Asventuras (SNAREDRUM).pdf

July 18, 2019 | Author: Wesley Lopes | Category: Orchestras, Drum, Musical Compositions, Sheet Music, Entertainment
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Notational Symbols Hitting Zone

Skin-rim Skin-middle

The arrows indicate where you  Should play on the skin

Skin-rim

Rim-Click (cross stick)

Rim-Shot

Skin-middle and rim Skin-rim and rim

Stick on fixed Stick

[Stick A beats Stick B, which is fixed with tip on skin]

Damp skin with hand

start-

damp

damp stick with hand

Stick on Stick

Tradional technique

-stop

end of stick

play with tip on rim

Rim

play with middle of stick on rim

Buzz

Special Sound

please see score

play on the side of the drum (body)

drum stick

brush

felt timpani stick

NOTE! If you are in any d oubt about the sticking or any other technical descriptions, please go to YouTube where you can see the composer performing the piece. Keywords: Alexej Gerrassimez snare drum.

We would be very grateful if you would write us a short e-mail if you intend to perform this title on a program. The Publishing House ([email protected]).

 Asventuras

q = 160-180

Alexej Gerassimez (2011)

repeat ad lib. Snares on

*  cresc.

decresc. > 





> > 

cresc. > 







>  > 



>  > 









>  > 



*) it's possible to play the "rim" instead of "the end of stick"

















>  > 





>  > 

cresc. R R L L

ect.

Copyright © 2011 Edition Svitzer



>  > 



take your time ect.





>  > 

 freely  R R L L



>  > 

>  > 

>  > 









>  > 



2

Asventuras, Alexej Gerassimez

q = 138 -148 keep the groove R R L





3



3

(rim shot) D.S.





3



3

D.S.

3

R L

L

R



R

R

L

R



R



5  3

D.S.

D.S.



3

sub.

decresc.





3

Asventuras, Alexej Gerassimez

* R

L

L

R

R



3

ect.

L

R







6



6



3



3





3





6



6

3

 poco a poco cresc.









6





6



3







3



3



3



6











6





6



3





3



6



6

>  > 

3

3



6



6





3

> > 





3

6





3



3

6



3



6





3

3



3



3

3

**  > 





3





3





3



3













3



3





3















3

Snares off  > 



3

cresc.



3

L

L

L



L

R L

R



3

*** 

with nails



3

R L

R

R

R

R

R

R

R

R

R

R

 poco a poco decresc. R L

R L

*) bring out the accents. **) accents are single strokes. ***) gradually change from a very shor t sound to wide circle movements.

R L

ect.

rit.



R

R

R

4

Asventuras, Alexej Gerassimez

q = e keep the groove R



R

R

R

  

ect.

ect.

   

 

with fingers R

ect.

with fingers

always damp  fingers

 fingers

with nails

D.S.

hand 

nails

3 3

3

 fingers

knuckle

knuckle

 fist 

3 3

3

nails

 palm

knuckle

3 3

3

hands

6

L





L

3

(take stick & mallet in lh) +

R 

R

R R

ect.

1.

3

2.

(take stick in rh)

L

(take brush in rh)

3

L

L

Asventuras, Alexej Gerassimez

5

2.

1.

 R

R

R

cresc.

3

3

3

3

3

3

rep. ad lib. > 



3

decresc.

improvise with rh

e=q = c 160 Snares on



>  > 

> > 



L L R R

sub.

 poco a poco cresc.



>  > 



>  > 



>  > 







>  > 







>  > 











 poco a poco cresc. >  > 





































>  > 













































*) to get inspiration how to perform the improvisation part, please visit the publisher website where you can see the version(s) the composer uses.







Alexej Gerassimez

Since 1998 recordings with the German Broadcasting Corporations

Alexej Gerassimez was born in Essen/Germany in 1987 and

His first solo CD will be released in 2011. It contains works for solo

received his first piano lessons at the age of five. Two years later he

percussion and ensemble music for percussion and piano.

WDR ,  NDR ,  SWR and  BR   have been produced on a regular basis.

began to play percussion. In addition to that, the multi-faceted young artist dedicates himself In 2000 he continued his musical

to composition, too. First publications with the Danish publisher

training as a an extraordinary young

Edition Svitzer  have

student with Christian Roderburg at the

e.g. in the USA, Canada, Japan, and Europe.

already been performed internationally,

Cologne Conservatory of Music and Performing

Arts

and

started

an

Alexej Gerassimez holds scholarships of various foundations such as

intensive concert career at a very early

 Studienstiftung des Deutschen Volkes, Stiftung Musikleben, Dr. Carl

age. After his high school degree and a

 Doerken Foundation  and the  PE Foundation for Talented

year at the Berlin Conservatory  Hanns Eisler   he changed to

 Musicians. He was supported by the  Degussa Foundation, the

Munich, where he presently studies at the Munich Conservatory of

 Juergen Ponto Foundation, the Juetting Foundation and the GenRe

Music and Theater with Prof. Peter Sadlo.

 Foundation.

After various early successes in competitions, among others 1st awards in the International Marimba Competition in Nuremberg, the European Music Competition for Youth, the Southwest-

Asventuras

German Chamber Music Competition, four 1st awards including

The idea for " Asventuras" emerged four years ago during the

the highest number of possible points in  Jugend Musiziert 

preparation for a concert, in which I was supposed to play a

(renowned national music competition your youths) he won the  Deutscher

Musikrat-Competition  (most

important

national

competition in all instrument categories for young adults) in 2010. In the same year he r eceived the 1st award, the Audience Award as well as the Press Award, in the TROMP  Percussion Competition in the Netherlands, one of the most renowned international

rudimental snare drum piece. While practicing this piece I noticed that many different colors and sounds that the snare drum is capable of producing were lacking in the composition. This made me start to experiment

competitions for percussion solo. Today Alexej Gerassimez is

on the instrument and I ended up composing the part that

presumed to be one of the leading percussion soloists of his

became the middle part (page 4/5) of “ Asventuras”, played with

generation.

brush and felt stick. It was followed by a counterpart (page 2). Over the years I thought of a rhythmical frame for the piece.

Alexej Gerassimez has repeatedly been awarded the extraordinary

The result was a structure of three parts which finally became

prize of  Deutsche Stiftung Musikleben and other awards, such as

the three columns of the piece (beginning, page 3 and end) with

the Aalto Stage Award of the Essen Philharmonic, the Cultural

the basic rhythmical structure 3-1-4-1.

Award Essens Beste and both the Sponsorship Award as well as the Audience Award of the city of Ingoldstadt.

From the day I composed the first note, the name “ Asventuras” was on my mind. Since the time I spent experimenting on all

As a soloist and chamber musician Alexej Gerassimez regularly

kinds of sounds and effects on the snare drum was adventurous,

gives guest performances at festivals like  Schleswig Holstein

the connection with the word "adventure" must have had an

 Musikfestival ,  Musikfestival Potsdam, Ludwigsburger Festspiele or  Festspiele Mecklenburg-Vorpommern, in the latter of which he was awarded the Ensemble Award for percussion/piano, performing as a duo with his brother Nicolaj in 2006.

influence on the name of my piece. Alexej Gerassimez Munich, August 2011

He performs as a soloist with orchestras like the Radio Symphony Orchestra Berlin, the Beethoven Orchestra Bonn or the the Bochum Philharmonic and his vivid performance activities have lead him to a wide range of European countries as well as to Japan, where he gave solo performances in Tokyo and Yokohama in the context of the German Year  in 2006.

Credits Front Cover graphics and layout: Ronni Kot Wenzell Engraving: Alexej Gerassimez/Johan Svitzer Printed in Copenhagen, Denmark

In 2011 Alexej Gerassimez will make his debut in the USA on a tour as soloist of the Arkansas Symphony Orchestra.

Copyright © Edition SVITZER www.editionsvitzer.com

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