will know
EA
un-der-stand. what I
n--
Dm7
oooo Eil] l+f++
G ooo
o
EM r iiitl
|'..|,.]'.m
ffi
ffi
FFFi_H
ftl_ff|
I
F#aim
Dfrdim EIEE
H++f? F]]fl
t>
n
Am
oo EEII
ffi
H+?]-l
E++fl
33 i---n
|1--
I
-you,
E
ooo
r-3____r
.
want
FmajT o
think you know by
now,
I
J ---r
want you, I
I'll
get
l--3
---r
want you, I
to you
some -
> I
6
I
TB
31
E+
Am
oo rrrTin
t[m H++1
H4+F
ffiffil FffI-fl
H++E
o
o
H.+fl Ft-ffF1
+ttH
Fmaj?
Am6
o
T
B
E
ffi l-t-t-i-t-t
Hl]fl
i..]'..l..#t
FH+TJ
Ffi-TN
ffi
ffi
++++{
r*aim
G ooo
DtotT
A
OO rFTFN
o oo
ffiE
++tt? ffitl
rt.rrrl
sont des mots qui
I
E
oo o
ffi t-t-t-t-H n-n-n
semble,
Dfrdim
ffi
E
Am
ffi
ffifi t-]-#
ooo
Ffifl
o
FFFI-H
E+
o EEIEE
F++Nt Hi-fi Fffrn
Am? oo
vont tres bien
Am6
ffiffifl
o
FmajT o
FHfH
A ndl w i l l saytheon-l yw ords_Iknow thatyou' l l un.der-
tres bien en - semble.
B G ooo
B
E
Dm7
A
oo ffil
ffi
my
stand,
$ffi
ffi
f++?u
3
3
J
3
-\i-!
-------------,
o oo
en
n
n
-
B
Df;dim
pf oim
ffi
ffi
t-f++H
3
n
r-3---r
--n
E
A
oo
ooo TLIE
Repeat and fade
ffi
I-tnHt
3
333
n|rn--
-
-
-
GoodMorning CoodMorning
By JOHNLENNON and PAULMCCARTNEY Moderately A
D
oo n-rT-n
A
o
ffi t-f+++]
+???l
fl-m
D
oo TI-n-n
o
ffi H++fl
+?f+l
F+IF
FFIFfl
rrrn-t
Good- morn
good ;
l>
-
D
A
oo rT-Trn
FTFFF
A
oo Trtrrn t+l?t I l..]..-l-'.H
ffi rrn-n Frr-rrl good
FI+FH
morn
-
ing,-
good
morn
ing
-
UseGuitarStrum A I on 2ndand3rdjfr51r. verses(for four FtiT11 Fft-*' T.".rul,"r) X
l.Noth - ing
Noth - ing
it 1# .::
G arr:ta LL;ILI
J II.
ffito' Ft-F*t
t++H ffil
to
say-
do-
to
but, "What
save
his
day!-
life,-
calls
H ow ' s
his
wife
your
boy
Co p yr r g h@ t 1962N OR T H E R NS ON C SLtMtT E D All Rr g h t sAd m r n r st e r ebdy BL ACKWooD MU S ICl N C . underl rcensefrom A T V MU S tc (MA cLt\) All Rr g h t sRe served Internatl onal C opyrrghtS ecured
33
A oo rrrm
I t? ? ? l
H+]-.H n-rrn
E
A
ffi
a[IIl
o oo
H#l n-rrn
Hfi-fi Ffi-TN
5fr.
BB
D-I
G
ffi
o
3fr.
(usebar on D chord)
FqqT Ft-ff-r-t
I .G,tit"t Strum-I (four measures) G ooo rrrrn
A
A
oo Trrrr-1
oo
mrr]
ffi
Hffi
Hffi
(Solo 2nd time)
3
Go - ing
-vn
H-fi-fl
to
work,-
don't want
\/-
to |l
G ooo
A
oo
trm
ffit TIITI
feel
- ing low
?t++tt H++i
Head-ing [or
down,
you start
home,-
roam,-
then you're ln
V -V
--
-\/
B --_------ - - - - - - - r
A
A
oo rr-Trn
oo
ffi
HEq
TNTI
Fffi
Fj-1-FfJ
Ev -'ry-bod-y
town.
A
A
D-I
ffi
ffi
TTlT-N
ffi
ffi ffil
F|{{fl f-fft-H TTTTT1
Fffi
there'snotl,-ing do -
D-I J--
oo
o
oo
knows-
FfFffi
r-3---r
f-3--r
ing, Ev - 'ry - thing is
n
closed,-
E v -' ry - one you
it's like a
-v
is
ha lf
a - sleep
-V
D-I
A
oo
o
ffif,
ffi
Tn-it
Ffi-TN
r3-r
and you're on
see-
your
own'-
you're in
the
street'-(L
y left handacrossstrrngsfor staccato)
35
A
G ooo rrrrn
oo
ffi
A
oo Tr.rn
JII+H
ffii
Ft-fffi
V pos.
Hffi
ffi ffi-fl
VI pos.
P . O .H . O . P . O .
P . O .H . O .
|1v-
D-I
A
o
oo
ffi
TI-FTN
H++tl
Htq
ftrrn
P .O.H.O.P .O.P .O . H . O . P . O . H . O . P . O
I I \/ v
r- r
v
NV --
A
A
D -I o tr=N
oo TTTtrN
oo n-TI-n H??tl ffi r-ft-tl
Hiltr F+-t-t-H
Fi+??l
HUi
r-3_____r
Peo- ple run - ning 'round,-
Ev - 'ry - were in
it's five
it's get - ting dark,-
tow n-
.v -V
A
D-I
oo [IfT] I t??t{ ++#
ffi
Ev -'ry - one you see-
|1 -\i
36
is
full of
rrTT-T-l
tli#
ffi Ffl-fl-l
ffrrn
ffi
f-3-f
n
oo
_o
f-o
a-
.'
r-J --r
r-3-:
it's time for tea and meet the wife.
D.S. al Coda
Coda
+
A
A
oo ttfrr
oo Trn-n Htttl
H+t+]
rff.1]
ffi Fffl-H
A
D
oo
o
ffi
ffi
Ft+++l
ffi ffi
FFfi-H
morn
Ifl8'-
\/-
good
A
oo TrrT-n
TffT] ffit ffi
D o
Tr|...m
ffi F|-Ft-f-l
Repeat and fade
morn
>
-
2. After a while you start to smile, now you feel cool, Then you decideto take a walk by the old school. Nothing has changed,it's still the same. I've got nothing to say etc. 3. _somebodyneedsto know the time, glad that I'm here. Watching the skirts, you start to flirt, now you,re in gear Go to a show, you hope she goes, I've got nothing to say etc.
37
DearPrudence
and PAULMcCARTNEY By JOHNLENNON Slowtempo AmTlD
o
ffi +ffi1
StTplOfr.
Ff,ql
o rT'rT-rr8fr.
I 0fr.
o
o
lfifFl5fr. ffi1 rT.rr.n
ffizr'' TTTTN
HJ+N ITTTT]
Gm(+7)/Bb
DiC #
Am'llD o ffif,rT'ra-I-]
ffi
++l-F
F :>
-V
:>
A/D
G/D
Am7/D
D
o
-
>
:>
-
m
|r
:>
-v
:>
n-
:>
-v
:>
D
:>
n|l
:>
-V
-V
--
:>
:>
NV E
6tn1+71/Bh
DIC
#
ffi
ffi
-L
DearDearDear-
play?-eyes.smile.--
-
tr\/
rl -
l>
|r-
-V
;>
:>
Co p yr i ght@ 1968 N OR T H E R NS O.N GSLIMIT E D (MA C LE N ) All Rr e h t sAd m r n r st e r eudv b [ n 6rw ooD MU S ICl N C . underl i censefrom A T V MU S IC All RrshtsReserved InternationalCopyrrghtSecured
38
-
:>
to won't you come out up your o - pen see You me let
--
-V
:>
Dear-
-Pffi
Pru- dence,Pru- dence,Pru- dence,-
1.4. 2.
nv
Gm(+7)/Bb
Gmaji lB
DIC
D
-l\/
-
nn >>
-\/
l>
-
D
Dlc
Gmai'/lB
#
tg-
ffi
Gm(+7)/Bb
ffi Pru - dence,Pru - dence,Pru - dence,-
.
-
:>
l>
ffi
greet see like
the the a
ti
!!.
>
-
brand new day.sun - ny skieslit - tle chitd._ l>
-
o
FFFI
H+trI Fqtfi
D
Gm(+7)/Bb
o
ffi sun is wind is clouds will
UP'low,be-
V --
-V -
B -------- - - - J
the sky the birds a dai
blue,singchain,-
V-
it's that so
beau - ti - fulyou are part_ let me see_
l' 1
V
n
-
-
B- - - - - - - - - l
\/lr \/n
and so are you.Dearof ev - tt - ir'i'g.- b;;;you smile a - gain.Dear-
n
n
B-----------)
\ / |.1 v
-
B - - - - - - - - - -- - - r
D
G
ffi
ooo FFFFH
fffi Pru - dence,Pru - dence,Pru - dence,-
won't won't won't
\i -
-\/-
-V-VN
-VNV
you come out _ you o -pen you let me
.
-
l>
-v.
up see
TO
your you
v_-
play? eyes?smile?-
B----------J
st
-b
Gm(+7)/Bb
Gmaj7lB
D/C
#
o
ffi
tl lata IIII'I fltrtl
(2.)Dear(3.)DearF tF \ /
v
:>
l>
rgg-
ggg-
htr.Fr
ilqH Fff ,,,
Fl-i-ffl
>
:>
nS g-
Dsus4 %
ffi Ffffft
ffi
>
-V
-
-
-V
-
:>
t-
f.t rrv
\/-
\/
>>
-\/
-
D
ffi
V l>-
nv-\/-
;>
-
:>
-vnv-
Dsus4 ooo Ftl|tf
ffi
ffi
ffi
-
:>
ooo
ooo FFFFF
ffi?
round- round round
D
Dsus4
Dsus4
ooo FFFffi
-
o@ IFFFF
(Backing) round roundLook a- round, round, >
:>
-V
-
-
t I I tai tTrltt
c
round round round round-round-round round round- round- round round Look Look a - round, round,round,
round
|l :>
rv.vn
-
a-
-\/-v-
D.S. al Coda 4th time
F
ffi
A
ffi
D
G
ooo FFFFF
ooo FIFFFI
ffi
Effi
D7
GmajllD
iffi
ooo
ffi rrrrn
Gm(+7)/D
Dear-
round.
:>:>>:>
-l'1 -
4{)
-vl -|r
:>
-v-nn
:>
-\/
- -v
n |r
-\/
:>
-
n
-v
>
-
.
-v
:>
-
Coda
D
DIC
#
o
s ffi Sun
--.
H-iJ+t '
is
>
up,_
,,--.--...
sky
the
beau -
:>
-1Vl
Dt ln, oo
G
ooo FIFFF
ffi rfl-Fn so -..
are y o u . -
:>
D e a r_
ffffi Pru - dence,-
- - v .\ /
-V r r
ti -ful
-
won't you comeout
lr
- .V- V-
-
-v-
to
-
- \/
B
D
D
AmTlD
o
ooo
[fITl?r4fr.
+fH
n-rTrl I I I III
o
D o
ffiF trFIF
I Ofr.
AmTlD o
( Fading out) - -
G/o ;+l+l-l' -3-r"- / rr. t ll tt t lttttl
A/D o
FFffisfr. ffi Ffi-ffi1
AmTlD --9-
i+i}fl i+H+t
41
Blackhird
and PAULMCCARTNEY By JOHNLENNON Slowly G
G
G ooo Tn-rn
ooo
m
RT|Rl0fr.
ffi FII-H
t.]-.lt+t n-FrFl
ffi Fi-ffH
(must be played fingerstyle) Slideup from 3fr.2nd string
Not to be played off chord postttons
:>
:>
::>
G
Am7
G ooo rrrrrl
+,|tttl FTTTH
ffi rFffl
o r-rFT:f] LIJIIJJ
H++lt ritrn
Fi-fffi
L Black- bird sing- ing in 2. Black- bird sing- ing in
the dead of the dead of
:>
D7
ffiffi*
HTI]1
tfft-tl fl-fl-fl
All All
ArnT-I oo
Efft-n
ffi
your life your life
o
T|rIl
tfi+N
ffi
H4+fl
learn to learn to
and and
:>
:>
Cm-I
rT-n-n
rfl-rH
Take these bro - ken wingsTake these sunk-en eyes-
imajT ooo rrTT-n
:>
B7-I
ffi F+*t
HffI
>
nightnight-
:>
c
I Ofr.
(lift finger pressurefor staccato) .>
:>
Cm-I o
H+F-r ffi rffitt'1
G ooo
rT-Trn
ffi Fl-l-t-t1 you were you were >
o
FTffi
I+FFH
rtrrFt
o
ffi ffil
Ftttfi
on - ly wait - ing for this mo -ment toa be on - ly wait - ing for this mo - menT to :>
co o vr r eht@ 1968,1969 N OR T H E R NS ON C SLIMIT E D All RishtsAdmrnrsteredUv A"TnCfWOODMUSIC lNC. under licensefrom ATV MUSIC (MACLEN) " All RrghtsReserved InternationalCopyrrghtSecured
42
D7
C oo
ffi
1 ' G2 .
A7 o Emm Llrlrtl
G ooo
TTTTN Lt-t-.trl
?+-t-4t FFFFH
F
D7
G ooo
o
+ IT
ffi FFI-IH
f-fl-F+t
ffi
ffifl
Em-l
C
Dm
c
n[
M,"MHffiffi ffi
ffi
FI-I-FH
oo
ffi
free. :>
Em-IDm
F
C,,
Bb
ffi'''mfffH ffiiffi
A7
D7
o
---ffi.''
ffi rrn-Ft
FIFI-FI
c
'ffi ffi
Ftrttl
I 0fr.
ffiff +f+i
ffiffiffi t-frfH ++FH H++l
rn-rFt
in - to the
G
GAmTc _jpp. .9. .. .ooo
o
A7
o
Trrn L+44t]
trl_!-ta
H1+H
D7 o
light of
r-r-.r-{-+J
dark, black night._
B7-i
Em-l
Lr-rrrJ
-L1ld +iTrt
trits FH
l-l-ffH
a
ffil
#
C m-l o
43
Gmaj?A7-tAm7-I oo o
o
Cm-II o
oo
ffiffiffi
TiTFI
ffi
mTT-n
Ft-trfl
>
Bb RT]-R HlH Ffft-fl
c
H# H+-fiJ
ffi
9.9
nltn
>
FFTTfl
:>
G ooo EEtr lral-Ll-l
D7 o
o
ffi
FM
L++]+t
bird>:>
Arn7 o
t++++t Frrrn
l.#
t+Ft-tj
ffi
Em-I
l-ffft.l
:>
A7
Dm
ffi, m'''ffi F
Black
fly,-
bird -
ffi
ffi
Bb
.ffi
ffi
G ooo
ffi
H.H+J
Hfn-1
o
Black
o nrTl-l Lutt.l '.+-]-+-+t
ffifl
Dm
DJ
A7
G ooo
G ooo CEEtr LIILLJ
?++++? n-rrF
dark, black - night.-
G
w I 0fr. FFffl rt-rff1
molto rit.
- - \/rtv-
44
-
\ i n\ / n
n
nVFV-
llVnVn -
n- - - -
----------1
a temqo 2i..1
G
Am7
ooo
ffi
o
G ooo
Am7
Ftfffi
G ooo
Hffi
Ff+++t rrrrn
rFrrn
G
ffi
ffi rrrrF
Hffi Ftrtfi
, , 9, o
ffii
r-t-ftr1
Cm-I o
Em Fffftl FTffH
FFft-f.l
D7 o
ffi l-ffi
n-fn
G ooo EETLD ttt_t_rJ
?++t+t t-j-ffii
Cm-II o t-f.FH
ffiffi
oo
ffi
your life
G ooo
rrrrn lllLu
?1++lt fi-rrt
You were :>
D7
B7 -l
o
ffi
TIIEI -+l+-H
TflTi
ffi
rfl-rn
Take thesebro - kenwings_andlearn to
o
All
o ErfCD t+-ttt.t H+fft FTTTH
ffi
Gmaj?A7 - I Am7-I ooo
A7
C oo
I Ofr.
Black-birdsing-ing in the dead of niglt_
Em - I
o
ffi FFff+t
rT+H
Tl-rt-n
Am7
o
ffi
rrFrn
o
A7
oo
ffi
r-fl-ft-l
ffi
c
G
ooo
G ooo
ffi
t++J-+t H-H-H
fly;_
A7 rrrrn o
t]4iu
H+-l+t r-ffiu
You were on -ly wait-ing for this
A7 rrTm o
t-tt?tl l']--]-l-.l4 FI_FFH
on - ly wait - ing for :>
tu D7
Fl+il
this mo -ment to l>
G
ooo Trrrn I]IILLI
t]+H ffi-tr1
a
a - rise. :>
ComeTogether
and PAULMcCARTNEY By JOHNLENNON tlL'"*if,'st#rit'r; ilt'n
- timereeling double
Dm
Dm
oo FFFF1 # l#l ffitrl
ffffi7fr. ffi
Fn-rn
llll -
6
Co pyrrght@ 1969 N OR T H E R NS O.N C SLIMIT E D (MA C LE N ) All Rie h t sAd m r n r sr e r endV- A i ntrcWOODMU S ICl N C . underl rcensefrom A T V MU S IC Rll niehts Reserved InternattonalCopyrrghtSecured
Dm oo FFFFR ffi
Fffrtl
rrrrn
a
jok - er, He
just
please._
do what he
F
V-
V-
.--
>
-
n--
Dm
ffi wear no shoe - shine. Bag Pro - duc - tion, roll - er coast - er.
mon O - no Mud -
key dy
fin - ger, He side - board, He Wa - ter, He
He He He
goI got got
shoot one one
toe wal ear
Co spi Mo
Jam ruS ly
ca nal jo
foot - ball, gum - boot, warn - ing,
He He He
He He He
got got got
say, got Say,
47
"I feet "One
know-
you -
be and
know his is
11- - - - - - -
One Hold Got
thing You to
nv -
I in be
can his good
is tell You arm - chair, You look - ing 'cause
-\/-
HlTf
right
rttl 5
H+H
got feel so
|rv-
ffi7fr.
Dm ff" 'r
you can he
fpffi5fr. FliFl-H
rrrrn
to his hard
be dis to
free.- 1 ease.-
1 )
see.-
To Coda
q
P'o-z ooo
ffi tfrrn
A
m ffizr'.
(Emphasize top note for melody on all accented> strums)
-\/|r
-vn
>>>
>
FFFFF rTl-rn
I l -----
>
E.'F
| |
V
Dm
ffi
oooooo FFFFi ------'l
Lr--J+/
Dm
,
ffi
lfn-H
ooo I I I I ta | | ta t I LTTIT] TITl T
D.S. al Coda
|l
l -i -\/
-x
r.l- - - - - - - - - - - - J
vn
t--J-J-l
l J-----
|)
-
J !--
JRepeatandfade
V-
-
lr l I
V
YouNeverGive MeYourMoney EY NONANOf,4.IJI]VICCARTN BYJOHNLEN ffi{ rrrrn
Fmaj7lC
G @
tffFFl
fiffi
Am
Bm? F'IRI
oo
ffi
ffi
Frrrn
Dm
G
ffi l. You nev - er nev - er 2. I l. ' ] - - - - -
give me Your give you mY
oo
FFFFFI
fffi
mon num
'-
r
-------1 -
You I
eJ
ber,\/
VV :>
\/ l>
F
on - ly give me your on - ly give You mY
V- VVV-:>>l> V
O 1969 N OR T H E R NS ON C SLIMIT E D COP V T rght All Rr" e h t sAd m r n r sr e r ebdy B LA eK WOODMU S ICIN C underLcensefrom A T V MU S IC(MA C LE N ) CopyrrghtSecured AII RrghtsReserved Internatronal
50
Dm6
F+r+i
FffTTI
fun sit
pa - ny - u -a
-
-
And And
P€f'
tion, \/-
the mid - dle the mid - dle ;
--\/
of of
>
OA
-
you I
tions tion
:>
ll'.
G7
ffi"
ffi
down.down.-------' l
t l- - - - -
r- ! \r/ --\ /-I l r-I - - - - - - - - - - - 1
Il
v
rr
v
tt
E7
ffi Out of An- y
col - lege, job - ber
-
-
F
mon - ey got the
spent,sack,-
-
n v.
n
tl
:>
n
:>
- -
Am
c1
Fffi t-t-t-t.f'1
ffi"
see no Mon - day
Iu - ture, morn- ing,
pay no turn - ing
|r
-v
rent,back,-
Vn
gone,slow,-
il,
Ir
t'
ffi
All the mon - ey's Yel - low lor - ry
v
oo Ffftt
G7
ffi -
4
-v-
l'.
break break
ne- go in- ves
no - where to no- where to
But oh,8o'7Keep chords down where possible)
- \/.\/.\/i\/
n\/- \/.\in\/
51
Original Bb
F
ffi
ffi
Hflq
Bb
ffi H#
ffitn
that
go.
feel
mag
- ing
-
F
ffi
ffi'u' no - where
ffi
ffi ffi
go.-
Tt lg
F
Bb
to
ffi'u'
Ah
|.1--n -
:>
-l n
.l .l -
-V-V
3.c
C .-::\
.fr. 3fr. Hffi !
D
at I ta a IIl a tl t-rt I I IITIII
.v|r\/-
8fr.
FFFlTlSfr.
ffiH n >
!
Eb
- V- V-
Eb
m'u
Efi:rt.
u l l al t I.T TI I IT fT I
:>
-
ffi'o
ffirr''
Frn-n Slide & roll off
-V -V-
:>
T
Ff
C7
ffiffi0r'.
A
| | tt
tl
>
C
ffim flJfilr5fr.
ffirr'' rrTrn V VV
Em)12fr. t-{-.1-{-+.1
r-t-t-t-H V VV
Eb
Fffitzr''
r-FFt-tl VV
I
A
\/---
:>
:>
:>
C
ffitu'
ffi
FFffi4fr.
F+ffi
One sweet
:>
-- ..v.\/.|r
:>
dream
Pick up the bags and get
v-
-.-|rv-
-\ i
n\/
-
--v
the lim - ou - sine.-
-V
-
-
V
LJ I l-l l-l I -
A #r1o
-
D7
E+H
FIFIE H#l
Frfffl
Soon we'll be
G
o@ FFFFFI
ffi
D7 FFFlfl3fr.
H+ffi
a - way-from here,_ step on
G ooo FFFFFI
ffi
the gas and wipe_that tear
\/-v-r|vrr-
53
B7
CmajT
ffi Fl-fffi
IFFFF
G
fffi
ffi
dream-
One sweet
n \ /- \ /-
#
ooo
o
n
-v
---
CmajT
GiB
ffi
ffi
ooo FFFffi
-
n
E rL
FI\/FI lr V
tt------------.1
CmeiT
A o
oo FFFffi
ffi'n'
ffi'o'
FFffisft. ffi
ffi'u'
rrrrn
\iv||v"Y F l \/-l
\i
ll
vI
v
rr
V
v
-VNV
A
C/G
oo FFIFh
ffi'
HTffI fftrn
tw o
three, four,
All
five
Repeat and fade
good
chil - dren
-V
-
go
to
heav- en.
NV
V- V
.
54
ffi
ffi
C6
A o
One
G/B F#n
ooo FIIFF
-V
-V
Julia
By JOHNLENNON and PAULMCCARTNEY Moderato - wistfully D
Bm7
ffi
FFFI"F r-?-FfF1
ffi
of I
what can -
say sing
my
-
-V
mean - ing heart
1S
n -V
D FFFffi
Fl# l-ffi+l
But I
n
Bm7
on
say -
NV
you
to reachmy mind.
Ju Ju
---v
-
D
Bm7
ffi
FFFIEIEI ffi
ffi -
rli i -- ae . _
t\.
(; V
VN -
.1
t- J
l i - a,shell eyes,ing sand,-
VN
l^
T
Ju sea sleep
I
-V ^ll
t- J?
11V I
L
I L
Co p yr ig h O t 1968N OR T H E R NS ON C SLtM|T E D All Rights\dmrnrslered..b_\' BLACKWooD MUStc tNC. under licensefrom ATV MUStc (MACLEI'() {ll RightsReserved InternationalCopyrightSecured
lyVN
F+ffi
n
Ju (1. - a.)
can
F$ m F# FFFfH
ffi J us t speak
I
it
Gm
Gm(add9)
ffi'u' cean Y lent
o wind si
.".1
me.I me.'(to Coda)
\/n
FV
-\i
Fffi
So
+FFFI
ffi
n-rrn
NV
++?f1 ffit-tl
t,.
love,-
of
sing
I
\/l' l
\/-
-v
-
NV
./-
|
cfm rrrrr 4fr. I-T-f l rll
ffi
rTTall t-fflll
D
ffi ing
is
sky
s hi m-
mer
NV --\/
ii:l
Ju
-
D
float -
-n
N
A o
FFtrFFI |...l"".a
t#'+tl
FIilH FFTHT
V
-
Bm7
D
s
Frrr-r
.
-
Last time to Coda,
FFFTN
calls calls touch
child, smile, cloud,
\/l r
NV
56
ftrt'.
#rt. ffi
-
Ing,
NV
\/-
Bm6
Bm7
F*m7
ffiffi
FFFI'FI f-t-t-in
ffi g
ffi
H+{+l
mer
-
lng,
the
V-
-VV
Ff m6
Ff m7
Ff m (a d dD )
FFFFN
EIIS ft-1-f1
Bm7 Fnff
D
ffi
ffi
Ju
-
li
Am
Am7(add9) FTI-ffl sfr.
H++ffsfr.
H+TH
H+Tfi
- a,-
-\/
Gm(add9)
ffi'n'
Gm
+fulr'.
nfulr'. t-t-Ff.H
touch
me.
H++n
-
nv
rTrrSl
r'1 v
VN -
57
F* m
Bm7
D
ffi
FFFI?
FFFFFT FFFt-t-l
FT+M
ffi sing
I
So
song-
a
Hq+fl
of
love,-
NVVN
\ / --
-V
-
D
ffi li
D.S. al Coda
a.
NV
VN
-V
-
D
Cod
s
#
F*m FFFFF
ffi
Hq+fl
I NV
sing
a
song-
A
58
love,-
- VV-
D
FFFFF
FFFffi
ffi
f-l-fl-H
H]f,f,
of
Ju
V11
-
o
H114
l#
ffi So
Bm7 FFFFF
Fl+
-
Bm7 FFFffi
ffi
A m (a d d 9 )
FFffi5fr.
[fffqsfr.
ffiqfi
ffi'o'
HlTfl
(Hum) Mmm
Gm ( add9)
Gm
Fttfnlr'.
D
F+ffi
H+H
calls
n
NV
VN
nv
F
Ju
ffi
li i''l
\i
Vlr
l.1
I
NV
sing
of
VN
FFFIII
F+f5 Fffl+i
H1Tfl
a,
-n
A
+ffi Hl+fl FFF
DmajT frfftr5fr.
H## a
love-
N V
D
HffiI
F$m
flqTfl
FFrfi-1
A g:
ffi
r-t-r-ffa
FFffi
VN
D
ffi
ffi[ffi
FFFffi
So
A
11
Bm7
ffi
Rfiry.lr..
for
V-
YouWon',tSeeMe ByJOHNLENNON and PAULMCCARTNEY
Moderately
DA
g
gggg
g-o
ff> i f f i f f i
n 4f i
..
t-t
rt
I
l. wr
I
I Ll'.-
n
\/
i
_V -_--__
I
_
ffi
I taaal
laac*ing2nd,3rdtimes)
Oo
ffi
* la lala
-
Lay right hand palm acrossstrings
to'sto-p thesound shortontlort1to.
---- - -
,.tJri,
:>
I3;:
n
:>
g
'=---
----=
---
.Lo
HlH r-1-frfi
Hfffl H{++{
O o----------------
la
/-]
[a..:-------==-\
la
k
oo
,
.
-
,=-
------;---r
- - - - - - - ;- - - - - - - - - _ -
- ------;---
-------=---
B7-DBA -=--. ffil+ Ff+l-H
t\l of
FHlp
H++{q Fnrn
t-ffi?t Ia
la
rr -
Oo
la
, 1
|l--
- - - - ;-
--
'- ; -
-
1
.-
--- - -;-
-- -;-
- -- --- -r
-- -- - =--
-
--
60
AIrRishts Ramrnrsterea,,bcyo8lleLt"9"tSff,|3tTl1fiH;."?]f:"tl*'],'3' (MACLEN) MUSrc All RightsReserved lnternationalCopyrightSecured ^*
i
D fFFFFsfr.
A
ffi'u'
Dm
ffi'n'
ffi
Oo
the to Fl"--rr
timestay,_
that was so I don't have
hardmuch-
to to
find,SoY'-
----'--i
:>
B7 E
ffi fTfffi
And But
ffiffitu{ -
I'
will lose can turn
my mind_ a - way_
A
D
you you
I I
won'twon't:>
if and
DA
(Bkg.) You
see me,see me,-
#ffiffi
won't
won't- see me,won't- see me.-
cresc.
:>
-
il2 .4 t+ffi" rnTn You
6l
Dm6
D6
oo
oo
ffi t-ffFft
FFFFF
ffi
B7
A
ffi
!+F
Hllfi FflfN
tfrt'n
knew-
if
would - n't
len. ---------1
:> > ------
B
B BTB
BT
B
E7
ffi what
was
I-
oo
Hr4fi FI*H
Though the
ing.-
B
B
FFFFFT
miss
I
:>
:>
A
no
would - n't,
I
D
B7
#rrr
Ffnil
t
ffi
fffifl
Oo-
O o-
they're
62
filled
with
tears.-
A
B7
*F.9
ffi rT-r5
H#fi
f-rrtn
la
;
-L
la
la
la
-b .t
.bJ
And since I I I
Ia
lost
you -
it
feels-
l_ _ - - _ - - :>
B4
D Eh
uAl
Ah?i H+fil
ffi
ffi'u'
fft'ffi
Oo-
la
le
J like
t\l 1+
years.-
Ia
Yes, it
-
seems_
so long-
>
D m l 4T
&rA"
TIIlsft. la
^ +l
ff+i la
ffi
Oo-
-b J
-----:
+/
girl, since
l
:
been gone,_
B7
Hffi rT.T|.1
can't
you've-
-r
And
A
ll.p
loaeeoooqo FFFn Ffrfft la
la
J
.bJ
ffiR t-fi-ffi
la
if
you
I just
ffil
FTTTE HTfi t1+Fl fffi
w on' t-
see
m e._
trt
# You
D
oooooo FFTllI ffi
You
-cresc. "-----1
n----
FFFFFT
t-t-t-FH H++flEffi
ffi
won't
A
oo
won't-
You
see
won't
me.-
:>
-
l"'n te
A
^ IFFFFT
EEffi Ft-ft?l
#
OOOOOO FFFFFT
O FlFfi
O
Hl+H H+Ifl Fl-l-l-H Ft'Frn
A
A
D
oo FFII'FI
oo FFII?I
ffi
H+4fl FFrf'N
trTfft
F1-Ft.H
Oo
(Backing only)
D
B1
ffi
'rfr=?r ffi
.L
----; ---
54
Repeat and fade la
la kla
;
oo FFFffi E!58 Fl-Ffl-t
.bJ
la
-bJ
---' ----' r -------;------
wecanworkltout By JOHNLENNON and PAULMCCARTNEY
Moderately slow
D ntr+r EEtttl FFH+I
Dsus4 FfF
ffiH
D rr*F
Dsus4
rr+in
ffi
Try to see it my Think of what you're say
ffi
W?Y,
do I have you can get
i no
keep on wrong and
V
-
-V-
-
-
-V
CaddD
Dsus4
F*r
#r
ffi
ffi
till I think that
can'l go it's all
V-
on? right.
While you see it Think of what I'm
FV
#
l.lf.nt
ffi
know - ing out and
V-V -
----
that get
our it
-v
love may straight,or
nv
-
B
ffi
gone.l soon be say good- night.f |.1
-\/r
.tt
B
n
D
Dsus4
of it
W8Y, ing'
-n
--
mn a risk we can work
your say .-
--
G
talk - ing still you
G
ffi
-
-
A oo
FFFF
Hlffi l-t-n-H
Co p yr ig ht@ 1965 N OR T H E R NS ON C SLtMtT E D All RiShtsMminisrered..byBLAaKWOOD MUSTCtNC. unde, lrcenserro, nrv MUStc (MACLEN) All RighlsReserved InternationalCopyrrghtSecured
65
Bm Sffi7fr
Fffi
Life rtv
rl \ / -
rl
-V
-v -
-
time
short-
IS
[ff?5l6fr'
( |
\d=A/
for
n \/-
Bm7
T[fTi7fr.
Fffi7fr.
,.FFI+
fuss
Bm(addG)
ffi'n'
nv
FFFf?l7fr.
Tfl]I
fight -
and
lng
-
r!\i
Bm
-\/-
-\/-
mY
ing,
friend.
--------l :> -----
Bm FFFFRTfr.
ffiff7fr.
Fffi
F1{il
o=))
al - ways
have
- v lr
Bm(addG)
Hffi
Fffi
ll
-
-\/-
thought-
|r v - \ i-
Ff,sus4
T[T5l6fr.
T?Tlt
66
Bm7
Ff
Ff sus4
TlT5t6fr.
Hffi
FFffi7fr.
Fffi
that
cnme-
Bm(addG
ffi
FFFffiTfr'
gam.
Try
to
Dsus4 rL
#
ffi
- -
-
if
I
am
right or
-\ / -
I
Dsus4
|l
chance that
|r
-
ffi
-
- -
fall
-v.
a-
we can
see
.
-n
. \i l.1 -v-lr\/
ffi
part
be - fore
too
-
-VN
-V
&#
A
#f
f f if f i work it
it your way
D #rrr
Asus4
flffi
- -v l r\ /
While you
long.
n -V
#
ffi ffi
#n
G
out,
-\ / -
#r
- \ / - 'f t v - - v
o@ FIFFFI
ffi
We can work it
Dsus4 D
ffi
we might
D il+rrr
G
-
-v
way,
-v-
CaddD
ffi a
my
D
am wrong.
-v-
i*F
there's
it
ffi
ffi
n\/-
-\ / -
see
.
.
time will tell
#"r.r
ffi
HlTfi
on - ly
D
Dsus4 #in
nv-V
D
r.r+rrr
ffi
G6lD oo@
ffi
D r*r
ffi A
out.-
.- - - - - - - '
:>
a:> --------' -
6l
NoReply
and PAULMCCARTNEY By JOHNLENNON
nm
Moderatelv
1. This
hap - pened once
fore be 2.3. phone, .
when they
v-
:>
I said
came to you were
V-
your not
G7
ffi was - n't it They said know where You've 'Cause I
re - ply. no that's a lie.
v|r
c
G7
F
ffi'
ffi
ffi but I and I
nv:>
your your
saw you peep through saw you walk in
V -V
FmajT
ffi
ffi saw the near- ly
--
I I
light,died,>
:>
-
>
-v-vn
Copvrrsht@ 1964 N OR T H E R NS ON C SLIMIT E D All Rr sh t sAd m r n r st e r ebdy BLA aK WOODMU S IC l N C . underhcensefrom A T V MU S IC(MA C LE N ) ' All RrghtsReserved lnternatlonalCopyrlghtSecured
68
saw the near- ly
light,died,:>
-
oooooo
ffi
Em
o@o
FFFFF
ffi ffrfi-l
I know that you 'Causeyou walked hand
--v--
:>
:>
- V- V-
ffi
ffi in
your my
'cause I looked up to with an - oth - er
-NVNV
c
G7
see man
saw ffie, in hand
Ir 3rd time to Coda
+ 2.
face.place.
I
tried
to
tel - e -
---V nv
ffi
ffi"
,il
If
---v
E7
CIG
lz
I
were
you gwe
re - al - ize lies-
I'd the
that that
-V
Dm
# ii' l:
love you more heard be - fore
I I -----_---------t -----
@
F
ffi v
an gave
oth no
me
:>
:>
-
:>
I
lr
D.S.al Coda
3.
I
tried
to
tel
e
-----' 1
-----
oooo@
ffi
No
n\/n
re
ffi No
-
70
re
\/ n \/
PlY.-
-E
ffi
ply,-
V
>
-
-
FmajT o
Em 9r#
C(add9)
ffi ffi'
oooooo
:>
GettingBetter
Moderare. withau.u,Bv JOHN LENNONand PAULMCCARTNEY F(add9
o@ooo FFFIIT
ffi
F(add9)
F(add9)
ffiffi
ffi
EEEEtr Fft-t-H
t I tl:>
>
:>
-
T
fim
>>
:>
-----
ter
all
>
l>
the -'l
F
ffi
oooooo FFFT Fl-fi-fi
It's get - ting bet -
-
time.
\/n
(1.) I (2.)
--
:>>
cdn't-
(Harmony, 2nd time only)
(Drop R.H. palm across strings for staccato effect.)
useo used
to to
get be
macl ,an
-
VV
at my gry young
school, man, -
-
(Backing, lst time only)
:>
G
n?fft
flffi
CIG
E#
can't-
teach - ers who hid ing me -
-
taughthead-
me weren't in the
com - plain
You're You
:>
co p yr ig h t@ 1967 N OR T H E R NS ON C SL|M|T E D .. All Rr g h t sAd m r n r st e r e d . ,BL b y AcK WooD MU S Ic l N c. under hcensefrom A T VMU S tc {MA C LE N ) All RightsReserved InternationalCopyrrghtSecured
71
g
G
G
|TIII
Hffi
hold gave
ilTT-r-l ."m Tfffr.l
turn fi n -
down,word,-
- ing me me the
ing me al -l y
round,heard,-
-.
G
G r*
ooo Fftt
ffffi
fiffi
c
G
#f
@o IFFFF
flffi ish
Fool I
fill do |l
upbest-
me the ll
with your thal I
-b^.J
rules. can.
ry
F(add9
ter,-
^J-------\ 3
3 got to F r 3. I ad
ad
ll- - - - -
:>
:>
Em
-
mit mit
get - ting it's get - ting it's - -- - --;r
- tle - tle
bet bet
F(add9)
oooooo FFFI'II
oo
H1111 fi-rn
FFTFF
ffi
72
betbet-
no-
worce.
c
F(add9)
ffi have Yes,
rl
ffi to I
ad ad -
2
it's get- ting bet it's get- ting bet
mit mit
>
it's get- tiflg bet it's get-ting bet -
:>
Em
Ito ooo
F(add9
oo
ffi
ffi -
fiffi
ii
since you'vesince you've-
.
1 I
Ftr
cFC
F
@ ffiffinffi*
#ffi
(Group) Get - ting
ter
atttrt FrrrrT f--TTt tttttr
>=:>
(2.)Me
SO
.-
much
|l
:>
:>
-
c
bet
all
o o oooooo
ffiffi the time.
. l>
-
-
- \/
F(add9)
ffi"
ffi -
:>
CF
ting bet
n
:>
-
ter
all
the
>
-
its
Em
#,
ffi
ry
F(add9)
F(add9)
c
oooooo FFI||I |...{.'.l..'|+
ffi
H++f,
F(add9)
ffi J
G
G
ffi
ooo
Effi Tap right hand on front of guitar for percussivesound )
74
#
ffi
BHtr H-frfl
H1+fi 0
Coda
G
o@ FIFII
ffi
Man, I
lng
my
scene,_
and I'm
ing
V-
>
:>
the
V-
was
best-
mean,- but I'm
chane-
that
>
T
B
*6@
c
F
x
D.S. al Coda
(take 3rd lyric and 3rd ending)
Get
-
-
00
LI T TJ]
ual n
N IIII I I ITTI
ting
c
F -\
llru t I ta I f---rT-l
rrrrn
so
00 I
I I I II I I -I I I t lt I rl t lt t t l
I
much
c
ffim"ffi ffi :>
+
the time.-
Fade oul
withAllttle Help Friends My From and PAUh:nccARrNEY ByJOHNLENNoN ffi n \ /- n \/ n
-v-
>
>:>
|1 \ /
:>>:>
:>
-
--
v
- r-
V n
B7
mfr Htt-fi
What What (Would
would You I do you be -
rr
l>
B/D$
F fm
FrfflI FFHSzT'.
ffi ilfft1
i fI when my i na
dodolieve-
v!
-
-
out of a is at first
sanglovelove-
v- >
-
tunewaysight?)-
v-
would you (Does it Yes, I'm
stand wor cer -
-V
B7
m o
FFffN
up
ry
and
you
tain that
rl
walk beto hap it
VI
me?lone?)the time.
( Lay side of right Palm on strings to get a muffled sound)
\/-
-'---'-'l -------
T
BT
Co p y.oht ro 1c67 N OR T H E R NS ON C SLIMIT E D lcense from ATV MUSIC (MACLEN) All RrehrsAdmrnrsteredUVgtiflKWOOO rt UStC INC under CopyrrghtSecured All (rehts Reserved Internatronal
76
me your doI do you
Lend How (What
B
F fm
ffi rTfatl
MF ftarl+l
earsfeel see _
and I'll by the when you l.1
V-
you a of the out the |l
$ngend tum-
V-
-
-
and I11 (Are you I can't
songdaylight?)-
try-
sadtell-
V-
B7
ffi$r
oooooo FFFFH
FFFTtr TFTH
ffffFt
not to be - cause you, but
n\l -
F
out of on your it's
singyou'reI know
oh,
key. own?)mine.-
No,
oh,
get get get
I I I
bybyby-
-
D
ffim'*
ffistr. H4# FHffl
with with with
a a a
lit - tle lit - tle lit - tle
from my from my from my
helphelphelp-
oooooo o
oo
oooooo
ffiffi
ffi
friends,friends,friends,-
Mm, Mm, Mm,
I I I
get highget highget high-
Ft
-
A
Hidffi'u rrrrn
rfTfn
with with with
a a a
lit - tle lit - tle lit - tle
FI
helphelphelp-
from from from
my my my
\/-
friendsfriendsfriends-
Mm, Mm, oh,
gon - na gon - na gon - na
trytrytryV
-
T7
B7
A
ffif, rfl-rn
oo FFFFA
H14# Frrrn
with with with
from my from my from my
helphelphelp-
lit - tle lit - tle lit - tle
a a a
(repeat to 2nd lyric) (to 2nd ending) ( to 3rd ending)
friends.friends.friends.-
VFtl
|l
.
-
Cfm
ffi
4fr.
an - y an - y
(Do you (Do you
V
V-
>
-
V VN -V -
n-
>
- bod- bod-
V-
:>
V
-
B oooooo FFFiN
ooo
ffi
ffi needsome- bod - y to iust need some-oneto
y ?)
:>
-
ffi!
fffi-H
(could it (Could it
lovelove-
bebe-
cfm
ffit'' an - y an - y
v-
B
A
D
Ff;?
oooooo FFFFil
#r.r.
ffi
ffi
want want
v2)
y?)
\/-
78
oooooo FFFFII ftrtr1
oo FFFiR
Fr'-fi1 H++l HTffl Ffitt-l
FftfH
y! )
- ll
A
E
F $7
bod-y bod-y
ffi
oo FFFffi
HTffI *tftl
ffi
ffirfl
(repe,tto stgn$) (to Coda)
lovelove-
V
ffi
Coda X
Codat
to to
oooooo FFFFII
- - - - - rV -
tu{ A
Coda
+
D MTR 5fr. ffi
get
I
ffi
by-
a
lit - tle
-
oooooo
ffi try-
ffi
a
Effiffito' FTTFTTTill
Hiffi
r-t-ft-H
with
-
a
help -
my
friends,-
E
m h#"
ooo@o
5fr.
oooooo FIFIi
H++H
Ftfttl
rfi-tr|
from my friends._
Oh,
I
get high-
V- - V
AE
TffiT5fr.
ffi rrrrn
lit - tle help_
V-
D
ffi]1l ff+FH
l-ft-t-H
- \/
A
oooooo FIIFF e[t-r
5fr.
with
oooooo
5fr.
-
D
ffi ffi n-frt
ffi
Fi TT
rrifl'1
oh,
A
ooo@o
lit - tle help _from
E*o H++f,**
oo
V
oooooo FFFTT
D rh
oooooo FFI|;
H#tl ffi ffi
yes, I
my friends,_
get by
t-t-1-fft
Hltfl
with
a
lit - tle help-frommyfriends,_
VN
-
A
clG
ffi
Am6 +o -o o
ooo@o oo o FFFI; FFFEI
E
F #ffi
ffiffi
ffiffiffi
rt rrn
V
|tfi-|j
rrFrH \^
with
:>
-
a
lit - tle help-from my
V-
lrien ds.
:>
!
-
\/- \/- v !
vY
-
I
\/|.1 \/ V
|
|
V
/t '. :>
i9
You'reGoingToLoseThatGirl and PAULMCCARTNEY By' JOHNLENNON cilm7 ..ft+rr. ffi
E o#o
Moderately
(Backingvoices)
ffi
yes, You're qon - na
Yes,
You're gon - na
lose that
nf-
n
that
you're gon - na
girl, |.'1
:>
V- V:>
B7
B
Ff m7
lose
*
ffi rfrrn
yes, you're
I
gon - na
ffi ffi'ntl
lose
that
B
Gf m7
ffi+r'. FfiTN If If
you you .
.
her her
to my
out right
-
night, friend,-
she's you're
V- V
m o
ffi
(Bks.) )
take treat
B7
F*m7
t-}|-rfl
don't don't
t-fft-H
She's You're
change find
her her
change find -
Co o vri eht@ 1955 N OR T H E R NS ON C SLIMIT E D tNC. under licensefrom ATV M.USIC(MACLEN)& SBK UNARTCATALOGlNC. All RrghtsAdministeredby BLACKWOOOIfrUb1C Ltt RiehtsReserved InternationalCopyrightSecured
80
gon gon
- na - na
Gf m7
ffi+r'. mTrn And 'Cause
I I
will will
her her
take treat
n
to and
night,then -
and you'll
I be
You're
gon - na
VN V
-\ /
B7
Ff m7
E
m
o
ffi Ffftft
ooo
IIIII] ta l a ta ffi
gon not
rtff't-t treat on
na the
-
her ly
t-ftffi kind.one,-
treat her lone - ly
n-
:>
|[ b
Cf m7 ,-} IIIIN
TTITT] T IIIN lose
yes, you're
B I
F*m7
ffi fftfr1 )
lr
B7
ffi
yes,
you're
gon - na
fffffl lose
o
oooooo FFFFi Ft-l-fF{
tr+FF
?
81
yes
gon
you're
girl, --
- na
gon '
you're
na
lose.
V- V
-
-
G
D
F**
ffi
F*F
ffi
lose
(Group)
I'll
make
a
G
R+*
Effi
tak - ing her
a - waY from
You.-
-----
c
mi the way You treat her, n- - - - -
&
---------l
what
else
F
ffi
To Coda
0
Gf m7
Film7
fffi+r'.
ffi raTrn
irtfH
You're
n - - -- -
'--f
AP
E
ooo
ffi
FIIIH
na
>:>
ll, tt"
I '. 87 F#
gon -
ffi ft-rt'n
ffrrn
yes, you're gon - na
I
lose that
girl.-
lose that
eirl.-You're gon - na
lose that
Voice)
girl.|l
-.
:>
-
B
C*m7
F*m7
m4fr.
ffi t-ftfft
I Iafn
I I ITTI lose that
B7
ffi
rTrrn 're
t
You're gon - na
-V
:>
-
that
V
Gf m7 Coda
+
gon - na
ffifl+r' lrftttl
D.S. al Coda
lose
glrl
-=/
FImT
ffi rrTrn
night- she'sgon - na changeher
83
B7
Gf m7
E
mfr
ooo
ffi rfl-rn
fftrfl
ffi+i.. httTTl
change her
And
will
take her
out
to - night,-
ffi
ffiffi lrftttl
gon
l>
-V
-
-
t-ffi-n t/eat
na
will
yes,you're gon - na
You're gon - na
lose that
V
-
-
cf mT
B7
F* m7
d
ffi
ffioo'
Ft-Fftl
Ffi-ffI yes,you're
)
that
lose
a
You're gon - na
N
You're gon - na
girl. -
lose
V
-V
D
F*m7
F*F
ffi
E
ffi
Fbt-t-H yes,you're gon ' na
t
Iose
E
ooo
ffi tfrt'n girl.
zC\.
girl. -
lose |l )>
u
I
o
kind.-
treat her
-
and
B7
F*m7
lose
I
-
l>
-
/i >-
a
ItWon'tBeLons
ByJOHNLENNON and PAULMcCARTNE
Moderately
cflm
Ff
ffi'*
ffi ffift1
It
won't be
(Yeah)
yeah,
long,
Vn n
:>
(Yeah)
(Yeah) It
won't
NV
:>
-
-.
yeah,
cf*
ffi (Yeah) yeah,
long,-
B
A
A$dim
ffi
be - long
-v-
to
n
V
you
--
c
E
ffi' l. Ev -'ry night, 2. Ev -'ry night 3. Ev - 'ry day
--VV
(Yeah) yeah,
E
ffi -
It won't be long,
:> > ;
BB
I
(Yeah)
V---V
>
-nn
(Yeah) yeah,
hffi rFrrn
when ev - 'ry - bod - y has the tears come down-from mv we'll be hap - py, f
-v--
VV-
fun, eyes, know. V
n
--"---'l
85
allsit - ting I've done noth won't leavethat you
Here am I Ev - 'ry day Now I know
own.
on my ing but me no
cry. more.
cilm
ffioo' (Yeah)
(Yeah) long
n-nv
yeah, >:>
Yetr, -
(Yeah) It won't be
>>
--v
c*m
m' (YeaD
(Yeah) long-
yeah,
Yetr,
n - g I - -!
A{dim
A oo FFFM
FTFFI
Hm Ffffn
I
n
86
ffi
be - long
n\ / -
to \/-'
you.
yeah.
(Yeah) It won't be
To Coda
+
(Yeah)
long
yeah,
till
D*+
Bm6/D oo
@
ffifi
ffif,!
TITTT left
me
f+++Jt
r-t-t-Ft-t
I'm so
Now you're com -
you're
ing,
:>
-\/-
c# 7
Am/C
ffi
ffii
com - lng
on
home.-
V
oooooo
ffi
I',ll
like
NV-
I
know I
should-You'recom-ing
>
-\/-
-\/
-\/
V :n>> n
-
F$m7
EE t-tfft-1
D.S. al Coda
-J
home.
So
FI :>>
Coda
0
A t-o
Hffi F{-IIH rit.
c
til
f,
I
V -VN
EmajT
d, ffiffi ffim Stowt'
" "
_
87
HevJude
and PAULMCCARTNEY ByJOHNLENNON
x
A
ed g+ eVnv
(cgltil,al ';?#i 4
oo FFFIfi
ffiffit ) )) )) ) ))n
l-ffttl
Keyboard-+F
HTffl |-rrrn
c
Strum for secondline of lyrics.
don't make don't make
A7 **to
A7sus4 #*no
" A7 ' *r+flo
C7sus4
C7
ffi
Hffi rFTT|-1 C7
songsong-
sad sad
ffi
it it
G
D
ooo Ffftfi
;9n
fiffi Bb
ffiF
Re - mem-ber Re - mem-ber
bet bet -
and make and make
a a
take take
bad, bad,
to to
let her let her
in - to your un - der Your
D
B
D Fen
#fl't
ffiF
ffiF
to
then you can start then you'll be - gin-
heart, skin,
make
bet
|.l
A
BBT BBT B
9n V ,.Vn 9 rV
ffi,:t fn n fr "u . V
-L
F
don'tbe don't let
Jude.Jude.-
n n n
-\/n
N
a me
TB
oo FFFIfi
A7 f#o
A7 sus4
c
C7
C7sus4
FFFffl ritrn
2nd versestrum,first sevenmeasures'
BB
fraid, down,
ffiqfi
You were made You have found
**to
ffi
to her-
N V l rV
SONCS LIMITED Copvrrght@ 1968 NO.-RTHERN rtaUSfClNC. under licensefrom ATV MUSIC (MACLEN) All RrehtsAdmrnrsteredUVSLAEK\,V'OOO (rehts'Reserved lnternationalCopyrightSecured All
88
A7
*rft]o HTM ffi
C7
go out now go
and and
D
G
o FFFFll rfi-tfl |Jrti T fT II
F8#
ffi
I
F
D
ooo FIFFFI
ffiF
Bb
get get
her.her.-
you l et her to let her
The min - ute R e - m e m -b e r
n
FV-
-
-
un in
der your skin, to your heart,
then you be - ginthen you can start-
-vl l -
B
BB
D
A7 **ro
Fr+fl rfi-f.rl
Ef;m rrn-n
tnm I ttata LI ITII I T TTTI
C7
F
to make it --_ to make it FFI tt
D7
o
n nv-
tl
BB
n
F7
bet - ter.bet - ter.-
And an - v So let it
n \ / n l. 1
-\/n\/ -
-
T
>>>>
:>
time- you feel the painout- and let it inV
- | :-> :v> >-. g
>
V N V NV-
--
B
G
Em7
@o FIFFF
o
A7
oo
FFFFF
ffffi Bb
**io
ffi
ffi
ffi-l-t-t-l
Gm7
Hey Hey
Jude,Jude,-
re - frain,be- gin,-
C7
don't you' re
car wait
ry the worlding for some
your per
up one
shoulform-
tt
--
-
-
-\ i -
-\i
B
#
D
D7
ffi
ffifr F
F7
|l\ / n
FI
n
ffiBb
rrn-H
ders.with.--
+
G
@o FtfFrl
- :>
>>.
-
3
For well you know that it's a And don'tyouknow thatit's just
t'l
n
a
:>
-\/n
n
-\/n\/
:>
fool you
n.
who Hey
playsJude,-
coolit you'll do.-
n\/n n
:>
-
NV -
rl l
b
I
I
89
D
A7
Em7
o
ftsno H1+fl rit-rn
oo
FFFffi
ffi
Fqt
ffi F
C7
Gm7
By mak - ing his worldThe move- ment You need-
n n
n\/-
-
-
n
a
is
lit on -
da da
--=l
n
| .' 1 -
NV
Da da Da da
er.der.-
cold shoul
tle your
-Vn---
BB
D7
A7
#
**io
H# ffit-fl
rffin F7
C'I
da da
da da
dada-
da da
Hey
da da
'-- "'--l
n- - - - -
-n
-V -VNV
F VNV
ffiF to
-
l r V- VN
ter, bet - ter, bet - ter, bet - ter,
bet
make it
N
NV-VN
CIG
D
ffii
FgF
ffiF
Eb
da
da
nv- n n\/-\/
da
N
V|r V
Oh bet-ter,bet-ter,
VNVNV
-
-VNV
90
-
F*;
+E *
it-n
:>
D
A7 *#o CodaFFTFF
Da
n
>
da da da
#
-
n n\/n\/n\/nv
D
G
Fglr
ffiF
f,ffi Bb da
n
da da da
Hey-
Repeat and fade
Jude. NNNNV VNVNVNV
I'mSoTired BYrcNruLENNON ANdPAULMCCARTNEY cf
A
oo
F}.FrF
ffi
H11#
Slowly
Hfrfl
ffFfl1
Drop right palm acIossstrings Ior staccato.
I'm so-
F
D t+Er
ffi
A *nro
"F # m7
rfl-rh
ffrrF1
ffi
Hffi
have - n't slept a don't know what to
wink._ do.
I'm I'm
so
tired, tired
SO
D n*m
E+
ffi
mind mind
o
fl1l! F++l+ ffffn
is on_ the blink._ is set- on you._
F-L
ffi
ffi
lix
my - self
n n
a drink,
tro, no.
no._
won - der should I
FI
n \/ =
g
call _
rrrl- tl n
you,-butI NVN V
ArI RishrsAdm, nrste re?o8/'1,'tT3)fyT!,J'f fIi: ru:P,H*"iilf hv MusIc (MAC LEN) All RrghtsReserved irli3 Internationii SecuiLJ' -opyright
91
ffi"'m'n' ffi
ffi'*'
ffi lfrrn
A
Dm7
Dm7
F*m7
X J =J but doubletempofeel
.,_
know
nn
You'd say
what you would do'
n
n
>
no joke,
-\ i | t
tl >
Fl\/" rrv>
.. l ''l
r
tl
it's do - ing me harm.-Youknow I
|r----- - ;. n Vn
5fr.
F
V n
NV
VI
I'm put - ting you on,-butit's
---'-';',n\/|1
\/ n
!
n\/
I can't stop my brain,-Youknow it's
can't sleep,
FI rr
:>
To Coda
--S three weeks, I'm go - ing
il - - - - - ' ; 'n V
V
in
n
sane.-Youknow I'd -l l
:>
F rl
\i
give you
!V
ev - 'ry - thing I've got - for
-
nI
\/n- g v
B
A FFFFFI
ffi
92
A oo FFFIfi
HTffI ffin
G$
ffi ffir1
n-rrFl
alit-tle peaceof mind-
n n I vnn
A
D
FfmT
oo FFFTfi EFfi:E FIIIH
F9F
ffi
so up - set.-
fee
A1
ffi
tfffi'1
though
n.
B
E7
D
ffi
*
ffi
A
E+
+ffi ffi1-H
Fffff1
#
I'll have an - oth - er cig - a - rette,
And
ffi
curse Sir
Wal - ter
Ra - leigh,
n \/n
n
n.
he
-
was
n
B S. al Coda
Dm7 X
Ffm t:
ffi'* ffi'"
ffi
httftl
a
A Coda
+
oo FFFFIT
H+fil rTti'rl
stu - pid get!
n g rVn
n vg n\/
D
A
ffi gve you ev - 'ry - thing I've
oo FFFffi
Eltfi FIFFII
got-
n \/ n n n \/nn|1
for a lit - tle peaceof
v
-
mind._
n n \/nn
st
TellMewhy
and PAULMcCARTNEY By JOHNLENNON Brightboogie4 A'7 Em? o*o
ffi f f i
ogoo#
*E
Em7
ffiffiffi
Em7
A7 *tr
o*o
A7
L7
ffi
3-
ffi ffi
Tell
Lay left hand lightly qcross strings for percussivesound:d'
V NV-
V -
-
#
A7
Bm7
D
ffiH
ffi
ffi
and
you cried,-
N
D
B
"ffi ffii A7
Em7
ffi
why you
to
lied -
V
V-
r*F
OOOoOO o FFFIfIFFIF
ffiffi
a
me
m e. -
n|.1
vn
\/
\/-
you cried,-
why
VN
N
VN V
-
-
and
why
n
N
you VN
lied
V
Co ovrrehtO 1964 N OR T H E R NS ON C SLIMIT E D d b infrWOOO MU S ICl N C . underl tcensefrom A T V MU S IC(MA C LE N ) All Rr q h t sAd m r n r st e r eUv All {rehts Reserved InternatlonalCopyrrghtSecured
94
me
D il$rl''
ffi 1. Well,
gavesome
2. n
VN
'ry - thing ['ve said
you ev thing that
V-
VN
V
I or
had,done,-
V-
Bm7
V
A7
ffi
ffi
--.....---_}=Z
you left me what,
But Tell
VN
me sit and I'll
VN
\/F
-
ing on my a-pol - o
VNVNVN
D o
ffi Did you If you
VN
VN
havedon'tV N
to I
treat real -
me oh ly can't
bad?on-
so go
\/tl ,
V
VNVVN
Bm7
A7
ffi
ffi VN
All I do Hold - ing back -
VN
V
N
is
hang my head and moan._ these tears in my eyes._
V
N
V
N
VNV
Tell Tell
V1 1
VN
me (repeat) me (cont.)
VN V
A7
ffi
Bm7
D
#
ffi
and
why you
B
m
Em7
D
o*o
ffi
A7
ffi
l_.>
Tell-
me.-
nn
N
VN
V
*
Bm7
D
FI'IFRI
ffi
ffi
me V-
you cried,-
wh
VN
VN
V
A7
s ffi
To Code
a--__-_/
and
n
why You
lied
lr \ / n n \ / | 1 - vnnv-
n v- n
G7
ffi \4) for percussive 11.v|rv|l
llvlvll
:>
:>
;
!-' --- - - J - - - r >
-------------
'
-
NV -
VF V
V-V-
-
ffitot'' Why don't we do
it
in
the
Why don't we do
road?- ----
:>>
-- -- -' r
Co ovrtehtO 1969 N OR T H E R NS ON C SLIMIT E D d bl ntfWOOD MU S ICIN C under hcensefrom A T V MU S IC(MA C LE N ) All Rr e h t sAd m r n r st e r eUv " Rll RrghtsReserved lnternatronalCopyrrghtSecured
9B
the
D
ffi"'
ffi'oo' ---l\
No one will be
n
V-
-
I{A I
-v
I-r/!\/ rr-------------l
tt
V
it
Why-
watch - ing us;-
V
-
- - \/ I
llr r
D7 oo
ffi rrFril don't we
-
-v-
do
it
in
--
the
road?-
- \/
Why don't we do it in the road?(Placeleft handlightlyacross stringsfor percussive sound) )
- \ / 'r v- . - v
-
VV-V N
V
-
B
D7 o
ffi rtt-rn Why don't
99
B
A
D
ffi
ffi'o
I 0fr.
-}.-.
No cjne will
V-
N V
V -
-
n \/
V -
-
-V
BB
-
be watch-ing
v
us;-
--v
-
BB
D7
E+ts rrfi1-t
,-.
don't Fr
\/v
why-
we
do
it
in
the
n
-v--
don't we
road?-
- VNVNV
do
in
it -
the road?
|.1 >
-
100
-vn
-
-
WhY-
Why don't
Why don't
we
in
n
V|rV
the
road?
V-
n -
-
D7 o
ffi
I7:->. Why don't we do
it
the
road?-
l' ] \ / -v n-
B
A
ffi
D7
G
ffi
5fr.
one will
be watch - ing us;_
Eh
3fr.
N.C.
Whydon't we
rTtt't-l
do
it
in
the road?
-vn\/n--
101
rm HappyJustTo DancewithYOu and PAULMCCARTNEY By JOHNLENNON
Moderately Gultar + (Capoup
' 4frets)
Dm
Aln o o
ffi
Fffi rrrrn
Dm
ri#
ffi
n-n-n c$m
Fl-ffll
G*
Ffm
Keyboard+ Cf m
Am
E
ooo
E
ffi
ooo
ffi] ffrrn
Gf
Ffm
- fore
1. Be
this
V-
I'M
love you
n
ffi
ffi
B7
B7
Ff,m
Ffm
G7
G7
#
#
so hap - py when You dance
VN
VN
VN
with
VN
Ido
me,
V -
-
Dm7
Am7
Fffffl
-
VN
or or
V
hold hold
lr
your you VN
B7
Ff m7
Cf,m7
kiss hug
ffi
m
Itn-n
to to
G7
o
f,f,i want need
hand,tight,-
V-
If I
V-\/-
@ 1964 N OR T H E R NS ON C SLIMIT E D CO PV rrght ) S B KU N A R TC A T A LOCINC from A T V MU S IC(MA C LE N& O D, f i'Ubi dl i C .-under-l i cense d y BL ACKWO Al l R i g h t sAd m in ist e r e b '- Ril nightt Reserved InternationalCopyriShtSecured
102
I'll
n
Dm
Dm
think
through,-
dance
it's just
n
c
Dm7
Am7
Hffi
ooo
rffi-n
Ff m7
CfmT
and try dance with
fun - ny wan - na
ffi
ffi Frflt1
ffi
E
G7
un - der you all
B'/
There In
stand.night'-
ls
this 11
-
-
C
F
ffi
Am7
oo FFFIF
ooo
ffi t-fffi
IIII I I ItI tl t tT I I I I
ClmT
E
A
real - ly noth - ing world there's noth - ing
n
\/-
else I'd rath - er I would rath - er
'Cause I'm
n
n
:> Il
I'
I
-
m Dm
ffi
ffi B+
Ffm
hap - py just
I r.c
G+
to
dance
E
#
llr.c
G
ffi
fiffi B
E
with you.
2. I
don't you.
Just to
NV
-v-
-
m ffi Dm
A m 7'
#f,{
Am
E
oo
ffiffi Frrrn
tfrrn
ffnfi
CfmT
with you.
Ffm
Gf
(ott
oh-
(Backing,2nd time)
n
C*m
)
is
eY
-'ry
thing-
1CK}
Dm
Am
ffi
oo
ffi n-rr-
F$m
Cfm
o h -) Be - fore
this
dance
think I'11 NV
is
VNVNN
T
Dm
ffi
o
ffi rtrtrl
ffi III' II I I I I' I fTt rl
G$
Ffm
love
Dm
E
ooo
you
l
F f-
I'm
too,-
so
V -V
F
hap - py
when
you
dance
with
NV-VN
Am7 ooo
ffi
ffiff
C*m7
m e.
If
|.l
nvn
some- bod -
v
tries
to
take
my
place,-
NV
VN
c oo LLITI I Iat I'I]II IItttl
] I I
E
let's
vl t
1U
- \/ n
pre -
tend
V-nVnVnV
we
just
can't
see
his
face-
Dm7
G7
F
ffi
o
ffim l-t-fffl
ffi
B7
Ff m7
C
#ffi*
ffi HIJ]I
A
C#m 7
E
In this world there'snottring I would rath - er FI
Am7
oo
{ 'CauseI'm I I've dis -
do
V
VN
-V -
Dm
-
lt'c
G+
ffi
ffi
hap - pv Just cov - ered I' m
dance love
ffi
@
f,ffi
Ffm
B+
oooooo o
ffi
o
Frn-n C fm
E
with you. with
Just to
you.
nn -
Dm
ffi F #m
(Bks.)(Olr
Dm
E
G+ oo
ffi
ooo
ffi
rrFrn G
Effi ffi B+
I . llm
oh-
)
'CalrseI'm hap - py just
to dance
with Y oU '
n
l.1
-VNV
E
ooo
ffi rfl-Fr-t Gf
-V
Dm
ffi Ffm
-V
-V
G7
ffi B7
3;:g. & Solo)
oh,
oh,-
|l
105
Man BabyYouireARich McCARTNEY and PAUL LENNON eY-rcHN
Moderately
C/G
G7 -^
fFm3fr.
Tflftrr'. ffi
F4+fi
Play 4 times
Restrisht hand on strings as you play for a muffled effect for the entire song' Lift prbssure of left hand for percussivesound ,l
mf -
n\/-
-vn
G7
CIG
ffffi3fr. f.ILLl
fFm3fr.
Tftft
l. How does 2. How does 3. How does
to to to
feel feelfeel -
-
be be ,:
one of one of one of
tTfTIl
the the the
beau beau beau
ti - ful ti - ful ti - ful
peo - ple? peo - ple? peo - ple?
-
-
- \/ n
- \/n
FB-
G7
ffi Now that you How of - ten a Tu nedt o -V-r
-
know- who You have- You been n a t - u -ra l - V-
NV
11\/-
ffi
3fr.
be?know.way.-
to what do you wante - nough- to of - ten that to behap - py
arethere,E,llv
.n
n\/-
:>
-
-V -
-
:>
-
n\/
G7
mEF3f'.
fpffi3fr.
I.IFFH
Hffi
-
Lift muffledsoundfor this one measure
you And have you What did Now that you've
-
n\/-
traY seefound-
eled when an
- Vn
-
ver you oth
Co p yr ight@ 1967 N OR T H E R NS ON C SLIMIT E D (MACLEN) All RrehtsAdmrnrsteredUv btAEkWOOO uUStC lNC. under ltcensefrom Ary MUSIC AII (rehts Reserved InternatlonalCopyrlghtSecured
106
n
far, therekey-
F
ffi
:
G7
CIG
{rrr-3fr. 1l t at t
ffilr'. Hffi
t. I TTI rtrln
#**:1fr:
can see?- (repeatto verse2) n't show?- (continue to chorus) play?- (continue to chorus) to
does going-
.
-|1Vl'f
-V-.V.
-V
-
-
you're a Ba - by rich No muffledsoundfor thissection
Lift muffled sound for this one measure
n\ /
-v-
--
Ba - by
man,
F!
:>
you're
rich
man,
|.ln\/--
B G
ffi Ba - by you're a
--v.
rich
man,
-n
too.-
You keep all
your mon - ey
n--
l l |.' ]
lna \/
l.r
-
B
C
G
ffi"
ffi'o big brown |.1 -\/
bag-
-n -v
in - side
a
-
a-\ What a thing to
zoo:'-
V-
- n\ / n n -
do!-
- nv
--
vn
BBB
197
G
r#
Effi Ba -
you're
by
rich
a
man
Ba - by
you're
a
man,
rich
n- v - -
C
G
ffi Ba
-
- Vn
-V
- n\ / n-
rocoao ffi
you're
by
a
rnan,
rich
NV
-n\ / --
G
+"# ' C
F+*
Cod
ffi
Ba
too. -
- by
you're
a
rich
--\/-
--\/
BB
G
o@ FIFFF
flffi Ba .- by
n-\ / --
108
you're
a
rich
man,
Ba - by
Repeat and fade
you're
a
rich
T'
Help!
Moderaterv in2 By JOHNLENNONand-PAULMccARTNEy Bm
Bm/A o
ffi
ffi
I
need
V-
:>
-
some - bod
:>
G/FI Fln
ffi
ffi
-3 -
n
:>
-
Vn
Not just
a n-Y -bod
V-
!
V
y,
n \/!
1--------------
need
-
E7
ffi
Help!
-v
:>
-\/
G
Y,
-
Help!
V-
You know I :>
V-
V-
V
-
Tacet
some- one,_
n
ll
t/-
V-
m.'' c fm
( 3rd versestrum)
1.3.When I2. And now-
---
was my
young- er, somuch young- er than- to life has changedin, oh,- so man-y
day, ways,
:>
AuRishcAdminisrered b'yBr.{K\,rooE:^lUrt"RJ:i:r:f,[::,'ii.t:]f;irl',TEo*^.".) i\|l Ri8hts Reserved
Intemational Copyrighi-sedred
& sBKur.iARr cArALocrNc.
r(B
D
Ffm ffffi2fr.
j
I-I-Tft
Ior
I
a n - y - bod-Y ' s pen- dence seems-to
nev - er need - ed
My
V-
-
-
V
oo FFFffi
Frftt
rrrTTl
ffifl
A
G
@o
=o
ffffi
help in van - ish ---.
3o.7,to regular strum
ffi
j
I
an - y in the
w ay.haze.-
:>>
V-
-
V
c$m A,^,_ ttaatt tltill
But But
now ev
V-
:>
--n
these 'ry
days now
are gone,-I'm and then- I
not feel
so so
V
A
G
F$m
ffi Hffi
self- as-sured in - se -cure,
oo IFFT ElfTfl F{-t-f.|-l
o@ FFFFH
Effi
2fr.
Now I find know that I
I've just
changedmy mind, need you like
n \ /n
n
:>
I've o - penedup the doors.done be - fore.I've nev - er ---
:>
n
>
-v-
l>
V-
V
-
Bm
ffi Help
--
110
me l>
if
V-
can,- I'm
you
V-
V
feel - ing
down,
And I | . 1:>
do-
G
G/Fil
ffi
ooo FIIIF
flffi ap
.
ft
:>
- p re -
c i -a t e -
v- \/-
round.
v
:>
-
Help me get-
-
!
my
\/n
back
on
the
ground.
- V-
>
-V
Won't you
v-
A
Ah# HTffl
rffi C>
lr l '' F #m FFm2fr.
ffi
Tacet
A6 FFFIfi
FTffi Fr.t-.Hl
111
AHardDay'sNight and PAULMcCARTNEY ByJOHNLENNON
G7sus4 xoo.t
With a beat
ffi
G X *9,.
ltxffi
G
F.n+n
@
F
Hffi
ffi
day's all
hard work
1.3.It's been a 2. (You know I)
CaddD
nightdav\/-
-n
Dm7
-
FrFt+l
ffi
flffi
to
dog.like a buy You things.-
It's been a hard And it's worth it just
\/|r\/--
-n
--\/nv-]\/
G
ffi tit-fn
Effi
I should be sleep- ing You're gon - na give me
n-
like
lr
-
:>
youhome-
v-
a l.\/-
But when So why
log.thing.-
\/-n
NV
the find I I 'Cause when
.-v-n-
thing get
that You
You a -
:>
@ 1964 N O R TH E R N S O N C S LI M I TE D
:>
dolone\/-
will you
make know
-
COPY TI ght rNC' cArALoc bvBLACKWooi,*y:S5#d';l::*:J;:[tiY,[nY1;t ffittt*) & sBKUNARr Adminisrered ArrRishts
1't2
I I
-v-
-
-V -V
home to come to
nightsay-
day's hear you
r?in
o
'r?iTl flTffi
to
\/--\/
Dm7
G
\/---\/
-
CaddD *
@
work - ing mon - ey
-
v
G
ffi
get lov.e
-
and I've been to set vou
:>
-
me I',1l
G
C9
ffi
ffi
oo FFFR
l_
GI
To Coda
+ ffi *
++
al
2. You know
o .-
be, -
V- V
-V -V
l't .G l'
Bm
oo FFFFFI
ffi
ffi
When I'm
home_
ev -'ry -thing seems_ to
F!
be
al -
V- VN- VV- V
-v
- V - VNVN
Bm
#
EEFFR t.IIN III
I
G
ffi
IIJ
t rita rl
right,-
When I'm
V -V -
-V
- VV- V-
home_
-v
V-V
D.S. al Coda
feel - ing you
nv
hold
- ing me
tight,
yeah, 3. It's been a
\/-v-\/-\/-\/n
1fft
Coda
+
E----l
F
G F$+F
ffi
ffi (scream) FI
- \/-v-
v
v-
VN
>
-
V
>
-
V -V-VN
D
t-'
o -l'oG
ffi
FFFFTI
'r*-r
Hffi So why V -V
N
I
love to come home-'cause when I
C9
Effi
ffi
Bm
G
ffi
@ rr|Fli
Hffi
home-
WhenI'm
K.-
O.-
be-
|. 1. v -\ / \ /r l n \ /- \ /- \ /- - v v - v
Bm
ffi ev
- 'ry
- thing
- l rv\/-\/- -\ / \ / -"
seems-
get you
n |r - \ / - :>>>:> . | r v- | r f \ / . - . v
V
-
G
oo FIFffi
114
VN
to
be
al
-
right, -
a - lone-
you know I'll
G r*
ffi When I'm
home-
nnvvnvn nvv-v A p
m
c
Em hr** bffffl Ff+++l
D
ffii e
feel - ing you
-
hold
- ing me
\/
v
-
tight,
v
tight,
v
-VrVnv-
yeah.
3. It's been a " ---'---'l
-
C9
Coda &
++ffi
ffi You
know
V-
I
feel -
V
G
CaddD F*r
nfFn
Hffi
ffi
You know I
-Vrv-\/n
feel
al
-Vn
- V- VNV- V- V
Repeat and fade
lshouldHaveKnownBetter By JOHNLENNON and PAULMCCARTNEY
Moderately
D
G
@ F TFII
21
oo
3
21
3
tr3itfl
V rl v
-
T I
ooo
ffi
r I t-
ITTTN
-\/
>
-
v
-\ /
lr' c
I would love this could on
.:>
ev - 'ry-thing thatyou do;lyhap - pen to me;
G
FFIFF
ffi
LLLIIl T I I ]
r lr r r l
'I
and
I
-
I 'TTTI .I TTDI
tt t rrl 213
do.__-
-.
D
ffi Wo-
lr v - n
;>
-V
G oo
oo
o
V
And I Can't you
\/
!
hey, hey, hey,F\/E\/!
ffi
D
Hi
116
D Fk
G
TI
that
girl like kiss could
-v
r|.rrn
at
I
#
ffi should have known- bet - ter with a nev - er re - al- ized what a
B G ooo I
*r
D
F*.
1. I 2.4.1
n v
ffifl
.I
D
ffi
ffi
FFTTH TfJI ttrtn
oo
olllat tt IIft
g"
G
ooo
FFFFF
D
oo
ffi
rTrrn
G
G
o
FFFFFI tfl-t-t-'t
ffi
rfi-rF
elllll IIITTI
D
G
*n
-v.-
Ar Rights Administered byBLACKWo.oS.fiUitE r\c & sBKuNART cATALoc All RightsReserved InternatronalCopyrrghtSecureo 'Rl:3:r)3[t"T$mi.!;fi',TE?"^.LEN)
wo-
B
ffi Can'tyou
see?-
when
you
I
that I
V
:>
-
- VN V - V
That
- V- V- V
BB
Em
B
EETtr
ffi
o ooo IFFFFi l l l ttl IIT IIl
You're
G
gon - na say_
D
ooo
Fffi ffiTn
hoo
hoo
hoo_
hoo.
too,-
m
G7
ffi
you love me
And when
ask
you
be m ilminel
\/
- v!\/-\/! B G
D
ffi
# you're gon - na
N -VIV-V
say -
Last time to Coda
+
you
love
ffi€,
too._
V
717
D r#rrr
G
60 rftFFr
fiffi
ffi
D
G
#
Effi
G
ffi
ffi 3. S o-
- V- V- V- V
BB
#
ffi
ffi
w o-
I D
D
n\/--
-v--
G
#
D
G
ffi
should have re - al - ized a lot
B
D
G
*
il+$H
ffi
ffi
F*F
ffi If
of things be
this is
n\/!v-vl\ /
B
BB
m
mi C
D
G
ffi
give me
love, you got - ta give me
hey, hey, hey,-
more,-
>
- VN V - V - V
B
D F*H u u tltt | | | tat tttttl
-V- V-Vr l v -
118
G
ffi
m D
G
ffi
m D
D
G
ffi,r
ffi,u
F*F
ffi
D rr+.'rl
D
ffi,o
ffi
F*n
ffi
(Solo)
|rv-
.
-vFVnVn
--
D
D
#
'rsrr ffi
V
V
-
- V- V
V
-
NVI
V
I
V
-
!\/E ! ll
v
rl
l I- - ----------1
-
D
D #.D.s.
ffi ffiaffi ffi,n
*
ffi
ff ix
al coda
-\-__,-/ SoFl\/!r rr
V
tt
nv-
li-------1
- v - |. '1
G
$0"ffi,u.
D
rl+m
ffi
ffi,n
D *rn
ffi
You love me,
-nvn-
wo-
Repeat and fade
DG
ffi,".
ffi,u too._
V -
tr .
EightDaysAweek and PAULMCCARTNEY ByJOHNLENNON
Brightly rn 4
E/o
D
GID
futi'.
jTml0fr.
FFffi7fr.
Hltf
ffi
D o FFFFR5fr.
o
o
H]tfl
Hlffi
V-
\/-
-
D Ftr
G
ooo '.t|Fr|.l
Effi
ffi
Ooh Love ---
I you
need ev
your
V-
l>
guess you al - ways
love, day,
,ry
know on
it's my
true.mind.-
V
G
D l]irrt
ooo
tEla
ffi
ffi
Hope One
-
you need I thing
my love, can Say,
just love
babe,girl,-
I all
need you.the time.-
v-
B
D *-
ffi
Bm
ffi
oooooo IFFT
Hl+F
Ft-t-t-H
G6
@oo fftt
ffi
Co o vri eht@ 1964 N OR T H E R NS ON C SLIMIT E D All Rr e h t sAd m r n r st e r ebdy BL A CK WOOD MU S ICl N C . underhcensefrom A T V MU S IC(MA C LE N ) " All RightsReserved InternattonalCopyrightSecured
1n
o@@o
FTFrF
rrffil ffi
Bm
ffi
D
ffi ffi
o@o@
oooooo
EfT
H#f,
Hold
love
V-
:>
got
ain't
V
noth - in' but
V-
-
-
-
- Vn
-
B
G
D
ffi
ooo
FFFFFI
ffi love,
babe,-
-
:>
-
-
eight
days
a
week
vn
@oooo
Frrt EEtTtl
FI-FFH
Eight
days
a
week,
V-
-. .
Bm
ffi
I .
:>
:>
love
FV -
Eight
V-
V -
days
-
vn
a
-vn
is
week
-
v-
rt r
l,
v
121
G6
*
ffi
HM rFrrn
fiffi
\/|r
v !
Vn
\/-
f oorr I Love
show I
to
- nough
e
not
-
D
A
oo IFFIFT
600 FFFFFT
-V
- -
v
- -vn
-
babe,girl, -
-n
-
guess al -
\/n
you waYS
know on
m
n--
:>
FF
G ooo
just love
my can
V-
like you
V
B
#
G6
Bm
D
oooooo
ffi
ffiffi
| | r tal ttlttl
12.
V-
ffi
oo@
Effi love
Hold
v-
V
tffi
ffi
ne_ed I
VN
true.mind.-
it's my
E
you thing
'ry
m
ooo
Hope One
your
D
ooo
ffi love, day,
need eY
-n
G
ffi
I you
V-
V
n
I all
need You.the time.-
Bm oooooo o
ffi
oo
oooooo
ffi
ffiffirrrrn
ffrff1
me._
love
D *
ffi
ain't
V-
got
noth - in'
n
V-
but
IlVn
-
D
G
@o
t.r+rrr
F:FFE
ffi
ffi
B
D
G
#
Hffi
-
n
days
-
a
ffi
week.
v-
ffi
#
ffi
Eight
D
G
rfr.
Eight days
a
week.-
\/
B
D
EID
G/D
o
o
Fmsfr.
o
FFmTfr.
Ff,f,
FFFFRlofr,
H++f,
FFffi
v-
-
\/-
n
18
RunForYourLife
and PAULMCCARTNEY By JOHNLENNON
Moderato
D7
D
Hh
r#m
ffi
l. Well,I'd I ll----
t
tt- - ' - -
>
----'--------'--l
D *
ffi er that this
see I'm be
n
you a a
deadwick ser
lit
-
than was mean
tle 8uY,
V-
-
m D
Bm
ffi be born EV
n
with an - oth - er wit h a j e a l -o u s I 'ry - thing
-
-
v-
You'd bet I And Ba
ter can't by,
Co o vr t eht@ 1965N OR T H E R NS ON C SLIMIT E D d Bin if WOOD MU S ICl N C . underl tcensefrom A T V MU S IC(MA C LE N ) All Rr e h t sAd m r n r sr e r eUy All RrehtsReserved InternatlonalCopyrightSecured
124
keep spend I,M
your headwholemy de - ter -
Bm
ffi lit - tle life mined
or just
try - in' and I'd
.
I(you) won't to make rath
know you er
where I toe the see you
V-
D E9F
ffi
-l
You'd bet - ter
-'
V-
-
--
run
V |r
(main voice: heavier notes)
for your life
n
\/-
if
you
\/n
I D
ffi ,L
your
Hide
head-
VN
:>
the
sand-
V-
-
-
Bm
F*7
ffi
ffi
[Tn
)
Bm
ffi -1>
I -J->l-
4th time to Coda
.n
+
Catch you with an - oth - er
n
-
vn
18
D7
r+H tfffil
: )
2. Well, you I',d 4.
D7
ffi 3 (Solo)
\/lr -
V-
-
V
N
\/-
\/n
v-
\/-
-V--
G o@
FIFFFI
ffi
-
16
Vn
v-
vn
\/n
-
n
D7
A7
m o
f*io
HM Fl-ttfl
Ft-F+'fl
D r*n
D.S. al Coda (use 3rd and 4th lyrics)
ffi ="---/
D'I
Bm
m o
+ ffi ,L
Coda
Ff-t-ffl
grl. -------a :> ------
Repeat and fade
1n
Litflechild
and PAULMCCARTNEY By JOHNLENNON
Moderato
E
A
E
k ffi FfifN
oo FFIFN
o oo
ffi
HXm fttrH
ItITr1
i--/i\-:-/ ,------
Lit - tle child,-
Lit - tle child,-
Lit - tle
NV
:>
--
-\/-
B
L.J-J.I
B7
E7
A
ETTIT Ft-t-fH
won't you dance
m
ffi
oo FFIFI1
o
f-tttft
I'm
me?-
with
f-t
-\/
-V l -\/-
-
-
--
:>
-
v
l.1-
and
>
-V
ffi
oo
#
ffi
ffitrn
Ba - by
lY,-
lone :>
--\/
-\/-
take a chance with
me.-
:>
BB ED S Co p yr r ghtO 1963,1964N OR T H E R N ,S ON CLIMIT uv siAcKwocjo MUSIC INC under ltcensefrom ATV MUSIC (MACLEN) All RrehtsAdmrnrstered """" -'' Copyrrght Secured Internatronal ntifrighis neserved
18
sad
SO
B7
A
. n-
l>
Lit - tle child,-
87
F l7
H ba
-
E
ffi
m o
ffttH
- by
take
a
:>
-V
with
chance
me.-
-
B FFFTft ETD
Ftts&l
want by
some my
-
one side
to
make You you're the
feel so on - ly
fine, one,-
then don't
we'll you
So Yeah,
come come
E7
ffi when you're just come
have run
mine ofl,
all come
:>
-
B
Fi
ffi oil, Oflt |l
come come
come come
on.on.-
| t
>
129
A oo
FFFFIT
Hffi rrtfn
nv-
FI
NV
NV
:>
-V
won't you dance with
child,-
lit - tle
child,-
lit - tle
n\/-|r
:>
B
A
B7
E7
m
ffi
oo FFFFIF
o
ETIIT H+I-H
fffl-fl
I'rn
sad
lone
and
>
- N V- V
B7
F*7
rocoda ffi
m
H
o
F|-fffi
v ba- by
take
a
chance
>
-V
-
with
>
:>
-
-
(solo) Wowl (shout)
me.-
E7
ffi Emphasize top note of each strum to bring out melodY.
l>
-
-v-n
l>
NV
-V
:>
me?-
A(add9)
F
:>:>:>:>>
E7
:>
-1 :>
B7
ffi
ffi rtrt'n
.t-...
:>
n
-v
-VNV
-
F l7
-3'---"-"-
-
x
D.S. al Coda
B7
ffi'
o
ffi
I Iat | | lattta
-3
rrn'n
-3-------
2. Whenyou're
n - '- - -\/
-3-:>
-3 :>
'd' m"ffiffi* E
yeah
FI7
V-V
:>
ll
:>
>
:>
-V
B7
- o+ r+H rr.fn
ba - by
-3-
:>
ffi
rT'rrn
take
-1
a chance with me._-
v.
.v
oh,
n -\/
l>
V-V
131
AllMyloving
and PAULMCCARTNEY By JOHNLENNON Bright rock and roll
B7
Pfm
.,mF xt-af,ffl and I'11 that I'm
eyes 1.3 Close your pre) - tend (2. I'll
-
nv
Re And
you;ing-
tothe
kisskiss
mem hope
berthat-
wayswill-
I',ll my
--\/-
B7
D nsrrt
FIm
m
ffi
o
ffi
FFfffI
true. true,
then
while
nvn n --\/-
-
B7
ffi rffffl
o
mlssmiss-
-vn
--V n
F
-
row- I'll am I-
cfm
ffi
Co p vilsht@ 1963,1964N OR T H E R NS ON GSLIMIT E D All Rr e h t sAd m r n r st e r ebdv e I , A C K WOODMU S ICl N C . underl i censefrom A T V MU S IC(MA C LE N ) " CopyrrghtSecured All RrghtsReserved Internatronal
be come
.E
ffi'u'
ffi'"'
\.
mY
all
send
you'
pre -
______---l
nv n-\/-nv-
-
c+
cfm
All my
you.
g
-\/--\/-'lrv-
-
ffi*''
ffioo'
ffiou'
|l
:>
-
will
I-
lov-ing-\/-
:>
:>
to
send
n v!
-
-
B
c+
c$m
ffi*''
ffiou' All-
YoU' . :>
-
:>
-
:>
-
-Lasttime to coda +
ffi+it'
i-ftFH
I'll-
mY
-v-
>
-n
:>
-v :>
--
:>
be true.-
nvn >
A
E Emphasizetop noteat all times. FFEFFlSfr.to bring out melody line. EEr4fr. Keepchordpositionsdown and play off of themffi H#f
VN
-
V
-
-V
-V
i.
r^xx A ; ; iv
-
I
R:ll
'-^L
N
V
-V
I^l
-,v
V- V -V i^l
'.
'.
ivi
vl
vili
I I
Ffm
B
ffi
E
ffi*'' n
ffitt''
n\ /
-
-|.]\/
a^
n\/| r v
-v
Y^v {A
"A
A
(a
;v;
D
II
r\r_l
I
l-t
-
-
E
ffi
D.S. al Coda
(true.)
,
. | 1 n v-
:>>>>
-
All-
-
-
my
lov - ing,
-
-\/-
:>>
- -v-
E oo 0
ffi lfrt'H
All-
my
F :>
-
>
-\/-
lov - ing. |l
All:>
-
>
-vn
:>
-
my
- vn
B
m' c *m
E ooo
ffi
Fffftl
I will >
-
134
1 1 \/-
>
send-
to
you.
>:>
--\/-
-
>
-
n\/11>
n
>
>>
carryThatweisht BYJOHNLENNON ANdPAULMCCARTNEY clc
G
ooo
ffi f
Boy-
V -V -
-V
car-ry
-n
rffi
ffffi
that weight,-
a
. -\ / .
>
-
-
-
long-
-
n
:>
- vl
-
>
-
time,
- -
-v
you'regon- na
n
:>
-\/!\/-vgvnv
ffi
-\/
-
you're gon- na >
-
-
>
- - -v
-\/-
ffi
car- ry that
weight,-
car- ry that
.V n
n
-
-
long-
- \/
:>
-v
:>
:>
-Vn
Csus4
ffi V - - - - - - - - ' ---' --" l >>>>>
time.
-.
G
-
weight,_
tc
B
>
that
Boy,
G7
--
car-ry
V- V
ffi
ffiH
n
\/-------.-
>>>>>>
>
- -v
c
mi >>
-V
VNV
:>
ArrRrshts Rdministered,bcyo8llei.t.?"t3fl,l3rTI1,it)i"?)"":"tl*T,EoD, (MACLEN) 4rv' MUSrc All RightsReserved
InternationalCopyrightSJc;ieJ
-- - ''
135
Dm
F
#
ffi
Pick up string while bending upward.
n n n
n v |r
-v-
Dm7
-
-
shake
V- V-
tw
Dm
G
ffi ffi give you
nev - er
I
pil
my
ffi I
low,-
ll >
- \ / nAtY
on - ly
sendyou my
:>
FmajT
#
H## And
ln F
>
:>
-\/-\/
-
-n
in
the
-v-
mid - dle
-
of
the
|l V -
T -----
m
E7
Dm
c el
-
136
-
-
Am
'ffi
oo
Fffi rrrrr1
Ffrfft
e- br a
-
-vn
-
I
tions,
n
-
nv
G
ffi
clG
G
ffi ffi @o
G7
ffi you're gon - na
Boy
n
-
-
-v-
-
-
:>
car- ry that
car-ry that weight-
long-
-v
G7
ffi time. ll-
you'regon - na
Boy, :>
-
:>
:>
-\ / - \/ n \ /- \ /n \/
>
- - -v-
-
-
:>
-
car-ry
that weight,-
n\/
G
ffi cat
-
fy
--
that ;>
-
A
--
:>
ooo FIFFFI
ffi -\/
-v-
a
G
oo
t t - - --------i
weight,-
flffi
V :>
A oo FFll'N
HTffl rrrt'n
>
137
rmALoser
and PAULMCCARTNEY By JOHNLENNON D7
Am7
EiB
ooo
ffi
Ad lib.
rTTTrl
l-l1-rn
Hh ffrrfl
ffi what
And I'm
n
V-
:>
#
of
all though have
AI What
V
the I I
V-
I have but I to de -
love laughdone-
V
be.-
N
V
V
V-
ffi
ffi'"'
ffi
to
F
Dm
G
m D7
F
Moderately Am7 in tempo df,''o t+f.+t1 t-+++i-l
D7
V
N
N
V- V
V-
-
--
lostclownfate-
or have a like such a
wonact-serve-
V
V -
G 60
ffi'n'
rtffFr
ffffi There Be I
one loveis this maskneath a -lizere
NV
V- V- NV
:>
-
co p y ri ghto 1964 N OR T H E R NS ON GSLIMIT E D d b LA tK WOOD MU S ICl N C . under l tcensefrom A T V MU S IC(MA C LE N ) All Rie h t sAd m r n r st e r eUv Alt trrehtsReserved lnternationalCopyrightSecured
138
should am have
V- V
F
#
ffi
G
ffi '...----U
nev wear left
have a too
n
l'1
crossed.frown.late.-
V-VN
\/Y A
ffi'o'
|r
V'
ina ing like pride comesbe
was tears so
--n\/
Dm
N
She My And
F
G
ffi
ffffi
mil rain-
V-V
girlfalltrue-
*Fft
lion, from fore
V
a are it's
-V -
-V
my the a
V- V-
,^
friend.skyfall:>
.
-
B F
ffi
ffi'u' I Is I'rn
should it tell -
have knownfor hering you-
she or so
V -V --V
would my that VIV-
-
win self you
--\/
#
in that won't -\/
the lnYI cry?-
lose all.-
-V
D7
G
m o
f,ffi
FIIIH
V-
>
-
-
v-
\/n
\/ !
rs
D7
Am7
G
#
o
ooo
FTFrlI
trIIal I T' I I I
flffi
FFM
rT-rrn
fffffi1
t ltttl
some
v-
-
:>
- one
I' m
me.
to
who's near-
V |r
V-
a
V-
:>
-
Fi ,v
ffi
D7
HiB rrrrFl
I
what
n v-
\/-
V-
-
F
not
VN
\/
V-
:>
ooo
tfrrFt
Ft
V-
Am7
ffi and I'm
los
V-
:>
G FFFFT
flffi
Dm
Bring out top note on all accented chords
FmajT XO
q T]N I' | | tat I rl. lTl
rrrrn |1
n V V -V
-
V- V
>
>:>
ffi ffrrH
:>
,rr.
ffffiffffiHffi. Fr.-n--> n - -n F- >
v-
l>>:>:>:>E
:>
I
A D
I
D6
,
B _----
FFFFF|Tfr.
140
EEEIFiTfr. FIFFH
s+H n
--vtc B
Em
Em7b5
ffi'";
trl
I
Am o FFFFFi5fr.
H++H
o ooo ttFtFt
v->
Fft]]l FFffi
n
I
B D6
NV
:>
)>
ffi"!
(Fade out on last time)
D 5fr. EETER
H+ffi
:>
-
v-
;>
Cood Day Sunshine ByJOHNLENNON and PAUL MCCARTNEY Moderatebarrelhouser"-po(JJT]
= nJ-7')
E
oo o
frtTt-t
rm-rl ttlttl
NV- VTTVNV- V- V
Good
-n
sun
day-
n
>
shine,_
v->
Good
|r
day-
sun l.l
v-
:>
-
B
rlt
A AgF#
laugh lie l:1
!
-V-V
:>
-
-
:>
vn
I I need to ( And then we'd
,f
:>
E7
ffi and when the b e -n e a t h a
t/-
B
B7
ffi
ffi
sun -
-
>
-
day-
v-
!
-
Good
ffi
sun is s h a d-v
-
out tree.
\/!
vn
\/!
got love
some-thing I can her and she's
I I
, . . Co p yr ightO 1966N OR T H E R NS ON GSL|M|T E D ^ 1 .^Krghts At Admrnrstered..by BLAcKwooD MUSIC lNC. under licensefrom ATV MUSIC (MACLE\) All RighrsReserved InternarionalCopnighi SecuiJ
141
Ffz
ffi lov - ing
-
I feel laugh a-bout. She feels me.
\/-
:>>
v-
a spe - cial in she knows she'slook - ing
good good
\/lr -
-\/nv
\/n
-
-
weY, fine,
V - :>
V-
FI
ffi
ffi'o' in so
I'm I'm \/-
sun- ny day. I she is mine.I
love and it's a proud to know that
V-
V-
|l
-
-
>
ffi
Last time to Coda
.
V-
n l>
-
---
L-l r lt
B
E7
ffi We take
sun
day-
l--
v-
sun
day-
Good
v-
Good
n
Ff
ffi'" shine,-
sun
day-
Good
V-
>
-
\/n
:>
the sun
a walk
n
ll
- V- V
:>
is
B7
E7
ffi
ffifl rrffn shin - ing down,
.
A
burns
v!
vn
ffi
t-fl-t-H
(Solo
as they touch the
A7
E7
mA
ffi
feet
ground.
V- :>
B7
D *
if;ffi'
rFrrn
D n*n
&.=
t-fffiFl F|I-H?
ffi
D.S. al Coda
lst finger bar on "A" chord.
N
VN
V
V-
V-
V
V
-----------a
Ftz
B
ffi
ffitt'' Good
-
day-
!
sun -
n v!
shine,
-
Good
. Vr
:> >
day-
- !
-
sun
shine.-
v!
B
Ft 7
ffitt''
ffi day-
Good
n v.
nn-
:>
:>
-
sun -
vn :>
BB
E7
ffi n
-
shine,_
Good
v-
n
-
t Rock fingers back and forth frm
Repeat and fade
day-
-
sun
n v-
Good
-
left to right for tremolo-
:>
-
vn
lr
day-
-
-
sun
vn
shine,-
Em ?g
Am
ooo@o o
@oooo FFFTfl
o
ffiffiffi Ffi-rn rrrffi
Hffi rffir1
ffi
n-rrn ffi
can't
- -
:>
l. buy 2. etve -
\/- v -
n
:>
-
you a dia - mond you all I've :>
NV
-
love.
buy me
\/ -
\/n
:>
-
nng'got -
my to
friend,give-
\/-
\/-
- -
:>
-
it makes you say
you you
v- \/- \/
feel al love me
:>
F'7
ffi ffi
I',ll I
get may
you not
an- y have a
thinglot -
my to
it if friend,give but what I've
\/!
Co o vr rehtO 1964N OR T H E R NS ON C SLIMIT E D All RightsAdministeredby BLACKWOOOlhi:SjC lNC. under licensefrom ATV MUSIC (MACLEN)& SBKUNARTCATALOGlNC. All RightsReserved InternattonalCopyrrghtSecured
144
G
ffi makes got
you I'll
feel al gve to
:>>
-
-
right.you.-
'Cause I 'Cause I
don't don't
care care
too too
vn
-
Itc
F7
ffi'
ffi
ffifl
much much
for mon - ey, for mon - ey,
for mon - ey can't for mon - ey can't :>
--
'm" lz. c
buy me buy me
-
V-
-
oooooo o ooo FFFFII FFFFII
x
:>
fun
o
ooo@o
ffiffi
f f if f i
v-
-
:>
o
ooo@
Fft-fH
7-
Can't
buy me
-
e v-
v-
F
>:>
love,
-
N
VN
VI
N
V
V-
V-
oooooo FFFFFI
ffi
FFFTtr ffrrH
'ry-bod-y
v-
tells me
v-
vn
so.-
V
Can't
N
>.
V-
buy
v!
me
love,
v-
v
:>
-
-
\/
-
vn v
145
DmT
Am
ffiffi
ffi
no r.r
r-
:>
Say you don't
n-
\/ l't v,l
oooooo FFFFII Frt-rrt ffil
Fn-rn
no
n-
V-
need no
mond rmgs-
dia
oooooo
ffi
o@
FIFFH
flffi
no-
no!
V-
:>
G
V-
\/n-
and I'll
V-
>
V-
sat - is
l>
B
F7
ffi ffi
Tell me that you want the
" FI
FI
i
n
things-
kind-
mon
vn
G
ffi
146
that
F7
ffi
just can't
c
F7
ffi
ffih'
mon - ey can't
buy
me
V-
-v-
:>
-
C7 FFN|I
r|-
t I afTt T TT-T' I I IIN
:>
,
.1.-
:
V-
.
>
V
VN
-
i
n
I
a
B (Scream)
F7 ^
.I'IUt ITTUTI I' TIN
V-
V-
:>
VN
tI fI fI
V
-
-
t
, (
rl
A
n
-
R -t
C7 rL.NT I ITTTI
IIITI' IIITTI :>
-
r-I
>>
:>
-V
-
(
A
>
-
n ,-
- - \- o
D
TTT
G rrTrn
F ?f,
H++F ..
Fltti ffi
H++f,
D.S. al Coda
k
F'7
oooooo FFFIN
ffi mon
ffi
-
n \ /-
>
Can't buy
love.-
me
buy
ey can't
V-
-v-
-
tsm o ooo
B
Am
ffi rf;Hi
FFFFII
ffi It'ff't-l
oooooo
oooo@ FFFfil
ffi
H++f, ffi
rrFrn
Fffl-fl
love-
me
love l>
-
-
\/-
v-
v
>
N
VN
V-
V
Am
ffi
G
oooooo
#
Frrrn
c
ffi
H++f,
Effi
ffi
VF1 -
V-
VN
V
-
V
oooooo
ffi
ffi m'rn-l
V-
-
-
-
oo
148
VN
>
VN
V
shecame|nThrough T_he Bathroomuuindbw
Half tempo
BYIOHIVLENNON ANdPAULMCCARTNEY
r r
I
ll
:>
B--------------r
xgu"'
ffitoo'
l. Shecame in through the 2. And so qdit I the
vn
bath - room p'lice de V-VNV
win - dow,_ part - meni,_ N
V-
-VNVNV
.4.
ffi
5fr.
ffitou' pro - tect - ed by and got my - self
-v
-
sil - ver stead - y
-v-
I
l-l
t
l-J
--
-
-v
I
l-,,J
spoon.job.
n
-
V-
-Vn\/-v
D
ffi'o'
ffi But now she And though she
-V
sucks her tried her
-
-V
-
I
L-J
I
-
-v-
thumb and best to
nv
won - ders_ help me,_
|.1
-
by she
.
the could
VN
- V- V
l-J
. . Co p yn ghtO j 969 N OR T H E R NS ON C SLT MIT E D Ail KrghtsAdmrnrstered,,by. BLACKwooD MUSIC lNc. under licensefrom AW Muslc (MACLEN) All RightsReserved InternationalCopyrightSecured
ffitou' her she
banks steal
n-
D i d-n' t
an
y
-bod
-y
n
n
>>
------
?r----
- goon.- | rob.|
own could
V-V N V
>
>
teu-
-V
-
Dm
#
ffi'u'
-v-v11
see?-
n
nv -
V-
FI
-
y
y-bod
her?-
-V N V
-
B
G7
Dm
ffi
ffi'"'
To Coda
+
Sun- day'son the phone
n
n
n \ /- \ /n
-_----
n
-
-
n\/-
B
-
to
Mon
-
day,-
n\/- v
B
A
ffi Tues- day'son the
n
150
-
n
Phone
-\/n
\/
to
-
me.|l
5fr.
She said she'd al - waYsbeen a
V
-
V
-
V
-V
ffi'*' danc - er,-
-
-
she worked in
VN
- \ /- \ /n \/
-v
fif
- teen
n\/-
-
clubs
- \/-
a
-\/
ffi'"' day.-
-
And though she
v-
-\ / -vn \ /
-
-
-V
n
thought
-Vn
I
knew
-vn
the
-v
ffiton' I
vn
-
-VNVNV
knew
i,,---
but
----,-
I :>
-
could
not
>
>
-
-
G7 Coda
+ ffi
3fr.
Tues- day's
ffi'n' on
the
to
phone
oh
/i
yn --
-
-\ / -
yeah!-
------
:>
15f
Backln Theu.s.s.R. and PAULMCCARTNEY By JOHNLENNON
ModerateBoogie- Rock tempo E7 oo
o
D
A
ffi Flew Been
fEER 5fr.
H#
from way
in a
a -m1 long
Beach, B. hard - ly
I
o.
knew
c. , -
place,-
nF l>
:>
-
-
-
ffift5fr. ffi
fpffi3fr
Hffi
get good
to to
bed get
night.home.-
last back :>
:>
-\/l r--
BB CO PYrrght @ 1968N OR T H E R NS ON C SLIMIT E D All Rrghts Admrnrsteredbv BLnefWOOD MUSIC lNC. under hcensefrom ATV MUSIC (M,ACLEN) All RightsReserved InternationalCopyrightSecured
152
Did Gee-
A
ffi"' the it
way till :>
--
pa - per the to -morrow
bag to
was on un - pack
my my
n\/
V --
knee,case,-
:>
BB C
msfr.
fEEtIl3fr.
ffi
Hffi
I €y,
had a dis - con
--V--
flisht.-l phone.-f
dread - ful the - nect
.I m
3 back
in
the
U.
S.
S.
>
l>
-
BB
A
C
D
ffi''''
ffitu'
You
ffitoo' don't-know how luck - y
v
- VNV r l VN
l.D
-
you
are,_
V n \/
-
\/
-
\/
-
\/
-v
A oo FFffft EIUN FFFFH
ffitou' Back
in
the U.
S.
S.
ffi"'ffirr''ffi+r'' Release left hand pressure on A chord for lst d sound.
R.----------r ------
Lay left hand lightly acrossstrings for 2nd >d sound. - - - -- r ------
rs'
lz
c/E
o@o G
ffi Back
the U.
in
S.,
Back
the
in
U.
in
Back
S.,
the U.
S.
S.
-V
D
A
r*n
ffifr
ffi'u' Well, the
U
-
girls
kraine
real - lY
- VNV- V
me
knock
out.-
They leave-
-
-\/-\/nVn\/!
&
D
1t1
V
cow
girls
V -
-
N
V
V -
V -
-V
ffifii
ffi
-
be - hind.-
B7
make me
n \ /n --\/-
V
$m/cf
ffi Mos
West
the-
sing and
:>
shout*
nv-
:>
that Geor - gia's al - ways on my - mi - mt -
|rv-
D7
H+H
o@ooo FFIIi tftfrl
B7
A
ffi
n#
H++H
r|ft-fl
mi - mi - mi -mi - mi - mi - mind.'- '- '1
r t" - ' l>
:>
:>
ri
v
ll
tt
-V
-
BBB
A(addD)
D
ftmrr'.
ffi'o'
ffiton.
t|..ilt
TT |TTI
DN
C
ffitoo'
1
>>>>
T
BT
l't r'
B
TB
T
B
A
C
ffi'*'
ffitt''
3 I'm backin the U. S. S. R.,TF\/FI
:>
You don't-knowhowluck-y you are,rt
v
rr
\/ v
l\/F\/ rr
v
tr
V
v
-V
D
D
ffi
ffi
-
r1 V -V
156
D
A
FFFFF
ffi'n'
ffi
girls
Well, the
V- V
.
----------1
- - - - - - - 'r
:>
>:>:>:>:>:>:>:>:>:>
------
------
real - ly
-V
A
oo +
ffi me
knock
.
V-
-V
Mos
Am/C
ffi FfftN
ffi"
v.
-
:>
shout-
v-
:>
-\/-
-\/n
-V
ffif;i rftrfi
make me sing and
girls
And
be - hind.-
B7
F$m/cf
- cow
l>
-v-
:>
-\/-
West
the-
They leave-
out.-
that Geor-gi a' s al - w ays on
V-
:>
B7
A o@ooo FFFIII
o o FFIffi
FFI-|H
l'ff1+l
ffi
EHItr FFFFH
mi - mi - mi -mi - mi- mi - mind
-v-n-v-- -
:>
156
:>
:>
:>
;>
:>
:>
:>
:>
:>
:>
-
:>
m y- m i - m i -
'l
rTil-R5fr.
Ttffl Show
'round your
me
snow - peaked moun - tains
way
down
-v-\/I.1\/-vnVnvnv-v
D ffi
H++il me
to
\/ n \/fl -
your
dad - dy's
V n \/
v
-
-
\/
>
-
\/ -
\/
FFFITisfr.
ffi
me Fr
\/
hear
your
bal
-
a
- lai
- kas
ring
- ing
N V - V -V -V N V -V -V >>
Am7
FFFI+?sfr.
Hfrfl
and
keep
:>
your
com - rade
-\ / -\ / -\ / n\ / - v - v l r \ /- v
I'm
back if
the
U.
S.
S.
:>
'r5./
D
A
ffi
ffi'u' don't-knowhowluck
You
V
N
N
V
V
V
V
A
oo FFIT
HffFI t-ffff1
in
D
A
EbE
oo
ffi2rr'ffi'o'6ot''
ffi
:>
-
NV - V- V N V
158
R.-
S.
the U.
-V- V- V- V
are,-
V
V -
-V
-
-
I:
- Y You
I 0fr.
N V
V
V -
-
-V
AnwimeAtAll
By JOHNLENNON and PAULMCCARTNEY Bm
D rL
ffi
ffi
A
+rFf,
H14H rrrt-r1
An - y
time
.
at
all,
l .1\/-
-
Bm
ffi t-f$fl A n -y
n
.
time
at
you got - ta
V-
is
do
V-
D .J-
G
ffi
ffi and
v--
I'11-
:>
be there (Emphasizetop notes)
VNVV V
M----c opy r r g hot 1 9 6 4N o R T H E RsNo N G SL r M r r E D .. All Rrghts Admrnrstered.,by BLACKWooD MUStctNc. underhcense fromAW MUSIC(MACLEN) All Rrghts Reserved Internatronal Copyrrght Secured
.
-----------J
159
#
A/CT
D
oooooo
TRll
{-l-ffn
ffi
ffi
H$f,Hrr..
you the
1 If 2. If .
>
vn
need sun
bod -y fad - ed |.1
some has
v-
Ffffft
to a
-
loveway-
-
-\/-
-
B
B
Gm/Bb
Bm
oo
ffi
ffi
ffi
just -I'll
in look to try NV-V
- to make
eyes)-r shine;-
mY it
v-
-
-
-
oooooo FFFFFT
ffi
c__/
e
I1l-
be
There
r there
is
I
to
noth - in' .
v-
A/c* rTfm
ffi
160
;>
B
D #il
-
n-
.
B
:>
won't -
I
-
-V
ish do.
make
oooooo FFFFII F1-tt-t'l
Hl+fl
H{f,Hrr,.
If When
you're you
feel need
V -V -V -
-
lng a
sor-ryandsad,to shoul - der --V-V
',------rev T cry-
o[,
Bm
D/A
Gm/Bb oo
ffi
oo FFFFFI
ffilll
ffi
H++fr
I'd I
sym - pa will be
real - ly hope it
>
- - V- v
-
:>
V-
l>
--VF
-
-\ /
just and
Don't you be sad,Call me to - night-
thize. mine.-
V
B
A7lcf"
oooooo
ffi
ffi
FfltHsr,.
me come
to\-u-
to-
-
n.
:>>
-V-V
D F*n
ffi night. you. -
il.r I l''
lr
ll
D.S. al Coda
An - y time
Ff m(add e)
Em7
Coda
+
oo
ffi
FFFFFI
ffi
Solo
:> > >
-
G6(add
e)
F* m(add g )
ffi
FFFFTI Hr-+-t+{
Hffi
( Emphasize top notes on all accented strums)
n
-
-
-
-v
-
V n
V ->-:3>-: >n -
,-3
---: > >>
161
ffi'lffif'.m'"
, Htts
-\/-
>-
|.--3
-
-
ffif
ffion'6tt''
nv:> >
Ab
AbA
AAhG
G6(add9) FFrl=F HIH
-3
-
:>
-
:>
-
:>
n
-vn
>-
-3
:>
-
:>
G
ffi >-->:>
ffi'u' ffi'u'
ffi'o' 3 ---------------r
n--
nn|r
r-3
r_3
r-3 :-->>>
:>>:>
>:>:>
D F*r
ffi
Bm
D
ffi
l]iTtl
A oo FFFF=
Ht# rn-Fn
ffi
\?-,
An - y
all,
-
162
v-
at
time
\/
-v
all,-
n
v-
Bm
ffi An - y
at
time
all
ffi
nffi
flffi
#
be
there.
V-
:>
:>
D
ffi
and
call
n
do
-
L7
G
got - ta
11v|.
:>
-V
you
all-
-
G
ooo FfffFt
Effi y
An
at
time
v.
\/-
all
all-
you got - ta
do
ls
.v | |
-
D FtF
A7
ffi call-
ffi and
I'11-
.
f''l
>
-V n V FTV F
:>
-A
:>
16it
rm LookingThroughYou
Moderato, withabeat By JOHN LENNONand PAUL MCCARTNEY D Fk
Guitar -* G (Cap ou P g
tfret)
ffi
ffi
Keyboard*
Eb
Ab
c
D rrta
G
ffi
o_ |'...l....lTl
G Fffi
ta
IIT III TTI I I I
ffi
Hffi Ab
Db
Eb
ooo
C
ffii Db
c
G
@o
FFFFF
Effi Ah
ffi Db
c
G FIFFFI
trffi Ab
throughmov
YOU, irg,
where I
did can-not-
hear
n
>
-V-V
-
:>
D
C
ffi
#
ffiEh
Db
Ab
Db
Ah
Eb
:>
flffi
ffi'
flffi
ffi
Db
n--v
G
C
G @o FIFFF
Fh
1. I ' m l o o k -i n g 2. Your lips are
@o FIFIfi
Ab
D
#i
@o
fiffi
I knewsooth
I thought I Your voice is
n--v
l>
:>
Co p vrl ehtO 1965 N OR T H E R NS ON C SLIMIT E D d v BLR eK WOOD MU S ICIN C underl rcensefrom A T V MU S IC(MA C LE N ) All Rr e h t sAd m r n r sr e r eO " C opyrrghtS ecured All Rr g htsR eserved Internatl onal
1U
l
did what but the words :>
-
-V-V
i I {
I1l
II I I
I
I
Em 9r# Fffi
c
D g | |
l at a
r ntat
t-ttffi Fm
fTIIII
Eb
You don't- look You don't- sound
V -
Db
dif dif
c
G
Hffi Ab
-
-V
o
Db7
through-
you're not-
the same.
>'
-
G
G
ffi'u' Ah
G
ffi'n' Ab
r I
- \/
-
I | | ta l tta IIl L1LI 1I IIIIII
BbmT
-V
-
| |
lr v
c7
ffi t#ft-J
look - ing
>
changed,game,-
-
ooo
Db
I'm
have the
Am7
ffi
r*
\---l
|rv
V-
-V -
-V
ffiEb
but you I've learned
frent, frent,
-
FgF
Ab
|.1
V
D
G
ffi{ ffi
o
ffi'o' Ab
V -V -
c
G
ffi'o' Ah
G
ffi
ffi
ffi
Db
Ab
Why,
n-
:>
:>
V -V N
@o
V
-
tell
-\/-\/-
me
why-
did you-
\/ g\/-
not
\/ n\/n
treat
:>
-
me right?-
V -
V-
V
-
r65
Dsus4 Ei8fir
ffi
Ebsus
Love
r.1v-vn\/.
>
\/
ty
hab - it
!v - v - v
- ap - pear -
of
NV
ing
V
:>
-V
-
-
V -
ffi Ah
| 3. You're I'm | 4.
night.-
n--\/
V- V -V -V
tliink mg look-ing FI
c
mi
G
ffi
#
Db
Ab
Eb
a Youwe re thought I I
way;
:>
- bove knew
m
B
BB
D
Em
?#
o
ffi Fm
nrrtl II'II fTnal rIII I I
Eb
- day-
\/
G
ffi Ah
Eb
The on - ly look You don't-
know?
-vn
not did
-
D
:>
but what
NVNV
>
-V-V
B
the same- bldwheredid-you go?
of through-
>
:>
D
t66
-
G
o - ver
n-
nas
-
ffiEb
--
a
n\ /nv n\/
:>
D r#
N
has
-
V
dif dif
-
n\/ n
V-V -
is you're but you
f'rence frent
-
\/
-
down have
n v I
n v
D F+F,r
#
G
Effi
ffi
Ab
Eb
-=--__,=l
look - ing look - ing
there; changed
.
>
:>
-
-
t.G A
and you'reyou're not ---
:>
3fr.
throughthrough-
no - where.the same.-
V-
V
fr.
- V-
c
ffi'"ffi ffi'''ffi
ffi" Db V- V-
-
m'.ffi c
ffiDb
Voice ad lib: Yeaht -
V- V
Well, ba - byyou've changed.-
V -
ffneat
ffi F :>
andfade
V -V -
rffi
Hello,Goodbye
and PAULMCCARTNEY By JOHNLENNON
Moderato
C
Dm
sEfr8fr.
FFmlofr.
H+Tfl
FlTfl You
yes-
say
V- V
say
no-
-V
B
G7
Am
G7
ooo
oo
mffi
ffi7fr.
Effi
You say
V-V
ffi
rfi1-n
stop-
and
\/-
-V -
I
( Let chord rins) go-go say
tt >
go-----'l
-
nn-
--v
:>
You
say- good - bye-
:>
and
:>
:>
-
-
l F
ffi
ffisfr.
+t Hl
I
-
say hel - lo,
( Let chord ring)
hel - lo,-
I
hel - lo,
-
-\/n
Co o vrrsht@ 1967 N OR T H E R NS ON C SLIMIT E D All Rr- e h r sAd m r n r sr e r endv a lne K WOOO MU S ICIN C underhcensefrom A T V MU S IC(MA C LE N ) All RrghtsReserved InternattonalCopyrrghtSecured
168
don't- know
I
why
you
say
good - bye,_
--v-
I
say
hel - lo,
-l r
hel - lo,-
hel - lo.-
-\/
B
F
Bb
m
ffi
ffi
F
G7
ffi
ffi I say You say
You say I say
lowno-
You say You say
-
cresc. -
Am
oo ffft
ffi
ffi
G7
ffi knowgo-t
oh
|
-
nE
\/---
:>
v-
1m
m'u You F
:> > >
>: > >
>
:>
good - bye-
say-
.
I
and
n
|l
>
:>
say
:>
F
ffi hel - lo-
I
hel - lo
don'Lknow whyyou
say hel - lo-
say good-bye-I
F
\/n -
-
-
F
I
don't-know
-
Bb
m Hffi
ffi hel - lo- hel - lo
V
why you
say good-bye- I
-
-
say hel - lo-
vn
F
ffi Why why why
V-V
170
G7
Am
ffi
G
oo
ao9
ffi |-1ft-r1
why why
why-
do you
say-
good - bye-
VNV-VN
-v-
x
D.S. al Coda
tI TIII III I I I ll I I Ia t I I I TI
-\/n
c/B
CIA
oo
m"
ffi FFIFH Hel - lo-
hel - lo
don't-
know
nv-
Ab
Ab/G
11111 T?TTF
why
you
say
I
good - bye-
- r1\ / -
A b/F*
ffi
--
Ab/F
hel - lo-
-
-\/-
C
ffi"
ffi''l ffi
Hel -
lo |l
- -\/|| -
say
F - +tl+l
ffi
|rv I
Repeat and fade
H el - l o-
lr - lt >> n v -
he- ba-
- -
hel -
lo
- a
-\/
171
She'sAwoman
and PAULMCCARTNEY By JOHNLENNON
Fairly bright, with a strong back beat
D7
E7 ?il#
E+H
ffi
oooo@
ffi
Ffffl-1
A7
ffi
D7
L7
ffi
o
ffi Fi-t-tH eleaseleft hand pressure of sound. grve me pres - ents, don't grve boys the eye.-
1.3.4. My love 2. She don't
>: >
-
ffi
.L
that to
-V -
she's see
-
:>
#
|-tfffl
know hates
-v-
A7
E+H
ffi
--
-
D7
A7
I She
>
-VF
no me :>
-
peas- ant.
cry.-
-vn
:>
n
:>
- v |l
>
Co p vrrsht@ 1964N OR T H E R NS ON C SLIMIT E D All RrehtsAdmrnrsteredbv bLnefWOOD MUSIC lNC. under ltcensefrom ATV MUSIC (MACLEN) " All RightsReserved lnternationalCopynghtSecured
172
D7
H+H On -ly She is
ev - er hashap - py just-
n
.
glve hear
love say
me me
rlv-
>
A7
D7
grve boys
>
-
-v-
:>
-
don't glve
-
- er will
and for nev - er
- ev - er; leave her;
ffi
Ft-t-ffl
love don't
for - ev that I
A7
tu
ffi My She
to to
me pres - ents. the eye..-
n
n\/-
-v-
:>
-
:>
D7
ffi Turn She
me will
when er
-vn
:>
--
A7
get me
lone - ly jeal ous,
-
m o
:>
-
>
--
n
-
that she's on - ly time as well as
lr . tE7
ffi
+Hffi
:>
me her
-v-
4th time to Coda , 3,
I know she Don't ask me
-V
tell all
L7
FIFIH
fool - in', lov - in',
Peo - ple Give me
l>
D7
ffi -
Imake-
is - n't. why.-
nv-
>
- V-
:>
>>
-V
:>
173
Cfm
ffion' She's
wom - an
rt
r|
-v.
a
wom -
.
|l
-
an
v|r>.
ffi
man.-
v n
v-
n
3E,7
rftftl
loves her
who
-
ffi
ffi
der - stands;-
g
ooo
#rr.r
a
V
:>
E
D
She's
V-
-
:>
:>
-
un
who
VN
VNl>
vn
V
:>
( Solo )
n
:>>>
-
>>
)>
- \ /n
-\/-
-
:>
:>
-
-\/-
>>
- V-
-
B
B
ffitor'' n-rrn
A
D
C
D
mnn
ffiar'' rrrrn
oo IFFFFT
ffi"-' ffi't-ffi rrrrn FFH-n
ffiffi
EITH Fttift
:J
n
174
V
>> : >
:>
g
-9
n
:>
-
>>
-v-
:>
-
:>
-
>>
-
-V
>>
A7
ffizo. H-fr-H
FFFFFITfr.
H1ffi
ffi
'*-
-.--.,1il
11V
>>:>>>
:>
-
N
V
-
--
NV -
cfm
Ft7
m'o
4f.r.
+#fl She's
a
wom - an
B
ffi
who
V I :>
:>
-
#
>>:>
)>
T
c#m
l.1
V- V
-V
-
B
G
n
V-
a
wom -
an
who
V
BB
E
D
ooo FHt|r
SHfi ,.s. at Coda rrrFtl
LI I ] TI I IT T T I
Repeat and fade h t
She's a wom
>
-
-v--n
-
an,-
She's a
-vBBT
:>
>
-
-
wom -
v!
BBT
175
HoldMeTight
and PAULMCCARTNEY By JOHNLENNON
Moderato
F
F
ffi
ffi It
feels
so
now,
right
c'l
the on - lY one,on lov - ing you,-
t-J-l-J
I-J-J-J
>>
>>
F
Bb
ffi
>>
>>
c7
F
I to
mightnight,>>
-
-
ffi{
3fr.
ffin Ht+fl
then night,
And To
.
G7
me tight,me tight,-
ffi
3fr.
me I'm me go
Hffi
hold hold
L-I-J-J
LJ-J.I G7
G ffi
Bb
qm
L-JJ-J
F7
ffi
ffi
le
a
c'
nev- er be mak - ing love
the lone - Iy on- ly to
(hold)-
me
tight,-
:>
-.
-
-
LJ-I-J
:>
F
Bhm
Bb
Bbm
ffi
ffi
ffi ._/l
a
:>
-
(to - night)-
-V
:>
to - night, -
V
( to - night )-lt's
you,
you ll :>
- v- \ i- \ /
-
>
CO PV T IE@ ht 1963,1964N OR T H E R NS ON C SLIMIT E D MU S ICl N C . underl tcensefrom A T V MU S IC(MA C LE N ) All Rr sh t sAd m r n r st e r ebdv S "LnC K WOOD " All RrehtsReserved InternatlonalCopyrrghtSecured
176
(me tight)- to - night,-
|l >>
>>
-l
hold
So-
lv
-v-
you,
NF c
F/c
Ah
ffi"
ffi
F
ffi
ffion' -:.--l
you.
- \ / - v -\/
:>
-
:>
know
Don't
>>
-v-
-
-------'r
-----
IJ-J-J LJ-J-I F
Ab
ffi
ffiou' +
Gm
v_
-L_
what it means
_,
i
ffi'n'
H+H
q= +_=
to hold you tight.-
gJ
LJJ-] c7
G Fffi
LJ.L-J F
hold hold
It
n--v--|l
Bb
ffi
ffi"
Hffi
ffi EftFH
me tight,-
v
l-l-l-J
B
c7
G7
ffi'o'
[l -o I I'I
f-Ttttttl
tell me I'm let me go
the on
F
ffi
rtl I I rt
on - ly one,lov - ing you,Fr >>
L.J-J_J
flm
-----_ ----f
ethen night,
and to '
Bb
fflm Hffi
I mightto - night,-
ll >>
L]-J.J 177
c1
G7
F
M
ffi nev - er be mak - ing love
the lone - ly to on - ly
ffi
ffi one.- ) you.-l
So-
(hold)-
hold
.\/
n
:>
-
Bb
F7
;>
(to - night)-
r1
:>
-V
(to - nighil-
to - night,-
>
V
ffi
ffi
-|
V-
F
Bbm
fnTl Hffi
(me tight)-
me tight,-
I
it's
YoU' >
-V
-
-
F
Bbm
ffi
ffi
ll
I I
l, o,
ffi
GbF
Ab 4fr.
ffiffi
ffi
4f;.
ffiffi A
q5
qe. hoo
hoo, l.!
you, Fr
>:>
--;-
178
hoo ---------'l
hoo. l''l zi
I
I I
I
I
II
I
twiil
By JOHNLENNON and PAULMCCARTNEY Dm7
F
ffi
Gently
Gm7
o
ffi
C7
o
ffi
m3fr.
HHfi
*t*H Hold pick loosely Fffftl to get a very smooth sound
*V knows-
long ev
I've er '
lovedsaw-
V| r V
FI
you?You,-
You I
n-
VTVN
- V-
B
Dm
F
#
ffi
I loven't catch*
V T VN
you still.your name,-
BB
ffi ways
VN
Gm
FFm3fr.
Ii
I
H1+fl
me
to,feelV-
IIITTI tttttl
a lone er real
life - time? mat - tered,
F
ffi If you want. I will al-
2
''#,
C7
i
waitnev
#rrr TTTTTT
nnn
V
Bb
ffi H+H I it
will But
Dm
Bb
ffi
Fffi
tTrrn
VN
B
F7
S*o
knowdid-
I the V-
same.-
VN
!.----\
ll"
ffi
VN
F7
ffi
I
I
Copyright@ 1968 NORTHERNSONGSL|M|TED Al Ridlrs 'rdrrwraered by BLAaKwooD MUStc tNC. under license from ATV Mustc (MACLENI All Rights Reserved lnternational Copyright Secured
179
Bb ffitr
#
ffi Ffi+H
Hffi Love you
F tt
H++H
for - ev
-
Love you with
ef t
-
ffi
ffi LLTIJ-]
--
.TTTrl ITTTTI fT.TIl I TTTIT
Love you when-ev F
\/F! V rl
V- V r r
F ll
ffi
HfrI
Hffi
l-tH*i
Dm
C6 FtrT5
Bb
F?
F
n\/'
;>>
-V
-
nv!
-
Love you when we're-
a
-
ffi
-V
-
find-
I
last-
V- V-
N
VN V
--
ffi Frrrn at
And when-
Part.-
nn\ /
Dm7
F
Fm'8fr.
ffi
er ,
v+
-
C
n?fft
-
to-geth
er
-V
G
heart.-
mY
all-
nn
F rl
\/ v>
ffi
ffIFfl3fr.
and
er
for - ev
C7
Gm
Dm
C6
-
l C7
o
I-TTI'I rTa-rl I r-Il l-l n-tl | |
you, -
F
ffi Your song-
Am
Dm7 o
ffi l-l-fi-H
G
oo
tfiTl FTFTN
180
F7 TTffi
t-l-t+l-.I
I-IFFH
Sing
will fill -
2
-\/-\/n-nv
I
B
B
D
Bb ffi
Hffi so
I-
-v-
can hear-
-
Bb ffi
#mm
Bb ffi
M ffimm
ffi
Make it
YoU,-
C7
y
eas
to-
be
near-
For
YOU,
o
ffi
H#
you do-
the things-
2
NV
C7
en - dear-
nvn
-
M
Bb
Dm I T IT I I IIT T
'I
you
to-
C7
ffi
ffi
ffi
t fafrl f rl I I I
Bb
F
ffi
o
ffi
Ah_
ffie,
Db
o
you
nffi
H+H
know-
>,^,
V -
-
-\/-
V-
-
F7
F
ffi
H
tHtdt Fffi-&l -.----*-----=.\
will.
-
+^ vn{^..
Bb
n
H+#
la
-
la-
ul
VII
V
VN
ll
-^
Dm
ffi
la
A.
m
C6
ffi La
tl -l
La
laFl rrv>
\/
C7
ffi"
FHF3fr.
ffi --t;
la FI rl
F
F
rln
la
la
Ia
la >
-
la
It'sonlyLove
and PAULMcCARTNEY ByJOHNLENNON Moderato
n
TY tr
nr ln t l- v
:>
I
trITTl Hl+fl
ffi Fn-rn
get it
l. I 2. ls
F
Bb
@o IFFFF
NVN V N
G+ o
ffi
trtrTF
rrrrn
go should
My oh my. ev -'ry night?
bY, fight
n
NVNVNV
N
V
T---__----------r
FFI'lit
HI# H?ffi
you I
E
n l-
Gsus oo
FFFfrl
see I you and
hiCh when right that
oo
ffi |-r'rrn
I
-----------J
Em/B
Am
ffi
#H
ffi >>
c
Am
C
-v
-
Bb
Em/B
o@ FFFFFT
ITTTT1 H++fl
ffi rrrrn
When you sigh, sight Just the NVNVNV N
ffiY, of
F
ffi
my in - side just you makes night- time
Gsus
Gsus
o
oo
ffi
RFIll ffil n-nTr
but-ter - flies. bright. ver - y
flies, bright,
n
n
NV
B
G
F
ffi
ffi whv Hav
n
-
am ls o en't I
V N N V-V
the
shy right
when I'm to make
be - sideup it FI
;n
you?| girl? t
It's on -
V tr V
NVNV
- VN
Co p yri ght@ 1965 N OR T H E R NS ON GSLIMIT E D All RiehrsAdminrstereduv BlAerwooD MUSIC lNC. under licensefrom ATV MLrSlC(MACLEN) " All RightsReserued InternationalCopyrightSecured
182
lY
Bb
Am
ffi
ffi rrn-n
oo
o@
ffi H{ffi
love
G7
and that is
Why shouldI
all.-
feel_
the way I
gn
Bb
G7
Hffi love,
and that
is
all,-
l't ,-'G7
but it's
so
hard
hard
lov - ing
you.
G7
ffi
ffi Yes, it's so-
ffi
ffi
F
ffi
1, . ",
F
ffi
ffi
\/n
lov - ing you
you.
n
:>
- 9n
-V
Am
oo
ffi rrrr-
l!
Vn V
I
-!F
II
-vn -
ll >
tt>tl -llr
183
Girl
and PAULMCCARTNEY By JOHNLENNON
.-
KeYboard* 3------'t
Is there l. 2. (When I)
Fffi
oo F?tfl
FFTN rrrrn
G'7
Cm
y -b o d of all
an think
Am
E7
Guitar * Atm
(^c1no 1noo o t'-tt, ; Mocierateiy ffi rrrrn
Cm
- y going to the times I
lis - ten tried so
to hard
n -
'ffi E7
Dm
#
G'7
Fm
All She
tl
--3a
a - bout will turn
to to
She's the And she
stay? cry.
n
n
-
uA*
"ffii
AK
"87
ffi of grrl i s - ES
you want the earth
rrrrn Cm
SO
to
much me
it
makes I
and
n
n
n
B
II I III tta a l l tl tttl
G7
Cm
kind prom
who came and start
the glrl me to
-
Am
B
Dm
oo
-Ft+ft1
|. lTIa I TIIIJ IIIIIl
t-ffi
Cm
Fm
still Af
you don't all ter
re - gret this time
a
I
sin - gle don't know
o a y .l whv.l
V-
-
-V
Co p y nghtO 1965 N OR T H E R NS ON GSLIMIT E D (MA C LE N ) d b iA t-fWOOO MU S ICl N C . underl censefrom A T V MU S IC All Rr e h t sAd m r n r st e r eUV All (rehts Reserved InternattonalCopyrrghtSecured
1U
m Dm
G7
Ern
ffi
Fm
o ooo FFFFFI Elrll FFIITJ
Bb7
GmJ
Girl, Yold the pick loo-sely& low so only a little is showing. Let your fingers & pick strum the itrings for a..brusling"
er r ect '5
\/ n
t/n
\/n
t/
m
m
II2.Dm
I'.Dm Fm
,-3----'-
m Dm
Fm
She's
of
g1r1
who puts
H+IF
rrrFn C
you
down
when friends
you feel
--------f
Dm
F-r_-----*
Bb7
A
t ll- - - - -
ffi
ffi
Fm
oo FFIFFI
Releasepressureof left hand for staccato. Allow open strings to ring through.
the kind
G7
A #.Fo HTffI
ffi
c
Dm
ffi Fm
Whenyou say
good, she
r85
m Dm
A oo FFFM
EIIffi ffil
C
acts as
if
it's
F
ffi Ab
ooh,
un - der - stood,she's cool,-
F't \/v rI r I
C oo fTTll I IIat l l TfrITI fITIII
Eb
r\/: tt v rr-----------1
l-
Dm
Em
ffi
o ooo tfFt
ffi
ffi1
Fm
Gm
"Brushed" effect
Dm
ffi Fm
To Coda 2<
ffi rrrrn
+ Cm
m
rrrrn Cm
was young that pain would lead
to
plea - sure?
C
Dm
oo
ffi H1+# Eb
Did she un - der-stand it when theY
186
rfmi
oo
L Was she told when she (no lvric on D.S.)
n- - - - -
Am
Am
- - ---'l
,-3n
man must break his back to earn
Am
Dm
Am
#
oo
ffi
ffrT-n
Cm
oo
ffi rrrrn
Fm
Will she still
Am Coda
q
oo
ffi
rrFFr'1 Cm
D.S.al Coda
Cm
be - lieve it when
"ffii E7
Am oo
ffi rrfl-t
G7
Cm
Releaseleft hand pressurefor staccato. pen string staccatos,use fing€r that ror open For opr your rele releasingpressureon to touch open string, F
Dm
#
"ffi
ffi'
Fm
Dm
#
Fm
lAm
|i# Fffffi
Cm
G7
c
ffi HH Bb7
Eb
Dm
# Fm
Repeat and fade
G7
m t-rrn ..]...l...m lTrrn
Bb7
1gl
Know YourMothershould and PAULMCCARTNEY By JOHNLENNON
M oder at e l y() ) )J t o b e p l a y e d l i k e
-r..,r
'-i'l T'l.) J ) )
)
F
Am
ffi
oo
get up and dance- to a song-that was a Let's all (Release & dropfingerslightly over openstrings left handpressure
,rf
for staccato.)
fi -----
VVVV
Dm
A7lE
ffi
FFFFFI
ffi
;; o@
ffi t+Fi+l Though she was
c/B
D7
oo
ffi rrrrn
ffi rfi-rn
your moth - er should know,-
Your moth - er should n- - - - -
T------
188
------1
----------J
E
Co p yrrghtO 1967 N OR T H E R NS ON C SLIMIT E D (COMET) All RiehtsAdmrnrsreredb'"npntL MUSIC lNC. u.nderltcensefrom ATV MUSIC Att niehts Reserved InternationalCopyrightSecured
Am
F
sm
ffi
oo
Fn-ifi
Let's
all
get
nn
up
song-
that
n
B
ATlE
Dm
G7
#
ffi hit
be - fore-
n
NNVNV
your
moth -er was born.-
clB
ffi Ft+ft1
ffi A -
nn
Thoughshewas born_
A7 *r*o
oo
time-
ffi
your moth - er shouldknow._
gO,-
VN
G7
c
ffi
ffii your
moth -
er
should
n -
a
long,-
F
Am
E
"d
ffi
oo
ffi
l-tffl.l
Ffft.N
Dm
c
G(add9)
oo
ffi
ffi
ffi
l. 2.Sing it
N VN V
NVNVN
ffi
oo
FM FFN-N
Lift up Da da
-n
A7 lE
F
Am
your hearts da da
n
and da
singda-
oo
FFFFF|
ffi
me da
a da
songda-
that was a da da da
be - foreda da-
hit da
your da
VN
r
I
B
G7
Dm
ffi
#
moth - er was born.- I da da da da'- {
n
1S
Thoughshe was born-
c
ffi" long,-
long
clB oo
ffi rrrrn time-
? - Eo,-
your moth -er shouldknow-
E
ooo
ffiE
fl#t
your moth - er should know.llrrrl rl'----
I D7 o FTF'
EIl* Fffffl
G7
ffi
1
|
ll
I
I' C
ffi" A
your moth - er shouldknow.-
|
|
V
ll
FixingAHole
By JOHNLENNONzndPAULMCCARTNEY
Moderately
Fm7
F
ffi
ffi
Fql+ I L-ay 4th finger across I st & 2nd strlngs lor percusstve eJJecI /
-
r-------------'l
F
ffi
ffi' 1ng a ing the
V-
.
rrIn
ran -
my my
mindmind-
\/-
>
-
.
from from
vn
o
ffi getsthrough the
Fm6
Fm
Fm 7
l-l-t-rfl FFt-rn
Fffi ffi
flTTfl HH+
ffi
ffi H+ffi
1.I'm
\/-
\/-
Fm7
stops kept
where the that -
holecracks-
|l
3
J
(1)fix (2) filr
C+
Fm
Lf
ffi
vn
\/n
-
derder-
where where
go. go. |l
,@ 1967 N OR T H E R NS ON C SLIMIT E D CO PY T Ight (MA C LE N ) d bLntrcWOOD MU S ICIN C underl tcensefrom A T V MU S IC All Rish t sAd m r n r st e r eUV All niehtt Reserved lnternationalCopyrightSecured
F
F
ffiffi
Itrrrtl -\ t-t'rrrf tttttl
3 be- long,-
I'm right
\/-n
c
c
G7
ffi
ffi peo - ple peo - ple
G7
Hffi
stand - ing thereruna - round,-
w hodi s-a-sreewtro woi - ry ;;;--
ffi and and
V -
B
G7
ffi won - der why why they don't
-n
get
(Hold 2nd & 3rd fingers I,m down on chord,& use 1stfingerfor gui.taihne.) I'm
V- V-
c+
F
ffi paint - ing tak - ing
ffi
ffi
Hqqfl
roomtime-
a the
c+
Fm
ina for
3
col -or-ful num -
a
3 ______.|
ber
of
ffi waY' things
n
n -
Fm6
Fm7
ffi
To Coda
Effi H++]
ffi
+
Frfffl
my im
-
mindpor
wan yes
1S
tant
der - ingter - day.-
there And
I I
willstill(to Coda)
T
B
B
Fm7
Fm
ffi
Fm7
Bb9
ffi
o^
ffi Ft-t-t-fl
Hqf
ffi
n-rrn
C+
F
Fm6
M
ffi
niTn HlTfl
c+
Fm
ffi
Fm7
ffii
ffi
ffi
ffi
-'--/
-
194
(Solo)
hey-
hey
-
-
-
vn
V--
Fm6
Fm7
ffi H+H
4fr1r
H+ffi
n
-
vn
v-
v
Fm7
ffi H++F
Fm
Fm6
ffi
ffi Ht+H rrrln
N
V
N
VN
-
Fm7
ffi ffi
V
V
N
-
Fm6
ffi
H1+fl
I
195
Fm6
Fm7
nffi
ffi
H+H
fix
-
t-H+f{
ing
a
hole-
gets-
where the
V-VN
-v-
Fm7
ffi ffi
my
stops |l
\/-
mind -
from-
v-
V-
.3 .
wan
where
lt
will-
Fm7
ffi ffi
Fm7
ffi ffi
Fm6
EEM
H+H
1S
I
EleanorRigby ByJOHNLENNON and PAULM.cCARTNEY Moderately, with a steady beat
c
rt*i
ffi
look
at
all -
the
&n
o ooo m
ffi
look at
-\/
all-
-
Em
?i1tr
ffi
Eno
?*tr
trffi
El - ea-nor Rig- by,
n-----
picks up
the
rice-
in
the
church_
where a
wed
-
ding has
been,_
----------r
1 -
------
Co p y nghtO 1966 N OR T H E R NS ON GSL|M|T E D .. All RrghtsAdmrnrstered..by BLACKWOODMUSIC INC under hcensefrom ATV Muslc (MACLEN) AII RrghtsReserved Internatronal CopyrightSecured
197
c
Em
ffi
ffi'u' n---
wear-ing the
aa
aa
face-
Waitsat
dream.-
lives in
keeps -
jar -
in
-
dow,
- VNV- VN
--
that she
win
the
by the
door,-
- V- V - V - V
ffi"'' who
is
-V
ffi
oFF*f
ffi
All
for?-
V nV -
Em(b6
Em6
Em
- lY
the lone
Peo
-
ffi
l-ffFft
where do -
Ple,
they all - come from?-
--'---l
V -
F.m5
ffi All the lone - ly
Peo - Ple,
Em(b6) o
where do-
o-o
they all -
be - long?-
Em ?r# ffi fi-rt-H
Fa - ther Mc - Ken - zie.
writ - ing
-.
the
words- of
ser
-.
Look at him
----
n \/-
:>
:>
-
the
-V
-
night-
\/
whenthere's no - bod - y >:>
-
n
Vn
-
Em6 ffi
t-fl-t-F1
V -
care?-
11 V
hear,-
ple,
work
- ing,
-
there,-
vn
:>
Em(b6) o
**f
what does he
one will
V- V
-----.r
-
socks- in
no-
-
no one comes near._
darn-ing his
mon that
oo
ffi rfffn
where do-
they all-
come from?-
V -VN
1S
Em6
o oo frFtft
r??.lTl
Ftftfl
All
where do-
the lone - ly
they all-be
- long?-
T_- - - - - - - - - - - - r
c oo FFrlS rtrrT-l
I-?FFH
all-
the
peo -
lone - ly
- - - - - 'r n
peo
look at
-
ple!
|l---'-------
El - ea - nor
-'-T-'-1
mo
Rig
died in
the
V
- V-
-
-----
Ah-
V N V I
V
----'l >
church-and was bur
-V
-
ied
- V- V- VIV
a - long-
with her name,-
-\/-\/-\/-\/
hands-
Em6 o
oo
ffifH Fftrft -!c=t
lone - ly
as
he
walks- from the
Em(b6)
ffi{
where do-
they all -
o
Em
ttrtF
ooo
ffif
Fttf+i
be - long? - - slower rt---------r
tl
l'llcrylnstead
and PAULMCCARTNEY By JOHNLENNO'N Brightly G7
G9
ffi'o'
ffi'o l. I've 2.
got
n
T
B
G9
ffi"' rea - son on earthev - 'ry big on my shoul-derthat's chip N-NVV
-
ffi'o'
to be than my
ger
G7
mad,feet,-
TT G7
G9
ffi'o'
rTllrt3f(.
ffi
NV
'causeI've I
just can't
lost talk
the to
on peo
cirl that
I I
B
ffii
F*t
ffi If Ft
1
C7
D
\/Y
n\/n
-t7B
n\/n
V
>
I-
-V
could could
get my see you N VN
-
O I964 N OR T H E R NS ON C SLIMIT E D CO PY ri ght lNC. under licensefrom ATV.MUSIC (MACLEN)& SBK UNARTCATALOC AII Ri8htsAdministeredby BLACKWOOO'MI..IS|C InternationalCopyright Secured All Rights Reserved
m.
wlY,nowV
I'd get I'd try VN
my to
- self make
up sad
locked you
to - day,some- how,-
But But
I I
can'tcan't,_
V
D F*tr
ffi so SO
r1l I',ll
n
NV
ffi'o'
in in
crv_
\/
:>
ffi'u'
ETrn3fr.
ffi'o'
Tttt+
stead. stead.
I've got
Ft
ffi'o'
a
Don't want
n
Bm
ffi cry
-V
whenthere'speo - ple :>
I
V|1
-
get
vr l
shy
-\/n
when they start >
to
$uNxE-
D
#
ffi
I'm gon- na hide my - self
V-
FYn
rr
:>
D7
A oo FFFFFI
H+ffi
Enffi
Fttt-H
some
V-
And
when
n -
D FtF
C7
ffi
ffi
nV
VN
I'll
V n
Yes,
I'm
n Vn
FI
man _ _showyouwhat your lov - in' Lay righJ palm lightly acrossstrings, near bridge, for muffled sound on single note r-uir.
V =-
---'---r
IL lG7
ffi
VN
12. l G7
ffi'n'
mB3f'. l-fJ+H
in
NVV
ffi'n'
can
n- - - - -
F*F
cry
break 'em in
rt
;
D
I'll
gon - na
-
V
do, _
two_
V-
Un _ til
V
then-
- - - -- - - - - 1
G9
ffi"
stead.
N
G9G
ffi'u'
26
PaperbacKWritgr and PAULMCCARTNEY ey JoHNLENNON G7
ffi
Bright Rock
per-back
Pa -
wnt - er, --
V
NVNV
N
V-
-
G7
ffi or l. Dear- Sir 2. It's a thou - sand
n
read take
based make
n
B- - - - -
ffi
book? It took me Years I'll be writ few;
my a
on it
a
n o v -e l loug - er
b Y a m an if You like
to ing
write, more
named the
I.ear style,
Mad - am will You Pag - es, give or
will you take a look? week or two. a in
need and I I can change
a
it
'- - ' Copyri ghtO 1966 N OR T H E R NS ON C SLIMIT E D (MACLEN) All Ris,htsAdmrnisteredUv-6iAdrwooD MUSIC lNC. under licensefrom ATV MUSIC All {rehts Reserved InternatronalCopyrightSecured
I
job 'round
so and
It's can
want to want to
be be
a a
pa - per - back p a - p e r-b a c k
writ writ
pa pa -
oft
er
per - back per - back
G7
ffi writ writ -
It's the dirt If you real -
er.-
n
v
of a dirt - y you can have the
ly
man,rights,-
and hi, it could
-
cling make
-
ing a
wife does - n't un - der - stand. mil - lion for you o - yer - night.
If
His you
son must
FI
Mail;here,-
It's But
a stead - y I need a
j obbreak-
but he wants to and I want to
is work - ing for the re - tum it you can
bea bea
pa - per-back pa - per-back
207
G7
ffi
--]tr tr
G7
ffi
208
Repeat and fade
,.jlry,
View more...
Comments
