Alice in Wonderland Script

 

ALICE IN WONDERLAND Compiled by Jeff Bengford

Based on the books by Lewis Carroll

 Edited August 27, 2013

PROLOGUE

‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgabe.

‘Beware the Jabberwock, my son! The jaws that bite, the claws that catch! c atch! Beware the Jubjub bird, and shun The frumious Bandersnatch!” 

Act I Scene 1: Alice’s Home

 ALICE sits on the floor playing with her kitten

Alice:  Kitty, can you play chess? Now don’t smile, my dear, I’m asking it seriously. Because

when we were playing just now, you watched just as if you understood it; and when I said “Check!” you purred! Kitty dear, let’s pretend that you’re the Red Queen! Do you know, I think if you sat up and folded your arms, you’d look exactly like her. (She goes to the looking-glass) I’ll just hold you up to the looking glass and you can see how sulky you are! How, if you’ll only attend, attend, Kitty, I’ll tell you all my ideas about Looking-glass House. First, there’s the the room you can see through the glass…that’s glass…that’s just the ssame ame as our drawing-room, only the things go the the other way. Oh, Kitty, how nice it would be if we could only get into the Looking-glass House! I’m sure it has, oh, such beautiful things in it! (ALICE goes through the looking-glass and sees the WHITE RABBIT) RABBIT)  

  Pg. 1

 

The White Rabbit:  Oh, my ears and whiskers, how late it’s getting! Oh, dear, oh, dear, I shall

 be too late! for me Mr. Rabbit! Wait for for me! Alice:  Kitty, did you see that? It was a white rabbit! Wait for

* DANCE

 ALICE falls down the rabbit-hole surrounded by odd visions as we watch her change  sizes once or twice.

Act I Scene 2: Wonderland

Alice: Everything is so out of the way here I don’t know where to begin! (ALICE discovers a

bottle labeled “Drink Me.”)  Me.”)  Surely these were not here before! Well, it’s all very well to say “Drink Me,” but I’ll I’ll look first and see whether you’re marked “poison” or not. For if a little girl drinks from a bottle marked “poison” it is almost certain to disagree with her sooner or later . (She examines it)  it)  No, it must be all right. (She drinks it) Mmm! It has a mixed flavor of cherry-tart, custard, pineapple, roast turkey, toffee, and hot buttered toast! (She grows smaller)  smaller)  What a curious feeling! I must be shutting up like a telescope! I am! I wonder if I’m going out altogether, altogether, like a candle! The White Rabbit:  The Duchess! The Duchess! Oh, my dear paws! Oh, my fur and whiskers! whiskers!

She’ll get me executed as sure as ferrets are ferrets! ferrets! Where can I have dropped them? (He sees Alice)  Alice)  Why, Mary Ann, what are you doing here? Run home this this minute and fetch me a pair of gloves and a fan! Quick now! Alice:  He took me for his housemaid! How surprised he’ll be when he finds out who I am! But

I’d better take him his fan and gloves…that is if I can find them.

*DANCE

 ALICE chases after the WHITE RABBIT but her chase is interuppted by a legion of  BUTTEFLIES who chase her and flutter her into the Mushroom

  Pg. 2

 

Act I Scene 3: The Mushroom Caterpillar:  Who are you? Alice: I—I hardly know, sir, just at present. At least I know who I was when I got up this

morning, but I must have changed several times since then. Caterpillar:  What do you mean by that? Explain yourself. Alice: I can’t explain myself, I’m afraid, sir, because I’m not myself, you see. Caterpillar:   I don’t see. Alice: I’m afraid I can’t put it any more clearly, for I can’t understand it myself to begin with,

and being so many different sizes in a day is very confusing. Caterpillar:   It isn’t. Alice: Well, perhaps you haven’t found it so yet. But when you have to turn into a chrysalis— 

you will some day, you know—and then after that into a butterfly, I should think you’ll feel it a little queer, won’t you? Caterpillar:   Not a bit. Alice: Well, perhaps your feelings may may be different. All I know is, it it would feel very queer to

me. Caterpillar:   You! Who are you? Alice: (Controlling her temper)  temper)  I think you ought to tell me who you are first. Caterpillar:   Why?  Why?  (ALICE cannot answer, so she turns to go)  go)  Come back! I’ve something

important to say. (ALICE comes back) Keep your temper! Alice: (Swallowing her anger)  anger)  Is that all? Caterpillar:   No. So you think think you’re you’re changed, do you? Alice: I’m afraid I am, sir. Caterpillar:   What size do you want to be?

often, you know. Alice: Oh, I’m not particular as to size. Only one doesn’t like changing so often, Caterpillar:   I don’t know—are you content now? Alice: Well, I should like to be a little larger, sir, if you wouldn’t mind; three inches is such a

wretched height to be. Caterpillar:   It is a very good height indeed!

(Piteously)   But I’m not used to it. Alice:  (Piteously) Caterpillar:   You’ll get used to it in time. (getting off the mushroom) One side will make you

grow taller, and the other side will make you grow shorter.   Pg. 3

 

Alice: (to herself) One side of what? The other side of what? Caterpillar:   Of the mushroom. (exiting)

mushroom)   Now which which is which? Alice: (ALICE takes two pieces from the mushroom) 

*DANCE

 ALICE eats a piece of the Mushroom and grows as we tranistion to the exterior of the  Duchess’s House.

Act I Scene 4: The Duchess’ House House

play ay croquet. Fish-Footman: For the Duchess. An invitation from the Queen to pl Frog-Footman: From the Queen. An invitation for the Duchess to play croquet. (They bow

and their hair become tangled. FISH-FOOTMAN exits and ALICE goes up to the door and knocks) There’s no sort of use use in knocking, and that for two reasons. First, because I’m on the same side of the door as you are; secondly, because they’re making such a noise inside no one could possibly hear you. Alice: Please then, how am I to get it? Frog-Footman:  There might be some sense in in your knocking if we had the door between us.

For instance, if you were inside you might knock and I could let you out, you know. Alice:  How am I to get it? Frog-Footman:  I shall sit here until tomorrow. tomorrow. (COOK opens the door, throws a plate, and

 slams it shut)  shut)  Or next day maybe. Alice:  But how am I to get in?

question, you know. Frog-Footman:  Are you to get in at all? That’s the first question, Alice:  It’s really dreadful the way these creatures argue. It’s enough to drive one crazy!

(COOK throws the CHESHIRE CAT out)  out)   Frog-Footman:  I shall sit here on and off for days and days. Alice:  But what am I to do? Frog-Footman:  Anything you like. Of course I could go get a spare door. And you could

 practice going out. Alice:  But I want to go in.

  Pg. 4

 

Frog-Footman:  I will sit here for days on end until I’m asked back by popular demand.

in talking to him. He’s perfectly idiotic! Alice:  Oh, there’s no use in

Act I Scene 5: The Duchess’ Kitchen Kitchen

 ALICE enters the house as it opens to reveal the chaos of the interior

Cook: More pepper! 

soup. (She sneezes)  sneezes)  Please, would you tell me Alice: There’s certainly too much pepper in that soup. why your car grins like that? Duchess: It’s a Cheshire Cheshire Car and that’s that’s why. Pig! Alice: I didn’t know that Cheshire Cars always grinned. In fact, I didn’t know that cats could

grin at all. Duchess: They all can and most of ‘em do. Alice: I don’t know of any that do. Duchess: You don’t know much, and that’s a fact. (COOK takes baby and beats it)  it)  Alice: Oh, please mind what you’re doing. Oh, there goes his precious nose! Duchess: If everybody minded their own business the world would go around a deal faster than

it does. Alice: Which would not be an advantage. Just think what work iitt would make with the day and

the night. You see, the earth takes twenty-four twenty-four hours to turn rround ound on its axis… Duchess: Talking of axes—Chop off her head! Alice: Twenty-four hours, I think, or is it twelve? Duchess: Oh, don’t bother me! I never could abide figures. (The DUCHESS takes the baby and

violently sings to it)  it)  “Speak roughly to you little boy And beat him when he sneezes. He only does it to annoy Because he knows it teases.” I speak severely to my boy— I beat him when he sneezes; For he can thoroughly enjoy   Pg. 5

 

The pepper when he pleases.” Here, you may nurse it a bit if you like. like . (Throws baby to ALICE)  ALICE)  I must go and get ready to  play croquet with the Queen. Queen. (She exits followed followed by the COOK as the house exits leaving  ALICE alone with the pig) Alice: If I don’t take this child away with me, they’ll surely kill it in a day or two. Wouldn’t it

 be murder to leave it behind? (Baby grunts)  grunts)  Don’t grunt! grunt! That’s not at all the the proper way of expressing yourself . (Baby grunts again)  again)  If you’re going to turn into a pig, my dear, I’ll have nothing more to do with you. you. (Throws pig)  pig)  If it had grown up it would have been a dreadful ugly child. But it makes a rather handsome pig, I think.

*DANCE

 FLOWERS engulf ALICE and the Pig as we tranisition to the Duchess’s Garden where  HUMPTY DUMPTY sits stubbornly on a brick wall surrounded by a row of flowers

Act I Scene 6: Humpty Dumpty

Alice: Why, it’s Humpty Dumpty himself. An how exactly like an egg he is! Humpty Dumpty: It’s very provoking to be called an egg…very. Alice: I said you looked like an egg sir. sir. And some eggs are very pretty, pretty, you know. Humpty Dumpty: Some people have no more sense than a baby!

“Humpty Dumpty sat on a wall: 

Alice:

Humpty Dumpty had a great fall. All the King’s horses and all the King’s men Couldn’t put Humpty Dumpty in his place again.” you r Humpty Dumpty: Don’t stand chattering to yourself like that, but tell me your name and your  business. Alice: My name is Alice, but…

enough ! (He laughs)  laughs)  What does it mean? Humpty Dumpty: It’s a stupid name enough! Alice: Must a name mean something? Humpty Dumpty: Of course it must: my name means the shape I am…and a good, handsome

shape it is, too. With a name like yours, you might be any shape, almost. Alice: Why do you sit out here all alone?

  Pg. 6

 

Humpty Dumpty: Why, because there’s nobody with me! Did you think I didn’t know the

answer to to that? Ask another. Alice: Don’t you think you’d be safer down on the ground? That wall is so very narrow! Humpty Dumpty: That tremendously easy riddles you ask! Of course I don’t think so. Why, if

ever I did fall off…which there’s no chance of…but if I did…if I did fall, the Kind has  promised me---you didn’t think I was going to say that, did you? The King has promised me with his very own mouth…to…to… Alice: To send all his horses all his men. Humpty Dumpty: (Gasp) You’ve been listening at doors…and behind trees…and down

chimneys…or you couldn’t have known it. Alice: I haven’t, indeed! It’s in in a book. (Changing the subject)  subject)  What a beautiful belt you’ve

got on! At lease, a beautiful cravat I should have said…no, a belt, I mean…I beg your  pardon! (Aside) If only I knew which was neck, and which was waist! Humpty Dumpty: It’s a most provoking thing when a person doesn’t know a cravat from a

 belt! Alice: (in a humble tone) I know it’s very ignorant of me. Humpty Dumpty: It’s a cravat, child, and beautiful on as you say. It’s a present from from the

White King and Queen. Alice: Is it really? Humpty Dumpty: They gave it me, they gave it me—for an un-birthday present. Alice: (puzzled) (puzzled)   I beg your pardon? Humpty Dumpty: I’m not offended. Alice: I mean, what is and un-birthday present? Humpty Dumpty: A present given when it isn’t your birthday, b irthday, of course. Alice: I like birthday presents best. Humpty Dumpty: You don’t know what you’re talking about. How many days are there in a

year? Alice: Three hundred and sixty-five. Humpty Dumpty: And how many birthdays have you? Alice: One. Humpty Dumpty: And if you take one from three hundred and sixty-five, what remains? Alice: Three hundred and sixty-four, of course.

  Pg. 7

 

Humpty Dumpty: Ah hah! And that shows that there are three hundred and sixty-four days

when you might get un-birthday presents. And only one for birthday present, you know. There’s glory for you! Alice: I don’t know what you man by “glory”. Humpty Dumpty: (getting angry) Of course you don’t—till I tell you. (trying to keep calm) I

meant “there’s a nice knock-down argument for you!” Alice: But “glory” doesn’t mean “a nice knock-down argument.” Humpty Dumpty: (getting angry again) When I use a word, it means just what I choose it to

mean—neither more nor less. Alice: The question is, whether you can make words mean so many different things. Humpty Dumpty: (twice as angry) The question is which is to be master, that’s all. (really

angry) Hrumph! Impenetrability! Impenetrability! That’s what I say! (knocked off balance by his own temper) Whoa! (on the brink of disaster) Whoa! (falling) (falling) Whoa!!!  Whoa!!!

*DANCE

(HUMPTY DUMPTY falls off and several cards pick him up) u p)

Act I Scene 7: The Cheshire Cat

Cheshire Cat: Prrrraiow…eaiouw. Alice: Cheshire Puss, would you tell me, please, which way I ought to walk from here? Cheshire Cat: That depends a good deal on where you want to get to. Alice: I don’t much care where… Cheshire Cat: Then it doesn’t matter which way you walk. Alice: So long as I get somewhere. Cheshire Cat: Oh, you’re sure to do that if you only walk long enough. Alice: What sort of people live about here?

Hatter. To the left lives a March Hare. Visit either you like. Cheshire Cat: To the right lives a Hatter. They’re both mad. Alice: But I don’t want to go among mad people. Cheshire Cat: You can’t help that. We’re all mad here. I’m mad. You’re mad. Alice: How do you know that I’m mad?

  Pg. 8

 

Cheshire Cat: You must be or you wouldn’t have come here. Do you play croquet with the

Queen today? Alice: I should like it very much but I haven’t been invited yet.

va nishes and then Cheshire Cat: You’ll see me there. (With a flash pot explosion, the CAT vanishes reappears) By-the-bye, what became of the baby? I’d nearly forgotten forgotten to ask. Alice: It turned into a pig. Cheshire Cat: I thought it would. (With a flash pot explosion, the CAT vanishes again and then

reappears)   Did you say pig or fig? reappears) Alice: I said pig. And I wish you wouldn’t keep appearing and vanishing so suddenly: you

make one quite giddy. Cheshire Cat: All right. (It vanishes slowly with its mouth last) last) Alice: Well, I’ve often seen a cat without a grin, but a grin without a cat! It’s the most curious

thing I ever saw in all my life! I’ve seen Hatters Hatters before. The March Hare will be much the most interesting, and perhaps as this is May, it won’ be raving mad…at least not as mad as it was in March.

Act I Scene 8: The Mad Tea Party

 A great table is laid out set for a very large tea party

March Hare & Mad Hatter:  No room—no room! Alice: There’s plenty of room! March Hare: Have some wine. Alice: I don’t’ see any wine. March Hare: There isn’t any. Alice: Then it wasn’t very civil of you to offer it. March Hare: It wasn’t very civil of you to sit down without being invited. Alice: I didn’t know it was your table. It’s laid for a great many more than three.  Mad Hatter: Your hair wants cutting.

personal onal remarks. It’s very rude.  Alice: You should learn not to make pers Mad Hatter: Why is a raven like a writing desk? Alice: I believe I can guess that!

  Pg. 9

 

Mad Hatter: Do you mean you think you could find out the answer to it? Alice: Exactly so. March Hare: Then why don’t you say what you mean?

same thing, you know. Alice: I do. At least—at least I mean what I say. That’s the same Mad Hatter:  Not the same thing a bit. Why, you might just as well say that “I see what I eat”

is the same thing as “I eat what I see.” March Hare: You might just as well say that “I like what I get” is the same thing as “I get what

I like.” b reather when I sleep” is the same Dormouse: (sleepily) You might just as well say that “I breather thing as “I sleep when I breathe.” Mad Hatter: It is the same thing with you. you . (Bonks DORMOUSE, leaps frog over it, and then

looks at his watch)  watch)  What day of the month is is it? Alice: The fourth. Mad Hatter: Two days wrong! I told you butter wouldn’t suit the works. March Hare: It was the best butter. Mad Hatter: Yes, but some crumbs must have got in as well. You should not have put it in

with the bread knife. March Hare: It was the best butter. Alice: What a funny watch! It tells the days of the month and doesn’t tell what o’clock it its. Mad Hatter: Why should it? Does your watch tell what year it is? Alice: Of course not. But that’s because it stays stays the same year for such a long time together. Mad Hatter: Which is just the case with mine.

I don’t quite understand you. Alice: Mad Hatter: The Dormouse is asleep again. (He and the MARCH HARE leap frog over each other to it) March Hare and Mad Hatter: Wake up, Dormouse! Dormouse: Of course, of course. Just what I was going to remark myself.

ALICE)  Have you guessed the riddle yet? Mad Hatter: (to ALICE)  Alice:  No. I give up. What’s the answer? Mad Hatter: I haven’t the slightest idea. March Hare:  Nor I.

  Pg. 10

 

Alice: I think you might do something better with the time than wasting it in asking riddles that

have no answers. aboutt wasting it, it’s him. Mad Hatter: If you knew time as well as I do, you wouldn’t talk abou Alice: I don’t know what you mean.

watch)   Of course you don’t. I daresay you never even spoke Mad Hatter: (Spins ALICE like a watch)  to Time. Alice:  perhaps not. But I know I have to beat Time when I learn music. Mad Hatter: Ah! That accounts for it. He won’t stand for beating. Now if you only kept on

good terms with him, he’d do almost anything you liked with the clocks. But you could keep it to half past one as long as you liked. Alice:  Is that the way you manage? Mad Hatter:  Not I. We quarreled last March—just before he went mad, you know. (indicating

the MARCH HARE)  HARE)  It was at the great great concert given by the Queen of Hearts Hearts,, and I had to sing: “Winkle, twinkle, little bar, How I wonder what you’re at.” You know the song, perhaps? Alice:  I’ve heard something like it. Mad Hatter: It goes on, you know, in this way—

“Up above the world you fly Like a tea-tray in the sky. Twinkle, twinkle— ” Dormouse: Twinkle, twinkle, twinkle, twinkle. (Continues until bonked) Mad Hatter: Well, I’d hardly finished the first verse—I’d hardly finished the first verse—I’d

hardly finished the first first verse—when the Queen bawled out, “He’s murdering Time. Off with his head.” Alice: How dreadfully savage!

sic o’clock now. Mad Hatter: And ever since that he won’t do a thing I ask. It’s always sic Alice: Is that the reason so many tea things are put out here?

time and we’ve no time to wash wash the things between Mad Hatter: Yes, that’s it! It’s always tea time whiles. Alice: Then you keep moving around, I suppose.

  Pg. 11

 

Dormouse: Exactly so. As the things get used up. Alice: But when you come to the beginning again? March Hare: Suppose we change the subject. I’m getting tired of this. I voted the young lady

tells us a story. (alarmed)   I’m afraid I don’t know one. Alice:  (alarmed) Dormouse shall. Wake up, Dormouse. Dormouse. March Hare and Mad Hatter: Then the Dormouse Dormouse: I wasn’t asleep. I heard every word you fellows were saying. March Hare: Tell us a story. Alice: Yes, please do! Mad Hatter: And be quick about it or you’ll be asleep before it’s done. Dormouse: Once upon a time there were three little sisters, and their names were Elsie, Lacie,

and Tille; and they lived at the bottom of a well. Alice: What did they live on? Dormouse: They lived on treacle. Alice: They couldn’t have done that, that, you know. They’d have been ill. Dormouse: So they were—very ill! Alice: But why did they live at the bottom of a well? March Hare: Take some more tea. Alice: I’ve had nothing yet, so I can’t take more. Mad Hatter: You mean you can’t take less. It’s very easy to take more than nothing. Alice:  Nobody asked your opinion. Mad Hatter: Ooohhh! Who’s making making personal remarks now? Alice: Why did they live at the bottom of a well? Dormouse: It was a treacle well. Alice: There’s no such— Dormouse: If you can’t be civil, you’d better finish the story yourself. Alice:  No, please go on! I won’t interrupt again. I daresay there may be one.

little sisters were leaning to draw, you know. Dormouse: One, indeed! And so, these three little Alice: What did they draw? Dormouse: Treacle. Mad Hatter: I want a clean cup. Let’s all move one place down.

  Pg. 12

 

March Hare, Mad Hatter, and Dormouse: Clean cup, clean cup, move down, move down,

clean cup, clean cup, move down! Alice: But I don’t understand. Where did they draw the treacle from? Dormouse: You can draw water out of a water well, so I should thing you could draw treacle

out of a treacle well we, stupid? Alice: But they were in the well.

they drew all Dormouse: Of course they were—well in! They were learning to draw and they manner of things; everything that begins with an M. Alice: Why with an M? March Hare: Why not? Dormouse: That begins with an M, such as mouse-traps, and the moon, and memory and

muchness—you know you say things are much of a muchness—did you ever see such a things as a drawing of muchness?

( Fragments  Fragments of a poem start to flutter down – as if it were raining raining words)

Alice: Really, now you ask me—I don’t think— Mad Hatter: Then you shouldn’t talk. Alice:  I’m getting out of here! It’s the stupidest stupidest tea party I ever was at in all my life! March Hare and Mad Hatter: (swinging the DOORMOUSE like pinata)  One…two…

*DANCE

(Transition out of Tea Party and into the “Jabberwocky” poem) Act I Scene 9: The Jabberwocky

This sequence must establish the reality of the threat of the Jabberwocky & introduce the poem.

‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgabe.

  Pg. 13

 

‘Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!”

She took his vorpal sword in hand; Long time the maxome foe she sought… So rested she by the Tumtum tree, And stood awhile in thought,

And as in uffish thought she stood, The Jabberwock, with eyes of flame Came whiffling through the tulgey wood, And burbles as it came!

One, two! two! One, two! two! And through and through The vorpal blade went snickersnack! She left it dead, and with its head She went galumphing back. 

“And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay! He chortled in his joy.

‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgabe.

  Pg. 14

 

Act I Scene 10: The Croquet Garden

CARDS 2, 5 & 7 run onstage with “paint” spilling everywhere.

ike that. Two of Spades: Look out now, Five. Don’t go splashing paint over me llike Five of Spades: I couldn’t help it. Seven jogged my elbow. Seven of Spades: That’s right, Five. Always lay the blame on others.

yesterday erday you deserved to be Five of Spades: You’d better not talk. I heard the Queen say only yest  beheaded. Two of Spades: Ooohh! What for? Seven of Spades: That’s none of your business. Five of Spades: Yes, it is his business, and I’ll tell him. It was for bringing the cook tulip roots

instead of onions. Seven of Spades: Well, of all the unjust things! (Catches sight of ALICE)  ALICE)  Alice: (curtsying) (curtsying)   Would you tell me, please, why you are painting those roses? Two of Spades: Why, the fact is, you see, Miss, this here ought to have been a red rose tree and

we pit in a white one by mistake, and if the Queen was to find out, we’d all have our head cut off, you know. Five of Spades: The Queen! The Queen! Queen of Hearts: (to KNAVE) Who is this? Idiot! (to ALICE)  ALICE)  What’s your name, child? Alice: My name is Alice, so please your y our Majesty. Queen of Hearts: And who are these? Alice: How should I know? It’s no business of mine. mine. Queen of Hearts: Off with with her head! Off— Alice:  Nonsense! King of Hearts: Consider, my dear, she is only a child. Queen of Hearts: Turn them over! Get up! Leave off that! You make me giddy. What have

you been doing here? Two of Spades: May it please Your Majesty, we were trying—

ALICE)  Can you play croquet? Queen of Hearts: I see! Off with their heads! (to ALICE)  Alice: Yes. Queen of Hearts: Come on then!

  Pg. 15

 

White Rabbit: (follows the QUEEN and turns to ALICE)  ALICE)   It’s a fine day. Alice: Very. Where’s the Duchess?

(Whispering)   She is under sentence of execution. White Rabbit: Hush, hush! (Whispering) Alice: What for? White Rabbit: Did you say, “What a pity”? Alice:  No, I didn’t. I don’t think it’s at all a pity. I said, “What for?”

laughs)  Oh, hush! The Queen will hear White Rabbit: She boxed the Queen’s ear. (ALICE laughs)  you. You see, she came rather late, and the Queen said— Queen: Get to your places! (Everyone starts playing as ALICE hunts for the DUCHESS) Cheshire Cat:  Hello again, Alice. Enjoying the game? Alice:  I suppose. Cheshire Cat:  How do you like the queen? Alice:  Not at all. She doesn’t seem to play by the rules. Cheshire Cat:  Yes. She makes them up as she goes along. Duchess: You can’t think how glad I am to see you again, you dear old thing. You’re thinking

about something, my dear, and that makes you forget to talk. I can’t tell just now what the moral of that is, but I shall remember it in a bit. Alice: Perhaps it hasn’t one. Duchess: Tut, tut, child! Everything’s got a moral if you can find it. Alice: The game’s going rather better now. Duchess: ‘Tis so. And the moral of that is, is, “Be what you would seem to be.” Or if you’d like it

 put more simply, “Never imagine yourself to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.” can’t n’t quite follow it Alice: I think I should understand that better if I had it written down, but I ca as you say it. Duchess: That’s nothing to what I could say if I chose. Alice: Pray don’t trouble to say it any longer than that. Duchess: Oh, don’t talk about trouble. I make you a present of everything I’ve said as yet. And

the moral… (she sees the QUEEN OF HEARTS) A fine day, Your Majesty. Queen of Hearts:  Now I give you fair warning, either you or your heard must be off, and that in

about half no time. Take your choice! choice! (Everyone gets to their balls)  balls)  Play on!   Pg. 16

 

 Everyone continues playing. Mid game – everyone freezes as we see the KNAVE OF  HEART steals the Queen’s cherry tarts then the action continues and builds to chaos as the lights fade.  fade. 

End of Act One

  Pg. 17

 

Act Two

Prelude *DANCE

 Movement establishes that we are now by the sea.

‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgabe.

Act II Scene 1: By the Sea

 ALICE enters to discover a MOCK TURTLE weeping on a low rock while the GRYPHON snores nearby. Somewhere near wait a few LOBSTERS.

Alice: (waking up the GRYPHON) Excuse me – What is his sorrow? Gryphon: It’s all his fancy, that; he hasn’t got no sorrow, you know. Come on! This here

young lady, she wants for to know your history, she do. Mock Turtle: I’ll tell her. Sit down, both of you, and don’t speak a word till I’ve finished.

Once—I was a real turtle. When we were little, little, we went to school in the sea. The master was an old turtle—we used to call ca ll him Tortoise. Alice: Why did you call him Tortoise if he wasn’t one? Mock Turtle: We called him Tortoise because he taught us. Really you are very dull! Gryphon: You ought to be ashamed of yourself for asking such a simple question. Drive on,

old fellow! Don’t be all day about it. Mock Turtle: Yes, we went to school in the sea, though you mayn’t believe it— Alice: I never said I didn’t. Mock Turtle: You did! Gryphon: Hold your tongue. Mock Turtle: We had the best of educations. In fact, we went to school every day. I only took

the regular course.   Pg. 18

 

Alice: What was that?

course, to begin with. And then the different branches Mock Turtle: Reeling and Writhing, of course, of Arithmetic—Ambition, Distraction, Uglification and Derision. Alice: I never head of Uglification. What is it? Gryphon:  Never heard of Uglification? You know what to beautify is, I suppose? Alice: It means to make—anything—prettier. Grypon: Well, then, if you don’t know what to uglify is, you are a simpleton. Alice: And how many hours a day did you do lessons? Mock Turtle: Ten hours the first day, nine the next, and so on. Alice: What a curious plan! Gryphon: That’s the reason they are called lessons. Because they lessen from day to day. Alice: The the eleventh day must have been a holiday. Mock Turtle: Of course it was. Alice: But how did you manage on the twelfth? Gryphon: That’s enough about lessons. lessons. Tell her something something about the games now. Mock Turtle: I’ll bet you have no idea what a delightful things a Lobster Quadrille is. Alice:  No indeed. What sort of dance is it? Mock Turtle: Would you like to see a little of it? Alice: Very much indeed.

*DANCE

The MOCK TURTLE and the GRYPHON dance with the LOBSTERS and ALICE

Mock Turtle:

“Will you walk a little faster!” said a whiting to a snail.  “There’s a porpoise close behind us, and he’s treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle—will you come and join the dance?

Will you, won’t you, will you, won’t you, will you going the dance? Will you, won’t you, will you, won’t you, will you join the dance?

  Pg. 19

 

“You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!” The further off from England the nearer ‘tis to France, Then turn not pale, beloved snail, but come and join the dance?

Will you , won’t you, will you, won’t you, will you join the dance? Will you, won’t you, will you, won’t you, won’t you join the dance?

 ALICE is left alone as the RED QUEEN zooms onto the stage as if she where on rollerskates – or maybe she is under all those petticoats

Act II Scene 2: The Red Queen

Red Queen: Where do you come from and where are you going? Look up, speak nicely, and

don’t twiddle your fingers. Alice: You see I’ve lost my way. Red Queen: I don’t know what you mean by your way, all the ways about here belong to me!

But why did you come out here at all? Curtsey while you’re thinking what to say. It saves time. Open your mouth a little wider when you speak and always say “Your Majesty.” Alice: I only wanted to see what the garden was like, Your Majesty. Red Queen: I’ve seen gardens, compared with which this would be a wilderness. Alice: And I thought I’d try and find my way to the top of that hill. Red Queen: I could show you hills, in comparison compa rison with which you’d call that a valley. v alley. Alice: But a hill can’t be a valley, that would be nonsense! Red Queen: You may call it “nonsense” if you like, but I’ve heard nonsense, compared with

which that would be as sensible as a dictionary! Alice: I declare it’s marked out just like a large chessboard. It’s a great huge game of chess

that’s being played all over the world! How I wish I was part of it. I should like to be a Queen best.

  Pg. 20

 

Red Queen: That’s easily managed. You can be the White Queen’s Pawn, if you like; and

you’re in the Second Square to begin with: when you get to the Eighth square, you’ll be a Queen.. (Takes ALICE and starts running)  Queen running)  Faster, faster! Alice: I wonder if all the things move along with us? Red Queen: Faster! Don’t try to talk! Faster! Faster! Alice: Are we nearly there? Red Queen:  Nearly there? Why, we passed it ten minutes ago! Faster! Now! Now! Faster!

Faster! (stops running)  running)  You may rest rest a little now. Alice: Why, I do believe we’ve been right here the whole time! Everything’s just as it was! Red Queen: Or course it is. What would you have it? Alice: Well, in our country, you generally g enerally get to somewhere else if you ran very fast for a long

times as we’ve been doing. Red Queen: A slow sort of country! Now, here, you see, it takes all the running you can do to

keep in the same place. If you want to get somewhere somewhere else, you must run at least twice as fast as that! Alice: I’d rather not try, please! I’m quite content to stay here - only I am so hot and thirsty! Red Queen: I know what you’d life. (Handing ALICE a hard biscuit)  biscuit)  Have a biscuit? While

you’re refreshing yourself, I’ll I’ll just take the measurements. At the end of two yards…I yards…I shall give you your directions. directions. Have another biscuit? biscuit? Alice:  No, thank you, one’s quite enough. Red Queen: Thirst quenched, I hope? At the end of three yards, I shall repeat them for for fear of

your forgetting them. At the end of four, I shall say good-bye. And at the end of five, I shall go! A pawn foes two squares in in its first first move, you know. So you’ll go very very quickly through the Third Square and you’ll find yourself in the Fourth Square in no time. Well, that square belongs to to Tweedledum and Tweedledee - the Fifth is mostly water… But you make no remark? Alice: I…I didn’t know I had to make one just then. Red Queen: You should have said, “It’s extremely kind of you to tell me all this,”…however,

we’ll suppose it said…the Seventh Square is all forest…however, one of the Knights will show you the way…Speak in French when you can’t think of the English for a thing. Turn out your toes when you walk, and remember who you are! (Starts running)  running)  Alice: She can run very fast!

  Pg. 21

 

 ALICE is left alone as the RED QUEEN zooms off stage and a white lace shawl blows on to the stage.

Act II Scene 3: The White Queen

off. I’m glad I happened to be iin n the way. Alice: There’s somebody shawl being blown off. White Queen: (sputtering on to the stage) Bread-and-butter, bread-and-butter, bread-and-butter. Alice: Am I addressing the White Queen?

all. White Queen: Well, yes, if you call that a-dressing. It isn’t my notion of the things at all. Alice: If Your Majesty will only tell me the right way to begin, I’ll do it as well as I can. White Queen: But I don’t want it done at all. I’ve been a-dressing myself for the last two

hours. Alice: Every single thing’s crooked and she is all over pins. May I put your shawl straight for

you? White Queen: I don’t know what’s the matter with it. It’s out of temper, I think. I’ve pinned it

here and I’ve pinned it there, but there’s no pleasing it. Alice: It can’t go straight, you know, if you pin it all on one side, and dear me, what a state your

hair is in. White Queen: The brush has got entangled in it and I lost the comb yesterday. Alice: You look rather better now, but really you should have a lady’s maid. White Queen: I am sure I’ll take you with pleasure! Twopence a week and jam everyother day. Alice: I don’t want you to hire me - and I don’t care for jam. White Queen: It’s very good jam. Alice:  Well, I don’t want any today at any rate. White Queen: You couldn’t have it if you did want it. The rule is jam tomorrow tomorrow and jam

yesterday but never jam today. Alice: I don’t understand you. It is dreadfully confusing.

ma kes one a little giddy at first! White Queen: That’s the effect of living backwards, it always makes thing! Alice: Living backwards! I never heard of such a thing! adv antage in it, that one’s memory works bo both th ways. White Queen: But there is one great advantage works one way. I can’t remember things before before they happen. Alice: I’m sure mine only works memory that only works backwards. Oh, oh, oh! My finger’s White Queen: It’s a poor sort of memory  bleeding. Oh, oh, oh, oh!   Pg. 22

 

Alice: What is the matter? Have you pricked your finger?

it yet, but I soon shall. Oh, oh, oh! White Queen: I haven’t pricked it Alice: When do you expect to do it? White Queen: When I dasten my shawl again; the brooch will come undone directly. Oh, oh! Alice: Take care! You’re holding it all crooked! White Queen: There, you see! That accounts for for the bleeding! Now yo understand understand the way things happen here. Alice: But why don’t you scream now? White Queen: Why, I’ve done all the screaming already. What would be the good of having all

over again? Nobody can do two things at once, you know. Let’s consider your age to  begin with - how old are you? Alice: I’m seven and a half exactly. White Queen: You needn’t say “exactually.” I can believe believe it without that. Now I’ll give you

something to believe. I’m just one humdred and one, fi five ve months and a day. Alice: I can’t believe that! White Queen: Can’t you? Try again! Draw a long breath and shut your eyes. Alice: There’s no use in trying. One can’t believe impossible impossible things. White Queen: I daresay you haven’t had much practice. When I was you age, I always did it

for half an hour a day. Why, sometimes, I’ve belived as many as six impossible impossible things  before breakfast. There goes the shawl again! Alice: Don’t prick you finger again! White Queen: Good-bye! Good-bye! Good-bye!

(The WHITE QUEEN teeters off the stage as the TWEEDLES are revealed)

Act II Scene 4: The Tweedles

Alice: I suppose they’ve each got Tweedle round at the back of the collar.

wax-works, you ought to pay, you know. Wax-works aren’t Tweedledum: If you thing we’re wax-works, made to be looked at for nothing - nohow! Tweedledee: Contrariwise. If you think we’re alive, you ought to speak. Alice: I’m sure I’m very sorry.

  Pg. 23

 

Tweedledum: I know what you’re thinking about, but it isn’t so, nohow.

sn’t, Tweedledee: Contrariwise. If it was so, it might be; and if it were so, it would be, but as it iisn’t, it ain’t. That’s logic. wood. It’s getting dark. Would you tell Alice: I was thinking which is the best way out of this wood. me please? Tweedledee: Like poetry, you do? Alice: Yes, pretty well… some poetry that is… Tweedledee: What shall we repeat to hear? Tweedledum: “The Walrus and the Carpenter” Tweedledee: That’s longest.

(The following characters appear as they are introduced: WALRUS, CARPENTER, OYSTERS)

Tweedledum:

The sun was shining on the sea,

Tweedledee:

Shining with all his might:

Tweedledum:

He did his very best to make

Tweedledee:

The billows smoother and bright…

Tweedledum:

And this was odd,

Tweedledee:

Because it was

BOTH: 

The middle of the night.

Tweedledee:

The Walrus and the Carpenter   Were walking close at hand; They wept like anything to see Such quantities of sand:

Walrus and Carpenter:

If this were only cleared away,  

Tweedledee:

They said,

Walrus and Carpenter:

It would be grand!

Walrus:

O, Oysters, come and walk with us!

Tweedledum:

The Walrus did beseech.

Walrus:

A pleasant walk, a pleasant talk, Along the briny beach;

Carpenter:

We cannot do with more than four, To give a hand to each.

  Pg. 24

 

Tweedledee:

The eldest oyster looked at him,  but but never a word he said:  The elset oyster winked his eyes and shook his heavy head… Meaning to say he did not choose to leave the oyster bed.

Tweedledum:

But four young oysters huffied up - all eager for the treat:  Their coats were brushed, their faves washed; Their shoes were clean and neat… And this was odd, because you know, they hadn’t any feet. Four oysters followed them And yet another four; And thich and fast they came at last, And more, and more, and more… All hopping through the frothy waves, And scarmbling to the shore.

Tweedledee:

The Walrus and the Carpenter  w  walked on a mile or so,  And then they rested on a rock conveniently low: And all the little oysters stood And waited in a row.

Walrus:

The time has come… 

Tweedledee:

The Walrus said,

Walrus: 

To talk of many things; of shoes… and ships… and sealing-wax… of cabbages… and kings…

Tweedledum:

And why the sea is boing hot…

Walrus:

and whether pigs have wings. A loaf of bread…

Tweedledee:

The Walrus said,

Walrus:

Is what we chiefly need:

Carpenter: 

Pepper and vinegar besides, are very good indeed…

Walrus: 

Now if you’re ready, Oysters dear, We can begin to feed.

Oysters:

But not on us! 

Tweedledum:

The Oysters cried. Turning a little little blue.

Oysters:

After such kindness, that would be A dismal thing to do!

Walrus:

The night is fine,   Pg. 25

 

Tweedledee:

The Walrus said.

Walrus:

To play them such a trick, After we’ve brought them out so far, And made them trot so quick! 

Tweedledee:

The Carpenter said nothing but:

Carpenter:  Walrus: 

The butter’s spread too thick! I weep for you,

Tweedledee:

The Walrus said.

Walrus: 

I deeply sympathize.

Tweedledum:

With sobs and tears he sorted out   Those of the largest size, Holding his pocket-handerschief Before his streaming eyes

Carpenter:

O, Oysters.

BOTH:

Said the Carpenter.

Carpenter:

You’ve had a pleasant run! Shall we be trotting home again? 

Tweedledee:

But answer camethere none… 

Tweedledum:

But answer came there none… 

BOTH:

And this was scarely odd, becase they’d eaten everyone. 

Alice: I like the Walrus best, because you see he was a little sorry for the p poor oor oysters. Tweedledee: He ate more than the Carpenter though. Alice: Then I like the Carpenter best… be st… Tweedledum: But he ate as many as he could get. Alice: Well! They were both very unpleasant characters. At any rate I’d better be getting out of

this wood, for really it’s it’s coming on very dark. Do you think it’s going to to rain? Tweedledum:  No, I don’t think it is - at least - not under here. Nohow. Alice: But it may rain outside? Tweedledee: It may if it chooses we’ve no objection. Contrariwise. Alice: Selfish things! Tweedledum: Do you see that?

  Pg. 26

 

Alice: It’s only a rattle - and old rattle - quite q uite old and broken.

spoilt, of course! Tweedledum: I knew it was! It’s spoilt, Tweedledee: You needn’t be so angry about an old rattle. Tweedledum: But it isn’t old! It’s new, I tell you, I bought it yesterday - my nice new rattle!

Of course you agree to have a battle? Tweedledee: I suppose so. Tweedledum: Do I look very pale? Alice: Well, yes - a little. Tweedledum: I’m very brave generally, only today I happen to have a headache. Tweedledee: And I’ve got a toothache! I’m far worse off than you! Alice: Then you’d better not fight today. Tweedledum: We must have a bit of a fight, but I don’t care about going on long. Tweedledee: What’s the time now? Tweedledum: Half-past four. Tweedledee: Let’s fight till six, and then have dinner. Tweedledum: Very well, and she can watch us—only you’d better not come very close, I

generally hit everything I can see—when I get really excited. Tweedledee: And I hit everything within within reach, whether I can see it or not! Engarde! Tweedledum: Touche!

The TWEEDLES engage in a ridiculous fight. Their fight is int interrupted errupted by a crash of thunder.

Tweedledum: What’s that?. Tweedledee: A storm, I suspect. Alice: But there aren’t any clouds. Tweedledum: Except for that thick, black one! Tweedledee: And look how fast it comes! ALICE: Why, I do believe it’s got wings! Tweedledum and Tweedledee: The Jabberwocky!

  Pg. 27

 

Act II Scene 5: The Jabberwocky

Jabberwocky:

‘Twas brillig, and the slithy toves

Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgabe. ‘Beware the Jabberwock, my girl! The jaws that bite, the claws that catch! Beware the Jubjub bird, and hurl The frumious Bandersnatch!

She took his vorpal sword in hand; 

Alice:

Long time the maxome foe she sought… So rested she by the Tumtum tree, And stood awhile in thought, Jabberwocky:

And as in uffish thought she stood,   The Jabberwock, with eyes of flame Came whiffling through the tulgey wood, And burbles as it came! One, two! two! One, two! two! And through and through 

Alice:

The vorpal blade went snickersnack! She left it dead, and with its head She went galumphing back. 

Act II Scene 6: The White Knight

 As ALICE returns triumphant having defeated the Jabberwock – an ancient WHITE  KNIGHT gallops in on his broken-down, mechanical horse.

White Knight:

And hast thou slain the Jabberwock?  Come to my arms, my beamish boy!   Pg. 28

 

O frabjous day! Callooh! Callay! He chortled in his joy. Jabberwocky:

‘Twas brillig, and the slithy toves  Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgabe.

Alice: May I help you off with your helmet? White Knight:  Now one can breathe more easily. I see you’re admiring my little box. It’s my

own invention to keep clothes and sandwiches in. You see, I carry it upside down, so that the rain can’t get in. Alice: But the things can get out. Do you know the lid’s open? White Knight: I didn’t know it. Then all the things things must have fallen out. And the box is no use

without them. (hangs it) Can you guess why I did that? In hope some bees may make a nest in it - then I should get the honey. Alice: But you’ve got a beehive - or something like one fastened to the saddle. White Knight: Yes, it’s a very good beehive, one of the best kind. But not a single bee has

come near it yet. And the other thing is a mouse trap. I suppose the mice keep the bees out - or the bees keep the mice out, I don’t know which. Alice: I was wondering what the mouse trap was for. Its isn’t very likely there would be any

mice on the horse’s back. White Knight:  Not very likely perhaps. But if they do come, they won’t run all about. You

see, it’s as well to be provided for everything. That’s the reason the horse has all those anklets round its feet. Alice: But was are they for? White Knight: To guard against the bites of sharks. It’s an invention of my own. And now

help me on. I must be on my way. I hope you’ve got your hair well fastened on? Alice: Only in the usual way. White Knight: That’s hardly enough. You see the wind is so very strong here. It’s as strong as

soup. Alice: Have you invented a plan for keeping the hair from being blown off? White Knight:  Not yet. But I’ve got a plan for keeping it from falling off.

  Pg. 29

 

Alice: I should like to hear it, very much.

stick. Then you make your hair creep up it like a fruit White Knight: First you take an upright stick. tree. Now the reason hair falls off is because it hands down…things never fall upward, you know. It’s a plan of my own invention. You may try it if you like. (Gets on horse and falls off)  off)  Alice: I’m afraid you’ve not had much practice in riding. White Knight: What makes you say that? Alice: Because people don’t fall off quite so often when they’ve had much practice.

is to keep White Knight: I’ve had plenty of practice; plenty of practice! The great are of riding is your balance…and knowing when to walk instead. And now I must be going. But you’ll stay and see me off? I shan’t be long. You’ll wave your handkerchief when I get to that turn in the road? I think it’ll it’ll encourage me, you see. Alice: Of course!

 ALICE waves to the WHITE KNIGHT as galumpfs offstage when suddenly, the WHITE  RABBIT returns – now dressed as a Court Herald.

Act II Scene 7: The Trial

White Rabbit: The trial’s beginning! The trial’s trial’s beginning! The trial’s trial’s beginning! Alice: What trial is it?

*DANCE The entire CAST seems to be in a frenzy as they spin, zig and zag into their places for the

wackiest trial ever imagined.

Alice: (sizing up the room) The queen’s the judge…and that’s the jury-box. What are they

doing? They can’t have anything to put down yet before the trial’s trial’s begun Cheshire Cat: They’re putting down their names for fear they should forget them before the

end of the trial. Alice: Silly things! White Rabbit: Silence in the court!

  Pg. 30

 

King: Herald, read the accusation!

“The Queen of Hearts, she made some tarts,

White Rabbit:

All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!” King: Consider your verdict! White Rabbit:  Not yet, not yet! There’s a great deal more to come before that. King: Call the first witness! White Rabbit: First witness! Mad Hatter: I beg pardon, Majesty, for bringing thse in: but I hadn’t quite finished my tea

when I was sent for. finished. When did you begin? King: You ought to have finished. th

Mad Hatter: 14  of March, I think it was. th

March Hare: 15 . Dormouse: 16th. King: Write that that down. Take off your hat. Mad Hatter: It isn’t mine. King: Stolen! Mad Hatter: I keep them them to sell. sell. I’ve none of my own. I’m a hatter. King: Give your evidence. And don’t be nervous or I’ll I’ll have you execute on the spot. Queen: Bring me the list of the singers in the last concert! King: Give your evidence or I’ll have you executed whether you’re nervous or not. Mad Hatter: I’m a poor man, Your Majesty, and I hadn’t but just begun my tea, not above a week or so ago, and what with the bread and butter getting so thin, and the twinking of

the tea… King: The twinkling of what? Mad Hatter: It began with the tea.

twinkling begins with a T. Do you take me for a dunce? If that’s all you King: Of course twinkling know, you may stand down. Mad Hatter: I can’t go no lower. I’m on the floor as it is. King: Then you may sit down. Mad Hatter: I’d rather finish my tea.

  Pg. 31

 

King: You may go! Queen: Just take his head off outside! King: Consider your verdict! White Rabbit: There’s more evidence to come yet, please Your Majesty. This paper has just

 been picked up. It’s a set of verses. Queen: Are they in the prisoner’s handwriting? White Rabbit:  No they’re not. King: He must have imitated someone else’s hand/

prove I did. There’s no name Knave: Please, Your Majesty, I didn’t write it, and they can’t prove signed at the end. King: If you didn’t sign it, that only makes matter matterss worse. You must have meant some mischief

or you’d have signed your name like an honest man. Queen: That proves his guilt. Alice: It proves nothing of the sort! sort! Why, you don’t even know what they’re about! King: Read them! White Rabbit: Where shall I begin, please Your Majesty? King: Begin at the beginning and go on till you come to the end; then stop! White Rabbit:

“I gave her once, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine, before. Don’t let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me. A secret, kept from all the rest, Between yourself and me.” important pieve of evidence we’ve heard yet. So now let the jury… King: That’s the most important it, I’ll give him a sixpence. I don’t believe there’s an atom of Alice: If any of them can explain it, meaning in it. o f meaning in it! Jury: She doesn’t believe there’s an atom of   Pg. 32

 

King: If there’s no meaning in it, that saves a world of trouble. Alice: But it goes on, “They all returned from him to you.”

his King: Why, there they are! Nothing can be clearer than that. Then again “Before she had tthis fit…” You neve had fits, fits, my dea, I think? Queen:  Never! King: Then the words don’t fit you! It’s a pun. Alice: It’s a lie!

abo ut this business? King: What do you know about Alice:  Nothing. King:  Nothing whatever? Alice:  Nothing whatever. King: That’s very important. White Rabbit: Unimportant, Your Majesty, means of course. King: Unimportant, of course, I mean. Important, unimportant, important, unimportant, imp,

ump. Unimportant! Yes, yes, to be sure. Consider your verdict! Queen:  No, no! Sentence first; verdict afterwards. Alice: Stuff and nonsense! The idea of having the sentence first. first. Queen: Hold your tongue. Alice: I won’t! Queen: Off with her head! All: Off with her head! Alice: Who cares for you! You’re nothing but a pack of cards! cards!

*DANCE

 A whirlwind of acrtivity explodes onstage as the Wonderland characters are blown into a tornado and then offstage.

  Pg. 33

 

Act II Scene 8: Alice’s Home

Alice: How curious! Such a curious, curious dream.

 ALICE’s dreams appear once again as the Wonderland characters reappear one last time.

PLAN A

PLAN B

Lovelies: In Wonderland she lies…

Small Alice: In Wonderland she lies…

Scarries: Dreaming as the summer dies…

Cast: Dreaming as the summer dies…

Weirdos: Drifting down the stream…

Med Alice: Drifting down the stream…

Friends: Lingering in the golden gleam…

Big Alice: Lingering in the golden gleam…

Mads: Life, what is it but a dream?

White Rabbit: Life, what is it but a dream?

Curtain

  Pg. 34