Avenged Sevenfold Waking the Fallen TAB
Short Description
Waking the Fallen TAB...
Description
from Avenged Sevenfold - Waking the Fallen
Waking the Fallen (Intro) Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 95
4 4
4 4
4 4
F#5
Gtr. 2 (dist.)
** pp
w/ fingers fdbk.
6
0
**Fade in *Gtr. 1 (dist.)
*** pp P.M. throughout
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
*Doubled throughout ***Fade in
mp
6 0
4 4
4 4
4 4
4 4
4 4
Gtr. 2 tacet
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
mf
4 4
4 4
4 4
4 4
4 4
4 4
(Ah.)
Gtr. 1
Rhy. Fig. 1
End Rhy. Fig. 1
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
4 4
4 4
4 4
4 4
4 4
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Gtr. 1: w/ Rhy. Fig. 1
w/ echo repeats & heavy reverb
Rah!
Verse Gtr. 1: w/ Rhy. Fig. 1 (4 1/2 times)
F#5
Wake
the
Fall
Rise
-
en
now
ones
and
and
rise
to
souls,
we
shine
so
ev
-
-
night.
er,
leave
your
mem
Rise
now
bright.
and
ev
-
’ries.
-
er,
Segue to “Unholy Confessions”
leave
your
mem
µ
-
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Sorgdal
’ries. (No
2
one
can
touch
us.)
from Avenged Sevenfold - Waking the Fallen
Unholy Confessions Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E
Intro Fast q = 180 * D5
Riff A Gtr. 1 (dist.)
f
P.M.
0
5
0
Gtr. 2 (dist.)
f
P.M.
0
0
7
0
8
0
10
0
8
3
0
7
Bb5
8
7
P.M.
10
8
8
10
0
8
0
7
A5
End Riff A
P.M.
7
7
7
0
8
0
10
0
*Chord symbols reflect basic harmony.
D5
P.M. 0
5
0
0
7
0
8
0
10
0
8
Bb5
µ
3
0
7
8
7
8 8 8
10
8 8 8
A5
7 7 7
µ
7 7 7
P.M.
0
8 8 8
0
Gtr. 1: w/ Riff A
D5
Bb5
Riff B
0 0
0 0
7 7 7
A5
P.M. P.M. 8 7 5 7 5 8 7 5 5 7 0 0 7 8 8 0 0 7 7 0 0 7
End Riff B
Gtr. 2
P.M.
7 7 7
1., 2., 3.
Double-time feel
8 8 8
8
0
5
0
7
3
0
8
8
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
7
7
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4.
Bb5
µ
A5
Verse End double-time feel Half-time feel D5
Screamed: 1. “I’ll f Gtr. 1
Gtr. 3 (dist.)
Gtr. 1 divisi
try.”
Rhy. Fig. 1
8 8 8
8 8 8
7 7 7
12 X 10
7 7 7
12 X 10
14 12
14 X 12
10 8
10 X 8
9 7
7 7 5
7 7 5
8 8 8
8 8 8
7 7 7
Gtr. 4 (dist.)
Gtr. 2 divisi
9 X 7
7 7 7
9 X 7
Bb5
She
said
as
he
walked
a
10
10 X 8
8
7 5
7 X 5
6
C5 -
7 7 5
4
way.
P.M.
0 0
0 0
7 7 5
f Gtr. 2
7 7 5
P.M.
0 0
0 0
7 7 5
0 0 0
0 0 0
“Try
not
to
Riff C
0 0 0
0 0 0
13 X 10
13 X 10
11 8
11 X 8
10 7
14 X 12
14 X 12
12 10
12 X 10
10 8
Gtrs. 1 & 2: w/ Rhy. Fig. 1
D5
you.”
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lose End Riff C
8 X 5
P.M.
8 8
8 8
10 7
8 8 8
8 8 8
8 8 8
9 X 7
10 8
8 8 8
8 8 8
8 8 8
P.M.
8 8
8 8
Gtrs. 3 & 4: w/ Riffs C & C1
Two
vi
-
brant
10 10 10
Bb5
hearts
12 X 10
10 10 10
Riff C1
could
12 X 10
14 12
14 X 12
End Rhy. Fig. 1
10 8
10 X 8
9 7
End Riff C1
9 X 7
9 X 7
10
10 X 8
C5
change.
8
7
7 X 5
5
6 4
D5
Noth - ing
tears
the
be - ing
Gtrs. 1 & 2
7 5
7 5
P.M.
5 3
Bb5
0 0
0 0
0 0
0 0
be
here
wait
-
P.M.
5 5 3
5 3
5 5 3
5 3
and
se
8 8 8
8 8 8
P.M.
8 8
8 8
P.M.
Gtrs. 1 & 2: w/ Rhy. Fig, 2
µ
D5
0
masked
2
D5
0 0
0 0
µ
3 1
0
3
3 1
3 1
P.M.
3 3 1
3 1
3 3 1
5 3
5 3
Gtrs. 3 & 4: w/ Riffs C & C1
7 7 5
7 7 5
P.M.
0 0
0 0
Rhy. Fig. 2
P.M.
0 0
0 0
0
0
0 0
0
0
D5
P.M.
0
µ
D5
µ
P.M.
D5
µ
D5
0 0 0
Interlude D5
µ
P.M.
fear.
10 10 10
0 0
D5
P.M.
7 7 5
-
C5
ing,”
cure. (Ah.)
Un
-
0 0
5 5 3
C5
“I’ll
test - ed
µ
P.M.
8 8 8
de - cep - tion.
D5
5 3
more than
7 7 5
7 5
P.M.
7 5
Bb5
µ
0
0
0
End Rhy. Fig. 2
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Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
D5
Noth
-
ing
hurts
my
world,
just af - fects
Riff D Gtrs. 3 & 4
P.M.
0
P.M.
7
0
0
P.M.
8
0
0
P.M.
7
0
P.M.
8
0
the
ones
sin’s
deep
in
my
P.M.
4
0
7
0
0
you’ll
be
the
one
blood,
a - round
me.
When
8
0
7
0
8
0
7
0
Ab5
to
P.H.
Gtrs. 3 & 4: w/ Riff D
D5
Ab5
End Riff D
0
8va
P.M.
5
0
6
fall! “I
Chorus
D5
wish
I
could
Rhy. Fig. 3 Gtrs. 1 & 2
7 7 5
7 7 5
one
3 3 3
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Sorgdal
who
3 3 3
F5
C5
2 2
3 3
Bb5
care
3 3 3
3 3 3
0 0
3 3 1
the
5 5 3
won’t
one,
0 0 0
E5
the
X X X
F5
be
5 5 3
5 5 3
5 5 3
2
at
3
3
2
3
2
5
3
all.
0
But
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
End Rhy. Fig. 3
3 3 1
D5
be
-
in’
the
7 7 5
X X X
E5
one
7 7 5
0 0 0
F5
on
the
2 2
3 3
C5
stand,
to
go,
3 3 3
3 3 3
3 3 3
X X X
time
soaked
with
F5
I
D5
Gtrs. 1 & 2
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
-
ed
in
7 7 5
X X X
0 0 0
guid
-
in’
me.
3 3 3
3 3 3
3 3 3
5 5 5
5 5 5
X X X
3 5 3
turns
its
C5
5 5 3
5 5 3
When
X X X
X X X
hard
5 5 3
back
me
it’s
Dm/F
F5
way
E5
know the
Bb5
one’s
I
know
fid
blood
no
Gtrs. 1 & 2: w/ Rhy. Fig. 3
D5
G5
5 5 3
F5
to
E5
F5
was
your
2 2
3 3
fall.
C5
Con -
heart.
5 5 3
5 5 3
5 5 3
5 5 3
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To Coda
I
know
it’s
hurt
-
in’
you,
3 3 3
3 3 3
X X X
3 3 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Dm/F
kill
-
in’
me.”
5 5 5
5 5 5
X X X
3 5 3
5 5 5
5 5 5
X X X
3 5 3
5
5 5
7
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7
5
7
7
A7
5
Gtr. 2
6
Interlude Dm
Gtr. 1
Sorgdal
G5
F5
7
7
5
8
7
8
8
3 3 3
4
5
8
7
8
2
5
7
5
5
7
8
4
8
5
Db
C
5
8
2
4
3
3
4
3
4
4
0
1
it’s
2
but
3
Bb
2
3 3 3
7
7
7
7
Bb
5
1
4
4
1
8
7
8
5
7
0
4
3
4
4
2
2. Aaddb13
3
1. Aaddb13
A
Gtr. 1: w/ Riff A (1 1/2 times)
D5
8
7
8
8
4
4
Bb5
A5
Gtr. 2
0 0 0
End half-time feel
D5
Bb5
P.M. 0 0
µ
A5
Gtrs. 1 & 2
8 8 8
0 0
µ
8 8 8
7 7 7
7 7 7
Bridge Double-time feel Gtrs. 1 & 2: w/ Riffs A & B (4 times)
D5
Screamed: Noth - ing
will
last
in
this
D5
Now
you’re
per
Con - strict
D5
-
fect
your
hands
-
ing
a
world
a - round
This
air
tastes
dead
in
-
side
life,
D5
Bb5
me.
our
time
is
Bb5
meant
to
Bb5
me,
Bb5
squeeze
till
I
Con
-
tri
-
spent
con - struct
A5
-
ing.
sin.
A5
bute
A5
can - not
A5
to
breathe.
End double-time feel
our
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Sorgdal
Half-time feel D5
Break plague.
all
your
prom
-
is
...tear
down
this
stead
-
es,... -
fast
wall.
Rhy. Fig. 4
End Rhy. Fig. 4
Gtrs. 1 & 2
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 4
Re
-
straints
are
use
-
less
C#5
D5
C5
ing
sal
here. Tast
Interlude D5
B5
Bb5
-
D5
A5
-
va
-
tion’s
D5
near.
Ab5
G5
*Gtrs. 1 & 2
0 0
12 12
11 11
0 0
C#5
D5
10 10
9 9
8 8
0 0
C5
B5
Bb5
D5
5 5
7 7
6 6
5 5
0 0
*Composite arrangement
D5
0 0
10 10
12 12
11 11
0 0
8 8
10 10
9 9
8 8
P.M.
A5
0 0
7 7
D5
Ab5
G5
6 6
5 5
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
D5
Ah.
Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times) Gtrs. 3 & 4: w/ Riff D (2 times)
D5
Noth - ing
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Sorgdal
hurts
my
world,
just
af
- fects
the
ones
a - round
me.
Ab5
When
D5
sin’s
deep
in
my
you’ll
be
the
one
to
blood,
Ab5
fall!
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
G5
D5
G5
Riff E
End Riff E
*Gtrs. 3 & 4
1
0
11
1
0
1
10
0
0
grad. bend 1 1/2
1
8
0
6
1
5
0
11
1
0
10
1
0
8
grad. bend 1 1/2
1
0
0
6
5
*Composite arrangement
D5
G5
A5
D5
G5
A5
D5
1 1/2
0
1 1/2
5
0
5
Coda
G5
D5
Gtrs. 1–4
G5
0
5
-
in’
me.”
5 5 5
5 5 5
X X X
3 5 3
kill
Em
D.S. al Coda
A
I
Gtrs. 1 & 3 divisi
Gtrs. 1 & 2
D5
Gtrs. 2 & 4
0
Dm/F
F5
3
0
7 5
7 5
4 2
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 3 & 4: w/ Riff E (4 times)
D5
G5
D5
G5
Ah.
D5
G5
Gtrs. 1 & 2
P.M. 0 0
0 0
P.M.
0 0 0 0
0 0
D5
G5
P.M. 0 0
0 0
P.M.
0 0 0 0
0 0
D5
µ
Gtrs. 1–4
Play 3 times
P.M. 0 0
0 0
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Sorgdal
from Avenged Sevenfold - Waking the Fallen
Chapter Four Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 96 D5 E5
Gtrs. 1 & 2 (dist.)
F5
D5
Bb5
0 0
2 2
D5
End Rhy. Fig. 1
f
A5
Rhy. Fig. 1
3 3
0 0
7 7
8 8
Rhy. Fig. 2
P.M. P.M. 0 0
0
0
0 0
0
0
0
0
0
0
Gtr. 3 (dist.)
* pp
8 *Vol. swell Gtr. 4 (dist.)
** pp
5 **Vol. swell End Rhy. Fig. 2
Gtrs. 1 & 2
0 0
Gtr. 3
P.M. 0 0 0 0 0
P.M. 0 0 0 0 0
P.M.
P.M.
0 0
0 0 0 0 0
0 0 0 0 0
P.M.
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2
P.M.
0 0 0 0 0
0 0 0 0 0
fdbk.
8
8
Gtr. 4
5
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Double-time feel D5
Riff A
Gtr. 3
f
8
5
7
7
7
8
f
3
2
5
3
3
5
5
2
5
3
8
7
5
Bb5
6
Riff A1
Gtr. 4
C5
7
5
3
5
2
3
2
2
3
5
2
3
2
5
5
8
7
7
5
3
5
3
5
2
Rhy. Fig. 3
Gtrs. 1 & 2
7 5
1.
5 3
3 1
2.
End double-time feel
3
5
5
7
5
7
1
2
3 1
3
3 1
5 3
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7
C5
5
Gtrs. 3 & 4 tacet
C5
2
3
Verse
D5
1., 2. Con - ceived
and
(Give
3
5
me
End Riff A
5
7 5
7
5
7
2
3
3
2
3 1
5 3
3 End Rhy. Fig. 3
your
End Riff A1
1
Rhy. Fig. 4
P.M. P.M. P.M. 0 0
0
0
0
0 0
0
0
0
0 0
0
0
F5
born
C/E
was
one
of
Bb5
blood
is
spilled
hand,
Gtrs. 1 & 2
3 3
3 2
3 3
3 3
0 0
3 2
C/E
light.
F5
and
man
will
fol
-
low. End Rhy. Fig. 4
P.M.
3 1
1
1
1
P.M. P.M.
3 1
1
1
3 1
1
0
0
3 3
3 3
3 2
3 3
0 0
3 2
Gtrs. 1 & 2: w/ Rhy. Fig. 4
D5
Rain
and
dark,
In
-
Raise
fer
-
and
0 0
Bb5
Fall light.)
0 0
0 0
0 0 0
0 0
-
ment
F5
taste
too
great
to
C/E
the cour
-
bear.)
age. (The
one
of
3 1
3 1
3 3 3
3 3 3
3 2
3 2
grace,
from
C/E
pun - ish
head
0 0 0
F5
night.
man,
your
0 0
0 0
Bb5
black
born
nal
D5
oth - er
Gtrs. 1 & 2
the
Half-time feel D5
C/E
F5
3 1
3 1
3 1
3 1
Bb5
3 1
3 1
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
3 2
F5
un
3 3 3
A/C#
-
ho
-
ly
night.
3 1
3 1
3 3 3
3 3 3
3 1
3 1
3 1
3 3 3
3 3 3
3 3 3
3 3 3
End half-time feel
3 1
3 2
3 3 3
3 3 3
2 2 4
2 2 4
2 2 4
2 2 4
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Double-time feel
Dm
C
I’ve come here to
kill
14 X 12
14 X 12
14 X 12
you,
14 X 12
12 X 10
9 X 7
C
Gtrs. 3 & 4
Bb5
Dm
leave un - til you’ve
9 X 7
10 X 8
12 X 10
14 X 12
12 X 10
10 X 8
10 X 8
Mur - der born of
14 X 12
15 14 X X 13 12
Gtrs. 1 & 2
P.M.
3 5
3 5
Bb5
5
P.M.
3 5
Gtr. 4
10 X 8
10 X 8
10 X 8
Gtr. 3
10 X 8
10 X 8
10 X 8
2 3
C
close my broth - er’s
10 X 8
10 X 8
3 1
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
1
3 1
2 3
2 3
A5
12 X 10
9 X 7
9 X 7
-
12 X 10
9 X 7
2 3
2 3
2 3
3 1
1
1
2 3
2 3
14 X 12
14 X 12
P.M.
2 3
- geance,
3 5
3 5
9 X 7
9 X 7
P.M.
3 5
5
I
P.M.
5 6
6 X 4
14 X 12
ven
5
2 3
2 3
2 3
night.
9 X 7
3 1
to
P.M.
3 1
eyes
3 1
2 3
Gtrs. 1 & 2
P.M.
P.M.
2 3
5
won’t
10 X 8
died.
C
5 6
5 6 4
6 X 4
4
5
7
4
P.M. 2 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2 2 0
2 2 0
2 2 0
2 2 0
1.
Interlude
D5
5
6
7
5
Bb5
C5
8
6
5
6
7
5
7
5
7
7 5
7 5
7 5
5 3
5 3
5 3
0
D5
C5
5
6
7
6
5
3
5
3
6
5
5
7
5
6
8
3 1
7
6
5 7
8
7
3 1
3
3 1
9
6
3 1
5
8
10
10
5 3
6
5 3
6
5 3
5
5 3
5 3
7
6
7
7
8
6
5
6
5
5
7 5
7
6
7
5
7
5
3 1
7 5
7 5
3 1
3 1
3 1
3 1
D5
5 3
6 5
8
7
5 3
5 3
5 3
5 3
7 5
7 5
5 3
C5
Bb5
C5
5 3
5 3
D.S. al Coda End double-time feel
2. Con
5
6
5
2.
C5
Bb5
3
5
7 5
7
3
5
7
5
6
6
3rd time, To Coda
C5
7
7 5
7
6
5
8
6
5 5
7
6
5
7
7
5 7
8
6
5 7
7
3
7 5
7 5
3 1
3 1
7 5
5 3
5 3
5 3
3 1
9
6
7 5
5
8
-
10
10
5
6
6
5 3
5 3
5 3
5 3
5 3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
D5
6
5
5
5
6
Bb5
8
6
5
7
7
6
5
7
5
7 5
7 5
7 5
7 5
7 5
5 3
5 3
5 3
to - night
as
the clouds turn
5 3
3 1
5
3
3 1
3 1
3 1
8
10
10
5
6
6
5 3
5 3
It’s
9
6
7
8
7
5
6
7
7
C5
5
7
7
C5
5 3
5 3
5 3
Pre-Chorus Gtrs. 3 & 4 tacet
D5
cold Gtr. 2
grey
and
from
my
hands
to my
broth - er’s
grave.
You End Riff B1
3
P.M.
10 11 10 0
Riff B1
3
Gtr. 1
0
0
6
P.M.
0 10 11 10
3
0
0
0
3
P.M.
0 10 11 10
9 10 9
10 11 10 0
0
0
6
P.M.
0 10 11 10 0
0
0
0
10 11 10
9 10 9
Riff B
End Riff B
3
3
3
3
6
6
P.M. P.M. P.M. P.M. 7
8
7 0
0
0
0
7
8
7
0
0
0
0
7
8
7
6 7 6
7
8
7 0
0
0
0
7
8
7 0
0
0
0
7
8
7
Gtrs. 1 & 2: w/ Riffs B & B1
took
his
side,
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
you
took
his
gift.
Feel
the
pow - er
of
a
fall - en
man,
6 7 6
End double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
D5
E5
D5
A5
Bb5
F5
D5
crest - fall - en
D5
Far
Gtrs. 1 & 2
a
Rhy. Fig. 5
0 0
0 0
0 0
D5
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times)
One.
A
D5
A5
-
way in
this
G5 A5
land
I
7 7
7 7
A5
7 7
5 5
sent
G5
know,
D5
8 8
Bb5
his
A5
Bb5
A5
e= e
Bb5
8 8
8 8
8 8
5 3
0
A5
Bb5
Out
One,
a
of the
5 3
4 2
5 3
4 2
A/E
hard - ship that
Dm/F
site
Dm/F
no.
G5
of the
a
A/E
End Rhy. Fig. 5
Dm/F
Dm/F
hands,
no,
A5
out
8 8
from
A5
D5
go,
7 7
G5
pun - ish - ment
A5
7 7
F5
man.
Bb5
must
Chorus
E5
-
way
of
the
4 2
no
one should
A/E
site
of
the
A/E
in
land
you must
this
0
e= e
Interlude Double-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 3 Gtrs. 3 & 4: w/ Riffs A & A1
D5
C5
Bb5
C5
go.
D5
C5
Bb5
End double-time feel C5
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge
D5
D5 µ
F5
Where has
he gone?
What
have
f
14 17 21 17 14 12 15
0 0 0
Bb5
A
voice
15
17
1
1
1
earth.
1
14 17
14
17
20
20 17
19
1
17
19
17
17
high
15
14 15 14
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3 3
3
3
3 3
C/E
-
bove
this
P.M. 1
3 1
3
From
the
soil
his
blood
cries
17
17
21
17
14
14
3
3
14
3
3
F5
15
15
12
13
13 15
P.M.
14
17 13 17 13
14 15
8
3
a
13
15
3
P.M.
1/2
17 13
1
15
3
3 1
12
3 3 3
1/2
15
P.M.
Gtr. 5
Sorgdal
0 0
0
Gtrs. 1 & 2: w/ Rhy. Fig. 6
D5
15
F5
from
15 17
1
0
17
P.M.
P.M.
0 0
0
com - mands
1/2
18
0
P.M.
0 0
17
14 15
Rhy. Fig. 6
Gtrs. 1 & 2
15
you done?
(Ah.) Gtr. 5 (dist.)
13 12
3 3
to
12
P.M. 2
2
2
2
out
13
2
12
14
End Rhy. Fig. 6
3 2
me.
14
1
14
17
17
20 19
20
17
17
19
17
17
Bb5
Mur -
der,
li
-
F5
ar,
ven - geance,
15
17 15
de
-
ceit!
3
1/2
1/2
18
e= e
C/E
17
17
13
13
15
17
14
15
14
14
17
13
15
14
15
12
13
13
15
13
12
13
15 12
17 13 17
17
15
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
D5
Gtr. 5
17
17
15
Bb5
17
Dm/F
A/E
1
1 hold bend
15
15
17
Riff C
Gtrs. 3 & 4
G5 A5
A5
10 X 8
10 10 10 10 10 X X X X X 8 8 8 8 8
10 10 10 10 X X X X 8 8 8 8
9 X 7
9 9 9 9 9 X X X X X 7 7 7 7 7
7 X 5
9 X 7
10 X 8
10 10 10 10 10 X X X X X 8 8 8 8 8
10 10 10 10 X X X X 8 8 8 8
14 X 12
14 14 14 14 12 X X X X X 12 12 12 12 10
14 X 12
15 X 13
Gtr. 5 tacet
D5
Gtrs. 3 & 4
14 X 12
14 14 14 14 14 X X X X X 12 12 12 12 12
12 X 10
10 X 8
A5
G5 A5
Bb5
Dm/F
9 X 7
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
9 X 7
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
A/E
End Riff C
10 X 8
10 10 10 10 12 X X X X X 8 8 8 8 10
12 12 12 10 X X X 10 10 10 8
Gtrs. 3 & 4: w/ Riff C
D5
D5
A5
A5
G5
A5
Bb5
G5
A5
Bb5
Dm/F
Dm/F
A/E
A/E
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (till fade)
D5
A5
Far
a
-
way in
this
14 14 14 14 14 X X X X X 12 12 12 12 12
D5
One.
13 X 10
14 14 14 14 X X X X 12 12 12 12
A5
A
A5
Bb5
I
must
go,
land
Gtrs. 3 & 4
14 X 12
G5
13 13 13 13 13 X X X X X 10 10 10 10 10
G5
pun - ish - ment sent from
15 15 15 15 X X X X 13 13 13 13
Bb5
15 15 X X 13 13
his
hands,
14 X 12
7 7 7 7 7 X X X X X 5 5 5 5 5
7 7 7 7 X X X X 5 5 5 5
6 X 4
6 6 6 6 6 X X X X X 4 4 4 4 4
6 6 6 6 X X X X 4 4 4 4
3 X 1
a
3 3 3 3 3 X X X X X 1 1 1 1 1
12 X 10
Dm/F
D5
A5
G5 A5
3 3 3 3 X X X X 1 1 1 1
5 X 3
know,
no,
7 7 7 7 7 X X X X X 5 5 5 5 5
9 X 7
9 9 9 9 9 X X X X X 7 7 7 7 7
7 X 5
9 X 7
12 X 10
10 X 8
A/E
no one should
5 5 5 X X X 3 3 3
6 X 4
6 X 4
6 6 6 X X X 4 4 4
A/E
site of the
9 X 7
10 X 8
10 10 10 10 10 X X X X X 8 8 8 8 8
10 10 10 10 X X X X 8 8 8 8
A5
G5
A5
Bb5
Dm/F
14 14 14 14 14 X X X X X 12 12 12 12 12
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
a - way
Sorgdal
10 X 8
12 X 10
Out of the
One,
14 X 12
14 X 12
12 X 10
12 12 12 12 12 X X X X X 10 10 10 10 10
12 12 12 X X X 10 10 10
Fade out Segue to “Remenissions”
D5
7 7 7 7 X X X X 5 5 5 5
5 X 3
no.
7 X 5
Dm/F
of the
Bb5
site
Begin fade
A/E
of the
hard - ship that
7 X 5
out
13 13 15 X X X 10 10 12
A5
Dm/F
14 14 14 X X X 12 12 12
17 X 15
17 17 X X 15 15
17 17 X X 15 15
17 17 17 17 X X X X 15 15 15 15
19 X 17
19 19 X X 17 17
19 19 X X 17 17
19 19 19 19 X X X X 17 17 17 17
A/E
in this
land you must...
18 X 15
18 18 18 18 17 X X X X X 15 15 15 15 14
17 X 14
17 17 17 X X X 14 14 14
from Avenged Sevenfold - Waking the Fallen
Remenissions
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 91
D5
(Drums)
f
w/ dist.
0 0
Gtr. 1 (elec.)
µ
Gtr. 2 (elec.)
3
D5
P.M.
0 0
P.M. let ring
0 0
1
0
1
µ
P.S.
0
5
3
0 0
2
0
0 0
3
1
P.M.
f
X
w/ dist.
0 0
0 0
0 0
0 0
0 0
0 0
Quadruple-time feel * Dm
A7
Ulh! Riff A Gtrs. 1 & 2
0 0 0 0 2 2 2 2 3 3 3 3
2 2 2 2
5 5 5 5 3 3 3 3 2 2 2 2 0 0 0 0
4 4 4 4
0 0 0 0 2 2 2 2 5 5 5 5
2 4 4 4 4 0 0 0 0
*Chord symbols reflect implied harmony.
Bb
A7
(Ulh!)
1 1 1 1
0 0 0 0 3 3 3 3
3 3 3 3
3 3 3 3 0 0 0 0
1 1 1 1
0 0 0 0
0 0 0 0
4 4 4 4
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
2 2 2 2
End Riff A
0 4 4 4 4
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A
Dm
A7
Gtr. 2
2 2 2 2 0 0 0 0 2 2 2 2 5 5 5 5 3 3 3 3 2 2 2 2
Bb
Dsus2
Gtrs. 1 & 2
3 3 3 3
3 3 3 3
0 0 0 0 3 3 3 3
D5
P.M.
3 3 3 3
D5
0 0
0 0
0 0
3 3 3 3 0 0 0 0 3 3 3 3
D5
4 4 4 4 4
End quadruple-time feel
0 0
0
4 4 4 4
C#º/D
2 2 2 2 5 5 5 5
A5addb2
P.M.
3 3 0
0 0
2 2 2 2
P.M.
3 3 3 3
2 2 2 2 3 3 3 3 5 5 5 5
A7
Bb/D
0 3 2 0 0
5 5 5 5 3 3 3 3
2
5 5 3
2 3 0
0 0
4 4 4 4
0
Verse
D5
1. With
F5 E5 D5
this
ink
in
my
F5 E5 D5
skin,
we’ve
sealed
our
fate,
Rhy. Fig. 1
P.M. P.M.
0 0
0
C
0
3 3
2 2
0 0
0
0
nat
-
0
0
3 3
2 2
0 0
(On - ly
2 3
0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
3
2
0
P.M. P.M. and the
3 1
0
0
0
0
Bb5
G5
So,
what
5
0
3 1
1
0
axe comes
0
C5
A5
does
that
mat
0
5
0
-
ter?
’ral - ly.)
P.M. 3
ear - ly.
Sorgdal
Bb
2
3
End Rhy. Fig. 1
P.M. 0
0
P.M.
P.M.
3 1
5 3
0
0
5 5
0
0
2 0
2 0
2 0
2 0
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas.)
D5
There’s
E5 D5
bed
of
a
G5
They’re
wait
Bb5
F5
skel
ing
0
Bb
wait - in’ for
me
on
the
5 3
my
0
next
2 0
0
real.
oth - er
G5
see
past
Bb
move. (Next
fa
-
tal
2 0
You
can’t
2 0
2 0
0 0
0 0
C5
the
you.
side.
F5 E5 D5
Hu - man lives,
to me,
un -
0 0
C
see through the
A5
ster
-
e
-
o
12
C
I’ll
tear
you
a
grey
fog,
D5
-
seem so
breath.)
0 0
Be - lief,
down
past
F5 E5 D5
type.
F5 E5 D5
(Noth - ing
Bb5
C
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
D5
Bb
P.M.
5 5
0
D5
A5
for
P.M.
E5
e - tons
Gtrs. 1 & 2
3 1
-
C5
-
F5
struc
-
ture
wall.)
F5
built
Bb5
G5
C5
and the
one
who
cre
D5
up
in
A5
E5
-
at
ed
-
Interlude
µ
D5
µ
D5
you.
Gtrs. 1 & 2
P.M. 11 15
12 16
P.M.
11 15 0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
12 16 0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ
D5
µ
P.M.
11 15
P.M.
12 16
11 15 0 0
0 0
0 0
0 0
0 0
0 0
Pre-Chorus
D5
If
they
D5
did - n’t
have
0 0
0 0
One,
how
12 16
0 0
0 0
0 0
0 0
Bb5
would
they
0 0
0 0
0 0
0 0
0 0
0 0
act?
(Whoa,
Rhy. Fig. 2
3 1
0 0
G5
If
we
did - n’t
have
hope,
how
C5
would
we
be -
Would they
5 3
5 5
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
feel
whoa.)
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
still
have?
End Rhy. Fig. 2
re - morse
if
they slaught - ered
in
-
no - cent
Bb5
be - ings?
Or
is
Chorus
G5
hope the on
- ly
thing
that keeps
C5
you
sane?
Gtr. 3 (nylon-str. acous.)
A
Dm
friend
once
good
told
10
12
Riff B
mp 10
10
Riff C *Gtr. 4 (steel-str. acous.)
mp
10
w/ fingers let ring
2
0
1
3
0
3
2
0
1
3
2
0
3
2
0
0
*Doubled throughout Gtrs. 1 & 2
P.M.
5 3
5 5
0 0
Gtrs. 1 & 2 tacet
Gm
me Gtr. 3
Cadd9
you
are
a mem
11
-
o
-
10
11
ry,
with - out
10 12
Fadd9
5 6
8
5
5 7
6 5
them
A7
we
e
9
5
5
7
7
9 10 12 12
5
3
3
3 5
3
5
3
3 3
5
3
3 0
3
2
0
0
3
0 3
2
3
3 3
0
2
0 3
qual
10 9
12
3
2
1
3
1 3
2
0
11
let ring
2
noth -
12
let ring let ring let ring 5
-
Gtr. 4
3
0
2
12 End Riff C
3
2 2
0
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4: w/ Riff C
Dm
ing.
Gtr. 3
All
I
let ring
can
see
is
a
place
I
wan
Gm
w/ pick & fingers
w/ pick & fingers let ring
10 9
7
Cadd9
9
10
10
12
12
13
12
14
w/ pick & fingers
0
Sud - den - ly,
my
12 12
10
D5
free.
Gtr. 3
12
12 10
12
9
10
12
9
10
12
Gtr. 3 tacet
Leaves
at
my
G5
feet,
10 10
they’re blown
12
be.
12
13
12
14
life
was
so
11
9
10
to
na
A7
10
11
Fadd9
10 11
-
the
9
C5
12
10
9
10 10
ground.
9
11
Their
End Riff B
12
Gtrs. 1 & 2
P.M. P.M.
P.M.
0 0
5 5 5 5
0 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 0 0 0 0 0 0
0 0 0 0
5 5
5 5 5 5 5 5
5 5 5 5
5 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
ech
-
A5
oes
are
reach
-
D5
ing
my
F5
ears.
Night’s
com
-
in’
Gtrs. 1 & 2
P.M.
3 3
3
3
3
3
3
fast,
the
G5
5
2 0
3
0
0
0
go
0
5
5
5
5
5
D5
keep
a - way
from
me.
3 1
C5
5
3 1
5
5
5
5
5 3
C5
5 3
7 5
7 5
0 0 0 0
P.M.
7 5
7 5
0
0
0
0
3 1
3
3
3
3
3
3
3
7 5
0 0 0 0
7 5
7 5
0
0
3
3
it’s
hard
3
3
C5
3
3
a - way
from
3 1
5 3
3 1
F5
3 1
3 1
5 3
5 3
5 3
5 3
5 3
C/E
5 3
3
0 0 0 0
3 1
0
P.M.
3 1
0
C5
3 1
0
5
0
but
P.M.
7 5
0 0 0 0
7
0
P.M.
5 3
5
8
0
Bb5
7
0
down,
5
(Oh,
5
0
Keep
5
0
me,
0 0
in’
5
P.M.
Bb5
0
0
Quadruple-time feel Dm
-
P.M.
0
sun’s
Bb5
P.M.
P.M.
5 5
way
from
keep
a
to
keep
me
in
this
0
3 3
3 3
-
3 2
0
0
3 2
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dm
Bb5
C5
F5
me,
keep
C5
a
-
way
from
place.
5
0
5
7
8
Dm
7
5
0
3 1
3 1
3 1
3 1
5 3
5 3
0 0
3 1
Bb5
3 1
5 3
5 3
5 3
5 3
C5
Keep
a
0
5
5
7
7
5
Dm
0
3 1
3 1
way
from
3 1
3 1
5 3
5 3
3 1
3 1
5 3
C5
5 3
-
way
from
3 2
0
me.
Bb5
5 3
5 3
A5 C5 D5
8
-
a
5 3
C/E
keep
5 3
0 0
me,
5 3
F5
0
3 3
3 3
0
3 2
µ
me.
Ulh!)
0
5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
7
8
7
5
0
3 1
3 1
3 1
3 1
5 3
5 3
3 1
3 1
5 3
3
5 3
2 0
5 3
7 5
Bridge D5
C
We
may have
cre - at
Riff D1
Gtr. 2
7 X 5
7 X 5
9 X 7
Riff D
Gtr. 1
7 X 5
Bb5
7 X 5
A5
-
9 X 7
10 X 8
Bb
ed
be - gin - ning,
the
10 X 8
9 X 7
3 X 1
9 X 7
A
3 X 1
7 X 5
7 X 5
10 X 8
men - tal - ly. End Riff D1
10 15 15 X X X 8 13 13
2 0
5 X 3
3 X 1
2 X 0
3 X 1
3 X 1
3 X 1
2 X 0
5 X 3
3 X 1
2 X 0
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
4 X 2
6 X 4
6 X 4
End Riff D
9 X 7
14 X 12
14 12
Gtrs. 1 & 2: w/ Riffs D & D1
D5
C5
end
Gtr. 2
have
cre
may
A5
- at
-
ed
the
be
of
hu - man
9 X 7
our
Bb5
10 X 8
7 X 5
Bb
-
A
We
Bb5
C
gin - ning,
phys - i - c’ly.
To
the
End quadruple-time feel
A5
ex
-
ist
9 X 7
-
A/C#
ence.
6 X 4
Gtr. 1
5 3
3 1
2 0
2 4
Interlude D5 Rhy. Fig. 3 Gtrs. 1 & 2
End Rhy. Fig. 3
P.M.
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Half-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 3
Ulh!
Gtr. 5 (elec.)
mf w/ dist.
7
8
7
7
8
7
7
8
7
7
8
7
Bridge End half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 3
D5
I
see through you,
Gtr. 6 (elec.)
the
fear that’s in
your
eyes,
mf w/ dist.
10
Gtr. 5
7
7
12
11
8
7
10
12
10
11
7
8
12
10
11
7
7
8
12
11
7
7
8
7
Gtrs. 5 & 6 tacet
Eb5
E5
F5
D5
0 0
Eb5
E5
F5
D5
1 1
2 2
3 3
0 0
Eb5
E5
F5
D5
1 1
2 2
3 3
0 0
Eb5
E5
F5
1 1
2 2
3 3
whoa. Gtrs. 1 & 2
0 0
1 1
2 2
3 3
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
D5
Bb5
Gtr. 5
10
10
8
10
8
10
10
10
6
6
Rhy. Fig. 4 Gtrs. 1 & 2
P.M.
5
7
5
6
7
10
P.M.
0 0
C5
0
0
0
0
0
1
0
1
1
6
12
13
11
10
11
13
10
5
12
P.M. 3
5 3
10
8
10
8
10
3 1
1
5
P.M.
1
1
1
1
1
1
1
1
C/E
3
10
10
8
13
3
11
10
11
3
10
8
10
3
8
10
8
10
9
3
10
6
F5
5
13
3
12
11
8
0 0
3
10
8
7
0 0
3
11
f
0 0
11
Gtr. 6
f
10
10
3
8
10
8
3
6
5
6
3
5
5
7
7
5
End Rhy. Fig. 4
P.M.
3
3
3
3
3
3
3
3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 4
D5
Gtr. 5
Bb5
10
7
Gtr. 6
10
8
10
8
10
10
6
7
6
5
7
5
6
7
C5
11
10
11 10
12
10
11
12
13
12
13 11 10 11
13 10
8
7
10
8
6
5
6
8
5
10
10
8
8
10
10
10
10
Chorus Gtr. 3: w/ Riff B
F5
C/E
D5
A
13
11
10
11
10
8
10
8
10
10
3
3
8
8
10
6
5
6
7
5
7
7
me
ry,
5 3
-
5 3
5 3
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
with
5 3
5 3
5 3
5 3
5 3
5 3
are
a mem
-
o
5 3
out
3 3
-
5 5
5 5
5
F5
we
7
0 0
C5
Rhy. Fig 5 Gtrs. 1 & 2
3
5
told
(cont. on upper staff)
10
once
9
3
friend
G5
Gtrs. 5 & 6
3
8
good
3 3 3
Gtrs. 5 & 6 tacet
5 5
5 5
5 5
5 5
0 0
5 5
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (2 1/2 times)
A5
them
A/C#
we
e
-
qual
noth
End Rhy. Fig 5
2 0
2 4
3 3
3 3
3 3
0
D5
-
ing.
All
I
can
G5
see
is
I
na
D5
a place
free.
wan
-
Leaves
at
C5
F5
be.
G5
my
feet,
blown
14 14 14 X X X 12 12 12
14 14 X X 12 12
14 17 17 17 X X X 12 15 15 15
A5
ech - oes
A/C#
are reach - ing
5 X 3
5 X 3
6 X 4
D5
my
ears.
Night’s
com
the
-
A5
my
life
A/C#
was
so
ground,
their
12 10 10 10 X X X 10 8 8 8
10 12 12 12 12 10 X X X X 8 10 10 10 10 8
in’
10 X 8
9
9 9 X X 7 7
7
G5
C5
to
17 15 15 15 15 14 14 12 12 12 X X X X X X X 15 13 13 13 13 12 12 10 10 10
F5
Time - less,
Gtr. 5
14 14 14 X X X 12 12 12
fast,
sun’s
9 7 7 X X 7 5 5
go
in’
-
6 X 4
14 X 12
6 4
14 14 14 X X X 12 12 12
14 14 14 X X X 12 12 12
14 14 X X 12 12
14 17 17 17 X X X 12 15 15 15
17 15 15 15 15 14 14 12 X X X X X X X 15 13 13 13 13 12 12 10
12 12 12 X X X 10 10 10
12 10 10 10 X X X 10 8 8 8
Gtr. 5 tacet
C5
down,
con
Gtr. 5
10 12 12 12 12 10 X X X X 8 10 10 10 10 8
Gtrs. 1 & 2
5 3
10 X 8
9 7
9 X 7
-
9 X 7
9 X 7
7 5
A5
Eb5
fused.
I
don’t know
7 X 5
6 X 4
5 3
5 3
5 3
2 0
5 3
5 3
5 3
5 3
5 3
5 3
the
P.M. 2 0
2 0
2 0
2 0
2 0
2 0
1 1
1 1
1 1
1 1
1 1
1 1
1 1
1 1
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
an
-
D5
swers,
rit.
but neith - er
do
you.
Gtrs. 1 & 2
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
rit.
0 0
Outro Faster q = 130 Half-time feel
D5
Ulh! Riff E
End Riff E
P.M.
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
Gtrs. 1 & 2: w/ Riff E (3 times)
Yeah! (Ulh.)
Begin fade
Play 4 times & fade
Gtrs. 1 & 2
P.M.
12 0
12 0
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 0
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
from Avenged Sevenfold - Waking the Fallen
Desecrate Through Reverence Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 95 Half-time feel * D5
Gtr. 3 (dist.)
0 f
E5
F5
Bb5
0
3
2
A5 G#5
Riff A1
8
A5
7
7
6
F5
G5
E5
3
5
5
Bb5
A5 End Riff A1
2
2
7
8
Riff A Gtrs. 1 & 2 (dist.)
End Riff A
0
0
f
2
3
8
7
7
6
3
5
5
2
2
7
8
*Chord symbols reflect implied harmony.
Gtrs. 1, 2 & 3: w/ Riffs A & A1 (2 times)
D5
Gtr. 4 (dist.)
E5
F5
Bb5
6 7
3 3
5 3
5 3
6 3
6 3
6 8
6 8
5 6
3 5
3 5
F5
G5
E5
Bb5
A5
6 7
3 3
5 0
5 0
8
Gtrs. 1 & 2
(Gtr. 3, cont. on upper staff)
6 7
5 3
5 3
6 3
6 3
Gtrs. 1, 2 & 3
5 6
µ
Gtr. 3
6 7
5 6
6 7
6 7
8 9
8 9
Double-time feel
Gtr. 4
5 6
Gtr. 4 tacet
D5
0 0 0
A5
mf
End half-time feel
A5 G#5
P.M. 0 0
0 0
0
8
7
0
5
7
7
5
8
D5
7
0 0
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2 tacet
Gtr. 3 tacet
µ
Dm
Em
F
Em
Gm
(Oh,
8
8
3
0
µ
0 2
3 5
0 2
2 3
2 3
Em
F
Em
0 2
0 2
0 2
3 5
3 5
2 3
2 3
µ
0
Dm
oh.)
1&2 Gtrs. P.M. 5 6 7 7 8 3 0 7 0 5 7 5 7 8 5
Gtr. 3
F
Ulh!
P.M. P.M. P.M. 0
0 0 0
3
3
0
0 0 0
3
0
6
0
6
7
0
0
1.
2.
3 5
3 5
0 2
0 2
2 3
2 3
0 2
0 2
0 2
P.M. P.M. P.M. 0
0 0 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
0
0 0 0
6
6
0
0 0 6
7
2
3
2
3
2
3
2
D5
P.S.
X X X X X X
Gtr. 4
P.S.
X
5
P.M.
Gtr. 3
Gtrs. 1 & 2
P.M.
X
X X X
0 0
0 0
End double-time feel
Gtr. 4 tacet
D5
µ
P.S.
X
X X X X XX X
D5
8
0
7
8
0
7
5
7
5
8
7
X XX X X XX X
0 0
0 0
P.M. 0 0
0 0
P.M.
0 0
0 0
0 0
0 0
Verse Gtr. 3 tacet
E5
1. Hard 2. Pre
-
news, sence
2 2 2
Gtrs. 1 & 2
tak be
won’t
F5
-
E5
en hard ig - nored,
er,
F5
don’t no,
look not
to me. to - day.
Rhy. Fig. 1
2
2
D5
2 2
2
2 2
2 2
3 3
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
3 3
Dis
-
ap - point Don’t End Rhy. Fig. 1
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
walk
ed,
D5
(Don’t
look
my
we in
don’t my
for
help,
F5
E5
a - gree, di - rec
-
tion;
F5
I turn
don’t the
need oth
your er
-
praise. way.
Ask - ing ques way
from the
be
- gin - ning you
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st meas., 2 times)
E5
Nev -
-
er tions,
F5
asked you pre - de - ter -
Gtr. 6 (dist.)
to mined
like an
-
me, swers,
E5
came
to
me.)
I you
F5
don’t won’t
need find
your them
f
18
Gtr. 5 (dist.)
f
16
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (last 2 meas.) Gtrs. 5 & 6 tacet
D5
praise. here.
down
on
Gtrs. 1 & 2
2 2
2 2
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2
play want
your your
I
spit won’t
in let
F5
my you
2 2
2 2
2 2
3 3
games.) o - pin -
me,
you,
(Won’t (We don’t
E5
ion.)
And
E5
face. think.
I
Look don’t
F5
2 2
2 2
2 2
2 2
want
D5
You’re noth - ing Com - pro - mise
2 2
to is
me, near,
2 2
0 0
2 2
2 2
3 3
P.M. 0
0
0
0
0
0
0
0
Chorus Double-time feel Dm/F
Dark
-
0
0 0
0
A/E
ened
0
0
0
0
0
0
0 0
P.M.
0 0
0
0
0
0
0
0
0 0
0
P.M. 0
0
Dm/F
eyes
0
0
0
0
0
0 0
you’ll
see,
0
not to me. it’s not near.
0 0
0
3
0
5
6
0 0
7
µ
0
0
0
0
0
0 0
0
0 0
8
Bb5
C
is
no
hope,
no
Gm/Bb
there
P.M.
0 0
D5
D5
’cause
0 0
P.M. 0
P.M. 0
0 0
0 0
0
µ
7
5
6
7
Csus4
sav -
ior
Rhy. Fig. 2
0
D5
in
me.
End Rhy. Fig. 2
5 3
(Don’t
5 3
5 3
5 3
4 2
look this
4 2
4 2
P.M. 0
0 0 0 0 0
0 0
way,
Riff B
5 3
0 0
0 0
don’t
0 0
0 0
0 0
breathe this
P.M. 0 0 0 0 0 0 0
8 0 10 0 8
0 0
way,
0 0
0 0
8 8 8 10 10 8 8 8 8
don’t
8 8 8
0 0
7 10
7 10
stare this
7 7 7 7 10 10 10 10
0 0 0 0 0 0 0
0 0
way
P.M. 0 0
7 7 10 10
an
-
8 10
0 0
5 3
5 3
y - more.) End Riff B
P.M. 0 0 0 0 0 0 0
0 0
0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Dm/F
A/E
Learned
Dm/F
years
gone
from
D5
by,
Gm/Bb
no
one
Bb5
C
will
care
what
hap
Csus4
-
pens
1.
(Don’t
Gtrs. 1 & 2
look this
0
0
0
0
0 0
0
way,
P.M. 0
don’t
breathe this
0
0 0
0
0
0
0
0
0
way,
P.M.
0 0
don’t
0 0
stare this
0
0
0
0
0
0
0 0
0 0
-
0
(Don’t
6 8
10
6
7
Gtrs. 1 & 2
5 3
5 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
way,
5
6
don’t
breathe this
way,
don’t
stare this
way
0
an
-
0
y - more.)
8
6
A/E
Dm/F D5
10
Gtr. 6
look this
Guitar Solo Dm/F
Gtr. 5
y - more.)
2. Gtrs. 1 & 2: w/ Riff B
0 0 0
an
P.M. 0
End double-time feel
way
me.
to
D5
8
5 6
C
Csus4 D5
8
5
3
6
5
5
1 3
3
5
10
10
6
6
8
8
10
6
Bb5
11
6
8
Gm/Bb
8
8 10
11
5
10
5
6
8
6
5 5 5 5 3 3 3 3
4 2
4 4 2 2
5 3
0 0
0 0 0 0
8 8 8 8 0 0 0 10 10 10 8 0 0 0 8 8 8 8
8 8 0 8 0
7 7 7 10 10 10
7 7 7 10 10 10
7 7 7 10 10 10
8 10
0 0
10
10
6
6
0 0
0 0
6
8
0 0
0 0
0 0
C5
10
11
10
8
8
3
3
8
0 0
2nd time, End double-time feel
Bb5
5
6
0 0
0 0
0 0
0 0
0 0
0 0
6
3 1
3 1
5
3 1
3 1
3 1
5
5 3
5 3
5 3
5 3
5 3
Bridge Half-time feel Gtrs. 1 & 2: w/ Riffs C & C1 (3 times)
Gtrs. 5 & 6 tacet
I’m Gtr. 1
a - lone
in
here.
8 0
7
5
7
7
0
0
feel - ings,
killed my
5
7
8
7
5
7
2
0
P.M.
8
7
0
10
0
8
7
be
-
hind,
8
0
Don’t
P.M.
8
0
8
ask,
7
10
8
you’ll
I’ll
be
ex
7
nev - er
-
8
3
know.
You’re
End half-time feel
left
End Riff C1
fears.
P.M.
5
P.M.
0
Riff C1
0
No more
P.M.
0
End Riff C
7 0
Riff C
P.M.
Gtr. 2
Dm
posed.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro D5
C5
Eb5
Far
a
-
F5
way,
you
A5
keep
on
A/C#
try
-
in’.
Gtrs. 1 & 2
7 5
5 3
1 1
Double-time feel D5
Hold
C/E
C5
-
in’
me
down
and
break
3 3
3 3
3 3
in’
a
3 3
D5
-
3 3
-
2 0
2 0
2 0
2 0
2 4
2 4
2 4
2 4
way,
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
5 3
5 3
5 3
0 0
0 0
0 0
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 5 0
7 5 0
7 5 0
3 2
3 2
3 3
Rhy. Fig. 3 Gtrs. 1 & 2
try
10 X 8
-
7 5 0
7 5 0
in’
to
7 5 0
3 2
C5
dis
-
3 2
3 2
3 2
F5
tance
life.
my
10 X 8
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 5
7 5
7 5
5 3
5 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7 5
7 5
7 5
5 3
5 3
5 3
9 X 7
0 0
9 X 7
9 X 7
5 3
9 X 7
5 3
9 X 7
0
7 X 5
7 X 5
7 X 5
0 0
A/C#
8
Sorgdal
3 3
Riff D
Gtr. 4
P.M.
7 X 5
0 0
7 X 5
0 0
Not End Riff D
5 X 3
5 X 3
6 X 4
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
End Rhy. Fig. 3
3 3
3 3
3 3
2 4
2 4
2 4
3 3
3 3
3 3
2 4
2 4
2 4
Gtrs. 1 & 2: w Rhy. Fig. 3 Gtr. 4: w/ Riff D
one
in
D5
C5
one
your
true,
I
D5
with
F5
change
crowd,
could
C/E
C5
that
D5
the
one
the
an
-
A/C#
swer,
mind.
C5
don’t
need
you.
7 X 5
Gtr. 4
It’s
not
Don’t
waste
your
9 X 7
9 X 7
Gtrs. 1 & 2
5 3
0 0
Bb5
time,
and don’t
waste
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
F5
A/C#
I’m
not
your
mine.
5 X 3
5 X 3
5 X 3
5 X 3
6 X 4
6 X 4
6 X 4
6 X 4
3 3
3 3
3 3
3 3
2 4
2 4
2 4
2 4
2 4
2 4
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
friend,
C5
won’t soothe
your
soul.
And
in
the
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
0 0
0 0
0 0
0 0
0 0
0 0
5 3
5 3
5 3
5 3
5 3
0 0
0 0
0 0
0 0
Bb5
end,
you’re
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
3 1
3 1
3 1
3 1
3 1
10 X 8
10 X 8
3 1
3 1
10 X 8
3 1
10 X 8
3 1
10 X 8
10 X 8
3 1
P.M.
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 3
5 3
3 1
0
9 X 7
9 X 7
5 3
5 3
0
0
0
0
0
0 0
0 0
A/C#
all
dead
to
0
0
0
0
0
0
0 0
9 X 7
5 3
5 3
D5
me.
5 X 3
5 X 3
5 X 3
3 3
3 3
3 3
P.M. 0
9 X 7
A5
5 X 3
5 X 3
3 3
3 3
2 0
2 0
2 0
3 3
2 0
2 0
0 0
2 0
2 0
2 4
2 0
2 4
2 4
2 4
2 4
2 4
Gtrs. 1 & 2
0
9 X 7
F5
9 X 7
Gtr. 4 tacet
Sorgdal
P.M. 0
0
0
0
0
0
0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
from Avenged Sevenfold - Waking the Fallen
Eternal Rest
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E
D5
Dm
Intro-Guitar Solo Very fast q = 192 Double-time feel * C5
1
D5
8va
Gtr. 1 (elec.)
Eb5
Eb5
Harm. w/ bar
7 5
7 5
5
+1
F5
f
w/ dist.
F5
5
Eb5
loco string noise
X
5
-1
-6
Rhy. Fig. 1
Gtrs. 2 & 3 (elec.)
f
w/ dist.
P.M.
5 5 3
3
3
3
5 5 3
3
5 5 3
0
1
3
3
1
3
1
*Chord symbols reflect implied harmony.
C5
6
8
9
8
10
8
10
3
3
3
9
10
5 5 3
3
8
5 5 3
15
P.M.
0
1
1
D5
11
13
11
14
12
14
12
11
10 10
12
13
16
16
C5
13
F5
End Rhy. Fig. 1
Gtr. 1
11
Gb5
8
11
Gtrs. 2 & 3: w/ Rhy. Fig. 1
13
F5
6
Eb5
8
P.M.
5 5 3
D5 3
11
12
11
1
1
3
3
3
3
4
4
4
4
3
3
1
Eb5
F5
Eb5 F5
3
12
11
10
13
10
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
12
Eb5
13
10
10
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
D5
Eb5
3
8
10
11
11
10
8
8
10
10
9
8
9
8
9
10
8
F5
8
10
8
8
D5 Gtr. 1
8
F5
6
3
3
Gb5
10
G5
3
7
7
12
9
10
12
13
12
10
9
9
12
10
12
5
5
P.M.
7 7 5
12
10
7 7 5
5
10
9
7 7 5
10
9
10
P.M.
5
5
5
9
10
11
12
15
12
14
14
7 7 5
7 7 5
Gtrs. 2 & 3: w/ Rhy. Fig. 2
17
13
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
10
13
8
10
13
12
13
15
13
12
9
10
0
3
5
5
3
5
3
G5
13
17 13
Ab5
G5
F5
13 15 15
13
15 13
14
13
14
13
15
13
14
13
P.M.
0
3
3
5
5
3
Gtr. 1
13
12
End Rhy. Fig. 2
D5
12
F5
loco
7 7 5
10
7 7 5
9
9
12
7 7 5
D5
12
9
1/2 12
F5
Pitch: F#
Rhy. Fig. 2 Gtrs. 2 & 3
13
G5
P.H. 1/2
0
F5
8va
9
F5
13
10
13
3
5
5
6
6
6
6
5
5
3
3
F5
8
G5
10
15
F5
13
15
13
13 15
17
12
G5
15
17
F5
15
12
13
15
17
15
D5
F5
G5
Ab5
G5
loco
8va
3
13
15
13 15 13 13
12
13 13 15 17 15
20 15
15
15
18
F5
18 18
13 15
17 18
15
3
17 15 16 15 15
17 20 17
0 14 15 17 17 15
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
C5
1. Black,
en - chant - ing
3 20
19
17
17
eyes
8va
D5
Eb5
F5
Eb5
cut through my
1
20
20
F5
heart with
15
20
Eb5
no
re
-
19
gret
or
sign of
life.
C5
17
D5
Harm. *
5
2.75 2.75 Pitch: C G *Harmonic located three-fourths the distance between the 2nd & 3rd frets.
Eb5
F5
They tear
8va
Gb5
a - part
my
F5
pride and
C5
cold
runs through my
D5
Eb5
veins.
loco
F5
I
feel
Eb5
their stare from
+1
/2.75 2.75 0
/2.75 2.75 0
Gtr. 1 tacet
haunt - ing
15ma
w/ bar
ev - ’ry
step,
and
Eb5
F5
they
won’t
stop
Gb5
hunt - ing
F5
D5
me For
2.25 2.25
Gtr. 2: w/ Rhy. Fig. 2 (2 times) Gtr. 3: w/ Rhy. Fig. 2 (1 3/4 times)
D5
mi - les,
Harm.
+2
C5
fdbk.
Eb5
15ma
w/ bar
/2.75 2.75 0
F5
down. get the
-
time
will
come
/2.25 2.25 0 -1
-2 1/2
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
G5
F5
G5
when
all
a - round me’s burned and
D5
F5
per - son brought you
D5
you’ll still
F5
G5
see
me
there,
you
left
the
F5
F5
G5
F5
D5
Ab5
G5
- ing
burn - ing
chil - dren
cold,
out
in
the
night...
for
you
all
a
-
3
5
5
5
what
5
6
6
6
6
5
5
3
3
and
lone.
P.M.
3
to
Rhy. Fig. 3
3
went
F5
* D5
Gtr. 3
Slower q = 118
F5
Gtr. 2
call
G5
...and why
End double-time feel
G5
ask - ing where you
Interlude
Ab5
here... ...and
F5
G5
0 0 0
3
2 2
3 3
0 0
0 0
0 0
3 3
2 2
0 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
2 2
3 3
0 0
0 0
2 2
3 3
0 0
6 6
5 5
6 6
2 2
3 3
0 0
0 0
0 0
2 2
3 3
0 0
(cont. in notation)
3 3
0 0
F5
D5
2 2
End Rhy. Fig. 3
0 0
3 3
2 2
0 0
5 5
6 6
6 6
F5
D5
Gtr. 3: w/ Rhy. Fig. 3 (3 times)
D5
F5
D5
F5
D5
F5
D5
Ab5
F5
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Oh. Gtr. 2
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
D5
P.S.
0 0
0 0
0 0
X
F5
D5
P.M.
F5 D5 Ab5
F5
X X
F5
D5
F5
D5
F5
D5
Ab5
0
X
F5
D5
F5
D5
F5
D5
F5
D5
Ab5
F5
D5
F5
D5
Ah!
F5
D5
F5
D5
Ab5
F5
D5
I
can
feel
it
burn
in
F5
D5
F5
D5
F5
D5 Ab5
Verse
iq = qK e
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
D5
2., 4. Dark
in
their
3
Rhy. Fig. 4 Gtrs. 2 & 3
hearts,
P.M.
0 0
0 0
0 0
0 0
3
P.M.
0 0
0 0
0 0
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (3 times)
D5
Tor
3
-
G5
-
side
D5
F5
D5
3
of
me.
F5
G5
End Rhy. Fig. 4
3
3
ment - ed
with
souls,
3
young
no
3
G5 D5 F5 D5 F5 G5
3
haunt - ing
P.M.
0
0
5
D5
me.
Pain
3
3
0
3
P.M.
3 in
their
0
3
5
P.M.
3
lives,
all
they
To Coda
know
3
is
G5
D5
F5
D5 F5 G5
3
mis - er - y.
D5
Take
these
chains
a
-
way
that
are
G5 D5 F5
D5 F5 G5
hold - ing
me
Voc. Fig. 1
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Half-time feel
D5
down,
Gtr. 4 (elec.)
w/ dist.
10 8
12
Gtr. 5 (elec.)
3
5
7 5
P.M.
0 0
0 0
0 0
0 0
8
5
3
5
8
3
3
7
-
7
P.M.
0 0
0 0
0 0
ing
me
7
10
12
14
12
5
7
12
3
9
9
3
12
12
12
hold
6
6
10
8
3
9
9
Gtrs. 2 & 3
3
w/ dist.
3
f
3
f
9
10
9
3
9
3
0 0
0 0
0 0
0 0
0 0
0 0
P.M.
End half-time feel
down.
3 10 5
8
9
7 5
6
8
8
P.M. 0 0
0 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0
0 0
12
3
6
7 5
8
3
7
12
12
3
9
9
5
9
7
10
0 0
P.M.
0 0
0 0
0 0
6
8
6
6
3
7
3
5
5
3
4
P.M.
0 0
10 5
3
3
3
3
3
9
12
Gtrs. 5 & 6 tacet
2
3 3
3
3
3
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Verse Double-time feel D5
3. They’ll
Riff A Gtrs. 2 & 3
0
0
0
0
find
you
a
Eº
-
0
A/E
P.M.
0 0
0
0
0
2
5
0
3
7
3
3
2
2
2
2
P.M.
4 2
2
2
2
2
3
5
3
5
7
7
3
in - to
5
3
5
vil - lain - ous 3
7
8
7
4
3
stone,
they
seek more than
3
3
8
5
3
7
3
Eadd#9/G#
3
their hearts
3
3
Dº/Ab
3
des - p’rate and
3
8
Turn - ing
P.M.
7
3
2
Dm/F
your 3
3
A5
lone,
ways.
D5/A
3
3
P.M.
3
7
6
8
6
End Riff A
10
8
7
Gtrs. 2 & 3: w/ Riff A
D5
3
Eº
venge - ance.
A/E
3
fac -
D5
hold.
Gtrs. 2 & 3
0 0 0
Look
in
their
Dm/F
tion.
3
3
Look
in
their
D5/A
eyes,
your
Dº/Ab
eyes
and
A5
3
pain
is
their
sat
3
see
the
Eadd#9/G#
dark - ness
-
is
-
take
Chorus
Dm/F
I’m
A7/E
con
-
(Wait
trolled
by
-
C#m/E
3 5 3
3 5 3
3 5 3
3 5 3
3 5 3
5 4 2
for,
3
3 5 3
fate.
ing 3
3
3
5 4 2
5 4 2
5 4 2
5 4 2
5 4 2
3
2 4 2
2 4 2
2 4 2
2 4 2
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dm/F
Eadd4/G#
Tired
D5
of
your
pa
wait
-
-
3 5 3
3 5 3
ing
for,
3
3 5 3
3 5 3
3 5 3
7 7 6
7 7 6
3
3 5 3
rade.
3
Dm/F
7 7 6
7 7 6
7 7 6
No
sign
of
venge
wait
3
7 7 6
A7/E
-
-
ing
3
3
0 0 0
3 5 3
3
3 5 3
3
3 5 3
3 5 3
3 5 3
3 5 3
5 4 2
5 4 2
5 4 2
5 4 2
5 4 2
5 4 2
End double-time feel
C#m/E
Dm
Eadd4/G#
ance.
3
Burn
for,
wait
µ
for the rest of
time.
3
-
ing...)
Riff B Gtr. 3
3
2 4 2
2 4 2
2 4 2
2 4 2
3
3 5 3
7 7 6
7 7 6
3
3 5 3
3
3 5 3
3 5 3
3 5 3
3 5 3
7 7 6
3
3
3
5
3
6
5
8
7
5
5
6
5
8
7
5
Riff B1
Gtr. 2
3
2 4 2
2 4 2
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 4 2
2 4 2
3
3
3
3 5 3
7 7 6
7 7 6
7
3
3 5 3
3
3 5 3
3 5 3
3 5 3
3 5 3
7 7 6
8
3
7
10
8
7
7
8
3
7
10
8
7
Interlude iq = iq Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)
F5
D5
F5
D5
Ah!
End Riff B
3
3
5
3
3
6
5
5
8
3
7
8
7
5
5
3
8
7
F5
D5
F5
D5
7
10
10
F5
D5
8
7
7
Ab5
F5
6
5
6
10
8
10
14
14
End Riff B1
D5
8
7
F5
D5
F5
D5
8
7
6
7
10
9
10
14
F5
F5
3
3
7
8
7
3
10
6
3
7
7
5
8
3
3
D5
14
D5
Ab5
F5
D5
F5
D5
F5
D5
Ab5
F5
D5
Ah!
F5
D5
F5
D5
Chorus Half-time feel iq = q K e
Ab5
D5
Hear
the
haunt
4 5 4
4 5 4
D/F#
-
ing
3
Rhy. Figs. 5 & 5A Gtrs. 2 & 3
2 2
3 3
0 0
0 0
2 2
3 3
0 0
6 6
0 0 0
5 5
6 6
0 0 0
0 0 0
0 0 0
3
0 0 0
0 0 0
4 5 4
4 5 4
4 5 4
4 5 4
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
you
a
find
5 5 5
5 5 5
5 5 5
5 5 5
3
with
no
heart
are
3
chil - dren
-
lost
Whispered: (They’ll
F
words,
A
3
and
you’re
the
2 3 3 3
2 3 3 3
2 3 3 3
Gtr. 2
2 3 3 3
2 3 3 3
2 3 3 3
3
0 0
2 3 3 3
0 0
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A
D5
I
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
their hearts
to
5 5 5
4 7
4 7
4 7
0 0 0
0 0 0
0 0 0
0 0 0
2 2 2
0 0 0
4 7
-
3
3
4 7
0 0
Bb
A
C#m
Dm
now,
run
and
ing.
hide!
3 3 1
3 3 1
3 3 1
6 6 6 6
3 3 1
3 3 1
3 3 1
D/F#
hear
End Rhy. Fig. 5A
3
6
3 3 1
3 3 1
6
6
2 2 2 2 2 2
3 3 3 3 3 3
6
0 0 0 0 0 0
4 4 4 4 4 4
End Rhy. Fig. 5
3
3 3 1
3 them cry - ing
0
at
3 3 1
0
1 1 1 1 1 1
G5
0 0 0 0 0 0
out
is
4 4 4 4 4 4
A
3
night,
Whispered: Your pain
10
lost moth - er they’re call
2 3 3 3
Turn - ing
3
E5
cry - ing,
Screamed: Go
Gtr. 3
lone.
stone.
D5
Bb5
3
-
their sat - is - fac
3
3
side when the
-
5 5 5 5 5 5
tion.
plan - ets
are
D.S. al Coda End half-time feel
D5
fall
-
F
E5
ing.
For the
rest
of
time.
Bb5
They
want
to
Bb
feel and know you
hear
A
Dm
them.
C#m
now,
run
and
Go
hide.)
Coda
Interlude Half-time feel Gtrs. 2 & 3: w/ Rhy. Fig. 4 (4 times)
D5
G5
down.
F5
Whispered: Hold - ing
3
3
3
3
3
D5
F5
G5
me
Gtr. 6 (elec.)
f
D5
3
3
3
w/ dist.
14 X 12
D5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
15 X 13
15 X 13
G5 D5 F5 D5 F5 G5
down.
3
3
3
hold - ing
me
down.
3
15 15 15 15 15 15 X X X X X X 13 13 13 13 13 13
3
3
3
G5 D5 F5 D5 F5 G5
3
14 14 14 14 14 14 14 14 14 14 14 14 X X X X X X X X X X X X 12 12 12 12 12 12 12 12 12 12 12 12
3
15 X 13
15 X 13
D5
3
18 18 18 18 18 18 X X X X X X 16 16 16 16 16 16
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
3
3
3
14 14 14 14 14 14 14 14 14 14 14 14 X X X X X X X X X X X X 12 12 12 12 12 12 12 12 12 12 12 12
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
ing,
3
3
3
14 14 14 14 14 14 14 14 14 14 14 14 X X X X X X X X X X X X 12 12 12 12 12 12 12 12 12 12 12 12
3
-
3
9 X 7
17 X 15
3
10 10 10 10 10 10 X X X X X X 8 8 8 8 8 8
D5
3
15 X 13
Screamed: Hold
15 X 13
G5 D5 F5 D5 F5 G5
3
3
3
3
10 10 10 10 10 10 X X X X X X 8 8 8 8 8 8
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff B Gtr. 3: w/ Riff B1 Gtr. 6 tacet
µ
Outro Half-time feel iq = iq Dm
Gm7
Riff C2 Gtr. 7 (acous.)
Gtr. 2
Gtr. 3
mp 5
6
7
7
8
6
6
5
8
7
8
7
8
8
8
8
9
8
6
9
End Riff C2
8
9
8
7
6
7
8
Riff C
0
0
5
3
1
0
3
1
0
4
5
5
4
5
4
5
5
Riff C1
0
0
7
5
5
8
Riff D2
5
6
8
8
10
6
8
6
5
2
2
F
5
3
5
5
7
3
8
0
8
7
8
Eº
6
7
8
9
8
6
9
8
9
8
P.M.
5
7
3
5
2
Riff D1
P.M. 8
10
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
12
8
10
7
8
5
11
End Riff D2
5
8
7
6
7
8
6
End Riff D
3
3
7
5
5
4
7
A7
Riff D
5
7
End Riff C1
6
End Riff C
µ
7
A7
6
7
7
Eº
8
5
5
4
5
7
End Riff D1
7
7
10
8
8
5
8
7
7
12
7
8
8
11
Gtrs. 2, 3 & 7: w/ Riffs C, C1 & C2 (3 times)
Dm
Gm7
Gm7
E
Dm
Dm
Eº
-
ter
-
Gm7
A7
Eº
nal
A7
rest,
in
Eº
A7
time.
Gtrs. 2, 3 & 7: w/ Riffs D, D1 & D2
µ
E
-
F
ter
-
Eº
nal
rest,
in
Gtr. 2: w/ Riff C
Dm
Gm7
A7
Eº
A7
Dm Gtr. 2
time.
Gtr. 7
5
6
7
7
8
7
7
6
6
8
7
8
8
8
7
8
6
8
9
8
6
9
9
8
5
8
7
6
7
8
6
Gtr. 3
0
0
7
5
5
8
5
2
3
5
3
0
2
8
7
8
8
11
7
7
7
0 0 0
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Avenged Sevenfold - Waking the Fallen
Second Heartbeat
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker C5
Bb5
F5
G5
Ab5
Bb5
5fr Gtrs. 1-7: Drop D tuning: (low to high) D-A-D-G-B-E
134
134
111
111
6fr 111
Eb5
VIII
8fr 111
111
Intro Very fast q = 257 * C5 Gtr. 1 (dist.)
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10
f
P.M.
Gtr. 2 (dist.)
f
P.M.
10 *Chord symbols reflect implied harmony.
Gtrs. 1 & 2
10
10
10
P.M.
10
10
10
Riff A Gtr. 3 (dist.)
3
10
10
10
10
10
3
10
10
10
10
10
3
10
10
10
10
10
10
10
10
Bb5
Ab5
10
3
10
10
10
3
5
5
5
7
5
7
8
5
8
7
5
3
10
10
10
10
3
8
6
5
7
8
7
5
8
Rhy. Fig. 1
Gtrs. 1 & 2
10 10 10
P.M.
10 10
8 8
6 6 6
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
6 6 6
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff A
F5
3
G5
C5
End Riff A
Gtr. 4 (dist.)
3
8
6
5
6
8
8
8
10
3
10
10
10
8
Bb5
Ab5
3
F5
3
3
12
8
10
C5
Riff B1
8
10
Riff B
Gtr. 3
12
10
5
5
8
10
5
7
10
12
10
8
10
5
G5
12
10
12
7
8
8
10
10
5
3
3
9
12
5 5 5
Gtr. 4
3
10
End Rhy. Fig. 1
3 3 3
7
3
f
6
11
9
12
10
8
7
8
10
8
12
5
8
Gtrs. 1 & 2
P.M.
10
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
10 10
10
10
10
10 10
10
10
10
10 10
10
10
10
10 10
10
10
10
10 10
10
10
10 10 10
10
10
10
10 10
10
10
10
10 10
10
Ab5
10
12
10
8
7
1. F5
9
5
6
7
8
7
P.M.
6
6
6 6
6
6
6
6 6
6
Gtr. 4
6
9
6
8
6
8
Gtr. 3
5
6
6
6
G5
11
9
10
6 6
6
5
8
6
2.
F5
6
8
6
6
6 6
8
10
6
5
3 3
3
P.M.
3
3
3 3
3
3
3
3 3
10
3
5
5
P.M.
3
3
3 3
3
3
3
3 3
3
5
5
5
8
8
8
7
8
8
5
5
5
5 5
3
Gtr. 2
3 3
5 5
3
5
5
5
5
8
5 5
5
10
End Riff B
8
7
5
5
5
5 5
5
Gtr. 1
3
Slower q = 185 C5
8
3
End Riff B1
3
G5
11
9
8
10
5
4
5
5 5 3
5 5 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Double-time feel Gtrs. 3 & 4 tacet
C5
1. We
keep
Riff C Gtrs. 5 & 6 (dist.)
f
12 X 10
Bb/D
12 X 10
Rhy. Fig. 2
Gtrs. 1 & 2
5 5 3
5 5 3
Eb
writ
-
ing,
Eb/G
talk
-
Ab5
ing,
and
plan
-
G5
ning
12 X 10
7 X 5
8 X 6
8 X 6
3 X 1
5 X 3
5 X 3
5 X 3
4 X 2
7 X 5
7 X 5
8 X 6
3 X 1
3 X 1
5 X 3
5 X 3
5 X 3
4 X 2
4 X 2
4 X 2
End Riff C
4 X 2
4 X 2
End Rhy. Fig. 2
5 5 3
3 5
5 6
5 6
5 6 5
6 6 6
6 6 6
6 6 6
6 6 6
5 5 5
5 5 5
5 5 5
5 5 5
3 5
3 5
5 6
5 6 5
5 6 5
6 6 6
6 6 6
5 5 5
5 5 5
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 5 & 6: w/ Riff C
C5
Bb/D
Eb
Eb/G
but
C5
We
all
Bb/D
know what
to
P.M. P.M.
Gtrs. 5 & 6
3
3
3
3
5 3
5
5
5
5
3 5
P.M. P.M.
Gtrs. 1 & 2
3
3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
5 3
5
5
5
5
3 5
Ab5
ev - ’ry - thing’s
Eb
do
but
Eb/G
chang
-
no
one
6
6
6
5 6
8 10 10 10 10 10
P.M. P.M. 6
6
6
6
5 6
8 10 10 10 10 10
ing.
P.M. P.M. 6
G5
Ab
does
it.
5 X 3
5 X 3
G
5 X 3
4 X 2
4 X 2
X X
5 X 3
6 6 6
6 6 6
6 6 6
6 6 6
5 5 5
5 5 5
6 6 6
4 X 2
P.S.
5 X 3
6 6 6
5 X 3
5 5 5
X X
P.S.
X X
XX
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 5 & 6: w/ Riff C
C5
Bb/D
Now
this
Eb
time
has
Eb/G
past
and
full
of
Ab5
re
End double-time feel
-
G5
D5
Bridge Half-time feel
12 X 10
12 X 10
Ab5
my
heart
have
my
in
(Two
in
Gtr. 1 P.H. P.M.
12 X 10
12 X 10
Gtrs. 1 & 2
1 1 1
8 X 6
1 1 1
a
a
6
10 X 8
10 8
12 X 10
8 6
0 0
0 0
5
10 X 8
10 8
12 X 10
0 0
0 0
0 0
-
12 X 10
12 X 10
5 X 3
5 3
I
while.
5
7 X 5
7 5
13 X 11
11
13
8 X 6
have
13
8 X 6
8 X 6
stand
I
a
stand
a
15
17 X 15
17
13
8 X 6
C5
while.
7
Riff D
3
13 X 11
11
Gtr. 2: w/ Riff D
Bb5
-
0 0
7 X 5
5
heart
5 X 3
Gtr. 2
1 1 1
me
8
0 0
15
15 X 13
15 13
12 X 10
Ab5
-
lone.
-
left
8 X 6
1 1 1
me
0 0
left
12 X 10
(Gtr. 1, cont. on upper staff) P.M.
1 1 1
12 X 10
1 1 1
Eb5
C5
Two
Gtrs. 5 & 6
gret.
Gtrs. 5 & 6 tacet
Eb5
12 X 10
13
13
11
11
lone.
End Riff D
15
15
13
13
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude End half-time feel
Bb5
When they get back,
When they get back,
Gtr. 6
it won’t
be
the
same.
be
the
same.)
it won’t
20 X 18
Gtr. 1
8 X 6
8
10 X 8
6
10 8
12 X 10
12 X 10
15
15
13
13
Ab5
C5
Eb5
19 X 17
15 X 13
17 X 15
19 17
15 X 13
17 15
17 X 15
17 X 15
15 13
Rhy. Fig. 3 Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M. 5 5 3
5 3
5 3
5 5 3
5 5 3
5 3
3
X X X X X X
0
6 6 6
X X X
0
6 6 6
6 6 6
0
6 6 6
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Eb5
15 X 13
15 X 13
15
12
13
10
12 X 10
12 10
10 X 8
10 X 8
10 8
C5
12 X 10
12 X 10
12
10
10
8
12 X 10
10 X 8
10 8
8 X 6
8 X 6
Ab5
End Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M. P.M. 1 1
1
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15 X 13
Bb5
1
1 1
1 1 1
X X X
1 1
1 1 1
3 1
3 1
3 3 1
3 0
3 0
3 3 1
3 1
3 3 1
3 1
8 X 6
Half-time feel
Eb5
Bb5
* C5 Gtrs. 1&2
It
won’t
12
13
10
13 X 11
11
Gtr. 6
8 X 6
8 6
10 X 8
be
Gtr. 5
12 X 10
10 8
the
7 X 5
7 5
5 X 3
10
7 X 5
7
3
5
same!
10 X 8
8
3 X 1
5
9 X 7
3
5 X 3
1
5 3
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
Verse
Gtrs. 5 & 6 tacet
C5
(cont. in notation)
2. My
9
7
7
Rhy. Fig. 4 Gtrs. 1 & 2
P.M.
12 X 10
P.M.
12 10
life,
9
0
3
3
3
3
3
5 5 3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2
you’ve
al
-
ways
P.M. 3
3
3
3
3
3
3
3
5 5 3
been
5 5 3
F5
there.
P.M. P.M.
Ab5
5 5 3
5 3
3
3
3
3
End Rhy. Fig. 4
6 6
6 6 6
P.M.
5 5 3
5 5 3
P.M.
3 3
3 3 3
Gtrs. 1 & 2: w/ Rhy. Fig. 4
C5
Now
you’re
C5
Left
gone
the
child
-
and
my
head’s
hood,
left
the
Ab5
F5
spin - ning.
mem - o - ries,
left
the
good
times...
Gtrs. 1 & 2
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtrs. 1 & 2: w/ Rhy. Fig. 4
Ab5
F5
the
past.
C5
Mov
...in
P.M. 6 6
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 3
3 3 3
P.M.
6 6 6
-
ing
on,
your
time
has
End half-time feel
run
Ab5
F5
Cm
G7
out.
Gtr. 3
3
Gtr. 4
5
3
3
6
6
5
5
3
6
5
5
3
3
6
3 6
6
3
6
5
5
3
6
5
5
3
4
4
7
7
6
Bridge Gtrs. 3 & 4 tacet
Cm
Bb5
Wish - ing
the
clock
would
stand
still,
the
Bb5
Ab5
(Whoa.
world
can
wait.
Whoa.
Rhy. Fig. 5
Gtrs. 1 & 2
End Rhy. Fig. 5
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 3
6 6 6
6 6 6
6 6 6
3 3 1
3 3 1
6 6 6
0
Gtrs. 1 & 2: w/ Rhy. Fig. 5
Cm
Wast
Whoa.
-
ing
a - way
once
Ab5
a - gain,
Bb5
once
Bb5
0
3 3 1
3 3 1
3 3 1
lived
as
Whoa.)
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
Cm
Bb5
Ab5
Bb5
friends.
Riff E
Gtr. 4
10
8
7
1
8
8
10
Cm
7
7
8
Bb5
8
7
8
7
10
10
Ab5
Bb5
8
7
8
9
8
7
10
7
8
10
11
8
8
End Riff E
11
Gtr. 4: w/ Riff E
Cm
Gtr. 3
Riff F
Bb5
8
6
Ab5
Bb5
9
8
6
1
8
6
8
Cm
6
8
Bb5
8
8
6
6
7
8
6
Ab5
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6 8
10
9
8
10
Bb5
8
8
10
7
As
8
End Riff F
10
Chorus Gtrs. 3 & 4 tacet
C5
time
Gtr. 3
pass - es
11 13
10 11
by,... ...re
Gtr. 4 divisi
Bb5
-
11 13
Rhy. Fig. 6
Gtrs. 1 & 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Eb5
for
5 5 3
the
rest
of
Gtrs. 1 & 2
1 1 1
5 5 3
Bb5
grets
5 5 3
1 1 1
1 1 1
1 1 1
1 1 1
X X X X X X
3 3 1
5 5 3
5 5 3
C5
my
ones
Eb5
gone
in
3 3 1
3 3 1
5 5 3
5 5 3
3 3 1
3 3 1
who
I
con
the
black
Bb5
3 3 1
3 3 1
of
Bb5
-
The
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
the
5 5 3
5 5 3
fide
End Rhy. Fig. 6
were
C5
3 3 1
life.
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (3 times)
5 5 3
night.
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb5
Eb5
Whoa.
Bb5
C5
Whoa.
To Coda
Bb5
Eb5
Bb5
C5
Whoa.
Interlude Half-time feel C5
Gtrs. 1&2 Gtr. 5
5 X 3
5 3
Gtr. 6
5 X 3
5 3
F5
G5
Bb5
12 X 10
12 10
10 X 8
8 X 6
8
7 X 5
6
Ab5
10 8
5
Bb5 VIII
5 X 3
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12 X 10
12 X 10
10 X 8
5
7 X 5
8 X 6
8
3
6
(cont. in notation)
3. Ah, Gtrs. 5 & 6
7
10 8
15 X 13
15 13
Verse Gtrs. 5 & 6 tacet
C5
nev
-
D5
Eb5
will
I
for - get
er
D5
Eb5
F5
G5
Bb5
you
G/B
and
all
the
mem - o - ries
past. So
17 X 15
17
Gtrs. 5 & 6
15
Rhy. Fig. 7
10 10 10
10 10 10
Gtrs. 1 & 2
End Rhy. Fig. 7
X X X
0 0 0
1 1 1
0 0 0
1 1 1
3 3 3
5 5 5
5 5 5
X X X
8 8 8
8 8 8
X X X
9 10 9
9 10 9
X X X
Gtrs. 1 & 2: w/ Rhy. Fig. 7 (3 times)
C5
rare
-
D5
Eb5
D5
I
get
to
see
ly
Bb5
G/B
C5
Grow
G5
guid
-
-
F5
knew
that
D5
Eb5
D5
I
looked
to
you
G/B
face.
ing,
G5
your
Bb5
Eb5
Eb5
F5
in
C5
would
kill
D5
ance.
...but We
time
you’re
us...
End half-time feel
Eb5
D5
Eb5
F5
still
so
close
to
me.
G5
Bb5
G/B
To
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Quarter-time feel
D5
Eb5
me,
D5
you
Eb5
D5
were
my
life.
To
Riff G
End Riff G
*Gtrs. 5 & 6
1/4
10
10 13
13
*Composite arrangement Rhy. Fig. 8 Gtrs. 1 & 2
0 0 0
P.M.
0 0 0
1 1 1
0 0 0
1 1 1
0 0 0
0 0 0
0 0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Gtrs. 5 & 6: w/ Riff G ( 2 times)
Eb5
me,
D5
you
Eb5
were
D5
my
soul
F5
com
-
pan
-
E5
ion. End Rhy. Fig. 8
Gtrs. 1 & 2
0 0 0
P.M.
0 0 0
1 1 1
0 0 0
1 1 1
0 0 0
0 0 0
0 0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
2 2
2 2
2 2
2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 8
D5
Now,
Gtr. 7 (dist.)
Eb5
D5
Eb5
you
are
so
far
a - way.
D5
f let ring grad. bend
13
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
17
13
17
13
17
17
1/4
17
13 17
End quarter-time feel
Noth -
ing
D5
take
a
can
8va
Gtr. 7
Eb5
Eb5
D5
way
the
times
-
let ring grad. bend
1/2
17 20
20
and
the
20
mem - ’ries
we’ve
1/2
1/2
E5
19
19
Gtrs. 5 & 6
1/2
F5
let ring 1/4
10
10
10
10
10
10
13
10 10 13
Half-time feel
D5
Bb5
G/B
had.
Gtr. 7
loco
19 X 17
19 17
Gtr. 5
7
7
5
5
5
7
Gtr. 6 divisi
Gtrs. 1 & 2
0 0 0
0
2
7 8
3
5 7
10
15
1
14
7 8
7 8
4 5
0
3 3 1
4 5 2
(cont. in slashes)
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Interlude
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times) Gtrs. 5 & 6 tacet
C5 Gtrs. 1&2
Gtr. 7
1
15
Gtrs. 1 & 2 tacet
Ab5
End half-time feel
Gtr. 7 tacet
F5
G5
4. Come
15
Verse Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)
C5
to
the
days
back
when we
were
Rhy. Fig. 9 Gtrs. 1 & 2
End Rhy. Fig. 9
10 10
10 10
10 10
P.M.
10 10
10 10
Ab5
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
F5
10 10
10 10
10 10
10 10
10 10
10 10
10 10
G5
10 10
10 10
young.
Come
P.M.
6 6
6 6
16 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10 10 10 10
6 6
6 6
6 6
6 6
6 6
6 6
6 6
5 5
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
5 5
5 5
5 5
5 5
5 5
5 5
5 5
Gtrs. 1 & 2: w/ Rhy. Fig. 9
C5
back
to
Ab5
mat
-
F5
the
days
to
the
tered,
when noth
G5
-
ing
days
when noth
-
ing
Gtrs. 1 & 2
P.M.
(cont. in slashes)
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
6 6
C5 Gtrs. 1&2
6 6
3 3
3 3
3 3
3 3
3 3
3 3
mat
3 3
-
5 5
5 5
8 8
5 5
5 5
5 5
5 5
0
Gtrs. 1– 4 tacet
I
feel
Gtr. 4 divisi
5 5
µ
tered.
Gtr. 3
8 8
3 3
4 5
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 6 (2 times)
C5
time
Eb5
grets
for
Bb5
the
rest
of
Bb5
pass - es
by,
my
re
C5
life.
-
The
17 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
ones
Eb5
gone
in
Bb5
who
I
con
-
Bb5
the
black
of
fide
were
C5
the
night.
D.S. al Coda
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times) Gtr. 3: w/ Riff F (1 3/4 times) Gtr. 4: w/ Riff E (1 3/4 times)
Cm
Ab5
Bb5
As
8
10
8
f 9
10
8
11
10
8
11
10
12
8
12
8
8
10
8
9
11
12
8
7
8
10
13
15
10
11
8
8
10
11
13
15
13 12 13 13
9
7
10
10
Bb5
fdbk.
13
7
Outro-Guitar Solo C5 *Gtr. 8 (dist.)
7
Gtr. 4
10
Coda
Gtr. 3
15
15
15
15
16 18
15
*Standard tuning Rhy. Fig. 10
Gtrs. 1 & 2
P.M.
5 5 3
18 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
5 3
5 3
5 3
5 3
5 3
End Rhy. Fig. 10
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
3 3 1
3 1
P.M.
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
Eb5
18
20
20 18 16
16
Bb5
13
15
13
1 1
1 1
1 1
1 1
1 1
C5
13
15
15
P.M.
3 3 1
1 1
3 1
3 1
3 1
3 1
12
17 12
P.M.
1 1 1
3 1
13
12
5 5 3
3 1
5 3
5 3
13
12
13
12
12 10
Eb5
8va
15
18
16
11
C5 Gtrs. 1&2
Gtr. 8
P.M. 1 1
1 1
1 1
1 1
1 1
Bb5
13
15
5 3
15
13
5 3
5 3
5 3
5 3
5 3
5 3
5 3
3 3 1
15
16
loco
15
16
17
3 1
3 1
3 1
3 1
3 1
17
3 1
5 3
5 3
5 3
15
17
15
16
18
5 3
5 3
5 3
5 3
5 3
5 3
17 15 15 0
17
P.M.
5 5 3
1 1/2
(cont. in slashes) 5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
Bb5
5 5 6 3 1
15
5 3
15
P.M.
1 1
13 14 15
C5
17
Gtrs. 1 & 2
1 1 1
18
10
17
Bb5
13
15
Gtr. 8
13
3 3
10
13 12
P.M.
Gtrs. 1 & 2: w/ Rhy. Fig. 10 Gtr. 8
12
1
15 17
16 18 17 16
15 15 17
16 19
16
16
15
18 17
15 15 17 18
17
15
18 17
15
18
15
3
3
3 16 15 18 17
15 15 18
17
15
18 17
15
15 18
15
15
19 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Eb5
Bb5
loco 8va 5 18 16 16 15
5
18
16 15 16 17
15
15 18 15 16 15 17
16
6
3
5
18 16 15 18 16 15 17
X 15
20 20 19 17 15 15 13 12
5
15 15 13 12 13 12
15 15 13 12 15 12
15 13 12 12
15 13 12
C5
8va 3 5 1/2 15
15
6 15
Bb5
8va
12
12
15
13
15
17
20
20
20
20 20
20
17 17
20
20
20
20
19
5
20 20
19
20
5 22 22 22 19
18 19
20
22 22 22
18 19
20
19
20
22 22 22 19
20
19
20
20
20
20
20
17 17
6
15
Gtrs. 1 & 2
3 3 1
20
20
20
20 16
17
16
19 19
(cont. in notation)
loco
5
22 12 13 15 15
12 13 14 15
12 13 15
13
17
16
15
5 18
15
15
16
17
3
17
15
16
18
15
16
18
20
fdbk.
5 5 3
5 Pitch: G
20 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
20 20
22
19
20
Eb5
1/2
22 22 22
20 20
C5
16
17 17
5
5
8va
20
Bb5
Gtr. 8
20
3
22 22
13
15
from Avenged Sevenfold - Waking the Fallen
Radiant Eclipse Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker D5
Drop D tuning, down 1 step: (low to high) C-G-C-F-A-D
Intro Moderately fast q = 125 * D5
Riff A
Gtr. 1 (dist.)
5
4
End Riff A
f
D5add#11
let ring
5
3
2
5
3
3
3
2
4
3
2
3
3
2
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A (7 times)
D5
Rhy. Fig. 1 Gtrs. 2 & 3 (dist.)
0 0
0 0
P.M.
0 0
0 0
D5
D5add#11
0 0
0 0
0 0
0 0 0
P.M.
Eb5
End Rhy. Fig. 1
f P.M.
D5add#11
0 0
P.M.
0 0
0 0
0 0
0 0
0 0
P.M.
0 0
0 0
3 1 1 1
Eb5
0 0
0 0
0 0
P.M.
3 1 1 1
Gtrs. 2 & 3: w/ Rhy. Fig. 1
D5
Half-time feel D5
Eb5
D5add#11
D5add#11
Eb5
Gtrs. 2 & 3
Eb5
Play 3 times
P.M.
0 0 0
0
0
0
0
0 0 0
0 0 0
0
0
1 1 1 1 1 1 1 1
0 0 0
0
0
0
0
0 0 0
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0 0 0
0
0
1 1 1 1 1 1 1 1
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 Gtr. 1
Eb5
D5add#11
Eb5
let ring
5
3
5
3
2
5
3
4
3
2
4
3
2
4
3
2
Gtrs. 2 & 3
P.M.
0 0 0
0
0
0
0
0 0 0
0 0 0
0
0
1 1 1 1 1 1 1 1
0 0 0
0
0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
1 1 1 1 1 1 1 1
Gtr. 1 tacet
D5
Eb5
Gtrs. 4 & 5 (dist.)
D5
f
Eb5
fdbk.
14
14 X 12
12 14 X 10 12
12
14 X 12
15
14 X 12
13
14 12
12 X 10
12 X 10
14
14
12
14
12 14 X 10 12
12
14 X 12
15 13
14 X 12
14 X 12
Pitch: E Riff B Gtrs. 2 & 3
P.M.
End Riff B
P.M.
0 0 0
0 0 0
P.M.
0 0 0
1 1 1 1
1 1 1 1
0 0 0
P.M.
0 0 0
P.M.
0 0 0
1 1 1 1
1 1 1 1
Gtrs. 2 & 3: w/ Riff B
D5 Gtrs. 4 & 5
Eb5
D5
Eb5
fdbk.
9 X 7
9
10
7
8
10 X 8
10 8
12 X 10
14 12
14 X 12
15 13
14 X 12
14 12
12 X 10
12 X 10
14
14
12
12 Pitch: E
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
12 X 10
14 12
14 X 12
15 13
14 X 12
14 X 12
Verse End half-time feel Gtrs. 4 & 5 tacet
D5
D5
F5
1. Two
D5 G5
G#5
A5
D5
a - go
I
was
shot,
nights
a
Rhy. Fig. 2
P.M. P.M.
Gtrs. 2 & 3
P.M. P.M. 0 0 0
0
0
0
0
0
0
0
0 0 0
0
3 3 3
0 0 0
5 5 5
6 6 6
7 7 7
0 0 0
0
0
0
0
0
0
0
0
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 3/4 times)
F5
D5
bul - let
D5
3 3 3
si - lenced
G#5
sunk straight
0 0 0
G5
0 0 0
See - ing
knew
skull.
6 6 6
D5 G5
G#5
A5
D5
the face
of
the
man,
D5
G5
this
was
go
0 0 0
A
0
0
0
0
0
0
0
No
pain
as
I
a - woke
ing
to
take
place.
G#5
the
trig - ger
pulled
A5
that
G#5
Half-time feel D5
A5
but
time
F5
D5 G5
that
he layed
White
G#5
down
si
F5
-
dead.
the
D5
friend
G5
0
D5
P.M.
F5
End Rhy. Fig. 2
G5
D5
A5
F5
G#5
-
P.M.
7 7 7
me.
F5
the
F5
D5
through
5 5 5
A5
lence,
A5
D5
his
gun.
D5
so
I
G5
G#5
A5
peace - ful,
so
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
D5
*C/E
C
numb. No
one
0 0 0
0 0 0
12 X 10
12 12 12 12 X X X X 10 10 10 10
Gtr. 3
0 0 0
0 0 0
0 0 0
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Bb
knows
Gtr. 2
0 0 0
Dm
**A/C#
the
time
Dm
C/E
they’re
chang
-
ing.
9 X 7
7 X 5
9 X 7
10 X 8
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
10 X 8
10 X 8
12 X 10
12 12 12 12 X X X X 10 10 10 10
5 X 3
3 X 1
6 X 4
7 X 5
5 X 3
5 X 3
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
3 X 1
3 X 1
*Bass plays E.
6 X 4
6 X 4
6 X 4
6 X 4
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
**Bass plays C#.
End half-time feel
D5
C/E
C
No
one
0 0 0
0 0 0
0 0 0
12 X 10
12 12 12 12 X X X X 10 10 10 10
0 0 0
0 0 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 0
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Bb
will
Dm
see
A/C#
Dm
C/E
through...
9 X 7
7 X 5
10 X 8
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
7 X 5
7 X 5
9 X 7
9 X 7
10 X 8
9 X 7
9 X 7
5 X 3
3 X 1
5 X 3
5 X 3
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
3 X 1
3 X 1
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
10 X 8
10 X 8
12 12 12 12 X X X X 10 10 10 10
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
0 0
0 0
Verse Double-time feel F5 D5
µ
2., 4. You’re
all
gone
to
(Gone
to
me.)
F5
I’ve
been
pulled
out
to
G5
watch
from
Ab5
End Rhy. Fig. 3
P.M.
3 3 3
me.
Rhy. Fig. 3 Gtrs. 2 & 3
D5
0
0
P.M. P.M. P.M.
0 0 0
0
0
0
0
0
3 3 3
0
0
0
5 5 5
5 5
0
6 6
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (3 times)
F5
my
D5
e - ter
-
nal
µ
D5
sleep.
F5
In - tu
G5
- i - tion
and
a
Ab5 F5
D5
µ
warn - ing
to
be - lieve. (Will
D5
F5
G5
Some - thing went wrong and though lieve.)
F5
D5
som
-
ber
bliss...
Ab5 F5
I
felt
0
0
0 0 0
F5
...I
0
0
G5
my moth - er
P.M. 0 0 0
0
0
0
To Coda 1
Ab5
watch
0
3 3 3
I
had
to
F5
- out
5 5 5
shed
0
0
D5
3 3 3
F5
mov - ing
G5
one
0
D5
stay,
good
P.M.
P.M. 3 3 3
...with Rhy. Fig. 4 Gtrs. 2 & 3
µ
D5
5 5 5
Ab5
F5
-
bye.
on seemed to
be
D5
P.M.
5 5
3 3 3
0
F5
be -
End double-time feel G5 Ab5
6 6
0
0 0 0
0
D5
G5
G#5
A5
tears.
End Rhy. Fig. 4
P.M. 5 5
6 6
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0 0
3 3 3
0 0 0
5 5 5
6 6 6
7 7 7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 1/2 times)
D5
No!
3. This
P.M. 0 0 0
0
0
0
F5
al - tered
eyes
G5
0
D5
of
my
fate.
G5
feel
the
cold
G#5
0 0 0
3 3 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0 0
G#5
A5
D5
in
its
tracks,
stopped time
has
wind’s
5 5 5
6 6 6
7 7 7
F5
D5 G5
Des - ti - ny
-
is
G#5
shat - tered
A5
and
D5
time - less.
Closed
Pre-Chorus
Bb
em
A5
Gtrs. 2 & 3
has
G5
0
A5
D5
Sorgdal
0
G#5
the course
gun
D5
0
F5
F5
P.M.
D5
Gtrs. 4 & 5
0
D5
Dm
C/E
A5
Bb5
brace. cries.
I’ll
15 X 13
14 X 12
14
12 X 10
12
7 X 5
9 X 7
10 X 8
12 X 10
14
14
12
12
watch
you
10 X 8
7 7 7
8 8 8
call,
10 8
8 8
0 0
Bb
Dm
C/E
A5
Bb5
Bb
call
15 X 13
14 X 12
14
12 X 10
12
10 X 8
9 X 7
You can’t
12 X 10
7 X 5
14
14
12
12
7 7 7
8 8 8
Bb
bring
back
10
8
8
8 8 8
8 8
ing
for
me.
8
8 8
Dm
C/E
0 0
A5
A5
Bb5
10
C/E
15 X 13
14 X 12
14
12 X 10
12
12 X 10
7 X 5
9 X 7
10 X 8
14
14
12
12
10 X 8
7 7 7
8 8 8
Bb5
14 X 12
17
time.
10
10 X 8
-
Dm
0 0
15 X 13
14 X 12
14
12 X 10
12
14 X 12
12
10
7 X 5
9 X 7
10 X 8
7 7 7
15
8 8 8
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
8 8 8
8 8 8
8 8 8
8 8 8
8 8 8
8 8 8
8 8 8
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Half-time feel D
your
eyes
* Gadd9
Close
Gtr. 1
8
7
8
10
7
8
Riffs D & D1
10
7
8
7
11 11 11 X X X 9 9 9
7
11 X 9
14 X 12
14 14 X X 12 12
14 X 12
14 X 12
14 X 12
14 X 12
C5
14 X 12
Gsus2
look
8
Gtrs. 4 & 5
11 11 11 11 X X X X 9 9 9 9
and
Riff C
7
G%
Gsus2
a - way.
End Riff C
10
8
7
7
9
8
7
7
9
9
7
9
10
9
7
12 X 10
14 X 12
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
9 0
9 0
9 0
9 0
9 0
14 X 12
14 X 12
End Rhy. Fig. 5
9 0
9
Rhy. Fig. 5
Gtrs. 2 & 3
9 0
10
9 0
9 0 0
7 5 5
12 12 0 0 0 0
12 0 0
12 0 0
12 0 0
12 0 0
12 0 0
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
7 5 5
7 5 5
7 7 5
7 7 5
7 5 5
7 5 5
0 0
*Bass plays G.
Gtr. 1: w/ Riff C (3 times) Gtrs. 2 & 3: w/ Rhy. Fig. 5 (3 times)
D
Fate
ex
Gadd9
-
Gtr. 4
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
Gtr. 5
11 X 9
11 X 9
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
let
me
C5
posed,
won’t
Gadd9
G%
Gsus2
stay.
End Riff D
14 X 12
12 X 10
16 X 14
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
16 X 14
16 X 14
17 X 15
16 X 14
14 X 12
12 11 X X 10 9
14 X 12
12 X 10
12 X 10
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
End Riff D1
12 X 10
12 X 10
14 X 12
14 X 12
14 12
12 11 X X 10 9
Gtrs. 4 & 5: w/ Riffs D & D1
will
fall
D
Gadd9
Hope
C5
Gsus2
to - night
with
bro
- ken
G%
Gsus2
wings... ...de -
D
scend
-
ing
en
Gadd9
-
ti
Gtr. 4
12 X 10
-
ty
Gadd9
in
Interlude ** D5 Gtrs. 2, 3&5
C5
* To Coda 2 Gsus2
me. *Key signature remains D major (2 sharps) at Coda 2.
G%
(Gtrs. 2 & 3, cont. in notation)
14 12
**See top of first page of song for chord diagram pertaining to rhythm slashes.
Gtrs. 4 & 5 tacet
D5
G5
F5
D5
E5
F5
D5
A5
Ab5
D5
G5
F5
D5
F5
Eb5
D5
0 0
5 5
3 3
0 0
2 2
3 3
0 0
Ab5
D5
G5
F5
D5
F5
Eb5
P.M.
F5
D5
E5
F5
D5
5 5
3 3
0 0
3 3
0 0
A5
Ah,
Gtrs. 2 & 3
G5
7 7
my
6 6
0 0
Bridge D5 G5
F5
5 5
3 3
0 0
3 3
0 0
D5
E5
F5
1 1
D5
6 6
5 5 5
3 3 3
0 0
Ab5
voice Rhy. Fig. 6
A5
0 0 0
5 5 5
3 3 3
0 0 0
3 3 3
Ab5
D5
0 0 0
3 3 3
1 1 1
2 2 2
0 0 0
7 7 7
D5
G5
has
been
0 0 0
Eb5
D5
G5
I
lis
-
F5
D5
7 7
F5
Eb5
tak - en
from
End Rhy. Fig. 6
6 6 6
2 2
5 5 5
3 3 3
0 0 0
3 3 3
1 1 1
Gtrs. 2 & 3: w/ Rhy. Fig. 6 (3 times)
D5
me.
G5
F5
D5
E5
F5
D5
A5
G5
F5
D5
The
more
F5
F5
D5
E5
F5
D5
A5
ten,
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Ab5
D5
G5
F5
D5
the
more
I
have
F5
Eb5
D5
to
G5
F5
D5
E5
F5
D5
A5
Ab5
D5
G5
D.S. al Coda 1 End half-time feel D5 F5 Eb5
F5
say.
Coda 1
D.S.S. al Coda 2 G5 Ab5
Gtrs. 2 & 3: w/ Rhy. Fig. 4
F5 D5
F5
G5
tears
Ab5
F5 D5
and taste the blood that she
F5
cries,
and taste the blood that she
Coda 2
Outro-Guitar Solo Gtrs. 2 & 3: w/ Rhy. Fig. 5 (2 times)
D
Gadd9
Whoa,
Gtr. 6 (dist.)
C5
Gsus2
yeah,
3
7
G%
Gsus2
whoa.
f
*w/ wah-wah 1
10
10 10
9
9
12
10 9
10 11
8
9
10
8
8 7
9
10
9
10
12
10
10
12
10
8
5
9
*As filter
D
Gadd9
Yeah,
7
whoa,
10
12 14 12 10 X 11 12 12 14 12 11
11
D
poco rit.
Gtrs. 2, 3 & 6
poco rit.
7 9 0
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
10 10
11
12
10 11
12
Gsus2
yeah.
5
9
8
8 9
9
8
8
5
9
8
G%
Gsus2
8
fdbk.
0
10 12 X 10 12
10
C5
10 10
7
from Avenged Sevenfold - Waking the Fallen
I Won’t See You Tonight (Part I) Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker G5
Eb5
F5
D5
G5 type2
Bb5
5fr Drop D tuning: (low to high) D-A-D-G-B-E
1113
Intro Moderately slow q = 65
(Piano)
5fr 1113
*Gm
1113
3
134
F
111
Eb
D7
8va
Gtr. 1 (dist.)
f
**fdbk.
X **Microphonic fdbk.; not caused by string vibration.
*Chords played by piano, next 3 meas.
†G5
Eb5
loco Rhy. Fig. 1
***Gtr. 2 (dist.)
f
1
3
1/2
6
6
5
3
1/2
5
5
3
6
6
4 3
***Doubled throughout †See top of page for chord diagrams pertaining to rhythm slashes.
F5
D5
1/2
5
1/2
5
5
3
6
6
6
Eb5
1/2
4
3
5
7
5
Bb5
5
7
F5
fdbk.
3
3
3
5
6
6
1/2
6
5
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
5
1/2
5
5
3
6
6
8
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
Eb5
6
6
3
8
3
8
5
F5
1/2
5
8
D5
G5
1/2
5
type2
1
5
3
mf
15
15
12
15
18
15
1
6
6
1
6
6
8
Gtr. 2 tacet ** F/A
15
6
8va
Gtr. 3 (dist.)
F5
1/2
4
6
End Rhy. Fig. 1
4
Eb5
6
15
18
17
18
15
15
15
14
15
18 15
17
17 19
17
20
17
18
17
20
17
8va
Gtr. 1
fdbk.
8
8
8
Riff A *Gtr. 4 (clean)
mf w/ fingers let ring throughout
6
3
*Doubled throughout
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
5
3
3 3
5
3
5 3
5
3
3
10
11 12
10
10 10
12
10
10
**Chord symbols reflect implied harmony.
12 12
10
12 12
10
12
10
12
Gtr. 1 tacet
Eb/G
8va
15
15
D/F#
12
15
18
15 15
18
17
15
15
15
15
14
D7/A
14
14
15
11
14
16
14
8va
Gm
loco
0
14 15
14
0
16
12
13
13
8
10
8
8
10
8
10
8 8
8
10
10 8
8
10
10 8
10
9
7
7 7
End Riff A
7
9
8 7
7
9
13 7
0
11
12
13 10
10
11 7 8
11
Verse Gtr. 3 tacet Gtr. 4: w/ Riff A (1 1/2 times)
1. Cry
a - lone,
I’ve gone
D/F#
D7/A
no
more pain.
Eb/G
F/A
I’ve
a
-
Gm
way.
No
made
the
a - lone,
change,
I
Riff B
Gtr. 4
11 10
8
10 8
10
8
8 8
10
8
10 8
gone
Eb/G
10
8
took
all
my
10
more nights,
F/A
strength.
I’ve
D7/C
won’t
see
you
7
7 7
9
to - night.
9
D/F#
10 8
7
8 7
9
7
13 11 10
Gm
7
0
End Riff B
13 11 10
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtr. 4 tacet
G5
Sor
-
7 5 5 5
Bb5
7 5 5 5
7 5 5 5
All
the
3 3 1
ones
sank
deep
in - side
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
a - round
Eb5
row
Gtr. 2
me
I
my
blood.
F5
3 1 1 1
3 1 1 1
3 1 1 1
0 0
Gb5
cared
for
and
loved.
2. It’s
3 3 1
3 3 1
3 3 1
5 3 3 3
6 4 4 4
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
X X X
Verse Gtr. 2 tacet Gtr. 4: w/ Riff A (1 1/2 times)
Gm
build
- ing
up
Eb/G
place
Gm
mourn
of
dark
for
me,
Gtr. 4: w/ Riff B
Eb/G
bot - tles
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
call
in
-
my
of
me,
name,
had
to
set
not
the
F/A
one
I
me
free.
won’t
Don’t
to
place
the
blame.
D/F#
D7/A
I
a
D/F#
cold
you’re
F/A
side
so
see
you
to - night.
As
D7/C
Chorus
G5
Gtr. 2
Sor
- row
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
Rhy. Fig. 2
Bb5
All
Eb5
sank
deep
in - side
ones
3 3 1
my
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
a - round
F5
me
I
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
Gb5
cared
blood.
the
for
and, most
all,
I
3 3 1
3 3 1
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
6 4 4 4
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
X X X
of
6 4 4 4
0 0
loved.
End Rhy. Fig. 2
6 4 4 4
6 4 4 4
Gtr. 2: w/ Rhy. Fig. 2
G5
But
Bb5
I
can’t
Eb5
see
my - self
F5
me
or
that
way.
Please
cry
while
Gb5
I’m
don’t
for - get
a
-
way.
Guitar Solo Gtr. 2: w/ Rhy. Fig. 1
G5
8va
Gtr. 1
Eb5
1 18
1
18
18
15
18
1 18
1 20
1 1/2 20
20
20
20
18 20
20
18 15
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
D5
8va
1/2
17
1/2
1
17
17
15
16
16
Eb5
Bb5
15
18
20
15
16
1
15
15
17
18
1
15
15
18
17
18
15
17
15
18
15
20
20
15
17
18
20
20
18
18
15
1
18
15
18
18
18
D5
3
16 15
18
17
18
15
15
14
17
16
16
18
17
18
15
17
15
18
15
F5
15
15
Eb5
8va
Sorgdal
17
loco
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
15
3
F5
6
10
Eb5
18
16
15
1
20
1
15
3
18
14
F5
G5
8va
3
18
16 14
16
1 1/2 16
8va
let ring
3
1 hold bend
14 0
15 0
17 0
18
18 17
17
15
17
15
Verse G5
3. Cry
a - lone,
I’ve
gone
F5
a
-
way.
Gtr. 1
fdbk.
1
18
18
Rhy. Fig. 3
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
F5
Gtr. 2
7 5 5 5
7 5 5 5
Gtr. 1 tacet
Eb5
D5
No
more nights,
no
Eb5
more
pain.
I’ve
End Rhy. Fig. 3
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
2 0 0 0
2 0 0 0
2 0 0 0
2 0 0 0
2 0 0 0
2 0 0 0
2 0 0 0
2 0 0 0
2 0 0 0
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
5 3 3 3
5 3 3 3
5 3 3 3
Gtr. 2
3 1 1 1
3 1 1 1
Gtr. 2: w/ Rhy. Fig. 3
G5
gone
Eb5
a -
lone,
made
the
change,
took
all
my
F5
strength.
I
D5
won’t
see
you
to
-
Eb5
But
I’ve
F5
night.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtr. 2: w/ Rhy. Fig. 1
G5
Eb5
far
Gtr. 3
3
1
5
6
6
6
1 3
5
8
5
3
5
6
10
10
5
8
6
6
5
5
2
Please
5
I’m
Eb5
1
6
gone.
1
D5
a - way,
3
3
(So
F5
6
5
don’t
6
3
6
15
5
15
Bb5
fol
-
15
18
F5
8va
15
18
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15
15 12
17
G5
18
18
to - night.
1/2
15
18
17
15
13
17
14
20
18
Eb5
ev - ’ry - thing
loco
1/2
be
al
will
1/2
14
7
11
11
11
11
F5
3
10
17
20
1/2 17
gone,
D5
17
And while I’m
8va
15
Eb5
low me
15
F5
13
11
-
3
10
13
11 12
Interlude Gtr. 2: w/ Rhy. Fig. 3 (2 times)
G5
right.)
F5
Gtr. 3
1
13
1
13
13
Gtr. 6 (dist.) divisi f
7 8
5 7
7 8
8 10
3 5
8 10
7 8
5 7
7 8
8 10
7 8
5 7
7 8
1
13
f
Gtr. 5 (dist.)
5 7
5 7
7 8
5 7
7 8
7 8
3 5
7 8
7 8
5 7
7 8
8 10
7 8
5 7
7 8
Gtr. 3 tacet
Eb5
D5
Eb5
F5
11
11
5 7
7 8
5 7
7 8
8 10
8 10
G5
Gtr. 5
Gtr. 6
3 5
5 7
7 8
5 7
7 8
8 10
8 10
3 5
3 5
7 8
5 7
7 8
8 10
7 8
5 7
7 8
5 7
7 8
5 7
7 8
5 7
7 9
7 9
F5
7 8
5 7
7 8
8 10
7 8
5 7
7 8
5 7
7 8
5 7
7 8
7 8
7 8
7 9
3 5
8 10
8 10
8 10
10 12
10 12
7 8
5 7
7 8
8 10
7 8
5 7
7 8
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Eb5
5 7
7 8
5 7
7 8
8 10
Gtr. 5
5 7
7 8
8 10
7 8
5 7
grad. bend
7 8
Eb5
7 9
7 9
F5
8 10
7 9
8 10
8 10
10 12
10 12
(cont. in notation)
*fdbk.
X *Microphonic fdbk.; not caused by string vibration.
5 7
10
Gtr. 6
7 8
8va
fdbk.
1
10
fdbk.
1/2
12
10
5 7
grad. bend
8
7 8
G5 Gtr. 2
7 8
3 5
8 10
D5
12 Pitch: F
Gtrs. 5 & 6 tacet
Gtr. 2 tacet
G5
Gtr. 2
(Piano)
7 5 5 5
G5
G5
Gtr. 2
F5
Play 8 times
P.M. 5 5
5 5
5 5
5 5
5 5
Eb5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
F5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
F5
Rhy. Fig. 4
7 55 5
End Rhy. Fig. 4
Bridge Gtr. 2: w/ Rhy. Fig. 4 (2 times)
G5
No
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
more
F5
breath
in
Eb5
-
side.
F5
G5
Es - sence
F5
left
my
Eb5
heart
to - night.
Outro G5
Whoa,
Voc. Fig. 1
whoa,
Bb5
(Whoa, Rhy. Fig. 5
Gtr. 2
7 5 5 5
7 5 5 5
7 5 5 5
yeah,
whoa,
F5
yeah.
whoa,
whoa.)
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
3 3 1
3 3 1
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Bkgd. Voc.: w/ Voc. Fig. 1 (till fade) Gtr. 2: w/ Rhy. Fig. 5 (till fade)
Eb5
G5
Bb5
Whoa,
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
End Voc. Fig. 1
F5
Eb5
End Rhy. Fig. 5
3 1 1 1
3 1 1 1
yeah.
G5
Bb5
Yeah,
F5
3
Eb5
yeah,
3
yeah,
G5
whoa.
Bb5
Yeah,
* Begin
F5
Eb5
yeah.
fade
G5
Repeat and fade
Bb5
Whoa,
whoa,
yeah,
F5
Eb5
whoa.
*Signal distortion increases as track fades out.
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Avenged Sevenfold - Waking the Fallen
I Won’t See You Tonight (Part II) Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E
Intro Fast q = 215
Gtr. 2: w/ Riff A (3 times)
**D5
Ah!
15ma
Gtr. 1 (dist.)
f
***w/ DigiTech Whammy Pedal +6
+6
19 18
19 18
16 15
16 15
***Set for one octave above when depressed (toe down).
*Gtr. 2 (dist.)
Riff A
End Riff A
P.M. 0
0 0
0
P.M.
0
0
0
0
0
0
P.M. 0
0
0
0
0
*Doubled throughout **Chord symbols reflect implied harmony.
Gtr. 1
22ma
†fdbk. +6
X
X
15ma
1. Come
P.H. +6
grad. release
19
19
20 19
20 19
†Microphonic fdbk.; not caused by string vibration.
Verse Half-time feel Gtr. 1 tacet Gtr. 2: w/ Riff A (4 times)
D5
back
to
me,
this
is
in
-
con - ceiv - a - ble,
break - ing
a - part
the
ones
you
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
love.
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End half-time feel
Hate
runs
deep
for
what
you’ve done
to
us,
left
a - lone
through
su
-
i
-
Quarter-time feel
Eb5
F5
G5
Gtr. 4 (dist.) divisi mf 5
Su
Bb5
A5
D5
- cide. mf
Gtr. 3 (dist.)
5 6
6 7
5 6
6 7
7 8
Gtr. 2
1 1 1
1 1 1
6 7
5 6
6 7
6
6 7
5 6
8 8 8
7 7 7
7 7 7
6 7
5 6
6 7
5 6
6 7
6 7
0 0 0
6 7
4 5
6 7
5 6
-
i
-
6 7
5 6
6 7
5 6
3 3 3
5 5 5
5 5 5
6 7
End quarter-time feel
Eb5
Bb5
A5
D5
A5
5 cide.
5 6
6 7
5 6
6 7
7 8
1 1 1
1 1 1
6 7
5 6
6 7
6
6 7
5 6
8 8 8
7 7 7
7 7 7
6 7
5 6
6 7
5 6
6 7
6 7
6 7
3 5
0 0 0
A/C#
7 7
7 7
7 9
9 11
2 2 0
2 4
9 11
Verse Gtr. 2: w/ Riff A (8 times) Gtrs. 3 & 4 tacet
D5
2. I
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
just
wan
-
na
die.
Take
a - way
my
life,
lay
by
your
side.
Please
come
Half-time feel
back
to
Hate
me,
this
is
in
runs
deep
for
what
-
con - ceiv - a - ble,
you’ve done
to
us,
break - ing
a - part
left
a - lone
the
ones
you
love.
End half-time feel
through
su
-
i
-
Interlude Slower q = 134 Gtr.5 tacet
D5
Ebmaj7b5
- cide. Gtr. 5 (dist.)
mp
P.M.
D5
Ebmaj7b5
P.M.
0 0
10 10 8
0 0
0 0
0 0
0 0
Ebmaj7b5
D5
Gtr. 2
P.M.
10 10 8 0 0
D5
10 10 8
P.M.
10 10 8
0 0
0 0
0 0
0 0
0 0
0 0
Verse
Half-time feel 2nd time, Lead & Bkgd. Voc.: w/ Voc. Fill 1
Ebmaj7b5
D5
D5
3., 4. Look
P.M.
0 0
0 0
0 0
at
my
Rhy. Fig. 1
P.M.
10 10 8
face,
you
Ebmaj7b5 D5
10 10 8
pierce
with
Ebmaj7b5 D5 Ebmaj7b5 D5
a
0
0 0
0 0
0 0
0
0
P.M.
0
0
blank
stare.
P.M.
10 10 8 0
Voc. Fill 1
10 10 8 0
0 0
0 0
0 0
0
0
0 0
0 0
0 0
P.M.
10 10 8 0
0
0
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
No
dream
could
Ebmaj7b5 D5
pre
-
pare
a
heart
for
a
life
P.M.
P.M.
Gtr. 2: w/ Rhy. Fig. 1
0 0
0 0
0
0
-
0
0 0
0
0 0
0 0
0
0
0 0
0 0
friend.
P.M.
He’s gone,
10 10 8
0
less
Ebmaj7b5 D5
End Rhy. Fig. 1
10 10 8 0 0
Ebmaj7b5 D5 Ebmaj7b5 D5
P.M.
10 10 8
0 0
0
0
0
0
End half-time feel
Ebmaj7b5 D5 Ebmaj7b5 D5
noth - ing
will take
back
time. I
Ebmaj7b5 D5
need him back
but
Ebmaj7b5 D5 Ebmaj7b5 D5
noth - ing
will take
back
time.
Interlude
D5
G5
D5
G5
D5
G5
Gtr. 2
*w/ wah-wah
12 0
0
11 0
0 10 0
8
0
6
0
5
5
12 0
0
11 0
0 10 0
8
0
6
0
5
5
12 0
0
11 0
F
D5
0 10 0
8
0
6
0
5
5
*As filter
D5
Chorus Half-time feel D5
G5
Ab5
D5
Gm
I
Rhy. Fill 1
12 0
0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11 0
0 10 0
grad. bend 1
5
can see End Rhy. Fill 1
0 0 0
0 0 0
6 6 6
wah-wah off
4 4 4
6 6 6
just
F
E
fine
with you in
my
life
Rhy. Fig. 2
P.M. P.M. P.M. 0 0 0
0 0
0 0
0 0 0
0 0
8 10
0 0
7 8
P.M. P.M. P.M. 0 0
0 0
0 0
0 0 0
0 0
7 8
0 0
6 7
D5
Em
and there by
Dm
D5
my
Dm
A/C# D5
Eb5
side
as
it
starts
0 0
0 0
0 0 0
0 0
5 7
0 0
0 0
0 0
3 5
0 0
2 4
0
D5 µ
fade.
0 0
End Rhy. Fig. 3
steady gliss.
P.M.
1 1 1
12 12
1 1 1
0 0
Ab5
I
Rhy. Fig. 3
P.M. P.M. P.M.
3 5
0
to
End Rhy. Fig. 2
P.M. P.M. P.M.
6 6 6
6 6 6
Gtr. 2: w/ Rhy. Fig. 2
D5
Gm
know
this
can’t
F
D5
be
stuck in
1st time, End half-time feel
Eb5
right,
To Coda
F
a
D5
-
1 1 1
1 1 1
0
0
0
P.M.
steady gliss.
a night
Em
Dm
- mare
full
D5
Dm
A/C# D5
of
sor
Eb5
G5
Ab5
mare
Rhy. Fig. 4
dream,
Night
D5
-
row.
Bridge
Gtr. 2
E
full
P.M.
12 12 12
0
Eb5
0
0
12 12 12
P.M. 10
10
10
12
13 13 13
6 6 6
of
5 5 5
F5
6 6 6
1 1 1
3 3 3
Gtr. 2: w/ Rhy. Fig. 4 (3 times)
D5
Eb5
F5
G5
A5
pain.
Night
P.M.
0
D5
0
0
0
P.M.
12 12 12
0
0
P.M.
12 12 12
10
10
10
12
End Rhy. Fig. 4
-
Eb5
mare
P.M.
13 13 13
0 0
1 1 1
3 3 3
5 5 5
7 7 7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Half-time feel
G5
Ab5
Eb5 F5
full
G5
the
D5
of
Ab5
Eb5
F5
G5
A5
D5
I
back
pain.
twist
-
Eb5 F5
D5
ed
road.
Eb5
F5
G5
A5
look
D5
Eb5
and
Best
friends
and
see
Eb5
de -
End half-time feel
G5
Ab5
spair
Eb5
took
D5
its
C#5 D5 C5 B5 Bb5 A5
F5
D5
D5 A5 Ab5 D5 G5 F5
F5
G5
A5
toll.
Rah,
Gtr. 2
Eb5
take
a
D5
C#5 D5 C5 B5 Bb5 A5
-
D5 A5 Ab5 D5 G5 F5
way.
Take
a
-
0 0
0 0
0 0
Rhy. Fig. 5
12 12
End Rhy. Fig. 5
11 11
0 0
10 10
9 9
8 8
7 7
7 7
6 6
0 0
5 5
3 3
0 0
12 12
11 11
0 0
10 10
9 9
8 8
7 7
7 7
6 6
0 0
5 5
3 3
Gtr. 2: w/ Rhy. Fig. 5 (1 1/2 times)
D5
C#5
D5
C5
B5
Bb5 A5
D5
A5
Ab5
D5
A5
Ab5 D5
G5
F5
Interlude Half-time feel D5
a
-
D5
Take
Take
a
C#5
-
D5
C5
B5
Bb5
way.
way.
P.M. Rhy. Fig. 6
Gtr. 2
0 0
7 7
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
way. (Ah.)
D5
G5
6 6
0 0
5 5
3 3
0 0
0 0
0 0
0 0
P.M. 0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
A5
Gtr. 2: w/ Rhy. Fig. 6
0 0
P.M.
0 0
0 0
End Rhy. Fig. 6
P.M.
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 6 (2 times)
Gtr. 6 (dist.)
D5
f 11
13 10
12 10 11 12
3 1 8va
17
16
17
16
11
10 13 10 13
17
17 17
loco 11
19 20
Gtr. 6
18
11
13 10
12 10 12
13
10 12 13
3
13
13 10 12
11 10 11
10 11 10
11 10
11
11
11
11
11 10 11
10
11 10 11
13
11 10 11
10
11 10
13
Gtr. 6 tacet
Ab5
8va
grad. bend 1
Double-time feel
Gtr. 7 (dist.)
3
G5
F5 G5
D5
Eb5
F5
loco
17 20 18 17 20 17
19 20
17 19 20 19 15
17
15 16
17 15
grad. bend
1
15 17 15 14 14 15 17 15 17 13 12 10
10
10 11
10 10 11 10
10
10
12 10 13 12 10
13
12
1013
13
P.M. Gtr. 2
Rhy. Fig. 7
0 0 0
0
0
0
6 6 6
5 5 5
End Rhy. Fig. 7
P.M. P.M. 0
0
3
5
0
0
0
0 0 0
0 0 0
1 1 1
P.M. 0
0
3 3 3
P.M.
0
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 7 (3 times)
D5
Ab5
G5
F5
G5
Gtr. 7
8
13
11
14
14
15
15
12
15
12
10
10
10
10 10
13
13
15
D5
14
15
14
14
12
12
10
10
Eb5
14
12
15
14
12
13
F5
8va
10
9
9
10
*w/ Whammy Pedal +6
15
13
12 14 12 12 15
15 16
16 12 15 12
17 18 14
16
15
12
16
15
12
16 16
16
12
16
12
16
12 12 14
16 12 16
12 16 15 14
*Set for one octave above when depressed (toe down).
D5 8va
Ab5
G5
F5
G5
12
12
12
12
+6
X
12 16
12
14
D5
loco
8va
16 14
14
14 16 15
14
12
14
12
14
12
14
Eb5
7
12
14
13 15 15
14
15
14
15
15
14
F5
12
15 16
15
D5
14
12 15
15 16
Ab5
12 15
15 16
G5
12
12
15 12
14
14
F5 G5
7
5
6
5
6
+6
12
12 14 12
10 12
10 11 13
11 10
11 10 13 11 10
11
11 10
12 10 11 12
11 13 11
10 12 10
10
10 12 10
12 10 11
10
12 10
10 12 10 12 10 11
13
10 13 10 12 10
10
End double-time feel
D5
F5
7
11
13
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Eb5
13
11
13
13
11
10
13
12
10
13
11
10
11
10
11
10
11
10
12
10
13
10
13
13
11
13
10
11
13
Chorus Half-time feel G5
Sor
Gtr. 7
-
row,
sank
1
13
deep
in - side
blood.
Rhy. Fig. 8
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
Bb5
All
the ones
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
3 1 1 1
X X X X
Gtr. 7 tacet
a - round
me
I
F5
cared
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
and, most
of
I
all,
13
Gb5
for
3 3 1
my
13
Gtr. 2
Eb5
3 3 1
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
6 4 4 4
6 4 4 4
6 4 4 4
6 4 4 4
6 4 4 4
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
X X X X X X
5 3 3 3
5 3 3 3
loved.
6 4 4 4
End Rhy. Fig. 8
6 4 4 4
6 4 4 4
Gtr. 2: w/ Rhy. Fig. 8
G5
But
I
can’t
Eb5
see
my - self
that
way.
Please
don’t
for - get
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda
Bb5
me
F5
or
cry
while
Gb5
I’m
a - way. (A - way.)
Coda
Gtr. 2: w/ Rhy. Fill 1
Gtr. 2: w/ Rhy. Fig. 2
D5
D5
Ab5
Gm
I
can
see
just
F
D5
F
fine
with
you
in
E
my
life
Gtr. 2: w/ Rhy. Fig. 3
D5
Em
and there by
Dm
my
D5
Dm
A/C# D5
Eb5
side
as
it
starts
to
fade.
D5 µ
Ab5
I
Gtr. 2: w/ Rhy. Fig. 2
D5
know
this
End half-time feel
Gm
be
right,
can’t
F
D5
stuck in
F
E
D5
a
dream,
a night
-
Em
Dm
mare
full
D5
Dm
A/C# D5
of
sor
-
row.
Outro Tempo I Gtr. 2: w/ Riff A (2 1/2 times)
Eb5
D5
Ah!
15ma
Gtr. 2
Gtr. 7
*w/ Whammy Pedal & delay +6 +6
24
24
24 24
+6
24 24
24
1 1 1 *Whammy Pedal set for one octave above when depressed (toe down). 15ma
Gtr. 1
**w/ Whammy Pedal +6 19 18
**Set for one octave above when depressed (toe down).
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19 18
15ma
24
24
+4 +4 1/2
24
+6
+5 1/2
15ma
24
24
21
21
let ring +6
+6
16 15
16 15
19 18 17
15ma
Gtr. 7
µ
+6
19
P.M.
0
+6 24
let ring
Gtr. 2
24
24
15ma
+2 1/2
24 24
Gtr. 1
19
+6
0
0
0
0
0
0
19 18
19 18
P.M.
0
0
0
0
P.M.
0
0
0
0
0 0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Avenged Sevenfold - Waking the Fallen
Clairvoyant Disease Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Gtrs. 1, 2 & 5–11: Drop D tuning: (low to high) D-A-D-G-B-E
Intro Slowly q = 71
µ Gtr. 1 (dist.)
5
7
3
2
3
3
7
5
4
5
5
7
5
8
7
mf
7
Gtr. 2 (dist.)
7
7
8
7
5
7
mf
8
8
8
10
8
7
8
8
7
8
7
8
8
7
5
7
7
10
8
7
8
8
Verse Gtrs. 1 & 2 tacet
* Dm[add9]
1. Dust
Riff B **Gtr. 4 (clean)
be - gins
to fall
to the
Bbmaj13#11
ground.
mp w/ chorus let ring throughout
3
5
5
17
19
17
19
17
19
17
19
17
19
17
17
18
19
17
18
**Standard tuning
Riff A ***Gtr. 3 (clean)
mp
w/ fingers let ring throughout
5
7
7
5
7
9
6
5 9
7
5
6 5
9
7
5
5
7
5
5 7
6
5
5 6
7
6
*Chord symbols reflect implied harmony. ***Standard tuning
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dm[add9]
Bbmaj13#11
The air is cold Whispered: And you sit there and do nothing.
21
19
17
19
17
7
19
9
7
19
17
9
7
19
are haunt
17
17
19
17
18
5
5
7
5
5
7
5
5
6
6
7
5
6
Bbmaj13#11
Thoughts
thin. You’re content with doing nothing.
5
21
6
5
Dm[add9]
and
18
5
6
9
5
-
ing
me
as
I look a
-
round.
In my life, I wanted more.
17
19
21
19
17
5
7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
6
19
7
5
19
17
19
6
5
9
7
5
19
17
18
5 6
17
18
5 9
21
7
5
5 7
5
5 6
6
7
End Riff A
Dm[add9]
3
17
21
19
21
7
end
6
5
Em/D
19
17
9
7
5
Gtrs. 3 & 4 tacet
bleed
End Riff B
17
D5
7
5
5
5
7
5 5 7
5
6
F/D
for - ev - er.
So I’ll never end.
Chorus
D5
when I
9
er
19
5
6
-
18
19
17
will nev
7
19
9
This
5
Bbmaj13#11
6
Bb5/D
Bb[#4]/D
E/D
A5/D
Don’t ac - knowl - edge
right,
just
dwell
on
wrong.
*Gtrs. 5 & 6 (dist.)
f
**w/ wah-wah
15
15
15
*Composite arrangement **As filter Rhy. Fig. 1 Gtrs. 1 & 2
End Rhy. Fig. 1
f P.M. 0
P.M.
0
0
0 0
0
5 7
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
D5
15
Em/D
D5
P.M. 0
0
P.M.
0 0
0
0
F/D
P.M.
7 8
0
Bb5/D
0
8 8
P.M. 0
7 8
0
Bb[#4]/D
P.M. 0
0
7 6
P.M. 0
E/D
7 7
0
A5/D
This
spot
in
hell’s
where I
be
-
long.
Gtrs. 5 & 6
15
15
15
15
15 15 15 15 13 13 15
15
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 7 tacet
Gtrs. 5 & 6 tacet
D5
Em/D
D5
Screamed: I’ve (Ah,
come so
13
13
Gtr. 5
15 15
13 13
13
D5
Em/D
Gtr. 7
D5
start
-
13
15
14 14
14 14
11 11
or
where
Bb5/D
13 13
13 13
12 12
it came
14 14
14 14
Gtr. 5
Gtr. 6 divisi
13
15
16 13 13
13 15
E/D
15 15
12 12
15 15
A5/D
from!
1/2
16
Bb[#4]/D
ah.)
13
ed
1/2 16
F/D
Don’t know why it (Ah,
11
Gtr. 7 tacet
Gtrs. 5 & 6 tacet
12 12
A5/D
15 15
15 *As filter
E/D
Gtr. 6 divisi
16
15
13
long!
1/2
16
16 11
Bb[#4]/D
been so ah.
1/2
*w/ wah-wah
15
Bb5/D
it’s
mf
far,
Gtr. 7 (dist.)
F/D
14 14
14 14
11 11
13 13
13 13
12 12
14 14
14 14
Verse Gtr. 4: w/ Riff B Gtrs. 5 & 6 tacet
Dm[add9]
2. Out - side Riff C Gtr. 8 (slight dist.)
mp P.M. 0
0
2
3
2
3
3
5
Bb6
shell
is
strong, Whispered: There’s nowhere to run and hide.
3
2
3
1
3
3
1
con - fi
-
dent
End Riff C
3
1
3
Gtr. 8: w/ Riff C (3 times)
Dm[add9]
but
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
slow - ly
eats
Bb6
a - way. Stuck alone inside your head,
Dm[add9]
Like
a
man plagued with
dis - ease,
Bb6
I
try to
Dm[add9]
Bb6
3
fight.
Through my pores, it
seems
to
when I bleed When I’m bleeding, ah...
seep
so better off dead.
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
D5
Em/D
D5
F/D
Bb5/D
Bb[#4]/D
for - ev - er.
E/D
A5/D
Don’t
ac - knowl - edge
right,
just
dwell
on
wrong.
*Gtrs. 5 & 6
15
15
15
15
15
15
15
*Composite arrangement
D5
Em/D
D5
F/D
Bb5/D
Bb[#4]/D
E/D
A5/D
This
spot
in
hell’s
15
15
D5
where
15
come so
far,
Riff D Gtr. 5
11
Gtr. 6
13
13
15
16
11
13
long!
13
15
13
15
16 13
15
16 13
15
15
14
14
14
14
End Riff D
11
13
13
12
14
14
12
15
A5/D
12
15
15
E/D
1/2
16 13
13
16
Bb[#4]/D
been so ah.
15
Bb5/D
1/2
15
F/D
13
16
15
1/2
16
long.
it’s
15
1/2 16
-
15
D5
Screamed: I’ve (Ah,
be
15
Em/D
I
11
13
13
12
14
14
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5: w/ Riff D
D5
Em/D
Don’t know why it (Ah,
Riff E
Gtr. 6
D5
start
-
ed
or
11
13
where
it came
15
13
E/D
A5/D
from!
16
Bb[#4]/D
1/2
16
13
Bb5/D
ah.)
15
1/2 16
F/D
16
13
13
15
15
12
14
End Riff E
14
13
11
13
12
14
14
Interlude Double time (q = 142) Gtr. 6 tacet
D5
Bb5
Gtr. 7
7
5
7
7
5
6 5 6 5
7
7
D5
8
10
8
5
8
Bb5
5
7
7
7
5
6 5 6 5
7
7
8
10
Screamed: And you
8
5
8
7
Gtrs. 1 & 2
P.M.
0 0
0
0 0
0 0
sit there
and do
5
6
5
3 2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
6
5
5
6
3 2
0
1
1
8
P.M.
3 2
3 1
F5
2
P.M.
0 0
Sorgdal
0 0
C/E
3 2
1
1
1
1
3 3
8
6
5
5
7
6
P.M.
3
3 3
3 3
3 3
P.M.
0 0
0
G5
noth - ing!
5
3 3
0 0
0 0
0 0
8
8 9
5
5
7
5 6
5 5
5 5
5 5
0 0
2 4
5 7
P.M.
1
1
D5
6
3 1
0 0
D5 A/C# Em
1
1
1
1
7
7
7
P.M.
0 0
0
5
6 5 6 5
7
7
0 0
0 0
0 0
0 0
Bb5
D5
Bb5
C/E
You’re con
8
10
8
5
7
-
8
P.M. 3 1
5
7
6 5 6 5
8
7
7
10
8
5
8
0 0
0 0
0
0 0
0 0
3 1
0 0
1 1 1 1 1 1 1 1 1 1
with do - ing
6
5
8
7
P.M. P.M.
1 1 1 1 1 1 1 1 1 1 1 1
tent
5
5
6
5
6
5
8
P.M.
1 1
3 2
3 2
2
3 2
3 2
0
Gtr. 7 tacet
F5
G5
D5 A/C# Em
Dm
8
8 9
6 7
noth - ing!
5
8
6
5
5
7
6
P.M.
3 3
3
3 3
3 3
3 3
3 3
6
5
7
5 6
5 5
5 5
5 5
0 0
2 4
6 7
P.M.
5 7
3 5
5
5
5
5
5
5
5
3 5
3 5
3 5
3 5
3 5
3 5
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Gtr. 11 (dist.)
Bb5
C5
10
11
11
11
3
f
**w/ wah-wah
11
10
11
10
12
10
9
9 10 9
10
10
12
10
**As filter Riff F *Gtrs. 9 & 10 (dist.)
15 X 13
15 X 13
15 X 13
15 X 13
14 X 12
12 X 10
12 X 10
12 X 10
12 X 10
3 1
3 1
3 1
5 3
5 3
5 3
5 3
f
10 X 8
15 13
15 X 13
15 X 13
15 X 13
15 X 13
14 X 12
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
*Composite arrangement Rhy. Fig. 2 Gtrs. 1 & 2
3 1
F5
3 1
3 1
3 3
7
9
10
14 X 12
12 X 10
12 X 10
14 X 12
3 1
14 X 12
3 1
12 X 10
9
10
9 X 7
9 X 7
5 3
5 3
5 3
5 3
10
12
10
D5
9 X 7
5 3
5 3
12
12
10
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
8
12
5 3
10 X 8
10 X 8
10 X 8
10 X 8
12
12
10
10
8
End Rhy. Fig. 2
3 3
3 2
3 2
0 0
0 0
0 0
0 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
14 X 12
3 1
C/E
12
14 X 12
3 1
grad. bend 1
3 1
3 3
3 3
3 3
3 3
3 2
3 2
3 2
3 2
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Bb5
Gtr. 11
10
12
10
C5
3
steady gliss.
9
8
8
Gtrs. 9 & 10
7 X 5
10 X 8
10
10
10
9
10
12
9
9
5
10
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
7 X 5
10
11
8
F5
13
7
10
12
9 X 7
9 X 7
9 X 7
C/E
13 10
9 X 7
D5
12
10
12
10
1
13
10
9 X 7
9 X 7
1
13
13
13
13
10 X 8
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
9 7
9 X 7
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
9 X 7
10 X 8
10 X 8
13
End Riff F
10 X 8
Bridge Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 9 & 10: w/ Riff F
Bb5
C5
There’s Gtr. 11
Gtr. 11 tacet
no
- where
to
run
and
hide
when you’re
11
F5
liv
-
C/E
ing
to
D5
die.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Stuck
a - lone
Bb5
in - side
your
C5
head,
Gtrs. 1 & 2
3 1
D5
3 1
3 1
3 1
5 3
5 3
5 3
5 3
3 1
3 1
3 1
3 1
7 5
3 1
7 5
7 5
7 5
7 5
10 X 8
15 13
5 3
5 3
5 3
5 3
5 3
The
3 2
3 2
3 3
3 3
3 3
3 3
3 2
3 2
3 2
phone would ring
Gtrs. 9 & 10
5 3
dead.
5 3
F5
off
G5
3 1
C/E
bet - ter
3 1
in
the
C5
3 3
3 3
3 3
3 3
emp - ty
3 3
3 3
3 3
house.
15 X 13
15 X 13
12 X 10
12 X 10
12 X 10
12 X 10
5 3
5 3
5 3
5 3
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
14 12
14 X 12
12 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
Gtrs. 1 & 2
5 5
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
D5
No
C/E
one’s
14 X 12
14 X 12
14 X 12
14 X 12
12 10
12 X 10
12 X 10
P.M.
7 5
7 5
7 5
7 5
7 5
a - round.
F5
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
*
3 2
3 3
3 3
0 0
3 2
3 2
3 2
3 2
3 2
3 2
P.M.
3 2
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
*Gradually lift P.M.
Chorus Tempo I Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times) Gtrs. 9 & 10 tacet
D5
Em/D
D5
Don’t
ac - knowl - edge
right,
just
dwell
on
15
18
15
Bb5/D
Bb[#4]/D
E/D
A5/D
wrong.
**Gtrs. 5 & 6
F/D
18
10
11
1/2
9
9
**Composite arrangement
D5
This
Em/D
spot
in
D5
hell’s
15
F/D
where I
be
-
17
17
Bb[#4]/D
E/D
A5/D
long.
1/2 15
Bb5/D
10
11
9
1/2
9
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5: w/ Riff D (2 times) Gtr. 6: w/ Riff E (2 times)
D5
Em/D
Screamed: I’ve (Ah,
come
so
far,
D5
D5
Don’t know
why
it
it’s
Em/D
F/D
been ah.
so
D5
start - ed
or
where
Screamed: But,
in
9 X 7 Gtrs. 1 & 2
Dm
D5
my
life,
10 X 8
7 X 5
9 X 7
Gtrs. 9 & 10
A5/D
long!
F/D
Bb5/D
it
came
Bb[#4]/D
E/D
A5/D
from!
I
want
Dm
D5
ed
more!
10 X 8
7 X 5
9 X 7
-
Dsus2
I
need
Dm
D5
ed
more!
-
10 X 8
7 X 5
7
P.M.
P.M.
P.M.
P.M.
P.M.
7 0 0 0 0 0
0 0 0 0 0 0
7 0 0 0 0 0
0 0 0 0 0 0
7 0 0 0 0 0
0 0 0 0 0 0
I
taste
1
1
13
10
15
16
13
0
0
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
0 0
13
P.M. 0 0
0 0
0
0
1
12
more!
let ring
P.M.
Gtrs. 9 & 10 tacet
0
0
0
0 0
P.M.
Dsus2
grad. release
Sorgdal
E/D
Bb[#4]/D
ah.)
Outro Dsus2
Ah,
Bb5/D
5
Gtr. 3: w/ Riff A
Dm[add9]
Gtrs. 1 & 2 tacet
Bbmaj13#11
Dm[add9]
Gtrs. 1 & 2
Bbmaj13#11
0 0
Gtr. 8: w/ Riff C
Dm[add9]
Bbmaj13#11
(Oo.
Dm[add9]
Bbmaj13#11
Oo.)
Gtr. 3
7
6
5 9
7
Gtr. 8
P.M.
0
0
2
3
2
5
9
5
3
6
3
5
7
3
2
3
5
5
7
5
7
5 5 7
5
6
6
1
5
9
3
3
1
1
3
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Avenged Sevenfold - Waking the Fallen
And All Things Will End Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker Drop D tuning: (low to high) D-A-D-G-B-E
Intro Slowly q = 82 * Dm
C
Bb6
mp
w/ fingers let ring
2
0
3
2 3 5
0
2
2
3
0
0
2
0
2
2
3
let ring
1
2
3
0
0
2
0
0
3
let ring
0
2
3
2
2 3 2 0
5
3
2
let ring
Aaddb9
Gtr. 1 (clean)
*Chord symbols reflect implied harmony.
Double time (q = 164) Gtr. 1 tacet
D5
µ
Gtr. 3 (dist.)
f
P.M.
0
0
0
0
0
0
0
0
f
P.M.
0
0
0
0
0
0
0
0
0
7
5
0
0
0
0
0
0
0
0
6 0
0
0
0
0
0
0
5
7
P.M.
0 0
6
0
6
0
P.M.
0 0
D5
5
6
µ
P.M.
0 0
0 0
6
0
Gtr. 2 (dist.)
5
0 0
D5
0
0
0
0
0
0
P.M.
6
0
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0 0
0
0
0
0
0
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ Gtr. 4 (dist.)
D5
3
3
3
3
3
3
f 5
Gtr. 3
P.M.
8 5 8 5 6 5
6
0
Gtr. 2
P.M.
5
7
5
7
6 7
0
f
Riff A1
0
0
0
0
0
0
0
0
8
7
5
7
5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
0
0
0
0
0
0
7
8
5
7
8
5
7
µ
5
6
P.M.
7
5
5
0 0
0
0
0
0
0
0
0
0
P.M.
6 0
0
0
0
0
0
0
0
0
7
6
5
0 0
7
6 0 0
P.M.
5 0 0
6
0 0
6
0
5
5
D5
6
6
0
5
D5
8
7
8 5 8 5 6 5
5
Riff A
5
5
5
0
P.M.
Sorgdal
7
8 5 8 5 6 5
6
5
0 0
8
5
P.M.
5
Gtr. 2
µ
0 0
5
8 5 8 5 6 5
0
Gtr. 5 (dist.)
5
8 5 8 5 6 5
8
Gtr. 4 tacet
Gtr. 3
5
8
6
0
8 5 6 5
5
0
8 5
5
0
5
0
0
0
0
0
0
P.M.
6 0 0
0
0
0
0
0
0
Gtr. 5 tacet
µ
D5
µ
Gtr. 4
3
3 grad. bend 1
5
Riff B Gtr. 5
8 5 8 5
6
5
5
5
6
5
5 5
0
8
6
5
5
8
8
7
6 7
8 5 8 5 6 5
5
8
8
0
End Riff B
5
7
8 5 8 5 6
5
7
5
6
5
8
6
5
8
5
7
6
5
8
5
End Riff A1
0 0
0 0
5
End Riff A
8
6
0
5
8
7
8 5 8 5 6 5
5
5
P.M.
0
6
5
0
Gtr. 2
8 5 8 5 6 5
P.M.
0
6 5
5
Gtr. 3
8 8 5 6 5
5
7
5
7
5
0
8
7
5
7
5
8
7
7
6 0 0
0 0
Verse
1st time, Gtr. 4 tacet
D5
1. Lived 2. When I
through see
F5
you, you,
safe I
with can
how read
G5
we it
lives, eyes,
lived in
our your
Gtrs. 2 & 3
0 0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
3 3
P.M.
3
3
3
3
3
3
3
3
3
3
3
3
3
5 5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Ab5
with
how
it
fate
5 5
0 0
P.M. 5
5
5
5
Un
-
cov
Swal
-
lowed
turned -
der
P.M. 5 5
6
-
6 6
-
F5
0
0
Ab5
will
0
0
things
are
bound
to
change!)
things
are
bound
to
change!)
0
0
0
0
0
0
can’t
0
G5 Ab5
make you change think - ing with
0
D5
your your
mind. heart.
-
3
3
3
3
0
3 3
0
0 0
G5
through
blame
5 5
-
out,
you
for
3
3
3
3
3
3
3
5 5
3
To Coda 1
F5 G5 A5 Bb5
Some Some -
Fill 1
Gtr. 4
faced
3
0
P.M.
3 3
0
lies,
0
P.M.
D5
the
0
sur
0
0
lies,
0
0
F5 G5
ered
0
out. Screamed: (But stood. Screamed: (But
P.M.
0 0
all
6
D5
mis - un
6 6
5
G5 Ab5
End Fill 1
*w/ wah-wah
10
15
*As filter Gtrs. 2 & 3
5 5
P.M. 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
5
5
5
6 6
P.M. 6
6
5 5
6 6
0 0
0
0
P.M.
0
0
0
0
0
0
0
0
3 3
5 5
7 7
8 8
Chorus
-
times
F5
8va
18
15 10
15
10
loco
al
18
17
17
14
14
-
17
8 8
8 8
8 8
3 3
Bb5
Won’t
(Whoa.)
1/2
18
17
14
10
0
0
0
0
0
0
0
8va
18
14
17
17
14
P.M.
0 0
0
0
0
0
0
F5
G5
0
Gtr. 4 tacet
F5
µ
right.
Can’t
turn
D5
out
right.
End Voc. Fig. 1
1/2
17
P.M.
0
out
15
18
17
15 10 10
5 5
17
3 3
turn
Voc. Fig. 1
3 3
1/2
14
P.M.
8 8
1/2
15
tered.
1/2
17
15
is
1/2
17
D5
life
G5
3 1
15
15
17 17
3 1
3 1
3 3
3 3
0 0
5 5
Interlude Gtrs. 2 & 3: w/ Riffs A & A1
µ
D5
µ
D5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda 1 Gtr. 5: w/ Riff B
µ
D5
µ
Coda 1
Chorus
times
G5
D5
life
is
al
17
15 10 10
15
-
tered.
Break
1/2
18
Bb5
8va loco
-
Gtr. 4
F5
1/2
17
15
18
17 14
17 15 17
1/2
14
14 15
18
14
17
1/2
17
18
14
14
17
10
15
17
17
Gtrs. 2 & 3
8 8
8 8
8 8
8 8
3 3
3 3
0 0
3 3
5 5
2nd time, Gtr. 4: w/ Fill 2
from
the
F5
ropes,
8va
your
G5
D5
hands
18
15 10 10
15
3 1
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 1
15
3 1
0
0
3 3
0
0
17 15
17
0
18 17
14
14 15
3 3
3 3
5 5
X X
0 0
0
0
14
17
14
0
18
14
17
0
0
0
0
0
0
0
0
0
10
15
17
0
Bb5
17
P.M.
3 1
0
Un - eas -
1/2
17
0
1/2
18
0
18
0
loco
1/2
17
0
are tied.
1/2
17
P.M.
0
0
0
3 1
-
F5
y
8va
10 10
15
3 1
17
15
3 1
con - fron - ta
18
3 1
17 14
14 15
8va
17
3 3
3 3
To Coda 2
F5
5 5
17
15 10 10
15
17
14
1/2
17
18
14
14
17
0
0
0
0
0
0
0
0
0
Can’t
D5
turn
out
0
0
10
15
3 1
0
0
17
G5
17
P.M.
F5
right.
17
15
17
3 1
3 1
3 1
C
Riff C
let ring 3
2
0
3
2 3 5
2
3 3
0 0
5 5
A7b9/E
let ring
3
Gtrs. 2 & 3
dim.
Gtrs. 2 & 3 tacet
Dm
5
3 3
Interlude Tempo I
0 0
right.
turn
1/2
18
Gtr. 1
Gtr. 4 tacet
µ
X X
18
Bb5
Won’t
1/2
14
15
3 3
out
17
tion.
-
End Fill 2
loco
1/2
17
15
Bkgd. Voc.: w/ Voc. Fig. 1
with
Fill 2
D5
1/2
18
G5
2
0
0
2
0
2
3
Dm[add9]
let ring
2 5
7
5
3
2
5
2 5
let ring
6 5
5 7
8 7
5
5
6 5
6
6
7
0 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bbadd9
G5addb9
Gtr. 1
let ring
1
3
1
3
0
1
let ring
0 3
5
5
5
5
7
6
6
5
let ring
5
2
0
2
2
3
2
2
0
let ring
2
2
2
0
2 3 2 0
0
End Riff C
Aaddb9
3
Bridge Gtr. 1: w/ Riff C (2 times)
Dm
C
see
my world
I Riff D
mp
5
6
8
6
let ring
5 6 7
7
5
8
9
10
8
10
Dm[add9]
crum
*Gtr. 6 (clean)
w/ fingers let ring
A7b9/E
8
9
10
-
ble and
fall
9 12
14
11
12
10
12
12
be - fore
my
let ring
let ring
12 14
13
14
12
12 14
13 14
12
14 12
13
14
*Two gtrs. arr. for one.
Bbadd9
eyes.
know,
I
let ring
6
let ring
6
know.
let ring
8
7 8
10
12
12
12 13
13
12
12
12
14
14
14
15
14
14
12
14
12
14
14
15
14 15 14 12
7
let ring
10
7
End Riff D
Aaddb9
I
8
G5addb9
Gtr. 6: w/ Riff D (1st 4 meas.)
Dm
Dark
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
will
turn
to
light.
A7b9/E
In
Dm[add9]
time,
I’ll
be
al
-
Bbadd9
G5addb9
right.
I
let ring
let ring
let ring
8
10
12
12
12 13
13
12
12
12
14
14
15
14
14
14
12
14
let ring
10
3
3
know.
12
14
14
15
14 15 14 12
1
3
3
I
1
know,
Gtr. 6
3
Aaddb9
Guitar Solo Gtr. 1: w/ *Riff C Gtr. 6: w/ *Riff D
Dm
C
A7b9/E
Whispered: I never imagined my life could turn out this way.
Gtr. 7 (dist.)
8
12
Dm[add9]
So cold,
so black,
5
5
6
3
5
8
Gtr. 8 (dist.)
5
8
10
13
12 13
8
8
13 15 10
10
8
mf 8
10
8
10
10
12
12
mf 6
so alone.
9
10
9
6
6
6
8
6
5
10
10
11 10 8
12
*Last chord of both riffs held for two beats.
8
10
10
8
Bbadd9
10
11
11
10
10
8
G5addb9
6
11
8
10
3
5
8 4
Aaddb9
6
6
9
7
6
8
10
9
12
7
10
14
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtrs. 7 & 8 tacet
µ Riff E1
Gtr. 5
f
12
10
0
11
Riff E
f
0
0
5
3
0
0
7
1.
18
17
*As filter
15
15
12
14
0
0
17
8
7
2.
grad. bend 1/2
grad. bend
10
1/2
13
12
7
1/2
14
8
12
13
14
15
0
mf
0
End Riff E1
1/2
**w/ wah-wah
5
6
mf
*w/ wah-wah
Gtr. 10 (dist.)
11
0
5
6
12
0
Gtrs. 2 & 3: w/ Riff E (2 times) Gtr. 5: w/ Riff E1 (2 times) Gtr. 9 (dist.)
14
12
0
Gtrs. 2 & 3
9
10
13
14
14
5
7
6
7
7
8
18
11
1
14
20
14
8va
1/2
1/2
13
10
15
16
**As filter
Tempo II Gtrs. 9 & 10 tacet Gtr. 3
D5
µ
P.M.
6
0 0
0
Gtr. 2
0
0
0
0
0
0
0
7
6
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
8
5
8
7
5
0
7
10
7
8
7
5
7
5
8
8va
14
8
15
1/2
12
14
End Riff E
3
9
7
8
5
7
8
5
6
5 0
5
7
8
5
7
7
6 0
Bridge
Dm
Screamed: Liv -
ing
F
fast;
5
5
5
7
5
7
7
8
Riff F
5
by
8
goes
Riff F1
C
7
8
6
5
5
7
7
3
Bb
catch your
breath and
8
7
5
5
3
2
1
it
you
7
5
will pass
A
End Riff F1
5
4
3
End Riff F
2
0
Gtrs. 2 & 3: w/ Riffs F & F1
Dm
by.
F
And
it
C
won’t
last
to
Bb
sulk
with
A
the mem - o - ries
you
D.S.S. al Coda 2 Gtr. 4: w/ Fill 1
D5
µ
hold!
P.M.
0
0
0
0
0
0
0
0
P.M.
0 0
P.M.
0 0
Gtr. 2
Bb5
Some
Gtr. 3
0
5
7
8
7
7
5
5
5
0
0
0
P.M.
7
8
8
7
7
8 8
4
8 8
-
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 2 µ
F5
Can’t
G5
out
8va
turn
D5
grad. bend
17
3 3
0 0
5 5
0
0
0
0
0
0
0
0
0
0
0
0
0
G5
is
al
-
18
15 10
15
15
3 1
3 1
3 1
Rhy. Fig. 1
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
18
17 14
17 13 17
14
14 15
14
17
1/2
17
18
14
3 3
3 3
0 0
0 0
0 0
0 0
0 0
0 0
0 0
F5
G5
D5
ropes,
your
hands
are tied.
18
15 10 10
15
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15
Yeah.
1/2
17
1/2
17
18
17
17
14 12
15
17 15
10
15
End Rhy. Fig. 1
5 5
17
3 3
Bb5
17
the
14
17
3 3
3 1
Break
loco Gtr. 4 8va from
1/2
18
tered.
1/2
17
15
10
D5
17
8va
17
1
1/2
10
grad. bend
loco life
P.M.
Bb5
Some -
17
1/2
17
F5
times
17
-
17
right. loco
1/2
14
14
17
14
Bb5
Un - eas -
1/2
17
3 1
0 0
1/2
18
18
14
17
10
15
17
17
with
15 15
17
15
18
con - fron - ta
17 14
F5
17 14
15
µ
out
10 10
15
3 1
3 1
3 1
3 1
G5
D5
Can’t
turn
18
right.
semi-P.H. 1/2
17
3 3
17
3 3
0 0
5 5
14
18
14
turn
10
15
17
17
17
grad. bend
17
17
17
out
14
Bb5
Won’t
1/2
14
17
tion.
loco
15
Gtrs. 2 & 3
F5
right.
17
8va
17
15
-
15
1/2
18
1/2
17 10
D5
1/2
10
Gtr. 4
y
18
G5
8va loco
-
Bkgd. Voc.: w/ Voc. Fig. 1
F5
1/2
17
17
Outro-Guitar Solo Tempo I Gtr. 4 tacet
7 5 7 10 10 G5
Bb5
Riff G
Gtr. 7
5
7
Riff G1
Gtr. 8
7
8
7 8
8
12
12
Gtrs. 2 & 3
Rhy. Fig. 2
5 5
5 5
5 5
8 8
8 8
8 8
F5
3
Eb5
5
8 7
8
7
5
D5
5
5
4
5
8
5
4
4
5
7
5
End Riff G
8
8
7
5
7
3
5
8
5
8
6
6
5
6
6
5
6
End Riff G1
5
8
7
8
7
8
7
5
4
5
5
7
8
5
7
8
End Rhy. Fig. 2
3 3
1 1
1 1
0 0
3 3
3 3
1 1
7
P.M.
1 1
1 1
1 1
1 1
1 1
1 1
1 1
0 0
0 0
0 0
0 0
0 0
0 0
0 0
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times) Gtrs. 7 & 8: w/ Riffs G & G1 (3 times)
G5
7
5
Bb5
F5
5
7
10
Eb5
10
10
7
7
10
1
7
12
12
12
10
1 1/2
12
12
10
12
6 D5
12
G5
6
6
11
12
10
11
10
10 11 13
10 11 10 10 11 13
12
10
11
13
15
15
14
11
13
10
11
10
F5 8va
10
loco
12
Bb5
13
12
13
3
12
11
15
18
17
17
10 12
10
12
10
10
13
12
Eb5
15
11
13
16
20
16
18
1/2
17
17
17
15
18
13
1
15
14
15
14
18
18
10
18
15
17
10
12
8va D5
11
12
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
9
3
6
10
11
12
10
11
10
12
10
11
13
17 15
17
14
15
17
15
17
15
16
18
15
16
18
15
17
G5
18
Bb5
8va
1
18 15
18
18
loco
F5
Eb5
1/2
17
20
18
1/2
17
6
20
15
15
13
13
14
10
Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtrs. 7 & 8: w/ Riffs G & G1
G5
15
15
17
Bb5
20
13
15
16
18
16
15
15
10
11
11
17
15
17
3 12
11
F5
11
13
12
17
17
11
13
Eb5
1/2
15
18
17
17
18
17
14
6
17
11
12
14
15
15
15
1/2
21
14
8va
20
grad. bend
17
13 12
11
17
1/2
17
6
18
grad. bend
11
10
11
11
6
11
11
12
12
10
15
11
6
14
8va
15
6 17
13
6
13
15
D5
6
17
1
10
10
12
6
19
19
semi-P.H.
D5
1/2
1/2
18
15
grad. bend
22
21
1 min.-20 sec.
21
17
1/2
17
Pitch and tempo gradually decrease while the previous four-measure chord progression repeats and fades. To approximate the sound of the Master Tape being slowed down, continue shredding while using a DigiTech Whammy Pedal (set to sweep two octaves below), and gradually depress the treadle while the tempo slows.
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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