Arch 413-Space Articulation Part 1-A
January 23, 2019 | Author: arkiosk | Category: N/A
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SPACE ARTICULATION ARCH 512 | Theory of Architectural Design II Slideshow developed by: Arch. Edeliza V. Macalandag, UAP Bohol Island State University | College of Architecture & Engineering
We put thirty spokes together and call it a wheel; But it is on the space where there is nothing that the utility of the wheel depends. We turn clay to make a vessel; But it is on the space where there is nothing that the utility of the vessel depends. depends . We pierce doors and windows to make a house; and it is on these spaces where there is nothing that the utility of the house depends. Therefore, just as we take advantage of what is, we should recognize the utility of what is not. -Lao-tzu,
Tao Te Ching, Chin g, 6th century B.C.
architecturedraftsman.blogspot.com
Temple of Kailasnath Ellora, India | 600-1000 AD
Through the volume of space, we move, see forms, hear sounds, feel breezes, breezes, smell the fragrances of a flower garden in bloom.
Space is a material substance
like wood or stone. Yet Yet it is an inherently formless vapor. vapor. Its dimensions & scale, scale, the quality of its light ² all of these qualities depend on our our erce erce tion tion of the the s atial tial boun bounda dari ries es defi define ned d b elem elemen ents ts of form form..
The Pantheon Rome, A.D. 120-124
Farnsworth
House, Plano, Illinois Ludwig Mies van der Rohe, 1951
As
space begins to be captured, enclosed, molded, and organized by the elements of mass, architecture architecture comes into being.
´
Architectural
space is a concretization of man·s man· s existential or experiential space.
+
-
ELEMENTS
ELEMENTS
FIGURES
FORM
&
SPACE:
BACKGROUND
THE UNITY
OF OPPOSITES
a
FIGURES
& THEIR
BACKGROUNDS ARE MORE THAN OPPOSING ELEMENTS. TOGETHER THEY FORM AN INSEPARABLE REALITY ² A UNITY OF OPPOSITES ² JUST AS THE ELEMENTS OF FORM AND SPACE TOGETHER FROM THE REALITY OF ARCHITECTURE.
FIGURES
& THEIR
BACKGROUNDS ARE MORE THAN OPPOSING ELEMENTS. TOGETHER THEY FORM AN INSEPARABLE REALITY ² A UNITY OF OPPOSITES ² JUST AS THE ELEMENTS OF FORM AND SPACE TOGETHER FROM THE REALITY OF ARCHITECTURE.
http://darwaza.bloxi.jp/images/3082_0bhabb_o.jpg
Line
defining the boundary between solid mass and spatial void
The form of solid mass rendered as a figure.
The form of the spatial void rendered as a figure.
Fragment
of a Map of Rome drawn drawn by by Giambat Giambattis tista ta Nolli Nolli in 1749 http://bastiaanluijk.com/waystostudy.html
SPACE ARTICULATION
Defining Spaces
http://www.theblueroom.net.au/journal/2009/11/24/interactive-nolli-map-website.html
The symbiotic relationshi relationship p of the forms of mass and space in architecture can be examined and found to exist at several different scales.
http://www.theblueroom.net.au/journal/2009/11/24/interactive-nolli-map-website.html
The symbiotic relationshi relationship p of the forms of mass and space in architecture can be examined and found to exist at several different scales.
Bilbao, Spain http://www.flickr.com/photos/44442306@N04/4356653613/sizes/l/in/photostream/
We should be concerned not only with the form of the building but also its impact on the space around it.
Singapore skyline at night http://shadowness.com/a/singapore-skyline-at-night
At an
urban scale, we should carefully consider the role of a building in the existing urban urban fabric.
Guggenheim New Ne w York York Frank Lloyd Wright http://archinect.com/forum/thread/103601/7-wonders-of -modern-postmodern-contemporary-architecture
Continue the urba urban n fabric of
the place
Gateway Arch, St. Louis, Missouri Eero Eer o Saar Saarinen inen,, 1967 http://www.connectthemidwest.com/2010/01/st-louis/
Form orm a backdrop for other buildings
Sharp Center for Design Ontario Center for Art & Design Will Alsop http://experienceyork.apps01.yorku.ca/wordpress/2010/10/14/reading-week-already/
Define a positive urban space
Sidney Opera House Jørn Utz Utzon, on, 1973 http://famouswonders.com/wp-content/uploads/2009/04/sydney-opera-house.jpg
Stand free as a
significant objec objectt in space
http://vincentloy.wordpress.com/2010/07/page/2/
Taishan, Shandong, China http://unescopostcard.blogspot.com/2010/07/cn437-mount-taishan-1987.html
Relating
the form of a building to the space around it.
At
the scale scal e of of a building site
Form orm
a wall wall along an edge edge of its site and begin to define a positive outdoor outdoor space.
Merge its interior space with the
private outdoor outdoor space of a walled site.
Enclose nclose
a portion of its site as an outdoor room and shelter it from undesirable undesirable climatic climatic conditions.
Surround urround and and enclose enclose a courtyard cour tyard or atrium space
within its volume volume ² an introve introverrted scheme. scheme.
Monastery of St. Meletios on Mt. Kithairon, Greece, 9 AD
Rila Mona Rila Monaste stery ry Sofia, Bulgaria http://i.images.cdn.fotopedia.com/flickr-2981070655-hd/World_Heritage_Sites/Eu hd/World_Heritage_Sites/Europe/Eastern_Europe/Bu rope/Eastern_Europe/Bulgaria/Rila_Monastery/Rila_M lgaria/Rila_Monastery/Rila_Monastery onastery -hd-3.jpg
Stand
as a distinct object in space and dominate its site through its for form & topographical positioning positioning ² an extroverted extroverted scheme. scheme.
Stretch out & present present a broad face to address address a view, view,
terminate terminate an axis or define an edge of an urban space.
Stand free within its site but extend to its
interior spaces to merge with private exterior exterior space.
Stand as a positive form
in negativ negative e space.
The r ela ela tion tion of the the building building to i ts ts con con te xt xt i s of utmost impor tan ce . Ar chi te cture cture should ne ver lo se the na tural and meaningful conne ction ction wi th their surrounding s. s.
Rolex Learning Center Lausanne, Switzerland by Sanaa, 2010 http://www.archidir.com/architecture/rolex-learning-center-by-sanaa-in-lausanne-switzerland/
The rela tion of t of the building to i ts ts con con te xt xt i s of u of u tmo st st impor tan ce . Ar Ar chi te cture cture should ne ver lo se the na tural and meaningful conne ction ction wi th their surrounding s. s.
Rolex Learning Center Lausanne, Switzerland by Sanaa, 2010 http://www.archidir.com/architecture/rolex-learning-center-by-sanaa-in-lausanne-switzerland/
Walls are usually read as the positive elements elements of a plan. But, the white spaces in between, should not be seen simply as background for the walls, but also as figures in the drawing that have shape and form.
Even at at the scale of
a room, articles of furnishings can either stand as forms for ms within a field of space or serve ser ve to define the the form of a spatial field.
Addendum
Proxemics (Personal Space http://mhinterior.blogspot.com/2011/02/proxemics-personal -space-territoriality.html
& Territoriality)
´
rox xemi mics cs Pro
is the study of measu measurable rable distances between people as they interact.
´
Anthropometrics
is the measurement of the size size and proporr tio propo tion n of the human body.
http://entertainment.webshots.com/photo/2782365620073673480kamqlK
http://www.theatre.vt.edu/destop/asressa_website/Images/Anthropometrics_Large.PNG
´
Ergonomics
is the science of making the work environment safer and more comfor comfortable table for workers worke rs using design and anthropometric data.
http://saveyourself.ca/resources/images/ergonomics-comic-strip.jpghttp://saveyourself.ca/resources/images/ergonomics-comic-strip.jpg
http://www.ergonomicoffices.net/ergonomic-office-9/
Surf Chair ® http://lylover.com/portfolio/surfchair/
The windows of the observation obs ervation deck are located located around the apex of the arch.
http://en.wikipedia.org/wiki/File:Gateway_Arch_windows.jpg
References: Salvan, George S. Architectura Architecturall Theories of Design. JMC Press, Inc, 1986. Ching, Francis D.K. Architecture: Form, Space and Order, 3 rd ed. John Wiley & Sons, Inc, 2007. http://www.lib.utexas.edu/engin/guides/an http://www .lib.utexas.edu/engin/guides/anthropometry.h thropometry.html tml http://en.wikipedia.org/wiki/proxemics
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