Audioslave Revelations
Short Description
Guitar score...
Description
from Audioslave - Revelations
Broken City Lyrics by Chris Cornell Music written and arranged by Audioslave Drop D tuning: (low to high) D-A-D-G-B-E
3 3 =
Intro Moderately slow q = 87 *G5
Gtr. 1 (slight dist.)
mp
3
5
P.M. throughout
0
3
5
5
5
0
5
5
0
3
*Chord symbols reflect implied harmony.
5
Verse G5
cit
-
y
Riff A
3
5
5
win
- ter
time.
3
5
5
3
5
by
of
3
5
5
0
sleeps
5
She wore
3
5
5
the side
3
5
a
yel - low
coat,
a
3
5
5
5
free - way,
5
a
1. My
5
cit - y
of
scraps
now there’s noth - ing
on
her
back.
in
the
If
a End Riff A
3
5
3
5
5
0
0
3
5
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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build
-
ing
3
5
5
no
one
3
5
5
3
5
5
you would - n’t
care
3
5
cares
3
5
5
to
a - bout
climb - ing
no
-
tice
3
5
5
3
5
un - less
you
were
in
0
3
noth - ing
at
the
top
no
stairs,
it.
And
falls,
more.
3
5
5
0
3
5
0
Chorus Gtr. 1 tacet
D5
Out - side Riff B1 Gtr. 3 (dist.)
D5
trip - pin’ in
the bro
C5
D5
-
ken
C5
D5
C5
D5
C5
C5
D5
C5
cit - y.
End Riff B1
f *w/ phaser & DigiTech Whammy Pedal +6
+6
7
7 X 5
5
+6
5 X 3
+6
5 X 3
7 X 5
+6
5 X 3
7 X 5
+6
7
7 X 5
5
+6
5 X 3
+6
5 X 3
7 X 5
5 X 3
7 X 5
*Set for one octave above. Riff B
Gtr. 2 (dist.)
f
End Riff B
5 X 3
7 X 5
5 X 3
7 X 5
5 X 3
7 X 5
5 X 3
7 X 5
5 X 3
7 X 5
5 X 3
w/ phaser
7 X 5
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Gtrs. 2 & 3: w/ Riffs B & B1 (3 times)
D5
Out
-
side
D5
trip - pin’
Out
-
D5
side
-
side
trip - pin’
kick - ing
D5
in
the
bro
C5
C5
-
ken
D5
in
the
bro
C5
D5
D5
in
the
bro
D5
D5
ken
cit
-
y.
C5
C5
D5
-
C5
cit - y.
C5
-
ken
C5
D5
C5
I
watch
her
D5
C5
D5
bleed
and
crack.
C5
D5
C5
C5
D5
C5
Out
D5
C5
cit - y,
C5
D5
C5
wrong
with
there’s noth - ing
-
D5
C5
that.
Interlude
Doo,
doo,
Rhy. Fig. 1A
Gtr. 3
+6
6 5 3 5
() Rhy. Fig. 1
6 5 3 5
doo,
+6
6 5 3 5
Gtr. 2
+6
6 5 3 5
doo,
doo,
+6
6 5 3 5
doo,
+6
6 5 3 5
doo,
6 5 3 5
()
doo,
+6
6 5 3 5
+6
6 5 3 5
+6
6 5 3 5
6 5 3 5
6 5 3 5
* Dm7/C
*Bass plays C.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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doo,
doo,
+6
+6
6 5 3 5
6 5 3 5
doo,
doo,
+6
doo,
()
6 5 3 5
6 5 3 5
+6
6 5 3 5
6 5 3 5
2. Now the
+6
()
doo.
+6
End Rhy. Fig. 1A
+6
6 5 3 5
6 5 3 5
6 5 3 5
End Rhy. Fig. 1
doo,
+6
6 5 3 5
6 5 3 5
6 5 3 5
Verse Gtr. 1: w/ Riff A (2 times) Gtrs. 2 & 3 tacet
G5
snow
falls
down
like
it’s
fall - ing
on
an
o
-
cean,
dead
and
-
ty
by
the
emp
Riff C
Gtr. 4 (slight dist.)
3
5
5
mp
3
5
5
3
5
3
5
5
w/ wah-wah
rail
-
3
5
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
tracks
4
Sorgdal
road
where they
3
5
5
used
to
go
come.
and
Now they
don’t
come
back.
You
can
End Riff C
3
5
3
5
5
0
0
3
5
Gtr. 4: w/ Riff C
hear
the
rust
stole
this
town
grow - ing
up
the
from
the
fron
-
through - ways,
down
the
al
-
leys
where
they
I
can
see
him
try’n’
to
tier.
steal
it
back.
Chorus Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)
D5
Out
-
side
trip - pin’
C5
D5
in
the
bro
C5
D5
-
ken
C5
D5
Out
-
side
trip - pin’
in
the
bro
C5
D5
-
ken
C5
- side
C5
D5
C5
D5
cit - y.
in
the
bro
C5
D5
C5
D5
I
watch
her
bleed
and
crack.
trip - pin’
D5
(Out
C5
D5
cit - y.
Voc. Fig. 1
D5
C5
-
ken
cit - y.)
End Voc. Fig. 1
C5
Bkgd. Voc.: w/ Voc. Fig. 1
D5
Out
-
C5
kick - ing
in
the
bro
side
D5
C5
-
D5
ken
cit
-
C5
D5
C5
D5
C5
D5
C5
y.
Out
-
Interlude Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
D5
-
doo,
side
doo,
trip - pin’ in
doo,
D5
C5
the bro - ken
D5
C5
D5
cit - y,
C5
D5
C5
D5
C5
there’s noth - ing wrong with that.
doo,
doo,
doo,
doo,
Dm7/C
Doo, doo,
doo,
doo,
doo,
doo.
doo,
doo,
C5
Doo,
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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doo,
doo,
Gtr. 5 (dist.)
doo,
doo,
doo,
doo,
doo,
doo,
Guitar Solo G7
f 1
*w/ octaver
1/4
15
15
17
1/2
1/4
15
17
15
15
17
15
17
17
15
15
15
17
*Set for 2 octaves below.
Rhy. Fig. 2
Gtr. 6 (slight dist.)
8 10
8 10
8 10
8 10
8 10
8 10
8 10
8 10
8 10
8 10
X X
End Rhy. Fig. 2
X X
8 10
8 10
8 10
8 10
8 10
8 10
8 10
8 10
8 10
8 10
Riff D
3
5
5
3
5
5
3
5
Gtr. 1: w/ Riff D Gtr. 6: w/ Rhy. Fig. 2
doo,
doo,
doo,
5
15
15
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15
15
17
15
17
15
15
17
17
5
0
0
15
3
5
doo.
1/4
17
1 1/4
5
doo,
doo,
Gtr. 5
doo,
X X
End Riff D
Gtr. 1
X X
3. Now the
1
1/2
15
15
17
17
15
1/2
15
15
17
15
Verse Gtr. 1: w/ Riff D (4 times) Gtr. 6: w/ Rhy. Fig. 2 (4 times)
G7
sun
Gtr. 5 tacet
won’t
shine
on
this
part
of
the
map
an
- y
-
When
it’s
more.
steady gliss.
17
8
cold
out
side
rush,
ship
-
yard
I
see
it
hide
no
min
gold
-
is
a
-
be - hind
the
smoke - stacks,
er,
no
rev
-
o
-
noth - ing
lu
-
tion
be
grows.
-
hind
No
one
will
be
try’n’
to
find
There’s no
her
grave - yard.
and
the
her.
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (2 times) Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)
D5
Out
D5
Out
side
trip
-
-
C5
D5
pin’
in
the
bro
C5
kick - ing
in
the
bro
side
trip
-
pin’
D5
C5
C5
-
C5
ken
in
the
bro
ken
cit
C5
-
C5
D5
C5
D5
-
I
D5
ken
cit
C5
D5
C5
D5
C5
y.
cit - y.
D5
-
D5
D5
-
y.
C5
D5
C5
D5
C5
D5
watch
her
bleed
and
crack.
C5
-
side
D5
Out
-
D5
C5
C5
D5
Out
C5
-
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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-
side
C5
kick - ing
in
the
D5
C5
bro
D5
-
ken
cit
C5
D5
- y,
Voc. Fig. 2
(Doo,
doo,
doo,
doo,
doo,
Gtr. 7 (dist.)
There’s noth - ing
doo,
D5
C5
wrong
with
noth - ing
there’s
Interlude G7
C5
wrong
with
D5
C5
that.
D5
that.
doo,
doo,
* pp
Gtr. 8 (dist.) divisi
8 10 *Vol. swell
Out
doo,
doo,
doo,
-
side
doo,
doo,
trip - pin’
in
the
bro
doo,
-
ken
cit
- y.
End Voc. Fig. 2
doo,
doo.)
f
8 10
Outro Bkgd. Voc.: w/ Voc. Fig. 2 (till fade) Gtr. 6: w/ Rhy. Fig. 2 (till fade) Gtrs. 7 & 8 tacet
G7
3
Riff E
End Riff E
Gtr. 1
3
5
5
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3
5
5
3
5
3
5
5
3
5
5
3
5
Gtr. 1: w/ Riff E (till fade)
Hey,
out
-
side
trip - pin’
in
the
bro
ken
cit - y.
-
Out
Riff F
-
End Riff F
Gtr. 4
3
5
5
-
Gtr. 5
3
5
5
3
5
3
5
5
side
-
side,
trip - pin’
in
the
bro
-
out
- side,
ken
cit
-
17
Out
15
-
3
5
5
3
5
side,
17
17
out
- side,
3
out
-
-
side.
1
Out
17
out
y.
1/2
15
Begin fade
Gtr. 4: w/ Riff F (till fade)
-
17
17
side,
out
-
15
17
15
17
15
17
Fade out
side.
17
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from Audioslave - Revelations
Jewel of the Summertime Lyrics by Chris Cornell Music written and arranged by Audioslave
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow q = 82 * D5
E5 Fsus2
D5
E5 Fsus2
Riff A
(Drums)
End Riff A
Gtr. 1 (dist.)
f
0
X X X
w/ phaser
X X X
0
0 3
X X X
2
0 3
0 3
0 3
0 3
0 3
3
0 3
X X X
2
0 3
0 3
0 3
0 3
0 3
3
*Chord symbols reflect implied harmony.
Gtr. 1: w/Riff A
D5
E5
Fsus2
D5
E5
Fsus2
1. When
Verse Gtr. 1: w/ Riff A (4 times)
D5
I I
D5
was turned
All
Burnt that
I
een, one,
I
E5
eight twen - ty
E5
face, met
Fsus2
did - n’t know I saw the
Fsus2
3
pain sun
shad - ows e - rased, were dark sil - hou - ettes
D5
when the pull - ing
and
I
sun out
was of
D5
knew I’d stumb - ling
E5
high. sight.
E5 Fsus2
be in
Fsus2
all the
right. night.
Left that Then we
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
be col -
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2nd time, Gtr. 2: w/ Rhy. Fill 1 (4 times)
hind
Fsus2
D5
me,
lid
-
-
light
huh.
ing on
and
E5
Fsus2
huh.)
Uh,
huh.)
blind
I
-
fin
ed
-
al
of
a
bet - ter
me.
Now
I’m
- ing
me. -
Uh,
huh.
Uh,
huh.
E5
Fsus2
ly
bath
Fsus2
D5
me Uh,
E5
space in
in
time,
the
bright
You’re
re
got
a
ul - tra -
Chorus
Asus2
D5
F5
miles a - way. vi - o - let rays. Gtr. 3 (dist.)
A
jew - el
of
the
12
10
12
10
Riff C
sum - mer
-
time,
mf 1
12
Riff B
*Gtrs. 1 & 2 (dist.)
f
phaser off **w/ wah-wah
1/4
0 0 2 2 0
3
3
12
0
0
**Gtr. 2 only
Sorgdal
12
Rhy. Fill 1 Gtr. 2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
X X
*Composite arrangement
2
0 0
X X X
X X X
2 2
3 3
-
mind
(Uh,
huh.
some - thing (Uh,
ed
D5
E5
D5
X X
12
X X
X X
12
12
Dm7
jew - el
of
the
sum - mer
-
time,
Gtr. 3 tacet
jew - el
of
the
Dm6
sum - mer
-
time.
End Riff C
1
12
12
X X
X X
10
12
10
10
10
0
X X
10
X X
X X
10
X X
10
X X
9
0
9
0
X X
9
X X
X X
9
9
0
Gtr. 3: w/ Riff C
D5
3
F5
G5
D5
A
jew - el
of
the
sum - mer
End Riff B
Gtrs. 1 & 2
X X
X X
0
3 3 3
5 5 5
7 0
X X
- time,
a
12 0
X X
12
12
X X
X X
12
12
0
1.
Dm7
jew - el
of
the
X X
X X
sum - mer
-
10 0
time,
jew - el
of
the
Asus2
sum - mer
wah-wah off
10 0
X X
10
X X
X X
10
0
0 2 2 0
F5
-
time.
3
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Interlude Gtr. 1: w/ Riff A (2 times) Gtr. 2 tacet
D5
E5 Fsus2
D5
E5 Fsus2
D5
E5 Fsus2
D5
E5 Fsus2
2. When
2.
Asus2
sum - mer
-
G5
F5
time,
Eb5
time,
Gtrs. 1 & 2
0 0 2 2 0
time,
5 5 5
3 3 3
5 5 5
3 3 3
1 1 1
1 1 1
1 1 1
Guitar Solo Gtrs. 1 & 2 tacet
A5
B5
B5
10
10
11
12
13
14
14
15
16
16
19
20
20
20
C5
*Gtr. 4 (dist.)
A5
C5
f **w/ 2 harmonizers
8
9
*Two gtrs. arr. for one. **One set for a minor 7th below & one set for a major 7th below.
Gtrs. 1 & 2
7 7 7
12
B5
16
14
16
12
10
12
10
12
9
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pp
7 7 7
A5 Gtr. 4
C5
10
14
10
12
13
12
13
15 9
A5
12
14
12
B5
C5
3
15
15
16
D5
3
19
20
22
E5
8v a
F5
X
3
19
15
14
7
12
steady gliss. *
**
15
X
22
X
22
*Trem. pick in 32nd note pattern while sliding. **Note fretted on pickup, causing muted sound.
D5
8v a
steady gliss.
5
F5
**
22
E5
X
X
E5
X
D5
17
19
17
X
14
17
5
steady gliss.
X
F5
21
11
11
15
**As before
Verse Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Rhy. Fill 1 (4 times) Gtr. 4 tacet
F5
15
mind - ing
Fsus2
me,
D5
some - thing
E5 Fsus2
blind - ed
me.
You’re re -
huh.
Uh,
huh.
D5
me Uh,
E5
hind
9
12
-
D5
17
left that be
(Uh,
21
3 3. I
8v a
E5 Fsus2
D5
E5
D5
E5
of
a
bet - ter
space
Fsus2
in
time,
huh.)
Chorus
Asus2
a
-
D5
way.
Jew - el
0 0 2 2 0
Gtr. 1
Gtrs. 1 & 2
f
3
the
sum - mer
-
phaser off 1
1/4 12
3
of
12
10
12
10
miles
Gtr. 2 tacet
F5
time,
12
X X
12
X X
X X
12
10
0
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Dm7
jew - el of the sum - mer - time,
12 10
12
12
a
D5
jew - el of the sum - mer
1
Dm6
10
X X
10
X X
X X
10
X X
X X
10 10
-
X X
A
X X
9
0
G5
time.
9
0
F5
9
X X
X X 9
9
X X X X
0
3 3 3
5 5 5
7 0
0
Gtrs. 1 & 2: w/ Riff B (3 times) Gtr. 3: w/ Riff C
D5
Dm7
3
jew - el of the sum - mer - time,
Dm6
jew - el of the sum - mer - time,
a
jew - el of the
sum - mer
-
time.
Gtr. 3: w/ Riff C
D5
3
F5
G5
D5
Dm7
A
jew - el
jew - el
of the sum - mer - time,
of the sum - mer - time,
jew - el
of the
Gtr. 3: w/ Riff C
Dm6
sum - mer
Dm7
-
Outro
Jew - el
the sum - mer - time,
jew - el
of
the
Dm6
sum - mer
D5
of
-
the sum - mer - time,
D5
F5
time.
Begin fade
Fade out
Gtrs. 1 & 2: w/ Riff B (till fade)
D5
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Dm7
G5
of
G5
time.
jew - el
F5
D5
Dm6
D5
F5
G5
D5
Dm7
Dm6
from Audioslave - Revelations
Moth
Lyrics by Chris Cornell Music written and arranged by Audioslave Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow q = 76 * Fade In ** D5 Bbmaj7
D/F#
Gtr. 1 (slight dist.)
***w/ delay and flanger
G5
F5
Bb
D/F#
G5
5 5
3 3
3 5
7 5
5 5
sim.
w/ fingers
7 5
7 5
7 5
*First meas. located at 3:30 of track 11 on the CD. **Chord symbols reflect overall harmony. *** Delay set for eighth-note regeneration w/ 3 repeats.
Gtr. 1 tacet
D5
Dm
Bb/D
Riff A †Gtr. 2 (dist.)
f
delay off
2
X
2 0
3
5
3
7
0
3
5
3
7
0
3
5
7
0
3
5
7
†Doubled throughout
Dm[add4]
Dm
0
0 0
3
5
3
0
3
3
5
0
3
5
7
3
5
7
3
5
7
2 0
3
5
7
0
3
Dm
5 0
3
5
7
2
Dm7
5 0
2
3
3 0
2
Bb/D
5
7
0
7 0
3
5
7
3
5
7
End Riff A
7 0
3
5
7
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse 2nd time, Gtr. 2 tacet
Bb
D/F#
1. Thought I was 2. I loved
-
fer I
dif heat,
the
-
G5
ent,
it the
loved
Gtr. 2
seems things
I’m that
just I
the -
for
F5
same. got.
pp
7
Gtr. 3 (clean)
mf
*w/ delay
3 3 5
7 5
5 3 3
5 5
*Set for eighth-note regeneration w/ 1 repeat.
Gtr. 2 tacet
Bb
I
Gtr. 3
As loved
D/F#
a the
gain strings
I that
put tied
G5
my me
hand down
o and
- ver cut
the me
3 3 5
I thought I
3 3 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
I was
was a
D/F#
smart king,
-
7 5
5 5
er I
as was
I a
flew moth
5 5
in
-
7 5
G5
D5
flame. off.
7 5
Bb
Sorgdal
to with paint
the - ed
F5
sun, wings
made
5 3 3
of
cloth.
Gtr. 3 tacet
but
it When
did
turned the
D/F#
out flame
the
way burn
G5
it
ev get
-
5
7
does high
so
with and
f 3 3 5
D5
’ry - one. so
hot?
*Gtr. 4 (dist.)
A5
Bb
7 5
0
0
*Doubled throughout
G5
A5
D5
Oh, Gtr. 2
oh.
17 Gtr. 4
3
0
0
3
0
0
5
3
0
5
0
5
7
0
0
3
0
0
3
0
0
3
5
Chorus 1st time, Gtr. 2: w/ Riff A Gtr. 4 tacet 2nd & 3rd times, Gtr. 2: w/ Riff A (1st 6 meas.) 3rd time, Gtr. 1 tacet
Dm
I don’t
fly
a - round
Bb/D
your
fire
Dm[add4]
**
an - y - more,
I don’t
fly
a - round
your
**3rd time, voc. tacet on beat 1.
Dm
fire
an - y
-
more.
Burned and
fall - en
down
Bb/D
so
man - y
times
be - fore.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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1.
Dm7
I
don’t
fly
a
-
Dm
round
your
fire
an
-
y
-
more.
Interlude Gtr. 2 tacet
Bb
D/F#
G5
Gtr. 2
F5
Bb
D/F#
G5
D5
pp
7
Gtr. 3
3 3 5
7 5
5 3 3
5 5
3 3 5
7 5 5
7 5
7 5
2.
T o Coda
Dm7
I don’t
fly
a - round,
F5
fly
D5
a
C5 D5
C5
A5
G5
5
End Rhy. Fig. 1
0 0
0
5 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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D5
- round,
Rhy. Fig. 1 Gtr. 2
F5
3
5
7
0
3
5
7
15 15
12 12
0
10 10
12 12
10 10
7 7
0
5 5
3 3
0
Gtr. 2: w/ Rhy. Fig. 1
F5
fly
D5
a
-
C5 D5
C5
A5
G5
F5
D5
round.
Guitar Solo
Bb
D/F#
Riff B2 Gtr. 7 (dist.)
Gm
D/A
Bb
D/F#
10
13
10
8
7
Gm
D
10
13
End Riff B2
mp 8
7
11
10
11
11
15
15
Riff B1
mp
Gtr. 6 (dist.)
End Riff B1
Gtr. 5 (dist.) mp divisi Riff B
7 10
Rhy. Fig. 2
Gtr. 1
End Riff B
7 7
11 12
3 5
7 5
*w/ delay
15
10 11
7 7
7 10
5 5
3 3
3 5
7 5
sim.
11 12
10 11
5 5
7 5
End Rhy. Fig. 2
*Set for eighth-note regeneration w/ 3 repeats.
Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2
Bb
D/F#
Gm
D/A
Oo.
Bb
D/F#
Gm
D
(Oo.)
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Bridge Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)
Bb
D/F#
I don’t
Gtr. 7
fly
a - round
Gm
your
fire
F5
an - y
- more.
Bb
D/F#
I don’t
fly
a - round
your
pp
8
7
10
13
10
10
Gtr. 6
11
8
Gtr. 5 divisi
pp
7 7
7 10
11 12
10 11
7 10
Gtrs. 5, 6 & 7 tacet
G5
D5
fire
an - y
Bb
-
more.
Burned and
D/F#
fall - en
down
so
G5
man - y
times
F5
be - fore.
D.S. al Coda (take 2nd ending)
Bb
D/F#
Gtr. 1
I
won’t
fly
a
-
round,
G5
fly
a
-
D5
round.
delay off
3 5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 5
5 5
X
Coda Gtr. 2: w/ Rhy. Fig. 1
F5
D5
D5
C5
A5
G5
F5
D5
F5
D5
C5
Oh.
Outro Gtr. 2: w/ Rhy. Fig. 1 (till fade)
F5
D5
C5
D5
Fly
F5
D5
C5
A5
G5
a - round,
C5
D5
C5
A5
G5
F5
D5
oh.
Begin Fade
F5
D5
C5
D5
C5
A5
G5
F5
D5
C5
D5
C5
A5
G5
F5
D5
F5
D5
Fade out
F5
C5
D5
C5
A5
G5
F5
D5
D5
Oh.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Audioslave - Revelations
Nothing Left to Say but Goodbye Lyrics by Chris Cornell Music written and arranged by Audioslave
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow q = 81 * D7
Bb7
Gtr. 1 (slight dist.)
mf
G7
7
7
7
8
7
w/ tremolo let ring throughout
3
5
4
5
7
5
7
5
1
3
3
1
6
*Chord symbols reflect implied harmony.
Verse
2nd time, Gtrs. 4 & 5 tacet
D7
1. Just
like 2. Bless
Riff A **Gtrs. 1 & 2 (slight dist.)
a your
res
D7/C
heart,
cue you
of gave
Bb7
home
dog and
a
stray me
a
in a
the
G7
rain, new
I start
was
***
and
End Riff A
let ring throughout
5
4
3
5
**Gtr. 2: w/ phaser, played mp.
7
5
7
5
1
3
3
1
7
7
6
7
8
7
***Bass plays C.
Gtrs. 1 & 2: w/ Riff A (3 times)
D7
D7/C
hun I
-
gry will
when leave
you you
found nev
Bb7
-
G7
me. er.
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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D7
And Sleep
D7/C
you at
could your
tell feet
by and
my stand
Bb7
tail guard
and at
my your
G7
rib front
cage door,
Riff B Gtr. 3 (12-str. elec.)
mf
End Riff B
w/ slight dist. let ring throughout
3
5
4
5
7
5
7
5
3
1
3
T o Coda
1
7 6
7
7
8
7
Chorus
Gtr. 3: w/ Riff B
D7
what I
was will
* D7/F
once keep
a this
to
Bb7
-
round geth
G7
Bb5
I
been
me. er.
-
chased
by
a
Rhy. Figs. 1 & 1A Gtr. 4 (slight dist.)
**Gtrs. 4 & 5 (slight dist.)
X X X
3 3 1
3 1
3 3 1
3 1
3 3 1
3 1
3 3 1
3 1
f
X X X
12
**Gtr. 5 played f. Composite arrangement
*Bass plays F.
F5
rain
3 3
Bb6['#4]
cloud.
3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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A7
3 3
Dm
I
0 0
0 2 0 2 0
0 2 0
0 2 0 2 0
0 0
was lost
and
near - ly
drowned
and
kicked
a
0 3 0 3 1
0 3 0 3 1
0 3 1
0 3 0 3 1
1 3 2 0
1 3 2 0
3 2 0
1 3 2 0
0 3 1
0 3 0 3 1
0 3 1
0 0 0
3 2 0
3 2 0
-
round,
2 0
2 0
0 0
0 0
D.S. al Coda
G13
but
now
I’m
Db
Dbsus4
found
and
I
won’t
run
E5
F5
A5
a - way.
F5
End Rhy. Fig. 1 Gtr. 4
End Rhy. Fig. 1A
Gtr. 5 divisi
0 0 3
0 0 0 3
0 3
0 0 3
0 3
0 0 0 3
0 3
6 6 6 4
0 0
7 6 6 4
6 4
7 6 6 4
6 4
7 6 6 4
6 4
0 0
0 0
3
3
2
3
7
7
3
3
2
3
7
7
Coda Chorus Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A
Bb5
Bb6['#4]
G13
I
been
chased
I
was
lost
but
now
I’m
by
a
rain
ly
drowned
and
near
Db
F5
-
Dbsus4
Dm
and
won’t
run
I
cloud.
found
A7
and
kicked
a
F5
E5
F5
-
round,
A5
a - way.
Bridge
G
I
killed
my
5
4 5 5 5
Gtr. 4
4 5 5 5
-
self,
threw a - way my men - tal health, but
5
4 5 5 5
5
4 5 5 5
X X X
X X X
Dm
Dsus2
Dm
* F5/C
no - bod - y
was blink - ing
1 3 2 0
0 3 2 0
1 3 2 0
an
0 0 0
eye.
3 3
3 3
5 3 3 3
5 3 3 3
*Bass plays C.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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G5
Back - yard,
base - ment,
5 5
5 5
fall - ing
5 5
5 5
5 5
5 5
but
good
-
0 0
left
3 3 1
0 0
to
say
3 1
3 3 1
but
good
1 3 2 0
2 0
1 3 2 0
0 0
- bye.
0 0
0 0 0
0 14 0 14 0
0 14 0 14 0
0 14 0 14 0
0 14 0 14 0
0 14 0 14 0
0 14 0 14 0
0 14 0 14 0
0 14 0 14 0
bye.
3 2 3
3 2 3
3 2 3
2 0 2 0
0 0
Noth - ing
Dm
3
say
pave - ment.
5
A7
3
to
the
* F6/A
Noth - ing left
on
Bb5
0 0
0 2 0
0 2 0 2 0
0 2 0
2 0 2 0
0 2 0
0 2 0 2 0
2 0 2 0
0 14 0 14 0
0 14 0
*Bass plays A.
Verse Gtr. 4 tacet
D7
3. It’s
true
I
ran
a
-
way
be
Bb7
-
G7
fore,
but
be
sure
End Riff C
tremolo off P.M.
3
5
4
5
7
5
7
5
3
1
Gtr. 1: w/ Riff C (3 times)
I
no
1
7
6
7
tail
chas
Bb7
-
G7
er.
D7
I
know
a
**
D7/F
3
8
good
thing when it
**Bass plays note to right of slash, next 4 meas.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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7
Gtr. 3: w/ Riff B (2 times)
D7
am
Riff C Gtr. 1
throws
Bb7/G
G7/Bb
me
a
bone.
Gtr. 4
D7
I’m
your
best
D7/F
friend
for
- ev
Bb7/G
-
er.
G7
15
Chorus Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A
Bb5
I
Dm
been
chased
drowned
and kicked
F5
by
a
rain
a
-
G13
A7
Bb6['#4]
cloud.
round,
but
now
Db
I’m
I
was
lost
Dbsus4
found
and
and
near - ly
I
won’t run
a - way.
Outro
F5
E5 F5 A5
* Dm
Gtr. 6 (dist.)
A
Bb6
Gm
**Gtrs. 6 & 7 (dist.)
f
19
0
2
3
w/ phaser
1
0
5
0
1
6
5
4
2
0
7
5
*Chord symbols reflect basic harmony. **Gtr. 7 played f.
Play 3 times & fade
B5
Bb5
4
4
4
4
3
3
3
3
Dm
0
Gm
1
0
2
3
5
A
0
1
6
5
Bb6
4
2
0
7
5
B5
Bb5
4
4
4
4
3
3
3
3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Audioslave - Revelations
One and the Same Lyrics by Chris Cornell Music written and arranged by Audioslave
Intro Moderately q = 112 * B5 Riff A
Gtr. 1 (dist.)
X X X
9
9
9
9
9
X X X
9
9
mf w/ wah-wah
9 9
9
9
9
9
9
X X X
9
9
9
9
9
X X X
9
9
*Chord symbols reflect implied harmony.
9
9
9
9
9
9
X X X
X X X
9
9
9
9
9
9
9
9
End Riff A
9
9
X X X
X X X
9
9
9
9
Gtr. 1 tacet
Bm7 Riff B
**Gtr. 2 (dist.)
7 7
7
9
7
9
Play 3 times End Riff B
7
9
9
7
9
7
9
7
9
7
5
7
5
7
5
**Doubled throughout
Gtr. 2: w/ Riff B
1. Well,
they
don’t
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse B5
A5
*
hate mask
B5
A5
you
know with
they a
love tar
you,
B5
A5
B5
A5
you, get.
-
but Keep
they’re your
Rhy. Fig. 1
9 7
X X
X X
7 5
9 7
X X
9 7
X X
X X
7 5
9 7
X X
X X
7 5
9 7
X X
9 7
X X
X X
7 5
Gtr. 2
*Key signature denotes B Mixolydian.
B5
gon - na en e
A5
come -
B5
kill clos
mies
B7
you. -
They You
er.
don’t fall
in End Rhy. Fig. 1
9 7
X X
X X
7 5
9 7
X X
9 7
X X
X X
X X
X X
7
7
7
9
7
7
7
9
7
7 7
9
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
B5
A5
B5
mean love
B5
just eas
y
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
ther diers.
they o -
do. ver.
A5 B5
you
an - y from
or your You’re nev - er
B5
great
best sure
A5
B5
friend of
A5
B5
A5
Now
it’s the
harm,
Could
A5
a
B7
B5
their
height.
B5
be your Choose your
in the col - ors.
A5
B5
world.
B7
A5
moth - er, bat - tles,
could
be not
your your
To Coda 1
-
part’s
Sorgdal
B5
what -
B5
fa sol
A5
A5
But
just
like
Chorus Gtr. 1: w/ Riff A (2 times) * B5 D5
blood
in
F#5
rain,
E5
love
and
D5
pain
are
one
F#5
and
the
same.
*Chord symbols implied by bass, next 8 meas.
D5
B5
E5
the
same.)
B5
Just (One
and
D5
like
blood
in
F#5
rain,
E5
love
and
pain
are
Interlude Gtr. 2: w/ Riff B (2 times)
D5
F#5
one
in
the
D5
(One
in
the
Gtr. 1: w/ Riff A (2 times)
in
yeah,
yeah.
2. You
wear
a
and
E5
D.S. al Coda 1
love
Yeah, same.)
F#5
rain,
Bm7
D5
blood
Coda 1 Chorus
E5
same.
** B5
B5
pain
are
**Chord symbols implied by bass, next 8 meas.
D5
one
F#5
and
the
D5
B5
E5
same.
Just
Voc. Fill 1
(One
and
the
same.)
B5
like
blood
D5
in
rain,
love
End Voc. Fill 1
To Coda 2
E5
pain
D5
are
one
and
F#5
the
same.
D5
B5
Hey,
hey,
E5
and
F#5
Bkgd. Voc.: w/ Voc. Fill 1
hey,
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Guitar Solo * B5
D5
B5
D5
F#5
E5
D5
E5
hey!
Gtr. 3 (dist.)
6
6
6
f 7
7
7
7
7
7
7
7
7
6
7
7
7
7
3
6
3
7
7
7
9
9
X X
9
7
7
7
7
7
X X
7
7
7
7
7
7
3
7
7
9
9
9
9
*Chord symbols implied by bass, next 8 meas.
D5
F#5
6
6
7
7
B5
7
7
6
5
10 10 10
6
9
7
5
D5
10 10 10 10 10
B5
D5
B5
6
5
12 12 12 12
D5
5
5
9
10
F#5
9
10
12
12
E5
A5
10
12
D5
let ring
10 10
10
10
9
0
D5
Gtr. 3
0
12
Gtr. 4 (dist.)
12
12
10
0
10 0
10
10
0
0
D5
0
B5
1
10
12
10
12
12
10
12
10
9
0
1 1/2 12
10
F#5
1 1/2
10
12
12
12
10
0
12
1 1/2 12
10
**Set for two octaves below.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
10
12
10
12
12
10
12
10
12
12
10
0
E5
14
12
12
12
10
10
12
12
f 1 1/2
10
0
**w/ octaver
12
10
1 12
12
12
E5
w/ ring modulator
14
10
1 12
10
Gtr. 4 tacet
Bm7
Gtr. 3
6
14 12 10
6
14 12 10
14 12 10
6
14 12 10
14 12 10
6
14 12 10
14 12 10
6
14 12 10
14 12 10
6
14 12 10
14 12 10
6
14 12 10
14 12 10
6
14 12 10
14 12 10
14 12 10
6
15 14 12
6
15 14 12
15 14 12
6
15 14 12
15 14 12
6
15 14 12
15 14 12
6
15 14 12
15 14 12
6
15 14 12
15 14 12
6
15 14 12
15 14 12
6
15 14 12
15 14 12
15 14 12
8v a
6
17 15 14
6
17 15 14
17 15 14
6
17 15 14
17 15 14
6
17 15 14
17 15 14
6
17 15 14
17 15 14
6
17 15 14
17 15 14
17 15 14
17 15 14
Just 8v a
3
6
17 15 14
17 17
like
22
22
w/ ring modulator 1 1/2
1/2
22
22
22
22
22
1 1/2
22
22
22
22
22
14
1 1/2
22
22
22
22
22
22
22
Chorus Gtr. 3 tacet
B5
blood
8v a
in
µ
rain,
love
and
pain
are
steady gliss.
12
24
19
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet
one
and
the
same.
Gtr. 1
like
blood
Just
and
pain
are
one
in
the
in
rain,
love
X X X
D.S.S. al Coda 2
(One
in
the
same.)
X X X
same.
Just
like
a
1.
Coda 2 Outro Gtr. 2: w/ Riff B (3 times)
Bm7
Hey!
Gtr. 2
7
7 7
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
7
9
7
9
Hey!
Hey,
9
7
9
7
hey,
9
7
9
hey!
7
5
7
5
0 0
0 0
7 7 X 7
7 7 7
hey!
hey,
2.
Hey,
Hey!
from Audioslave - Revelations
Original Fire Lyrics by Chris Cornell Music written and arranged by Audioslave Chorus Moderately q = 125
µ
The o - rig - i - nal fire
rig - i - nal
fire
*Gtr. 1 (dist.)
has
died
and
gone,
but the
ri - ot
in - side
moves
on.
and
gone,
on.
but the
ri - ot
in - side
moves
The o -
has died
The
o -
f
**w/ DigiTech Whammy Pedal
0 0
*Doubled throughout
**Set for one octave above.
*** E7(no3rd)
E6(no3rd)
rig - i - nal
fire
has
died
C/E
and
gone,
Riff A
17 0
16 0
17 0
17 0
17 0
17 0
17 0
17 0
17 0
16 0
16 0
E5
16 0
but the
16 0
16 0
in - side
moves
16 0
on.
The
o -
End Riff A
16 0
ri - ot
15 0
14 0
15 0
15 0
15 0
15 0
15 0
15 0
15 0
14 0
14 0
14 0
14 0
14 0
14 0
14 0
***Chord symbols reflect implied harmony.
E6(no3rd)
rig - i - nal
fire
has
C/E
died
and
gone,
but the
Riff B
ri - ot
in - side
moves
E5
on.
1. With a
End Riff B
E7(no3rd)
Whammy Pedal off 1/4
17 0
17 0
17 0
17 0
17 0
17 0
17 0
17 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
15 0
15 0
15 0
15 0
15 0
15 0
15 0
15 0
14 0
14 0
14 0
14 0
2
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
pen in 2. Gold - en
one sol
-
Rhy. Fig. 1
hand diers
tak born
-
four in
Right or Here the rain
-
eight - y div - ing
and to
five sea
a
would of
wrong with dirt - y falls ev
hands on er
us
ter,
the
ker - o to
sene, be,
End Rhy. Fig. 1
sing - in’ stran - gled
some - thin’ to be long for - got - ten
a
1/4
3
wires, af -
in
live
2 0
find hands
on
1/4
3
Gtr. 1: w/ Rhy. Fig. 1
stand drugged er than they’ll ev - er
-
2 0
a much old
ing
Verse E5
-
songs vines
lieve. cit -
in hang
y.
dis dead
cord in
choirs. raf -
ters.
Gtr. 1
1/4
1/4
2 0
X X
X X
X X
2 0
X X
X X
X X
Scream - ing in Blood rush
braille to
X X
X X
tempt - ress
no head
X X
X X
3
prize in - duc -
es
X X
X X
X X
X X
your
X X
could a laugh
X X
X X
X X
so
real.
1/4
2 0
X X
X X
X X
0
X X
X X
2
X X
fire
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 0
2 0
X X
has
Rhy. Fig. 2 2 0
X X
X X
X X
X X
X X
and
2 0
3
gone,
2 0
X X
X X
X X
X X
X X
X X
died
X X
2 0
2 0
but the
ri - ot
1/4
0
2 0
3
in - side
moves
2 0
2 0
X X
X X
X X
X X
The o -
1/4
3
on.
3
an - y - thing end - less - ly.
ev - er yield - ter
X X
rig - i - nal
Sorgdal
X X
Chorus E5
X X
The
o -
End Rhy. Fig. 2
X X
X X
2 0
2 0
0
2
3
1/4
rig - i - nal
Gtr. 1: w/ Rhy. Fig. 2
fire
has
died
and
gone,
but the
ri - ot
in - side
moves
1.
on.
Interlude E5
Gtr. 1
2 0
X X
X X
2.
rig - i - nal
fire
X X
has
X X
X X
X X
X X
X X
X X
X X
died
and
long
gone,
but the
ri - ot
in - side
X X
Gtr. 1: w/ Rhy. Fig. 2
moves
1/4
X X
3
on.
Bridge
A5
Gtr. 1
Can’t
ex
E5
-
plain
it,
it
A5
was some - thin’
to
see.
Can’t con
-
B5
tain
some - thin’
D5
ev - er
Riff C
End Riff C
0
E5
re
-
2
B5
ev
2
0
5
D5
al,
0
3
0
G5
-
er
5
5
*Gtr. 1: w/ Riff A
E7(no3rd)
re
-
C/E
al.
E5
E6(no3rd)
Hey!
*w/ Whammy pedal as before.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo E5 8v a
Gtr. 2 (dist.)
E7#9
f
*w/ bar & wah-wah
X
X
X
X
X
X
X
X
X
X
-1 -1 1/2
X
X
X
-1/2
-1 1/2
-1 1/2
-1 1/2
-2
-2 1/2
-2 1/2
-3 1/2
slack
X
-1/2
-2 1/2
*Manipulate vibrato bar w/ left hand while pushing string into middle pickup pole piece w/ right hand.
Gtr. 1
Rhy. Fig. 3
End Rhy. Fig. 3
Whammy Pedal off
8 7
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
E5
8v a
Gtr. 2
X
X
X
E7#9
X
X
X
-1 1/2
X
X
-1 1/2
X
-2 1/2
X
X
X
X
X
X
X
X
X
X
X
X
X
-1 1/2
-1 1/2
-2
E7#9
X
-1/2
X
-2
X
-2 1/2
E5
8v a
-1 1/2
-2 1/2
X
X
X
X
X
-1/2 -2 1/2
-3 1/2
-4
-2
-2 1/2
-3 1/2
-4
-2 1/2
-3 1/2
-4
-4 1/2
-4 1/2
E5 8v a
Gtr. 2
*w/ delay grad. dive
X
X
-1 -2
Gtr. 1
X
X
-1
X
X
-1
X
X
-1
-2
-2
X
X
X
-1 -2
X
X
-1/2
X
X
X
-1
-1/2
-2
-3 1/2
*Set for eighth-note regeneration w/ 1 repeat.
0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X
3
1/4
Bridge Gtr. 1: w/ Riff C
Can’t ex
-
plain,
E5
it
G5
A5
was some - thin’ to
see.
Can’t con
- tain
B5 D5
Gtr. 2 tacet
A5
some - thin’
so
ev - er
8v a
Gtr. 2
grad. dive
delay off
X -1 1/2 -3 1/2 -7
slack
*Gtr. 1: w/ Riff B
E7(no3rd)
re
-
ev - er
re
al,
C/E
E5
E6(no3rd)
-
al.
The
o -
*w/ Whammy pedal as before.
Chorus
Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 2 times)
E5
rig - i - nal
fire
has
rig - i - nal
fire
has
and
died
nal
fire
and
Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 3 times)
rig
-
i
-
gone,
Gtr. 1: w/ Rhy. Fig. 2
died
has
but the
ri - ot
in - side
moves
on.
The
gone,
moves
on.
but the
ri - ot
in - side
died
and
o -
The
gone,
o -
but
the
Riff D
Gtr. 2 8v a
**w/ DigiTech Whammy Pedal ***
X
X
-3
X
-2 1/2
X
-4
X
-3
X
-2 1/2
X
-2 1/2
X
-3
X
-3
X
-2 1/2
-3
**Sweep treadle randomly. ***As before
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
ot
in
X
X
-
ri
-
i
-
side
moves
on.
X
ot
in
- side
-3
has
X
-2 1/2
moves
X
X
o
-
-2 1/2
-3
rit.
2 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 0
2 0
2 0
2 0
0
2
-2 1/2
gone,
on.
X
-2 1/2
rit.
X
and
-3
died
1/4
Sorgdal
The
X
fire
-2 1/2
nal
-3
-
X
Gtr. 1
X
Gtr. 2: w/ Riff D
rig
-2 1/2
-3
End Riff D
8v a
ri
3
0
but
the
from Audioslave - Revelations
Revelations Lyrics by Chris Cornell Music written and arranged by Audioslave
Tune down 1 step: (low to high) D-G-C-F-A-D
Intro Free time * Cmaj9
G%
A9(no3rd)
Riff A Gtr. 1 (clean)
mp
let ring throughout
12
10
8
0
0
0
0
0
7
5
3
0
0
0
0
0
9
7
5
0
0
0
0
0
*Chord symbols reflect implied harmony.
Moderately q = 113
Eadd9
0 0
8
10
12
0
0
0
0
A9(no3rd)
0
7
5
3
0
0
0
0
1
4
2
0
End Riff A
G%
Cmaj9
0 0 0 9 7 5
0
Gtr. 1 tacet
Em7
Gtr. 1
G5
Play 4 times
pp
0 0 0 9 7 5
Riff B
*** pp
f
0 0 0 9 7 0
End Riff B
0
0
X X
X X
5
7
5
5
5
5
X X X
7
7
7
7
**Gtr. 2 (dist.)
D5
X
5
5
5
5
3
1/4
**Doubled throughout ***Vol. swell
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
know know
what what
to to
E5
1. You 2. You
Gtr. 2
5
7
7
5
7
you know
know what
Since You
5
7
7
5
7
do, say,
0
0
-
you you
know know
what what
I I
5
7
7
5
7
’ry - thing, sleep
dream
0
ev I
7
Riff C
0
0
did. said.
0
0
D/F#
clue in
me my
in. bed.
7
G/D
*
just ing
-
0
7
0
9 10
9 10
9 10
9 10
7 9
7 9
7 9
End Riff C
7 9
*Bass plays D.
Gtr. 2: w/ Riff C
E5
I You
I Why
am hold
such all
a the
know don’t
what you
I
E5
I
will I’ll
While Since
you’re I’m
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
bring spin it
wreck, keys,
know.
you
I you
am know
such all
a the
Why
don’t in
you
fill
proud, bro
-
ken
down,
in I’m
the such
if
G/D
down, ’round,
feel - ing so
me
mess. roads.
D/F#
rest? a
I I
will will
make make
it you
lost
soul?
bad. ill.
why why
don’t don’t
you you
help fix
T o Coda
guide
Gtr. 2: w/ Riff C (1st 2 meas., 2 times)
me? me?
Chorus *G/D
Such
Gtr. 2
D/F#
D/G
a
shame
that
I
C
would - n’t
know
G/D
by
D/F#
now
your
Rhy. Fig. 1
9 10
9 10
9 10
9 10
7 9
7 9
7 9
7 9
4 5
4 5
4 5
4 5
5 7
5 7
5 7
5 7
9 10
9 10
9 10
9 10
7 9
7 9
7 9
*Bass plays notes to right of slash, next 7 meas.
E
rev
-
e
- la
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
-
G/D
G/D
tions.
7
D/F#
your
9 10
9 10
9 10
9 10
7 9
7 9
7 9
-
0
la
G
me
in,
I
don’t
Cut
wan - na
Am/C
live
with - out
9 10
9 10
9 10
9 10
7 9
7 9
7 9
7 9
9 10
9 10
9 10
9 10
10 12
10 12
10 12
10 12
rev
-
e
- la
-
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
rev
-
e
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
tions,
-
End Rhy. Fig. 1
6 7 0
0
D/F#
E
tions.
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda Interlude Gtr. 2: w/ Riff B (2 times)
Em7
D5
G5
Em7
D5
G5
Coda
Chorus Gtr. 2: w/ Rhy. Fig. 1
G/D
Such
a
G/D
(I
would
don’t
wan - na
D/G
shame
that
I
would
Gtr. 3 (dist.)
-
n’t
know
Am/C
live
by
E
rev
-
e
-
n’t
know
la
-
Sorgdal
by
G/D
Cut
me
now
D/F#
in,
I
now.
G/D
D/F#
Don’t
wan
na
live
E
-
your
rev
-
e
-
la
-
tions. End Voc. Fig. 1
with - out.)
G5
C5
5 5 7 7 5 5 7 7
5 5 7 7 5 5 7 7
*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10. Hammer-on the strings with the left hand while flipping the pickup selector switch in a sixteenth-note rhythm until beat 4 of the 7th meas. Delay set for a time value equal to 5 sixteenth-notes w/ 1 repeat. Delayed signal sent to right channel. Whammy pedal set for one octave above. Press the Whammy’s on/off switch in the rhythm indicated ( + = on, o = off). Whammy effect in left channel only.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
tions.
with - out
D/F#
your
*w/ toggle switch, delay & DigiTech Whammy Pedal 7 5 7 77 5 5 7 7 5 5 7 7
4
C
D/F#
Guitar Solo D5
-
D/F#
Voc. Fig. 1
G
5 5 7 7 10
D5
12
G5
D/F#
9 12 9 9 12 9 9 12 9 9 17 19 17 19 19 17 19 19 12 12 12 17 19 17 19 17 17 19 17 19
12
21 21 19
19
21
21
19
Gtr. 3
21 21
D5
19
E5
19
19
19
21 21 19
19
D/F#
Gtr. 4 (dist.)
21 21 19
19
19
21
21
E5
19
19
21 21 19
D/F#
21 19 21
19
E5
D
19
21
21
19
21 21 19
19
19
21 21 19
delay off
17
19
*w/ delay & DigiTech Whammy Pedal steady gliss. steady gliss.
17
0
19
*Delay set for eighth-note regeneration w/ 1 repeat. Whammy Pedal set for one octave above.
Gtr. 2
7 0
7 0
7 0
7 0
7 0
7 0
7 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19
19
steady gliss.
0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
steady gliss.
19
0
19
7 0
7 0
7 0
7 0
7 0
7 0
7 0
19
steady gliss.
0
19
7 0
7 0
7 0
7 0
7 0
7 0
7 0
Bridge Half-time feel Gtr. 1: w/ Riff A (3 times) Gtrs. 2, 3 & 4 tacet
Cmaj9
I
G%
am
haunt
Gtr. 5 (clean)
-
ed
when
A9(no3rd)
Eadd9
I
am
sleep
-
ing.
mp Harm. let ring throughout
12
12
Cmaj9
Try
to
give
with - out
A9(no3rd)
3
re
-
ceiv
Eadd9
-
ing.
Harm.
12
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12 12
12
12
G%
12
12
12
It’s
in
the
ap
-
ple
(It’s
in
the
A9(no3rd)
bite,
G%
Cmaj9
it’s
ap
-
in
ple
bite,
the
days
Eadd9
and
nights.
it’s
in
the
Harm.
12
12
12
12
12 5 Pitch: E
Cmaj9
days
Gtr. 5
and
G%
In
the
af
nights.)
-
ter - life
E5
we’ll
12
12
8
10
0
0
12
0
0
0
0
0
0
7
5
3
0
0
12
Gtr. 1
12
meet.
Harm.
12
0 0 9 9 7 0
Interlude Gtrs. 1 & 5 tacet
G
D6(add4)
Rhy. Fig. 2
Gtr. 2
D6add4/F#
0 0 9 10
0 0 9 10
0 0 9 10
0 0 9 10
0 0 7 9
0 0 7 9
0 0 7 9
0 0 7 9
Em
G
D6add4/F#
E
End Rhy. Fig. 2
0 0 4 5
0 0 4 5
0 0 4 5
0 0 4 5
0 0 5 7
0 0 5 7
0 0 5 7
0 0 5 7
0 0 9 10
0 0 9 10
0 0 9 10
0 0 9 10
0 0 7 9
0 0 7 9
0 0 0 7 9
0 0
0 4 6 7
0 4 6 7
0 4 6 7
0 4 6 7
0 4 6 7
0 4 6 7
0 4 6 7
7
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 2
G
D6add4/F#
Gtr. 6 (dist.)
D6(add4)
*p
mf
Em
G
D6add4/F#
E
fdbk.
10
*Vol. swell
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 2: w/ Rhy. Fig. 1 (1st 6 meas.) Gtr. 6 tacet
G/D
Such
a
E
rev
-
e
D/F#
shame
that
-
la
-
D/G
I
would - n’t
G/D
tions.
C
know
Cut
me
by
D/F#
G/D
D/F#
now
in,
I
your
G
don’t
wan - na
Am/C
live
with
- out
Gtr. 2: w/ Rhy. Fig. 1 (1st 7 meas.)
G/D
D/F#
E
your
rev
G/D
-
e
-
la
-
D/F#
tions.
Such
a
shame,
such
a
Gtr. 6
Gtr. 2
**w/ panning
17 9 10
9 10
9 10
9 10
7 9
7 9
7 9
6 7 0
0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
6 7 0
17
7 **Alternates from left to right speaker every 2 beats.
D/G
C
G/D
D/F#
E
shame
that
I
would - n’t
know
by
now.
Gtr. 6
17
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
17
17
17
17
17
G/D
Cut
me
in,
D/F#
G
I
don’t
Am/C
wan - na
G/D
live
D/F#
with - out
(Don’t
wan
-
na
live
your
with - out.)
3
17
17
rev
Gtr. 6
17
17
E5
17
-
e - la
17
-
17
tions,
rev
17
-
e - la
17
-
tions.
17
17
Gtr. 2
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Audioslave - Revelations
Shape of Things to Come Lyrics by Chris Cornell Music written and arranged by Audioslave Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow q = 82
C5 D5
C5 D5
C5 D5
A5 C5
Bb5 C5
Bb5 C5
*Gtr. 1 (dist.)
(Drums)
f
10
12 12 12 12 12 12
10
X X
X X
10 10
12 12 12 12 12 12
X X
X X
10 10
12 12
X X
X X
7 7
10 10 10 10 10 10
X X
X X
8 8
10 10 10 10 10 10
X X
X X
8 8
10 10
X X
X X
*Doubled throughout
1.
G5 A5
F5 G5
E5 F5
2.
D5 E5
F5
G5 D5
C5 D5
D5 E5
F5
G5 D5
1. Well, it’s
5 5
7 7
7 7
7 7
X X
X X
3 3
5 5
5 5
5 5
X X
X X
2 2
3 3
X X
X X
0 0
2 2
2 2
3 3
3 3
5 5
0 0
10 10
12 12
0 0
2 2
2 2
3 3
3 3
5 5
0 0
Verse Gtr. 1 tacet *** D5
Dsus2
late
in
Riff A **Gtr. 2 (slight dist.)
mp
D5
Dm
the
D5
Dsus2
C5
hour
and
a
few
more
grains
let ring throughout
12
12
12
12
12
12
14
12
12
12
12
12
12
12
15 12
12
12
12
12
12
14
12
10
10
10
12
10
10
10
**Two gtrs. arr. for one. Gtr. 1
pp
0 0 ***Chord symbols reflect implied harmony.
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
Dsus2
D5
Dm
of
sand
will
fall
D5
12
12
14
12
12
12
12
12
12
12
15
12
12
on
the
End Riff A
12
F5
Gtr. 2
12
Dsus2
12
12
12
12
12
14
12
12
12
12
15
15
17
15
15
15
Gtr. 2: w/ Riff A (2 1/2 times)
D5
Dsus2
col
D5
dust
and
D5
Dsus2
now
-
D5 3
or
Dsus2
I
fear
Dm
Dm
I’ve
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
grown
Dsus2
F5
worst
is
near.
D5
pray
Dm
on
a
ray
12
12
12
14
12
12
12
12
I
D5
Dm
up
-
on
the
Dsus2
hold
them
D5
of
Dsus2
ap
Dsus2
D5
Dm
close
light
D5
us
D5
Dsus2
and
C5
D5
Dsus2
Dsus2
-
and
count
C5
pears
to
F5
here.
12
D5
D5
the
down
12
C5
ers
Gtr. 2
12
Dsus2
And
years,
shine
-
D5
D5
their
flow
F5
D5
ful
Dsus2
-
D5
moss.
D5
Dm 3
12
12
12
15
12
12
12
12
12
12
12
14
12
15 15
15
17
15
15
Chorus Gtr. 2 tacet
C5 D5
C5 D5
C5 D5
A5 C5
Break
down
in
the
Bb5 C5
Bb5 C5
shape
of
things
to
come,
Rhy. Fig. 1 Gtr. 1
f
10 10
G5
12 12
A5
12 12
12 12
but
X X
X X
10 10
12 12
12 12
F5
G5
12 12
X X
X X
10 10
E5
I’m
mov
-
ing
12 12
on
X X
X X
7 7
F5
like
a
7 7
7 7
7 7
X X
X X
D5
3 3
5 5
5 5
C5 D5
5 5
X X
X X
2 2
3 3
X X
say
now
G5
12 12
A5
it’s
12 12
12 12
X X
not
ours
X X
10 10
12 12
F5
12 12
12 12
X X
G5
10 10
when
12 12
E5
to
X X
7 7
7 7
7 7
X X
X X
3 3
X X
5 5
X X
2 2
F5
D5
10 10
10 10
2 2
2 2
3 3
all
is
X X
X X
G5
8 8
dier.
3 3
0 0
X X
X X
C5
And I’ll
5 5
7 7
Bb5 C5
10 10
Bb5 C5
said and
10 10
A5
-
X X
7 7
F5
10 10
10 10
D5
3 3
10 10
done,
X X
8 8
the
5 5
X X
End Rhy. Fig. 1
break,
5 5
E5
0 0
5 5
X X
A5 C5
10 10
D5
10 10
X X
C5 D5
10 10
sol
5 5
10 10
X X
X X
10 10
E5
shape
X X
X X
F5
of
8 8
10 10
10 10
G5
10 10
D5
things
to
0 0
3 3
2 2
3 3
5 5
X X
8 8
10 10
X X
X X
come.
2 2
X X
0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 1 tacet
D5
Gtr. 2
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
Gtr. 1
12
12
12
12
2. There’s
a
12
12
12
12
pp
0 0
Verse Gtr. 2: w/ Riff A (3 1/2 times)
D5
Dsus2
in
the
clouds,
crack
D5
D5
Dsus2
Dm
roads
Dsus2
we
D5
D5
fear
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
will
go
for
us.
Dsus2
Dsus2
an
eye
D5
ly
for
a
Dm
C5
the
Dsus2
F5
I
the
worst
hold
my
D5
Dm
and
Dsus2
hope
Dm
-
D5
D5
fam
now.
out,
D5
’ly
Dsus2
won - der
D5
to
my
the
best
Dsus2
blue
sky
spies
the
D5
what
Dsus2
Dm
C5
D5
mo - ment
I
D5
Dsus2
Dsus2
D5
3
D5
-
D5 3
look - ing
Dm
on
D5
down.
Dsus2
C5
D5
Like
D5
Dsus2
but
F5
D5
Dm
they
hold
F5
breast.
I
C5
will
D5
Dsus2
come
D5
to
Dm
see
D5
us
12
12
12
14
12
12
12
12
12
12
F5
blessed.
12
12
12
15
Gtr. 2
12
Dm
12
12
12
12
12
14
12
12
12
15
15
15
17
15
15
Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet
C5
D5
C5
D5
C5
Break
G5
A5
but
I’m
G5
-
ing
on
C5
D5
mov
D5
F5
A5 C5
down
in
the
it’s
F5
not
ours
to
shape
of
things
to
D5
G5
F5
like
a
sol
-
C5
A5
when
E5
all
is
said
D5
break,
the
E5
shape
C5
G5
A5
dier.
Bb5 C5
and
F5
of
Bb5
come,
F5
C5
D5
E5
now
A5
C5 D5
Bb5
E5 F5
say
G5
D5
C5
And
I’ll
Bb5
C5
done,
G5
D5
to
come.
things
Gtr. 1
5 5
7 7
7 7
7 7
X X
X X
3 3
5 5
5 5
5 5
X X
X X
2 2
3 3
X X
X X
0 0
3 3
2 2
2 2
3 3
5 5
0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
D5
G5
D5
E5
F5
G5
D5
E5
F5
F5
G5
Hey!
0 0
2 2
2 2
3 3
3 3
0 0
5 5
0 0
2 2
2 2
3 3
3 3
5 5
0 0
0 0
2 2
2 2
3 3
3 3
5 5
Bridge Gtr. 1 tacet
D5
F5
C5
D5
Bb5
C5
D5
G5
Hey! Gtr. 1
4
G5
Giv - en one more
try,
what
would I
change?
3
Riff B
End Riff B
Gtr. 3 (dist.)
f
5
3
5
3
5
1
3
5
5
X X X
X X X
X X X
X X X
X X X
X X X
Gtr. 3: w/ Riff B (2 times)
D5
strange.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
C5
D5
F5
C5
Bb5
D5
G5
D5
C5
Bb5
C5
D5
G5
I
won’t
de - ny,
I’ve
done
my
best
the
thought
is
and
I
will
F5
Guitar Solo
F5
Db5
Bb5
lay
no
C5
G5
Bb5
Gtr. 3 tacet *C5 D5
C5
blame
C5 D5
my
-
C5 D5
self.
Gtr. 3
Gtr. 4 (dist.)
5
3
4
1
3
1
5
f
3
3
12
10 10 10
12 12
10 10 10
10 10 10
12
10
10 10
10 10
10 10 10
12
10 10 10
10
10 10
12
10 10
*Chord symbols implied by bass, next 8 meas.
A5
Bb5
10
10
G5
10
A5
13
12 12
F5
G5
12
6
13
Bb5
C5
6
12
C5
C5
13
12 12
10
10
12
E5
12
F5
6
6
10
10
13
10
13
10
13
10
12
10
D5 E5
F5
G5 D5
C5
6 6 6 6
D5
steady gliss.
13
12 12 10 10 11 10 10
12 10 13 10 12 X 12 10 10 10 12 X 11 11 10
C5 D5 8v a
C5 D5
loco
X X
X X
12 10 12 10 X 12 10 12 10 10 10 X 11 10
C5 D5
22 19
20
22
22
13 10
10
13
10
10
A5 C5
w/ ring modulator
19
12
12 12 12
10 0
12 12 12
10 10 10
10 10
10 10
Bb5 C5
10 10
10 10
0 0
5
8
12
X X X
Bb5 C5
10
7
10 10 10
7
10
10
10
13
15
15
15
13 15
13
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
A5
F5
G5
E5
F5
8v a 7
6
3
17
17
15
13
D5
17
15
15
13
15
E5
14
12
15
13
14
15
16
14
16
16
16
14
G5
15
F5
8v a
Gtr. 4
14
12
16
14
15
14
16
15
16
15
14
16
15
14
16
C5
13
D5
5
5
16
16
20
21
21
22
22
22
22
22
22
Gtr. 1
22
22
22
22
22
22
10 10
12 12
22
Chorus Gtr. 1: w/ Rhy. Fig. 1
C5
Gtr. 4 tacet
D5
C5
D5
Break
D5
down
22
22
8v a
Gtr. 4
C5
A5 C5
in
the
shape
Bb5
of
things
to
C5
Bb5
C5
come,
*w/ delay
22
*Set for eighth-note regeneration w/ 5 repeats.
G5
A5
but
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I’m
mov
F5
G5
-
ing
on
E5 F5
D5
like
a
sol
E5
13
D5
15
F5
D5
G5
-
A5
dier.
C5
And
I’ll
D5
C5
D5
C5
say
G5
D5
A5
A5
F5
it’s
not
ours
G5
E5
to
when
5 5
7 7
7 7
7 7
X X
all
is
said
F5
break,
the
X X
3 3
X X
5 5
5 5
5 5
X X
2 2
Bb5
C5
Bb5
and
C5
done,
µ
Gtr. 1
now
C5
shape
of
things
to
come,
3 3
Outro
C5 D5
C5 D5
C5 D5
C5 D5
the
of
shape
10 10
12 12
12 12
12 12
X X
X X
C5 D5
10 10
12 12
12 12
12 12
X X
C5 D5
10 10
12 12
X X
C5 D5
X X
10 10
12 12
12 12
12 12
X X
X X
10 10
12 12
12 12
12 12
X X
X X
10 10
12 12
X X
X X
things
to
come,
X X
12 12
F5
12 12
12 12
X X
things
to
12 12
12 12
12 12
X X
X X
10 10
12 12
X X
X X
0 0
3 3
5 5
come.
3 3
10 10
G5 D5
2 2
10 10
of
2 2
the shape
C5 D5
E5
X X
C5 D5
0 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Audioslave - Revelations
Somedays Lyrics by Chris Cornell Music written and arranged by Audioslave
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Chorus Moderately slow q = 94
µ
** F#5
Some
days,
some
days,
some
Riff A
*Gtrs. 1 & 2 (dist.)
f
16
2
2
*Composite arrangement
days
just
4
2
4
2
4
1
2
2
2
2
4
ain’t
eas
2
2
4
2
4
4
2
4
2
4
so
2
µ
End Riff A
1
2
2
4
**Chord symbols reflect implied harmony.
1
2
4
2
4
4 2
2
2
4
2
2
4
2
-
y.
4
2
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
1. Wake up, 2.It’s not the fault
Gtr. 4 (dist.)
F#5
of
look -
an
a - round y one
as
just we
be re
- fore - volve
your feet
hit the a - round the
Riff B2
B5
ground. sun.
End Riff B2
mf **w/ DigiTech Whammy Pedal & tremolo +6 7
**Set Whammy Pedal for one octave above. Tremolo rate set for quintuplets (approx.).
Gtr. 3 (dist.)
Riff B1
End Riff B1
mf *w/DigiTech Whammy Pedal, harmonizer & tremolo
0
*Set Whammy Pedal for one octave above in toe down position and harmonizer for a perfect 5th above. Tremolo rate set for quintuplets (approx.). Riff B3
End Riff B3
Gtr. 5 (dist.)
mf
1/4
2
2
***w/wah-wah
***o = open (toe up) + = closed (toe down)
Riff B
End Riff B
Gtrs. 1 & 2
X
X
P.M.
0
1
2
X
0
1
2
X
0
1
2
Gtrs. 1 & 2: w/ Riff B (2 times) Gtrs. 3, 4 & 5: w/ Riffs B1, B2 & B3 (2 times)
F#5
Where they We
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
meet sleep
the oil be - neath
and the
same
street sky,
is but
where you we all
stand see
B5
and where you sleep. it through diff - f’rent eyes.
F#5
Black and So
whites, you go
if
F#5
At
the If
right you
a - larms and if you
or
lights,
but
µ
the wrong you
in if
life. break,
Some some
X
X
X
X
P.M.
0
1
2
0
1
2
B5
days days
0
1
and if
just just
ain’t ain’t
so so
eas eas
rights. Mi - ran - da you walk a - way.
Gtrs. 1 & 2
plain clothes stand - in’ still, or
stay,
place, bend or
-
y. y.
Some
2
16
Chorus Gtrs. 1 & 2: w/ Riff A (2 times) 2nd & 3rd times, Gtrs. 1 & 2: w/ Riff A (1 1/2 times)
days,
some
days
just just
ain’t ain’t
(Some
so so
eas eas
days, (Some
days,
some
days
some
some
-
Some
days,
To Coda 1
To Coda 2
some
days
just just
ain’t ain’t
y. y.)
days,
some
days,
days
F#5
so so
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda 1 Interlude Gtrs. 1 & 2: w/ Riff B (2 times) Gtrs. 3, 4 & 5: w/ Riffs B1, B2 & B3 (2 times)
F#5
B5
-
F#5
days,
some (Some
days
just just
days
days,
some
2
B
4
2
4
2
4
1
2
2
ain’t
F#5
so
eas
-
4 4 4 2
2
14
2
Bridge E5
2 2 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
(Some - one
may
have
done
2
you
wrong,
7
7
2
done
4 4 2
5
0
But
this you
y,
14
ain’t
2
so
wrong.)
yeah.
steady gliss.
1/2
-
1 2 2 0
Oh,
16
2
2
steady gliss.
y.
eas
4
4
E
so so.)
2
ain’t ain’t
2
they just
Gtrs. 1 & 2
y. y.)
Coda
B5
eas eas
F#5
2
0
eas
-
y.
Gtrs. 1 & 2 tacet
F#5
A5
F#5
mf
F#5
Gtr. 6 (dist.)
A5
w/ wah-wah
4 2
X X
X X
4 2
0
A5
2 0
F#5
2
0
4 2
X X
A5
Gtr. 7 (clean)
4 2
X X
0
2
X X
X X
X X
X X
E5
I
care
don’t
for some
days.
4 2
0
F#5
2 0
X X
2 0
0
4 2
0
mf
w/ heavy reverb
10 11
Gtr. 6
4 2
X X
X X
2 0
4 2
0
4 2
10 11
0
2 0
2 0
2
0
4 2
X X
0
X X
2
2 0
Guitar Solo Gtr. 6 tacet ** F#m
*Gtrs. 7 & 8 (clean)
E/F#
F#m
Bm/F#
F#m
***w/ delay
10 11 *Gtr. 8 w/ heavy reverb, played mf . **Chord symbols reflect overall harmony.
12 13
14 14
15 16
14 14
***Set for whole-note regeneration w/ 1 repeat.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E/F#
Gtr. 3
F#m
5
5
7
9
10
10
mp tremolo off
Gtr. 7
delay off
Gtr. 8
12 13
12 13
12 13
12 13
14 14
9
12 13
9
10 11
Bridge
Gtrs. 3, 7 & 8 tacet
E
delay off
F#m
Some - one
may
have
done
you
right
or
done
you
Gtr. 3
wrong,
pp
10
Gtr. 7
pp
14 14
Gtr. 8
pp
10 11
mp 0 0 1 2 2 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 9 (slight dist.)
2 2 2 4 4 2
A
down
from
the
day
you
kept
Bm
or
There’s
you
were
born.
2 3 4 4 2
2 2 2 0
Bm7
Gtr. 9
no
need
to
a - pol - o
-
F#m
gize
for
the
ri
-
ot
in
your
eyes
’cause some
2 3 2 4 2
2 2 2 4 4 2
Gtr. 9 tacet
C#7
days
just
ain’t
so
eas
F#5
-
y.
Gtr. 9
4 6 4 6 4
Gtr. 1
*p
f
4 6 4 6 4
19
*Vol. swell
Gtr. 2
16
2
2
2
2
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Hey!
D.S.S. al Coda 2
Hey!
Hey!
Some
Gtrs. 1 & 2
4 2
2
4
4
2
4
4
2
4
4
2
2
2
4
4
2
4
4
2
4
2
4 2
2
2
days, (Some
some
days
just
days,
some
2
2
2
Coda 2
F#5
4
ain’t
A5
so
days.)
Gtrs. 1 & 2
2
2
4
2
4
2
1
2
4
2
2
2
4
4
0 0
fdbk.
2 0
2 0 Pitch: C#
Free time
eas
2 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
y.
F#m
µ
2 2 2 4 4 2
2 2 2 4 4 2
4
2
4
from Audioslave - Revelations
Sound of a Gun Lyrics by Chris Cornell Music written and arranged by Audioslave Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 96 * Em
E5
Esus4
Riff A 8v a
Gtrs. 1 & 2 (elec.)
mp **w/ clean tone & delay let ring throughout
15
17
15
17
15
17
15
19
17
19
17
19
17
19
17
17
17
17
17
17
17
17
17
17
*Chord symbols reflect implied harmony. **Delay set for dotted eighth-note regeneration w/ 1 repeat.
D
Em End Riff A
8v a
E5
loco
f
delay off
w/ dist.
14
14
15
14
15
15
14
15
15
17
15
15
17
17
15
17
19
19
17
19
17
17
19
17
19
19
17
19
17
17
E5
D5
Rhy. Fig. 1A Gtr. 3 (elec.)
E5
D5
E5
D5
G5
A5
D5
E5
D5
E5
D5
G5
A5
3 3
5 5
End Rhy. Fig. 1A
mp w/ dist.
3 3
Rhy. Fig. 1 Gtrs. 1 & 2
0
2
0
2
0 0
5 5
End Rhy. Fig. 1
2 2
0 0
2 2
X X
5 5 5
7 7 7
X X
X X
0 0
X X X
X X X
X X X
0 0
2 2
0 0
2 2
X X
5 5 5
7 7 7
X X
X X
0 0
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 2 & 3 tacet
the the
here crack
and in
the
now black
mf 0 0 1 2 2
-
*Gtrs. 1 & 4 (acous.)
1. In 2. From
C
ness
I I
wait wake.
2 3 2 0
It’s
D
down a get - ting
E
0 1 0 2 3
*Composite arrangement
D
mong clos
the er
young and ev - ’ry
the
With In
the my
moon and cit - y,
the the
with
my
chil
ground play
dren be - tween
- tle - ground
the
in wrong
my and
the
and a
sons child.
let ring
2 3 2 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
of I
C
for was safe
got - ten and wild.
0
learn -
is could
for run
the
0
0 1 2 2
play a
let ring
D
na
2
Rhy. Fig. 2
ones,
let ring
0 1 0 2 3
3
This I
daugh - ters free as
2
home. right.
I is
ground
2 3 2 0
-
ing ked
how and
un
3
2
to -
let ring
3
2 3 2 0
D
E
let ring
0 1 0 2 3
-
D
0 0 1 2 2
D
2 3 2 0
C
Sorgdal
old. night.
bat
E
2 3 2 0
3
2
stand. armed. End Rhy. Fig. 2
This Now
is for the I’m grown and
un home,
-
C
knowns
2 3 2 0
2
bur some
but
let ring
0 1 2 2
in - no - cent safe in my
let ring
0
ied will
in the nev - er
sand. stop.
let ring
D
E
0 1 0 2 3
0
Chorus Gtr. 4 tacet
D
1st time, Gtr. 3: w/ Rhy. Fig. 1A (2 times) 2nd time, Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)
A5
E5
Aw,
run - ning Run - ning
D5
E5
from
the
D5
E5
sound
of
a
D5
G5
A5
gun.
Gtrs. 1 & 2
2 3 2 0
E5
f
2 0
Run - ning
0
2
0
2
0
2
0
2
0 0
17
D5
Rhy. Fig. 3
E5
from
the
sound
of
D5
E5
a
2 2
0 0
2 2
X X
X X
5 5 5
7 7 7
D5
gun
X X
0 0
G5
’til
you’re
wea
A5
-
ry. End Rhy. Fig. 3
0 0
2 2
0 0
2 2
X X
X X
X X
0 0
5 5 5
7 7 7
1. Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
D5
Run - ning
from
D5
E5
the
G5
sound
A5
of
D5
E5
a
2.
D5
G5
A5
gun.
Run - ning
D5
Run - ning
from
the
sound
E5
D5
of
a
E5
D5
from
the
E5
sound
of
D5
G5
D5
E5
a
gun.
A5
gun.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Guitar Solo * E5
Gtr. 5 (elec.)
f
B5
F#5
B5
X X X
X X X
**w/ octaver
w/ dist. & ring modulator
X X X
9
7
X X X
X X X
X X X
X X X
9
7
X X X
X X X
7
9
9
7
X X X
9
7
X X X
X X X
X X X
9
7
X X X
X X X
X X X
9
*Chord symbols implied by bass, next 8 meas.
G5
9
**Set to one octave below.
B5
A5
X X X
X X X
X X X
X X X
9
X X X
7
X X X
X X X
X X X
X X X
9
B5
X X X
X X X
9
X X X
X X X
9
X X X
X X X
8
X X X
X X X
X X X
9
9
B5 F#5 B5 E5
6
6
6
6
6
6
12 14
12 14 15
12
15 14 12 14 15
12
12
15 14 12 14 15
3
15 14 12 14 15
12 14
15 14 12
15 14 12
14 13 12 13 14 12
14 13 12 13 14
12
14 12
Bridge ***Gtrs. 1 & 2: w/ Riff A
G5
B5
A5
B5
The o - pen
† Em
X X X 14 12 X X 14 12 14 12 X
X X X 14 12
14
12 14
12 15 12 15 12 15 14 12 14 12 12 12
cit - y
has
mouth
of
a
X 14 12 X 14 12 X
14 12
14 ***w/ clean tone & delay †Chord symbols reflect overall harmony.
Gtr. 5 tacet
F#11[no3rd]
swal - lowed
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
up
a
town.
Well, that
G%[no3rd]
same
old
con
-
crete
D/A
that
I
still
walk
down.
And
it
E
seemed
put
8v a
16
-
17
shine
be
I
just
on
this
place
don’t
see
it
when
I
was
D/A
young,
or
19
17
19
17
15
17
17
now.
17
17
19
17
17
17
16
17
17
17
16
17
8v a
16
17
G%[no3rd]
may
a
F#11[no3rd]
they
Gtrs. 1 & 2
14
17
14
15
14
15
14
15
Chorus * Gtrs. 1 & 4: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 2 tacet
E
Run - ning
from
the
sound
of
a
D
C
gun.
Run - ning
from
the
sound
of
a
gun
*Gtr. 1: w/ dist., delay off.
D
’til
C
Gtrs. 1, 2 & 4
f
0 1 0 2 3
wea
run - ning
from
the
ry.
Run - ning
from
-
sound
of
E
the
D
sound
D
of
a
Dsus4
gun,
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 0
2 3 2 0
2 3 2 0
D
hey!
Gtr. 1
3 3 2 0
3 3 2 0
Gtrs. 2 & 4 divisi
0 1 0 2 3
gun,
a
I’m
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3 3 2 0
3 3 2 0
** ***
14 2 14 2 14 15 3 15 3 15 14 2 14 2 14 0 0 0 0
0 0
**Slides apply to Gtr. 1 only. *** Gtr. 1 to left of slashes in tab.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude * Gtr. 2: w/ Rhy. Fig. 1 Gtr. 4 tacet
E5
D5
E5
Gtr. 1
D5
E5
D5
G5
A5
D5
E5
D5
E5
D5
G5
A5
0 0
5 5
7 7
w/ wah-wah
*w/ wah-wah in the toe down position.
Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3
E5
Run - ning
from
the
sound
E5
D5
run - ning
of
E5
from
the
sound
D5
E5
a
D5
of
D5
G5
A5
gun,
E5
a
D5
G5
A5
E5
D5
gun.
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
E5
D5
Run - ning
run - ning
Gtrs. 1 & 2
X X X
X X X
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from
the
sound
D5
E5
from,
X X X
run - ning
D5
D5
of
E5
from
the
E5
a
G5
A5
gun,
D5
sound
of
G5
0 0
2 2
0 0
X X
5 5 5
X X
A5
0 0
E
3
gun.
X X
a
a
2 2
D5
E5
7 7 7
1 2 2 2
from Audioslave - Revelations
Until We Fall Lyrics by Chris Cornell Music written and arranged by Audioslave Intro Moderately slow q = 92
C
Am
Rhy. Fig. 1
(Drums)
*Gtr. 1 (acous.)
mf
0 1 2 2
0 1 2 2
0 1 2 2
0 1 2 2
0 1 2 2
0 1 2 2 0
let ring throughout
1 0 2
3
1 0 2
1 0 2
1 0 2
0
3
0
2
0
0
2
*Doubled throughout
Verse Gtr. 1: w/ Rhy. Fig. 1
F
Am
C
1. I
3
Am
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
with
C
Gtr. 1
3
0
-
out
0
re
-
I
stood
a
1 0 2
1 0 2
1 0 2
1 0 2
0 1 2 2
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
2
3
walked
the
streets
Am
ah.
-
0
2
gret,
End Rhy. Fig. 1
F
2
Am
lone
and
0 1 2 2
0 1 2 2
0 1 2 2
0 0
watched
my
-
0 1 2 2
0 1 2 2 2
0
2
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F
G
self
a
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
fall
3
-
3
3 0 0 0 2 3
0 0 2 3
0 0 2 3
0 0 2 3
0 0 2 3
0 0 2 3
0 0 2 3
2
part.
0
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
C
An
-
swered
the
voic
Am
Am
-
C
F
-
3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
es
in
Slipped
through
the
my
head,
ah.
Am
chain
ken
-
link
of
a
bro -
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
heart.
Rhy. Fig. 2
G
Gtr. 1
F
3 0 0 0
3 0 0 0
3 0 0 0
3 0 0 0
3 0 0 0
3 0 0 0
3
3 0 0 0 2 3
0
2 3
2 3
3 0 0 0
3 0 0 0 2 3
3 0 0 0 2 3
3 0 0 0 2 3
3 0 0 0 2 3
End Rhy. Fig. 2
3 0 0 0 2 3
0 0 0
Chorus ** D
F6sus2
And
C'9/E
when
I’m
tired
of
G
D/F#
feel - ing
F6sus2
spread
the
black,
C'9/E
wings
Rhy. Fig. 3 *Gtrs. 1 & 2
f
0
2 3 2 0
2 3 2 0
let ring throughout
2 3 2 0
2 3 2 0
3
0
3
0
3
0
3
3
0 2
3
0
3
3
*Gtr. 2 (elec.) w/ slight dist. Composite arrangement **Chord symbols reflect overall harmony.
up
G/B
-
3
0
D
on
your
0
3
2
3
2
back.
End Rhy. Fig. 3
F6sus2
3
2 3 2 0
2 3 2 0
Take
us
3
C'9/E
high
3
0
a
-
bove
it
all,
3
0
G
0
3
0
3
0
2
Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2 tacet
D/F#
Bb6
and stroke your
feath
-
ers
F6sus2
’til
we
C
fall
Gtr. 3 (elec.)
back
5
7
mf w/ slight dist. 1
2 3 2 0
2 3 2 0
3
0
3 7
1
7
5
7
5
7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am
down
a
-
gain,
F
7
7
5
ah.
1 1/2
1
Am
5
5
5
7
7
mp
1
7
1/2
7
7
7
5
7
1/2
4
4
4
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)
C
2. Bought
ev
- ’ry
Gtr. 3 tacet
Am
-
thing
that
F
sound - ed
good,
ah.
pp
5
Am
C
I
un
-
der
Am
-
stand
that
I’ve
been
mis -
Gtrs. 1 & 2: w/ Rhy. Fig. 2
F
G
-
un
-
der
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1 1/2 times)
D
And
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
when
I’m
F6sus2
C'9/E
tired
-
stood.
of
G
feel
- ing
black,
D/F#
F6sus2
C'9/E
spread
the
wings
G/B
up
-
on
D
back.
Take
us
Bb6
Csus2
your
F6sus2
C'9/E
high
a
-
G
bove
it
all,
F5
D5
Gtrs. 1 & 2 tacet
D/F#
2 3 2 0
2 3 2 0
Gtrs. 1 & 2
and
stroke
your
feath
-
ers
G5
3
0
0
0
1
’til
3
0
3
*Gtr. 4 (elec.)
F6sus2
we
fall,
3
0
3
Riff A
f
w/ dist.
5 19
*Doubled throughout
** Bb
5
C5
un
- til
we
3
5
Bb5
C5
G5
F5
D5
Bb
3
5
5
3
un
- til
we
Bb5
C5
fall End Riff A
5
3
5
T o Coda
C5
fall,
3
3
3
5
3
5
**Bass plays Bb.
Gtr. 4: w/ Riff A
G5
F5
back
D5 Bb
down
C5
a - gain.
Bb5 C5
G5
F5
Yeah,
D5
back
Bb
down
C5
Bb5 C5
a - gain.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtr. 4 tacet
Dsus2
Bb,7#11
What
Gtr. 5 (elec.)
Asus4
G6sus2
do
you
feel
Dsus2
be - fore
10
10
you
think?
Bb,7#11
Asus4
What
10
10
do
you
see
mp *w/ dist. & wah-wah P.M. throughout
10
13
10
10 0
10
13
13
0
10
10
13
0
13
0
10 0
13
10 0
*Wah-wah in toe up position throughout.
Gtr. 1
0
3
0
0
0
3
2
0
3
2
0
3
2
2
0
3
3
2
0
Gtr. 4
2
pp
5
G6sus2
be -
Gtr. 5
10
10
Gtr. 1
13
0
2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
fore
you
10
3
13
0
2
Bb,7#11
0
Dsus2
blink?
10
3
10
10
13
0
2
Who
0
0
you
10
3
do
0
Asus4
13
0
2
bat
-
in
10
3
tle
10
10
0
G6sus2
13
0
2
your
10 0
3
13
0
2
dreams?
10 0
3
2
D.S. al Coda
Dsus2
F,7[no3rd]
Bb6#11
Who strokes your
10
13
10
10 0
13
0
3
0
feath
-
10 0
13
G5
ers
’til you scream?
10
10
13
0
0
3
3
10
0
2
C'9
10
10 0
13
10
10
0
3
0
1
3
0
0 0 X 3
3
0 0 X 3
0 0 X 3
0 0 X 3
10
13
10
13
10
13
10
10
10
0
3 0 0 X 3
3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
0 0 X 3
3 3 0 0 X 3
0 0 X 3
0 0 X 3
3 3 0 0 X 3
Coda Gtr. 4: w/ Riff A (1st 3 meas.)
F5
D5
Bb
back
down
a
- gain.
C5
Bb5
C5
G5
G5
Yeah,
F5
D5
back
Free time
Bb
down
C5
a
Gtr. 6 (elec.)
rit.
-
Bb5
C5
Cm7
gain.
mp
*
rit.
w/ clean tone & heavy reverb 1
8
8
*Vol. swell
rit.
5
3
5
w/ clean tone & chorus
3
5
Gtr. 4
3 4 3 5 3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Audioslave - Revelations
Wide Awake Lyrics by Chris Cornell Music written and arranged by Audioslave Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 99 * Dm Riff A Gtrs. 1 & 2 (slight dist.)
mf w/ chorus
15X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
13 X 10
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
13 X 10
*Chord symbols reflect implied harmony.
13 X 10
15 X 12
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
13 X 10
End Riff A
18
18 X 15
15
18 X 15
18 X 15
18 X 15
18 X 15
18 X 15
18 X 15
18 X 15
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
X X X
Verse Gtrs. 1 & 2: w/ Riff A (2 times)
Dm
1. You
can
look
Twelve
a
hur
peo
Fol
-
-
ri
hun - dred
- cane
-
ple
low
the
right
dead
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
in
the
eye.
or
left
to
die.
lead
-
ers.
Were
it
an
eye
15 X 12
Riff B Gtrs. 1 & 2
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc. All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. All Rights Reserved Used by Permission
15 X 12
X X X
X X X
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb
for
an
Dm
eye,
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
Gtrs. 1 & 2: w/ Riff B
Dm
deaf
or
blind,
A
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
mur
-
Of
dered.
this
11 X 8
be
End Riff B
15
15 X 12
12
15 X 12
15 X 12
Bb
I’m
15 X 12
15 X 12
15 X 12
sure,
15 X 12
15 X 12
18 X 15
in
this
un
18 X 15
18 X 15
18 X 15
18 X 15
Dm
F5
-
18 X 15
18 X 15
X X X
cer - tain
11 X 8
they’d all
11 X 8
F5
time.
Riff C Gtrs. 1 & 2
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
*Gtr. 3 (dist.)
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
17 X 14
End Riff C
17 X 14
f X X X
X X X
*Two gtrs. arr. for one.
Chorus
Gtrs. 1 & 2 tacet
Dm
So
come
5
6 7 7 5
Gtr. 3
let ring throughout
6 7 7 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
pull
the
5
7 7 5
7 7 5
7 7 5
7 7 5
sheet
o
-
ver
my
6 7 7 5
7 7 5
6 7 7 5
7 5
7 7 5
7 7 5
6 7 7 5
C
eyes
0 0
so
5 5 5 3
5 3
5 5 5 3
5 3
5 5 5 3
5 3
5 5 5 3
0
0
I
can
F5
C/E
sleep
to
-
10 8
10 8
10 8
10 8
10 7
10 7
10 7
seen
0
3 3 1
3 1
3 1
3 1
3 3 1
3 1
3 3 1
5 5 5 3
5 3
5 5 5 3
5 3
5 5 5 3
5 3
5 5 5 3
6 7 7 5
0 0
you
5
6 7 7 5
5
7 7 5
7 7 5
7 7 5
5 5 5 3
5 3
5 5 5 3
5 3
5 5 5 3
5 3
5 5 5 3
0
0
sleep
-
ing
at
10 8
10 8
10 8
10 8
10 7
10 7
10 7
I’ve
5 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
7 7 5
-
y
of
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 5
7 7 5
7 7 5
6 7 7 5
guilt
C/E
found
F5
I’ve
of
what
0 0
Dm
to - day.
C
de - spite
Dm
Bb5
night,
C
a
Bb5
time
0
0 0
a
crime
0 0
when you
should
3 3 1
3 1
3 1
3 1
3 3 1
3 1
3 3 1
5 5
0 0
To Coda 1 To Coda 2
Dm
have
C
wide
a
- wake.
0 0
5 5 5 3
5 3
5 5 5 3
been
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
7 7 5
5 3
5 5 5 3
5 3
5 5 5 3
0 0
F
G
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
12 12 12 10
12 12 12 10
12 12 12 10
12 12 12 10
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Dm
Gtr. 2
15
15
15
15
15
12
12
12
12
*
X 12
15
15
15
15
15
15
15
15
12
12
12
12
12
12
12
12
15
15
15
15
15
15
15
15
15
12
12
12
12
12
12
12
12
12
**
*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10. Strike the strings while the pickup selector switch is in the lead position, then flip the switch in the rhythm indicated to simulate the re-attack. **Don’t flip the toggle switch when dashed ties are present, next 6 meas. Gtr. 3
0 0
Verse Gtr. 3 tacet
Dm
2. Down
on
the
road,
15
15
15
15
15
15
15
15
12
12
12
12
12
12
12
12
the
world
is
15
15
15
15
15
15
15
15
12
12
12
12
12
12
12
12
15
15
15
15
15
15
12
12
12
12
12
12
pp
0 0
Gtr. 2
float
ing
by.
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
Gtrs. 1 & 2: w/ Riff A
The
poor
and
un
-
de
-
fend
-
ed
Gtrs. 1 & 2: w/ Riff B
while
you’re
hind
some - where
left
trad
-
be
ing
-
for
oil,
lives
D.S. al Coda 1 Gtrs. 1 & 2: w/ Riff C
Bb
as
if
the
Dm
whole
were
G
10 10 10 8
Gtrs. 5 & 6 (dist.)
10 10 10 8
10 10 10 8
12 12 12 10
blind,
yeah.
12 12 12 10
12 12 12 10
12 12 12 10
7
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
9
10
Riff D1 Gtr. 5
5
7
8
10
f
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
12
10
9
7
9
10
10
8
7
5
7
8
8
0
3
3
5
3
2
10
0
2
3
9
9
10
8
3
12
2
10
8
Riff D
Riff D2 Gtr. 6
f
Dm
Gtr. 3
Gtr. 4 (dist.)
Gtr. 3 tacet
Guitar Solo
F
10 10 10 8
A
world
Coda 1
F5
7
7
5
3
2
2
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
Bb
Gtr. 7 (dist.)
mp
7
12
10
9
14
12
10
12
12
14
12
10
12
15
14
12
14
12
10
12
10
8
10
10
12
10
8
10
13
12
10
12
10
8
7
5
3
5
5
7
5
3
5
7
5
7
3
Gtr. 5 divisi
Gtr. 4
7
9
10
10
12
10
C
9
9
8
12
10
12
12
14
5
12
14
12
10
12
Riff D2 End End Riff D1
15
14
12
14
12
10
10
17
15
14
12
10
9
7
5
13
12
10
12
10
8
8
15
13
12
10
8
7
5
3
10
8
3
8
7
5
7
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
6
Sorgdal
10
10
Gtr. 6
9
3
End Riff D
7
5
2
0
3
Chorus Gtr. 7 tacet
Dm
Come
Gtr. 3
mp
Gtrs. 4, 5 & 6 tacet
pull
the
sheet
o
-
ver
Gtr. 6
7 7 5
eyes
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
my
w/ slight dist.
6 7 7 5
C
0 0
so
5 5 5 3
5 5 5 3
5 5 5 3
5 5 3
5 5 5 3
5 5 3
5 5 3
5 3
pp
7
5
Gtrs. 4 & 5
F5
C/E
I Gtr. 3
pp
5
3
can
sleep
to
10 8
10 8
10 8
10 8
10 7
10 7
10 7
Bb5
- night,
de
0 0
3 3 1
3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
-
Dm
spite
what
I’ve
5
7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
7 7 5
0 0
D.S.S. al Coda 2
C
seen
f
to
-
day.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
w/ dist.
5 5 5 3
X X X
X X X
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 2
Outro Gtrs. 4, 5 & 6: w/ Riffs D, D1 & D2
F5
Wide
a
10 10 8
10 10 8
10 10 8
10 10 8
12 12 12 10
12 12 12 10
12 12 12 10
wide
a
- wake,
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
7 7 5
-
wake,
0 0
7 7 5
7 5
7 7 5
7 5
7 7 5
7 7 5
7 7 5
7 7 5
C5
0 0
Bb5
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
a
- wake,
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
7 7 5
6 7 7 5
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
yeah.
D5
12 12 12 10
12 12 12 10
12 12 12 10
rit.
10 10 10 8
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10 10 10 8
10 10 10 8
10 10 10 8
12 12 12 10
0 0
0 0
C5
G rit.
- wake,
Free time
F
a
wide
Dm
wide
Dm
G
8
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