Bare Necessities Arrangement for Orchestra

August 6, 2017 | Author: simanthropy | Category: N/A
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Short Description

Original arrangement for symphony orchestra and soloist...

Description

The Bare Necessities Arr. Simon Nathan

Piccolo

Terry Gilkyson

  

Flute 1,2



Oboe 1,2

Bright tempo (with spirit) - swung To Fl.                ff                   

          ff

            

Alto Saxophone 1,2

ff

ff

a2         

Tenor Saxophone 1,2

ff

  

Baritone Saxophone

Bassoon 1,2

Horn 1,2 in F



Trombone 1,2,3





    

           ff

ff

               

         ff        



 



 



Piano

    





Bass Drum

Shaker

    

       ff  Cups            ff          Cups   

Trumpet 1,2,3 in Bb

Drum Set

ff

 

Horn 3,4 in F

Tuba



      ff





Banjo

Vocal

 





















































 



































     













 













   













  

 

   

          

                   



                



 













       









 

A7







D7

G7

 





 C















Violin 2

Viola



Violoncello

Contrabass





           ff

      

              ff

ff

 

    

ff pizz

 

ff

  



 

 

F

C





    







    

 



















   



4













  











mp

mf



mf











C7

    

bare

                          

 



  



    

          

 



    

                           



mf Ad lib. - Keep Simple

Look for the

         

   



f

Bright tempo (with spirit) - swung



       sf secco   



     

 Violin 1 







G7(#5) C





     



                            

ff

ff



                    

brushes  





solo (pizz)





            

  F

 







FŒ„Š7

    

        

ne - cess -



 F7

 

  



C

             

ties the sim - ple bare ne - cess - i - ties for - get a - bout your









































   

mf

 

4

 

    



  





2

 



















Fl. 1,2





















Ob. 1,2





















 



















 



















 







































 







































 



        

























10

Picc.

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2



Hn. 3,4

Tpt. 1,2,3

1. Solo (Cup)

mf



Tbn. 1,2,3

Tba.

Dr.

Shak.







 







 

 







   











































8









12





























Vocal

          







8



       



 





A7

 

   

D7

 



 

   



wor - ries

and your strifw

G7







G7(#5)



      







C



 C7

I mean the

 







     

        

bare

nec - e - ssi- ties

Old mo- ther

na - ture's







F7

    

 

re - ci - pes

that







C



A7







D7

G7

      

brings the bare ne - ces - si - ties













































































   

   

Vc.





 

 

     



   

 









       



Vla.



                   

F

               

12

 

Vln. 2

Cb.







Ban.

Vln. 1







Pno.



   

 

of

 

3

 



















Fl. 1,2





















Ob. 1,2





















 



















 



















 







































 







































19

Picc.

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2



Hn. 3,4

        

Tpt. 1,2,3

mf



Tbn. 1,2,3

Tba.

Dr.

Shak.

Pno.



 



    





 







 

  



   









Vocal













 

 



C

  

 



  

    

F7

life

C











G7

    

Wher - e - ver I wan - der







  

 

 







    

 









   







4



















         



         



       



 



4

       





C



 

   



      

  

     

   

wher - e - ver I



go



I could - n't be

 

            









G7

fon

 -



 



      



          



der



of my sweethome















































































Vla.

Vc.





   

 

   

      

  



   



C

     



 

Vln. 2

Cb.





Ban.

Vln. 1

 



 



         

          



      

4

 





















Fl. 1,2























Ob. 1,2























 





















 





















 











































 











































     







































28

Picc.

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2



Hn. 3,4

Tpt. 1,2,3

Tbn. 1,2,3

Tba.

Dr.

Shak.









 



















           

  



  



        

fill

        

8









  



 8







 12

   







  

 



















 























Vocal

  

12

                     F

F‹

C

D7







Vla.



Vc.

 

 

pp

 



 

pp

 

 

 

 

mp



mp

pp

mp

 

pp

 

mp

 

pp

 

p

 

 

 

mp

pp

 

mp

 

p

pp

mp



G7

when you look un- der the rocks and plants and take a glance

 p

pp



mp

 

D‹

       

                                          

A7

  





Vln. 2

  

C7

 

A‹7

 



the bees are buz - zing in the trees to make some hon - ey just for me

Cb.





Ban.

Vln. 1

 





Pno.



 

     

p Tutti

                   p

  

   

        

 

   

D‹

G7

C

at the fan - cy ants then may - be









try a



 





 



 



  

  



  

    



 

       

 

38

Picc.









        1. Solo



























1.

 

















2.

 





































 





























































mf



3

                   3

3

mf 3

3

mf















 





 



mf

(ad lib)               

 

  

 











    

    









4



  















 4



  

   





















































Ban.

Vocal



A7



  

       

  



 



     



     

 

  

   

few

  

Vln. 2



Vla.



Vc.

Cb.





Tbn. 1,2,3

Vln. 1





Tpt. 1,2,3

Pno.





Hn. 3,4

Shak.

               



 

Bari. Sax.

Dr.

3



Ten. Sax. 1,2

Tba.

3



Alto Sax. 1,2



mf



Ob. 1,2

Hn. 1,2

5



Fl. 1,2

Bsn. 1,2

         

Flute

 





 































   

 

  

pp

pp

   



D‹7

 

The bare nec - es - si - ties







pp

pp

    





 

      







of

    

mp

 

    

mp

 

  

 





G7



C





A‹







4

D‹

              

life will come to



you

 

G7

   

they'll come to

         







 

 

 

 

 

 

mp

    

    

    

    

 

 

 

         

 

mp

 



6

 



















Fl. 1,2





















Ob. 1,2





















47

Fl. 3

  

Alto Sax. 1,2

Bsn. 1,2

Hn. 1,2

Pno.

mf

       

mf

 

      

a2

 

      

 

               

 

    







 

     

    







 

     



     

    







































 













































     



mf

  









 

C

F





  

C 

you

  

Vln. 2



Vla.



Vc.





f

 



 







 











  



  

mf









C7

   

bare

 

















   





  







    







4





















   F

 

4







FŒ„Š7

     

        

ne - cess -

ties

F7

 

 

C

     

       

the sim - ple bare ne - cess - i - ties

for - get a - bout your

 A7











 





 

wor - ries



   

  

and your strifw





 







          

        





 



          



 





        

   

 

      

   

 

     

mf

 

 

D7

        

 

mf

        

   

          

mf







mf





1. Solo





mf



  



                                              

    



 





mf

Look for the

 

   

      









sticks





     mf

 



Vocal

Cb.

     mf

  

 



Ban.

Vln. 1

             

 



Tbn. 1,2,3

Shak.



               



Tpt. 1,2,3

Dr.

  

            



Hn. 3,4

Tba.





mf

  

mf

  

Bari. Sax.

 

mf

  

Ten. Sax. 1,2

        



   







 

   

     







 

     

 











56

Fl. 3

Fl. 1,2

Ob. 1,2

mf







   

       

     

 

 



   

 

 





   

 

 



   

 

 



 

















     

















 









 





  

   





Vocal





G7





G7(#5)

        



Vln. 2

Vla.

Vc.





C

          I mean the

 



 bare









  

Ban.

Cb.









   

7

 







                   



  

         



                 



                    

  











 



   

     

 



   

     

 



























   





f





Vln. 1

                                                



Tbn. 1,2,3

Pno.

     

       

Tpt. 1,2,3

Shak.



 

Hn. 3,4

Dr.

mf



Bari. Sax.

Tba.



                

                   



Ten. Sax. 1,2

Hn. 1,2

    

mf

                  

       

Alto Sax. 1,2

Bsn. 1,2



   



  

 



























4

















4

        



F









 

 

 



  

 

 

mo - ther

na - ture's

nec - e - ssi - ties

Old

        

 F7





 re

-

 







 



ci - pes

that







        

C7

















 C









A7





D7





G7

       

      

brings the bare ne - ces - si - ties

  

                





     





C

F

 





   

of

life



   









       





   









        











       

      

   







   

 

 



 

 

 







   

 

 



 

 

 









   

 

 

      



   

 

 

 

 

8

 

















Fl. 1,2



















Ob. 1,2



















 

















 

















64

Fl. 3

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2



    







































 



































Hn. 3,4

   

Tpt. 1,2,3



    





Tba.

Dr.

Shak.

Pno.







 

   



3







   





















4









  

 































Ban.

Vocal



  



C



 







G7

  





  







      















    

Now when you pick a paw -paw

from the prick - l - y







C

  



   

   

4

               

    



      



  







 

 

  





G7

  

   

 

   

 



   





      

    



3





       

pear

 







 



3

3

mf



    



3

3

Tbn. 1,2,3











 



  

And you prick a raw paw



 

       



C

   

    

well next

time be -ware

 





























































Vc.





















Cb.







Vln. 1

Vln. 2

Vla.



  

solo









  



  

  



 





   

9

 



















Fl. 1,2





















Ob. 1,2





















 



















 



















 







































 















72

Fl. 3

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2



 

Tpt. 1,2,3

Tba.

Dr.

Shak.











  

 





























        

  

   



           F





   

(quasi solo)







   

















 







 



  







 





          

                      



F‹

C





C7



        

      





4

4



  

   

  



   

        



        

  

D7

 

A‹7

but you don't need to

  

A7





 









  





    

  

 

 

D‹

 



      

G7



 

   

D‹

G7

          

use the claw when you pick a pear from the big paw - paw

 















































































Vln. 2

Vla.

Vc.

Cb.





don't pick a pric - ly pear with the paw, when you pick a pear, try to use th claw

Vln. 1





 

Vocal







Ban.











 

 





Con Sord

mp





Pno.





Tbn. 1,2,3



mp



Hn. 3,4

Con Sord

 







      



  

 

  



   



  

 



   

10

 





























81

Fl. 3

Fl. 1,2

Ob. 1,2

 

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2





















       

















    

Tbn. 1,2,3





Tba.



  

 

 

 

 

 

 

solo







      

f

   



        

Dr.

Shak.





 

Pno.





Ban.

Vocal

  



 

  



 

 

           







 





    







    









  

4

4



       

   

   

       

  

 

       



A7



 











 











Vln. 2

Vla.









f

f

     f (Cups)      

     

 







more jazzy







f





















Cb.





  



 

 

 

    

  

  

   

   







 

of

                   

f





     

 





 

 

   





D‹7

f tutti





f Vc.





f



 

   

f



To Tpt.                             



      





              

The bear ne - cess - i - ties



     

                 

f

  

Have I giv - en you a clue?

Vln. 1

  

       





    



  

C





       



 







f



1,2 To Cl.



(Cups)

 



           

            

f

    



f

f

 

 

           

    

pp 1. Solo - ad lib

       





 

 

f

              

pp

 

   

Picc.     To   

f

  

   

             



mf

 

Tpt. 1,2,3



 

 

Hn. 3,4



f

 

Alto Sax. 1,2



G7

   mf    

C

    

A‹

       

     life will come to



you

                                         

       

11

 



















Fl. 1,2





















Ob. 1,2



       

































 



















 





    





























90

Fl. 3

 

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2





f

     

















  

      



















































 

Tbn. 1,2,3



Tba.







4



  













Vocal

4







 4

































D‹

G7

C

F

C

C7

F

FŒ„Š7

F7

C

A7

   

   

   

(exposed for 32 bars)



 



 

         













 

        

pizz

  



  



  



  



p pizz



 

 





p













mf





pizz

p pizz

p Cb.

  





 

Vc.

(exposed)





you

Vla.



   

    

They'll come to

Vln. 2

                    

     f solo



Ban.

Vln. 1



      







Pno.

     

Tpt. 1,2,3

Shak.

f

 

Hn. 3,4

Dr.

  

     

  



solo arco

p solo arco p solo arco



p solo arco



mp



                     



 







                   



p solo

     

 

 



 





mp

        

  

    

    

      

        

  

      





 

 

   

 









 



 





12

   

Piccolo solo

 



Fl. 1,2





















Ob. 1,2





















 





















 





















 



















99

Fl. 3

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.



















f

 

   

1. Solo

f



solo

  

f























 











































 





















Tbn. 1,2,3























Tba.



Bsn. 1,2

Hn. 1,2



Hn. 3,4

Tpt. 1,2,3

Dr.

Shak.

Pno.







  



   

end solo                

 

























 8







 12

























































D7





Vocal

  

Vln. 2



Vla.



Vc.

Cb.

   

 



Ban.

Vln. 1

    





  

G7

 



G7(#5)

C

C7





              

p

   



A7

D7

  

pp



mp



 



  

mp



                 







pp



mp

          pp



pp



 

C

  

mp

   

F7





pp



F

G7

                         

mp

  



 

pp

 

mp

pp

mp

pp

mp



p

p

p

  



C

16

F7

C

        



  

           

    

  

          

    

  

                

  

        

  

p

                       

 



      

  109

Picc.



Fl. 1,2



 

 

Ob. 1,2



   

 

                      











                          



 Alto Sax. 1,2















 

  

    







                     f        







13



  



    

f

   



 

                    f       (Sax still clipped on)

 

Cl. 1,2

    

Bari. Sax.

Bsn. 1,2

Hn. 1,2



 

Hn. 3,4

Tpt. 1,2,3

Tbn. 1,2,3

Tba.

Dr.







   



           

             

      



















 







































mf

   

















 



   



 





    

 

   

    





     

 

   

 

   

   

 

     

 

   

 

   

       

 

     

 

   

 

   

       

  

          



 

  

sim ad lib (30 bars)

sim ad lib (30 bars)

f

    f             f



   

sim ad lib (30 bars)

 

                                                         



C7





   

 

 

F

 

 

 

FŒ„Š7

   

F7

C

 

     

A7

     D7

 

   

 

G7

  G7(#5)

   





































































Vc.



Cb.





 

f (add another player on another shaker)

f

           

sim ad lib (30 bars)







         

 



 







Vla.









Vln. 2

                         

    



Guiro

Vln. 1







Vocal

   







Ban.

mf







Shak.

Pno.







Cabasa

Wshbrd.

a2



Clarinet in Bb

    

 

 

      

   

 

 

   

tutti pizz

mf tutti mf

                     

       

               

          

14

  117

Picc.

Fl. 1,2













Ob. 1,2

 

Cl.

Bari. Sax.

Hn. 1,2



      







      

 

  



  

  

 





      



 

  



  



   



     



  



  

 

     



     





  

  





     





   

  



 

 

 







  

   

 



 

  

 

      

  











     





  





   



   





    







 

 





  





 

 





   

To Ten. Sax.

         

     

 

 































 















         























 



Ban.

1. Solo

ff





    







   

Shak.

     



  



 





  

      

    

  

     



     

  

       

 

C7

 

 

F

 



  







   

                         

C



      

   



  

  

  

  

  

                



  F7



   





       

      

  

  



            

  

           

              

                                        

    







 



  



C

A7



 

D7



G7



C

F7

   

C

   



















 























































     

   



    





   





    

   



   





  



Vocal

Vln. 2

Vla.

Vc.

Cb.



mf

   

Guiro

Vln. 1

  

mf

Cabasa

Pno.

  



      



Tbn. 1,2,3

Wshbrd.



     

  



Tpt. 1,2,3

Dr.

  

  

 

 

Hn. 3,4

Tba.





        

Alto Sax. 1,2

Bsn. 1,2





         



   

       

  



  

    

  

15

  125

















Fl. 1,2



















Ob. 1,2



















Picc.

 Alto Saxophone    

Alto Sax. 1,2



  

 



 

  

 



 

             



mp

 Tenor Saxophone        

Ten. Sax. 1,2

 

Bari. Sax.

Bsn. 1,2

Hn. 1,2





mp



     





  

  





 

  

  













 



  



     

      

     











   

 

 

    

 





 



































Hn. 3,4

Tpt. 1

Tpt. 2,3

                     

                        

 (Cups)    



 

  

  



 

  

  



 

  

  



  

    

 



 

  

 



  

   

    



             



    

mp

Tbn. 1,2,3



Tba.



Dr.



   





(Cups)

mp















  



  

    

 



    

     

       









    

 

  

      

Cabasa



   

 

   





 

 

   

 

 

 





   

Shak.



   

 

   





 

 

   

 

 

 





   

Guiro



   

 

   





 

 

   

 

 

 





   

   

 

   





 

 

   

 

 

 





   

Wshbrd.

Pno.





































C7

   

F7

 

   





 

 

C

   

A7

 

 

D7

 





G7

G7(#5)

   



















 





















































      

     

Vocal

Vln. 2

Vla.

Vc.

Cb.





Ban.

Vln. 1







     



    

                         

     

   





   

    

   



    

      

    

16

  133

















Fl. 1,2



















Ob. 1,2



















Picc.

Alto Sax. 1,2

Ten. Sax. 1,2

Hn. 1,2



 







   







                         











 







       























 

 







Shak.



Guiro



  



   

    

     

   

             

           

   

3

       



    



  





   







     



 

   





           





    



           

  





 



 



   

 

 

 

   

  



 

 

 

   

 

 

 

   

  



 

 

 

   

 

 

 

   

  



 

 

 

   

 

 

 

   

  





       

   

       



  

 

           

   solo   

fp

          

   



































       



   

C

 

 

C7

F

 

   

 

F7

 

 

C

A7

   

D7

G7

  

   







   





















 

































                              



    





   



  

C

















 



Vc.

  

 



Vla.



       

   

  







Vln. 2



      



   





Vocal

    

  

 



Ban.

   

 

                     

 

Cabasa



   



   



 

   





 

   

   



Tbn. 3

Cb.



       





Vln. 1

           



Tbn. 1,2

Pno.





Tpt. 2,3

Wshbrd.

   



Tpt. 1

Dr.



 

Hn. 3,4

Tba.

   

                                      

 

Bari. Sax.

Bsn. 1,2

 

   

snare solo

       

- "oh man, this is really livin!"

 





  



 





  



   

   

   

   

 



Fl. 1,2



Ob. 1,2



142

Picc.

Alto Sax. 1,2

17

Half speed, swung















 































      















      





























sf

Ten. Sax. 1,2

sf

      

Bari. Sax.

sf

Bsn. 1,2

Hn. 1,2



 















 



















 

















Hn. 3,4

      

Tpt. 1,2,3



1. Solo - rhythm very free

  



sf



Tbn. 1,2,3

Tba.

Dr.





  

Pno.





mp

2,3     







   

1 Solo - rhythm very free Plunger wa wa





 

mf



   







solo

mp

wa           

 



   3



wa

3





 



 







  













       





3

3

wa

wa        



 







wa     wa   wa  wa 







3







3

 









                    









3

3



 





        

          

mp

   sf      sfz

     

 

         





Very relaxed, single stroke chords Ban.

Vocal







 

      So just try to

Vln. 1

 

 



Vln. 2

Vla.

Vc.

Cb.



Half speed, swung



 

G7



      re - lax



 

 



yeah, cool it





C



        Fall a - part in



 





G7









 



'cause let me tell you something, little britches. If you act like that bee acts, uh uh'







my back - yard





































































 















18

Tempo I

  149









Fl. 1,2









Ob. 1,2







 



 

Picc.

















 



 





































 



 













 



 



 











 



 















 



 



Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2



Hn. 3,4















 







Tbn. 1,2,3

Dr.



3 3 3               

Tpt. 1,2,3

Tba.









 

Vocal

     

 





3





           

wa wa



3













 



 



 

                  













3      

      

F‹

 



   

    



   

 



  







C

3

3

  

F



3

And don't spend your time loo - kin a round





          



3

   wa  

wa

3

               

3

mf



           







wa

to Cup

  

  

 

      f                      



  

C

 

 

          3

for some - thing youwant that

can't be

 



     solo

mf

       









    

        









 

 

E7

found

When

 

















Tempo I













 



 























































 



 



Vln. 2

Vla.

Vc.

Cb.





You're wor - king too hard

Vln. 1

3

      

ride





Ban.







     



Pno.

 

   

             





  156

Picc.









   

a2





Fl. 1,2





      







mf

 



    

  

 





























Tpt. 1,2,3





 

2,3      

  



 

mf

 



 

2,3   



Tbn. 1,2,3

     

     





 



               mf



  

 

           

mf



  

 



 

  

 





 









Ban.



Vocal

 

 

 fill



 

mf

mf

   

 

  









 



  

  





    

                 



    



 

 





  

 

(Con Sord)



     f

   

 

     

 

           

 

     

                   f                

   

 

  

    

 

                     

  

   

  

A7

D‹



G7

D‹

G7

not thin - king a - bout it, I'll

C

A7

tell you some - thing true





      

















   



                                f

D‹7

      

The bare nec - es - si - ties

of

life will come to

































































































 

     



Vc.

 

G7





Vla.



little more upbeat

 

Vln. 2



                   

 



A‹7

                 

                     f

(Con Sord)

 

  

f

        

you find out you can live with out it and go a - long

Cb.

               



Hn. 3,4

Vln. 1

              

 

 

            

 

mf

 

    



     

     



19

   

             f



     



   





   f

 

Bari. Sax.

Pno.



       mf

Dr.

 



Ten. Sax. 1,2

Tba.

f

 

mf

Hn. 1,2

  

a2



Alto Sax. 1,2

Bsn. 1,2



mf



Ob. 1,2



 



      f                      

20

 

  



 

165

Picc.

Fl. 1,2



Ob. 1,2

 

Bari. Sax.

Hn. 1,2

   

     

Ten. Sax. 1,2





  

Hn. 3,4

                   

 

       

Tpt. 1,2,3

f



Tbn. 1,2,3

    

Cups

f Tba.

Dr.











 



 

   



f

      

Alto Sax. 1,2

Bsn. 1,2







   























       3  f 3                         

f

f

  

 

f

  

 

f

  

 

    













a2





  

f a2

   



        f   

    

   

 

  

   

     



     

  



      





 

  









 



  













f

3

3

 

    



 





   



 













          

a2

















          

  







   

  







mf a 2 Open







  



    





 



f

     







  





   





   

  





    

3

3

sf

sf







sf

sf





   

sf

 



f

mf





Open

moderate fill





f

  

         



   

a3

4





3

f

f





3



  

   







  

sf





fp



fp









upbeat

 

      



   





f Shak.

 

Pno.



Ban.

   



   



C



Vocal



A‹

   

  

   

f

D‹

G7

 

 

   C



 

 









F

  C 







 

 



they'll come to

you

































Vla.

  

mf

 C7



  



Look for the

 

Vln. 2

f





  





   















 

   









    





F

 FŒ„Š7







 





the

sim - ple

bare

ff

you

Vln. 1

  



  

f

   f    

 





bare

ne





   



 









   



 











arco













-

cess -

ties



ne -

   



 











 













 





f



Vc.

Cb.





 

 

 

 



mf (pizz)



mf

  172

Picc.



Fl. 1,2



Ob. 1,2

Alto Sax. 1,2

Ten. Sax. 1,2

Bari. Sax.

Bsn. 1,2

Hn. 1,2



                   3 3 3 3                                3

3

3

  

 





 

 







                            3

3









       sf    





      sf      sf

Shak.















3

3

3

3

3

3

3



  

         

     

 

  

         

   

 



                                     3 3 3 3 

    





    

   

                 

    





   

 a2     



  

         

 

  

           

   

          



      

 



 







   





 





           

 











4









8





















Vocal

4

 















 





-

i - ties





 





 

 





 

Vc.

 

F7



Vla.





 

Vln. 2

 



cess

Cb.





3





Ban.

Vln. 1



                             

3

    

                     

sf



3

 

     





3





Pno.

3

 

Tbn. 1,2,3

Dr.

3



                          



21



3



3



Tpt. 1,2,3



                                 3 3 3

 

Hn. 3,4

Tba.

3

                      



 

for



            



C

   

-

   

get

a - bout your

 

A7





 D7











  





 

  





wor - ries

and your strifw

  



   





   

 

  





   

 

  













      



 

 



8





G7





G7(#5)







 



C

              I mean the



bare

 nec

    

              







 

  



 





  

 

  

  



       



    

22

  178

Picc.



Fl. 1,2



Ob. 1,2

 

Bari. Sax.

Hn. 1,2



Tbn. 1,2,3

Shak.







            

        









   

   

  





   

       

  

       

      3  5                     



   

        

    

5

   

   

     



         

            a2

            



         





     

           



 

 











                      

         

   

     

     

       





 



            

     







5





   

   



    

   





   

   

  

     

          



5

          





5

    





          



 

       







 







                                   











 





 



           

solo fill (ad lib)



12























   







      

Vc.











C7

 

   



    

   

 

Old

F

mo - ther na -ture's

        

 F7







 



   

re - ci - pes

     C







A7

       

  



D7

 

 



 

      



 

 

 



   



 

 

 





 

   







 

   



  



G7

 

   

that brings the bare ne - ces - si - ties

 

 

Vla.





e - ssi - ties

Vln. 2



       

12

of

 C





16



F





   

C

   



"sing it!"

  

         

 





 G7(#5)





  that



 

                    

 



life

                                               

 



   

       

5

 



Vocal

Cb.



   



Ban.

Vln. 1



           

    





Pno.



           

              

        

                            

        



Tpt. 1,2,3

Dr.



 

Hn. 3,4

Tba.



   

Ten. Sax. 1,2

    

     

   

Alto Sax. 1,2

Bsn. 1,2

    

 

 

 

 

 

 

 













  

 

     

  185

Picc.

Fl. 1,2



Ob. 1,2



      

Ten. Sax. 1,2

 

Bari. Sax.

Hn. 1,2











B. D.



Shak.





      





Ban.

Vocal

    

    

            









        





          





          





        



    



          

                    



f





A7

Cb.





            

            

 







 





  



D7

 

   



G7

 C





ff





  more showy (ad lib)          

   

            



F





C



G7(#5)

   

that



   

                   

   

          

     

  ff



 

ff

ff

 

ff

 

ff





          



C

                   





            

 







   



 









D7

 





G7

   

sfff

sff

      

C

F

f







 sff

 

    

    

ff

    

    sff      solo



   

a2







     

 





      









    C   

      







        

   

 

brings the bare ne - ces - si - ties



                       



   

 





A7



           



   



sfff







fff





23

3 3                    fff 3      a 2 sfff             fff 3 



   



life



    





                 

 

    

    

                3 fff 3                         fff 3 3                         3   fff 3                       3  fff 3                     3 3

       



"take me home"

           

 

ff

or "one more time"          

        





20

     

of

 

ff





        

ff

Open

    

   

 



   



ff

 

   

      

       

 



   



Vc.



    

5

ff







Vla.





C



Vln. 2









   

         



brings the bare ne - ces - si - ties

Vln. 1

 

ff





 







    













         





ff

                        

        5 ff    5                 ff    5                 ff      ff

           

       

 

Pno.

    

       

         

Tbn. 1,2,3

Vbrslp

   



Tpt. 1,2,3

Dr.



 

Hn. 3,4

Tba.

     

           

Alto Sax. 1,2

Bsn. 1,2

      

        

               

of

life

Yeah

!



           

   

                      

  

          

 

   

sfff



sff

 

 

sff

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