Apocalypse

April 17, 2017 | Author: Andrei Zvo | Category: N/A
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Apocalypse This article is about the general concept of Apocalypse. For specific Apocalypses, see Apocalypse (disambiguation). An apocalypse (Ancient Greek: ἀποκάλυψις apocá-

St. John at Patmos: the receiving of an apocalyptic vision Apocalypse depicted in Christian Orthodox traditional fresco scenes in Osogovo Monastery, Republic of Macedonia

1.1 Dreams The revelation of a meaningful future may be made through a dream, as was the experience of the Hebrew prophet Daniel,[2] which is recorded in the book with his name, or through a vision, as was granted in the Christian Book of Revelation.

lypsis, from ἀπό and καλύπτω meaning “uncovering”), translated literally from Greek, is a disclosure of knowledge, i.e., a lifting of the veil or revelation. In religious contexts it is usually a disclosure of something hidden. In the Book of Revelation (Greek: Ἀποκάλυψις Ἰωάννου, Apocalypsis Ioannou), the last book of the New Testament, the revelation which John receives is that of the ultimate victory of good over evil and the end of the present age, and that is the primary meaning of the term, one that dates to 1175.[1] Today, it is commonly used in reference to any prophetic revelation or so-called End Time scenario, or to the end of the world in general.

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In Biblical accounts of revelations the manner of the revelation and its reception is generally described. According to the Book of Daniel, after a long period of fasting,[3] Daniel is standing by a river when a heavenly being appears to him, and the revelation follows (Daniel 10:2ff). John, in the New Testament Book of Revelation (1:9ff), has a similar experience, told in similar words. Compare also the first chapter of the Greek Apocalypse of Baruch; and the Syriac Apocalypse of Baruch, vi.1ff, xiii.1ff, lv.1– 3. Or, as the prophet lies upon his bed, distressed for the future of his people, he falls into a sort of trance, and in “the visions of his head” is shown the future. This is the

Biblical ideas 1

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1 BIBLICAL IDEAS

case in Daniel 7:1ff; 2 Esdras 3:1–3; and in the Book of Enoch, i.2 and following. As to the description of the effect of the vision upon the seer, see Daniel 8:27; Enoch, lx.3; 2 Esdras 5:14.

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Angels

Typically, the messengers of the apocalyptic revelation are described as angels. In the Bible, God may give a revelation or instructions through the medium of these heavenly messengers; they act as the seer’s guide. God may himself give a revelation, as is shown in the Book of Revelation through the person of Jesus Christ. The book of Genesis speaks of the “angel” bringing forth the revelation.

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Future

to about 167 BCE, when Antiochus Epiphanes sacked Jerusalem and desecrated the Holy Places.) This serves as the introduction to the eschatological predictions in the twelfth chapter. Similarly, in the dream recounted in 2 Esdras 11 and 12, the eagle, seemingly representing the Roman Empire, is followed by the lion, representing the promised Messiah, who is to deliver the chosen people and establish an everlasting kingdom. A transition from history to prediction may be seen in xii.28, where the expected end of Domitian's reign – and with it the end of the world – seems foretold. Another example of the same kind is Sibyllines verses, iii.608–23. Compare also Assumptio Mosis, vii–ix. But in nearly all religious writings classed as apocalypses or revelations the eschatological element is prominent. Speculation regarding the age to come and the hope for the chosen people more than anything else occasioned the rise and influenced the development of apocalyptic literature.

The Biblical prophets’ revelations show God’s justice as taking place in the future or as imminent now. The genre of revelation aims to show God’s way of dealing with hu- 1.4 mankind and His ultimate purposes, and its writers often reveal the meaning of present events in connection with the ending of the present age. In the book of Daniel the revelation is described as “that which shall come to pass in the later days” (Daniel 2:28;[4] compare verse 29); similarly Daniel 10:14, “to make thee understand what shall befall thy people in the later days";[5] compare Enoch, i.1, 2; x.2ff. So too in Revelation 1:1 (compare the Septuagint translation of Daniel 2:28ff), “Revelation... that which must shortly come to pass.”

Symbolism

Viktor Vasnetsov, the Four Horsemen of the Apocalypse

Detailed future history seems not to be the main focus of Biblical revelation, but may form a setting for the revelation of God’s meaning, in which a panorama of successive events passes from the known to the unknown. Thus in the eleventh chapter of Daniel it appears that detailed history of the Greek empire in the East from the conquest of Alexander to the latter part of the reign of Antiochus Epiphanes (verses 3–39), all presented in the form of a prediction, continues with a description (verses 40–45) of events which had not yet taken place but were expected by the writer: the wars which should result in the death of Antiochus and the fall of his kingdom (some modern scholars therefore date the composition of the book

The Seven trumpets.

Symbolism is a frequent characteristic of apocalyptic writing. One instance of this occurs where gematria is employed, either for obscuring the writer’s meaning or enhancing it; as a number of ancient cultures used letters also as numbers (i.e., the Romans with their use of "Roman numerals"). Thus the symbolic name "Taxo,” "Assumptio Mosis", ix. 1; the “Number of the Beast" (616/666), in the Book of Revelation 13:18;[6] the number 888 ('Iησōῦς), Sibyllines, i.326–30.

3 Similar is the frequent prophecy of the length of time through which the events predicted must be fulfilled. Thus, the “time, times, and a half,” Daniel 12:7[7] which has been taken to be 3½ years in length by Dispensationalists; the "fifty-eight times" of Enoch, xc.5, "Assumptio Mosis", x.11; the announcement of a certain number of “weeks” or days, which starting point in Daniel 9:24, 25 is “the going forth of the commandment to restore and to build Jerusalem unto the Messiah the Prince shall be seven weeks”,[8] a mention of 1290 days after the covenant/sacrifice is broken (Daniel 12:11),[9] 12; Enoch xciii.3–10; 2 Esdras 14:11, 12; Apocalypse of Baruch xxvi–viii; Revelation 11:3, which mentions “two witnesses” with supernatural power,[10] 12:6;[11] compare Assumptio Mosis, vii.1. Symbolic language is also used to describe persons, things or events; thus, the “horns” of Daniel 7 and 8;[12] Revelation 17[13] and following; the “heads” and “wings” of 2 Esdras xi and following; the seven seals of Revelation 6;[14] trumpets, Revelation 8;[15] “vials of the wrath of God” or “bowl...” judgments, Revelation 16;[16] the dragon, Revelation 12:3–17,[17] Revelation 20:1-3;[18] the eagle, Assumptio Mosis, x.8; and so on. Russian Orthodox icon Apocalypse As examples of more elaborate prophecies and allegories, aside from those in Daniel Chapters 7 and 8; and 2 Esdras Chapters 11 and 12, already referred to, may be mentioned: the vision of the bulls and the sheep, Enoch lxxxv and following; the forest, the vine, the fountain, and the cedar, Apocalypse of Baruch xxxvi and following; the bright and the black waters, ibid. liii and following; the willow and its branches, Hermas, “Similitudines,” viii.

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End of the age

In the Book of Revelation, the author writes about the revelation of Jesus Christ as Messiah, and about present tribulations leading to the ending of this age and the coming of God’s Kingdom. Hence the term 'apocalypse' has come to be used, very loosely, for the end of the world. In the Hebrew Old Testament some pictures of the end of the age were images of the judgment of the wicked and the glorification of those who were given righteousness before God. In the Book of Job and in some Psalms the dead are described as being in Sheol, awaiting the final judgment. The wicked will then be consigned to eternal suffering in the fires of Gehinnom, or the lake of fire mentioned in the Book of Revelation.[16][19][20][21][22]

“Apocalyptic I” by contemporary Mexican painter Mauricio García Vega.

cation of the righteous, from the time when they emerged from Judaism and spread out into the world in the first century. The poetic and prophetic literature of the Hebrew Bible, particularly in Isaiah, were rich in millennial imagery, and New Testament writers after Pentecost carried on with this theme. During his imprisonment by the Romans on the Island of Patmos, John in the Book of Revelation, chapter 20, receives a vision of a thousandyear reign of Christ/Messiah upon the earth. Some Christian movements in the 18th and 19th centuries were characterized by a rise of Millennialism. All Christian apocalyptic eschatology has been concerned with the two themes referred to through the Bible as “this age” and “the age coming”. Evangelical Christians have been in the forefront popularizing the biblical prophecy of a major confrontation between good and evil at the end of this age, a coming Millennium to follow, and a final confrontation whereby the wicked are judged, the righteous are rewarded and the beginning of Eternity is viewed.

In his New Testament letters the Apostle Paul also has written about the judgment of the wicked and the glorification of those who belong to Christ or Messiah. In letters to the Corinthians and the Thessalonians Paul expounds further the destiny of the righteous. He speaks of the simultaneous resurrection and transformation of those who are in Christ (or Messiah). Some evangelical Christians have taught a form of milSome Christians had a Millennial expectation of glorifi- lennialism known as Dispensationalism, which arose in

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the 19th century. Dispensationalists see separate destinies for the Christian Church and Israel. Their concept of a pre-Tribulation Rapture of the Church has become better known, thanks in part to the Left Behind series of books and films. Dispensationalists find in Biblical prophecy predictions of future events: periods of the Church, for example, shown through the letters to the seven churches in the Revelation of John; the throne of God in heaven and his glory; specific judgments that will occur on the earth; the final form of Gentile power; God' re-dealing with Israel[23] based upon covenants mentioned in the Hebrew Old Testament; the second coming proper; a one-thousand year reign of Messiah; a last test of mankind’s sinful nature under ideal conditions by the loosing of Satan, with a judgment of fire coming down from Heaven that follows; the Great White Throne judgment, and the re-creation of the current heavens and the earth as a “New Heaven and New Earth”[24][25][26] ushering in the beginning of Eternity. A differing interpretation is found in the Post Tribulation Rapture.

REFERENCES

[2] “Daniel 1 (King James Version)". Bible Gateway. Archived from the original on 29 October 2007. Retrieved 2007-11-15. [3] “Daniel 10:1–4 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-15. [4] “Daniel 2:28 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-15. [5] “Daniel 10:14 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-15. [6] “Revelation 13:16–18 (King James Version)". Bible Gateway. 2012. Archived from the original on 5 November 2007. Retrieved 2007-11-21. [7] “Daniel 12:7 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-21.

One of the most extensive works covering the sym[8] “Daniel 9:24–25 (King James Version)". Bible Gateway. bolic meanings in the Book of Revelation was written Archived from the original on 9 December 2007. Reby Emanuel Swedenborg called the Apocalypse Revealed, trieved 2007-11-21. first published in two volumes in Amsterdam in 1766, a condensed version of his unpublished work Apocalypse [9] “Daniel 12:11 (King James Version)". Bible Gateway. Archived from the original on 5 November 2007. ReExplained. Unlike literal interpretations which seek to trieved 2007-11-21. interpret the Book of Revelation in terms of historical events or some future visible event, the “end of the age” [10] “Revelation 11:3 (King James Version)". Bible Gateway. is described as the end of the old Christian Protestant Archived from the original on 9 December 2007. Reand Catholic churches, to be superseded in a new age by trieved 2007-11-21. the establishment of the New Church, symbolized by the [11] “Revelation 12:6 (King James Version)". Bible Gateway. New Jerusalem descending from heaven. Archived from the original on 9 December 2007. Retrieved 2007-11-21.

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See also • Apocalyptic and post-apocalyptic fiction • Apocalypse Series (Kanso) • Christian eschatology • Hindu eschatology • Human extinction • Islamic eschatology • Messianic Age • Ragnarök • Ultimate fate of the universe

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References

[1] Oxford English Dictionary A, Oxford University Press, p. 386.

[12] “Daniel 7; Daniel 8 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-21. [13] “Revelation 17 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-21. [14] “Revelation 6 (King James Version)". Bible Gateway. Archived from the original on 15 November 2007. Retrieved 2007-11-21. [15] “Revelation 8 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-21. [16] “Revelation 16 (King James Version)". Bible Gateway. Archived from the original on 8 December 2007. Retrieved 2007-11-21. [17] “Revelation 12:3–17 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-21. [18] “Revelation 20:1–3 (King James Version)". Bible Gateway. Archived from the original on 17 November 2007. Retrieved 2007-11-21.

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[19] “Revelation 19:20 (King James Version)". Bible Gateway. Archived from the original on 7 November 2007. Retrieved 2007-11-21. [20] “Revelation 20:10 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-21. [21] “Revelation 20:14-15 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-21. [22] “Revelation 21:8 (King James Version)". Bible Gateway. Archived from the original on 24 November 2007. Retrieved 2007-11-21. [23] “Isaiah 66:22 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-15. [24] “Isaiah 65:17 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-15. [25] “2 Peter 3:13 (King James Version )". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-15. [26] “Revelation 21:1 (King James Version)". Bible Gateway. Archived from the original on 9 December 2007. Retrieved 2007-11-15.

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Further reading • Morris, Henry M (1985) [1983]. The Revelation Record. Tyndale House and Creation Life.

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External links • • The Apocalypse on In Our Time at the BBC. (listen now) • It’s the End of the World: 8 Potential Armageddons, Fox, Sep 29, 2010. • Bible. N.T. Revelation. Latin. Selections. 1470. Apocalypsis Sancti Johannis. Germany, ca. 1470 48 leaves. illus. 31 cm. From the Rare Book and Special Collections Division at the Library of Congress

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7 TEXT AND IMAGE SOURCES, CONTRIBUTORS, AND LICENSES

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Text and image sources, contributors, and licenses

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Text

• Apocalypse Source: http://en.wikipedia.org/wiki/Apocalypse?oldid=648995939 Contributors: Slrubenstein, Sjc, RK, KF, Hephaestos, Olivier, Michael Hardy, Llywrch, Arpingstone, Paul A, Pde, Ellywa, Ahoerstemeier, Docu, Emperor, DropDeadGorgias, Charles Matthews, Dcoetzee, Jallan, Andrevan, Fuzheado, Furrykef, Cleduc, Zero0000, RanchoRosco, Fvw, Wetman, Michael Rawdon, Drernie, Mezaco, RadicalBender, Robbot, PBS, Mirv, Rursus, Ojigiri, Auric, Andrew Levine, Hadal, Spellbinder, Dominick, DocWatson42, Wolfkeeper, Tom harrison, Bensaccount, Jdavidb, Dsmdgold, Mboverload, Ojl, Chameleon, SWAdair, Manuel Anastácio, Andycjp, Popefauvexxiii, SarekOfVulcan, Antandrus, Kusunose, Cberlet, Mukerjee, Rdsmith4, One Salient Oversight, Biot, Raylu, Zeeshanhasan, Mike Rosoft, Discospinster, Rich Farmbrough, Pjacobi, Ivan Bajlo, Xezbeth, Paul August, Stbalbach, CamLewis, Andrejj, Evice, Yasis, El C, Lycurgus, Marcok, Shanes, Jpgordon, Bill Thayer, Bobo192, AdamAtlas, Mathieu, Kx1186, Pearle, Pv000, Nsaa, Eruantalon, GK, Jumbuck, Storm Rider, Alansohn, JYolkowski, Arthena, AzaToth, Cdc, Caesura, DreamGuy, Wtmitchell, Bsadowski1, Versageek, Pwqn, Bookandcoffee, Smichae, Mahanga, Richard Arthur Norton (1958- ), Simetrical, Woohookitty, TigerShark, Masterjamie, Etacar11, Camw, JHolman, Jleon, Optichan, Wayward, Shanedidona, Vossanova, KHM03, Dynamax, SqueakBox, Magister Mathematicae, Demonuk, RadioActive, Sjö, Rjwilmsi, Nightscream, Demian12358, Koavf, NatusRoma, Kinu, Vary, ElKevbo, Ttwaring, Nigosh, Kasha.re, FayssalF, Harmil, RexNL, Gurch, Str1977, Jeremygbyrne, SpectrumDT, Dragon’s Light, Benanhalt, Vonkje, Mastorrent, Essaregee, DVdm, NSR, Tone, EamonnPKeane, YurikBot, Darsie, RussBot, WritersCramp, RadioFan, Gaius Cornelius, Alex Bakharev, Pseudomonas, Cryptic, NawlinWiki, Nirvana2013, Grafen, Bloodofox, Dake, UDScott, Endurance, Smartyhall, Hyperqube, Mmmbeer, Sampse 1, Rwalker, DeadEyeArrow, T-rex, FestivalOfSouls, 21655, Lt-wiki-bot, Imaninjapirate, Theda, Closedmouth, Dark Lord Revan, Dr.alf, GraemeL, JoanneB, LeonardoRob0t, Teryx, Auroranorth, Bill, DVD R W, SmackBot, Mattarata, Xnyxx, AdamDobay, McGeddon, Stephensuleeman, WookieInHeat, Arcan, Rojomoke, PeeJay2K3, Müslimix, Portillo, Ohnoitsjamie, Betacommand, Carl.bunderson, Rmosler2100, Jeffro77, Endroit, Keegan, Geneb1955, Kisholi, DMS, SchfiftyThree, Locriani, Gracenotes, CaveatLector, Mladifilozof, Can't sleep, clown will eat me, Saberlotus, Onorem, Avb, JonHarder, Clinkophonist, Rrburke, Valenciano, Ne0Freedom, RandomP, PsychoJosh, Andrew c, Crd721, Illnab1024, DMacks, Kabalyonkey, Jwh, Kendrick7, Giancarlo Rossi, Risker, Kukini, CIS, The undertow, Yannismarou, AmiDaniel, Disavian, Amsys, Shadowy Crafter, Goodnightmush, IronGargoyle, Milomind, Ckatz, Boomshadow, Chronos Maker, Doczilla, Jgrahn, Dr.K., Bmeloche, SimonD, BranStark, Iridescent, Ashura96, LeVulgarisateur, R, Tony Fox, Lenoxus, CapitalR, Courcelles, Tawkerbot2, George100, MajinDragon, AbsolutDan, Esobocinski, Eastlaw, Switchercat, JForget, Nfbuckley, CharlusIngus, Porterjoh, Ale jrb, Van helsing, Alex Usoltsev, Kylu, ShelfSkewed, Richard Keatinge, Gregbard, Funnyfarmofdoom, Cydebot, Ntsimp, Fluence, Lesqual, Treybien, MC10, Papias256, Gogo Dodo, Gauze123, Amandajm, RC Master, B, Tawkerbot4, Dougweller, Plch, Daven200520, Omicronpersei8, Zalgo, UberScienceNerd, Michaelmarkwick, BetacommandBot, Epbr123, Biruitorul, N5iln, Mojo Hand, Marek69, Edal, Sturm55, CharlotteWebb, AntiVandalBot, Tentmaker, QuiteUnusual, DarkAudit, Nevcivan, Pwhitwor, Fayenatic london, Yellowdesk, Fireice, Hehehedoughnuts, Figma, JAnDbot, Andonic, Hut 8.5, Sacralita, Xact, Acroterion, Gekedo, VoABot II, MartinDK, JNW, JKGolden, MyNameIsNeo, Ling.Nut, Rnashua, Froid, 28421u2232nfenfcenc, Hamiltonstone, Allstarecho, LindaWarheads, JoergenB, Glen, Chris G, DerHexer, Anya sm, Hintswen, DarthOverkill, Ztobor, Riccardobot, FisherQueen, Donmanguno, MartinBot, Donrad, Liam Patrick, CommonsDelinker, AlexiusHoratius, MapleTree, Padfoot9, EdBever, King dave, J.delanoy, Trusilver, Oliverjrhodes, L. 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Images

• File:016Apocalíptico_I.jpg Source: http://upload.wikimedia.org/wikipedia/commons/a/a7/016Apocal%C3%ADptico_I.jpg License: CC BY-SA 3.0 Contributors: Mauricio García Vega Original artist: Mauricio García Vega • File:Ambox_important.svg Source: http://upload.wikimedia.org/wikipedia/commons/b/b4/Ambox_important.svg License: Public domain Contributors: Own work, based off of Image:Ambox scales.svg Original artist: Dsmurat (talk · contribs) • File:Apocalypse_vasnetsov.jpg Source: http://upload.wikimedia.org/wikipedia/commons/e/e1/Apocalypse_vasnetsov.jpg License: Public domain Contributors: http://lj.rossia.org/users/john_petrov/166993.html Original artist: Viktor M. Vasnetsov • File:Apokalipsis_XVI.jpg Source: http://upload.wikimedia.org/wikipedia/commons/a/ab/Apokalipsis_XVI.jpg License: Public domain Contributors: http://lj.rossia.org/users/john_petrov/1025764.html Original artist: Unknown • File:BambergApocalypseFolio019v7AngelsWith7TrumpetsAnd1WithCenser.JPG Source: http://upload.wikimedia.org/wikipedia/ commons/7/79/BambergApocalypseFolio019v7AngelsWith7TrumpetsAnd1WithCenser.JPG License: Public domain Contributors: Bamberger Apokalypse Folio 19 verso, Bamberg, Staatsbibliothek, MS A. II. 42 Original artist: Auftraggeber: Otto III. oder Heinrich II. • File:Commons-logo.svg Source: http://upload.wikimedia.org/wikipedia/en/4/4a/Commons-logo.svg License: ? Contributors: ? Original artist: ? • File:Folder_Hexagonal_Icon.svg Source: http://upload.wikimedia.org/wikipedia/en/4/48/Folder_Hexagonal_Icon.svg License: Cc-bysa-3.0 Contributors: ? Original artist: ? • File:Orthodox-Apocalypse-Fresco.jpg Source: http://upload.wikimedia.org/wikipedia/commons/0/0d/Orthodox-Apocalypse-Fresco. jpg License: Public domain Contributors: Own work Original artist: Edal Anton Lefterov • File:St-john.jpg Source: http://upload.wikimedia.org/wikipedia/commons/9/98/St-john.jpg License: WebMuseum, Paris Original artist: Hans Burgkmair

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