Antonio Vivaldi (1678-1741) - Andante (From Concerto For Two Mandolins Rv532 Arranged For Solo Guitar)

March 24, 2017 | Author: duq | Category: N/A
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Download Antonio Vivaldi (1678-1741) - Andante (From Concerto For Two Mandolins Rv532 Arranged For Solo Guitar)...

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Andante from Concerto RV532 V

V

Antonio Vivaldi arr. F. Nachbaur

 3      5  

  Andante

C-VII–––––––––––––––––––––– 1

4

X 4

2 3

1

mf

7



         

   

 

  sul pont.

C-VI––––––––––––––––––––––––– 4

2

3

4

2

1

3

X 2

1

X

------1

mp

 









 f



    cresc.  

mf

 

          

naturale 1

2

X

4

nat.

s.p.

2

1

4

1 -1

½C-V

4

3

4

3

1

1

1

1

3

1

-1

3

0

V

V



 



    

 

     



mf mp s.p.

nat.

C-V–––––––––––––––––––––––––––––

13

1

3

4

3

4

nat.

s.p.

3

2 3

3 3

1

4

1

1

cresc.

1 2 3 -3

19

1 3

f









 



 





   nat.

2 1 -3 -3

X

0

  

    

*1 3

14

25

*

ff

1 2



4 3

1

X

3

4

3

1

mf

1 2



















  

 



X

1 3

1 3

2 3

V

   

( /1



C-III

C-VII–––––––––––––––––––– 1 3

4

1

4

3

mp

Fret near 2nd knuckle to prepare for barring

V

4

1 3 3







4 -4 3 3

 8 8 8 8   8 8 8  

  

cresc. poco a poco

s.p.

C-III–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––

V





C-V–––––––––––––––––

4

1

f

cresc.

4

2

mf

3

decresc.

4

V  V  ! 32









3   

 







5



 

 



 C-II––––––––––––––––––––––– 1 4 1

4

4

1

2 3 3

3

4

3

2

cresc.

CVII–––––

4

1 3 2

X

1

2

2

4

s.p.

1

3

4

CVII––––– 2

4

1

mf

This arrangement Copyright © 1999, 2002 by Fred Nachbaur. All Rights Reserved Free (non-commercial) distribution allowed and encouraged.

nat.

2



  

38







 



V

4

4

3

4

3 3

4







  f

4

4





0 0 *1

4

3 3

1

mf





1

4

cresc.

nat.

V

s.p.

1 1

1 2

Xmp

1

4

mf

 





3 2

1 2

V

 

 

 



X 3

1

  



nat.

CVII––––––––––––––––––––––––––

C-VII–––– 1

4

-2

2

cresc.

C-VII––––

1 3

3

2 3

4

cresc.

88 8 8 





poco rit.

4



V



C-II–––––––––––––

1 3

1 2

X

1 3

0

1

f

C-VII––––

3

1

4

1

4

*1

2

-2

C-V–––––––––––––––––––––––––––––––

1

4

3

4

2

1 1

1

mp

1

CVII–––––––––––

V  V  V 

 *













 

 

 

 



"

a tempo

0

4

V

CV––––––––––

2

s.p.

*1 2

2 3

3





























 

 

 

near 2nd knuckle *Fret to prepare for barring

50



 



 

C-III–––––––––––––––––––––––––––––

cresc.

44

V

CV–––––––––––––––––––––––––––––––

3

f

mp

1

3

4

W

4

3

1

3

1

X

mf

V V 



 





   



 

 

 ff  



 mf   mp cresc. * 2nd string

* 2nd string

cresc.

C-V––––––––––––––––––––––––––

55

4

3

1

4

3

C-II–––––––––––––––– 4

1

4

1

4

4

1

0

3

3

2

1





   

  K f  ff

60

2 3

(

1

)

1

gliss.



64



#

0 0 0

mp









 a tempo 1 3

1 3

1 3

  

   



 8 8 8 8 

 

 



 ff rit.

CV CIII

CII

12

68

1 3

2 3

2





















 cresc.

88 8



  mf ad lib. 02

0 0

1 2

 mp  0 0 0

3

X

4

  

 

 C-V

4

1 3

1



1

2

4

* 4th string

0

88 8 8 





4

2

4

2



V



C-II-------------------------1 2











*4

0

0

poco rit.

C-III

1 3

3



   

1 3 1

X 0

1











arm.-----------------





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