Allegro Appassionato for Brass Band and Euphonium

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

SOLOIST

    

q = 124 A l l e g r o





              muted

Soprano Cornet

                                                  





Open





















 

















mf

p







































mf

f

   

Solo Cornets



muted               f

Repiano Cornet

   

2nd Cornet

3rd Cornet





Open











 



































     

mf

   





mf

Flugel

      

 

     

 

f

Solo Horn

1st Horn

 

f

2nd Horn



     

 

f

1st Baritone

      

 

    

 

f

2nd Baritone

1st Trombone



f

          

Bass Trombone



  

      

   

f

Eb Bass

    

 

f

Bb Bass

      f

Percussion



     SD f

  

     

     

           

     

     

     

 

 

                 

           

     

    

     

 

 

              

                       

     

 

 

















 

 























  







p

p

p

p

p



 p

         





   







 

 





   







 

 



 

 

     

     

     

           

     

     

     

 

 

    

    

    

        

    

    

   





p

f

Euph. tutti

 

p

              f 

 

         

f

2nd Trombone

p



f

     

p

 

 p

p







  



p

p

p



mf

© 2010 G Colmer ([email protected])

















2

SOLO

A 13    

Rep. Cor.

2nd Cor.

           

 





 





  

Tutti.

 



Bb Bass

Perc.

 





















pp





pp

          



         



  





















pp





  



 

pp

            



           



           





 p cymb



 Tri

 



  



f

   



p





f

pp

pp



  pp



f







  



  



  



  

f

pp

 

 

pp

  



  



  





pp





f









            







       





f

   

 

   

 

  

  

















   

pp

   

   

   







 pp

  





f

    

 pp



  

p











p



  

pp



 

   



f

 

   

 

   









   

   





f

 

 

pp



    

p

 



   







pp



 



f

 

 

p

    

   



 

   



3

   

muted

        

 

     





pp

   

pp



f

          

 



    

   





   

           

pp

p

        

p

pp



 

    

           



 

3

   

muted

   

   

  

a4



        

p



3

mf







p



     3          

f

pp

   

 





 



a2

pp

p

Eb Bass





f

pp





  

             

2nd Tbn.

B. Tbn.



pp

p

1st Tbn.



pp



p

2nd Bar.

  

a2

          





mf

pp

  

1st Hn.

1st Bar.







 



Solo Hn.

2nd Hn.



 

Solo Cor.

Flug.



 

Sop. Cor.

3rd Cor.

largamente







p

















 mf



pp



 p



3



   25

SOLO



 



 

Solo Cor.

3

mf

f

Sop. Cor.

     3                           

a4



3

3

   

muted

  p

 

open

molto rall.

            p

















































 





 







 























































f

Rep. Cor.

2nd Cor.

3rd Cor.



 

   

muted

  p

open

f





f

Flug.

    

Solo Hn.

1st Bar.

2nd Bar.

1st Tbn.





Tutti.

Eb Bass

Bb Bass





















  































    



  



  

















f

pp

    

 

   

pp







f









  

 







p

 mf





 pp

 

   

 

pp









f





  

p

Perc.







 



   

pp

 



  







p



f

B. Tbn.



pp



 

 

f

f

  

2nd Tbn.

pp

pp

   

   

  

f

   



    

 

1st Hn.

2nd Hn.



     





     



  









   

pp

   



   

   

 







p









p





p









































































 





























p







p



pp







p



 

p



p



 









  

   







 

  













  

 







 



  

  





 













4

SOLO

Solo Cor.

Rep. Cor.

2nd Cor.

Flug.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

B. Tbn.

Tutti.

Eb Bass

Bb Bass





 









a1











a1

  



 





 







f (sub.)

 







 

































  

 



  

 



  

 



 



 



     

p



p

  

       

p

p



f (sub.)











   



  













  

 





f (sub.)

 

  

    



 

f a2

   

    

f a2

  





 

 

        

   

   



  

 



    



   



f (sub.)





 



 





  

  



mp













p





















p





p

 













  



  



  

 



 



 



 

p





  

a1

a1

p

























 

 mp

 



  

        

mp

    

f (sub.)



        

  

  





 

        



   

   f (sub.)

  

p







   







        f mp

    





p













  







   





p

 

     

   



 

p

mp





 



 

f

 



    

f

  





a2

p

f

Glock.

 





3







f (sub.)

Perc.



 







   

3

p

  

2nd Tbn.







   

mf



  

1st Hn.

meno mosso

  

 



Solo Hn.

poco rit.

poco accel.

f (sub.)

 

Sop. Cor.

3rd Cor.

    

B tempo 37     





 

5

   45

SOLO

 







f (sub.)

 

3rd Cor.

Flug.



1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

Tutti.

Eb Bass

Bb Bass

Perc.

 

 

 

 

 

 







a1

   







a1

        



f (sub.)

 

 

p



p







f (sub.)

 













 



 

          f (sub.) mp













 

   



  

        





        



  

        



 

        





        



  



















   

























  

 



  

 



  

 

 



 



 









 



 

    

p

 

    

 

     

f a2

        f a2





  









  





 















mp



mp







p





















p





p

 

 

a1

p







 



a1

 

 



 





 























 

 

       f (sub.)

    

  



f





       



f (sub.)

   

 

        

  

f

 

p





p





p

f (sub.)

  







p

          mp f (sub.)





p

   

f

Glock.

a2



        







a2





 



2nd Tbn.

B. Tbn.



 





f (sub.)





   





3



p

a2

  

Solo Hn.

3







   

f (sub.)

 

2nd Cor.

   



   

a4

f (sub.)

Rep. Cor.

  

meno mosso

mf

   

 

Solo Cor.



poco rit.

f (sub.)

 

Sop. Cor.

     poco accel.

tempo

p





 

 



 

 

 

 



 

  mp



  





 

6

SOLO

C tempo 53    

   

mp

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

1st Tbn.

Tutti.

Perc.

  















 



















 



















 



























































 

    

 

      



  















 

    

 

















    

 

   

















 

















     

     





     

     





     

    





   

      p

     







      p

     

     

     

    p

      

   



      

 

   





 



p

















 











   









  











mp

     

   

 

   

 



   

   





mp







p

p



p

  

p

Bb Bass





a2

Eb Bass

  



2nd Tbn.

B. Tbn.

 



p

2nd Bar.

  

 

       

1st Hn.

1st Bar.

  



 



Solo Hn.

2nd Hn.

     

p

p

p

 

p

      

 

         

    62

SOLO

p

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

1st Bar.

2nd Bar.

1st Tbn.

      

p















 

 





















 

 





















 

 





















 























 















 



   

 

    

         



 



  

 

  

 



  

   

   

  

 

    

    

   

   

  

    

    

    

   

   

   

    



  

 

  

 

  

 

    

    

 

    

    

 

     





















 























 























   



   







p







 











 











 







 

     

     

    

p















     

     

   











  p

   







 























 

Bb Bass

    p p













        







p

  



p

Eb Bass

Perc.

 p

  

2nd Tbn.

Tutti.



p



p

B. Tbn.





p

2nd Hn.

   

7



   

1st Hn.

    

 

 



Solo Hn.



rall.

        

p



        

p

 

8

SOLO

tempo stringendo D più lento 73                                                              

Tutti.









 

























 

























 



















































  

























 

























 



















































  



















































   



















  

















































  







   

p

 p

 p



     









  



  p





p

Perc.

3



p

Bb Bass

3



a1

Eb Bass

3



2nd Tbn.

B. Tbn.

3



1st Hn.

1st Tbn.

3



Solo Hn.

2nd Bar.

3



2nd Cor.

1st Bar.

p



Rep. Cor.

2nd Hn.

mf



Solo Cor.

Flug.

3

 

Sop. Cor.

3rd Cor.

3

3

3











  

 

 



















 







 



  

 



 















  

 





 



 



  

 



 





 



mf

 mf

mf

 

mf

 







mf

 

 mf

9

                       85

SOLO

mf

Sop. Cor.

Solo Cor.

Rep. Cor.

  

                  

 











 











 















p

 

 

 







     

     

                    

         p

1st Hn.

 

  

Solo Hn.

p

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.



                     p

  

 









 























p



















 

 





a2

pp a2





pp



a2





pp







   

 

 





           

     

     

              





           

     

    

              





                       

              





pp











         

   

 



















         

   

 

   

 





  







   

 



   



  





 p

  











p

p

pp

p

pp

pp







  







  



 

   

 







  







  



 

   

 





  



p

Perc.













pp

pp

        



p

         p

     

     

           

     

     

              



 

     p

    

    

        

    

    

              







a2

Bb Bass







p

Eb Bass





       



2nd Tbn.

Tutti.







  

p

B. Tbn.



a1

p

Flug.





p



a1

3rd Cor.



   

pp

  

2nd Cor.



largamente















 p







   

   

10

SOLO

97      







    

mf

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.





   



 





  





   



p

 



 





  









   











p

p



           



         



p

1st Hn.

2nd Hn.





       





  



 







2nd Tbn.

B. Tbn.

Tutti.



p









          





      

 

   





3

3

3

   

  p







  



   

  p

 f



   

pp

f

pp

  





pp

 

 

   

  

   

 

  

  

pp

   

 







pp

pp





pp



 



 

pp

pp

f



 



p

p



3

 

















f



p

 

a4

   

 



p



mf





muted

f







f

p



p

               

f

 



      

p



 



f

  

3



f

p

p

1st Tbn.



  

3

   

muted

p

p

p

          





  

3



f



  

3



p

p

p

2nd Bar.



  

p

1st Bar.

p

p

p



p

p

         

mf



p

  

Solo Hn.

p



               

f

 







   

 

   

 

   

  

  

 













   

   

 

pp



f

pp

  



f

   

  

   

 

  

  

pp

      



f

pp

   

 

f

pp

      

 





f





f

pp

pp







f



pp





f



 



   

 

   

 

   

  

  

 













p

Eb Bass

                  p

Bb Bass

            



p

Perc.











 







 

 



 



 mf



   

   

pp

   

   





pp



 p





p





  p

 

 mf



   

   

pp

   

   





pp



 p



11

                 

molto rall.

E

109

SOLO

f

                

 

p

 

Sop. Cor.



 

Solo Cor.



Open























poco accel.

 





      







   

    





       





       







      







      





f

f

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.



 









1st Hn.

Open

















f

















f

   

Solo Hn.

2nd Hn.

 

poco rit.

f (sub.)





                  

tempo



 p









































f

f

 



















      





 



















      

























      







f

f

f

1st Bar.

2nd Bar.

1st Tbn.

  









B. Tbn.

  

Tutti.

Eb Bass







  



















p

p













        



 























































  



                  f mp

  

   

  

    mp

  







      











      











      





  











     













 



mp

    

f

f

mp

f





 



f

 



p

Perc.









p

Bb Bass







p

     



f

   

2nd Tbn.











  







 







 







 







  







 





         f







f







f

     

 

12

meno mosso

    121

SOLO

    3

mf

       muted

Sop. Cor.

p

a2   

Solo Cor.

  







     



  

  







3

 









p



p

2nd Cor.

3rd Cor.

Flug.

 











  

p

        p

1st Bar.

2nd Bar.

1st Tbn.



B. Tbn.

Eb Bass

    p

Glock.















      







      









 

   

 

    

 

 

     

          





f



    

     



   





 

 

        

  





  







 













 



 



     











     







     







     







     















 



        f mp













 



     





  





 



      





  





 

     







  































f

       



  







f

f

 

f





  p









   



 





f









 



  

 





 



f

          

 



  mp



f



 



mp

mp

f

p



mp

f

p

  













     

p Perc.

        

f

p

Bb Bass



a4



p

Tutti.











f





2nd Tbn.

     



   









p

2nd Hn.

f (sub.) Open

f

      

1st Hn.

p

 

f

   

Solo Hn.

 

poco rit.

f

  

Rep. Cor.

                     poco accel.

tempo

  



     f

    



f

 p



13

meno mosso

   

   

129

SOLO

      

3

 

mf

     

     

2nd Cor.

3rd Cor.

Flug.













  















 









 

  

mf

 

   

 

mf

        mf

2nd Hn.

1st Bar.



1st Tbn.

Tutti.

Eb Bass

Bb Bass

Perc.

Glock.





























p

 









   

    

mf

 

 

   

     

         

 



     

         

      

    



p

 

p









   













       























    



    



  

 

 

   

























 



























mf

  

















   



 

















   



















   











2nd Tbn.

B. Tbn.





mf

2nd Bar.

Open



p

      

1st Hn.



 

         

p

   

Solo Hn.





mf

 mp

mf

Rep. Cor.



   a2

Solo Cor.

   

3

muted

Sop. Cor.





tempo



  

p

p



p









p

      

 











 

















































 mp





p

 p



p





            





       

14

SOLO

F 138                                       p

                



    

              



   



                          



   



                            p f



    

                                                       p f



    

                                                      



    

                                                      



    

                                                     f p



    

               



   

            



   

                           



   

                            



    

                            



    

                                                         f p



    



    



    



   

2nd Cor.

     



 











     











     











Solo Hn.





   









mp

mp

p

1st Hn.

2nd Bar.

f

1st Tbn.

  



























  









 









2nd Tbn.

B. Tbn.

Tutti.

Eb Bass



p







p







p

Perc.

mp

mp

f

f

f

f

f

                                                          f  p

Bb Bass

f

f

p



f

f

p

1st Bar.

    

 a2      a4              mp f

Rep. Cor.

2nd Hn.

f

              

   

Solo Cor.

Flug.

  



Sop. Cor.

3rd Cor.

    

  

                           p 







                                f

                    p

f

15

SOLO

149             

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

2nd Bar.

1st Tbn.

Tutti.

Eb Bass

Bb Bass

Perc.



 



 





 

   

      

                         ff



  

   











    



  

   











   



   











    



  

    









   





    









   



   











ff

ff

   ff

ff



ff

   ff

 



   



  

   











 



   



 

   















    



   













ff

ff

  ff

  



   



  

   















    



  

   











   



   











    



   













ff

ff

  

  



 







   



       











  



    



         ff 









2nd Tbn.

B. Tbn.

 

  

1st Hn.

1st Bar.





Solo Hn.

2nd Hn.

 



    



ff

   ff

 



    



        ff 











 



    













   



         ff         









ff



16

SOLO

157 G                       



f

  

















 

















 

















 



































  









Solo Cor.

Rep. Cor.

2nd Cor.

Flug.

                  

 

Sop. Cor.

3rd Cor.

 



  

Solo Hn.

  

1st Hn.

     

p

 

     

     

     

  

p

 



  

 



  

 



    



  

 



  

 



  

 



  

 

  



  

 



  

 



  

 



  

 



  

 



  

 



p

 

  

 

   p

 



  

 



  

 



  

 



    



    



  

 



  

 

2nd Hn.



1st Bar.

      p

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

    

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

2nd Bar.

1st Tbn.



p

        

     

     

     

      

     

     

     

      

     

     

     

      

     

     

     

p

2nd Tbn.

p

B. Tbn.

Tutti.





                                               

p

                                                   p

Eb Bass

Bb Bass

Perc.

      p

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

   p

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  



















17 largamente

SOLO

165     

f

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

 





 





 





 











            f



1st Bar.

1st Tbn.















Tutti.







p



p











p







p











p

p

     

f







 

 a4     









p

    

f















p

     

f



    







 







      









f

f





p

f

           







         

p







 













         

















         







 







 







          p

            

         

p

p

                

p





p

       

p











 























           



Eb Bass

            p



Bb Bass

           



p



p













p

 



           



p



f

p

 







p

f



 







 







  







  







 









p

         





 

      













f

f







p

p

f

f







f

p

  



    

                   

p

Perc.

p

p



 

f

             legg.

                



2nd Tbn.

B. Tbn.







p

2nd Bar.





p

2nd Hn.





    

 

p

1st Hn.



 

 

a2

p

  

Solo Hn.

 

f



p



f



f





f















f



18

                            rall.

       177

SOLO

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

 



 



 



 









1st Hn.



















   





















   





















   





















   



















     



















     











  













1st Tbn.

f

 



p

f







 



B. Tbn.





Tutti.

Eb Bass



  



Bb Bass

Perc.













































pp

   pp



 

















pp

 



















 





























f

 p

f

p

f

 











 











p

f









    

 

  









    

 

 











 















 







f

p





p

p

  



f

p













pp

f

f

     

  

  

   

        

2nd Tbn.

f

p





f

f

p

2nd Bar.

3

3

3



p

1st Bar.

p

f

 



stringendo

H                          

   



p

2nd Hn.

p

più lento

f

  

Solo Hn.

f







f

f

f





pp

 

a1

pp



 

  p







 

 





 

 









 

 



 





19 189                3                                                  

tempo

SOLO

3

3

Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

2nd Bar.

1st Tbn.

Tutti.

Eb Bass

Bb Bass

Perc.

Glock.



 









 













 p





 













p

  p

















































 













 











 







  



 













  







                                         





              















































p







 







p









 



f

  f

f

f

f



 





























f





 









  





p











 

 







  









f

















 

  



 

 

 

 

mp

 



cresc poco a poco



p







f

cresc poco a poco

p

   



  

cresc poco a poco



 

f

 



 





p







p



 



 









f

 



mp





f

















 





p





a4













f

3



p









3

 

p





cresc poco a poco



p

  

 

cresc poco a poco



3



a2





  





                                        

mp









  









 





cresc poco a poco

   





p

 



2nd Tbn.

B. Tbn.



  

1st Hn.

1st Bar.





Solo Hn.

2nd Hn.

 

3

f

cresc poco a poco





p cresc poco a poco



 

 





 





 













 

 













mp a2





 p



f









  





 









 





f

 



f



 



 

f

p



 











 





f

 

 mf

 

f





20

SOLO

203                                                   

Sop. Cor.

Solo Cor.

2nd Bar.

1st Tbn.

Tutti.

Eb Bass

Bb Bass

Perc.





 

   













































f

  





   





 

















mp







 



 



 





 



 



 



 



 



 





 



 



 

 p

 



 



 





 



 



 

p





p











































p









p

   



  







 



f





 p









 

p







 p

   





    





    





 









    







mp







p

   





mp



2nd Tbn.

B. Tbn.





   

1st Hn.

1st Bar.

 



Solo Hn.

2nd Hn.

  

  

2nd Cor.

Flug.



  

Rep. Cor.

3rd Cor.

  









































p

p





p









  pp

21

     209

SOLO

Sop. Cor.



        



7

        



7

 



   



  



  













 

 

 

f

2nd Cor.

3rd Cor.

Flug.







   













  





  







f

1st Hn.

f

2nd Hn.

1st Bar.

2nd Bar.





f

3          f

   f

1st Tbn.

  







3







 



 

  







 





      

  









3





ff

3



        





3









 



Tutti.

Eb Bass





f

Perc.

   



 





f

























































































 3



      3

    

  

3











ff



 



    

3

         3

  





































ff













ff

   3     f

   



ff

f

Bb Bass

 

ff

3

3



f

B. Tbn.





ff

        







 

ff











ff









ff



3



ff

 



2nd Tbn.









 

. iss gl

ff



    f





     

 ff



3

3

 



3

3

   

ff



f

Solo Hn.





f

Rep. Cor.



ff

f

Solo Cor.











3        3

3

      

















ff



ff

3





 ff    ff





     

   

Soprano Cornet

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

   

q = 124 A l l e g r o

muted

 

f

 

   

23

p



 

   

 

43

p

 

53



 

 

molto rall.

35



 

  

 

  p

B tempo

 open

 

 

 



meno mosso

 

 

p

f (sub.)



C tempo

 

poco accel. meno mosso poco rit.

   

 

poco accel. poco rit.



tempo



A



D

 

rall.



più lento



stringendo

© 2010 G Colmer ([email protected])



tempo

 

80

 

102

 

115

 

 





   

p



molto rall.

p

       

muted



 

f



Open

p

E tempo  

 

 p

       

p









poco accel.



poco rit.

2

Soprano Cornet

                           meno mosso

121

muted

  

p

      

tempo

125

poco accel.



poco rit.

Open f

  

132

  

 



 

139

meno mosso

                 

muted mf



tempo





p

Open

                 mp

   



f



         

152



G



 

p

  













     



rall.



f



H

più lento

f



 

186

 

   



ff

174

F

tempo

stringendo



            p

  

207

  

213

ff







  

f





mp







f













Solo Cornets

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer



q = 124 A l l e g r o

  



 

mf



 

17

 



a2

 



   

44



a4

  

f



poco accel.



   

poco accel.

a4

poco rit.

meno mosso

 

 

meno mosso poco rit. a2

f (sub.)



C  tempo 

53





  

f

tempo

 

a4

a2 p



 

a2

pp

B tempo 

molto rall.



A

p

pp 35



rall.

p



D

 

 

 

 

 

 

più lento

 



   

  

stringendo



© 2010 G Colmer ([email protected])

tempo  

80

 

 

pp



 

a2

    

E tempo   poco accel.         



115 molto rall.

p

p



   



tempo





a4

  

f



  

a4

f





meno mosso

poco rit.

 

 

a2 p

f

124





  





poco accel.



poco rit.

2

Solo Cornets meno mosso

  



129

 

 

 

a2 mf

    a4   a2               mp f

144

 



152

ff

  

167

 

  



 

a2

p

rall.



    



G

 

H

più lento



F



    



   

f







 a4      

 

p



 

181





tempo



f



stringendo

                                   

192

tempo a2

p

 

199

cresc poco a poco

   

  

   



 

  





 





p

211



f



207

a4



f

 



  



 

 ff











Repiano Cornet

ALLEGRO APPASSIONATO for euphonium and brass band

q = 124 A l l e g r o

      muted

     

f



 

17

 

  p



poco accel.

 











 

muted

 

 





p

 



 

 

 



molto rall.

open





   

tempo



p

 poco rit.

46

arr. Geoff Colmer

pp

meno mosso poco rit.



A

Open





B  tempo 

f (sub.)



meno mosso



poco accel.

C





tempo

p



 

70

rall.

 

D



più lento

tempo





  

    



p

 

molto rall.

       muted

 p



 poco accel.

f

tempo

 



pp



     

p

E tempo          

f

 











p

99

125

 





37

115



pp

25

Saint-Saëns

Open

p

poco rit.

meno mosso

 

p





 poco accel.

© 2010 G Colmer ([email protected])



poco rit.

2

Repiano Cornet

meno mosso

  



tempo

129









mf



F    

138



 



G

ff



        

  

 

199

 

209

f

 











f



stringendo

tempo

             





cresc poco a poco











f





p

  



p





   



rall.

f

H piùlento

   

p

173

183



f



         

152



p

               mp



    



 

mp



 ff











2nd Cornet

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer



q = 124 A l l e g r o

   

 



mf



 

17

 





 

   

 

f (sub.)

tempo

 



 a2  

pp

f



poco rit.



poco rit.

poco accel.

a1

meno mosso

meno mosso



p



rall.





 









a1 p







 

D più lento

a1

 



 

 

   p

  



p

 

 

 



  f





© 2010 G Colmer ([email protected])

p

95



 

f



C tempo  

53

80



 

poco accel.

a2 tempo

44





pp



B tempo 

molto rall.



A

p

pp

35









2

2nd Cornet



molto rall.

 

115

E



tempo

       



meno mosso



f



tempo

       

  

125



meno mosso

tempo



     

      p

           

145

   



f



          

152



G

 



   

198

 





  





tempo

 

 





 





 



ff



 



  

f



 

cresc poco a poco

209





f

stringendo





rall.

p









f

H più lento



p

     

p

    

   



ff

172



p

F     

 



f

138

183



 





f









3rd Cornet

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer



q = 124 A l l e g r o

   

 



mf



 

17

 





 

tempo

 

44

   









meno mosso a1

poco rit.



p





 









meno mosso

poco accel.

a1

poco rit.





f

poco accel. 

f (sub.)

C tempo  



f

a2

53



pp



B tempo 

molto rall.



A

p

pp

35





p





D

 





tempo



© 2010 G Colmer ([email protected])

 a1  



85



p

 a2  

95

pp



 



     p

  

 

 



p







f







2

3rd Cornet



molto rall.

 

115

E

       





meno mosso

f



tempo

  

125

       



meno mosso



p

              f



       ff

 

172

H  



   

G





     









mp









  





p







tempo





  f





209





f



più lento

     

rall.

f

198



   



p

184

  



    

     

145

 



p

F      

152

tempo

f

138

 



tempo







ff



  





f









Flugel

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer



q = 124 A l l e g r o

   



f





    



 

25



 



pp

 

 

pp



 

17



A

   



 

f

pp

 

 

















poco accel.      

38



p





      p

 

 

 



B tempo   



 

f (sub.)

     

meno mosso poco rit.



 



molto rall.

32

   

 

     

accel.            poco                                  poco rit. p f (sub.) tempo

44

C tempo     

53

 

 



meno mosso













p

68

 p







rall.



 

© 2010 G Colmer ([email protected])

D

più lento



2



tempo

 

80

Flugel

       



          pp

 







 

119

 

     

       

poco accel.



tempo

        

140

       

145

 

 ff

 

    f 





  

E tempo  



  

    

   poco accel.



f



     



     

                         mf 

F

             

p

    

    

 



   



p

f

meno mosso

poco rit.

f

p

     

p

        

152



meno mosso

poco rit.

tempo





molto rall.

      



        pp p

pp

113

133



pp

103

125



   



     



G

     

    





Flugel

 

161

 

169



 

 



tempo

  



  



p

207

   

213

ff



 

mp

più lento



p





p

p

H

rall.







f















   



f



 

f



  





 

      

f



 



 

p

181

192



                       

p

3



Solo Horn

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns      

arr. Geoff Colmer

q = 124 A l l e g r o

 

 

f

        

9

 

14

     

21

  p

     



   

                             

    p





f

pp

  





     

  

  



  

pp

   



   poco rit.

              f (sub.)

44

   



f



molto rall.

B tempo     f

poco accel.                  mp

38

    

   

© 2010 G Colmer ([email protected])

27

A

tempo

          

meno mosso

p

         mp

poco accel.

   

poco rit.

  

2

Solo Horn

                          meno mosso

49

p

C tempo        

53

    

62

   

68



 

75

stringendo

 





  

 

  

 

  



 

  

 

 

  

 

    

 

  

 



D

più lento

                                        

tempo

p



                     

101

f



molto rall.

 

115

p

pp

f

E tempo  poco accel.          f



poco accel.

f

       



    p



pp

                poco rit.

tempo             

tempo

       

            

124

 

  

rall.

 

      p

92

133





meno mosso p

                     poco rit. meno mosso

mf



Solo Horn

F        

     

138

p

3

    

                     

143

    

     

   

   



f





 G                                             

       

152

ff

p

                                            

164

p



                 

171

     

f

 rall.

 

181

H 

           

 

205

p

  









f



stringendo











pp

189

211



più lento

p







tempo



p

       

   ff

 











f

      

   

 











f





1st Horn

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns      

arr. Geoff Colmer

q = 124 A l l e g r o

 

 

f

       

9

 

14

     

21

      pp

p



        





pp

  

poco rit. poco accel.                      mp

           

44

            meno mosso

p

     

tempo

f (sub.)



        

  



   

38

49



p

f

27

 

     

   

                       

A

        



   



f



molto rall.

B tempo     f

                         

meno mosso

p

poco accel.           mp

       

        

© 2010 G Colmer ([email protected])

poco rit.

  

       

2

1st Horn

C tempo     

53





 

  

 

  

   

 

  

 

  

68



 

75



tempo

stringendo

 

rall.

 

  

 

   

  

 

  

 

D

più lento



p

                          

101

f



molto rall.

 

 

  

    

                                   

91

115

  p

   

62







        p

            pp

f

E tempo  poco accel.          f



   p



        pp

meno mosso

                    poco rit. p

meno mosso accel.         tempo    poco                             poco rit. f mf

124

      

131

    

    

   

tempo



1st Horn

F        

     

138

p

3

     

     

   

   

     

                         

143



f

                                    p

ff

                        

163

p

  



 p



 

181



   

205

 

p

  



 

     

f

H 

rall.

          

211





        

 

p

p

più lento





















 

 

     





p

     





 ff







   f









f







tempo





f

stringendo

pp

189



 G

        

152

171





  









2nd Horn

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns      

arr. Geoff Colmer

q = 124 A l l e g r o

 

 

f

  

9

 

14

    

  

p

     



   

  

27

pp

     

38



poco accel.



pp

  





  

        

    

f



      poco rit. meno mosso

poco accel.



     

B tempo    



     

                       poco rit. meno mosso

p

53





molto rall.

p

tempo

  

A

f

f (sub.)

C tempo     

  

     



                 

44



p

      

     

   

21

f

                   

 





© 2010 G Colmer ([email protected])



2

2nd Horn

  

60



 

  

 





 

  

 

  

 

    

 

  

 

  

 



 

  

 

p

65

  

70





 

75

rall.

stringendo

 

tempo

 



                             f



molto rall.

 

115



       

  

 

  



p

p



                     f pp  pp

meno mosso E tempo poco accel.                           poco rit. f

124



più lento

                                    p

91

101

D

 

 







 

p

tempo





 

f

 





poco accel.

 poco rit.

2nd Horn meno mosso

        

129

mf

                 

F         p

     

     

138

                          

143



f

     

    

    

    

                         p p

163

 





p

rall.

H 

       

189

  

205

  

211





 



p

 

p

più lento

 pp

tempo











 

ff



   







   f



 





    













f

stringendo



p

    

        

 

   

f



 

181



                                    p

ff

  



 G

         

152

171

3



tempo





f









1st Baritone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

q = 124 A l l e g r o

    







 

f







A

p

p

                      

14

pp

          

 

pp

  

34



poco rit.     

40

    

48

 

58

poco rit.

pp

 

 



 

 

f

27

   

p

21







 

 





















poco accel.           

     

poco accel.          

 

f

B tempo       f (sub.)

meno mosso

    

p

molto rall.

meno mosso

   

tempo

C tempo 



mp

mp







p



 © 2010 G Colmer ([email protected])

rall.

 

2



D  

più lento

73



stringendo

1st Baritone



tempo

                          

93

p

pp

   f

 

115

molto rall.



meno mosso

E tempo  



poco accel.

meno mosso



 

 

mf

      

144

mp

         

152

        

        



mp





tempo

F

   



  

poco rit.

poco rit.

poco accel.

f



    



 G                             

 

p

 

        p

           

169

mp

   

     

ff

164

    

        





pp

     

tempo

p

     

f

f

  

129

pp

f

 

121

p

         

101

   



 



 

 

          

p

             

p

 

f



1st Baritone

3 più lento

     

177





p



 

185



rall.





H 



f

pp

stringendo



























tempo

                                  p

192

cresc poco a poco



      

200

 

209

f

  

213

ff













f

      3 3



p

   3       3 





3

      3



    



 

2nd Baritone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

q = 124 A l l e g r o

    







 

f







A

p

p

                       pp

14

     

21



f

 

32





        pp 





    poco accel.        

38

      

46

        

poco accel.

poco rit.



tempo  

80

          f

molto rall. 

115

meno mosso









D

 

 tempo       più lento

                        pp

p

               pp

f



© 2010 G Colmer ([email protected])

        pp

 



f (sub.)



p

rall.

B tempo   



C tempo  

meno mosso

p

101

molto rall.

  



 

58

              p   pp

poco rit.

mp

   



p



mp

   





 

   p



2

2nd Baritone

E tempo poco accel.                   f mp

poco rit.

117

 

125

poco accel.

tempo

     

mp



 

     

     

mp

     

146

   



f

     

153

 

 

p



          

 



 

      

200

  f

 

213

ff

 

ff



H più lento

 





 

p



tempo

          mp





      3

 p



   3       3 





 

   

f

f

3

 



 

f

209

  



 

p

rall.



 

       

p

     

   



 G                               

165

179

 

mf



F



meno mosso

poco rit.

                    

tempo

f

133

  

meno mosso

3

      3



    



 

1st Trombone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer



q = 124 A l l e g r o                    f

p



A  

13

     

pp







   poco accel.   

pp



      

46

       p

  

68



poco rit.



 



 



f (sub.)



C tempo



p









p





      p













D più lento  

 



rall.

p

stringendo

85

     



p

75













tempo





p

      



  

© 2010 G Colmer ([email protected])



        pp





mf



 



tempo

p

meno mosso

     



B tempo    f (sub.)

poco rit.

58



molto rall.





poco accel.



p

meno mosso

38



             





 

  pp

f



   

p



 

 

        



f

32

 

  pp

21







2

1st Trombone

 

99





p

         



p

pp

f

 















f

  

124

poco accel. poco rit.                  



f

 tempo   

133



  

p



                         

142

p

p



       

162







 



p

 

213

ff







 

p

f

p











  

 

 

tempo

più lento

 

   





G           

ff

 rall. H





   



f



       

152

meno mosso

F





meno mosso

mp







mp

tempo

p

205





E tempo poco accel. poco rit.                    

 

197





p

116

 

pp

molto rall.

109

181

       





 

p

f

 



 

cresc poco a poco

















f



 





 









f











2nd Trombone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

q = 124 A l l e g r o

                         f p

A     

13

   

21

 

32



pp



f

 

 

pp

















pp



        p

68

p

 stringendo     

75



p

 



 



B tempo   

 



f (sub.)

     

tempo











     









f

C tempo

meno mosso

poco rit.

58

   



 

 



molto rall.

p

poco accel.



                p

meno mosso poco accel.          poco rit.

     



pp

38

46

   

 

 

         f 





 



p

rall.



D

 



più lento







p











tempo



 mf

© 2010 G Colmer ([email protected])





2

2nd Trombone

 

85





   

p

  

99



p

 

109







  

pp







p





f

 

124

tempo



p



      

poco accel.

tempo



p



       mp

  



                              

142

p

         

152

ff

f







  

poco rit.

  





     

pp

poco rit.





meno mosso









F

   



molto rall.

meno mosso



   



G                   p

                                     

160



pp



mp

f

 

      



f

E tempo poco accel.                 

 

116

133



        





p





 

172

p

H  

184

   





p









f

tempo

più lento

  p

 





 

 

 

cresc poco a poco





 





 p

f



 









  

  ff







 

   

f

213

3

rall.

f

200

209







2nd Trombone





Bass Trombone

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

q = 124 A l l e g r o

      f

    



 

 

A     

 



pp

21







 

 

B tempo       f (sub.)

poco rit.



tempo

meno mosso













39





p







C tempo  

meno mosso



poco rit. p





          p



 







 p

© 2010 G Colmer ([email protected])

      f









 p

molto rall.

58





f

32



  pp





f

47



p

13

  

   





   

poco accel.



accel.   poco   

   





2

Bass Trombone 68

rall.

 







D più lento  

 



p

p

tempo

stringendo

75

 



















  





 mf

85







p

97

   







  



p







  119





meno mosso



tempo









    

146

   



f

153





    

poco accel.





poco accel.      

poco rit.

f

tempo

p

  



p



    





p

F

E tempo  

f



poco rit.

pp

p







      



          

f







 

meno mosso





138



molto rall.

113

129



 

  





     





     

   





      



   

Bass Trombone 157



3

G                                          

p 164





     

 



 

p







p



 





  209





p

  f

H più lento  

stringendo



pp

tempo





  f

 













200



rall.

f

187





p

178



 





 p











ff









213







f

 



 mp







Euph. tutti

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

q = 124 A l l e g r o

     

 

 



 

f

A              

p

13



p



 

21



meno mosso  

tempo



   

 

rall.

B tempo    f

D più lento   



tempo

 



   



 



 

 mf



p

meno mosso





        





  

          p







stringendo

© 2010 G Colmer ([email protected])

94



poco accel.

 

poco accel.

p

78

 

p

                    mp p

53

70

         

   

 

    f

C tempo  



molto rall.

41

  



p









 



    p



2

E  

Euph. tutti meno mosso

tempo

117

  f

   

 

     

tempo





meno mosso



tempo

       

p

F         p

138

     

     

                       

143



f

     

     

    

    



p



                                 

162

      

p

         

170

   

199

 

207

 

213

ff





 p

rall.



 

 



 

p

f

tempo



  





 



 





 





f



p



f



H



 

p





 G                

           ff    

152

181

 

  f

p



126





p

  

  mp





 3 3 3                               3 3 f 3









Eb Bass

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

     

q = 124 A l l e g r o

 

 

f

       

9

 

14

   

     





                       

 

p

     

     

      





      

p

  

   

21

    

32



 

46



   



p

pp







  

meno mosso

a1 p







  

molto rall.



 



  



tempo

       f a2

© 2010 G Colmer ([email protected])



 



 

 poco accel.

  

  

poco accel.

    





       p

B

 poco rit.  

40

pp

   

A

tempo

      a2  f

  

meno mosso

2

       a1 p

49

   

   

              p

58

       

64

       

69

  

75

 

a2

C





p

     

     

     

     

  



     

     

rall.

D

 

     





a2

     





           

     

   

pp

 

113

 

120









meno mosso

 poco rit.



p



   



p



più lento





mf

                 

pp

 







    

      





 



p

molto rall.



   





p

103

     

a1 p

               

 



     

tempo

stringendo

p

94

   

     

                

85

tempo

Eb Bass





 

E tempo       f   



    tempo



 poco accel.

           f



 

126



poco accel.

3

Eb Bass

meno mosso

tempo



poco rit.





            



p

F           p

138

     

     

                            f 

143

     

   



 G

           

152

              

ff

p



 



   f



rall.

 

181

p

H più lento 



a1 pp

   

189



  

200

  

 

    f

 

tempo p



  

213

ff

 



f



 

   







 



207





        

stringendo





 

 







  





 



f



p



  

 



 



 

p





              

                          

   

     

163

171

     



a2



p





  

3          3



Bb Bass

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

q = 124 A l l e g r o

    

                   p A                     

 

f

       

9

 

14

 

   

21



   

32

 

pp





   





  



p

  

   

 

   poco accel.   

38



 poco rit.

p



 



meno mosso

  a1

p

pp



   

molto rall.

  

  



tempo meno mosso poco accel.       a1         a2  poco rit.    p   f (sub.)

53



            mp p

tempo

   p

62

  



 

        p     B tempo a2         f (sub.)

45

 C 





 

  



 



          

 © 2010 G Colmer ([email protected])



 

  

2

   p

68

tempo

 

80

   







                   

103

  

pp

 





 



 

119

D

 

rall.



  

 



molto rall.





  

pp



meno mosso





 p

F         p

138

     



     

                              f

ff

 



 











     



     

poco accel.



poco accel.

 poco rit.

   



143

  

p



 

f

tempo





 

f

tempo

 



E tempo  





meno mosso

 

 



   

p

  p

poco rit.

152

stringendo

      



p 129



più lento

                                p

93

113

Bb Bass





   

     

       

    

    







3

Bb Bass

G  157                                                      p p  

166

     



 

174

          





184

 

 



più lento

 



 



 



p

 

213

ff









 

 





 



 









 





  

f

207







tempo

198



f

f

stringendo





 

p

p

  

rall.

p

H  





3

       3



Percussion

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer

q = 124 A l l e g r o

    







SD f

14



A

mf













p cymb

















Tri

21



 







mf







p

B

molto rall.

35







f

 













BD

 

     







p

  

tempo

43





mf

tempo









poco accel.



poco accel.



meno mosso



meno mosso





f

   



glock

 53







mp

C tempo



 

 

mp



 

      

p

62

 

 

      





p

© 2010 G Colmer ([email protected])

 

   



2

Percussion

68



 

rall.



 

D più lento 

 















tempo















 





mf

115 molto rall.



123



E

tempo

















glock











mp



 mp





 

 





















p





  







meno mosso

poco accel.









tempo



poco rit.











F

p

                   

142

p



p

meno mosso





  

tempo





mf

 





p

f

129

cymb

p

f





mf







p

76

99



tri

p

stringendo



f



   



   



Percussion

     

    

152

ff

169







G



















rall.

stringendo

H





f

più lento













f

181





p





3



















p

189

 















tempo





glock



  p

199





 















 

 

 

 

 

 

cresc poco a poco



 



f

     









  pp







mf

209

f









  



  





  

ff









SOLOIST

ALLEGRO APPASSIONATO for euphonium and brass band

Saint-Saëns arr. Geoff Colmer



                               

q = 124 A l l e g r o

   

mf

A largamente                      

         

10

  

17



mf

   











   

f

  3              3                   

23

mf

3

3

3

     

f

3

mf

3

3

32

37

   

B tempo      f (sub.)   

41

mf

  

47

   

     p

   

       

      

poco accel.

 

poco rit.

    3

   







3

meno mosso



   

molto rall.









  

p



tempo

 

   f (sub.) 



poco rit.

© 2010 G Colmer ([email protected])

      

poco accel.



 

2

SOLOIST

           

49

meno mosso

3

mf

    

58

3

  

 

    p



  

    

         

          



p





   

    

                         rall.

D più lento                 

p

3

3

3

         tempo

3



    

        

stringendo

73

78



mp

   

64

68

C tempo              

   

     

mf

p

3

3

                                                 3 3 3 3

83

mf

           

91

  

98

    



largamente

   f

 

       





mf

                mf

3

3

3

3

SOLOIST

   

3

                              

105

f

mf

3

3

3

3

f

 

E tempo                 f (sub.)  poco accel.                    

  

       

      

113

118

121

molto rall.

poco rit.

meno mosso

3

mf



  



3

             

127

poco rit.

   

 tempo  

133



poco accel.

 

   

meno mosso

 

      

tempo

 f (sub.)





    

3

3

     

F



mp

 

139

   

142

  

146

f

  

     

p

 

 





 





 

 



 

  

             

150





















 

  

 

 

   

            









4

SOLOIST

         

153

       

ff

 

156

       

G                                                       f

                                  largamente

163

f

f

legg.                               



173

f

p

          

180

 

183



H più lento      

p

f



              

p

rall.

   

 stringendo    

   

3

3

tempo                    3                      

188

3

3

3

cresc poco a poco

                                       

197

3

f

3

3

3

                           

205

   

209

  

211

      



7



 ff

 







  

      

 ss. gli

7







