Bach - Cello Suites - Selections for ukulele solo
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Selections from the
Bach Cello Suites
arranged for ukulele by
Thomas Preece
Thank you for downloading this free edition of Selections from the Bach Cello Suites arranged for ukulele by Thomas Preece! As this book is licensed under a Creative Commons Attribution licence, you have the right to make and share copies, adapt it, or even perform the pieces, without needing any payment or further permission, as long as you give me credit as the arranger. However, you might like to know that a beautiful printed edition of this book is also available at a very reasonable price. If you would like to find out more about this, or purchase a copy, please visit http://preecemusic.com Thank you once again for your interest in my arrangements, and I hope you enjoy them!
Selections from the Bach Cello Suites arranged for Ukulele by Thomas Preece
Introduction and Performance Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
2
Prelude from Cello Suite No 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
5
Allemande from Cello Suite No 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
8
Courante from Cello Suite No 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10
Sarabande from Cello Suite No 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12
Minuets from Cello Suite No 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
14
Gigue from Cello Suite No 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16
Prelude from Cello Suite No 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
17
Allemande from Cello Suite No 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
20
Minuet 2 from Cello Suite No 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
22
Gigue from Cello Suite No 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
24
Bourrées from Cello Suite No 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
26
Gigue from Cello Suite No 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
28
Bourrée 2 from Cello Suite No 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
31
Gigue from Cello Suite No 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
32
Gavotte 2 from Cello Suite No 5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
34
Gavottes from Cello Suite No 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
36
Prelude No 1 for Low-G Ukulele . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
38
Copyright © Thomas Preece, 2015. This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to: Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
2
Introduction and Performance Notes J S Bach s Six Suites for Unaccompanied Cello are some of the most famous works for solo cello. They are studied and performed by cellists across the world, and have also been arranged for many other instruments, including the ukulele. While this collection is not the first ukulele arrangement of the suites, previous works have consisted only of one or two movements: this is the most complete arrangement to date. The main reason for arranging selections from the Cello Suites, rather than the entire collection, is simply the suitability of the various movements for the ukulele. Despite the fact that both instruments have four strings, the cello and ukulele are remarkably different beasts: as well as the obvious difference in pitch, the ukulele is a much less sonorous instrument than the cello and, being played by plucking with the fingers rather than with a bow, cannot sustain such long notes. This means that the slower movements, such as the Sarabandes, are more or less out of the question. Similarly, the cello s much greater range has required some movements to be arranged in a different key for the ukulele, and certain passages to be moved up or down an octave, in order to fit into the instrument s range. Of course, arranging for ukulele isn t simply about working around the instrument s weaknesses, but also about playing up to its strengths. Chords have been added, especially to longer notes, to fill out the sound and provide a richer texture. The ukulele s re-entrant tuning (that is, having a high 4th string) lends itself to the use of campanella style, where as far as possible, adjacent melody notes are played on separate strings. These should be allowed to ring freely, rather than stopping each note before playing the next. The trade off with this technique is that the left hand fingerings become more complicated, and so I have tried to strike a balance between the campanella sound and playability. That said, string choices and other aspects of the performance are always down to the player: there s no need simply to follow my tabs precisely at all times, and if you find an alternative that works better for you, then by all means use that instead! Metronome markings are given as a guide only - you may find that some pieces are harder to play at full speed on ukulele than on cello, and the Sarabande is almost impossible to play as slowly as marked while still sounding good! Articulations and dynamics have largely been omitted, except where necessary to clarify the intention of the composer. Generally, a slur indicates that the notes should be played as a hammer-on or pull-off. My general picking technique is to use the thumb and one or two fingers, depending on the piece in question. Where two notes are indicated at the same time, I usually play these as a pinch , with thumb and forefinger, and where three or four notes are indicated, as a downward strum with the thumb. You should of course experiment with different techniques, to find the method of playing that you prefer.
3
Notes on Specific Pieces The collection begins with an arrangement of Suite No 1 in G in its entirety, consisting of the six movements of Prelude, Allemande, Courante, Sarabande, a pair of Minuets, and a Gigue. This is the standard form of Bach s suites, although the paired movements (known collectively as galanteries ) varies: Suites 1 and 2 have minuets; Suites 3 and 4 have bourrées, and Suites 5 and 6 have gavottes. Where both galanteries have been arranged for a suite, they are intended to be played in ABA form: beginning with the first, then the second, and then finally a repeat of the first. While the Sarabande is not especially suited to the ukulele, it has been included in Suite No 1 for completeness: this is the only suite in which all of the other movements were found to work well on the instrument, and so it is the only one which appears completely. I have also been able to arrange the entire suite in its original key of G major - something which was not necessarily possible for many of the other movements. All of the arrranged movements of Suite No 2 end with a D minor chord, fretted 2215. This can be quite a stretch, particularly on longer-scaled ukuleles; if this proves too difficult for you, you can play the A string open, although it won t sound quite as good. I have tried where possible to keep the fingerings within the first twelve frets, but not to stick rigidly to this rule where using higher frets improves the piece. One particular example of this is the first Bourrée of Suite No 3 , which goes up to fret fifteen. An alternative fingering can be found for soprano players, although I would generally advise playing these pieces on a concert or tenor ukulele in any case. While all of the movements have been arranged for re-entrant ukulele (that is, an ukulele tuned gCEA, with a high G string), I have included a low-G arrangement of the Prelude from Suite No 1 as a bonus - this can be found at the end of the collection.
4
Copyright Information This book is available both in print and as a free ebook. The content of the book is identical in both formats: there is no obligation to buy the printed edition, although I would definitely recommend it, as not only do you get the book in a much nicer format (that you can take anywhere and scribble fingerings and notes on), you re also supporting my work and showing your appreciation - and if you re reading this in the printed edition, many thanks for choosing to do so! As this book is licensed under a Creative Commons Attribution licence, you have the right to make and share copies, adapt it, or even perform the pieces, without needing any payment or further permission, as long as you give me credit as the arranger. For the exact licence, please see Page 1 of this book. More information can be found on the Creative Commons website. Another advantage of the Creative Commons licence is that you re very much allowed to make photocopies - this will come in particularly handy for the few movements that have an awkward page turn. Alternatively, you can download a special copy of just these pages for easy printing from the Preece Music website, http://preecemusic.com
Acknowledgments I would like to thank everyone who has helped, assisted or encouraged me on this project. Particular thanks go to Matt Warnes of Omega Music for inspiring the project, and to Joop Kiefte for his help in designing the cover.
About the Arranger Thomas Preece has been a musician since his primary school days, where he learned to play piano and cello, studying the Bach Cello Suites in his teenage years. Since 2011 he has primarily focused on the ukulele, and is pleased to be able to present this arrangement of music he had previously enjoyed for his new instrument. He lives in Reading with his cat, Biscuit.
5
Prelude from Cello Suite No 1 J S Bach arr T E Preece
q = 84
qq qqqq qqqq qqqq qq qq qqqq qqqq qqqq qq
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33
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36
0
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5
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40
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7
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9
8
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8
Allemande from Cello Suite No 1 J S Bach
arr T E Preece
q = 104
q qqq qqq q q q q q q q q q q q q q q q q qq q q q q q q q q q q q
2
2 3 2 0
2 3 2 0
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q q q q q q q q q q q q q qqq
q q q q q q q q qq
3 0 0 0 2 3 0 2 2 2 2 2 3 2 0 0 2 3 0 0 0 3 2 0 2 0 2 2 3 2 2 2 2 2 2 2 3 0 0 0 0 0 0 0 0 0 0 0 2 0
6 q q q q q q q q qqqq
q q q q q q q q q q q q q q q q q q q q q qqqq q q q q q q q q q q q q q q
0 0 2 2 0 204
2 0 2 0 2 0 2 4 2 4 0 2 0 0 022 2 0 2 2 0 2 2 2 0 2 3 0 0 0 0 0 0 0 0 0 0 0 0 2 0 0 9 q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
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10
Courante from Cello Suite No 1 J S Bach arr T E Preece
q = 100 3 4 q q q q qqqqqq q q q qqq q 2 3 5 3 2 0 2 0 2 3 2 2 2 4 0 0 0 0 0
q q q q qq qqq 0 2 3 2 0
0
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2
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8 q q q q qqqq
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
232
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q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
12
2 0 2
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2 5 2 0 0 4 0 0 0 2 0 3 2 2 2 2 2 2 2
0 0 20 202 0 4 2 1 2 0 2 0 0
15
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22
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q q q q q q q q q q q q q q
2 0 2 2 0 2 3 5 2 2 0 0 0 2 3 0 1 3 1 0 1 676 676 8 7 0 2 0 3 3 2 4 8 8 0 0 0 0
26
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30
2
0
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33
2 2
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0 0 2 0 3 0 0 0 0 3 2 0 2 0 2 3 2 0 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
36
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q q q q q q 5 5 5 5 4 5 3 2 3 2 3 0 3 2 3 0 2 3 2 0 2 0 2 0 2 0 2 2 232
5 5 0 0 0 4 4
39
12
Sarabande from Cello Suite No 1 J S Bach arr T E Preece
= 80 43 qqqq q
3 4
2 3 2 0
qq
q q q q q qqq q q q q qq q
2 3 0 2 3 2 0 5 0 2 3 1 0 2 0 0 0
3
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q q q q q q q q q qqqq q q q
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q q q q q q q q qqq
q q q q q q q q q q q q q q q q q q q q q q q
25 0 2 0 2 0 0 2 4 0 4 5 4 5 0 0 0 0 2 2 0 2 0 2 2 0 32
2 1 2 2 2 1 2 0 0 0 0 2 0 0 0 3
qq
qq 5
2 2
2
9 qqqq q q qqqq
q q qqqq q q q qqqq
q q q q q q q q q q q q q q q q q q q q q qqqq
20 2
0 3 0
2 0 2 3 2 0 2 2 2 2
0 2 0 2 1 0 2 3 2 0 2 0 0 2 0 2 3 0 234 2 3 2 2 0 0 2 0 0 0 0
q qqqq
q q qq
q q q q q q q q qqqq
q q q q q q q q q q q q q q q q q q q q q q qqq
q
2 0 2 3 5 3 2 3 2 0 2 3 0 2 0 3 2 0
3 0 0 2 0 2 0 0 2 2 3 1 4
2
0 0 2 2 2
0 0 0 2 0 0 0 0 0 0
13
13 This page is intentionally left blank to reduce page turns during the music.
14
Minuets from Cello Suite No 1 J S Bach arr T E Preece Minuet 1
q = 104 43 q q qqqq q q q q q q q q q 3 4
5 q q qqqq
0
2
3 2 2 2
2
0
2 3 2 0
0
2 3
2
0
2 0
0
q qq q q q q q q 2
3 5
3
2
0
2 0
0
q q q q q q 3
0
2
0
0
q qqq q q q 0
2 0
5
2
2
0
2
0
9 q q q q q qq q q qqqq q q q q q q q q q q q q q q qq 0 2 0 2 0 2 5 0 5 3 2 3 2 0 2 0
2 2 022 2 2 0 2 0 0 2 1
qqq q
2 3 2 0
0 2 2 2
qq qq
q
q
0
5 2 2 2
2
q q q q q q 3
2
0
3
2
0
q q q q q q q q q q q q q q q q q q q qqqq
q qqq q q q q q q q
2 0 0 3 2 0 2 0 2 3 204
7 5 3 2 2 232 2 0 1 1 2 0 0 3 2 0 0 0 0
14
q q q q q q q q q q q q q
q q q q q q q q q q q q q qq q q
qq q
0 0 0 0 3 2 5 2 5 3 7 5 2 2 4 0 2 0 2 3 2 2 0 2 3 2 2 2 2 6 2 2 2 0 0 0 0
19
15 Minuet 2
5
43 q q q q q q qqq q = 112
3 4
0
1
1 2
3
q q q q q q
0
1
2
3
19
0
0 3
0
2
q q q q q q
0
1
2
2
q q q q q q q q
q q q q
2 2 0 3 6 5 3 2 0 2 2 0
3
1
2
q
9
14
q 2
q
1 2 2
0
q q q q q q q q q q q q
0
1 2 2
0
qq q
1
q
0
0
2
0
q q
0
0
0
2
2
0 2 2 2
0
q q q q q q q q q q q q q q q q q q 5
1
0
0
3
2
0
0
0
1
0
3
1
1
2
0
1
2
q q q q q q q q q qq q q q q q q q q q q q q q q q qq q q q q
0
1 3
1
5
3
6
5
1
1
0
1
0
1
2
1
2
1 1 2 3
2
1
3
1 1
3
0
5
6
0
5
q q q q q q q q q qq q q q q q q q q q q q q q q q
q q q q
Minuet 1 D.C.
0 0
3
1 0
3
2
1
1 3
5 6
2
0
1 0
3 2 0
5
0 1 0
1 0 0
0
0
2
2
3 2 0
16
Gigue from Cello Suite No 1 J S Bach
q = 100 86 q q q q q q q q q q q q q q q q q q q q q 6 2 2 0 0 0 2 2 2 2 2 02 0 023 2 8 0 0 0 0
arr T E Preece
qqq
qqq q q q q q q q q q q q q q q q
2 0 0 2 0 3 2 2 0 0 2 2 2 2 2 2 0 2 0 0 0
7 q q q q qqq qq q q q q q q q q q q q q q q q q q q qqqq
q q q q q q q q 2 2 0 0 0 0 0 5 1 1 0
0 0 0 0 2 2 1 0 1 1 0 2 2 2 1 2 2 1 1
0 0 2 0 0 0 0 2 2 CII q q q q q q q q qqq q q q q q q q q q q qqq q q q q q q q q q 0 3 2 2 0 0 0 2 0 5 3 0 5 3 3 2 0 2 2 2 2
0 0 2 2 2 0 0 0 0 0 0 0 q qq q q q q q q q q q q q q q q qqq q q q q q q q q q q q q q q 0 3 2 2 0 2 2 2 2 3 5 4 5 7 2 0 0 0 0 2 0 1 0 0 3 6 4 0 0 0 0 0 0 0
18
q q q q q q q q q q q q q q q q q q q q q q q q q q qqqq q q q q q q q q q q q
23
1
2
0
0 2 3 0
0
2 0
0 2 2 2 2
0
1 0 3 3 1 5
5 3
6 6 5 3
1 0 0
2
2 3 5
2 0
0
2 0
2
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q qqqq
q 2 3 0 0 0 2 3 5 7 0 2 2 2 0 1 0 2 2 0 0 2 2 0 2 2 3 2 3 2 2 2 1 2 0 0 0 0 0 0 0 0 0
29
17
Prelude from Cello Suite No 2 J S Bach arr T E Preece
5 9
12
16
19
q 43 q q qqqq qqqq q q q q q q qqqq qqqq q q q q q q q q q q q q q q q q q q q q q
3 2 1 012 012 1 0 2 1 0 0 132 132 0 1 0 6 4 7 6 0 1 0 1 0 1 2 0 1 0 4 2 2 0 0 0 0 0 0 0 q = 72
q q qq q q q q q q q q q q q q q q q q q q qq q q q q q q q q q q qq q q q q q q q q
12 1 0 5 3 6 0 5 0 6 5 3 0 6 5 0 6 00 0 3 1 0 1 0 2 1 00 1 05 0 5 05 0
0
0
0
0
0
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 5 8 0 3 0 0 5 0 3 5
0 1 0 6 6 0 0 6 6 6 1 0
0
0
0
0
2
2
0
3
2
0
0
q q q q q q q q q q q q q q qqq qqq q q q q q q q q q q q q q q q q q q qqq q q q q
0
2 3 7
0
2
0
1
0
0 0
1
1
0
3 1 0 2
3 1 0 1 0 2 0
2
0 1 3
3 1 0
2
2
1 0
3 2 0
1 5 3 2 0 3
5
qq q q q qq 5 3 1 0 3 2 3
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
3 2 0 0 2 3 5 5 3 2 2 0 3 0 2 5 2 5 0 4 1 0 1 0 1 4 1 4 4 4 2 0 2 0
qq q q 0
0
0
3
qq
q q q q q q q q q q qq
q q q qq
q q q q q q qq q q q q q q q
7
3 2 0 0 7 0 5 8 5 3 2 0 3 2 0 2 0 5 7 10 8 7 10 0 4 1 2 7 2 4 5 7 1 CVII
18
22
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 0 0
1 0
1
1 0 0
2
1 0
2
1
2
0 1
2
1 0
4
2
5 3
2
0
2 3
0
0
1 3 0
0
0 0
0
q q q q q q qq
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
5 3 1 30 1 0 1 0 3 5 6 0 0 1 1 1 0 2 3 1 1 0 1
0 2 3 2 0 2 1 0 0 0 0 0 0
25
28
31
34
37
qqq qqq q q q q q q q q q q q q q q q q q q q qqq q q q q q q q q
1 0 1
0
1 3 5
2
0
5 3 1
0
0
3
5 7 8
8 7 5
5
0
1
0
0
1
4
0
0
4
1
4
0
3
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
1
0
4 5
2
5
1
0
1 0
0
2
0 1
2
1
0
1 0
1 0
2
0
2 2
4
1
0
0
0
1
0
0
1 0
4
q q qqqqq q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
1
4
1
0
5 0
1
0
3 1 0 2
4 7 4
1 0
0
4 0 0
1 0 0
0
5 7 8 5 0
2
1
3
2 0
2
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
0 1 0
2
3
0 1
1 0
6 0
0 0
5
0
1 2
0
0 1 0
5 5
5
0
1 0 5
0
2 1 2
0
1
1 0
40
44
19
qq qq q q q q q q q q q q q q q q q q q q q q q q qqq qqq q q q q q q q q q q q q q
0
4
3 1 0
3 0 0
1 0
1 0 0
2
0 1
0 2
1
5 0
1
2
4
5
5 4 5 4
5 8 7 5
0 6
0 4 6
4
0 7
0 9
0 10
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 10
0
9 9
4
7 8 10
9
10 10
8
10
9 10
0
9 10
7 8 7 8
7
9
0 2 4 5 7
7
7
6
6
7 7
6
q q q q q q q q q q q q qqqq q q q q q q q q q q q q q q q qqqq
q q q q q q
2 2 0 2 1 4 2 4 5 4 5 2 404 2 2 3 2 3 1 2 1 0 0 101
0 2 0 0 0 0 0 0 0 0 0 0 0
51
a tempo
rit.
47
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
1
0
1 2
0
1
4
1 0
2
1
0
1 0 2
2
0 3
6 5 3 1 0
0
1
2 0
0
3
0
2
1
0 0
0
2
qqqq
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
1 3 1
1 0 2 1 2 0 1 0 2 0 2 0 1 0 2 0 1 0 1 0 0 1 0 1 0 2 0 2 0 0 0 0 0 0
54
rit.
0 1 2 2
a tempo
q q q q q q q q q q q q q q q q q q q q q q q
q
1 0 2 1 0 2 1 0 2 1 0 0 2 0 1 2 3 2 001
0 0 0 0 0 0 0
57
0 0 0 0 2 1 2 2
5 1 2 2
20
Allemande from Cello Suite No 2 J S Bach
3 5 7 9
11
q
3
arr T E Preece
q = 88
q qq q q qq q qqq q q q q q qqq
q q q q q q q q q q q q q q
0 0 0 0 0 0 1 1 0 1 0 0 1 1 1 0 1 1 0 1 2 2 2 2 2 1 2 1 0 0 2 0 2
q q q q q q q q q q q q q q q q q q q q q q q q qq
5 6 5 3 1 0 3 1 0 5 5 3 0 0 0 0 6 6 6 1 1 5
0
0
0
q 0
0
qq q q q q q q q q q q q q q q q q q q q q q q q q q q q
7 8 7 5 7 5 3 2 3 2 0 2 0 7 4 5 4 5 0 2 0 1 0 4 4 2 5
q q q q q q q q q q q q q q q q q q q q q q q q q 2 2 2 5 3 2 3 0
0 1 1 0 1 0 4 1 0 1 2
2
2
1
2
1
4
0
q q q q q 0
2
5
2
0
2
q q q q q qq
q qq q q q q q q q q q q q q q q q q q q q qqq q q q q q q q
0 5 2 0 0 0 2 3 5 3 2 3 0 0 2 0 0 2 0 0 0 0 2 4 2 0 0 1 0 0
qq
2 2
3
q q q q 0
1
0
2
q q q q 3
2
3
2
5
2
q 0
q 2
q q 0
4
1
1
0 2
2 0
q q q q qqq
q
q q q q q q
0 0 5 0 0 1 0 1 4 0 1 1 0 2
21
q qqqq
q q q q q q q q q q q q q q q q q q q q q q q q q q q
0 0 2 0 4 1 0
2 1 1 1 0 0 01
1 0 1 1 2 0 2 2 2 3 0 1 2 0 0 0 0 15 q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
17
19
21
23
0
1
0
2
0
3
1
2
0
1
2
5
0
3
1
0
3
0
2
3
0
1
0
1
0
2
q q q q q q q q q q q q q qq q q q q q q
3
3
1
0
1
3
6
0
2 0
0
5
1
2
0
3
0
1
2
2
0
0
3
qqq
q q q q q q
0 1 5 1 3 1 2 0 0
2
2
0
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
qq
1 0
0
1
0
1
1
0
0
1 0
0
0
1
1
0
0
0
1
0
1
1
2
0
0
1
2
5
0
1
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 0 4 5 7 0 0 1 2 1 2 4 1 0 2 2 1 2 0 3 0 2 2 3 0 2 2 1 2 4 2 0
0
q q q q q q q q q q q q q q
1
1
0 0
7
5
6
1 0
q q q q q q q q q q q q
0 0
2
1
5 1
2
3
0
1
0 0
4
5
0
1
2
qq qq
5 1 2 2
22
Minuet 2 from Cello Suite No 2 J S Bach arr T E Preece
43 qqqq q q q q q = 144
3 4
0 2 2 2
0
2
2 0
5 q q q q q q
5
2
2
4
qqq q q
qqq q
0 2 2 2
0 2 2 2
2
2
0
0
2
7
4 5 4 6
5
4
4 5 4 6
4
0
2
5 2 2 2
2 2
5
4
0 0 1 2
q qq 0
2 0
q q q q q q q q q q q q 2
2
0
2
2 0
5
0
4
2
0
2
2
0
2
0
0
2
0
1
2
1
1
2
0
0
2
0
2
0
0
2
3 2 3 2
0
q q q q q q q q q q q q qqq q q q q q q q q qqqq q q q q q q q
2
0
3
2
0
0
2 0
0
2
0 0
0 0 1 2
0
2
4
5
0
2
2 0
0 2 2 2
2 0
0
2
0
qqq q 3 2 3 2
3
19
1
0
q q q q q q qqq q q q q q q q q q q q q q q q q q q q q 2
4
CII
CIV
14
0 0
2 3 2 0
2
1
2
4
0
qqq q q q
q q q qqq q
4 5 4 6
7
2 0 2 0
0
0
9 qq q q q q qqq q qqq qq q q
2
q q q q q q
0
q q q q q q
q q qqqq q
1
5 2 2 2
23 This page is intentionally left blank to reduce page turns during the music.
24
Gigue from Cello Suite No 2 J S Bach
q qqq qq q q qq q q q q q 0 0 0 0 1 0 1 1 0 1 3 2 1 8 2 2 0 0
7
14
21
27
arr T E Preece
q = 69
83 q
q q q qqq q q q qqq q q
0
0 1 3 0 0
0 1 2 2
0
q qqq
0 1 2 2
0
5
2
1
1
3 1 0
0
0
2
3
0
q q q q q q q q 1
3
0
1
1
q
qqq
0
q q q q q q q q
2 0
qqqq q
5
5
1
0
4
1
0
q q q q q q q q q q q q q qq q qq q q qqq qqqqqq q q q q q q q
0
1 0 0
0 1 3 0 1
2
2
0
0
3
3 5
6 3 5 0
2 3 5 2 3
5
5 7 8 5 7
8
1
2
q q q q q q q q q q q q q q q q qq q q qq
1
2 3 5 2 3
5
7 4 4 4
q 4
2
0
1 3 5 1 3
0 1
0 1
1
0
q q q q q q q q q q q q q q 0 0
2 3 0
5 2
0
2 3 0
5 2
2
q q q q q q q q q q q q q q q qq q q q q qq q q q q q q q q qqqq 00 2 3 0 5 2 01 2 3 0 5 7 8 7 5 3 2 3 7 5 3 2 4 0 1 0 2 0 1 001 2
25
q qqqq q qqq q q q q q q qqqq q q q q q q q q q q q q q q q q q q q q
3 012 5 300 1 0 0 1 3 012 0 2 0 1 2 3 2 0 5 0 2 0 2 0 5 0 2 0 0 0 2 0 0
40
46
53
59
65
71
q qqq q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
0 0 0 2
qqq qqq qqqqqq qqq q q q q q qqq q q q q q q q q q q qqq q
0
0
2
0
0
1 0
1
2
0
2
2
3 1 0
0
0
1 0 1
0
0
1 3 2 0
3 2 0 2 0
2
3 2 0
7 8 10 7 8
6
1
2
3 5 7 3 5
7
6
2
0
1 0 1
0 1 3 0 1
3
0
0
0 1 0 2
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q qqq qq 0 2 4 5 7 8 5 7 0 1 0 0 4 5 1 3 5 1 3 0 1 3 0 1 1 2 5 4 5
0
0
0
0
0
0
q q q q q q q q q qq q q q q q qq q q q q q qq q q q q q qqq qqq q q q q
0 1
0 1
2
0
q
0
1 2
0 1 0
1 0 1 2 2
0
2 0
0
0 1
0
0
2
2
0
0 1
2
0 0
1 2
0 1
2
0 0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 2 0
1
1 0
1
0
1 0
0
0
q q q q q q qqqq 4 0 3 1 3 12 1 0
0
1 0 1
2
0
0
1
2
0
2
0 1
2
3
0 1
1 0
0 1 2
0
0 0
q q q q q q q q q q q q q q q q q q q q q qqq 5
3
1
0
1 0
0
2
2
1
0
1 0
0
2
1
0
2
1
1
0
5 1 2 2
26
Bourrées from Cello Suite No 3 J S Bach arr T E Preece Bourrée 1
5
q q q qqq q q q q
q qqq q q qqqq q q q q qq q
qq q q q qq q q qq q
0
7 0 0 0
1 0 0 0
= 84
3 1 0 2
1
0
1
5
7
8
8
7
7
8
7
5
18
7
0
8
1 0 0 0
0
8
2
0
5
0
0
5
7
8
7 7
5
8
5
5
10
6 7
qq qq
2
8
0 0
8
1 0 2
q
3 0 0 0
0
8 10 12 13 12
8
13
13
10
10
8
5
10
9 7 9
5
12 5
12 13
0
5
8
10
7
q
0
0
7
5
5
5
4
2
0
7
5
0
qqq q q q q q q q q q q q q q q q q q q q q
0
q q q q
10 0 0 0
0
3
0
2
q q qqq q q q q q q q q q q q q q q q q q q
q q qq q q q
qq q
7 8 1000 7 6 7 0 5
5
q q q q q q q q q q q q q q qq q q q q
13
8
1
qq q q q q q q q q qq q 5 2 2 2
4
5 7
8
2
2
7 5 7 0
qqq qq q q qq q q qq q q q q q q q q q
q q qq q qq q qq q q q q q q
7
0
0
8 10
8
6
5 8
8
13 12
5 0
13 15 13 12 10 8
7 8
10
8 10 9
7
0
8 0
1
0 1 0
0 0
1
0
q q q q q qq q q q qq q q q q q q q q q q q q q
qq qqq q q q q q q q
0 3 0 8 0 0 0 1 0 1 0 1 3 0 0 0 0 1 0 1 1 1 0 1 0 8 9 10 1 0 2 0 0 0 0 0 0 3 2 0 2
23
27 Bourée 2
4
= q84 q q
10
11
q q q q
q q q q q q q q q q q q q q q q
10
10
10
5
0
3 4 6
5
3
5
6
17
21
q
q q q q
10 8
7
8
8
12 10
4 3 1
8
7
8
8
6
8
6
7
8
7
q q q qqq q q q q q q
qqq 1 3 4 6 8 10 11 10 8 6 4 3
3 4 4 3 3 5
CX
12 10 10
q q q q q q q q q q q q q 4
CIII q q q q q q q q q q q q q q q q q q q q q q
q
q q qqqq q q q
4 34 3 3 5
3 35 3
13
10
13
12
6
5
6
8
6
8 10
8
8
10
8
8
8
10 8
0
7
2
10 8
8
0
q q q q q
q
q q q q q q q q q q qqqq q q
8
10
8
7
8 10 11
6
5
3
6
5
3
2
3 3 3 0
3
3
4
3
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
6
4
3
1
0
1
3
6
4
3
1
4
3
1
10
12 13
10 11 10
0
11
10 8
7
5
4
3
1
4
3
1
5
3 0
2
1
4
3
10
q q q q q q q q q q q q q q q q q q q q q q q q
3
0
1
3
4
1
3
1
4
3
1
4
3
1
0
Bourrée 1 D.C.
1 0 1
28
Gigue from Cello Suite No 3 J S Bach
q = 96
7
13
19
24
28
q q q qqqqq q q q
83 q qqqq q q q q q q q 3 0 2 0 0 1 3 3 8 0 00 0 2 q q q
2 0
q
7
0
5
2
0
2
2
3
5
q
0 2 2 2
q
q
q
3
3
2
2
0 0
2
0
q
q
q
q
0 2
0
2
3
5
7
0
2
q
2 2
q
q
0
q
q
q
2
2
3
0
q
q q
3
5
q
3
2
2
0
0
0
0
q
q
q
2
0
2 0
0
q q q q q 0
0
0
2 0
3 0
q
0
2
0
0
2
0
2
2
0
2
2
q qqq 5 2 2 2
0
0
q
q
q
2
q q q
0
2
1
0
2
2
0
0
0
2
0
q q q q q q q q q q
q q
q q q q q q
3
3
0 5
q q q q q q
0
0
3
0
0
2
2
0
2
2
0
2
3
2
0
7
5
5
2
5 7 8
5
q q q q q q q q q q q q
0
q
3
5
0
q q q q q q
7
q q q q q q q q q q q q
qqqq
2
2
3
q q q
q q q q q q q q q q q q q
q q q
5
arr T E Preece
2
3
2
2
q q q q q q 0
0
2 0
q 0
3 0
0
q q q
q
3
5
5
6
33
q q q
3
q
4
5
44
57
63
q
10
9
3
5
0
2
q
q 5
0
2
3
2
3
0
6
q
0
2
3
2
2 2
0
1
0
1
0
0
2
0
3
0
2
3
3 2
2
0
4
2
0
4
qqqq q q q qqq q q 5
3
2
0
2
2
3
0
2
3
5
0
q q q
5
6
1
0
0
1 1
2
1
q
2
3
1
qqq
qqq q
2
2 3 2 0
q
3
0
q
q
7
7
q
q
3
q
q
0
1
4
q q q q q q q q q q
q q
3
0
2
2
q
5
7 4 4 4
4 4
1
0
q q q q q q 1
5
0
5
4
0
0
0
q q q q q q
CIV
q
0
5
4
2
0
1
0
q
2
q q q q q q
0
2
0
q
0
1
q q q q q q q q q q q q q q q q q q q qqq
0
1
0
2
0
q q q q q
0
2
q q q
q q q
5
29
q q q q q q q q q q q q
2
q q q q q q
3
5
q q q q
0
2
q q q q q q
10
q
2
5
q q q q
q 9
q q q
q
0
52
9
q q
9
q
0
1
39
q q
0
1
0
0
0
0
1
1
0
qq q qq
q
q qqq qqq q q q q
8 7 8 7
8
7
5 7 8 8
5 3 2 0
2
5 3 0 2 1
30
70
76
81
85
89
96
103
q q q
0
0
q
qqq q 0 0 0 2
0
q q q q
q q q q
3
2
0
0
2
2
2
2
2
q q q q
q q q q q q
3
0
2
3
q q q q q q q q q q q q q qqqq q q q q q
0
0
1
5
1
3
2
3
0
0
1
0
q q q q q q
0
0
2
0
2
0
0
0
0
q
0
2
0
2 0
0
2
0
3
0
0
3
2
qq qq
3
2
0
2
2
2
5
2
2
8
3
2
1 3
2
2
2
0
2
2
q q 2
1
3
0
0
0
q q q q q
q
3
q q q
3
4
0
0
3
0
q qq q q
10 7 7 7
2
3
0
2
q q q q q q q q q q q
3
0
2
0
2
0
q q q q q q
q q q q q q q q q q q q q q q q q q
0
0
3
0
0
q q q q q q
2 3 2 0
1
0
q q q q q q 0
2
0
0
2
0
q q q q q q
0
0
2
0
1
2
2
q q
q
3
2
2
2
q
3
2
2
q q q q q q q q q q q q q q q q q q q q q q q q q q
1 3
4
3
1
3
2
2
2
2
0
3
1 0
2
0
0
0
2
0
1
0
2
0
q q q q q q q q q q q q q q q q q q q q q q q q
0
0
1
0
1
2
1
0
2
2
0
2
0
1 0
0 0
0
0
2
2
3
0
3
0 0
qq
qq 3
0 0
0
31
Bourrée 2 from Cello Suite No 4 J S Bach
= 76 q q
q
q
0
1
2
7
9
9
q
q q
0
2
2 0
2
2
2 0
9 9
q
2
4
4
7
10 9 10
qq q q 2
4
7
q q 4 1
5
0
2
q
0
2
1
q q qq q q 7 4
5
q
0
5 5
q 2
2
q q qqq
q 0 0
0 0 1
2
q q q q
1
q q q q q
0 2 1
0 2
1
q q qq q
7
qq q q q q q
qq q qq q
0
9 q q
arr T E Preece
4
q
q qq q q q q q 2
q
0 1
0
4
2
0
0 0 1 2
0
2
1
32
Gigue from Cello Suite No 4 J S Bach
12 8 q q q q q q q q q q q q q q q q q q qqq
qq q q q q q q q q q q q q q q q 12 1 1 4 1 0 2 0 1 4 1 0 0 1 4 1 0 2 0 10
10 0 1 3 5 0 0 1 0 8 0 2 2 0 0 3 0 0
4
7
arr T E Preece
q = 184
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
3
1 0
0
q q q
0
2
0
0
5 3
0
1
0
0
1 0
4
1
5
2 3 2 0 2 0
16
7 5 7
1 0
1
4
5
2 3 2 0 2
2
6 5 6
7 5 7
0
1
1 0
4
1
2
1
1 0
2
1
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q qqq
7 2 3 2 0 2 3 3 7 8 0 1 0 0 0 0 1 0 1 1 1 1 5 2 0 0 0 0 0 0 0
q q q q q q q q q qq
q q q q q q q q q q q q
8 8 7 8 0 7 8 7 8 7 5 7 8 7 8 0 2 300
0 0 0 13 qqqq q q qqq qq qq qq q qqq q q
2
qq
qq 3
0 0
0
qq q q q q q q q q q q q q q qq 3 0 0 0
7
7 5 7
6 5 6
7 7 5 7
1
0
q q qq q qq qq q qq q q q 6
0
5 5
0
2
0
0
0
1 0 0
1
0
3
0
q q q q q q q q q q q q q q q q q q q q q q q q q q qq qq q qq q q q
2 0 2
6
5
1
5 0
1
0 0
2
1
0
0
9
7 0
5
5
5
5
5 4
5
4 5 0
2 4 5 4 5 8 7 8
19
22
33
q q q qqqqqqq q q qq q q q q q q q q q q q q q qqq qq q q q q
5
4 5
0 5
2
0
1
2 5 2
4
4
2 5 8 7 5
8 7 5 0
0
4
0
0 3
4
4
0
3
4
2 0 2
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
0
2
0
3
4
0
1
4
1
3
4
0
2 5
5
4
5
2 0
5
2 4
5 0
2 5
5
5
4
5
2 0
5
2 4
0
q q q q q q q q qqqq q q q q q q q q q q q q q q q q q qqq
qqq q q q q q q q q q q q q q q q q 3 2 0 0 0 4 0 0 0 000 1 1 4 1 0 2 0 1 4 1 0 0 1 4 1 0 2 0 10
10 0 1 3 5 0 0 1 0 2 0 2 2 0 0 3 0 0 29 q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q qqq q q
25
32
35
3
1 0
0
5
0
3
0
0 5
0
6
8 6 8
8 5
6
6 8 10
8 6 8
8 5
7 5 7
6
6 8 10 7 5 7
q q q q qq q q q q q q q q qqqqqq q qqqqqq q q q q q q q q q
2
5
8
8 7 8 5 4 5 2 0 2
2
5
8
8 7 8 5 4 5 2 0 2
0
2
0
0
0
1 0
0
5
5
3
5
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
0
1
2 0 2
2
1
0
1
0 0
5
3 1 3 0
3
2 0
0
2
2
0
1 0 1
0
1
0
1 0 0
0
q q qq
q q q q q q q q q q q q q q q q q q q q q qq
q qq q qq qq q q qq qqqqq qq
0 0 0 0 5 6 0 6 0 0 5 3 3 0 0 5 2 0 2 0 0 5 6 0 6 6 5 0 1 2 0 1 0 1 0 3 8 5 855
0 3 0 5 5
38
CV
1
0 0
qqq
q 8 5 5 5
34
Gavotte 2 from Cello Suite No 5 J S Bach
2
12 8
8
10
7
7
8
q q q
7 5
7
7
arr T E Preece
q q q q q q q q q 7
8
0
7
7
8
8
7
7
7
q
q
q
q
q
q
3
2
3
5
3
2
7
qq
qq
3 0 0
7
7
q
q
q
q
q
3
5
7
8
7
7 7
0
10
9
10
12
10
9
q q q q q q 7
7
8
7
4
0
10
9
7
8
2 4
8 7
0
7
2
0
4
2
7
7 7
8
7
7
8
7
8
8
7
2
0
7
7
q q q q q q q q q q q q 7
7
0
3
q q q q q q q q q
0
7
q q q q q q q q q q q q q q q
7 5
7
q
7
0
q q q q q q q q q q q q
q
7
0
qq
qq
2 0 4 0
q
10
q
q
0
8
qqq
q
0 0 0 2
7
q q q q q q q q q q q q
0
7
q q q q q q q q q q q q q q q q q q q q q q q q q
7 0 0 2 0 8 7 8 8 7 4 4 0 2 4 4 2 7 7 8 7
6
q q q q q q 12 8 = 84
8 7
7
8
8 7
7
0
4
0
2
12
14
35
q q q q q q q q q q q q
0
0
0
0
0
0
0
0
0
0
2
4
q q q q q q q q q q q q
1
2
0
0
2
5
4
4
5
7
5
4
qq qq
0 0
q q q q q q q q q 0
1 2
0
5
0
5
0
5
0
2
q q q q q q q q q q q q 3 5 7 5 3 5 5 3 2 3 5 3
q q q q q q q q q q q q q q q q q q q q q q q q 5 7 8 7 5 0 4 5 7 5 4 5 5 3 2 3 5 3 0 4 4 1 2 1 18 q q q q q q q q q q q q q q q q q q q q q q q q
16
20
2
0
1
0
1
2
4
0
2
0
2
4
0
1 0
0
8
2
0
7
8
7
7
7
0
7
q q q q q q q q q q q q q q q q q q q q q q q q q
7 0 0 2 0 8 7 8 8 7 4 4 0 2 4 4 2 7 7 8 7 7
7
qqq
q
0 0 0 2
36
Gavottes from Cello Suite No 6 J S Bach arr T E Preece Gavotte 1
4
18
q q qq q 730 7 0
q q q q q q qq q q 8
7
5
3
0
7 3 0 0
7
q q q q q
q q q 7 5 0
5
3
10
10 9 9 9
5
7
q q q q
8
3
2
0 0
q q q q q q q q 7 5 0
5
3
5
7
qq qq
q
10 7 7 7
10
12 10 8 7 12
3 0
q
qqq
3
8 7 5
0
7 5
8 7
10 9
10 7 7 7
2
0
3
2
0
5
2
4 5
8
5
7
3 0 0 2
7
7 5 0
5 7
2
0
qq qq
0
4
5
8
8
7
5
qq qq q q q q q qq qq 3 0 0 0
q q qq q q q q q qq q q 7 3 0 0
7
q q q q q q q q q q qq qq q q
0
5
5
5 3 2 0
0
2
0 2 3 2
7
3
2
0
3 2 0
8
3
10 8 7 5
qq qq qq q q q q q q q q q
12 10
q qqqqq qqqqqqqq q q q q q q q q q q 5 0 2 3 5 7 8 7 5 3 2 3 5 0 4 5 0 3 2 2 0 4 000 4
10 8 0 0
q q q q q q q
8
q qqq
q q q q q q q
qq q q
q q q q q q q 0
qq q qqq q q q q q
q qq
1077 7
13
= 69
5 3 5 7 8
3 2 2 2
2
2 3 5
2
q q q q q q qqq CII
3 2 0
10 7 7 0 7
10
qqqq q q q qqqq qqqqq q qq qqqq q q qq q q q q q q q q q qq q q q
qq qq q q q q 1080 12 10 8 7 5 7 80 7 5 3 730 7 750 10 8 7 5 8 7 5 7 12 10 8 7 5 8 7 5 1000 7 5 3 300
0 0 0 0 0 0 0
23
37 Gavotte 2
= 88
q q q q
7
5
14
17
20
7
0
0 1
0
q
3
q
q 10
q
7
q 8
0
0
5
2
3
5
3 0
0
0 1
0
3 0
5
q
q 5
7
q q q
q
7
5
7
7
0
q
3 0
qq
q q
0
0 1
2 2
0
3 0 0 0
2
2
0
2
2
3
q q q q
5 3 2 0
0
3 0 0 0
2
7
5
7
0
3 0
3
5
7
8
0
0
7
0
5
0
0
q q q q q q
q q q q q q q q
5
3
3
2
3
5
2
0 0
q
0
qq
2
qq qq qq qq qq qq q
2
0
q
q
10
0
0
0 1
0
0 1
0 1
0
0
q
q
q
0
3
0
0
7
qq qq q q q q q q
q qq qq qq
7
q
q
5
q qq qq qq 0
0
0
0
0
q q q q 5
3
0
q
0 0
0
0
7
2
8
0
3 3 0 0
3
q
q
1
qqqqqqq q q
2
0
q
3
2
0
3 0
0
2
0
7
0 1
0
2
qq q qq q q q qq qq q q q q q
q qq qq qq
0 1
0
0
qq q q q
0 1 0 0 0 9
q q q q q q q q q
q qq qq qq
q
q
8
q
7
0
0
0
2
3
5
0
3 0
5
0
3
5
0
q q q q q q q
8
q q q q q q q q q 3
q
3
5
3
2
3
5
2
0
q
7
0
qq
qq
q q
0
0 1
2
0
2
Gavotte 1 D.C.
3 0 0 0
38
Prelude No 1 for Low-G Ukulele J S Bach
3
5
q
2
qqq
q q
q
arr T E Preece
q = 84
2 0 2
2
0
2
3
2
2
q q q q q q 3
q
q
2
3
2
0
q
qq q 2
qqq
q
2 0 2
2
0
2
2
3
2
3
2
0
qqq q q q
q q q
2
2
q q q qq qq 3
q
0
2
q
3 2 3
0
3
0
0
0
qqq q q q 3 2 3
3
0
0
0
q q q qq qq 3
q
q
2
0
2
3
2
3
0
q
q q q qq qq 3
2
0
2
3
2
2
0
q q q q q q q q q q q q qq qq qqq q qq qq qq q q q q q q 0
2
0
2
3
2
3
0
3
2
2
3
5
4
2
1
0
3
0
3
0
3
0
3
1
3
0
3
0
3
0
3
7 q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
2
0
5
4
5
5
0
7
2
0
3
0
2
2
0
2
0
2
3
2
3
2
3
2
0
2
3
2
3
2
3
2
9 q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 0 1 2 0 2 1 2 0 3 2 0 5 4 2 0 3 2 0 2 5 5 5 2 0 2 0 2 0 3 2 0 2
q q q qq q q q qq q q q q q q q q q q q q q q q q q q q q q q 4 2 1 0 1 2 4 2 2 2 1 0 1 2 4 2 0 0 0 2 3 0 0 2 0 0 0 2 3 0 2 0
11
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 3 2 3 2 0 2 0 2 3 2 3 2 0 2 0 2 3 2 0 3 2 3 0 2 3 2 0 2 0 4 2 0
13
q q q q q q q q q q q q qq q q q q q q qq q q q q q q q q q q 2 2 2 2 2 2 1 0 1 1 1 0 1 1 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 0 0
39
15
17
q q qq qq q q q qq qq q q q q q q q q q q q q q q q q q q q 0
0
0
21
q q 0
2
0
0
0
0
0
0
0
2
0
0
3
2
0
2
3
3
2
2
0
2
3
2
3
2
3
2
0
q q qq q q q q q q q q q q q q q q q q q q q q q q q q q q
19
0
2
0
2
2
3
2
2
0
2
0
3
0
2
0
0
2
0
1
2
3
0
2
3
0
1
0
2
3
0
2
3
qq q qq q q qq q qq q q q q q q q qqq q q q q q q q q q q q q 0
0
0
2
2
2
0
0
2
0
0
2
2
0
2
0
2
0
0
2
2
5 2 2 2
4
5
0
2
3
2
0
2
3
q q q q q q q q q q q qqq q q q q q qqq q q q q q q q q q q
23
0
2
0
2
2
0
3
2
3
0
2
0
3
2
3
5
6
5
5
4
5
3
2
3
3
0
2
0
0
2
3
2
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
25
5
0
0
2
2
2
0
4
2
5
3
3
2
3
0
2 2
2
3
0
3
2
2
4
3
1
0
1
0
1
4
5
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
27
0
3
2
3
3
1
1
4
2
1
0
3
0
4
4
2
5
0
2
0
2
0
2
2
0
5
4
2
0
3
2
0
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q 40
29
31
3
2
0
2
3
2
0
3
2
0
2
3
2
2
0
2
0
3
0
2
0
0
2
1
3
2
0
4
2
0
4
q q q q qq qq qq q q qq q q qq q q qq qq qq q q qq q q 3
2
0
0
2
0
0
2
2
0
0
2
0
3
0
0
0
2
0
0
3
2
0
0
0
2
0
3
2
0
0
0
q q qq q q q q q q q q q q qq q q q q q q qq q q q q q q q q q q q q q q q q q q q q q qq q
33
2
0
0 2
0
0
2
0
0
3
5
0
7
0
0 2
5
0
0
7
8
0
0
7
2
0
8
0
10
0
7
0
8
0
7
0
8
0
5
0
0
7
5
0
7
0
0 2
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
36
0
5
0
3
5
0
2
0
3
0
2
0
3
0
0
0
2
0 2
0
1
2
2
5
3
5
4
5
5
5
6
5
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q q q
38
7
5
8
5
9
5
10
5
6
5
7
5
8
5
9
5
10
7
7 7
10
7
10
7
10
7
7
10
7
7
CVII q q q q q q q q q q q q q q q q q q q q qq q q q qq q q q q q 10 10 10 10 10 10 9 9 9 9 9 9 10 8 8 8 8 8 8 8 8 7 9 9 9 9 9 9 9 9 7 7 7 7 7 7
40
10
7
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