Bb Blues

Bb Blues Guidetone Exercise Selections from Bebop & Swing Guitar 

Emily Remler 

Swing 

Bb7

Eb 9

Bb 7

                               7

6

Bb 7

6

8

6

7

6

8

8

6

8

Fm7

7

8

8

6

8

Eb 9

3 

8

5

6

7

8

8

8

D #7

Bb 7

A7 #5

A b 13

G7 #5

                                                                     5

6

6

6

8

6

6

6

6

8

6

6

8

6

7

7

8

Cm7

6

3

5

2

3

3

4

Cm7

6

F7 b9

3 

4

5

3

2 3 2

5

6

4

6

G7 b9

6

3

5

8

Bb 7

3 

2

4

5

8

F9

9

4

6

9

7

5

3

6

6

6

8

5

9

8

5

8

7

8

                                                                13

Eb 9

Bb 7

Fm7

Bb 7

Bb 7

6

3

3

1 2

3

2 3

3

6

5

6

7

8

8

8

8

6

5

6

7

7

8

8

Eb 9

Eb 9

Bb 7

A7 #5

17 

8

 

6 6

8

9

8

6

8

8

9

6 6

8

9

8

6

8

9

6 7

7

6 6

6

6

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2

A b 13

Cm7

G7 #5

Bb 7

F7 b9

F9

G7 b9

                                      20

3 

 

3 

4 5

5

5

4

5

4

4

4

6

4

2

3

3 5

5 6

9

7

6

8

6 8

7

9

7 6

6

Bb 7

F7 b9

Cm7

3

5

6

8

9

8

Eb 9

Fm7

Bb 7

Bb7 #5

                           24

10

 

7

8 8

5

8

5

10

9

9

10

10

11

10

6 7

7

6

6

7

7

8

7

7

Eb 9

Eb 9

Bb 7

                             29

3 

3 

6 6

6

8

6

8

8

6

8

8

6

8

7

8

8

7

8

8

8

6

F9

Cm7

0

5

F7 b9

                        33

3 

3 

6

 

6 7 5

11

7

10 11

8

10

8

6

Bb 7 35

10

8

Eb 9

Ab 7

Db 9

Bb 7

9

8

10

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3

Chord diagrams diagrams for Bb Blues

 38



  Bb7 

Eb9 6fr 

Ab13

D#7  5fr 

Cm7 

G7 #5 4fr 

F7 b9

4fr 

Bb7 #5 7fr 

6fr 

A7 #5

Fm7  4fr 

8fr 

G7 b9

F9

8fr 

5fr 

7fr 

9fr 

Db9

Ab 7  4fr 

The diagrams above represent a few chord choices that can be used for this study. There are many alternate chords that can be substitued and other fret positions or inversions, than can be applied over this melody. The simplist approach would be to have only 7ths in place of any 9ths ,13ths, b7ths, or #5s. The comping arrangement is added to show what Emily implied with her melody notes, and is not anything that she actually played for this particular exercise.