Alter Bridge- AB III
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from Alter Bridge - AB III
Slip to the Void Words and Music by Mark Tremonti and Myles Kennedy
Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q = 75 **D5
*Gtr. 1
Verse
1. Slip
to
D5
Play 4 times
the void,
to
the dark,
Riff A
let ring throughout
0
0
to
the fall.
End Riff A
mf
0 0
0
0 0
0
0 0
0
0 0
0
0
0
0
0 0
0
0
0
0
0
0
0
0 0
0
0 0
0
0 0
0
0 0
0
0 0
0
0 0
0
0
*Kybd. arr. for gtr. **Chord symbols reflect overall harmony.
Gtr. 1: w/ Riff A (6 times)
Crawl
to
the life
you should - n’t
know.
Bbmaj7
C6sus2
You
should nev
-
er come this way
to
test
D5
the hands
of
fate.
You don’t
be - long
here.
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Verse Gtr. 1: w/ Riff A (16 times)
D5
2. Peel
back the skin,
close your eyes.
Gtr. 2 (acous.)
Hell is born
to
the a - byss,
but be
warned.
You fear
mp let ring thoughout
9
10
Bbmaj7
Riff B
Gtr. 3 (elec.)
mp
My God,
6
9
be -come.
10
10
9
11
9
10
9
C%
what you’ve
9
10
D5
9
what have
you done?
6
9
7 8
7
You don’t be -long
8
9
here.
8
9
10
9
9
10
Mm, but it’s all
10
9
Gtr. 2
10
9
10
9
10
9
End Riff B
10
w/ slight dist.
8 7
8
0
0
7
8
3
3 5
0
Gtr. 2: w/ Riff B
Bbmaj7
in
the way
8
0
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7 8
0
7
7
8
D5
you touch
Gtr. 3
8 7
C%
and you o - bey
8
10
de - ni
-
10
3 5
0
al.
Mm, but it’s all
Gtr. 2 tacet
Bbmaj7
Gtr. 2
in
the way
C%
you touch
D5
and you o - bey
de -ni
-
C5
al Gtr. 4 (elec.)
mf
w/ dist.
10
6
9
9
6
8
9
9
Gtr. 3
8
9
10 10 10 10
mf w/ dist.
8 7
8
7 8
0
0
7
7 8
Interlude C5
*Gtrs. 3&4
3
3
3
7
5
10 10 10
0
D5
C5
D5
C5
D5
C5
D5
C5
D5
C5
12 12 12
10 10 10
12 12 12
10 10 10
12 12 12
10 10 10
12 12 12
10 10 10
12 12 12
10 10 10
10 10 10
7
*Composite arrangement
µ Gtr. 5 (elec.)
Fill 1
mf w/ dist. **
7
5
1/4
5
1/2
5
7
C5
3/4
5
7
End Fill 1
1
5
7
7
**Gradually bend 3rd string while tremolo picking. Gtr. 6 (elec.)
Fill 1A
5 7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
End Fill 1A
mf w/ dist. 1/4
5 7
Gtrs. 3 & 4
1/2
3/4
1
10 10 10
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Gtrs. 5 & 6 tacet
D5
Gtrs. 3&4
C5
D5
10 10 10
12 12 12
D5
10 10 10
12 12 12
µ
Gtr. 5
C5
12 12 12
5 7
5 7
C5
D5
10 10 10
12 12 12
10 10 10
12 12 12
5 7
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
5 7
C5
1/4
5 7
D5
10 10 10
C5
1/2
10 10 10
3/4
1
Gtr. 7 Gtr. 6
(elec.) divisi
* pp
mf
*w/ dist.
5 7
1/4
5 7
5 7
1/2
3/4
1
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
?
7
7
7
7
12
*Vol. swell, Gtr. 7 only.
Gtrs. 3 & 4
** pp
X X X
mf
0 0 0 **Vol. swell
Verse
3. Sev
-
er
the
ties,
8
7
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8
0
10
12
0
0
G5 Eb5
trip
Riff C Gtrs. 3 & 4
the
wire,
D5
dig
0
0
3
3
5
5
10
6
0
F5
Eb5 D5
your
hole.
0
Gtrs. 5, 6 & 7 tacet
D5
3
8
13
12
End Riff C
0
0
0
Gtrs. 3 & 4: w/ Riff C
Doubt
C5
is
a
- live
led
to
be - lieve
Gtrs. 3 & 4
5 5 3
and
you
G5 Eb5
you were
F5 Eb5 D5
know.
Bb5
D5
and
You were
young
so
na
once
- ive.
But
now
no
long -
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
X X X
X X X
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
X X X
X X X
Gtrs. 3 & 4: w/ Riff C
D5
-
Gtrs. 3 & 4
3 3 1
in
the
7 0 0 0
Uh,
F/A Bb5
way
you
3 3 1
3 3 1
3 3 1
3 3 0
3 3 1
this
a
3 3 1
your
back
to - day.
but
it’s
all
Left
to
lone.
face
14 14
0
3 5 5 3
5 5 3
Bb
-
0 0
turned
3 3 1
Csus2
F5 Eb5 D5
Chorus D5
Rhy. Fig. 1
D5
er.
Bb5
G5 Eb5
Left
to
die
let ring
7 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
7 0 X 8
End Rhy. Fig. 1
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
7 0 X 8
9
9 0 X 8
9 0 X 8
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G/B
with
noth
-
Eb5
ing
you
can
D5
hold.
Left
to
break
let ring 1
10 13 9 10 9
9 10 9
9 10 9
9 10 9
X X X
X X X
Gtrs. 3 & 4: w/ Rhy. Fig. 1
1 1 1
1 1 1
1 1 1
in
the
1 1 1
1 1 1
8 0
Bb
Gtr. 3
4 X 2
Gtr. 4
4 X 2
that
you
5 X 3
5 X 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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7 X 5
7 X 5
Eb5
D5
made
the
0
0
1 1 1
0
0
1 1 1
1 1 1
1 1 1
1 1 1
1 1 1
0 0 0
0 0 0
1 1 1
8
0
10
12
0
0
cold,
To Coda
G/B
7
0
1 1 1
1 1 1
1 1 1
0 0 0
0 0 0
Bb5
0
in
the
void
F5
you
let
love
3 3 3
3 3 3
3 3 3
3 3 3
mo
-
ment
P.H.
8 8 8
8 8 8
X X X
7
P.H.
8 8 8
8 8 8
X X X
7
0
D5
Eb5
go.
P.M.
0 0
1 1 1
1 1 1
P.M. 0 0
1 1 1
1 1 1
Interlude Gtr. 3 tacet
D5
Eb5
*
D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5
(Go.)
Riff D Gtr. 5
0
10
12
0
12 13 12
12
12
0
10
12
13
0
13 13
0
10
12
0
12
12
12
12
10 0
12
10
13
13
13
13
Gtr. 4
P.M. 0
0
0
0
0
P.M. P.M. P.M. P.M. P.M.
1 1 1
0 0 0
0
0
0
0
0
0
0 0 0
0
1 1 1
0 0 0
0 0 0
1 1 1
0
0
0
0
1 1 1
0 0 0
0
0
0
0
0
0
0
1 1 1
0 0 0
0 0 0
1 1 1
*w/ echo set for quarter-note regeneration w/ 4 repeats.
D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 F5 Eb5 D5
Whispered: Ah,
**Gtrs. 5 & 6
0
10
12
0
12
12
12
12
0
10
12
0
13
13
13
13
0
10
12
0
come on.
12
12
12
12
End Riff D
0
10
12
0
13
15
13
12
**Gtr. 6 w/ wah-wah (used as filter). Composite arrangement
Gtrs. 3 & 4
P.M. P.M. P.M. P.M. P.M. 0 0 0
0
0
0
0
1 1 1
0 0 0
0
0
0
0
0
0
0
0 0 0
1 1 1
0 0 0
0 0 0
1 1 1
0
0
0
0
1 1 1
0 0 0
0
0
0
0
0
0
0
1 1 1
3 3 3
1 1 1
0 0 0
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Double-time feel *Gtrs. 5 & 6: w/ Riff D
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5
Gtrs. 3 & 4
P.M. P.M. P.M. P.M. P.M. P.M. P.M. 0
0
0
0
1 1 1
0
0 0 0
0
0
0
0
5
0
0 0 0
0
1 1 1
0 0 0
0 0 0
1 1 1
0
0
0
1 1 1
0
0 0 0
0
0
0
0
7
1 1 1
0
0 0 0
0 0 0
1 1 1
*Gtr. 6: wah-wah off.
D5
Eb5
D5
Gtr. 7
Eb5
**w/ wah-wah
10
13
**Used as filter.
Rhy. Fig. 2 Gtrs. 3 & 4
P.M.
0 0 0
0
0
0
P.M.
1 1 1
0 0 0
Eb5
D5
0
0
0
0
0
0
0
P.M.
0 0 0
0
1 1 1
1 1 1
1 1 1
End double-time feel
D5
Eb5
F5
Eb5
D5
Try
10
12
10
13
10
13
10
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10
13
10
13
10
13
12
10
10
12
10
12
10
12
10
12 12
10
12
10
10
12
10
12
End Rhy. Fig. 2
P.M.
0 0 0
13
0
0
0
0
0
0
0
P.M.
1 1 1
0 0 0
0
7
0
1 1 1
3 3 3
1 1 1
0 0 0
Bridge F5
to
win
back your
days.
C5
You
G5
let
them
all
es
-
cape 8va
F5
your
heart.
loco
Harm. w/ bar
5 5
5 5
8
13
8 -1 Pitch: B G
Rhy. Fig. 3
3 3 3
3 3 3
3 3 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
X X X
5 5 5
5 5 5
5 5 5
3 3 3
End Rhy. Fig. 3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
Double-time feel Gtrs. 3 & 4: w/ Rhy. Fig. 2 Gtrs. 5 & 6: w/ Riff D (last 2 meas.)
D5
Eb5
D5
Eb5
13 11 3 3 P.H.
Gtr. 7
10 13 10
13 14
10 13 15 13 10
14 13
10 13 10
14
10 13 15 13 10
13 10 13
10
13 10 14
10 12 14 12 10
10 12
10
12
12
10
10
End double-time feel
D5
Eb5
3
13 12
15
15 17
16
D5
Eb5
F5
Eb5
D5
And
16 10
12
11
10
5
3
13
10 11 13 11 X
12
10
12
11
10
9
10 12 10
9
12 10
8
10
12 10
8
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Gtrs. 3 & 4: w/ Rhy. Fig. 3
F5
now
that you’ve come so
C5
far,
Gtr. 8 (elec.)
uh,
G5
did
fall
why
you have
to
F5
so
hard?
mf *w/ dist. & wah-wah
15
Gtr. 7
*Wah-wah used as filter. 8va
7
Harm.
w/ bar
w/ bar
7
15
+1/2
5 0
7
5
0
slack
slack
Double-time feel Gtrs. 3 & 4: w/ Rhy. Fig. 2 Gtrs. 5 & 6: w/ Riff D (last 2 meas.) Gtr. 7 tacet
D5
Eb5
Gtr. 8
D5
Eb5
3 17
15
13
17
13
15
17
15
13
17
13
15
15
15
13
15
13
15
loco 15ma
D5
Eb5
17
13
15
13
15
12
D5
13
Eb5
3
15
6
12
15
13
10
11
13
End double-time feel Eb5 D5
F5
6
P.H.
11
10
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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12
10
9
10
12
10
9
10
5
10
6
5
7
5
5
7
7
5
7
5
7
Gtrs. 3 & 4: w/ Rhy. Fig. 3
F5
Look
at
what you’ve
C5
G5
done.
What
have
you
be
3
-
come?
fdbk. w/ bar
F5
w/ bar grad. dive
3
3 -1 1/2 slack
Interlude Gtr. 8 tacet
C5
Gtrs. 5 & 6: w/ Fills 1 & 1A
C5
C5
D5
C5
D5
C5
D5
C5
µ
C5
Gtrs. 3&4
10 10 10
D5
D5
12 12 12
10 10 10
12 12 12
10 10 10
12 12 12
10 10 10
12 12 12
10 10 10
12 12 12
10 10 10
10 10 10
D.S. al Coda
C5
D5
C5
D5
C5
D5
C5
D5
C5
D5
C5
10 10 10
12 12 12
12 12 12
12 12 12
10 10 10
10 10 10
µ
Gtrs. 5 & 6: w/ Fills 1 & 1A
10 10 10
Left
12 12 12
12 12 12
X X X
10 10 10
10 10 10
to
face
X
19
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Coda
Outro
Bb5
mo
-
you
let
love
8 8 8
F5
ment
*Gtrs. 3 & 4
A5
8 8 8
X X X
D5
go,
Gtr. 6
9
Gtrs. 3 & 4: w/ Riff C (3 times)
Eb5
3 3 3
X X X
X X X
let ring 1
3 3 3
1
1
1
1 hold bend
10
10
10
10
10
10
13
13
13
13
13
13
10 13
13
1 1 1
*Composite arrangement
G5 Eb5
D5
F5 Eb5 D5
you
Riff E
1
1
12
12
15
15
15
let
love
go,
1
12
X X
X X
End Riff E
let ring 1
0
1
1
1
1 hold bend
10
10
10
10
10
10
13
13
13
13
13
13
10 13
13
Gtr. 6: w/ Riff E (1 1/2 times)
G5 Eb5
D5
you
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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F5 Eb5 D5
let
love
go,
G5 Eb5
D5
you
F5 Eb5 D5
let
love
G5
go.
Gtr. 6
let ring 1
1
1
1
10
10
10
10
10
13
13
13
13
13
13
8
7
8
0
10
12
0
0
0
13
13
3
1
10
0
D5
3
5
12
12
15
15
15
5
10
F5
Eb5 D5
1
12
let ring
1 hold bend
10
Gtrs. 3 & 4
Eb5
6
1 1/2
15
15
15
0
0
3
8
13
12
0
Gtr. 1: w/ Riff A (till fade)
15
*w/ bar
grad. release
1/2
**w/ bar grad. release
15
15
*Vibrato w/ bar.
-1/2 **Vibrato & dive w/ bar simultaneously.
0
Begin fade
Fade out
15
15
15
-1 -2 1/2
0
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from Alter Bridge - AB III
Isolation Words and Music by Mark Tremonti and Myles Kennedy Bb5
F5
C5
Drop D tuning, down 1 step: (low to high) C-G-C-F-A-D 134
Intro Moderately q = 97 D5 F5 Bb5 A5 D5
111
134
Bb5 A5 G5 D5
Bb D5
F D5
D
D5
E5 D5 E5 D5
Rhy. Fig. 1
Gtrs. 1 & 2 (dist.)
mf
0 0 0
F5
3 3 3
P.M. P.M. P.M. P.M. P.M. 8 8 8
3 3 3
Bb5 A5 D5
7 7 7
0 0
0 0 0
0 0
8 8 8
7 7 7
5 5 5
0 0
0 0
0 0
0 0
0 0
Bb5 A5 G5 D5
*Gtr. 3 (dist.)
0 0
0 0
12 8 8
Bb D5
0 0
0 0
F
D5
7 3 3
0 0
D
4 0 0
0 0
0
0
1
1
0
2
0
2
D5
Eb[b5]
0
mf **w/ octaver w/ bar grad. ascent
10 13
10 13
*Two gtrs. arr. for one.
P.M. P.M.
P.M. P.M. 0 0 0
3 3 3
3 3 3
D5
8 8 8
7 7 7
0 0
F5
0 0 0
0 0
Bb5
8 8 8
7 7 7
A5
5 5 5
0 0
D5
0 0
0 0
0 0
0 0
0 0
12 8 8
0 0
Bb5
A5
0 0
10
10
10
10
10
10
10
10
13
13
13
13
13
13
13
13
13
0 0 0
3 3 3
3 3 3
8 8 8
7 7 7
P.M.
0 0
0 0
0 0 0
8 8 8
0 0
7 3 3
0 0
0 0
P.M.
4 0 0
0
D5
13
13
13
13
P.M.
0 0
0 0
0 0
0
1
1
0
6
5
G5
3
0
1
10
-1
-2 1/2 **Set for one octave above.
Gtrs. 1 & 2
7 7 7
5 5 5
13
13
13
0 0
0 0
0 0
0 0
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Bb
D5
F
D5
D
D5
E5
let ring 1 15
12 8 8
12
12
12
12
12
12
12
15
15
15
15
15
15
15
P.M.
0 0
0 0
F5
7 3 3
Bb5
A5
P.M.
0 0
0 0
D5
15
4 0 0
0
0
1
1
0
2
0
2
0
A5
G5
D5
13
13
13
13
P.M.
0 0
0 0
0 0
Bb5
10
10
10
10
10
13
13
13
13
13
3 3 3
Bb
D5
3 3 3
8 8 8
P.M.
7 7 7
0 0
0 0
0 0 0
F
D5
8 8 8
D
7 7 7
12 8 8
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 5
D5
1
12
12
12
12
12
12
15
15
15
15
15
15
P.M.
0 0
0 0
7 3 3
13
13
13
0 0
0 0
0 0
0 0
C5
A5
Eb5
D5
1
15
15
13
0 0 0
15
10
15
13
15
10
15
P.M.
13
D5
15
1
E5
10
D5
16
13
13
13
13
13
13
16
16
16
16
16
16
End Rhy. Fig. 1
P.M.
0 0
0 0
P.M.
4 0 0
0
0
1
1
0
3
0
1
0
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3 tacet
D5 F5 Bb5 A5
D5
1. When all
Bb5 A5 G5 D5
F5 Bb5
is
A5 D5
rit - u
F5 Bb5 A5 D5
And
now you
you
in - side,
dark
- ness
Bb5 A5 G5 D5
the
lost
D5 F5 Bb5 A5 D5
Bb5 A5 G5 D5
when all the
to
-
takes
the
al,
has
be - gun.
tear
a
-
way
F
Bb D5
Bb D5
D5
D
D5
E5 D5 E5 D5
D5
D
F D5
D
D5
Eb[b5]
light,
Bb5 A5 G5 D5
F
it
Bb D5
Bb D5
from ev
-
D5
F
E5 D5 E5 D5
D5
D
D5
C5 A5 Eb5 D5
’ry - one.
Pre-Chorus
Bb5
F5
Rhy. Fig. 2
Gtr. 2
Dis
-
con
-
nect
-
C5
ed,
so
End Rhy. Fig. 2
a
8va
Gtr. 4 (dist.)
-
lone,
9
12
loco
mf *fdbk.
10
11
X Pitch: A *Microphonic fdbk., not caused by string vibration. Gtr. 1
Riff A
let ring
8
0
6
0
let ring 7
0
6
0
let ring
10
0
8
0
let ring 9
0
8
End Riff A
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
D5
Gtr. 4
F5
Bb5
A5
Bb5
A5
loco
15ma
loco
15ma
G5
D5
12
13
10
12
13
yeah.
10
11
3 P.H.
P.H.
10
12
Bb
13
10
13
D5
14
10
14
10
-
10
13
ered
ties
3 3 1
3 3 1
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12
13
10
3 3 1
3 3 1
3 3 1
3 3 1
D5
E5
D5
10
13
13
10
you
12
12
3 3 3
3 3 3
3 3 3
3 3 3
X X X
Bb5
brings
5 5 3
5 5 3
5 5 3
3 3 1
5 5 3
know.
5 5 3
X X X
X X X
X X X
5 5 3
X X X
I - so Rhy. Fig. 3
the
X X X
X X X
-
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
5 3 3 3
0 0 0
end
3 3 1
la
F5
to
-
you
Gtrs. 1 & 2
5 5 3
D5
P.S.
uh,
5 5 3
C5
5 5 3
10
all
tion,
5 5 3
10
from
3 3 1
13
10
F5
6
13
-
E5
12
Chorus
Sev
12
3
Bb5
C5
10
D
Gtr. 1: w/ Riff A Gtr. 4 tacet
Gtr. 2
12
D5
10
10
11
F
10
Sorgdal
D5
un
0 0 0
-
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
X X X
X X X
2nd time, Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A 2nd time, Gtr. 4: w/ Fill 1
C5
til
5 5 3
you
3 3 1
you love
Eb5
D5
a - gain,
oh.
I - so
-
C5
la
-
5 5 3
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
X X X
4 5 2
4 5 2
-
ly
X X X
X X X
X X X
1 1 1
see
5 3 3 3
Rhy. Fill 1 Gtr. 1
5 5 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
X X X
5 5 3
X X X
X X X
will
come
4 5 2
5 5 3
to
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
4 5 2
4 5 2
4 5 2
X X X
X X X
5 5 3
X X X
X X X
be,
5 5 3
5 5 3
0 0 0
If
G/B
X X X
0 0 0
C5
what
3 3 1
4 5 2
To Coda
F5
could on
4 5 2
tion.
X X X
Bb5
G/B
yeah. End Rhy. Fig. 3
4 5 2
steady gliss.
4 5 2
4 5 2
4 5 2
21
P.H.
3 Pitch: Bb
Rhy. Fill 1A Gtr. 2
5 5 3
5 5 3
X X X
X X X
Fill 1 Gtr. 4
4 5 2
4 5 2
4 5 2
4 5 2
X X X
P.H.
3
P.H.
3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)
D5 F5 Bb5 A5 D5
Bb5 A5 G5 D5
Bb D5
F5 Bb5 A5 D5
Bb5 A5 G5 D5
Bb D5
F
D5
F
D5
D
D
D5
E5 D5 E5 D5
D5
Eb[b5]
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1
D5 F5 Bb5 A5 D5
2. Uh,
ti - fied,
waste
a - way.
Bb5 A5 G5 D5
jus
-
you
Gtr. 3
Bb D5
F D5
D
D5
E5
You
dare
F5 Bb5 A5 D5
grad. bend 1/4
10 10 10 10 X X X X 7 7 7 7
Bb5
10 10 10 10 X X X X 7 7 7 7
A5 G5 D5
to dream
Riff B
but
still you’re
too
10 10 10 10 10 10 10 10 10 10 X X X X X X X X X X 7 7 7 7 7 7 7 7 7 7
Bb D5
F
E5
D5
octaver off
10 10 10 10 10 10 10 10 X X X X X X X X 7 7 7 7 7 7 7 7
D5
D5
D
10 X 7
10 X 7
1/2 10 X 7
D5
10 X 7
10 X 7
10 X 7
Eb[b5]
a - fraid.
End Riff B
grad. bend 1/2 10 X 7
1/4
10 10 10 10 10 10 10 X X X X X X 7 7 7 7 7 7 7
Gtr. 3: w/ Riff B
D5 F5 Bb5 A5
D5
And now you’re
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10 10 10 10 10 X X X X X 7 7 7 7 7
ken
and
Bb5 A5 G5 D5
bro
-
10 10 10 X X X 7 7 7
10 10 10 10 X X X X 7 7 7 7
de - ceived,
Bb D5
10 10 10 10 10 10 X X X X X X 7 7 7 7 7 7
F
D5
D
10 X 7
1/2 10 X 7
D5
10 X 7
10 X 7
10 X 7
10 X 7
E5 D5 E5 D5
F5 Bb5 A5 D5
uh, lost
this
cruel
re - al
Bb5 A5 G5 D5
to
live
Bb D5
-
Gtr. 3
F
D5
D
D5
C5 A5 Eb5 D5
i - ty.
1/2
10
10 X 7
10 X 7
7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
Pre-Chorus Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3 tacet
You’re
dis
-
con
Bb5
Gtr. 4
-
nect
F5
-
ed,
so
C5
a
-
lone.
4
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
D5 F5 Bb5
A5 D5
Bb5 A5
G5 D5
Bb D5
3
13 10
15
D
D5
15 10
13 10
loco 8va
3
13
10
E5 D5 E5 D5
3
P.H. 1
10
D5
3
13
F
13 10
15
10
loco loco 8va
P.H.
13 10 12
8va
12
7
7
P.H. 1/2
14
13
12 15
15
15
15
12
13 12
10
12
13
10
10
D.S. al Coda Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 2 Gtr. 4 tacet
Bb5
Sev
-
ered
ties
F5
from
all
C5
you
know.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
C5
G/B
to
Eb5
be,
5 5 3
5 5 3
X X X X X X
Eb5
D5
yeah.
F5
8 8 8 8
Eb5 D5
Gtrs. 1 & 2
D5
what will come Gtr. 4
Interlude D5 F5
steady gliss.
4 5 2
4 4 4 5 5 5 2 2 2
6 6 6 6 5 5 5 5 6
8 8 8 8 6 6 6 6 5
Riff C
End Riff C
P.M.
21
0
P.M.
0
0
0
0
0
slight P.M. slight P.M. Gtrs. 1 & 2: w/ Riff C (2 times)
F5
Gtr. 4
Eb5
8 8 8 8
D5
Eb5 D5
6 6 6 6 5 5 5 5 6
C5
D5
C5
D5 F5
3 3 3 3 5 5 5 5 3
Eb5
8 8 8 8
D5
Eb5 D5
F5
6 6 6 6 5 5 5 5 6
Eb5
D5
8 8 8 8 6 6 6 6 5
Guitar Solo Gtrs. 4 & 5 tacet
F5
Eb5
D5
µ
Gtr. 4
P.H. slight P.M. 8 8 8 8
8 8 8 8
6 6 6 6 5 5 5 5
6
µ
P.M.
0
0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D5
F5
Gtr. 6 (dist.)
Eb5
D5 Eb5
1 1/2
let ring 1 1/2
D5
f
1
1
1
1 1/2
10
10
10
10
13
12
12
12
12
14
F5 Eb5 D5
14
14 13
6
1
6
Pitch: C
Gtrs. 1 & 2
Sorgdal
6
mf P.H. slight P.M.
Gtr. 5 (dist.)
6 6 6 6 5 5 5 5
D5
P.M.
0
0
P.M. 0 0
0 0
3 3 3
1 1 1
P.M.
0 0 0
0 0
1 1 1
0 0
0 0 0 0 0 0
3 3 3
1 1 1
0 0 0
F5
Eb5 D5
Eb5 D5
Eb5 D5
F5
Eb5
D5
10
10
Eb5
D5
F5 Eb5 D5
Gtr. 6
1
12
10
12
10
1
10 13 12
1
10
10 13
10 12
13
10
10
13
13 10
12
10 13
13 10
13
13 10
13
13 10
10 13
13 10
13
10
10
10 13 12 10
13 12 10
12
12
Gtrs. 1 & 2
P.M.
3 0 3 0 3
0 0
1 1 1
0 0 0
P.M.
1 1 1
1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0
P.M.
3 3 3
1 1 1
0 0 0
1 1 1
0 0
0 0
P.M. 0 0
Bridge
F5
Eb5
D5
Eb5
D5
Eb5
D5
0 0
3
12
10
12
10
12
10
12
10
P.M.
3 3 3
1 1 1
0 0 0
1 1 1
0 0
0 0
8
10
12
10
12
10
12
P.M. 0 0
0 0
0 0
0 0
0 0
0 0
10
11
12
1 1 1
0 0 0
0 0 0
stand,
1
13
1 1 1
Bb5
May - be you’ll
3 3 3
0 0 0 0 0 0
13
13
3 3 1
13
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Gtr. 6 tacet
F/A
may - be you’ll Gtrs. 1 & 2
2 3 0
F5
give
and
2 3 0
2 3 0
2 3 0
2 3 0
2 3 0
2 3 0
2 3 0
X X X
X X X
break
to
an - oth
find
-
er
way
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
X X X
X X X
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C/E
Bb5
and make things bet - ter.
5 3 2
5 3 2
5 3 2
5 3 2
and
learn
F5
5 3 3 3
5 3 3 3
Eb5
5 3 3 3
D5
5 3 2
F5
X X
May - be you’ll
0
find
a life you can
3 3 1
3 3 1
2 3 0
2 3 0
3 3 1
to
a - long
love
3 3 1
3 3 1
3 3 1
3 3 1
the
3 3 1
3 3 1
3 3 1
2 3 0
P.M. 0 0
3 3 3
0 0
way
2 3 0
things
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
X X X
X X X
5 3 2
5 3 2
5 3 2
5 3 2
5 3 2
D5
Eb5
D5
Eb5
D5
Eb5
F5
5 3 2
F5
P.M.
0 0 0
1 1 1
0 0
3 3 3
1 1 1
0 0 0
0 0
0 0
0 0
0 0
3 3 3
1 1 1
0 0 0
1 1 1
0 0
X X X
steady gliss.
17
µ
bet - ter.
P.M. 0 0
X X X
bet - ter,
2 3 0
µ
and make
2 3 0
1 1 1
2 3 0
C/E
2 3 0
and make things
live
Eb5
D5
F/A
steady gliss.
20
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3
D5
I
-
so
-
la
Riff D
Gtr. 3
C5
-
tion,
uh,
*w/ wah-wah
14 X 11
14 X 11
14 X 11
*Used as filter.
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
14 X 11
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
13 10
Bb5
F5
brings
you to
the
end
un
-
13 X 10
13 X 10
13 X 10
13
8
10
5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
X X X
G/B
til
13 X 10
C5
you love
Eb5
a - gain,
oh.
Riff D End
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
10 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
10 X 7
Gtr. 3: w/ Riff D
D5
I
-
C5
*
so
-
la
-
tion.
If
*Lead voc. w/ echo set for whole-note regeneration w/ 1 repeat.
Bb5
you
could
on
-
ly
D5
µ
**
I - so - la
Gtr. 3
14 14 14 14 14 14 X X X X X X 11 11 11 11 11 11
Gtrs. 1 & 2
0 0 0
0 0 0
F5
C5
see
C5
-
tion,
what
will
come
G/B
to
be,
yeah.
F5
uh, brings you to
the
end
un -
15 15 15 15 15 15 15 15 15 15 15 15 15 15 X X X X X X X X X X X X X X 12 12 12 12 12 12 12 12 12 12 12 12 12 12
13 13 13 13 X X X X 10 10 10 10
13 10
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
steady gliss.
19
Bb5
5 5 3
5 5 3
5 5 3
5 5 3
X X X X X X
3 3 1
13
8
10
5
8 8 8 8 8 8 8 8 X 15 X X X X X X X X X X 5 5 5 5 5 5 5 5 X 12
3 3 1
X X X
X X X
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
5 3 3 3
X X X X X X
**As before
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 5 meas.) Gtr. 3: w/ Riff D (last meas.)
C5
Gtr. 3: w/ Riff D
G/B
til
you
love
Eb5
D5
a - gain,
oh.
I
C5
la
-
tion.
*
-
so
-
If
**As before
Bb5
you
could
on
-
ly
F5
C5
what
will
see
G/B
come
to
be.
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 6 meas.)
You’re
dis
D5 F5 Bb5 A5 D5
-
con
Bb5 A5 G5 D5
-
nect
-
ed,
F
D5
D
D5
so
a
lone.
-
Riff E Gtrs. 4 & 5
E5 D5 E5 D5
Bb D5
End Riff E
let ring
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
Gtr. 4: w/ Riff E Gtr. 5: w/ Riff E (2 times)
F5 Bb5 A5 D5
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb5 A5 G5 D5
Bb D5
F D5
D
D5
What
will
come
Eb[b5]
to
11
15
be?
11
You’re
dis
D5 F5 Bb5 A5 D5
-
con
Bb5 A5 G5 D5
-
nect
-
ed,
F
D5
D5
E5 D5 E5 D5
so
a
D
-
lone.
Gtr. 4
Bb D5
let ring
13
17
17
F5
13
17
17
13
Bb5 A5 D5
17
13
17
13
17
13
17
13
17
13
Bb5 A5 G5 D5
13
17
13
17
Bb5 D5
8va
Gtr. 6
13
*w/ amp tremolo let ring
17
F5
13
17
D5
13
D
tremolo off amp w/ bar
13
17
13
17
17
13
µ
grad. dive
22
Gtr. 4
18
22
18
22
18
22
18
22
18
22
18
18
22
22
18
*Studio effect
Gtr. 5
13
17
13
17
13
17
13
17
13
17
13
13
17
17
13
**Studio effect
11
15
11
15
11
15
11
15
11
slack
amp tremolo off
11
15
15
11
3 3 3
slack
P.M. P.M.
P.M. P.M.
3 3 3
8 8 8
8 8
0 0
0 0
0 0 0
8 8 8
7 7 7
5 5 5
0 0
0 0
0 0
0 0
0 0
0 0
0 0
15
7 7 7
17
****Studio effect
Gtrs. 1 & 2
0 0 0
15
w/grad.bardive
***w/ amp tremolo
11
slack
amp tremolo off
let ring
15
w/grad.bardive
**w/ amp tremolo let ring
17
22
0 0
0 0
3 3
0 0
0 0
4 0 0
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Alter Bridge - AB III
Ghost of Days Gone By Words and Music by Mark Tremonti and Myles Kennedy D5
Tuning: (low to high) Db-Ab-Db-Gb-Ab-Db
Intro Moderately q = 137 D5
1
Dmaj7[no3rd]
D5
Rhy. Fig. 1 *Gtrs. 1 & 2 (clean)
End Rhy. Fig. 1
mf
0 0 0 0 0 0 0 0 17 17 17 17 17 17 17 16 14 14 14 14 14 14 14 14
*Gtr. 2: w/ chorus Gtr. 3 (clean)
0 0 0 0 0 0 0 0 16 16 16 16 16 16 16 16 14 14 14 14 14 14 14 14
0 0 0 0 0 0 0 17 17 17 17 17 17 17 14 14 14 14 14 14 14
0 12 14
0 12 14
0 12 14
0 12 14
0 12 14
0 12 14
0 12 14
0 12 14
0 12 14
mf
w/ fingers let ring throughout
0 2
0
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) ** D
Bm
A
AsusÊ
A
Riff A
Gtr. 3
4
2
0
5
0
4 4
2
0
5 2
4
2
2
2
4
2
4
5
2 0
0
0
0
0
2 2
0
4
2
0
2
4
0
2
0
**Chord symbols reflect overall harmony.
Gsus2
Rhy. Fig. 2
Gtrs. 1 & 2
0 17 14
0 17 14
0 17 14
0 17 14
D5
0 17 14
0 17 14
0 17 14
0 19 14
Dsus4
0 19 14
0 19 14
0 17 14
0 17 14
0 19 14
0 19 14
0 19 14
0 19 14
0 19 14
0 19 14
0 17 14
0 17 14
0 17 14
0 17 14
0 17 14
0 17 14
5
5
5
0 5
5
5
5
5
4
2
0 0
0
0
0
0
0
0
9
5
0 17 14
End Rhy. Fig. 2
0 17 14
0 17 14
0 17 14
0 17 14
0 17 14
0 17 14
0 17 14
End Riff A
0 5
0 5
1. The
Gtr. 3
0
D
10
0
7 9
0
0
0
0
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0
2
0
1
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Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff A (1 1/2 times) 2nd time, Gtrs. 7 & 8 tacet
D
Bm
mis - er - y mem - ber sum
-
I mer
A
know, days,
like a we were
friend young
that and
won’t un -
AsusÊ
let a
A
go, fraid.
-
is With
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gsus2
creep - ing in - no
-
up cence
on we’d
me glide
now
D5
once be - neath
Dsus4
D
a - gain. the stars.
So
I It
Gtrs. 1 & 2: w/ Rhy. Fig. 1
Bm
sing seems
this so
song long
to a
-
A
night, go,
to the be - yond the
ghost life
that that
will I
AsusÊ
not now
A
die know,
some - how seems years would have
to their
haunt way
D5
me and
Gtr. 3
0
till the end. break my heart.
Dsus4
0
0 0
0
4 2 0 9
5
5
5
5
*Gtrs. 4 & 5 (dist.)
5
5
5
5
5
5
5
0
0
0
0
0
0
10
0
7 9
0
0
X X X
0
0
Gtr. 3 tacet
the Rhy. Fig. 3
Gtrs. 4 & 5
0 0 X 7 5 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 X 7 5 5
0 0 X 7 5 5
same
for what
Em11
once
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 5 2 2
0 0 X 5 2 2
0 0 X 5 2 2
0 0 X 5 2 2
0 0 X 5 2 2
0 0 X 5 2 2
0
0 X 7 5 5
0 X 7 5 5
0 0 0
0 0 0
re - mained?
let ring
0
0
P.S.
X X X
X X X
0 0 0
Yes
feel
*Composite arrangement
Gsus2
mf
Chorus Half-time feel
D
Do you
that be - fore the
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gsus2
-
ter - day
0 0 X 5 2 2
0 0 X 5 2 2
0 0 X 5 2 2
0 0 X 5 2 2
X X X
X X X
B5
is
Riff B Gtr. 6 (dist.)
gone,
we
can’t
16 X 14
16 X 14
go
back
A
16 X 14
16 X 14
4 4 2 4
4 4 2 4
4 4 2 4
Gtrs. 4 & 5
16 X 14
18 X 16
18 X 16
18 X 16
A Asus2
a - gain.
18 X 16
16 X 14
16 X 14
14 X 12
4 4 2 4
4 4 2 4
4 4 2 4
4 4 2 4
4 4 2 4
4 4 2 4
4 4 2 4
4 4 2 4
4 4 0
4 4 0
A5
Uh, do you
18 X 16
18 X 16
mp 16 X 14
Asus2
18 X 16
18 X 16
16 X 14
16 X 14
ev End Riff B
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
End Rhy. Fig. 3
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
2 2 2 0
2 2 2 0
4 2 2 0
2 2 2 0
2 2 2 0
2 2 0
2 2 0
To Coda
End half-time feel
Gsus2
-
19 X 17
19 X 17
19 X 17
19 X 17
er
cry
for
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
Em11
the
ghost
19 X 17
19 X 17
19 X 17
19 X 17
2nd time, Gtr. 3 tacet
of
days
gone
Gtrs. 4 & 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
0 0 X 7 5 5
Gtr. 3 divisi
0 0 X 7 5 5
0 0 X 5 2 2
0
0
Interlude Gtr. 3: w/ Riff A Gtrs. 4, 5 & 6 tacet
D
Bm
A
AsusÊ
A
by?
8va
Gtr. 7 (clean)
loco
mf Harm.
5
5
5 5
Pitch: D
A
A
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda
Gsus2
D5
Dsus4
D
2. I
Gtr. 7
Harm.
re
-
w/ bar +1
7
7 5 Pitch: D
Gtr. 8 (clean)
mf
9
10
12
Coda
Interlude
Gtr. 6 tacet
D5
by.
Ghost
Riff C *Gtrs. 1 & 2
End Riff C
of
days
gone
16 16 16 16 14 14 19 19 0 0 0 0 0 0 0 0
16 16 16 16 19 19 16 16 0 0 0 0 0 0 0 0
w/ slight dist.
10 10 10 10 10 10 10 0 0 0 0 0 0 0
8 0
8 0
8 0
8 0
8 0
8 0
8 0
7 0
7 0
*Gtr. 2 chorus off; w/ flanger. Composite arrangement
Gtrs. 4 & 5
(cont. in slashes)
0 0 2 0 0 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 Gtrs. 4&5
by.
Ghost
Gtr. 2
10 0
10 0
10 0
10 0
10 0
10 0
10 0
8 0
8 0
8 0
8 0
8 0
16 0
12 0
8 0
7 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
8 0
8 0
8 0
8 0
8 0
8 0
8 0
7 0
7 0
of
16 0
Gtr. 1
16 0
16 0
16 0
19 0
19 0
16 0
16 0
days
(cont. in notation)
gone
16 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
16 0
19 0
19 0
16 0
16 0
16 0
19 0
16 0
19 0
16 0
16 0
0 0
Bridge Gtrs. 1 & 2: w/ Riff C
A#5 F#5
D5 Dm/F
by.
And
I
D7/F#
Eb5 D5
know
Eb5
it’s draw - ing
D5
clos
-
er. End Rhy. Fig. 4
Rhy. Fig. 4
Gtr. 4
P.M.
8 8 8
P.M. P.M.
0 4
4
4
4
4
4
4
0
3
4
3
0
1 1 1
0 0 0
1 1 1
1 1 1
0 0 0
w/ bar
0 0 0
0 0 0 -1/4
Rhy. Fig. 4A
Gtr. 5
P.M.
8 8 8
End Rhy. Fig. 4A
P.M. P.M.
0 4
4
4
4
4
4
4
0
3
4
3
0
1 1 1
0 0 0
1 1 1
Eb5
D5
Eb5
1 1 1
0 0 0
Gtrs. 1 & 2: w/ Riff C Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A
A#5 F#5
Uh, with each
day
D5 Dm/F D7/F#
I
fear
the
end
D5
and
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
*
A#5 F#5
Dm Dm/F D7/F#
I
Eb5 D5
A#5 F#5
**
don’t want to
Dm Dm/F D7/F#
die,
Eb5 D5 ***
don’t want to
die,
P.M. P.M. P.M. P.M. Gtrs. 4 & 5
8 X 8
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
3 X 0
0 3
0
3
4
*w/ echo set for half-note regeneration w/ 2 repeats.
A#5 F#5
8 X 8
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
3 X 0
0 3
4
3
0
**As before
Dm Dm/F D7/F#
0 0 0
Eb5 D5
A#5 F#5
†
don’t want to
1 1 1
0 0 0
***As before
Dm Dm/F
***
1 1 1
die.
D7/F# µ
I
don’t
want to
P.M. P.M. P.M. P.M. Gtrs. 4 & 5
die.
Harm.
7 8 X 8
4 X 4
4 X 4
4 X 4
Gtr. 7
4 X 4
4 X 4
4 X 4
4 X 4
3 X 0
0 3
3
4
0
1 1 1
0 0 0
8 X 8
4 X 4
††
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
4 X 4
3 X 0
3 X 3
0
4
pp
mf
w/ dist. †††fdbk.
X Pitch: C †As before. ††Vol. swell †††Microphonic fdbk., not caused by string vibration.
Interlude Gtr. 7 tacet
A#5 F#5
F#m[b6]
P.M. Rhy. Fig. 5
Gtrs. 4 & 5
8 8 8
4 4 4
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Sorgdal
4 4 4
4 4 4
0 0 X 4 4 4
D5
F6
D5 F#m[b6]
P.M.
P.M.
0 0 X 4 4 4
0 0 X 3 3 3
0 0 0
3 3 3
0 0 0
4 4 4
Eb5 D5
A#5 F#5
F#m[b6]
D5
F6
D5 F#m[b6]
Eb5 D5
P.M.
P.M.
P.M.
0 0 X 4 4 4
0 0 X 4 4 4
0 0 X 3 3 3
0 0 X 4 4 4
1 1 1
0 0 0
8 8 8
4 4 4
4 4 4
4 4 4
0 0 X 4 4 4
0 0 0
3 3 3
End Rhy. Fig. 5
0 0 0
4 4 4
1 1 1
0 0 0
Gtrs. 4 & 5: w/ Rhy. Fig. 5
A#5 F#5
F#m[b6]
Gtr. 8
D5 F6
D5 F#m[b6]
Eb5 D5
A#5 F#5
F#m[b6]
D5 F6
D5 F#m[b6]
Eb5 D5
f
w/ dist. P.S.
X X X
Guitar Solo Half-time feel Gtrs. 4 & 5: w/ Rhy. Fig. 3 (1st 4 meas.)
Gsus2
Em11
let ring
0
14 0
14 0
14 0
B5
14 0
12 0
11 0
12 0
14
12
0
1/2
0 0
let ring
0
0 12
14
12
0 17
17
0 17
0 17
0 16
0 0 17 17 22
0 22
0 22
0 21
21
0 17
0
A
Asus2
A5
Do you
Gtr. 8
let ring
12
16 14
*Gtrs. 4 & 5
4 4 2
14
4 4 2
4 4 2
3
4 4 2
4 4 2
4 4 2
4 4 2
3
16 14 12
16 14
14
14
let ring
12
16
14
4 4 2
12
16
0
14
14
17
14
14
16 14
4 4 2
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
2 2 2 0
4 4 2
4 4 0
4 4 0
14
14
2 2 2 0
2 2 0
2 2 0
2 2 0
16
19
feel
steady gliss.
2 2 0
16
*Composite arrangement
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Sorgdal
Chorus
Gtrs. 4 & 5: w/ Rhy. Fig. 3 (2 times)
Gsus2
Em11
the
Gtr. 8
same
for
what
once
re - mained?
Yes
-
ter - day
8va
w/ bar
19
21
fdbk.
21
21
Gtr. 6: w/ Riff B
B5
is
we
gone,
can’t
go
A
back
Asus2
a - gain.
A Asus2
A5
Uh, do you
loco
ev -
8va
21
21
Gsus2
-
Gtr. 8
er
cry,
uh, for the
Em11
21
days
21
21
21
21
gone
by.
21
21
21
21
21
21
21
21
Uh, do they
haunt
21
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
Gtr. 6
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
21 X 19
21 X 19
19 X 17
21 X 19
19 X 17
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
21
14 X 12
14 X 12
Gtr. 6: w/ Riff B
B5
you
like
a
ghost
un - til
Gtr. 8
the
Gtr. 8 tacet
A
end?
Asus2
Haunt
A Asus2
you
till
A5
the
end.
21 21
21
21
21
Outro Gtrs. 4 & 5: w/ Rhy. Fig. 4 (1st 2meas., 4 times)
A#5 F#5
D5 Dm/F D7/F#
A#5 F#5
D5 Dm/F D7/F#
Eb5 D5
Eb5 D5
Un - til Riff D2
Gtr. 6
8va
1 20
1 20
Gtr. 7
w/ dist. flanger off 1 17
Riff D3
1 20
1
1 20
17
1
1
1 22
1
1
17
17
1
Gtr. 1
1 20
1
17
1 22
20
1
1 17
1 17
1
1
1
17
1
10
12
12
10
13
13
13
13
13
13
15
15
13
*w/ dist. & octaver 1 1 10
10
1
1 10
1 10
1 10
1 10
1 17
1 17
1
17
1 17
End Riff D1
1 17
1
17
17
End Riff D3
w/ bar 13
1 10
1
10
10
Riff D
1
17
1
10
10
20
10
end. End Riff D2
w/ bar
1
10
the
-1/2
Gtr. 2
1 20
Riff D1 8va
1 10
1 10
-1/2
1 10
1 10
1 10
1
10
End Riff D
1 10
10
*Octaver set for one octave above.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End half-time feel Gtrs. 1 & 2: w/ Riffs D & D1 (2 times) Gtrs. 6 & 7: w/ Riffs D2 & D3 (3 times)
A#5 F#5
D5 Dm/F
Eb5 D5
A#5 F#5
D5 Dm/F
D7/F#
D7/F#
Eb5 D5
Un - til
the
end.
Gtrs. 4 & 5: w/ Rhy. Fig. 5 (2 times)
A#5 F#5
F#m[b6]
A#5 F#5 F#m[b6]
D5 F6
8va
1 17
1 17
Gtr. 8
1 17
1 17
17
D5 F#m[b6] Eb5 D5 A#5 F#5
1
Eb5 D5
1 17
1 17
1 17
F#m[b6]
D5
D5 F#m[b6]
D5
1 17
17
Un - til
the
1/2 1
1/2
17
17
17
1 10
1
10
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1 10
1 10
1 10
1 10
1 10
1 10
1 10
1 10
1 10
end.
Eb5
D5
w/ bar grad. dive
15
15
-1/2
-1
6
10
7 10 9
6
8
6
6 4
1 10
3
Gtr. 1
loco
1
F#m[b6]
Eb5 D5
F6
7
Sorgdal
D5 F6
F#m[b6]
1 17
A#5 F#5
Gtr. 2
D5 F#m[b6]
D5 F6
75
6 5 4
6
7
4 6
1 10
10
10
10
10
10
10
10
6
from Alter Bridge - AB III
All Hope Is Gone Words and Music by Mark Tremonti and Myles Kennedy
Drop B tuning, down 1/2 step: (low to high) Bb-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q. = 55 *B
G6
Riff A
G5
D
Gtr. 1 (clean)
mf let ring
let ring
let ring
A
let ring
let ring
1/2
6 0
7
0
9 0
9
9
0
7
6 0
7 8
9
8
0
10
0
0
0
11 0
12
11 0
14
0
11
12
11 0
0
12
11
12
*Chord symbols reflect basic harmony.
Bsus2
B
Gtr. 2 (dist.)
** mp
mf
1
10
G6
G5
w/ bar
10
10
10
7
**Vol. swell
let ring let ring Gtr. 1
let ring
let ring
let ring
1/2
11 14 0
11 14 0
11 14
0
11 14
11 14 0
11 14 0
11 14
0
0
6 0
0
7
9 0
9
0
9
7
6 0
7 8
8
9
10
0
0
0
0
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
11 0
12
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D
A
Bsus2
w/ bar
7
1. A
7
-1/2
-1
0
12
11
11 0
0
let ring
let ring
11 0
12
12
11
11 14 0
14 0
let ring
12
11
11 14
0
11 14 0
11
14 0
End Riff A
0 0
14 0
Verse Gtr. 1: w/ Riff A (1 7/8 times) Gtr. 2 tacet
B
tire
-
less
Bsus2
stream
of
D
A
dreams
that
G6
I
once
held
in
G5
of
B
-
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
a - thy
these
born
The
a
flows
through
veins
G6
I
all
but
of
no
long - er
care.
D
fight
G6
long
De
A
time
a - go
is
gone
Bsus2
con
af
grown
-
ter
- cede.
D
has
dis - posed
sire
-
I
riv - er
has
runs
the
till
been lost
G5
B
G5
A
have
side.
years.
D
-
Bsus2
G5
B
all
- dif - fer - ence
I
Sorgdal
in
dry.
ap
G6
The
A
to
I
can’t
what
de -
Bsus2
Bm
-
feat,
Gtr. 1
let ring
11 14 0
no.
14 0
11 0
11 14
Gtr. 3 (dist.)
11 14 0
14 0
11
14 0
0 0
let ring
12 14 0
14 0
14 0
14 0
12 14 0
12 14 0
12 14
12 14 0
12 14
X X
14 12
12
mf
14 12
Chorus 2nd time, Gtrs. 4 & 5 tacet
G
Gsus2
I’ve been
here
too
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
14 12
14 X 12
14 X 12
X X X
12 12 12 10
12 12 12 10
12 12 12 10
12 12 12 10
12 12 12 10
14 12 10
14 12 10
10 8
10 8
10 8
10 8
10 8
10 8
Rhy. Fig. 1
Gtr. 1
long.
Riff B
Gtr. 2
D/F#
I’m
15 X 12
15 X 12
15 X 12
X X X
X X X
11 12 9
11 12 9
11 12 9
11 12 9
11 12 9
11 12 9
11 12 9
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
X X X
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
14 12 10
14 12 10
14 12 10
11 12 9
11 12 9
11 12 9
10 8
10 8
10 8
10 8
9 7
9 7
w/ dist.
12 12 12 10
Rhy. Fig. 1A
Gtr. 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dsus2
tired
and
long
ing
for
-
A/C#
more.
0 5
0 5
0 5
0 5
End Riff B
0 5
0 5
0 5
0 5
0 5
5 5
0 5
0 5
0 5
0 5
9 7 5
9 7 5
9 7 5
9 7 5
9 7 5
9 7 5
9 7 5
9 7 5
9 7 5
9 7 5
6 7 4
6 7 4
6 7 4
6 7 4
6 7 4
6 7 4
6 7 4
6 7 4
0 5
5 5
0 5
0 5
X X
X X
End Rhy. Fig. 1
X X
X X
End Rhy. Fig. 1A
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
Gtr. 1 & 3: w/ Rhy. Figs. 1 & 1A Gtr. 2: w/ Riff B
G
Gsus2
How
long
I
run,
must
find
what
I’m
look
-
ing
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D/F#
uh,
to
To Coda
Dsus2
4
Sorgdal
A/C#
for?
G5
All
D/F#
C#5
hope
is
Gtr. 1
1
12 12 10
12 9
Gtr. 3
2
2
1
10 8
Interlude B
9 7
2
G6
2
G5
gone. Riff C *Gtrs. 1&3
let ring
9
10
let ring
11 0
12
let ring
1/2
8 X 6 0
0
9 X 7
9 X 7
11
11
11 X 9
9
9
0
9 X 7
8 X 6 0
7 8
8
0
0
0
0
*Composite arrangement
D
A
Bsus2
2. The
let ring
11 0
0
14
11
12
End Riff C
let ring
11 0
11 0
12
11
12
11 14 0
let ring
14 0
11
14 0
11
11 14 0
let ring
14 0
11
14 0
11
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse B
sad
Gtr. 2
-
ness
I
car
G6
-
ry so
deep
in
G5
my
heart
for
16
Gtr. 4 (dist.)
16
16
12
16
16
12
16
12
16
16
16
16
16
Gtr. 5 (dist.)
16
16
16
16
12
16
let ring
16
16
16
16
16
8
Gtrs. 1 & 3
5
8
5
8
8
let ring
5
8
15
16
5 8
8
might
14
17
14
17
17
14
15 14
9
6
7
15
1/2
8
and
mf
15
been
12
16
1/2
12
could have
14 16
mf 12
what
A
1/2
12
let ring
D
8
8
8
7
8
let ring
let ring
7
let ring
6
let ring
1/2
8 X 6 0
0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 X 7
9 X 7
11 9
11 X 9
11 9
0
9 8 X X 7 6 0
7 8
8
9
10
0
0
0
0 11 12 0
11 0
0
12
11
12 11 0
0
12 11
12
Bsus2
B
be,
8va
loco
22
22
nev
1
16
is
-
er
for
G6
- got
-
ten.
It’s
G5
nev - er
too
far.
I’m
let ring
1/2
22
16
let ring
16
12
16
12
16
16
12
16
12 16
16
16
16
16
16
let ring
1/2
16
16
16 14
16 14
P.M.
16
14
16
16
let ring
16
12
16
12
16
16
12
16
12 16
16
16
16
16
16
14
let ring
1/2
4
4
4
2
4
2
4
4
5
4
8
let ring let ring
8
5
8
5
8
8
let ring
5
8
5 8
8
8
8
8
8
let ring
let ring
1/2
11 14 0
14 0
11
14 0
11
11 14 0
14 0
11
14 0
11
8 X 6 0
0
9 X 7
9 X 7
11 9
11 X 9
11 9
0
9 8 X X 7 6 0
7 8
8
9
10
0
0
0
0 11 12 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda
D
wast
A
-
Bsus2
ed, so
worn
and
so
Bm
weak.
let ring
15 14
17
17
17
16
16
16
12
12
16
16
17
17
14
14
14
grad. bend
1 1/2 1 1/2
14
16
16
16 14
1/2
17 15
1 1/2 1 1/2
12
let ring
15
grad. bend
1
14
16
16
14
14
16
16
14
let ring
16
P.M.
1/2
7
11 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
7
6
6
6
let ring
let ring
11 14 11 0 12 11 0
0
4
12 11
12
11 14 0
2
4
2
4
2
2 4
4
2
4
2
let ring
let ring
14 0
11
14 0
11
11 14 0
14 0
11
14 0
11
3 4
3 4
3 4
3 4
3 4
0 3 4
3 4
0 3 4
0 3 4
0 3 4
0
P.M. 12 12 12 12 12 14 14 14 14 14 0 0 0 0 0
0
8
12 12 12 12 12 12
Coda
G5
All
Gtr. 1
D/F#
µ
hope
is
Gtr. 3
12 12 10
12 9
gone.
steady gliss.
12 12 10
B5
24
0
Fill 1
1
10 8
Interlude Em(add4)/B
10 8
9 7
2
2
0
B7
Ah.
Riff D
10
12 12
12
10
let ring
Ah.
Gtr. 2
12
let ring
12 12
11
10
11 11
11
10
End Riff D
11 11
End Fill 1
Gtrs. 1 & 3
0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff D
Em(add4)/B
B7
Ha. (Ha.
Gtrs. 1 & 3
0
0
Em(add4)/B
B7
Ha. Ha.)
Gtr. 2
let ring
12
10
12 12
12
10
12
10
12 12
12
10
5 3
3 1
2 0
0
3 1
3 1
0
0
2
0
10
11
11
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
12
10
12
12
10
11
10
11
X
11
11
10
let ring
11
10
11 11
11
5 3
3 1
2 0
0
10
11
10
11 11
11
10
P.M.
0
0
Ha.
0
2
0
0
let ring
12
10
12 12
12
0
10
12
Em(add4)/B
let ring
11
12
12
11
10
12
Gtrs. 1 & 3
P.M.
12
5 3
3 1
2 0
0
10
12
10
12 12
12
10
P.M.
3 1
3 1
0
0
2
0
12
10
12 12
12
10
12
10
12 12
12
10
X X
B7
µ
let ring
10
11
11 11
10
11
11
10
11 11
10
11
11
10
11
11
10
11
P.S.
Gtrs. 1 & 3
2
0
0
0
C#5
B5
C5
P.M.
5 3
3 1
2 0
0
0
0
Gtr. 4 divisi
X X X
0
Interlude Gtrs. 2 & 4 tacet
D5
C5
B5
B5
E5
C5
Riff E
5
3
End Riff E
Gtrs. 1 & 3
2
0
0
P.M.
0
2
5 X 3
0
P.M.
5 X 3
0
0
0
4 X 2
4 X 2
9
9 X 7
5 X 3
5 X 3
5 X 3
5 X 3
7
5 X 3
Gtrs. 1 & 3: w/ Riff E (2 times)
D5 C5
B5
C#5 B5 C5
B5
E5
All
hope
C5
D5
C5
B5
is
C#5 B5 C5
gone.
Guitar Solo
B5
Gtrs. 1 & 3: w/ Riff C
E5
C5
Gtr. 2
f
B
0
X X
7 7
7 7
7 7
10
10
9
9
9
7
7
9
1/2
3 1
1
X X
9
9
9
0 8 9
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G6
G5
13 14
15 16
15
12
10
12
D
A
3
15ma
3 P.M.
0 0
7
0 0
9
9
9
7
Bsus2
9
7
3
P.M.
8
7 7
Gtrs. 1 & 3
7
9
7
9
6
5
8 X 5
11
14 0
G5
11
10 X 7
7
10 X 7
15
0
12
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
9
10
0
0
5
12
0
14 0
14 X 11
let ring
7 8
let ring
10
11
14 0
7
11 14 0
9
0
let ring
11 0
12
6
8 X 6 0
11
let ring 1
2
E#
0
2
9
7
µ
2
7
let ring
let ring 7
9
let ring
7
8
9
14 0
G6
7
11 14 0
10
P.H.
B
3 3
0
1
Pitch: F#
Gtr. 2
loco
2
2
8 X 6 0
8 X 6 0
8 X 6 0
8 X 6 0
0 0
4
D
7
A
7
10
7
10
10
12 10
9
let ring
11 0
0
12
11
12
12
11
12
15 12
11 0
0
let ring
14
17 14
14
12
11
12
16
Bsus2
8va
19
17
19 19
*
17
19 19
D
1 1/2 1
19 19
1 1/2 1
1 1/2
19 19
19
A
Bsus2
1 1/2 19
19
22 19
15ma loco
loco
P.H. 1/2
19
12
1/2
11
11
12
10
7
9
0 0
8
8
9
7
9
*2nd string caught under bend finger.
let ring 11 14 0
14 0
11
14 0
11
let ring
11 14 0
14 0
11
14 0
11 0
11
11 12 0
11
** P.M.
12 11 0
11 12 0
11
11 14 0
12
11 14 0
11 14 0
11 14 0
11 14 0
11 14 0
11 14 0
11 14 0
11 14 0
11 14 17 0
**Gradually lift P.M.
Chorus Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (3 times)
G
Gtr. 2 tacet
Gsus2
D/F#
I’ve been
here
too
long.
Gtr. 2
Dsus2
I’m
tired
and
long - ing for
5
Riff F
Gtr. 5
let ring
5
0
0 5
0
3 5
0 4
5
let ring
3 4
0
4
0
3 4
0 0
3
let ring
0 3
0 3
0 3
0 3
0 3
3
3
0
3
4
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A/C#
G
more.
How
long
D/F#
must
I
0 2
0 2
2
2
3
find
what I’m
look
2
0
0
2
5
0
0 5
0
3 5
0 4
5
let ring
3 4
A/C#
0
4
0
3
0
-
ing
G
0
4
0 3
0 3
D/F#
0 3
0 3
0 3
0 3
0 3
long.
0 3
0 3
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
16
0
15 16
0
I’m
tired
17 16
0 2
Dsus2
let ring
0
for.
0 3
Gsus2
I’ve been
let ring
Sorgdal
uh, to
3
4
Gtr. 5: w/ Riff F
Dsus2
16
run,
let ring
0 2
End Riff F
Gtr. 5
Gsus2
15
0 2
0 2
0 2
and
0 2
0 2
2
2
0 0
0
2
here
too
Gtr. 2
let ring
17 17 17
16
15 17 17
A/C#
16
17
15
17
more.
let ring
0 15
0 0 15 15
0 0 0 15 15 15
0 0 15 17
mp
long - ing for
0 15
14 14
14
14
14
15 14 14
16
14
G5
All
Gtr. 2
let ring
17
17
17
Gtr. 5
16
15 17
17
16
17
0
0
Gtr.1
0
3
0
5
4
5
hope
is
0
16
0
4
0
1/2
15
16
19
0
let ring
4
let ring
3
5
16
let ring
5
C#5
15
17
D/F#
18
14
18
15
4
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
11 12 9
11 12 9
11 12 9
2
2
2
2
1
Gtr. 3
10 8
10 8
10 8
10 8
10 8
10 8
9 7
9 7
9 7
1
Interlude Gtrs. 1 & 3: w/ Riff E (4 times) Gtr. 5 tacet
D5 C5
B5
C#5 D5 C5
B5
E5
C5
*Voc. Fig. 1
D5 C5
B5
gone.
Gtr. 2
C#5 B5 C5
B5
End Voc. Fig. 1
All
E5
hope
C5
is
(Ah.)
0
0 0 0
0 0 0
0
0
0
0 0 0
0 0 0 0 0 0 0 0
0
0 0 0
0 0 0
0
0
0
*Refers to upstemmed voc. only.
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
gone.
Gtr. 4
C#5 B5 C5
Bkgd. Voc.: w/ Voc. Fig. 1
D5 C5
B5
C#5 B5 C5
B5
E5
C5
D5 C5
B5
All
15ma
3 Pitch: A#
0
0
0
C
A
C
E5 C5
hope
is
fdbk.
Gtr. 2
B5
string noise 1
1
7
10
9
12
X X X
Outro Gtrs. 1 & 3: w/ Fill 1 Gtr. 2: w/ Riff D (2 times)
Em(add4)/B
B7
gone.
Gtr. 4
8va
fdbk. 1/2
Gtr. 5
1/2
2
2
2
2
Pitch: F
A
G
B
F#
A
fdbk.
2
2
2
2 A
fdbk. 1/2
4
Gtr. 6 (dist.)
mf 0 2
16 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
2
2
fdbk.
0 2
1/2
2
2
Gtrs. 1, 3 & 6 tacet
Em(add4)/B
Gtr. 4
B7
8va
0
0
fdbk.
0 0
0
*
0
0 Pitch: F#
Gtr. 5
F#
B
G#
*Bend neck
w/ bar fdbk. grad. bend
4
1
1/4
2
4
Gtr. 6
2
2
4
-3/4
2
Gtrs. 1 & 3
0
Em(add4)/B
B7
Gtr. 4
Gtr. 5
8va
fdbk.
0
0
rit.
w/ bar
rit.
w/ bar
4
4
1/4
Gtr. 2
4
4
rit.
let ring
12
10
12 12
12
10
12 12
11
10
11 11
11
10
11 11
17 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Alter Bridge - AB III
Still Remains Words and Music by Mark Tremonti and Myles Kennedy Drop B tuning, down 1/2 step: (low to high) Bb-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q = 94 **B5
A5/B
B5
Riff A *Gtrs. 1 & 2 (slight dist.)
End Riff A
0
0
mf
0
let ring
3
1
3
0
0
0
3
1
0
0
0
0
3
1
0
3
0
0
3
let ring
1
0
0
0
2
0
0
*Composite arrangement **Chord symbols reflect basic harmony.
1. Gtrs. 1 & 2: w/ Riff A (1 3/4 times)
B
A5/B
Gtr. 3 (slight dist.)
let ring
8
7
0
7
8
9
7
8
B
mf
9
C
let ring
9
10
8
9
0
8
9
8
9
10
8 9
2. Gtr. 3 tacet
let ring B
Gtr. 3
8
B5
C5
8 9
Riff B
Gtrs. 1 & 2
0
A5 µ
2
0
0
f
w/ dist.
19
2
0
0
0
1
0
3
2
0
3
1
0
5
2
0
0
0
1
P.H.
3
0
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Riff B
B5
µ
B5
End Riff B
2
Am/C
0
0
0
1
3
0
C5
2
0
3
A5 µ
1
5
0
2
B5
0
0
0
1
0 1
X X
Am/C
µ
1. I
cast
a
Verse B5
when
I
line
C5
saw
you were
Riff C Gtrs. 1 & 2
2
P.M. 0
0
0
1
3
0
2
Am/C
Uh,
still you
P.M.
0
µ
3
1
0
turned
P.M.
2
0 1
0
0
0
1
X X
X X
X X
End Riff C
2
P.M. 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
0
0
0
1
0 1
X X
X X
0
your
X X
drown
0
1
back
3
2
0
on
ing.
P.M.
0
0
0
1
0
3
2
P.M.
0
3
1
0
5
Ebadd9
me.
14 12 10
14 12 10
14 14 14 14 12 12 12 12 10 10 10 10
14 14 12 12 10 10
9 10 8
9 10 8
9 9 9 9 10 10 10 10 8 8 8 8
Rhy. Fig. 1
-
Rhy. Fig. 1A
Gtr. 1
5
B5
P.M.
Gtr. 2
Gadd9
A5 µ
0
0
10 8 6
End Rhy. Fig. 1A
10 8 6
10 10 10 10 8 8 8 8 6 6 6 6
10 10 10 10 8 8 8 8 6 6 6 6
P.M.
End Rhy. Fig. 1
9 9 10 10 8 8
0
0
5 6 4
5 6 4
5 6 4
5 6 4
5 6 4
5 6 4
5 6 4
5 6 4
0
0
Gtrs. 1 & 2: w/ Riff C (1st 3 meas.)
B5
Pulled
you
from
Uh,
µ
still you
C5
fire
when
you
were
Gadd9
nev
-
2
P.M. 0
0
0
0 1
1
X X
X X
X X
P.M. 0
0
0
0 1
1
Chorus G5
car
-
X X
-
burn
-
ing.
lieve.
14 12 10
14 12 10
14 14 14 14 12 12 12 12 10 10 10 10
X X
be
B5
Ebadd9
Rhy. Fig. 2
2
could
A5 µ
14 14 12 12 10 10
0
0
9 10 8
X X
ry
on
9 10 8
So End Rhy. Fig. 2A
0 0 0
10 8 6
15
7
Gtr. 1
er Rhy. Fig. 2A
Gtr. 2
the
Am/C
End Rhy. Fig. 2
9 9 9 9 10 10 10 10 8 8 8 8
9 9 10 10 8 8
0
0
if
you
0 0 0
5 6 4
0 0 0
0 0 15
7
Eb5
must
go
0 0
your
way.
Riff D Gtr. 4 (dist.)
mf
7 X 5
7 7 7 X X X 5 5 5
7 7 7 7 7 X X X X X 5 5 5 5 5
7 7 7 7 X X X X 5 5 5 5
7 7 7 X X X 5 5 5
7 X 5
7 7 7 7 7 X X X X X 5 5 5 5 5
7 7 7 7 X X X X 5 5 5 5
3 X 1
3 3 3 X X X 1 1 1
3 3 3 3 3 X X X X X 1 1 1 1 1
3 3 3 3 X X X X 1 1 1 1
Rhy. Fig. 3
Gtrs. 1 & 2
10 8
10 10 10 8 8 8
10 10 10 10 10 8 8 8 8 8
10 10 10 10 8 8 8 8
10 10 10 8 8 8
10 8
10 10 10 10 10 8 8 8 8 8
10 10 10 10 8 8 8 8
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
1
1
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Though
it
C5
breaks
5 X 3
5 5 5 X X X 3 3 3
G5
5 5 5 5 5 X X X X X 3 3 3 3 3
my
heart,
your
free End Riff D
5 X 3
7 X 5
7 7 7 X X X 5 5 5
7 7 7 7 7 X X X X X 5 5 5 5 5
7 7 7 7 X X X X 5 5 5 5
7 7 7 X X X 5 5 5
7 X 5
7 7 7 7 7 X X X X X 5 5 5 5 5
7 7 7 7 X X X X 5 5 5 5
End Rhy. Fig. 3
3 1
10 8
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
10 10 10 8 8 8
10 10 10 10 10 8 8 8 8 8
10 10 10 10 8 8 8 8
10 10 10 8 8 8
To Coda
Eb5
will
still
re
-
10 8
10 10 10 10 10 8 8 8 8 8
3 X 1
3 3 3 X X X 1 1 1
3 3 3 3 3 X X X X X 1 1 1 1 1
Gtrs. 1 & 2: w/ Riff B Gtr. 4 tacet
C5
mains.
3 3 3 X X X 1 1 1
3 X 1
B5
Oh.
5 X 3
5 5 5 X X X 3 3 3
5 5 X X 3 3
5 5 5 X X X 3 3 3
5 5 5 X X X 3 3 3
6 4
6 4
6 4
6 4
6 4
6 4
C5
6 4
6 4
6 4
A5 µ
6 4
1
1
3 1
B5
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
X X X X X X
6 4
10 10 10 10 8 8 8 8
Interlude
3 1 20
X X X X
Am/C
µ
2. I
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 1 & 2: w/ Riff C
saved
you
Gtr. 4
from
B5
the
Gtr. 4: w/ Riff E
fall
C5
A5 µ
when
you
were
0 4
slip
Riff E
0 4
B5
-
ping.
End Riff E
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Am/C
still
you
Uh,
µ
Gadd9
broke
from
me
Gtrs. 1 & 2: w/ Riff C (1st 2 meas.)
B5
how
can
you
Gtr. 4
0 4
0 4
jus
ti
0 4
0 4
0 4
0 4
0 4
0 4
0 4
-
to
0 4
0 4
the
So
fy
0 4
run.
-
Ebadd9
0 4
0 4
C5
A5
life
you’re
µ
liv
-
0 4
0 4
0 4
0 4
0 4
0 4
0 4
D.S. al Coda Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
Gadd9
-
Ebadd9
ing?
You
must
w/ bar
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
0 4
7
7
-3 1/2
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Interlude
B5
C5
B5 C5
B5
Em
Gtr. 4 tacet * C5 B5
Riff F Gtr. 5 (dist.)
f
P.M.
4 X 2
4 X 2
1
0
0
0
0
0
0
0
1
1
0
1
1
0
0
0
8
7
5
5
8
7
5
5
0 *Chord symbols reflect implied harmony.
Gtrs. 1 & 2 tacet
Gtr. 5: w/ Riff F
C5 B5
C5
B5 C5
B5
Em
C5 B5
Gtr. 5
C5 B5 C5 B5
End Riff F
P.M.
13 12
0
0
0
0
1
1
0
1
1
0
0
0
8
7
5
5
8
7
5
Em
5
Bridge
Gtrs. 5 & 6: w/ Riff F (3 times)
C5 B5
C5 B5 C5 B5
Em
*** B
You’ll de - ny
Gtr. 6 (dist.)
P.M. 8 7 5 5 8 7 5 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
f
8 X 6
you’ll de - ny
w/ wah-wah
**Two gtrs. arr. for one. ***Chord symbols reflect overall harmony.
6
it all,
**Gtr. 7 (dist.)
f
Bsus4
9 X 7
me once a - gain.
B
Uh, but I’ve seen it all.
P.S.
8 X 6
X
B5
uh, back
to
me
Gtr. 7
8 X 6
9 X 7
be
- fore
the
end.
11 X 9
11 X 9
I know you’ll come to crawl,
X X X X
Bsus4
14
9 X 7
12
11 9
Gtrs. 5 & 6
P.M. P.M.
1
0
0
0
0
0
1
16 X 14
2
0
0
8
7
5
5
8
7
5
5
13 12
0
0
0
B/D#
0
1
1
0
1
1
0
0
0
1
15
G5
0
0
0
1
F#5
1
E5
Riff G
1 1 0
C5
0
Gtr. 7 tacet
1
0
1
2
3
2
4
4
End Riff G
4
5
8
5
8
8
7
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 5 & 6: w/ Riff G (3 times)
B5
C5
B/D#
E5
G5
F#5 B5
C5
B/D#
E5
G5
F#5
Ah,
B5
C5
Gtrs. 1 & 2
E5
G5
F#5
B/D#
P.S.
X
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff D 2nd time, Bkgd. Voc.: w/ Voc. Fill 1
G5
car
-
ry
on
8 8 8 8 8 8 1010 10 10 X X X X X X XXX X 5 5 5 5 5 5 7 7 7 7
10 X 7
10 X 7
if
you
Gtr. 8 (dist.)
must
go
your
way.
mf 8 X 5
C5
Though it
13 13 13 13 13 13 13 13 13 X X X X X X X X X 10 10 10 10 10 10 10 10 10
10 X 7
11 X 8
11 X 8
11 X 8
11 X 8
11 13 13 13 15 15 15 X X X X X X X 8 10 10 10 12 12 12
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 13 13 13 15 15 15 X X X X X X X 8 10 10 10 12 12 12
breaks
13 X 10
my heart,
8 X 5
8 8 8 8 8 8 10 X X X X X X X 5 5 5 5 5 5 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
11 X 8
Voc. Fill. 1
8
11 X 8
G5
Sorgdal
Eb5
10 X 7
10 X 7
10 X 7
10 10 X X 7 7
10 X 7
your
11 11 X X 8 8
11 X 8
11 X 8
11 X 8
11 X 8
free
11 13 13 13 15 15 15 X X X X X X X 8 10 10 10 12 12 12
Eb5
will
1. C5
still
2.
re - mains.
Uh,
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
11 X 8
13 13 X X 0 10 10 0
11 X 8
Gtr. 4
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
11 111111 XXXX 8 8 8 8
13 13 13 13 X X X X 10 10 10 10
6 4
6 4
6 4
6 4
6 4
6 4
6 4
13 13 13 13 13 X X X X X 10 10 10 10 10
still
re
3 3 3 3 XXXX 1 1 1 1
5 5 0 0 X X 0 0 3 3
5 X 3
5 5 5 X X X 3 3 3
5 5 X X 3 3
6 6 4 4 1 1
3 1
3 3 3 1 1 1
3 3 3 1 1 1
3 3 1 1
1
15
13 13 13 13 13 13 13 13 13 13 X X X X X X X X X X 10 10 10 10 10 10 10 10 10 10
5 5 5 X X X 3 3 3
-
5 X 3
6 4
(It
Gtrs. 1 & 2
6 4
so re - mains.)
(Still Gtr. 8
C5
5 5 5 X X X 3 3 3
5 5 5 5 5 5 X X X X X X 3 3 3 3 3 3
3 1
3 3 3 1 1 1
3 3 3 3 3 3 1 1 1 1 1 1 13
Outro Gtrs. 1 & 2: w/ Riff G (3 times) Gtrs. 4 & 8 tacet
B5
C5
B/D#
E5
G5
F#5
mains.
B5
C5
B/D#
E5
G5
F#5
B5
C5
B/D#
E5
G5
F#5
Ah.)
Gtrs. 1 & 2 tacet
B5
C5
2
B/D#
Gtrs. 1 & 2
0
0
0
1
1
0
1
2
3
2
E5
4
G5
F#5
µ *Gtr. 9
4
4
5
5
8
8
8
B5
f
7
0 *Bass arr. for gtr.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Alter Bridge - AB III
Make It Right Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Words and Music by Mark Tremonti and Myles Kennedy
Intro Moderately q. = 63 **C6[no3rd] Gtr. 3 (elec.)
G
Asus4
Aadd4
*** pp
mf
w/ slight dist.
10
***Vol. swell
Riff A *Gtrs. 1 & 2
mf let ring throughout
8
0
7
0
7
0
8
7
0
0
0
0
3
5
0
0
0
5
5
3
4
0
0
5
5
7
0
7
0
7
5
7
0
7
0
7
7
5
6
0
0
6
7
7
5
9
5
5
*Gtr. 1 (acous.); Gtr. 2 (elec.) w/ slight dist. Both gtrs. doubled throughout. **Chord symbols reflect implied harmony.
C6[no3rd]
G
Asus4
Aadd4
1 1/2
10
17
17
End Riff A
0
8
7
0
7
0
8
0
7
0
7
0
5
3
0
0
0
5
3
5
4
0
0
5
5
7
0
7
0
7
5
7
0
7
0
7
5
7
6
0
0
7
5
0
7
6
0
0
Verse Gtrs. 1 & 2: w/ Riff A Gtr. 3 tacet
C6[no3rd]
1. How man - y
C6[no3rd]
How
times
man - y
days
G
have
you
have
you
run
on - ly
to
feel
cut
G
on - ly
to
Asus4
the
Asus4
Aadd4
pain?
Aadd4
crawl?
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C6[no3rd]
How
man - y
nights
G
did
you
scream,
on
Gtrs. 1 & 2
0
8
0
7 8
8
8
C6[no3rd]
How
7
5
0
Asus4
6
0
7
3
ly
to
scream
-
3
3
3
G
years
’til
you
0
5
8
0
0
7 8
8
8
face
8
3
5
Aadd 49
(Shame
of
it
8
5
0
of
it
4
0 3
7
0
7
the shame
0
7
0
7
7
0
7
5
in
4
0
5
man - y
4 3
Riff B
9
5
6
7 5
0
5
3
vain?
8
Aadd4
0
7
0
8
Asus4
3
3
3
4
0
5
7
3
all?
Gtr. 3
all.)
Rhy. Fig. 1
End Rhy. Fig. 1
w/ dist.
0 0 7
0 0 7
0 0 6
0 0 6
0 0 6
0 0 6
0 0 6
0 0 6
0 0 6
0 0 6
0 0 6
0 0 6
End Riff B Gtrs. 1 & 2
0 0 6 0 7 5
0 0 6 0 7 5
0 0 6 0 7 5
0 0 6 0 7 5
*w/ dist.
5
7
0
7
0
7
5
7
0
7
0
7
5
7
0
6
0
7
0 0 6 0 7 5
*Gtr. 2 only
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtr. 1 tacet
Esus4
In
-
E
to
the
fire
you
D
9 X 7
12 X 10
11 X 9
7
5 5
4 5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
13 X 11
11 X 9
7 7 0
7 7 0
7 7 0
7 7 0
6 7 0
4
If
fall.
Riff C
Dsus4
Gtr. 3
*
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
4 5
4 5
4 5
4 5
f
Gtr. 2
Rhy. Fig. 2
f
0
*w/ echo set for dotted quarter-note regeneration w/ 3 repeats.
Asus4
A
on - ly you
7 X 5
5 5
could make
it
7 X 5
6 X 4
6 X 4
7 X 5
5 5
5 5
5 5
4 5 **As before
Uh,
7 X 5
Esus4
right.
7 X 5
E5
**
4 X 2
4 5
0
0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
9 7 0
5
3
5
3
4
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
9
7
5
7
5
7
stand
up
E
*** and fight
for
re -
14 X 12
14 X 12
11 X 9
9 X 7
7 7 0
7 7 0
7 7 0
14 X 12
7 7 0
14 X 12
14 X 12
13 X 11
6 7 0
4
7 ***As before
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dsus4
***
D
Asus4
solve.
12 X 10
If
on - ly you
End Riff C
11 X 9
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
7 X 5
5 5
4 5
4 5
4 5
4 5
4 5
0
could make
it
right.
7 X 5
6 X 4
6 X 4
0 0 4 2 2 0
7 X 5
7 X 5
5 5
4 5
5 5
5 5
5 5
End Rhy. Fig. 2
E5
A
*
6 X 4
4 X 2
4 X 2
4 5
9 7 0
0
9
*As before
Interlude
Gtrs. 1 & 2: w/ Riff A (1st 4 meas.)
C6[no3rd] Gtr. 3
G
Aadd4
fdbk. w/ bar
w/ bar
1
7
7
fdbk.
Asus4
7
1/2
7
7
5
5
Verse Gtrs. 1 & 2: w/ Riff A (last 4 meas.) Gtr. 3 tacet
C6[no3rd]
2. How
man - y
lies
G
did
you
steal
just
to
Gtrs. 1 & 2: w/ Riff B
C6[no3rd]
How man - y
masks
did
you
wear,
con - vince
the
Asus4
Aadd4
Asus4
dis -guised and
re
-
moved?
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Aadd 49
(Dis -guised and
4
fool?
Gtr. 3: w/ Rhy. Fig. 1
G
re
-
moved.)
C5
B5 A5 Ab5 G5
How man - y years
Gtr. 3
’til you
break
B5
A5
AsusÊ
all that keeps
break
-
ing
10 8
10 8
10 8
9 7
7 5
6 4
5 3
5 3
5 3
5 3
5 3
5 3
9 7
7 5
7 5
0 0 7 7
7 5
0 0 7 7
0 0 7 7
you?
0 0 10 8
Aadd9
*
0 0 7 7
0 0 6 7
0 0 6 7
0 0 6 7
0 0 6 7
0 0 7 7
Rhy. Fig. 3
Gtr. 2
10 8
0 0 7 7
0 0 7 7
0 0 7 7
End Rhy. Fig. 3
10 8
5 3
7 5
7 5
10 8
10 8
9 7
7 5
6 4
5 3
5 3
5 3
5 3
5 3
9 7
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
9 10 7 8
*Top vocal w/ echo set for dotted half-note regeneration w/ 1 repeat.
Gtr. 2: w/ Rhy. Fig. 3
C5
B5
How man - y tears
Ab5 G5
will you
waste
B5
A5
while
find - ing
Asus4
**
the
A
truth?
10 8
5 3
5 3
Gtr. 3
10 8
A5
10 8
10 8
9 7
7 5
6 4
5 3
5 3
5 3
5 3
9 7
7 5
7 7 5 5
7 X 7 7 5 5
7 X 7 5
7 X 7 5
7 X 7 5
7 X 7 5
6 X 7 5
6 X 7 5
6 X 7 5
6 12 X X 7 10 5
12 12 9 X X X 10 10 7
**Top vocal w/ echo (as before).
Chorus Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff C
Esus4
In
- to
the
fire
you
Dsus4
***
D
Asus4
fall.
If
A
on - ly
you
***
E
could make
it
right.
***w/ echo set for dotted quarter-note regeneration w/ 3 repeats.
E5
Esus4
Uh,
stand
up
and
fight
E
for
re
Dsus4
†
-
solve.
D
If
†As before
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Asus4
on - ly you
Gtr. 3
7 X 5
Gtr. 2
A
*
could make
it
7 X 5
6 X 4
7 X 5
7 X 5
6 X 4
6 X 4
5 5
5 5
5 5
5 5
Esus4
right.
7 X 5
E
0 3
5
0 3
0
3
2 2 0
2 0
0
the
E
fire
you
14 X 12
14 X 12
11 X 9
9 X 7
3 0 0
4 X 2
4 5
In - to
4 5
0 0 4 2 2
0 0 4 2 2
2
0
3
0 3
5
0 3
0
3
2
0
14 X 12
14 X 12
14 X 12
13 X 11
Rhy. Fig. 4
7 7 0
7 7 0
7 7 0
7 7 0
6 7 0
4
7
*As before
Dsus4
**
Asus4
D
fall.
12 X 10
5 5 **As before
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
If
A
on - ly you
***
could make
it
E5
right,
11 X 9
11 X 9
11 X 9
7 X 5
6 X 4
6 X 4
11 X 9
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
7 X 5
4 X 2
2 0
2 0
0 0 4 2
0 0 4 2 5
7
5
7
9
7
End Rhy. Fig. 4
4 5
4 5
4 5
4 5
4 5
0
5 5
5 5
5 5
5 5
4 5 ***As before
4 5
0
2 0
2 0
0 0 4 2
0 0 4 2 5
7
5
7
9
7
Esus4
stand
14 X 12
7 7 0
Dsus4
E
*
up
and fight
for
re
14 X 12
11 X 9
9 X 7
12 X 10
7
5 5
14 X 12
14 X 12
14 X 12
13 X 11
7 7 0
7 7 0
7 7 0
6 7 0
4
-
D
Asus4
solve.
If
A
on - ly you
**
could make
it right.
11 X 9
11 X 9
11 X 9
7 X 5
6 X 4
6 X 4
4 5
4 5
4 5
11 X 9
4 5
9 X 7
4 5
9 X 7
7 X 5
0
7 X 5
7 X 5
5 5
5 5
5 5
6 X 4
5 5
0
4 5
*As before
4 5
0
**As before
Bridge Gtr. 3 tacet
Asus4
A
C5/G
Oo,
oh,
ah.
µ
G/B
There comes a
***Voc. Fig. 1
time (Oh,
7 X 5
7 X 5
7 X 5
4 X 2
4 X 2
6 X 4
6 X 4
6 X 4
0 0
5 5 3 3
5 5 3 3
5 5 3 3
Rhy. Fig. 5
5 5
5 5
5 5
0 0
0 0
4 5
4 5
4 5
0 0
0 0
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
4 5 2
4 5 2
4 5 2
4 5 2
4 5 2
4 5 2
4 5 2
4 5 2
0
***Refers to upstemmed vocs. only
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5/A
one
must
µ
when
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
7 7 5 5
Gtr. 2
A/C#
C5/G
6 7 4
6 7 4
6 7 4
6 7 4
6 7 4
6 7 4
E5
liv - ing
is
far
from
true.
6 7 4
6 7 4
5 5 3 3
5 5 3 3
0 0
4 5 2
4 5 2
4 5 2
4 5 2
4 5 2
Gtr. 2: w/ Rhy. Fig. 5
C5/G
4 5 2
Lost
and
4 5 2
4 5 2
4 5 2
5 5 3 3
5 5 3 3
5 5 3 3
5 5 3 3
0
0
0
0
are
0 0
5
7
7
8
7
0
0
8
0
7
5
noth - ing
to
be - lieve.
D5/A
de - ceived,
7
0
Bkgd. Voc.: w/ Voc. Fig. 1
mf w/ dist. & wah-wah
8 8 9
8 8 9
8 8 9
A/C#
G/B
Gtrs. 4 (elec.) & 5 (elec.)
they
End Voc. Fig. 1
End Rhy. Fig. 5
life
G/B
the
oh.)
de - cide
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
7 8 7
7 8 7
7 8 7
7 8 7
C5/G
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
I
know
I
have
7 8 7
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 11 11 11 11 11 11 11 11 11 11 11
so much
I’ve
yet
to
G/B
10 10 11
9 9 9 9 9 9 9 9 9 9 9 9 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
7 8 7
E5
prove,
Gtrs. 4 & 5
12 1
12
12
12
12
12
15
15
15
15
15
1
12 15
1
15
12 1
12
12
15
15
1
0
0
0
0
7
5
7
7
8
15
1
8va
1
1
1
14
14
14
14
14
15
17
17
17
17
17
12
12
12
15
15
15
Gtr. 5
1
12
12 1 12 1 12
15
15
15
15
I’ve
yet
to
prove,
0
0
0
0
7
7
8 7
0
0
5
7
15
15
15
18
18
18
18
1
12
12 1 12 1 12
15
0
8
15
15
9
0
1
15
7
0
12 1 12 1
15
5 4 2 5
0
17
Gtr. 2
0
14 1 14 1 17
1
15
1
12
prove.
Riff D
Gtr. 2
Gtr. 4
5
4 2
5
3 2
15
15
12
12
15
15
0
0
0
0
7
5
7
8 7
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
prove.
8va
1
1
20
20
1
1
20
20
1
20
20
12 1 12 1 12
1
12 15
15
15
20
1
12
1
22
15
15
22
1
1
22
22
22
12 1 12 1 12
15
15
15
1
1
22
1
1
1
22
22
1
15
22
22
22
1
12
12
12
12
12
15
15
15
15
15
End Riff D
7 54 0
0
7
0
8
0
5
7
0
0
0
0
7
5
7
8 7
0
0
7 5
0
9
4
7 5
3
Chorus Gtr. 2: w/ Rhy. Fig. 2 Gtrs. 4 & 5 tacet
Esus4
Gtr. 3: w/ Riff C (last 5 meas.)
E
In
- to
the
fire
you
D
Asus4
fall.
If
A
on - ly
you
could make
*w/ echo set for dotted quarter-note regeneration w/ 3 repeats.
E5
Esus4
Uh,
stand
up
and
fight
E
for
re
-
***As before
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
it
right.
**As before
Dsus4
***
**
Dsus4
*
solve.
D
If
Gtr. 2: w/ Rhy. Fig. 4
on - ly you
Gtr. 3
7 X 5
A
*
could make
it
E5
Esus4
right.
7 X 5
6 X 4
6 X 4
4 X 2 0
4 X 2 0
7 X 5
Gtr. 2
5 5
5 5
5 5
6 X 4
5 5
4 5
4 X 2
4 X 2
4 5
2 0
0
In - to
7 X 5
Asus4
the
E
fire
you
14 X 12
14 X 12
11 X 9
9 X 7
slight P.M. 1/4
7
9
4
8
9
9
14 X 12
14 X 12
0 0 4 2
5
7
5
5
7
14 X 12
13 X 11
7
*As before
Dsus4
**
D
Asus4
fall.
Gtr. 3
12 X 10
If
11 X 9
on - ly you
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
7 X 5
stand
up
and
E
fight
for
re
it
E5
right,
6 X 4
6 X 4
4 X 2
2 0
0 0 4 2
2 0
0 0 4 2
1
1
12
15
15
18
15 18
-
D
9 X 7
12 X 10
11 X 9
7
5 5
4 5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
13 X 11
11 X 9
7 7 0
7 7 0
7 7 0
7 7 0
6 7 0
4
If
solve.
Riff E
Gtr. 2
Dsus4
*
Gtr. 3
***As before
**As before
Esus4
A
could make
7 X 5
***
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
4 5
4 5
4 5
4 5
0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solo Gtr. 3: w/ Riff E (3 3/4 times)
Asus4
*
on - ly you
E5
could make
it
right.
9
7 X 5
Gtr. 2
7 X 5
6 X 4
6 X 4
7 X 5
7 X 5
7 X 5
5 5
5 5
5 5
5 5
0 0 4 2 2 0
4 X 2
4 5
0 0 4 2 2 0
0 0 4 2 2 0
0
0 0 4 2 2 0
4 5
0 0 4 2 2 0
slight P.H.
0 0 0 0
0 0 4 2 2 0
7
1
9
**Vol swell
f
** pp w/ dist. fdbk.
Gtr. 3
E
Oh.
Gtr. 6 (elec.)
Esus4
A
0 0 4 2 2 0
7
7
7
7
7
5
End Riff E
0 0 4 2 2 0
0 0 4 2 2 0
Rhy. Fig. 6
15
7 7 0
7 7 0
7 7 0
7 7 0
6 7 0
4
7
*As before
Dsus4
D
Asus4
A
E5
Oh.
Gtr. 6
5 5
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
1
5
7
Gtr. 2
Sorgdal
Eh.
7
4 5
5
4 5
7
4 5
4 5
0
5 5
5
7
9
7
9
14
12
14
12
14
1
4 5
12
14
0 0
14 17
5 5
5 5
5 5
4 5
4 5
0 0 4 2 2 0
0 0 4 2 2 0
0
End Rhy. Fig. 6
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
Gtr. 2: w/ Rhy. Fig. 6 (2 3/4 times)
Esus4
E
Gtr. 6
Dsus4
D
3
8va
3
1/2
1
1
1
1
1
1
19
20
11
11
9
Asus4 8va
10 12
13
15
15
15
17
17
9 17
22
22
17
19
20
17
20
17
20
17
19
On
-
8va
Dsus4
0 0
loco
19
can make
D
you
ly
it
1/4
12
16
12
14
12
13
14
A
On 8va
15
17
1
15
15
Asus4
17
12
-
16
ly
17
15
16
17
E5
17
15
16
you
12
14
can make
17
17
15
right.
17
14
16
right.
17
15
12
it
1 1/2
15
0
15
1
1 17
19
18
E
let ring
19
Esus4
17
E5
loco
1
20
18
19
A
12 14
17
9
12
12
14
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Esus4
E
Dsus4
3
3
3
3 rake
14 15 14 12
12 14 15 14 12
15
15
15 17 15 12
15
12 15 17 15 12
D
9
8va
3
3
15 19 15
15
X
19
15
3
19 15 19 15 12 15 12
X
15
12
15 12 14 12
Gtr. 2: w/ Riff D
Asus4
loco
A
3
12
E5
8va
P.H. 1
12 12
14
12
12
14
15
12
12 14
12
12
15
15
Pitch: G#
8va
loco
1/2
15
12
15
14
14
14
9 9
w/ bar
12
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
w/ bar
12
15
15
w/ bar
12
12
12
w/ bar
12
14
14
w/ bar
12
11
12
11
11
12
14
12
Gtr. 6 tacet
Gtr. 2
w/ bar
11
fdbk.
15
14
2 0
14
14
from Alter Bridge - AB III
Wonderful Life Words and Music by Mark Tremonti and Myles Kennedy G
G/F# 5fr
Open G tuning: (low to high) D-G-D-G-B-D
1
Intro Moderately slow q. = 51 **Gtrs. 2&3
*Gtr. 1 (elec.) (Drums)
Em7
1
C'9
4fr 13
2
3
f
A7 5fr
4
G
C5 5fr 111
12 3
G/F#
12 0
12 0
10 0
10 0
10 0
let ring throughout
f
w/ dist. let ring throughout
12 0
*Doubled throughout
12 0
12 0
13
13 0
13 0
12
12 0
12 10 0
10
10 10 0
9 8 0
**Gtr. 2 (elec.) w/ dist.; Gtr. 3 (acous.), both doubled throughout. Composite arrangement
Em7
Cadd9
12 0
G
Yeah.
8 0
8 0
G/F#
8 0
7
7 0
7 0
10 0
8 0
12
12 0
7 0
0 0
3 0
0 0
5
5
5
5 0
5 0
Em7
5 0
5 0
12 0
0 0
12 0
12 0
10 0
12 0
9 8 0
8 0
8 0
7 0
10 0
12 10 0
10
10 10 0
8 0
8 0
7
7 0
7 0
0 0
12 0
13
13 0
13 0
C5
0 0
12 0
(Gtr. 3, cont. in notation)
5 0 0
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 2 tacet
Gtr. 1 tacet
1. Close
your
eyes
G
Gtr. 3
Gsus4
Rhy. Fig. 1
D/F#
and
just
12
10
9
11
11
11
Em7
hear
me
mf w/ pick & fingers
0
12 12
Gtr. 1
12
0
13 12
12
10
12
12
11
0
12 11
11
0
8 9
9
9
9
0
7 9
9
0 0
Gtr. 3: w/ Rhy. Fig. 3 (1st 2 meas.)
Cadd9
sing
one
Gtr.3
3 0
0
5
5
5
be - fore
Gtr. 4
5
5
spread
you
7
Gtr. 3
0
8 9
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
good
Riff A Gtr. 4 (elec.)
your
7
9
9
9
-
one
last
12
12
bye,
mp
12
wings. End Riff A
3
9
5
0
5 5
5
0
5 5
5
5
0
5 5
There’s
7
0
7
D/F#
w/ clean tone Harm. let ring throughout
5
Harm.
9
long
Gsus4
Cadd9
song
last
0
Em7
G
End Rhy. Fig. 1
3 0 5
5
5
5
5
Pre-Chorus
Em7
so soon
much you
0 3 0 0 4 2
0 3 0
Cadd9
left will
*Gtrs. 3 & 4
Dsus4
0 3 0 0 4 2
0 3 0 0 4 2
0 3 0 0 4 2
0 3 0 0 4 2
to be
0 3 0 0 4 2
2 0
say. gone,
5 0
5 0 X 5
0 3 0 0
0 3 0 0
0 3 0 0 2 0
0 3 0 0
0 3 0 0
0 3 0 0
0 5 0
0
0 5 0
0 5 0 X 5
0
7 0
0
8 0
0
*Composite arrangement
Em7
5 0 X 5
And be - fore but
this these
mo words,
0 5 0
0 X 5
0 5
12 0 0 12
12 0 0 12
12 0 0 12
-
0 0
Dadd4
ment they
slips will
a live
0 3 0
0 0 4 2
0 3 0
0 3 0 0 4 2
0 3 0
0 0
0 3 0
0 4 2 0
0 3 0
0 4
0 3 0
0 3 0 4 2 0
-
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
Chorus
A7add4
way. on.
2 0 0 2
Oh.
What
a
won
0 2 0
0 2 0
0 2 0
0 2 0
0 2 0 0 2
0 2 0
Gtr. 4 tacet
Cadd9
2 0 0 2
0 2 0
0 2 0 0 2
0 0 2
0 2 0
-
der
Rhy. Fig. 2 **Gtrs. 1, 2 & 3
-
ful
0 5 0 X 5
0 5 0 X 5
f
0 5
0 5 0 X 5
0 5 0 X 5
0 5 0 X 5
0 5 0 X 5
0 5 0 X 5
**Composite arrangement
G
G/F#
life
0 0 0 0 X 5
0 0 0
0 0 0
Em7
for
as
long
as you’ve
0 0 0
0 0 0
0 0 4
3 0 0 4 2
been
Cadd9
at
my
side.
And
I
0 3 0
0 3 0
0 5 0
0 3 0
0 3 0 0 4 2
0 3 0
0 5 0 X 5
0 X 5
0 5 0
0 5 0
0 5 0 X 5
End Rhy. Fig. 2
0 5 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
want
you
to
0 5 0
0 5
0 5 0
0 5 0 0 5
0 5 0
0 0 0
0 0 0 X 5
I
loved mis
you you
0 0 0
0 0 0
0 0
so.
2. The
Dadd4
I’ll
know
0 5 0
0 0 5
G/F#
0 5 0 X 5
Rhy. Fig. 3
To Coda
G
End Rhy. Fig. 3
p
0 7 0 0 7 0
4
Verse Gtrs. 1 & 2 tacet Gtr. 3: w/ Rhy. Fig. 1 (2 times)
G
Gsus4
cold
night
calls
G
D/F#
Gsus4
hard
let
-
tears
fall
Em7
and
the
D/F#
ting go
of
the one
Dadd4
Rhy. Fig. 4
0 7 0 0 7 0
G
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
It’s
so
Cadd9
nev
-
And though
er
re - place.
And
our
Cadd9
days
come
to
an
end,
End Rhy. Fig. 4
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
G/F#
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2 (1 1/4 times)
so.
D.S. al Coda
thing I’ll
rain.
Coda
like
Em7
Cadd9
know
I’ll
nev - er love
like
this
Em7
Cadd9
a - gain.
What
a
won
-
der - ful
G/F#
life,
0 0 0
0 0 0
0 0 0
0 0 0
0 0
D/F#
friend.
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
A5
B5
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
C#5
0 7 0 0 7 0
E5
5 X 5
2
4 X 4
4 X 4
0
4
5 X 5
5 X 5
5 X 5
7 X 7
9 2 9
11 X 11
A5
B5
C#5
11 X 11
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
0 7 0 0 7 0
11 14 X 11 14
22
B5
2 X 2
0
C5
2 X 2
0 7 0 0 7 0
Riff B Gtrs. 1, 2 & 3
G5
Voc. Fig. 1
(Ha,
4
Interlude * E5
Gtr. 1
0 0 0 0 X 5
my
Gtrs. 1, 2 & 3
Dadd4
Gtrs. 2 & 3: w/ Rhy. Fig. 4
G
G5
14
10 X 10
14
10 X 10
10 X 10
9 X 9
5 X 5
*Chord symbols reflect implied harmony.
E5
D/F#
G5
C5
2 X 2
5 X 5
2 X 2
0
2
4 X 4
4 X 4
4
Em
5 X 5
And all that
0
I
am,
5 X 5
5 X 5
7 X 7
9 2 9
you let
me
Voc. Fig. 2
11 X 11
11 X 11
11 14 X 11 14
G
be.
B5
ha.)
Bridge Fsus2
E5
G5
End Riff B
14
10 X 10
14
10 X 10
10 10 X X 10 10
I
re - mem
will
A5
End Voc. Fig. 1
9 X 9
7 X 7
Dsus4
-
5 X 5
ber End Voc. Fig. 2
(Ah.)
Rhy. Fig. 5
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 2 X 2
0 0 0 0 2 2 2 2 X X X X 2 2 2 2
0 0 0 0 2 2 2 2 X X X X 2 2 2 2
0 0 0 5 X 5
0 0 0 5 X 5
0 0 0 5 X 5
0 0 0 5 X 5
0 0 0 5 X 5
0 0 0 5 X 5
0 0 0 5 X 5
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
End Rhy. Fig. 5
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Em
you
for all that
you’ve done
and giv - en
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 2 X 2
0 2 2 2
0 2 2 2
0 2 2 2
0 2 X 2
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 5
Fsus2
And love
Fsus2
Em
Be - cause
of you,
now
0 2 2 2
this
I
re - main,
to
Em
will
more.
G
0 2 2 2
me.
0 2 2 2
0 0 0 5 X 5
0 2 2 2
0 0 0 0 0 0 0 0 0 5 5 5 X X X 5 5 5
10 X 10
G
con - cede,
5 X 5
7 X 7
9 X 9
now
and
for
9 X 9
7 X 7
-
ev
5 X 5
Dadd4
Dadd4
-
er
be - lieve.
I
Oh.
I
0 3 X 3
Bkgd. Voc.: w/ Voc. Fig. 2 (2 times)
Fsus2
be - lieve
(Ah.)
Gtrs. 1, 2 & 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 3 X 3
0 2 X 2
0 2 2 2
0 2 2 2
0 2 2 2
0 2 2 2
0 2 X 2
0 2 2 2
0 2 2 2
0 2 2 2
0 3 0 4 2 0
0 2 2 2
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
Chorus
0 3 0 4 2 0
0 3 0 4 2 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
0 3 0 4 2 0
Gtrs. 1 & 2 tacet Gtrs. 3 & 4: w/ Rhy. Fig. 2
Cadd9
What
a
won
-
der
-
ful
G
G/F#
life
Em7
for
as
long
as
you’ve
Cadd9
been
at
my
side.
And
I
Gtrs. 3 & 4: w/ Rhy. Fig. 3
want
you
Gtr. 2
G
to
G/F#
know
I
loved
you
so.
Dadd4
* pp
What
a
And
I
mf
fdbk.
8
*Vol. swell
Gtr. 1
7
19
Chorus Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2 (1 1/2 times)
Cadd9
won
-
der - ful
life
G
Em7
for
as
long
as you’ve
been
at
my
G/F#
Cadd9
want
you
to
know
G
G/F#
I’ll
miss
Dadd4
you
so.
side.
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 4
And though
our
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2 (1st 3 meas.)
come
to
an
Cadd9
days
Gtr. 6 (elec.)
G
G/F#
end,
know
I’ll
Em7
nev
-
er
love
like
this
a
mf w/ dist.
15
Gtr. 5 (elec.)
mf w/ dist.
7
Outro
A7
Gtrs. 2&3
-
Gtr. 6
gain.
Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1, 2 & 3: w/ Riff B (1 3/4 times) Gtrs. 5 & 6 tacet
E5
What
a
won
-
der - ful
D/F#
life,
1
12
Gtr. 5
1
4
Gtr. 1
0 2 2
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
19
0 0 0
-
G5
a
E5
A5
won
B5
D/F#
G5
one
last
D/F#
B5
G5
And
with
E5
gone.
one
C5
11 X 11
11 X 11
11 X 11
14
14 X 14
10 X 10
14 X 14
A5
B5
G5
tears
C#5
E5
life,
fall
like
D/F#
good - bye,
B5
as
you
G5
fade
- der - ful
B5
C#5
you’re
won
G5
yeah.
rain,
a
oh,
A5
C5
B5
A5
G5
And
with
E5
gone.
out
A5
to - night,
B5
you’re
oo.
14
the
last
Ho,
Gtrs. 1, 2 & 3
11 X 11
as
Uh, what
won - der - ful
E5
C#5
em - brace,
C5
C5
E5
life.
a
E5
- der - ful
life,
C#5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Alter Bridge - AB III
I Know It Hurts Words and Music by Mark Tremonti and Myles Kennedy Bsus2
G5
D5
F#5/C#
7fr Drop B tuning, down 1/2 step: (low to high) Bb-Ab-Db-Gb-Bb-Eb
13411
2
13
2
13
34 11
Intro Moderately q = 106
µ
*A5
Gtrs. 1 & 2 (elec.)
B5
C5 B5
A5 B5
A5 B5
C5 B5
A5 B5
f
12
w/ dist.
X X
X X X X X X
X X X
14 14 14 14 14 15 14 10 12 12 12 12 12 13 12 0
12 14 10 12 0
0
12 14 14 14 14 14 15 14 10 12 12 12 12 12 13 12 0
0
12 14 10 12 0
0
0
*Chord symbols reflect implied harmony.
C#5 D5
E5 D5
B5
Gtr. 1
1. C#5 D5
D
E5 D5
2. C#5 D5
F#5
1
12
5 3
5 3
5 3
5 3
5 3
7 5
5 3
5 3
4 2
1
5 3
5 3
5 3
5 3
5 3
7 5
5 3
5 3
5 3
9 7
9 7
9 7
9 7
7 9
5 3
Verse Bm[add 49 ]
5 3
5 3
say
5 3
7 5
5 3
5 3
4 2
0
this ain’t
liv
-
5 3
5 3
5 3
5 3
5 3
7 5
5 3
5 3
5 3
9 7
9 7
9 7
5 3
F#5
4 2
5 3
5 3
5 3
5 3
5 3
1. And
you
1
0
Gtr. 2
4 2
10 4 2
E5
ing,
9 7
you
4 2
5 3
5 3
5 3
5 3
5 3
5
5
5
1
5
say
you
can’t
go
Riff A
*Gtrs. 1, 2 & 3 (acous.)
mf
let ring throughout
0
9
0
7
11 0
0
0
0
9
11 0
0
0
7 0
*Gtrs. 1 & 2 w/ slight dist. Composite arrangement
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
on.
7
5
9
7
5
You on - ly
7
Gtrs. 1, 2 & 3: w/ Riff A
Bm[add 49 ]
9
5
and now your
5
hope
is
but
5
gone.
And though you
2nd time, Gtr. 5: w/ Riff B (1st 2 meas.)
lost
your
sad
and
4
G5
7
Yeah.
2nd time, Gtr. 5 tacet
A/C#
ing,
Pre-Chorus
Gtrs. 1, 2 & 3
-
9
5
as you’re giv
7
5
Dadd9
take
End Riff A
9
5
all
7
7
5
Dadd9
4
4
7
way...
(Now I hope
wrong,
0 5 6
5
6
Bm[add 49 ]
8
8
7
0
4
is you
not will
8 10
8
8
**
for - ev re - mem -
er.) ber,
oh.
8 8
0
9
0
0
7
11
9
0
0
**w/ echo set for half-note regeneration w/ 2 repeats.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0
0
0
4
pain. on.
7
4
4
7
0 5 6
5
6
0
0
your ry
We all
f w/ dist. P.S.
0
0
0
7
11
0
7
11
9
-
4
7
4
0 5 6
5
6 4
4
7
4
8 7 0 X 8
8 7 0 X 8
0
know car
but I You must
Gtr. 3
9
Uh,
G5
0
Gtrs. 1 & 2
A/C#
X
X
Chorus
Gtr. 3 tacet 3rd time, Gtr. 5: w/ Riff B (2 times)
-
Rhy. Fig. 1
Gtr. 1
2 2 4 4 2 0
times,
2 2 4 4 2 0
Gtr. 2
2 2 4 4 2 0
2 2 4 4 2 0
2 2 4 4 2 0
2 2 4 4 2 0
C#5 D5
2 2 4 4 2 0
0 0 0 0
E5 D5
2 2 4 4 2 0
2 2 4 4 2 0
0 0 0 0
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
5 3
5 3
5 3
5 3
7 5
5 3
5 3
5 3
9 7
9 7
8 7 0 X 8
9 7
9 7
2 2 4 4 2 0
B5
hurts.
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
2 2 4 4 2 0
5 5 5 5 5 7 3 3 3 3 3 5
2 2 4 4 2 0
2 2 4 4 2 0
1
5 5 3 3
0
1
9
4 2
5 5 5 5 5 7 3 3 3 3 3 5
you de - serve.
2 2 4 4 2 0
7
2 2 4 4 2 0
hurts.
12
4 2
G5
what
know it
10
find
8 7 0 X 8
8 7 0 X 8
D
Yeah, I
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
E5 D5
8 7 0 X 8
end, you’ll
5 3
8 7 0 X 8
End Rhy. Figs. 1 & 1A
4 2
Bsus2
In the Gtrs. 1 & 2
8 7 0 X 8
F#5
C#5 D5
but I know it
2 2 4 4 2 0
2 2 4 4 2 0
not the first,
2 2 4 4 2 0
Rhy. Fig. 1A
you’re
G5
fall some
Bsus2
0 0
0 0
8 7 0 X 8
5 5 3 3
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
0
Still, I know it
hurts.
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
8 7 0 X 8
To Coda 1
To Coda 2
C#5 D5
E5 D5
B5
D
Yeah, I
Gtr. 1
know it
1
Interlude Gtrs. 1 & 2: w/ Riff A
C#5 D5
E5
F#5
hurts.
Bm[add 49 ]
Oh.
Gtr. 4 (elec.)
w/ slight dist.
12 5
5 3
5 3
5 3
5 3
5 3
7 5
5 3
5 3
0
Gtr. 2
1
4 2
5 3
5 3
5 3
5 3
5 3
5
3
mf
1
10 4 2
9
7
9
7
5
1
7 9
4 2
5 3
5 3
5 3
5 3
5 3
7 5
5 3
5 3
0
4 2
5 3
5 3
5 3
5 3
5 3
5
5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4
1
9
3
1
Dadd9
2. And
let ring
9
9
10
11
the
11
9
Verse Gtrs. 1, 2 & 3: w/ Riff A (2 times) Gtr. 4 tacet
Bm[add 49 ]
tide’s
Gtr. 5 (elec.)
on
Riff B
-
ly
ris
-
ing,
the
9
7
6
storm
is
on
its
9
7
6
mf *w/ dist. & delay
7
7
10
7
9
7
7
7
10
7
9
7
*Delay set for dotted eighth-note regeneration w/ 3 repeats.
Dadd9
way,
yeah.
7
10
7
9
7
6
7
so bat - tle - worn
-
7 9
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
a
10
7
can’t
keep on fight
End Riff B
10
9
7
7
9
10
-
ing,
7
9
9
7
6
7
D.S. al Coda 1
and so
7
7
7
Dadd9
Sorgdal
7
Uh, but you
7
Bm[add 49 ]
fraid.
Though it’s
3
7
10
7
9
7
6
7
7
7
7
10
7
9
7
6
7
7
7
7
10
7
10 9
9 10 9
Coda 1
Interlude Half-time feel
C#5 D5
Gtrs. 1 & 2
E5 D5 B5
µ
C[#4] B5
C5 C#5
D5
D#5
B5
C#5
D5
C5
B5
Riff C
P.M. 4 2
5 3
5 3
5 3
5 3
5 3
7 5
5 3
0
5 4 3
0
End Riff C
0
0
1/2 2
2
1
2
3
4
2
3
0 0
Gtrs. 1 & 2: w/ Riff C (3 times)
C[#4]
B5
C5
C#5
D5
D#5
B5
C#5
D5
C5
B5
C[#4]
B5
C5
C#5
D5
D#5
(Ay.)
End half-time feel
B5
C#5
D5
C5
B5
C[#4]
B5
C5
C#5
D5
D#5
B5 C#5
D5
C5
B5
Uh, there’s still
Bridge G5
Gmaj7[no3rd]
mor
F#5
-
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
11 12 10
11 12 10
11 12 10
11 12 10
11 12 10
11 12 10
11 12 10
11 12 10
on,
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
11 11 9
9 11 9
9 11 9
9 11 9
9 11 9
9 11 9
9 11 9
0 0 0
0 0 0
Rhy. Fig. 2A
Gtr. 2
hold
Rhy. Fig. 2
12 12 10
row,
Gtr. 1
F#7[no3rd]
to -
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
Dmaj7[no3rd]
D5
Dsus2
7 5
7 5
6 7 5
7 5
6 7 5
6 7 5
hold
A/C#
on.
There’s
7 7 5
9 7 5
7 4
7 4
7 7 5
9 7 5
9 7 5
still
to -
End Rhy. Fig. 2
7 7 5
9 7 5
6 7 4
6 7 4
6 7 4
4 7
7 4
6 7 4
6 7 4
0 0 0
7 4
End Rhy. Fig. 2A
5 3
5 3
5 3
5 3
4 2
4 2
4 2
4 2
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
4 2
4 2
4 2
4 2
4 2
4 2
4 2
0
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
G5
Gmaj7[no3rd]
mor
-
F#5
F#7[no3rd]
row,
just
G5
Gmaj7[no3rd]
mor
D5 Dmaj7[no3rd] D5
wait,
uh,
G5
Dsus2
just
-
row,
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
11 12 10
11 12 10
11 12 10
11 12 10
12 10
12 10
12 10
12 10
11 9
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
9 7
Gtr. 2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
There’s
still
to -
hold
Gtr. 1
wait.
F#5
A/C#
11 9
X X
X X
A5 B5
C5 B5
A5 B5
A5 B5
C5 B5
on,
hold
Gtrs. 1 & 2
mp
* P.M.
12 10
A5 B5
14 12
14 12
14 12
14 12
14 12
15 13
14 12
0
0
12 10
0
14 12
0
12 10
0
14 12
14 12
A5
B5
14 12
14 12
14 12
15 13
14 12
0
0
12 10
0
14 12
0
0
*Gradually lift P.M.
A5
B5
B5
A5
B5
C5
B5
µ
on.
We
12 10
D.S.S. al Coda 2
C5
14 12
14 12
14 12
14 12
14 12
15 13
14 12
0
0
0
12 10
Coda 2
14 12
0
all
f
12 10
0
14 12
14 12
14 12
14 12
14 12
15 13
14 12
14 12
Outro-Guitar Solo Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (1 3/4 times)
C#5 D5
E5 D5
B5
Bsus2
Rhy. Fig. 3
Gtr. 3
Gtr. 6 (elec.)
** pp w/ dist. don’t pick fdbk.
7 7
Pitch: C# **Vol. swell Gtrs. 1 & 2
5 3
8va
0
19 17 19 17
6
6
6
6
f
0 0
4 2
5 3
5 3
5 3
5 3
7 5
5 3
5 3
0
19 17
19 17 19 17
19 17
22 17 22 17
19 17
19 17 19 17
19 17
14 12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
Gtr. 6 8va
loco
1
20 19
14 9
D5
15
16
17
1
17
14
18
17
17
15
15
16
7
9
4
7
9
7 7
9
P.M.
1
9
9
0
7
0
Gtr. 3: w/ Rhy. Fig. 3
F#5/C#
Bsus2
End Rhy. Fig. 3
8va
7 10
10
7 12 10
11
9
7
G5
loco
12
8va
Gtr. 6
14
12
11
12
12 14
14
12
11
14
12
11
3
19
22 19
22
22
19 17
Gtrs. 1 & 2
19 16
19
0
16
4 2
7 5
9 7
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 3
5 3
12
16
5 3
5 3
14 15 17 15 14
17 15 14 15 17 15 14
8va
Gtrs. 1, 2 & 3
5 3
18
D5
11
12
14 16 18 16 14 16 19
12
1
19
21
19
21
19
5 3
5 3
5 3
9 7
9 7
9 7
4 X 2 0
4 X 2 0
4 X 2 0
1
22
21
19 21
22 21 19
4 X 2 0
4 X 2 0
4 X 2 0
4 X 2 0
4 4 X X 2 2 0 0
4 X 2 0
4 4 X X 2 2 0 0
16 14 12
1
22
14 16
14
3
B5
loco
12
14
1
Sorgdal
9
F#5/C#
22
9
11
14
7 11
3
6
2 0
from Alter Bridge - AB III
Show Me a Sign Words and Music by Mark Tremonti and Myles Kennedy
Gtrs. 1–5: Double drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Db Gtr. 6: Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q = 78 ** D5
F6
Ebmaj13
Riff A
*Gtr. 1 (slight dist.)
mf
let ring
let ring
let ring
D5
let ring
F6
let ring
let ring
1/2
0
0 0
0
2
0 0
2 0
2
2
2
0
1 0 0
0
3
0
0
1
0
0
2
2 0
0 0
2
3
*Doubled throughout **Chord symbols reflect implied harmony.
Gtrs. 1 & 2 tacet
Ebadd9#4 Rhy. Fill 1
Gtrs. 3 & 4 (dist.)
D5 End Rhy. Fill 1
F6
Ebmaj7
µ
Riff B
mf
End Riff B
let ring
let ring
let ring
let ring
6
1/2
X X X 19
Gtr. 1
let ring
let ring
0 0 0
End Riff A
3 2
0 0 0
2
3
2 0 X 3
0 0
2 0
2
0
2
0
0 0
3
2
2
0
3
1
1
0
3
1
0
1/2
2
2
0
0 1
Gtr. 2 (dist.)
0 3 0
***
mf
0 3 0 ***Vol. swell
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dsus2 Gtr. 3
F6
let ring
let ring
2 3 2
0 0 0 Gtr. 4
1 0 0 0
2
0 0
2 0 X 3
3
2 3 2
1 0 0 0
2
2 0
2
2
0
let ring
µ
6
1 0 3
0
3
2
2
0
3
1
5
0
3
0
1
let ring 1/2
2 0 X 3
3
let ring 1/2
let ring
let ring
0 0 0
Ebmaj13
0 0
2 0
2
2
0
let ring
0
0 0
2
3
6
2
0
3
1
0
5
3
0
1
Gtrs. 3 & 4: w/ Riff B
D5
F6
Ebmaj7
Gtr. 5 (dist.)
µ
mp 1/2 10
D5 Gtr. 5
F6
Ebmaj13
w/ bar
10
fdbk.
10
10
-1/2 Gtr. 3
let ring
0 0 0 Gtr. 4
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let ring
3 2
0 0 0
let ring
0 0 0
2
let ring
3 2
0 0 0
2
2 0 X 3
3
3
2 0 X 3
-1
let ring 1/2
0 0
2 0
2
2
0
let ring
0
let ring 1/2
0 0
2 0
2
0
2
0 0 1
Pitch: F
let ring
1 0 3
0 1
Verse
C6sus2
Gtr. 5
Gtr. 5 tacet
of
be - yond
re - demp
-
Bb6
1. A
trail
tears
Dadd11
tion.
10
Riff C Gtrs. 3 & 4
let ring
let ring
10
0
0
12
8
C6sus2
Bb6
Uh, just
a
and noth
-
ing
Dadd11
0
12
10
0 8
C6sus2
10
0
let ring
0 0
0
Bb6
Dadd11
I must re - veal
I
am
fall - ing.
4
let ring
let ring
10 Gtr. 2
12
0
0 8
10
0
let ring
0 0
0
4
more.
let ring 0
0
4
0
F
0
0
9
7
Eb
To the dark
0
Gtrs. 3 & 4
no
4
more,
let ring
let ring
Dadd11/A
Gtrs. 3 & 4
0
4
0
0
word
0
0
10
let ring
I
0
9
now
am born.
2
0
2
2
End Riff C
3
Fill 1
0
End Fill 1
w/ clean tone let ring
2 0 3
let ring
0
0 1
1
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
Gtr. 1: w/ Rhy. Fill 1
D5
Gtr. 2 tacet 2nd time, Gtr. 5 tacet
D5
F6
Ebmaj7
Whispered: Ah.
So, if
1/2
2
2
2
let ring
let ring
let ring
you hear
this
cry...
6
let ring
1/2
0 0 0
µ
3 2
0 0 0
2
2 0 X 3
3
0 0
2 0
2
2
0
0
0 0
2
2
0
3
1
0
1
3
3
1
0
w/ dist.
0
D5
Gtr. 3
0
F6
let ring
let ring
Ebmaj13
let ring
let ring
µ
6
1/2
0 0 0
Gtr. 4
3 2
0 0 0
let ring
2
3
2 0 X 3
let ring
0 0
2 0
2
2
0
1 0 3
0
2
3
2
0
5
3
0
5
1
let ring
let ring
3
0
6
1/2
0 0 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 2
0 0 0
2
3
2 0 X 3
0 0
2 0
2
0
2
0
0 0 1
2
3
2
0
5
3
0
5
3
0
Chorus
3rd time, Gtrs. 1, 2, 5 & 6 tacet
Bb
Show
Bb#11
me
a
sign,
Rhy. Fig. 1 *Gtrs. 3 & 4
give
me
Bb
**
mean
Bb#11
-
Bb5 A5
G5
ing.
let ring
let ring
7 0 8 8
7 0 8 8
7 0 8 8
7 0 8 8
7 0 8 8
7 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
10 0 8 8
10 0 8 8
8 8 8
5 5 5
*Composite arrangement
to
D7sus2
5 7 0 0 0
5 7 0 0 0
life.
5 7 0 0 0
Let
5 7 0 0 0
5 7 0 0 0
***
5 7 0 0 0
10 0 8 8
10 0 8 8
10 0 8 8
5 7 0 0 0
5 5 0 0 0
me
C
†
Bb
know
why all
7 7 7
10 10 10 10 0 0 0 8 8 8 8 8 8
5 5 0 0 0
5 5 0 0 0
5 5 0 0 0
5 5 0 0 0
5 5 0 0 0
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
Bb5 A5
let ring 9
I’m be - liev -
End Rhy. Fig. 1
10 10 0 0 8 8 8 8
lies
†
3
5
3
7
7
5
7 0 8 8
3
9 0 8 8
9 0 8 8
8 8 8
7 7 7
5 5 5
7 0 8 8
7 0 8 8
7 0 8 8
7 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
9 0 8 8
To Coda 1
led
7 0 8 8
†As before
G5 Dsus2
have
the
Bb#11
ing
let ring 9 0 8 8
9 0 8 8
Bb#11
-
9 0 8 8
µ
***Lead voc. w/ echo set for half-note regeneration, 1st time w/ 1 repeat; 2nd & 3rd times w/ 2 repeats.
Bb
9
**2nd time, Lead voc. w/ echo set for half-note regeneration w/ 1 repeat; 3rd time w/ 2 repeats.
Dsus2
Lead me
10
D7sus2
To Coda 2
far
from
home.
††
C
me
so
far,
5 7 0 0 0
5 7 0 0 0
5 7 0 0 0
5 7 0 0 0
5 5 0 0 0
5 5 0 0 0
5 5 0 0 0
5 5 0 0 0
5 5 0 0 0
5 5 5 3
5 7 0 0 0
5 7 0 0 0
5 7 0 0 0
5 5 0 0 0
**As before w/ 1 repeat all 3 times, plus additional echo of last word set for quarter-note regeneration w/ 4 repeats.
Interlude Gtrs. 3 & 4: w/ Riff C (1st 2 meas.)
C6
Bb6
Dadd11
Ooh.
Gtr. 2
Fill 2
End Fill 2
let ring
w/ slight dist. let ring
5
3
5
5
0
0 5
5
3
1
3 3
2
0 3
let ring
1 0
3 2
3 0
2
2 0
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Fill 2
C6
Bb6
Dsus4
Ooh. Gtr. 5
mp dist. off
10 10
Gtrs. 3 & 4
12
10
Gtrs. 2, 3 & 4
let ring
let ring
0
12
10
0 8
let ring
0
0
10
9
0
0
0
0
Verse Gtrs. 3 & 4: w/ Riff C
C6sus2
2. Uh,
Gtr. 5 tacet
cut - ting
an
Bb6
Dadd11
-
guish
not
for - got
-
ten,
Gtr. 5
9
C6sus2
e - ter - nal
C6sus2
Bb6
life
Dadd11
will
not
Bb6
But if
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I
wake
to
find
Per - di
Dadd11
be
mine
-
tion,
to - night.
uh, this I
Dadd11/A
know,
Gtr. 2: w/ Fill 1
F
Eb
the fault
is
mine.
D
Uh, this
I
2
2
2
2
2
0
is mine.
2
3
2
D.S. al Coda 1
D5
the fault
1/2
2
Gtr. 5
Eb
know,
Gtrs. 3 & 4
1/2
F
0
string steady gliss. noise 1/2 2 2 2 X X 20 15ma Whispered: Ah.
*
0
Pitch: A *Vol. swell
Gtr. 2
w/ clean tone let ring
w/ dist.
2 0 0
let ring
0
0
w/ dist. fdbk.
0
3
Coda 1
1
1
0 Pitch: C
Interlude
C
Csus4
††
Ebmaj7b5
D5
Riff D
D5 Eb/G
Gtr. 2
Ebmaj7b5
D/F#
EndRiffD P.M. P.M.
7
Gtr. 5
Riff D2
8
8 7
End Riff D2
8
10 End Rhy. Fill 2
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
6 5 5 3
6 5 5 3
6 5 5 3
6 5 5 3
6 5 5 3
6 5 5 3
6 5 5 3
7
End Riff D1
let ring 1
7 9
Riff D1
0
7
P.M. P.M. loco
8
Rhy. Fill 2 Gtrs. 3 & 4
7
2
4
2
0 0 0
let ring
0 1
2
4
2 0
3 X 3
5 5
5 5 5 X X X 5 5 5
4 4 4 X X X 4 4 4
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 5: w/ Riffs D & D2 (3 times) Gtrs. 3 & 4: w/ Riff D1 (3 times)
Ebmaj7b5
D5
Gtr. 6 (dist.)
Ebmaj7b5
D5
Eb/G
D/F#
Ebmaj7b5
mf *w/ octaver
11
10
13
11
10
11
10
13
D5
10
10
14
10
*Set for one octave above.
8va Ebmaj7b5
D5
14
Eb/G
D/F#
Ebmaj7b5
D5
14
11
14
15
14
17
17
17
D5
loco
1/2
15
Ebmaj7b5
1/2
15
14
Eb/G
1/2
1/2
14
14
D/F#
10
10
Bridge
Gtr. 6 tacet
Eb5
Gtr. 6
And the
Bb
fire
in
-
F5
side
is
Gsus2
gone
10
Gtrs. 3 & 4
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
D/F#
Gtrs. 3 & 4
7 5 4
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 0
0 0 0
D5
3 3 3 3 1
3 3 3 3 1
3 3 3 3 1
3 3 3 3 1
3 3 3 3 1
3 3 3 3 1
Eb5
3 P.M.
7 5 4
7 5 4
7 5 4
7 5 4
7 5 4
7 5 4
0 0 0
0 0 0
4 3 1 1 1
6 5 3 3 3
X X X
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
7 5 5
and
all
that
I
4 3 1 1 1
0 0 0
7 5 5
once
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
0 0 0
7 5 5
Bb
0 0 0
0 0 0
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
is
3 3 3 3 1
3 3 3 3 1
3 3 3 3 1
3 3 3 3 1
3 3 3 3 1
X X X
6 5 3 3 3
6 5 3 3 3
7 5 5
F5
had
7 5 5
lost.
6 5 3 3 3
6 5 3 3 3
0 0 0
0 0 0
Gsus2
D/F#
D5 F5
7 5 5
7 5 5
7 5 5
Bbsus2
-
ness
I
7 5 5
7 5 5
7 5 5
7 5 5
7 5 5
1 3 3 1
1 3 3 1
7 5 5
7 5 4
7 5 4
F5
1 3 3 1
1 3 3 1
X X X
6 5 3 3 3
7 5 4
P.M.
7 5 4
am
1 3 3 1
7 5 5
Eb5
7 5 4
7 5 4
7 5 4
7 5 4
7 5 4
0
4 3 1 1 1
3 3
Uh, to
the
4 3 1 1 1
Gsus2
dark -
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
4 3 1 1 1
0 0 0
0 0 0
born.
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
0 0 0
0 0 0
7 5 5
Interlude Gtr. 1: w/ Riff A (1 1/2 times) Gtrs. 3 & 4 tacet
Spoken: A trail of tears beyond redemption.
D5
Just a word and nothing more.
F6
Gtr. 6
Ebmaj13
*p **w/ delay
D5
F6
mf 1
w/ bar
grad. release 1/2
13
13
*Vol swells (next 5 meas.). **Set for quarter-note regeneration w/ 2 repeats.
-1/2
I must reveal that I’m falling.
Ebadd9#4
1
grad. release
D5
F6
Ebmaj13
8va
12
w/ bar
1/2
17 12
17
12
-1 -2 1/2
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S.S. al Coda 2 To the dark I am now born.
D5
F6
Ebmaj7[no3rd] 8va
Gtr. 6
w/ slide steady gliss. ** 17
Gtr. 5 divisi
22
26
15ma
Gtr. 2
18
**Hypothetical fret location.
fdbk.
0 0 Pitches: C# F# Gtrs. 3 & 4
0
0
0
* P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
*Gradually lift P.M.
Gtr. 1
let ring
let ring
let ring
let ring
1/2
0
0 0
0
2
2 0
0 0
2
2
0
2
0
3
1
Coda 2
3 0 X 1
C
Gtr. 6
loco
8va
X 0 0 0
Bb
Sorgdal
3 0
3 0
3 0
Bb#11
loco
10 10
10 10
X
13 12
6
1
Pitch: F# ***Microphonic fdbk., not caused by string vibration.
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3 0
Gtrs. 3 & 4: w/ Rhy. Fig. 1 (1 3/4 times)
Csus4
w/ out slide ***fdbk.
10
3 0
Guitar Solo
Gtrs. 3 & 4: w/ Rhy. Fill 2 ††
3 0
12 10
10
12
12
1
10 10
13
10
10 12
13
Bb
1
12
Dsus2
Bb#11
1/2
12
10
13
13
10
10
13
10
13
10
10
13
10
Bb
1
12
µ
rake
13
10
10
Bb#11
1 1/2
13
15
X
15 13 15 13 15
15 15
X
14
13
15
13
1 1/2
13
13
15
* 1 1/2
X X
15
15
12
10
1
10
3
1
10 10
12
13
6
13
13
13
12
C
10 10
10
D7sus2
1
1
13
G5
1/2
3
1
10
12
3
1
10
A5
6
10
3
12
12
1
12
Bb5
rake
15
6
13 17 13 17 13 10 X X
*2nd string caught under bend finger.
Bb
Bb#11
Bb5 A5
6 6
G5 Dsus2
1
3
3
D7sus2
1
8va
13
10
13 10 13 12 10
12
12
12
10
12 10
12 11 10
8
10
10
Gtrs. 3 & 4: w/ Rhy. Fill 2
C
8va
8
8
10 10
10 10
3
0
10
1 1/2 17
13 10
17
17
0 0
Csus4
6 let ring
loco
3
2
0
3
6
3
1/2
17
16
15
19
15
15
15
15
15
19
15 13
9
12
6
5
7
5
7
7
3
3
0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro
Bb
Bb5
A5
G5
D5
Ah.
Gtr. 6
0 0
0
Gtrs. 3 & 4
7 0 8 8
Bb
Bb5 A5
G5
8 8 8
5 5 5
7 7 7
0 0 0
D5
C
Bb
Ah.
0
7 0 8 8
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 8 8
7 7 7
5 5 5
0
0 0
0
0
0 0 0
5 5 5 3
7 0 8 8
from Alter Bridge - AB III
Fallout Words and Music by Mark Tremonti and Myles Kennedy D5
C5 10fr 111
Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q = 86 ** Dm
CaddÊ
Oo.
Riff A *Gtr. 1 (acous.)
mf
w/ fingers let ring throughout
5
6
5
7
5
7
0
0
0
5
5
0
7
0
0
5
7
6
5
7
5
7
0
0
0
0
5
0
7
0
0
0
3
0
*Two gtrs. arr. for one. (One acous. & one elec. w/ slight dist.) **Chord symbols reflect implied harmony.
Bbmaj7sus2
Am
1. An
0
2
0
Verse
0
2
3
3
9
10 8 8
3
el
-
er
reb -
End Riff A
Harm.
0
0
3
-
oth
10
8
9
10 7 7
8
10
12 12
7
runs
a - gainst
the
CaddÊ
Dm
3
3
0
3 3
-
D5
grain.
A
lon -
Riff B
5 0
6
5
7
5
7
0
0 0
5
5
7 0
0 0
5
7
0
6
5
7
5
7
0
0 0
5
0
7 0
0
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0
3
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
-
er
is
Bbmaj7sus2
Am
born.
He’s
filled
with
an End Riff B
0
2
0
3
0
3
0
2
Gtr. 1: w/ Riff B
Dm
3
-
3
3
3
guish.
Pre-Chorus Dm
Uh,
to
find
deep
so
con
-
Bbmaj7sus2
9
10 8
with - in
0
10
8
his
9
10 8 8
0
3
3
0
3
7
he’s
dy
-
ing
7
ev
-
Am
CaddÊ
’ry
day
He
is
lost,
way.
10
7
sumed.
Can you feel
Fill 1
Gtr. 2 (elec.)
End Fill 1
8va
mp w/ dist. H.H. w/ bar
grad. dive
8 20
-1 1/2 Gtr. 1
5
6
5
0 *Gtr. 3 (elec.)
7
5
5
7
0 0
0
0
0
0
-3 1/2
0
6
5
7
5
7
slack
0 0
0
0
0
0
0
0
0
mf w/ dist. P.S.
X X X *Doubled throughout
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
Chorus Gtrs. 1 & 2 tacet 3rd time, Gtr. 6 tacet
Bbsus2
him?
Rhy. Fig. 1
Gtr. 3
10 10 8 8
Some -where
F5
in
the fall
out
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 8
10 10 8 0 8
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
6 5 3 3 3
5 5 3 3 3
5 5 3 3 3
to find
the truth.
Gtr. 4 (elec.)
him?
just
like you
a - far
who is lost
5 5 3 3 3
5 5 3 3 3
5 5 3 3 3
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
From
To Coda 2
Bb5
Can you hear
he is some - one
Dsus2
C5
-
Fmaj7(no 3rd)
F5
he cries
out
for the an -
Riff C
mf
w/ dist.
15 X 13
Gtr. 3
5 5 3
15 15 15 15 15 15 15 15 15 15 15 15 X X X X X X X X X X X X 13 13 13 13 13 13 13 13 13 13 13 13
14 14 14 12 X X X X 12 12 12 10
12 12 14 14 14 14 14 14 14 14 14 14 12 12 X X X X X X X X X X X X X X 10 10 12 12 12 12 12 12 12 12 12 12 10 10 X
5 5 3
5 5 5 5 5 5 5 5 3 3 3 3
3 3 1
3 3 3 3 3 3 3 3 1 1 1 1
3 3 3 3 0 0 1 1 0 0
5 5 5 5 3 3
5 5 5 5 3 3
3 3 1
3 3 3
3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3
3 3 3
3 3 3 3 3 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dsus2
-
To Coda 1
swer
to
10 7
be
shown
as
he
C5
dares
to
End Riff C
10 7
10 7
8 7
8 7
6 7
10 7
8 7
8 7
8 7
8 7
walk
the
Fall
-
out
on
own.
his
End Rhy. Fig. 1
(cont. in slashes)
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 5 3
Interlude
Gtr. 1: w/ Riff A Gtr. 4 tacet
D5 Gtr. 3
Gtr. 3 tacet
CaddÊ
Oo,
1
10
13 12
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
mf
10
yeah.
loco Gtr. 2
12
10
12
Bbmaj7sus2
Am
So
D5
Verse
Gtr. 1: w/ Riff B (2 times)
Dm
frus - trat
-
ed,
w/ tremolo let ring
15
17
*
Gtr. 2
he
Riff D Gtr. 4
17
15
17
15
17
15
15
17
15
17
15
3
3 1
12
12
10
12
*Played ahead of the beat.
Gtr. 2 tacet
CaddÊ
walks the line
a - lone.
Cour - age
sets
Bbmaj7sus2
him
a - part.
15
Gtr. 4: w/ Riff D
Dm
-
17
15
17 17
15 15
15
17
17 17
15
All
he
once
em - braced
he
now dis - owns.
He
Gtr. 1: w/ Riff A (1st 2 meas.) Gtr. 2: w/ Fill 1
Am
it
All
Gtr. 3
go.
the
let
D.S. al Coda 1
Pre-Chorus
Bbmaj7sus2
so faithEnd Riff D
15
less.
is
CaddÊ
He
let ring
17
Am
Dm
while
he
still
waits.
Can you feel
X X X
X X X
X X X
X X X
X X X
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1 C5
Gtr. 3
to walk
the
Fall
Gtr. 2
-
out on his own.
Interlude D5
Eb5
w/ bar fdbk. grad. dive
0
0
Pitch: E
Gtr. 4
-1
-2
-2 1/2
Riff E
End Riff E
*wah-wah 1/4
6 7
6 7
6 7
6 7
6 7
7
7
1/4
7
7
1/4
7
7
1/4
7
7
1/4
7
7
1/4
7
7
1/4
7
7
1/4
7
7
*Used as filter.
Gtr. 3
Riff E1 Gtr. 5 (elec.)
End Riff E1
mf
**w/ dist. & wah-wah
(cont. in slashes) 1/4
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
1 1 1
5
5
1/4
5
5
1/4
5
5
1/4
5
5
1/4
5
5
1/4
5
5
1/4
5
5
1/4
5
5
**Wah-wah used as filter.
Gtr. 2 tacet Gtrs. 4 & 5: Riffs E & E1 (2 times)
Gtr. 1
Ebmaj7#4
Gsus2
Bb5 A5
G5
D5
Riff F
0
0
8
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3 tacet
0
3
0
0 5
0
0
0
0
1
0
0
0
5
0
0
8
7
5
0
0
Bbmaj7
F6
Gsus2
D5
Ebmaj7#4
Gsus2
Bb5 A5
G5
D5 End Riff F
0
0
0
8
0
0
3
0
0
5
0
0
0
0
0
1
5
0
0
8
7
5
0
0
Bridge Gtr. 1: w/ Riff F (2 times)
Bbmaj7
F6
Left
Bbmaj7
10
uh,
un
to
-
a - side,
the
mean
-
ing
to
D5
10
10
10
-
10
still
1/4
1/4
1/4
15
fights
15
15
tries,
D5
to
be - hold.
13
D5
Bb5
1/4
13
13
for truth
1/4
1/4
1/4
15
15
15
13
A5 G5 D5
15
1/4
13
Gsus2
1/4
15
he
life.
1/4
13
1/4
13
Bb5 A5 G5
Ebmaj7#4
he
15
13
still
1/4
15
D5
Bb5A5 G5
uh, bleed - ing
D5
ed,
Gsus2
Gsus2
this
Ebmaj7#4
10
F6
Bb5 A5 G5
Gsus2
he’s wea - ry,
1/4
Ebmaj7#4
1/4
Gsus2
Mm, burn - ing,
1/4
15
ing.
15
-
10
10
Gsus2
Dis - con - nect
15
earth
Uh, cast
Ebmaj7#4
D5
he’s walk
Bbmaj7
Gsus2
D5
be - hind,
F6
F6
Bbmaj7
Gtr. 2
Gsus2
15
a
-
lone.
1/4
15
15
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2 tacet
Bb5
F5
Gtr. 3
G5
D5
Eb5
G5
Bb5 A5 G5
Rhy. Fig. 2
8 8 8
8 8 8
3 3 3
5 5 5
Eb5
5 5 5
0 0 0
Bb5
A5
G5
Gtr. 6 (elec.)
G5
1 1 1
5 5 5
8 8 8
7 7 7
5 5 5
0 0 0
10
10
10
10
10 13
1 1 1
1 1 1
End Rhy. Fig. 2
P.M.
5 5 5
8 8 8
7 7 7
0 0 0
8 8 8
8 8 8
Harm.
D5
3 3 3
5 5 5
5 5 5
F5
G5
15
13
8 8 8
8 8 8
D5
15
13
10
3 3 3
5 5 5
5 5 5
*
5 5 5
X
X
X
X
2.75
0 0 0
w/ slide
w/ dist.
G5
mf
Gtr. 3
1 1 1
F5
Interlude Bb5
µ
Bb5
P.M. P.M.
1 1 1
D5 Eb5 D5
0 0 0
Pitch: C *Harmonic located three-fourths the distance between the 2nd & 3rd frets.
Eb5
G5
Bb5 A5 G5
Gtr. 6
D5 Eb5 D5
Bb5
F5
Eb5
G5
Bb5 A5 G5 D5
steady gliss.
D5
G5
10
Gtr. 3
1 1 1
1 1 1
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 5
8
7
7
P.M. 8 8 8
7 7 7
5 5 5
7
7
7
P.M.
0 0 0
1 1 1
0 0 0
13
15
15
8 8 8
8 8 8
3 3 3
13 13 15 13
5 5 5
5 5 5
0 0 0
X 14 X P.S.
steady gliss.
10
Can you feel
8
11
D.S. al Coda 2 µ
11
11
10
1 1 1
1 1 1
5 5 5
8
14
P.M. P.M. 8 8 8
7 7 7
5 5 5
0 0 0
0 0 0
Coda 2 Gtr. 4: w/ Riff C (last 2 meas.)
F5
Dsus2
C5
Rhy. Fill 1
out
for the an
Gtr. 3
3 3 3
3 3 3
-
swer to
3 3 3 3 3 3 3 3 3 3 3 3
5 2 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3
be shown
Gtr. 3
as he
dares
to walk the Fall - out
Gtr. 7 (elec.) mf
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
5 2 0 0 0
on
his
15ma
loco
w/ dist. fdbk.
(cont. in slashes)
5 2 0 0 0
End Rhy. Fill 1
10
0
0
Guitar Solo
Gtr. 3: w/ Rhy. Fig. 1
Bbsus2
F5
own.
0
7
9
10
10
10
10
10
9
10
10
10
12
12
13
14
12
12 Pitch: G
Gtr. 4
14
E
10
12
12
12
10
8va 8va Gtr. 7 loco loco P.H. P.H. P.H. P.M. 1
10
8va
1
Dsus2
9
Fmaj7(no 3rd)
10
12 10
10
+2 1/2
12
10
9
10
10
12
0
3 P.H. P.M. 1
7 12
10
C5
10
D
9
10
w/ bar P.H.
loco
9
10
13 12
15
13
15
13
15
15
13
15 13
14
10 G
14 X 12
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
loco
Gtr. 4: w/ Riff C
Bb5 Gtr. 7
13
12
13
13
F5
8va
P.H. 1
12
13
12
13
13
13
13
12
13
13
15
1
13 15
15 13
15
15
15
1 1/2
15
15
Pitch: G
3 3 9 D5
9
13
17
13
10
13
10
8
10
8
5
6
8
6
5
8
6
5
6
8
6
5
7
5
3
5
7
5
3
2
0
5
3
0
0
Outro Gtr. 3: w/ Rhy. Fig. 2 (1 1/2 times)
Gtr. 3: w/ Rhy. Fill 1
C5
8va
1/2
7
F5
G5
D5
Eb5
G5
loco
P.M.
P.H.
Bb5
Bb5 A5 G5
D5 Eb5 D5
w/ bar Harm.
grad. dive
7
7
5
3
3
5
3
5
3
3
7
5
Pitch: F#
5
3
3.75 Pitch: G
slack
Gtr. 7 tacet
Bb5 Gtr. 6
F5
G5
D5
Eb5
G5
Bb5 A5 G5
µ
10
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
10
10
10
Bb5
Gtr. 2
F5
G5
D5
Eb5
G5
20
22
22
20
8va
Bb5
Gtr. 6
18
18
15
15
Bb5
14
F5
G5
8va
Gtr. 2
13
Eb5
11
11
G5
Gtr. 6
18
18
20
20
19
20
22
22
20
15
15
14
13
11
11
10
8
11
19
11
11
19
*w/ delay steady gliss.
22
22
14
11
µ
8
19
D5 Eb5 D5
steady gliss.
10
D5
8 13
Eb5
10
Bb5 A5 G5
19 15
19
steady gliss.
10
D5
D5
20
w/ slide
13
20
G5
w/ slide
15
A5
17
12
*Set for quarter-note regeneration w/ 4 repeats.
**w/ delay steady gliss.
14
12
5
**Set for quarter-note regeneration w/ 4 repeats.
Gtr. 3
8 8 8
8 8 8
3 3 3
5 5 5
5 5 5
0 0 0
1 1 1
1 1 1
5 5 5
P.M. P.M. 8 8 8
7 7 7
5 5 5
0 0 0
1 1 1
0 0 0
w/ bar
0 0 0 slack
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Alter Bridge - AB III
Breathe Again Words and Music by Mark Tremonti and Myles Kennedy
Drop B tuning, down 1/2 step: (low to high) Bb-Ab-Db-Gb-Bb-Eb
Intro Free time *Eadd9
Moderately slow q = 86
Riff A
Gtr. 1 (clean)
mf
**
let ring throughout
12 9 11
11
9
12 11
11
9
12 11
11
9
12 11
11
9
12 11
**Vol. swell
Rhy. Fig. 1
***Gtr. 2 (clean)
mf let ring throughout
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 13 X 11
0 12 13 X 11
0 12 13 X 11
0 0 X 11 X X X 9
0 0 11 X 9
0 0 11 X 9
0 0 0 0 0 0 11 X 9 9 X X X X 9 X 7 7
0 0 X 6 X X X 4
*Chord symbols reflect overall harmony. ***Two gtrs. arr. for one.
BaddÊ
Ah.
11
8
12 11
11
8
12 11
11
8
12 11
11
8
End Riff A
12 11
End Rhy. Fig. 1
0 0 6 X 4
8 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
X X X
0 0 9 X 7
0 0 9 X 7
8 6
0 0 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0 7 8 X 6
0 7 8 X 6
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 2: w/ Rhy. Fig. 1 (1 1/4 times)
Eadd9
Gtr. 1
Gtr. 1 tacet
1. I
have
played
the
part.
I
have
all
but
lost
my
Harm.
12
BaddÊ
*
Eadd9
soul.
And I have
sac - ri - ficed.
*w/ echo set for half-note regeneration w/ 2 repeats.
For what it’s
Gtr. 2
worth
I
don’t
just
Badd9
3
know.
0 12 13 X 11
0 12 13 X 11
0 12 13 X 11
X X X
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 9 X 7
X X X
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 6 X 4
0 0 8 X 6
8 6
0 0 8 X 6
0 0 8 X 6
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
0 0 4 X 2
X X X
9 7
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
In When
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
Pre-Chorus 2nd time, Gtr. 1 tacet
Asus2
Sorgdal
the si the prom
-
lence of ise might
-
0 0 9 7
0 0 9 7
0 0 9 7
7
0
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
my be
heart born
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
2nd time, Gtr. 1: w/ Fill 1
E5
there is like
a a
dis spark
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
Badd11
0 0 9 X 7
0 0 9 X 7
BsusÊ
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
tant
yeah, yeah.
0 0 9 X 7
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 9 X 7
0 0 6 X 4
X X X
0 0 6 X 4
Bsus4
call, with - in,
0 0 8 X 6
8 6
Asus2
Badd11
that beck - ons me ’Cause I can’t take
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
0 0 8 X 6
to stand it an
a - part. y - more.
0 0 8 X 6
µ
0 0 8 8 X 6 6
0 7 8 X 6
0 7 8 X 6
*Gtrs. 3 & 4 (dist.)
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 7 8 X 6
0 0 9 7
0 0 9 7
0 7 0 9 7
0
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 7
0 0 9 X 7
X X X
E5
Uh, so I
Gtr. 2
0 0 9 X 7
0 0 8 X 6
0 0 9 X 7
mf
Harm.
17 *Composite arrangement
0 0
12 12 15
Pitch: Bb
Chorus Gtr. 2 tacet
G5
set
Gtrs. 3 & 4
12 12 10
out on
my
own,
D/F#
12 12 10
12 12 12 12 10 10
12 12 12 12 12 12 12 12 10 10 10 10
11 12 9
11 11 11 12 12 12 9 9 9
to breathe
a - gain.
A5
uh, just Rhy. Fig. 2
12 12 10
11 12 9
11 11 12 12 9 9
11 11 11 11 12 12 12 12 9 9 9 9
2 2 0
2 2 0
2 2 0
A
let ring 2 2 0
2 2 0
2 2 2 0
2 2 0
2 2 0
0
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Asus4 A Asus4 A
Asus4 A
11 0
12 0
14 11 0
the light
me
12 11 0 0 0
0
12 12 12 12 12 12 12 12 10 10 10 10
12 12 10
home,
12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10
uh, just
14 11 11 12 11 11 14 14 0 0 0 0 0 0
reach
11 11 11 11 12 12 12 12 9 9 9 9
to
11 12 9
11 11 11 11 11 12 12 12 12 12 9 9 9 9 9
11 12 9
Interlude Gtr. 2: w/ Rhy. Fig. 1 Gtrs. 3 & 4 tacet
Asus2
the end,
that calls
D/F#
End Rhy. Fig. 2
To Coda
A5
G5
Uh, touch
12 0
Asus4 A
E5
uh, where I’m
E
free to breathe
a - gain.
Gtr. 5 (dist.)
mf
1/2
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 2 2 0
2 2 0
8
Gtr. 6 tacet
Esus2
E5
BsusÊ Badd11
Gtr. 5
1/2
11
-1 1/2 *Vol. swell
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1/2
11 7
10 7
grad. dive
12
12
mf
12
8
Gtr. 6 (dist.)
w/ bar
Oh.
8
*
Bsus4 Badd11
12
-4
1/2
8
9
7
9
6
1/2
6
6
6
2
2
4
Verse Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Eadd9
2. Uh, through the suf
-
7
7
uh, through the mis
and
-
er - y
BaddÊ
pain.
Gtr. 1
11
fer - ing,
Gtr. 5
Gtr. 5 tacet
3
12
9
11
11
9
12 11
11
9
12 11
12
9
11
9 10 9
11
Eadd9
Nev
Gtr. 1
8
11
12 11
12
8
11
11
uh, but the will
11
11
9
9
8
12 11
11
-
er
an
11
9
11
11
9
11
11
9
12 9
11
11
y - thing,
12 11
yeah. Fill 1
End Fill 1
1/2
12
12
8
-
12
9
the day,
11
D.S. al Coda
BaddÊ
to see
9
11 9
1/2
9
11 9
11
8
12 11
11
8
12 11
11
8
12 11
11
8
12 9
8
8
9
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda Asus4 A Asus4 A
Asus4 A
uh, where I’m
free
to breathe
11 0
14 11 0
12 0
14 11 11 12 0 0 0
11 11 14 0 0
14 0
11 0
14 11 0
12 0
14 11 11 12 0 0 0
11 11 14 0 0
12 0
14 0
12 0
11 0
0
0
11 0
0
6
0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
6
4
2
6
0
7
6
4
2
0
0
0
0
0
0
6
7
6
4
2
6
0
7
6
4
2
0
6
11
9
7
6
7
6
4
2
9
0
6
0
11
9
7
6
4
7
6
4
2
0
0
0
Riff B
0
0
Fill 2
0
9
0
a - gain.
Gtr. 4
12 0
Gtr. 3
12 0
Interlude B7
Asus4 A
0
0
0
0
0
Well, I
am
free
to
Bridge Dsus2
roam
End Fill 2
and set out
on
9
7
6
own
mf
*w/ octaver
18
14
11
9
my
Gtr. 7 (dist.)
11
9
0
9
7
6
4
7
18
14
14
9
7 *Set for one octave above.
End Riff B
7
6
0
A
6
4
2
7
6
0
6
4
2
to rise
a - bove
Asus4
0
16
16
13
13
9
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 3 2 0
that
try
13
0 3 2 0
to
0 3 2 0
0 3 2 0
0 3 2 0
0 3 2 0
0 3 2 0
0 3 2 0
0 3 2 0
0 3 2 0
B7
me
13
down.
Be - fore
the end
9
11
End Rhy. Fig. 3
0 0 1 2 2
0 0 1 2 2
0 0 1 2 2
0 0 1 2 2
0 3 2 0
1/2
0 0 1 2 2
0 3 2 0
0 0 1 2 2
hold
13
0 0 1 2 2
0 3 2 0
9
0 3 2 0
4
E
9
4
the hands
A
Rhy. Fig. 3 Gtrs. 3 & 4
0 0 1 2 2
0 0 1 2 2
0 0 1 2 2
0 0 1 2 2
0 0 1 2 2
0 0 1 2 2
0 0 1 2 2
6
0
7 6 4 2
P.S.
6
0
7 6 4 2
0
X X X
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 3 & 4: w/ Rhy. Fig. 3
Dsus2
I know I’ll
18
18
14
14
9
9
A
to
Asus4
find
E
breathe a - gain
Gtr. 7
14
A
my
way.
16
16
13
w/ bar
1/2
9
13
9
13
13
13
13
-1
Interlude Gtr. 3: w/ Riff B (1st 2 meas.) Gtr. 4: w/ Riff B
Gtr. 3: w/ Fill 2
B7
Gtr. 7
11
Gtr. 5
1
1
1
1
1
1
12
10
12
14
12
12
14
12
14
16
14
14
Uh,
so
I
11
1
12 14
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
12
12
12
12
12
12
12
12
12
12
12
12
12
14
14
14
14
14
14
14
14
14
14
14
14
14
14
Chorus Gtrs. 5 & 7 tacet
Gsus2
set
out on
D/F#
my
own,
10 12 12 10
X X X
Asus4 A
12 0
11 0
12 0
14 11 0
14 11 0
Gtrs. 3 & 4: w/ Rhy. Fig. 2
D/F#
uh, just
Gtr. 6
11 0
12 0
11 11 14 0 0
A5
to reach
11 11 11 12 12 12 9 9 9
11 12 9
11 11 12 12 9 9
G5
Uh, touch
the
to breathe
a - gain.
11 11 11 11 12 12 12 12 9 9 9 9
14 0
0
11 0
2 2 0
2 2 0
2 2 0
2 2 0
12 12 10
A
2 2 0
0
0
me
home,
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
Asus4 A
I’m
2 2 0
the end.
2 2 2 0
Asus4 A Asus4 A
2 2 0
that calls
A
let ring
light
12 0
Asus4 A
A5
uh, just
11 12 9
X X X 17
Asus4 A Asus4 A
Gtrs. 3 & 4
12 12 10
12 12 10
12 12 10
Asus4 A
leav - ing to -
5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solo G5
D/F#
day.
loco 8va
Gtr. 6
6
6
3 P.H. 1
10 9
7
10 8
7
8
7
7
7
9
9
7
1/2
9
9
7
7
6
7
7
6
6
6
7
7
7
7
6
7
7
9
5
7
9 3
Rhy. Fig. 4
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 12 12 12 12 12 12 10 10 10 10
11 12 9
11 11 11 12 12 12 9 9 9
11 12 9
Gtrs. 3 & 4
12 12 10
12 12 10
12 12 10
11 11 12 12 9 9
11 11 11 12 12 12 9 9 9
A5
15ma loco
I’m
11 11 11 12 12 12 9 9 9
leav -ing to
-
P.H.
5
1/4
1/2
1
5 5
7
1
7
5
7
7
1
1 10
5
5
1
5
7
5
7
5
7 9
10 10 10
Pitch: G
Gtr. 4
Gtr. 3
divisi
2 2 0
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
2 2 0
7
6
7
2 2 0
2 2 0
2 2 0
7
9
2 2 0
2 2 0
7
6
15 15
15 15
15 15
End Rhy. Fig. 4
Fill 3
2 2 0
15 15
12
End Fill 3
6
2 2 0
2 2 0
2 2 0
10 2
12 4
12 4
Gtr. 3: w/ Rhy. Fig. 4 Gtr. 4: w/ Rhy. Fig. 4 (1st 3 meas.)
G5
D/F#
day.
Gtr. 6
A5
15 15 15 15 15 15 15 15 15 15
17
1
1/2
17 17 15
15
15
15
13
1
13
14
4
G5
8
10
7
8
8
5
6
7
D/F#
9
leav - ing
to
9
7
9
7
7
5
5
Gtr. 6
Gtrs. 3 & 4
12 12 10
12 12 10
11 12 9
12 12 10
w/ bar
0 0
2
Harm.
5
0
8
10
-
1
7
7
7
day.
8
5
7
5
7
Asus2
10
I’m
10
9
8
8 10
3 10
Gtr. 4: w/ Fill 3
8va loco
P.H.
1 1/2
5
5
slack Pitch: A
0 0 0
0 0 0
0 0 2 2 0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Alter Bridge - AB III
Coeur D’Alene Words and Music by Mark Tremonti and Myles Kennedy D5
Bb5
A5
F5
8fr
Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
111
Intro Moderately slow q = 86 D
E5
Eb5
7fr 111
111
111
111
Gm/D
D
Dsus4
Riff A Gtr. 1 (slight dist.)
mf
w/ fingers let ring throughout
4
4
7
0
0
0
5 0
0
0
4
0
0
5
5
8
0
0
0
0
0
0
0
0
4
4
7
0
0
0
5 0
0
0
4
0
0
5 0
Gtr. 1: w/ Riff A
D
Gm/D
End Riff A
Gtr. 2 (dist.)
mp
P.M.
P.M.
P.M.
P.M.
P.M.
5 0
0
0
0
0
0
0
0
0
0 13 12 0
D
0
0
0
0
8 12
7
0
Dsus4
mp
P.M.
0
0
13
12
P.M. P.M. 0
0
0
0
0
P.M.
8
12
7
0
P.M.
P.M.
0
0
0
0
0
0
0
0
0
0
Gtr. 3 (dist.)
0
Harm. *
2.3 2.3 3.1
5
7
9
7
Pitch: D A D F# *Harmonics located between frets.
5
9
D
F#
7
7
Gtr. 2
P.M.
0
0
13
12
P.M. P.M. 0
0
0
0
0
P.M.
8
12
7
0
P.M.
0
0
0
w/ flanger P.M. 0
0
0
0
0
0
0
0
0
0
0
0
0
0
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0
0
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
Eb5 D5
1.
Bb5 C#5 A5 D5
Bb5 A5 D5
Bb5 A5 D5
F5 E5 Eb5
Rhy. Fig. 1
mf P.M. P.M. P.M. *Gtrs. 2 & 3
0 0 0
0 0 0
13 13 13
12 12 12
0 0 0
0 0 0
0 0 0
End Rhy. Fig. 1
P.M. P.M. 0 0 0
0 0 0
8 8 8
11 11 11
7 7 7
0 0 0
0 0 0
0 0 0
P.M. P.M. P.M.
0 0 0
0 0 0
0 0 0
8 8 8
7 7 7
0 0 0
0 0 0
0 0 0
0 0 0
8 8 8
7 7 7
0 0 0
3 3 3
2 2 2
1 1 1
*Gtr. 2: flanger off. Composite arrangement
2. Gtrs. 2 & 3: w/ Rhy. Fig. 1 (last meas.)
Bb5 A5 D5
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
Bb5 A5 D5
F5
E5 Eb5
D5
Eb5 D5
Bb5 C#5 A5 D5
Voc. Fig. 1
(Ah.)
**Gtr. 4 (dist.)
Riff B
mf ***w/ wah-wah P.S.
X **Two gtrs. arr. for one.
Bb5 A5 D5
F5 E5 Eb5
12 X 10
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
12 X 10
12 X 10
11 X 9
11 X 9
11 X 9
11 X 9
14
14 X 12
12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
***Used as filter.
Bb5 A5
12 X 10
12 X 10
15 13
D5
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
Eb5 D5
Bb5 C#5 A5 D5
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
14 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
Bb5A5 D5
Bb5 A5
D5
F5
E5
Gtr. 4 tacet
D5
Eb5 Gtrs. 2&3 End Voc. Fig. 1
Verse
the lights in - to
1. Well, all 3. I look
End Riff B
Rhy. Fig. 2 Gtr. 1
have fad the mir
-
ed. ror.
1/4
12 X 10
12 X 10
12 X 10
0 3 3 0 0 0
12 X 10
3 2 4 0 0
12 X 10
12 12 12 12 12 12 12 12 12 X X X X X X X X X 10 10 10 10 10 10 10 10 10
Gtrs. 2 & 3 tacet
en don’t
-
core’s come know who
0 6 0 8 X 8
no -
and A
take torn
I life
can’t so
8 0 10 X 10
this a
3 2 4 0 0
C5
gone am.
Bb6#11
and I
0 3 3 0 0 0
The I
D
D5
more. part.
End Rhy. Fig. 2
3 2 0 0 0
Dsus2b6
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1: w/ Rhy. Fig. 2
Dsus2b6
2. Well, 4. I
I still
D
can’t long
keep for
pre the
-
tend sim
-
ing. ple.
End Riff C
P.M.
P.M.
0
0
0
1
P.M.
0
0
0
1
1 1/2
1
1
0
0
0
1
I just I’m just
can’t
D
C5
play a com
the mon
-
I need left with
part. man
D5
Gtr. 3
(I
need
the
P.M.
0
0
13
Chorus Bb5
12
P.M. P.M. 0
0
0
F/A
Coeur d’A - lene Rhy. Fig. 3
3 3 1
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
Gtrs. 2 & 3
0
is
so
P.M.
-
8
12
call
7
0
0
0
C5
-
P.M.
P.M.
0
0
ing
-
the so ach
0
lace
of
w/ flanger
8
7
0
G/B
shore. heart.
To Coda 1
F5 E5 Eb5
(1st time, cont. in notation)
shore.)
P.M.
0
0
0
Bb5
8 8 8
7 7 7
0 0 0
3 3 3
2 2 2
1 1 1
F/A
Voc. Fig. 2
her
her
P.M.
lace of ing
-
this
Bb6#11
Bb5 A5 D5
Gtr. 2
0
1
1
Gtr. 2: w/ Riff C (2 times)
Dsus2b6
1 1/2
1
1
1 1/2
Sorgdal
Riff C
Gtr. 2
out
and it won’t
be
long. End Rhy. Fig. 3
3 3 1
3 X 2 2 3 X 3 3 1 X 0 0
2 2 2 2 3 3 3 3 0 0 0 0
5 5 3
5 5 3
5 5 3
5 5 X X 4 5 5 X X 5 3 3 X X 2
4 4 X X 5 5 X X 2 2 X X
3 3 1
3 3 1
3 3 3 3 1 1
3 3 2 3 3 3 1 1 0
2 3 0
2 2 2 3 3 3 0 0 0
2 3 0
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st meas.)
D5
Eb5 D5
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Bb5 C#5 A5 D5
F/A
End Voc. Fig. 2
Bb5
Uh, Coeur d’A - lene,
I’m
C5
com
-
ing
G/B
now,
D.S. al Coda 1 Gtrs. 2 & 3: w/ Rhy. Fig. 1
Bb5
uh, where I
be
still
D5 Eb5 D5
F/A
-
Bb5 C#5A5 D5
Bb5 A5 D5
Bb5 A5 D5
F5 E5 Eb5
long.
Coda 1
Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Bb5
F/A
Coeur d’A - lene
Gtr. 4
1/2
15
17
where the and
it
F/A
won’t wa
call
17
15
ing
out
1/2
14
1/2
1/2
14
17
-
be ter’s
long. calm.
End Riff D
14
15
14
17
17 15
17
17
14
14
17
15
17
17
D5
Eb5 D5
Bb5 C#5 A5 D5
1/2
14
-
1/2
14
15
G/B
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st meas.)
14
is
14
1/2
14
Bb5
Riff D
14
C5
15
17
To Coda 2 Gtrs. 2 & 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff D
Bb5
F/A
Uh,Coeurd’A - lene,
I’m
C5
com
-
ing
now,
G/B
Bb5
uh, where I
F/A
still
be
long. (Ah.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Eb5 D5 Eb5 D5
Gtr. 4 tacet
C5 D5
C5 D5 F#5
Gtr. 2
let ring 1
10 12 12 12
13 13 13
12 12 12
0 0 0
10 10 10
12 12 12
0 0 0
0 0 0
10 10 10
Fill 1
4 4 4
10 10 10
17
C5
12 12 12
Gtr. 3
17
10 10 10
12 12 12
3 3 3
3 3 3
4 4 4
1 1 1
End Fill 1
Gtr. 4
D5 Eb5 D5
F#5 Eb5
13
13
13 13 13
C5 D5 F5
D5
12 12 12
4 4 4
C5 D5 F#5
10 10 10
12 12 12
C5 D5
3 3 3
3 3 3
4 4 4
F5
1 1 1
F#5 Eb5
Ah.)
End Rhy. Fig. 4
1
End Rhy. Fig. 4
10 13 13 13 13
12 12 12
13 13 13
12 12 12
0 0 0
10 10 10
12 12 12
0 0 0
0 0 0
End Rhy. Fig. 4A
13 13 13
12 12 12
13 13 13
12 12 12
0 0 0
10 10 10
12 12 12
0 0 0
0 0 0
10 10 10
1
10 12
12 12 12
4 4 4
10 10 10
12 12 12
3 3 3
3 3 3
4 4 4
1 1 1
End Rhy. Fig. 4A
10 10 10
12 12 12
4 4 4
10 10 10
12 12 12
3 3 3
3 3 3
4 4 4
1 1 1
Bridge Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (2 times)
Eb5 D5 Eb5 D5
Safe
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5 D5
at
last
C5 D5 F#5
C5 D5 F5
in
F#5 Eb5
your
D5 Eb5 D5
C5 D5
C5 D5 F#5
C5 D5 F5
arms.
I’m
D
D/F#
safe
1
17
17
20
20
1
20
1
in
your
15
18
18
18
21
21
7 5 5
21
12 8 8
D.S.S. al Coda 2
arms.
1
Gsus2
17
17
17
20
20
4 0 0
1
7 5 4
14
D/F#
8va
4 0 0
D
1
17
Bb
last
14
Gtrs. 2 & 3
8va
Gsus2
at
Gtr. 4
F#5 Eb5
15
15
18
18
20
1
18
P.M.
7 5 4
7 5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
0 0 7 5 5
0 0 7 5 5
0 0 7 5 5
0 0 7 5 5
0 0 7 5 5
0 0 7 5 5
0 0 7 5 5
0 0 7 5 5
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 2
Bb5
and
it
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st meas.) Gtr. 4: w/ Fill 1
F/A
won’t
Eb5 D5
be
Gtr. 5 (dist.)
D5
Bb5 C#5 A5 D5
long.
mf
*w/ wah-wah
w/ bar 15 17
X X
0
*Used as filter.
-5
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Bb5
Gtr. 5 tacet
Gtr. 6 (dist.)
F/A
C5
1/2
10
12
12
12
12
G/B
12
1
10
10
13
13
Gtr. 5
10
13
12
10
12
12
15 17
Voc.: w/ Voc. Fig. 2
F/A
8va
Gtr. 6
Bb5 C#5 A5 D5 Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st meas.)
Bb5
P.M.
D5 Eb5 D5
loco
P.H.
P.M. 1/4
X
0
10
10
12
9
10
12
12
10
9
9
10
10
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Bb5
5
13
10
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
12
11
10
13 10
12
10
10
13
12
12
10
18
17
15
15 10 12
10
10
F/A
10
12
11
10
13 13
14
15
13
6
17
13
17
13 13
17
13
C5
G/B
Bb5
17 13
14
13 17
17
13
(And
it
6 6 13 17 13
17 13
15
F/A
won’t
be
loco 8va
5 5
0 0
10 10
P.H. 1
15
10 10
10
10
13
1
11 14
12
10
12
10
10
12
12
8
10
Outro Gtrs. 2 & 3: w/ Rhy. Fig. 1 (4 times)
D5
Eb5 D5
long.)
Bb5 C#5 A5 D5
Bb5 A5 D5
Bb5 A5 D5
F5 E5 Eb5
w/ bar
5
5 slack
D5
Eb5 D5
Bb5 C#5 A5 D5
(Safe
fdbk. w/ bar
Bb5 A5 D5
And
it
won’t
F5 E5 Eb5
be
at
Bb5 A5 D5
last,
in
your
w/ bar
0
0
Gtr. 4: w/ Riff B Gtr. 6 tacet
D5
Eb5 D5
Bb5 C#5 A5 D5
long. arms. D5 Eb5 D5
safe
I’m
Oh,
Bb5 A5
D5
com - ing,
Bb5 A5 D5
F5 E5 Eb5
love.
I’m
Bb5 C#5 A5 D5
at
last.)
Bb5 A5 D5
And
Bb5 A5 D5
it
won’t
F5 E5 Eb5
µ
*
be
long.
*w/ echo set for quarter-note regeneration w/ 3 repeats.
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Alter Bridge - AB III
Life Must Go On Words and Music by Mark Tremonti and Myles Kennedy D5
Aadd4/C#
Gtrs. 1–7: Tuning: (low to high) D-A-D-A-D-D
Bm7
Gsus2
4fr
Intro Moderately slow q. = 52 *D
3
14
34
E5
1
A/C#
Gtr. 1 (elec.)
Asus4 5fr
mf
11
Gsus2
w/ clean tone & fingers let ring throughout
4
0
2
5
2
4
4
0
5
0
0
4
4
4
2
5
4
0
0
0
4
5
4
0 0 0 0
5
5
5
*Chord symbols reflect implied harmony.
D/F#
0
4
4
4
5
5 0
4
4
3
5
7
7
12
4
4
Bm7
2
5
4
0
0
0
4
0 2
D5
0
0
0
4
4
2
A tempo
0 0 0 12 0 0
4
4
rit.
0
A/C#
5
5
4
5
**Gtr. 2 (elec.)
4 0
0
4
4
0
4
5
2
0
5
0
2
0
D/F#
0 0 0 0
5
0
3
5
Gsus2
5
4
4
0 0
0
Gtr. 1
0 0 0
5
4
5
4
Gsus2
4
D
f
rit.
w/ dist.
0 0
0 0
**Doubled throughout
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet
Gsus2
Riff A Gtr. 3 (elec.)
D5
Asus4
B5
Bm7
7 X 7
9
9 X 9
9 X 9
9 X 9
7 X 7
10 X 10
10 X 10
9 X 9
0 0 0 0 5 5
0 0 0 0 5 5
mf
D5/C#
D5
w/ dist.
10 X 10
10 X 10
Rhy. Fig. 1A Gtr. 4 (acous.)
mf
let ring throughout
0 0 0 0 5 5
0 0 0 0 5 5
5 5
Asus4
11 X 11
5 5
5 5
5 5
5 5
0 0 0
0 0
0 0
0 0
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 7 7
0 0 0 0 9 9
0 0 0 0 9 9
0 0 0 0 12 11
0 0 0
9 9
0 0 0 0 9 9
0 0
0 0
0 0
0 0
7 7
9 9
9 9
9 9
9 9
12 11
11 X 11
11 X 11
12 X 12
12 X 12
11 X 11
0 0 0 0 7 7
11 X 11
11 X 11
11 X 11
12 X 12
12 X 12
12 X 12
12 X 12
12 X 12
End Riff A
9 X 9
9 X 9
0 0
0 0
0 0 0 0 0 0
0 0 0 0 0 0
5 5
9
7
Gsus2
10 X 10
10 X 10
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 5 5
0 0 0 0 5 5
7 7
7 7
7 7
5 5
7 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7 7
7 7
D5
End Rhy. Fig. 1A
End Rhy. Fig. 1
2
Sorgdal
0 0 0 0 7 7
0 0 0
Rhy. Fig. 1
Gtr. 2
9
0 0
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7
9
9
11
11
12
10 X 10
10 X 10
0 0 0 0 5 5
9 X 9
12 X 12
12 X 12
12 X 12
0 0 0 0 5 5
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
5 5
5 5
5 5
5 5
0 0
0 0
0 0
0 0
Asus4 B5
Bm7
D5/C#
9 X 9
0 0
9 X 9
9 X 9
9 9
0 0 0 0 9 9
0 0 0 0 9 9
0 0 0 0 9 9
9 9
9 9
7 7
9 9
9 9
7 X 7
0 0 0 0 12 11
0 0 0
0 0 0
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
0 0 0 0 0 0
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
5 5
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
0 0 0
12 11
Asus4
9 X 9
0 0 0 0 7 7
D5
0 0 0 0 0 0
9
7
7 7
Verse Gtrs. 2 & 3 tacet
Bm[add9]
1. Sit - ting
Rhy. Fig. 2 *Gtrs. 4 & 5
0 0 4 4 2
Bm7
a - lone
E11[no3rd]
in
the
cold
0 0 4 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 4 4 2
0 0 0 4 2
Bm[add9]
of the night.
0 0 4 4 2
Em11
Bm7
You’re try - ing
to
find
what
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 5 2 2
0 0 0 5 2 2
0 0 0 5 2 2
0 0 0
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 0 4 2
you
0 0 0 4 2
0 0 0 4 2
*Gtr. 5 (elec.) w/ clean tone, played mf. Composite arrangement
E11[no3rd]
Bm[add9]
need
**
so
a - fraid,
to sur - vive.
You’re
Bm7
E11[no3rd]
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 4 X 4
0 4 X 4
7 7
7 X 7
0 7 X 7
0 0 0 0
0 0 4 4 2
you can’t
go
on.
0 0 4 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 5 2 2
0 0 0 5 2 2
0 0 0 4 2 2
0 0 0 4 2 2
End Rhy. Fig. 2
0 0 0 4 2 2
Em11
0 0 4 4 2
0 0 4 4 2
0 0 0 4 2
**w/ echo set for dotted quarter-note regeneration w/ 1 repeat.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 4 & 5: w/ Rhy. Fig. 2 2nd time, Gtr. 7 tacet
Gsus2
D5
D5/E
D5
Bm[add9]
Left (2.) do
in you
the si re - mem
Bm7
-
lence ber
that and
mf w/ dist. 0 0 0 0 0 0 -
Gtr. 6 (elec.)
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
E11[no3rd]
tears long
at your heart, for the past
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
Em11
0 0 0 0 0 0
0 0 0 2 X 2
0 0 0
Bm[add9]
it when
on love
Bm[add9]
*
0 0 0 0 0
-
ly was
2 X 2
12
11
9
Bm7
Sorgdal
0 0
9
E11[no3rd]
you nal
how and
bro joy
-
ken you seemed to
are. last?
You
7
Em11
Gsus2
but hope is for - ev - er
not is
gone. gone.
8va
12
11
17
0 0 4 4 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 5 2 2
0 0 0 5 2 2
0 0 0 4 2 2
0 0 0 4 2 2
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
*w/ delay (as before)
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bm7
0 0
9 7
4
4 X 4
9
E11[no3rd]
0 0 4 4 2
4 X 4
4
1
Gtr. 6
4
re - minds e - ter -
lost your way, Yes - ter - day
Gtrs. 4 & 5
2 X 2
9
0 0 0 0 0 0
0 0 4 4 2
0 0 4 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
Chorus
Gtrs. 5 & 6 tacet 3rd time, Gtr. 1 tacet
2nd time, Gtr. 6: w/ Fill 1
D5
’Cause
the
Gtr. 4
sun
al - ways
sets,
8va
Gtr. 6
Aadd4/C#
the
moon
al
-
ways
falls.
It
1
17
Gtrs. 4 & 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
Gtr. 2
(Gtr. 4, cont. in slashes)
X X
Bm7
feels
Gtr. 2
X X
0 0
the
0 0 0 0 0 0
0 0
like
end,
0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0
just
pay
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
0 0 0 4 2
8va
1/2
17
0 0 0 0 0 0
Gsus2
no
Fill 1 Gtr. 6
0 0
0 0 0 0 0 0
0 0 0 0 0 0
4
0 0 0 X 4
0 0 0 X 4
mind
0 0 0 X 4
at
all
0 0 0 X 4
0 0 0 X 4
0 0 0 X 4
0 0 0 X 4
0 0 0 X 4
0 0
0 0
and
keep,
a,
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
loco
P.S.
X X X
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
To Coda 1
D5
roll - ing,
a,
roll - ing.
Gtr. 3
Life
must go
4
4
Bm7
Asus4
4
0
5
2
2
4
4
4
5
0
5
7
0 0 5
0 0 5
0 0 5
0 0 0 0 5
0 0 5
0 0 0 0 5
0 0 0 0 5
0 0 0 0 5
0 0 0 0 5
0 0 0 X 4
0 0 0 X 4
0 0 0 X 4
0 0 0 X 4
0 0 0 X 4
0 0 0 X 4
0
0
5
4 2
5
0
4
4
4
5
0 0
4 2
2 0
2 0
2 0
2 0
5 5 5 5
0 0
D.S. al Coda 1
Gtr. 3 tacet Gtrs. 4 & 5: w/ Rhy. Fig. 2
Bm7
Gtr. 2 tacet
E11[no3rd]
Em11
Bm[add9]
Bm7
Oo,
Gtr. 7 (elec.)
E11[no3rd]
ah.
2. Uh,
mf w/ dist.
1/2
1
4
Gtr. 2
mp
2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 0
Interlude
Bm[add9]
7
Gtr. 2
Gsus2
on.
0
To Coda 2
Aadd4/C#
7
1
7
7
1/2
7
7
7
5
Coda 1
Gsus2
It
go on.
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 5 5 5 5 5
5 5 5 5 5 5
5 5 5 5 5 5
5 5 5 5 5 5
5 5 5 5 5 5
5 0
5 0
5 0
5 5 5 5 5 5
5 5 5 5 5 5
0 0
Gsus2
4 2
4 2
Uh,
we
5
5 0
5 0
5 5 5 5 5 5
5 5 5 5 5 5
X X X X X X
X X X X X X
X X X X X X
X X X X X X
0
4
4
4
5
0 0
(cont. in notation)
5
5 5 5 5 5 5
Asus4
must
Bm7
4 2
4 2
4 2
2 0
2 0
2 0
2 0
2 0
5 0
5 5 5 5 5 5
5 0
5 5 5 5 5 5
5 0
5 0
5 5 5 5 5 5
14
5 5 5 5 5 5
12
Bridge
Gtr. 3 tacet
E11[no3rd]
have our mis - for
0 0 0 4 2 2
- tunes,
the dark - est
of
Bm7
days,
but
we must
en - dure and keep
strong.
Just
0 0 0 4 2 2
0 0 0 4 2 2
X X X 0
X X X 0
0 0 4 0 X 5
0 0 0 X 9 9
0 0 0 X 9 9
0 0 0 X 9 9
X X X X X X
X X X X X X
0 0 4 0 X 5
0 0 4 0 X 5
0 0 4 0 X 5
0 0 4 0 X 5
0 0 4 0 X 5
0 0 4 0 X 5
0 0 4 0 X 5
5
0 0 0 X 9 9
0 0 0 X 9 9
0 0 0 X 9 9
Gtrs. 2 & 4: w/ Rhy. Fig. 3
the morn
-
ing, the prom
G[#4]
-
ise
a - waits.
And
Bm7
0 0 0 X 9 9
0 0 0 X 9 9
0 0 0 0
7 7
know that this
life must go
0 0 0 X 7 7 7 7 7 7 7 7 7 7
A5
to
Asus4
E11[no3rd]
look
A5
End Rhy. Fig. 3
Rhy. Fig. 3 Gtrs. 2 & 4
0 0 0 4 2 2
G[#4]
on,
0 0 0 X 7 7
0 0 0 X 7 7
Asus4
0 0 0 X 7 7 0
on.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
A7sus4
D5
And
the
sun
al
4
0
sets,
2
5
the
2
(Gtr. 4, cont. in slashes)
4
4
al - ways
5
It
4
4
falls.
0
0
4
2
5
4
0
0
0 0
feels like
the
Gtr. 1
end
0
4
2
0 2
just
pay
Aadd4/C#
roll - ing,
life
must go
0
5
Gtr. 4
4
4
2
5 0
all.
Uh, keep
0
5
0
0
5
0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
4
0
2
5
2
4
4
0
5
0
5
D.S.S. al Coda 2
B5
A5
G5
Gsus2
0
0
4
2
0
2
4
2
0
mf
4 2
4 2
4 2
4 2
4 2
2 0
2 0
2 0
2 0
2 0
2 0
And
the sun
5
0 0 0 0 X 5
0 0 0 0 X 5
0
Gtrs. 2 & 4
4 2
(cont. in notation)
roll - ing,
P.M.
0 0 0 X 4
on.
4
at
5
Gtr. 1
0
0
2
no mind
0
0
2
3
4
D5
Gsus2
Gtr.2 tacet
Sorgdal
moon
0
Bm7
ways
Gtr. 2
5 0 0 X 7 7
Gtrs. 2 & 4
-
Gtr. 1
mp
Gtr. 4
Aadd4/C#
f
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
0 0 0 0 X 5
f
(Gtr. 4, cont. in slashes)
5 5
5 5
5 5
5 5
5 5
5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0 0 0 5 5
0 0
Coda 2
Gtr. 3 tacet
Gsus2
Asus4
E5
P.M.
It
go on.
must
Bm7
Uh,
Gtr. 6
4
4
w/ slide
5 0
5 0
5 0
5 0
5 0
5 0
5 5 5 5 5 5
5 5 5 5 5 5
5 5 5 5 5 5
5 5 5 5 5 5
5 5 5 5 5 5
5 5 5 5 5 5
5 0
5 0
5 0
5 0
5
5 5 5 5 5 5
5 5 5 5 5 5
0 0
7
4 2
0 0
4 2
4 2
4 2
4 2
2 0
2 0
2 0
2 0
P.M.
2 0
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
Outro Gtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A (3 1/2 times) Gtr. 3: w/ Riff A (3 1/2 times) Gtr. 6 tacet
Gsus2
D5
Asus4 B5
Bm7
D5/C#
life must go on,
life
Gtr. 6
2
D5
Asus4
must
go
on. (When you feel
So you you’re all
right.)
10
Gsus2
D5
keep roll - ing on,
Asus4 B5 Bm7
D5/C#
D5
keep roll - ing
Asus4
on. (We all
And
have
our
mis - takes.)
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gsus2
D5
life must
Asus4 B5
w/ dist.
8va
14
14
14
15
14
14
14
15
14
14
16
12
go
14
-
15
14
14
17
14
15 17
14
14
Gtr. 8
15
17
17
(Keep
roll
loco
-
17
15
14
17
15
ing
14
15
14
14
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
11 X 11
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
0 0 0 0 7 7
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5/C#
D5
14
14
14
15
14
16
15
14
14
Bm7
Gtrs. 2 & 4
17 15 14
on.)
16
Gtr. 3
17 17
keep roll - ing
16
9 15
go
14
on.
8va
must
ing on,
14 17
loco
14 15
Asus2 B5
Asus4
14
keep roll
16
(Life
8va
14
14
on.
D5
1/2
14
Gsus2
on.)
15 14 12 14
16
15
Asus4
14
14
17
3 15
D5
life must
So you
D5/C#
f
17
go on,
Gtr. 8 (elec.)
12
Bm7
0 0 0 0 7 7
from Alter Bridge - AB III
Words Darker Than Their Wings Words and Music by Mark Tremonti and Myles Kennedy Gtrs. 1–5: Open Gsus2 tuning, down 1/2 step: (low to high) Db-Gb-Db-Gb-Ab-Db Gtr. 6: Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q. = 53 ** Bbmaj7
Bbmaj7/A
G5/A
Riff A
*Gtrs. 1 & 2
mf
***
let ring throughout
3
0
3
0
3
0
3
0
3
0
3
0
2
0
3
0
3
0
0
0
2
2
0
*Gtr. 1 (12-str. acous.); Gtr. 2 (elec.) w/ clean tone. **Chord symbols reflect implied harmony.
***w/ pick & finger
C%[no3rd]
Bbmaj13
12
0
0
0 0
2
0
12
10
Bbmaj7/A
Bbmaj7
0
10
0
0
0
0
0
0 8
G5/A
10
0
0
0 0
0
10
8
0
0
C%[no3rd]
0
3
3
0
3
0
3
0
3
0
Gadd9/B
3
0
End Riff A
†
3
0
3
0
0
0
2
2
0
0
0
0
10
12
0
0
0 0
12
10
0
0
0 0
12
9
0
0
0
0 9
0
0
12
0
†As before
Verse Gtrs. 1 & 2: w/ Riff A
Bbmaj7
1. You say you are 2. Re - mem - ber the
Bbmaj7
I know Now I
Bbmaj7/A
G5/A
C%[no3rd]
right, years
Bbmaj7/A
that you’ve on - ly
tried, fear,
G5/A
I
that still
hope I
C%[no3rd]
but still now I
I’m walked
it is on - ly
Bbmaj13
wrong. tall?
Gadd9/B
gone. crawl.
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus 2nd time, Gtr. 3: w/ Fill 1 (2 times)
C%[no3rd]
C%[sus4]
Just don’t How could
0 0 12 0 12 10
0 0 12 0 12 10
Rhy. Fig. 1
Gtrs. 1 & 2
0
swear hope
I’d there
0
0 0 7 0 7 5
Bbmaj7
0 0 7 0 7 5
0
0
12
0
nev comes
-
er a
dreamed day
0 0 7 0 7 5
0 0 7 0 7 5
0 0 7 0 7 5
0 0 0 0 7 5
0 0 0 0 7 5
0 0 0 0 7 5
0 0 0 0 7 5
Bbmaj13
I
0 0 5 0 5 3
0 0 12 0 12 10
Bbmaj7/A
0 0 12 0 12 10
0 0 10 0 12 10
0 0 10 0 12 10
0 0 10 0 10 8
that your
F%
we’re fear
C%[no3rd]
is
a gone.
-
0 0 5 0 5 3
0 0 5 0 5 3
0 0 5 0 5 3
0 0 5 0 5 3
0 0 0 0 5 3
0 0 0 0 5 3
0 0 0 0 5 3
0 0 0 0 5 3
swear Lost,
I just
still cease
be to
C%[no3rd]
F6
-
lieve, be,
Huh.
mp w/ dist. & RotoVibe
15
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13
0 0 0 0 10 10 0 0 10 10 8 8
0 0 0 12 10 8
0 0 0 12 10 8
0 0 0
0 0 0
12
C%[sus4]
Now, don’t you How could we
let be
go. lost?
End Rhy. Fig. 1
know.
Fill 1 Gtr. 3 (elec.)
lone.
0 0 10 0 10 8
Gsus2
G5/A
I I
0 0 10 0 12 10
lose hope. be wrong?
Gtrs. 1 & 2: w/ Riff A (1st 4 meas.)
1. Interlude
Bbmaj7
you I
Gtrs. 1 & 2: w/ Rhy. Fig. 1
F6
Bbmaj13
10
0 9
Gsus2
0 0 7 0 7 5
0
12
9
0
Bbmaj7
though not
F%
I don’t car - ry on.
Bbmaj13
2.
Chorus Gtrs. 1, 2 & 3 tacet
Bbmaj7
Gtr. 3
10 X 10
10 X 10
10 X 10
0 0 10 X 10 8
0 0 10 X 10 8
Gtrs. 1 & 2
10 X 10
10 X 10
10 X 10
10 X 10
10 X 10
10 X 10
10 X 10
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
*Gtr. 4 (elec.)
10 X 10
12
12 X 12
12 X 12
12 X 12
12 X 12
12 X 12
12 X 12
12 X 12
12 X 12
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
0 0 10 X 10 8
In - to
the light
Gsus2
may
you
12 X 12
12
G5
Rhy. Fig. 2
f
w/ dist.
17 17
7 5
7 5
7 5
7 5
7 5
0 0 0 X 7 5
0 0 0 X 7 5
0 0 0 X 7 5
0 0 0 X 7 5
0 0 0 X 7 5
*Doubled throughout
F5
F%
Bb5
fall.
Gtr. 4
5 3
5 3
5 3
the light
may
7 5
0 0 0 X 5 3
Gsus2
In - to
7 5
0 0 0 X 5 3
7 5
7 5
7 5
0 0 0 X 7 5
0 0 0 X 5 3
0 0 0 X 5 3
10 8
10 8
10 8
10 8
you
know
F/A
may
you
fol
10 8
F5
10 8
F%
10 8
0 0 0 X 5 3
10 8
10 8
10 8
**
truth
a
5 3
5 3
5 3
5 3
5 3
0 0 0 X 5 3
0 0 0 X 5 3
10 7
10 7
10 7
-
0 0 0 X 5 3
5 3
0 0 0 X 5 3
0 0 0 X 5 3
0 0 0 X 5 3
lone.
0 0 0 X 5 3
0 0 0 X 5 3
10 7
1. Bb5
10 7
0 0 0 X 7 5
0 0 0 X 7 5
low.
0 0 0 X 7 5
-
0 0 0 X 7 5
F%
End Rhy. Fig. 2
G5
5 3
0 0 0 X 5 3
the light
In - to
5 3
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
**Tied, 2nd time.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
F/A
F5
Bb5
-
10 7
10 7
5 3
5 3
10 7
10 7
10 7
5 3
lone,
10 8
F/A
truth
10 8
10 8
10 7
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 7
10 7
10 7
10 7
a -
10 7
Interlude Gtr. 4 tacet
G5/F
Em7
Cm/Eb
Gsus4/D
Gadd9/D
lone.
Riff C Gtr. 5 (elec.)
mf
1
w/ slight dist.
7
9 10
9 10
10
7
7
9 10
Riff B Gtrs. 1 & 2
10
Gtr. 4
8
7
10
10
10
9
End Riff B
12
0 10
12
10 10
12
0 10
12
10
9
12
0 9
12
9 9
12
9
12
0
12
8
10
0 8
10
8
8
10
0 8
10
8
7
10
0 7
0 10
7 7
9
0
7
9
5 3
Gtrs. 1 & 2: w/ Riff B (3 times)
G5/F
Gtr. 5
Em7
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
10
Cm/Eb
7
Gsus4/D
Gadd9/D
Ah,
9
10
7
8
7
10 7
9
10
10
9
you
can
End Riff C
Gtr. 5: w/ Riff C
G5/F
Em7
love
some
-
G5/F
one.
Gsus4/D
Gadd9/D
ah,
Cm/Eb
Ah,
Em7
Cm/Eb
Gsus4/D
Gadd9/D
ah.
Gtr. 4
f
string noise
X
Bridge
Eb5
Bb/D
Go,
nev
Rhy. Fig. 3
3 1 3 1
3 1 3 1
er
to
ask
3 1 3 1
3 1 3 1
3 1 3 1
3 1 3 1
3 0
3 0
3 0 3 0
3 0 3 0
Go,
3 0 3 0
3 0 3 0
2 0
2 0 2 0
0 0 2 0 2 0
0 0 2 0 2 0
F5
your
F6
0 0 2 0 2 0
5 3 5 3
5 3 5 3
5 3 5 3
5 3 5 3
5 3 5 3
0 0 2 0 2 0
Gsus2 *
peace
to
-
C/E
or
to
fear
why
D5
find
3 1 3 1
Bb/D
Eb5
3 1 3 1
-
D5
17
C%/E
a - gain.
0 0 5 3 5 3
0 0 5 X 5 2
0 0 5 3 5 3
0 0 5 3 5 3 0
0
5 X 5 2
5 X 5 2
5 X 5 2
5 X 5 2
5 X 5 2
0 0 5 X 5 2
0 0 5 X 5 2 0
0
night. End Rhy. Fig. 3
3 1 3 1
3 1 3 1
3 1 3 1
3 1 3 1
3 0
3 0
3 0 3 0
3 0 3 0
3 0 3 0
3 0 3 0
2 0
2 0 2 0
0 0 2 0 2 0
0 0 2 0 2 0
0 0 2 0 2 0
0 0 2 0 2 0
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5
0 0 7 5 7 5 0 0
*Lead voc. w/ echo set for dotted quarter-note regeneration w/ 2 repeats.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4: w/ Rhy. Fig. 3
Eb5
Bb/D
Go,
out
Eb5
set
Bb/D
Go,
D5
F5
t’wards
the
your
F6
day
will
Gsus2
*
C/E
Let
the
new
sun.
D5
soon
be - gin.
C%/E
come. *As before.
Interlude Gtrs. 1 & 2: w/ Riff A (1st 4 meas.)
Bbmaj7
Bbmaj7/A
G5/A
C%[no3rd]
Our
day
Gtr. 4
Bbmaj13
will
come.
0 0 0 0 10 8
Bbmaj7
Bbmaj7/A
G5/A
C%
Bbmaj13
Oh.
Gtrs. 1 & 2
*
3
0
3
Gtr. 4
0
3
0
3
0
3
0
3
0
2
0
3
0
3
0
2
0
0 2 0 0
0 0 10
12
0
0
0 0 10
12
0
0
0 0 8
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10 10 10 10 10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0
*w/ pick & finger
mp
6
10
0
f
1/2
10 10 10 10 10 8 8 8 8 8 0
7
7 7
0
Chorus Gtrs. 1 & 2 tacet Gtr. 4: w/ Rhy. Fig. 2
G5
the
light
may
you
fall.
Gsus2
In - to
the light
may
F5
F%
Bb5
F5
you
know
F%
7 5
7 5
7 5
7 5
0 0 0 X 7 5
7 5
0 0 0 X 7 5
0 0 0 X 7 5
0 0 0 X 7 5
0 0 0 X 7 5
5 3
5 3
5 3
5 3
*
truth
a
0 0 0 X 5 3
5 3
the
light
F/A
may
you
fol
1. Bb5
-
0 0 0 X 5 3
0 0 0 X 5 3
F%
-
low.
lone.
0 0 0 X 5 3
In - to
Gtr. 4
G5
Gsus2
In - to
0 0 0 X 5 3
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 7
*Tied, 2nd time.
2.
F/A
Bb5
A5
D5
Bb5
-
10 7
10 7
10 7
10 7
10 7
1/2
9 7
9 7
lone,
10 8
uh, truth
10 8
0
F/A
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 7
10 7
10 7
10 7
10 7
10 7
10 7
a
-
X X X X X
X X X X X
X X X X X
0 0
Outro Gtrs. 1 & 2: w/ Riff B (3 3/4 times)
** G5/F
Em7
Cm/Eb
lone.
Riff D1
Gtr. 6 (elec.)
G
Yi,
yi,
yi,
yi, End Riff D1
f w/ dist. & wah-wah 1
Gtr. 4
G/B
1
1
1
13
12
11
10
16
15
14
13
Riff D
3 X 3
3
15
15
2 X 2
2
14
14
1 X 1
1
13
12
10
End Riff D
9
9
5
**Chord symbols reflect overall harmony.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 4 & 6: w/ Riffs D & D1 (2 3/4 times)
G5/F
yi,
yi,
yeah,
G5/F
G/B
yeah,
G
oh,
Cm/Eb
G/B
G
oh,
Em7
Cm/Eb
Em7
oh.
G5/F
truth
G
a
-
lone,
Em7
truth
a
-
lone,
Cm/Eb
truth
1
10 13
Gtrs. 1, 2 & 4
0 0 0 9
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Oh,
the
a
lone.
Gtr. 6
-
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