Avishai Cohen-Gently Disturbed Songbook.pdf

2

Seattle



q = 160

       p           



Avishai Cohen







  



 









  

    

                       











  





6

   



   



 



  

  



   

 



11

                                                        







Copyright © 2008 Gadu Music (BMI)







                                   4:3

17

  

     







                

4:3



30

  



     



   

  





  













      



    



  





To Coda Ø

  





    









 







   





   

            



 

   

     

36





     

 

4:3

4:3

24

 

           

    

 

3

 











  

  

 



4

    

 3.                             

41

1.2.

      





Ø C‹       



   



    

Open Bass Solo

           

C‹

  

D.C. al Coda

    





On Cue

F







F



 

  



C‹

    C‹



 

5

Chutzpan



q = 126

A

B¨ A¨ E¨ F‹                                         



C‹

            

4



E¨

Bass & drums tacet 1st x

G‹



B¨‹

B¨‹

A¨

B

                     C‹

9



11

C‹



                                         F‹

                              

7



G‹

    

             

A¨

Avishai Cohen



  

C‹

E¨

F‹

     

             

E¨

F‹

B¨

                     

G‹

G‹

    

  

    

             

                                                                     

E¨

F‹

G‹

C‹

E¨

F‹

G‹

                                             

E¨

 

F‹

G‹

To Ø C‹

Copyright © 2008 Gadu Music (BMI)

E¨

F‹

G‹



   



D‹ C/D D‹  C G‹/D                                     



6 13

                 



D

                            

17

G‹/D



D‹

E 21 G‹    D‹             



A7

26

        

   

D‹



C/D

     A‹

 

    



                      C

          

   

 D‹

G‹

  



G‹

D‹

    

C

   

 

 A‹

B¨

                        3





                 

D‹



    

  

B¨

 



F

          

   

G

           

D.C.

Play A Section one more time Solos: Piano on A Section On Cue bass solo on B section On Cue To Ø



Ø

E¨               

   C‹                                  

29

C‹

 

F‹

   

G‹

 



7

Lo Baiom Velo Balyla

Traditional Arr. Avishai Cohen

q = 168

$                                   

          

Piano



       

A   

9

mp

 



  

  



                                    

                                  

15



22

               



27

     

 

      

  

    

 

  

   

Copyright © 2008 Gadu Music (BMI)

 



  

     

 



  



 

 

   



8

B

            

31



Top note 1st x only

 

 

 



33

 



  







36

 







  



        

  





 

 

       

 

   

2.                                     

 

1.

 



  





D.S.

 

Solos (Open)

                            G‹

39

E¨

C

C‹/E¨

F

D7(b9)

C‹

B¨

E¨

D7(b9)

D7

G‹

G‹/F

E¨Œ„Š7

                         

47

                                

55

C‹

F7



Ø     

63

      

B¨

D/A

E¨

D7(b9)

During Solos G‹ D7(b9)

After Solos: Play B twice, Then go to Ø

   

  



                     



            

69

 

   



73

 

 



  

 









 

9

 

 

 





 

 

  

   

 

10



Pinzin Kinzin Avishai Cohen/Shai Maestro/Mark Guiliana

Rubato





Piano

Bass



 

mf

 arco



 

 

 









A q1st= 112 x: bass only, 2nd x: add piano, 3rd x: add drums               mp                       pizz.                 

2



 









 

 

                                       

                                                                                                

6

      



10

B

                                                                               

            

Copyright © 2008 Gadu Music (BMI)



11

                                                         

14









                                              

18

 









                                         

22















 



                                    

26

 















                                      

30

 

 











1234

C

     mf

                        

                             

                                                                                       



38

                         

                 



42

D

                                      



46

                                 

    

                      

                                                       

    

            

                                                                                  

                                     

                                                                      

        

        

                                  



13

E    

50

                mp                              



54

  

                                 



 

   

 

                    

  



F   

58

                                                    



G   

62

  

   

 

    

     

    

 

     

      

   

   

                

             

      

















    

                                        



$ H 66         

14

  

  

   

  

   

      

   

   

         

          

                



69

1.

         



71

 

      



 



            





    

 

 

 















  

    

 

 

 

     

            

To Ø





                                   

           

   

  

  



74

      

  

 2.        

I





  

       

   



 

 

  

   

 



    



   

    



 

 





                            

76







       

Piano Solo (Open) J E‹ B‹7 C               

     

  

 

 



E‹

 B‹7

C

A‹7

E

    

 

    

      

 



 

  

81







                  

              

79

   

15

 

  

 

      

 







D/F©

D/F©

      

E‹/G

      

Ø    

83

             mp                     

 



 

E‹/G

  

    

A

  

  A‹

    

          

On Cue: D.S. al Coda

                  

 

    

 

 

 



16

K                                                                         

87

                                 



L   

91

                            



  

  



 

 

  

 



    

       



 

 

  

    

  

   

M                                                              

95

 

 

        

                                 



N            

              

  

  

99



            

 

               

    

    

     



17

                             

103

  



O         

  

107

  

  

  

    

  

   

              

 

     

  

  

           

   



         



              

       

       

113

      

  

       







  

  

   

  

    

  

   

   

                             

                

110

      

   

         

   

   

   

         

    

                

     

  

       

       

    

     

Repeat section until cue: rit. last two bars and end on last chord as fermata

 

    

18

Puncha Puncha

Piano



Bass



q = 176

    p        

 

5

   





 







         

  

3

 

 





   



   

  

3



   





                        



    



    

 

 







A         





9

16

 

Traditional Arr. Avishai Cohen





      

                4:3                        



  

Copyright © 2008 Gadu Music (BMI)



 







 





   



  

   





24

         



        





      

32









    

 





$B               

39

   





 



  

    



 

   









  

      

  

 







3



 

   



4:3

 



 

 









                  

               



   

    

   

        



                 4:3                

47

   

   

19

       



   



      



20

55



       





       





              

62



 





      



   







 

      

    

   

  

  

   

            

 

 



 

  









C7/D©









GŒ„Š7









GŒ„Š7





To Ø

  

Bass Solo (Open)

   

E‹

70

75

G/D

80

CŒ„Š7

85

E‹

89

CŒ„Š7

95

E‹

    

  

C



 



   



E‹(b6)





C©‹7(b5)

 









  

A‹/E



   A‹/E







E‹6





CŒ„Š7



A‹7



A‹















   B7/E











A‹7



D/F©

B7/E



E‹(b6)

D/F©







   

E‹



  



G&Œ„Š7





E‹



   







   



After solo, D.S. al Coda

  



Ø

     

              

  

  

100



107



    

   

   

      





112



     





  

 

   

    

  

   

   





rit.

    

    

     

       







    







    

              

21

    

    

    

22

Eleven Wives



q = 230

   

Avishai Cohen/Shai Maestro/Mark Guiliana

Repeat 4 x's Bass & Drums tacet 1st & 2nd x's





                 mp



3

                        



$ A‹ A                    

5



                

7



D‹/F

      

A‹ B                   

9

    

 

          

             

    

        

                     



    

                

E‹/G

      

               

G



 

   G

             

            

                    E‹



 





   

 



                 

11



A‹

  G 

13

A¨‹

C

    

        

                          D‹

G

        G           To Coda

23

        G  E¨‹/G¨

D¨‹/E

D.S. al Coda

G¨

         





Ø   

A¨‹





D¨‹/E

G¨

      

         

D                    





(with bass)                                        

          

E¨‹/G¨

A‹

                 A‹



          G  E¨‹

          

                                 

    

E‹

                            D‹

 

            G

    

 

        G     



24

E A¨‹ E¨‹ play twice, then use section (just chords) as background for open drum solo      (with bass)                                      



                         G                            F A¨‹



D¨‹/E

 



 

G¨

On Cue - last time



 E¨‹





(with  bass)



          

              

E¨‹

     

 

D¨‹/E

A‹

 

p

 

25

Gently Disturbed



Avishai Cohen

q = 100

    

Intro

repeat 4 times

        A 5 3              

 

 

p





 

 

  





  

 

     



 

13





     



 

 

 

 



    



B  

21



     



3



  

 

 



   

  

 

17

     



    



3







9



   

 

 











   

 

   

3

 

 

 



 



 



  

 



3                                

  





25



Copyright © 2008 Gadu Music (BMI)





 

 

  

    







 









  

  

Form:

 

 







   



  

3

 







 





 

A A B

26

The Ever Evolving Etude



Avishai Cohen

q = 120

                     f                        



arco

f

5

      p         



   

   

   

               

   

   

     

   

       

    

arco

f

   

        







    p

    

           



     

   

      

  





     

 



 

   

Copyright © 2008 Gadu Music (BMI)



f

   



  

  

     





 

7

            

  

   

p

 



4 x's A Repeat Bass tacet 1st & 2nd x's                                                

11



27

                           (last x)         (last x)                               

B (last x)                                                            (first x)                                    (first x)                                             

13



C (first x)                                                     

16

                                     



                       

             (last x)             (last x)

D (last x)                                             (first x)                                                (first x)                                           

18



28

E                                             

20

    







 

    

F 1.2.3.                                                                                                                   G 24 4. 1.2.3.                                                   C‹ F‹ G7                                  C‹   F‹ G7                                  22

 

26

            4.

C‹

F‹

C‹

F‹

       

 

  

H                             G7                       G7                    



29

                                                                          C‹ F‹ G7                       

28



30

                    



31

C‹



                            



                 

F‹



  

G7

   

         







     





   

   



 









I 1.2.3.4.                                                                                                      

33



30

J 5. 1.2.3.                                                

35

  



 



  

C©‹

 

C©‹





F©‹



F©‹



K





G©7



G©7

   

    

Open Trade Solo Section Bass Solo

C‹ F‹ G7  4.                                   C©‹ F©‹ G©7                 

37

C©‹

  



C‹



F©‹

F‹

G7



        

39

        C‹

F‹

G7



G©7



          C‹



Piano Solo C©‹ F©‹

G©7

C©‹

C©‹

F©‹

G©7

C©‹

C©‹

F©‹

G©7

C©‹

             

        L 42  On Cue                   



C©‹

  

C©‹

  



F©‹



F©‹

 

F‹

      

G7

         F©‹

G©7

        F©‹

G©7

         F©‹

G©7







G©7











G©7











      

31

45



    

 

 



 



 



   

 



M 46 1.2.3. 4.                                                      

C‹

    

C‹



F‹



F‹

 



G7



G7

 

 

  

C‹

   

C‹



F‹



F‹

 





G7







G7



N Open Drum Solo On Cue                                         mp (last x)                                 

48

 (last x)                               mp



  

32

Variations in G Minor q = 116

                       

Avishai Cohen

Bass

           



3



           

         

5



A 7 G‹ D‹                  



E¨ B¨

C F‹

G‹ D‹ E¨

            

  

       

 D‹

E¨

B¨

C

D‹

  





 



  





B Simile B¨ C D‹ G‹ D‹ E¨                    

 



          

G‹ D‹ E¨

B¨

C

F‹

 



 



              



G‹

10

        

B¨

C

F‹

            

Copyright © 2008 Gadu Music (BMI)

G‹ D‹ E¨

B¨

C

D‹

            



G‹ D‹ E¨

B¨

C F‹ G‹ D‹ E¨

B¨

C

33

D‹ G‹ D‹ E¨ B¨ C F‹ G‹ D‹ E¨ B¨ C D‹

                         

13

                                        







G‹

D‹

E¨

B¨

C

F‹

G‹

D‹

E¨

B¨

C

D‹

  























  

17











           



G‹ D‹

E¨

B¨

C

F‹

       

19

       

   G‹ D‹ E¨ B¨ C F‹      



C

G‹

D‹

E¨

B¨ C

G‹ D‹







E¨

B¨

C











     

G‹

       





D‹





D‹

      G‹ D‹



          

     

F‹

       

23



E¨

B¨

E¨

   

C

D‹

B¨ C

D‹ G‹

D‹

E¨

B¨

C F‹

                 

                                



34

G‹ D‹

E¨

B¨

C

D‹ G‹

D‹

E¨

B¨

C F‹

G‹

D‹

E¨

B¨

C

D‹

                   

26

                                       



D G‹ D‹

E¨

B¨

C

F‹

       

29

        G‹ D‹

E¨

B¨

C

F‹

       





G‹ D‹

E¨

B¨

C





D‹

     





      G‹ D‹

E¨

B¨

C

   





D‹

     

G‹

D‹

E¨

B¨

C

D‹

G‹

D‹

E¨

B¨

C

D‹

  























  

33























                                         



                                    

35

G‹

  

D‹



E¨



B¨



C



F‹



G‹



D‹



E¨



B¨



C



F‹



                                      



G‹ D‹

E¨

B¨

C

F‹

       

37

G‹ D‹

E¨

B¨

C

F‹

       



B¨

C







      G‹ D‹

E¨

B¨

C

35



D‹

     

        G‹ D‹

E¨





D‹

     

E                                        

41

G‹

  

D‹



E¨



B¨



C



F‹



G‹



D‹



E¨



B¨



C



D‹

G‹

D‹

E¨

B¨

C

F‹

G‹

D‹

E¨

B¨

C

D‹

  



























                                    

43

G‹

  

D‹

E¨



B¨





C

F‹





G‹

D‹





E¨



B¨

C





D‹



                                     



45

           

          

G‹

  

D‹



E¨



B¨



C

F‹

G‹

  

D‹



E¨



B¨



C



D‹

G‹

D‹

E¨

B¨

C

F‹

G‹

D‹

E¨

B¨

C

D‹

  







  









 















36

F

G

Open Trade Solo Section (Bass/Piano)

         

49

G‹ D‹ E¨ B¨

C F‹

                 



G‹ D‹ E¨ B¨

C F‹

             

G‹ D‹ E¨ B¨

C D‹

On Cue (Bass solos last)

         

G‹

            H

G‹ D‹ E¨ B¨

C D‹

G‹



E¨



B¨



C F‹

D‹

E¨

B¨

C F‹



                        G‹ D‹ E¨ B¨ C D‹                  G‹ D‹ E¨ B¨

G‹

  

D‹



E¨



B¨



C F‹





 

           

C

D‹



G‹ D‹ E¨ B¨

C F‹

        

G‹ D‹ E¨ B¨

G‹ E¨‹ B¨‹ C‹ D‹ F‹

G‹ E¨‹ B¨‹ C‹ D‹ F‹

58

                              

3

            

C D‹

                 

G‹ D‹ E¨ B¨

I                                        G‹ E¨‹ B¨‹ C‹ D‹ F‹ G‹ E¨‹ B¨‹ C‹ D‹ F‹                   

55



 

Open Vamp (Piano appregiates chords)

52



D‹

C D‹

         

  

      

3                         3

3                    3

3



          

61

         

   

      



 



3                          









     

K              





  





B¨



C F‹

G‹

  

D‹



E¨



B¨ C

 

D‹

G‹

D‹

E¨

B¨

C F‹

G‹

D‹

E¨

B¨ C

D‹



L    

 

71

   





  





 

                

 

 





















 





 

 



    

E¨



 

   

     

 

D‹



 



3                                

G‹

   



3

   

67

                     

  





64

 

37

J             



   



 



38



Umray Avishai Cohen

q = 120

   

    mp

        



    

 

 

 

       

        

 









A Bass & Drums tacet 1st x 3 3 3 3    3  3  3  3  3  3  3                                    3                   

5

    



 

8



arco





3 3 3 3 3 3 3                                                  3

  



 Copyright © 2008 Gadu Music (BMI)







39

 

11

3                 3  3 3 3 3                                     3              3           



 

15

3

 

3 3 3 3 3 3                    3 3           3  3     



3

3   

  



 

18

 

3



  



 



22

              







3

3

3



                  3         

  

   3





 



 

       



 3 3                                

       



  



 



40

   2. 3 3                               3           

26

3

1.

  





3

   

 

  

     

B $                                                        Use pedal throughout this section

30

  











 

34

                                                          



 





                                                         



 To Coda Ø

38

           





C Open Solos (Piano/Bass trade choruses) F©‹6/A G©7   G©7               (first x)                

42

        G©7



Ø

 



 

F©‹6/A

      



G©7

   

          41

C©‹/E

E¨7

    C©‹/E

(last x)

    

E¨7

   

After solos, D.S. al Coda

   



    

                                                   

   



 3 3                                      

  







   

     mp

   

   



                     3



  

3

3



            rit.

3

3









   



42

Structure in Emotion

                                                               



q = 140



Avishai Cohen

                

         rit.

   

         

     

    

     

A Freely             

    

Use pedal throughout this section

6

    

                                                           











11

    

                                                               





 





                                           

16

    

     

 



Copyright © 2008 Gadu Music (BMI)







43

B                                               

21

    





 



 

                                            

26

     

 





32

                        

    



     

37

          



     

  



    





        





  



                    

          







  





         

 

           rit.

    





44

q = 100

C      

                                                             

42

  





 

 





                                                             

47

    



                         

52



                                     







                                               

57

  













   

                                     

62

     



 

 

                          

67

    







D



 



     



    

   







45



 

  









E    

74

                                                           Use pedal      



throughout this section









79

    

                                                       





 





46

                                                             

84



     F



          

90

Open (improvise on Abm7)



               





 











G q = 120

        











 



                   mp           

94



Repeat 4 x's

 

              

 





              

                   



H                       mp                       

96



 

    

                           

pizz.                                               mf



I                                                                            47

98

                                            



100

J

                                                











102

                                              



K                                       

104

  

 

                                           

               

                                    



          

          

     

 

    



48

L                                       

106



M                                         

108



N       

110

                 





 

                   

          

                        



O                                       

112

                             

 





    

                           

 



 



  

 

   

            



  

                                                                      

 

 

 



  



 



 



  



 



 



  



 

 

    



P                                        

114



                                                                 

Q                                                



 

E

G¨

A¨‹

E

G¨

S On cue 5x         Repeat                  

  

                       

         

         



A¨

E





rit.

120

                       G¨

        







1-4

(Last time only)

A¨‹



          



 E

 E   

  

           



119

 

            A¨‹



                      



R   Bass Solo (Open)           

116



 

49

    

    E     5.





G¨

G¨

 

E    

   

A¨²(#11)

 

A¨²(#11)

arco