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August 11, 2017 | Author: romane1310 | Category: Irish Musical Instruments, Music Theory, Musical Compositions, Musicology, Musical Notation
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THE GUITAR MusicEditor: JohnCerullo Associate MusicArranger:RayDonato Art Direction:FrankMorano

I llrru LEoNARD alrPlrBllslllNG rE

CORPORAflON

ion. ffc.: [email protected] East&rk Sveer w n o na M N 5 5 9 8 7

N.tion.l il.t ff..: 8119 west 8lehound [email protected] M r w a u l e e w 5 3 !1 3

For all works containedherein Unauthorizedcopying,arranging,adapting,recordingor public performanceis an infringementof copyright Infr inger sar e l i abl eundert he l aw .

ONTENT lsEcTloN A Song ThatSignature Licks Melodic

Ride. . . . . .18 TicketTo ..46 Julia.. . . o. . . . . . . . .55 YouCan'tDoThat. . .10 ComeTogether... . . . . . 23 YouNeverCiveMe pper...... ..14 L a d yMadonna DayTri YourMon e y......5 0 .....38 LucyInTheSkyWith DearPrudence l ine. . . . . . . . . . 6 B lackb i rd.. .. . . . . . 42 l F e eF

Good GoodMorning

Diamonds

Mo rn i n g.. o. . . . . . 33 Michelle.

sEcfloNllA song Thatsignature LiclG Rhythmic

It Won'tBeLong. . . .85 with A LittleHelpFrom A Rich BabyYou're .76 MyFriends...... . . . 1 0 6 N o Reply. . M an . . . . 68 GettingBetter. . . . .71 Te1Mewhy . . . .94 YouWon'tSeeMe. . .60 GoingToLose . .88 WeCanWorklt Out. .65 You're HeYJude .........80 ThatGirl JustTo I'mHaPPY WhyDon'tWeDott DanceWithYou. .102 tnfne Road . .98 l'm S oTir e d . . . . 9 1

sEcTloN!llThat RhythmicAndMelodicLicks A Song Signature

Afl MyLoving . .132 Hello,Goodbve.. . .168 LittleChild. . . . . . . .128 . .206 . . . . 109 PaperbackWriter A ny tim e A t A l l . . . . . 1 5 9H e l p! .152 HoldMeTight. . . . .176 RunForYourLife.. .124 BackInTheU.s.s.R. SheCameInThrough can'tBuyMeLove..144 | ShouldHave carryThatweight. .135 KnownBetter. . .116 TheBathroom Window. . . ... ..1 4 9 A Week..120 twill EightDays .179 She'sAWo ma.n..1 . 72 .197 l'llCryInstead Rigby Eleanor .202 Mothershould FixingA Hole. . . . . .192 I'mA Loser.. . . ....138 Your K n O W o . . . . o o...1 8 8 G[rl. . . . . . . . . . - - - -184I'mLool{ng CoodDaVSunshine.141ThroughYou....164 . . . ..182 Night .112 lt'SOnlyLOVe. A HardDay'S

ALLttlY LOVINC. . . . . . .132 ANYTIMEAT ALL . . . . . .159 BAtsYYOU'RE A R lcHM AN ..... . . . . . 106 BACKIN THEU.S.S.R. . . .152 BLACKBIRD. . . . . . . . . . 42 CAN'TBUYME LOVE.. . .144 CARRY THATWEIGHT.. .135 coilfrEToGETHER . . . . . . 46 DATTRIPPER . . . . I'''' 14 D,EAR PRUDENCE . . . . . . 38 EilGHT DAYSA WEEK.. . .120 E|IEANOR RICBY. . . . . . .197 Flfx[NGA HOLE. . . . . . . .192 G'ETTINC BETTER. . . . . . 71 G,fiRL . . . . . . . . . . . . . . .184 " GOODDAYSUNSHINE. . .141 GOODTI,IORNING G OODM OR N | N G . . . . . 33 fr HARDDAY'SNIGHT.. .112 HllEi[Lco o , o D BY E . . . . . . 169 HllEil.P!. . . . . . . . . . . . . . .109

HEYJUDE.....

o ....

o. gg

H O LDM ET I G HTO '''' . . 1 7 6 I FE E LF I NE . . . . . . . . . . 6 I S H O UL D HA V E K N O W NB E T T E R. . . . . 1 1 6 I w l LL . . . . . . . . . . . . . . . 1 7 9 I'LLCRYfNSTEAD . . . . . .202 l'M A LOSER . . . . . . . . . .139 I'M HAPPYJUSTTO DANCE WITHYOU.. . .102 I'M LOOKING TH R O UG HY O U. . . . . . 1 6 4 l'M so TIRED. . . . . . . . . 91

PAPERBACK WRITER.. . .206 RUNFORYOURLIFE. . . .124 SHECAMEIN THROUGH THEBATHROOM

w|NDow.......... .149

S HE ', S A W O M AN ......1 7 2 T E L L M E W HY . . ...... 94 TICKET TORIDE. . . . . . . 1g WE CANWORKIT OUT . . 65 WHY DON'TWE DOIT lNT HE RO A D..,..... g g WITHA LITTLE HELP FROMMY FRIENDS . . 76 frs oNLYLoVE.. . . . . . .192 YOUCAN'TDOTHAT.. . . 10 ITWON'TBELONG.....85YOUNEVERGIVE J U LI A . . . . . . . . . . . . . . . 5 5 M E Y O URM O NEY....5 0 LA D Y M A DO NNA . . . . . . 2 3 Y O UW O N'T S E E M E....6 0 LITTLE CHILD. . . . . . . . .129 YOU'RE COINGTO LUCYIN THESKY L O S E T HA T G IR L .....8 0 WI T HDI A M O NDS ... . 26 YOURMOTHER MI C HE L L E . .. . . o. . . . . . 3 0 sHouLDlflow......1gg NO REPLY. . . . . . . . . . . . 6g

NTRODUCTIO

Yqr'veall heardof Lennon andMcCartney, the songwritbut what aboutLennon - thebuitar andHarrisbn irElQl1o, frrc?Well,that's what youaregoingto discoverii fUe trATLff, guitar book. Thisbookis a specialwork containing a selection of Beafles'funesarrangedexclusively for the guitar.lt is desigredto provideanaccuratelookintothe le-ad andrhythm gl$tr sWlesof GeorgeHarrisonandJohnLennon. fithough the arrangements in this bookarewritten to ernbodythe essence andstyle of the guitar worksof lsrnon andHarrison, the arrangement is not just a transcriqtionof the guitarsright off the record.Rather,it uses Clof the musicalelements: bass, drums,keyboards ind guibs, tlustm the Beatles usedthem,but allincorporated into mgu'rtarso that youcanplaythe arrangement aloneor in a krd.

Thebookisdividedinto threesections: 1. MelodiL c i cks T ha tS i g n a tu re a Song 2. RhVthmic LicksThatSignature a Song 3. Rhvthmicand MelodicLicksThatSignature a Song

sEcTtoN 1

Thissectionincludessongsthat are most characterized by the useof a melodicsignature theme. songslilKeDavTripper,TicketToRide,Julia,or Lucvh Theskv with Diamonds. Thisdoesnot meanthat vouhaveonlythe leador bassguitarin the song,but ratherthat their importanceisthe drivingforcebehindthe tune.Therhythmguitarcom-ptiments the bassand leadlicksin thiscase.

sEcTroN2

Thissectioncontainssongswhosesignatureis the rhythmguitar.In other words,Lennon,s rhythmguitartakesprominenceoverHarrison's guitaranclMccartney's bassor keyboards. Again,voumayhavesomeguitaror basslicks,but thevtakea backseatto the rhvthmguitar. T h i ss e c t i oni sal soi mp o rtanat n du niquein that it affor dsa guitarplaverthe chance to l ear n how to plavrhythmguitar patternswhich incorporatepercussive qualitiesthat anv good r h y t h mg u i tari stsho u l dkno w .Le n nonwasa br illiantr hvthmguitar istand Vou' iloenet i tO v learningthesetunesasarranged.

sEcTtoN 3

Thissectioncontainssongswhosesignatureisboth melodicandrhvthmic.Let'sfaceit, most s o n g sb Vt h e B e a tl es area mesh i ng to getherof m elodicandr hvthm icelem ents. LennonH, ar r i son,and Mccartnevdid not operatein separatelitfle compartmentsknownas rhythm,lead andbassguitar,but rathermergedtheirfunctionstogether.tnthissectionwe seehow mostof theirsongsarea f inebalance betweenrhvthmicandmelodicessence. Sometimes it,sLennon,s effectiverhvthmguitarbehindthe verseand chorus,followedby Harrisonbtendingin a nice soloand bridgethat goesbackinto the strongrhythmicversesection,or Lennontradingoff with MccartneV's bassor Harrison's smallerlicksections. lt'sallput togetherfor you in THEBEATLES: guitarbook. ln addition,pleasenote that the guitarpart is written in guitartablatureto accommodate m u s i c i a nwsh o rea dmu si c,asw el l a sthosewho do not. Forthosewho do not read,Voucanfollowthe tablaturenumbers,strums,accents, and picking patterns,whichyou'lllearnhow to useon the instructionpagefor tablature(seepage5). Forthosewho readmusic,Voucanfollowallof the above,as.wellasthe addedmusicalelementsthat areinctudedin the tablatureline. All chordchanges areshownby the chordframesabovethe voiceline.Thevoicelinegives you the lyrics,melodyandwhichkevthe songisin.

OWTOREADTABTATUR 1.TABLATURE ismadeupof 6 lines,representing the 6stringsof theguitar.Thetop linerepresents the first,or higheststringon the guitar,whiletne oottom line-represents ine sixth,or the loweststringon the guitar.Thiscanbeseenin Ex.1. Ex.1: ---f--TTmrF-T--T-..4

2.Tnenumbers on eachlineindicate whichfret,on that particularstring, isto be pressed. For example, if thenumber5 isonthe3rdline,thismeans thatthesthfretoritne3rdstringisto be pressed. Thenumber0 means to plavtheopenstring. rt = DownPickor Downstrum. Orup strum. v = uF PiCk

Ex.2:

3.A slash((l is usedto indicate strumming. Stemming andbeaming indicate rhythmasin I ordinary musicnotation. B- Strumbass, or lowerstringsfthe2or 3 lowerstrings). (the3 or 4 middtestrings). M- Strummiddtestrings Strum treble, or high strings fthe2 or 3 higherstrings). -T previous line)- continue symbol. --,'(clotted

Ex.3:S

n V n

-

f?

v

B

GC EF\/I

ll

ll

V

ll----------1

n- - - -

tttt

-----.1 at

T

B---------r

l \,1--------.r

T--------r

4.i I lrn.chordal indicatesa muffledsound.to be plavedon a chord.Thisis achievedby touchinglightly(notpressingl the stringsof the chord.

m'"

A

G

ffisa. tatl

II

ffitfi

nl

BB - --- - --- - --- J- - - J

f-- - - - - - - -:

5.( t I rnesingte note i' indicatesa muffledsoundto be playedon a singlenote.The techniqueisthe sameasthe chordalX .

E x.5: n ----

r

V

6.Commonmusicsymbols, suchasthe following,arealsousedwith TABLATURE. > =?CC€t'lt

. =staccato a =fefmata

oooooo

iTfm = O p e n chord

ffi #

Ffffft

I FeelFine

and PAULMCCARTNEY By JOHNLENNON D7

Bright rock

C7

ffii

hHfffi

L a y d own 1 st f in g e r , le f t h a n d , o n b o t h 5 th strrng & nut of the gui tar

|.1

Fl v -l

.

\/

\/

f.r

\/

F.'1

v.

-Vl-V

G

Ttr+

ffi

G ooo FFFffi fi-rn

?H+H by's by by

good says says

mine,mi n e , -

you know,you know,you know ,-

she's she she

hap tells tells

py me me

as all all

D

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ffi you k n o w , you know,you know,-

she she she

said said said

so. so. so. .

V-V -

+ \Iixoly'dian mode. not keY of C

6

@ 1964 N O R TH E R N S O N G S LI M I TE D

Copvrr eht (MACLEN) MUSrc Admrnrstered,,by_tnT._[H3;.0" AuRrghts "?;!:#,:":i3ilffili"r:'."#"ttv

can the the

time,tim e,-

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and and and

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n

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ffi that

elad

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(repeat to 2nd lyric) ( continue) (continue)

fine.fine.fine.-

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lit

tle

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v

B

D

#rn I-t-tfhl iilt t l !ttttl

G

Bm

ffi'n

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Repeat and fade

YouCan'tDoThat and PAULMCCARTNEY By JOHNLENNON

Moderato G* [email protected] FFFFFT

ffi

G7

ffi'o' (1.) I

got (2.)

cause you some - thing to say that might you talk in' sec- ond time I've caught

n\ /

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paln;him;-

to

If I doI

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ffi' a

gain,sin.-

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let

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gon - na think I'll

let let

you you

down down

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t>

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ffffi -

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r - V- V .

vocals: 2nd and 3rd times) :>

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flat, -

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I

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Be - causeI've

D7

C7

ffi'*' told you |.l

G7

ffi"

m'u

be - fore:

you can't

do V-

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-vr

Em

ffitt'' Well, it's

Eu -'ry-bod-y's

the

v

green

'cause

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BB

B7

Am

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ffi

I'm

the

one who won your

Em

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ffi

m'u

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love._

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if

they'd

ffita-

rrTEI'"' LIta fl t I I TN

seen

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Bm

oo

ffi

ffi tfrif1

talk - in' that

D7

way_

they'd laugh in

G7

m'o my

face.-

So

ffi'n' please

lis - ten to

lr v -

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me

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you

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wan - na s t ay - t - \i l -

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go

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let you

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ffi'o' Be- cause['ve told you be - fore:

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you can't

do

;

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[email protected] FFFFFT

ffi

Effi ( Shottt ):

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D'7

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\ /.

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Emphasizetop note in eaih chord to bring out

(Solo)

(You)

C7

o

ffi (can't do

(You can't do_

that)-

that)_

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ffiou'

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x

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ooo

ffi do-

that)

Ev -'ry-bod-y's

13

DayTripper

By JOHNLENNON and PAULMCCARTNEY

ffi'n' l . Got 2.S he' s 3. Tried

a a

good big to

rea teas please-

-l

lllr

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t4

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for

tak - ing the she took me she on - ly

eas half played-

way J the way one - night

out,there.stands.-

-

A1 ffffisft.

ffi

Got a good rea son teas She's a big 9I' please- her, Triedto Fl

ffi'n' tak - ing the she took me she on - ly

y way o u t , eas now. now . halfthe way there,played- one- night stands,- now.

She was She was She was

Day Day D av-

---

Trip - per, Trip - per, Trip - per,

one - way one - way Sun - day

tick tick driv

yeah;yeah;yeaht-

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( repeat) ( continue) (to Coda)

l . r n. ---

XII pos. solo 87 m7ft.

ffttfl

2nd Guitar

16

muffled note

D.S. al Coda

x

>>>>

-

>>>>>

>

-

\/

-

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Coda

+

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= St--

N.C.

Bass& Middle Strings

I

I

TicketToRide

and PAULMcCARTNEY By JOHNLENNON

Moderate rock tempo

A

A

oo FFFIfi

oo FFFffi

Trfi] TTTTT]

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v

lr

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think it's

to her

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day down

Bm7 F'FIFI

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that's would ----------'l

driv - ing me nev - er be

ma d free-

go-mg ls - way.- I when I was a - round.- |

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l>

-\/-

BB Co [email protected] 1965N OR T H E R NS ON C SLIMIT E D IiCCNSC fTOMATV MUSIC (MACLEN)& SBKUNARTCATALOGINC' MIJS"ICINC. UNdCT bY BLACKWOOD '-" AII RightsAdMiNiStCTCd ett nigt'ts Reserved InternatlonalCopyrightSecured

18

>

-

:>

-

Film

ffi rttftl

got

a

tick - et

to

ride

iIVl.| V-V

F*m

ffi rttftl She's -

D

F tm

ffi

ffi t-affH

o FIFFI'I

got

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g

v

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tick - et 'i

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g

to

ri

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g

she

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hi

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hide,_

got

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a

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to ride,_

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don't

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19

ffi'o' don't

know

she ought - ta

why

she ought - ta

do

BB

D7

ffi'n fore

gets

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n

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n

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think twice, she ought- ta

she ought - ta

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me

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think said n- - ' - '

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be with

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Bm7

that's would

driv - ing me nev - er be

madfree-

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ffi

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n-

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B

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D7

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21

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rttffl

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a

tick -

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et

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(lst time only)My

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ba - by don't &

I

--

2

-|l

Repeat and fade

LadyMadonna

BYIOHITILENNON ANdPAULMCCARTNEY Brightly,r,r'itha beat A o FFFFI

MTil

2 34

Usespecialfingering on "A" chord.

F

VN -V-

-

V

-

t tt-------------1

-

-

-

-

G

BD

A

m i f+ffi5n'Ji:?f;sffijr.;:i:., L a- dy I-a - dy l-a - dy

Ma - don Ma - don Ma - don

-

o

Hnfi Frrrn chil - dren ba-by chil - dren

tr4' fr&t t4,

G

ffi

der der der

how how how

you you you

man - age man - age man - age

at at at

your feet,your breast,your feet,-

*m'fr':3#R HTM

rr?m

hsn rS'on ffi:cnn

A

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A

oo FFFFI

rrrrn

to to to

makefeed make-

ends the ends

meet.-(

to Coda)

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I

o +t+

r*ffi

rf+

the mon Ma- don

Who finds La- dy

-

eY na

D

A

ffi

FTM rrrrn

you Did Lis - ten

think to

----

that the

mon - 9y mu - sic

pay on

F

G

A

oo FFFffi

ffi'o'

HI4H fi-rrn

sent?head.-

heav in

wasPlaY-ing

the rent,the bed,-

----

-----1

-

-

G7

Dm

oo

ffi

#

ffi Fri - day nightTues - day af

ar- nvester - noon-

suit end

with- outis nev

-V

Am

c

oo

xoo

ffi

ffi

Fffi ffil

H++f,

Sun - day morn Wednes-day morn

n \i -

-m g - ing

creep -- - ing pa Pers

-VNV

case,_ing,lt

\ /n

-V

21

ffi

when you ly - ing

ffi

r*ffi

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ffi

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A

D

A

like did -

a n't

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Dm

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ffi

Mon Thurs

- day's - day

has your

child night

iearned to stock - ings

his ed

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need

boot mend

lace. lng. --

n\/

|l -

-

ffi' -l -,

"ffi

Bm7

C

E7

FI'FFF

ffi

See

how

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they

After repeat D.S. al Coda

run!

n

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:>

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-

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I

f

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A

C di m o

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l'alsetto (opt. )

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ffi

ffi

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ffi

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A

oo

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--

a

LucylnTheslry WithDiamonds

and PAULl\'lIcCARTNEY By JOHNLENNON

XX

Nm"t Pic Fol Pic

-

Pi Ff

tt lG

A xx

H++H

your her your

- self down - self

xo

ffi'"'

ffi'u'

FEEFEl0fr.

ture low ture

Dm/F

boat bridge train

in to on

er tain, tion

riv foun sta -

on by in

with where with

n

n

ffi

H#

H# tan rock plas

xx

xx ElF10fr.

ffEll2fr.

ine horse cine

F(9

q/Ffi

ATIG

A/E x'x

trees peo - ple por - ters

9fr.

mar marsh look -

and eat with

fTfTR8fr.

H+ffi

ma mal ing

-

(Usepick on bass

skies. note.3& 4 finger Pies' on treblenotes ties. chords)

lade low glass

for spaced

f ] -- -- -- -.:- -- -- -- - --' r.

D/Fil

A'7IG

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ffi Ofr

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Some Ev-'ry Sud -

XX

XX

bod den

-v

- one -l y

calls smiles some -

tltalt | | I I rv

you, as one

you you is

"^'

an ' drift there

---'---'1 ------

Co p yri [email protected] 1967 N OR T H E R NS ON C SLIMIT E D Uv 6[,qEfWOOO t"tUStClNC. under licensefrom ATV MUSIC (MrcLEN) All RishtsAdminisrered "-"""'-'InternationalCopyrightSecured ntidiihG geserved

fr

swer Past at

quite the the

Dm/F xo

L 7 lc

AIE

ffi'u'

DmajT

xx

XX

ffffRl2fr.

o

FFffilofr. EEEDgfr. LLLLr.j !-fFfil rrrTn Last time to Coda lff?fl

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0

slow flow turn

girl grow girl

with so with

Iei cred lei

scope blv scope

eyes.

high ( to Coda)

-

Dm

Bb

o

ffi I-I-FFH

FFffil0fr. FFTl-r1 rr-rrn

C el -1o-phane pa N ew s-

------1

ll-----

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F6

ffi flow tax

-

-

ers is

of ap

-

yel pear

per

ffi - low on

and the

green shore

Bb

er ing

C9

ffi

ffi FI-FIH head.

tow wait

way-(Lay

R.H. palm acrossstringsfor muffled

sound on these two measures)

Look Climb

ili

rili;

Iiii

jlr

iii' ,,,i'|, ,ti '

n

(J.=J)

G

#

fffi

back

eyes clouds

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with with

c

G

D

ffi

[email protected]

o FFFFF

FIFFF

flffi

ffi

the

Lu - cy in >

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n

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the

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with

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BB

BB

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monds,

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she's you're

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After repeat, D.S.al Coda

X

Coda

+

No chord

eyes.

G

D

#

ffi'

ffi

rrrrn

Lu -cy

monds,

G

D

ffi

r*

fiffi

rl-fffi

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B

in

the

sky_

with

G

rffi

ffi

Lu - cy

in

the

sky_

B

D

ffi

Ofr.

I Ofr.

r-ft-t-j-l

A

ffi

5fr.

Ft-t-t+J Repeat and fade

Michelle

and PAULMCCARTNEY By JOHNLENNON Guitar CapouP 8 frets

ModeratelY Am-I o rrrT-ft t-l-t4+]

Am7

E+

oo

TilN rn-rh F|-fi-n rffrn

l..#H

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ffi

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ooo

ffi

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I

Dm7

A

o

OO

ffi

Efm

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ffi-rn

ffi

}i.#

ma

chelle,

-

-

E

oo o

ffifi ffil ffit-n

r*aim

G ooo

are

words that

Mi Mi

Mi - chelle.-

-

ffi

t+]+{ ffi

ffi

trrrn

\/n

o

oo tlfm t-tllt.l

ffi

Ffif'l

Dm7

A

E

ooo

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\ /n

these

\/ n

Df dim rroE l-++t-]{

my

belle,

H+fl

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B

rruft

CIEE

t1fifi

H1-rn

F|l+H FI-I_TN

siffi sont sont

Df;dim trrn Fi-lt+'? 3---

rf;aim

G ooo

des des

mots mots

vont vont

ma - belle, ma - belle,

chelle, chelle,

tres bien tres bien

en - semble, en - semble,

E

ooo

ffi ffi rflfH

tres bien en - semble. tres bien en - semble.

Co p yri ghto 1965 N OR T H IR NS ON C SLIMIT E D UVbhefWOOD MUSIC lNC. under licensefrom ATV MUSIC (MACLEN) All ''"" "'-''\ro"\J Admrnrstered ' r" Rrshts nti(rehts Reserved lnternationalCopyrightSecured

30

Am

t7 o o-4

F

oo

ffi

ffiffi ffi

rrrrH

TTTTr1 L'JIIJ

H+1+l Fffrn

FfftrI

love you, I need to I

love you, I need to, I

nn

love YoU' need t o

that'sall I I need to

o

want to say. make you see.

U n-ti l I Oh, what

find a wavyou meanto

B

Am

Am-I

oo

ffi

will say un - til

-

Am7

o ETE |-+.t++..1 Fl-Ft+i n-rrFt

Am6

oo

the I

o

wordg I know that you'll hop - ing you will know

EA

un-der-stand. what I

n--

Dm7

oooo Eil] l+f++

G ooo

o

EM r iiitl

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ffi

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ffi

H+?]-l

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33 i---n

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I

-you,

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ooo

r-3____r

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want

FmajT o

think you know by

now,

I

J ---r

want you, I

I'll

get

l--3

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want you, I

to you

some -

> I

6

I

TB

31

E+

Am

oo rrrTin

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H4+F

ffiffil FffI-fl

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E

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ffi t-t-t-t-H n-n-n

semble,

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ffi

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ffi

ffifi t-]-#

ooo

Ffifl

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FFFI-H

E+

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F++Nt Hi-fi Fffrn

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vont tres bien

Am6

ffiffifl

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FmajT o

FHfH

A ndl w i l l saytheon-l yw ords_Iknow thatyou' l l un.der-

tres bien en - semble.

B G ooo

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J

3

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en

n

n

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Df;dim

pf oim

ffi

ffi

t-f++H

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n

r-3---r

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E

A

oo

ooo TLIE

Repeat and fade

ffi

I-tnHt

3

333

n|rn--

-

-

-

GoodMorning CoodMorning

By JOHNLENNON and PAULMCCARTNEY Moderately A

D

oo n-rT-n

A

o

ffi t-f+++]

+???l

fl-m

D

oo TI-n-n

o

ffi H++fl

+?f+l

F+IF

FFIFfl

rrrn-t

Good- morn

good ;

l>

-

D

A

oo rT-Trn

FTFFF

A

oo Trtrrn t+l?t I l..]..-l-'.H

ffi rrn-n Frr-rrl good

FI+FH

morn

-

ing,-

good

morn

ing

-

UseGuitarStrum A I on 2ndand3rdjfr51r. verses(for four FtiT11 Fft-*' T.".rul,"r) X

l.Noth - ing

Noth - ing

it 1# .::

G arr:ta LL;ILI

J II.

ffito' Ft-F*t

t++H ffil

to

say-

do-

to

but, "What

save

his

day!-

life,-

calls

H ow ' s

his

wife

your

boy

Co p yr r g [email protected] t 1962N OR T H E R NS ON C SLtMtT E D All Rr g h t sAd m r n r st e r ebdy BL ACKWooD MU S ICl N C . underl rcensefrom A T V MU S tc (MA cLt\) All Rr g h t sRe served Internatl onal C opyrrghtS ecured

33

A oo rrrm

I t? ? ? l

H+]-.H n-rrn

E

A

ffi

a[IIl

o oo

H#l n-rrn

Hfi-fi Ffi-TN

5fr.

BB

D-I

G

ffi

o

3fr.

(usebar on D chord)

FqqT Ft-ff-r-t

I .G,tit"t Strum-I (four measures) G ooo rrrrn

A

A

oo Trrrr-1

oo

mrr]

ffi

Hffi

Hffi

(Solo 2nd time)

3

Go - ing

-vn

H-fi-fl

to

work,-

don't want

\/-

to |l

G ooo

A

oo

trm

ffit TIITI

feel

- ing low

?t++tt H++i

Head-ing [or

down,

you start

home,-

roam,-

then you're ln

V -V

--

-\/

B --_------ - - - - - - - r

A

A

oo rr-Trn

oo

ffi

HEq

TNTI

Fffi

Fj-1-FfJ

Ev -'ry-bod-y

town.

A

A

D-I

ffi

ffi

TTlT-N

ffi

ffi ffil

F|{{fl f-fft-H TTTTT1

Fffi

there'snotl,-ing do -

D-I J--

oo

o

oo

knows-

FfFffi

r-3---r

f-3--r

ing, Ev - 'ry - thing is

n

closed,-

E v -' ry - one you

it's like a

-v

is

ha lf

a - sleep

-V

D-I

A

oo

o

ffif,

ffi

Tn-it

Ffi-TN

r3-r

and you're on

see-

your

own'-

you're in

the

street'-(L

y left handacrossstrrngsfor staccato)

35

A

G ooo rrrrn

oo

ffi

A

oo Tr.rn

JII+H

ffii

Ft-fffi

V pos.

Hffi

ffi ffi-fl

VI pos.

P . O .H . O . P . O .

P . O .H . O .

|1v-

D-I

A

o

oo

ffi

TI-FTN

H++tl

Htq

ftrrn

P .O.H.O.P .O.P .O . H . O . P . O . H . O . P . O

I I \/ v

r- r

v

NV --

A

A

D -I o tr=N

oo TTTtrN

oo n-TI-n H??tl ffi r-ft-tl

Hiltr F+-t-t-H

Fi+??l

HUi

r-3_____r

Peo- ple run - ning 'round,-

Ev - 'ry - were in

it's five

it's get - ting dark,-

tow n-

.v -V

A

D-I

oo [IfT] I t??t{ ++#

ffi

Ev -'ry - one you see-

|1 -\i

36

is

full of

rrTT-T-l

tli#

ffi Ffl-fl-l

ffrrn

ffi

f-3-f

n

oo

_o

f-o

a-

.'

r-J --r

r-3-:

it's time for tea and meet the wife.

D.S. al Coda

Coda

+

A

A

oo ttfrr

oo Trn-n Htttl

H+t+]

rff.1]

ffi Fffl-H

A

D

oo

o

ffi

ffi

Ft+++l

ffi ffi

FFfi-H

morn

Ifl8'-

\/-

good

A

oo TrrT-n

TffT] ffit ffi

D o

Tr|...m

ffi F|-Ft-f-l

Repeat and fade

morn

>

-

2. After a while you start to smile, now you feel cool, Then you decideto take a walk by the old school. Nothing has changed,it's still the same. I've got nothing to say etc. 3. _somebodyneedsto know the time, glad that I'm here. Watching the skirts, you start to flirt, now you,re in gear Go to a show, you hope she goes, I've got nothing to say etc.

37

DearPrudence

and PAULMcCARTNEY By JOHNLENNON Slowtempo AmTlD

o

ffi +ffi1

StTplOfr.

Ff,ql

o rT'rT-rr8fr.

I 0fr.

o

o

lfifFl5fr. ffi1 rT.rr.n

ffizr'' TTTTN

HJ+N ITTTT]

Gm(+7)/Bb

DiC #

Am'llD o ffif,rT'ra-I-]

ffi

++l-F

F :>

-V

:>

A/D

G/D

Am7/D

D

o

-

>

:>

-

m

|r

:>

-v

:>

n-

:>

-v

:>

D

:>

n|l

:>

-V

-V

--

:>

:>

NV E

6tn1+71/Bh

DIC

#

ffi

ffi

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DearDearDear-

play?-eyes.smile.--

-

tr\/

rl -

l>

|r-

-V

;>

:>

Co p yr i [email protected] 1968 N OR T H E R NS O.N GSLIMIT E D (MA C LE N ) All Rr e h t sAd m r n r st e r eudv b [ n 6rw ooD MU S ICl N C . underl i censefrom A T V MU S IC All RrshtsReserved InternationalCopyrrghtSecured

38

-

:>

to won't you come out up your o - pen see You me let

--

-V

:>

Dear-

-Pffi

Pru- dence,Pru- dence,Pru- dence,-

1.4. 2.

nv

Gm(+7)/Bb

Gmaji lB

DIC

D

-l\/

-

nn >>

-\/

l>

-

D

Dlc

Gmai'/lB

#

tg-

ffi

Gm(+7)/Bb

ffi Pru - dence,Pru - dence,Pru - dence,-

.

-

:>

l>

ffi

greet see like

the the a

ti

!!.

>

-

brand new day.sun - ny skieslit - tle chitd._ l>

-

o

FFFI

H+trI Fqtfi

D

Gm(+7)/Bb

o

ffi sun is wind is clouds will

UP'low,be-

V --

-V -

B -------- - - - J

the sky the birds a dai

blue,singchain,-

V-

it's that so

beau - ti - fulyou are part_ let me see_

l' 1

V

n

-

-

B- - - - - - - - - l

\/lr \/n

and so are you.Dearof ev - tt - ir'i'g.- b;;;you smile a - gain.Dear-

n

n

B-----------)

\ / |.1 v

-

B - - - - - - - - - -- - - r

D

G

ffi

ooo FFFFH

fffi Pru - dence,Pru - dence,Pru - dence,-

won't won't won't

\i -

-\/-

-V-VN

-VNV

you come out _ you o -pen you let me

.

-

l>

-v.

up see

TO

your you

v_-

play? eyes?smile?-

B----------J

st

-b

Gm(+7)/Bb

Gmaj7lB

D/C

#

o

ffi

tl lata IIII'I fltrtl

(2.)Dear(3.)DearF tF \ /

v

:>

l>

rgg-

ggg-

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Fl-i-ffl

>

:>

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Dsus4 %

ffi Ffffft

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-

-V

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:>

t-

f.t rrv

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-\/

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D

ffi

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nv-\/-

;>

-

:>

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Dsus4 ooo Ftl|tf

ffi

ffi

ffi

-

:>

ooo

ooo FFFFF

ffi?

round- round round

D

Dsus4

Dsus4

ooo FFFffi

-

[email protected] IFFFF

(Backing) round roundLook a- round, round, >

:>

-V

-

-

t I I tai tTrltt

c

round round round round-round-round round round- round- round round Look Look a - round, round,round,

round

|l :>

rv.vn

-

a-

-\/-v-

D.S. al Coda 4th time

F

ffi

A

ffi

D

G

ooo FFFFF

ooo FIFFFI

ffi

Effi

D7

GmajllD

iffi

ooo

ffi rrrrn

Gm(+7)/D

Dear-

round.

:>:>>:>

-l'1 -

4{)

-vl -|r

:>

-v-nn

:>

-\/

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n |r

-\/

:>

-

n

-v

>

-

.

-v

:>

-

Coda

D

DIC

#

o

s ffi Sun

--.

H-iJ+t '

is

>

up,_

,,--.--...

sky

the

beau -

:>

-1Vl

Dt ln, oo

G

ooo FIFFF

ffi rfl-Fn so -..

are y o u . -

:>

D e a r_

ffffi Pru - dence,-

- - v .\ /

-V r r

ti -ful

-

won't you comeout

lr

- .V- V-

-

-v-

to

-

- \/

B

D

D

AmTlD

o

ooo

[fITl?r4fr.

+fH

n-rTrl I I I III

o

D o

ffiF trFIF

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AmTlD o

( Fading out) - -

G/o ;+l+l-l' -3-r"- / rr. t ll tt t lttttl

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FFffisfr. ffi Ffi-ffi1

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i+i}fl i+H+t

41

Blackhird

and PAULMCCARTNEY By JOHNLENNON Slowly G

G

G ooo Tn-rn

ooo

m

RT|Rl0fr.

ffi FII-H

t.]-.lt+t n-FrFl

ffi Fi-ffH

(must be played fingerstyle) Slideup from 3fr.2nd string

Not to be played off chord postttons

:>

:>

::>

G

Am7

G ooo rrrrrl

+,|tttl FTTTH

ffi rFffl

o r-rFT:f] LIJIIJJ

H++lt ritrn

Fi-fffi

L Black- bird sing- ing in 2. Black- bird sing- ing in

the dead of the dead of

:>

D7

ffiffi*

HTI]1

tfft-tl fl-fl-fl

All All

ArnT-I oo

Efft-n

ffi

your life your life

o

T|rIl

tfi+N

ffi

H4+fl

learn to learn to

and and

:>

:>

Cm-I

rT-n-n

rfl-rH

Take these bro - ken wingsTake these sunk-en eyes-

imajT ooo rrTT-n

:>

B7-I

ffi F+*t

HffI

>

nightnight-

:>

c

I Ofr.

(lift finger pressurefor staccato) .>

:>

Cm-I o

H+F-r ffi rffitt'1

G ooo

rT-Trn

ffi Fl-l-t-t1 you were you were >

o

FTffi

I+FFH

rtrrFt

o

ffi ffil

Ftttfi

on - ly wait - ing for this mo -ment toa be on - ly wait - ing for this mo - menT to :>

co o vr r [email protected] 1968,1969 N OR T H E R NS ON C SLIMIT E D All RishtsAdmrnrsteredUv A"TnCfWOODMUSIC lNC. under licensefrom ATV MUSIC (MACLEN) " All RrghtsReserved InternationalCopyrrghtSecured

42

D7

C oo

ffi

1 ' G2 .

A7 o Emm Llrlrtl

G ooo

TTTTN Lt-t-.trl

?+-t-4t FFFFH

F

D7

G ooo

o

+ IT

ffi FFI-IH

f-fl-F+t

ffi

ffifl

Em-l

C

Dm

c

n[

M,"MHffiffi ffi

ffi

FI-I-FH

oo

ffi

free. :>

Em-IDm

F

C,,

Bb

ffi'''mfffH ffiiffi

A7

D7

o

---ffi.''

ffi rrn-Ft

FIFI-FI

c

'ffi ffi

Ftrttl

I 0fr.

ffiff +f+i

ffiffiffi t-frfH ++FH H++l

rn-rFt

in - to the

G

GAmTc _jpp. .9. .. .ooo

o

A7

o

Trrn L+44t]

trl_!-ta

H1+H

D7 o

light of

r-r-.r-{-+J

dark, black night._

B7-i

Em-l

Lr-rrrJ

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trits FH

l-l-ffH

a

ffil

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C m-l o

43

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ffiffiffi

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ffi

mTT-n

Ft-trfl

>

Bb RT]-R HlH Ffft-fl

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H# H+-fiJ

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9.9

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Jude. NNNNV VNVNVNV

I'mSoTired BYrcNruLENNON ANdPAULMCCARTNEY cf

A

oo

F}.FrF

ffi

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Slowly

Hfrfl

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Drop right palm acIossstrings Ior staccato.

I'm so-

F

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ffi

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rfl-rh

ffrrF1

ffi

Hffi

have - n't slept a don't know what to

wink._ do.

I'm I'm

so

tired, tired

SO

D n*m

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ffi

mind mind

o

fl1l! F++l+ ffffn

is on_ the blink._ is set- on you._

F-L

ffi

ffi

lix

my - self

n n

a drink,

tro, no.

no._

won - der should I

FI

n \/ =

g

call _

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you,-butI NVN V

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ffi"'m'n' ffi

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know

nn

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what you would do'

n

n

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no joke,

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it's do - ing me harm.-Youknow I

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VI

I'm put - ting you on,-butit's

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can't sleep,

FI rr

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To Coda

--S three weeks, I'm go - ing

il - - - - - ' ; 'n V

V

in

n

sane.-Youknow I'd -l l

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give you

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though

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I'll have an - oth - er cig - a - rette,

And

ffi

curse Sir

Wal - ter

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n \/n

n

n.

he

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was

n

B S. al Coda

Dm7 X

Ffm t:

ffi'* ffi'"

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a

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got-

n \/ n n n \/nn|1

for a lit - tle peaceof

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TellMewhy

and PAULMcCARTNEY By JOHNLENNON Brightboogie4 A'7 Em? o*o

ffi f f i

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ffiffiffi

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Lay left hand lightly qcross strings for percussivesound:d'

V NV-

V -

-

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A7

Bm7

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ffiH

ffi

ffi

and

you cried,-

N

D

B

"ffi ffii A7

Em7

ffi

why you

to

lied -

V

V-

r*F

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ffiffi

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me

m e. -

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vn

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you cried,-

why

VN

N

VN V

-

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and

why

n

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you VN

lied

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94

me

D il$rl''

ffi 1. Well,

gavesome

2. n

VN

'ry - thing ['ve said

you ev thing that

V-

VN

V

I or

had,done,-

V-

Bm7

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A7

ffi

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you left me what,

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me sit and I'll

VN

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VNVNVN

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ffi Did you If you

VN

VN

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treat real -

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so go

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Bm7

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ffi

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All I do Hold - ing back -

VN

V

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is

hang my head and moan._ these tears in my eyes._

V

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V

N

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V1 1

VN

me (repeat) me (cont.)

VN V

A7

ffi

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ffi

and

why you

B

m

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o*o

ffi

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ffi

l_.>

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me.-

nn

N

VN

V

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FI'IFRI

ffi

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me V-

you cried,-

wh

VN

VN

V

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a--__-_/

and

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why You

lied

lr \ / n n \ / | 1 - vnnv-

n v- n

G7

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llvlvll

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-------------

'

-

NV -

VF V

V-V-

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ffitot'' Why don't we do

it

in

the

Why don't we do

road?- ----

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the

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ffi"'

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No one will be

n

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tt

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it

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watch - ing us;-

V

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llr r

D7 oo

ffi rrFril don't we

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-v-

do

it

in

--

the

road?-

- \/

Why don't we do it in the road?(Placeleft handlightlyacross stringsfor percussive sound) )

- \ / 'r v- . - v

-

VV-V N

V

-

B

D7 o

ffi rtt-rn Why don't

99

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V-

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BB

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be watch-ing

v

us;-

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,-.

don't Fr

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why-

we

do

it

in

the

n

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don't we

road?-

- VNVNV

do

in

it -

the road?

|.1 >

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100

-vn

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Why don't

Why don't

we

in

n

V|rV

the

road?

V-

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D7 o

ffi

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it

the

road?-

l' ] \ / -v n-

B

A

ffi

D7

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ffi

5fr.

one will

be watch - ing us;_

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3fr.

N.C.

Whydon't we

rTtt't-l

do

it

in

the road?

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101

rm HappyJustTo DancewithYOu and PAULMCCARTNEY By JOHNLENNON

Moderately Gultar + (Capoup

' 4frets)

Dm

Aln o o

ffi

Fffi rrrrn

Dm

ri#

ffi

n-n-n c$m

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Keyboard+ Cf m

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ooo

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ffi

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1. Be

this

V-

I'M

love you

n

ffi

ffi

B7

B7

Ff,m

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G7

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so hap - py when You dance

VN

VN

VN

with

VN

Ido

me,

V -

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Dm7

Am7

Fffffl

-

VN

or or

V

hold hold

lr

your you VN

B7

Ff m7

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kiss hug

ffi

m

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hand,tight,-

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@ 1964 N OR T H E R NS ON C SLIMIT E D CO PV rrght ) S B KU N A R TC A T A LOCINC from A T V MU S IC(MA C LE N& O D, f i'Ubi dl i C .-under-l i cense d y BL ACKWO Al l R i g h t sAd m in ist e r e b '- Ril nightt Reserved InternationalCopyriShtSecured

102

I'll

n

Dm

Dm

think

through,-

dance

it's just

n

c

Dm7

Am7

Hffi

ooo

rffi-n

Ff m7

CfmT

and try dance with

fun - ny wan - na

ffi

ffi Frflt1

ffi

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G7

un - der you all

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stand.night'-

ls

this 11

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C

F

ffi

Am7

oo FFFIF

ooo

ffi t-fffi

IIII I I ItI tl t tT I I I I

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real - ly noth - ing world there's noth - ing

n

\/-

else I'd rath - er I would rath - er

'Cause I'm

n

n

:> Il

I'

I

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m Dm

ffi

ffi B+

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hap - py just

I r.c

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to

dance

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llr.c

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ffi

fiffi B

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with you.

2. I

don't you.

Just to

NV

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m ffi Dm

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oo

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with you.

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oh-

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n

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)

is

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-'ry

thing-

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ffi

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F$m

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o h -) Be - fore

this

dance

think I'11 NV

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ffi

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ffi rtrtrl

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love

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ooo

you

l

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I'm

too,-

so

V -V

F

hap - py

when

you

dance

with

NV-VN

Am7 ooo

ffi

ffiff

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m e.

If

|.l

nvn

some- bod -

v

tries

to

take

my

place,-

NV

VN

c oo LLITI I Iat I'I]II IItttl

] I I

E

let's

vl t

1U

- \/ n

pre -

tend

V-nVnVnV

we

just

can't

see

his

face-

Dm7

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F

ffi

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ffi HIJ]I

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In this world there'snottring I would rath - er FI

Am7

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{ 'CauseI'm I I've dis -

do

V

VN

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dance love

ffi

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f,ffi

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with you. with

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you.

nn -

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ffi

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oh-

)

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to dance

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n

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3;:g. & Solo)

oh,

oh,-

|l

105

Man BabyYouireARich McCARTNEY and PAUL LENNON eY-rcHN

Moderately

C/G

G7 -^

fFm3fr.

Tflftrr'. ffi

F4+fi

Play 4 times

Restrisht hand on strings as you play for a muffled effect for the entire song' Lift prbssure of left hand for percussivesound ,l

mf -

n\/-

-vn

G7

CIG

ffffi3fr. f.ILLl

fFm3fr.

Tftft

l. How does 2. How does 3. How does

to to to

feel feelfeel -

-

be be ,:

one of one of one of

tTfTIl

the the the

beau beau beau

ti - ful ti - ful ti - ful

peo - ple? peo - ple? peo - ple?

-

-

- \/ n

- \/n

FB-

G7

ffi Now that you How of - ten a Tu nedt o -V-r

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know- who You have- You been n a t - u -ra l - V-

NV

11\/-

ffi

3fr.

be?know.way.-

to what do you wante - nough- to of - ten that to behap - py

arethere,E,llv

.n

n\/-

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-V -

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n\/

G7

mEF3f'.

fpffi3fr.

I.IFFH

Hffi

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Lift muffledsoundfor this one measure

you And have you What did Now that you've

-

n\/-

traY seefound-

eled when an

- Vn

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ver you oth

Co p yr [email protected] 1967 N OR T H E R NS ON C SLIMIT E D (MACLEN) All RrehtsAdmrnrsteredUv btAEkWOOO uUStC lNC. under ltcensefrom Ary MUSIC AII (rehts Reserved InternatlonalCopyrlghtSecured

106

n

far, therekey-

F

ffi

:

G7

CIG

{rrr-3fr. 1l t at t

ffilr'. Hffi

t. I TTI rtrln

#**:1fr:

can see?- (repeatto verse2) n't show?- (continue to chorus) play?- (continue to chorus) to

does going-

.

-|1Vl'f

-V-.V.

-V

-

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you're a Ba - by rich No muffledsoundfor thissection

Lift muffled sound for this one measure

n\ /

-v-

--

Ba - by

man,

F!

:>

you're

rich

man,

|.ln\/--

B G

ffi Ba - by you're a

--v.

rich

man,

-n

too.-

You keep all

your mon - ey

n--

l l |.' ]

lna \/

l.r

-

B

C

G

ffi"

ffi'o big brown |.1 -\/

bag-

-n -v

in - side

a

-

a-\ What a thing to

zoo:'-

V-

- n\ / n n -

do!-

- nv

--

vn

BBB

197

G

r#

Effi Ba -

you're

by

rich

a

man

Ba - by

you're

a

man,

rich

n- v - -

C

G

ffi Ba

-

- Vn

-V

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rocoao ffi

you're

by

a

rnan,

rich

NV

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G

+"# ' C

F+*

Cod

ffi

Ba

too. -

- by

you're

a

rich

--\/-

--\/

BB

G

[email protected] FIFFF

flffi Ba .- by

n-\ / --

108

you're

a

rich

man,

Ba - by

Repeat and fade

you're

a

rich

T'

Help!

Moderaterv in2 By JOHNLENNONand-PAULMccARTNEy Bm

Bm/A o

ffi

ffi

I

need

V-

:>

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some - bod

:>

G/FI Fln

ffi

ffi

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n

:>

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Vn

Not just

a n-Y -bod

V-

!

V

y,

n \/!

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need

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ffi

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-v

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Y,

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V-

You know I :>

V-

V-

V

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Tacet

some- one,_

n

ll

t/-

V-

m.'' c fm

( 3rd versestrum)

1.3.When I2. And now-

---

was my

young- er, somuch young- er than- to life has changedin, oh,- so man-y

day, ways,

:>

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a n - y - bod-Y ' s pen- dence seems-to

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V-

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ffifl

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c$m A,^,_ ttaatt tltill

But But

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V-

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these 'ry

days now

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not feel

so so

V

A

G

F$m

ffi Hffi

self- as-sured in - se -cure,

oo IFFT ElfTfl F{-t-f.|-l

[email protected] FFFFH

Effi

2fr.

Now I find know that I

I've just

changedmy mind, need you like

n \ /n

n

:>

I've o - penedup the doors.done be - fore.I've nev - er ---

:>

n

>

-v-

l>

V-

V

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Bm

ffi Help

--

110

me l>

if

V-

can,- I'm

you

V-

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feel - ing

down,

And I | . 1:>

do-

G

G/Fil

ffi

ooo FIIIF

flffi ap

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ft

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v- \/-

round.

v

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Help me get-

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!

my

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back

on

the

ground.

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>

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Won't you

v-

A

Ah# HTffl

rffi C>

lr l '' F #m FFm2fr.

ffi

Tacet

A6 FFFIfi

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111

AHardDay'sNight and PAULMcCARTNEY ByJOHNLENNON

G7sus4 xoo.t

With a beat

ffi

G X *9,.

ltxffi

G

F.n+n

@

F

Hffi

ffi

day's all

hard work

1.3.It's been a 2. (You know I)

CaddD

nightdav\/-

-n

Dm7

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FrFt+l

ffi

flffi

to

dog.like a buy You things.-

It's been a hard And it's worth it just

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ffi tit-fn

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I should be sleep- ing You're gon - na give me

n-

like

lr

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youhome-

v-

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But when So why

log.thing.-

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NV

the find I I 'Cause when

.-v-n-

thing get

that You

You a -

:>

@ 1964 N O R TH E R N S O N C S LI M I TE D

:>

dolone\/-

will you

make know

-

COPY TI ght rNC' cArALoc bvBLACKWooi,*y:S5#d';l::*:J;:[tiY,[nY1;t ffittt*) & sBKUNARr Adminisrered ArrRishts

1't2

I I

-v-

-

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home to come to

nightsay-

day's hear you

r?in

o

'r?iTl flTffi

to

\/--\/

Dm7

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work - ing mon - ey

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v

G

ffi

get lov.e

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and I've been to set vou

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me I',1l

G

C9

ffi

ffi

oo FFFR

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To Coda

+ ffi *

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al

2. You know

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be, -

V- V

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l't .G l'

Bm

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ffi

When I'm

home_

ev -'ry -thing seems_ to

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al -

V- VN- VV- V

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Bm

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ffi

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right,-

When I'm

V -V -

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home_

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D.S. al Coda

feel - ing you

nv

hold

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tight,

yeah, 3. It's been a

\/-v-\/-\/-\/n

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+

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F

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ffi

ffi (scream) FI

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home-

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be-

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to

be

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feel - ing you

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152

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Hello,Goodbye

and PAULMCCARTNEY By JOHNLENNON

Moderato

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Dm

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hel - lo,-

I

hel - lo,

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Co o [email protected] 1967 N OR T H E R NS ON C SLIMIT E D All Rr- e h r sAd m r n r sr e r endv a lne K WOOO MU S ICIN C underhcensefrom A T V MU S IC(MA C LE N ) All RrghtsReserved InternattonalCopyrrghtSecured

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don't- know

I

why

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say

hel - lo,

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171

She'sAwoman

and PAULMCCARTNEY By JOHNLENNON

Fairly bright, with a strong back beat

D7

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ffi

[email protected]

ffi

Ffffl-1

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ffi

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Co p [email protected] 1964N OR T H E R NS ON C SLIMIT E D All RrehtsAdmrnrsteredbv bLnefWOOD MUSIC lNC. under ltcensefrom ATV MUSIC (MACLEN) " All RightsReserved lnternationalCopynghtSecured

172

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175

HoldMeTight

and PAULMCCARTNEY By JOHNLENNON

Moderato

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F

ffi

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CO PV T [email protected] ht 1963,1964N OR T H E R NS ON C SLIMIT E D MU S ICl N C . underl tcensefrom A T V MU S IC(MA C LE N ) All Rr sh t sAd m r n r st e r ebdv S "LnC K WOOD " All RrehtsReserved InternatlonalCopyrrghtSecured

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(me tight)- to - night,-

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178

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By JOHNLENNON and PAULMCCARTNEY Dm7

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[email protected] 1968 NORTHERNSONGSL|M|TED Al Ridlrs 'rdrrwraered by BLAaKwooD MUStc tNC. under license from ATV Mustc (MACLENI All Rights Reserved lnternational Copyright Secured

179

Bb ffitr

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and PAULMcCARTNEY ByJOHNLENNON Moderato

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When you sigh, sight Just the NVNVNV N

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Co p yri [email protected] 1965 N OR T H E R NS ON GSLIMIT E D All RiehrsAdminrstereduv BlAerwooD MUSIC lNC. under licensefrom ATV MLrSlC(MACLEN) " All RightsReserued InternationalCopyrightSecured

182

lY

Bb

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ffi

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[email protected]

ffi H{ffi

love

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and that is

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all.-

feel_

the way I

gn

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183

Girl

and PAULMCCARTNEY By JOHNLENNON

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KeYboard* 3------'t

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Co p y nghtO 1965 N OR T H E R NS ON GSLIMIT E D (MA C LE N ) d b iA t-fWOOO MU S ICl N C . underl censefrom A T V MU S IC All Rr e h t sAd m r n r st e r eUV All (rehts Reserved InternattonalCopyrrghtSecured

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m Dm

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Know YourMothershould and PAULMCCARTNEY By JOHNLENNON

M oder at e l y() ) )J t o b e p l a y e d l i k e

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197

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and PAULMCCARTNEY By JOHNLENNO'N Brightly G7

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I'd get I'd try VN

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26

PaperbacKWritgr and PAULMCCARTNEY ey JoHNLENNON G7

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Bright Rock

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Pa -

wnt - er, --

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ffi or l. Dear- Sir 2. It's a thou - sand

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read take

based make

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book? It took me Years I'll be writ few;

my a

on it

a

n o v -e l loug - er

b Y a m an if You like

to ing

write, more

named the

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Mad - am will You Pag - es, give or

will you take a look? week or two. a in

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it

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I

job 'round

so and

It's can

want to want to

be be

a a

pa - per - back p a - p e r-b a c k

writ writ

pa pa -

oft

er

per - back per - back

G7

ffi writ writ -

It's the dirt If you real -

er.-

n

v

of a dirt - y you can have the

ly

man,rights,-

and hi, it could

-

cling make

-

ing a

wife does - n't un - der - stand. mil - lion for you o - yer - night.

If

His you

son must

FI

Mail;here,-

It's But

a stead - y I need a

j obbreak-

but he wants to and I want to

is work - ing for the re - tum it you can

bea bea

pa - per-back pa - per-back

207

G7

ffi

--]tr tr

G7

ffi

208

Repeat and fade

,.jlry,

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