All Sondheim - Vol IV

2 ,]cadengJwo,td @ clUtnne,r "Oieb ffnon theJ,(otionQictu,te $nocg

Soonsft Cr,9ateft

(9.*Unags $etJtg J,to^)

J { u s i c o n d9 y r t i c sb g S t e p [ , eSn o n d [ r e t n t

A d a g i o ( . r= 8 0 ) Languorously

p()('o ('t'c.\('. N

34

34

O 1990RILTINGMUSIC.INC.andTOUCHSTONE PICTURES MUSIC& SONGS.INC All Rightson behalfof RILTINGMUSIC,INC.Administered by WB MUSICCORP. All RishtsReserved

'-3-.'....'....-

'.......-.-j

\7

-

pl

Soon - er

lat - er

or

vou're gon - na

II

de

,np 34

Soon -er

a)

\u p

1-

lat - er there's no - where to

b+ I 1 4

----/

or

7r-7 DY

.t r=_

hide.

| |

a

f'---f '

V l'

t| r

|

I

r/-r-Tl

|

|

I :-l-

t'llE < _

ftr t....-3.....-

Y

l

.

t

-

bt t,

3

I

*hy

hoT

hT

TI

mpl

waste it

in

----

f I

t lr,.sr'.

f=-.-|

2 l\--'l l

-

' l

I

r ' t

lne

?

l---?l

.

I

r

I

I

i

f

= l 3-t

Ba - by, you're mine on

I

V

b, ?, (q)

r

2

.

i-l

SoonerOrLater-7-3

C

l-->

TT '

.,=\ f

- 1

ter

l

---r

t-...-r

po(of

f

r J

if

more

you in - sist,_

babe, the

chal- lenge de

ex - cltes _

lt

-

And

lights me.

no

one

The

I've

more you re - sist,-

kissed.

v- 1|

t

l t

'

i t, Y,

l

- 2

I

t

l

| l

- t

\\. Y "

-'-\

-

DTT f

>

i

--l_:

r''

?-----?

, l

f

'

'

t = l t

, ,

than

=

e

I

- 2

t---''

e lt - - - / l

,--3--^

l

7 I

r

I

A tempo

\? mp

! -3l l

I

t-

T 7

)': 7

i_-

-a 7

q#

l

a

StxrncrOrLirter-7-7

t o l)-

r \

{>

"Silrqtnq tfteSt0nr./,(xsieo0 Srrorn Out9oud"

Oawrt

bg J,{usteond9g,tics Stepl'ten Sor',dl,eu^

Adagio1J= 100)

Q

T ?

T

T' |

N-T | /

1

1

r | t

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n-T / | -

-

l

t

l

l0

A

caughthalf- way-

*

e be-tween

t

i J , yes - ter - day_ And to

J - mor-row.

ten.

AJ

V r 7-L

7 I '<

A €}

l

c

Animato, ma non troppo Q = 176)

Walk - ing home

From work - ing

q,

1.f_e

/

And

v

round

Dawn. I

len.

De'-

O=---.-'

great,-'Cause you've

t"o'*( , ^A-fr

D a w n - 1-12

_

ll poco rall. ten.

Dawn.Iten

f.

> >

+

>

' 7n?

No,MaryAnn-6-3

v-r

come sopra

_ v

too

23

-_v-

Youthoughtit

'

---_

e

all-

No, Ma - ry

would be

Ann

v-f

Pink lit - tle

birds-

in

the

-? I

No, Ma - ry

Sym-pho- ny

Ann.

-T

--

I

I

I

In

No,MaryAnn-6-4

ches-tras

/

24

v s -

Noth-ingbut beau

1t-t_t7t Sud-den-lynow-

a J

: J . J ' J

t. ,

Boy.wcrc you wrong!-

lng'

it's all

a ' z

R-r

I

at flat.

l't

t

-1

l - =

= t - a .

7' '

I

fi-fl

/

e

t

-r

/

7--l

e

t

- e

1

i'

? r

' - t

e

- -

i - l- -

/

r

/

-T

I

I

Say it's

o

J

( e

'

J

e

'

-

J

fi-fl

-

!

T

all

n

/

Say it's

pink,-

1

p

>

cresc.poco a poco

-

1

e

f

r

That's too

gray,-

all

J

O

\ r

J

-

-

I

25

think-

a

ea - sy

And

li'l-i' r' I

-6-6 No,MaryAnn

f

to

say._

r'-ti'r' r

I

IJ I

I

26 thetft0rnJiusico0"Sl,ging ?F,torn Out3oud"

Sarr,d bg JiusieondSgnics Step[,er', Sondi,erro AndanteQ=120)

tG)T (rbr

'(uf

9,r .I

Y

' f (rtF

T = , -

(1'top

O 1992,1993by RILTINGMUSIC,INC. All RightsAdministered by WB MUSICCORp. Inlernational Copyright Secured All RighrsReserved Usedby pemission

27

slip-pingthroughyour fing - ers.

Love is just

' 7(rrF

when I

b

'(q)f

1 . r i

,

+

\t (0r

T

't

T-

Y

't

r

i

Y

l l J

r

f

bump - y,

It can seem smoothwhen

1 f t 4 = 1 1 q /\

)\/

=b? -

t

l

1g)T

It can look soft- and be

dry,

hot and make you jump - y,

, T

7 v

Is

it

q I

the

T"'? l)--/l

r

o r a

lfi)T Lf 1 t , -

T

lwif,fu;

beach be - neath the Car - ib - be - an

7(h)f = be ' V r

t

T Y

7(h)T f v

-

? be

' i Lrilr

gets to drift

'(q)f r

iuti

|

'

.1

,

l

-

'

t

Y

'i f-r '' v-

T r

#t-7 il-.-,f rit. poco a poco

t *f mP

Y

-

=bF J

kgato

I

'1

7

rit. f

30

tl'roJ{usico0 Cut {,torm

". o0{ies"

ffinecl,'tion0d's Od$ir,0s ffu{..{-

dtusiecrnd by $gr,ics Stepl,on Sondl,ein

I

Moderately Q = lZ;

worlcl's

lirll

of

girls

who

wait - ing

are

to

be

kissed. A

-{ a

)

?

T'

r

Y 1/

The \ \ L r tl r l s l r r r l l o l ( i i r l r

l.l

- ' l

r

lt

f r1

i=

/

tt

l

yf

r ' ' l

I

i

-

/

t

t

r

nt

o reTr RANGE RoAD MUSIC''"t '"0BLrRrrrEN Mt'src co' IN(' :,tJfilfilfY,iL1,)t;tlfl1T""Y-tii. iilE All Rights Reserved Used by Permission

-

*

r

nt

Wait - ing

1

Y

+

'

q

to

-

be

.

t

1

t

kissed,

t ,

Oopsl There's one

i 1

i l"

gon - na

kiss

'em

n

I

kissed

'em

guess I'm

all

And

gon - na

i 1

have

v '

to

kiss

'em

i 1

tr

u t

-

u *

, t l

33

Young- er

world's

T

f

than

You

l'ull

ot

.

r-irls

And

bc

Y

v , i 1

r : t

v ' ,i 1

-

lbl e

I

start

r

to

sink,

I

(

ir

*

i )

r

a

34

T

e

e

I a

a) 1-tlf

T h c \ \ ' r r r i r l. l i t r l lo l G i r l s , I . l 5

r

a' l i ft n1 . 1= ft

r

e I t

x' r - ( t = i 1

e '1

v

'

v t

7 I

f C

'1

T /

T h c\ \ ' o r k l : I u l l o l C i r l s - 1 . 1- 6

and have

could go

for

= v = v '1

'l

= t = = J U

T h r W o r l d r l i u l l o l C i i r l s- l . l - 7

j

like

Lh-#

T h e W r r r l d' l r u l l o l [ i i r l s - 1 . 1- 8

me

Out

for

date When you

prob - ab -

ly

Have

38

cel

-

eb - ri - ties

That

fu..#

jus - tice, You're more

hand - some

iil - ways

T h c \ \ ' o r l d r l r u l lo i G i r l s - l . l - 9

the

gone

flesh With

for

old - er

ln

men Which

s h o u l d- n ' t

hair, But

hans you

i

n 1

old - er

lot

When we

me

Who

feels

hon - ored And

,/

i ;

T h eW o r l i l ' F u l l o l C i r l s - 1 . 1- l 0

V

em

so

men

bump

-

if

ter - ri - bly

up

fiiends,

bar - rassed But

what

Get

peo - ple

not,

'Cause

-

tight

Like

out

ln

a n - y - t h i n g . i t ' s

like

said,

kept

or

somr'-thing'.)

40

rf I

u t

* t )

r

t

u

Ir

nt

-

.

* t )

r

1

t

tr

Well,

u t

-

u *

t t )

r

if

you

*

t l

.

1 '

*

1 t

r

4l

each

kissed

hard - ly

boys,

world's

'em

T h eW o r l r i ' l : u l l t r t ( i i r l s

all

l4 - l2

And

and

'ry ev -

can

re

-

sist,

So A

I'm

gon - na

guess I'm

full

'

T

.

/

1

t-

T h e \ ' \ ' o r l d ' sF u l l o f G i r l s - l 4 - l 3

.

t

have

to

t

'em

o - v e r a - g a i n . -

col - or,

of

1

kiss

v 1

q

I

shape and

-

t

r

u

t

kind,

Raun - chy

world's

and

re

full

of

-

fined.

And

I'm

Look

at

sure

you

that

be

would - n't

-

hind.

If A

,

g()

i l

and

Ihe World s l\rll ol Cirls

sleep with

t : 1, l . l

v . , i 1

44

"Oo 6norntfreunprroduced SV ,-,i1,(ustca0$ou Seo,t,A aJJaQt6?"

Oo 0 Seaft'+ cUtiaQt6? Moderato (J. = 60)

soundslike

O l 9 9 t i b ) ' R I I - T I N G N , l t J S I CI.N C . A l l R i g h r ' A , t n r r r r r r t c r cht1i W B l \ l t S I C C O R P . I n t e r n a t i o n uCl o p y r i g h tS e c u r c d A l l R i g h l sR e s c r r e d L J s e d b1 Penrission

bg ;Musiecrnd $gr,ics Steplnen Sondl,retr*

45

the

IS

Hold your

Do I llcar r \\'illl1 l

.+ 2

rose._

time

8r,b- . D o I H c a rr \ \ ' r l t z ' l - ' t - 4

48

"?Io00ies" S,rorntfier,{,(ustco0

Qeauti$u0 0u,0s Maestoso(J=l2O\

;-\

ffi\

G

Moderately Cmai9

C6

Cmaj9

C6

here they here's the

those of

c G

c whal your

That's Where

you've rea

been son

is

ing un

I

for. done.

I €

Ebo

Na Beau

-

ture ty

nev can't

fish ioned hin - dered

a from

flow - er so tak - ing its

I O l97l RANGE ROAD MUSIC, INC., QUARTET MUSIC, INC., RILTING MUSIC. INC. and BLIRTHEN MLTSICCO.. INC All Rights Administeredby CARLIN AMERICA. INC. All Rights Reserved Used by Permission

49 Em7(-5)

No You

rose may

can com lose con

Noth-ing Faced with fi_J

re - spect - a ble these Lo - re - leis, J ____l r_

.t _-al

'

t

''

-

r

i

il-L

U

Half What

so man

de - lec can mor -

ta - ble. al - ize?

Cmai9

C6

in on

their your

Cheer Cau

glo guard

T-i--_] ) +

-.,-

.r tT

7 1

Gf Dia-mondsand Beau ti - ful

r-.?

----

Dazz Flaw

F + 11

u t l

j.w els charm - ers

ling less

= e Em7(-5)

Dm7

score one.

This This

I-,j

, .,

is is

what beau - ty how Sam - son

Dm9(-5)

--l

can was

bv ev

r

+

l

50 B|ml A,

--.1--l

Beau - ty Each in

ce - les - tial, her style a

fi-J

t-

=r-\

J --1

A7

Dml1

the best,you'lla - gree: De - li - lah re - born,

you, these Beau - ti - ful gem, A beau-ti -ful

l--J

=-r=\

/---\ l-J-

\

h

B e a u t i f uCl i i r l s- . 1 , . l

t-{-r-

5l

".,,1{en,ti0g cl{,,e tfis-Muslco0 S.r,om Qo00J0ong"

clrtp $ooLrrtr/rg

dtusieond9gr,ics {cg Stepf.en So,,llei^,

Ad lib.

/6''

U

U

f A

t),

"f/

\i#r t

sDr. .;)

CrowingUp-7-l

O 1991RILTINGMUSIC,INC. All RightsAdminisreredby WB UUSIC COnp. _ IntemationalCopyrightSecured All fuehrsReserved

*nr-'l

7 4

A

6)

52

(whistle)

r e - m i n d - i n gm e . . . (marcato)

f r cresc.

Frank's old

molto rall.

mr,tltorall,

a tempo

mp

53

Just re - shap - ing them.

Grow-ingup.

Risoluto (J : .J)

Char - ley won't budge.

Char - ley

"If

non legato

54

Char - ley won't bend.

Char-ley'sa judge.

Why

GrowingUp-7-.{

is

it

old friendsdon't

want

Char-leyis

friends to

55

a tempo (J : J)

u So, old

have

il

GrowingUp-7--5

Mov - ing

on._

-Vfriends.-

t

v

Don't you

- v -

e

see_

we

56

Re-ad

Just

ing them

Grow-ing

up.

Grow-ing

T #T T tt'im.

- v -

e

with_

the

'-

Add - ing

dreams-

When

the

oth

ers don'l

f/

last

r

r r ?

Un-der - stand- ing that

Grow-ing up,-

?

nu

=f3 7:7Jz

,

grow-ing nev - er ends._

''g

=

l-r{

,

(rlr,rr)f-.--

e

e

?

?

t

p t

ft

l

t

?t

t

t

Ft

fl

_

ten.

(whistle) ten.

d f r I r .

l

G r o w i n gU p - 1 - 1

\

l

'

7 l

V l

l

F r

r

n

.

fL#

r r r r

58

"?Xubta, ?Ir,orn ?I,onJnd A{z{zre"

ffi^e{woC$Uou Moderato

TheTwoofYou-4-1

@ 1955(Unpublished) Chappell& Co. (Renewed) O 1999RILTING MUSIC, INC. All RightsAdministererdby WB MUSIC CORP. All RiehtsReserved

Jilusieol,d9gr,icsbg Stepl,ren Sond(,reir^

59 Slowly,freely

Ie'F\

what

.G

lhe Two of You - .1- 2

to

say,

60

come

a)

your

tt'i

want no one else in

I

way."

f

r7n7)

?

-

vt

r r I

lieu

I

(). of you;

e" F ( x

r

I

e" F S ,

----l

4-1

TheTwoofYou-4-3

I

6l

mf v

r | - - - . - - - - -

bd

-\---l

you,-_.--

you, ten.

62 "9nto S,torntfteuMustca0 3l,re.w-oods"

0r^ffineSbU $tarnts

J { u s i eo n d9 g r , i c sb g Stepl,er,r Sondftetyyr

Andantemoderato,non rubato (J = 132)

v Ll.-_S{_? mP dolce e legato, marcato

when you're way up high and you look be-low At the worldyou'veleftand

C i a n t si n t h e S k y - 8 - I

O 1987zuLTINGMUSIC.INC. Alf tughrsAdminisrered by WB NlUStCCORP. . IntemationalCopyrightSecured All fuehtsReserved

the things you know, Lit-tle

more than a glance is

e - nough to show you

Just how small you are

Whenyou're

--....Q

L,€ way up high and you're on your own In a world like none that you've ev-erknown, where the skyis lead and tre earth is stone, you,re

fr plor -

G i a n t si n t h e S k y - g - 2

things you'd

nev

I

er

dare 'Cause

you

don't

care, When

sud -den _ ly

& ,Broadly

tall

nf

ter - ri - ble

gi

ant

legaro

'--*

-*

=

/

+

'

'

T

'

t

=

)

food and she

a r' G i a n t si n t h e S k y - 8 - 3

r-l

gives-

rJr

qr.

F f

=

V

=

I

r---r'

p non legato, marcato

just when you've madea friend and all, Andyou know she'sbigbut you don't feelsmall, Some-onebig€erthan her comes a-longthe hall To

rg G i a n l si n t h c S k y - 8 - 4

66

swal- low you for lunch.

'

heart is lead and yourstom-achstoneAnd you're

i_r3_

t, . - i - l

t_==-_

poco cresc.

mp legato e mist,erioso

real - ly scaredbe-ing all

then that you long for the things you've known And the

=\L,

world you've left

I

/ = t

,

Iit - tle you own- -The

is done

=i--LJ sub.$

po(o ('resc.

?t -.> -

scram- ble

i Lre\( .

:+A*_+ G i a n t si n r h e S k y - 8 - 5

l

LLL

steal what you can and run!

And

l

ii-i -L__

_ --\. 2C )t r

t-

+-4 F

1-

i->

+-i-+-

i.-r

1-

67

house, and your moth

The

roof,

house.and the

world-

l ' ' r t

G i a n t si n r h e S k y - t t - 6

you

68

thought to

-

"

-t

ex - plore.-

you've

at

And you

And you

i-p

?,.. I

wish

live

in -

-a

4

I dim. o

gain, on - ly

G i a n t si n t h c S k y - 8 - 7

you could

think

I Y

of

of

the

things_

And you're

69

(Intensely)

mp.

Af - ter the sky.-

There

ctesc.

gi - ants in

the sky!

^9 to.

won-der - ful

G i a n t si n t h e S k y - 8 - 8

gi - ants

are

a?

There are

big tall ter - ri - ble awe - some sca - ry

70 "Stouisbg" tfi,on,tfteJ,{otbnQtetutre

" Si,orr^Stautsbu ffinerne Maestoso

J I u s i eb US t e p h eSao, n d h e r

J=76

Tempodi "Fox-trot" ) = $ 2

'fhenre "Stavisky" From

O I975,I997PEMAMUSIC/CAMCINE TV MUSIC.INC All RightsReserved Usedby permission

ftf''

1'

?

F

,

I

q

r

r

n

1 | -

aIm.

r

TherncFront "Stavisky" - 5 - 2

7

r '

l

l

(

--=\-

. ] - I F

r

[l , ?I

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*

r

?,

p

(

e

+

I

I

r

r

+

r

l'

(

'

c frr |

f

? (

\

( r

r

-

+ l

n

t

J

(

.

l

I

Emphasizethe melody

r' m.p legato

r

r

t

r

t

-

r

e

?

t

t

-

7

dim. poco a poco

dim. poco a poco

? ]

.

-

T I

r

?.

t

-

r

?

1

l_,-_^

r

\,) r

+t!+'

-

(

r'

Idim.

"t : :\--/

{

-

}

8va___-_-_---l

7s "Qassior," Stonrtfteu,tlusno0

.opprness cUer,ston) (So0o ond$gr,icsbg t/Utusie Stepten Sondl,oiru Adagio Q = 124)

What would you

O 1 9 9 . {b y R I L T I N G M U S I C , I N C . ( A S C A P ) T h i s V e r s i o nO 1 9 9 7b y R I L T I N G N , l t t s l C ,I N C . ( A S C A P ) A l l R i g h t sT h r o u g h o u t h e W o r l d A d n r i n i s r e r ebdy W B N fU S I C C O R P All Rights Reserredincluding Publrc Perforrnancelbr proht

3 right

now,

Herein your arms?

l.}.,

That day

when we

glanced

ev - er shouldhave

That we

;--..

at each oth - er

in

the

park.

We saw that we were

mf grazioso

I . L

Happrness'9-2

\

t,,

How quick-ly

L r +t +'

.h.t

.b

- 1

= = =

t-vt poco rall. :---'-:-

=

/

+ l

V '

f t

7t i r

poco rctll.

empo

*t l

r

= = t

Jv/

o

+| I

*1.' V

knew what

so

much soon

I

thought I

knew what

knew

how

But now

do.

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fa - ces of

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know the date of

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peo - ple whose fa - ces I

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105

That

h a z - y

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was the date

re- mem - ber, in

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H1n l#l

was

It

mar

| ,"J'

.

vel-ous to

4 I

.-)

l

now

l

r

l

( , :.

+-. fi*i

-si |_ fa-i]-

to - geth- er!

us

and

'rr r r r r c7tsc.

r

t

tl r ? l t ? l

{> know

cl

&

,..g

(

And

you

r

l=----

l

ffi

ffi

: ? r ; Fr U

-_t

l

t Dm? -'a-

ffi

a P

l

H11fl

-

l

qrr T

=

8 a ;

l

U

it

r25 rlrH

t-r+++{ H11#

ffiff

ffi

TITfI

is

nrt real - ly

ffi

ffi

(

Em7

Dm7

Alsus

ffi

t h r ou g h .

Am

C?rur

ffi ffi

ffi ffi ffi

ffi

Cra

zy

bus-'nessthis, tbis life

>

U c-

Em7

,,...4

H{+? B+TF

ffi

h++]]J

Fqr

live

Can't

ffi

c o m -p l a i n

a - bout the

time

we're giv

With so

>

1,.A'-

\---

--=-Dml &

H+ffi trfi

fif,l

lit-tle

C { J I I T ]

to

b e s u r e of in this

Ir.

D -hn

cl

ffi

/e

world,

we had

ffi

C bass

ffi

Cml l#

trtttl

m o -m e n t .

a"

ri

/i

\7

sub.p

.r*m

ffi

(C bass

world,

h o l d m e .-

A

\7 WithSo Liule to Be Sure Of - .l - ,l

ffi me -e

e Fr

t26 "saiu,tdog Srom iheu{,{usrco0 .,Uiglut"

Satunday.Ilight Brightly

f

J I u s i eo n dg y r , r c sb-g S t e p h eSno n d h e i r n

) ttz

denche

[{e's gon- na get the Here's a re - vi - val

axe of

from her; "Ben Hur"

What would ya say Goes on at nine

S a t u r d a yN i g h t - l 0 - I

O I983 BURTHEN MUSIC COMPANY, INC. All Rights Administeredby CHAPPELL & CO. All Rights Reserved

to fif -

see - in' teen at

a the

tn

How does the com - bi So when I got my

na - tion mind on

John - ny Mack Brown Who gives a damn

of sex,

Bess - ie Fran - cis

and for

(Dialogue)

6rEi a)

hit - cha? Bush- man?

Love X.

a-\

a

a

J

i

-

'

l

t

Iegato

I

I

)r-gh::rt--

The moon's The moon's

I

.3i

mil - lion watt e - lec - tric ov - er- load- ed Mox - ie

a an

.---->

It It

.-,->

SaturdayNight - l0 - 2

shines shines

up at

the you

friend- ly ,---f'-.

f ,.14-:

and

climbs. bright.-

r28

got - ta got my

spend an - oth - er bud - dies and my

Sat-ur-day bud - dies ar6

At fine-

But

home not

with the on a

To Coda O New York Sat- ur - day

--..-}--.

Moon- Iight on Flat - bush

a

pa - per and

a place where you

fight

the

urge

to

a place where the

I

like the Sun - day

fu- ture looks black.

Times all right, bur

A

O CODA

John- ny Mack Brown and

I

1 'ed

Love...

Love...

131

what can vou do

Sat-ur-day

o n a

night

Ted:

What

can vou do

o n a

lone?

Sat-ur-day night Artie:

What

can you do

o n a

Sat-ur-day

night

Dino:

What

Who

needs a view

on a

Sat- ur- day

Who

night

needsa view on a

Sat-ur-day

Who

Sat-ur- day

S a t u r d a yN i g h r - l 0 - 6

night

can you do

lone?

night

needs a view

on a

Sat-ur-day

night

needsa view

o n a

t32

it's

a

Sat- ur- day

night and

If

it's

gle,-

a

Sat- ur- dav

gle,-

Sat-ur- day

6

with

a

pa - per and

fight

with

a

pa - per and

fight

with

a

pa - per and

with

a

pa - per and

SaturdayNight - l0 - 7

the

urge

gle.-

urge

gle.--

-i--

fight

urge

gle._

home is a place whereyou got-ta go

Home

is a place where you got-ta go

back

lone.

is a place where you got-ta go

Flome

l

I

mP

Home

is a place whcre you

is a place where the

fu-turelooks black.

is a place where the fu-turelooks black,

is a place wherethe fu-turelooks black,

got- ta go

SaturdayNight - l0 - 8

is a place where

134

Thing's-'d be diff - 'rent

an-y

oth-er

night

But

we're on our own

on a

Thing's-'d be diff- 'rent

an-y

oth-er

night

But

we're on our own

on a

Diff- 'rent

a n -y

o th-er

But

we re on our own

on a

an- y

oth-er

But

we're on our own

on a

t h i n g ' s- ' d

stead,-

l

,4f

All:

Sat-ur-day night,---

w

:

-

t

With

| - r l l

t

l

c

rl

lc

rl



r I

l-'l

a

I

I

r

r l

{>

-'.]

t)

-

|

t!) l

l

t

on a

t

u l

a '

l

Sat-ur-day night,_

t

l

l ---t-

.l-%

SaturdaN y i g h t- l 0 - 9

r'

,l

CT

r

5 r l '

Sat-ur-day night,_

r And when you're a- lone

,l J1J

no one to phone on a

r

l

t

l

cresc.

I

I

r '

135

S a t u r d a yN i g h t - l 0 - l 0

136

..Oicb ffnon tlw,-,illtotion eictu/re ffnacg.,

Q,lt)hat AanUou gose?

J I u s i e o n d 9 g r t i c sb g S t o p l t eSno n d [ , e r m

Lazy Blues1.j = lOE)

you lose?

'--ze

-l

I

mP

On

the blues

fi Y C

+

l)\r/

Y

Why keep

l''

nP,

f' W h a t C a n Y o u L o s e ? - 4I -

lng

K f

f'Jo

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'ry ev thing you're

137

May-be,though,she

J

What Can You Lose ?

138

J. +-

It 7

Those are the dues

;

?

*l ) ' \ - /.

r

Once the w,ords are

What can you losel

WhatCanYouLose?-4-3

€

k e n , S o m e- t h i n g m a r b e

But what if

she goesl

love her-

139

-

you have part -

of

she had

What

mp

bone._

There's too much to

t

- \ i _

a'l

Rull. . .

f t

to choose'l

l,l:-.--

Leave il

n''f--=:'^n

140

" if,tomtf,re -,{,(ustco{ tft00ies"

O$9uegt+nd)sssrs flneStor,g -futusie and9g,ticsbg Step['ren Sol.dtsiatl W i t h a s w i n )g= 6 6

q .

t

m

r

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T

J

A

r

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T h e \ t o r r o l l - r r e r a r r r lJ e s s i c - 9 - I O 197I RANGE

ROAD

MUSIC

INC.. QUARTET MUSIC. INC., RILTING MUSIC, In-C. and BLIRTIIEN MLTSICCO.. NC All Rights Administeredby CARLIN AMERICA, INC. All Rights Reserved Llsedby Permission

T

I

?

?I

That corneswith be - ing on - ly twen - ty - one

e I

142

o

e

I

I

I

I

' € > have

?

Y

T h e S t o r r o l l - u c r r n d J e s s i c- ( . )- - l

such-

grief.-

my

be

,,= i:fr

is

r. t.

(q).]?.--,-r'. ,l

.=

-.

dress

* t . /-l

rIllll

-.

nr ' / - l ?.

q7:r' rt

* ? . /vl

.r .I]

sie wants to

be

T.

(q)f- -1-.

nt ' t/'--/l ?.

Jes -

t.

Lu

-

cy

wants to

be

Jes -

sie.-

tt.

W.

\T iG G)f]l' bTi u)i

nf=p:

u#--E: '/ -J

T h c S t o r vo l l - u c ! a n d J e s s i e- 9 - 7

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149

" J.,tusica0 Cutffnonttrre tlo00ies"

Q0easCInt 9,tt0e?Kirngdornn crnd$g,trcsbg u,Ltusie Step[,ren Sondlueirn A l l e g r o m o d e r a t o) = 7 2

p l e a s - a nl it t - t l ek i n g €>

V

V V V

I

t T

l l

r

V V V v

/ t

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v v

v v v v

, T

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ft

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ft

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O l97l RANGE ROAD MUSIC, INC., QUARTET MUSIC. INC., RILTING MUSIC, INC. and BLIRTHEN MtiSIC CIO All Rights Administeredby CARLIN AMERICA, INC. All Rights Reserved {Jsedby Permission

v , vt

Q - u -

u

v v v v v v - T - v

vvvvfr-"

r.fr"--/

The do - min-ionof the

ffiv

-9-2 P l e a \ r nl -ri l l l cK i n g d o m I

I

vvv-v

v v v v v v

v

v v v

v v v v

V V v v V V \ \ _ -

ment-

a n - y g l v - e nm o

i l v-v

- t Y v v v v v v V

v v

v

v

v

i-Fvvvv

v

sub.7t

cresc. poco

tles

man-y lit-tle bat

cresc. poco a poco

you,-

; lt = t l v

v

V

t

V

l t r t} l l V

V

V

-f f ti v f fl-r r r l _ . 1

r52

head an - oth - er drrve

din - ner guestsar - rive.

And we

non legato aEl

trip

And un - less you real- ly look,

u#

-\\

a

dim. poco a poco

we took

And the

You would think we were a - live,

153

SALLY:

\----// Full of

I

v

V V V

Y V V v

v v

v v v v

pleas-antlit-tle

v

vv-Tv

vvv

There are

days,-

vv-vv7"

-

-----/_ char-i-ties and lec - tures-

rJ_fr v v v v frr P l e a s t r rL) il l l l c K i n g d o r n ' 9 - 5

And

ffivfr-

flow - ers

to

There are

raise.-

v v v-Tv

ffi"7

v-Fv

v v-T-v

Vfrn:

v v v v W-

lun-cheonswhen there'ssome-one to

re-mind me And I

the

nev-er look be-hindme.

f v v Y v - v

v v v v v v \ - -

-----/mer-ry lit-tle

J v v v Y

P l e a \ x n [l - i t t l r K i n g d o n r- 9 - 6

chores._

V v v y

Lots of

v v v v y v

gar-den-ingand fix

V

V

v

V

V V v-V

v v v v v V \ - '

155

drive-way

v

Jv

v

v

V

il...'ffivvvvv

v-Fv

cresc. poco a poco

molto legoto

p

lI--J-J-J7 v

v

P l e a s r nlt- i t t l eK i n g d o n ' 9 - 7

l

=

l l ? L-J----J.-J

l

v

v

v

v

v

v

t

v

v

v

v

:

v

v

156

read a

And

I

And the

cresc. poco a poco

T f

t

. 1 - i

t i

iY 7

T ' l r

I

T

t )

r

cas - tle needs re - pair

Broadly

nev - er shed a

tear

mp non m(rc.

molto rit. p

P l c r \ r n tl - i r l c K i n g d o n r '9 ' 9

j

158 " if,tom tfte.Ituslca{ "Jo{{ies"

?Ioo./Iarng./t{or,nlngs A d a g i o1 J = 1 1 6)

f-('-

f--=(f

J l t u s t ea r n dS g r t t c sb g Ste pl,ren Sor',dl,ret,rm

f-Lf

f.--t=

Sempre poco rubato Bmai9 86

=-Too man-v morn - ings.

Wak-ingand pre - tend -

r=----Lrr

for you,

reach-

7.

,7=

t - r f

\

V.

I

Bmaj9(+11)

- sandsof morn - ings.-

7.

--l

l\r-

'

r'--Lr

T_ +

l-.]

G I m s u4s

cf,me/cf;

wast-ed,

mere - ly

,+6 GImsus4

-9 Gf,.rur4

-=-----Time I could have

-r--..-.--

{ ( ) I 9 7 I R A N G I . , R O A D M L I S I C I. N C . . Q T ] A R T E T M U S I CI .N C . . R I I - T I N G M I I S I CI.N C . I N d B U R l ' t I E N M L l S I C C O . .I N C A l l R i g h t sA d m i n i s t e r e db y C A R l . l N A M E R I C A . I N C A l l R i g h t sR c s c r v c d L l s e db y P e r m i s s i o n

f, I/!-T'f-= rrrJJ

8' amajg

86

man-y morn - tngs. man-y mornr-lngs.-

Morn - ing to morn - ing, How man - y morn - ings -

Bmai9

Wish-ins ttnt tlrc room might be filled Wast-ed in pre - tend - iri'g I reach

Turn-ing in'to Are there still to

with you, for you-

How

the much

i

days time

that I thought*ouldnev< can rre hope that thete wrll

All Not

the much

those there's

\/ a tempo To Coda@ (Gm7-5)

Flc

-G

-

to-the bed, (S?1"*lI mov'ing

door,

(*1;Y*)'"., . ing in my -------\

_--

i--'--/

..-G

DbO

with flt94 headasirst rnv head. \nts/

TooManyMornings-4-3

E

;

Dbmai9

161

T T'T @poao!?"p t --(rF*l#)

stard-ingatthe

door,

--ill-:-1'I mov-insto the

-'-----:-------

. _ - - - . - . .

5 B f/ 9 = = - - - - _

(" s:t^ ^]l*st-ing \JOme-one,,

TooManyMornings-4-4

in my

arrns,

my *tth(li1 heada-gainst

t62 "Jssosstrns" ffnon theJ,{usiea0

cllnutronthg O$Sour,goue

u , L t u soi en d9 g n i c sb g S t e p h eSno r n d h e t n n

Soene:The bascmentnecroom in John Hinckley's hou*,.(Hlnckley ptcla up hisgultar and accompanleshtmself) HINCKLEY: [,ove,John. Moderato(J = l12)

HINCKLEY:

Unworthy of Your Love - 8 - I

@ I990,I992RILTINGMUSIC,INC. All RightsAdministered by WB MUSICCORp All RightsReserved

163

I-

would swim

o

- ceans.l-would

moun - tains,I-would

move

do

.\___./

---___---l

y - thing- for

I-

\-=_---./

am un - worth

What do you

want- me

to

do?-

Jo

of your

---_----' \-\----l

Unuol1l1 ,rl Yilur Lorc - 8 - 2 I

164

= =

(n-F V I

Tell-

\-_-----l

me how

can

earn your

love,-

--.-_-----

------t-'

(Lights up on Lynette "Squeaky" Fromme)

FROMME:

l a m

-----------/

noth - ing,

\------l

wind

-__----l

\-,--l

and dev

il

and

---__--.-/

Unworthy of Your l-ove - 8 - 3

j

l

165

r

mv

heart- in two. -

If

that's

p

W

what you

want-

me to

poco rall.

€

I-

am un - worth - v

-.---------o Unworthy of Your Love - 8 - 4

of your

Char - lie.

dar

r66

I-

have done noth - ing

for your

love.

IT

f'I

il>

HINCKLEY

mp cresc.poco a poco

(Ff) f

I

r67

I-

You-would be

queen to

would

crawl

Unwonhl ol Your Love - 8 - 6

-

ly - deep through

me, not

E - ven though I will

die for you,

Ba - by,I'd

bel

E -ven though

al - ways

I will

I-

am un - worth-y

of your

I-

amun - worth - y

of

your

168

dar

l,et-

me prove worth - y

of your

Let-

nE prove worth - y

of

I'll-

find a

way

earn your

I'll-

finda

wav

earn

trt-F

V I

-r-------f'\\----l

Un$orth), of Your Love - 8 - 7

your

your

169

_____--,__r u

o

w

-\---.l

Unwonhy of Your Love - 8 - 8

'-\-------l{>

170

'eoci$ic tl,tornt&eJ,tusoa0 Ouerrtuftes"

9s.AJoOtteftcl,Uog ffinene Jlusteond9g,ticsbg Stepl,er', Sondftetrnn Moderately(J = l20l

-

--------=r-

O

I

++++++++++++++++

o

l

??+++++++++?+++r

++++++++?tt+*++r

l

++++??++?+++++++

++++?+++++++++++

(Hand drum)

p

T h e r el . N , ' ( ) l h e rW a ) - 8

I

O 1 9 7 5& 1 9 7 7b y R I L T I N GM U S I C I, N C . AII RighrsAdministerecl by WB MUSICCORp. All RightsReserved lnternational CopyrightSecured

OBSERVER 2:

pare ft)r your re-turn

(unmeasuredaccel.)

semprep There[s No Other Way - lt - 2

The heartknows

pectyou thenat eve - ning.-

There ls No Other Way , ll - 3

(There must be

oth - er ways.)

. - 1 - d

Thcrc I. No OtheLWay

ti .l

I

The storm ap -

heartre - plies:-"There rs no

oth-er wav.-

t h e r ei s n o

OBSERVER

I will pre-parefor your re - turn, I shall ex-pectyou then al

(unmeasured accel.)

(steady tempo) There Is No ()ther Way

ll - 6

7 the tlt gooo-uy"r. g/iss.

T h e r cI . N r rO t h e rW r y

8 7

no

oth-er

(unmeasured accel.) (Bellplate) |

,

)

a) dim. poco a po(o X

X

Ihcrc ls No Olhcr Wr)

X

- lJ - ll

X

178 Cut $,tonr tlreJ,{usicaQ

"Coupany"

Jhu0titildes Od,+mus

/lusie ond9g,ticsbg StepLen Sondl'reirn

M o l t or u b a t o1 J : 1 2 0 )

-, fh

F

a'aJ )

F

F\

a 1 )

4 1 .

a 1 )

Crowd the streetsbe - low

;F.

O f - f i c e - f u l so f

an>

F

ta- 1.

-

"y-wherc

a

.J

F\ +' \

t )

T

-

or

r))

Wor - d e r w

(F. 1' )))

arrlt. e a e

e l e

a 1 -

a o

M u l t i t u d e s oAf m v s - 7 , I 02838

O 199I zuLTINGMUSIC,INC. All RightsAdrninistered by WB MUSIC CORP. IntemationalCopyrightSecured All fughrsReserved

t it

\\--l-

Ho - ho.

means,-

d

tq1lr io'

I

179 con molto

for

the

bus,

pear- ingthroughre - volv - ing doors.

mys,_

arezPon'-fr\: t - a J

Ev-'ry-wherel

,--\

t J -

MultitudesofAmys-7-2

S e n - t e n - c eosf A - m y s ,

,---.F'.'

;n> e

l_J

; e fr)-. l e

r80

book._--

means_

I've gone

to

( )

Ev-'ry oth-er word

sornc - thing

/-:-:-'

with

p i c - t u r e s o fA - m y s ,

at

lttt